Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:35,522 --> 00:00:38,521
"In reviewing my life,
PAS? 95% OF TIME
2
00:00:38,522 --> 00:00:42,502
LOOKING FOR MONEY
TO PEL? CULAS
3
00:00:42,503 --> 00:00:45,519
And 5% HACI? NDOLAS
4
00:00:45,520 --> 00:00:51,820
THAT'S NO LIFE "
Orson Welles (1915-1985)
5
00:00:56,703 --> 00:00:59,701
I have not sung
in a Broadway musical,
6
00:00:59,702 --> 00:01:02,719
but I've done it all,
for better or worse.
7
00:01:02,720 --> 00:01:04,719
I pel? Particles small as
and large.
8
00:01:04,720 --> 00:01:07,699
I daytime soaps
and night.
9
00:01:07,700 --> 00:01:10,714
I mini-series, actu?
on and off Broadway,
10
00:01:10,715 --> 00:01:14,708
I Radio
and returned? the pel? particles
11
00:01:14,709 --> 00:01:19,016
because when it's good,
It is? nica.
12
00:01:22,720 --> 00:01:27,717
I have the belief that
I've never done a good.
13
00:01:27,718 --> 00:01:32,723
Sometimes he sat on it was a pe? N
a qualified principal.
14
00:01:32,724 --> 00:01:37,029
I was the spies to flip Tula
Mike Nichols tortillas.
15
00:01:37,709 --> 00:01:39,716
I was not the omelet,
16
00:01:39,717 --> 00:01:42,725
or spinach and olives
in the tortilla.
17
00:01:42,726 --> 00:01:46,712
Quiz? I was the salt
with which it is seasoned,
18
00:01:46,713 --> 00:01:51,718
or principal obstru? all
how good I could do.
19
00:01:51,719 --> 00:01:54,704
They were unable.
20
00:01:54,705 --> 00:01:56,710
You try to ignore the principal,
21
00:01:56,711 --> 00:01:59,726
or you do as if there
and you try to avoid it,
22
00:01:59,727 --> 00:02:05,722
but it is how to avoid the vagina
when you leave your mother.
23
00:02:05,723 --> 00:02:09,023
? C? Mo can do?
24
00:02:14,708 --> 00:02:17,714
The pin? Ass is a good film,
with a good director.
25
00:02:17,715 --> 00:02:21,701
I received? a call
My agent
26
00:02:21,702 --> 00:02:24,728
and I found me in ...
27
00:02:24,729 --> 00:02:28,706
... The worst time
my divorce.
28
00:02:28,707 --> 00:02:31,723
That was the worst time
of my life,
29
00:02:31,724 --> 00:02:34,713
but are they? my phone rang
30
00:02:34,714 --> 00:02:37,704
and my agent asked me ?:
"? C? Mo est? S?"
31
00:02:37,705 --> 00:02:41,717
I told him I had spent
One day I played terrible.
32
00:02:41,718 --> 00:02:46,718
He asked me? it was the place
where he was declaring
33
00:02:46,719 --> 00:02:51,714
and to request all
I was called Juan Trippe.
34
00:02:51,715 --> 00:02:54,700
It was the will sign that Scorsese
35
00:02:54,701 --> 00:02:56,720
I had to die
a role in his film.
36
00:02:56,721 --> 00:03:01,721
I There would be all I liked to see ?,
John was exciting.
37
00:03:01,722 --> 00:03:05,029
As you want, but
you must answer for the goose.
38
00:03:06,704 --> 00:03:11,728
? It's called the H? Rcules
and will fly, curse? No!
39
00:03:11,729 --> 00:03:12,728
I hope so.
40
00:03:12,729 --> 00:03:16,717
US people deserve
something for their $ 13 million.
41
00:03:16,718 --> 00:03:19,018
People think...
42
00:03:20,700 --> 00:03:23,013
Think about the money.
43
00:03:24,700 --> 00:03:27,023
And thinks it
fame,
44
00:03:27,712 --> 00:03:30,703
and he thinks that it is the ego,
45
00:03:30,704 --> 00:03:33,726
but when Scorsese
He gave me that role,
46
00:03:33,727 --> 00:03:38,005
I can not tell you
which signific? to m ?.
47
00:03:52,726 --> 00:03:56,711
YOU ONLY LIVE EST?
Ready to die
48
00:03:56,712 --> 00:03:58,021
SAMUEL JOHNSON
49
00:03:59,708 --> 00:04:01,706
I do not fear death,
50
00:04:01,707 --> 00:04:04,699
BUT I DO NOT WANT TO BE
When it happens. WOODY ALLEN
51
00:04:04,700 --> 00:04:07,029
I want to know
if est? n willing to die
52
00:04:07,700 --> 00:04:13,699
because otherwise you can not live
and I am ready to die
53
00:04:13,700 --> 00:04:17,713
since pas? eight d? ace LSD
when ten? 19 years.
54
00:04:17,714 --> 00:04:20,724
The films are the ox? Geno
of my being.
55
00:04:20,725 --> 00:04:24,016
They give structure
the chaos of my life.
56
00:04:24,718 --> 00:04:27,717
? Why? I want to do
a film with you?
57
00:04:27,718 --> 00:04:31,011
They must have made you
that question.
58
00:04:31,720 --> 00:04:34,705
? Why? I betrayed me ??
Cre? he liked.
59
00:04:34,706 --> 00:04:37,726
Can we enseriarnos for
living out of this town?
60
00:04:37,727 --> 00:04:40,728
- I'm ready.
- Be ready in your room.
61
00:04:40,729 --> 00:04:43,728
- HOW TO amuse me?
- Learn your di logos?.
62
00:04:43,729 --> 00:04:46,704
- Month? my di? logos,
- S ??
63
00:04:46,705 --> 00:04:48,721
Although not s? the order.
64
00:04:48,722 --> 00:04:54,020
Conf? O you,
but I trusted people ...
65
00:04:55,700 --> 00:04:59,714
... Where no deb? trust,
like those dogs who cares.
66
00:04:59,715 --> 00:05:02,017
Duty? To kill him.
67
00:05:03,724 --> 00:05:07,720
What fascinates me
what we face,
68
00:05:07,721 --> 00:05:12,699
and what excites me,
we are going to do something
69
00:05:12,700 --> 00:05:14,711
I do not consider
a documentary,
70
00:05:14,712 --> 00:05:19,714
not a fiction film? n,
but without the film category? a
71
00:05:19,715 --> 00:05:23,705
"Seduced and Abandoned"
on our trip to Cannes,
72
00:05:23,706 --> 00:05:26,726
to celebrate cinema,
its realization? n, the filmmakers
73
00:05:26,727 --> 00:05:29,706
and a festival in his honor,
74
00:05:29,707 --> 00:05:33,709
with the intention? n
to find funding
75
00:05:33,710 --> 00:05:36,709
for this film? intimate
to which we refer,
76
00:05:36,710 --> 00:05:39,705
using the big politics
as background,
77
00:05:39,706 --> 00:05:42,717
without presenting
with much grandeur.
78
00:05:42,718 --> 00:05:45,716
Our version? N
"Last Tango in Paris"
79
00:05:45,717 --> 00:05:49,019
be? "Last Tango in Tikrit."
80
00:05:49,706 --> 00:05:51,725
COMPANY CINEM? TOGR? FICA
LINCOLN CENTER
81
00:05:51,726 --> 00:05:55,703
Receive the writer
and director James Toback
82
00:05:55,704 --> 00:06:00,018
and someone well-known,
actor Alec Baldwin.
83
00:06:02,705 --> 00:06:04,723
- Give me the scissors.
- What ??
84
00:06:04,724 --> 00:06:06,714
The scissors to nail.
85
00:06:06,715 --> 00:06:09,702
? Qu? see in "Last Tango"
86
00:06:09,703 --> 00:06:14,723
that makes you want to do
a film like me?
87
00:06:14,724 --> 00:06:18,700
Ideally, it would be to
our attempt an? logo
88
00:06:18,701 --> 00:06:22,710
to clear up the line
between the actor and the role
89
00:06:22,711 --> 00:06:28,008
and create something bold and dark
from you and for you.
90
00:06:28,726 --> 00:06:31,705
I want your fingers goals
in my anus.
91
00:06:31,706 --> 00:06:32,706
? What ??
92
00:06:32,707 --> 00:06:36,003
M? Fear fingers in the anus.
? Est? S deaf?
93
00:06:37,722 --> 00:06:40,001
Forward.
94
00:06:43,705 --> 00:06:49,015
I'll get a pig
so fuck you
95
00:06:49,703 --> 00:06:51,725
and I want the pig vomit
on your face,
96
00:06:51,726 --> 00:06:55,016
and I want you to swallow
the v? Myth.
97
00:06:55,700 --> 00:06:56,711
Are you going to do it for m ??
98
00:06:56,712 --> 00:06:59,015
? S ?! ? S ?!
99
00:06:59,718 --> 00:07:03,023
I want the pig dies
while fucked,
100
00:07:03,717 --> 00:07:09,024
and I want to smell farts
the dying pig.
101
00:07:10,709 --> 00:07:12,706
Are you going to do it for m ??
102
00:07:12,707 --> 00:07:14,704
? S ?, and m? S that!
103
00:07:14,705 --> 00:07:18,013
? Something worse
and worse than before!
104
00:07:20,709 --> 00:07:25,728
Est? Clearly Brando
It became? Brando
105
00:07:25,729 --> 00:07:29,714
when hac? to these scenes.
One of the teachers achievements
106
00:07:29,715 --> 00:07:32,719
in the history of Directors
directing actors,
107
00:07:32,720 --> 00:07:35,703
Bertolucci was making that
Brando.
108
00:07:35,704 --> 00:07:37,715
You have described better than anyone
109
00:07:37,716 --> 00:07:41,029
you want to create a character
close to m ?.
110
00:07:41,700 --> 00:07:45,029
It may be within a script
or improvising,
111
00:07:45,700 --> 00:07:49,719
but must be violent
and it takes a woman.
112
00:07:49,720 --> 00:07:53,701
As I said,
I can not pinpoint the reason? n
113
00:07:53,702 --> 00:07:58,008
and I can not do it because
we have the right woman.
114
00:07:59,705 --> 00:08:04,707
after? S ?, that you conoc
I told him that ten? t be as?.
115
00:08:04,708 --> 00:08:07,716
My experience with Jim
It has been exploratory.
116
00:08:07,717 --> 00:08:10,029
There were no limitations.
117
00:08:10,700 --> 00:08:14,704
Trat? Bamos to find things
each d? a.
118
00:08:14,705 --> 00:08:17,699
I wonder
whether it be? dif? cult to find
119
00:08:17,700 --> 00:08:19,712
$ 25 million in Cannes
for this film.
120
00:08:19,713 --> 00:08:22,725
- In particular unscripted.
- S ?, accurate as well? than...
121
00:08:22,726 --> 00:08:27,724
?You think? ? What ??
I did not say that.
122
00:08:27,725 --> 00:08:33,724
I want you to come with us.
Adem? S to be fun,
123
00:08:33,725 --> 00:08:39,703
you be? masters as part faithful
cast to look for money,
124
00:08:39,704 --> 00:08:43,711
with the assurance that if no
You would not have t ?,? pel? cula.
125
00:08:43,712 --> 00:08:44,725
Okay, great.
126
00:08:44,726 --> 00:08:48,029
We will access
when someone says
127
00:08:48,700 --> 00:08:52,019
we will have the pel? cula
if we use ...
128
00:08:56,710 --> 00:09:00,714
Nice Airport
FRENCH RIVIERA
129
00:09:00,715 --> 00:09:03,016
14 MAY 2012
130
00:09:10,712 --> 00:09:13,020
- Alec!
- Hello.
131
00:09:19,705 --> 00:09:21,025
Did you see Larry?
132
00:09:21,713 --> 00:09:28,000
? God m? O, Claudia Cardinale
and Marcello Mastroianni!
133
00:09:31,700 --> 00:09:35,702
? C? Mo you feel an hour before
losing virginity
134
00:09:35,703 --> 00:09:36,726
at Cannes?
135
00:09:36,727 --> 00:09:39,708
I'm happy
losing my virginity
136
00:09:39,709 --> 00:09:40,728
of the French Riviera.
137
00:09:40,729 --> 00:09:43,726
? Have you traveled much
conoc not? as the Riviera?
138
00:09:43,727 --> 00:09:48,012
Never, and now I see,
quiz? I never go.
139
00:09:51,718 --> 00:09:54,714
? What? Unlike Cannes
140
00:09:54,715 --> 00:09:59,025
of the hundreds of festivals
there worldwide?
141
00:09:59,702 --> 00:10:03,712
Two things: First, history
and not just in years,
142
00:10:03,713 --> 00:10:08,723
but the characters have
come in these six d? decades.
143
00:10:08,724 --> 00:10:11,726
Everyone
and from everywhere:
144
00:10:11,727 --> 00:10:15,700
Hitchcock, Bardot, Wells,
145
00:10:15,701 --> 00:10:18,710
Cocteau, Moreau, Kera Stamey,
146
00:10:18,711 --> 00:10:21,710
Groucho Mark, Gregory Peck,
Juan Carl White,
147
00:10:21,711 --> 00:10:24,718
Gary Cooper, Beatty, Mizoguchi,
Lauren, Micky Rourke.
148
00:10:24,719 --> 00:10:25,724
? And secondly?
149
00:10:25,725 --> 00:10:29,721
Because it is a market
to buy and sell
150
00:10:29,722 --> 00:10:33,707
and get financing
we seek,
151
00:10:33,708 --> 00:10:37,706
Adem? S the celebration? N
of film as art.
152
00:10:37,707 --> 00:10:40,716
It is a festival
with double personality,
153
00:10:40,717 --> 00:10:45,008
as the film we are
currently doing.
154
00:11:21,720 --> 00:11:23,721
This Week
meetings have
155
00:11:23,722 --> 00:11:26,713
with foreign sellers
m? s important
156
00:11:26,714 --> 00:11:30,705
and several millionaires,
and I hope that one of them
157
00:11:30,706 --> 00:11:33,706
we pray
we accept your money.
158
00:11:33,707 --> 00:11:34,726
hope knees.
159
00:11:34,727 --> 00:11:37,709
But first
Bertolucci will see.
160
00:11:37,710 --> 00:11:39,708
after? S going
to the inauguration? n
161
00:11:39,709 --> 00:11:43,720
and see other luminaries
as we seek the money.
162
00:11:43,721 --> 00:11:47,029
Natalie comes to see us,
the assistant Bernardo.
163
00:11:47,700 --> 00:11:50,705
We recommend
?, here to be interviewed
164
00:11:50,706 --> 00:11:51,720
at the Carlton Hotel.
165
00:11:51,721 --> 00:11:53,711
? In a suite or on the table?
166
00:11:53,712 --> 00:11:56,700
Anywhere,
but I recommend the suite.
167
00:11:56,701 --> 00:11:58,699
Let's do it
in my room? No,
168
00:11:58,700 --> 00:12:01,705
for between
Bertolucci in the suite
169
00:12:01,706 --> 00:12:08,006
and I ask you to forgive me
because it is my room n.
170
00:12:08,718 --> 00:12:13,012
I wondered if they were going to get you
to my room n.
171
00:12:14,712 --> 00:12:16,728
Remove your name and put the m? O.
172
00:12:16,729 --> 00:12:19,722
It is interchangeable.
This part is removed.
173
00:12:19,723 --> 00:12:24,713
The di? Sexual logo
It seems improvised
174
00:12:24,714 --> 00:12:26,728
but it comes from him.
175
00:12:26,729 --> 00:12:32,017
No, it's a type
of manipulation? n.
176
00:12:32,700 --> 00:12:35,725
? L us? All di? logos
they exist? an before.
177
00:12:35,726 --> 00:12:37,712
For instance,
178
00:12:37,713 --> 00:12:41,718
when? l is?
near the dead wife,
179
00:12:41,719 --> 00:12:46,021
I started? with l? nea ...
180
00:12:47,715 --> 00:12:48,720
... Strinberg.
181
00:12:48,721 --> 00:12:54,008
Quiz? You can understand
the universe, but ...
182
00:12:55,726 --> 00:12:59,029
... Never discover?
the truth about you.
183
00:12:59,706 --> 00:13:03,703
Began? with that
and after? s started? to say:
184
00:13:03,704 --> 00:13:07,026
"You're a damn liar."
And continued to? with that.
185
00:13:07,702 --> 00:13:10,722
Barata, damn,
Lost dog,
186
00:13:10,723 --> 00:13:12,719
I hope you go to hell.
187
00:13:12,720 --> 00:13:16,706
You're worse
a pig street.
188
00:13:16,707 --> 00:13:20,717
You know why ??
Because you lied.
189
00:13:20,718 --> 00:13:23,713
You lied to me.
Confi? in you, but you lied.
190
00:13:23,714 --> 00:13:27,716
Start with that and after? S
changes completely,
191
00:13:27,717 --> 00:13:29,023
but so does yours.
192
00:13:29,702 --> 00:13:33,705
? It felt? thankful
because he do that?
193
00:13:33,706 --> 00:13:36,724
I did not speak?
for five years.
194
00:13:36,725 --> 00:13:41,027
He called and dec to?:
"Marlon, s? That is? S all?".
195
00:13:42,708 --> 00:13:44,722
? Why? you think he did that?
196
00:13:44,723 --> 00:13:50,718
Quiz? she felt?
betrayed by m?
197
00:13:50,719 --> 00:13:53,724
because they rob?
198
00:13:53,725 --> 00:13:57,720
many sincere things
of s? same,
199
00:13:57,721 --> 00:14:00,707
true things of him.
200
00:14:00,708 --> 00:14:02,716
Quiz? she felt? deception ado
by m ?,
201
00:14:02,717 --> 00:14:07,719
but? l was a man
49 or 50 years.
202
00:14:07,720 --> 00:14:11,002
I watch? 30, 31.
203
00:14:11,701 --> 00:14:14,712
EN ROUTE TO OPENING? N
CANNES
204
00:14:14,713 --> 00:14:17,717
The first time I came,
dorm? in my car.
205
00:14:17,718 --> 00:14:21,711
I came from Lyon and was f? Cil
because I was a student
206
00:14:21,712 --> 00:14:27,711
and He could not see ning? n film,
but I was here ?.
207
00:14:27,712 --> 00:14:30,724
When I first came
1970,
208
00:14:30,725 --> 00:14:37,024
He had to exactly three
US journalists in Cannes.
209
00:14:37,703 --> 00:14:39,700
It was very strange or.
210
00:14:39,701 --> 00:14:43,703
People here? He speaks of films
from? ana, the ma
211
00:14:43,704 --> 00:14:45,726
to the? last whiskey
of the night.
212
00:14:45,727 --> 00:14:49,705
Here? It is a combination? n
fabulous
213
00:14:49,706 --> 00:14:52,720
Art cinema.
214
00:14:52,721 --> 00:14:55,722
There is a great reverence
and much respect.
215
00:14:55,723 --> 00:15:00,705
There is a tradition? N in the form
receiving films
216
00:15:00,706 --> 00:15:02,025
and honor the filmmakers,
217
00:15:02,700 --> 00:15:06,008
as elsewhere
of the world.
218
00:15:06,710 --> 00:15:10,710
He was very young, ten? 24 years,
219
00:15:10,711 --> 00:15:13,723
and "Before the Revolution"
My second film,
220
00:15:13,724 --> 00:15:17,723
He was invited
the Week Critics'
221
00:15:17,724 --> 00:15:20,713
and here? come on.
222
00:15:20,714 --> 00:15:26,029
The? Only ones who saw
They were the cr? ticos Italian.
223
00:15:26,707 --> 00:15:30,029
No gust them ?,
but he Charm? the French
224
00:15:30,700 --> 00:15:34,018
and say? become
in French? s.
225
00:15:34,702 --> 00:15:38,712
Since d? Ed is a
division? n deep in France
226
00:15:38,713 --> 00:15:41,728
between Cahiers du Cin? ma
and Positif.
227
00:15:41,729 --> 00:15:45,700
Cahiers du Cin? Ma was famous
in the 50
228
00:15:45,701 --> 00:15:50,700
for all filmmakers
They formed the New Wave.
229
00:15:50,701 --> 00:15:54,726
They were enthusiastic
of American films
230
00:15:54,727 --> 00:15:57,713
as Sam Fuller
and Nicholas Ray,
231
00:15:57,714 --> 00:16:01,714
but his films
They were not recognized in the US.
232
00:16:01,715 --> 00:16:07,715
Were opposed? An to what Truffaut
He called Cin? ma Du Pope,
233
00:16:07,716 --> 00:16:10,718
that secu? to the tradition n
quality film.
234
00:16:10,719 --> 00:16:14,709
When started? The New Wave
in Italian and French films,
235
00:16:14,710 --> 00:16:17,710
and conoc? masters
the Cannes Film Festival
236
00:16:17,711 --> 00:16:22,721
and somehow
Valdhalla was the film.
237
00:16:22,722 --> 00:16:24,713
This was the place.
238
00:16:24,714 --> 00:16:29,704
I never miss a festival.
I find it exciting.
239
00:16:29,705 --> 00:16:31,721
The plan is where to? Or
240
00:16:31,722 --> 00:16:36,700
and once half of the films
important in ten d? ace.
241
00:16:36,701 --> 00:16:37,718
Is essential.
242
00:16:37,719 --> 00:16:40,724
Le Film Francais presents
a guide? a daily
243
00:16:40,725 --> 00:16:43,711
what they say the cr? ticos
244
00:16:43,712 --> 00:16:47,723
and if you look at the list
Positif and Cahiers,
245
00:16:47,724 --> 00:16:51,702
They are opposed by 99%.
246
00:16:51,703 --> 00:16:53,717
It seems like
They consult each other prior
247
00:16:53,718 --> 00:16:56,726
to disagree ever.
248
00:16:56,727 --> 00:17:00,706
Thank you very much for coming.
It is a pleasure to see you.
249
00:17:00,707 --> 00:17:06,707
I was invited to jury
festival at the famous 68.
250
00:17:06,708 --> 00:17:09,709
Francois Truffaut said:
251
00:17:09,710 --> 00:17:14,728
"You must come quickly,
to support Henri Langlois
252
00:17:14,729 --> 00:17:20,029
and have it return
the Cin? math? que ".
253
00:17:20,707 --> 00:17:26,029
It was a beloved man
for youth, including myself,
254
00:17:26,700 --> 00:17:30,713
but Dirig? To Cin? Math? That
with a lot of clutter.
255
00:17:30,714 --> 00:17:35,029
He kept copies of films
under his bed.
256
00:17:35,700 --> 00:17:38,724
Langlois was a? Cone.
I adored Henri Langlois,
257
00:17:38,725 --> 00:17:44,719
but the government? Little
not wanted? a
258
00:17:44,720 --> 00:17:49,718
and that cre? discontent
among students of Par? s
259
00:17:49,719 --> 00:17:52,725
that propag? and degener?
260
00:17:52,726 --> 00:17:58,714
in the revolution n May 68,
or whatever you call it.
261
00:17:58,715 --> 00:18:02,699
When I arrived I knew I wanted ?,? An
disrupt the festival.
262
00:18:02,700 --> 00:18:07,708
Dec? An that had to stop.
I remember screaming Goudard:
263
00:18:07,709 --> 00:18:13,010
"Comrades, est? N coming
Nice students. "
264
00:18:13,723 --> 00:18:18,728
As the word suggests,
a festival is to have fun
265
00:18:18,729 --> 00:18:24,024
and were angry, but not
Change? to anything if it would stop.
266
00:18:24,702 --> 00:18:29,707
m? S, a? Adi? one joy? to
absurd at all.
267
00:18:29,708 --> 00:18:32,714
Disfrut? a lot
when he was "Mean Streets."
268
00:18:32,715 --> 00:18:35,723
I was the pas? all right,
I stayed at the Carlton,
269
00:18:35,724 --> 00:18:38,724
where conoc? many people.
270
00:18:38,725 --> 00:18:42,706
There were interviews
and people are praised.
271
00:18:42,707 --> 00:18:49,007
I returned? with "Azziza Copso
NovoCento 1900 "...
272
00:18:49,701 --> 00:18:51,716
... And was dif? Cult present
273
00:18:51,717 --> 00:18:55,700
that lasted
a little m? s five hours.
274
00:18:55,701 --> 00:18:59,723
There was a d? to
dedicated to this film.
275
00:18:59,724 --> 00:19:03,713
The festival stopped,
there was only "NovoCento".
276
00:19:03,714 --> 00:19:08,029
The first part of the evening
and the second part at night.
277
00:19:09,724 --> 00:19:14,720
It was the best moment
my megaloman? a.
278
00:19:14,721 --> 00:19:18,027
If I see the film again,
or part of the film,
279
00:19:18,718 --> 00:19:21,720
I m going to see me? same
280
00:19:21,721 --> 00:19:25,717
a kind
Oc? ano pleasure
281
00:19:25,718 --> 00:19:29,710
by a? or pas? rod? Ndolo.
He was young, ten? a desires
282
00:19:29,711 --> 00:19:33,029
and I saw my wishlist
They were satisfied.
283
00:19:33,700 --> 00:19:38,705
Pas? two d? as with DeNiro,
Jodi Foster and I think Harvey.
284
00:19:38,706 --> 00:19:42,702
Tennessee Williams Dirig? A
Reject the jury? violence,
285
00:19:42,703 --> 00:19:45,725
but we dined with Serge Leoni
and Costa-Gavras,
286
00:19:45,726 --> 00:19:48,709
who they were on the jury,
and gust them ?.
287
00:19:48,710 --> 00:19:53,707
We dined at the L'Oasis,
Leoni and talk to Costa.
288
00:19:53,708 --> 00:19:59,007
It's appreciated, we went
and the pel? cula won ?.
289
00:20:00,703 --> 00:20:01,726
Fuck Tennessee Williams.
290
00:20:01,727 --> 00:20:04,717
? Qu? happens?
I like his work.
291
00:20:04,718 --> 00:20:07,019
The ironic that I do is praise.
292
00:20:13,701 --> 00:20:16,700
When young,
I went to Cannes with the film
293
00:20:16,701 --> 00:20:20,717
"You're a Big Boy Now"
Elizabeth Hartman,
294
00:20:20,718 --> 00:20:23,723
who she was a wonderful young
295
00:20:23,724 --> 00:20:26,715
and Tony Billman, who was a child? o.
296
00:20:26,716 --> 00:20:30,720
It was a dream
and it is given ?? gently.
297
00:20:30,721 --> 00:20:34,720
It was not a film festival.
It was a film market,
298
00:20:34,721 --> 00:20:37,728
where all people
He was knowledgeable
299
00:20:37,729 --> 00:20:43,701
and knew whether you go to your film? a
well before t? same.
300
00:20:43,702 --> 00:20:45,728
It seemed to me?
an aggressive environment.
301
00:20:45,729 --> 00:20:48,726
? Do you sought money
in that market?
302
00:20:48,727 --> 00:20:52,029
- No, and I did not return.
- Do not come back?
303
00:20:52,700 --> 00:20:55,721
No, and not the fault of
Cannes managers.
304
00:20:55,722 --> 00:20:59,723
It attracts people
305
00:20:59,724 --> 00:21:04,023
and press it attracts.
It looks like a bullfight.
306
00:21:04,700 --> 00:21:07,719
It was after? s Film Festival
1977
307
00:21:07,720 --> 00:21:10,722
when Robert Altman
He brought his film "3 Women".
308
00:21:10,723 --> 00:21:12,713
Pauline Keal was jury.
309
00:21:12,714 --> 00:21:15,719
It was the only time he came
the Cannes Film Festival.
310
00:21:15,720 --> 00:21:18,711
The film won? the award
Best Actress,
311
00:21:18,712 --> 00:21:20,721
but Altman not won? nothing.
312
00:21:20,722 --> 00:21:23,721
I went to the airport
the d? to after? s festival.
313
00:21:23,722 --> 00:21:28,711
It was Pauline, arrived? Altman,
Pauline saw,
314
00:21:28,712 --> 00:21:31,721
and he said, despite being friends
hac from 7 to you?:
315
00:21:31,722 --> 00:21:35,703
"Damn Whore,
I was going to like my film.
316
00:21:35,704 --> 00:21:39,723
You were going to support me and do not gust ?.
Did not give me an award. "
317
00:21:39,724 --> 00:21:44,018
Explot? against all.
It was embarrassing.
318
00:21:45,701 --> 00:21:46,718
H? Blame Damon.
319
00:21:46,719 --> 00:21:51,728
It is legendary in the world
film finance.
320
00:21:51,729 --> 00:21:55,713
- You use that word?
- S ?, pioneered.
321
00:21:55,714 --> 00:21:57,700
? Pioneer in what ??
322
00:21:57,701 --> 00:22:00,701
In the sales process
abroad,
323
00:22:00,702 --> 00:22:03,715
to finance pel? particles
324
00:22:03,716 --> 00:22:07,705
bas? Ndote in names
in the cast and projection? n.
325
00:22:07,706 --> 00:22:09,029
- In pre.
- Right.
326
00:22:09,700 --> 00:22:12,702
I present a business plan
may
327
00:22:12,703 --> 00:22:16,715
and if I can project
cu? them be? n sales,
328
00:22:16,716 --> 00:22:19,719
and what should I show? a
happen in USA
329
00:22:19,720 --> 00:22:22,720
and make up? No Money
with gains,
330
00:22:22,721 --> 00:22:26,017
I can finance the pel? cula
you want.
331
00:22:26,702 --> 00:22:29,706
I just got
$ 80 million,
332
00:22:29,707 --> 00:22:32,721
for a film with Denzel
Washington and Mark Wahlberg.
333
00:22:32,722 --> 00:22:37,704
? D? Nde is the money?
? We are looking at various pa? Ses?
334
00:22:37,705 --> 00:22:41,707
It comes from everywhere.
To my pr? Xima pel? Cula,
335
00:22:41,708 --> 00:22:45,711
I have money
Saudi Arabia and Russia.
336
00:22:45,712 --> 00:22:49,726
? There m? S money now
proportional with inflation? n,
337
00:22:49,727 --> 00:22:51,713
or less money?
338
00:22:51,714 --> 00:22:52,726
Dir? There is less.
339
00:22:52,727 --> 00:22:57,713
Please, I have to warn
why? we delay. I'm coming.
340
00:22:57,714 --> 00:23:02,029
I want to ask you something.
341
00:23:02,700 --> 00:23:04,709
I have Alec
for my pr? maximum film.
342
00:23:04,710 --> 00:23:06,720
It is an adventure
politics-rom? ntica,
343
00:23:06,721 --> 00:23:08,724
set
in the Middle East.
344
00:23:08,725 --> 00:23:12,714
Me interested? Finance
a film with Alec,
345
00:23:12,715 --> 00:23:15,717
Neve Campbell
and three or four names m? s?
346
00:23:15,718 --> 00:23:19,702
Adventure politics-rom? Ntica,
between 15 and 20 million.
347
00:23:19,703 --> 00:23:25,003
Neve Campbell is wonderful,
348
00:23:25,700 --> 00:23:28,723
but today in d? a
no commercial value.
349
00:23:28,724 --> 00:23:29,724
Right.
350
00:23:29,725 --> 00:23:33,017
Alec Baldwin is sensational,
351
00:23:33,705 --> 00:23:38,717
but does not suggest
a theatrical film.
352
00:23:38,718 --> 00:23:42,719
Just to know, though our
I could not film? cost less,
353
00:23:42,720 --> 00:23:49,009
? Cu? L be? A figure
it accomplish? to with that cast?
354
00:23:53,710 --> 00:23:56,001
Four or five million.
355
00:23:56,700 --> 00:23:58,711
- I'm too old for that.
- ?Really?
356
00:23:58,712 --> 00:24:00,713
I have the ...
357
00:24:00,714 --> 00:24:02,714
It is horrendous.
358
00:24:02,715 --> 00:24:07,029
It is very high, or too low.
Nothing in between.
359
00:24:07,703 --> 00:24:11,721
- There is never enough money.
- Fighting to get money?
360
00:24:11,722 --> 00:24:16,703
I had many problems
to film "Repulsion"
361
00:24:16,704 --> 00:24:20,707
because, unfortunately,
double the budget.
362
00:24:20,708 --> 00:24:22,709
The budget of "Repulsion"
363
00:24:22,710 --> 00:24:27,018
It was of 41,000 pounds
364
00:24:27,717 --> 00:24:31,713
and ended? costing about 90.
365
00:24:31,714 --> 00:24:32,721
- Right.
- Why ??
366
00:24:32,722 --> 00:24:36,715
We wanted to make a film
90,000 pounds.
367
00:24:36,716 --> 00:24:40,726
I am an Australian distributor
and another Russian.
368
00:24:40,727 --> 00:24:44,710
I est? N waiting
to give me money.
369
00:24:44,711 --> 00:24:47,705
No politics, no adventure,
no sex.
370
00:24:47,706 --> 00:24:48,728
Duty? To be comedy.
371
00:24:48,729 --> 00:24:50,726
- No no no...
- No comedy?
372
00:24:50,727 --> 00:24:55,702
- Habr? some humor.
- There must be comedy.
373
00:24:55,703 --> 00:24:56,721
- ?You think?
- Clear.
374
00:24:56,722 --> 00:24:59,021
? Why? you wear a tuxedo?
375
00:25:00,700 --> 00:25:03,706
They are m? s six.
? Am I a farmer?
376
00:25:03,707 --> 00:25:05,712
I know well "30 Rock".
377
00:25:05,713 --> 00:25:10,020
But there is something.
You got a submarine?
378
00:25:12,724 --> 00:25:14,724
? D? Where are? Alpha, Josei?
379
00:25:14,725 --> 00:25:18,708
You did the film Submarine
A long time ago.
380
00:25:18,709 --> 00:25:20,708
We need action? N
and submarines.
381
00:25:20,709 --> 00:25:24,726
You can put sex.
Le falt? in the other.
382
00:25:24,727 --> 00:25:28,023
- "The last tango with missiles?".
- Of course.
383
00:25:30,727 --> 00:25:33,712
If it was not a film g? Gangsters,
384
00:25:33,713 --> 00:25:36,716
or alg? n g? nero
to which he was associated,
385
00:25:36,717 --> 00:25:40,721
She had to ask
c? m going to do this film.
386
00:25:40,722 --> 00:25:43,716
She did not know for d? Nde begin.
387
00:25:43,717 --> 00:25:46,710
Nobody wanted? To do
"Apocalypse Now"
388
00:25:46,711 --> 00:25:50,702
after? s of "The Godfather"
and? scar that won ?.
389
00:25:50,703 --> 00:25:52,717
It is m? s, ten? six? scar,
390
00:25:52,718 --> 00:25:56,728
but threw? Through the window
and they disrupted.
391
00:25:56,729 --> 00:26:00,029
My mother told me
deb not? to do that.
392
00:26:00,700 --> 00:26:03,702
Then picked up? pieces,
393
00:26:03,703 --> 00:26:08,702
he went to the Academy in LA
and said:
394
00:26:08,703 --> 00:26:12,719
"My poor son, the maid
I was cleaning? scar ".
395
00:26:12,720 --> 00:26:15,029
I was very frustrated and said:
396
00:26:15,700 --> 00:26:20,717
"? What? I do to
make the film I want? "
397
00:26:20,718 --> 00:26:23,704
Can we help with the actress?
398
00:26:23,705 --> 00:26:25,724
A new star
Jessica Chestain.
399
00:26:25,725 --> 00:26:29,707
Listen,
I will not betray Neve.
400
00:26:29,708 --> 00:26:31,699
I love her, worked? with her.
401
00:26:31,700 --> 00:26:34,723
I can invent another paper
for Neve.
402
00:26:34,724 --> 00:26:39,029
- Neve may be the sp?.
- And we can use to Jessica.
403
00:26:39,700 --> 00:26:40,714
? We killed Neve?
404
00:26:40,715 --> 00:26:42,726
We did not kill her, the hurt
405
00:26:42,727 --> 00:26:46,705
and appears with the arm
in a sling.
406
00:26:46,706 --> 00:26:48,721
If Neve appears, the assassinate.
407
00:26:48,722 --> 00:26:51,029
You convert? A star.
408
00:26:52,717 --> 00:26:56,699
? Cu? L is the probability
Damon?
409
00:26:56,700 --> 00:26:57,708
Two to one against.
410
00:26:57,709 --> 00:27:00,699
? S ?? I say six to one
against.
411
00:27:00,700 --> 00:27:02,716
Although you had reason? N,
do not worry
412
00:27:02,717 --> 00:27:04,726
because we lack Avi Lerner
413
00:27:04,727 --> 00:27:09,019
and has m? S films rod? Ndose
the other sellers together.
414
00:27:09,701 --> 00:27:12,716
To succeed in this business,
415
00:27:12,717 --> 00:27:15,721
you have to become
a type very ego? sta.
416
00:27:15,722 --> 00:27:20,725
You have to tell your mother,
your wife, your children
417
00:27:20,726 --> 00:27:22,726
and who needed
418
00:27:22,727 --> 00:27:27,699
it must not be without reason? n
and without a prop? site,
419
00:27:27,700 --> 00:27:33,007
but you say to all this
is your thing, that's what you are,
420
00:27:33,703 --> 00:27:39,017
and I was not able to do so
in all this time.
421
00:27:42,720 --> 00:27:45,703
-? Qu? You do here ??
- We are filming.
422
00:27:45,704 --> 00:27:46,725
? S ?? ? During the festival?
423
00:27:46,726 --> 00:27:51,703
S ?, is a documentary
the festival as background.
424
00:27:51,704 --> 00:27:52,724
? In what? it's about?
425
00:27:52,725 --> 00:27:56,715
Everything you see.
It is a film about the festival.
426
00:27:56,716 --> 00:27:58,700
? It is a documentary?
427
00:27:58,701 --> 00:28:00,712
My partner Jimmy Toback
He is the director.
428
00:28:00,713 --> 00:28:02,702
? James Toback?
429
00:28:02,703 --> 00:28:06,708
S ?, apology, beware.
I do not want it to fall.
430
00:28:06,709 --> 00:28:09,703
Be careful.
? Qu? Waits festival?
431
00:28:09,704 --> 00:28:13,724
First time here
and I'm very excited.
432
00:28:13,725 --> 00:28:17,009
Thank you very much, Alec Baldwin.
433
00:28:17,711 --> 00:28:20,710
? It is a film
on the Cannes Film Festival?
434
00:28:20,711 --> 00:28:23,723
I did it because the business
Cinema has changed.
435
00:28:23,724 --> 00:28:27,726
I see very fr? Gil
and we? cu? nto can last
436
00:28:27,727 --> 00:28:30,704
in this era of divisions.
437
00:28:30,705 --> 00:28:33,728
The technology? A est? dividing
the p? PUBLIC slowly,
438
00:28:33,729 --> 00:28:36,714
but something tells me
it will fracture.
439
00:28:36,715 --> 00:28:40,704
The movie business
It is the worst lover
440
00:28:40,705 --> 00:28:44,024
because you return again and again,
441
00:28:44,710 --> 00:28:48,720
trying to repeat that
experience you want to have.
442
00:28:48,721 --> 00:28:53,716
Come back with another chance
do you want
443
00:28:53,717 --> 00:28:57,025
in the realization? n
and the presentation? n the film.
444
00:28:57,708 --> 00:29:02,011
Seduces and abandons you
and again.
445
00:29:04,720 --> 00:29:06,704
? Why? do films?
446
00:29:06,705 --> 00:29:10,720
? Qu? gives you, it is different
other options in your life?
447
00:29:10,721 --> 00:29:12,725
I did not have many choices,
448
00:29:12,726 --> 00:29:18,708
pushing a religious
as a priest and was not ...
449
00:29:18,709 --> 00:29:19,708
? Literally?
450
00:29:19,709 --> 00:29:23,709
S ?, literally. No country?
the first year you in the seminar.
451
00:29:23,710 --> 00:29:28,701
Between the world as it was
It is asm? tico,
452
00:29:28,702 --> 00:29:30,706
working with parents
453
00:29:30,707 --> 00:29:35,699
and m physician not left me
run or re? rm or anything.
454
00:29:35,700 --> 00:29:36,719
Viv? To a room.
455
00:29:36,720 --> 00:29:40,703
You started as an assistant
Pasolini? right?
456
00:29:40,704 --> 00:29:45,027
Before becoming director
Pasolini was a great poet.
457
00:29:45,710 --> 00:29:49,702
Then mud? building
where viv? my family.
458
00:29:49,703 --> 00:29:53,702
I watch? 17 years
and I liked his poems.
459
00:29:53,703 --> 00:29:57,711
I also? N I wrote? To poems
and every time I finished one
460
00:29:57,712 --> 00:30:02,699
?? rselo down to teach.
? When ten to 20 years, he said:
461
00:30:02,700 --> 00:30:07,703
"I'll make a pel? Cula and you
to be assistant director. "
462
00:30:07,704 --> 00:30:12,706
I said, "Pier Paolo never
I've been on a movie set. "
463
00:30:12,707 --> 00:30:14,712
And he told me? L either.
464
00:30:14,713 --> 00:30:17,711
He found? some peace
as an altar boy
465
00:30:17,712 --> 00:30:21,703
at the altar
Cathedral of St. Patrick.
466
00:30:21,704 --> 00:30:23,705
I enjoyed when I was all?
467
00:30:23,706 --> 00:30:27,717
and it was a break of ugliness
and cruelty
468
00:30:27,718 --> 00:30:29,721
it had to on the streets.
469
00:30:29,722 --> 00:30:33,719
Regrettably,
He had a tragedy s? loss
470
00:30:33,720 --> 00:30:37,716
It was happening
around me.
471
00:30:37,717 --> 00:30:41,706
and was the cinema
it was like USA.
472
00:30:41,707 --> 00:30:43,724
There's something about that place
called USA,
473
00:30:43,725 --> 00:30:47,714
where people with houses,
fences, and it's serious,
474
00:30:47,715 --> 00:30:50,705
and were
the pel? particles west.
475
00:30:50,706 --> 00:30:54,025
Viv? As in a corridor
and that was ample.
476
00:30:54,703 --> 00:30:59,722
Those were hard times.
Needless to talk
477
00:30:59,723 --> 00:31:03,710
the per? odo of communism
Stalinist in Poland.
478
00:31:03,711 --> 00:31:08,709
Although he had to benefits
and was film school,
479
00:31:08,710 --> 00:31:13,704
because a phrase from Lenin:
"Of all the arts,
480
00:31:13,705 --> 00:31:16,716
the film is the m? s important
for us".
481
00:31:16,717 --> 00:31:19,712
"We" was socialism.
482
00:31:19,713 --> 00:31:24,027
School was fant? Acoustic.
I have fond memories.
483
00:31:24,703 --> 00:31:27,717
When young, I was writer
for Seven Arts,
484
00:31:27,718 --> 00:31:31,029
?? the company that bought?
Warner Brothers.
485
00:31:31,700 --> 00:31:34,726
I was so happy that
bought? bouquets Warner Brothers,
486
00:31:34,727 --> 00:31:37,709
Presenting with me?
Warner Brothers
487
00:31:37,710 --> 00:31:40,710
and they believed
I was going to take care of.
488
00:31:40,711 --> 00:31:45,712
I went to the dressing room of Errol Flynn
because it was the best
489
00:31:45,713 --> 00:31:47,723
and convert? in my office.
490
00:31:47,724 --> 00:31:52,709
A month they realized that
I was not the new manager.
491
00:31:52,710 --> 00:31:54,701
I like sailing
492
00:31:54,702 --> 00:31:57,728
and part m? s beautiful
Poland's Mazury,
493
00:31:57,729 --> 00:32:03,005
which has 200 lakes
they connect.
494
00:32:03,726 --> 00:32:06,704
I like that part
of the nature
495
00:32:06,705 --> 00:32:12,020
and it was a dream for me? and so
I wrote? something about the place.
496
00:32:29,712 --> 00:32:35,704
They were wrong in Poland,
especially the party.
497
00:32:35,705 --> 00:32:38,711
Gomuka, party chief,
He was mad at?
498
00:32:38,712 --> 00:32:42,723
and launched? an ashtray
to the screen.
499
00:32:42,724 --> 00:32:47,706
I went to Par? S
to try in the West
500
00:32:47,707 --> 00:32:51,705
because it had to been my dream.
501
00:32:51,706 --> 00:32:54,718
I did not want to stay in Poland.
502
00:32:54,719 --> 00:32:59,706
When I saw that pod? To express
telling a story,
503
00:32:59,707 --> 00:33:03,701
us? the stories told
my father and my t? o,
504
00:33:03,702 --> 00:33:05,725
and they became
in "Mean Streets" and my ...
505
00:33:05,726 --> 00:33:07,699
? It was the first?
506
00:33:07,700 --> 00:33:11,722
S ?, but always about
the obligation? No Brother.
507
00:33:11,723 --> 00:33:14,700
It was what I discovered?
after? s of 40 years.
508
00:33:14,701 --> 00:33:17,715
It's the same film
about my father and brother.
509
00:33:17,716 --> 00:33:19,723
? Cu? L was the obligation? N
with his brother?
510
00:33:19,724 --> 00:33:22,014
Avoid being killed.
511
00:33:23,703 --> 00:33:26,708
You pay debts,
signs the pr? Stamos
512
00:33:26,709 --> 00:33:29,718
go to meetings
Why? l was as ?.
513
00:33:29,719 --> 00:33:34,725
Hey, the d? A payment, at least
go see Tony, okay?
514
00:33:34,726 --> 00:33:38,703
As? sabr? that
You do not want to make fun of him.
515
00:33:38,704 --> 00:33:39,705
According.
516
00:33:39,706 --> 00:33:42,717
- I do not ask you, I order you!
- S ?!
517
00:33:42,718 --> 00:33:46,719
- Bob Evans saw my films.
- Was your rabbi?
518
00:33:46,720 --> 00:33:52,026
S ?, Bob Evans was my rabbi
and he told me to keep? a script.
519
00:33:52,707 --> 00:33:56,722
I went to the studied ?,
? L keep to the script and said:
520
00:33:56,723 --> 00:33:59,699
"Wait, and also? N have this."
521
00:33:59,700 --> 00:34:04,015
They were portions
of "Rosemary's Baby".
522
00:34:04,717 --> 00:34:07,008
? Qu? you do?
523
00:34:07,708 --> 00:34:09,716
? Qu? you do to your eyes?
524
00:34:09,717 --> 00:34:12,022
She has the eyes of his father.
525
00:34:12,700 --> 00:34:15,701
When I went to Washington Square
College, NYU, was great.
526
00:34:15,702 --> 00:34:16,709
And Haig met.
527
00:34:16,710 --> 00:34:18,714
This was the man,
Haig Manoogian.
528
00:34:18,715 --> 00:34:23,710
She had a lot of passion? N
and, if combined with yours,
529
00:34:23,711 --> 00:34:25,708
She could make you as it was,
530
00:34:25,709 --> 00:34:27,716
but be? masters disagreements.
531
00:34:27,717 --> 00:34:29,029
? Why ??
532
00:34:29,700 --> 00:34:30,717
For their ideas and dec to you?:
533
00:34:30,718 --> 00:34:34,712
"If any of the j? YOUNG
has a gun, you cast. "
534
00:34:34,713 --> 00:34:36,716
And I said:
"S ?, but where I come from ..."
535
00:34:36,717 --> 00:34:40,709
Debi? disappointed.
Feeling betrayed.
536
00:34:40,710 --> 00:34:42,715
S ?, when he saw "Mean Streets."
537
00:34:42,716 --> 00:34:44,723
And argue? Masters, Truffaut liked.
538
00:34:44,724 --> 00:34:47,712
Goddard But no,
for their weapons and women.
539
00:34:47,713 --> 00:34:51,717
Exactly, not accepted
in their paper? particles.
540
00:34:51,718 --> 00:34:53,022
"Do not bring that."
541
00:34:57,717 --> 00:34:59,702
? To d? Nde are we going?
542
00:34:59,703 --> 00:35:05,016
This is the world
film business.
543
00:35:08,700 --> 00:35:11,708
? These people is? selling
their pel? particles?
544
00:35:11,709 --> 00:35:15,025
Or looking for a film
to market,
545
00:35:15,716 --> 00:35:19,726
or partner
to find a distributor.
546
00:35:19,727 --> 00:35:24,005
It's like the Diamant Center? fero
at 47th Street.
547
00:35:25,724 --> 00:35:27,722
- You Lost weight?
- I would like that.
548
00:35:27,723 --> 00:35:32,701
I ?, as sub? it is relative.
? L is Alec.
549
00:35:32,702 --> 00:35:34,721
Sure,? C? Mo est? S? Come in.
550
00:35:34,722 --> 00:35:39,700
I do not like the Festival
Cannes nor do I believe in the festival.
551
00:35:39,701 --> 00:35:43,029
One thing is the market that is?
Always and another is the festival.
552
00:35:43,700 --> 00:35:45,713
Almost all films
at the festival
553
00:35:45,714 --> 00:35:51,703
They were seen by their mothers,
his cousins and no m? s.
554
00:35:51,704 --> 00:35:54,716
The Fantasy? Stico Cannes
It is a Romanian film,
555
00:35:54,717 --> 00:35:58,718
a Belgian film, a film give? s
or a Norwegian film
556
00:35:58,719 --> 00:36:02,706
They are presented at the same time
and journalists themselves.
557
00:36:02,707 --> 00:36:03,713
There is opportunity.
558
00:36:03,714 --> 00:36:07,700
S ?, against productions
US with big stars.
559
00:36:07,701 --> 00:36:10,721
Big films
protect small years.
560
00:36:10,722 --> 00:36:14,706
The stars protect
to unknown actors.
561
00:36:14,707 --> 00:36:18,714
When I make a pel? Cula,
I think of the gain.
562
00:36:18,715 --> 00:36:21,720
Before doing it,
s? cu? nto I am going to sell.
563
00:36:21,721 --> 00:36:25,726
Not about
with the creative side.
564
00:36:25,727 --> 00:36:28,726
I see it as a business.
565
00:36:28,727 --> 00:36:32,720
Cinema is not poetry? A, nor is
painting; You need money.
566
00:36:32,721 --> 00:36:36,710
Some people say
567
00:36:36,711 --> 00:36:40,703
that here? there are
a large shopping circus,
568
00:36:40,704 --> 00:36:42,723
but it is very important.
569
00:36:42,724 --> 00:36:46,720
When we stop having
advertising everywhere,
570
00:36:46,721 --> 00:36:49,725
would not have? m? s money
and would not have? m? s films.
571
00:36:49,726 --> 00:36:53,029
- True.
- We can not be naive.
572
00:36:53,700 --> 00:36:56,705
Cannes is an h? I hybrid fabulous.
573
00:36:56,706 --> 00:36:59,722
Malroux wrote?
an essay on the film
574
00:36:59,723 --> 00:37:01,721
? and the last prayer is famous:
575
00:37:01,722 --> 00:37:04,715
"Adem? S film,
there is an industry. "
576
00:37:04,716 --> 00:37:07,728
Cannes has always reminded
that prayer? n.
577
00:37:07,729 --> 00:37:10,714
Tambi? N there is an industry
which is combined
578
00:37:10,715 --> 00:37:13,721
because it is the nature
imperfect film.
579
00:37:13,722 --> 00:37:19,712
We want to make a film very
pol? mico set in Iraq.
580
00:37:19,713 --> 00:37:23,720
We met and we
Extra sexual encounters years.
581
00:37:23,721 --> 00:37:26,724
I am sending
a film that we did.
582
00:37:26,725 --> 00:37:29,721
You've done the film.
We can leave.
583
00:37:29,722 --> 00:37:33,719
Get out of a TV show
after? s six years.
584
00:37:33,720 --> 00:37:36,728
I need half of the s optimal?
and ended
585
00:37:36,729 --> 00:37:41,700
and, without trying to be
very pretentious,
586
00:37:41,701 --> 00:37:44,706
I want to resume my career
At the cinema.
587
00:37:44,707 --> 00:37:47,021
Can we make pel? Particles together?
588
00:37:47,708 --> 00:37:51,699
Of course, but not only.
He would have to support you.
589
00:37:51,700 --> 00:37:52,709
I har? To tackle.
590
00:37:52,710 --> 00:37:57,025
Esc? Chame, I am known
as someone sincere.
591
00:37:57,716 --> 00:38:02,724
You need support
other stars of cinema.
592
00:38:02,725 --> 00:38:06,713
Gerry Butler received? support for
four on ...
593
00:38:06,714 --> 00:38:07,728
? C? Mo is called ...?
594
00:38:07,729 --> 00:38:11,711
You want me to sleep
four in a hotel in Iraq?
595
00:38:11,712 --> 00:38:14,713
If possible five.
It will be better.
596
00:38:14,714 --> 00:38:18,715
In the world of today is
very dif? cult or impossible
597
00:38:18,716 --> 00:38:22,713
a man to do a film
alone with his name.
598
00:38:22,714 --> 00:38:27,701
He makes few years,
people went to the movies and dec to?:
599
00:38:27,702 --> 00:38:31,026
"It's a film by Johnny Depp,
I will see it".
600
00:38:31,707 --> 00:38:33,723
"It is a film of Marlon Brando,
I will see it."
601
00:38:33,724 --> 00:38:38,019
And when I was popular,
They went to see Jimmy.
602
00:38:38,710 --> 00:38:39,728
That does not work today.
603
00:38:39,729 --> 00:38:45,009
Find out the reasons why
a franchise earn both.
604
00:38:52,706 --> 00:38:54,715
Johnny Depp is terrific.
605
00:38:54,716 --> 00:38:59,701
The film makes you want
and they do not care.
606
00:38:59,702 --> 00:39:02,018
God m? Or,
is the cop that we burn.
607
00:39:05,707 --> 00:39:07,709
It acts normally.
608
00:39:07,710 --> 00:39:12,015
That film produces the same as
a franchise because they are fans.
609
00:39:12,722 --> 00:39:15,019
They will not love me.
610
00:39:15,700 --> 00:39:19,005
The knights envied me
ladies and reject me.
611
00:39:22,712 --> 00:39:24,713
? Qu? Neve Campbell you think?
612
00:39:24,714 --> 00:39:26,700
Neve Campbell.
613
00:39:26,701 --> 00:39:30,712
I like, it is fabulous,
but you can not sell it.
614
00:39:30,713 --> 00:39:34,708
We use the word in France
"Profitable". ? The US used?
615
00:39:34,709 --> 00:39:35,709
Of course.
616
00:39:35,710 --> 00:39:36,722
It does not mean anything.
617
00:39:36,723 --> 00:39:41,702
Today in d? To receive all
scripts that are possible.
618
00:39:41,703 --> 00:39:43,725
I can read the script
and see if it suits me
619
00:39:43,726 --> 00:39:46,716
because I'm famous
and I receive scripts.
620
00:39:46,717 --> 00:39:49,707
Profitability
dej? to be important.
621
00:39:49,708 --> 00:39:52,718
If you are attracted to history
you will see the pel? cula.
622
00:39:52,719 --> 00:39:54,703
I do not read scripts.
623
00:39:54,704 --> 00:39:58,702
? Qu? dir? as if the film
Bejo and out with me?
624
00:39:58,703 --> 00:40:01,016
-? N is Bejo Qui?
- Berenice Bejo.
625
00:40:01,727 --> 00:40:02,728
I do not know.
626
00:40:02,729 --> 00:40:05,705
- It's productive.
- The "The Artist".
627
00:40:05,706 --> 00:40:07,708
- What s ?.
- It earned an Oscar?.
628
00:40:07,709 --> 00:40:09,700
- I do not care.
- Is beautiful.
629
00:40:09,701 --> 00:40:11,708
I do not care about that.
630
00:40:11,709 --> 00:40:15,718
She is beautiful, but not a woman
you can sell.
631
00:40:15,719 --> 00:40:18,715
What happens is that
I do not have 20 years
632
00:40:18,716 --> 00:40:22,720
and I'm on the crest of the wave,
but tomorrow no.
633
00:40:22,721 --> 00:40:26,699
S? what happens to actresses.
634
00:40:26,700 --> 00:40:28,716
I know the business
and I expect nothing.
635
00:40:28,717 --> 00:40:33,708
If you succeed, har? To the film
you and Natalie Portman,
636
00:40:33,709 --> 00:40:36,717
or Mila Kunis.
637
00:40:36,718 --> 00:40:39,700
If Neve Campbell and
638
00:40:39,701 --> 00:40:43,720
We exploratory relationships.
639
00:40:43,721 --> 00:40:45,715
It is not animal, or wild sex.
640
00:40:45,716 --> 00:40:50,706
It is exploratory sex with new
borders in a hotel.
641
00:40:50,707 --> 00:40:54,009
? We give? As 50 cents
to make the film?
642
00:40:54,710 --> 00:40:58,723
With your name and theirs, between
4 or 5 million of dollars.
643
00:40:58,724 --> 00:40:59,724
According.
644
00:40:59,725 --> 00:41:04,022
We need to adjust
the concept of the film.
645
00:41:08,707 --> 00:41:10,721
We do not need
foreign sellers.
646
00:41:10,722 --> 00:41:12,716
We have to millionaires.
647
00:41:12,717 --> 00:41:15,721
Tacky Theodore,
a Greek shipowner.
648
00:41:15,722 --> 00:41:18,715
Johnny Pagozzi,
an Italian millionaire.
649
00:41:18,716 --> 00:41:21,701
Brett Ratner will present? I rmelo.
650
00:41:21,702 --> 00:41:23,705
Let's yacht Denise Richard.
651
00:41:23,706 --> 00:41:26,711
Your husband will dej? a lot of money
before fleeing.
652
00:41:26,712 --> 00:41:31,728
Everyone seems millionaires.
Do you think we give? No money?
653
00:41:31,729 --> 00:41:35,709
Only need one
and we have Jeremy Thomas,
654
00:41:35,710 --> 00:41:40,716
Ashok Amritraj and we
lack see other sellers.
655
00:41:40,717 --> 00:41:43,710
I did not want as
m? s foreign sellers.
656
00:41:43,711 --> 00:41:48,022
S ?, those who say no,
but I keep an open mind.
657
00:41:49,715 --> 00:41:54,711
They say the rich
They come to the Riviera
658
00:41:54,712 --> 00:41:58,700
when they have problems.
King Farouk I left? Of Egipt,
659
00:41:58,701 --> 00:42:01,724
Duvalier came out? in Haiti?
and Yeltsin came out? Russia
660
00:42:01,725 --> 00:42:06,009
when they had problems
and they came to the Riviera.
661
00:42:06,705 --> 00:42:11,711
I never make plans to see it,
but I find him always.
662
00:42:11,712 --> 00:42:12,712
If? Ntate.
663
00:42:12,713 --> 00:42:17,699
Gosling, Chastain are stars
of "Seduced and Abandoned".
664
00:42:17,700 --> 00:42:20,713
can help
with "Last Tango in Tikrit."
665
00:42:20,714 --> 00:42:22,721
Jimmy, your optimism amazes me
666
00:42:22,722 --> 00:42:26,720
because I hope frustrations
and disappointments in this business.
667
00:42:26,721 --> 00:42:29,726
What s ?, but not this time.
Conf? A in m?.
668
00:42:29,727 --> 00:42:33,706
? Cu? L is your favorite star
Worldwide?
669
00:42:33,707 --> 00:42:36,701
? Cu? L Actor
you m? s fantasies as?
670
00:42:36,702 --> 00:42:39,700
? Cu? L m is the actor? S handsome?
671
00:42:39,701 --> 00:42:42,709
? Cu? L player you want
stay in an elevator?
672
00:42:42,710 --> 00:42:45,027
- ?Ryan Gosling!
- ?Ryan Gosling!
673
00:42:46,706 --> 00:42:50,714
?Ray! ?Really?
You look like a retouched.
674
00:42:50,715 --> 00:42:54,712
I understand, is it a film
to obtain financing?
675
00:42:54,713 --> 00:42:57,700
- S ?.
- We make a pel cula?.
676
00:42:57,701 --> 00:43:00,712
They have that
and another on c? mo make films.
677
00:43:00,713 --> 00:43:05,719
S ?, and "Seduced and Abandoned"
it's about making films.
678
00:43:05,720 --> 00:43:09,719
The narrative that is
seeking funds for the other.
679
00:43:09,720 --> 00:43:11,728
? It is a drama of $ 50 million?
680
00:43:11,729 --> 00:43:14,725
Quiz Quiz ?,? ...
681
00:43:14,726 --> 00:43:19,720
With that back to 1990
m in Time Machine,
682
00:43:19,721 --> 00:43:23,721
to search for $ 50 million
because they are $ 3.5 million.
683
00:43:23,722 --> 00:43:27,703
It is a film of between 12 and 15
millions of dollars,
684
00:43:27,704 --> 00:43:33,699
unless you want to participate
to be $ 50 million.
685
00:43:33,700 --> 00:43:35,023
You be? An $ 150 million.
686
00:43:35,708 --> 00:43:37,700
- Hello.
-? Qu? I dress!
687
00:43:37,701 --> 00:43:41,720
I wore this dress
Madagascar for a photo.
688
00:43:41,721 --> 00:43:43,722
- Its beautiful.
- I love to see you.
689
00:43:43,723 --> 00:43:47,704
I do not want to touch
that is? s beautiful.
690
00:43:47,705 --> 00:43:50,725
- Will you be ten minutes.
- I need a MICR phone?
691
00:43:50,726 --> 00:43:54,723
- Come up with the boom.
- Est s well? Thank you.
692
00:43:54,724 --> 00:43:58,023
What? well, will spend ten
minutes t? you step.
693
00:43:58,701 --> 00:44:02,711
I liked? drama school,
but others may not like.
694
00:44:02,712 --> 00:44:04,029
? You went to Juilliard?
695
00:44:04,700 --> 00:44:08,726
S ?, all? they ask
you're crazy, exc? DOWNTOWN
696
00:44:08,727 --> 00:44:13,723
and you do fancy things
for you to fail,
697
00:44:13,724 --> 00:44:16,719
but you learn with every failure.
698
00:44:16,720 --> 00:44:19,706
We have to achieve results.
699
00:44:19,707 --> 00:44:24,705
S ?, but now I do that
the director is my teacher.
700
00:44:24,706 --> 00:44:27,724
- To remember that?
- Each film is a class.
701
00:44:27,725 --> 00:44:30,726
I like pel? Particles,
I always liked it.
702
00:44:30,727 --> 00:44:34,717
The pel? Particles are my friends.
703
00:44:34,718 --> 00:44:38,012
My mom? I punished
quit? ndomelas.
704
00:44:38,711 --> 00:44:42,027
I liked to put them
inside my trouser n.
705
00:44:42,716 --> 00:44:45,728
When ni? A, my parents
I showed old films
706
00:44:45,729 --> 00:44:49,702
and it was as crec?
because it does not permit me? an see TV.
707
00:44:49,703 --> 00:44:52,706
Tambi? N looked for books,
708
00:44:52,707 --> 00:44:56,725
to see the photos
Robert Mitchum, Joan Crawford
709
00:44:56,726 --> 00:45:01,724
and glamorous people because
I like the dream you give
710
00:45:01,725 --> 00:45:06,029
and the pleasure of seeing your film
in a theater. That's why I'm an actress.
711
00:45:06,700 --> 00:45:08,702
I did not like the carnage to.
712
00:45:08,703 --> 00:45:12,721
He did not want to cut meat
at 14th Street lifetime.
713
00:45:12,722 --> 00:45:16,711
Qued just me? go
the theater neighborhood.
714
00:45:16,712 --> 00:45:18,728
I am a German village? N
small o.
715
00:45:18,729 --> 00:45:21,710
Two thousand people
and there is a bar.
716
00:45:21,711 --> 00:45:25,710
I started? studying ballet
at the Royal Academy in London.
717
00:45:25,711 --> 00:45:31,707
Crec? learning to express
my emotions,
718
00:45:31,708 --> 00:45:37,709
anger and anguish
you may have.
719
00:45:37,710 --> 00:45:39,713
I was a teenage bitter.
720
00:45:39,714 --> 00:45:44,728
My t? Or imitated Elvis
and actu? with him for three years.
721
00:45:44,729 --> 00:45:48,725
She had a costume, sequins
and the Post? a? t the same.
722
00:45:48,726 --> 00:45:53,707
the mirror is stopped,
rehearsed voice, themes ...
723
00:45:53,708 --> 00:45:54,720
?And T? see? ace?
724
00:45:54,721 --> 00:45:57,700
He Sees? To create the character.
725
00:45:57,701 --> 00:46:00,701
I'm always working,
but I dont care.
726
00:46:00,702 --> 00:46:03,702
The Critics'
of my professors it was:
727
00:46:03,703 --> 00:46:06,713
"You work too.
Duty? Ace play m? S ".
728
00:46:06,714 --> 00:46:11,713
As was all ?,? L thought?
to be? to include me funny.
729
00:46:11,714 --> 00:46:12,715
? Qu? did you do?
730
00:46:12,716 --> 00:46:16,709
He was the head of security.
I hac? An out in front of him
731
00:46:16,710 --> 00:46:21,700
and had many people
because it was Elvis.
732
00:46:21,701 --> 00:46:26,723
Elvis Perry, bald, mustachioed
and a mark on his face,
733
00:46:26,724 --> 00:46:31,029
but I swear it was Elvis
for all of us.
734
00:46:31,707 --> 00:46:36,714
Power show
totally vulnerable,
735
00:46:36,715 --> 00:46:40,718
open up to many people
Seeing me
736
00:46:40,719 --> 00:46:46,719
and feel the process to arrive
to a level of emotions,
737
00:46:46,720 --> 00:46:49,718
It's what makes me feel alive.
738
00:46:49,719 --> 00:46:53,716
I have an idea of the role
I play in the film,
739
00:46:53,717 --> 00:46:56,718
but not s? exactly
what har? in the scene
740
00:46:56,719 --> 00:47:00,706
to see in the eyes and actions
of whom I speak.
741
00:47:00,707 --> 00:47:04,718
I try to work with actorsbetter than I, as? I strive.
742
00:47:04,719 --> 00:47:06,707
I must keep up.
743
00:47:06,708 --> 00:47:09,707
It is a moment of panic
and I must follow.
744
00:47:09,708 --> 00:47:12,712
It is very rare, as an actor,
745
00:47:12,713 --> 00:47:16,708
let go during
the recording? n of a scene,
746
00:47:16,709 --> 00:47:19,705
until the point
not knowing what you did.
747
00:47:19,706 --> 00:47:23,706
And if Francis dec to?:
"Well, let".
748
00:47:23,707 --> 00:47:27,708
She knew she was good,
at least Qued? satisfied.
749
00:47:27,709 --> 00:47:28,728
? Do what you order ?!
750
00:47:28,729 --> 00:47:33,014
? From having been at war,
not be? to here ?!
751
00:47:33,704 --> 00:47:35,026
Pap? had to Jenk,? and what ??
752
00:47:39,706 --> 00:47:40,724
I did not mean that.
753
00:47:40,725 --> 00:47:46,703
But most? At times, you must
be aware of what you do,
754
00:47:46,704 --> 00:47:48,720
and is 10%
you lose in actuaci? n.
755
00:47:48,721 --> 00:47:53,026
Your job is to look
always something new happening.
756
00:47:53,700 --> 00:47:58,702
That is ruined when
Know your entire set l? lines,
757
00:47:58,703 --> 00:47:59,723
even the techs.
758
00:47:59,724 --> 00:48:02,716
You're wrong during rehearsals.
759
00:48:02,717 --> 00:48:05,029
Someone placed tape on the floor
760
00:48:05,708 --> 00:48:08,717
and you stay tied
what you did at first.
761
00:48:08,718 --> 00:48:12,023
They start with a wide shot
They never used.
762
00:48:12,705 --> 00:48:16,702
You waste novelty
in the general plans.
763
00:48:16,703 --> 00:48:18,709
They approach,
and end of d? to
764
00:48:18,710 --> 00:48:21,706
comes the foreground,
which it is what they use.
765
00:48:21,707 --> 00:48:25,710
Use it? Last for all?
It is when you do it perfect,
766
00:48:25,711 --> 00:48:28,014
but you talk like a robot.
767
00:48:29,700 --> 00:48:34,710
Leave the set feeling
you failed because nothing changed ?.
768
00:48:34,711 --> 00:48:36,725
We know the speed
by the script.
769
00:48:36,726 --> 00:48:41,721
But really, if Bob Harvey
and the rest is? n at the scene,
770
00:48:41,722 --> 00:48:43,728
They know with qui? nes work.
771
00:48:43,729 --> 00:48:48,722
I hope to create something
and at the same time I'm afraid ...
772
00:48:48,723 --> 00:48:53,024
? C? Mo say?
? It could? create an environment
773
00:48:53,712 --> 00:48:58,027
conducive something magnetic? fico
and unexpected?
774
00:48:58,706 --> 00:49:00,716
The best experiences
that I had
775
00:49:00,717 --> 00:49:04,726
They are led by the environment.
776
00:49:04,727 --> 00:49:10,014
Michelle and I were
tucked into the film for years
777
00:49:10,708 --> 00:49:12,722
conoc not we? masters.
778
00:49:12,723 --> 00:49:18,016
It was structured so that
we met? ramos when shooting.
779
00:49:18,710 --> 00:49:22,029
As we walk,
? L told ad? Nde go.
780
00:49:22,709 --> 00:49:24,717
We'll go from here ?, all ?.
781
00:49:24,718 --> 00:49:27,725
The night program?
to roam freely
782
00:49:27,726 --> 00:49:32,713
while we were filming.
Est? Bamos met? Ndonos.
783
00:49:32,714 --> 00:49:36,719
Good directors
They are supervisors.
784
00:49:36,720 --> 00:49:39,703
Knowing my position? N,
sabr? what? I seek.
785
00:49:39,704 --> 00:49:40,717
I know the conflict.
786
00:49:40,718 --> 00:49:44,714
If I can hardly remember it,
est? misspelled.
787
00:49:44,715 --> 00:49:49,707
For example, in "Goodfellas"
Joe Pesci says: "I'm funny?"
788
00:49:49,708 --> 00:49:50,708
S ?.
789
00:49:50,709 --> 00:49:53,705
It was something that happened to you? Joe.
790
00:49:53,706 --> 00:49:56,023
He said har? To the film
if inclu? to the scene.
791
00:49:58,703 --> 00:50:02,005
Damned. Desire? To be great.
792
00:50:03,711 --> 00:50:06,711
You're the best. Very funny.
793
00:50:06,712 --> 00:50:08,017
Very funny.
794
00:50:08,724 --> 00:50:11,005
? C? Mo that funny?
795
00:50:11,722 --> 00:50:16,018
You know, it's a good story.
You're a funny guy.
796
00:50:16,719 --> 00:50:19,022
? In what? you speak, my voice?
797
00:50:19,729 --> 00:50:23,017
You're just funny.
798
00:50:23,721 --> 00:50:26,704
By the way
when you tell the story.
799
00:50:26,705 --> 00:50:29,027
? In what? how?
? Qu? funny?
800
00:50:29,715 --> 00:50:30,725
The misunderstood.
801
00:50:30,726 --> 00:50:33,725
Anthony, an adult,
He knows what he said.
802
00:50:33,726 --> 00:50:35,726
? Qu? you say? ? C? Mo that funny?
803
00:50:35,727 --> 00:50:39,715
They were two c? Maras
doing medium shots.
804
00:50:39,716 --> 00:50:42,711
While changing
the tone of the scene,
805
00:50:42,712 --> 00:50:47,026
the faces of people
and the atmosphere changed.
806
00:50:47,702 --> 00:50:53,700
But I had to talk to Joe
for 5 or 6 improvisations.
807
00:50:53,701 --> 00:50:54,701
With Ray.
808
00:50:54,702 --> 00:50:58,706
S ?. We played with it.
I wrote? some things.
809
00:50:58,707 --> 00:51:02,705
To reach certain level,
Joe had to lead.
810
00:51:02,706 --> 00:51:05,709
T? You said it was funny,
not me.
811
00:51:05,710 --> 00:51:08,725
? Qu? Devils
I'm funny?
812
00:51:08,726 --> 00:51:11,013
Tell me what? is.
813
00:51:16,713 --> 00:51:21,721
- Stop it, Tommy.
- Damn, you almost fall.
814
00:51:21,722 --> 00:51:24,029
Woody Allen is the ideal manager.
815
00:51:24,709 --> 00:51:26,699
And, oddly,
816
00:51:26,700 --> 00:51:31,704
It reminds me of the deceased
John Hughes at the time.
817
00:51:31,705 --> 00:51:34,718
? L was a director and writer
very successful.
818
00:51:34,719 --> 00:51:39,728
The first pel? Cula I did with
? L was "She's Having a Baby"
819
00:51:39,729 --> 00:51:42,711
with Kevin Bacon
and Elizabeth McGovern.
820
00:51:42,712 --> 00:51:44,718
Film? Bamos with Hughes.
821
00:51:44,719 --> 00:51:48,709
And if he did not like,
He shouted sticamente mood?:
822
00:51:48,710 --> 00:51:51,710
"? Qui? N wrote? This stuff?"
And he threw the script.
823
00:51:51,711 --> 00:51:56,724
Woody is the same. All
nominations he has won,
824
00:51:56,725 --> 00:52:00,700
think of the essentials
which is his career.
825
00:52:00,701 --> 00:52:02,703
His first words were:
826
00:52:02,704 --> 00:52:06,719
"If you would not say anything
this, do not tell.
827
00:52:06,720 --> 00:52:11,023
Di much as you want. "
828
00:52:11,701 --> 00:52:14,717
And you think:
"God m? Or what? Ego".
829
00:52:14,718 --> 00:52:18,714
I have worked
with others who have ...
830
00:52:18,715 --> 00:52:22,704
Woody Allen has
m? s talent in their areas? as
831
00:52:22,705 --> 00:52:24,724
others complete idiots.
832
00:52:24,725 --> 00:52:28,726
Those you ordered
do not add a 'quiz? s "
833
00:52:28,727 --> 00:52:33,709
and you say that "maybe"
go? s the party.
834
00:52:33,710 --> 00:52:35,724
"Do not say quiz? S, Echo your phone eve? MoSlo".
835
00:52:35,725 --> 00:52:38,714
No treasure my scripts.
836
00:52:38,715 --> 00:52:43,720
A? N I feel like a writer
and novice director.
837
00:52:43,721 --> 00:52:48,713
And I'm open to suggestions.
I like the improvisation? N.
838
00:52:48,714 --> 00:52:55,014
Occasionally, you hear an idea
and it is twisted with humor.
839
00:52:55,718 --> 00:52:57,728
This is not a draft.
840
00:52:57,729 --> 00:53:01,715
It's a doodle
you can not delete.
841
00:53:01,716 --> 00:53:07,029
I had a breeding cat? Lica
conventional. That upsets you.
842
00:53:07,700 --> 00:53:08,714
I went to university.
843
00:53:08,715 --> 00:53:10,719
Worked?
in an advertising agency,
844
00:53:10,720 --> 00:53:14,703
taking calls,
serving caf ?, making copies.
845
00:53:14,704 --> 00:53:17,702
I realized
that my life aburr me? a.
846
00:53:17,703 --> 00:53:22,719
I wanted to experience
with something that looked like bizarre
847
00:53:22,720 --> 00:53:25,709
and out of the com? n.
Worked? nudist.
848
00:53:25,710 --> 00:53:29,712
The script calls? my attention? n
because I wrote? to about it.
849
00:53:29,713 --> 00:53:32,027
Suddenly,
people wanted to hear.
850
00:53:32,706 --> 00:53:37,022
I always wanted to be a writer,
since the beginning.
851
00:53:37,700 --> 00:53:43,702
What har? A with
a situation? n improved financial
852
00:53:43,703 --> 00:53:47,714
be? to a great film art? stico.
853
00:53:47,715 --> 00:53:50,721
I pel? Particles
that make me proud,
854
00:53:50,722 --> 00:53:55,703
but the type of film
that I have in my mind and heart? n
855
00:53:55,704 --> 00:53:59,720
with the kind of emotions
I want to experience,
856
00:53:59,721 --> 00:54:02,723
to? n have not had
the chance.
857
00:54:02,724 --> 00:54:07,702
Actually, I wrote? Since ni? A,
but I was interested in prose.
858
00:54:07,703 --> 00:54:11,728
Through? the phase is? Ndar
Anne Sexton and Sylvia Plath.
859
00:54:11,729 --> 00:54:15,029
? The choice? N of Anne Sexton
and Sylvia Plath
860
00:54:15,700 --> 00:54:18,728
They suggest you had
Early suicidal thoughts?
861
00:54:18,729 --> 00:54:22,029
S ?, early,
medium and recent.
862
00:54:22,700 --> 00:54:23,703
- Clear.
- S ?.
863
00:54:23,704 --> 00:54:27,711
? Qu? you use
to avoid externalize?
864
00:54:27,712 --> 00:54:31,711
I think for most? A,
and quiz? s for you also? n,
865
00:54:31,712 --> 00:54:33,720
creating and writing are catharsis.
866
00:54:33,721 --> 00:54:34,721
S ?.
867
00:54:34,722 --> 00:54:38,723
They are a form of automedicaci? n.
I am an impulsive person.
868
00:54:38,724 --> 00:54:41,704
I always think
in the next step.
869
00:54:41,705 --> 00:54:47,029
Knowing you build something
Total nihilistic be prevented.
870
00:54:47,700 --> 00:54:48,700
S ?.
871
00:54:48,701 --> 00:54:51,723
We started filming
without the final scene
872
00:54:51,724 --> 00:54:54,719
because ten? discrepancies
Bob Towne.
873
00:54:54,720 --> 00:54:59,699
? L He wanted a happy ending
874
00:54:59,700 --> 00:55:01,701
and I told him that was impossible.
875
00:55:01,702 --> 00:55:04,728
"For the pel? Cula
cause impact on the audience,
876
00:55:04,729 --> 00:55:06,719
she must die.
877
00:55:06,720 --> 00:55:11,019
Evil must succeed. "
878
00:55:11,718 --> 00:55:14,717
Olv? Dala, Jake, it's Chinatown.
879
00:55:14,718 --> 00:55:18,025
As Mickey Cohen dec? A,
It is an? short anecdote.
880
00:55:18,726 --> 00:55:21,726
Charlotte Chandler
tells a great story
881
00:55:21,727 --> 00:55:26,725
on Mastroianni and Fellini,
"La Dolce Vita".
882
00:55:26,726 --> 00:55:30,714
Fellini He wanted to do it,
I offered? paper.
883
00:55:30,715 --> 00:55:34,701
Mastroianni He wanted to see the script,
Fellini told him there had to.
884
00:55:34,702 --> 00:55:35,720
Mastroianni needed.
885
00:55:35,721 --> 00:55:40,704
Fellini gave a manuscript
fat with p? pages blank,
886
00:55:40,705 --> 00:55:44,709
where he had a drawing
Mastroianni in a boat,
887
00:55:44,710 --> 00:55:45,716
in the oc? year,
888
00:55:45,717 --> 00:55:50,728
and his penis went down a hole
He is facing the bottom of the oc? year
889
00:55:50,729 --> 00:55:55,700
a beautiful mermaid
swimming around the hole.
890
00:55:55,701 --> 00:55:57,711
Seeing him, Mastroianni said:
891
00:55:57,712 --> 00:56:00,021
"The har ?.
The role is interesting. "
892
00:56:00,729 --> 00:56:04,726
In the film we want to do,
I am a government agent.
893
00:56:04,727 --> 00:56:09,716
The woman is a reporter,
left-leaning.
894
00:56:09,717 --> 00:56:11,721
They are poles apart.
895
00:56:11,722 --> 00:56:14,704
Known in Iraq,
in the war.
896
00:56:14,705 --> 00:56:19,026
B? Basically, as is the end
The world decide fornicate.
897
00:56:20,713 --> 00:56:25,700
Something crazy. We called the
pel? cula "Last Tango in Tikrit."
898
00:56:25,701 --> 00:56:27,728
All right. Well, what? deep.
899
00:56:27,729 --> 00:56:31,715
We explore what happens
between man and woman.
900
00:56:31,716 --> 00:56:34,009
Me interested? ?? An ace film
901
00:56:34,700 --> 00:56:38,015
No I'd know to tell you.
I love? To read the script.
902
00:56:38,702 --> 00:56:42,029
Your words do not convince me,
but you give? a chance.
903
00:56:43,714 --> 00:56:45,725
This is invaluable.
904
00:56:45,726 --> 00:56:50,011
Diane Kruger teach us? A
we are not convincing.
905
00:56:50,714 --> 00:56:55,728
We need to prepare another group
sales agents, 3 or 4 m? s.
906
00:56:55,729 --> 00:56:57,720
There is one ready for tomorrow.
907
00:56:57,721 --> 00:57:01,703
- Bring cash.
- S ?, in an envelope.
908
00:57:01,704 --> 00:57:02,703
S ?.
909
00:57:02,704 --> 00:57:05,703
- There will be no? car races.
- Do not.
910
00:57:05,704 --> 00:57:06,723
- Or explosions.
- Do not.
911
00:57:06,724 --> 00:57:10,711
I think Alec has the ability.
912
00:57:10,712 --> 00:57:16,699
It is one of those actors that can
jump between g? genres.
913
00:57:16,700 --> 00:57:18,713
Already it has done in his career.
914
00:57:18,714 --> 00:57:22,717
Can you shoot the pel? Cula
in Russia and elsewhere in China
915
00:57:22,718 --> 00:57:28,699
some Chinese stars,
Japanese, Russian and Brazilians as?
916
00:57:28,700 --> 00:57:30,724
They surround it.
917
00:57:30,725 --> 00:57:32,713
S ?. The answer is s ?.
918
00:57:32,714 --> 00:57:34,718
Working with emerging markets
919
00:57:34,719 --> 00:57:39,701
so that the pel? cula
It is financed in a market.
920
00:57:39,702 --> 00:57:43,717
Could? To justify whatever.
921
00:57:43,718 --> 00:57:48,708
It is very dif? cult to find someone
I say, "I want to."
922
00:57:48,709 --> 00:57:49,724
All accounts removed.
923
00:57:49,725 --> 00:57:53,026
And people
They are not visionary.
924
00:57:53,706 --> 00:57:56,026
The heads of visionaries study
no longer exist.
925
00:57:56,701 --> 00:58:01,708
? Possible funds
Shall earn that? masters of you
926
00:58:01,709 --> 00:58:05,717
be? n yours or sources
to which you have access?
927
00:58:05,718 --> 00:58:10,718
? I'm next to indicated?
Can you do it on your own?
928
00:58:10,719 --> 00:58:12,703
I need my partner.
929
00:58:12,704 --> 00:58:13,705
- Oh s ??
- S ?.
930
00:58:13,706 --> 00:58:17,708
?But T?...?
Do not come back? to repeat it.
931
00:58:17,709 --> 00:58:21,021
? T you? who rules
in that society?
932
00:58:22,707 --> 00:58:26,725
Assuming we need
between $ 15 and $ 18 million.
933
00:58:26,726 --> 00:58:28,703
It's too much.
934
00:58:28,704 --> 00:58:30,721
Should not exceed
the $ 10 million.
935
00:58:30,722 --> 00:58:34,721
You must save relationship? N
It will be obtained thereby ?.
936
00:58:34,722 --> 00:58:38,707
5 is ideal. That is the threshold
937
00:58:38,708 --> 00:58:43,708
differentiates earn money
to lose it.
938
00:58:43,709 --> 00:58:47,701
When you mentioned
an international cast,
939
00:58:47,702 --> 00:58:50,707
He or dec? As serious
or metaphysical Theoretically?
940
00:58:50,708 --> 00:58:51,708
It was metaphysical? rich.
941
00:58:51,709 --> 00:58:54,022
All right. But I'm flexible.
942
00:58:54,713 --> 00:58:57,716
No, pong? I MoSlo as ?:
943
00:58:57,717 --> 00:59:02,017
I am a prostitute
it har? to anyway.
944
00:59:05,714 --> 00:59:11,723
Here? We seek the kind of help
we expect log? sticamente.
945
00:59:11,724 --> 00:59:13,715
Tax exemptions.
946
00:59:13,716 --> 00:59:17,711
The advantages of filming
in one place or another.
947
00:59:17,712 --> 00:59:21,013
Iraq T? Nez, Abu Dhabi.
948
00:59:22,709 --> 00:59:24,010
? T? Nez?
949
00:59:24,701 --> 00:59:26,001
Bonjour.
950
00:59:26,721 --> 00:59:27,721
- Hello.
- Hello.
951
00:59:27,722 --> 00:59:30,027
He says: "Ay, ay, ay."
952
00:59:30,700 --> 00:59:32,722
- Without int interpreter;? speak English? s.
- As? is.
953
00:59:32,723 --> 00:59:35,717
We look financier
for a pel? cula.
954
00:59:35,718 --> 00:59:37,724
The history
It develops in Iraq.
955
00:59:37,725 --> 00:59:40,724
The pel? Cula required
a war in the background.
956
00:59:40,725 --> 00:59:44,726
I har? government agent
American,
957
00:59:44,727 --> 00:59:48,714
in the? little Bush,
when you cre? war.
958
00:59:48,715 --> 00:59:51,029
It is a CIA agent
conservative,
959
00:59:51,700 --> 00:59:53,711
one hawk? n, t? Terms
American purists,
960
00:59:53,712 --> 00:59:55,714
and meet
a liberal journalist.
961
00:59:55,715 --> 00:59:59,705
Could? Masters filming in T? Nez
and make it look like Iraq.
962
00:59:59,706 --> 01:00:00,710
S ?.
963
01:00:00,711 --> 01:00:02,710
? Cu? L is better?
? T? Tunisia or Morocco?
964
01:00:02,711 --> 01:00:03,711
S ?.
965
01:00:03,712 --> 01:00:05,720
I am in the city
Abu Dhabi ...
966
01:00:05,721 --> 01:00:08,710
It is an emirate like.
967
01:00:08,711 --> 01:00:12,004
I live in New York,
It is an emirate.
968
01:00:12,723 --> 01:00:15,713
- It's a big area?.
- I live in an emirate.
969
01:00:15,714 --> 01:00:20,703
We try to get an idea
Cu? l he is? to the m? s beautiful
970
01:00:20,704 --> 01:00:23,728
and Adem? s,
that his government would cooperate.
971
01:00:23,729 --> 01:00:26,710
Today we announce
an incentive package.
972
01:00:26,711 --> 01:00:28,708
We have an incentive.
973
01:00:28,709 --> 01:00:31,707
Do they have a government fund
for pel? particles?
974
01:00:31,708 --> 01:00:32,707
S ?.
975
01:00:32,708 --> 01:00:36,710
? His government invest? A
a production? n US?
976
01:00:36,711 --> 01:00:39,714
- S ?.
- Be to be?.
977
01:00:39,715 --> 01:00:41,024
T? Nez is beautiful.
978
01:00:41,703 --> 01:00:45,719
We walked the cuosette
and the whole complex for d? as,
979
01:00:45,720 --> 01:00:49,712
looking for the commission? Iraqi n?
films. ? D? Where are ??
980
01:00:49,713 --> 01:00:51,701
- There is not.
- ?They do not have?
981
01:00:51,702 --> 01:00:53,022
- There is n here ?.
- Why? do not?
982
01:00:54,701 --> 01:00:57,718
- In Iraq pel particles are shot?
- No s? somewhat.
983
01:00:57,719 --> 01:00:59,720
? Why? no commission? Iraqi n ??
984
01:00:59,721 --> 01:01:02,717
It is a question
they must do to them.
985
01:01:02,718 --> 01:01:04,700
You are good.
986
01:01:04,701 --> 01:01:06,716
It is a pel? cula
high sexual content.
987
01:01:06,717 --> 01:01:11,710
It is an EXAMINATION? n
the exchange of energy? ace.
988
01:01:11,711 --> 01:01:14,709
It contains behaviors
sexual specs? tists.
989
01:01:14,710 --> 01:01:16,716
Eroticism, love scenes.
990
01:01:16,717 --> 01:01:19,717
Is there any chance ...?
991
01:01:19,718 --> 01:01:23,707
I do not want to be filmed
in bed with Neve Campbell
992
01:01:23,708 --> 01:01:25,724
and censor us.
993
01:01:25,725 --> 01:01:28,714
I'm the one who read the scripts.
994
01:01:28,715 --> 01:01:31,723
If we make a pel? Cula
high exploration? sexual n,
995
01:01:31,724 --> 01:01:36,719
read the script and accept,
That does not say much about you.
996
01:01:36,720 --> 01:01:38,020
S? ...
997
01:01:38,721 --> 01:01:40,021
I joke.
998
01:01:45,709 --> 01:01:48,728
Finally, immortality
It is the goal of many,
999
01:01:48,729 --> 01:01:53,713
and the higher? A living
the cinematic world? fico.
1000
01:01:53,714 --> 01:01:56,704
The opportunity
to live forever.
1001
01:01:56,705 --> 01:01:59,716
And I do not speak
the minds of their relatives,
1002
01:01:59,717 --> 01:02:01,725
but memories
cinematic? tists
1003
01:02:01,726 --> 01:02:04,026
for generations to come.
1004
01:02:04,704 --> 01:02:07,029
? Hey, Stella!
1005
01:02:07,715 --> 01:02:10,714
It is no coincidence
Marilyn Monroe
1006
01:02:10,715 --> 01:02:13,717
is? in the p? ster
the festival this year you.
1007
01:02:13,718 --> 01:02:20,002
Monroe, the greatest example of
immortality after death.
1008
01:02:24,715 --> 01:02:27,700
Johnny Pigazzi
likes cars.
1009
01:02:27,701 --> 01:02:30,712
His father was due? Or Simca.
It has an island in Panama?.
1010
01:02:30,713 --> 01:02:34,712
have apartments
in New York, London, Switzerland.
1011
01:02:34,713 --> 01:02:36,724
is a major investor
wealthy.
1012
01:02:36,725 --> 01:02:39,728
Be? f? cyl we d?
$ 15 million for a movie.
1013
01:02:39,729 --> 01:02:42,029
As? is. ? Johnny!
1014
01:02:42,719 --> 01:02:45,703
We talked about you
my friend James Toback.
1015
01:02:45,704 --> 01:02:47,721
? Cu? Much time to a? O
raisins here ??
1016
01:02:47,722 --> 01:02:49,702
About a month.
1017
01:02:49,703 --> 01:02:50,716
Its beautiful.
1018
01:02:50,717 --> 01:02:51,722
It is.
1019
01:02:51,723 --> 01:02:55,716
I owe this to my father.
Not responsible for this.
1020
01:02:55,717 --> 01:02:59,720
It is wonderful to have
a parent who cares for you.
1021
01:02:59,721 --> 01:03:01,027
He did well.
1022
01:03:01,713 --> 01:03:04,014
And T? Care? s us.
1023
01:03:04,711 --> 01:03:07,707
? D? Nde bags
your sense of identity?
1024
01:03:07,708 --> 01:03:11,702
? You lover
life in general
1025
01:03:11,703 --> 01:03:14,029
or is there something special?
1026
01:03:14,700 --> 01:03:19,029
For me? are the pel? particles,
without them I am nothing.
1027
01:03:19,700 --> 01:03:22,708
For Adem? S,
you've tried different things.
1028
01:03:22,709 --> 01:03:27,716
You have written. Est? N tennis,
martial arts.
1029
01:03:27,717 --> 01:03:29,027
Wrote books.
1030
01:03:29,703 --> 01:03:33,029
You could have sat
doing nothing? right?
1031
01:03:33,700 --> 01:03:34,728
I hate to admit it,
1032
01:03:34,729 --> 01:03:38,724
but not for my father,
There would be no been to anyone.
1033
01:03:38,725 --> 01:03:42,711
Admit? MoSlo.
Failure to follow? writing
1034
01:03:42,712 --> 01:03:47,720
because not many hire
someone who does not depend on it.
1035
01:03:47,721 --> 01:03:53,702
It's a bad job. There are prejudices
against blacks, gays and rich.
1036
01:03:53,703 --> 01:03:56,708
- Against trust funds.
- S ?, is terrible.
1037
01:03:56,709 --> 01:03:58,723
- Bad prejudices.
- I want freedom.
1038
01:03:58,724 --> 01:04:02,724
- You hate v victim.
- Must be a hate crime?.
1039
01:04:02,725 --> 01:04:08,710
I want you to be part of
legacy of a great work of art.
1040
01:04:08,711 --> 01:04:09,715
You collect art.
1041
01:04:09,716 --> 01:04:12,712
This film be? a work of art.
1042
01:04:12,713 --> 01:04:13,713
?Really?
1043
01:04:13,714 --> 01:04:18,700
S hope it is ready?
to invest $ 15 million.
1044
01:04:18,701 --> 01:04:20,001
? What ??
1045
01:04:20,716 --> 01:04:23,716
The Riviera was the right place.
1046
01:04:23,717 --> 01:04:28,709
Somerset Maugham described it?
people like sunny to cloudy.
1047
01:04:28,710 --> 01:04:32,728
In summer, all they see? Masters here?
by casinos.
1048
01:04:32,729 --> 01:04:37,705
It was Patsy and Joanna Cassidy
Boucher plays the clarinet.
1049
01:04:37,706 --> 01:04:38,711
Jean Le Pare.
1050
01:04:38,712 --> 01:04:43,704
She had to glamor. Monte Carlo
luc no? to Las Vegas to sea.
1051
01:04:43,705 --> 01:04:47,725
It was the place m? gico
I described Fitzgerald ?.
1052
01:04:47,726 --> 01:04:52,025
The Murphy invented
in the years 20.
1053
01:04:52,724 --> 01:04:55,720
Picasso, Hemingway, Fitzgerald.
1054
01:04:55,721 --> 01:05:01,023
Picasso, and they Desqual
they came here? by light.
1055
01:05:01,706 --> 01:05:07,707
Everyone anchored
about duty? an be dams,
1056
01:05:07,708 --> 01:05:10,712
but they are all Russians,
They are very bad thieves.
1057
01:05:10,713 --> 01:05:13,710
? Why? cre? ste
I was the one?
1058
01:05:13,711 --> 01:05:16,703
Because you take risks,
and perhaps not ?, s? ...
1059
01:05:16,704 --> 01:05:18,722
- T? you take risks?
- Not with films.
1060
01:05:18,723 --> 01:05:22,704
I hate to say, but I friend
President Nixon,
1061
01:05:22,705 --> 01:05:26,018
I liked. ? L wrote me?
when I was in prisi? n.
1062
01:05:26,724 --> 01:05:31,020
It was a nice letter
and then came the curse? n.
1063
01:05:31,701 --> 01:05:34,029
Birthday? four months
by possession? n coca? na.
1064
01:05:34,700 --> 01:05:38,704
He said: "The drivers
They want to know if it's true. "
1065
01:05:38,705 --> 01:05:40,712
A letter from President Nixon.
1066
01:05:40,713 --> 01:05:45,705
Vend? the envelope for food.
1067
01:05:45,706 --> 01:05:46,706
Go.
1068
01:05:46,707 --> 01:05:49,700
Then it continued ?.
You seemed? funny.
1069
01:05:49,701 --> 01:05:50,709
? D? Nde you arrested?
1070
01:05:50,710 --> 01:05:51,710
In Pentonville.
1071
01:05:51,711 --> 01:05:56,722
Johnny not invest ?.
Is anyone m s: Arki Busson.
1072
01:05:56,723 --> 01:05:57,722
It is powerful.
1073
01:05:57,723 --> 01:06:01,710
- Quite. And successful.
- Est? industry likes.
1074
01:06:01,711 --> 01:06:05,701
Financi? the new film
Walter Salles.
1075
01:06:05,702 --> 01:06:06,715
- "On the Road"?
- S ?.
1076
01:06:06,716 --> 01:06:10,725
I propose that you get deep
in this role? cula
1077
01:06:10,726 --> 01:06:13,703
and you are the? single investor.
1078
01:06:13,704 --> 01:06:16,716
You are young, vigorous, healthy.
1079
01:06:16,717 --> 01:06:21,720
But even if you live 25 years m? S,
es tu? last lap.
1080
01:06:21,721 --> 01:06:22,721
S ?.
1081
01:06:22,722 --> 01:06:24,711
- I also n?.
- T? do not.
1082
01:06:24,712 --> 01:06:25,718
You can afford ...
1083
01:06:25,719 --> 01:06:27,029
We have a phrase:
1084
01:06:27,700 --> 01:06:30,726
"Est? S a second? Last
Reel pel? cula ".
1085
01:06:30,727 --> 01:06:32,721
200 years after? S death,
1086
01:06:32,722 --> 01:06:37,716
the reason? n for which
people will know? of your existence
1087
01:06:37,717 --> 01:06:42,725
be? your name as producer
in my pr? maximum film.
1088
01:06:42,726 --> 01:06:46,710
The pr? Xima be? a production? n
Taki Theodoracopulos.
1089
01:06:46,711 --> 01:06:50,714
Providing $ 15 million
we need, perhaps? less.
1090
01:06:50,715 --> 01:06:52,710
Tr? Em cigars.
1091
01:06:52,711 --> 01:06:54,728
? Qui? N has m? S money?
? Johnny or t ??
1092
01:06:54,729 --> 01:06:56,702
Johnny, much more? S.
1093
01:06:56,703 --> 01:06:57,703
? M? S?
1094
01:06:57,704 --> 01:07:03,699
I want there m? S lunches
those who invest the time.
1095
01:07:03,700 --> 01:07:05,029
Investments instant? Lines
1096
01:07:05,701 --> 01:07:07,708
rely? n
qui? n est? in the table.
1097
01:07:07,709 --> 01:07:09,705
- And Alec Baldwin?
- Really.
1098
01:07:09,706 --> 01:07:10,714
- Alec Baldwin?
- S ?.
1099
01:07:10,715 --> 01:07:13,712
- In "In Last Tango"?
- In our version n.
1100
01:07:13,713 --> 01:07:16,009
Can not. It is TV actor.
1101
01:07:17,726 --> 01:07:21,022
Denise Rich YACHT
CHARITY EVENT
1102
01:07:26,711 --> 01:07:29,719
? Qu? It is that you want
and you can not do?
1103
01:07:29,720 --> 01:07:33,013
? A what? place you want to go
and you can not?
1104
01:07:33,711 --> 01:07:37,703
A? N I think things
I want and I can do.
1105
01:07:37,704 --> 01:07:38,704
All right.
1106
01:07:38,705 --> 01:07:39,724
It is dif? cult to know.
1107
01:07:39,725 --> 01:07:43,711
But I always wanted to go into space.
1108
01:07:43,712 --> 01:07:49,708
I think what m? S desire,
It s not? or if I can not,
1109
01:07:49,709 --> 01:07:55,702
but I would cure the cancer
so that no m? s has it.
1110
01:07:55,703 --> 01:07:57,716
The other thing be? World peace.
1111
01:07:57,717 --> 01:08:03,029
You know, Alec and I planned
a film for pr? maximum a? o.
1112
01:08:03,700 --> 01:08:07,728
Me interested? To invest
independently in? l?
1113
01:08:07,729 --> 01:08:13,706
Do not participate in anything
that is not? involved.
1114
01:08:13,707 --> 01:08:15,717
It IS NOT WAY OF LIFE
1115
01:08:15,718 --> 01:08:19,017
? But what? The alternative?
1116
01:08:20,725 --> 01:08:23,718
- Ben Schneider.
- HOW TO est s? Nice to meet you.
1117
01:08:23,719 --> 01:08:24,719
Charmed.
1118
01:08:24,720 --> 01:08:28,719
I am the son of Neal Schneider,
investor of the film.
1119
01:08:28,720 --> 01:08:33,002
I have heard from your father and you.
1120
01:08:33,706 --> 01:08:36,725
? L is the limited partner investor.
1121
01:08:36,726 --> 01:08:41,699
The dem? S
They were with their fanfare.
1122
01:08:41,700 --> 01:08:42,715
? A what? you do?
1123
01:08:42,716 --> 01:08:45,710
I moved? LA makes a? o.
1124
01:08:45,711 --> 01:08:49,711
I have been part of a comedy
sketch for six months.
1125
01:08:49,712 --> 01:08:51,023
Drink? one Camar? n.
1126
01:08:51,715 --> 01:08:57,010
- Where'd you live?
- Currently, in West Hollywood.
1127
01:08:57,705 --> 01:09:00,711
- And you want to be an actor?
- Of course. Without a doubt.
1128
01:09:00,712 --> 01:09:02,715
? A what? age
You came to California?
1129
01:09:02,716 --> 01:09:03,715
At 16.
1130
01:09:03,716 --> 01:09:06,029
-? Where'd you stay?
- In West Hollywood.
1131
01:09:06,714 --> 01:09:09,701
Could? To write
an interesting role.
1132
01:09:09,702 --> 01:09:12,700
Try to seduce your father
to be partners.
1133
01:09:12,701 --> 01:09:14,029
I try to raise funds.
1134
01:09:14,700 --> 01:09:17,700
? Your goal was to get here ??
? What did you expect?
1135
01:09:17,701 --> 01:09:18,722
It is the best of Los Angeles.
1136
01:09:18,723 --> 01:09:22,711
Est? full of characters
as Don Quixote.
1137
01:09:22,712 --> 01:09:28,704
People leaving his family,
homes, friends and jobs
1138
01:09:28,705 --> 01:09:29,724
to pursue her dream,
1139
01:09:29,725 --> 01:09:34,029
knowing that the probability
to achieve this is almost nil.
1140
01:09:34,700 --> 01:09:37,720
But just they do.
All share the same dream
1141
01:09:37,721 --> 01:09:42,022
and no one knows if it was
one premonici? No delirium.
1142
01:09:42,707 --> 01:09:44,704
There is only one way to know.
1143
01:09:44,705 --> 01:09:45,726
- Ben Schneider.
-? Qu? there are?
1144
01:09:45,727 --> 01:09:48,715
- Ben is the son of ...
- What s ?.
1145
01:09:48,716 --> 01:09:52,723
- It is aspiring actor.
- You want action?
1146
01:09:52,724 --> 01:09:54,721
- S ?. I acted from ...
- Why ??
1147
01:09:54,722 --> 01:09:56,022
? Why ??
1148
01:09:57,703 --> 01:09:59,706
An audition? N is dif? Cult.
1149
01:09:59,707 --> 01:10:03,713
You get it. You walk into a room
full of guys like t ?.
1150
01:10:03,714 --> 01:10:08,723
You're not the? cowboy unique.
You hear another audition.
1151
01:10:08,724 --> 01:10:13,720
You do not think the same,
instead of your style.
1152
01:10:13,721 --> 01:10:14,723
Before entering,
1153
01:10:14,724 --> 01:10:18,705
the casting director
Trading paper for another.
1154
01:10:18,706 --> 01:10:21,703
It Jared Leto
GOT? paper.
1155
01:10:21,704 --> 01:10:25,022
When you enter, you see
as a pr? PRACTICE of actuaci? n.
1156
01:10:25,710 --> 01:10:29,025
S? I do not get ?,
live alone? the experience.
1157
01:10:29,705 --> 01:10:32,703
In the scene
you must mourn for a friend.
1158
01:10:32,704 --> 01:10:37,721
You begin to mourn emotionally.
They receive a call and salts.
1159
01:10:37,722 --> 01:10:39,711
You try to keep crying,
1160
01:10:39,712 --> 01:10:42,723
but you wait for 10 minutes
and you desconcentras.
1161
01:10:42,724 --> 01:10:47,716
You want to start and
do you continue where you left off.
1162
01:10:47,717 --> 01:10:50,701
You go to your car and have a fine.
1163
01:10:50,702 --> 01:10:55,011
Because the sign of the audition? N
He covered the se? al.
1164
01:10:55,702 --> 01:11:00,706
Get in the car, you recompose.
You go to the next.
1165
01:11:00,707 --> 01:11:04,025
You spend two hours tr? Fico
and the cycle begins again.
1166
01:11:06,713 --> 01:11:09,712
I think the three of us
a good connection? n.
1167
01:11:09,713 --> 01:11:12,719
If you write a role
original and ambitious,
1168
01:11:12,720 --> 01:11:16,717
is aiming? To immediately
and rain? to money.
1169
01:11:16,718 --> 01:11:20,723
Because money
follow the stars.
1170
01:11:20,724 --> 01:11:24,716
Jessica Chastain could? A
Neve be women and wife,
1171
01:11:24,717 --> 01:11:28,023
and divorce before you go.
1172
01:11:28,720 --> 01:11:32,722
HOMEWORK? N
FOR VANITY FAIR PARTY
1173
01:11:32,723 --> 01:11:35,714
The sale covers
magazines are evasive.
1174
01:11:35,715 --> 01:11:39,719
Deb? Masters retreating in.
We talked.
1175
01:11:39,720 --> 01:11:44,700
Pod? Masters do the cover,
changing the way to do it.
1176
01:11:44,701 --> 01:11:49,702
The one to do it,
t ?, you were together.
1177
01:11:49,703 --> 01:11:52,704
In our culture,
It is dif? cult to find someone
1178
01:11:52,705 --> 01:11:58,029
who can pull strings
and look good in the magazine.
1179
01:11:58,700 --> 01:12:01,016
And something people want to read.
1180
01:12:02,723 --> 01:12:05,711
Vanity Fair is not
magazine pel? particles,
1181
01:12:05,712 --> 01:12:08,704
but it came back?
magazine for pel? particles.
1182
01:12:08,705 --> 01:12:09,722
? That was intentional?
1183
01:12:09,723 --> 01:12:14,719
No. I think the people of this
It has a fascination n
1184
01:12:14,720 --> 01:12:16,719
with the "romance" of Hollywood.
1185
01:12:16,720 --> 01:12:18,724
Especially,
with the old Hollywood.
1186
01:12:18,725 --> 01:12:20,699
Perhaps we see it
1187
01:12:20,700 --> 01:12:23,721
to trav? s of a different light
of those who live there ?.
1188
01:12:23,722 --> 01:12:26,716
Most? To the holidays
in Hollywood
1189
01:12:26,717 --> 01:12:30,713
seem auditions
for "Jersey Shore".
1190
01:12:30,714 --> 01:12:32,705
We talk about now.
1191
01:12:32,706 --> 01:12:37,701
S ?. Watch this weekend.
The pel? Particles have degenerated
1192
01:12:37,702 --> 01:12:40,711
to the point that there pel? particles
over cartoons
1193
01:12:40,712 --> 01:12:44,014
competing against other
of gambling.
1194
01:12:45,705 --> 01:12:48,026
Many people with lots of money.
1195
01:12:48,701 --> 01:12:52,015
You know cu? L be? A
a good idea? Steal.
1196
01:12:52,705 --> 01:12:56,700
Just I am kidding.
Although, you know, maybe not.
1197
01:12:56,701 --> 01:13:00,008
But is? crowded.
Many witnesses.
1198
01:13:00,704 --> 01:13:03,703
What unites them is moving
1199
01:13:03,704 --> 01:13:08,703
complete ignorance
they all die? n.
1200
01:13:08,704 --> 01:13:12,723
? In what? serve them? the money?
Duty? An finance us.
1201
01:13:12,724 --> 01:13:16,026
At least his name be? A
in a work of art.
1202
01:13:16,714 --> 01:13:18,722
I must be careful
or crazy?.
1203
01:13:18,723 --> 01:13:21,699
NOBODY EVER PAID ME
WHAT VALGO
1204
01:13:21,700 --> 01:13:24,701
BUT WITH MONEY.
Charles Baudelaire
1205
01:13:24,702 --> 01:13:27,708
?GIVE ME MONEY!
?IT'S WHAT I WANT!
1206
01:13:27,709 --> 01:13:28,720
THE BEATLES
1207
01:13:28,721 --> 01:13:31,716
Recently
I was summoned err ously?:
1208
01:13:31,717 --> 01:13:34,718
"We
many pel? particles bad ".
1209
01:13:34,719 --> 01:13:35,723
What I said was:
1210
01:13:35,724 --> 01:13:39,700
"As an industry, we
pel? particles bad and good ".
1211
01:13:39,701 --> 01:13:40,717
The real problem
1212
01:13:40,718 --> 01:13:44,724
It is that you can do
a pel? cula that nobody sees,
1213
01:13:44,725 --> 01:13:47,720
or a bad pel? cula
everyone saw
1214
01:13:47,721 --> 01:13:51,703
and that is the secret
to keep your job.
1215
01:13:51,704 --> 01:13:54,728
You do not get cr? Dito
for the good that nobody saw.
1216
01:13:54,729 --> 01:13:57,708
There are dealers
1217
01:13:57,709 --> 01:14:00,703
those who refuse
to make the film.
1218
01:14:00,704 --> 01:14:06,020
The truth is that not justified? N
enough money to film.
1219
01:14:06,700 --> 01:14:08,710
It is important
was the view? n market
1220
01:14:08,711 --> 01:14:12,707
and what they think they achieve? a
with the campaign to the pel? cula.
1221
01:14:12,708 --> 01:14:15,716
Marketability
of pel? particles has become
1222
01:14:15,717 --> 01:14:18,704
m? s important
their stories.
1223
01:14:18,705 --> 01:14:21,711
It's very important
was the view? n on the pel? cula
1224
01:14:21,712 --> 01:14:24,701
dealers
international.
1225
01:14:24,702 --> 01:14:28,710
This influences much? Simo
decisions today.
1226
01:14:28,711 --> 01:14:33,703
Was the view? No distributors
Local video is important.
1227
01:14:33,704 --> 01:14:38,703
? C? Mo think this affects
quality pel? cula?
1228
01:14:38,704 --> 01:14:41,709
While one person
making the decision? n
1229
01:14:41,710 --> 01:14:44,716
to accept the audacity
and originality,
1230
01:14:44,717 --> 01:14:49,708
a committee? of decision? No
It guarantees conventional shyness.
1231
01:14:49,709 --> 01:14:52,701
For this, people
with innovative ideas
1232
01:14:52,702 --> 01:14:55,714
You should always seek the money
outside the system.
1233
01:14:55,715 --> 01:15:00,699
For you as a filmmaker,
and a community of agents,
1234
01:15:00,700 --> 01:15:02,725
braking ability.
1235
01:15:02,726 --> 01:15:05,721
When I was an actor,
She could see Tom Pollock.
1236
01:15:05,722 --> 01:15:06,722
S ?.
1237
01:15:06,723 --> 01:15:09,715
She could to convince him to? L
or Casey Silver
1238
01:15:09,716 --> 01:15:14,710
to accept a pel? cula
based on my enthusiasm.
1239
01:15:14,711 --> 01:15:18,709
Dec to them: "If you refuse,
go? another study. "
1240
01:15:18,710 --> 01:15:20,029
It could at the time.
1241
01:15:20,700 --> 01:15:22,721
With one out,
any study.
1242
01:15:22,722 --> 01:15:25,029
In actuality,
that's impossible.
1243
01:15:25,700 --> 01:15:27,699
Neither Universal
or IN NO another.
1244
01:15:27,700 --> 01:15:28,704
? Why ??
1245
01:15:28,705 --> 01:15:32,710
If I love something
and the rest hate it, it is not.
1246
01:15:32,711 --> 01:15:35,709
All pel? Particles
that made us win? scar,
1247
01:15:35,710 --> 01:15:38,717
and I say "we"
because it was not me alone,
1248
01:15:38,718 --> 01:15:41,029
nobody wanted? a.
1249
01:15:41,700 --> 01:15:43,728
Or "Cuckoo's Nest
or "Dance with Wolves".
1250
01:15:43,729 --> 01:15:46,720
Sol? To have
a large margin of pel? particles
1251
01:15:46,721 --> 01:15:49,703
like "Taxi Driver"
and "Raging Bull"
1252
01:15:49,704 --> 01:15:52,708
until a certain point.
UA was fant? Acoustic.
1253
01:15:52,709 --> 01:15:56,726
We were not forced to make,
dese? Bamos them.
1254
01:15:56,727 --> 01:16:01,029
The whole group supported us in UA
on making varieties of pel? particles
1255
01:16:01,700 --> 01:16:03,715
Consider that? semos
be? n the norm.
1256
01:16:03,716 --> 01:16:07,726
We "Apocalypse"
and "Raging Bull" in another era.
1257
01:16:07,727 --> 01:16:12,728
There was a? little in which hac? as
one or two large pel? particles
1258
01:16:12,729 --> 01:16:15,715
and anchored your program
pel? particles.
1259
01:16:15,716 --> 01:16:19,029
Now you do five of them,
? And what? remains?
1260
01:16:19,700 --> 01:16:21,715
Somehow, I was able
1261
01:16:21,716 --> 01:16:27,714
to navigate the thin margin
make pel? particles
1262
01:16:27,715 --> 01:16:34,010
to consider could? a
give me two years.
1263
01:16:34,700 --> 01:16:37,016
And be supported.
1264
01:16:37,701 --> 01:16:41,704
Now he receives? To support
for many pel? particles
1265
01:16:41,705 --> 01:16:43,718
if they are indicating me.
1266
01:16:43,719 --> 01:16:46,709
We want to make films
give a lot of money,
1267
01:16:46,710 --> 01:16:49,707
be rich, and finance
the pel? particles art? sticas.
1268
01:16:49,708 --> 01:16:51,724
That was always the model.
1269
01:16:51,725 --> 01:16:56,012
I always wonder:
1270
01:16:56,724 --> 01:16:59,720
? C? Mo can survive
in this environment?
1271
01:16:59,721 --> 01:17:03,717
The margin is very small or.
1272
01:17:03,718 --> 01:17:08,713
With that, and the great interest s
selling pel? particles,
1273
01:17:08,714 --> 01:17:10,705
we must be careful
1274
01:17:10,706 --> 01:17:14,722
or fight hard
to do what you want
1275
01:17:14,723 --> 01:17:19,703
and you think best for the pel? cula.
Fight with all means.
1276
01:17:19,704 --> 01:17:23,725
Often, the fight is civilized
and that makes m? s dif? cult.
1277
01:17:23,726 --> 01:17:24,725
True.
1278
01:17:24,726 --> 01:17:29,002
Because everything boils down to money.
1279
01:17:34,729 --> 01:17:37,704
Never give? No money
1280
01:17:37,705 --> 01:17:40,029
if Neve, t? and me
we are in the pel? cula.
1281
01:17:40,700 --> 01:17:41,699
True.
1282
01:17:41,700 --> 01:17:44,710
We give? An $ 4.50
for the pel? cula.
1283
01:17:44,711 --> 01:17:46,011
S ?.
1284
01:17:47,721 --> 01:17:51,701
The people who really
we exceeded industry
1285
01:17:51,702 --> 01:17:55,700
and the creative forces
front and behind? s of c? maras,
1286
01:17:55,701 --> 01:17:56,719
until the commercialization? N,
1287
01:17:56,720 --> 01:18:02,714
thrive because they have come
a Zen level, m? s all?.
1288
01:18:02,715 --> 01:18:04,717
Any information? N is good.
1289
01:18:04,718 --> 01:18:10,710
If you give me something, what advantage?
to advance my way.
1290
01:18:10,711 --> 01:18:14,704
In the old days,
some were on top
1291
01:18:14,705 --> 01:18:19,706
and they supported me.
John Calley and many others.
1292
01:18:19,707 --> 01:18:24,706
Not that I believe
they were bad,
1293
01:18:24,707 --> 01:18:27,716
but they were otherwise? little.
1294
01:18:27,717 --> 01:18:31,725
-? How much does it have changed?
- I do not exist.
1295
01:18:31,726 --> 01:18:34,716
Sec? N Scorsese,
1296
01:18:34,717 --> 01:18:37,708
we must learn
make pel? particles for them.
1297
01:18:37,709 --> 01:18:40,709
What happens
It is that we must overcome.
1298
01:18:40,710 --> 01:18:45,706
Quiz? I'm too old now,
but, to make a pel? cula m? s,
1299
01:18:45,707 --> 01:18:48,711
live? and carry on?
What to see? I'm capable of.
1300
01:18:48,712 --> 01:18:51,702
must be a way
that make a pel? cula.
1301
01:18:51,703 --> 01:18:53,726
You did, and still haci? Ndolo.
1302
01:18:53,727 --> 01:18:56,707
Find new individuals.
1303
01:18:56,708 --> 01:18:58,723
Individuals and new technology? Ace.
1304
01:18:58,724 --> 01:19:01,722
Film is m? S largest
that everything else? s.
1305
01:19:01,723 --> 01:19:07,710
The film really is a way
Art provided by the gods.
1306
01:19:07,711 --> 01:19:13,711
I've seen adults, people
Marty or as my friend George,
1307
01:19:13,712 --> 01:19:17,725
taking two pieces of film
and together in various ways.
1308
01:19:17,726 --> 01:19:24,024
They discover something new, and jump
of joy? to by that magic.
1309
01:19:24,703 --> 01:19:29,699
While this continues? E as ?,
the rest does not matter.
1310
01:19:29,700 --> 01:19:33,728
On the way you find things
for avivarte positively.
1311
01:19:33,729 --> 01:19:38,712
If something in your way, what you reject.
You reject this, that.
1312
01:19:38,713 --> 01:19:41,718
You must follow those impulses,
no m? s.
1313
01:19:41,719 --> 01:19:43,710
Especially with the years.
1314
01:19:43,711 --> 01:19:45,728
? C? Mo is for you
the Cinematograf? to now?
1315
01:19:45,729 --> 01:19:47,029
Okay...
1316
01:19:48,716 --> 01:19:52,724
Dir? It is increasingly
m? s f? easy to do.
1317
01:19:52,725 --> 01:19:58,725
The difficult
It is to get funding.
1318
01:19:58,726 --> 01:20:05,705
I want to use new equipment
to advance and be m? s free.
1319
01:20:05,706 --> 01:20:11,714
Being on set and when
I start to prepare the editing? n,
1320
01:20:11,715 --> 01:20:15,701
Everything flows. I look for simplicity.
1321
01:20:15,702 --> 01:20:20,709
I do not need search
alg? n dazzling effect.
1322
01:20:20,710 --> 01:20:24,701
The current film, thankfully,
no longer category? ace.
1323
01:20:24,702 --> 01:20:25,728
They are not relevant.
1324
01:20:25,729 --> 01:20:31,706
The idea of a flat s? Lido
as Bertolucci or Kubrick,
1325
01:20:31,707 --> 01:20:34,029
in any great film ...
1326
01:20:36,705 --> 01:20:37,728
... Your Maestr? To be lost ?.
1327
01:20:37,729 --> 01:20:39,029
S ?.
1328
01:20:39,700 --> 01:20:42,709
They were destroyed.
The plans mean nothing.
1329
01:20:42,710 --> 01:20:43,720
And you get caught.
1330
01:20:43,721 --> 01:20:47,705
You understand that
You started working with video.
1331
01:20:47,706 --> 01:20:48,726
In black and white.
1332
01:20:48,727 --> 01:20:51,029
You never stop learning.
1333
01:20:51,700 --> 01:20:55,001
There are changes f? Musicians,
Things happen.
1334
01:20:57,718 --> 01:21:02,015
But there is a big difference
with great experiences.
1335
01:21:02,702 --> 01:21:06,719
Today in d? To become hogwash.
Excuse t? Rmino.
1336
01:21:06,720 --> 01:21:12,711
I criticize m? same.
Never cheating ?? to anyone.
1337
01:21:12,712 --> 01:21:16,029
And I think, my job sucks.
1338
01:21:16,703 --> 01:21:19,711
Way as a beggar.
1339
01:21:19,712 --> 01:21:23,703
? Why? nobody calls me?
I cross for those phases.
1340
01:21:23,704 --> 01:21:27,719
But in the end,
I am happy working.
1341
01:21:27,720 --> 01:21:33,716
Especially if it is not temporary,
if it's something that values.
1342
01:21:33,717 --> 01:21:36,726
Obviously, you had
health problems.
1343
01:21:36,727 --> 01:21:40,712
It had not made a role as? Cula
10 to? I will because of your back.
1344
01:21:40,713 --> 01:21:47,005
S ?, sounds like something is? I ask.
He was obsessed.
1345
01:21:47,700 --> 01:21:51,719
She could not move my back
and it was strange or.
1346
01:21:51,720 --> 01:21:56,719
I had surgery three times.
He wanted to work. And here? am.
1347
01:21:56,720 --> 01:22:00,700
Each trade? N was worse
and m? s painful.
1348
01:22:00,701 --> 01:22:01,720
My sister pas? because.
1349
01:22:01,721 --> 01:22:05,019
But I discovered? that I can
do pel? particles even as ?.
1350
01:22:05,701 --> 01:22:06,718
? Back? S work?
1351
01:22:06,719 --> 01:22:09,711
hope to find
another film soon.
1352
01:22:09,712 --> 01:22:12,726
For 10 years,
I never sent? as well
1353
01:22:12,727 --> 01:22:16,711
and the filmaci? N
"Me and You".
1354
01:22:16,712 --> 01:22:21,723
I remember shooting
my d? ace O'Malley.
1355
01:22:21,724 --> 01:22:25,704
For years, I had in mind to do
1356
01:22:25,705 --> 01:22:28,728
a film about my childhood
and the occupation of Germany n.
1357
01:22:28,729 --> 01:22:32,715
And found?
the book "The Pianist".
1358
01:22:32,716 --> 01:22:38,706
I watched closely related
my memories
1359
01:22:38,707 --> 01:22:42,726
without it being
my exact knowledge.
1360
01:22:42,727 --> 01:22:47,708
Because it was not
in the ghetto of Krakow,
1361
01:22:47,709 --> 01:22:50,722
but in the Warsaw ghetto.
1362
01:22:50,723 --> 01:22:53,720
Jam? S har? To a pel? Cula
Krakow ghetto.
1363
01:22:53,721 --> 01:22:54,721
? Why ??
1364
01:22:54,722 --> 01:22:56,720
It is very close to my home.
1365
01:22:56,721 --> 01:23:01,705
When you make a pel? Cula
a site, you ruin.
1366
01:23:01,706 --> 01:23:03,722
Because still a memory.
1367
01:23:03,723 --> 01:23:09,015
And are part recueros
important of my life.
1368
01:23:09,711 --> 01:23:13,709
Jam? S har? another film
as successful as "The Godfather".
1369
01:23:13,710 --> 01:23:19,027
That was a fluke.
And I started? something new from scratch.
1370
01:23:19,703 --> 01:23:20,722
It's curious,
1371
01:23:20,723 --> 01:23:25,718
"Twixt" deb? To be funny,
but it came back? would.
1372
01:23:25,719 --> 01:23:30,705
As? the pel? cula
tom? a shift m? s tr? cal.
1373
01:23:30,706 --> 01:23:31,717
He had no at the end.
1374
01:23:31,718 --> 01:23:36,720
In the script, I asked? Poe
cu? l was the end.
1375
01:23:36,721 --> 01:23:37,721
? L replied ?:
1376
01:23:37,722 --> 01:23:42,029
"You want me to tell you?
If I do, there is no return. "
1377
01:23:42,707 --> 01:23:43,722
She did not know for what? He spoke.
1378
01:23:43,723 --> 01:23:48,725
He said: "T you are the end?.
M? Rate and sabr? S what I say. "
1379
01:23:48,726 --> 01:23:52,007
It is time
to face the truth ...
1380
01:23:52,717 --> 01:23:57,016
... To finish the story.
There is no alternative.
1381
01:23:57,729 --> 01:24:01,022
Never admit? ...
1382
01:24:03,719 --> 01:24:06,725
... What scene it is
and what I should? be.
1383
01:24:06,726 --> 01:24:09,717
Deb? witness it.
It was a weekend.
1384
01:24:09,718 --> 01:24:13,707
He worked in a paper? Cula
and I said, "Let's use boats."
1385
01:24:13,708 --> 01:24:17,005
Cre? be? n
small rowboats you.
1386
01:24:17,700 --> 01:24:20,012
It has been present ...
1387
01:24:23,713 --> 01:24:26,019
... Not There would be happened.
1388
01:24:29,713 --> 01:24:32,009
And you took a drink.
1389
01:24:37,722 --> 01:24:42,027
They shot Sonny
in high. Est? dead.
1390
01:24:48,723 --> 01:24:54,716
An alternative
to our proposal
1391
01:24:54,717 --> 01:24:59,701
is a pel? cula in which
the essential issue is the same.
1392
01:24:59,702 --> 01:25:03,717
The characters, the politics,
sex, past romance.
1393
01:25:03,718 --> 01:25:07,717
All those things,
psicol? logical and emotionally.
1394
01:25:07,718 --> 01:25:08,728
The psychology a.
1395
01:25:08,729 --> 01:25:13,701
But I carried a history
1396
01:25:13,702 --> 01:25:17,713
much m? s small e? intimate.
In other words,
1397
01:25:17,714 --> 01:25:22,710
could? an be two people
who returned from the war
1398
01:25:22,711 --> 01:25:27,720
and est? n lost, living
wherever you want.
1399
01:25:27,721 --> 01:25:32,714
B? Basically,
be? to a local place.
1400
01:25:32,715 --> 01:25:35,716
Run? To within
the financial framework.
1401
01:25:35,717 --> 01:25:41,022
Tell cu? Much money to me? S
and I adapt? the pel? cula.
1402
01:25:41,716 --> 01:25:48,016
It is an investment? n
far more big s this.
1403
01:25:49,715 --> 01:25:54,010
? Being? An interested
to join?
1404
01:25:54,714 --> 01:25:58,728
Part of the financing? N
1405
01:25:58,729 --> 01:26:05,014
we are pr? ximos to get
apparently.
1406
01:26:05,716 --> 01:26:11,716
I see three guys who are
as a board of probation.
1407
01:26:11,717 --> 01:26:15,717
And T? You have you Sir.
Jam? S be? S free.
1408
01:26:15,718 --> 01:26:16,717
Exactly.
1409
01:26:16,718 --> 01:26:19,710
Even where s ?,
1410
01:26:19,711 --> 01:26:22,726
you see? affected as
to a p? loss of money
1411
01:26:22,727 --> 01:26:26,708
Or could as not to notice;
That s not ?.
1412
01:26:26,709 --> 01:26:30,703
Everyone lies about money
and hide it,
1413
01:26:30,704 --> 01:26:35,714
but talk about you see? cula,
adventures, cr? regimes,
1414
01:26:35,715 --> 01:26:40,722
They are using drugs,
drunkenness.
1415
01:26:40,723 --> 01:26:43,713
- Originally har to Iraq?.
- S ?.
1416
01:26:43,714 --> 01:26:46,708
But Jimmy thought ?:
1417
01:26:46,709 --> 01:26:49,719
"No need to go to Tikrit.
Returning from Iraq
1418
01:26:49,720 --> 01:26:52,714
shocked
by experience. "
1419
01:26:52,715 --> 01:26:55,704
We want to do the film.
Jimmy write ?.
1420
01:26:55,705 --> 01:26:56,723
? The fund? S?
1421
01:26:56,724 --> 01:27:00,728
The truth is that this
It is attractive and exciting.
1422
01:27:00,729 --> 01:27:02,705
Sure it har ?.
1423
01:27:02,706 --> 01:27:03,719
It is fun.
1424
01:27:03,720 --> 01:27:04,720
S ?, it is.
1425
01:27:04,721 --> 01:27:06,703
M? S fun.
1426
01:27:06,704 --> 01:27:08,029
There are two ways:
1427
01:27:08,700 --> 01:27:11,709
From the emotional side
and from the profits.
1428
01:27:11,710 --> 01:27:14,717
- S ?.
- You must evaluate everything.
1429
01:27:14,718 --> 01:27:18,701
It seems like a good idea.
He would have to review it all.
1430
01:27:18,702 --> 01:27:20,719
? Cu? Nto give us? Ace
for the pel? cula?
1431
01:27:20,720 --> 01:27:25,715
- Could get an $ 25 million?.
- Let's deal right now.
1432
01:27:25,716 --> 01:27:27,016
God m? O.
1433
01:27:27,701 --> 01:27:29,713
I will write
1434
01:27:29,714 --> 01:27:33,722
the amount of money
I'm willing to give them.
1435
01:27:33,723 --> 01:27:34,723
According.
1436
01:27:34,724 --> 01:27:36,724
- But they can not see it n?.
- All right.
1437
01:27:36,725 --> 01:27:39,009
- ?According?
- S ?.
1438
01:27:47,709 --> 01:27:49,715
? Cu? Ndo end? this?
1439
01:27:49,716 --> 01:27:52,717
? You recorded that beam?
It s sure ?.
1440
01:27:52,718 --> 01:27:56,705
-? C how you feel?
- I'm optimistic .
1441
01:27:56,706 --> 01:27:59,719
Of course.
I expect nothing less from you.
1442
01:27:59,720 --> 01:28:04,720
I need to balance your ...
? C? Mo call?
1443
01:28:04,721 --> 01:28:06,713
Afici? N by reality.
1444
01:28:06,714 --> 01:28:10,713
S ?. Taki wrote ?:
"The need".
1445
01:28:10,714 --> 01:28:16,707
? And you believe him? Do not you think that there
great malice in his personality?
1446
01:28:16,708 --> 01:28:20,703
Of course, s ?, but not
regarding the pel? cula.
1447
01:28:20,704 --> 01:28:21,716
And even if it were as?
1448
01:28:21,717 --> 01:28:25,710
have three inverters
of "Seduced and Abandoned".
1449
01:28:25,711 --> 01:28:27,725
We have $ 25 million
Medavoy.
1450
01:28:27,726 --> 01:28:31,700
We prospects
as Gosling and Chastain.
1451
01:28:31,701 --> 01:28:35,709
we are just the same
with what we got: Hope .
1452
01:28:35,710 --> 01:28:36,720
That's good.
1453
01:28:36,721 --> 01:28:40,704
Everybody loses hope.
Ours is? intact.
1454
01:28:40,705 --> 01:28:43,715
By the way, The music
for "Seduced and Abandoned"
1455
01:28:43,716 --> 01:28:46,699
to make Yar Shostakovich.
1456
01:28:46,700 --> 01:28:48,716
The dark beauty po? Tica
Fifth
1457
01:28:48,717 --> 01:28:52,703
juxtaposed
the wicked waltz.
1458
01:28:52,704 --> 01:28:56,015
It's like Shostakovich
I composed for you.
1459
01:28:56,704 --> 01:29:00,015
Vitality and elegance together.
1460
01:29:03,708 --> 01:29:05,029
FILMS ARE A FEN? MENO
1461
01:29:05,701 --> 01:29:07,715
WHOSE like death
It has been ignored
1462
01:29:07,716 --> 01:29:08,726
FOR A LONG TIME
1463
01:29:08,727 --> 01:29:10,026
NORMAN MAILER
1464
01:29:11,706 --> 01:29:13,006
I love you.
1465
01:29:16,714 --> 01:29:19,008
I know your name.
1466
01:29:30,710 --> 01:29:35,029
You ask? the same
that I asked everyone.
1467
01:29:35,714 --> 01:29:38,026
I always think of this.
1468
01:29:38,702 --> 01:29:41,709
S? you love life
and you want to live.
1469
01:29:41,710 --> 01:29:45,024
But did you fear death
or est? s ready for it?
1470
01:29:45,711 --> 01:29:47,017
Thank you.
1471
01:29:49,716 --> 01:29:52,022
At 11:45.
1472
01:29:52,709 --> 01:29:54,724
No, because I want to be a mother.
1473
01:29:54,725 --> 01:29:57,714
I do not think about it.
I guess I am.
1474
01:29:57,715 --> 01:29:59,716
Est? S ready
to death, right?
1475
01:29:59,717 --> 01:30:02,027
You do not want to, but do not fear him.
1476
01:30:02,713 --> 01:30:05,022
Of course that s ?.
If t? you say.
1477
01:30:05,707 --> 01:30:08,728
I can create a montage
of death. It is what matters.
1478
01:30:08,729 --> 01:30:13,710
- I want to make 50 particles m s role?.
- OK as only four?
1479
01:30:13,711 --> 01:30:16,718
Four, no. I do three to a? O.
1480
01:30:16,719 --> 01:30:21,718
- Do you live s to 60 m s???.
- What ?? Over here ?.
1481
01:30:21,719 --> 01:30:26,720
I was never ready
to die,
1482
01:30:26,721 --> 01:30:29,707
but I was always ready.
1483
01:30:29,708 --> 01:30:31,711
? To die? I am not ready.
1484
01:30:31,712 --> 01:30:33,717
A? N there are things
I wanted to do.
1485
01:30:33,718 --> 01:30:35,709
Quiz? S a little after? S.
1486
01:30:35,710 --> 01:30:40,021
I do not worry about that.
Happen? and interrupt? something.
1487
01:30:41,706 --> 01:30:46,016
A? N struggle with aspects
Religious thereof.
1488
01:30:47,701 --> 01:30:49,716
I do not think I'm ready.
1489
01:30:49,717 --> 01:30:54,007
- Est s ready to die?
- Do not.
1490
01:30:54,707 --> 01:30:55,715
? Ya c? Shut up!
1491
01:30:55,716 --> 01:30:57,701
It is the question at all.
1492
01:30:57,702 --> 01:31:02,728
? C? Mo going to be prepared?
? I feel a pipe?
1493
01:31:02,729 --> 01:31:04,029
? In what? speak?
1494
01:31:04,700 --> 01:31:08,721
In this role? Cula, we only need to
go to intensive care
1495
01:31:08,722 --> 01:31:11,725
and ask an elder
? 95 piped to you:
1496
01:31:11,726 --> 01:31:15,022
"? Est? S ready to die?"
1497
01:31:15,711 --> 01:31:19,710
I know, but I do
best to postpone it.
1498
01:31:19,711 --> 01:31:24,712
I was on a plane? N
it began? fall.
1499
01:31:24,713 --> 01:31:27,709
Everyone watched
who ten? a next
1500
01:31:27,710 --> 01:31:30,726
to create a bond with
the person die? s.
1501
01:31:30,727 --> 01:31:34,014
People were crying.
It was very dramatic? tico.
1502
01:31:34,700 --> 01:31:38,006
My instinct
It was finish my steak.
1503
01:31:38,707 --> 01:31:43,027
I started? to swallow everything.
1504
01:31:43,720 --> 01:31:46,715
John Updike, very fine.
1505
01:31:46,716 --> 01:31:51,706
Wonderful poet,
novelist and cr? tico.
1506
01:31:51,707 --> 01:31:55,728
Muri? in the years 70
of cancer, without complaining.
1507
01:31:55,729 --> 01:32:00,728
No one knew he was sick.
Wrote? this before he died.
1508
01:32:00,729 --> 01:32:02,713
It is called R Requiem?:
1509
01:32:02,714 --> 01:32:07,702
"Recently I realized
that when I die nobody dir?
1510
01:32:07,703 --> 01:32:11,705
'What? worth, he was very young
and full of promise '.
1511
01:32:11,706 --> 01:32:13,706
Unfathomable depths.
1512
01:32:13,707 --> 01:32:16,725
Instead,
sadness and dry eyes
1513
01:32:16,726 --> 01:32:19,721
receive? n
my disappearance n tard? a.
1514
01:32:19,722 --> 01:32:24,726
S? the great response be ?:
'Cre? who already he had died '.
1515
01:32:24,727 --> 01:32:28,709
For lifeIt is a shabby subterfuge
1516
01:32:28,710 --> 01:32:33,704
and death is real,
l ? Gubre and immense .
1517
01:32:33,705 --> 01:32:36,720
There will be no ? record
Photographic Print ? No one ,
1518
01:32:36,721 --> 01:32:39,013
except where happen. "
1519
01:32:39,702 --> 01:32:40,713
You know I love you.
1520
01:32:40,714 --> 01:32:41,714
S ?.
1521
01:32:41,715 --> 01:32:44,715
You know you have
un grand ? simo appreciation.
1522
01:32:44,716 --> 01:32:46,711
And this is one reason .
1523
01:32:46,712 --> 01:32:48,720
You are an excellent
poetry reader ? a.
1524
01:32:48,721 --> 01:32:51,724
- Thank you.
- What you ste beautifully ? .
1525
01:32:51,725 --> 01:32:52,725
Thank you.
1526
01:32:52,726 --> 01:32:57,725
Despite all your tendencies
self-destructive .
1527
01:32:57,726 --> 01:32:59,701
I adore you.
1528
01:32:59,702 --> 01:33:00,702
Thank you.
1529
01:33:00,703 --> 01:33:02,019
Only you need to kiss him.
1530
01:33:03,719 --> 01:33:07,005
I just adore,
I do not want to make love .
1531
01:33:10,710 --> 01:33:14,722
The best part
and the beauty of the films
1532
01:33:14,723 --> 01:33:20,720
It is conjuring
notions of finality and death.
1533
01:33:20,721 --> 01:33:23,702
The pel ? Cula ends and an end .
1534
01:33:23,703 --> 01:33:25,728
Sitting in the dark ,
dim light.
1535
01:33:25,729 --> 01:33:31,008
While the pel ? Cula roll ,
est ? s alive, and suddenly ...
121985
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.