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All language subtitles for SNL S03E05 Ray Charles.DVDRip.HI.RLP.cc.en.UNVSL

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,800 --> 00:00:04,914 THE ENTIRE THING ON CASSETTE IN THE PHILIPPINES. THEY DID A LOT OF WORK ON THEM. 2 00:00:04,938 --> 00:00:06,216 CASSETTE IN THE PHILIPPINES. THEY DID A LOT OF WORK ON THEM. THEY SPENT A COUPLE MILLION 3 00:00:06,240 --> 00:00:06,783 THEY DID A LOT OF WORK ON THEM. THEY SPENT A COUPLE MILLION DOLLARS. 4 00:00:06,807 --> 00:00:08,352 THEY SPENT A COUPLE MILLION DOLLARS. NOW, IT'S TRUE, THEY SHOWED THE 5 00:00:08,376 --> 00:00:09,552 DOLLARS. NOW, IT'S TRUE, THEY SHOWED THE BAD SIDE OF THE FAMILY. 6 00:00:09,576 --> 00:00:11,088 NOW, IT'S TRUE, THEY SHOWED THE BAD SIDE OF THE FAMILY. BUT YOU CAME OFF LOOKING REALLY 7 00:00:11,112 --> 00:00:12,389 BAD SIDE OF THE FAMILY. BUT YOU CAME OFF LOOKING REALLY WELL TONIGHT. 8 00:00:12,413 --> 00:00:13,923 BUT YOU CAME OFF LOOKING REALLY WELL TONIGHT. I DON'T KNOW. 9 00:00:13,947 --> 00:00:16,393 WELL TONIGHT. I DON'T KNOW. YOU KNOW, IF WHAT THEY SAY IS 10 00:00:16,417 --> 00:00:18,495 I DON'T KNOW. YOU KNOW, IF WHAT THEY SAY IS TRUE, THE CAMERA REALLY DOES PUT 11 00:00:18,519 --> 00:00:21,398 YOU KNOW, IF WHAT THEY SAY IS TRUE, THE CAMERA REALLY DOES PUT ON 10 POUNDS, YOU KNOW? 12 00:00:21,422 --> 00:00:23,200 TRUE, THE CAMERA REALLY DOES PUT ON 10 POUNDS, YOU KNOW? I DON'T LIKE THE WAY WE WERE 13 00:00:23,224 --> 00:00:24,567 ON 10 POUNDS, YOU KNOW? I DON'T LIKE THE WAY WE WERE PORTRAYED, YOU KNOW? 14 00:00:24,591 --> 00:00:26,370 I DON'T LIKE THE WAY WE WERE PORTRAYED, YOU KNOW? MOVIES ARE ONE THING, BUT... 15 00:00:26,394 --> 00:00:28,171 PORTRAYED, YOU KNOW? MOVIES ARE ONE THING, BUT... THERE'S TOO MUCH VIOLENCE ON 16 00:00:28,195 --> 00:00:29,706 MOVIES ARE ONE THING, BUT... THERE'S TOO MUCH VIOLENCE ON TELEVISION. 17 00:00:29,730 --> 00:00:31,208 THERE'S TOO MUCH VIOLENCE ON TELEVISION. OH, IT'S A DIRTY BUSINESS. 18 00:00:31,232 --> 00:00:32,542 TELEVISION. OH, IT'S A DIRTY BUSINESS. I WANT NO PART OF IT. 19 00:00:32,566 --> 00:00:33,843 OH, IT'S A DIRTY BUSINESS. I WANT NO PART OF IT. NO MORE "GODFATHER" ON 20 00:00:33,867 --> 00:00:34,644 I WANT NO PART OF IT. NO MORE "GODFATHER" ON TELEVISION! 21 00:00:34,668 --> 00:00:36,380 NO MORE "GODFATHER" ON TELEVISION! THAT'S GONNA BE VERY HARD TO 22 00:00:36,404 --> 00:00:36,779 TELEVISION! THAT'S GONNA BE VERY HARD TO DO. 23 00:00:36,803 --> 00:00:38,581 THAT'S GONNA BE VERY HARD TO DO. THE NIELSEN RATINGS WERE AWFULLY 24 00:00:38,605 --> 00:00:39,082 DO. THE NIELSEN RATINGS WERE AWFULLY HIGH. 25 00:00:39,106 --> 00:00:40,783 THE NIELSEN RATINGS WERE AWFULLY HIGH. IT'S GONNA BE DIFFICULT TO GET 26 00:00:40,807 --> 00:00:42,585 HIGH. IT'S GONNA BE DIFFICULT TO GET THEM TO CANCEL PARTS TWO, THREE, 27 00:00:42,609 --> 00:00:43,387 IT'S GONNA BE DIFFICULT TO GET THEM TO CANCEL PARTS TWO, THREE, AND FOUR. 28 00:00:43,411 --> 00:00:45,422 THEM TO CANCEL PARTS TWO, THREE, AND FOUR. IN FACT, THEY HAVE PLANS TO DO 29 00:00:45,446 --> 00:00:46,189 AND FOUR. IN FACT, THEY HAVE PLANS TO DO EVEN MORE. 30 00:00:46,213 --> 00:00:47,124 IN FACT, THEY HAVE PLANS TO DO EVEN MORE. WHAT PLANS? 31 00:00:47,148 --> 00:00:49,026 EVEN MORE. WHAT PLANS? WELL, THEY'VE ALREADY STARTED 32 00:00:49,050 --> 00:00:50,627 WHAT PLANS? WELL, THEY'VE ALREADY STARTED DEVELOPING TWO NEW SHOWS... 33 00:00:50,651 --> 00:00:52,429 WELL, THEY'VE ALREADY STARTED DEVELOPING TWO NEW SHOWS... "GODFATHER KNOWS BEST" AND 34 00:00:52,453 --> 00:00:54,164 DEVELOPING TWO NEW SHOWS... "GODFATHER KNOWS BEST" AND ANOTHER THING CALLED "THE 35 00:00:54,188 --> 00:00:58,668 "GODFATHER KNOWS BEST" AND ANOTHER THING CALLED "THE COURTSHIP OF EDDIE'S GODFATHER." 36 00:00:58,692 --> 00:01:01,038 ANOTHER THING CALLED "THE COURTSHIP OF EDDIE'S GODFATHER." HOW CAN NBC TREAT ME WITH 37 00:01:01,062 --> 00:01:02,472 COURTSHIP OF EDDIE'S GODFATHER." HOW CAN NBC TREAT ME WITH SUCH DISRESPECT? 38 00:01:02,496 --> 00:01:04,474 HOW CAN NBC TREAT ME WITH SUCH DISRESPECT? ["THE GODFATHER" THEME PLAYS] 39 00:01:04,498 --> 00:01:06,343 SUCH DISRESPECT? ["THE GODFATHER" THEME PLAYS] AFTER ALL I'VE DONE FOR THEM. 40 00:01:06,367 --> 00:01:08,345 ["THE GODFATHER" THEME PLAYS] AFTER ALL I'VE DONE FOR THEM. WHEN THEY WANTED DEAN MARTIN TO 41 00:01:08,369 --> 00:01:10,213 AFTER ALL I'VE DONE FOR THEM. WHEN THEY WANTED DEAN MARTIN TO STAR IN A SERIES, WHO GOT HIM 42 00:01:10,237 --> 00:01:12,115 WHEN THEY WANTED DEAN MARTIN TO STAR IN A SERIES, WHO GOT HIM FOR THEM? 43 00:01:12,139 --> 00:01:14,184 STAR IN A SERIES, WHO GOT HIM FOR THEM? I DID. 44 00:01:14,208 --> 00:01:16,053 FOR THEM? I DID. AH, BUT LET'S FACE IT. 45 00:01:16,077 --> 00:01:18,588 I DID. AH, BUT LET'S FACE IT. THEY NEVER WANTED MY FRIENDSHIP. 46 00:01:18,612 --> 00:01:20,590 AH, BUT LET'S FACE IT. THEY NEVER WANTED MY FRIENDSHIP. IT'S OKAY. I UNDERSTAND. 47 00:01:20,614 --> 00:01:21,624 THEY NEVER WANTED MY FRIENDSHIP. IT'S OKAY. I UNDERSTAND. BUT NOW THIS? 48 00:01:21,648 --> 00:01:23,493 IT'S OKAY. I UNDERSTAND. BUT NOW THIS? HOW CAN THEY DO THIS TO ME? 49 00:01:23,517 --> 00:01:24,627 BUT NOW THIS? HOW CAN THEY DO THIS TO ME? WE MADE NO CONTRACT. 50 00:01:24,651 --> 00:01:26,163 HOW CAN THEY DO THIS TO ME? WE MADE NO CONTRACT. THEY DIDN'T HAVE TO HAVE A 51 00:01:26,187 --> 00:01:26,796 WE MADE NO CONTRACT. THEY DIDN'T HAVE TO HAVE A CONTRACT. 52 00:01:26,820 --> 00:01:28,665 THEY DIDN'T HAVE TO HAVE A CONTRACT. WE HAVE NO LEGAL RECOURSE. 53 00:01:28,689 --> 00:01:30,300 CONTRACT. WE HAVE NO LEGAL RECOURSE. AH, LEGAL RECOURSE. 54 00:01:30,324 --> 00:01:31,601 WE HAVE NO LEGAL RECOURSE. AH, LEGAL RECOURSE. LEGAL RECOURSE. 55 00:01:31,625 --> 00:01:33,703 AH, LEGAL RECOURSE. LEGAL RECOURSE. WE'LL GO TO THE MATTRESSES! 56 00:01:33,727 --> 00:01:35,905 LEGAL RECOURSE. WE'LL GO TO THE MATTRESSES! WHAT DO YOU SUGGEST WE DO, 57 00:01:35,929 --> 00:01:38,141 WE'LL GO TO THE MATTRESSES! WHAT DO YOU SUGGEST WE DO, GODFATHER, MAKE THEM AN OFFER 58 00:01:38,165 --> 00:01:39,709 WHAT DO YOU SUGGEST WE DO, GODFATHER, MAKE THEM AN OFFER THEY CAN'T PASS BY? 59 00:01:39,733 --> 00:01:43,113 GODFATHER, MAKE THEM AN OFFER THEY CAN'T PASS BY? MM. SOMETHING LIKE THAT. 60 00:01:43,137 --> 00:01:44,381 THEY CAN'T PASS BY? MM. SOMETHING LIKE THAT. LET'S SEE. 61 00:01:44,405 --> 00:01:46,683 MM. SOMETHING LIKE THAT. LET'S SEE. WE MOVE HARD AND FAST. 62 00:01:46,707 --> 00:01:49,819 LET'S SEE. WE MOVE HARD AND FAST. TOM, YOU GO TO NBC IN HOLLYWOOD. 63 00:01:49,843 --> 00:01:51,521 WE MOVE HARD AND FAST. TOM, YOU GO TO NBC IN HOLLYWOOD. TAKE CLEMENZA WITH YOU. 64 00:01:51,545 --> 00:01:53,723 TOM, YOU GO TO NBC IN HOLLYWOOD. TAKE CLEMENZA WITH YOU. I WANT GRIZZLY ADAMS TO WAKE UP 65 00:01:53,747 --> 00:01:55,559 TAKE CLEMENZA WITH YOU. I WANT GRIZZLY ADAMS TO WAKE UP WITH A BEAR'S HEAD ON HIS 66 00:01:55,583 --> 00:01:56,560 I WANT GRIZZLY ADAMS TO WAKE UP WITH A BEAR'S HEAD ON HIS PILLOW. 67 00:01:56,584 --> 00:01:58,728 WITH A BEAR'S HEAD ON HIS PILLOW. THAT'LL TAKE CARE OF IT. 68 00:01:58,752 --> 00:01:59,729 PILLOW. THAT'LL TAKE CARE OF IT. OKAY. 69 00:01:59,753 --> 00:02:01,398 THAT'LL TAKE CARE OF IT. OKAY. HOW ABOUT HITTING 70 00:02:01,422 --> 00:02:03,633 OKAY. HOW ABOUT HITTING "SATURDAY NIGHT LIVE"? 71 00:02:03,657 --> 00:02:05,202 HOW ABOUT HITTING "SATURDAY NIGHT LIVE"? NO. 72 00:02:05,226 --> 00:02:07,304 "SATURDAY NIGHT LIVE"? NO. MY GRANDCHILDREN LOVE THE SHOW. 73 00:02:07,328 --> 00:02:09,038 NO. MY GRANDCHILDREN LOVE THE SHOW. IT MAKES THEM LAUGH. 74 00:02:09,062 --> 00:02:11,274 MY GRANDCHILDREN LOVE THE SHOW. IT MAKES THEM LAUGH. AND THERE'S NOT ENOUGH GOOD 75 00:02:11,298 --> 00:02:13,276 IT MAKES THEM LAUGH. AND THERE'S NOT ENOUGH GOOD SATIRE ON TV THESE DAYS. 76 00:02:13,300 --> 00:02:15,579 AND THERE'S NOT ENOUGH GOOD SATIRE ON TV THESE DAYS. BESIDES, I LOVE IT WHEN THEY 77 00:02:15,603 --> 00:02:18,515 SATIRE ON TV THESE DAYS. BESIDES, I LOVE IT WHEN THEY SAY, "LIVE FROM NEW YORK, IT'S 78 00:02:18,539 --> 00:02:20,117 BESIDES, I LOVE IT WHEN THEY SAY, "LIVE FROM NEW YORK, IT'S SATURDAY NIGHT!" 79 00:02:20,141 --> 00:02:23,487 SAY, "LIVE FROM NEW YORK, IT'S SATURDAY NIGHT!" [BAND PLAYS] 80 00:02:23,511 --> 00:02:24,721 SATURDAY NIGHT!" [BAND PLAYS] Announcer: IT'S "SATURDAY 81 00:02:24,745 --> 00:02:29,926 [BAND PLAYS] Announcer: IT'S "SATURDAY NIGHT LIVE." 82 00:02:29,950 --> 00:02:32,484 Announcer: IT'S "SATURDAY NIGHT LIVE." STARRING RAY CHARLES... 83 00:02:41,093 --> 00:02:43,228 WITH A SPECIAL GUEST... 84 00:03:25,104 --> 00:03:33,104 LADIES AND GENTLEMEN, RAY CHARLES. [CHEERS AND APPLAUSE] 85 00:03:36,049 --> 00:03:37,194 RAY CHARLES. [CHEERS AND APPLAUSE] OH, THANK YOU. 86 00:03:37,218 --> 00:03:38,528 [CHEERS AND APPLAUSE] OH, THANK YOU. THANK YOU VERY MUCH. 87 00:03:38,552 --> 00:03:40,430 OH, THANK YOU. THANK YOU VERY MUCH. THANK YOU VERY MUCH, LADIES AND 88 00:03:40,454 --> 00:03:41,398 THANK YOU VERY MUCH. THANK YOU VERY MUCH, LADIES AND GENTLEMEN. 89 00:03:41,422 --> 00:03:43,466 THANK YOU VERY MUCH, LADIES AND GENTLEMEN. I WANT TO SAY THAT WHEN THE 90 00:03:43,490 --> 00:03:45,569 GENTLEMEN. I WANT TO SAY THAT WHEN THE PEOPLE FROM "SATURDAY NIGHT" 91 00:03:45,593 --> 00:03:47,637 I WANT TO SAY THAT WHEN THE PEOPLE FROM "SATURDAY NIGHT" FIRST ASKED ME TO HOST THIS 92 00:03:47,661 --> 00:03:49,839 PEOPLE FROM "SATURDAY NIGHT" FIRST ASKED ME TO HOST THIS SHOW, OF COURSE I SAID 93 00:03:49,863 --> 00:03:51,341 FIRST ASKED ME TO HOST THIS SHOW, OF COURSE I SAID "ABSOLUTELY NOT." 94 00:03:51,365 --> 00:03:53,677 SHOW, OF COURSE I SAID "ABSOLUTELY NOT." I KNEW THE SHOW WAS TASTELESS 95 00:03:53,701 --> 00:03:56,112 "ABSOLUTELY NOT." I KNEW THE SHOW WAS TASTELESS AND OFFENSIVE, AND THERE WAS NO 96 00:03:56,136 --> 00:03:58,582 I KNEW THE SHOW WAS TASTELESS AND OFFENSIVE, AND THERE WAS NO WAY I WAS GONNA LET 30 YEARS OF 97 00:03:58,606 --> 00:04:00,783 AND OFFENSIVE, AND THERE WAS NO WAY I WAS GONNA LET 30 YEARS OF A CAREER GO DOWN THE DRAIN. 98 00:04:00,807 --> 00:04:02,819 WAY I WAS GONNA LET 30 YEARS OF A CAREER GO DOWN THE DRAIN. I MIGHT BE BLIND, BUT I'M 99 00:04:02,843 --> 00:04:04,354 A CAREER GO DOWN THE DRAIN. I MIGHT BE BLIND, BUT I'M CERTAINLY NOT STUPID. 100 00:04:04,378 --> 00:04:06,223 I MIGHT BE BLIND, BUT I'M CERTAINLY NOT STUPID. BUT THEY KEPT ON ASKING ME. 101 00:04:06,247 --> 00:04:08,157 CERTAINLY NOT STUPID. BUT THEY KEPT ON ASKING ME. AND THE PRODUCER WAS SAYING, 102 00:04:08,181 --> 00:04:10,126 BUT THEY KEPT ON ASKING ME. AND THE PRODUCER WAS SAYING, "HEY, RAY, WE GONNA MAKE YOU 103 00:04:10,150 --> 00:04:11,060 AND THE PRODUCER WAS SAYING, "HEY, RAY, WE GONNA MAKE YOU LOOK GOOD." 104 00:04:11,084 --> 00:04:13,230 "HEY, RAY, WE GONNA MAKE YOU LOOK GOOD." BUT, YOU SEE, I WAS WORRIED MORE 105 00:04:13,254 --> 00:04:14,431 LOOK GOOD." BUT, YOU SEE, I WAS WORRIED MORE ABOUT THE SOUND. 106 00:04:14,455 --> 00:04:16,533 BUT, YOU SEE, I WAS WORRIED MORE ABOUT THE SOUND. SO, EVENTUALLY, I SAID, "LISTEN, 107 00:04:16,557 --> 00:04:17,900 ABOUT THE SOUND. SO, EVENTUALLY, I SAID, "LISTEN, I'LL TELL YOU WHAT. 108 00:04:17,924 --> 00:04:20,002 SO, EVENTUALLY, I SAID, "LISTEN, I'LL TELL YOU WHAT. I'LL DO THE SHOW, BUT THERE MUST 109 00:04:20,026 --> 00:04:22,105 I'LL TELL YOU WHAT. I'LL DO THE SHOW, BUT THERE MUST BE SOME PARTICULAR CONDITIONS IN 110 00:04:22,129 --> 00:04:23,640 I'LL DO THE SHOW, BUT THERE MUST BE SOME PARTICULAR CONDITIONS IN ORDER FOR ME TO DO IT. 111 00:04:23,664 --> 00:04:25,775 BE SOME PARTICULAR CONDITIONS IN ORDER FOR ME TO DO IT. FOR INSTANCE I'VE GOT TO HAVE MY 112 00:04:25,799 --> 00:04:26,843 ORDER FOR ME TO DO IT. FOR INSTANCE I'VE GOT TO HAVE MY OWN MUSICIANS. 113 00:04:26,867 --> 00:04:28,111 FOR INSTANCE I'VE GOT TO HAVE MY OWN MUSICIANS. I WANT THE RAYLETTES." 114 00:04:28,135 --> 00:04:29,246 OWN MUSICIANS. I WANT THE RAYLETTES." AND THEY SAID OKAY. 115 00:04:29,270 --> 00:04:30,947 I WANT THE RAYLETTES." AND THEY SAID OKAY. BUT THE LAST THING I ASKED THEM 116 00:04:30,971 --> 00:04:32,482 AND THEY SAID OKAY. BUT THE LAST THING I ASKED THEM ABOUT, IT TOOK THEM A LITTLE 117 00:04:32,506 --> 00:04:34,083 BUT THE LAST THING I ASKED THEM ABOUT, IT TOOK THEM A LITTLE WHILE TO COME UP WITH IT, BUT 118 00:04:34,107 --> 00:04:35,785 ABOUT, IT TOOK THEM A LITTLE WHILE TO COME UP WITH IT, BUT THEY WERE EVEN ABLE TO DO THAT, 119 00:04:35,809 --> 00:04:36,219 WHILE TO COME UP WITH IT, BUT THEY WERE EVEN ABLE TO DO THAT, TOO. 120 00:04:36,243 --> 00:04:37,721 THEY WERE EVEN ABLE TO DO THAT, TOO. SO, THEREFORE, LADIES AND 121 00:04:37,745 --> 00:04:39,289 TOO. SO, THEREFORE, LADIES AND GENTLEMEN, LET ME SAY THAT 122 00:04:39,313 --> 00:04:40,823 SO, THEREFORE, LADIES AND GENTLEMEN, LET ME SAY THAT TONIGHT WE ARE PROUD TO BE 123 00:04:40,847 --> 00:04:42,859 GENTLEMEN, LET ME SAY THAT TONIGHT WE ARE PROUD TO BE COMING TO YOU LIVE FROM 124 00:04:42,883 --> 00:04:44,427 TONIGHT WE ARE PROUD TO BE COMING TO YOU LIVE FROM CARNEGIE HALL. 125 00:04:44,451 --> 00:04:47,364 COMING TO YOU LIVE FROM CARNEGIE HALL. NOW, LISTEN, I GOT TO TELL YOU 126 00:04:47,388 --> 00:04:48,598 CARNEGIE HALL. NOW, LISTEN, I GOT TO TELL YOU SOMETHING. 127 00:04:48,622 --> 00:04:51,601 NOW, LISTEN, I GOT TO TELL YOU SOMETHING. YOU SEE, NOW, THEY THINK THAT I 128 00:04:51,625 --> 00:04:53,536 SOMETHING. YOU SEE, NOW, THEY THINK THAT I THINK THAT THIS IS 129 00:04:53,560 --> 00:04:55,104 YOU SEE, NOW, THEY THINK THAT I THINK THAT THIS IS CARNEGIE HALL. 130 00:04:55,128 --> 00:04:59,509 THINK THAT THIS IS CARNEGIE HALL. [APPLAUSE] 131 00:04:59,533 --> 00:05:01,978 CARNEGIE HALL. [APPLAUSE] THE JOKE IS REALLY ON THEM 132 00:05:02,002 --> 00:05:04,681 [APPLAUSE] THE JOKE IS REALLY ON THEM BECAUSE, YOU SEE, I'M NOT THE 133 00:05:04,705 --> 00:05:06,783 THE JOKE IS REALLY ON THEM BECAUSE, YOU SEE, I'M NOT THE REAL RAY CHARLES. 134 00:05:06,807 --> 00:05:08,385 BECAUSE, YOU SEE, I'M NOT THE REAL RAY CHARLES. [LAUGHTER] 135 00:05:08,409 --> 00:05:10,153 REAL RAY CHARLES. [LAUGHTER] THE REAL RAY CHARLES IS AT 136 00:05:10,177 --> 00:05:11,220 [LAUGHTER] THE REAL RAY CHARLES IS AT CARNEGIE HALL. 137 00:05:11,244 --> 00:05:13,222 THE REAL RAY CHARLES IS AT CARNEGIE HALL. BUT IF HE WERE HERE TONIGHT, I 138 00:05:13,246 --> 00:05:15,224 CARNEGIE HALL. BUT IF HE WERE HERE TONIGHT, I AM SURE THAT HE WOULD LEAD OFF 139 00:05:15,248 --> 00:05:17,160 BUT IF HE WERE HERE TONIGHT, I AM SURE THAT HE WOULD LEAD OFF THIS SHOW WITH SOMETHING LIKE 140 00:05:17,184 --> 00:05:17,727 AM SURE THAT HE WOULD LEAD OFF THIS SHOW WITH SOMETHING LIKE THIS. 141 00:05:17,751 --> 00:05:18,895 THIS SHOW WITH SOMETHING LIKE THIS. ONE, TWO. 142 00:05:18,919 --> 00:05:20,897 THIS. ONE, TWO. [INTRO TO "I CAN SEE CLEARLY 143 00:05:20,921 --> 00:05:28,204 ONE, TWO. [INTRO TO "I CAN SEE CLEARLY NOW" PLAYS] 144 00:05:28,228 --> 00:05:31,073 [INTRO TO "I CAN SEE CLEARLY NOW" PLAYS] ♪ I CAN SEE CLEARLY NOW THAT THE 145 00:05:31,097 --> 00:05:35,779 [NOW" PLAYS] ♪ I CAN SEE CLEARLY NOW THAT THE RAIN IS GONE ♪ 146 00:05:35,803 --> 00:05:38,881 ♪ I CAN SEE CLEARLY NOW THAT THE RAIN IS GONE ♪ ♪ I CAN SEE ALL OBSTACLES IN MY 147 00:05:38,905 --> 00:05:43,252 RAIN IS GONE ♪ ♪ I CAN SEE ALL OBSTACLES IN MY WAY ♪ 148 00:05:43,276 --> 00:05:45,789 ♪ I CAN SEE ALL OBSTACLES IN MY WAY ♪ ♪ GONE ARE THE DARK CLOUDS THAT 149 00:05:45,813 --> 00:05:48,958 WAY ♪ ♪ GONE ARE THE DARK CLOUDS THAT USED TO MAKE ME BLIND ♪ 150 00:05:48,982 --> 00:05:50,527 ♪ GONE ARE THE DARK CLOUDS THAT USED TO MAKE ME BLIND ♪ ♪ I SEE A BRIGHT, BRIGHT ♪ 151 00:05:50,551 --> 00:05:51,561 USED TO MAKE ME BLIND ♪ ♪ I SEE A BRIGHT, BRIGHT ♪ ♪ BRIGHT ♪ 152 00:05:51,585 --> 00:05:54,597 ♪ I SEE A BRIGHT, BRIGHT ♪ ♪ BRIGHT ♪ ♪ OH, BRIGHT SUNSHINY DAY ♪ 153 00:05:54,621 --> 00:05:56,499 ♪ BRIGHT ♪ ♪ OH, BRIGHT SUNSHINY DAY ♪ ♪ YES, I DO ♪ 154 00:05:56,523 --> 00:05:57,900 ♪ OH, BRIGHT SUNSHINY DAY ♪ ♪ YES, I DO ♪ ♪ WELL, I SEE ♪ 155 00:05:57,924 --> 00:05:58,535 ♪ YES, I DO ♪ ♪ WELL, I SEE ♪ ♪ BRIGHT ♪ 156 00:05:58,559 --> 00:05:59,636 ♪ WELL, I SEE ♪ ♪ BRIGHT ♪ ♪ I SEE A BRIGHT ♪ 157 00:05:59,660 --> 00:06:01,304 ♪ BRIGHT ♪ ♪ I SEE A BRIGHT ♪ ♪ BRIGHT SUNSHINY DAY ♪ 158 00:06:01,328 --> 00:06:03,306 ♪ I SEE A BRIGHT ♪ ♪ BRIGHT SUNSHINY DAY ♪ ♪ YES, I DO ♪ 159 00:06:03,330 --> 00:06:05,375 ♪ BRIGHT SUNSHINY DAY ♪ ♪ YES, I DO ♪ LOOKEE HERE. 160 00:06:05,399 --> 00:06:08,177 ♪ YES, I DO ♪ LOOKEE HERE. ♪ I THINK I CAN MAKE IT NOW THAT 161 00:06:08,201 --> 00:06:12,915 LOOKEE HERE. ♪ I THINK I CAN MAKE IT NOW THAT THE RAIN IS GONE ♪ 162 00:06:12,939 --> 00:06:15,652 ♪ I THINK I CAN MAKE IT NOW THAT THE RAIN IS GONE ♪ ♪ ALL OF THE BAD FEELINGS HAVE 163 00:06:15,676 --> 00:06:20,122 THE RAIN IS GONE ♪ ♪ ALL OF THE BAD FEELINGS HAVE DISAPPEARED ♪ 164 00:06:20,146 --> 00:06:23,092 ♪ ALL OF THE BAD FEELINGS HAVE DISAPPEARED ♪ ♪ HERE IS THE RAINBOW THAT I'VE 165 00:06:23,116 --> 00:06:26,028 DISAPPEARED ♪ ♪ HERE IS THE RAINBOW THAT I'VE BEEN PRAYING FOR ♪ 166 00:06:26,052 --> 00:06:27,731 ♪ HERE IS THE RAINBOW THAT I'VE BEEN PRAYING FOR ♪ ♪ I SEE A BRIGHT, BRIGHT ♪ 167 00:06:27,755 --> 00:06:28,732 BEEN PRAYING FOR ♪ ♪ I SEE A BRIGHT, BRIGHT ♪ ♪ BRIGHT ♪ 168 00:06:28,756 --> 00:06:30,600 ♪ I SEE A BRIGHT, BRIGHT ♪ ♪ BRIGHT ♪ ♪ WHOA, AND ANOTHER SUNSHINY 169 00:06:30,624 --> 00:06:31,934 ♪ BRIGHT ♪ ♪ WHOA, AND ANOTHER SUNSHINY DAY ♪ 170 00:06:31,958 --> 00:06:33,603 ♪ WHOA, AND ANOTHER SUNSHINY DAY ♪ ♪ YES, I DO ♪ 171 00:06:33,627 --> 00:06:35,071 DAY ♪ ♪ YES, I DO ♪ ♪ WELL, I SEE ♪ 172 00:06:35,095 --> 00:06:35,672 ♪ YES, I DO ♪ ♪ WELL, I SEE ♪ ♪ BRIGHT ♪ 173 00:06:35,696 --> 00:06:37,940 ♪ WELL, I SEE ♪ ♪ BRIGHT ♪ ♪ I SEE A BRIGHT SUNSHINY 174 00:06:37,964 --> 00:06:39,376 ♪ BRIGHT ♪ ♪ I SEE A BRIGHT SUNSHINY DAY ♪ 175 00:06:39,400 --> 00:06:42,311 ♪ I SEE A BRIGHT SUNSHINY DAY ♪ ♪ YEAH ♪ 176 00:06:42,335 --> 00:06:44,447 DAY ♪ ♪ YEAH ♪ ♪ WELL, LOOK ALL AROUND YOU, 177 00:06:44,471 --> 00:06:48,251 ♪ YEAH ♪ ♪ WELL, LOOK ALL AROUND YOU, THERE'S NOTHING BUT BLUE SKIES ♪ 178 00:06:48,275 --> 00:06:50,520 ♪ WELL, LOOK ALL AROUND YOU, THERE'S NOTHING BUT BLUE SKIES ♪ ♪ WHY DON'T YOU LOOK STRAIGHT 179 00:06:50,544 --> 00:06:51,654 THERE'S NOTHING BUT BLUE SKIES ♪ ♪ WHY DON'T YOU LOOK STRAIGHT AHEAD ♪ 180 00:06:51,678 --> 00:06:53,055 ♪ WHY DON'T YOU LOOK STRAIGHT AHEAD ♪ ♪ THERE'S NOTHING BUT BLUE 181 00:06:53,079 --> 00:06:56,893 AHEAD ♪ ♪ THERE'S NOTHING BUT BLUE SKIES ♪ 182 00:06:56,917 --> 00:07:00,563 ♪ THERE'S NOTHING BUT BLUE SKIES ♪ [GUITAR PLAYS] 183 00:07:00,587 --> 00:07:01,998 SKIES ♪ [GUITAR PLAYS] ♪ OOH-OOH ♪ 184 00:07:02,022 --> 00:07:03,433 [GUITAR PLAYS] ♪ OOH-OOH ♪ ♪ OOH-OOH ♪ 185 00:07:03,457 --> 00:07:07,871 ♪ OOH-OOH ♪ ♪ OOH-OOH ♪ ♪ OOH ♪ 186 00:07:07,895 --> 00:07:09,272 ♪ OOH-OOH ♪ ♪ OOH ♪ ♪ OOH-OOH ♪ 187 00:07:09,296 --> 00:07:10,673 ♪ OOH ♪ ♪ OOH-OOH ♪ ♪ OOH-OOH ♪ 188 00:07:10,697 --> 00:07:15,412 ♪ OOH-OOH ♪ ♪ OOH-OOH ♪ ♪ OOH ♪ 189 00:07:15,436 --> 00:07:16,646 ♪ OOH-OOH ♪ ♪ OOH ♪ ♪ OOH-OOH ♪ 190 00:07:16,670 --> 00:07:18,047 ♪ OOH ♪ ♪ OOH-OOH ♪ ♪ OOH-OOH ♪ 191 00:07:18,071 --> 00:07:18,782 ♪ OOH-OOH ♪ ♪ OOH-OOH ♪ ♪ OOH ♪ 192 00:07:18,806 --> 00:07:20,617 ♪ OOH-OOH ♪ ♪ OOH ♪ ♪ OOOOH ♪ 193 00:07:20,641 --> 00:07:26,823 ♪ OOH ♪ ♪ OOOOH ♪ ♪ OOH, OOH, OOH, OOH ♪ 194 00:07:26,847 --> 00:07:28,558 ♪ OOOOH ♪ ♪ OOH, OOH, OOH, OOH ♪ ♪ LOOK ALL AROUND YOU ♪ 195 00:07:28,582 --> 00:07:30,293 ♪ OOH, OOH, OOH, OOH ♪ ♪ LOOK ALL AROUND YOU ♪ ♪ THERE'S NOTHING BUT BLUE 196 00:07:30,317 --> 00:07:32,462 ♪ LOOK ALL AROUND YOU ♪ ♪ THERE'S NOTHING BUT BLUE SKIES ♪ 197 00:07:32,486 --> 00:07:35,031 ♪ THERE'S NOTHING BUT BLUE SKIES ♪ ♪ WHY DON'T YOU LOOK STRAIGHT 198 00:07:35,055 --> 00:07:35,865 SKIES ♪ ♪ WHY DON'T YOU LOOK STRAIGHT AHEAD ♪ 199 00:07:35,889 --> 00:07:37,199 ♪ WHY DON'T YOU LOOK STRAIGHT AHEAD ♪ ♪ THERE'S NOTHING BUT BLUE 200 00:07:37,223 --> 00:07:39,969 AHEAD ♪ ♪ THERE'S NOTHING BUT BLUE SKIES ♪ 201 00:07:39,993 --> 00:07:41,738 ♪ THERE'S NOTHING BUT BLUE SKIES ♪ ♪ WELL, ALL RIGHT ♪ 202 00:07:41,762 --> 00:07:44,541 SKIES ♪ ♪ WELL, ALL RIGHT ♪ ♪ I CAN SEE CLEARLY NOW THAT THE 203 00:07:44,565 --> 00:07:49,145 ♪ WELL, ALL RIGHT ♪ ♪ I CAN SEE CLEARLY NOW THAT THE RAIN IS GONE ♪ 204 00:07:49,169 --> 00:07:52,281 ♪ I CAN SEE CLEARLY NOW THAT THE RAIN IS GONE ♪ ♪ I CAN SEE ALL OBSTACLES IN MY 205 00:07:52,305 --> 00:07:55,885 RAIN IS GONE ♪ ♪ I CAN SEE ALL OBSTACLES IN MY WAY, Y'ALL ♪ 206 00:07:55,909 --> 00:07:57,787 ♪ I CAN SEE ALL OBSTACLES IN MY WAY, Y'ALL ♪ ♪ OHHHHH ♪ 207 00:07:57,811 --> 00:07:59,221 WAY, Y'ALL ♪ ♪ OHHHHH ♪ ♪ GONE ARE THE DARK CLOUDS USED 208 00:07:59,245 --> 00:08:02,425 ♪ OHHHHH ♪ ♪ GONE ARE THE DARK CLOUDS USED TO MAKE ME BLIND ♪ 209 00:08:02,449 --> 00:08:03,827 ♪ GONE ARE THE DARK CLOUDS USED TO MAKE ME BLIND ♪ ♪ I SEE A BRIGHT ♪ 210 00:08:03,851 --> 00:08:04,794 TO MAKE ME BLIND ♪ ♪ I SEE A BRIGHT ♪ ♪ BRIGHT ♪ 211 00:08:04,818 --> 00:08:05,628 ♪ I SEE A BRIGHT ♪ ♪ BRIGHT ♪ ♪ WELL, BRIGHT ♪ 212 00:08:05,652 --> 00:08:08,130 ♪ BRIGHT ♪ ♪ WELL, BRIGHT ♪ ♪ BRIGHT SUNSHINY DAY ♪ 213 00:08:08,154 --> 00:08:09,699 ♪ WELL, BRIGHT ♪ ♪ BRIGHT SUNSHINY DAY ♪ ♪ YES, I DO ♪ 214 00:08:09,723 --> 00:08:11,367 ♪ BRIGHT SUNSHINY DAY ♪ ♪ YES, I DO ♪ ♪ GIRLS, I SEE A BRIGHT ♪ 215 00:08:11,391 --> 00:08:12,068 ♪ YES, I DO ♪ ♪ GIRLS, I SEE A BRIGHT ♪ ♪ BRIGHT ♪ 216 00:08:12,092 --> 00:08:13,436 ♪ GIRLS, I SEE A BRIGHT ♪ ♪ BRIGHT ♪ ♪ OH, LITTLE BRIGHT NOW ♪ 217 00:08:13,460 --> 00:08:15,472 ♪ BRIGHT ♪ ♪ OH, LITTLE BRIGHT NOW ♪ ♪ BRIGHT SUNSHINY DAY ♪ 218 00:08:15,496 --> 00:08:16,840 ♪ OH, LITTLE BRIGHT NOW ♪ ♪ BRIGHT SUNSHINY DAY ♪ ♪ YEAH ♪ 219 00:08:16,864 --> 00:08:18,641 ♪ BRIGHT SUNSHINY DAY ♪ ♪ YEAH ♪ ♪ ALL YOU'VE GOT TO DO IS LOOK 220 00:08:18,665 --> 00:08:19,642 ♪ YEAH ♪ ♪ ALL YOU'VE GOT TO DO IS LOOK AROUND YOU ♪ 221 00:08:19,666 --> 00:08:20,743 ♪ ALL YOU'VE GOT TO DO IS LOOK AROUND YOU ♪ ♪ AND I KNOW YOU'LL SEE A 222 00:08:20,767 --> 00:08:22,846 AROUND YOU ♪ ♪ AND I KNOW YOU'LL SEE A SUNSHINY DAY ♪ 223 00:08:22,870 --> 00:08:25,114 ♪ AND I KNOW YOU'LL SEE A SUNSHINY DAY ♪ ♪ YES, YOU WILL ♪ 224 00:08:25,138 --> 00:08:26,248 SUNSHINY DAY ♪ ♪ YES, YOU WILL ♪ ♪ WHOA ♪ 225 00:08:26,272 --> 00:08:27,049 ♪ YES, YOU WILL ♪ ♪ WHOA ♪ ♪ BRIGHT ♪ 226 00:08:27,073 --> 00:08:30,252 ♪ WHOA ♪ ♪ BRIGHT ♪ ♪ AND, OH, A SUNSHINY DAY ♪ 227 00:08:30,276 --> 00:08:32,589 ♪ BRIGHT ♪ ♪ AND, OH, A SUNSHINY DAY ♪ ♪ YEAH ♪ 228 00:08:32,613 --> 00:08:33,523 ♪ AND, OH, A SUNSHINY DAY ♪ ♪ YEAH ♪ ♪ WHOA ♪ 229 00:08:33,547 --> 00:08:34,491 ♪ YEAH ♪ ♪ WHOA ♪ ♪ BRIGHT ♪ 230 00:08:34,515 --> 00:08:35,291 ♪ WHOA ♪ ♪ BRIGHT ♪ ♪ WHOA ♪ 231 00:08:35,315 --> 00:08:37,494 ♪ BRIGHT ♪ ♪ WHOA ♪ ♪ BRIGHT, SUNSHINY DAY ♪ 232 00:08:37,518 --> 00:08:39,462 ♪ WHOA ♪ ♪ BRIGHT, SUNSHINY DAY ♪ [HIGH-PITCHED VOCALIZING] 233 00:08:39,486 --> 00:08:40,864 ♪ BRIGHT, SUNSHINY DAY ♪ [HIGH-PITCHED VOCALIZING] ♪ WHOA, OH ♪ 234 00:08:40,888 --> 00:08:41,865 [HIGH-PITCHED VOCALIZING] ♪ WHOA, OH ♪ ♪ BRIGHT ♪ 235 00:08:41,889 --> 00:08:42,665 ♪ WHOA, OH ♪ ♪ BRIGHT ♪ ♪ WHOA ♪ 236 00:08:42,689 --> 00:08:44,634 ♪ BRIGHT ♪ ♪ WHOA ♪ ♪ BRIGHT, SUNSHINY DAY ♪ 237 00:08:44,658 --> 00:08:46,202 ♪ WHOA ♪ ♪ BRIGHT, SUNSHINY DAY ♪ ♪ HAVE MERCY ♪ 238 00:08:46,226 --> 00:08:48,004 ♪ BRIGHT, SUNSHINY DAY ♪ ♪ HAVE MERCY ♪ ♪ PEOPLE, LISTEN HERE ♪ 239 00:08:48,028 --> 00:08:48,771 ♪ HAVE MERCY ♪ ♪ PEOPLE, LISTEN HERE ♪ ♪ BRIGHT ♪ 240 00:08:48,795 --> 00:08:49,973 ♪ PEOPLE, LISTEN HERE ♪ ♪ BRIGHT ♪ ♪ IF YOU LOOK AROUND YOU ♪ 241 00:08:49,997 --> 00:08:51,407 ♪ BRIGHT ♪ ♪ IF YOU LOOK AROUND YOU ♪ ♪ BRIGHT, SUNSHINY DAY ♪ 242 00:08:51,431 --> 00:08:52,709 ♪ IF YOU LOOK AROUND YOU ♪ ♪ BRIGHT, SUNSHINY DAY ♪ ♪ ALL YOU'VE GOT TO DO IS 243 00:08:52,733 --> 00:08:53,743 ♪ BRIGHT, SUNSHINY DAY ♪ ♪ ALL YOU'VE GOT TO DO IS KEEP THE FAITH ♪ 244 00:08:53,767 --> 00:08:55,444 ♪ ALL YOU'VE GOT TO DO IS KEEP THE FAITH ♪ ♪ I KNOW YOU'LL SEE ♪ 245 00:08:55,468 --> 00:08:56,112 KEEP THE FAITH ♪ ♪ I KNOW YOU'LL SEE ♪ ♪ BRIGHT ♪ 246 00:08:56,136 --> 00:08:58,180 ♪ I KNOW YOU'LL SEE ♪ ♪ BRIGHT ♪ ♪ WELL, YOU'LL SEE A SUNSHINY 247 00:08:58,204 --> 00:09:01,684 ♪ BRIGHT ♪ ♪ WELL, YOU'LL SEE A SUNSHINY DAY ♪ 248 00:09:01,708 --> 00:09:04,721 ♪ WELL, YOU'LL SEE A SUNSHINY DAY ♪ ♪ SUNSHINY DAY ♪ 249 00:09:04,745 --> 00:09:10,192 DAY ♪ ♪ SUNSHINY DAY ♪ [CHEERS AND APPLAUSE] 250 00:09:10,216 --> 00:09:11,928 ♪ SUNSHINY DAY ♪ [CHEERS AND APPLAUSE] [LAUGHS] 251 00:09:11,952 --> 00:09:13,530 [CHEERS AND APPLAUSE] [LAUGHS] THANK YOU. 252 00:09:13,554 --> 00:09:15,632 [LAUGHS] THANK YOU. OH, BLESS YOUR HEART. 253 00:09:15,656 --> 00:09:17,534 THANK YOU. OH, BLESS YOUR HEART. BROTHER RAY APPRECIATE IT. 254 00:09:17,558 --> 00:09:18,801 OH, BLESS YOUR HEART. BROTHER RAY APPRECIATE IT. THANK YOU. 255 00:09:18,825 --> 00:09:20,436 BROTHER RAY APPRECIATE IT. THANK YOU. THANK YOU. 256 00:09:20,460 --> 00:09:22,539 THANK YOU. THANK YOU. THANK YOU. 257 00:09:22,563 --> 00:09:24,707 THANK YOU. THANK YOU. HA. IT'S ALL RIGHT. 258 00:09:24,731 --> 00:09:28,244 THANK YOU. HA. IT'S ALL RIGHT. YOU KNOW, I'M FROM A LITTLE, 259 00:09:28,268 --> 00:09:31,447 HA. IT'S ALL RIGHT. YOU KNOW, I'M FROM A LITTLE, SMALL PLACE THAT'S CALLED 260 00:09:31,471 --> 00:09:33,850 YOU KNOW, I'M FROM A LITTLE, SMALL PLACE THAT'S CALLED ALBANY, GEORGIA, AND RIGHT NEXT 261 00:09:33,874 --> 00:09:37,787 SMALL PLACE THAT'S CALLED ALBANY, GEORGIA, AND RIGHT NEXT DOOR TO THAT IS PLAINS, GEORGIA. 262 00:09:37,811 --> 00:09:41,390 ALBANY, GEORGIA, AND RIGHT NEXT DOOR TO THAT IS PLAINS, GEORGIA. SO, YOU CAN SEE THAT I HAVE A 263 00:09:41,414 --> 00:09:43,960 DOOR TO THAT IS PLAINS, GEORGIA. SO, YOU CAN SEE THAT I HAVE A SPECIAL, WARM FEELING FOR OUR 264 00:09:43,984 --> 00:09:45,094 SO, YOU CAN SEE THAT I HAVE A SPECIAL, WARM FEELING FOR OUR PRESIDENT. 265 00:09:45,118 --> 00:09:47,530 SPECIAL, WARM FEELING FOR OUR PRESIDENT. NOW, IT'S NOT BECAUSE WE'RE 266 00:09:47,554 --> 00:09:48,665 PRESIDENT. NOW, IT'S NOT BECAUSE WE'RE NEIGHBORS. 267 00:09:48,689 --> 00:09:51,333 NOW, IT'S NOT BECAUSE WE'RE NEIGHBORS. BUT, YOU SEE, AT ONE TIME, HIS 268 00:09:51,357 --> 00:09:54,070 NEIGHBORS. BUT, YOU SEE, AT ONE TIME, HIS FAMILY OWNED MY GRANDFATHER. 269 00:09:54,094 --> 00:09:57,106 BUT, YOU SEE, AT ONE TIME, HIS FAMILY OWNED MY GRANDFATHER. AND SO THEREFORE, JIMMY, THIS IS 270 00:09:57,130 --> 00:09:59,108 FAMILY OWNED MY GRANDFATHER. AND SO THEREFORE, JIMMY, THIS IS FOR YOU. 271 00:09:59,132 --> 00:10:01,878 AND SO THEREFORE, JIMMY, THIS IS FOR YOU. ♪ GEORGIA ♪ 272 00:10:01,902 --> 00:10:03,546 FOR YOU. ♪ GEORGIA ♪ ♪ AH, GEORGIA ♪ 273 00:10:03,570 --> 00:10:07,750 ♪ GEORGIA ♪ ♪ AH, GEORGIA ♪ [APPLAUSE] 274 00:10:07,774 --> 00:10:14,691 ♪ AH, GEORGIA ♪ [APPLAUSE] ♪ THE WHOLE DAY THROUGH ♪ 275 00:10:14,715 --> 00:10:15,692 [APPLAUSE] ♪ THE WHOLE DAY THROUGH ♪ GOOD EVENING. 276 00:10:15,716 --> 00:10:17,159 ♪ THE WHOLE DAY THROUGH ♪ GOOD EVENING. THROUGHOUT MY CAMPAIGN FOR 277 00:10:17,183 --> 00:10:18,561 GOOD EVENING. THROUGHOUT MY CAMPAIGN FOR PRESIDENT, I SPOKE OF THE 278 00:10:18,585 --> 00:10:20,129 THROUGHOUT MY CAMPAIGN FOR PRESIDENT, I SPOKE OF THE INTELLIGENCE OF THE AMERICAN 279 00:10:20,153 --> 00:10:20,797 PRESIDENT, I SPOKE OF THE INTELLIGENCE OF THE AMERICAN PEOPLE. 280 00:10:20,821 --> 00:10:22,865 INTELLIGENCE OF THE AMERICAN PEOPLE. IT WAS WITH THIS OPTIMISM THAT I 281 00:10:22,889 --> 00:10:24,767 PEOPLE. IT WAS WITH THIS OPTIMISM THAT I INTRODUCED MY ENERGY PROGRAM. 282 00:10:24,791 --> 00:10:26,769 IT WAS WITH THIS OPTIMISM THAT I INTRODUCED MY ENERGY PROGRAM. BUT NOW MY ENERGY PROGRAM IS IN 283 00:10:26,793 --> 00:10:29,238 INTRODUCED MY ENERGY PROGRAM. BUT NOW MY ENERGY PROGRAM IS IN SEVERE TROUBLE, MAINLY BECAUSE 284 00:10:29,262 --> 00:10:30,707 BUT NOW MY ENERGY PROGRAM IS IN SEVERE TROUBLE, MAINLY BECAUSE YOU THE AMERICAN PUBLIC HAVE 285 00:10:30,731 --> 00:10:32,374 SEVERE TROUBLE, MAINLY BECAUSE YOU THE AMERICAN PUBLIC HAVE FAILED TO UNDERSTAND THE URGENCY 286 00:10:32,398 --> 00:10:33,743 YOU THE AMERICAN PUBLIC HAVE FAILED TO UNDERSTAND THE URGENCY OF THE ENERGY CRISIS, EVEN 287 00:10:33,767 --> 00:10:35,277 FAILED TO UNDERSTAND THE URGENCY OF THE ENERGY CRISIS, EVEN THOUGH I HAVE EXPLAINED IT TO 288 00:10:35,301 --> 00:10:37,947 OF THE ENERGY CRISIS, EVEN THOUGH I HAVE EXPLAINED IT TO YOU MANY TIMES... 289 00:10:37,971 --> 00:10:41,718 THOUGH I HAVE EXPLAINED IT TO YOU MANY TIMES... SLOWLY, CLEARLY, AND USING 290 00:10:41,742 --> 00:10:44,420 YOU MANY TIMES... SLOWLY, CLEARLY, AND USING ONE-SYLLABLE WORDS... 291 00:10:44,444 --> 00:10:49,659 SLOWLY, CLEARLY, AND USING ONE-SYLLABLE WORDS... WORDS LIKE "OIL," "GAS," "OIL," 292 00:10:49,683 --> 00:10:51,160 ONE-SYLLABLE WORDS... WORDS LIKE "OIL," "GAS," "OIL," "GAS." 293 00:10:51,184 --> 00:10:53,029 WORDS LIKE "OIL," "GAS," "OIL," "GAS." I SAID OUR ECONOMY AND NATIONAL 294 00:10:53,053 --> 00:10:54,563 "GAS." I SAID OUR ECONOMY AND NATIONAL SECURITY DEPENDED UPON A 295 00:10:54,587 --> 00:10:56,733 I SAID OUR ECONOMY AND NATIONAL SECURITY DEPENDED UPON A COMPREHENSIVE ENERGY PROGRAM. 296 00:10:56,757 --> 00:10:58,334 SECURITY DEPENDED UPON A COMPREHENSIVE ENERGY PROGRAM. BUT DID YOU RESPOND? 297 00:10:58,358 --> 00:11:00,770 COMPREHENSIVE ENERGY PROGRAM. BUT DID YOU RESPOND? NO. 298 00:11:00,794 --> 00:11:02,404 BUT DID YOU RESPOND? NO. BECAUSE YOU DID NOT, THE SENATE 299 00:11:02,428 --> 00:11:03,973 NO. BECAUSE YOU DID NOT, THE SENATE HAS BLOCKED MY PROGRAM, AND I 300 00:11:03,997 --> 00:11:05,642 BECAUSE YOU DID NOT, THE SENATE HAS BLOCKED MY PROGRAM, AND I HAD TO CANCEL MY TRIP TO PARIS. 301 00:11:05,666 --> 00:11:07,143 HAS BLOCKED MY PROGRAM, AND I HAD TO CANCEL MY TRIP TO PARIS. ROSALYNN AND I WERE LOOKING 302 00:11:07,167 --> 00:11:09,478 HAD TO CANCEL MY TRIP TO PARIS. ROSALYNN AND I WERE LOOKING FORWARD TO THAT TRIP. 303 00:11:09,502 --> 00:11:10,412 ROSALYNN AND I WERE LOOKING FORWARD TO THAT TRIP. THAT'S OKAY. 304 00:11:10,436 --> 00:11:12,381 FORWARD TO THAT TRIP. THAT'S OKAY. WITHOUT MY PROGRAM, WE'RE GONNA 305 00:11:12,405 --> 00:11:13,916 THAT'S OKAY. WITHOUT MY PROGRAM, WE'RE GONNA HAVE HIGH INFLATION AND 306 00:11:13,940 --> 00:11:14,784 WITHOUT MY PROGRAM, WE'RE GONNA HAVE HIGH INFLATION AND UNEMPLOYMENT. 307 00:11:14,808 --> 00:11:16,318 HAVE HIGH INFLATION AND UNEMPLOYMENT. I PROBABLY WON'T BE ABLE TO 308 00:11:16,342 --> 00:11:17,754 UNEMPLOYMENT. I PROBABLY WON'T BE ABLE TO BALANCE THE BUDGET LIKE I 309 00:11:17,778 --> 00:11:18,420 I PROBABLY WON'T BE ABLE TO BALANCE THE BUDGET LIKE I PROMISED. 310 00:11:18,444 --> 00:11:20,222 BALANCE THE BUDGET LIKE I PROMISED. I PROBABLY WON'T GET RE-ELECTED. 311 00:11:20,246 --> 00:11:21,991 PROMISED. I PROBABLY WON'T GET RE-ELECTED. EVERYTHING'S JUST GOING DOWN THE 312 00:11:22,015 --> 00:11:22,591 I PROBABLY WON'T GET RE-ELECTED. EVERYTHING'S JUST GOING DOWN THE TOILET. 313 00:11:22,615 --> 00:11:24,193 EVERYTHING'S JUST GOING DOWN THE TOILET. AND THEN IN 1981 OR 1982 OR 314 00:11:24,217 --> 00:11:25,762 TOILET. AND THEN IN 1981 OR 1982 OR 1983, WHEN SOMEBODY ELSE IS 315 00:11:25,786 --> 00:11:27,429 AND THEN IN 1981 OR 1982 OR 1983, WHEN SOMEBODY ELSE IS PRESIDENT AND, SUDDENLY, OUR 316 00:11:27,453 --> 00:11:29,265 1983, WHEN SOMEBODY ELSE IS PRESIDENT AND, SUDDENLY, OUR ENERGY RUNS OUT, Y'ALL ARE GONNA 317 00:11:29,289 --> 00:11:31,000 PRESIDENT AND, SUDDENLY, OUR ENERGY RUNS OUT, Y'ALL ARE GONNA COME UP TO ME AND SAY, "JIMMY, 318 00:11:31,024 --> 00:11:32,001 ENERGY RUNS OUT, Y'ALL ARE GONNA COME UP TO ME AND SAY, "JIMMY, YOU WERE RIGHT. 319 00:11:32,025 --> 00:11:33,770 COME UP TO ME AND SAY, "JIMMY, YOU WERE RIGHT. WE SHOULD HAVE LISTENED TO YOU. 320 00:11:33,794 --> 00:11:35,571 YOU WERE RIGHT. WE SHOULD HAVE LISTENED TO YOU. WE SHOULD HAVE STOPPED GUZZLING 321 00:11:35,595 --> 00:11:36,039 WE SHOULD HAVE LISTENED TO YOU. WE SHOULD HAVE STOPPED GUZZLING GAS. 322 00:11:36,063 --> 00:11:38,041 WE SHOULD HAVE STOPPED GUZZLING GAS. WE SHOULD HAVE MADE A TRANSITION 323 00:11:38,065 --> 00:11:38,741 GAS. WE SHOULD HAVE MADE A TRANSITION TO COAL. 324 00:11:38,765 --> 00:11:40,543 WE SHOULD HAVE MADE A TRANSITION TO COAL. WON'T YOU HELP US NOW, JIMMY, 325 00:11:40,567 --> 00:11:42,111 TO COAL. WON'T YOU HELP US NOW, JIMMY, AND TELL US WHAT TO DO?" 326 00:11:42,135 --> 00:11:44,180 WON'T YOU HELP US NOW, JIMMY, AND TELL US WHAT TO DO?" AND YOU KNOW WHAT I'M GONNA SAY? 327 00:11:44,204 --> 00:11:45,748 AND TELL US WHAT TO DO?" AND YOU KNOW WHAT I'M GONNA SAY? "HONK OFF, BOZOS. 328 00:11:45,772 --> 00:11:49,886 AND YOU KNOW WHAT I'M GONNA SAY? "HONK OFF, BOZOS. YOU HAD YOUR CHANCE IN 1977, AND 329 00:11:49,910 --> 00:11:50,887 "HONK OFF, BOZOS. YOU HAD YOUR CHANCE IN 1977, AND YOU BLEW IT." 330 00:11:50,911 --> 00:11:53,522 YOU HAD YOUR CHANCE IN 1977, AND YOU BLEW IT." THANK YOU AND GOOD NIGHT. 331 00:11:53,546 --> 00:11:56,693 YOU BLEW IT." THANK YOU AND GOOD NIGHT. ♪ OH, SWEET SONG ♪ 332 00:11:56,717 --> 00:11:58,427 THANK YOU AND GOOD NIGHT. ♪ OH, SWEET SONG ♪ ♪ YEAH ♪ 333 00:11:58,451 --> 00:12:06,451 ♪ OH, SWEET SONG ♪ ♪ YEAH ♪ ♪ KEEPS GEORGIA ON MY MIND ♪ 334 00:12:08,261 --> 00:12:11,107 ♪ YEAH ♪ ♪ KEEPS GEORGIA ON MY MIND ♪ YOU KNOW, I WANT TO SAY THAT 335 00:12:11,131 --> 00:12:14,110 ♪ KEEPS GEORGIA ON MY MIND ♪ YOU KNOW, I WANT TO SAY THAT I'VE BEEN A MUSIC LOVER ALL MY 336 00:12:14,134 --> 00:12:17,080 YOU KNOW, I WANT TO SAY THAT I'VE BEEN A MUSIC LOVER ALL MY LIFE, SO I CAN APPRECIATE THE 337 00:12:17,104 --> 00:12:19,648 I'VE BEEN A MUSIC LOVER ALL MY LIFE, SO I CAN APPRECIATE THE SOUND OF GREAT AND UNIQUE 338 00:12:19,672 --> 00:12:22,518 LIFE, SO I CAN APPRECIATE THE SOUND OF GREAT AND UNIQUE TALENT, LIKE THE VOICE OF MY 339 00:12:22,542 --> 00:12:29,025 SOUND OF GREAT AND UNIQUE TALENT, LIKE THE VOICE OF MY LADY, MISS ELLA FITZGERALD. 340 00:12:29,049 --> 00:12:30,727 TALENT, LIKE THE VOICE OF MY LADY, MISS ELLA FITZGERALD. HI. 341 00:12:30,751 --> 00:12:31,594 LADY, MISS ELLA FITZGERALD. HI. ALL RIGHT. 342 00:12:31,618 --> 00:12:33,262 HI. ALL RIGHT. HOW ARE YOU TODAY, ELLA? 343 00:12:33,286 --> 00:12:34,563 ALL RIGHT. HOW ARE YOU TODAY, ELLA? I'M FINE, RAY. 344 00:12:34,587 --> 00:12:36,632 HOW ARE YOU TODAY, ELLA? I'M FINE, RAY. WELL, NOW, WOULD YOU LIKE TO 345 00:12:36,656 --> 00:12:37,967 I'M FINE, RAY. WELL, NOW, WOULD YOU LIKE TO SING FOR US, BABY? 346 00:12:37,991 --> 00:12:39,668 WELL, NOW, WOULD YOU LIKE TO SING FOR US, BABY? OF COURSE. 347 00:12:39,692 --> 00:12:41,626 SING FOR US, BABY? OF COURSE. [SCATTING] 348 00:12:50,636 --> 00:12:55,051 [GLASS SHATTERS] [LAUGHS] OH, THAT'S GREAT, ELLA. 349 00:12:55,075 --> 00:12:57,086 [LAUGHS] OH, THAT'S GREAT, ELLA. YOU KNOW, HAVING BEEN IN THE 350 00:12:57,110 --> 00:12:59,155 OH, THAT'S GREAT, ELLA. YOU KNOW, HAVING BEEN IN THE RECORDING INDUSTRY MOST OF MY 351 00:12:59,179 --> 00:13:01,124 YOU KNOW, HAVING BEEN IN THE RECORDING INDUSTRY MOST OF MY LIFE, I ALSO APPRECIATE THE 352 00:13:01,148 --> 00:13:03,359 RECORDING INDUSTRY MOST OF MY LIFE, I ALSO APPRECIATE THE REPRODUCTION OF SOUND THAT IS SO 353 00:13:03,383 --> 00:13:05,561 LIFE, I ALSO APPRECIATE THE REPRODUCTION OF SOUND THAT IS SO PRECISE THAT YOU CAN'T TELL THE 354 00:13:05,585 --> 00:13:07,830 REPRODUCTION OF SOUND THAT IS SO PRECISE THAT YOU CAN'T TELL THE DIFFERENCE BETWEEN THE RECORDING 355 00:13:07,854 --> 00:13:10,099 PRECISE THAT YOU CAN'T TELL THE DIFFERENCE BETWEEN THE RECORDING AND THE SINGER'S VOICE, THE KIND 356 00:13:10,123 --> 00:13:12,301 DIFFERENCE BETWEEN THE RECORDING AND THE SINGER'S VOICE, THE KIND OF PRECISION THAT'S CAPTURED ON 357 00:13:12,325 --> 00:13:13,402 AND THE SINGER'S VOICE, THE KIND OF PRECISION THAT'S CAPTURED ON MAMOREX TAPE. 358 00:13:13,426 --> 00:13:15,671 OF PRECISION THAT'S CAPTURED ON MAMOREX TAPE. NOW, ELLA IS GONNA DO THIS THING 359 00:13:15,695 --> 00:13:16,639 MAMOREX TAPE. NOW, ELLA IS GONNA DO THIS THING ONCE AGAIN. 360 00:13:16,663 --> 00:13:18,707 NOW, ELLA IS GONNA DO THIS THING ONCE AGAIN. AND, THIS TIME, I'M NOT GONNA 361 00:13:18,731 --> 00:13:20,910 ONCE AGAIN. AND, THIS TIME, I'M NOT GONNA LOOK TO SEE IF SHE'S SINGING OR 362 00:13:20,934 --> 00:13:23,079 AND, THIS TIME, I'M NOT GONNA LOOK TO SEE IF SHE'S SINGING OR IF IT'S THE TAPE OF HER VOICE. 363 00:13:23,103 --> 00:13:23,980 LOOK TO SEE IF SHE'S SINGING OR IF IT'S THE TAPE OF HER VOICE. ALL RIGHT? 364 00:13:24,004 --> 00:13:30,319 IF IT'S THE TAPE OF HER VOICE. ALL RIGHT? ELLA, GO AHEAD. 365 00:13:30,343 --> 00:13:33,222 ALL RIGHT? ELLA, GO AHEAD. IT'LL BE ALONG SOON. 366 00:13:33,246 --> 00:13:41,246 ELLA, GO AHEAD. IT'LL BE ALONG SOON. [SCATTING] 367 00:13:42,956 --> 00:13:45,334 IT'LL BE ALONG SOON. [SCATTING] [GLASS SHATTERS] 368 00:13:45,358 --> 00:13:48,037 [SCATTING] [GLASS SHATTERS] WELL, NOW, WAIT A MINUTE, 369 00:13:48,061 --> 00:13:48,838 [GLASS SHATTERS] WELL, NOW, WAIT A MINUTE, ELLA. 370 00:13:48,862 --> 00:13:50,273 WELL, NOW, WAIT A MINUTE, ELLA. I GOT TO SAY. 371 00:13:50,297 --> 00:13:51,707 ELLA. I GOT TO SAY. I GOT TO SAY. 372 00:13:51,731 --> 00:13:53,910 I GOT TO SAY. I GOT TO SAY. I GOT TO SAY SOMETHING. 373 00:13:53,934 --> 00:13:57,713 I GOT TO SAY. I GOT TO SAY SOMETHING. YOU KNOW, I REALLY THINK THAT... 374 00:13:57,737 --> 00:14:01,517 I GOT TO SAY SOMETHING. YOU KNOW, I REALLY THINK THAT... I REALLY THINK THAT'S 375 00:14:01,541 --> 00:14:02,618 YOU KNOW, I REALLY THINK THAT... I REALLY THINK THAT'S REMARKABLE. 376 00:14:02,642 --> 00:14:04,053 I REALLY THINK THAT'S REMARKABLE. I COULD SEE YOU. 377 00:14:04,077 --> 00:14:05,721 REMARKABLE. I COULD SEE YOU. YOU BROKE IT AGAIN. 378 00:14:05,745 --> 00:14:08,057 I COULD SEE YOU. YOU BROKE IT AGAIN. NOW, JUST BETWEEN ME AND YOU, 379 00:14:08,081 --> 00:14:10,293 YOU BROKE IT AGAIN. NOW, JUST BETWEEN ME AND YOU, TELL ME, WAS THAT YOU OR THE 380 00:14:10,317 --> 00:14:10,993 NOW, JUST BETWEEN ME AND YOU, TELL ME, WAS THAT YOU OR THE TAPE? 381 00:14:11,017 --> 00:14:12,461 TELL ME, WAS THAT YOU OR THE TAPE? UH, THE TAPE, RAY. 382 00:14:12,485 --> 00:14:14,363 TAPE? UH, THE TAPE, RAY. WELL, YOU SURE COULD HAVE 383 00:14:14,387 --> 00:14:15,198 UH, THE TAPE, RAY. WELL, YOU SURE COULD HAVE FOOLED ME. 384 00:14:15,222 --> 00:14:17,200 WELL, YOU SURE COULD HAVE FOOLED ME. I HAVEN'T EVER BEEN SUSPECTING 385 00:14:17,224 --> 00:14:19,235 FOOLED ME. I HAVEN'T EVER BEEN SUSPECTING OF YOU WITH THAT, MY DEAR. 386 00:14:19,259 --> 00:14:21,103 I HAVEN'T EVER BEEN SUSPECTING OF YOU WITH THAT, MY DEAR. I'LL TELL YOU SOMETHING. 387 00:14:21,127 --> 00:14:23,472 OF YOU WITH THAT, MY DEAR. I'LL TELL YOU SOMETHING. I'M WONDERING NOW IS WHETHER OR 388 00:14:23,496 --> 00:14:25,808 I'LL TELL YOU SOMETHING. I'M WONDERING NOW IS WHETHER OR NOT MAMOREX IS GOING TO PAY FOR 389 00:14:25,832 --> 00:14:27,643 I'M WONDERING NOW IS WHETHER OR NOT MAMOREX IS GOING TO PAY FOR MY GLASSES. 390 00:14:27,667 --> 00:14:29,747 NOT MAMOREX IS GOING TO PAY FOR MY GLASSES. [APPLAUSE] 391 00:14:44,316 --> 00:14:52,316 Announcer: AND NOW ANOTHER EPISODE OF "THE DOODY GIRLS," STARRING DEBBIE AND DOTTY DOODY. 392 00:14:56,897 --> 00:14:59,275 EPISODE OF "THE DOODY GIRLS," STARRING DEBBIE AND DOTTY DOODY. WELL, DOTTY, I'M ALL READY TO 393 00:14:59,299 --> 00:14:59,775 STARRING DEBBIE AND DOTTY DOODY. WELL, DOTTY, I'M ALL READY TO GO. 394 00:14:59,799 --> 00:15:01,978 WELL, DOTTY, I'M ALL READY TO GO. OH, DEBBIE, I KNOW TONIGHT 395 00:15:02,002 --> 00:15:04,313 GO. OH, DEBBIE, I KNOW TONIGHT WILL BE THE BEST THING FOR YOU. 396 00:15:04,337 --> 00:15:06,715 OH, DEBBIE, I KNOW TONIGHT WILL BE THE BEST THING FOR YOU. WELL, I JUST DON'T FEEL RIGHT 397 00:15:06,739 --> 00:15:08,918 WILL BE THE BEST THING FOR YOU. WELL, I JUST DON'T FEEL RIGHT ABOUT GOING OUT ON THIS DATE. 398 00:15:08,942 --> 00:15:10,953 WELL, I JUST DON'T FEEL RIGHT ABOUT GOING OUT ON THIS DATE. I MEAN, I'M STILL IN MOURNING. 399 00:15:10,977 --> 00:15:13,055 ABOUT GOING OUT ON THIS DATE. I MEAN, I'M STILL IN MOURNING. OH, DEBBIE, IT'S BEEN A YEAR 400 00:15:13,079 --> 00:15:14,323 I MEAN, I'M STILL IN MOURNING. OH, DEBBIE, IT'S BEEN A YEAR SINCE HOWDY DIED. 401 00:15:14,347 --> 00:15:15,758 OH, DEBBIE, IT'S BEEN A YEAR SINCE HOWDY DIED. YOU'VE GOT TO GO ON. 402 00:15:15,782 --> 00:15:17,860 SINCE HOWDY DIED. YOU'VE GOT TO GO ON. I MEAN, HOWDY WOULD HAVE WANTED 403 00:15:17,884 --> 00:15:18,460 YOU'VE GOT TO GO ON. I MEAN, HOWDY WOULD HAVE WANTED YOU TO. 404 00:15:18,484 --> 00:15:20,296 I MEAN, HOWDY WOULD HAVE WANTED YOU TO. YOU KNOW, YOU REMEMBER HIS LAST 405 00:15:20,320 --> 00:15:21,397 YOU TO. YOU KNOW, YOU REMEMBER HIS LAST WORDS, DON'T YOU? 406 00:15:21,421 --> 00:15:22,932 YOU KNOW, YOU REMEMBER HIS LAST WORDS, DON'T YOU? OH, I'LL NEVER FORGET. 407 00:15:22,956 --> 00:15:24,934 WORDS, DON'T YOU? OH, I'LL NEVER FORGET. HE WAS ON HIS DEATHBED. 408 00:15:24,958 --> 00:15:27,203 OH, I'LL NEVER FORGET. HE WAS ON HIS DEATHBED. AND HE LOOKED UP AT ME WITH 409 00:15:27,227 --> 00:15:28,804 HE WAS ON HIS DEATHBED. AND HE LOOKED UP AT ME WITH TEARS IN HIS EYES. 410 00:15:28,828 --> 00:15:31,374 AND HE LOOKED UP AT ME WITH TEARS IN HIS EYES. AND HE SAID, "HEY, DEBBIE, WHAT 411 00:15:31,398 --> 00:15:33,209 TEARS IN HIS EYES. AND HE SAID, "HEY, DEBBIE, WHAT TIME IS IT?" 412 00:15:33,233 --> 00:15:36,845 AND HE SAID, "HEY, DEBBIE, WHAT TIME IS IT?" AND I SAID, "IT'S HOWDY DOODY 413 00:15:36,869 --> 00:15:37,880 TIME IS IT?" AND I SAID, "IT'S HOWDY DOODY TIME!" 414 00:15:37,904 --> 00:15:42,785 AND I SAID, "IT'S HOWDY DOODY TIME!" AND HE SAID, "NOT ANYMORE." 415 00:15:42,809 --> 00:15:43,953 TIME!" AND HE SAID, "NOT ANYMORE." [CRIES] 416 00:15:43,977 --> 00:15:46,055 AND HE SAID, "NOT ANYMORE." [CRIES] SIT DOWN, DEBBIE. 417 00:15:46,079 --> 00:15:48,039 [CRIES] SIT DOWN, DEBBIE. I WANT TO TALK TO YOU. 418 00:15:57,423 --> 00:16:01,870 NOW... NOW, LOOK. YOU'VE LOST A HUSBAND. I'VE LOST A BROTHER. 419 00:16:01,894 --> 00:16:04,006 YOU'VE LOST A HUSBAND. I'VE LOST A BROTHER. BUT WE CAN'T MOURN FOREVER. 420 00:16:04,030 --> 00:16:06,375 I'VE LOST A BROTHER. BUT WE CAN'T MOURN FOREVER. OH, MAYBE IT'S JUST THE WAY 421 00:16:06,399 --> 00:16:10,179 BUT WE CAN'T MOURN FOREVER. OH, MAYBE IT'S JUST THE WAY HE DIED... OF STRING CANCER. 422 00:16:10,203 --> 00:16:11,948 OH, MAYBE IT'S JUST THE WAY HE DIED... OF STRING CANCER. LOOK, YOU'VE GOT TO FORGET. 423 00:16:11,972 --> 00:16:13,682 HE DIED... OF STRING CANCER. LOOK, YOU'VE GOT TO FORGET. AND DATING WILL BE THE BEST 424 00:16:13,706 --> 00:16:14,716 LOOK, YOU'VE GOT TO FORGET. AND DATING WILL BE THE BEST THING FOR YOU. 425 00:16:14,740 --> 00:16:16,052 AND DATING WILL BE THE BEST THING FOR YOU. YOU'LL MEET PEOPLE. 426 00:16:16,076 --> 00:16:17,086 THING FOR YOU. YOU'LL MEET PEOPLE. YOU'LL GO OUT. 427 00:16:17,110 --> 00:16:18,887 YOU'LL MEET PEOPLE. YOU'LL GO OUT. YOU'LL HAVE A GOOD TIME, GET 428 00:16:18,911 --> 00:16:20,323 YOU'LL GO OUT. YOU'LL HAVE A GOOD TIME, GET YOUR MIND OFF THINGS. 429 00:16:20,347 --> 00:16:22,024 YOU'LL HAVE A GOOD TIME, GET YOUR MIND OFF THINGS. OH, MAYBE YOU'RE RIGHT. 430 00:16:22,048 --> 00:16:25,294 YOUR MIND OFF THINGS. OH, MAYBE YOU'RE RIGHT. BUT I MISS HIM SO! 431 00:16:25,318 --> 00:16:29,832 OH, MAYBE YOU'RE RIGHT. BUT I MISS HIM SO! [CRYING] 432 00:16:29,856 --> 00:16:32,234 BUT I MISS HIM SO! [CRYING] OH. 433 00:16:32,258 --> 00:16:34,636 [CRYING] OH. HOWDY. 434 00:16:34,660 --> 00:16:39,208 OH. HOWDY. I KISS YOUR ASHES. 435 00:16:39,232 --> 00:16:40,977 HOWDY. I KISS YOUR ASHES. DEBBIE, I THINK I SHOULD FIX 436 00:16:41,001 --> 00:16:42,744 I KISS YOUR ASHES. DEBBIE, I THINK I SHOULD FIX US A DRINK TO CELEBRATE THE NEW 437 00:16:42,768 --> 00:16:44,113 DEBBIE, I THINK I SHOULD FIX US A DRINK TO CELEBRATE THE NEW BEGINNING OF YOUR LIFE. 438 00:16:44,137 --> 00:16:45,848 US A DRINK TO CELEBRATE THE NEW BEGINNING OF YOUR LIFE. OH, YES, BUT YOU'LL HAVE TO 439 00:16:45,872 --> 00:16:47,450 BEGINNING OF YOUR LIFE. OH, YES, BUT YOU'LL HAVE TO DO IT QUICKLY 'CAUSE MY DATE 440 00:16:47,474 --> 00:16:48,884 OH, YES, BUT YOU'LL HAVE TO DO IT QUICKLY 'CAUSE MY DATE WILL BE HERE ANY MINUTE. 441 00:16:48,908 --> 00:16:50,252 DO IT QUICKLY 'CAUSE MY DATE WILL BE HERE ANY MINUTE. OH, REALLY? ALREADY? 442 00:16:50,276 --> 00:16:51,287 WILL BE HERE ANY MINUTE. OH, REALLY? ALREADY? WHAT TIME IS IT? 443 00:16:51,311 --> 00:16:52,288 OH, REALLY? ALREADY? WHAT TIME IS IT? IT'S... 444 00:16:52,312 --> 00:16:55,191 WHAT TIME IS IT? IT'S... [BOTH CRYING] 445 00:16:55,215 --> 00:16:57,159 IT'S... [BOTH CRYING] THERE, THERE. 446 00:16:57,183 --> 00:17:00,463 [BOTH CRYING] THERE, THERE. THIS WILL MAKE US FEEL BETTER. 447 00:17:00,487 --> 00:17:03,399 THERE, THERE. THIS WILL MAKE US FEEL BETTER. OH, MAYBE YOU'RE RIGHT. 448 00:17:03,423 --> 00:17:04,533 THIS WILL MAKE US FEEL BETTER. OH, MAYBE YOU'RE RIGHT. THANKS. 449 00:17:04,557 --> 00:17:05,767 OH, MAYBE YOU'RE RIGHT. THANKS. CHEERS! 450 00:17:05,791 --> 00:17:08,104 THANKS. CHEERS! [DOORBELL RINGS] 451 00:17:08,128 --> 00:17:09,638 CHEERS! [DOORBELL RINGS] OH. 452 00:17:09,662 --> 00:17:15,044 [DOORBELL RINGS] OH. COME IN. 453 00:17:15,068 --> 00:17:16,379 OH. COME IN. HI, DEBBIE. 454 00:17:16,403 --> 00:17:17,546 COME IN. HI, DEBBIE. HI, SKIP. 455 00:17:17,570 --> 00:17:19,215 HI, DEBBIE. HI, SKIP. THIS IS, UH, DOTTY. 456 00:17:19,239 --> 00:17:20,182 HI, SKIP. THIS IS, UH, DOTTY. HELLO. 457 00:17:20,206 --> 00:17:21,150 THIS IS, UH, DOTTY. HELLO. HELLO. 458 00:17:21,174 --> 00:17:22,318 HELLO. HELLO. THIS IS FOR YOU. 459 00:17:22,342 --> 00:17:23,619 HELLO. THIS IS FOR YOU. OH, IT'S LOVELY. 460 00:17:23,643 --> 00:17:25,454 THIS IS FOR YOU. OH, IT'S LOVELY. THIS SHOULD GO IN A VASE. 461 00:17:25,478 --> 00:17:27,423 OH, IT'S LOVELY. THIS SHOULD GO IN A VASE. HEY, YOU KIDS, YOU SHOULD HURRY 462 00:17:27,447 --> 00:17:29,258 THIS SHOULD GO IN A VASE. HEY, YOU KIDS, YOU SHOULD HURRY UP IF YOU DON'T WANT TO MISS 463 00:17:29,282 --> 00:17:30,126 HEY, YOU KIDS, YOU SHOULD HURRY UP IF YOU DON'T WANT TO MISS THAT MOVIE. 464 00:17:30,150 --> 00:17:31,394 UP IF YOU DON'T WANT TO MISS THAT MOVIE. IT'S GETTING LATE. 465 00:17:31,418 --> 00:17:32,228 THAT MOVIE. IT'S GETTING LATE. REALLY? 466 00:17:32,252 --> 00:17:33,362 IT'S GETTING LATE. REALLY? WHAT TIME IS IT? 467 00:17:33,386 --> 00:17:34,196 REALLY? WHAT TIME IS IT? IT'S... 468 00:17:34,220 --> 00:17:39,535 WHAT TIME IS IT? IT'S... [BOTH CRYING] 469 00:17:39,559 --> 00:17:41,637 IT'S... [BOTH CRYING] TUNE IN NEXT WEEK FOR ANOTHER 470 00:17:41,661 --> 00:17:44,621 [BOTH CRYING] TUNE IN NEXT WEEK FOR ANOTHER EPISODE OF "THE DOODY GIRLS." 471 00:18:00,512 --> 00:18:04,293 ♪ ...DON'T YOU COME BACK NO MORE, NO MORE, NO MORE, NO MORE ♪ 472 00:18:04,317 --> 00:18:05,694 NO MORE, NO MORE, NO MORE, NO MORE ♪ ♪ HIT THE ROAD, JACK ♪ 473 00:18:05,718 --> 00:18:06,929 NO MORE ♪ ♪ HIT THE ROAD, JACK ♪ ♪ AND DON'T YOU COME BACK 474 00:18:06,953 --> 00:18:08,531 ♪ HIT THE ROAD, JACK ♪ ♪ AND DON'T YOU COME BACK NO MORE ♪ 475 00:18:08,555 --> 00:18:09,365 ♪ AND DON'T YOU COME BACK NO MORE ♪ HELLO, EVERYBODY. 476 00:18:09,389 --> 00:18:10,399 NO MORE ♪ HELLO, EVERYBODY. WELCOME TO "TOMORROW." 477 00:18:10,423 --> 00:18:11,833 HELLO, EVERYBODY. WELCOME TO "TOMORROW." AS MANY OF YOU KNOW, WE'RE DOING 478 00:18:11,857 --> 00:18:13,069 WELCOME TO "TOMORROW." AS MANY OF YOU KNOW, WE'RE DOING THE SHOW FROM NEW YORK CITY. 479 00:18:13,093 --> 00:18:14,336 AS MANY OF YOU KNOW, WE'RE DOING THE SHOW FROM NEW YORK CITY. IT'S GREAT TO BE BACK IN THE 480 00:18:14,360 --> 00:18:15,571 THE SHOW FROM NEW YORK CITY. IT'S GREAT TO BE BACK IN THE CITY OF NEW YORK... NOT NBC 481 00:18:15,595 --> 00:18:16,905 IT'S GREAT TO BE BACK IN THE CITY OF NEW YORK... NOT NBC NEW YORK BECAUSE WE REALLY GOT 482 00:18:16,929 --> 00:18:18,207 CITY OF NEW YORK... NOT NBC NEW YORK BECAUSE WE REALLY GOT SHORTCHANGED ON OFFICE SPACE, 483 00:18:18,231 --> 00:18:19,542 NEW YORK BECAUSE WE REALLY GOT SHORTCHANGED ON OFFICE SPACE, BUT I WON'T SAY ANYTHING ABOUT 484 00:18:19,566 --> 00:18:20,376 SHORTCHANGED ON OFFICE SPACE, BUT I WON'T SAY ANYTHING ABOUT THAT RIGHT NOW. 485 00:18:20,400 --> 00:18:21,877 BUT I WON'T SAY ANYTHING ABOUT THAT RIGHT NOW. I DID SOMETHING TODAY, THOUGH, 486 00:18:21,901 --> 00:18:23,379 THAT RIGHT NOW. I DID SOMETHING TODAY, THOUGH, THAT I COULD NEVER HAVE DONE IN 487 00:18:23,403 --> 00:18:24,113 I DID SOMETHING TODAY, THOUGH, THAT I COULD NEVER HAVE DONE IN LOS ANGELES. 488 00:18:24,137 --> 00:18:25,548 THAT I COULD NEVER HAVE DONE IN LOS ANGELES. I BOUGHT A PRETZEL FROM A GUY 489 00:18:25,572 --> 00:18:26,615 LOS ANGELES. I BOUGHT A PRETZEL FROM A GUY RIGHT OUT ON THE STREET. 490 00:18:26,639 --> 00:18:27,883 I BOUGHT A PRETZEL FROM A GUY RIGHT OUT ON THE STREET. WHEN I SAY "PRETZEL," MOST OF 491 00:18:27,907 --> 00:18:28,984 RIGHT OUT ON THE STREET. WHEN I SAY "PRETZEL," MOST OF YOU THINK I MEAN THE THIN 492 00:18:29,008 --> 00:18:30,219 WHEN I SAY "PRETZEL," MOST OF YOU THINK I MEAN THE THIN PRETZELS THAT YOU GET IN THE 493 00:18:30,243 --> 00:18:30,852 YOU THINK I MEAN THE THIN PRETZELS THAT YOU GET IN THE SUPERMARKET. 494 00:18:30,876 --> 00:18:32,154 PRETZELS THAT YOU GET IN THE SUPERMARKET. HOWEVER, ANYBODY WHO'S BEEN TO 495 00:18:32,178 --> 00:18:33,389 SUPERMARKET. HOWEVER, ANYBODY WHO'S BEEN TO NEW YORK KNOWS THE PRETZELS I 496 00:18:33,413 --> 00:18:34,656 HOWEVER, ANYBODY WHO'S BEEN TO NEW YORK KNOWS THE PRETZELS I MEAN... THE BIG, FAT, DELICIOUS 497 00:18:34,680 --> 00:18:35,857 NEW YORK KNOWS THE PRETZELS I MEAN... THE BIG, FAT, DELICIOUS NEW YORK STREET PRETZELS. 498 00:18:35,881 --> 00:18:37,059 MEAN... THE BIG, FAT, DELICIOUS NEW YORK STREET PRETZELS. AND NOW MY STAGE MANAGER, 499 00:18:37,083 --> 00:18:38,427 NEW YORK STREET PRETZELS. AND NOW MY STAGE MANAGER, SHELLY SCHWARTZ, IS MAD AT ME 500 00:18:38,451 --> 00:18:39,861 AND NOW MY STAGE MANAGER, SHELLY SCHWARTZ, IS MAD AT ME BECAUSE I DIDN'T BRING HIM ONE. 501 00:18:39,885 --> 00:18:41,263 SHELLY SCHWARTZ, IS MAD AT ME BECAUSE I DIDN'T BRING HIM ONE. AND, AS EVERYBODY KNOWS, WELL, 502 00:18:41,287 --> 00:18:42,731 BECAUSE I DIDN'T BRING HIM ONE. AND, AS EVERYBODY KNOWS, WELL, HE'S A BIG FELLA, AND HE LOVES A 503 00:18:42,755 --> 00:18:44,366 AND, AS EVERYBODY KNOWS, WELL, HE'S A BIG FELLA, AND HE LOVES A GOOD PRETZEL NOW AND AGAIN. 504 00:18:44,390 --> 00:18:46,135 HE'S A BIG FELLA, AND HE LOVES A GOOD PRETZEL NOW AND AGAIN. THAT'S NEITHER HERE NOR THERE. 505 00:18:46,159 --> 00:18:47,470 GOOD PRETZEL NOW AND AGAIN. THAT'S NEITHER HERE NOR THERE. NEXT TIME, SHELLY, I PROMISE. 506 00:18:47,494 --> 00:18:48,937 THAT'S NEITHER HERE NOR THERE. NEXT TIME, SHELLY, I PROMISE. THE MUSIC WE HEARD AT THE TOP OF 507 00:18:48,961 --> 00:18:50,106 NEXT TIME, SHELLY, I PROMISE. THE MUSIC WE HEARD AT THE TOP OF THE SHOW WAS, OF COURSE, 508 00:18:50,130 --> 00:18:51,507 THE MUSIC WE HEARD AT THE TOP OF THE SHOW WAS, OF COURSE, "HIT THE ROAD JACK" AS SUNG BY 509 00:18:51,531 --> 00:18:52,874 THE SHOW WAS, OF COURSE, "HIT THE ROAD JACK" AS SUNG BY THE MAN WHO MADE IT A BIG HIT, 510 00:18:52,898 --> 00:18:54,310 "HIT THE ROAD JACK" AS SUNG BY THE MAN WHO MADE IT A BIG HIT, MY GUEST TONIGHT ON "TOMORROW," 511 00:18:54,334 --> 00:18:55,177 THE MAN WHO MADE IT A BIG HIT, MY GUEST TONIGHT ON "TOMORROW," MR. RAY CHARLES. 512 00:18:55,201 --> 00:18:56,612 MY GUEST TONIGHT ON "TOMORROW," MR. RAY CHARLES. RAY, YOU'RE PROBABLY THE MOST 513 00:18:56,636 --> 00:18:58,114 MR. RAY CHARLES. RAY, YOU'RE PROBABLY THE MOST POPULAR RHYTHM-AND-BLUES ARTIST 514 00:18:58,138 --> 00:18:59,148 RAY, YOU'RE PROBABLY THE MOST POPULAR RHYTHM-AND-BLUES ARTIST IN AMERICAN HISTORY. 515 00:18:59,172 --> 00:19:00,549 POPULAR RHYTHM-AND-BLUES ARTIST IN AMERICAN HISTORY. I GUESS MY FIRST QUESTION TO 516 00:19:00,573 --> 00:19:02,084 IN AMERICAN HISTORY. I GUESS MY FIRST QUESTION TO YOU, SIR, WOULD BE, WHY SINGING? 517 00:19:02,108 --> 00:19:03,252 I GUESS MY FIRST QUESTION TO YOU, SIR, WOULD BE, WHY SINGING? WHY NOT RAY CHARLES THE 518 00:19:03,276 --> 00:19:04,686 YOU, SIR, WOULD BE, WHY SINGING? WHY NOT RAY CHARLES THE WATCHMAKER OR RAY CHARLES THE 519 00:19:04,710 --> 00:19:05,187 WHY NOT RAY CHARLES THE WATCHMAKER OR RAY CHARLES THE LAWYER? 520 00:19:05,211 --> 00:19:07,189 WATCHMAKER OR RAY CHARLES THE LAWYER? WHY RAY CHARLES THE SINGER? 521 00:19:07,213 --> 00:19:10,025 LAWYER? WHY RAY CHARLES THE SINGER? TOM, YOU'RE THE FIRST PERSON 522 00:19:10,049 --> 00:19:12,694 WHY RAY CHARLES THE SINGER? TOM, YOU'RE THE FIRST PERSON TO ASK ME THAT QUESTION EVER. 523 00:19:12,718 --> 00:19:14,463 TOM, YOU'RE THE FIRST PERSON TO ASK ME THAT QUESTION EVER. I SUPPOSE I STARTED SINGING 524 00:19:14,487 --> 00:19:16,499 TO ASK ME THAT QUESTION EVER. I SUPPOSE I STARTED SINGING BECAUSE I WANTED TO EXPRESS WHAT 525 00:19:16,523 --> 00:19:18,534 I SUPPOSE I STARTED SINGING BECAUSE I WANTED TO EXPRESS WHAT I WAS FEELING IN MY SOUL. 526 00:19:18,558 --> 00:19:20,636 BECAUSE I WANTED TO EXPRESS WHAT I WAS FEELING IN MY SOUL. AND I FELT THE BLUES, SO I 527 00:19:20,660 --> 00:19:22,971 I WAS FEELING IN MY SOUL. AND I FELT THE BLUES, SO I NEEDED TO SING THE BLUES. 528 00:19:22,995 --> 00:19:25,174 AND I FELT THE BLUES, SO I NEEDED TO SING THE BLUES. ALL RIGHT, SIR, FAIR ENOUGH. 529 00:19:25,198 --> 00:19:27,276 NEEDED TO SING THE BLUES. ALL RIGHT, SIR, FAIR ENOUGH. MY NEXT QUESTION TO YOU, SIR, 530 00:19:27,300 --> 00:19:29,478 ALL RIGHT, SIR, FAIR ENOUGH. MY NEXT QUESTION TO YOU, SIR, WOULD BE, WHAT THE HECK ARE THE 531 00:19:29,502 --> 00:19:33,982 MY NEXT QUESTION TO YOU, SIR, WOULD BE, WHAT THE HECK ARE THE BLUES AND WHO GETS THEM? 532 00:19:34,006 --> 00:19:36,185 WOULD BE, WHAT THE HECK ARE THE BLUES AND WHO GETS THEM? WELL, UH, YOU SEE, THE BLUES 533 00:19:36,209 --> 00:19:38,220 BLUES AND WHO GETS THEM? WELL, UH, YOU SEE, THE BLUES IS A PART OF LIFE, YOU KNOW. 534 00:19:38,244 --> 00:19:40,222 WELL, UH, YOU SEE, THE BLUES IS A PART OF LIFE, YOU KNOW. YOU LOSE YOUR JOB, YOUR WOMAN 535 00:19:40,246 --> 00:19:42,458 IS A PART OF LIFE, YOU KNOW. YOU LOSE YOUR JOB, YOUR WOMAN MESSES AROUND WITH ANOTHER MAN, 536 00:19:42,482 --> 00:19:44,660 YOU LOSE YOUR JOB, YOUR WOMAN MESSES AROUND WITH ANOTHER MAN, OR A WOMAN LOSES HER MAN 'CAUSE 537 00:19:44,684 --> 00:19:46,862 MESSES AROUND WITH ANOTHER MAN, OR A WOMAN LOSES HER MAN 'CAUSE HE'S DOING TIME IN SOME PRISON. 538 00:19:46,886 --> 00:19:49,064 OR A WOMAN LOSES HER MAN 'CAUSE HE'S DOING TIME IN SOME PRISON. YOU KNOW, ALL OF THESE KINDS OF 539 00:19:49,088 --> 00:19:50,666 HE'S DOING TIME IN SOME PRISON. YOU KNOW, ALL OF THESE KINDS OF THINGS COULD GIVE YOU THE BLUES. 540 00:19:50,690 --> 00:19:51,667 YOU KNOW, ALL OF THESE KINDS OF THINGS COULD GIVE YOU THE BLUES. FINE, SIR, OKAY. 541 00:19:51,691 --> 00:19:53,235 THINGS COULD GIVE YOU THE BLUES. FINE, SIR, OKAY. GIVEN THAT, LET'S SAY I GO DOWN 542 00:19:53,259 --> 00:19:54,703 FINE, SIR, OKAY. GIVEN THAT, LET'S SAY I GO DOWN TO THE RED-DIRT COUNTRY IN 543 00:19:54,727 --> 00:19:56,305 GIVEN THAT, LET'S SAY I GO DOWN TO THE RED-DIRT COUNTRY IN MISSISSIPPI AND I BECOME A BLACK 544 00:19:56,329 --> 00:19:57,339 TO THE RED-DIRT COUNTRY IN MISSISSIPPI AND I BECOME A BLACK SHARECROPPER. 545 00:19:57,363 --> 00:19:59,175 MISSISSIPPI AND I BECOME A BLACK SHARECROPPER. I GET ROMANTICALLY INVOLVED 546 00:19:59,199 --> 00:20:01,243 SHARECROPPER. I GET ROMANTICALLY INVOLVED WITH, SAY, LIZA, AND SHE STARTS 547 00:20:01,267 --> 00:20:03,078 I GET ROMANTICALLY INVOLVED WITH, SAY, LIZA, AND SHE STARTS TAKING UP WITH BIG SAM, THE 548 00:20:03,102 --> 00:20:04,012 WITH, SAY, LIZA, AND SHE STARTS TAKING UP WITH BIG SAM, THE PLANTATION FOREMAN. 549 00:20:04,036 --> 00:20:05,414 TAKING UP WITH BIG SAM, THE PLANTATION FOREMAN. NOW, I GO TO A BAR WHERE THEY'RE 550 00:20:05,438 --> 00:20:06,815 PLANTATION FOREMAN. NOW, I GO TO A BAR WHERE THEY'RE DRINKING, AND I SHOOT THEM BOTH 551 00:20:06,839 --> 00:20:07,216 NOW, I GO TO A BAR WHERE THEY'RE DRINKING, AND I SHOOT THEM BOTH DEAD. 552 00:20:07,240 --> 00:20:08,617 DRINKING, AND I SHOOT THEM BOTH DEAD. THERE ARE WITNESSES AND I GO TO 553 00:20:08,641 --> 00:20:09,051 DEAD. THERE ARE WITNESSES AND I GO TO PRISON. 554 00:20:09,075 --> 00:20:10,486 THERE ARE WITNESSES AND I GO TO PRISON. MY QUESTION IS, SIR, WOULD I GET 555 00:20:10,510 --> 00:20:13,689 PRISON. MY QUESTION IS, SIR, WOULD I GET THE BLUES? 556 00:20:13,713 --> 00:20:15,123 MY QUESTION IS, SIR, WOULD I GET THE BLUES? I DON'T KNOW. 557 00:20:15,147 --> 00:20:17,560 THE BLUES? I DON'T KNOW. BUT UNDER THOSE CIRCUMSTANCES, 558 00:20:17,584 --> 00:20:19,127 I DON'T KNOW. BUT UNDER THOSE CIRCUMSTANCES, MOST PEOPLE WOULD. 559 00:20:19,151 --> 00:20:21,163 BUT UNDER THOSE CIRCUMSTANCES, MOST PEOPLE WOULD. HOWEVER, YOU MIGHT BE THE 560 00:20:21,187 --> 00:20:21,797 MOST PEOPLE WOULD. HOWEVER, YOU MIGHT BE THE EXCEPTION. 561 00:20:21,821 --> 00:20:23,232 HOWEVER, YOU MIGHT BE THE EXCEPTION. THAT'S A FAIR ANSWER TO MY 562 00:20:23,256 --> 00:20:24,266 EXCEPTION. THAT'S A FAIR ANSWER TO MY QUESTION, THANK YOU. 563 00:20:24,290 --> 00:20:25,801 THAT'S A FAIR ANSWER TO MY QUESTION, THANK YOU. RAY, YOU STARTED YOUR CAREER AT 564 00:20:25,825 --> 00:20:26,735 QUESTION, THANK YOU. RAY, YOU STARTED YOUR CAREER AT A DIFFICULT TIME. 565 00:20:26,759 --> 00:20:28,070 RAY, YOU STARTED YOUR CAREER AT A DIFFICULT TIME. IN THE LATE '40s, THE MUSIC 566 00:20:28,094 --> 00:20:29,338 A DIFFICULT TIME. IN THE LATE '40s, THE MUSIC INDUSTRY WAS DOMINATED BY 567 00:20:29,362 --> 00:20:29,838 IN THE LATE '40s, THE MUSIC INDUSTRY WAS DOMINATED BY WHITES. 568 00:20:29,862 --> 00:20:31,240 INDUSTRY WAS DOMINATED BY WHITES. MOST OF IT WAS OWNED BY THAT 569 00:20:31,264 --> 00:20:32,741 WHITES. MOST OF IT WAS OWNED BY THAT KU KLUX KLAN, AND I DON'T THINK 570 00:20:32,765 --> 00:20:34,310 MOST OF IT WAS OWNED BY THAT KU KLUX KLAN, AND I DON'T THINK THERE SHOULD BE ANY SECRET ABOUT 571 00:20:34,334 --> 00:20:36,378 KU KLUX KLAN, AND I DON'T THINK THERE SHOULD BE ANY SECRET ABOUT THAT IN 1977. 572 00:20:36,402 --> 00:20:40,882 THERE SHOULD BE ANY SECRET ABOUT THAT IN 1977. SIR, MY QUESTION IS, WHAT ABOUT 573 00:20:40,906 --> 00:20:44,320 THAT IN 1977. SIR, MY QUESTION IS, WHAT ABOUT GROUPIES? 574 00:20:44,344 --> 00:20:45,921 SIR, MY QUESTION IS, WHAT ABOUT GROUPIES? COME ON, NOW, TOM. 575 00:20:45,945 --> 00:20:48,224 GROUPIES? COME ON, NOW, TOM. YOU'RE A BIG TELEVISION STAR AND 576 00:20:48,248 --> 00:20:50,459 COME ON, NOW, TOM. YOU'RE A BIG TELEVISION STAR AND YOU KNOW WHAT IT'S LIKE TO BE A 577 00:20:50,483 --> 00:20:51,260 YOU'RE A BIG TELEVISION STAR AND YOU KNOW WHAT IT'S LIKE TO BE A CELEBRITY. 578 00:20:51,284 --> 00:20:53,195 YOU KNOW WHAT IT'S LIKE TO BE A CELEBRITY. YOU KNOW, WOMEN, YOU KNOW, JUST 579 00:20:53,219 --> 00:20:55,130 CELEBRITY. YOU KNOW, WOMEN, YOU KNOW, JUST COMING AROUND YOU ALL THE TIME, 580 00:20:55,154 --> 00:20:57,099 YOU KNOW, WOMEN, YOU KNOW, JUST COMING AROUND YOU ALL THE TIME, YOU KNOW, AND THEN YOU GOT THOSE 581 00:20:57,123 --> 00:20:59,101 COMING AROUND YOU ALL THE TIME, YOU KNOW, AND THEN YOU GOT THOSE SEXY NOTES AND LETTERS FROM 582 00:20:59,125 --> 00:21:00,202 YOU KNOW, AND THEN YOU GOT THOSE SEXY NOTES AND LETTERS FROM YOUNG GIRLS. 583 00:21:00,226 --> 00:21:01,637 SEXY NOTES AND LETTERS FROM YOUNG GIRLS. I GOT TO TELL YOU. 584 00:21:01,661 --> 00:21:03,839 YOUNG GIRLS. I GOT TO TELL YOU. EVERYBODY IN THIS BUSINESS HAS 585 00:21:03,863 --> 00:21:05,073 I GOT TO TELL YOU. EVERYBODY IN THIS BUSINESS HAS THEIR GROUPIES. 586 00:21:05,097 --> 00:21:07,376 EVERYBODY IN THIS BUSINESS HAS THEIR GROUPIES. I HAVE MY GROUPIES, AND I'M SURE 587 00:21:07,400 --> 00:21:09,044 THEIR GROUPIES. I HAVE MY GROUPIES, AND I'M SURE YOU'VE GOT YOURS. 588 00:21:09,068 --> 00:21:12,648 I HAVE MY GROUPIES, AND I'M SURE YOU'VE GOT YOURS. [LAUGHS] 589 00:21:12,672 --> 00:21:14,383 YOU'VE GOT YOURS. [LAUGHS] RAY, WOULD YOU BELIEVE IT IF I 590 00:21:14,407 --> 00:21:15,851 [LAUGHS] RAY, WOULD YOU BELIEVE IT IF I TOLD YOU I DON'T HAVE ANY 591 00:21:15,875 --> 00:21:16,585 RAY, WOULD YOU BELIEVE IT IF I TOLD YOU I DON'T HAVE ANY GROUPIES? 592 00:21:16,609 --> 00:21:17,386 TOLD YOU I DON'T HAVE ANY GROUPIES? [LAUGHS] 593 00:21:17,410 --> 00:21:19,321 GROUPIES? [LAUGHS] OR AT LEAST NONE THAT I KNOW OF, 594 00:21:19,345 --> 00:21:19,855 [LAUGHS] OR AT LEAST NONE THAT I KNOW OF, ANYWAY. 595 00:21:19,879 --> 00:21:21,223 OR AT LEAST NONE THAT I KNOW OF, ANYWAY. NOW, THERE'S SOMETHING HERE 596 00:21:21,247 --> 00:21:22,791 ANYWAY. NOW, THERE'S SOMETHING HERE WHICH WE HAVEN'T DISCUSSED, AND, 597 00:21:22,815 --> 00:21:24,326 NOW, THERE'S SOMETHING HERE WHICH WE HAVEN'T DISCUSSED, AND, QUITE FRANKLY, SIR, I THINK WE 598 00:21:24,350 --> 00:21:25,361 WHICH WE HAVEN'T DISCUSSED, AND, QUITE FRANKLY, SIR, I THINK WE SHOULD TOUCH ON IT. 599 00:21:25,385 --> 00:21:26,595 QUITE FRANKLY, SIR, I THINK WE SHOULD TOUCH ON IT. THE FACT IS, SIR, YOU'RE 600 00:21:26,619 --> 00:21:28,130 SHOULD TOUCH ON IT. THE FACT IS, SIR, YOU'RE BLIND... OR LET'S SAY YOU'RE A 601 00:21:28,154 --> 00:21:29,030 THE FACT IS, SIR, YOU'RE BLIND... OR LET'S SAY YOU'RE A SIGHTLESS PERSON. 602 00:21:29,054 --> 00:21:30,198 BLIND... OR LET'S SAY YOU'RE A SIGHTLESS PERSON. I REMEMBER A MOVIE WITH 603 00:21:30,222 --> 00:21:31,600 SIGHTLESS PERSON. I REMEMBER A MOVIE WITH PATTY DUKE AND ANNE BANCROFT. 604 00:21:31,624 --> 00:21:32,901 I REMEMBER A MOVIE WITH PATTY DUKE AND ANNE BANCROFT. IT WAS CALLED "THE MIRACLE 605 00:21:32,925 --> 00:21:33,435 PATTY DUKE AND ANNE BANCROFT. IT WAS CALLED "THE MIRACLE WORKER." 606 00:21:33,459 --> 00:21:34,803 IT WAS CALLED "THE MIRACLE WORKER." IT WAS THE STORY OF A BLIND, 607 00:21:34,827 --> 00:21:35,837 WORKER." IT WAS THE STORY OF A BLIND, DEAF, AND MUTE GIRL. 608 00:21:35,861 --> 00:21:37,239 IT WAS THE STORY OF A BLIND, DEAF, AND MUTE GIRL. I CAN'T RECALL HER NAME RIGHT 609 00:21:37,263 --> 00:21:38,407 DEAF, AND MUTE GIRL. I CAN'T RECALL HER NAME RIGHT NOW, BUT IT'LL COME TO ME. 610 00:21:38,431 --> 00:21:39,775 I CAN'T RECALL HER NAME RIGHT NOW, BUT IT'LL COME TO ME. ANYWAY, THEY TAUGHT HER TO READ 611 00:21:39,799 --> 00:21:41,109 NOW, BUT IT'LL COME TO ME. ANYWAY, THEY TAUGHT HER TO READ AND COMMUNICATE IN THAT MOVIE. 612 00:21:41,133 --> 00:21:42,378 ANYWAY, THEY TAUGHT HER TO READ AND COMMUNICATE IN THAT MOVIE. IT WAS A TOUCHING STORY, AND, 613 00:21:42,402 --> 00:21:43,746 AND COMMUNICATE IN THAT MOVIE. IT WAS A TOUCHING STORY, AND, FOR MY MONEY, IT WAS ONE OF THE 614 00:21:43,770 --> 00:21:44,980 IT WAS A TOUCHING STORY, AND, FOR MY MONEY, IT WAS ONE OF THE BEST MOVIES I EVER SAW. 615 00:21:45,004 --> 00:21:46,482 FOR MY MONEY, IT WAS ONE OF THE BEST MOVIES I EVER SAW. I NEVER CRY AT THE MOVIES, BUT 616 00:21:46,506 --> 00:21:47,716 BEST MOVIES I EVER SAW. I NEVER CRY AT THE MOVIES, BUT THIS ONE HAD ME CRYING. 617 00:21:47,740 --> 00:21:48,517 I NEVER CRY AT THE MOVIES, BUT THIS ONE HAD ME CRYING. IT WAS GREAT. 618 00:21:48,541 --> 00:21:49,885 THIS ONE HAD ME CRYING. IT WAS GREAT. WHAT DID YOU THINK OF THAT 619 00:21:49,909 --> 00:21:52,521 IT WAS GREAT. WHAT DID YOU THINK OF THAT MOVIE, SIR? 620 00:21:52,545 --> 00:21:57,293 WHAT DID YOU THINK OF THAT MOVIE, SIR? I DIDN'T SEE IT. 621 00:21:57,317 --> 00:21:58,226 MOVIE, SIR? I DIDN'T SEE IT. ALL RIGHT. 622 00:21:58,250 --> 00:21:59,227 I DIDN'T SEE IT. ALL RIGHT. ALL RIGHT, SIR. 623 00:21:59,251 --> 00:22:00,862 ALL RIGHT. ALL RIGHT, SIR. FAIR ENOUGH. I'LL BUY THAT. 624 00:22:00,886 --> 00:22:02,698 ALL RIGHT, SIR. FAIR ENOUGH. I'LL BUY THAT. BUT I'LL TELL YOU SOMETHING, 625 00:22:02,722 --> 00:22:03,432 FAIR ENOUGH. I'LL BUY THAT. BUT I'LL TELL YOU SOMETHING, TOM. 626 00:22:03,456 --> 00:22:06,134 BUT I'LL TELL YOU SOMETHING, TOM. MY BLINDNESS HAS MADE ME MUCH 627 00:22:06,158 --> 00:22:07,436 TOM. MY BLINDNESS HAS MADE ME MUCH MORE AWARE. 628 00:22:07,460 --> 00:22:10,306 MY BLINDNESS HAS MADE ME MUCH MORE AWARE. MY SENSES OF TASTE, TOUCH, SMELL 629 00:22:10,330 --> 00:22:13,208 MORE AWARE. MY SENSES OF TASTE, TOUCH, SMELL ARE HIGHLY DEVELOPED, MORE THAN 630 00:22:13,232 --> 00:22:14,643 MY SENSES OF TASTE, TOUCH, SMELL ARE HIGHLY DEVELOPED, MORE THAN MOST PEOPLE WHO CAN SEE. 631 00:22:14,667 --> 00:22:16,412 ARE HIGHLY DEVELOPED, MORE THAN MOST PEOPLE WHO CAN SEE. WELL, COULD YOU DEMONSTRATE? 632 00:22:16,436 --> 00:22:18,246 MOST PEOPLE WHO CAN SEE. WELL, COULD YOU DEMONSTRATE? ALL RIGHT, WELL, FROM WHERE 633 00:22:18,270 --> 00:22:19,915 WELL, COULD YOU DEMONSTRATE? ALL RIGHT, WELL, FROM WHERE I'M SITTING NOW, I CAN TELL 634 00:22:19,939 --> 00:22:22,884 ALL RIGHT, WELL, FROM WHERE I'M SITTING NOW, I CAN TELL THAT WITHIN THE PAST HOUR, YOU 635 00:22:22,908 --> 00:22:25,754 I'M SITTING NOW, I CAN TELL THAT WITHIN THE PAST HOUR, YOU PUT ON SOME 007 AFTER-SHAVING 636 00:22:25,778 --> 00:22:27,289 THAT WITHIN THE PAST HOUR, YOU PUT ON SOME 007 AFTER-SHAVING LOTION, VINTAGE 1968. 637 00:22:27,313 --> 00:22:29,224 PUT ON SOME 007 AFTER-SHAVING LOTION, VINTAGE 1968. AND YOU'RE STILL WEARING THE 638 00:22:29,248 --> 00:22:31,159 LOTION, VINTAGE 1968. AND YOU'RE STILL WEARING THE SAME SOCKS FOR TWO DAYS IN A 639 00:22:31,183 --> 00:22:32,494 AND YOU'RE STILL WEARING THE SAME SOCKS FOR TWO DAYS IN A ROW. 640 00:22:32,518 --> 00:22:34,363 SAME SOCKS FOR TWO DAYS IN A ROW. RAY, RAY, I WISH WE COULD 641 00:22:34,387 --> 00:22:35,130 ROW. RAY, RAY, I WISH WE COULD CONTINUE. 642 00:22:35,154 --> 00:22:36,998 RAY, RAY, I WISH WE COULD CONTINUE. UNFORTUNATELY, WE'RE RUNNING 643 00:22:37,022 --> 00:22:38,534 CONTINUE. UNFORTUNATELY, WE'RE RUNNING RIGHT OUT OF TIME. 644 00:22:38,558 --> 00:22:40,336 UNFORTUNATELY, WE'RE RUNNING RIGHT OUT OF TIME. YES, YOUR TIE FEELS LIKE 645 00:22:40,360 --> 00:22:42,103 RIGHT OUT OF TIME. YES, YOUR TIE FEELS LIKE SILK, TOO, BUT IT'S REALLY 646 00:22:42,127 --> 00:22:42,971 YES, YOUR TIE FEELS LIKE SILK, TOO, BUT IT'S REALLY POLYESTER. 647 00:22:42,995 --> 00:22:45,006 SILK, TOO, BUT IT'S REALLY POLYESTER. AND YOU STILL TUCK YOUR T-SHIRT 648 00:22:45,030 --> 00:22:46,274 POLYESTER. AND YOU STILL TUCK YOUR T-SHIRT INSIDE YOUR BOXER SHORTS. 649 00:22:46,298 --> 00:22:47,743 AND YOU STILL TUCK YOUR T-SHIRT INSIDE YOUR BOXER SHORTS. THAT'S SIMPLY UNCANNY, SIR. 650 00:22:47,767 --> 00:22:49,077 INSIDE YOUR BOXER SHORTS. THAT'S SIMPLY UNCANNY, SIR. YOU KNOW, YOU'RE ABSOLUTELY 651 00:22:49,101 --> 00:22:49,478 THAT'S SIMPLY UNCANNY, SIR. YOU KNOW, YOU'RE ABSOLUTELY RIGHT. 652 00:22:49,502 --> 00:22:50,779 YOU KNOW, YOU'RE ABSOLUTELY RIGHT. PLEASE JOIN US ON "TOMORROW." 653 00:22:50,803 --> 00:22:52,113 RIGHT. PLEASE JOIN US ON "TOMORROW." WE'LL BE TALKING WITH A MAN WHO 654 00:22:52,137 --> 00:22:53,281 PLEASE JOIN US ON "TOMORROW." WE'LL BE TALKING WITH A MAN WHO HAS WRITTEN A BOOK, AND HE 655 00:22:53,305 --> 00:22:54,583 WE'LL BE TALKING WITH A MAN WHO HAS WRITTEN A BOOK, AND HE CLAIMS THAT HE RAN A GAY BAR 656 00:22:54,607 --> 00:22:55,917 HAS WRITTEN A BOOK, AND HE CLAIMS THAT HE RAN A GAY BAR IN MOSCOW IN THE EARLY '50s AND 657 00:22:55,941 --> 00:22:57,252 CLAIMS THAT HE RAN A GAY BAR IN MOSCOW IN THE EARLY '50s AND THAT IT WAS FREQUENTED BY NONE 658 00:22:57,276 --> 00:22:58,787 IN MOSCOW IN THE EARLY '50s AND THAT IT WAS FREQUENTED BY NONE OTHER THAN NIKITA KHRUSHCHEV. 659 00:22:58,811 --> 00:23:00,422 THAT IT WAS FREQUENTED BY NONE OTHER THAN NIKITA KHRUSHCHEV. I STILL THINK YOUR HAIR'S AT 660 00:23:00,446 --> 00:23:02,057 OTHER THAN NIKITA KHRUSHCHEV. I STILL THINK YOUR HAIR'S AT LEAST 12 DIFFERENT COLORS, TOO. 661 00:23:02,081 --> 00:23:03,291 I STILL THINK YOUR HAIR'S AT LEAST 12 DIFFERENT COLORS, TOO. GOOD NIGHT, EVERYBODY. 662 00:23:03,315 --> 00:23:05,026 LEAST 12 DIFFERENT COLORS, TOO. GOOD NIGHT, EVERYBODY. ♪ HIT THE ROAD, JACK ♪ 663 00:23:05,050 --> 00:23:06,328 GOOD NIGHT, EVERYBODY. ♪ HIT THE ROAD, JACK ♪ ♪ AND DON'T YOU COME BACK 664 00:23:06,352 --> 00:23:08,063 ♪ HIT THE ROAD, JACK ♪ ♪ AND DON'T YOU COME BACK NO MORE, NO MORE, NO MORE, 665 00:23:08,087 --> 00:23:09,263 ♪ AND DON'T YOU COME BACK NO MORE, NO MORE, NO MORE, NO MORE ♪ 666 00:23:09,287 --> 00:23:10,521 ♪ HIT THE ROAD, JACK ♪ 667 00:23:10,655 --> 00:23:12,055 ♪ AND DON'T YOU COME BACK NO 668 00:23:12,190 --> 00:23:13,190 MORE ♪ 669 00:23:13,258 --> 00:23:14,625 ♪ WHAT YOU SAID ♪ 670 00:23:14,760 --> 00:23:15,860 ♪ HIT THE ROAD, JACK ♪ 671 00:23:15,994 --> 00:23:19,096 ♪ AND DON'T YOU COME BACK... ♪ 672 00:23:19,364 --> 00:23:24,179 [SPEAKING INDISTINCTLY] HEY, LOOK, MAN. GET HAPPY, OKAY? 673 00:23:24,203 --> 00:23:26,448 HEY, LOOK, MAN. GET HAPPY, OKAY? THIS IS A GOLDEN OPPORTUNITY. 674 00:23:26,472 --> 00:23:28,784 GET HAPPY, OKAY? THIS IS A GOLDEN OPPORTUNITY. THE HOTTEST WHITE GROUP IN THE 675 00:23:28,808 --> 00:23:30,486 THIS IS A GOLDEN OPPORTUNITY. THE HOTTEST WHITE GROUP IN THE COUNTRY IS GONNA RECORD YOUR 676 00:23:30,510 --> 00:23:31,019 THE HOTTEST WHITE GROUP IN THE COUNTRY IS GONNA RECORD YOUR SONG. 677 00:23:31,043 --> 00:23:32,921 COUNTRY IS GONNA RECORD YOUR SONG. YEAH, BUT I WANT TO RECORD MY 678 00:23:32,945 --> 00:23:33,655 SONG. YEAH, BUT I WANT TO RECORD MY OWN SONG. 679 00:23:33,679 --> 00:23:35,357 YEAH, BUT I WANT TO RECORD MY OWN SONG. HEY, MAN, YOU WILL, BABY. 680 00:23:35,381 --> 00:23:35,858 OWN SONG. HEY, MAN, YOU WILL, BABY. YOU WILL. 681 00:23:35,882 --> 00:23:36,992 HEY, MAN, YOU WILL, BABY. YOU WILL. BUT YOU'RE GONNA RECORD THE 682 00:23:37,016 --> 00:23:38,226 YOU WILL. BUT YOU'RE GONNA RECORD THE RHYTHM AND BLUES VERSION, THE 683 00:23:38,250 --> 00:23:39,461 BUT YOU'RE GONNA RECORD THE RHYTHM AND BLUES VERSION, THE ONES THAT'S GONNA BE PLAYED ON 684 00:23:39,485 --> 00:23:42,964 RHYTHM AND BLUES VERSION, THE ONES THAT'S GONNA BE PLAYED ON THE SOUTH ON THOSE NEGRO RADIO 685 00:23:42,988 --> 00:23:43,532 ONES THAT'S GONNA BE PLAYED ON THE SOUTH ON THOSE NEGRO RADIO STATIONS. 686 00:23:43,556 --> 00:23:44,433 THE SOUTH ON THOSE NEGRO RADIO STATIONS. YEAH, YEAH. SO? 687 00:23:44,457 --> 00:23:45,667 STATIONS. YEAH, YEAH. SO? WELL, THIS IS ONE THAT'S 688 00:23:45,691 --> 00:23:46,268 YEAH, YEAH. SO? WELL, THIS IS ONE THAT'S COMING UP. 689 00:23:46,292 --> 00:23:47,669 WELL, THIS IS ONE THAT'S COMING UP. THEN WE'RE GONNA RECORD THE ONE 690 00:23:47,693 --> 00:23:48,937 COMING UP. THEN WE'RE GONNA RECORD THE ONE THAT'S GONNA BE PLAYED, YOU 691 00:23:48,961 --> 00:23:50,338 THEN WE'RE GONNA RECORD THE ONE THAT'S GONNA BE PLAYED, YOU KNOW, THE POP VERSION, THE ONE 692 00:23:50,362 --> 00:23:51,874 THAT'S GONNA BE PLAYED, YOU KNOW, THE POP VERSION, THE ONE THAT'LL BE PLAYED ON RADIO 693 00:23:51,898 --> 00:23:53,642 KNOW, THE POP VERSION, THE ONE THAT'LL BE PLAYED ON RADIO STATIONS ALL OVER THE COUNTRY. 694 00:23:53,666 --> 00:23:55,377 THAT'LL BE PLAYED ON RADIO STATIONS ALL OVER THE COUNTRY. AND THEY'RE ALSO GONNA PERFORM 695 00:23:55,401 --> 00:23:56,779 STATIONS ALL OVER THE COUNTRY. AND THEY'RE ALSO GONNA PERFORM IT ON THE "ED SULLIVAN SHOW." 696 00:23:56,803 --> 00:23:58,246 AND THEY'RE ALSO GONNA PERFORM IT ON THE "ED SULLIVAN SHOW." AND THE GROUP IS GONNA DO IT IN 697 00:23:58,270 --> 00:23:59,681 IT ON THE "ED SULLIVAN SHOW." AND THE GROUP IS GONNA DO IT IN THE MOVIE THAT THEY GOT COMING 698 00:23:59,705 --> 00:24:01,049 AND THE GROUP IS GONNA DO IT IN THE MOVIE THAT THEY GOT COMING UP CALLED "THE WEEKEND AT THE 699 00:24:01,073 --> 00:24:01,817 THE MOVIE THAT THEY GOT COMING UP CALLED "THE WEEKEND AT THE WORLD'S FAIR." 700 00:24:01,841 --> 00:24:03,051 UP CALLED "THE WEEKEND AT THE WORLD'S FAIR." MAN, THEY GONNA SELL THEM 701 00:24:03,075 --> 00:24:04,052 WORLD'S FAIR." MAN, THEY GONNA SELL THEM MILLIONS OF COPIES. 702 00:24:04,076 --> 00:24:05,454 MAN, THEY GONNA SELL THEM MILLIONS OF COPIES. AND THEY'RE GONNA GIVE YOU... 703 00:24:05,478 --> 00:24:06,889 MILLIONS OF COPIES. AND THEY'RE GONNA GIVE YOU... THIS IS THE BEST THING... THEY 704 00:24:06,913 --> 00:24:08,490 AND THEY'RE GONNA GIVE YOU... THIS IS THE BEST THING... THEY GONNA GIVE YOU ALL OF $400. 705 00:24:08,514 --> 00:24:10,091 THIS IS THE BEST THING... THEY GONNA GIVE YOU ALL OF $400. OH, WELL, AT LEAST I CAN 706 00:24:10,115 --> 00:24:11,159 GONNA GIVE YOU ALL OF $400. OH, WELL, AT LEAST I CAN UNDERSTAND THAT. 707 00:24:11,183 --> 00:24:12,961 OH, WELL, AT LEAST I CAN UNDERSTAND THAT. SO, JUST CHEER UP AND ENJOY. 708 00:24:12,985 --> 00:24:13,995 UNDERSTAND THAT. SO, JUST CHEER UP AND ENJOY. KNOCK, KNOCK. 709 00:24:14,019 --> 00:24:15,030 SO, JUST CHEER UP AND ENJOY. KNOCK, KNOCK. ANYBODY HOME? 710 00:24:15,054 --> 00:24:16,498 KNOCK, KNOCK. ANYBODY HOME? COME ON. COME ON. 711 00:24:16,522 --> 00:24:18,467 ANYBODY HOME? COME ON. COME ON. ALL RIGHT, EVERYBODY, COME ON 712 00:24:18,491 --> 00:24:19,334 COME ON. COME ON. ALL RIGHT, EVERYBODY, COME ON DOWN HERE. 713 00:24:19,358 --> 00:24:20,669 ALL RIGHT, EVERYBODY, COME ON DOWN HERE. HI, MR. DeWITT. 714 00:24:20,693 --> 00:24:21,703 DOWN HERE. HI, MR. DeWITT. HI, THERE. 715 00:24:21,727 --> 00:24:23,038 HI, MR. DeWITT. HI, THERE. EVERYBODY, THIS IS 716 00:24:23,062 --> 00:24:24,339 HI, THERE. EVERYBODY, THIS IS MR. RAY CHARLES. 717 00:24:24,363 --> 00:24:25,707 EVERYBODY, THIS IS MR. RAY CHARLES. HOW YOU DOING? 718 00:24:25,731 --> 00:24:26,909 MR. RAY CHARLES. HOW YOU DOING? HOW YOU DOING? 719 00:24:26,933 --> 00:24:29,077 HOW YOU DOING? HOW YOU DOING? I'M GROUP LEADER JODY JOBO. 720 00:24:29,101 --> 00:24:31,146 HOW YOU DOING? I'M GROUP LEADER JODY JOBO. AND THIS IS TODD, VIC, CHIP, 721 00:24:31,170 --> 00:24:32,280 I'M GROUP LEADER JODY JOBO. AND THIS IS TODD, VIC, CHIP, TAMMY, AND PAMMY. 722 00:24:32,304 --> 00:24:32,848 AND THIS IS TODD, VIC, CHIP, TAMMY, AND PAMMY. HI. 723 00:24:32,872 --> 00:24:33,415 TAMMY, AND PAMMY. HI. HI. 724 00:24:33,439 --> 00:24:33,982 HI. HI. HI. 725 00:24:34,006 --> 00:24:34,550 HI. HI. HI. 726 00:24:34,574 --> 00:24:35,116 HI. HI. HI. 727 00:24:35,140 --> 00:24:36,485 HI. HI. OR, AS WE'RE KNOWN 728 00:24:36,509 --> 00:24:38,019 HI. OR, AS WE'RE KNOWN PROFESSIONALLY, THE YOUNG 729 00:24:38,043 --> 00:24:39,354 OR, AS WE'RE KNOWN PROFESSIONALLY, THE YOUNG CAUCASIANS. 730 00:24:39,378 --> 00:24:41,790 PROFESSIONALLY, THE YOUNG CAUCASIANS. I'D JUST LIKE TO SAY, 731 00:24:41,814 --> 00:24:44,626 CAUCASIANS. I'D JUST LIKE TO SAY, MR. CHARLES, WE'RE SO EXCITED 732 00:24:44,650 --> 00:24:46,895 I'D JUST LIKE TO SAY, MR. CHARLES, WE'RE SO EXCITED ABOUT DOING THIS SONG. 733 00:24:46,919 --> 00:24:49,097 MR. CHARLES, WE'RE SO EXCITED ABOUT DOING THIS SONG. OH, BEAUTIFUL. THANK YOU. 734 00:24:49,121 --> 00:24:50,365 ABOUT DOING THIS SONG. OH, BEAUTIFUL. THANK YOU. OH, WOW. 735 00:24:50,389 --> 00:24:52,534 OH, BEAUTIFUL. THANK YOU. OH, WOW. I MEAN, WE REALLY LOVE 736 00:24:52,558 --> 00:24:53,735 OH, WOW. I MEAN, WE REALLY LOVE "WHAT DID I SAY." 737 00:24:53,759 --> 00:24:55,771 I MEAN, WE REALLY LOVE "WHAT DID I SAY." WHY, WE SING "WHAT DID I SAY" SO 738 00:24:55,795 --> 00:24:57,806 "WHAT DID I SAY." WHY, WE SING "WHAT DID I SAY" SO WELL WE'RE GONNA MAKE IT PART OF 739 00:24:57,830 --> 00:24:59,608 WHY, WE SING "WHAT DID I SAY" SO WELL WE'RE GONNA MAKE IT PART OF OUR ACT... "YOUNG CAUCASIANS' 740 00:24:59,632 --> 00:25:00,876 WELL WE'RE GONNA MAKE IT PART OF OUR ACT... "YOUNG CAUCASIANS' SALUTE TO NEGROES." 741 00:25:00,900 --> 00:25:01,643 OUR ACT... "YOUNG CAUCASIANS' SALUTE TO NEGROES." I SEE. 742 00:25:01,667 --> 00:25:03,612 SALUTE TO NEGROES." I SEE. IT'S ALSO GONNA BE ON OUR NEW 743 00:25:03,636 --> 00:25:05,413 I SEE. IT'S ALSO GONNA BE ON OUR NEW "SHADES OF WHITE" ALBUM, SIR. 744 00:25:05,437 --> 00:25:07,282 IT'S ALSO GONNA BE ON OUR NEW "SHADES OF WHITE" ALBUM, SIR. SAY, WOULD YOU LIKE TO SEE OUR 745 00:25:07,306 --> 00:25:09,017 "SHADES OF WHITE" ALBUM, SIR. SAY, WOULD YOU LIKE TO SEE OUR NEW ALBUM COVER, MR. DeWITT? 746 00:25:09,041 --> 00:25:09,718 SAY, WOULD YOU LIKE TO SEE OUR NEW ALBUM COVER, MR. DeWITT? SURE. 747 00:25:09,742 --> 00:25:11,252 NEW ALBUM COVER, MR. DeWITT? SURE. COME ON. LET'S DO IT. 748 00:25:11,276 --> 00:25:12,320 SURE. COME ON. LET'S DO IT. ALBUM COVER. 749 00:25:12,344 --> 00:25:13,388 COME ON. LET'S DO IT. ALBUM COVER. ALBUM COVER. 750 00:25:13,412 --> 00:25:15,524 ALBUM COVER. ALBUM COVER. WHOA! 751 00:25:15,548 --> 00:25:16,257 ALBUM COVER. WHOA! TA-DA! 752 00:25:16,281 --> 00:25:17,793 WHOA! TA-DA! IT'S FUNNY, ISN'T IT? 753 00:25:17,817 --> 00:25:19,561 TA-DA! IT'S FUNNY, ISN'T IT? IT'S AN ALBUM COVER, BUT IT'S 754 00:25:19,585 --> 00:25:20,161 IT'S FUNNY, ISN'T IT? IT'S AN ALBUM COVER, BUT IT'S FUNNY! 755 00:25:20,185 --> 00:25:21,730 IT'S AN ALBUM COVER, BUT IT'S FUNNY! IT'S A FUNNY ALBUM COVER! 756 00:25:21,754 --> 00:25:22,498 FUNNY! IT'S A FUNNY ALBUM COVER! [LAUGHS] 757 00:25:22,522 --> 00:25:24,232 IT'S A FUNNY ALBUM COVER! [LAUGHS] WELL, HEY, MAN, WE HAVEN'T 758 00:25:24,256 --> 00:25:25,734 [LAUGHS] WELL, HEY, MAN, WE HAVEN'T GOT MUCH TIME, YOU KNOW. 759 00:25:25,758 --> 00:25:27,302 WELL, HEY, MAN, WE HAVEN'T GOT MUCH TIME, YOU KNOW. WHY DON'T YOU GET STARTED? 760 00:25:27,326 --> 00:25:28,604 GOT MUCH TIME, YOU KNOW. WHY DON'T YOU GET STARTED? SURE, OKAY. 761 00:25:28,628 --> 00:25:29,905 WHY DON'T YOU GET STARTED? SURE, OKAY. OKAY. OKAY. 762 00:25:29,929 --> 00:25:32,007 SURE, OKAY. OKAY. OKAY. MR. CHARLES, HERE'S THE 763 00:25:32,031 --> 00:25:34,209 OKAY. OKAY. MR. CHARLES, HERE'S THE YOUNG CAUCASIANS' VERSION OF 764 00:25:34,233 --> 00:25:35,711 MR. CHARLES, HERE'S THE YOUNG CAUCASIANS' VERSION OF "WHAT DID I SAY." 765 00:25:35,735 --> 00:25:42,017 YOUNG CAUCASIANS' VERSION OF "WHAT DID I SAY." [CHEERFUL INTRO PLAYS] 766 00:25:42,041 --> 00:25:43,351 "WHAT DID I SAY." [CHEERFUL INTRO PLAYS] ♪ HEY, MAMA, DON'T YOU TREAT 767 00:25:43,375 --> 00:25:44,953 [CHEERFUL INTRO PLAYS] ♪ HEY, MAMA, DON'T YOU TREAT ME WRONG ♪ 768 00:25:44,977 --> 00:25:46,321 ♪ HEY, MAMA, DON'T YOU TREAT ME WRONG ♪ ♪ COME AND LOVE YOUR DADDY ALL 769 00:25:46,345 --> 00:25:47,523 ME WRONG ♪ ♪ COME AND LOVE YOUR DADDY ALL NIGHT LONG ♪ 770 00:25:47,547 --> 00:25:50,458 ♪ COME AND LOVE YOUR DADDY ALL NIGHT LONG ♪ ♪ HE-E-E-E-Y ♪ 771 00:25:50,482 --> 00:25:53,461 NIGHT LONG ♪ ♪ HE-E-E-E-Y ♪ ♪ HE-E-E-E-Y ♪ 772 00:25:53,485 --> 00:25:55,397 ♪ HE-E-E-E-Y ♪ ♪ HE-E-E-E-Y ♪ ♪ HE-E-E-E-Y ♪ 773 00:25:55,421 --> 00:25:59,067 ♪ HE-E-E-E-Y ♪ ♪ HE-E-E-E-Y ♪ ♪ WHAT DID I SAY? ♪ 774 00:25:59,091 --> 00:26:00,168 ♪ HE-E-E-E-Y ♪ ♪ WHAT DID I SAY? ♪ YEAH! 775 00:26:00,192 --> 00:26:02,971 ♪ WHAT DID I SAY? ♪ YEAH! HIT IT, CUTIE! 776 00:26:02,995 --> 00:26:04,205 YEAH! HIT IT, CUTIE! ♪ SEE THE GIRL WITH THE 777 00:26:04,229 --> 00:26:05,908 HIT IT, CUTIE! ♪ SEE THE GIRL WITH THE DIAMOND RING ♪ 778 00:26:05,932 --> 00:26:07,576 ♪ SEE THE GIRL WITH THE DIAMOND RING ♪ ♪ SHE KNOWS HOW TO SHAKE THAT 779 00:26:07,600 --> 00:26:08,577 DIAMOND RING ♪ ♪ SHE KNOWS HOW TO SHAKE THAT THING ♪ 780 00:26:08,601 --> 00:26:11,513 ♪ SHE KNOWS HOW TO SHAKE THAT THING ♪ ♪ HE-E-E-E-Y ♪ 781 00:26:11,537 --> 00:26:14,482 THING ♪ ♪ HE-E-E-E-Y ♪ ♪ HE-E-E-E-Y ♪ 782 00:26:14,506 --> 00:26:16,284 ♪ HE-E-E-E-Y ♪ ♪ HE-E-E-E-Y ♪ ♪ HE-E-E-E-Y ♪ 783 00:26:16,308 --> 00:26:19,555 ♪ HE-E-E-E-Y ♪ ♪ HE-E-E-E-Y ♪ ♪ WHAT DID I SAY? ♪ 784 00:26:19,579 --> 00:26:21,523 ♪ HE-E-E-E-Y ♪ ♪ WHAT DID I SAY? ♪ OH, THIS IS REALLY FUN! 785 00:26:21,547 --> 00:26:23,525 ♪ WHAT DID I SAY? ♪ OH, THIS IS REALLY FUN! YES, IT IS! 786 00:26:23,549 --> 00:26:25,193 OH, THIS IS REALLY FUN! YES, IT IS! ♪ A MULE IS AN ANIMAL WITH 787 00:26:25,217 --> 00:26:26,428 YES, IT IS! ♪ A MULE IS AN ANIMAL WITH LONG, FUNNY EARS ♪ 788 00:26:26,452 --> 00:26:27,796 ♪ A MULE IS AN ANIMAL WITH LONG, FUNNY EARS ♪ ♪ AND I CAN TELL YOU THAT HE 789 00:26:27,820 --> 00:26:32,500 LONG, FUNNY EARS ♪ ♪ AND I CAN TELL YOU THAT HE NEVER HEARS WHAT I SAY ♪ 790 00:26:32,524 --> 00:26:35,503 ♪ AND I CAN TELL YOU THAT HE NEVER HEARS WHAT I SAY ♪ ♪ HE-E-E-E-Y ♪ 791 00:26:35,527 --> 00:26:37,505 NEVER HEARS WHAT I SAY ♪ ♪ HE-E-E-E-Y ♪ ♪ HE-E-E-E-Y ♪ 792 00:26:37,529 --> 00:26:38,807 ♪ HE-E-E-E-Y ♪ ♪ HE-E-E-E-Y ♪ WHAT DID I SAY? 793 00:26:38,831 --> 00:26:40,709 ♪ HE-E-E-E-Y ♪ WHAT DID I SAY? I'LL TELL YOU WHAT I SAY. 794 00:26:40,733 --> 00:26:41,443 WHAT DID I SAY? I'LL TELL YOU WHAT I SAY. WHAT? 795 00:26:41,467 --> 00:26:42,844 I'LL TELL YOU WHAT I SAY. WHAT? ♪ HE-E-Y ♪ 796 00:26:42,868 --> 00:26:44,446 WHAT? ♪ HE-E-Y ♪ ♪ HE-E-Y ♪ 797 00:26:44,470 --> 00:26:45,747 ♪ HE-E-Y ♪ ♪ HE-E-Y ♪ ♪ HO-O-O ♪ 798 00:26:45,771 --> 00:26:47,348 ♪ HE-E-Y ♪ ♪ HO-O-O ♪ ♪ HO-O-O ♪ 799 00:26:47,372 --> 00:26:48,016 ♪ HO-O-O ♪ ♪ HO-O-O ♪ ♪ HEY ♪ 800 00:26:48,040 --> 00:26:48,784 ♪ HO-O-O ♪ ♪ HEY ♪ ♪ HEY ♪ 801 00:26:48,808 --> 00:26:49,517 ♪ HEY ♪ ♪ HEY ♪ ♪ HO ♪ 802 00:26:49,541 --> 00:26:50,285 ♪ HEY ♪ ♪ HO ♪ ♪ HO ♪ 803 00:26:50,309 --> 00:26:51,687 ♪ HO ♪ ♪ HO ♪ ♪ HEY, HEY, HO, HO ♪ 804 00:26:51,711 --> 00:26:54,957 ♪ HO ♪ ♪ HEY, HEY, HO, HO ♪ ♪ HEY, BABY, DON'T YOU RIDE ♪ 805 00:26:54,981 --> 00:26:58,159 ♪ HEY, HEY, HO, HO ♪ ♪ HEY, BABY, DON'T YOU RIDE ♪ ♪ BABY, DON'T YOU RIDE ♪ 806 00:26:58,183 --> 00:27:00,428 ♪ HEY, BABY, DON'T YOU RIDE ♪ ♪ BABY, DON'T YOU RIDE ♪ ♪ NO, YOU DON'T ♪ 807 00:27:00,452 --> 00:27:02,330 ♪ BABY, DON'T YOU RIDE ♪ ♪ NO, YOU DON'T ♪ ♪ WHOA ♪ 808 00:27:02,354 --> 00:27:08,070 ♪ NO, YOU DON'T ♪ ♪ WHOA ♪ ♪ THAT'S... WHAT... WE... SA-A-Y ♪ 809 00:27:08,094 --> 00:27:09,537 ♪ WHOA ♪ ♪ THAT'S... WHAT... WE... SA-A-Y ♪ ♪ SO NOW YOU KNOW JUST WHAT WE 810 00:27:09,561 --> 00:27:10,005 ♪ THAT'S... WHAT... WE... SA-A-Y ♪ ♪ SO NOW YOU KNOW JUST WHAT WE SAY ♪ 811 00:27:10,029 --> 00:27:15,644 ♪ SO NOW YOU KNOW JUST WHAT WE SAY ♪ OLé! 812 00:27:15,668 --> 00:27:19,748 SAY ♪ OLé! THANK YOU. 813 00:27:19,772 --> 00:27:21,917 OLé! THANK YOU. I GUESS THAT WAS PERFECT, AS 814 00:27:21,941 --> 00:27:22,651 THANK YOU. I GUESS THAT WAS PERFECT, AS USUAL. 815 00:27:22,675 --> 00:27:24,686 I GUESS THAT WAS PERFECT, AS USUAL. OH, WHAT DID YOU THINK, 816 00:27:24,710 --> 00:27:25,721 USUAL. OH, WHAT DID YOU THINK, MR. DeWITT? 817 00:27:25,745 --> 00:27:26,622 OH, WHAT DID YOU THINK, MR. DeWITT? FINE. FINE. 818 00:27:26,646 --> 00:27:27,889 MR. DeWITT? FINE. FINE. WHAT DID YOU THINK, 819 00:27:27,913 --> 00:27:28,690 FINE. FINE. WHAT DID YOU THINK, MR. CHARLES? 820 00:27:28,714 --> 00:27:30,291 WHAT DID YOU THINK, MR. CHARLES? WELL, HONEY, I'LL TELL YOU 821 00:27:30,315 --> 00:27:31,226 MR. CHARLES? WELL, HONEY, I'LL TELL YOU THE REAL TRUTH. 822 00:27:31,250 --> 00:27:32,027 WELL, HONEY, I'LL TELL YOU THE REAL TRUTH. YOU SEE, I... 823 00:27:32,051 --> 00:27:33,762 THE REAL TRUTH. YOU SEE, I... HE CAN'T BE OBJECTIVE BECAUSE 824 00:27:33,786 --> 00:27:34,830 YOU SEE, I... HE CAN'T BE OBJECTIVE BECAUSE HE WROTE THE SONG. 825 00:27:34,854 --> 00:27:35,998 HE CAN'T BE OBJECTIVE BECAUSE HE WROTE THE SONG. WHICH REMINDS ME. 826 00:27:36,022 --> 00:27:37,599 HE WROTE THE SONG. WHICH REMINDS ME. RAY, I'VE BEEN MEANING TO ASK 827 00:27:37,623 --> 00:27:38,000 WHICH REMINDS ME. RAY, I'VE BEEN MEANING TO ASK YOU. 828 00:27:38,024 --> 00:27:39,601 RAY, I'VE BEEN MEANING TO ASK YOU. THE VERSE WE DIDN'T DO, "TELL 829 00:27:39,625 --> 00:27:41,036 YOU. THE VERSE WE DIDN'T DO, "TELL YOUR MA, TELL YOUR PA, I'M 830 00:27:41,060 --> 00:27:42,303 THE VERSE WE DIDN'T DO, "TELL YOUR MA, TELL YOUR PA, I'M GONNA SEND YOU BACK TO 831 00:27:42,327 --> 00:27:43,005 YOUR MA, TELL YOUR PA, I'M GONNA SEND YOU BACK TO ARKANSAS." 832 00:27:43,029 --> 00:27:43,571 GONNA SEND YOU BACK TO ARKANSAS." YES. 833 00:27:43,595 --> 00:27:45,140 ARKANSAS." YES. LIKE, WHERE FROM ARKANSAS? 834 00:27:45,164 --> 00:27:46,775 YES. LIKE, WHERE FROM ARKANSAS? I'M FROM ARKANSAS, AND I MIGHT 835 00:27:46,799 --> 00:27:47,843 LIKE, WHERE FROM ARKANSAS? I'M FROM ARKANSAS, AND I MIGHT KNOW YOUR MA AND PA. 836 00:27:47,867 --> 00:27:49,344 I'M FROM ARKANSAS, AND I MIGHT KNOW YOUR MA AND PA. WELL, IF I DON'T KNOW THEM, MY 837 00:27:49,368 --> 00:27:50,712 KNOW YOUR MA AND PA. WELL, IF I DON'T KNOW THEM, MY PARENTS DO 'CAUSE THEY KNOW 838 00:27:50,736 --> 00:27:52,080 WELL, IF I DON'T KNOW THEM, MY PARENTS DO 'CAUSE THEY KNOW PRACTICALLY EVERYONE IN THE 839 00:27:52,104 --> 00:27:52,547 PARENTS DO 'CAUSE THEY KNOW PRACTICALLY EVERYONE IN THE STATE. 840 00:27:52,571 --> 00:27:54,049 PRACTICALLY EVERYONE IN THE STATE. EVEN PEOPLE I DON'T KNOW, THEY 841 00:27:54,073 --> 00:27:54,516 STATE. EVEN PEOPLE I DON'T KNOW, THEY KNOW. 842 00:27:54,540 --> 00:27:55,550 EVEN PEOPLE I DON'T KNOW, THEY KNOW. COME ON, GUYS. 843 00:27:55,574 --> 00:27:57,085 KNOW. COME ON, GUYS. WE GOT TO GET BACK IF WE'RE 844 00:27:57,109 --> 00:27:58,486 COME ON, GUYS. WE GOT TO GET BACK IF WE'RE GONNA GET THAT DIP BEFORE 845 00:27:58,510 --> 00:27:59,054 WE GOT TO GET BACK IF WE'RE GONNA GET THAT DIP BEFORE DINNER. 846 00:27:59,078 --> 00:28:04,059 GONNA GET THAT DIP BEFORE DINNER. [ALL SPEAKING OVER EACH OTHER] 847 00:28:04,083 --> 00:28:05,127 DINNER. [ALL SPEAKING OVER EACH OTHER] HEY, RAY, LOOK. 848 00:28:05,151 --> 00:28:06,695 [ALL SPEAKING OVER EACH OTHER] HEY, RAY, LOOK. I THINK WE GOT OUR HIT, MAN. 849 00:28:06,719 --> 00:28:08,396 HEY, RAY, LOOK. I THINK WE GOT OUR HIT, MAN. NOW, GET THIS OTHER THING OUT OF 850 00:28:08,420 --> 00:28:09,965 I THINK WE GOT OUR HIT, MAN. NOW, GET THIS OTHER THING OUT OF THE WAY SO WE CAN GET OUT OF 851 00:28:09,989 --> 00:28:10,699 NOW, GET THIS OTHER THING OUT OF THE WAY SO WE CAN GET OUT OF HERE, BABY. 852 00:28:10,723 --> 00:28:11,533 THE WAY SO WE CAN GET OUT OF HERE, BABY. OKAY, MAN. 853 00:28:11,557 --> 00:28:13,234 HERE, BABY. OKAY, MAN. BUT I STILL KIND OF LIKE MY OWN 854 00:28:13,258 --> 00:28:16,038 OKAY, MAN. BUT I STILL KIND OF LIKE MY OWN VERSION. 855 00:28:16,062 --> 00:28:18,040 BUT I STILL KIND OF LIKE MY OWN VERSION. [TRADITIONAL INTRO TO 856 00:28:18,064 --> 00:28:20,064 VERSION. [TRADITIONAL INTRO TO "WHAT'D I SAY" PLAYS] 857 00:28:37,148 --> 00:28:40,628 ♪ OH, MAMA, DON'T TREAT ME WRONG ♪ ♪ COME AND LOVE ME ALL NIGHT 858 00:28:40,652 --> 00:28:41,697 WRONG ♪ ♪ COME AND LOVE ME ALL NIGHT LONG ♪ 859 00:28:41,721 --> 00:28:42,964 ♪ COME AND LOVE ME ALL NIGHT LONG ♪ ♪ ALL NIGHT LONG ♪ 860 00:28:42,988 --> 00:28:44,232 LONG ♪ ♪ ALL NIGHT LONG ♪ ♪ OH, BABY ♪ 861 00:28:44,256 --> 00:28:48,837 ♪ ALL NIGHT LONG ♪ ♪ OH, BABY ♪ ♪ ALL NIGHT LONG ♪ 862 00:28:48,861 --> 00:28:50,872 ♪ OH, BABY ♪ ♪ ALL NIGHT LONG ♪ ♪ TELL MA, TELL PA ♪ 863 00:28:50,896 --> 00:28:52,674 ♪ ALL NIGHT LONG ♪ ♪ TELL MA, TELL PA ♪ ♪ GONNA SEND YOU TO ARKANSAS ♪ 864 00:28:52,698 --> 00:28:55,276 ♪ TELL MA, TELL PA ♪ ♪ GONNA SEND YOU TO ARKANSAS ♪ ♪ BABY, OH, YOU WON'T DO RIGHT ♪ 865 00:28:55,300 --> 00:28:56,611 ♪ GONNA SEND YOU TO ARKANSAS ♪ ♪ BABY, OH, YOU WON'T DO RIGHT ♪ ♪ GIRL, YOU KNOW YOU WON'T DO 866 00:28:56,635 --> 00:28:58,714 ♪ BABY, OH, YOU WON'T DO RIGHT ♪ ♪ GIRL, YOU KNOW YOU WON'T DO RIGHT ♪ 867 00:28:58,738 --> 00:29:01,750 ♪ GIRL, YOU KNOW YOU WON'T DO RIGHT ♪ ♪ OH, WHAT'D I SAY? ♪ 868 00:29:01,774 --> 00:29:03,651 RIGHT ♪ ♪ OH, WHAT'D I SAY? ♪ ♪ TELL ME ♪ 869 00:29:03,675 --> 00:29:05,620 ♪ OH, WHAT'D I SAY? ♪ ♪ TELL ME ♪ ♪ WHAT'D I SAY? ♪ 870 00:29:05,644 --> 00:29:07,355 ♪ TELL ME ♪ ♪ WHAT'D I SAY? ♪ ♪ WHAT'D I SAY? ♪ 871 00:29:07,379 --> 00:29:09,357 ♪ WHAT'D I SAY? ♪ ♪ WHAT'D I SAY? ♪ ♪ TELL ME WHAT'D I SAY, BABY ♪ 872 00:29:09,381 --> 00:29:11,126 ♪ WHAT'D I SAY? ♪ ♪ TELL ME WHAT'D I SAY, BABY ♪ ♪ WHAT'D I SAY? ♪ 873 00:29:11,150 --> 00:29:13,261 ♪ TELL ME WHAT'D I SAY, BABY ♪ ♪ WHAT'D I SAY? ♪ ♪ I WANT TO KNOW ♪ 874 00:29:13,285 --> 00:29:15,296 ♪ WHAT'D I SAY? ♪ ♪ I WANT TO KNOW ♪ ♪ I WANNA KNOW ♪ 875 00:29:15,320 --> 00:29:17,199 ♪ I WANT TO KNOW ♪ ♪ I WANNA KNOW ♪ ♪ I NEED TO KNOW ♪ 876 00:29:17,223 --> 00:29:19,334 ♪ I WANNA KNOW ♪ ♪ I NEED TO KNOW ♪ ♪ I'VE GOT TO KNOW ♪ 877 00:29:19,358 --> 00:29:21,336 ♪ I NEED TO KNOW ♪ ♪ I'VE GOT TO KNOW ♪ ♪ I WANNA KNOW ♪ 878 00:29:21,360 --> 00:29:24,206 ♪ I'VE GOT TO KNOW ♪ ♪ I WANNA KNOW ♪ ♪ I WANNA KNOW ♪ 879 00:29:24,230 --> 00:29:25,173 ♪ I WANNA KNOW ♪ ♪ I WANNA KNOW ♪ ♪ OOH ♪ 880 00:29:25,197 --> 00:29:26,174 ♪ I WANNA KNOW ♪ ♪ OOH ♪ ♪ OOH ♪ 881 00:29:26,198 --> 00:29:27,075 ♪ OOH ♪ ♪ OOH ♪ ♪ OHH ♪ 882 00:29:27,099 --> 00:29:27,709 ♪ OOH ♪ ♪ OHH ♪ ♪ OHH ♪ 883 00:29:27,733 --> 00:29:28,276 ♪ OHH ♪ ♪ OHH ♪ ♪ OOH ♪ 884 00:29:28,300 --> 00:29:28,844 ♪ OHH ♪ ♪ OOH ♪ ♪ OOH ♪ 885 00:29:28,868 --> 00:29:29,444 ♪ OOH ♪ ♪ OOH ♪ ♪ OHH ♪ 886 00:29:29,468 --> 00:29:30,011 ♪ OOH ♪ ♪ OHH ♪ ♪ OHH ♪ 887 00:29:30,035 --> 00:29:30,979 ♪ OHH ♪ ♪ OHH ♪ ♪ OOH, OHH ♪ 888 00:29:31,003 --> 00:29:32,080 ♪ OHH ♪ ♪ OOH, OHH ♪ ♪ OH, IT'S ALL RIGHT ♪ 889 00:29:32,104 --> 00:29:33,248 ♪ OOH, OHH ♪ ♪ OH, IT'S ALL RIGHT ♪ ♪ IT'S ALL RIGHT ♪ 890 00:29:33,272 --> 00:29:34,149 ♪ OH, IT'S ALL RIGHT ♪ ♪ IT'S ALL RIGHT ♪ ♪ IT'S ALL RIGHT ♪ 891 00:29:34,173 --> 00:29:35,083 ♪ IT'S ALL RIGHT ♪ ♪ IT'S ALL RIGHT ♪ ♪ IT'S ALL RIGHT ♪ 892 00:29:35,107 --> 00:29:36,051 ♪ IT'S ALL RIGHT ♪ ♪ IT'S ALL RIGHT ♪ ♪ OH, IT'S ALL ♪ 893 00:29:36,075 --> 00:29:37,119 ♪ IT'S ALL RIGHT ♪ ♪ OH, IT'S ALL ♪ ♪ IT'S ALL RIGHT ♪ 894 00:29:37,143 --> 00:29:37,953 ♪ OH, IT'S ALL ♪ ♪ IT'S ALL RIGHT ♪ ♪ IT'S ALL RIGHT ♪ 895 00:29:37,977 --> 00:29:39,121 ♪ IT'S ALL RIGHT ♪ ♪ IT'S ALL RIGHT ♪ ♪ BABY, IT'S ALL RIGHT ♪ 896 00:29:39,145 --> 00:29:39,988 ♪ IT'S ALL RIGHT ♪ ♪ BABY, IT'S ALL RIGHT ♪ ♪ IT'S ALL RIGHT, BABY ♪ 897 00:29:40,012 --> 00:29:41,056 ♪ BABY, IT'S ALL RIGHT ♪ ♪ IT'S ALL RIGHT, BABY ♪ ♪ BABY, IT'S ALL RIGHT ♪ 898 00:29:41,080 --> 00:29:42,124 ♪ IT'S ALL RIGHT, BABY ♪ ♪ BABY, IT'S ALL RIGHT ♪ ♪ SAY IT'S ALL RIGHT ♪ 899 00:29:42,148 --> 00:29:43,792 ♪ BABY, IT'S ALL RIGHT ♪ ♪ SAY IT'S ALL RIGHT ♪ ♪ BABY, IT'S ALL RIGHT ♪ 900 00:29:43,816 --> 00:29:44,760 ♪ SAY IT'S ALL RIGHT ♪ ♪ BABY, IT'S ALL RIGHT ♪ ♪ OOH ♪ 901 00:29:44,784 --> 00:29:45,693 ♪ BABY, IT'S ALL RIGHT ♪ ♪ OOH ♪ ♪ OOH ♪ 902 00:29:45,717 --> 00:29:46,628 ♪ OOH ♪ ♪ OOH ♪ ♪ OHH ♪ 903 00:29:46,652 --> 00:29:47,428 ♪ OOH ♪ ♪ OHH ♪ ♪ OHH ♪ 904 00:29:47,452 --> 00:29:48,063 ♪ OHH ♪ ♪ OHH ♪ ♪ OOH ♪ 905 00:29:48,087 --> 00:29:48,630 ♪ OHH ♪ ♪ OOH ♪ ♪ OOH ♪ 906 00:29:48,654 --> 00:29:49,164 ♪ OOH ♪ ♪ OOH ♪ ♪ OHH ♪ 907 00:29:49,188 --> 00:29:49,697 ♪ OOH ♪ ♪ OHH ♪ ♪ OHH ♪ 908 00:29:49,721 --> 00:29:51,566 ♪ OHH ♪ ♪ OHH ♪ ♪ OOH, OOH, SING IT ♪ 909 00:29:51,590 --> 00:29:52,801 ♪ OHH ♪ ♪ OOH, OOH, SING IT ♪ ♪ SHAKE THAT THING ♪ 910 00:29:52,825 --> 00:29:53,902 ♪ OOH, OOH, SING IT ♪ ♪ SHAKE THAT THING ♪ ♪ OH, SHAKE IT UP ♪ 911 00:29:53,926 --> 00:29:54,903 ♪ SHAKE THAT THING ♪ ♪ OH, SHAKE IT UP ♪ ♪ SHAKE THAT THING ♪ 912 00:29:54,927 --> 00:29:55,837 ♪ OH, SHAKE IT UP ♪ ♪ SHAKE THAT THING ♪ ♪ OH, BABY ♪ 913 00:29:55,861 --> 00:29:56,838 ♪ SHAKE THAT THING ♪ ♪ OH, BABY ♪ ♪ BABY, SHAKE THAT THING ♪ 914 00:29:56,862 --> 00:29:57,739 ♪ OH, BABY ♪ ♪ BABY, SHAKE THAT THING ♪ ♪ OH, SHAKE IT UP ♪ 915 00:29:57,763 --> 00:29:58,874 ♪ BABY, SHAKE THAT THING ♪ ♪ OH, SHAKE IT UP ♪ ♪ BABY, SHAKE THAT THING ♪ 916 00:29:58,898 --> 00:29:59,841 ♪ OH, SHAKE IT UP ♪ ♪ BABY, SHAKE THAT THING ♪ ♪ AW, FAN IT, BABY ♪ 917 00:29:59,865 --> 00:30:00,776 ♪ BABY, SHAKE THAT THING ♪ ♪ AW, FAN IT, BABY ♪ ♪ BABY, SHAKE THAT THING ♪ 918 00:30:00,800 --> 00:30:01,910 ♪ AW, FAN IT, BABY ♪ ♪ BABY, SHAKE THAT THING ♪ ♪ OH, SHAKE IT UP ♪ 919 00:30:01,934 --> 00:30:03,444 ♪ BABY, SHAKE THAT THING ♪ ♪ OH, SHAKE IT UP ♪ ♪ BABY, SHAKE THAT THING ♪ 920 00:30:03,468 --> 00:30:04,312 ♪ OH, SHAKE IT UP ♪ ♪ BABY, SHAKE THAT THING ♪ ♪ OW ♪ 921 00:30:04,336 --> 00:30:05,313 ♪ BABY, SHAKE THAT THING ♪ ♪ OW ♪ ♪ OW ♪ 922 00:30:05,337 --> 00:30:06,381 ♪ OW ♪ ♪ OW ♪ ♪ OH-H ♪ 923 00:30:06,405 --> 00:30:07,149 ♪ OW ♪ ♪ OH-H ♪ ♪ OH-H ♪ 924 00:30:07,173 --> 00:30:07,816 ♪ OH-H ♪ ♪ OH-H ♪ ♪ HUH ♪ 925 00:30:07,840 --> 00:30:08,416 ♪ OH-H ♪ ♪ HUH ♪ ♪ HUH ♪ 926 00:30:08,440 --> 00:30:09,050 ♪ HUH ♪ ♪ HUH ♪ ♪ HO ♪ 927 00:30:09,074 --> 00:30:09,584 ♪ HUH ♪ ♪ HO ♪ ♪ HO ♪ 928 00:30:09,608 --> 00:30:11,319 ♪ HO ♪ ♪ HO ♪ ♪ HUH, HO, BABY, I FEEL ♪ 929 00:30:11,343 --> 00:30:12,453 ♪ HO ♪ ♪ HUH, HO, BABY, I FEEL ♪ ♪ MAKE ME SO GOOD ♪ 930 00:30:12,477 --> 00:30:13,454 ♪ HUH, HO, BABY, I FEEL ♪ ♪ MAKE ME SO GOOD ♪ ♪ OH, I FEEL ♪ 931 00:30:13,478 --> 00:30:14,489 ♪ MAKE ME SO GOOD ♪ ♪ OH, I FEEL ♪ ♪ MAKE ME FEEL SO GOOD ♪ 932 00:30:14,513 --> 00:30:15,390 ♪ OH, I FEEL ♪ ♪ MAKE ME FEEL SO GOOD ♪ ♪ EVERY MORNING ♪ 933 00:30:15,414 --> 00:30:16,291 ♪ MAKE ME FEEL SO GOOD ♪ ♪ EVERY MORNING ♪ ♪ MAKE ME FEEL SO GOOD ♪ 934 00:30:16,315 --> 00:30:17,392 ♪ EVERY MORNING ♪ ♪ MAKE ME FEEL SO GOOD ♪ ♪ BABY ♪ 935 00:30:17,416 --> 00:30:18,326 ♪ MAKE ME FEEL SO GOOD ♪ ♪ BABY ♪ ♪ MAKE ME FEEL SO GOOD ♪ 936 00:30:18,350 --> 00:30:19,360 ♪ BABY ♪ ♪ MAKE ME FEEL SO GOOD ♪ ♪ YOU MAKE ME FEEL ♪ 937 00:30:19,384 --> 00:30:20,461 ♪ MAKE ME FEEL SO GOOD ♪ ♪ YOU MAKE ME FEEL ♪ ♪ MAKE ME FEEL SO GOOD ♪ 938 00:30:20,485 --> 00:30:21,462 ♪ YOU MAKE ME FEEL ♪ ♪ MAKE ME FEEL SO GOOD ♪ ♪ JUST FEELING GOOD ♪ 939 00:30:21,486 --> 00:30:22,330 ♪ MAKE ME FEEL SO GOOD ♪ ♪ JUST FEELING GOOD ♪ ♪ MAKE ME FEEL SO GOOD ♪ 940 00:30:22,354 --> 00:30:23,464 ♪ JUST FEELING GOOD ♪ ♪ MAKE ME FEEL SO GOOD ♪ ♪ OH, ONE MORE TIME ♪ 941 00:30:23,488 --> 00:30:24,465 ♪ MAKE ME FEEL SO GOOD ♪ ♪ OH, ONE MORE TIME ♪ ♪ BABY, ONE MORE TIME ♪ 942 00:30:24,489 --> 00:30:25,466 ♪ OH, ONE MORE TIME ♪ ♪ BABY, ONE MORE TIME ♪ ♪ ONE MORE TIME ♪ 943 00:30:25,490 --> 00:30:26,467 ♪ BABY, ONE MORE TIME ♪ ♪ ONE MORE TIME ♪ ♪ BABY, ONE MORE TIME ♪ 944 00:30:26,491 --> 00:30:27,468 ♪ ONE MORE TIME ♪ ♪ BABY, ONE MORE TIME ♪ ♪ AH, DO IT AGAIN, BABY ♪ 945 00:30:27,492 --> 00:30:28,469 ♪ BABY, ONE MORE TIME ♪ ♪ AH, DO IT AGAIN, BABY ♪ ♪ BABY, ONE MORE TIME ♪ 946 00:30:28,493 --> 00:30:29,537 ♪ AH, DO IT AGAIN, BABY ♪ ♪ BABY, ONE MORE TIME ♪ ♪ SAY ONE MORE TIME ♪ 947 00:30:29,561 --> 00:30:30,538 ♪ BABY, ONE MORE TIME ♪ ♪ SAY ONE MORE TIME ♪ ♪ BABY, ONE MORE TIME ♪ 948 00:30:30,562 --> 00:30:31,606 ♪ SAY ONE MORE TIME ♪ ♪ BABY, ONE MORE TIME ♪ ♪ JUST ONE MORE TIME ♪ 949 00:30:31,630 --> 00:30:32,440 ♪ BABY, ONE MORE TIME ♪ ♪ JUST ONE MORE TIME ♪ ♪ BABY, ONE MORE TIME ♪ 950 00:30:32,464 --> 00:30:33,508 ♪ JUST ONE MORE TIME ♪ ♪ BABY, ONE MORE TIME ♪ ♪ DO IT ONE MORE TIME ♪ 951 00:30:33,532 --> 00:30:34,375 ♪ BABY, ONE MORE TIME ♪ ♪ DO IT ONE MORE TIME ♪ ♪ BABY, ONE MORE TIME ♪ 952 00:30:34,399 --> 00:30:35,677 ♪ DO IT ONE MORE TIME ♪ ♪ BABY, ONE MORE TIME ♪ ♪ OH, LET'S GO HOME ♪ 953 00:30:35,701 --> 00:30:36,511 ♪ BABY, ONE MORE TIME ♪ ♪ OH, LET'S GO HOME ♪ ♪ BABY, LET'S GO HOME ♪ 954 00:30:36,535 --> 00:30:37,478 ♪ OH, LET'S GO HOME ♪ ♪ BABY, LET'S GO HOME ♪ ♪ TAKE ME HOME ♪ 955 00:30:37,502 --> 00:30:38,646 ♪ BABY, LET'S GO HOME ♪ ♪ TAKE ME HOME ♪ ♪ BABY, LET'S GO HOME ♪ 956 00:30:38,670 --> 00:30:39,614 ♪ TAKE ME HOME ♪ ♪ BABY, LET'S GO HOME ♪ ♪ I WANNA GO HOME, BABY ♪ 957 00:30:39,638 --> 00:30:40,515 ♪ BABY, LET'S GO HOME ♪ ♪ I WANNA GO HOME, BABY ♪ ♪ BABY, LET'S GO HOME ♪ 958 00:30:40,539 --> 00:30:41,683 ♪ I WANNA GO HOME, BABY ♪ ♪ BABY, LET'S GO HOME ♪ ♪ I WANNA GO HOME WITH YOU ♪ 959 00:30:41,707 --> 00:30:42,717 ♪ BABY, LET'S GO HOME ♪ ♪ I WANNA GO HOME WITH YOU ♪ ♪ BABY, LET'S GO HOME ♪ 960 00:30:42,741 --> 00:30:43,685 ♪ I WANNA GO HOME WITH YOU ♪ ♪ BABY, LET'S GO HOME ♪ ♪ OH, LET'S GO HOME ♪ 961 00:30:43,709 --> 00:30:44,619 ♪ BABY, LET'S GO HOME ♪ ♪ OH, LET'S GO HOME ♪ ♪ BABY, LET'S GO HOME ♪ 962 00:30:44,643 --> 00:30:45,854 ♪ OH, LET'S GO HOME ♪ ♪ BABY, LET'S GO HOME ♪ ♪ OH, LET'S GO HOME ♪ 963 00:30:45,878 --> 00:30:47,255 ♪ BABY, LET'S GO HOME ♪ ♪ OH, LET'S GO HOME ♪ ♪ BABY, LET'S GO HOME ♪ 964 00:30:47,279 --> 00:30:50,959 ♪ OH, LET'S GO HOME ♪ ♪ BABY, LET'S GO HOME ♪ [MUSIC STOPS] 965 00:30:50,983 --> 00:30:53,628 ♪ BABY, LET'S GO HOME ♪ [MUSIC STOPS] NOW, ALL RIGHT. 966 00:30:53,652 --> 00:30:56,798 [MUSIC STOPS] NOW, ALL RIGHT. NOW, I TELL YOU WHAT, MAN. 967 00:30:56,822 --> 00:30:58,466 NOW, ALL RIGHT. NOW, I TELL YOU WHAT, MAN. NOW, YOU BE HONEST NOW. 968 00:30:58,490 --> 00:31:00,101 NOW, I TELL YOU WHAT, MAN. NOW, YOU BE HONEST NOW. YOU TELL ME THE TRUTH. 969 00:31:00,125 --> 00:31:01,602 NOW, YOU BE HONEST NOW. YOU TELL ME THE TRUTH. HOW'D YOU LIKE THAT? 970 00:31:01,626 --> 00:31:03,771 YOU TELL ME THE TRUTH. HOW'D YOU LIKE THAT? RAY, YOU LIKE IT, I LIKE IT, 971 00:31:03,795 --> 00:31:05,740 HOW'D YOU LIKE THAT? RAY, YOU LIKE IT, I LIKE IT, BUT THESE WHITE PEOPLE AIN'T 972 00:31:05,764 --> 00:31:07,775 RAY, YOU LIKE IT, I LIKE IT, BUT THESE WHITE PEOPLE AIN'T READY FOR THIS KIND OF STUFF, 973 00:31:07,799 --> 00:31:08,310 BUT THESE WHITE PEOPLE AIN'T READY FOR THIS KIND OF STUFF, MAN. 974 00:31:08,334 --> 00:31:09,945 READY FOR THIS KIND OF STUFF, MAN. NOW, LET'S GO AND EAT. 975 00:31:09,969 --> 00:31:11,969 MAN. NOW, LET'S GO AND EAT. ALL RIGHT, MAN. OKAY. 976 00:31:18,343 --> 00:31:25,093 Announcer: AND NOW "WEEKEND UPDATE" WITH CHEVY CHASE. 977 00:31:25,117 --> 00:31:26,261 "WEEKEND UPDATE" WITH CHEVY CHASE. WHO? 978 00:31:26,285 --> 00:31:28,830 CHEVY CHASE. WHO? SORRY. OLD SCRIPT. 979 00:31:28,854 --> 00:31:32,868 WHO? SORRY. OLD SCRIPT. HEY, NO PROBLEM. 980 00:31:32,892 --> 00:31:34,736 SORRY. OLD SCRIPT. HEY, NO PROBLEM. OUR TOP STORY TONIGHT... AFTER 981 00:31:34,760 --> 00:31:36,671 HEY, NO PROBLEM. OUR TOP STORY TONIGHT... AFTER 10 MONTHS IN OFFICE, WASHINGTON 982 00:31:36,695 --> 00:31:38,106 OUR TOP STORY TONIGHT... AFTER 10 MONTHS IN OFFICE, WASHINGTON SOURCES SPECULATE THAT 983 00:31:38,130 --> 00:31:39,640 10 MONTHS IN OFFICE, WASHINGTON SOURCES SPECULATE THAT JIMMY CARTER'S DECLINING 984 00:31:39,664 --> 00:31:41,409 SOURCES SPECULATE THAT JIMMY CARTER'S DECLINING POPULARITY MAY RESULT IN HIS 985 00:31:41,433 --> 00:31:43,044 JIMMY CARTER'S DECLINING POPULARITY MAY RESULT IN HIS BEING A ONE-TERM PRESIDENT. 986 00:31:43,068 --> 00:31:44,812 POPULARITY MAY RESULT IN HIS BEING A ONE-TERM PRESIDENT. ONE PERSON WHO SEEMS UNDAUNTED 987 00:31:44,836 --> 00:31:46,047 BEING A ONE-TERM PRESIDENT. ONE PERSON WHO SEEMS UNDAUNTED BY THESE REPORTS IS 988 00:31:46,071 --> 00:31:47,782 ONE PERSON WHO SEEMS UNDAUNTED BY THESE REPORTS IS LILLIAN CARTER, WHO, PICTURED 989 00:31:47,806 --> 00:31:49,450 BY THESE REPORTS IS LILLIAN CARTER, WHO, PICTURED HERE, SAYS THAT SHE CAN FEEL 990 00:31:49,474 --> 00:31:51,353 LILLIAN CARTER, WHO, PICTURED HERE, SAYS THAT SHE CAN FEEL THAT HER SON IS STILL GROWING IN 991 00:31:51,377 --> 00:31:56,758 HERE, SAYS THAT SHE CAN FEEL THAT HER SON IS STILL GROWING IN THE JOB. 992 00:31:56,782 --> 00:31:58,526 THAT HER SON IS STILL GROWING IN THE JOB. O.J. SIMPSON, THE STAR RUNNING 993 00:31:58,550 --> 00:32:00,262 THE JOB. O.J. SIMPSON, THE STAR RUNNING BACK OF THE BUFFALO BILLS WHO 994 00:32:00,286 --> 00:32:02,130 O.J. SIMPSON, THE STAR RUNNING BACK OF THE BUFFALO BILLS WHO WILL BE OUT FOR THE REST OF THIS 995 00:32:02,154 --> 00:32:03,899 BACK OF THE BUFFALO BILLS WHO WILL BE OUT FOR THE REST OF THIS SEASON, UNDERWENT SURGERY THIS 996 00:32:03,923 --> 00:32:04,933 WILL BE OUT FOR THE REST OF THIS SEASON, UNDERWENT SURGERY THIS WEEK IN BUFFALO. 997 00:32:04,957 --> 00:32:06,701 SEASON, UNDERWENT SURGERY THIS WEEK IN BUFFALO. SHOWN HERE AFTER THE OPERATION, 998 00:32:06,725 --> 00:32:08,403 WEEK IN BUFFALO. SHOWN HERE AFTER THE OPERATION, O.J. SAID HE'S LOOKING FORWARD 999 00:32:08,427 --> 00:32:10,138 SHOWN HERE AFTER THE OPERATION, O.J. SAID HE'S LOOKING FORWARD TO NEXT SEASON WHEN HE'LL COOK 1000 00:32:10,162 --> 00:32:14,609 O.J. SAID HE'S LOOKING FORWARD TO NEXT SEASON WHEN HE'LL COOK FOR HIS FORMER TEAMMATES. 1001 00:32:14,633 --> 00:32:16,244 TO NEXT SEASON WHEN HE'LL COOK FOR HIS FORMER TEAMMATES. WELL, THERE WAS MORE TROUBLE 1002 00:32:16,268 --> 00:32:17,812 FOR HIS FORMER TEAMMATES. WELL, THERE WAS MORE TROUBLE AT KENT STATE THIS WEEK WHEN A 1003 00:32:17,836 --> 00:32:19,414 WELL, THERE WAS MORE TROUBLE AT KENT STATE THIS WEEK WHEN A GROUP OF RADICAL INFANTS FROM A 1004 00:32:19,438 --> 00:32:20,916 AT KENT STATE THIS WEEK WHEN A GROUP OF RADICAL INFANTS FROM A LOCAL NURSERY SCHOOL CLASHED 1005 00:32:20,940 --> 00:32:22,150 GROUP OF RADICAL INFANTS FROM A LOCAL NURSERY SCHOOL CLASHED WITH NATIONAL GUARDSMEN. 1006 00:32:22,174 --> 00:32:23,484 LOCAL NURSERY SCHOOL CLASHED WITH NATIONAL GUARDSMEN. REPORTS SAY THAT THE UNRULY 1007 00:32:23,508 --> 00:32:24,886 WITH NATIONAL GUARDSMEN. REPORTS SAY THAT THE UNRULY TODDLERS WERE PROTESTING THE 1008 00:32:24,910 --> 00:32:26,421 REPORTS SAY THAT THE UNRULY TODDLERS WERE PROTESTING THE CONSTRUCTION OF A JUNGLE GYM AT 1009 00:32:26,445 --> 00:32:27,855 TODDLERS WERE PROTESTING THE CONSTRUCTION OF A JUNGLE GYM AT THE SITE WHERE FOUR OF THEIR 1010 00:32:27,879 --> 00:32:29,391 CONSTRUCTION OF A JUNGLE GYM AT THE SITE WHERE FOUR OF THEIR PLAYMATES WERE UNJUSTLY SPANKED 1011 00:32:29,415 --> 00:32:31,893 THE SITE WHERE FOUR OF THEIR PLAYMATES WERE UNJUSTLY SPANKED SEVEN MONTHS AGO. 1012 00:32:31,917 --> 00:32:33,628 PLAYMATES WERE UNJUSTLY SPANKED SEVEN MONTHS AGO. THE NATIONAL HEALTH SERVICE 1013 00:32:33,652 --> 00:32:35,330 SEVEN MONTHS AGO. THE NATIONAL HEALTH SERVICE HAS CALLED A NATIONWIDE RABIES 1014 00:32:35,354 --> 00:32:35,897 THE NATIONAL HEALTH SERVICE HAS CALLED A NATIONWIDE RABIES ALERT. 1015 00:32:35,921 --> 00:32:37,698 HAS CALLED A NATIONWIDE RABIES ALERT. RABIES IS CARRIED BY RODENTS AND 1016 00:32:37,722 --> 00:32:39,434 ALERT. RABIES IS CARRIED BY RODENTS AND PASSED ON TO STRAY ANIMALS AND 1017 00:32:39,458 --> 00:32:40,168 RABIES IS CARRIED BY RODENTS AND PASSED ON TO STRAY ANIMALS AND HOUSE PETS. 1018 00:32:40,192 --> 00:32:42,003 PASSED ON TO STRAY ANIMALS AND HOUSE PETS. IT IS CHARACTERIZED BY A FOAMING 1019 00:32:42,027 --> 00:32:43,471 HOUSE PETS. IT IS CHARACTERIZED BY A FOAMING AT THE MOUTH AND A CRAZED 1020 00:32:43,495 --> 00:32:44,306 IT IS CHARACTERIZED BY A FOAMING AT THE MOUTH AND A CRAZED VICIOUSNESS. 1021 00:32:44,330 --> 00:32:45,974 AT THE MOUTH AND A CRAZED VICIOUSNESS. RABIES IS UNDETECTABLE IN ITS 1022 00:32:45,998 --> 00:32:47,775 VICIOUSNESS. RABIES IS UNDETECTABLE IN ITS EARLY STAGES, AND, ONCE IT DOES 1023 00:32:47,799 --> 00:32:49,444 RABIES IS UNDETECTABLE IN ITS EARLY STAGES, AND, ONCE IT DOES BECOME DETECTABLE, IT IS ALSO 1024 00:32:49,468 --> 00:32:50,778 EARLY STAGES, AND, ONCE IT DOES BECOME DETECTABLE, IT IS ALSO IRREVERSIBLE AND FATAL. 1025 00:32:50,802 --> 00:32:52,280 BECOME DETECTABLE, IT IS ALSO IRREVERSIBLE AND FATAL. SO, IF YOU ARE BITTEN BY AN 1026 00:32:52,304 --> 00:32:53,714 IRREVERSIBLE AND FATAL. SO, IF YOU ARE BITTEN BY AN ANIMAL THAT MAY BE RABID, 1027 00:32:53,738 --> 00:32:55,283 SO, IF YOU ARE BITTEN BY AN ANIMAL THAT MAY BE RABID, CAPTURE IT AND BRING IT TO A 1028 00:32:55,307 --> 00:32:55,850 ANIMAL THAT MAY BE RABID, CAPTURE IT AND BRING IT TO A DOCTOR. 1029 00:32:55,874 --> 00:32:57,385 CAPTURE IT AND BRING IT TO A DOCTOR. OTHERWISE, YOU WILL HAVE TO 1030 00:32:57,409 --> 00:32:58,886 DOCTOR. OTHERWISE, YOU WILL HAVE TO UNDERGO A PAINFUL SERIES OF 1031 00:32:58,910 --> 00:32:59,754 OTHERWISE, YOU WILL HAVE TO UNDERGO A PAINFUL SERIES OF RABIES SHOTS. 1032 00:32:59,778 --> 00:33:01,423 UNDERGO A PAINFUL SERIES OF RABIES SHOTS. SO, IF YOUR HUSBAND LOOKS LIKE 1033 00:33:01,447 --> 00:33:03,024 RABIES SHOTS. SO, IF YOUR HUSBAND LOOKS LIKE THIS AND BITES YOU, TAKE HIM, 1034 00:33:03,048 --> 00:33:04,892 SO, IF YOUR HUSBAND LOOKS LIKE THIS AND BITES YOU, TAKE HIM, ALIVE, TO A DOCTOR. 1035 00:33:04,916 --> 00:33:11,066 THIS AND BITES YOU, TAKE HIM, ALIVE, TO A DOCTOR. [HISSING] 1036 00:33:11,090 --> 00:33:12,600 ALIVE, TO A DOCTOR. [HISSING] THE SOCIETY OF SOCRATIC 1037 00:33:12,624 --> 00:33:14,369 [HISSING] THE SOCIETY OF SOCRATIC SCHOLARS REVEALED THIS WEEK NEW 1038 00:33:14,393 --> 00:33:16,071 THE SOCIETY OF SOCRATIC SCHOLARS REVEALED THIS WEEK NEW INFORMATION ABOUT THE DEATH OF 1039 00:33:16,095 --> 00:33:16,771 SCHOLARS REVEALED THIS WEEK NEW INFORMATION ABOUT THE DEATH OF SOCRATES. 1040 00:33:16,795 --> 00:33:18,440 INFORMATION ABOUT THE DEATH OF SOCRATES. IT SEEMS THAT THE PHILOSOPHER 1041 00:33:18,464 --> 00:33:20,208 SOCRATES. IT SEEMS THAT THE PHILOSOPHER WAS GROSSLY OVERWEIGHT, TRYING 1042 00:33:20,232 --> 00:33:21,876 IT SEEMS THAT THE PHILOSOPHER WAS GROSSLY OVERWEIGHT, TRYING TO DIET, AND THE HEMLOCK THAT 1043 00:33:21,900 --> 00:33:23,544 WAS GROSSLY OVERWEIGHT, TRYING TO DIET, AND THE HEMLOCK THAT KILLED HIM WAS ACTUALLY LIQUID 1044 00:33:23,568 --> 00:33:24,179 TO DIET, AND THE HEMLOCK THAT KILLED HIM WAS ACTUALLY LIQUID PROTEIN. 1045 00:33:24,203 --> 00:33:25,847 KILLED HIM WAS ACTUALLY LIQUID PROTEIN. I DIDN'T KNOW THAT SOCRATES 1046 00:33:25,871 --> 00:33:27,115 PROTEIN. I DIDN'T KNOW THAT SOCRATES WAS THAT HEAVY, JANE. 1047 00:33:27,139 --> 00:33:27,882 I DIDN'T KNOW THAT SOCRATES WAS THAT HEAVY, JANE. OH, YES. 1048 00:33:27,906 --> 00:33:28,984 WAS THAT HEAVY, JANE. OH, YES. HE WAS VERY HEAVY. 1049 00:33:29,008 --> 00:33:30,651 OH, YES. HE WAS VERY HEAVY. THE NAME ITSELF... SOCRATES... 1050 00:33:30,675 --> 00:33:32,120 HE WAS VERY HEAVY. THE NAME ITSELF... SOCRATES... COMES FROM THE GREEK ROOT 1051 00:33:32,144 --> 00:33:33,688 THE NAME ITSELF... SOCRATES... COMES FROM THE GREEK ROOT "SOCRAT," WHICH MEANS TUB OF 1052 00:33:33,712 --> 00:33:34,356 COMES FROM THE GREEK ROOT "SOCRAT," WHICH MEANS TUB OF LARD. 1053 00:33:34,380 --> 00:33:36,057 "SOCRAT," WHICH MEANS TUB OF LARD. WELL, THAT'S VERY 1054 00:33:36,081 --> 00:33:37,192 LARD. WELL, THAT'S VERY INTERESTING. 1055 00:33:37,216 --> 00:33:39,461 WELL, THAT'S VERY INTERESTING. YES. 1056 00:33:39,485 --> 00:33:41,729 INTERESTING. YES. WELL, LONGTIME RADIO AND 1057 00:33:41,753 --> 00:33:43,664 YES. WELL, LONGTIME RADIO AND COMEDIANS BOB AND RAY... LET'S 1058 00:33:43,688 --> 00:33:45,333 WELL, LONGTIME RADIO AND COMEDIANS BOB AND RAY... LET'S SEE... LONGTIME RADIO AND 1059 00:33:45,357 --> 00:33:47,369 COMEDIANS BOB AND RAY... LET'S SEE... LONGTIME RADIO AND TELEVISION COMEDIANS BOB AND RAY 1060 00:33:47,393 --> 00:33:49,237 SEE... LONGTIME RADIO AND TELEVISION COMEDIANS BOB AND RAY FINALLY HAVE ADMITTED THEY'VE 1061 00:33:49,261 --> 00:33:50,838 TELEVISION COMEDIANS BOB AND RAY FINALLY HAVE ADMITTED THEY'VE BEEN MARRIED FOR OVER 30 YEARS. 1062 00:33:50,862 --> 00:33:51,973 FINALLY HAVE ADMITTED THEY'VE BEEN MARRIED FOR OVER 30 YEARS. SHOWN HERE AT A PRESS 1063 00:33:51,997 --> 00:33:53,441 BEEN MARRIED FOR OVER 30 YEARS. SHOWN HERE AT A PRESS CONFERENCE, BOB ON THE RIGHT 1064 00:33:53,465 --> 00:33:55,010 SHOWN HERE AT A PRESS CONFERENCE, BOB ON THE RIGHT SAID IT WAS A RELIEF TO BE ABLE 1065 00:33:55,034 --> 00:33:56,644 CONFERENCE, BOB ON THE RIGHT SAID IT WAS A RELIEF TO BE ABLE TO WEAR HIS OWN CLOTHES AGAIN IN 1066 00:33:56,668 --> 00:33:57,178 SAID IT WAS A RELIEF TO BE ABLE TO WEAR HIS OWN CLOTHES AGAIN IN PUBLIC. 1067 00:33:57,202 --> 00:33:58,646 TO WEAR HIS OWN CLOTHES AGAIN IN PUBLIC. I'M TAKING THIS ONE HOME WITH 1068 00:33:58,670 --> 00:33:58,980 PUBLIC. I'M TAKING THIS ONE HOME WITH ME. 1069 00:33:59,004 --> 00:34:00,348 I'M TAKING THIS ONE HOME WITH ME. I THINK YOU SHOULD, DAN. 1070 00:34:00,372 --> 00:34:01,616 ME. I THINK YOU SHOULD, DAN. STICK IT TO YOUR PILLOW. 1071 00:34:01,640 --> 00:34:02,183 I THINK YOU SHOULD, DAN. STICK IT TO YOUR PILLOW. OKAY. 1072 00:34:02,207 --> 00:34:03,618 STICK IT TO YOUR PILLOW. OKAY. IN PHILADELPHIA, A STATUE OF 1073 00:34:03,642 --> 00:34:05,153 OKAY. IN PHILADELPHIA, A STATUE OF BENJAMIN FRANKLIN WAS RUSHED TO 1074 00:34:05,177 --> 00:34:06,621 IN PHILADELPHIA, A STATUE OF BENJAMIN FRANKLIN WAS RUSHED TO A HOSPITAL AFTER IT COLLAPSED 1075 00:34:06,645 --> 00:34:08,189 BENJAMIN FRANKLIN WAS RUSHED TO A HOSPITAL AFTER IT COLLAPSED WITH WHAT APPEARED TO BE A CASE 1076 00:34:08,213 --> 00:34:10,458 A HOSPITAL AFTER IT COLLAPSED WITH WHAT APPEARED TO BE A CASE OF LEGIONNAIRES' DISEASE. 1077 00:34:10,482 --> 00:34:12,994 WITH WHAT APPEARED TO BE A CASE OF LEGIONNAIRES' DISEASE. A LATER DIAGNOSIS REVEALED IT 1078 00:34:13,018 --> 00:34:15,530 OF LEGIONNAIRES' DISEASE. A LATER DIAGNOSIS REVEALED IT WAS JUST STONED. 1079 00:34:15,554 --> 00:34:16,331 A LATER DIAGNOSIS REVEALED IT WAS JUST STONED. JUST STONED. 1080 00:34:16,355 --> 00:34:17,399 WAS JUST STONED. JUST STONED. I GOT IT, DAN. 1081 00:34:17,423 --> 00:34:18,299 JUST STONED. I GOT IT, DAN. THE STATUE. 1082 00:34:18,323 --> 00:34:20,068 I GOT IT, DAN. THE STATUE. WELL, HERE'S BILL MURRAY WITH 1083 00:34:20,092 --> 00:34:21,269 THE STATUE. WELL, HERE'S BILL MURRAY WITH THESE WEEK'S REVIEW. 1084 00:34:21,293 --> 00:34:21,736 WELL, HERE'S BILL MURRAY WITH THESE WEEK'S REVIEW. BILL. 1085 00:34:21,760 --> 00:34:22,870 THESE WEEK'S REVIEW. BILL. THANK YOU, JANE. 1086 00:34:22,894 --> 00:34:24,272 BILL. THANK YOU, JANE. HELLO, YOU KNUCKLEHEADS. 1087 00:34:24,296 --> 00:34:25,973 THANK YOU, JANE. HELLO, YOU KNUCKLEHEADS. SAY, TONIGHT I WAS GONNA REVIEW 1088 00:34:25,997 --> 00:34:27,608 HELLO, YOU KNUCKLEHEADS. SAY, TONIGHT I WAS GONNA REVIEW THE NEW SCIENCE-FICTION MOVIE 1089 00:34:27,632 --> 00:34:29,277 SAY, TONIGHT I WAS GONNA REVIEW THE NEW SCIENCE-FICTION MOVIE "CLOSE ENCOUNTERS OF THE THIRD 1090 00:34:29,301 --> 00:34:31,146 THE NEW SCIENCE-FICTION MOVIE "CLOSE ENCOUNTERS OF THE THIRD KIND," BUT, UNFORTUNATELY, TIME 1091 00:34:31,170 --> 00:34:33,048 "CLOSE ENCOUNTERS OF THE THIRD KIND," BUT, UNFORTUNATELY, TIME MAGAZINE CAME OUT WITH A REVIEW 1092 00:34:33,072 --> 00:34:34,982 KIND," BUT, UNFORTUNATELY, TIME MAGAZINE CAME OUT WITH A REVIEW OF THE MOVIE AND TOLD THE ENTIRE 1093 00:34:35,006 --> 00:34:35,550 MAGAZINE CAME OUT WITH A REVIEW OF THE MOVIE AND TOLD THE ENTIRE STORY. 1094 00:34:35,574 --> 00:34:36,584 OF THE MOVIE AND TOLD THE ENTIRE STORY. IT RUINED IT FOR ME. 1095 00:34:36,608 --> 00:34:37,952 STORY. IT RUINED IT FOR ME. NOW, I AM NOT GONNA GO PAY 4 1096 00:34:37,976 --> 00:34:39,354 IT RUINED IT FOR ME. NOW, I AM NOT GONNA GO PAY 4 BUCKS TO SEE A FILM WHEN I 1097 00:34:39,378 --> 00:34:40,655 NOW, I AM NOT GONNA GO PAY 4 BUCKS TO SEE A FILM WHEN I ALREADY KNOW WHAT HAPPENS. 1098 00:34:40,679 --> 00:34:41,689 BUCKS TO SEE A FILM WHEN I ALREADY KNOW WHAT HAPPENS. THAT'S THE WAY I FEEL. 1099 00:34:41,713 --> 00:34:42,790 ALREADY KNOW WHAT HAPPENS. THAT'S THE WAY I FEEL. GET OUT HERE. I MEAN IT. 1100 00:34:42,814 --> 00:34:43,824 THAT'S THE WAY I FEEL. GET OUT HERE. I MEAN IT. THE FILM IS DIRECTED BY 1101 00:34:43,848 --> 00:34:45,126 GET OUT HERE. I MEAN IT. THE FILM IS DIRECTED BY STEVEN SPIELBERG, THE GUY WHO 1102 00:34:45,150 --> 00:34:45,927 THE FILM IS DIRECTED BY STEVEN SPIELBERG, THE GUY WHO DIRECTED "JAWS." 1103 00:34:45,951 --> 00:34:47,162 STEVEN SPIELBERG, THE GUY WHO DIRECTED "JAWS." AND HE DESERVED AN OSCAR FOR 1104 00:34:47,186 --> 00:34:48,463 DIRECTED "JAWS." AND HE DESERVED AN OSCAR FOR "JAWS," AND HE DIDN'T GET IT. 1105 00:34:48,487 --> 00:34:49,297 AND HE DESERVED AN OSCAR FOR "JAWS," AND HE DIDN'T GET IT. IT WAS A RIP-OFF. 1106 00:34:49,321 --> 00:34:50,565 "JAWS," AND HE DIDN'T GET IT. IT WAS A RIP-OFF. AND I WAS HOPING HE'D GET ONE 1107 00:34:50,589 --> 00:34:51,632 IT WAS A RIP-OFF. AND I WAS HOPING HE'D GET ONE FOR "CLOSE ENCOUNTERS." 1108 00:34:51,656 --> 00:34:53,034 AND I WAS HOPING HE'D GET ONE FOR "CLOSE ENCOUNTERS." THEY SAY THE SPECIAL EFFECTS ARE 1109 00:34:53,058 --> 00:34:54,135 FOR "CLOSE ENCOUNTERS." THEY SAY THE SPECIAL EFFECTS ARE BETTER THAN "STAR WARS." 1110 00:34:54,159 --> 00:34:55,537 THEY SAY THE SPECIAL EFFECTS ARE BETTER THAN "STAR WARS." THEY SAY IT'S THE GREATEST MOVIE 1111 00:34:55,561 --> 00:34:56,304 BETTER THAN "STAR WARS." THEY SAY IT'S THE GREATEST MOVIE OF THE YEAR. 1112 00:34:56,328 --> 00:34:57,772 THEY SAY IT'S THE GREATEST MOVIE OF THE YEAR. COLUMBIA PICTURES SPENT $18 1113 00:34:57,796 --> 00:34:59,040 OF THE YEAR. COLUMBIA PICTURES SPENT $18 MILLION ON THE PROJECT. 1114 00:34:59,064 --> 00:35:00,708 COLUMBIA PICTURES SPENT $18 MILLION ON THE PROJECT. NOW, HOW CAN THEY MAKE THAT KIND 1115 00:35:00,732 --> 00:35:02,143 MILLION ON THE PROJECT. NOW, HOW CAN THEY MAKE THAT KIND OF MONEY BACK IF EVERYBODY 1116 00:35:02,167 --> 00:35:03,678 NOW, HOW CAN THEY MAKE THAT KIND OF MONEY BACK IF EVERYBODY ALREADY KNOWS WHAT'S GOING TO 1117 00:35:03,702 --> 00:35:04,112 OF MONEY BACK IF EVERYBODY ALREADY KNOWS WHAT'S GOING TO HAPPEN? 1118 00:35:04,136 --> 00:35:05,447 ALREADY KNOWS WHAT'S GOING TO HAPPEN? NOW, FRANK RIDGE WHO WROTE THE 1119 00:35:05,471 --> 00:35:06,714 HAPPEN? NOW, FRANK RIDGE WHO WROTE THE REVIEW OUGHT TO BE SLAPPED IN 1120 00:35:06,738 --> 00:35:07,248 NOW, FRANK RIDGE WHO WROTE THE REVIEW OUGHT TO BE SLAPPED IN THE FACE. 1121 00:35:07,272 --> 00:35:08,283 REVIEW OUGHT TO BE SLAPPED IN THE FACE. GET OUT OF HERE, FRANK. 1122 00:35:08,307 --> 00:35:09,784 THE FACE. GET OUT OF HERE, FRANK. I MEAN IT, YOU KNUCKLEHEAD. 1123 00:35:09,808 --> 00:35:11,352 GET OUT OF HERE, FRANK. I MEAN IT, YOU KNUCKLEHEAD. NOW EVERYBODY KNOWS THAT THE 1124 00:35:11,376 --> 00:35:13,020 I MEAN IT, YOU KNUCKLEHEAD. NOW EVERYBODY KNOWS THAT THE ALIENS ARE ATTACKING DREYFUSS' 1125 00:35:13,044 --> 00:35:14,589 NOW EVERYBODY KNOWS THAT THE ALIENS ARE ATTACKING DREYFUSS' CAR AND THE SPEEDOMETER SPINS 1126 00:35:14,613 --> 00:35:15,756 ALIENS ARE ATTACKING DREYFUSS' CAR AND THE SPEEDOMETER SPINS AROUND AND SO FORTH. 1127 00:35:15,780 --> 00:35:17,425 CAR AND THE SPEEDOMETER SPINS AROUND AND SO FORTH. DREYFUSS TRIES TO MAKE CONTACT 1128 00:35:17,449 --> 00:35:18,426 AROUND AND SO FORTH. DREYFUSS TRIES TO MAKE CONTACT WITH THE ALIENS. 1129 00:35:18,450 --> 00:35:19,360 DREYFUSS TRIES TO MAKE CONTACT WITH THE ALIENS. THEY COME BACK. 1130 00:35:19,384 --> 00:35:20,295 WITH THE ALIENS. THEY COME BACK. THEY KIDNAP A CHILD. 1131 00:35:20,319 --> 00:35:21,529 THEY COME BACK. THEY KIDNAP A CHILD. WHEN THE EARTHLINGS AND THE 1132 00:35:21,553 --> 00:35:22,897 THEY KIDNAP A CHILD. WHEN THE EARTHLINGS AND THE ALIENS FINALLY MEET, THEY SHOUT 1133 00:35:22,921 --> 00:35:24,065 WHEN THE EARTHLINGS AND THE ALIENS FINALLY MEET, THEY SHOUT "HELLO" TO EACH OTHER WITH 1134 00:35:24,089 --> 00:35:25,366 ALIENS FINALLY MEET, THEY SHOUT "HELLO" TO EACH OTHER WITH LIGHTS FLASHING AND MUSIC AND 1135 00:35:25,390 --> 00:35:25,766 "HELLO" TO EACH OTHER WITH LIGHTS FLASHING AND MUSIC AND STUFF. 1136 00:35:25,790 --> 00:35:27,068 LIGHTS FLASHING AND MUSIC AND STUFF. AND EVERYONE'S WAITING TO SEE 1137 00:35:27,092 --> 00:35:28,403 STUFF. AND EVERYONE'S WAITING TO SEE THE ALIENS, OF COURSE, BUT NOW 1138 00:35:28,427 --> 00:35:29,804 AND EVERYONE'S WAITING TO SEE THE ALIENS, OF COURSE, BUT NOW FROM THE TIME REVIEW, WE ALREADY 1139 00:35:29,828 --> 00:35:31,206 THE ALIENS, OF COURSE, BUT NOW FROM THE TIME REVIEW, WE ALREADY KNOW THEY HAVE SMALL ARMS, LARGE 1140 00:35:31,230 --> 00:35:32,240 FROM THE TIME REVIEW, WE ALREADY KNOW THEY HAVE SMALL ARMS, LARGE HEADS, AND TINY EARS. 1141 00:35:32,264 --> 00:35:33,007 KNOW THEY HAVE SMALL ARMS, LARGE HEADS, AND TINY EARS. SO, WHY SEE IT? 1142 00:35:33,031 --> 00:35:34,375 HEADS, AND TINY EARS. SO, WHY SEE IT? THERE'S THE WHOLE MOVIE RIGHT 1143 00:35:34,399 --> 00:35:34,809 SO, WHY SEE IT? THERE'S THE WHOLE MOVIE RIGHT THERE. 1144 00:35:34,833 --> 00:35:36,144 THERE'S THE WHOLE MOVIE RIGHT THERE. COLUMBIA PICTURES' STOCK WENT 1145 00:35:36,168 --> 00:35:37,579 THERE. COLUMBIA PICTURES' STOCK WENT WAY DOWN AFTER NEW YORK MAGAZINE 1146 00:35:37,603 --> 00:35:38,813 COLUMBIA PICTURES' STOCK WENT WAY DOWN AFTER NEW YORK MAGAZINE PANNED "CLOSE ENCOUNTERS." 1147 00:35:38,837 --> 00:35:40,181 WAY DOWN AFTER NEW YORK MAGAZINE PANNED "CLOSE ENCOUNTERS." AND THEN THEY HAD A SUCCESSFUL 1148 00:35:40,205 --> 00:35:41,583 PANNED "CLOSE ENCOUNTERS." AND THEN THEY HAD A SUCCESSFUL SCREENING HERE IN NEW YORK AND 1149 00:35:41,607 --> 00:35:42,850 AND THEN THEY HAD A SUCCESSFUL SCREENING HERE IN NEW YORK AND THE STOCK WENT WAY BACK UP. 1150 00:35:42,874 --> 00:35:44,219 SCREENING HERE IN NEW YORK AND THE STOCK WENT WAY BACK UP. AFTER THIS TIME REVIEW, WHAT'S 1151 00:35:44,243 --> 00:35:45,453 THE STOCK WENT WAY BACK UP. AFTER THIS TIME REVIEW, WHAT'S GONNA HAPPEN TO THE STOCK? 1152 00:35:45,477 --> 00:35:46,821 AFTER THIS TIME REVIEW, WHAT'S GONNA HAPPEN TO THE STOCK? THEY TOLD YOU EVERYTHING ABOUT 1153 00:35:46,845 --> 00:35:47,788 GONNA HAPPEN TO THE STOCK? THEY TOLD YOU EVERYTHING ABOUT "CLOSE ENCOUNTERS." 1154 00:35:47,812 --> 00:35:49,224 THEY TOLD YOU EVERYTHING ABOUT "CLOSE ENCOUNTERS." THEY MAY AS WELL HAVE TOLD YOU 1155 00:35:49,248 --> 00:35:50,592 "CLOSE ENCOUNTERS." THEY MAY AS WELL HAVE TOLD YOU THAT DREYFUSS GOES ABOARD THE 1156 00:35:50,616 --> 00:35:52,093 THEY MAY AS WELL HAVE TOLD YOU THAT DREYFUSS GOES ABOARD THE SHIP WITH THEM AT THE END, WHICH 1157 00:35:52,117 --> 00:35:53,328 THAT DREYFUSS GOES ABOARD THE SHIP WITH THEM AT THE END, WHICH HE DOES, WHICH I PROBABLY 1158 00:35:53,352 --> 00:35:55,029 SHIP WITH THEM AT THE END, WHICH HE DOES, WHICH I PROBABLY SHOULDN'T HAVE TOLD YOU. 1159 00:35:55,053 --> 00:35:56,197 HE DOES, WHICH I PROBABLY SHOULDN'T HAVE TOLD YOU. WHOA, EXCUSE ME. 1160 00:35:56,221 --> 00:35:58,233 SHOULDN'T HAVE TOLD YOU. WHOA, EXCUSE ME. WONDER WHAT THAT'S GONNA DO TO 1161 00:35:58,257 --> 00:35:59,100 WHOA, EXCUSE ME. WONDER WHAT THAT'S GONNA DO TO THE STOCK. 1162 00:35:59,124 --> 00:35:59,634 WONDER WHAT THAT'S GONNA DO TO THE STOCK. GEE. 1163 00:35:59,658 --> 00:36:00,301 THE STOCK. GEE. WOWEE. 1164 00:36:00,325 --> 00:36:01,836 GEE. WOWEE. WELL, WHERE IS THIS, 1165 00:36:01,860 --> 00:36:03,471 WOWEE. WELL, WHERE IS THIS, HOLLYWOOD BOULEVARD OR 1166 00:36:03,495 --> 00:36:05,006 WELL, WHERE IS THIS, HOLLYWOOD BOULEVARD OR WALL STREET, ANYWAY? 1167 00:36:05,030 --> 00:36:05,906 HOLLYWOOD BOULEVARD OR WALL STREET, ANYWAY? WELL, GEE. 1168 00:36:05,930 --> 00:36:07,875 WALL STREET, ANYWAY? WELL, GEE. THAT'S THE REVIEW, I GUESS. 1169 00:36:07,899 --> 00:36:08,776 WELL, GEE. THAT'S THE REVIEW, I GUESS. I'M SORRY. 1170 00:36:08,800 --> 00:36:10,111 THAT'S THE REVIEW, I GUESS. I'M SORRY. GO SEE THE MOVIE. 1171 00:36:10,135 --> 00:36:11,379 I'M SORRY. GO SEE THE MOVIE. IT'S PROBABLY TERRIFIC. 1172 00:36:11,403 --> 00:36:12,547 GO SEE THE MOVIE. IT'S PROBABLY TERRIFIC. NOW, GET OUT OF HERE. 1173 00:36:12,571 --> 00:36:13,281 IT'S PROBABLY TERRIFIC. NOW, GET OUT OF HERE. I MEAN IT. 1174 00:36:13,305 --> 00:36:14,815 NOW, GET OUT OF HERE. I MEAN IT. I'M SORRY, JANE. BIG MISTAKE. 1175 00:36:14,839 --> 00:36:15,617 I MEAN IT. I'M SORRY, JANE. BIG MISTAKE. [LAUGHS] 1176 00:36:15,641 --> 00:36:16,083 I'M SORRY, JANE. BIG MISTAKE. [LAUGHS] DAN. 1177 00:36:16,107 --> 00:36:17,519 [LAUGHS] DAN. THANKS A LOT, BILL. 1178 00:36:17,543 --> 00:36:19,354 DAN. THANKS A LOT, BILL. WELL, ANIMALS ARE IN THE NEWS 1179 00:36:19,378 --> 00:36:20,455 THANKS A LOT, BILL. WELL, ANIMALS ARE IN THE NEWS AGAIN THIS WEEK. 1180 00:36:20,479 --> 00:36:22,323 WELL, ANIMALS ARE IN THE NEWS AGAIN THIS WEEK. BURT REYNOLDS, TO PUBLICIZE AN 1181 00:36:22,347 --> 00:36:23,824 AGAIN THIS WEEK. BURT REYNOLDS, TO PUBLICIZE AN UPCOMING MOVIE IN HOLLYWOOD, 1182 00:36:23,848 --> 00:36:25,493 BURT REYNOLDS, TO PUBLICIZE AN UPCOMING MOVIE IN HOLLYWOOD, RIPPED THE LEG OFF A DOG TO THE 1183 00:36:25,517 --> 00:36:27,094 UPCOMING MOVIE IN HOLLYWOOD, RIPPED THE LEG OFF A DOG TO THE DELIGHT OF SURROUNDING CROWDS. 1184 00:36:27,118 --> 00:36:28,796 RIPPED THE LEG OFF A DOG TO THE DELIGHT OF SURROUNDING CROWDS. AND IN A RELATED STORY, WILDLIFE 1185 00:36:28,820 --> 00:36:30,165 DELIGHT OF SURROUNDING CROWDS. AND IN A RELATED STORY, WILDLIFE OFFICIALS IN LITTLE ROCK, 1186 00:36:30,189 --> 00:36:31,466 AND IN A RELATED STORY, WILDLIFE OFFICIALS IN LITTLE ROCK, ARKANSAS, THIS WEEK ARE 1187 00:36:31,490 --> 00:36:33,100 OFFICIALS IN LITTLE ROCK, ARKANSAS, THIS WEEK ARE SEARCHING FOR A MAN WHO PUNCHED 1188 00:36:33,124 --> 00:36:34,435 ARKANSAS, THIS WEEK ARE SEARCHING FOR A MAN WHO PUNCHED AN AMERICAN EAGLE IN THE 1189 00:36:34,459 --> 00:36:35,102 SEARCHING FOR A MAN WHO PUNCHED AN AMERICAN EAGLE IN THE STOMACH. 1190 00:36:35,126 --> 00:36:37,071 AN AMERICAN EAGLE IN THE STOMACH. WE HAVE A LATE-BREAKING BULLETIN 1191 00:36:37,095 --> 00:36:38,873 STOMACH. WE HAVE A LATE-BREAKING BULLETIN FROM THE NBC DANCING "N"... AN 1192 00:36:38,897 --> 00:36:40,408 WE HAVE A LATE-BREAKING BULLETIN FROM THE NBC DANCING "N"... AN IMPORTANT BULLETIN HERE. 1193 00:36:40,432 --> 00:36:41,509 FROM THE NBC DANCING "N"... AN IMPORTANT BULLETIN HERE. BACK IT UP, "N." 1194 00:36:41,533 --> 00:36:42,977 IMPORTANT BULLETIN HERE. BACK IT UP, "N." BACK IT UP. BACK IT UP. 1195 00:36:43,001 --> 00:36:45,112 BACK IT UP, "N." BACK IT UP. BACK IT UP. OKAY. THANK YOU. 1196 00:36:45,136 --> 00:36:47,848 BACK IT UP. BACK IT UP. OKAY. THANK YOU. THE NBC DANCING "N." 1197 00:36:47,872 --> 00:36:48,983 OKAY. THANK YOU. THE NBC DANCING "N." THIS LATE-BREAKING STORY... 1198 00:36:49,007 --> 00:36:50,084 THE NBC DANCING "N." THIS LATE-BREAKING STORY... "TO HELL WITH THE BULLETIN. 1199 00:36:50,108 --> 00:36:51,586 THIS LATE-BREAKING STORY... "TO HELL WITH THE BULLETIN. WILL YOU DANCE WITH ME?" 1200 00:36:51,610 --> 00:36:53,288 "TO HELL WITH THE BULLETIN. WILL YOU DANCE WITH ME?" I HAVEN'T GONE DANCING IN 1201 00:36:53,312 --> 00:36:53,921 WILL YOU DANCE WITH ME?" I HAVEN'T GONE DANCING IN MONTHS. 1202 00:36:53,945 --> 00:36:55,657 I HAVEN'T GONE DANCING IN MONTHS. WELL, JANE, WE'RE NEWSMEN. 1203 00:36:55,681 --> 00:36:56,857 MONTHS. WELL, JANE, WE'RE NEWSMEN. WE'RE JOURNALISTS. 1204 00:36:56,881 --> 00:36:58,293 WELL, JANE, WE'RE NEWSMEN. WE'RE JOURNALISTS. WE'RE NOT ENTERTAINERS. 1205 00:36:58,317 --> 00:37:00,061 WE'RE JOURNALISTS. WE'RE NOT ENTERTAINERS. OH, COME ON, YOU OLD FOGY. 1206 00:37:00,085 --> 00:37:01,462 WE'RE NOT ENTERTAINERS. OH, COME ON, YOU OLD FOGY. WHAT ABOUT OUR CREDIBILITY? 1207 00:37:01,486 --> 00:37:02,730 OH, COME ON, YOU OLD FOGY. WHAT ABOUT OUR CREDIBILITY? WHAT ABOUT OUR RATINGS? 1208 00:37:02,754 --> 00:37:04,131 WHAT ABOUT OUR CREDIBILITY? WHAT ABOUT OUR RATINGS? PEOPLE WANT TO BE ENTERTAINED. 1209 00:37:04,155 --> 00:37:05,200 WHAT ABOUT OUR RATINGS? PEOPLE WANT TO BE ENTERTAINED. WELL, THAT'S TRUE. 1210 00:37:05,224 --> 00:37:06,634 PEOPLE WANT TO BE ENTERTAINED. WELL, THAT'S TRUE. IF PEOPLE DON'T WATCH US, WE'RE 1211 00:37:06,658 --> 00:37:07,335 WELL, THAT'S TRUE. IF PEOPLE DON'T WATCH US, WE'RE OUT OF WORK. 1212 00:37:07,359 --> 00:37:08,303 IF PEOPLE DON'T WATCH US, WE'RE OUT OF WORK. WHAT DO YOU SAY? 1213 00:37:08,327 --> 00:37:09,437 OUT OF WORK. WHAT DO YOU SAY? OKAY, LET'S DANCE. 1214 00:37:09,461 --> 00:37:10,905 WHAT DO YOU SAY? OKAY, LET'S DANCE. GOOD NIGHT AND HAVE A 1215 00:37:10,929 --> 00:37:12,507 OKAY, LET'S DANCE. GOOD NIGHT AND HAVE A PLEASANT TOMORROW. 1216 00:37:12,531 --> 00:37:15,051 GOOD NIGHT AND HAVE A PLEASANT TOMORROW. [RAGTIME MUSIC PLAYS] 1217 00:37:28,011 --> 00:37:32,093 Announcer: WEEKEND UPDATE IS A PRESENTATION OF "SATURDAY NIGHT" NEWS, KEEPING 1218 00:37:32,117 --> 00:37:33,794 A PRESENTATION OF "SATURDAY NIGHT" NEWS, KEEPING AMERICA INFORMED FOR OVER A 50th 1219 00:37:33,818 --> 00:37:36,818 "SATURDAY NIGHT" NEWS, KEEPING AMERICA INFORMED FOR OVER A 50th OF A CENTURY. 1220 00:37:37,521 --> 00:37:44,805 SINCE ABOUT 1960, I'VE BEEN WORKING WITH A BIG BAND. BUT BEFORE THAT, IN THE '50s, I 1221 00:37:44,829 --> 00:37:46,073 WORKING WITH A BIG BAND. BUT BEFORE THAT, IN THE '50s, I HAD A SMALL GROUP. 1222 00:37:46,097 --> 00:37:48,109 BUT BEFORE THAT, IN THE '50s, I HAD A SMALL GROUP. IT WAS JUST EIGHT OF US, BUT WE 1223 00:37:48,133 --> 00:37:49,977 HAD A SMALL GROUP. IT WAS JUST EIGHT OF US, BUT WE MUST HAVE PLAYED EVERY LITTLE 1224 00:37:50,001 --> 00:37:51,946 IT WAS JUST EIGHT OF US, BUT WE MUST HAVE PLAYED EVERY LITTLE SMALL DANCE HALL AND NIGHTCLUB 1225 00:37:51,970 --> 00:37:53,814 MUST HAVE PLAYED EVERY LITTLE SMALL DANCE HALL AND NIGHTCLUB FROM GEORGIA TO CALIFORNIA. 1226 00:37:53,838 --> 00:37:55,916 SMALL DANCE HALL AND NIGHTCLUB FROM GEORGIA TO CALIFORNIA. SO, I HAVE THIS... I GUESS IT'S 1227 00:37:55,940 --> 00:37:57,952 FROM GEORGIA TO CALIFORNIA. SO, I HAVE THIS... I GUESS IT'S BEEN ABOUT 18 YEARS SINCE I'VE 1228 00:37:57,976 --> 00:37:59,587 SO, I HAVE THIS... I GUESS IT'S BEEN ABOUT 18 YEARS SINCE I'VE SEEN THESE GUYS, SO I THOUGHT 1229 00:37:59,611 --> 00:38:01,188 BEEN ABOUT 18 YEARS SINCE I'VE SEEN THESE GUYS, SO I THOUGHT TONIGHT WOULD BE A MARVELOUS 1230 00:38:01,212 --> 00:38:02,724 SEEN THESE GUYS, SO I THOUGHT TONIGHT WOULD BE A MARVELOUS TIME TO BRING THEM ALL BACK 1231 00:38:02,748 --> 00:38:04,459 TONIGHT WOULD BE A MARVELOUS TIME TO BRING THEM ALL BACK TOGETHER WITH ME, YOU KNOW, FOR 1232 00:38:04,483 --> 00:38:05,627 TIME TO BRING THEM ALL BACK TOGETHER WITH ME, YOU KNOW, FOR A LITTLE NOSTALGIA. 1233 00:38:05,651 --> 00:38:07,262 TOGETHER WITH ME, YOU KNOW, FOR A LITTLE NOSTALGIA. AND BESIDES THAT, THEY OWE ME 1234 00:38:07,286 --> 00:38:08,363 A LITTLE NOSTALGIA. AND BESIDES THAT, THEY OWE ME SOME BREAD. 1235 00:38:08,387 --> 00:38:10,931 AND BESIDES THAT, THEY OWE ME SOME BREAD. SO, LADIES AND GENTLEMEN, LET ME 1236 00:38:10,955 --> 00:38:12,800 SOME BREAD. SO, LADIES AND GENTLEMEN, LET ME FIRST INTRODUCE TO YOU 1237 00:38:12,824 --> 00:38:14,535 SO, LADIES AND GENTLEMEN, LET ME FIRST INTRODUCE TO YOU MR. PHILIP GUILBEAU. 1238 00:38:14,559 --> 00:38:18,706 FIRST INTRODUCE TO YOU MR. PHILIP GUILBEAU. [APPLAUSE] 1239 00:38:18,730 --> 00:38:21,609 MR. PHILIP GUILBEAU. [APPLAUSE] MR. MARCUS BELGRAVE. 1240 00:38:21,633 --> 00:38:24,178 [APPLAUSE] MR. MARCUS BELGRAVE. [APPLAUSE] 1241 00:38:24,202 --> 00:38:26,681 MR. MARCUS BELGRAVE. [APPLAUSE] MR. HANK CRAWFORD. 1242 00:38:26,705 --> 00:38:29,250 [APPLAUSE] MR. HANK CRAWFORD. [APPLAUSE] 1243 00:38:29,274 --> 00:38:30,851 MR. HANK CRAWFORD. [APPLAUSE] AND I BELIEVE THAT IS OLD 1244 00:38:30,875 --> 00:38:32,453 [APPLAUSE] AND I BELIEVE THAT IS OLD DAVID "FATHEAD" NEWMAN. 1245 00:38:32,477 --> 00:38:35,222 AND I BELIEVE THAT IS OLD DAVID "FATHEAD" NEWMAN. [APPLAUSE] 1246 00:38:35,246 --> 00:38:36,857 DAVID "FATHEAD" NEWMAN. [APPLAUSE] AND I THINK ALL Y'ALL KNOW THE 1247 00:38:36,881 --> 00:38:39,260 [APPLAUSE] AND I THINK ALL Y'ALL KNOW THE HOG HIMSELF, MR. LEROY COOPER. 1248 00:38:39,284 --> 00:38:43,030 AND I THINK ALL Y'ALL KNOW THE HOG HIMSELF, MR. LEROY COOPER. [APPLAUSE] 1249 00:38:43,054 --> 00:38:44,565 HOG HIMSELF, MR. LEROY COOPER. [APPLAUSE] THANK YOU, LADIES AND GENTLEMEN. 1250 00:38:44,589 --> 00:38:45,866 [APPLAUSE] THANK YOU, LADIES AND GENTLEMEN. NOW WE'RE GONNA FIND OUT IF 1251 00:38:45,890 --> 00:38:47,302 THANK YOU, LADIES AND GENTLEMEN. NOW WE'RE GONNA FIND OUT IF THESE OLD FOGIES CAN STILL CUT 1252 00:38:47,326 --> 00:38:48,002 NOW WE'RE GONNA FIND OUT IF THESE OLD FOGIES CAN STILL CUT THE MUSTARD. 1253 00:38:48,026 --> 00:38:49,270 THESE OLD FOGIES CAN STILL CUT THE MUSTARD. [INTRO TO "I GOT A WOMAN" 1254 00:38:49,294 --> 00:38:50,271 THE MUSTARD. [INTRO TO "I GOT A WOMAN" PLAYS] 1255 00:38:50,295 --> 00:38:53,274 [INTRO TO "I GOT A WOMAN" PLAYS] ♪ WELL ♪ 1256 00:38:53,298 --> 00:38:57,345 [PLAYS] ♪ WELL ♪ ♪ I GOT A WOMAN WAY OVER TOWN ♪ 1257 00:38:57,369 --> 00:38:59,647 ♪ WELL ♪ ♪ I GOT A WOMAN WAY OVER TOWN ♪ ♪ THAT'S GOOD TO ME ♪ 1258 00:38:59,671 --> 00:39:01,482 ♪ I GOT A WOMAN WAY OVER TOWN ♪ ♪ THAT'S GOOD TO ME ♪ ♪ OH, YEAH ♪ 1259 00:39:01,506 --> 00:39:05,720 ♪ THAT'S GOOD TO ME ♪ ♪ OH, YEAH ♪ ♪ I GOT A WOMAN WAY OVER TOWN ♪ 1260 00:39:05,744 --> 00:39:08,022 ♪ OH, YEAH ♪ ♪ I GOT A WOMAN WAY OVER TOWN ♪ ♪ THAT'S GOOD TO ME ♪ 1261 00:39:08,046 --> 00:39:09,890 ♪ I GOT A WOMAN WAY OVER TOWN ♪ ♪ THAT'S GOOD TO ME ♪ ♪ OH, YEAH ♪ 1262 00:39:09,914 --> 00:39:12,694 ♪ THAT'S GOOD TO ME ♪ ♪ OH, YEAH ♪ ♪ SHE GIVE ME MONEY WHEN I'M IN 1263 00:39:12,718 --> 00:39:14,094 ♪ OH, YEAH ♪ ♪ SHE GIVE ME MONEY WHEN I'M IN NEED ♪ 1264 00:39:14,118 --> 00:39:16,664 ♪ SHE GIVE ME MONEY WHEN I'M IN NEED ♪ ♪ YEAH, SHE'S A KIND OF FRIEND 1265 00:39:16,688 --> 00:39:18,433 NEED ♪ ♪ YEAH, SHE'S A KIND OF FRIEND INDEED ♪ 1266 00:39:18,457 --> 00:39:22,470 ♪ YEAH, SHE'S A KIND OF FRIEND INDEED ♪ ♪ I GOT A WOMAN WAY OVER TOWN ♪ 1267 00:39:22,494 --> 00:39:24,706 INDEED ♪ ♪ I GOT A WOMAN WAY OVER TOWN ♪ ♪ THAT'S GOOD TO ME ♪ 1268 00:39:24,730 --> 00:39:25,807 ♪ I GOT A WOMAN WAY OVER TOWN ♪ ♪ THAT'S GOOD TO ME ♪ ♪ OH, YEAH ♪ 1269 00:39:25,831 --> 00:39:27,842 ♪ THAT'S GOOD TO ME ♪ ♪ OH, YEAH ♪ [INTRO TO "I BELIEVE TO MY 1270 00:39:27,866 --> 00:39:29,009 ♪ OH, YEAH ♪ [INTRO TO "I BELIEVE TO MY SOUL" PLAYS] 1271 00:39:29,033 --> 00:39:31,479 [INTRO TO "I BELIEVE TO MY SOUL" PLAYS] ♪ ONE OF THESE DAYS ♪ 1272 00:39:31,503 --> 00:39:36,016 [SOUL" PLAYS] ♪ ONE OF THESE DAYS ♪ ♪ AND IT WON'T BE LONG ♪ 1273 00:39:36,040 --> 00:39:38,986 ♪ ONE OF THESE DAYS ♪ ♪ AND IT WON'T BE LONG ♪ ♪ YOU GONNA LOOK FOR ME ♪ 1274 00:39:39,010 --> 00:39:41,522 ♪ AND IT WON'T BE LONG ♪ ♪ YOU GONNA LOOK FOR ME ♪ ♪ AND I'LL BE GONE ♪ 1275 00:39:41,546 --> 00:39:43,391 ♪ YOU GONNA LOOK FOR ME ♪ ♪ AND I'LL BE GONE ♪ ♪ NOW, YOU KNOW I BELIEVE, 1276 00:39:43,415 --> 00:39:44,058 ♪ AND I'LL BE GONE ♪ ♪ NOW, YOU KNOW I BELIEVE, BABY ♪ 1277 00:39:44,082 --> 00:39:45,426 ♪ NOW, YOU KNOW I BELIEVE, BABY ♪ ♪ I BELIEVE ♪ 1278 00:39:45,450 --> 00:39:46,494 BABY ♪ ♪ I BELIEVE ♪ ♪ YEAH ♪ 1279 00:39:46,518 --> 00:39:48,929 ♪ I BELIEVE ♪ ♪ YEAH ♪ ♪ YES, I BELIEVE ♪ 1280 00:39:48,953 --> 00:39:51,065 ♪ YEAH ♪ ♪ YES, I BELIEVE ♪ ♪ WHOA, I BELIEVE, BABY ♪ 1281 00:39:51,089 --> 00:39:53,534 ♪ YES, I BELIEVE ♪ ♪ WHOA, I BELIEVE, BABY ♪ ♪ I BELIEVE ♪ 1282 00:39:53,558 --> 00:39:55,603 ♪ WHOA, I BELIEVE, BABY ♪ ♪ I BELIEVE ♪ ♪ YES, I BELIEVE ♪ 1283 00:39:55,627 --> 00:39:57,472 ♪ I BELIEVE ♪ ♪ YES, I BELIEVE ♪ ♪ I TELL YOU ♪ 1284 00:39:57,496 --> 00:40:01,075 ♪ YES, I BELIEVE ♪ ♪ I TELL YOU ♪ ♪ I BELIEVE TO MY SOUL, BABY ♪ 1285 00:40:01,099 --> 00:40:03,077 ♪ I TELL YOU ♪ ♪ I BELIEVE TO MY SOUL, BABY ♪ ♪ OH, YOU'RE TRYIN' TO MAKE A 1286 00:40:03,101 --> 00:40:04,945 ♪ I BELIEVE TO MY SOUL, BABY ♪ ♪ OH, YOU'RE TRYIN' TO MAKE A FOOL OF ME ♪ 1287 00:40:04,969 --> 00:40:06,748 ♪ OH, YOU'RE TRYIN' TO MAKE A FOOL OF ME ♪ ♪ I BELIEVE IT ♪ 1288 00:40:06,772 --> 00:40:07,915 FOOL OF ME ♪ ♪ I BELIEVE IT ♪ ♪ AHH ♪ 1289 00:40:07,939 --> 00:40:09,950 ♪ I BELIEVE IT ♪ ♪ AHH ♪ ♪ I BELIEVE IT ♪ 1290 00:40:09,974 --> 00:40:13,053 ♪ AHH ♪ ♪ I BELIEVE IT ♪ ♪ LAST NIGHT YOU WERE 1291 00:40:13,077 --> 00:40:14,422 ♪ I BELIEVE IT ♪ ♪ LAST NIGHT YOU WERE DREAMIN' ♪ 1292 00:40:14,446 --> 00:40:20,060 ♪ LAST NIGHT YOU WERE DREAMIN' ♪ ♪ AND I HEARD YOU SAY ♪ 1293 00:40:20,084 --> 00:40:21,962 DREAMIN' ♪ ♪ AND I HEARD YOU SAY ♪ OH, JOHNNY. 1294 00:40:21,986 --> 00:40:24,532 ♪ AND I HEARD YOU SAY ♪ OH, JOHNNY. ♪ WHEN YOU KNOW MY NAME IS 1295 00:40:24,556 --> 00:40:25,099 OH, JOHNNY. ♪ WHEN YOU KNOW MY NAME IS RAY ♪ 1296 00:40:25,123 --> 00:40:27,167 ♪ WHEN YOU KNOW MY NAME IS RAY ♪ ♪ THAT'S WHY I BELIEVE, WOMAN ♪ 1297 00:40:27,191 --> 00:40:28,469 RAY ♪ ♪ THAT'S WHY I BELIEVE, WOMAN ♪ ♪ I BELIEVE ♪ 1298 00:40:28,493 --> 00:40:29,771 ♪ THAT'S WHY I BELIEVE, WOMAN ♪ ♪ I BELIEVE ♪ ♪ YEAH ♪ 1299 00:40:29,795 --> 00:40:31,906 ♪ I BELIEVE ♪ ♪ YEAH ♪ ♪ YES I BELIEVE ♪ 1300 00:40:31,930 --> 00:40:33,608 ♪ YEAH ♪ ♪ YES I BELIEVE ♪ ♪ I TELL YOU I BELIEVE, 1301 00:40:33,632 --> 00:40:34,341 ♪ YES I BELIEVE ♪ ♪ I TELL YOU I BELIEVE, BELIEVE ♪ 1302 00:40:34,365 --> 00:40:35,743 ♪ I TELL YOU I BELIEVE, BELIEVE ♪ ♪ I BELIEVE ♪ 1303 00:40:35,767 --> 00:40:36,977 BELIEVE ♪ ♪ I BELIEVE ♪ ♪ YEAH, I DO, BABY ♪ 1304 00:40:37,001 --> 00:40:38,946 ♪ I BELIEVE ♪ ♪ YEAH, I DO, BABY ♪ ♪ YES, I BELIEVE ♪ 1305 00:40:38,970 --> 00:40:40,281 ♪ YEAH, I DO, BABY ♪ ♪ YES, I BELIEVE ♪ ♪ WHOA ♪ 1306 00:40:40,305 --> 00:40:41,382 ♪ YES, I BELIEVE ♪ ♪ WHOA ♪ ♪ WHOA ♪ 1307 00:40:41,406 --> 00:40:43,150 ♪ WHOA ♪ ♪ WHOA ♪ ♪ I BELIEVE TO MY SOUL, 1308 00:40:43,174 --> 00:40:44,485 ♪ WHOA ♪ ♪ I BELIEVE TO MY SOUL, YEAH ♪ 1309 00:40:44,509 --> 00:40:46,454 ♪ I BELIEVE TO MY SOUL, YEAH ♪ ♪ WELL, YOU'RE TRYIN' TO MAKE A 1310 00:40:46,478 --> 00:40:48,155 YEAH ♪ ♪ WELL, YOU'RE TRYIN' TO MAKE A FOOL OF ME ♪ 1311 00:40:48,179 --> 00:40:55,530 ♪ WELL, YOU'RE TRYIN' TO MAKE A FOOL OF ME ♪ ♪ I BELIEVE IT ♪ 1312 00:40:55,554 --> 00:40:57,097 FOOL OF ME ♪ ♪ I BELIEVE IT ♪ ONE, TWO. 1313 00:40:57,121 --> 00:40:59,099 ♪ I BELIEVE IT ♪ ONE, TWO. [INTRO TO "THEM THAT GOT" 1314 00:40:59,123 --> 00:41:01,101 ONE, TWO. [INTRO TO "THEM THAT GOT" PLAYS] 1315 00:41:01,125 --> 00:41:03,059 [INTRO TO "THEM THAT GOT" PLAYS] ALL RIGHT. 1316 00:41:15,272 --> 00:41:22,990 ♪ I'VE GOTTEN DOWN TO MY LAST PAIR OF SHOES ♪ ♪ CAN'T EVEN WIN A NICKEL BET ♪ 1317 00:41:23,014 --> 00:41:24,659 PAIR OF SHOES ♪ ♪ CAN'T EVEN WIN A NICKEL BET ♪ ♪ BECAUSE, AH, THEM THAT'S GOT 1318 00:41:24,683 --> 00:41:27,795 ♪ CAN'T EVEN WIN A NICKEL BET ♪ ♪ BECAUSE, AH, THEM THAT'S GOT ARE THEM THAT GETS ♪ 1319 00:41:27,819 --> 00:41:31,833 ♪ BECAUSE, AH, THEM THAT'S GOT ARE THEM THAT GETS ♪ ♪ AND I AIN'T GOT NOTHIN' YET ♪ 1320 00:41:31,857 --> 00:41:33,534 ARE THEM THAT GETS ♪ ♪ AND I AIN'T GOT NOTHIN' YET ♪ ♪ THAT OLD SAYIN' "THEM THAT'S 1321 00:41:33,558 --> 00:41:36,203 ♪ AND I AIN'T GOT NOTHIN' YET ♪ ♪ THAT OLD SAYIN' "THEM THAT'S GOT ARE THEM THAT GETS" ♪ 1322 00:41:36,227 --> 00:41:40,407 ♪ THAT OLD SAYIN' "THEM THAT'S GOT ARE THEM THAT GETS" ♪ ♪ IS SOMETHIN' I CAN'T SEE ♪ 1323 00:41:40,431 --> 00:41:42,409 GOT ARE THEM THAT GETS" ♪ ♪ IS SOMETHIN' I CAN'T SEE ♪ ♪ IF YOU GOTTA HAVE SOMETHIN' 1324 00:41:42,433 --> 00:41:44,178 ♪ IS SOMETHIN' I CAN'T SEE ♪ ♪ IF YOU GOTTA HAVE SOMETHIN' BEFORE YOU GET SOMETHIN' ♪ 1325 00:41:44,202 --> 00:41:45,646 ♪ IF YOU GOTTA HAVE SOMETHIN' BEFORE YOU GET SOMETHIN' ♪ ♪ HOW YOU GET THE FIRST IS STILL 1326 00:41:45,670 --> 00:41:48,549 BEFORE YOU GET SOMETHIN' ♪ ♪ HOW YOU GET THE FIRST IS STILL A MYSTERY TO ME ♪ 1327 00:41:48,573 --> 00:41:50,685 ♪ HOW YOU GET THE FIRST IS STILL A MYSTERY TO ME ♪ ♪ I SEE FOLKS WITH LONG CARS AND 1328 00:41:50,709 --> 00:41:52,787 A MYSTERY TO ME ♪ ♪ I SEE FOLKS WITH LONG CARS AND FINE CLOTHES ♪ 1329 00:41:52,811 --> 00:41:54,321 ♪ I SEE FOLKS WITH LONG CARS AND FINE CLOTHES ♪ ♪ THAT'S WHY THEY'RE CALLED THE 1330 00:41:54,345 --> 00:41:56,390 FINE CLOTHES ♪ ♪ THAT'S WHY THEY'RE CALLED THE SMARTER SET ♪ 1331 00:41:56,414 --> 00:41:58,459 ♪ THAT'S WHY THEY'RE CALLED THE SMARTER SET ♪ ♪ BECAUSE THEY MANAGE TO GET ♪ 1332 00:41:58,483 --> 00:41:59,694 SMARTER SET ♪ ♪ BECAUSE THEY MANAGE TO GET ♪ ♪ WHEN ONLY THEM THAT'S GOT 1333 00:41:59,718 --> 00:42:01,328 ♪ BECAUSE THEY MANAGE TO GET ♪ ♪ WHEN ONLY THEM THAT'S GOT SUPPOSED TO GET ♪ 1334 00:42:01,352 --> 00:42:03,397 ♪ WHEN ONLY THEM THAT'S GOT SUPPOSED TO GET ♪ ♪ AND I AIN'T GOT NOTHIN' YET ♪ 1335 00:42:03,421 --> 00:42:05,399 SUPPOSED TO GET ♪ ♪ AND I AIN'T GOT NOTHIN' YET ♪ [INTRO TO "HIT THE ROAD JACK" 1336 00:42:05,423 --> 00:42:07,001 ♪ AND I AIN'T GOT NOTHIN' YET ♪ [INTRO TO "HIT THE ROAD JACK" PLAYS] 1337 00:42:07,025 --> 00:42:08,836 [INTRO TO "HIT THE ROAD JACK" PLAYS] YOU KNOW, I GOT TO TELL YOU. 1338 00:42:08,860 --> 00:42:10,905 [PLAYS] YOU KNOW, I GOT TO TELL YOU. WHEN I GOT HOME THE OTHER DAY, I 1339 00:42:10,929 --> 00:42:12,239 YOU KNOW, I GOT TO TELL YOU. WHEN I GOT HOME THE OTHER DAY, I DIDN'T FIND A NOTE. 1340 00:42:12,263 --> 00:42:14,041 WHEN I GOT HOME THE OTHER DAY, I DIDN'T FIND A NOTE. BUT WHAT I FOUND WAS ONE OF 1341 00:42:14,065 --> 00:42:15,943 DIDN'T FIND A NOTE. BUT WHAT I FOUND WAS ONE OF THOSE LITTLE CASSETTES WITH MY 1342 00:42:15,967 --> 00:42:17,177 BUT WHAT I FOUND WAS ONE OF THOSE LITTLE CASSETTES WITH MY OLD LADY'S VOICE ON IT. 1343 00:42:17,201 --> 00:42:18,445 THOSE LITTLE CASSETTES WITH MY OLD LADY'S VOICE ON IT. I GOT TO TELL THE TRUTH. 1344 00:42:18,469 --> 00:42:19,881 OLD LADY'S VOICE ON IT. I GOT TO TELL THE TRUTH. I COULDN'T BELIEVE WHAT THE 1345 00:42:19,905 --> 00:42:21,148 I GOT TO TELL THE TRUTH. I COULDN'T BELIEVE WHAT THE WORDS WERE SAYING TO ME. 1346 00:42:21,172 --> 00:42:22,750 I COULDN'T BELIEVE WHAT THE WORDS WERE SAYING TO ME. THEY SAID... 1347 00:42:22,774 --> 00:42:24,251 WORDS WERE SAYING TO ME. THEY SAID... ♪ HIT THE ROAD, JACK ♪ 1348 00:42:24,275 --> 00:42:25,586 THEY SAID... ♪ HIT THE ROAD, JACK ♪ ♪ AND DON'T YOU COME BACK 1349 00:42:25,610 --> 00:42:27,454 ♪ HIT THE ROAD, JACK ♪ ♪ AND DON'T YOU COME BACK NO MORE, NO MORE, NO MORE, 1350 00:42:27,478 --> 00:42:28,155 ♪ AND DON'T YOU COME BACK NO MORE, NO MORE, NO MORE, NO MORE ♪ 1351 00:42:28,179 --> 00:42:29,390 NO MORE, NO MORE, NO MORE, NO MORE ♪ ♪ HIT THE ROAD, JACK ♪ 1352 00:42:29,414 --> 00:42:30,658 NO MORE ♪ ♪ HIT THE ROAD, JACK ♪ ♪ AND DON'T YOU COME BACK 1353 00:42:30,682 --> 00:42:33,093 ♪ HIT THE ROAD, JACK ♪ ♪ AND DON'T YOU COME BACK NO MORE ♪ 1354 00:42:33,117 --> 00:42:34,495 ♪ AND DON'T YOU COME BACK NO MORE ♪ ♪ OH, WOMAN, OH, WOMAN ♪ 1355 00:42:34,519 --> 00:42:35,730 NO MORE ♪ ♪ OH, WOMAN, OH, WOMAN ♪ ♪ DON'T TREAT ME SO MEAN ♪ 1356 00:42:35,754 --> 00:42:36,964 ♪ OH, WOMAN, OH, WOMAN ♪ ♪ DON'T TREAT ME SO MEAN ♪ ♪ YOU'RE THE MEANEST OLD WOMAN ♪ 1357 00:42:36,988 --> 00:42:38,232 ♪ DON'T TREAT ME SO MEAN ♪ ♪ YOU'RE THE MEANEST OLD WOMAN ♪ ♪ THAT I'VE EVER SEEN ♪ 1358 00:42:38,256 --> 00:42:40,234 ♪ YOU'RE THE MEANEST OLD WOMAN ♪ ♪ THAT I'VE EVER SEEN ♪ ♪ BUT I GUESS IF YOU SAY SO ♪ 1359 00:42:40,258 --> 00:42:41,736 ♪ THAT I'VE EVER SEEN ♪ ♪ BUT I GUESS IF YOU SAY SO ♪ ♪ I'M GONNA HAVE TO PACK MY 1360 00:42:41,760 --> 00:42:42,570 ♪ BUT I GUESS IF YOU SAY SO ♪ ♪ I'M GONNA HAVE TO PACK MY THINGS AND GO ♪ 1361 00:42:42,594 --> 00:42:43,303 ♪ I'M GONNA HAVE TO PACK MY THINGS AND GO ♪ ♪ THAT'S RIGHT ♪ 1362 00:42:43,327 --> 00:42:44,605 THINGS AND GO ♪ ♪ THAT'S RIGHT ♪ ♪ HIT THE ROAD, JACK ♪ 1363 00:42:44,629 --> 00:42:45,706 ♪ THAT'S RIGHT ♪ ♪ HIT THE ROAD, JACK ♪ ♪ AND DON'T YOU COME BACK 1364 00:42:45,730 --> 00:42:47,374 ♪ HIT THE ROAD, JACK ♪ ♪ AND DON'T YOU COME BACK NO MORE, NO MORE, NO MORE, 1365 00:42:47,398 --> 00:42:48,342 ♪ AND DON'T YOU COME BACK NO MORE, NO MORE, NO MORE, NO MORE ♪ 1366 00:42:48,366 --> 00:42:49,677 NO MORE, NO MORE, NO MORE, NO MORE ♪ ♪ HIT THE ROAD, JACK ♪ 1367 00:42:49,701 --> 00:42:50,845 NO MORE ♪ ♪ HIT THE ROAD, JACK ♪ ♪ AND DON'T YOU COME BACK 1368 00:42:50,869 --> 00:42:51,612 ♪ HIT THE ROAD, JACK ♪ ♪ AND DON'T YOU COME BACK NO MORE ♪ 1369 00:42:51,636 --> 00:42:52,379 ♪ AND DON'T YOU COME BACK NO MORE ♪ COME ON, BABY. 1370 00:42:52,403 --> 00:42:53,414 NO MORE ♪ COME ON, BABY. ♪ DON'T YOU COME BACK ♪ 1371 00:42:53,438 --> 00:42:54,582 COME ON, BABY. ♪ DON'T YOU COME BACK ♪ YOU DON'T MEAN THAT, DO YOU, 1372 00:42:54,606 --> 00:42:54,949 ♪ DON'T YOU COME BACK ♪ YOU DON'T MEAN THAT, DO YOU, HONEY? 1373 00:42:54,973 --> 00:42:55,783 YOU DON'T MEAN THAT, DO YOU, HONEY? ♪ DON'T YOU COME BACK ♪ 1374 00:42:55,807 --> 00:42:56,951 HONEY? ♪ DON'T YOU COME BACK ♪ I THOUGHT WE HAD A BETTER 1375 00:42:56,975 --> 00:42:57,585 ♪ DON'T YOU COME BACK ♪ I THOUGHT WE HAD A BETTER UNDERSTANDING. 1376 00:42:57,609 --> 00:42:58,819 I THOUGHT WE HAD A BETTER UNDERSTANDING. CAN'T WE TALK THIS THING OVER? 1377 00:42:58,843 --> 00:42:59,921 UNDERSTANDING. CAN'T WE TALK THIS THING OVER? ♪ DON'T YOU COME BACK ♪ 1378 00:42:59,945 --> 00:43:01,088 CAN'T WE TALK THIS THING OVER? ♪ DON'T YOU COME BACK ♪ I DON'T THINK YOU KNOW WHO 1379 00:43:01,112 --> 00:43:01,889 ♪ DON'T YOU COME BACK ♪ I DON'T THINK YOU KNOW WHO YOU'RE TALKING TO. 1380 00:43:01,913 --> 00:43:02,990 I DON'T THINK YOU KNOW WHO YOU'RE TALKING TO. ♪ DON'T YOU COME BACK ♪ 1381 00:43:03,014 --> 00:43:03,958 YOU'RE TALKING TO. ♪ DON'T YOU COME BACK ♪ DON'T KEEP SAYING THAT. 1382 00:43:03,982 --> 00:43:04,859 ♪ DON'T YOU COME BACK ♪ DON'T KEEP SAYING THAT. YOU'RE MAKING ME MAD. 1383 00:43:04,883 --> 00:43:05,960 DON'T KEEP SAYING THAT. YOU'RE MAKING ME MAD. ♪ DON'T YOU COME BACK ♪ 1384 00:43:05,984 --> 00:43:07,194 YOU'RE MAKING ME MAD. ♪ DON'T YOU COME BACK ♪ I DON'T HAVE TO TAKE THIS KIND 1385 00:43:07,218 --> 00:43:08,062 ♪ DON'T YOU COME BACK ♪ I DON'T HAVE TO TAKE THIS KIND OF TALK FROM NOBODY. 1386 00:43:08,086 --> 00:43:09,129 I DON'T HAVE TO TAKE THIS KIND OF TALK FROM NOBODY. ♪ DON'T YOU COME BACK ♪ 1387 00:43:09,153 --> 00:43:10,364 OF TALK FROM NOBODY. ♪ DON'T YOU COME BACK ♪ I DARE YOU TO SAY IT AGAIN. 1388 00:43:10,388 --> 00:43:11,766 ♪ DON'T YOU COME BACK ♪ I DARE YOU TO SAY IT AGAIN. ♪ DON'T YOU COME BACK ♪ 1389 00:43:11,790 --> 00:43:12,600 I DARE YOU TO SAY IT AGAIN. ♪ DON'T YOU COME BACK ♪ YOU JIVE. 1390 00:43:12,624 --> 00:43:13,734 ♪ DON'T YOU COME BACK ♪ YOU JIVE. ♪ DON'T YOU COME BACK 1391 00:43:13,758 --> 00:43:14,902 YOU JIVE. ♪ DON'T YOU COME BACK NO MORE ♪ 1392 00:43:14,926 --> 00:43:17,304 ♪ DON'T YOU COME BACK NO MORE ♪ ♪ YEAH ♪ 1393 00:43:17,328 --> 00:43:18,706 NO MORE ♪ ♪ YEAH ♪ ONE, TWO, THREE, FOUR! 1394 00:43:18,730 --> 00:43:21,050 ♪ YEAH ♪ ONE, TWO, THREE, FOUR! [UPBEAT JAZZ MUSIC PLAYS] 1395 00:44:04,374 --> 00:44:06,175 [TRUMPET SOLO] 1396 00:44:18,321 --> 00:44:20,123 [BARITONE SAXOPHONE SOLO] 1397 00:44:27,097 --> 00:44:28,898 [TRUMPET SOLO] 1398 00:44:40,711 --> 00:44:42,511 [ALTO SAXOPHONE SOLO] 1399 00:44:54,158 --> 00:44:55,958 [TENOR SAXOPHONE SOLO] 1400 00:45:03,600 --> 00:45:05,401 [ALTO SAXOPHONE SOLO] 1401 00:45:31,461 --> 00:45:33,262 [BAND PLAYS IN UNISON] 1402 00:45:47,577 --> 00:45:52,481 [CHEERS AND APPLAUSE] [MUSIC STOPS] 1403 00:46:02,860 --> 00:46:10,860 NOW, LADIES AND GENTLEMEN, HERE'S MR. FRANKLYN AJAYE. [CHEERS AND APPLAUSE] 1404 00:46:15,373 --> 00:46:16,316 HERE'S MR. FRANKLYN AJAYE. [CHEERS AND APPLAUSE] THANK YOU. 1405 00:46:16,340 --> 00:46:18,219 [CHEERS AND APPLAUSE] THANK YOU. I KNOW A LOT OF YOU DON'T KNOW 1406 00:46:18,243 --> 00:46:18,986 THANK YOU. I KNOW A LOT OF YOU DON'T KNOW WHO I AM. 1407 00:46:19,010 --> 00:46:20,587 I KNOW A LOT OF YOU DON'T KNOW WHO I AM. THAT'S FINE. THAT'S GOOD. 1408 00:46:20,611 --> 00:46:22,489 WHO I AM. THAT'S FINE. THAT'S GOOD. I HAVE BEEN ON THE ROAD A LOT. 1409 00:46:22,513 --> 00:46:24,125 THAT'S FINE. THAT'S GOOD. I HAVE BEEN ON THE ROAD A LOT. RECENTLY, I'VE BEEN DOING 1410 00:46:24,149 --> 00:46:26,127 I HAVE BEEN ON THE ROAD A LOT. RECENTLY, I'VE BEEN DOING COLLEGE TOURS, HAD A LOT OF TIME 1411 00:46:26,151 --> 00:46:27,294 RECENTLY, I'VE BEEN DOING COLLEGE TOURS, HAD A LOT OF TIME IN HOTELS, OKAY? 1412 00:46:27,318 --> 00:46:29,363 COLLEGE TOURS, HAD A LOT OF TIME IN HOTELS, OKAY? SO, LIKE, A LOT TIMES BEFORE THE 1413 00:46:29,387 --> 00:46:31,165 IN HOTELS, OKAY? SO, LIKE, A LOT TIMES BEFORE THE SHOW, I JUST SPEND SOME TIME 1414 00:46:31,189 --> 00:46:32,133 SO, LIKE, A LOT TIMES BEFORE THE SHOW, I JUST SPEND SOME TIME WATCHING TV. 1415 00:46:32,157 --> 00:46:34,168 SHOW, I JUST SPEND SOME TIME WATCHING TV. AND THE THING I NOTICE, IN EVERY 1416 00:46:34,192 --> 00:46:36,003 WATCHING TV. AND THE THING I NOTICE, IN EVERY CITY THAT I GO TO, THEY SHOW 1417 00:46:36,027 --> 00:46:37,337 AND THE THING I NOTICE, IN EVERY CITY THAT I GO TO, THEY SHOW "STAR TREK," RIGHT? 1418 00:46:37,361 --> 00:46:38,572 CITY THAT I GO TO, THEY SHOW "STAR TREK," RIGHT? IT'S RIGHT THERE. 1419 00:46:38,596 --> 00:46:40,340 "STAR TREK," RIGHT? IT'S RIGHT THERE. IT'S ON 7:00, GENERALLY, IN 1420 00:46:40,364 --> 00:46:41,008 IT'S RIGHT THERE. IT'S ON 7:00, GENERALLY, IN EVERY CITY. 1421 00:46:41,032 --> 00:46:42,376 IT'S ON 7:00, GENERALLY, IN EVERY CITY. FOR YOU WHO DIDN'T KNOW IT, 1422 00:46:42,400 --> 00:46:43,944 EVERY CITY. FOR YOU WHO DIDN'T KNOW IT, LIKE, "STAR TREK" IS GONNA HAVE 1423 00:46:43,968 --> 00:46:45,479 FOR YOU WHO DIDN'T KNOW IT, LIKE, "STAR TREK" IS GONNA HAVE A NEW SERIES NEXT YEAR, AND I'M 1424 00:46:45,503 --> 00:46:46,914 LIKE, "STAR TREK" IS GONNA HAVE A NEW SERIES NEXT YEAR, AND I'M REALLY GLAD 'CAUSE I'M REALLY 1425 00:46:46,938 --> 00:46:48,282 A NEW SERIES NEXT YEAR, AND I'M REALLY GLAD 'CAUSE I'M REALLY TIRED OF TRYING TO PICK NEW 1426 00:46:48,306 --> 00:46:49,616 REALLY GLAD 'CAUSE I'M REALLY TIRED OF TRYING TO PICK NEW STUFF OUT OF OLD EPISODES. 1427 00:46:49,640 --> 00:46:50,717 TIRED OF TRYING TO PICK NEW STUFF OUT OF OLD EPISODES. YOU KNOW WHAT I MEAN? 1428 00:46:50,741 --> 00:46:52,186 STUFF OUT OF OLD EPISODES. YOU KNOW WHAT I MEAN? TRYING TO FIND SOMETHING THAT 1429 00:46:52,210 --> 00:46:53,420 YOU KNOW WHAT I MEAN? TRYING TO FIND SOMETHING THAT WILL KEEP ME INTERESTED. 1430 00:46:53,444 --> 00:46:54,989 TRYING TO FIND SOMETHING THAT WILL KEEP ME INTERESTED. LIKE, YOU'LL BE WATCHING, RIGHT? 1431 00:46:55,013 --> 00:46:55,990 WILL KEEP ME INTERESTED. LIKE, YOU'LL BE WATCHING, RIGHT? WOW. 1432 00:46:56,014 --> 00:46:58,125 LIKE, YOU'LL BE WATCHING, RIGHT? WOW. UHURA HAS A RUN IN HER STOCKING. 1433 00:46:58,149 --> 00:47:00,127 WOW. UHURA HAS A RUN IN HER STOCKING. I DIDN'T NOTICE THAT THE FIRST 1434 00:47:00,151 --> 00:47:02,797 UHURA HAS A RUN IN HER STOCKING. I DIDN'T NOTICE THAT THE FIRST 98 TIMES I SAW THIS EPISODE. 1435 00:47:02,821 --> 00:47:03,297 I DIDN'T NOTICE THAT THE FIRST 98 TIMES I SAW THIS EPISODE. RIGHT? 1436 00:47:03,321 --> 00:47:04,965 98 TIMES I SAW THIS EPISODE. RIGHT? "STAR TREK" CENTERS AROUND THREE 1437 00:47:04,989 --> 00:47:06,566 RIGHT? "STAR TREK" CENTERS AROUND THREE MAJOR CHARACTERS... FOUR IF YOU 1438 00:47:06,590 --> 00:47:08,169 "STAR TREK" CENTERS AROUND THREE MAJOR CHARACTERS... FOUR IF YOU COUNT SCOTTY, BUT THE HELL WITH 1439 00:47:08,193 --> 00:47:09,703 MAJOR CHARACTERS... FOUR IF YOU COUNT SCOTTY, BUT THE HELL WITH SCOTTY, YOU KNOW WHAT I MEAN? 1440 00:47:09,727 --> 00:47:11,272 COUNT SCOTTY, BUT THE HELL WITH SCOTTY, YOU KNOW WHAT I MEAN? HE'S ALWAYS IN THE ENGINE ROOM 1441 00:47:11,296 --> 00:47:13,073 SCOTTY, YOU KNOW WHAT I MEAN? HE'S ALWAYS IN THE ENGINE ROOM DOING GOD KNOWS WHAT. 1442 00:47:13,097 --> 00:47:15,342 HE'S ALWAYS IN THE ENGINE ROOM DOING GOD KNOWS WHAT. YOU GOT CAPTAIN KIRK, RIGHT, 1443 00:47:15,366 --> 00:47:16,911 DOING GOD KNOWS WHAT. YOU GOT CAPTAIN KIRK, RIGHT, VERY MACHO, DECISIVE. 1444 00:47:16,935 --> 00:47:18,779 YOU GOT CAPTAIN KIRK, RIGHT, VERY MACHO, DECISIVE. HIS VOICE STARTS OFF EVERY 1445 00:47:18,803 --> 00:47:19,980 VERY MACHO, DECISIVE. HIS VOICE STARTS OFF EVERY EPISODE, RIGHT? 1446 00:47:20,004 --> 00:47:22,316 HIS VOICE STARTS OFF EVERY EPISODE, RIGHT? "SPACE"... AS THOUGH YOU DIDN'T 1447 00:47:22,340 --> 00:47:24,051 EPISODE, RIGHT? "SPACE"... AS THOUGH YOU DIDN'T KNOW. 1448 00:47:24,075 --> 00:47:25,352 "SPACE"... AS THOUGH YOU DIDN'T KNOW. "THE FINAL FRONTIER. 1449 00:47:25,376 --> 00:47:27,087 KNOW. "THE FINAL FRONTIER. THESE ARE THE VOYAGES OF THE 1450 00:47:27,111 --> 00:47:28,422 "THE FINAL FRONTIER. THESE ARE THE VOYAGES OF THE STARSHIP ENTERPRISE. 1451 00:47:28,446 --> 00:47:30,090 THESE ARE THE VOYAGES OF THE STARSHIP ENTERPRISE. ITS FIVE-YEAR MISSION... TO 1452 00:47:30,114 --> 00:47:31,992 STARSHIP ENTERPRISE. ITS FIVE-YEAR MISSION... TO EXPLORE NEW WORLDS, TO SEEK OUT 1453 00:47:32,016 --> 00:47:34,228 ITS FIVE-YEAR MISSION... TO EXPLORE NEW WORLDS, TO SEEK OUT NEW LIFE AND CIVILIZATIONS, TO 1454 00:47:34,252 --> 00:47:36,330 EXPLORE NEW WORLDS, TO SEEK OUT NEW LIFE AND CIVILIZATIONS, TO BOLDLY" KICK BEHIND WHERE NO 1455 00:47:36,354 --> 00:47:39,633 NEW LIFE AND CIVILIZATIONS, TO BOLDLY" KICK BEHIND WHERE NO BEHIND HAS BEEN KICKED BEFORE. 1456 00:47:39,657 --> 00:47:42,002 BOLDLY" KICK BEHIND WHERE NO BEHIND HAS BEEN KICKED BEFORE. IN THE NAME OF PEACE, RIGHT? 1457 00:47:42,026 --> 00:47:43,503 BEHIND HAS BEEN KICKED BEFORE. IN THE NAME OF PEACE, RIGHT? [HUMS THEME SONG] 1458 00:47:43,527 --> 00:47:44,305 IN THE NAME OF PEACE, RIGHT? [HUMS THEME SONG] RIGHT? 1459 00:47:44,329 --> 00:47:46,907 [HUMS THEME SONG] RIGHT? YOU GOT DR. McCOY, RIGHT, KNOWN 1460 00:47:46,931 --> 00:47:48,608 RIGHT? YOU GOT DR. McCOY, RIGHT, KNOWN AS "BONES"... VERY EMOTIONAL, 1461 00:47:48,632 --> 00:47:50,410 YOU GOT DR. McCOY, RIGHT, KNOWN AS "BONES"... VERY EMOTIONAL, VERY IRRATIONAL, NEVER WANTS TO 1462 00:47:50,434 --> 00:47:52,146 AS "BONES"... VERY EMOTIONAL, VERY IRRATIONAL, NEVER WANTS TO DO ANYTHING CAPTAIN KIRK SAYS, 1463 00:47:52,170 --> 00:47:53,447 VERY IRRATIONAL, NEVER WANTS TO DO ANYTHING CAPTAIN KIRK SAYS, NO MATTER HOW SIMPLE. 1464 00:47:53,471 --> 00:47:54,448 DO ANYTHING CAPTAIN KIRK SAYS, NO MATTER HOW SIMPLE. "I DARE NOT, JIM." 1465 00:47:54,472 --> 00:47:56,050 NO MATTER HOW SIMPLE. "I DARE NOT, JIM." THAT'S WHAT HE'S ALWAYS SAYING. 1466 00:47:56,074 --> 00:47:57,551 "I DARE NOT, JIM." THAT'S WHAT HE'S ALWAYS SAYING. "PULL UP YOUR ZIPPER, BONES." 1467 00:47:57,575 --> 00:47:59,119 THAT'S WHAT HE'S ALWAYS SAYING. "PULL UP YOUR ZIPPER, BONES." "I DARE NOT, JIM." 1468 00:47:59,143 --> 00:48:01,255 "PULL UP YOUR ZIPPER, BONES." "I DARE NOT, JIM." YET HE'S ALWAYS PICKING ON 1469 00:48:01,279 --> 00:48:02,489 "I DARE NOT, JIM." YET HE'S ALWAYS PICKING ON SPOCK, RIGHT? 1470 00:48:02,513 --> 00:48:04,725 YET HE'S ALWAYS PICKING ON SPOCK, RIGHT? "YOU POINTY-EARED FREAK. 1471 00:48:04,749 --> 00:48:06,760 SPOCK, RIGHT? "YOU POINTY-EARED FREAK. YOU HAVE NO EMOTIONS." 1472 00:48:06,784 --> 00:48:08,229 "YOU POINTY-EARED FREAK. YOU HAVE NO EMOTIONS." SPOCK IS COOL. 1473 00:48:08,253 --> 00:48:11,866 YOU HAVE NO EMOTIONS." SPOCK IS COOL. "YES, BUT MY ZIPPER'S UP." 1474 00:48:11,890 --> 00:48:13,500 SPOCK IS COOL. "YES, BUT MY ZIPPER'S UP." RIGHT? 1475 00:48:13,524 --> 00:48:15,269 "YES, BUT MY ZIPPER'S UP." RIGHT? 'CAUSE SPOCK IS A VULCAN WHO 1476 00:48:15,293 --> 00:48:17,104 RIGHT? 'CAUSE SPOCK IS A VULCAN WHO MATES ONCE EVERY SEVEN YEARS, 1477 00:48:17,128 --> 00:48:19,073 'CAUSE SPOCK IS A VULCAN WHO MATES ONCE EVERY SEVEN YEARS, WHICH IS WHY HE HAS AN ATTITUDE, 1478 00:48:19,097 --> 00:48:22,042 MATES ONCE EVERY SEVEN YEARS, WHICH IS WHY HE HAS AN ATTITUDE, OKAY? 1479 00:48:22,066 --> 00:48:23,777 WHICH IS WHY HE HAS AN ATTITUDE, OKAY? SPOCK IS THE COOLEST CHARACTER. 1480 00:48:23,801 --> 00:48:25,545 OKAY? SPOCK IS THE COOLEST CHARACTER. ALL THE WOMEN WANT SPOCK BECAUSE 1481 00:48:25,569 --> 00:48:26,747 SPOCK IS THE COOLEST CHARACTER. ALL THE WOMEN WANT SPOCK BECAUSE THEY CAN'T HAVE HIM. 1482 00:48:26,771 --> 00:48:28,415 ALL THE WOMEN WANT SPOCK BECAUSE THEY CAN'T HAVE HIM. SEE, THEY'RE ALWAYS HITTING ON 1483 00:48:28,439 --> 00:48:28,849 THEY CAN'T HAVE HIM. SEE, THEY'RE ALWAYS HITTING ON HIM. 1484 00:48:28,873 --> 00:48:29,850 SEE, THEY'RE ALWAYS HITTING ON HIM. "HEY, MR. SPOCK. 1485 00:48:29,874 --> 00:48:31,485 HIM. "HEY, MR. SPOCK. I SURE WOULD LIKE TO GIVE YOU 1486 00:48:31,509 --> 00:48:33,954 "HEY, MR. SPOCK. I SURE WOULD LIKE TO GIVE YOU SOME," RIGHT? 1487 00:48:33,978 --> 00:48:35,923 I SURE WOULD LIKE TO GIVE YOU SOME," RIGHT? "THAT DOES NOT COMPUTE." 1488 00:48:35,947 --> 00:48:38,025 SOME," RIGHT? "THAT DOES NOT COMPUTE." AND HE JUST GOES ABOUT HIS 1489 00:48:38,049 --> 00:48:38,993 "THAT DOES NOT COMPUTE." AND HE JUST GOES ABOUT HIS BUSINESS. 1490 00:48:39,017 --> 00:48:41,428 AND HE JUST GOES ABOUT HIS BUSINESS. THE THING ABOUT CAPTAIN KIRK IS 1491 00:48:41,452 --> 00:48:43,931 BUSINESS. THE THING ABOUT CAPTAIN KIRK IS THAT HE'S EITHER THE BRAVEST MAN 1492 00:48:43,955 --> 00:48:46,133 THE THING ABOUT CAPTAIN KIRK IS THAT HE'S EITHER THE BRAVEST MAN IN THE UNIVERSE OR THE MOST 1493 00:48:46,157 --> 00:48:47,001 THAT HE'S EITHER THE BRAVEST MAN IN THE UNIVERSE OR THE MOST FOOLISH. 1494 00:48:47,025 --> 00:48:48,735 IN THE UNIVERSE OR THE MOST FOOLISH. HE'S ALWAYS TALKING ROUGH, SEE? 1495 00:48:48,759 --> 00:48:50,470 FOOLISH. HE'S ALWAYS TALKING ROUGH, SEE? HE'S ALWAYS THREATENING PEOPLE. 1496 00:48:50,494 --> 00:48:52,139 HE'S ALWAYS TALKING ROUGH, SEE? HE'S ALWAYS THREATENING PEOPLE. HE'LL LAND ON A PLANET, START 1497 00:48:52,163 --> 00:48:53,774 HE'S ALWAYS THREATENING PEOPLE. HE'LL LAND ON A PLANET, START TALKING ROUGH, BEFORE HE EVEN 1498 00:48:53,798 --> 00:48:55,475 HE'LL LAND ON A PLANET, START TALKING ROUGH, BEFORE HE EVEN LEARNS IF HE CAN BREATHE IN THE 1499 00:48:55,499 --> 00:48:57,144 TALKING ROUGH, BEFORE HE EVEN LEARNS IF HE CAN BREATHE IN THE STUFF, CAPTAIN KIRK IS RUNNING 1500 00:48:57,168 --> 00:48:58,212 LEARNS IF HE CAN BREATHE IN THE STUFF, CAPTAIN KIRK IS RUNNING OFF AT THE MOUTH. 1501 00:48:58,236 --> 00:48:59,246 STUFF, CAPTAIN KIRK IS RUNNING OFF AT THE MOUTH. "GIVE US THE ZENITE. 1502 00:48:59,270 --> 00:49:00,981 OFF AT THE MOUTH. "GIVE US THE ZENITE. WE'RE FROM THE FEDERATION, DAMN 1503 00:49:01,005 --> 00:49:01,415 "GIVE US THE ZENITE. WE'RE FROM THE FEDERATION, DAMN IT. 1504 00:49:01,439 --> 00:49:02,582 WE'RE FROM THE FEDERATION, DAMN IT. I'M CAPTAIN KIRK. 1505 00:49:02,606 --> 00:49:03,951 IT. I'M CAPTAIN KIRK. THIS IS MY SHIP'S IDIOT, 1506 00:49:03,975 --> 00:49:05,152 I'M CAPTAIN KIRK. THIS IS MY SHIP'S IDIOT, MR. SPOCK," YOU KNOW. 1507 00:49:05,176 --> 00:49:06,753 THIS IS MY SHIP'S IDIOT, MR. SPOCK," YOU KNOW. AND THE THING IS, HE'S ALWAYS 1508 00:49:06,777 --> 00:49:07,955 MR. SPOCK," YOU KNOW. AND THE THING IS, HE'S ALWAYS TELLING HE'S FROM THE 1509 00:49:07,979 --> 00:49:08,688 AND THE THING IS, HE'S ALWAYS TELLING HE'S FROM THE FEDERATION. 1510 00:49:08,712 --> 00:49:10,224 TELLING HE'S FROM THE FEDERATION. MAN, THEY DON'T CARE. 1511 00:49:10,248 --> 00:49:12,059 FEDERATION. MAN, THEY DON'T CARE. YOU KNOW, THESE PEOPLE ARE 1512 00:49:12,083 --> 00:49:13,227 MAN, THEY DON'T CARE. YOU KNOW, THESE PEOPLE ARE GROTESQUE, MAN. 1513 00:49:13,251 --> 00:49:14,295 YOU KNOW, THESE PEOPLE ARE GROTESQUE, MAN. THEY DON'T CARE. 1514 00:49:14,319 --> 00:49:15,629 GROTESQUE, MAN. THEY DON'T CARE. YOU KNOW WHAT I MEAN? 1515 00:49:15,653 --> 00:49:17,364 THEY DON'T CARE. YOU KNOW WHAT I MEAN? THEY GO, "WE DON'T CARE WHERE 1516 00:49:17,388 --> 00:49:19,300 YOU KNOW WHAT I MEAN? THEY GO, "WE DON'T CARE WHERE YOU'RE FROM. 1517 00:49:19,324 --> 00:49:21,701 THEY GO, "WE DON'T CARE WHERE YOU'RE FROM. MAN, LOOK AT US. 1518 00:49:21,725 --> 00:49:23,870 YOU'RE FROM. MAN, LOOK AT US. WE HAVE TO LIVE LIKE THIS. 1519 00:49:23,894 --> 00:49:26,473 MAN, LOOK AT US. WE HAVE TO LIVE LIKE THIS. THINK WE CARE WHERE YOU'RE FROM? 1520 00:49:26,497 --> 00:49:28,875 WE HAVE TO LIVE LIKE THIS. THINK WE CARE WHERE YOU'RE FROM? WE'RE JUST HAPPY YOU'RE HERE, 1521 00:49:28,899 --> 00:49:31,511 THINK WE CARE WHERE YOU'RE FROM? WE'RE JUST HAPPY YOU'RE HERE, MAN, 'CAUSE WE'RE BORED. 1522 00:49:31,535 --> 00:49:35,449 WE'RE JUST HAPPY YOU'RE HERE, MAN, 'CAUSE WE'RE BORED. WE'RE TOO SMART TO HAVE FUN. 1523 00:49:35,473 --> 00:49:37,284 MAN, 'CAUSE WE'RE BORED. WE'RE TOO SMART TO HAVE FUN. SO, I'M GONNA TURN YOUR BLACK 1524 00:49:37,308 --> 00:49:39,719 WE'RE TOO SMART TO HAVE FUN. SO, I'M GONNA TURN YOUR BLACK SECURITY MAN INTO A CUBE." 1525 00:49:39,743 --> 00:49:41,922 SO, I'M GONNA TURN YOUR BLACK SECURITY MAN INTO A CUBE." BROTHERS GOING, "HEY... 1526 00:49:41,946 --> 00:49:43,824 SECURITY MAN INTO A CUBE." BROTHERS GOING, "HEY... BEAM ME UP, SCOTTY! 1527 00:49:43,848 --> 00:49:45,192 BROTHERS GOING, "HEY... BEAM ME UP, SCOTTY! BEAM ME UP, MAN!" 1528 00:49:45,216 --> 00:49:49,163 BEAM ME UP, SCOTTY! BEAM ME UP, MAN!" [SQUEAKING] 1529 00:49:49,187 --> 00:49:52,466 BEAM ME UP, MAN!" [SQUEAKING] "ANALYZE, MR. SPOCK." 1530 00:49:52,490 --> 00:49:55,836 [SQUEAKING] "ANALYZE, MR. SPOCK." [BEEPING] 1531 00:49:55,860 --> 00:49:57,771 "ANALYZE, MR. SPOCK." [BEEPING] "THE NIGGER'S A CUBE, CAPTAIN." 1532 00:49:57,795 --> 00:50:00,374 [BEEPING] "THE NIGGER'S A CUBE, CAPTAIN." [LAUGHTER] 1533 00:50:00,398 --> 00:50:02,042 "THE NIGGER'S A CUBE, CAPTAIN." [LAUGHTER] "JIM, I DON'T THINK WE SHOULD 1534 00:50:02,066 --> 00:50:04,144 [LAUGHTER] "JIM, I DON'T THINK WE SHOULD MESS WITH THEM. 1535 00:50:04,168 --> 00:50:06,380 "JIM, I DON'T THINK WE SHOULD MESS WITH THEM. THEY HIT WATSON. 1536 00:50:06,404 --> 00:50:10,917 MESS WITH THEM. THEY HIT WATSON. HE WAS THE FASTEST ONE WE HAD." 1537 00:50:10,941 --> 00:50:11,918 THEY HIT WATSON. HE WAS THE FASTEST ONE WE HAD." YOU KNOW? 1538 00:50:11,942 --> 00:50:14,021 HE WAS THE FASTEST ONE WE HAD." YOU KNOW? IT'S LIKE, SPOCK IS VERY 1539 00:50:14,045 --> 00:50:15,322 YOU KNOW? IT'S LIKE, SPOCK IS VERY LOGICAL, SEE. 1540 00:50:15,346 --> 00:50:17,958 IT'S LIKE, SPOCK IS VERY LOGICAL, SEE. HE'S VERY LOGICAL FOR ABOUT SIX 1541 00:50:17,982 --> 00:50:18,758 LOGICAL, SEE. HE'S VERY LOGICAL FOR ABOUT SIX YEARS. 1542 00:50:18,782 --> 00:50:21,061 HE'S VERY LOGICAL FOR ABOUT SIX YEARS. THEN, HIS SEVENTH YEAR, HIS 1543 00:50:21,085 --> 00:50:23,930 YEARS. THEN, HIS SEVENTH YEAR, HIS JONES COMES DOWN, AND HE GOES 1544 00:50:23,954 --> 00:50:24,531 THEN, HIS SEVENTH YEAR, HIS JONES COMES DOWN, AND HE GOES MAD. 1545 00:50:24,555 --> 00:50:26,666 JONES COMES DOWN, AND HE GOES MAD. DID YOU EVER SEE THE EPISODE 1546 00:50:26,690 --> 00:50:28,602 MAD. DID YOU EVER SEE THE EPISODE WHERE SPOCK HAD TO GET DOWN? 1547 00:50:28,626 --> 00:50:30,004 DID YOU EVER SEE THE EPISODE WHERE SPOCK HAD TO GET DOWN? HE WENT CRAZY, MAN. 1548 00:50:30,028 --> 00:50:31,138 WHERE SPOCK HAD TO GET DOWN? HE WENT CRAZY, MAN. HE WAS CRYING. 1549 00:50:31,162 --> 00:50:32,373 HE WENT CRAZY, MAN. HE WAS CRYING. HE WAS LAUGHING. 1550 00:50:32,397 --> 00:50:34,541 HE WAS CRYING. HE WAS LAUGHING. HE WAS HITTING ON CAPTAIN KIRK. 1551 00:50:34,565 --> 00:50:36,477 HE WAS LAUGHING. HE WAS HITTING ON CAPTAIN KIRK. JIM SAID, "WHAT'S WRONG WITH 1552 00:50:36,501 --> 00:50:37,478 HE WAS HITTING ON CAPTAIN KIRK. JIM SAID, "WHAT'S WRONG WITH HIM, BONES?" 1553 00:50:37,502 --> 00:50:39,146 JIM SAID, "WHAT'S WRONG WITH HIM, BONES?" "HE'S SEXUALLY FRUSTRATED, JIM. 1554 00:50:39,170 --> 00:50:40,847 HIM, BONES?" "HE'S SEXUALLY FRUSTRATED, JIM. THAT'S WHY HIS EARS ARE POINTED. 1555 00:50:40,871 --> 00:50:42,216 "HE'S SEXUALLY FRUSTRATED, JIM. THAT'S WHY HIS EARS ARE POINTED. THAT STUFF IS BACKED UP." 1556 00:50:42,240 --> 00:50:44,451 THAT'S WHY HIS EARS ARE POINTED. THAT STUFF IS BACKED UP." [LAUGHTER] 1557 00:50:44,475 --> 00:50:46,453 THAT STUFF IS BACKED UP." [LAUGHTER] ALL RIGHT. THANK YOU. 1558 00:50:46,477 --> 00:50:48,655 [LAUGHTER] ALL RIGHT. THANK YOU. [CHEERS AND APPLAUSE] 1559 00:50:48,679 --> 00:50:50,491 ALL RIGHT. THANK YOU. [CHEERS AND APPLAUSE] THANK YOU. 1560 00:50:50,515 --> 00:50:53,327 [CHEERS AND APPLAUSE] THANK YOU. HEY, MAN, YOU KNOW. 1561 00:50:53,351 --> 00:50:55,462 THANK YOU. HEY, MAN, YOU KNOW. TV, YOU KNOW. 1562 00:50:55,486 --> 00:50:58,665 HEY, MAN, YOU KNOW. TV, YOU KNOW. HEY, ARE WE OFF? YEAH? 1563 00:50:58,689 --> 00:51:00,622 TV, YOU KNOW. HEY, ARE WE OFF? YEAH? [APPLAUSE] 1564 00:51:28,685 --> 00:51:34,968 SURE, I WAS SKEPTICAL. I THINK EVERYBODY IS. BUT, BELIEVE ME, I CAN NOW READ 1565 00:51:34,992 --> 00:51:37,438 I THINK EVERYBODY IS. BUT, BELIEVE ME, I CAN NOW READ 10, MAYBE 12 TIMES SLOWER THAN 1566 00:51:37,462 --> 00:51:40,182 BUT, BELIEVE ME, I CAN NOW READ 10, MAYBE 12 TIMES SLOWER THAN BEFORE. 1567 00:51:43,533 --> 00:51:48,215 [LAUGHS] I USED TO BE A HEAVY SPEED-READER, AND I NEVER 1568 00:51:48,239 --> 00:51:50,050 I USED TO BE A HEAVY SPEED-READER, AND I NEVER LAUGHED WHEN I READ MARK TWAIN. 1569 00:51:50,074 --> 00:51:51,851 SPEED-READER, AND I NEVER LAUGHED WHEN I READ MARK TWAIN. BUT NOW THAT I TAKE MY TIME, I 1570 00:51:51,875 --> 00:51:52,953 LAUGHED WHEN I READ MARK TWAIN. BUT NOW THAT I TAKE MY TIME, I FIND HIM VERY FUNNY. 1571 00:51:52,977 --> 00:51:54,488 BUT NOW THAT I TAKE MY TIME, I FIND HIM VERY FUNNY. DID YOU KNOW THAT READING ALL 1572 00:51:54,512 --> 00:51:55,989 FIND HIM VERY FUNNY. DID YOU KNOW THAT READING ALL THE WORDS IN A STORY CAN HELP 1573 00:51:56,013 --> 00:51:58,525 DID YOU KNOW THAT READING ALL THE WORDS IN A STORY CAN HELP YOU UNDERSTAND THE HUMOR? 1574 00:51:58,549 --> 00:52:00,394 THE WORDS IN A STORY CAN HELP YOU UNDERSTAND THE HUMOR? I'M A BRAIN SURGEON, AND, UH, 1575 00:52:00,418 --> 00:52:02,229 YOU UNDERSTAND THE HUMOR? I'M A BRAIN SURGEON, AND, UH, I USED TO JUST FLY THROUGH THESE 1576 00:52:02,253 --> 00:52:04,030 I'M A BRAIN SURGEON, AND, UH, I USED TO JUST FLY THROUGH THESE TECHNICAL MEDICAL JOURNALS, YOU 1577 00:52:04,054 --> 00:52:04,531 I USED TO JUST FLY THROUGH THESE TECHNICAL MEDICAL JOURNALS, YOU KNOW? 1578 00:52:04,555 --> 00:52:06,266 TECHNICAL MEDICAL JOURNALS, YOU KNOW? AND I FOUND I WAS MAKING A LOT 1579 00:52:06,290 --> 00:52:07,934 KNOW? AND I FOUND I WAS MAKING A LOT OF MISTAKES IN THE OPERATING 1580 00:52:07,958 --> 00:52:08,368 AND I FOUND I WAS MAKING A LOT OF MISTAKES IN THE OPERATING ROOM. 1581 00:52:08,392 --> 00:52:09,903 OF MISTAKES IN THE OPERATING ROOM. AND NOW, WITH THE EVELYN WOODSKI 1582 00:52:09,927 --> 00:52:11,305 ROOM. AND NOW, WITH THE EVELYN WOODSKI SLOW READING COURSE, I CATCH 1583 00:52:11,329 --> 00:52:12,872 AND NOW, WITH THE EVELYN WOODSKI SLOW READING COURSE, I CATCH MORE OF THE IMPORTANT PROCEDURAL 1584 00:52:12,896 --> 00:52:14,341 SLOW READING COURSE, I CATCH MORE OF THE IMPORTANT PROCEDURAL STUFF, AND I FIND I'M A BETTER 1585 00:52:14,365 --> 00:52:15,375 MORE OF THE IMPORTANT PROCEDURAL STUFF, AND I FIND I'M A BETTER SURGEON FOR IT. 1586 00:52:15,399 --> 00:52:16,543 STUFF, AND I FIND I'M A BETTER SURGEON FOR IT. Announcer: YES, 1587 00:52:16,567 --> 00:52:18,178 SURGEON FOR IT. Announcer: YES, EVELYN WOODSKI CAN HELP YOU 1588 00:52:18,202 --> 00:52:20,802 Announcer: YES, EVELYN WOODSKI CAN HELP YOU ENJOY READING AGAIN. 1589 00:52:32,516 --> 00:52:40,516 AND THERE'S... EVELYN... WOODSKI'S... SLOW... READING... COURSE... 1590 00:52:41,125 --> 00:52:43,537 EVELYN... WOODSKI'S... SLOW... READING... COURSE... FOR BRAILLE. 1591 00:52:43,561 --> 00:52:49,776 SLOW... READING... COURSE... FOR BRAILLE. I... USED TO... GET... BLISTERS... 1592 00:52:49,800 --> 00:52:53,713 FOR BRAILLE. I... USED TO... GET... BLISTERS... ON MY FINGERS. 1593 00:52:53,737 --> 00:52:58,385 I... USED TO... GET... BLISTERS... ON MY FINGERS. NOW... I JUST... SIT... BACK... 1594 00:52:58,409 --> 00:53:00,609 ON MY FINGERS. NOW... I JUST... SIT... BACK... AND ENJOY. 1595 00:53:04,381 --> 00:53:09,351 Announcer: CALL NOW ON THIS TOLL-FREE NUMBER FOR YOUR FIRST FREE LESSON. 1596 00:53:26,503 --> 00:53:31,951 OH, I LOVE NEW YORK... EVERYTHING ABOUT IT, EVEN CON EDISON, THE ELECTRIC 1597 00:53:31,975 --> 00:53:32,752 EVERYTHING ABOUT IT, EVEN CON EDISON, THE ELECTRIC COMPANY. 1598 00:53:32,776 --> 00:53:35,021 CON EDISON, THE ELECTRIC COMPANY. AS A MATTER OF FACT, WHEN I WAS 1599 00:53:35,045 --> 00:53:37,291 COMPANY. AS A MATTER OF FACT, WHEN I WAS IN NEW YORK LAST SUMMER, IT WAS 1600 00:53:37,315 --> 00:53:45,315 AS A MATTER OF FACT, WHEN I WAS IN NEW YORK LAST SUMMER, IT WAS CON ED. WHO CAME TO MY RESCUE. 1601 00:53:45,423 --> 00:53:46,066 IN NEW YORK LAST SUMMER, IT WAS CON ED. WHO CAME TO MY RESCUE. OH, YES. 1602 00:53:46,090 --> 00:53:47,801 CON ED. WHO CAME TO MY RESCUE. OH, YES. I'M HAVING A MARVELOUS TIME. 1603 00:53:47,825 --> 00:53:49,503 OH, YES. I'M HAVING A MARVELOUS TIME. JUST YESTERDAY I WAS ON THE 1604 00:53:49,527 --> 00:53:50,970 I'M HAVING A MARVELOUS TIME. JUST YESTERDAY I WAS ON THE OBSERVATION DECK OF THE 1605 00:53:50,994 --> 00:53:52,206 JUST YESTERDAY I WAS ON THE OBSERVATION DECK OF THE WORLD TRADE CENTER. 1606 00:53:52,230 --> 00:53:54,107 OBSERVATION DECK OF THE WORLD TRADE CENTER. YOU KNOW, I COULD SMELL ALL THE 1607 00:53:54,131 --> 00:53:55,309 WORLD TRADE CENTER. YOU KNOW, I COULD SMELL ALL THE WAY TO NEW JERSEY. 1608 00:53:55,333 --> 00:53:56,476 YOU KNOW, I COULD SMELL ALL THE WAY TO NEW JERSEY. [KNOCK ON DOOR] 1609 00:53:56,500 --> 00:53:57,211 WAY TO NEW JERSEY. [KNOCK ON DOOR] MM-HMM. 1610 00:53:57,235 --> 00:53:58,412 [KNOCK ON DOOR] MM-HMM. WAIT A MINUTE. HOLD ON. 1611 00:53:58,436 --> 00:54:00,146 MM-HMM. WAIT A MINUTE. HOLD ON. SOMEBODY'S AT THE DOOR. 1612 00:54:00,170 --> 00:54:01,381 WAIT A MINUTE. HOLD ON. SOMEBODY'S AT THE DOOR. YES, WHO IS IT? 1613 00:54:01,405 --> 00:54:02,949 SOMEBODY'S AT THE DOOR. YES, WHO IS IT? ROOM SERVICE! 1614 00:54:02,973 --> 00:54:04,618 YES, WHO IS IT? ROOM SERVICE! JUST A MINUTE. 1615 00:54:04,642 --> 00:54:07,087 ROOM SERVICE! JUST A MINUTE. LISTEN, I GOT TO GO NOW, BUT 1616 00:54:07,111 --> 00:54:09,356 JUST A MINUTE. LISTEN, I GOT TO GO NOW, BUT I'LL CALL YOU BACK LATER. 1617 00:54:09,380 --> 00:54:11,991 LISTEN, I GOT TO GO NOW, BUT I'LL CALL YOU BACK LATER. BE COOL. 1618 00:54:12,015 --> 00:54:12,959 I'LL CALL YOU BACK LATER. BE COOL. ROOM SERVICE? 1619 00:54:12,983 --> 00:54:14,861 BE COOL. ROOM SERVICE? I DON'T REMEMBER ANYTHING ABOUT 1620 00:54:14,885 --> 00:54:15,829 ROOM SERVICE? I DON'T REMEMBER ANYTHING ABOUT ROOM SERVICE. 1621 00:54:15,853 --> 00:54:17,531 I DON'T REMEMBER ANYTHING ABOUT ROOM SERVICE. ROOM SERVICE. 1622 00:54:17,555 --> 00:54:18,998 ROOM SERVICE. ROOM SERVICE. LET'S SEE HERE. 1623 00:54:19,022 --> 00:54:19,366 ROOM SERVICE. LET'S SEE HERE. YES? 1624 00:54:19,390 --> 00:54:20,834 LET'S SEE HERE. YES? PUT YOUR HANDS UP IN THE AIR. 1625 00:54:20,858 --> 00:54:22,168 YES? PUT YOUR HANDS UP IN THE AIR. COOPERATE, AND YOU WON'T GET 1626 00:54:22,192 --> 00:54:22,569 PUT YOUR HANDS UP IN THE AIR. COOPERATE, AND YOU WON'T GET HURT. 1627 00:54:22,593 --> 00:54:23,237 COOPERATE, AND YOU WON'T GET HURT. YES, SIR. 1628 00:54:23,261 --> 00:54:24,438 HURT. YES, SIR. ANYTHING YOU SAY, MISTER. 1629 00:54:24,462 --> 00:54:27,307 YES, SIR. ANYTHING YOU SAY, MISTER. HEY, HEY, HEY, BOSS. 1630 00:54:27,331 --> 00:54:30,043 ANYTHING YOU SAY, MISTER. HEY, HEY, HEY, BOSS. THIS HERE IS RAY CHARLES. 1631 00:54:30,067 --> 00:54:30,677 HEY, HEY, HEY, BOSS. THIS HERE IS RAY CHARLES. WHO? 1632 00:54:30,701 --> 00:54:32,346 THIS HERE IS RAY CHARLES. WHO? RAY CHARLES, THE KING OF 1633 00:54:32,370 --> 00:54:33,146 WHO? RAY CHARLES, THE KING OF SOUL, MAN. 1634 00:54:33,170 --> 00:54:34,281 RAY CHARLES, THE KING OF SOUL, MAN. WE CAN'T ROB HIM. 1635 00:54:34,305 --> 00:54:35,549 SOUL, MAN. WE CAN'T ROB HIM. ARE YOU KIDDING? 1636 00:54:35,573 --> 00:54:36,916 WE CAN'T ROB HIM. ARE YOU KIDDING? THIS WILL BE A CINCH. 1637 00:54:36,940 --> 00:54:37,784 ARE YOU KIDDING? THIS WILL BE A CINCH. TIE HIM UP. 1638 00:54:37,808 --> 00:54:39,519 THIS WILL BE A CINCH. TIE HIM UP. OH, MAN, I CAN'T DO THAT. 1639 00:54:39,543 --> 00:54:41,187 TIE HIM UP. OH, MAN, I CAN'T DO THAT. I SAID TIE HIM UP, MAN. 1640 00:54:41,211 --> 00:54:43,022 OH, MAN, I CAN'T DO THAT. I SAID TIE HIM UP, MAN. WHICH ONE OF Y'ALL GOT THE 1641 00:54:43,046 --> 00:54:43,490 I SAID TIE HIM UP, MAN. WHICH ONE OF Y'ALL GOT THE GUN? 1642 00:54:43,514 --> 00:54:44,491 WHICH ONE OF Y'ALL GOT THE GUN? I DO. 1643 00:54:44,515 --> 00:54:47,227 GUN? I DO. I THINK YOU BETTER LISTEN TO 1644 00:54:47,251 --> 00:54:47,628 I DO. I THINK YOU BETTER LISTEN TO HIM. 1645 00:54:47,652 --> 00:54:48,695 I THINK YOU BETTER LISTEN TO HIM. O-O-OKAY. OKAY. 1646 00:54:48,719 --> 00:54:50,330 HIM. O-O-OKAY. OKAY. TAKE THE ROPE OUT OF THE BAG 1647 00:54:50,354 --> 00:54:51,265 O-O-OKAY. OKAY. TAKE THE ROPE OUT OF THE BAG AND TIE HIM UP. 1648 00:54:51,289 --> 00:54:52,932 TAKE THE ROPE OUT OF THE BAG AND TIE HIM UP. I'M SORRY, MR. CHARLES, BUT I 1649 00:54:52,956 --> 00:54:53,800 AND TIE HIM UP. I'M SORRY, MR. CHARLES, BUT I GUESS I GOTTA. 1650 00:54:53,824 --> 00:54:55,402 I'M SORRY, MR. CHARLES, BUT I GUESS I GOTTA. HEY, THE LIGHTS ARE GOING OFF. 1651 00:54:55,426 --> 00:54:56,737 GUESS I GOTTA. HEY, THE LIGHTS ARE GOING OFF. WHAT'S GOING ON HERE? 1652 00:54:56,761 --> 00:54:57,371 HEY, THE LIGHTS ARE GOING OFF. WHAT'S GOING ON HERE? HEY! HEY! 1653 00:54:57,395 --> 00:54:58,472 WHAT'S GOING ON HERE? HEY! HEY! IT'S A BLACKOUT! 1654 00:54:58,496 --> 00:54:59,105 HEY! HEY! IT'S A BLACKOUT! IT IS? 1655 00:54:59,129 --> 00:55:00,707 IT'S A BLACKOUT! IT IS? YEAH! I CAN'T SEE ANYTHING! 1656 00:55:00,731 --> 00:55:01,541 IT IS? YEAH! I CAN'T SEE ANYTHING! YOU CAN'T? 1657 00:55:01,565 --> 00:55:02,041 YEAH! I CAN'T SEE ANYTHING! YOU CAN'T? NO! 1658 00:55:02,065 --> 00:55:03,710 YOU CAN'T? NO! OW! OOH! 1659 00:55:03,734 --> 00:55:05,379 NO! OW! OOH! OOH! OW! 1660 00:55:05,403 --> 00:55:08,649 OW! OOH! OOH! OW! [CRASH, GLASS BREAKING] 1661 00:55:08,673 --> 00:55:15,422 OOH! OW! [CRASH, GLASS BREAKING] [GRUNTING] 1662 00:55:15,446 --> 00:55:18,525 [CRASH, GLASS BREAKING] [GRUNTING] LET'S SEE HERE. 1663 00:55:18,549 --> 00:55:19,092 [GRUNTING] LET'S SEE HERE. HELLO? 1664 00:55:19,116 --> 00:55:20,827 LET'S SEE HERE. HELLO? YOU SAID THE LIGHTS JUST CAME 1665 00:55:20,851 --> 00:55:21,495 HELLO? YOU SAID THE LIGHTS JUST CAME BACK ON? 1666 00:55:21,519 --> 00:55:23,196 YOU SAID THE LIGHTS JUST CAME BACK ON? WHAT ARE YOU TELLING ME THAT 1667 00:55:23,220 --> 00:55:23,664 BACK ON? WHAT ARE YOU TELLING ME THAT FOR? 1668 00:55:23,688 --> 00:55:24,998 WHAT ARE YOU TELLING ME THAT FOR? IS THIS ROOM SERVICE? 1669 00:55:25,022 --> 00:55:26,132 FOR? IS THIS ROOM SERVICE? OH, WELL, LISTEN. 1670 00:55:26,156 --> 00:55:28,602 IS THIS ROOM SERVICE? OH, WELL, LISTEN. THIS IS RAY CHARLES IN 1722. 1671 00:55:28,626 --> 00:55:31,305 OH, WELL, LISTEN. THIS IS RAY CHARLES IN 1722. AND I'D LIKE TO ORDER SOME NECK 1672 00:55:31,329 --> 00:55:33,774 THIS IS RAY CHARLES IN 1722. AND I'D LIKE TO ORDER SOME NECK BONES AND COLLARD GREENS AND 1673 00:55:33,798 --> 00:55:36,009 AND I'D LIKE TO ORDER SOME NECK BONES AND COLLARD GREENS AND POTATO SALAD AND TWO TALL 1674 00:55:36,033 --> 00:55:37,811 BONES AND COLLARD GREENS AND POTATO SALAD AND TWO TALL GLASSES OF ICE TEA. 1675 00:55:37,835 --> 00:55:38,912 POTATO SALAD AND TWO TALL GLASSES OF ICE TEA. YOU GOT IT? OKAY. 1676 00:55:38,936 --> 00:55:40,480 GLASSES OF ICE TEA. YOU GOT IT? OKAY. NOW, WHEN YOU GET THAT FINISHED, 1677 00:55:40,504 --> 00:55:41,881 YOU GOT IT? OKAY. NOW, WHEN YOU GET THAT FINISHED, WOULD YOU PLEASE SEND UP THE 1678 00:55:41,905 --> 00:55:42,382 NOW, WHEN YOU GET THAT FINISHED, WOULD YOU PLEASE SEND UP THE POLICE? 1679 00:55:42,406 --> 00:55:44,340 WOULD YOU PLEASE SEND UP THE POLICE? GOOD NIGHT. 1680 00:55:57,186 --> 00:56:01,901 HOW ARE YOU? I MAY OR MAY NOT BE BUCK HENRY, BUT I AM HOSTING NEXT WEEK'S 1681 00:56:01,925 --> 00:56:03,670 I MAY OR MAY NOT BE BUCK HENRY, BUT I AM HOSTING NEXT WEEK'S SHOW WITH LEON REDBONE AS MY 1682 00:56:03,694 --> 00:56:05,439 BUT I AM HOSTING NEXT WEEK'S SHOW WITH LEON REDBONE AS MY GUEST AND THE FIVE... COUNT 1683 00:56:05,463 --> 00:56:07,341 SHOW WITH LEON REDBONE AS MY GUEST AND THE FIVE... COUNT THEM, FIVE... FINALISTS IN THE 1684 00:56:07,365 --> 00:56:08,542 GUEST AND THE FIVE... COUNT THEM, FIVE... FINALISTS IN THE "ANYONE CAN HOST" 1685 00:56:08,566 --> 00:56:10,711 THEM, FIVE... FINALISTS IN THE "ANYONE CAN HOST" "SATURDAY NIGHT" SHOW CONTEST. 1686 00:56:10,735 --> 00:56:12,746 "ANYONE CAN HOST" "SATURDAY NIGHT" SHOW CONTEST. WE'VE READ 150,000 POSTCARDS 1687 00:56:12,770 --> 00:56:14,581 "SATURDAY NIGHT" SHOW CONTEST. WE'VE READ 150,000 POSTCARDS FROM YOU AND, BELIEVE ME, 1688 00:56:14,605 --> 00:56:17,751 WE'VE READ 150,000 POSTCARDS FROM YOU AND, BELIEVE ME, AMERICA'S IN A LOT OF TROUBLE. 1689 00:56:17,775 --> 00:56:20,375 FROM YOU AND, BELIEVE ME, AMERICA'S IN A LOT OF TROUBLE. [APPLAUSE] 1690 00:56:28,585 --> 00:56:36,585 ♪ THERE'S A BRIGHT GOLDEN HAZE IN THE MEADOW ♪ ♪ AH, PEOPLE ♪ 1691 00:56:42,366 --> 00:56:47,947 HAZE IN THE MEADOW ♪ ♪ AH, PEOPLE ♪ ♪ THERE'S A BRIGHT GOLDEN HAZE 1692 00:56:47,971 --> 00:56:54,388 ♪ AH, PEOPLE ♪ ♪ THERE'S A BRIGHT GOLDEN HAZE IN THE MEADOW ♪ 1693 00:56:54,412 --> 00:56:58,124 ♪ THERE'S A BRIGHT GOLDEN HAZE IN THE MEADOW ♪ ♪ THE CORN IS AS HIGH 1694 00:56:58,148 --> 00:57:03,062 IN THE MEADOW ♪ ♪ THE CORN IS AS HIGH AS AN ELEPHANT'S EYE ♪ 1695 00:57:03,086 --> 00:57:05,699 ♪ THE CORN IS AS HIGH AS AN ELEPHANT'S EYE ♪ ♪ AND IT LOOKS LIKE IT'S 1696 00:57:05,723 --> 00:57:08,769 AS AN ELEPHANT'S EYE ♪ ♪ AND IT LOOKS LIKE IT'S CLIMBING ♪ 1697 00:57:08,793 --> 00:57:16,510 ♪ AND IT LOOKS LIKE IT'S CLIMBING ♪ ♪ CLEAR UP TO THE SKY ♪ 1698 00:57:16,534 --> 00:57:19,446 CLIMBING ♪ ♪ CLEAR UP TO THE SKY ♪ ♪ WELL ♪ 1699 00:57:19,470 --> 00:57:22,148 ♪ CLEAR UP TO THE SKY ♪ ♪ WELL ♪ ♪ I SAY, OH, WHAT A BEAUTIFUL 1700 00:57:22,172 --> 00:57:23,983 ♪ WELL ♪ ♪ I SAY, OH, WHAT A BEAUTIFUL MORNING ♪ 1701 00:57:24,007 --> 00:57:26,319 ♪ I SAY, OH, WHAT A BEAUTIFUL MORNING ♪ ♪ YEAH ♪ 1702 00:57:26,343 --> 00:57:29,790 MORNING ♪ ♪ YEAH ♪ ♪ YES, WHAT A WONDERFUL DAY ♪ 1703 00:57:29,814 --> 00:57:32,225 ♪ YEAH ♪ ♪ YES, WHAT A WONDERFUL DAY ♪ Y'ALL, LOOK OUT THERE. 1704 00:57:32,249 --> 00:57:36,730 ♪ YES, WHAT A WONDERFUL DAY ♪ Y'ALL, LOOK OUT THERE. ♪ I'VE GOT A BEAUTIFUL FEELING ♪ 1705 00:57:36,754 --> 00:57:40,567 Y'ALL, LOOK OUT THERE. ♪ I'VE GOT A BEAUTIFUL FEELING ♪ ♪ EVERYTHING ♪ 1706 00:57:40,591 --> 00:57:46,640 ♪ I'VE GOT A BEAUTIFUL FEELING ♪ ♪ EVERYTHING ♪ ♪ EVERYTHING GOING MY WAY ♪ 1707 00:57:46,664 --> 00:57:53,447 ♪ EVERYTHING ♪ ♪ EVERYTHING GOING MY WAY ♪ Y'ALL COME ON NOW. 1708 00:57:53,471 --> 00:57:56,416 ♪ EVERYTHING GOING MY WAY ♪ Y'ALL COME ON NOW. ♪ WHOA, THE CATTLE ARE STANDING 1709 00:57:56,440 --> 00:57:58,518 Y'ALL COME ON NOW. ♪ WHOA, THE CATTLE ARE STANDING LIKE STATUES ♪ 1710 00:57:58,542 --> 00:57:59,953 ♪ WHOA, THE CATTLE ARE STANDING LIKE STATUES ♪ ♪ HMMM ♪ 1711 00:57:59,977 --> 00:58:02,789 LIKE STATUES ♪ ♪ HMMM ♪ ♪ THE CATTLE ARE STANDING LIKE 1712 00:58:02,813 --> 00:58:05,659 ♪ HMMM ♪ ♪ THE CATTLE ARE STANDING LIKE STATUES ♪ 1713 00:58:05,683 --> 00:58:08,361 ♪ THE CATTLE ARE STANDING LIKE STATUES ♪ ♪ THEY DON'T TURN THEIR HEADS 1714 00:58:08,385 --> 00:58:11,064 STATUES ♪ ♪ THEY DON'T TURN THEIR HEADS AS THEY SEE ME RIDE BY ♪ 1715 00:58:11,088 --> 00:58:13,867 ♪ THEY DON'T TURN THEIR HEADS AS THEY SEE ME RIDE BY ♪ ♪ BUT A LITTLE BROWN MAVERICK 1716 00:58:13,891 --> 00:58:15,669 AS THEY SEE ME RIDE BY ♪ ♪ BUT A LITTLE BROWN MAVERICK IS WINKIN' HER EYE ♪ 1717 00:58:15,693 --> 00:58:18,404 ♪ BUT A LITTLE BROWN MAVERICK IS WINKIN' HER EYE ♪ ♪ SHE SAID, OH, WHAT A BEAUTIFUL 1718 00:58:18,428 --> 00:58:21,708 IS WINKIN' HER EYE ♪ ♪ SHE SAID, OH, WHAT A BEAUTIFUL MORNING, YEAH ♪ 1719 00:58:21,732 --> 00:58:22,843 ♪ SHE SAID, OH, WHAT A BEAUTIFUL MORNING, YEAH ♪ YEAH! 1720 00:58:22,867 --> 00:58:25,812 MORNING, YEAH ♪ YEAH! ♪ WELL, WHAT A WONDERFUL DAY ♪ 1721 00:58:25,836 --> 00:58:27,313 YEAH! ♪ WELL, WHAT A WONDERFUL DAY ♪ ♪ I WANT Y'ALL TO KNOW, 1722 00:58:27,337 --> 00:58:28,414 ♪ WELL, WHAT A WONDERFUL DAY ♪ ♪ I WANT Y'ALL TO KNOW, KNOW, KNOW ♪ 1723 00:58:28,438 --> 00:58:31,985 ♪ I WANT Y'ALL TO KNOW, KNOW, KNOW ♪ ♪ I'VE GOT A BEAUTIFUL FEELIN' ♪ 1724 00:58:32,009 --> 00:58:35,355 KNOW, KNOW ♪ ♪ I'VE GOT A BEAUTIFUL FEELIN' ♪ ♪ I GOT EVERYTHING ♪ 1725 00:58:35,379 --> 00:58:42,195 ♪ I'VE GOT A BEAUTIFUL FEELIN' ♪ ♪ I GOT EVERYTHING ♪ ♪ EVERYTHING GOIN' MY WAY ♪ 1726 00:58:42,219 --> 00:58:44,598 ♪ I GOT EVERYTHING ♪ ♪ EVERYTHING GOIN' MY WAY ♪ ♪ EVERYTHING GOIN' MY WAY ♪ 1727 00:58:44,622 --> 00:58:46,032 ♪ EVERYTHING GOIN' MY WAY ♪ ♪ EVERYTHING GOIN' MY WAY ♪ ♪ MY WAY ♪ 1728 00:58:46,056 --> 00:58:47,667 ♪ EVERYTHING GOIN' MY WAY ♪ ♪ MY WAY ♪ ALL RIGHT, Y'ALL, DO IT TO ME 1729 00:58:47,691 --> 00:58:49,603 ♪ MY WAY ♪ ALL RIGHT, Y'ALL, DO IT TO ME NOW. 1730 00:58:49,627 --> 00:58:54,474 ALL RIGHT, Y'ALL, DO IT TO ME NOW. [MUSICAL INTERLUDE] 1731 00:58:54,498 --> 00:58:57,076 NOW. [MUSICAL INTERLUDE] OH! 1732 00:58:57,100 --> 00:59:02,716 [MUSICAL INTERLUDE] OH! ALL RIGHT NOW! 1733 00:59:02,740 --> 00:59:04,673 OH! ALL RIGHT NOW! UH-HUH. 1734 00:59:21,123 --> 00:59:29,123 ♪ WHOA, THE SOUNDS OF THE EARTH ARE LIKE MUSIC ♪ ♪ THE SOUNDS OF THE EARTH ARE 1735 00:59:30,167 --> 00:59:33,947 ARE LIKE MUSIC ♪ ♪ THE SOUNDS OF THE EARTH ARE LIKE MUSIC ♪ 1736 00:59:33,971 --> 00:59:36,416 ♪ THE SOUNDS OF THE EARTH ARE LIKE MUSIC ♪ ♪ THE BREEZE IS AS BUSY ♪ 1737 00:59:36,440 --> 00:59:39,553 LIKE MUSIC ♪ ♪ THE BREEZE IS AS BUSY ♪ ♪ IT DON'T MISS A TREE ♪ 1738 00:59:39,577 --> 00:59:40,987 ♪ THE BREEZE IS AS BUSY ♪ ♪ IT DON'T MISS A TREE ♪ ♪ AND A LITTLE OL' WEEPIN' 1739 00:59:41,011 --> 00:59:42,355 ♪ IT DON'T MISS A TREE ♪ ♪ AND A LITTLE OL' WEEPIN' WILLOW ♪ 1740 00:59:42,379 --> 00:59:44,190 ♪ AND A LITTLE OL' WEEPIN' WILLOW ♪ ♪ IS LAUGHIN' AT ME ♪ 1741 00:59:44,214 --> 00:59:46,927 WILLOW ♪ ♪ IS LAUGHIN' AT ME ♪ ♪ SHE SAID, OH, WHAT A BEAUTIFUL 1742 00:59:46,951 --> 00:59:50,764 ♪ IS LAUGHIN' AT ME ♪ ♪ SHE SAID, OH, WHAT A BEAUTIFUL MORNING ♪ 1743 00:59:50,788 --> 00:59:56,502 ♪ SHE SAID, OH, WHAT A BEAUTIFUL MORNING ♪ ♪ YES, WHAT A WONDERFUL DAY ♪ 1744 00:59:56,526 --> 00:59:58,504 MORNING ♪ ♪ YES, WHAT A WONDERFUL DAY ♪ ♪ YEAH, I GOT A BEAUTIFUL 1745 00:59:58,528 --> 01:00:00,273 ♪ YES, WHAT A WONDERFUL DAY ♪ ♪ YEAH, I GOT A BEAUTIFUL FEELIN' ♪ 1746 01:00:00,297 --> 01:00:02,976 ♪ YEAH, I GOT A BEAUTIFUL FEELIN' ♪ ♪ I GOT EVERYTHING ♪ 1747 01:00:03,000 --> 01:00:05,712 FEELIN' ♪ ♪ I GOT EVERYTHING ♪ ♪ I GOT EVERYTHING ♪ 1748 01:00:05,736 --> 01:00:08,414 ♪ I GOT EVERYTHING ♪ ♪ I GOT EVERYTHING ♪ ♪ I GOT EVERYTHING ♪ 1749 01:00:08,438 --> 01:00:09,816 ♪ I GOT EVERYTHING ♪ ♪ I GOT EVERYTHING ♪ ♪ WHOO ♪ 1750 01:00:09,840 --> 01:00:12,619 ♪ I GOT EVERYTHING ♪ ♪ WHOO ♪ ♪ EVERYTHING GOIN' MY WAY ♪ 1751 01:00:12,643 --> 01:00:13,787 ♪ WHOO ♪ ♪ EVERYTHING GOIN' MY WAY ♪ [CHUCKLES] 1752 01:00:13,811 --> 01:00:14,821 ♪ EVERYTHING GOIN' MY WAY ♪ [CHUCKLES] I'M SORRY. 1753 01:00:14,845 --> 01:00:16,456 [CHUCKLES] I'M SORRY. ♪ BUT I GOT EVERYTHING GOIN' 1754 01:00:16,480 --> 01:00:17,891 I'M SORRY. ♪ BUT I GOT EVERYTHING GOIN' MY WAY ♪ 1755 01:00:17,915 --> 01:00:21,728 ♪ BUT I GOT EVERYTHING GOIN' MY WAY ♪ ♪ MY WAY ♪ 1756 01:00:21,752 --> 01:00:23,597 MY WAY ♪ ♪ MY WAY ♪ ♪ WHOA, BABY ♪ 1757 01:00:23,621 --> 01:00:27,300 ♪ MY WAY ♪ ♪ WHOA, BABY ♪ ♪ OHH ♪ 1758 01:00:27,324 --> 01:00:32,238 ♪ WHOA, BABY ♪ ♪ OHH ♪ ♪ OH, BABY ♪ 1759 01:00:32,262 --> 01:00:34,007 ♪ OHH ♪ ♪ OH, BABY ♪ ♪ I WANNA THANK YOU, LITTLE 1760 01:00:34,031 --> 01:00:37,010 ♪ OH, BABY ♪ ♪ I WANNA THANK YOU, LITTLE GIRL ♪ 1761 01:00:37,034 --> 01:00:42,649 ♪ I WANNA THANK YOU, LITTLE GIRL ♪ ♪ FOR SUCH A WONDERFUL DAY ♪ 1762 01:00:42,673 --> 01:00:47,286 GIRL ♪ ♪ FOR SUCH A WONDERFUL DAY ♪ ♪ I GOT A BEAUTIFUL FEELIN' ♪ 1763 01:00:47,310 --> 01:00:53,727 ♪ FOR SUCH A WONDERFUL DAY ♪ ♪ I GOT A BEAUTIFUL FEELIN' ♪ ♪ EVERYTHING GOIN' MY WAY ♪ 1764 01:00:53,751 --> 01:00:57,030 ♪ I GOT A BEAUTIFUL FEELIN' ♪ ♪ EVERYTHING GOIN' MY WAY ♪ [CHEERS AND APPLAUSE] 1765 01:00:57,054 --> 01:00:59,165 ♪ EVERYTHING GOIN' MY WAY ♪ [CHEERS AND APPLAUSE] [MUSIC ENDS] 1766 01:00:59,189 --> 01:01:03,837 [CHEERS AND APPLAUSE] [MUSIC ENDS] ALL RIGHT. 1767 01:01:03,861 --> 01:01:11,861 [MUSIC ENDS] ALL RIGHT. HEY, HEY, HEY. 1768 01:01:12,469 --> 01:01:14,280 ALL RIGHT. HEY, HEY, HEY. [INTRO TO "I CAN'T STOP LOVING 1769 01:01:14,304 --> 01:01:16,282 HEY, HEY, HEY. [INTRO TO "I CAN'T STOP LOVING YOU" PLAYS] 1770 01:01:16,306 --> 01:01:22,255 [INTRO TO "I CAN'T STOP LOVING YOU" PLAYS] ♪ I CAN'T STOP LOVING YOU ♪ 1771 01:01:22,279 --> 01:01:23,757 [YOU" PLAYS] ♪ I CAN'T STOP LOVING YOU ♪ [Imitating Ray Charles] 1772 01:01:23,781 --> 01:01:30,964 ♪ I CAN'T STOP LOVING YOU ♪ [Imitating Ray Charles] ♪ IT'S USELESS TO SAY ♪ 1773 01:01:30,988 --> 01:01:36,736 [Imitating Ray Charles] ♪ IT'S USELESS TO SAY ♪ ♪ TO LIVE IN MEMORY 1774 01:01:36,760 --> 01:01:40,640 ♪ IT'S USELESS TO SAY ♪ ♪ TO LIVE IN MEMORY OF THE LONESOME TIMES ♪ 1775 01:01:40,664 --> 01:01:41,775 ♪ TO LIVE IN MEMORY OF THE LONESOME TIMES ♪ [LAUGHTER] 1776 01:01:41,799 --> 01:01:43,076 OF THE LONESOME TIMES ♪ [LAUGHTER] SING THE SONG. 1777 01:01:43,100 --> 01:01:49,916 [LAUGHTER] SING THE SONG. ♪ I CAN'T STOP WANTING YOU ♪ 1778 01:01:49,940 --> 01:01:53,053 SING THE SONG. ♪ I CAN'T STOP WANTING YOU ♪ ♪ I'VE MADE UP MY MIND ♪ 1779 01:01:53,077 --> 01:01:56,022 ♪ I CAN'T STOP WANTING YOU ♪ ♪ I'VE MADE UP MY MIND ♪ [CHEERS AND APPLAUSE] 1780 01:01:56,046 --> 01:01:59,492 ♪ I'VE MADE UP MY MIND ♪ [CHEERS AND APPLAUSE] ♪ SO I'LL JUST LIVE MY LIFE ♪ 1781 01:01:59,516 --> 01:02:01,928 [CHEERS AND APPLAUSE] ♪ SO I'LL JUST LIVE MY LIFE ♪ [LAUGHTER] 1782 01:02:01,952 --> 01:02:07,834 ♪ SO I'LL JUST LIVE MY LIFE ♪ [LAUGHTER] ♪ IN DREAMS OF YESTERDAY ♪ 1783 01:02:07,858 --> 01:02:11,671 [LAUGHTER] ♪ IN DREAMS OF YESTERDAY ♪ [Normal voice] ALL RIGHT. 1784 01:02:11,695 --> 01:02:13,239 ♪ IN DREAMS OF YESTERDAY ♪ [Normal voice] ALL RIGHT. YOU PICKED UP ON IT. 1785 01:02:13,263 --> 01:02:14,841 [Normal voice] ALL RIGHT. YOU PICKED UP ON IT. I PICKED UP ON IT. 1786 01:02:14,865 --> 01:02:17,010 YOU PICKED UP ON IT. I PICKED UP ON IT. I TAKE IT YOU DIDN'T KNOW YOUR 1787 01:02:17,034 --> 01:02:17,643 I PICKED UP ON IT. I TAKE IT YOU DIDN'T KNOW YOUR LINE. 1788 01:02:17,667 --> 01:02:18,712 I TAKE IT YOU DIDN'T KNOW YOUR LINE. I FORGOT. 1789 01:02:18,736 --> 01:02:20,947 LINE. I FORGOT. BUT YOU SOUND LIKE RAY CHARLES, 1790 01:02:20,971 --> 01:02:22,248 I FORGOT. BUT YOU SOUND LIKE RAY CHARLES, BUT I LOOK LIKE HIM. 1791 01:02:22,272 --> 01:02:23,149 BUT YOU SOUND LIKE RAY CHARLES, BUT I LOOK LIKE HIM. HI, KIDS. 1792 01:02:23,173 --> 01:02:24,450 BUT I LOOK LIKE HIM. HI, KIDS. OH, HI, MR. MIKE. 1793 01:02:24,474 --> 01:02:25,551 HI, KIDS. OH, HI, MR. MIKE. HI, MR. MIKE. 1794 01:02:25,575 --> 01:02:27,486 OH, HI, MR. MIKE. HI, MR. MIKE. HEY, I DON'T MEAN TO BREAK UP 1795 01:02:27,510 --> 01:02:29,155 HI, MR. MIKE. HEY, I DON'T MEAN TO BREAK UP THE FUN HERE, BUT WE HAVE A 1796 01:02:29,179 --> 01:02:30,656 HEY, I DON'T MEAN TO BREAK UP THE FUN HERE, BUT WE HAVE A LITTLE SURPRISE FOR RAY. 1797 01:02:30,680 --> 01:02:32,225 THE FUN HERE, BUT WE HAVE A LITTLE SURPRISE FOR RAY. OH, A SURPRISE. OKAY. 1798 01:02:32,249 --> 01:02:33,492 LITTLE SURPRISE FOR RAY. OH, A SURPRISE. OKAY. OOH, A SURPRISE. 1799 01:02:33,516 --> 01:02:35,494 OH, A SURPRISE. OKAY. OOH, A SURPRISE. YOU KNOW, WE KIDDED RAY A LOT 1800 01:02:35,518 --> 01:02:37,097 OOH, A SURPRISE. YOU KNOW, WE KIDDED RAY A LOT TONIGHT, BUT BLINDNESS IS 1801 01:02:37,121 --> 01:02:38,431 YOU KNOW, WE KIDDED RAY A LOT TONIGHT, BUT BLINDNESS IS NOTHING TO KID ABOUT. 1802 01:02:38,455 --> 01:02:40,333 TONIGHT, BUT BLINDNESS IS NOTHING TO KID ABOUT. SO, WE AT "SATURDAY NIGHT," WITH 1803 01:02:40,357 --> 01:02:42,102 NOTHING TO KID ABOUT. SO, WE AT "SATURDAY NIGHT," WITH THE NETWORK, SET UP SORT OF A 1804 01:02:42,126 --> 01:02:43,069 SO, WE AT "SATURDAY NIGHT," WITH THE NETWORK, SET UP SORT OF A MATCHING FUND. 1805 01:02:43,093 --> 01:02:44,771 THE NETWORK, SET UP SORT OF A MATCHING FUND. AND WE WERE ABLE TO PURCHASE 1806 01:02:44,795 --> 01:02:46,206 MATCHING FUND. AND WE WERE ABLE TO PURCHASE THIS LOVELY PAINTING IN 1807 01:02:46,230 --> 01:02:48,074 AND WE WERE ABLE TO PURCHASE THIS LOVELY PAINTING IN APPRECIATION OF RAY CHARLES AND 1808 01:02:48,098 --> 01:02:49,876 THIS LOVELY PAINTING IN APPRECIATION OF RAY CHARLES AND THE COURAGEOUS EXAMPLE HE SETS 1809 01:02:49,900 --> 01:02:51,745 APPRECIATION OF RAY CHARLES AND THE COURAGEOUS EXAMPLE HE SETS FOR ALL OF US, BESIDES BEING ON 1810 01:02:51,769 --> 01:02:53,079 THE COURAGEOUS EXAMPLE HE SETS FOR ALL OF US, BESIDES BEING ON HECK OF A GOOD SPORT. 1811 01:02:53,103 --> 01:02:55,081 FOR ALL OF US, BESIDES BEING ON HECK OF A GOOD SPORT. AND SO, IN RAY'S NAME, WE'RE 1812 01:02:55,105 --> 01:02:57,150 HECK OF A GOOD SPORT. AND SO, IN RAY'S NAME, WE'RE DONATING THIS PAINTING TO THE 1813 01:02:57,174 --> 01:02:59,285 AND SO, IN RAY'S NAME, WE'RE DONATING THIS PAINTING TO THE LIGHTHOUSE OF THE BLIND IN THE 1814 01:02:59,309 --> 01:03:01,487 DONATING THIS PAINTING TO THE LIGHTHOUSE OF THE BLIND IN THE HOPE THAT, SOMEDAY, ALL WILL BE 1815 01:03:01,511 --> 01:03:02,255 LIGHTHOUSE OF THE BLIND IN THE HOPE THAT, SOMEDAY, ALL WILL BE ABLE TO SEE IT. 1816 01:03:02,279 --> 01:03:03,689 HOPE THAT, SOMEDAY, ALL WILL BE ABLE TO SEE IT. LET ME JUST PULL THE STRING HERE 1817 01:03:03,713 --> 01:03:05,058 ABLE TO SEE IT. LET ME JUST PULL THE STRING HERE AND GIVE YOU A LOOK AT WHAT I'M 1818 01:03:05,082 --> 01:03:07,861 LET ME JUST PULL THE STRING HERE AND GIVE YOU A LOOK AT WHAT I'M TALKING ABOUT. 1819 01:03:07,885 --> 01:03:09,829 AND GIVE YOU A LOOK AT WHAT I'M TALKING ABOUT. IT WAS PAINTED IN 1909 BY THE 1820 01:03:09,853 --> 01:03:11,264 TALKING ABOUT. IT WAS PAINTED IN 1909 BY THE FRENCH IMPRESSIONIST 1821 01:03:11,288 --> 01:03:13,432 IT WAS PAINTED IN 1909 BY THE FRENCH IMPRESSIONIST CLAUDE MONET, AND IT'S ENTITLED, 1822 01:03:13,456 --> 01:03:15,568 FRENCH IMPRESSIONIST CLAUDE MONET, AND IT'S ENTITLED, AS YOU MAY HAVE ALREADY GUESSED, 1823 01:03:15,592 --> 01:03:17,503 CLAUDE MONET, AND IT'S ENTITLED, AS YOU MAY HAVE ALREADY GUESSED, "THE OLD WINDMILL." 1824 01:03:17,527 --> 01:03:18,805 AS YOU MAY HAVE ALREADY GUESSED, "THE OLD WINDMILL." THERE'S THAT SHIMMERING 1825 01:03:18,829 --> 01:03:20,073 "THE OLD WINDMILL." THERE'S THAT SHIMMERING IRIDESCENCE, THE SUBTLE 1826 01:03:20,097 --> 01:03:21,574 THERE'S THAT SHIMMERING IRIDESCENCE, THE SUBTLE INTERPLAY BETWEEN LIGHT AND 1827 01:03:21,598 --> 01:03:23,076 IRIDESCENCE, THE SUBTLE INTERPLAY BETWEEN LIGHT AND SHADOW THAT MONET WAS FAMOUS 1828 01:03:23,100 --> 01:03:23,509 INTERPLAY BETWEEN LIGHT AND SHADOW THAT MONET WAS FAMOUS FOR. 1829 01:03:23,533 --> 01:03:24,878 SHADOW THAT MONET WAS FAMOUS FOR. HARD TO DESCRIBE, REALLY. 1830 01:03:24,902 --> 01:03:26,345 FOR. HARD TO DESCRIBE, REALLY. YOU SORT OF HAVE TO SEE IT. 1831 01:03:26,369 --> 01:03:28,014 HARD TO DESCRIBE, REALLY. YOU SORT OF HAVE TO SEE IT. RAY, I'M SURE THERE'S SOMETHING 1832 01:03:28,038 --> 01:03:29,482 YOU SORT OF HAVE TO SEE IT. RAY, I'M SURE THERE'S SOMETHING YOU WANT TO SAY. 1833 01:03:29,506 --> 01:03:31,785 RAY, I'M SURE THERE'S SOMETHING YOU WANT TO SAY. WELL, I WOULD LIKE TO SAY 1834 01:03:31,809 --> 01:03:34,320 YOU WANT TO SAY. WELL, I WOULD LIKE TO SAY THAT OUT OF ALL THE AWARDS THAT 1835 01:03:34,344 --> 01:03:37,490 WELL, I WOULD LIKE TO SAY THAT OUT OF ALL THE AWARDS THAT I RECEIVED, I GOT TO TELL YOU. 1836 01:03:37,514 --> 01:03:40,626 THAT OUT OF ALL THE AWARDS THAT I RECEIVED, I GOT TO TELL YOU. THIS ONE, WITHOUT DOUBT, MAKES 1837 01:03:40,650 --> 01:03:41,727 I RECEIVED, I GOT TO TELL YOU. THIS ONE, WITHOUT DOUBT, MAKES ME THAT HAPPIEST. 1838 01:03:41,751 --> 01:03:43,562 THIS ONE, WITHOUT DOUBT, MAKES ME THAT HAPPIEST. SO, LET ME THANK YOU, MR. MIKE, 1839 01:03:43,586 --> 01:03:45,331 ME THAT HAPPIEST. SO, LET ME THANK YOU, MR. MIKE, AND I ALSO WOULD LIKE TO THANK 1840 01:03:45,355 --> 01:03:46,966 SO, LET ME THANK YOU, MR. MIKE, AND I ALSO WOULD LIKE TO THANK ALL THE WONDERFUL PEOPLE ON 1841 01:03:46,990 --> 01:03:48,968 AND I ALSO WOULD LIKE TO THANK ALL THE WONDERFUL PEOPLE ON "SATURDAY NIGHT LIVE" WHO'VE 1842 01:03:48,992 --> 01:03:50,904 ALL THE WONDERFUL PEOPLE ON "SATURDAY NIGHT LIVE" WHO'VE MADE THIS WEEK SO MUCH FUN. 1843 01:03:50,928 --> 01:03:51,805 "SATURDAY NIGHT LIVE" WHO'VE MADE THIS WEEK SO MUCH FUN. THANK YOU. 1844 01:03:51,829 --> 01:03:53,907 MADE THIS WEEK SO MUCH FUN. THANK YOU. HEY, WELL SAID. 1845 01:03:53,931 --> 01:04:00,814 THANK YOU. HEY, WELL SAID. [APPLAUSE] 1846 01:04:00,838 --> 01:04:01,881 HEY, WELL SAID. [APPLAUSE] SO, RAY, I'M SORRY. 1847 01:04:01,905 --> 01:04:02,648 [APPLAUSE] SO, RAY, I'M SORRY. I GOT TO RUN. 1848 01:04:02,672 --> 01:04:04,284 SO, RAY, I'M SORRY. I GOT TO RUN. I'LL SEE YOU LATER AT THE PARTY, 1849 01:04:04,308 --> 01:04:04,684 I GOT TO RUN. I'LL SEE YOU LATER AT THE PARTY, PAL. 1850 01:04:04,708 --> 01:04:06,085 I'LL SEE YOU LATER AT THE PARTY, PAL. OKAY, SEE YOU, MR. MIKE. 1851 01:04:06,109 --> 01:04:07,053 PAL. OKAY, SEE YOU, MR. MIKE. BYE, MR. MIKE. 1852 01:04:07,077 --> 01:04:08,688 OKAY, SEE YOU, MR. MIKE. BYE, MR. MIKE. BYE-BYE. 1853 01:04:08,712 --> 01:04:11,124 BYE, MR. MIKE. BYE-BYE. NOW, WHAT MR. MIKE DOESN'T 1854 01:04:11,148 --> 01:04:16,129 BYE-BYE. NOW, WHAT MR. MIKE DOESN'T KNOW IS AT THE PARTY ARE GOING 1855 01:04:16,153 --> 01:04:19,299 NOW, WHAT MR. MIKE DOESN'T KNOW IS AT THE PARTY ARE GOING TO BE 10 OR 12 OF THE BIGGEST 1856 01:04:19,323 --> 01:04:22,435 KNOW IS AT THE PARTY ARE GOING TO BE 10 OR 12 OF THE BIGGEST BLACK DUDES HE'S EVER SEEN IN 1857 01:04:22,459 --> 01:04:23,336 TO BE 10 OR 12 OF THE BIGGEST BLACK DUDES HE'S EVER SEEN IN HIS LIFE. 1858 01:04:23,360 --> 01:04:25,271 BLACK DUDES HE'S EVER SEEN IN HIS LIFE. AND THEY'RE GONNA WHUP HIM 1859 01:04:25,295 --> 01:04:27,540 HIS LIFE. AND THEY'RE GONNA WHUP HIM UPSIDE HIS HEAD AND BREAK EVERY 1860 01:04:27,564 --> 01:04:28,942 AND THEY'RE GONNA WHUP HIM UPSIDE HIS HEAD AND BREAK EVERY BONE IN HIS BODY. 1861 01:04:28,966 --> 01:04:30,910 UPSIDE HIS HEAD AND BREAK EVERY BONE IN HIS BODY. SO, PLEASE DON'T TELL HIM. 1862 01:04:30,934 --> 01:04:33,112 BONE IN HIS BODY. SO, PLEASE DON'T TELL HIM. WE'LL BE RIGHT BACK AFTER THIS 1863 01:04:33,136 --> 01:04:36,176 SO, PLEASE DON'T TELL HIM. WE'LL BE RIGHT BACK AFTER THIS NEXT FILMED MESSAGE. 1864 01:04:47,549 --> 01:04:54,100 I'M SO GLAD. THEY JUST TOLD ME THAT WE'VE GOT A WHOLE MINUTE LEFT, YOU KNOW? 1865 01:04:54,124 --> 01:04:55,969 THEY JUST TOLD ME THAT WE'VE GOT A WHOLE MINUTE LEFT, YOU KNOW? THAT'S HIGHLY UNUSUAL FOR THIS 1866 01:04:55,993 --> 01:04:56,535 A WHOLE MINUTE LEFT, YOU KNOW? THAT'S HIGHLY UNUSUAL FOR THIS SHOW. 1867 01:04:56,559 --> 01:04:58,238 THAT'S HIGHLY UNUSUAL FOR THIS SHOW. BUT THIS IS STRAIGHT AHEAD. 1868 01:04:58,262 --> 01:05:00,173 SHOW. BUT THIS IS STRAIGHT AHEAD. BEFORE WE GET TOO LOST HERE, 1869 01:05:00,197 --> 01:05:02,141 BUT THIS IS STRAIGHT AHEAD. BEFORE WE GET TOO LOST HERE, EVERYBODY THAT'S AROUND ME, I 1870 01:05:02,165 --> 01:05:03,977 BEFORE WE GET TOO LOST HERE, EVERYBODY THAT'S AROUND ME, I REALLY WANT TO SAY, TRULY, 1871 01:05:04,001 --> 01:05:05,879 EVERYBODY THAT'S AROUND ME, I REALLY WANT TO SAY, TRULY, THANKS TO ALL OF YOU PEOPLE. 1872 01:05:05,903 --> 01:05:07,813 REALLY WANT TO SAY, TRULY, THANKS TO ALL OF YOU PEOPLE. AND WOULD YOU ALL JUST SAY A 1873 01:05:07,837 --> 01:05:09,415 THANKS TO ALL OF YOU PEOPLE. AND WOULD YOU ALL JUST SAY A NICE "THANK YOU AND GOOD NIGHT"? 1874 01:05:09,439 --> 01:05:10,884 AND WOULD YOU ALL JUST SAY A NICE "THANK YOU AND GOOD NIGHT"? AND THEN WHAT I WANT TO DO IS 1875 01:05:10,908 --> 01:05:12,451 NICE "THANK YOU AND GOOD NIGHT"? AND THEN WHAT I WANT TO DO IS JUST SORT OF GET INTO... CAN WE 1876 01:05:12,475 --> 01:05:13,719 AND THEN WHAT I WANT TO DO IS JUST SORT OF GET INTO... CAN WE JUST CLOSE WITH A LITTLE 1877 01:05:13,743 --> 01:05:15,221 JUST SORT OF GET INTO... CAN WE JUST CLOSE WITH A LITTLE SOMETHING A LITTLE MORE LIVELY 1878 01:05:15,245 --> 01:05:16,789 JUST CLOSE WITH A LITTLE SOMETHING A LITTLE MORE LIVELY THAN THE BAND AND JUST LET THEM 1879 01:05:16,813 --> 01:05:18,524 SOMETHING A LITTLE MORE LIVELY THAN THE BAND AND JUST LET THEM SORT OF FOLLOW US, LIKE... 1880 01:05:18,548 --> 01:05:20,226 THAN THE BAND AND JUST LET THEM SORT OF FOLLOW US, LIKE... [PIANO PLAYS UPBEAT MUSIC] 1881 01:05:20,250 --> 01:05:22,730 SORT OF FOLLOW US, LIKE... [PIANO PLAYS UPBEAT MUSIC] [SCATTING] 1882 01:05:44,974 --> 01:05:47,575 ♪ HERE ON "SATURDAY NIGHT" ♪ 1883 01:05:47,709 --> 01:05:51,612 ♪ ON "SATURDAY NIGHT" ♪ 1884 01:05:51,747 --> 01:05:54,082 [SCATTING] 1885 01:05:54,216 --> 01:05:55,750 ♪ ON "SATURDAY NIGHT" ♪ 1886 01:05:55,884 --> 01:05:57,652 ♪ YEAH, WE GONNA KEEP ON 1887 01:05:57,786 --> 01:05:58,519 SWINGIN', YEAH... ♪ 1888 01:05:58,654 --> 01:05:59,934 Announcer: MR. MIKE IS PLAYED 1889 01:06:00,022 --> 01:06:01,423 BY MICHAEL O'DONOGHUE. 1890 01:06:01,557 --> 01:06:03,491 NEXT "SATURDAY NIGHT," OUR HOST 1891 01:06:03,625 --> 01:06:05,526 WILL BE BUCK HENRY WITH MUSICAL 1892 01:06:05,661 --> 01:06:07,595 GUEST LEON REDBONE AND THE FIVE 1893 01:06:07,729 --> 01:06:08,796 FINALISTS IN THE 1894 01:06:08,931 --> 01:06:10,598 "ANYONE CAN HOST" CONTEST. 1895 01:06:10,732 --> 01:06:12,600 BOY, I HOPE THEY DON'T HAVE AN 1896 01:06:12,734 --> 01:06:14,469 "ANYONE CAN ANNOUNCE" CONTEST. 1897 01:06:14,603 --> 01:06:16,271 NAH, THEY WOULDN'T DO THAT TO 1898 01:06:16,405 --> 01:06:16,737 ME. 1899 01:06:16,872 --> 01:06:18,806 THIS IS DON PARDO SAYING GOOD 1900 01:06:18,941 --> 01:06:22,577 NIGHT... ANYONE. 1901 01:06:22,711 --> 01:06:24,145 ♪ ...WANNA HAVE A LITTLE FUN, 1902 01:06:24,280 --> 01:06:25,313 Y'ALL ♪ 1903 01:06:25,448 --> 01:06:27,782 ♪ ON SATURDAY NIGHT ♪ 1904 01:06:27,916 --> 01:06:29,851 ♪ THAT'S WHERE IT ALL BEGUN, 1905 01:06:29,986 --> 01:06:30,685 Y'ALL ♪ 1906 01:06:30,819 --> 01:06:32,187 ♪ ON SATURDAY NIGHT ♪ 1907 01:06:32,321 --> 01:06:33,154 TELL ME! 1908 01:06:33,289 --> 01:06:34,522 ♪ WANNA HAVE A LITTLE FUN, 1909 01:06:34,656 --> 01:06:35,656 Y'ALL ♪ 1910 01:06:35,724 --> 01:06:38,293 ♪ ON SATURDAY NIGHT ♪ 1911 01:06:38,427 --> 01:06:40,195 ♪ THAT'S WHERE IT ALL BEGUN, 1912 01:06:40,329 --> 01:06:41,396 Y'ALL... ♪ 209327