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All language subtitles for SNL S01E08 Candice Bergen.DVDRip.HI.RLP.cc.en.UNVSL

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:14,914 --> 00:00:22,914 [PIANO INTRODUCTION PLAYS] ♪ PIN YOUR CHRISTMAS BONNET ♪ ♪ AND ALL THE TRIMS UPON IT ♪ 2 00:00:24,425 --> 00:00:30,673 ♪ PIN YOUR CHRISTMAS BONNET ♪ ♪ AND ALL THE TRIMS UPON IT ♪ ♪ LA LA, LA LA, LA LA ♪ 3 00:00:30,697 --> 00:00:32,075 ♪ AND ALL THE TRIMS UPON IT ♪ ♪ LA LA, LA LA, LA LA ♪ HERE IS YOUR COGNAC, 4 00:00:32,099 --> 00:00:33,510 ♪ LA LA, LA LA, LA LA ♪ HERE IS YOUR COGNAC, MR. PRESIDENT. 5 00:00:33,534 --> 00:00:36,279 HERE IS YOUR COGNAC, MR. PRESIDENT. FRED, YOU'VE BEEN WITH ME A 6 00:00:36,303 --> 00:00:37,947 MR. PRESIDENT. FRED, YOU'VE BEEN WITH ME A LONG TIME NOW. 7 00:00:37,971 --> 00:00:39,216 FRED, YOU'VE BEEN WITH ME A LONG TIME NOW. I DON'T THINK ON CHRISTMAS EVE 8 00:00:39,240 --> 00:00:40,083 LONG TIME NOW. I DON'T THINK ON CHRISTMAS EVE YOU HAVE TO CALL ME 9 00:00:40,107 --> 00:00:41,651 I DON'T THINK ON CHRISTMAS EVE YOU HAVE TO CALL ME MR. PRESIDENT ANYMORE. 10 00:00:41,675 --> 00:00:43,786 YOU HAVE TO CALL ME MR. PRESIDENT ANYMORE. UH, MR. PRESIDENT, MY NAME IS 11 00:00:43,810 --> 00:00:46,089 MR. PRESIDENT ANYMORE. UH, MR. PRESIDENT, MY NAME IS FRANK. 12 00:00:46,113 --> 00:00:47,157 UH, MR. PRESIDENT, MY NAME IS FRANK. FRANK? 13 00:00:47,181 --> 00:00:47,957 FRANK. FRANK? UH-HUH. 14 00:00:47,981 --> 00:00:49,692 FRANK? UH-HUH. WHAT SHOULD I CALL YOU? 15 00:00:49,716 --> 00:00:51,128 UH-HUH. WHAT SHOULD I CALL YOU? WELL, HOW ABOUT 16 00:00:51,152 --> 00:00:52,962 WHAT SHOULD I CALL YOU? WELL, HOW ABOUT DR. PRESIDENT? 17 00:00:52,986 --> 00:00:54,131 WELL, HOW ABOUT DR. PRESIDENT? OKAY. 18 00:00:54,155 --> 00:00:55,965 DR. PRESIDENT? OKAY. DR. PRESIDENT, THE FIRST LADY 19 00:00:55,989 --> 00:00:57,967 OKAY. DR. PRESIDENT, THE FIRST LADY SAYS THAT YOU SHOULD TURN UP THE 20 00:00:57,991 --> 00:00:59,536 DR. PRESIDENT, THE FIRST LADY SAYS THAT YOU SHOULD TURN UP THE CHRISTMAS CAROLS SO THAT 21 00:00:59,560 --> 00:01:00,537 SAYS THAT YOU SHOULD TURN UP THE CHRISTMAS CAROLS SO THAT EVERYONE CAN HEAR. 22 00:01:00,561 --> 00:01:03,440 CHRISTMAS CAROLS SO THAT EVERYONE CAN HEAR. NO PROBLEM THERE. 23 00:01:03,464 --> 00:01:07,444 EVERYONE CAN HEAR. NO PROBLEM THERE. [VOLUME DECREASES] 24 00:01:07,468 --> 00:01:08,878 NO PROBLEM THERE. [VOLUME DECREASES] WOULD YOU ASK BETTY TO COME IN 25 00:01:08,902 --> 00:01:10,113 [VOLUME DECREASES] WOULD YOU ASK BETTY TO COME IN AND HELP ME TRIM THE TREE, 26 00:01:10,137 --> 00:01:10,613 WOULD YOU ASK BETTY TO COME IN AND HELP ME TRIM THE TREE, PLEASE? 27 00:01:10,637 --> 00:01:12,015 AND HELP ME TRIM THE TREE, PLEASE? UH, YES, SIR. 28 00:01:12,039 --> 00:01:13,972 PLEASE? UH, YES, SIR. THANK YOU. 29 00:01:29,522 --> 00:01:35,338 [WHISTLES SOFTLY] UH, MR. PRESIDENT, IT'S TIME FOR YOUR CHRISTMAS EVE 30 00:01:35,362 --> 00:01:37,607 UH, MR. PRESIDENT, IT'S TIME FOR YOUR CHRISTMAS EVE FIRESIDE CHAT WITH THE NATION. 31 00:01:37,631 --> 00:01:38,542 FOR YOUR CHRISTMAS EVE FIRESIDE CHAT WITH THE NATION. OH, YES. 32 00:01:38,566 --> 00:01:39,509 FIRESIDE CHAT WITH THE NATION. OH, YES. ALL RIGHT. FINE. 33 00:01:39,533 --> 00:01:43,447 OH, YES. ALL RIGHT. FINE. THANK YOU. 34 00:01:43,471 --> 00:01:45,282 ALL RIGHT. FINE. THANK YOU. 10 SECONDS, MR. PRESIDENT. 35 00:01:45,306 --> 00:01:48,918 THANK YOU. 10 SECONDS, MR. PRESIDENT. OH. 36 00:01:48,942 --> 00:01:50,253 10 SECONDS, MR. PRESIDENT. OH. 5... 4... 37 00:01:50,277 --> 00:01:52,655 OH. 5... 4... MY FELLOW AMERICANS, MERRY 38 00:01:52,679 --> 00:01:53,823 5... 4... MY FELLOW AMERICANS, MERRY CHRISTMAS TO ALL OF YOU, AND 39 00:01:53,847 --> 00:01:54,491 MY FELLOW AMERICANS, MERRY CHRISTMAS TO ALL OF YOU, AND GOOD EVENING. 40 00:01:54,515 --> 00:01:55,559 CHRISTMAS TO ALL OF YOU, AND GOOD EVENING. Announcer: LADIES AND 41 00:01:55,583 --> 00:01:56,893 GOOD EVENING. Announcer: LADIES AND GENTLEMEN, THE PRESIDENT OF THE 42 00:01:56,917 --> 00:01:57,894 Announcer: LADIES AND GENTLEMEN, THE PRESIDENT OF THE UNITED STATES. 43 00:01:57,918 --> 00:02:00,630 GENTLEMEN, THE PRESIDENT OF THE UNITED STATES. JOIN ME FOR THIS CHRISTMAS 44 00:02:00,654 --> 00:02:01,298 UNITED STATES. JOIN ME FOR THIS CHRISTMAS EVE. 45 00:02:01,322 --> 00:02:03,166 JOIN ME FOR THIS CHRISTMAS EVE. PERHAPS SIT WITH ME BY THE 46 00:02:03,190 --> 00:02:05,168 EVE. PERHAPS SIT WITH ME BY THE FIRESIDE AND SPEND THIS TIME 47 00:02:05,192 --> 00:02:07,237 PERHAPS SIT WITH ME BY THE FIRESIDE AND SPEND THIS TIME TOGETHER AS I PUT UP JACK AND 48 00:02:07,261 --> 00:02:09,539 FIRESIDE AND SPEND THIS TIME TOGETHER AS I PUT UP JACK AND SUSAN'S STOCKINGS AND PUT THE 49 00:02:09,563 --> 00:02:11,308 TOGETHER AS I PUT UP JACK AND SUSAN'S STOCKINGS AND PUT THE FINAL ORNAMENT UP ON THE 50 00:02:11,332 --> 00:02:13,577 SUSAN'S STOCKINGS AND PUT THE FINAL ORNAMENT UP ON THE WHITE HOUSE TREE. 51 00:02:13,601 --> 00:02:15,044 FINAL ORNAMENT UP ON THE WHITE HOUSE TREE. THIS WILL, INDEED, BE A 52 00:02:15,068 --> 00:02:17,046 WHITE HOUSE TREE. THIS WILL, INDEED, BE A WONDERFUL CHRISTMAS FOR THE 53 00:02:17,070 --> 00:02:19,950 THIS WILL, INDEED, BE A WONDERFUL CHRISTMAS FOR THE ENTIRE NATION, I HOPE. 54 00:02:25,711 --> 00:02:33,711 PEACE AND GOODWILL... TOWARD ALL MEN. JUST PUT THE FINAL CHRISTMAS 55 00:02:37,158 --> 00:02:42,305 TOWARD ALL MEN. JUST PUT THE FINAL CHRISTMAS TREE ORNAMENT ON THE TREE. 56 00:02:42,329 --> 00:02:44,929 JUST PUT THE FINAL CHRISTMAS TREE ORNAMENT ON THE TREE. NO PROBLEM. 57 00:02:48,968 --> 00:02:55,340 LIVE FROM NEW YORK, IT'S "SATURDAY NIGHT"! [BAND PLAYS] 58 00:03:07,220 --> 00:03:11,756 Announcer: STARRING... 59 00:03:11,891 --> 00:03:13,692 WITH MUSICAL GUEST... 60 00:03:28,107 --> 00:03:32,844 GRAY PANTHER... 61 00:03:32,978 --> 00:03:35,013 THE NOT-READY-FOR-PRIME-TIME 62 00:03:35,147 --> 00:03:38,817 PLAYERS... 63 00:03:38,951 --> 00:03:40,919 AND... 64 00:03:45,458 --> 00:03:50,929 LADIES AND GENTLEMEN, CANDICE BERGEN. [CHEERS AND APPLAUSE] 65 00:04:13,185 --> 00:04:19,769 THANK YOU. THANK YOU VERY MUCH. I DON'T HAVE A SNAPPY MONOLOGUE 66 00:04:19,793 --> 00:04:20,470 THANK YOU VERY MUCH. I DON'T HAVE A SNAPPY MONOLOGUE TONIGHT. 67 00:04:20,494 --> 00:04:22,405 I DON'T HAVE A SNAPPY MONOLOGUE TONIGHT. I DON'T HAVE ANY SASSY REPARTEE 68 00:04:22,429 --> 00:04:23,840 TONIGHT. I DON'T HAVE ANY SASSY REPARTEE BECAUSE, IN FACT, DOING THIS 69 00:04:23,864 --> 00:04:25,442 I DON'T HAVE ANY SASSY REPARTEE BECAUSE, IN FACT, DOING THIS SHOW IS MY CHRISTMAS PRESENT TO 70 00:04:25,466 --> 00:04:25,942 BECAUSE, IN FACT, DOING THIS SHOW IS MY CHRISTMAS PRESENT TO MYSELF. 71 00:04:25,966 --> 00:04:27,477 SHOW IS MY CHRISTMAS PRESENT TO MYSELF. I HOSTED IT LAST MONTH, AND IT 72 00:04:27,501 --> 00:04:28,645 MYSELF. I HOSTED IT LAST MONTH, AND IT WAS ONE OF THE NICEST 73 00:04:28,669 --> 00:04:30,213 I HOSTED IT LAST MONTH, AND IT WAS ONE OF THE NICEST EXPERIENCES I'VE EVER HAD IN MY 74 00:04:30,237 --> 00:04:31,715 WAS ONE OF THE NICEST EXPERIENCES I'VE EVER HAD IN MY LIFE. 75 00:04:31,739 --> 00:04:33,216 EXPERIENCES I'VE EVER HAD IN MY LIFE. SO I WOULD LIKE TO THANK OUR 76 00:04:33,240 --> 00:04:34,751 LIFE. SO I WOULD LIKE TO THANK OUR PRODUCER, LORNE MICHAELS, FOR 77 00:04:34,775 --> 00:04:35,952 SO I WOULD LIKE TO THANK OUR PRODUCER, LORNE MICHAELS, FOR GIVING ME SUCH A SWELL 78 00:04:35,976 --> 00:04:36,619 PRODUCER, LORNE MICHAELS, FOR GIVING ME SUCH A SWELL CHRISTMAS... 79 00:04:36,643 --> 00:04:38,843 GIVING ME SUCH A SWELL CHRISTMAS... [CHEERS AND APPLAUSE] 80 00:04:45,785 --> 00:04:51,234 AND FOR CREATING A SHOW THAT IS SO SPECIAL, WITH SUCH SPECIAL PEOPLE. 81 00:04:51,258 --> 00:04:52,802 IS SO SPECIAL, WITH SUCH SPECIAL PEOPLE. AND SPEAKING OF SPECIAL PEOPLE, 82 00:04:52,826 --> 00:04:54,404 PEOPLE. AND SPEAKING OF SPECIAL PEOPLE, I CAN'T THINK OF A BETTER WAY TO 83 00:04:54,428 --> 00:04:55,671 AND SPEAKING OF SPECIAL PEOPLE, I CAN'T THINK OF A BETTER WAY TO START THE SHOW THAN WITH 84 00:04:55,695 --> 00:04:57,173 I CAN'T THINK OF A BETTER WAY TO START THE SHOW THAN WITH MARTHA REEVES, NOT TO MENTION 85 00:04:57,197 --> 00:04:58,608 START THE SHOW THAN WITH MARTHA REEVES, NOT TO MENTION HOWARD SHORE AND HIS BAND OF 86 00:04:58,632 --> 00:04:59,275 MARTHA REEVES, NOT TO MENTION HOWARD SHORE AND HIS BAND OF ANGELS. 87 00:04:59,299 --> 00:05:02,979 HOWARD SHORE AND HIS BAND OF ANGELS. [APPLAUSE] 88 00:05:03,003 --> 00:05:04,147 ANGELS. [APPLAUSE] [INTRODUCTION TO 89 00:05:04,171 --> 00:05:09,219 [APPLAUSE] [INTRODUCTION TO "HIGHER AND HIGHER" PLAYS] 90 00:05:09,243 --> 00:05:13,889 [INTRODUCTION TO "HIGHER AND HIGHER" PLAYS] ♪ OH, YEAH ♪ 91 00:05:13,913 --> 00:05:15,492 ["HIGHER AND HIGHER" PLAYS] ♪ OH, YEAH ♪ ♪ YOUR LOVE ♪ 92 00:05:15,516 --> 00:05:18,328 ♪ OH, YEAH ♪ ♪ YOUR LOVE ♪ ♪ LIFTED ME HIGHER ♪ 93 00:05:18,352 --> 00:05:20,163 ♪ YOUR LOVE ♪ ♪ LIFTED ME HIGHER ♪ ♪ THAN I'VE EVER ♪ 94 00:05:20,187 --> 00:05:23,166 ♪ LIFTED ME HIGHER ♪ ♪ THAN I'VE EVER ♪ ♪ BEEN LIFTED BEFORE ♪ 95 00:05:23,190 --> 00:05:25,101 ♪ THAN I'VE EVER ♪ ♪ BEEN LIFTED BEFORE ♪ ♪ SO, KEEP IT UP ♪ 96 00:05:25,125 --> 00:05:27,970 ♪ BEEN LIFTED BEFORE ♪ ♪ SO, KEEP IT UP ♪ ♪ QUENCH MY DESIRE ♪ 97 00:05:27,994 --> 00:05:30,306 ♪ SO, KEEP IT UP ♪ ♪ QUENCH MY DESIRE ♪ ♪ AND I'LL BE AT YOUR SIDE ♪ 98 00:05:30,330 --> 00:05:32,642 ♪ QUENCH MY DESIRE ♪ ♪ AND I'LL BE AT YOUR SIDE ♪ ♪ FOREVERMORE ♪ 99 00:05:32,666 --> 00:05:33,976 ♪ AND I'LL BE AT YOUR SIDE ♪ ♪ FOREVERMORE ♪ ♪ YOU KNOW, YOUR LOVE ♪ 100 00:05:34,000 --> 00:05:35,245 ♪ FOREVERMORE ♪ ♪ YOU KNOW, YOUR LOVE ♪ ♪ YOUR LOVE KEEPS LIFTING 101 00:05:35,269 --> 00:05:35,578 ♪ YOU KNOW, YOUR LOVE ♪ ♪ YOUR LOVE KEEPS LIFTING ME ♪ 102 00:05:35,602 --> 00:05:36,579 ♪ YOUR LOVE KEEPS LIFTING ME ♪ ♪ KEEPS ON LIFTING ME ♪ 103 00:05:36,603 --> 00:05:38,080 ME ♪ ♪ KEEPS ON LIFTING ME ♪ ♪ KEEPS ON LIFTING ME ♪ 104 00:05:38,104 --> 00:05:39,415 ♪ KEEPS ON LIFTING ME ♪ ♪ KEEPS ON LIFTING ME ♪ ♪ HIGHER ♪ 105 00:05:39,439 --> 00:05:41,684 ♪ KEEPS ON LIFTING ME ♪ ♪ HIGHER ♪ ♪ HIGHER AND HIGHER ♪ 106 00:05:41,708 --> 00:05:42,585 ♪ HIGHER ♪ ♪ HIGHER AND HIGHER ♪ ♪ HIGHER ♪ 107 00:05:42,609 --> 00:05:43,319 ♪ HIGHER AND HIGHER ♪ ♪ HIGHER ♪ ♪ YOUR LOVE ♪ 108 00:05:43,343 --> 00:05:44,654 ♪ HIGHER ♪ ♪ YOUR LOVE ♪ ♪ YOUR LOVE KEEPS LIFTING 109 00:05:44,678 --> 00:05:45,021 ♪ YOUR LOVE ♪ ♪ YOUR LOVE KEEPS LIFTING ME ♪ 110 00:05:45,045 --> 00:05:46,022 ♪ YOUR LOVE KEEPS LIFTING ME ♪ ♪ KEEPS ON ♪ 111 00:05:46,046 --> 00:05:47,524 ME ♪ ♪ KEEPS ON ♪ ♪ KEEPS ON LIFTING ME ♪ 112 00:05:47,548 --> 00:05:48,858 ♪ KEEPS ON ♪ ♪ KEEPS ON LIFTING ME ♪ ♪ LIFTING ME ♪ 113 00:05:48,882 --> 00:05:51,161 ♪ KEEPS ON LIFTING ME ♪ ♪ LIFTING ME ♪ ♪ HIGHER AND HIGHER ♪ 114 00:05:51,185 --> 00:05:52,162 ♪ LIFTING ME ♪ ♪ HIGHER AND HIGHER ♪ ♪ HIGHER ♪ 115 00:05:52,186 --> 00:05:56,599 ♪ HIGHER AND HIGHER ♪ ♪ HIGHER ♪ ♪ NOW, ONCE I WAS DOWNHEARTED ♪ 116 00:05:56,623 --> 00:05:59,602 ♪ HIGHER ♪ ♪ NOW, ONCE I WAS DOWNHEARTED ♪ ♪ DISAPPOINTMENT WAS MY CLOSEST 117 00:05:59,626 --> 00:06:01,437 ♪ NOW, ONCE I WAS DOWNHEARTED ♪ ♪ DISAPPOINTMENT WAS MY CLOSEST FRIEND ♪ 118 00:06:01,461 --> 00:06:03,439 ♪ DISAPPOINTMENT WAS MY CLOSEST FRIEND ♪ ♪ THEN YOU CAME ♪ 119 00:06:03,463 --> 00:06:06,409 FRIEND ♪ ♪ THEN YOU CAME ♪ ♪ AND IT SOON DEPARTED ♪ 120 00:06:06,433 --> 00:06:07,977 ♪ THEN YOU CAME ♪ ♪ AND IT SOON DEPARTED ♪ ♪ NOW YOU KNOW IT'S NEVER 121 00:06:08,001 --> 00:06:10,880 ♪ AND IT SOON DEPARTED ♪ ♪ NOW YOU KNOW IT'S NEVER SHOWING ITS FACE AGAIN ♪ 122 00:06:10,904 --> 00:06:12,048 ♪ NOW YOU KNOW IT'S NEVER SHOWING ITS FACE AGAIN ♪ ♪ IT'S BECAUSE YOUR LOVE ♪ 123 00:06:12,072 --> 00:06:13,183 SHOWING ITS FACE AGAIN ♪ ♪ IT'S BECAUSE YOUR LOVE ♪ ♪ YOUR LOVE KEEPS LIFTING 124 00:06:13,207 --> 00:06:13,516 ♪ IT'S BECAUSE YOUR LOVE ♪ ♪ YOUR LOVE KEEPS LIFTING ME ♪ 125 00:06:13,540 --> 00:06:14,817 ♪ YOUR LOVE KEEPS LIFTING ME ♪ ♪ KEEPS ON ♪ 126 00:06:14,841 --> 00:06:16,519 ME ♪ ♪ KEEPS ON ♪ ♪ KEEPS ON LIFTING ME ♪ 127 00:06:16,543 --> 00:06:17,654 ♪ KEEPS ON ♪ ♪ KEEPS ON LIFTING ME ♪ ♪ LIFTING ME ♪ 128 00:06:17,678 --> 00:06:19,922 ♪ KEEPS ON LIFTING ME ♪ ♪ LIFTING ME ♪ ♪ HIGHER AND HIGHER ♪ 129 00:06:19,946 --> 00:06:20,823 ♪ LIFTING ME ♪ ♪ HIGHER AND HIGHER ♪ ♪ HIGHER ♪ 130 00:06:20,847 --> 00:06:21,558 ♪ HIGHER AND HIGHER ♪ ♪ HIGHER ♪ ♪ YOUR LOVE ♪ 131 00:06:21,582 --> 00:06:22,758 ♪ HIGHER ♪ ♪ YOUR LOVE ♪ ♪ YOUR LOVE KEEPS LIFTING 132 00:06:22,782 --> 00:06:23,092 ♪ YOUR LOVE ♪ ♪ YOUR LOVE KEEPS LIFTING ME ♪ 133 00:06:23,116 --> 00:06:24,260 ♪ YOUR LOVE KEEPS LIFTING ME ♪ ♪ KEEPS ON ♪ 134 00:06:24,284 --> 00:06:25,761 ME ♪ ♪ KEEPS ON ♪ ♪ KEEPS ON LIFTING ME ♪ 135 00:06:25,785 --> 00:06:27,096 ♪ KEEPS ON ♪ ♪ KEEPS ON LIFTING ME ♪ ♪ LIFTING ME ♪ 136 00:06:27,120 --> 00:06:29,098 ♪ KEEPS ON LIFTING ME ♪ ♪ LIFTING ME ♪ ♪ FROM THE PITS OF DESIRE ♪ 137 00:06:29,122 --> 00:06:31,282 ♪ LIFTING ME ♪ ♪ FROM THE PITS OF DESIRE ♪ ♪ HIGHER ♪ 138 00:06:39,398 --> 00:06:44,369 ♪ HIGHER ♪ ♪ YEAH ♪ 139 00:06:49,141 --> 00:06:56,992 ♪ I'M SO GLAD ♪ ♪ I FINALLY FOUND YOU ♪ ♪ IT'S THAT ONE-IN-A-MILLION 140 00:06:57,016 --> 00:06:58,628 ♪ I FINALLY FOUND YOU ♪ ♪ IT'S THAT ONE-IN-A-MILLION MAN ♪ 141 00:06:58,652 --> 00:07:01,631 ♪ IT'S THAT ONE-IN-A-MILLION MAN ♪ ♪ AND NOW WITH MY LOVING ARMS 142 00:07:01,655 --> 00:07:03,366 MAN ♪ ♪ AND NOW WITH MY LOVING ARMS AROUND YOU ♪ 143 00:07:03,390 --> 00:07:05,301 ♪ AND NOW WITH MY LOVING ARMS AROUND YOU ♪ ♪ I CAN STAND UP ♪ 144 00:07:05,325 --> 00:07:07,870 AROUND YOU ♪ ♪ I CAN STAND UP ♪ ♪ TO FACE THE WORLD AGAIN ♪ 145 00:07:07,894 --> 00:07:09,038 ♪ I CAN STAND UP ♪ ♪ TO FACE THE WORLD AGAIN ♪ ♪ IT'S BECAUSE YOUR LOVE ♪ 146 00:07:09,062 --> 00:07:10,172 ♪ TO FACE THE WORLD AGAIN ♪ ♪ IT'S BECAUSE YOUR LOVE ♪ ♪ YOUR LOVE KEEPS LIFTING 147 00:07:10,196 --> 00:07:10,506 ♪ IT'S BECAUSE YOUR LOVE ♪ ♪ YOUR LOVE KEEPS LIFTING ME ♪ 148 00:07:10,530 --> 00:07:11,807 ♪ YOUR LOVE KEEPS LIFTING ME ♪ ♪ KEEPS ON ♪ 149 00:07:11,831 --> 00:07:13,509 ME ♪ ♪ KEEPS ON ♪ ♪ KEEPS ON LIFTING ME ♪ 150 00:07:13,533 --> 00:07:14,644 ♪ KEEPS ON ♪ ♪ KEEPS ON LIFTING ME ♪ ♪ LIFTING ME ♪ 151 00:07:14,668 --> 00:07:16,912 ♪ KEEPS ON LIFTING ME ♪ ♪ LIFTING ME ♪ ♪ HIGHER AND HIGHER ♪ 152 00:07:16,936 --> 00:07:17,813 ♪ LIFTING ME ♪ ♪ HIGHER AND HIGHER ♪ ♪ HIGHER ♪ 153 00:07:17,837 --> 00:07:18,548 ♪ HIGHER AND HIGHER ♪ ♪ HIGHER ♪ ♪ YOUR LOVE ♪ 154 00:07:18,572 --> 00:07:19,749 ♪ HIGHER ♪ ♪ YOUR LOVE ♪ ♪ YOUR LOVE KEEPS LIFTING 155 00:07:19,773 --> 00:07:20,082 ♪ YOUR LOVE ♪ ♪ YOUR LOVE KEEPS LIFTING ME ♪ 156 00:07:20,106 --> 00:07:21,251 ♪ YOUR LOVE KEEPS LIFTING ME ♪ ♪ KEEPS ON ♪ 157 00:07:21,275 --> 00:07:22,752 ME ♪ ♪ KEEPS ON ♪ ♪ KEEPS ON LIFTING ME ♪ 158 00:07:22,776 --> 00:07:24,086 ♪ KEEPS ON ♪ ♪ KEEPS ON LIFTING ME ♪ ♪ LIFTING ME ♪ 159 00:07:24,110 --> 00:07:27,056 ♪ KEEPS ON LIFTING ME ♪ ♪ LIFTING ME ♪ ♪ HIGHER AND HIGHER ♪ 160 00:07:27,080 --> 00:07:27,790 ♪ LIFTING ME ♪ ♪ HIGHER AND HIGHER ♪ ♪ YOU KNOW, YOUR LOVE ♪ 161 00:07:27,814 --> 00:07:28,991 ♪ HIGHER AND HIGHER ♪ ♪ YOU KNOW, YOUR LOVE ♪ ♪ YOUR LOVE KEEPS LIFTING 162 00:07:29,015 --> 00:07:29,325 ♪ YOU KNOW, YOUR LOVE ♪ ♪ YOUR LOVE KEEPS LIFTING ME ♪ 163 00:07:29,349 --> 00:07:30,493 ♪ YOUR LOVE KEEPS LIFTING ME ♪ ♪ LET IT KEEP LIFTING ME ♪ 164 00:07:30,517 --> 00:07:31,994 ME ♪ ♪ LET IT KEEP LIFTING ME ♪ ♪ KEEP ON LIFTING ME ♪ 165 00:07:32,018 --> 00:07:33,663 ♪ LET IT KEEP LIFTING ME ♪ ♪ KEEP ON LIFTING ME ♪ ♪ HIGHER ♪ 166 00:07:33,687 --> 00:07:35,665 ♪ KEEP ON LIFTING ME ♪ ♪ HIGHER ♪ ♪ TAKES ME HIGHER ♪ 167 00:07:35,689 --> 00:07:37,233 ♪ HIGHER ♪ ♪ TAKES ME HIGHER ♪ ♪ HIGHER ♪ 168 00:07:37,257 --> 00:07:37,967 ♪ TAKES ME HIGHER ♪ ♪ HIGHER ♪ ♪ YOUR LOVE ♪ 169 00:07:37,991 --> 00:07:39,168 ♪ HIGHER ♪ ♪ YOUR LOVE ♪ ♪ YOUR LOVE KEEPS LIFTING 170 00:07:39,192 --> 00:07:39,502 ♪ YOUR LOVE ♪ ♪ YOUR LOVE KEEPS LIFTING ME ♪ 171 00:07:39,526 --> 00:07:40,670 ♪ YOUR LOVE KEEPS LIFTING ME ♪ ♪ KEEPS ON ♪ 172 00:07:40,694 --> 00:07:42,171 ME ♪ ♪ KEEPS ON ♪ ♪ KEEPS ON LIFTING ME ♪ 173 00:07:42,195 --> 00:07:43,339 ♪ KEEPS ON ♪ ♪ KEEPS ON LIFTING ME ♪ ♪ LIFTING ME ♪ 174 00:07:43,363 --> 00:07:46,175 ♪ KEEPS ON LIFTING ME ♪ ♪ LIFTING ME ♪ ♪ HIGHER AND HIGHER ♪ 175 00:07:46,199 --> 00:07:47,343 ♪ LIFTING ME ♪ ♪ HIGHER AND HIGHER ♪ ♪ YOUR LOVE ♪ 176 00:07:47,367 --> 00:07:48,411 ♪ HIGHER AND HIGHER ♪ ♪ YOUR LOVE ♪ ♪ YOUR LOVE KEEPS LIFTING 177 00:07:48,435 --> 00:07:48,778 ♪ YOUR LOVE ♪ ♪ YOUR LOVE KEEPS LIFTING ME ♪ 178 00:07:48,802 --> 00:07:49,945 ♪ YOUR LOVE KEEPS LIFTING ME ♪ ♪ LET IT KEEP LIFTING ME ♪ 179 00:07:49,969 --> 00:07:51,514 ME ♪ ♪ LET IT KEEP LIFTING ME ♪ ♪ KEEP ON LIFTING ME ♪ 180 00:07:51,538 --> 00:07:53,316 ♪ LET IT KEEP LIFTING ME ♪ ♪ KEEP ON LIFTING ME ♪ ♪ HIGHER ♪ 181 00:07:53,340 --> 00:07:56,819 ♪ KEEP ON LIFTING ME ♪ ♪ HIGHER ♪ ♪ TAKES ME HIGHER ♪ 182 00:07:56,843 --> 00:07:58,963 ♪ HIGHER ♪ ♪ TAKES ME HIGHER ♪ [CHEERS AND APPLAUSE] 183 00:08:10,589 --> 00:08:15,137 HI, I'M MEL FOR MEL'S CHAR PALACE, WHERE YOU FIND YOUR OWN COW! 184 00:08:15,161 --> 00:08:16,539 PALACE, WHERE YOU FIND YOUR OWN COW! YOU CUT YOUR OWN STEAKS! 185 00:08:16,563 --> 00:08:18,007 COW! YOU CUT YOUR OWN STEAKS! YOU SELECT YOUR COW FROM OVER 186 00:08:18,031 --> 00:08:18,641 YOU CUT YOUR OWN STEAKS! YOU SELECT YOUR COW FROM OVER 200 HEAD! 187 00:08:18,665 --> 00:08:19,375 YOU SELECT YOUR COW FROM OVER 200 HEAD! YOU STUN IT! 188 00:08:19,399 --> 00:08:20,109 200 HEAD! YOU STUN IT! YOU CUT IT! 189 00:08:20,133 --> 00:08:21,076 YOU STUN IT! YOU CUT IT! YOU CHARBROIL IT! 190 00:08:21,100 --> 00:08:22,945 YOU CUT IT! YOU CHARBROIL IT! YOU CUT YOUR OWN STEAKS! 191 00:08:22,969 --> 00:08:24,046 YOU CHARBROIL IT! YOU CUT YOUR OWN STEAKS! WE GIVE YOU THE SAW! 192 00:08:24,070 --> 00:08:25,615 YOU CUT YOUR OWN STEAKS! WE GIVE YOU THE SAW! YOU CUT YOUR OWN SIRLOINS, TIPS, 193 00:08:25,639 --> 00:08:26,616 WE GIVE YOU THE SAW! YOU CUT YOUR OWN SIRLOINS, TIPS, BLADES, AND ROASTS! 194 00:08:26,640 --> 00:08:27,317 YOU CUT YOUR OWN SIRLOINS, TIPS, BLADES, AND ROASTS! YOU FIND IT! 195 00:08:27,341 --> 00:08:28,050 BLADES, AND ROASTS! YOU FIND IT! YOU STUN IT! 196 00:08:28,074 --> 00:08:28,718 YOU FIND IT! YOU STUN IT! YOU CUT IT! 197 00:08:28,742 --> 00:08:30,252 YOU STUN IT! YOU CUT IT! AS BIG AND AS THICK AS YOU WANT 198 00:08:30,276 --> 00:08:30,586 YOU CUT IT! AS BIG AND AS THICK AS YOU WANT IT! 199 00:08:30,610 --> 00:08:31,887 AS BIG AND AS THICK AS YOU WANT IT! ONLY AT MEL'S CHAR PALACE! 200 00:08:31,911 --> 00:08:33,422 IT! ONLY AT MEL'S CHAR PALACE! OUR SAWS ARE LIGHT! 201 00:08:33,446 --> 00:08:34,479 HERE'S MRS. MEL! 202 00:08:34,613 --> 00:08:35,773 SHOW 'EM HOW TO WORK THE SAW! 203 00:08:35,815 --> 00:08:37,649 [CHAIN SAW BUZZES] 204 00:08:37,783 --> 00:08:38,983 YEAH, SHE DOES IT! 205 00:08:39,117 --> 00:08:40,318 YOU CAN, TOO, AT MEL'S CHAR 206 00:08:40,453 --> 00:08:42,253 PALACE... ROUTE 17, PARAMUS! 207 00:08:50,463 --> 00:08:53,176 [Southern accent] WHERE IS BILLY? IT'S 10:30, AND HE'S GOT SCHOOL 208 00:08:53,200 --> 00:08:53,676 BILLY? IT'S 10:30, AND HE'S GOT SCHOOL TOMORROW. 209 00:08:53,700 --> 00:08:54,843 IT'S 10:30, AND HE'S GOT SCHOOL TOMORROW. [Southern accent] OH, 210 00:08:54,867 --> 00:08:55,478 TOMORROW. [Southern accent] OH, THAT'S OKAY. 211 00:08:55,502 --> 00:08:56,812 [Southern accent] OH, THAT'S OKAY. HE TOLD ME HE WAS HELPING THAT 212 00:08:56,836 --> 00:08:58,147 THAT'S OKAY. HE TOLD ME HE WAS HELPING THAT NICE MR. ELI OUT WITH THE CANDY 213 00:08:58,171 --> 00:08:58,581 HE TOLD ME HE WAS HELPING THAT NICE MR. ELI OUT WITH THE CANDY SALES. 214 00:08:58,605 --> 00:08:59,282 NICE MR. ELI OUT WITH THE CANDY SALES. HE'LL BE HOME. 215 00:08:59,306 --> 00:09:00,149 SALES. HE'LL BE HOME. YEAH, AND YOUNG 216 00:09:00,173 --> 00:09:01,517 HE'LL BE HOME. YEAH, AND YOUNG CLYDE MARYVILLE HAS BEEN MISSING 217 00:09:01,541 --> 00:09:02,285 YEAH, AND YOUNG CLYDE MARYVILLE HAS BEEN MISSING FOR THREE WEEKS. 218 00:09:02,309 --> 00:09:04,954 CLYDE MARYVILLE HAS BEEN MISSING FOR THREE WEEKS. I WANT BILLY HOME ON TIME. 219 00:09:04,978 --> 00:09:06,689 FOR THREE WEEKS. I WANT BILLY HOME ON TIME. [TELEPHONE RINGS] 220 00:09:06,713 --> 00:09:08,224 I WANT BILLY HOME ON TIME. [TELEPHONE RINGS] HELLO, JESPERSONS. 221 00:09:08,248 --> 00:09:09,792 [TELEPHONE RINGS] HELLO, JESPERSONS. WILLIAM SR. SPEAKING. 222 00:09:09,816 --> 00:09:11,160 HELLO, JESPERSONS. WILLIAM SR. SPEAKING. [Southern accent] DAD? 223 00:09:11,184 --> 00:09:12,328 WILLIAM SR. SPEAKING. [Southern accent] DAD? BILLY? 224 00:09:12,352 --> 00:09:13,496 [Southern accent] DAD? BILLY? ARE YOU ALL RIGHT, SON? 225 00:09:13,520 --> 00:09:15,565 BILLY? ARE YOU ALL RIGHT, SON? UH, I'M DOWN AT THE POLICE 226 00:09:15,589 --> 00:09:16,399 ARE YOU ALL RIGHT, SON? UH, I'M DOWN AT THE POLICE STATION, DAD. 227 00:09:16,423 --> 00:09:17,666 UH, I'M DOWN AT THE POLICE STATION, DAD. [EXHALES SHARPLY] 228 00:09:17,690 --> 00:09:18,934 STATION, DAD. [EXHALES SHARPLY] WELL, SON, I KNOW YOU. 229 00:09:18,958 --> 00:09:20,303 [EXHALES SHARPLY] WELL, SON, I KNOW YOU. COULDN'T BE ANYTHING TOO 230 00:09:20,327 --> 00:09:20,903 WELL, SON, I KNOW YOU. COULDN'T BE ANYTHING TOO SERIOUS. 231 00:09:20,927 --> 00:09:22,505 COULDN'T BE ANYTHING TOO SERIOUS. YOU'D BE SURPRISED AT SOME OF 232 00:09:22,529 --> 00:09:24,240 SERIOUS. YOU'D BE SURPRISED AT SOME OF THE THINGS I DID WHEN I WAS YOUR 233 00:09:24,264 --> 00:09:24,673 YOU'D BE SURPRISED AT SOME OF THE THINGS I DID WHEN I WAS YOUR AGE. 234 00:09:24,697 --> 00:09:26,275 THE THINGS I DID WHEN I WAS YOUR AGE. WHAT ARE YOU ACCUSED OF, NOW, 235 00:09:26,299 --> 00:09:26,775 AGE. WHAT ARE YOU ACCUSED OF, NOW, BILLY? 236 00:09:26,799 --> 00:09:28,978 WHAT ARE YOU ACCUSED OF, NOW, BILLY? MURDER. 237 00:09:29,002 --> 00:09:29,979 BILLY? MURDER. IS THAT BILLY? 238 00:09:30,003 --> 00:09:30,813 MURDER. IS THAT BILLY? IS HE ALL RIGHT? 239 00:09:30,837 --> 00:09:32,215 IS THAT BILLY? IS HE ALL RIGHT? BILLY'S IN A LITTLE TROUBLE 240 00:09:32,239 --> 00:09:33,616 IS HE ALL RIGHT? BILLY'S IN A LITTLE TROUBLE NOW, MOTHER. 241 00:09:33,640 --> 00:09:35,017 BILLY'S IN A LITTLE TROUBLE NOW, MOTHER. NOW, BILLY, EVERYTHING'S GONNA 242 00:09:35,041 --> 00:09:35,751 NOW, MOTHER. NOW, BILLY, EVERYTHING'S GONNA BE ALL RIGHT. 243 00:09:35,775 --> 00:09:37,220 NOW, BILLY, EVERYTHING'S GONNA BE ALL RIGHT. YOUR MOTHER AND I ARE GONNA HELP 244 00:09:37,244 --> 00:09:37,753 BE ALL RIGHT. YOUR MOTHER AND I ARE GONNA HELP YOU OUT. 245 00:09:37,777 --> 00:09:39,021 YOUR MOTHER AND I ARE GONNA HELP YOU OUT. WE'LL GET A LAWYER DOWN THERE. 246 00:09:39,045 --> 00:09:40,323 YOU OUT. WE'LL GET A LAWYER DOWN THERE. WE'LL SPEND ANY AMOUNT OF MONEY 247 00:09:40,347 --> 00:09:41,524 WE'LL GET A LAWYER DOWN THERE. WE'LL SPEND ANY AMOUNT OF MONEY TO GET A LAWYER TO PROVE YOUR 248 00:09:41,548 --> 00:09:42,325 WE'LL SPEND ANY AMOUNT OF MONEY TO GET A LAWYER TO PROVE YOUR INNOCENCE, BILLY. 249 00:09:42,349 --> 00:09:44,960 TO GET A LAWYER TO PROVE YOUR INNOCENCE, BILLY. WELL, I'M GUILTY, DAD. 250 00:09:44,984 --> 00:09:48,464 INNOCENCE, BILLY. WELL, I'M GUILTY, DAD. WELL, UH, YOUR MOM AND I LOVE 251 00:09:48,488 --> 00:09:50,166 WELL, I'M GUILTY, DAD. WELL, UH, YOUR MOM AND I LOVE YOU VERY MUCH, SON, AND WE'LL DO 252 00:09:50,190 --> 00:09:51,700 WELL, UH, YOUR MOM AND I LOVE YOU VERY MUCH, SON, AND WE'LL DO ANYTHING WE CAN TO HELP YOU. 253 00:09:51,724 --> 00:09:53,336 YOU VERY MUCH, SON, AND WE'LL DO ANYTHING WE CAN TO HELP YOU. AND I'M SURE THAT WHATEVER YOU 254 00:09:53,360 --> 00:09:54,903 ANYTHING WE CAN TO HELP YOU. AND I'M SURE THAT WHATEVER YOU DID THERE, YOU DID FOR A GOOD 255 00:09:54,927 --> 00:09:56,539 AND I'M SURE THAT WHATEVER YOU DID THERE, YOU DID FOR A GOOD REASON, AND YOU'RE A GOOD BOY, 256 00:09:56,563 --> 00:09:57,039 DID THERE, YOU DID FOR A GOOD REASON, AND YOU'RE A GOOD BOY, BILLY. 257 00:09:57,063 --> 00:09:58,707 REASON, AND YOU'RE A GOOD BOY, BILLY. NO, I'M NOT. 258 00:09:58,731 --> 00:10:03,379 BILLY. NO, I'M NOT. SEE, I HELPED TO KILL 26 BOYS. 259 00:10:03,403 --> 00:10:06,149 NO, I'M NOT. SEE, I HELPED TO KILL 26 BOYS. UH, 26 BOYS? UH-HUH. 260 00:10:06,173 --> 00:10:08,151 SEE, I HELPED TO KILL 26 BOYS. UH, 26 BOYS? UH-HUH. WELL, I PICKED UP THESE 261 00:10:08,175 --> 00:10:09,585 UH, 26 BOYS? UH-HUH. WELL, I PICKED UP THESE HITCHHIKERS AND BROUGHT THEM 262 00:10:09,609 --> 00:10:11,020 WELL, I PICKED UP THESE HITCHHIKERS AND BROUGHT THEM OVER TO PARTIES AT MR. ELI'S. 263 00:10:11,044 --> 00:10:12,488 HITCHHIKERS AND BROUGHT THEM OVER TO PARTIES AT MR. ELI'S. AND, WELL, THEY'D SNIFF GLUE, 264 00:10:12,512 --> 00:10:13,789 OVER TO PARTIES AT MR. ELI'S. AND, WELL, THEY'D SNIFF GLUE, AND WE HAD THIS MAKESHIFT 265 00:10:13,813 --> 00:10:14,423 AND, WELL, THEY'D SNIFF GLUE, AND WE HAD THIS MAKESHIFT PLYWOOD... 266 00:10:14,447 --> 00:10:15,491 AND WE HAD THIS MAKESHIFT PLYWOOD... WHOA, WHOA, WHOA! 267 00:10:15,515 --> 00:10:16,225 PLYWOOD... WHOA, WHOA, WHOA! HOLD ON, NOW. 268 00:10:16,249 --> 00:10:17,693 WHOA, WHOA, WHOA! HOLD ON, NOW. NOW, DON'T YOU BLURT ANYTHING 269 00:10:17,717 --> 00:10:19,195 HOLD ON, NOW. NOW, DON'T YOU BLURT ANYTHING OUT THERE UNTIL I GET A LAWYER 270 00:10:19,219 --> 00:10:19,895 NOW, DON'T YOU BLURT ANYTHING OUT THERE UNTIL I GET A LAWYER DOWN THERE. 271 00:10:19,919 --> 00:10:20,563 OUT THERE UNTIL I GET A LAWYER DOWN THERE. IS HE HURT? 272 00:10:20,587 --> 00:10:21,597 DOWN THERE. IS HE HURT? PLEASE, MAMA, PLEASE. 273 00:10:21,621 --> 00:10:22,931 IS HE HURT? PLEASE, MAMA, PLEASE. YOU'RE MAKING IT VERY DIFFICULT. 274 00:10:22,955 --> 00:10:24,200 PLEASE, MAMA, PLEASE. YOU'RE MAKING IT VERY DIFFICULT. HE'S IN A LITTLE BIT OF TROUBLE 275 00:10:24,224 --> 00:10:24,534 YOU'RE MAKING IT VERY DIFFICULT. HE'S IN A LITTLE BIT OF TROUBLE NOW. 276 00:10:24,558 --> 00:10:25,768 HE'S IN A LITTLE BIT OF TROUBLE NOW. I'LL TELL YOU WHEN I GET OFF. 277 00:10:25,792 --> 00:10:26,935 NOW. I'LL TELL YOU WHEN I GET OFF. NOW, BILLY, WE'RE GONNA COME 278 00:10:26,959 --> 00:10:28,237 I'LL TELL YOU WHEN I GET OFF. NOW, BILLY, WE'RE GONNA COME DOWN THERE WITH A LAWYER, AND WE 279 00:10:28,261 --> 00:10:29,572 NOW, BILLY, WE'RE GONNA COME DOWN THERE WITH A LAWYER, AND WE LOVE YOU, WE BELIEVE IN YOU, AND 280 00:10:29,596 --> 00:10:30,406 DOWN THERE WITH A LAWYER, AND WE LOVE YOU, WE BELIEVE IN YOU, AND YOU JUST BE BRAVE. 281 00:10:30,430 --> 00:10:31,607 LOVE YOU, WE BELIEVE IN YOU, AND YOU JUST BE BRAVE. KEEP YOUR CHIN UP, ALL RIGHT, 282 00:10:31,631 --> 00:10:32,107 YOU JUST BE BRAVE. KEEP YOUR CHIN UP, ALL RIGHT, SON? 283 00:10:32,131 --> 00:10:32,941 KEEP YOUR CHIN UP, ALL RIGHT, SON? OKAY, DAD. 284 00:10:32,965 --> 00:10:34,410 SON? OKAY, DAD. OKAY. BYE-BYE, NOW, SON. 285 00:10:34,434 --> 00:10:39,448 OKAY, DAD. OKAY. BYE-BYE, NOW, SON. BYE. 286 00:10:39,472 --> 00:10:42,685 OKAY. BYE-BYE, NOW, SON. BYE. IT ISN'T MARIJUANA, IS IT? 287 00:10:42,709 --> 00:10:44,420 BYE. IT ISN'T MARIJUANA, IS IT? NO, IT ISN'T MARIJUANA, MAMA. 288 00:10:44,444 --> 00:10:47,764 IT ISN'T MARIJUANA, IS IT? NO, IT ISN'T MARIJUANA, MAMA. OH, THANK THE LORD! 289 00:10:57,222 --> 00:11:00,135 DO YOU HAVE A FUNNY HOME MOVIE THAT YOU THINK AMERICA WOULD ENJOY? 290 00:11:00,159 --> 00:11:02,037 MOVIE THAT YOU THINK AMERICA WOULD ENJOY? IF YOU DO, OR WANT TO MAKE ONE, 291 00:11:02,061 --> 00:11:03,806 WOULD ENJOY? IF YOU DO, OR WANT TO MAKE ONE, IN SUPER 8 OR 16mm, NO LONGER 292 00:11:03,830 --> 00:11:05,274 IF YOU DO, OR WANT TO MAKE ONE, IN SUPER 8 OR 16mm, NO LONGER THAN TWO MINUTES, NBC's 293 00:11:05,298 --> 00:11:07,076 IN SUPER 8 OR 16mm, NO LONGER THAN TWO MINUTES, NBC's "SATURDAY NIGHT" WANTS TO SEE 294 00:11:07,100 --> 00:11:08,444 THAN TWO MINUTES, NBC's "SATURDAY NIGHT" WANTS TO SEE IT, SO SEND IT TO US. 295 00:11:08,468 --> 00:11:10,312 "SATURDAY NIGHT" WANTS TO SEE IT, SO SEND IT TO US. WE'LL TELL YOU HOW IN A MINUTE. 296 00:11:10,336 --> 00:11:11,347 IT, SO SEND IT TO US. WE'LL TELL YOU HOW IN A MINUTE. NOW, WHAT DO YOU GET FOR 297 00:11:11,371 --> 00:11:12,548 WE'LL TELL YOU HOW IN A MINUTE. NOW, WHAT DO YOU GET FOR SENDING US YOUR HOME MOVIES? 298 00:11:12,572 --> 00:11:13,749 NOW, WHAT DO YOU GET FOR SENDING US YOUR HOME MOVIES? WOULD YOU TELL THEM WHAT THEY 299 00:11:13,773 --> 00:11:14,450 SENDING US YOUR HOME MOVIES? WOULD YOU TELL THEM WHAT THEY GET, DON PARDO? 300 00:11:14,474 --> 00:11:15,751 WOULD YOU TELL THEM WHAT THEY GET, DON PARDO? Announcer: CANDICE, THEY GET 301 00:11:15,775 --> 00:11:16,619 GET, DON PARDO? Announcer: CANDICE, THEY GET ABSOLUTELY NOTHING. 302 00:11:16,643 --> 00:11:17,854 Announcer: CANDICE, THEY GET ABSOLUTELY NOTHING. AND IN ADDITION, THE FILM WILL 303 00:11:17,878 --> 00:11:19,021 ABSOLUTELY NOTHING. AND IN ADDITION, THE FILM WILL NOT BE RETURNED, UNLESS, OF 304 00:11:19,045 --> 00:11:20,089 AND IN ADDITION, THE FILM WILL NOT BE RETURNED, UNLESS, OF COURSE, THEY SEND ALONG A 305 00:11:20,113 --> 00:11:21,657 NOT BE RETURNED, UNLESS, OF COURSE, THEY SEND ALONG A SELF-ADDRESSED STAMPED ENVELOPE. 306 00:11:21,681 --> 00:11:22,291 COURSE, THEY SEND ALONG A SELF-ADDRESSED STAMPED ENVELOPE. UH-HUH. 307 00:11:22,315 --> 00:11:23,626 SELF-ADDRESSED STAMPED ENVELOPE. UH-HUH. TELL THEM ABOUT GUARANTEES, 308 00:11:23,650 --> 00:11:24,259 UH-HUH. TELL THEM ABOUT GUARANTEES, DON PARDO. 309 00:11:24,283 --> 00:11:25,695 TELL THEM ABOUT GUARANTEES, DON PARDO. Announcer: CANDICE, PEOPLE 310 00:11:25,719 --> 00:11:27,196 DON PARDO. Announcer: CANDICE, PEOPLE SENDING IN HOME MOVIES HAVE NO 311 00:11:27,220 --> 00:11:28,731 Announcer: CANDICE, PEOPLE SENDING IN HOME MOVIES HAVE NO GUARANTEES THAT NBC WILL USE ANY 312 00:11:28,755 --> 00:11:29,465 SENDING IN HOME MOVIES HAVE NO GUARANTEES THAT NBC WILL USE ANY OF THE FILM. 313 00:11:29,489 --> 00:11:31,033 GUARANTEES THAT NBC WILL USE ANY OF THE FILM. AH, WELL, IF IT IS USED, TELL 314 00:11:31,057 --> 00:11:32,368 OF THE FILM. AH, WELL, IF IT IS USED, TELL THEM WHAT RIGHTS THEY HAVE, 315 00:11:32,392 --> 00:11:33,002 AH, WELL, IF IT IS USED, TELL THEM WHAT RIGHTS THEY HAVE, DON PARDO. 316 00:11:33,026 --> 00:11:34,570 THEM WHAT RIGHTS THEY HAVE, DON PARDO. Announcer: CANDICE, THEY HAVE 317 00:11:34,594 --> 00:11:35,872 DON PARDO. Announcer: CANDICE, THEY HAVE NO RIGHTS WHATSOEVER. 318 00:11:35,896 --> 00:11:37,439 Announcer: CANDICE, THEY HAVE NO RIGHTS WHATSOEVER. BUT NBC WILL HAVE UNLIMITED 319 00:11:37,463 --> 00:11:39,141 NO RIGHTS WHATSOEVER. BUT NBC WILL HAVE UNLIMITED RIGHTS TO USE THE FILM IN ALL 320 00:11:39,165 --> 00:11:40,877 BUT NBC WILL HAVE UNLIMITED RIGHTS TO USE THE FILM IN ALL MEDIA AND IN RELATED PUBLICITY 321 00:11:40,901 --> 00:11:41,811 RIGHTS TO USE THE FILM IN ALL MEDIA AND IN RELATED PUBLICITY AND PROMOTION. 322 00:11:41,835 --> 00:11:43,646 MEDIA AND IN RELATED PUBLICITY AND PROMOTION. ISN'T THIS A WONDERFUL OFFER? 323 00:11:43,670 --> 00:11:45,381 AND PROMOTION. ISN'T THIS A WONDERFUL OFFER? SEND IN YOUR HOME-MOVIE COMEDIES 324 00:11:45,405 --> 00:11:46,482 ISN'T THIS A WONDERFUL OFFER? SEND IN YOUR HOME-MOVIE COMEDIES AS FAST AS YOU CAN. 325 00:11:46,506 --> 00:11:48,650 SEND IN YOUR HOME-MOVIE COMEDIES AS FAST AS YOU CAN. TELL THEM WHERE, DON PARDO. 326 00:11:48,674 --> 00:11:49,874 Announcer: SEND YOUR HOME 327 00:11:50,009 --> 00:11:51,108 MOVIES, UP TO TWO MINUTES, 328 00:11:51,243 --> 00:11:53,177 SUPER 8 OR 16mm, TO... 329 00:11:59,317 --> 00:12:02,431 AND INCLUDE YOUR NAME AND CURRENT ADDRESS. THANK YOU. 330 00:12:02,455 --> 00:12:03,733 CURRENT ADDRESS. THANK YOU. AND NOW BACK TO OUR HOME 331 00:12:03,757 --> 00:12:04,700 THANK YOU. AND NOW BACK TO OUR HOME TELEVISION SHOW. 332 00:12:04,724 --> 00:12:05,334 AND NOW BACK TO OUR HOME TELEVISION SHOW. CANDY? 333 00:12:05,358 --> 00:12:06,235 TELEVISION SHOW. CANDY? YES, CHEVY? 334 00:12:06,259 --> 00:12:07,904 CANDY? YES, CHEVY? PERHAPS WE OUGHT TO SHOW OUR 335 00:12:07,928 --> 00:12:09,238 YES, CHEVY? PERHAPS WE OUGHT TO SHOW OUR HOME AUDIENCE AND STUDIO 336 00:12:09,262 --> 00:12:10,806 PERHAPS WE OUGHT TO SHOW OUR HOME AUDIENCE AND STUDIO AUDIENCE JUST WHAT WE MEAN BY 337 00:12:10,830 --> 00:12:11,641 HOME AUDIENCE AND STUDIO AUDIENCE JUST WHAT WE MEAN BY "HOME MOVIE." 338 00:12:11,665 --> 00:12:12,241 AUDIENCE JUST WHAT WE MEAN BY "HOME MOVIE." OKAY. 339 00:12:12,265 --> 00:12:13,709 "HOME MOVIE." OKAY. WOULD YOU STEP THIS WAY? 340 00:12:13,733 --> 00:12:15,410 OKAY. WOULD YOU STEP THIS WAY? NO, JUST KIDDING. 341 00:12:15,434 --> 00:12:16,634 WE HAPPEN TO HAVE MADE A 342 00:12:16,769 --> 00:12:18,202 2-MINUTE FILM OURSELVES, AND, 343 00:12:18,336 --> 00:12:18,870 UH... 344 00:12:19,004 --> 00:12:19,871 [BELLS CHIMING] 345 00:12:20,005 --> 00:12:21,405 WE THOUGHT WE MIGHT SHOW IT TO 346 00:12:21,540 --> 00:12:21,973 YOU NOW. 347 00:12:22,107 --> 00:12:23,240 IT'S THE BEE CAPADES, OF 348 00:12:23,375 --> 00:12:24,609 COURSE, ON THE ROCKEFELLER 349 00:12:24,743 --> 00:12:25,443 SKATING RINK. 350 00:12:25,578 --> 00:12:27,645 DAVE, DO YOU WANT TO ROLL IT? 351 00:12:27,913 --> 00:12:32,862 THERE YOU ARE. OH, THAT'S ME. YEAH, AND THERE ARE THE BEES 352 00:12:32,886 --> 00:12:34,296 OH, THAT'S ME. YEAH, AND THERE ARE THE BEES FORMING A TRADITIONAL CHRISTMAS 353 00:12:34,320 --> 00:12:35,631 YEAH, AND THERE ARE THE BEES FORMING A TRADITIONAL CHRISTMAS TREE WITH YOU SKATING IN THE 354 00:12:35,655 --> 00:12:36,498 FORMING A TRADITIONAL CHRISTMAS TREE WITH YOU SKATING IN THE MIDDLE. 355 00:12:36,522 --> 00:12:37,934 TREE WITH YOU SKATING IN THE MIDDLE. OF COURSE, WE HAD A HIGH ANGLE 356 00:12:37,958 --> 00:12:38,801 MIDDLE. OF COURSE, WE HAD A HIGH ANGLE ON ALL OF THESE. 357 00:12:38,825 --> 00:12:40,135 OF COURSE, WE HAD A HIGH ANGLE ON ALL OF THESE. THERE'S YOU AGAIN, CANDICE. 358 00:12:40,159 --> 00:12:41,370 ON ALL OF THESE. THERE'S YOU AGAIN, CANDICE. THE BEES ARE GOING INTO A 359 00:12:41,394 --> 00:12:42,204 THERE'S YOU AGAIN, CANDICE. THE BEES ARE GOING INTO A FORMATION HERE. 360 00:12:42,228 --> 00:12:43,706 THE BEES ARE GOING INTO A FORMATION HERE. WE LOST OUR PICTURE ABOVE. 361 00:12:43,730 --> 00:12:45,975 FORMATION HERE. WE LOST OUR PICTURE ABOVE. I BELIEVE THEY WERE DOING A 362 00:12:45,999 --> 00:12:47,810 WE LOST OUR PICTURE ABOVE. I BELIEVE THEY WERE DOING A FORMATION DESCRIBING CRANBERRY 363 00:12:47,834 --> 00:12:48,644 I BELIEVE THEY WERE DOING A FORMATION DESCRIBING CRANBERRY SAUCE HERE. 364 00:12:48,668 --> 00:12:49,579 FORMATION DESCRIBING CRANBERRY SAUCE HERE. THAT'S ME. 365 00:12:49,603 --> 00:12:51,213 SAUCE HERE. THAT'S ME. MM-HMM. THERE'S YOU. 366 00:12:51,237 --> 00:12:52,949 THAT'S ME. MM-HMM. THERE'S YOU. AND HERE COMES THE FAMOUS 367 00:12:52,973 --> 00:12:53,916 MM-HMM. THERE'S YOU. AND HERE COMES THE FAMOUS NATIVITY TABLEAU. 368 00:12:53,940 --> 00:12:55,384 AND HERE COMES THE FAMOUS NATIVITY TABLEAU. WE HAD SUCH A BEAUTIFUL ANGLE 369 00:12:55,408 --> 00:12:56,085 NATIVITY TABLEAU. WE HAD SUCH A BEAUTIFUL ANGLE FROM ABOVE. 370 00:12:56,109 --> 00:12:57,086 WE HAD SUCH A BEAUTIFUL ANGLE FROM ABOVE. THERE'S YOU AGAIN. 371 00:12:57,110 --> 00:12:58,087 FROM ABOVE. THERE'S YOU AGAIN. THAT'S ME, YES. 372 00:12:58,111 --> 00:12:59,589 THERE'S YOU AGAIN. THAT'S ME, YES. LET'S LOOK AT THAT IN SLOW 373 00:12:59,613 --> 00:13:01,023 THAT'S ME, YES. LET'S LOOK AT THAT IN SLOW MOTION. 374 00:13:01,047 --> 00:13:02,692 LET'S LOOK AT THAT IN SLOW MOTION. THE NATIVITY TABLEAU BY THE 375 00:13:02,716 --> 00:13:03,192 MOTION. THE NATIVITY TABLEAU BY THE BEES. 376 00:13:03,216 --> 00:13:04,860 THE NATIVITY TABLEAU BY THE BEES. AND WE LOST THE PICTURE UP 377 00:13:04,884 --> 00:13:07,730 BEES. AND WE LOST THE PICTURE UP THERE, BUT YOU CAN SORT OF GET 378 00:13:07,754 --> 00:13:09,732 AND WE LOST THE PICTURE UP THERE, BUT YOU CAN SORT OF GET AN IDEA OF IT HERE. 379 00:13:09,756 --> 00:13:11,166 THERE, BUT YOU CAN SORT OF GET AN IDEA OF IT HERE. THEY MOVE VERY GRACEFULLY. 380 00:13:11,190 --> 00:13:14,570 AN IDEA OF IT HERE. THEY MOVE VERY GRACEFULLY. THE PRECISION OF ARMY ANTS. 381 00:13:14,594 --> 00:13:15,404 THEY MOVE VERY GRACEFULLY. THE PRECISION OF ARMY ANTS. AND THERE'S YOU. 382 00:13:15,428 --> 00:13:16,438 THE PRECISION OF ARMY ANTS. AND THERE'S YOU. YES, THAT'S ME THERE. 383 00:13:16,462 --> 00:13:17,573 AND THERE'S YOU. YES, THAT'S ME THERE. UNDAUNTINGLY BEAUTIFUL. 384 00:13:17,597 --> 00:13:18,608 YES, THAT'S ME THERE. UNDAUNTINGLY BEAUTIFUL. HERE COMES THEIR FOURTH 385 00:13:18,632 --> 00:13:19,141 UNDAUNTINGLY BEAUTIFUL. HERE COMES THEIR FOURTH FORMATION. 386 00:13:19,165 --> 00:13:20,476 HERE COMES THEIR FOURTH FORMATION. NONE OF US COULD FIGURE THIS OUT 387 00:13:20,500 --> 00:13:21,744 FORMATION. NONE OF US COULD FIGURE THIS OUT FROM THE ICE, IF YOU REMEMBER. 388 00:13:21,768 --> 00:13:22,612 NONE OF US COULD FIGURE THIS OUT FROM THE ICE, IF YOU REMEMBER. THAT'S ME THERE. 389 00:13:22,636 --> 00:13:23,646 FROM THE ICE, IF YOU REMEMBER. THAT'S ME THERE. THERE'S YOU. 390 00:13:23,670 --> 00:13:25,481 THAT'S ME THERE. THERE'S YOU. HOWEVER, FROM ABOVE, NONE OF US 391 00:13:25,505 --> 00:13:27,817 THERE'S YOU. HOWEVER, FROM ABOVE, NONE OF US COULD FIGURE THIS OUT, SO THEY 392 00:13:27,841 --> 00:13:29,652 HOWEVER, FROM ABOVE, NONE OF US COULD FIGURE THIS OUT, SO THEY WENT IMMEDIATELY INTO THEIR 393 00:13:29,676 --> 00:13:32,121 COULD FIGURE THIS OUT, SO THEY WENT IMMEDIATELY INTO THEIR FOURTH FORMATION. 394 00:13:32,145 --> 00:13:33,623 WENT IMMEDIATELY INTO THEIR FOURTH FORMATION. AND THERE YOU HAVE IT. 395 00:13:33,647 --> 00:13:34,624 FOURTH FORMATION. AND THERE YOU HAVE IT. THAT'S ME. 396 00:13:34,648 --> 00:13:36,158 AND THERE YOU HAVE IT. THAT'S ME. THERE'S YOU. 397 00:13:36,182 --> 00:13:37,860 THAT'S ME. THERE'S YOU. AND I BELIEVE NOW THAT WHAT THEY 398 00:13:37,884 --> 00:13:39,328 THERE'S YOU. AND I BELIEVE NOW THAT WHAT THEY WERE TRYING TO DO WAS SPELL 399 00:13:39,352 --> 00:13:40,195 AND I BELIEVE NOW THAT WHAT THEY WERE TRYING TO DO WAS SPELL SOMETHING OUT. 400 00:13:40,219 --> 00:13:42,297 WERE TRYING TO DO WAS SPELL SOMETHING OUT. I THINK IT WAS "MISTLETOE" OR 401 00:13:42,321 --> 00:13:45,501 SOMETHING OUT. I THINK IT WAS "MISTLETOE" OR "ADESTE FIDELIS." 402 00:13:45,525 --> 00:13:46,836 I THINK IT WAS "MISTLETOE" OR "ADESTE FIDELIS." BUT THEY WENT BACK INTO THE 403 00:13:46,860 --> 00:13:48,671 "ADESTE FIDELIS." BUT THEY WENT BACK INTO THE EXACT SAME FORMATION HERE FOR 404 00:13:48,695 --> 00:13:50,006 BUT THEY WENT BACK INTO THE EXACT SAME FORMATION HERE FOR SOME STRANGE REASON. 405 00:13:50,030 --> 00:13:51,007 EXACT SAME FORMATION HERE FOR SOME STRANGE REASON. THAT'S ME AGAIN. 406 00:13:51,031 --> 00:13:51,907 SOME STRANGE REASON. THAT'S ME AGAIN. THERE'S YOU. 407 00:13:51,931 --> 00:13:53,509 THAT'S ME AGAIN. THERE'S YOU. NOW, WE GOT OUR PICTURE BACK, I 408 00:13:53,533 --> 00:13:54,343 THERE'S YOU. NOW, WE GOT OUR PICTURE BACK, I REMEMBER, HERE. 409 00:13:54,367 --> 00:13:55,444 NOW, WE GOT OUR PICTURE BACK, I REMEMBER, HERE. THERE'S ME. 410 00:13:55,468 --> 00:13:57,680 REMEMBER, HERE. THERE'S ME. AND FROM THE HIGH ANGLE, THE 411 00:13:57,704 --> 00:13:59,849 THERE'S ME. AND FROM THE HIGH ANGLE, THE BEES DID A TRIBUTE TO THEIR 412 00:13:59,873 --> 00:14:02,518 AND FROM THE HIGH ANGLE, THE BEES DID A TRIBUTE TO THEIR TRAINER, LEON. 413 00:14:02,542 --> 00:14:04,582 BEES DID A TRIBUTE TO THEIR TRAINER, LEON. [APPLAUSE] 414 00:14:07,946 --> 00:14:15,364 THAT'S PRETTY MUCH IT. ISN'T THAT BEAUTIFUL AND CHRISTMASY? 415 00:14:15,388 --> 00:14:16,932 ISN'T THAT BEAUTIFUL AND CHRISTMASY? IT'S GORGEOUS. 416 00:14:16,956 --> 00:14:19,057 CHRISTMASY? IT'S GORGEOUS. JUST TWO MINUTES. 417 00:14:23,928 --> 00:14:28,010 Announcer: THIS CHRISTMAS, SELECT YOUR GIFTS WISELY FROM THE DON PARDO DIGITAL GIFT 418 00:14:28,034 --> 00:14:29,711 SELECT YOUR GIFTS WISELY FROM THE DON PARDO DIGITAL GIFT CATALOGUE, LIKE THIS HANDSOME 419 00:14:29,735 --> 00:14:30,746 THE DON PARDO DIGITAL GIFT CATALOGUE, LIKE THIS HANDSOME DIGITAL ASHTRAY. 420 00:14:30,770 --> 00:14:32,814 CATALOGUE, LIKE THIS HANDSOME DIGITAL ASHTRAY. HOLDS UP TO 12 OUNCES OF BUTTS 421 00:14:32,838 --> 00:14:34,016 DIGITAL ASHTRAY. HOLDS UP TO 12 OUNCES OF BUTTS AND TELLS TIME. 422 00:14:34,040 --> 00:14:36,519 HOLDS UP TO 12 OUNCES OF BUTTS AND TELLS TIME. ONLY $8.99 AT ALL OUTLETS. 423 00:14:36,543 --> 00:14:38,220 AND TELLS TIME. ONLY $8.99 AT ALL OUTLETS. AND NOW HERE'S SANTA AND 424 00:14:38,244 --> 00:14:39,955 ONLY $8.99 AT ALL OUTLETS. AND NOW HERE'S SANTA AND REINDEER WITH A WORD FROM 425 00:14:39,979 --> 00:14:41,457 AND NOW HERE'S SANTA AND REINDEER WITH A WORD FROM POLAROID. 426 00:14:41,481 --> 00:14:43,759 REINDEER WITH A WORD FROM POLAROID. HI, I'M THE EASTER BUNNY. 427 00:14:43,783 --> 00:14:45,528 POLAROID. HI, I'M THE EASTER BUNNY. YOU KNOW, WITH GRADUATION JUST 428 00:14:45,552 --> 00:14:47,296 HI, I'M THE EASTER BUNNY. YOU KNOW, WITH GRADUATION JUST AROUND THE CORNER, I BET YOU'D 429 00:14:47,320 --> 00:14:49,165 YOU KNOW, WITH GRADUATION JUST AROUND THE CORNER, I BET YOU'D LIKE TO GET THIS POLAROID DELUXE 430 00:14:49,189 --> 00:14:51,700 AROUND THE CORNER, I BET YOU'D LIKE TO GET THIS POLAROID DELUXE SX-70 LAND CAMERA. 431 00:14:51,724 --> 00:14:53,101 LIKE TO GET THIS POLAROID DELUXE SX-70 LAND CAMERA. CANDICE, SANTA NEEDS A LITTLE 432 00:14:53,125 --> 00:14:53,802 SX-70 LAND CAMERA. CANDICE, SANTA NEEDS A LITTLE HELPER HERE. 433 00:14:53,826 --> 00:14:55,237 CANDICE, SANTA NEEDS A LITTLE HELPER HERE. NOTICE WHO HE CALLS INSTEAD 434 00:14:55,261 --> 00:14:56,405 HELPER HERE. NOTICE WHO HE CALLS INSTEAD OF DONDER AND BLITZEN. 435 00:14:56,429 --> 00:14:57,640 NOTICE WHO HE CALLS INSTEAD OF DONDER AND BLITZEN. BOY, YOU'D MAKE A GREAT 436 00:14:57,664 --> 00:14:58,374 OF DONDER AND BLITZEN. BOY, YOU'D MAKE A GREAT GET-WELL CARD. 437 00:14:58,398 --> 00:14:59,708 BOY, YOU'D MAKE A GREAT GET-WELL CARD. YOU KNOW, YOU CAN COME IN 438 00:14:59,732 --> 00:15:00,576 GET-WELL CARD. YOU KNOW, YOU CAN COME IN CLOSER THAN THAT. 439 00:15:00,600 --> 00:15:01,910 YOU KNOW, YOU CAN COME IN CLOSER THAN THAT. YOU CAN COME IN AS CLOSE AS A 440 00:15:01,934 --> 00:15:02,278 CLOSER THAN THAT. YOU CAN COME IN AS CLOSE AS A FOOT. 441 00:15:02,302 --> 00:15:03,479 YOU CAN COME IN AS CLOSE AS A FOOT. OH, I DIDN'T WANT TO SCARE 442 00:15:03,503 --> 00:15:03,812 FOOT. OH, I DIDN'T WANT TO SCARE YOU. 443 00:15:03,836 --> 00:15:04,880 OH, I DIDN'T WANT TO SCARE YOU. SOME PEOPLE ARE AFRAID OF 444 00:15:04,904 --> 00:15:08,050 YOU. SOME PEOPLE ARE AFRAID OF RABBITS. 445 00:15:08,074 --> 00:15:08,617 SOME PEOPLE ARE AFRAID OF RABBITS. LET'S SEE. 446 00:15:08,641 --> 00:15:09,885 RABBITS. LET'S SEE. NOW, YOU'RE LOOKING AT ME 447 00:15:09,909 --> 00:15:11,287 LET'S SEE. NOW, YOU'RE LOOKING AT ME THROUGH THE PICTURE-TAKING LENS, 448 00:15:11,311 --> 00:15:12,588 NOW, YOU'RE LOOKING AT ME THROUGH THE PICTURE-TAKING LENS, SO THE PICTURE YOU SEE IS THE 449 00:15:12,612 --> 00:15:13,689 THROUGH THE PICTURE-TAKING LENS, SO THE PICTURE YOU SEE IS THE PICTURE THAT YOU'LL GET. 450 00:15:13,713 --> 00:15:14,990 SO THE PICTURE YOU SEE IS THE PICTURE THAT YOU'LL GET. WELL, I SEE YOUR NOSE, BUT 451 00:15:15,014 --> 00:15:15,957 PICTURE THAT YOU'LL GET. WELL, I SEE YOUR NOSE, BUT IT'S A LITTLE FUZZY. 452 00:15:15,981 --> 00:15:17,125 WELL, I SEE YOUR NOSE, BUT IT'S A LITTLE FUZZY. WELL, THEN YOU TURN THE 453 00:15:17,149 --> 00:15:18,160 IT'S A LITTLE FUZZY. WELL, THEN YOU TURN THE LITTLE WHEEL TO FOCUS. 454 00:15:18,184 --> 00:15:19,027 WELL, THEN YOU TURN THE LITTLE WHEEL TO FOCUS. OH, UP HERE. 455 00:15:19,051 --> 00:15:19,761 LITTLE WHEEL TO FOCUS. OH, UP HERE. YEAH. OKAY. 456 00:15:19,785 --> 00:15:20,629 OH, UP HERE. YEAH. OKAY. NOW IT'S SHARP. 457 00:15:20,653 --> 00:15:21,997 YEAH. OKAY. NOW IT'S SHARP. OKAY, NOW PRESS THE RED 458 00:15:22,021 --> 00:15:22,931 NOW IT'S SHARP. OKAY, NOW PRESS THE RED ELECTRIC BUTTON. 459 00:15:22,955 --> 00:15:25,501 OKAY, NOW PRESS THE RED ELECTRIC BUTTON. [CAMERA SHUTTER CLICKS] 460 00:15:25,525 --> 00:15:27,503 ELECTRIC BUTTON. [CAMERA SHUTTER CLICKS] WELL, IT DOESN'T COME OUT AT 461 00:15:27,527 --> 00:15:29,471 [CAMERA SHUTTER CLICKS] WELL, IT DOESN'T COME OUT AT FIRST, BUT, AS YOU CAN SEE, WE 462 00:15:29,495 --> 00:15:31,440 WELL, IT DOESN'T COME OUT AT FIRST, BUT, AS YOU CAN SEE, WE TOOK SOME PICTURES JUST BEFORE 463 00:15:31,464 --> 00:15:34,343 FIRST, BUT, AS YOU CAN SEE, WE TOOK SOME PICTURES JUST BEFORE THE SHOW, AND THESE PICTURES 464 00:15:34,367 --> 00:15:35,578 TOOK SOME PICTURES JUST BEFORE THE SHOW, AND THESE PICTURES CAME UP IN MINUTES. 465 00:15:35,602 --> 00:15:38,247 THE SHOW, AND THESE PICTURES CAME UP IN MINUTES. JUST LOOK AT THOSE COLORS. 466 00:15:38,271 --> 00:15:39,415 CAME UP IN MINUTES. JUST LOOK AT THOSE COLORS. MERRY CHRISTMAS, JOHN. 467 00:15:39,439 --> 00:15:40,583 JUST LOOK AT THOSE COLORS. MERRY CHRISTMAS, JOHN. MERRY CHRISTMAS, CANDICE. 468 00:15:40,607 --> 00:15:42,351 MERRY CHRISTMAS, JOHN. MERRY CHRISTMAS, CANDICE. MERRY CHRISTMAS, TINY TIM. 469 00:15:42,375 --> 00:15:43,785 MERRY CHRISTMAS, CANDICE. MERRY CHRISTMAS, TINY TIM. MERRY CHRISTMAS AND GOD BLESS 470 00:15:43,809 --> 00:15:45,387 MERRY CHRISTMAS, TINY TIM. MERRY CHRISTMAS AND GOD BLESS US ALL, ONE AND ALL. 471 00:15:45,411 --> 00:15:46,655 MERRY CHRISTMAS AND GOD BLESS US ALL, ONE AND ALL. AND EVERYONE. 472 00:15:46,679 --> 00:15:48,979 US ALL, ONE AND ALL. AND EVERYONE. AND YOU, TOO. 473 00:15:54,219 --> 00:15:57,688 [INTRODUCTION TO "YOU MAKE ME FEEL BRAND NEW" PLAYING] 474 00:16:15,640 --> 00:16:23,640 ♪ MY LOVE ♪ ♪ I'LL NEVER FIND THE WORDS ♪ ♪ MY LOVE ♪ 475 00:16:25,251 --> 00:16:28,230 ♪ I'LL NEVER FIND THE WORDS ♪ ♪ MY LOVE ♪ ♪ TO TELL YOU HOW I FEEL ♪ 476 00:16:28,254 --> 00:16:30,732 ♪ MY LOVE ♪ ♪ TO TELL YOU HOW I FEEL ♪ ♪ MY LOVE ♪ 477 00:16:30,756 --> 00:16:34,236 ♪ TO TELL YOU HOW I FEEL ♪ ♪ MY LOVE ♪ ♪ MERE WORDS ♪ 478 00:16:34,260 --> 00:16:37,073 ♪ MY LOVE ♪ ♪ MERE WORDS ♪ ♪ COULD NOT ♪ 479 00:16:37,097 --> 00:16:42,578 ♪ MERE WORDS ♪ ♪ COULD NOT ♪ ♪ EXPLAIN ♪ 480 00:16:42,602 --> 00:16:47,015 ♪ COULD NOT ♪ ♪ EXPLAIN ♪ ♪ PRECIOUS LOVE ♪ 481 00:16:47,039 --> 00:16:50,386 ♪ EXPLAIN ♪ ♪ PRECIOUS LOVE ♪ ♪ YOU HELD MY LIFE WITHIN YOUR 482 00:16:50,410 --> 00:16:53,155 ♪ PRECIOUS LOVE ♪ ♪ YOU HELD MY LIFE WITHIN YOUR HANDS ♪ 483 00:16:53,179 --> 00:16:59,628 ♪ YOU HELD MY LIFE WITHIN YOUR HANDS ♪ ♪ CREATED EVERYTHING I AM ♪ 484 00:16:59,652 --> 00:17:07,652 HANDS ♪ ♪ CREATED EVERYTHING I AM ♪ ♪ TAUGHT ME HOW TO LIVE AGAIN ♪ 485 00:17:07,827 --> 00:17:12,141 ♪ CREATED EVERYTHING I AM ♪ ♪ TAUGHT ME HOW TO LIVE AGAIN ♪ ♪ ONLY YOU ♪ 486 00:17:12,165 --> 00:17:17,846 ♪ TAUGHT ME HOW TO LIVE AGAIN ♪ ♪ ONLY YOU ♪ ♪ CAME WHEN I NEEDED A FRIEND ♪ 487 00:17:17,870 --> 00:17:20,682 ♪ ONLY YOU ♪ ♪ CAME WHEN I NEEDED A FRIEND ♪ ♪ BELIEVED IN ME THROUGH THICK 488 00:17:20,706 --> 00:17:24,086 ♪ CAME WHEN I NEEDED A FRIEND ♪ ♪ BELIEVED IN ME THROUGH THICK AND THIN ♪ 489 00:17:24,110 --> 00:17:26,755 ♪ BELIEVED IN ME THROUGH THICK AND THIN ♪ ♪ THIS SONG IS FOR YOU ♪ 490 00:17:26,779 --> 00:17:29,391 AND THIN ♪ ♪ THIS SONG IS FOR YOU ♪ ♪ FILLED WITH GRATITUDE AND 491 00:17:29,415 --> 00:17:34,363 ♪ THIS SONG IS FOR YOU ♪ ♪ FILLED WITH GRATITUDE AND LOVE ♪ 492 00:17:34,387 --> 00:17:39,034 ♪ FILLED WITH GRATITUDE AND LOVE ♪ ♪ GOD BLESS YOU ♪ 493 00:17:39,058 --> 00:17:44,906 LOVE ♪ ♪ GOD BLESS YOU ♪ ♪ YOU MAKE ME FEEL BRAND NEW ♪ 494 00:17:44,930 --> 00:17:51,580 ♪ GOD BLESS YOU ♪ ♪ YOU MAKE ME FEEL BRAND NEW ♪ ♪ FOR GOD BLESSED ME WITH YOU ♪ 495 00:17:51,604 --> 00:17:57,520 ♪ YOU MAKE ME FEEL BRAND NEW ♪ ♪ FOR GOD BLESSED ME WITH YOU ♪ ♪ YOU MAKE ME FEEL BRAND NEW ♪ 496 00:17:57,544 --> 00:18:05,327 ♪ FOR GOD BLESSED ME WITH YOU ♪ ♪ YOU MAKE ME FEEL BRAND NEW ♪ ♪ I SING THIS SONG 'CAUSE YOU ♪ 497 00:18:05,351 --> 00:18:10,788 ♪ YOU MAKE ME FEEL BRAND NEW ♪ ♪ I SING THIS SONG 'CAUSE YOU ♪ ♪ MAKE ME FEEL BRAND NEW ♪ 498 00:18:19,498 --> 00:18:27,498 ♪ MY LOVE ♪ ♪ WHENEVER I WAS INSECURE ♪ ♪ YOU BUILT ME UP AND MADE ME 499 00:18:32,878 --> 00:18:35,357 ♪ WHENEVER I WAS INSECURE ♪ ♪ YOU BUILT ME UP AND MADE ME SURE ♪ 500 00:18:35,381 --> 00:18:38,360 ♪ YOU BUILT ME UP AND MADE ME SURE ♪ ♪ YOU GAVE ♪ 501 00:18:38,384 --> 00:18:41,763 SURE ♪ ♪ YOU GAVE ♪ ♪ MY PRIDE ♪ 502 00:18:41,787 --> 00:18:47,102 ♪ YOU GAVE ♪ ♪ MY PRIDE ♪ ♪ BACK TO ME ♪ 503 00:18:47,126 --> 00:18:51,607 ♪ MY PRIDE ♪ ♪ BACK TO ME ♪ ♪ PRECIOUS FRIEND ♪ 504 00:18:51,631 --> 00:18:55,010 ♪ BACK TO ME ♪ ♪ PRECIOUS FRIEND ♪ ♪ WITH YOU, I'LL ALWAYS HAVE A 505 00:18:55,034 --> 00:18:57,779 ♪ PRECIOUS FRIEND ♪ ♪ WITH YOU, I'LL ALWAYS HAVE A FRIEND ♪ 506 00:18:57,803 --> 00:19:01,116 ♪ WITH YOU, I'LL ALWAYS HAVE A FRIEND ♪ ♪ YOU'RE SOMEONE WHO I CAN 507 00:19:01,140 --> 00:19:04,119 FRIEND ♪ ♪ YOU'RE SOMEONE WHO I CAN DEPEND ♪ 508 00:19:04,143 --> 00:19:08,123 ♪ YOU'RE SOMEONE WHO I CAN DEPEND ♪ ♪ TO WALK A PATH THAT SOMETIMES 509 00:19:08,147 --> 00:19:12,794 DEPEND ♪ ♪ TO WALK A PATH THAT SOMETIMES BENDS ♪ 510 00:19:12,818 --> 00:19:17,199 ♪ TO WALK A PATH THAT SOMETIMES BENDS ♪ ♪ WITHOUT YOU ♪ 511 00:19:17,223 --> 00:19:23,038 BENDS ♪ ♪ WITHOUT YOU ♪ ♪ LIFE HAS NO MEANING OR RHYME ♪ 512 00:19:23,062 --> 00:19:26,208 ♪ WITHOUT YOU ♪ ♪ LIFE HAS NO MEANING OR RHYME ♪ ♪ LIKE NOTES TO A SONG OUT OF 513 00:19:26,232 --> 00:19:29,878 ♪ LIFE HAS NO MEANING OR RHYME ♪ ♪ LIKE NOTES TO A SONG OUT OF TIME ♪ 514 00:19:29,902 --> 00:19:33,382 ♪ LIKE NOTES TO A SONG OUT OF TIME ♪ ♪ HOW CAN I REPAY YOU FOR HAVING 515 00:19:33,406 --> 00:19:39,821 TIME ♪ ♪ HOW CAN I REPAY YOU FOR HAVING FAITH IN ME? ♪ 516 00:19:39,845 --> 00:19:44,493 ♪ HOW CAN I REPAY YOU FOR HAVING FAITH IN ME? ♪ ♪ GOD BLESS YOU ♪ 517 00:19:44,517 --> 00:19:50,366 FAITH IN ME? ♪ ♪ GOD BLESS YOU ♪ ♪ YOU MAKE ME FEEL BRAND NEW ♪ 518 00:19:50,390 --> 00:19:57,038 ♪ GOD BLESS YOU ♪ ♪ YOU MAKE ME FEEL BRAND NEW ♪ ♪ FOR GOD BLESSED ME WITH YOU ♪ 519 00:19:57,062 --> 00:20:00,876 ♪ YOU MAKE ME FEEL BRAND NEW ♪ ♪ FOR GOD BLESSED ME WITH YOU ♪ ♪ YOU MAKE ME FEEL BRAND NEW ♪ 520 00:20:00,900 --> 00:20:03,740 ♪ FOR GOD BLESSED ME WITH YOU ♪ ♪ YOU MAKE ME FEEL BRAND NEW ♪ [APPLAUSE] 521 00:20:08,873 --> 00:20:12,154 INFLATIONARY PRICES GETTING YOU DOWN? THEN GET DOWN ON INFLATIONARY 522 00:20:12,178 --> 00:20:13,155 YOU DOWN? THEN GET DOWN ON INFLATIONARY PRICES WITH THE NEW 523 00:20:13,179 --> 00:20:14,657 THEN GET DOWN ON INFLATIONARY PRICES WITH THE NEW PRICE-IS-RITE STAMP GUN FROM 524 00:20:14,681 --> 00:20:17,326 PRICES WITH THE NEW PRICE-IS-RITE STAMP GUN FROM K-PUT. 525 00:20:17,350 --> 00:20:19,094 PRICE-IS-RITE STAMP GUN FROM K-PUT. SIMPLY SNAP IN A K-PUT PRICE TAG 526 00:20:19,118 --> 00:20:20,596 K-PUT. SIMPLY SNAP IN A K-PUT PRICE TAG ROLL, ADJUST THE FINGERTIP 527 00:20:20,620 --> 00:20:22,164 SIMPLY SNAP IN A K-PUT PRICE TAG ROLL, ADJUST THE FINGERTIP CONTROL PRICE DIAL, AIM YOUR 528 00:20:22,188 --> 00:20:23,465 ROLL, ADJUST THE FINGERTIP CONTROL PRICE DIAL, AIM YOUR PRICE-IS-RITE STAMP GUN OVER THE 529 00:20:23,489 --> 00:20:24,533 CONTROL PRICE DIAL, AIM YOUR PRICE-IS-RITE STAMP GUN OVER THE REGULAR MARKING, PULL THE 530 00:20:24,557 --> 00:20:25,534 PRICE-IS-RITE STAMP GUN OVER THE REGULAR MARKING, PULL THE TRIGGER, AND PRESTO! 531 00:20:25,558 --> 00:20:26,669 REGULAR MARKING, PULL THE TRIGGER, AND PRESTO! LOOK AT THIS... A WHOLE 532 00:20:26,693 --> 00:20:28,337 TRIGGER, AND PRESTO! LOOK AT THIS... A WHOLE WATERMELON FOR ONLY 3 CENTS. 533 00:20:28,361 --> 00:20:29,871 LOOK AT THIS... A WHOLE WATERMELON FOR ONLY 3 CENTS. A 12-POUND TURKEY FOR JUST 534 00:20:29,895 --> 00:20:31,207 WATERMELON FOR ONLY 3 CENTS. A 12-POUND TURKEY FOR JUST 4 CENTS. 535 00:20:31,231 --> 00:20:32,441 A 12-POUND TURKEY FOR JUST 4 CENTS. SAVE THOUSANDS OF DOLLARS. 536 00:20:32,465 --> 00:20:33,742 4 CENTS. SAVE THOUSANDS OF DOLLARS. FEED YOUR ENTIRE FAMILY FOR 537 00:20:33,766 --> 00:20:34,510 SAVE THOUSANDS OF DOLLARS. FEED YOUR ENTIRE FAMILY FOR PENNIES A DAY. 538 00:20:34,534 --> 00:20:35,578 FEED YOUR ENTIRE FAMILY FOR PENNIES A DAY. SHOP FOR YOUR FRIENDS. 539 00:20:35,602 --> 00:20:36,512 PENNIES A DAY. SHOP FOR YOUR FRIENDS. IT'S FUN AND EASY. 540 00:20:36,536 --> 00:20:38,013 SHOP FOR YOUR FRIENDS. IT'S FUN AND EASY. ONE TRIP TO THE STORE, AND YOUR 541 00:20:38,037 --> 00:20:39,381 IT'S FUN AND EASY. ONE TRIP TO THE STORE, AND YOUR K-PUT STAMP GUN WILL PAY FOR 542 00:20:39,405 --> 00:20:40,048 ONE TRIP TO THE STORE, AND YOUR K-PUT STAMP GUN WILL PAY FOR ITSELF. 543 00:20:40,072 --> 00:20:42,250 K-PUT STAMP GUN WILL PAY FOR ITSELF. BUY EVERYTHING YOU EVER WANTED. 544 00:20:42,274 --> 00:20:43,554 THERE'S NO BETTER WAY TO STRETCH 545 00:20:43,609 --> 00:20:44,442 YOUR SHOPPING DOLLARS. 546 00:20:44,576 --> 00:20:46,043 K-PUT'S PRICE-IS-RITE STAMP GUN, 547 00:20:46,177 --> 00:20:47,778 A STEAL AT ONLY $49.95 WHILE 548 00:20:47,912 --> 00:20:48,546 THEY LAST. 549 00:20:48,680 --> 00:20:54,552 THAT'S $49.95 TO... 550 00:20:54,686 --> 00:20:57,421 VOID WHERE PROHIBITED BY LAW. 551 00:21:00,092 --> 00:21:04,272 ♪ UP ON THE HOUSETOP ♪ ♪ CLICK, CLICK, CLICK ♪ ♪ DOWN THROUGH THE CHIMNEY ♪ 552 00:21:04,296 --> 00:21:06,008 ♪ CLICK, CLICK, CLICK ♪ ♪ DOWN THROUGH THE CHIMNEY ♪ ♪ WITH GOOD SAINT NICK ♪ 553 00:21:06,032 --> 00:21:07,409 ♪ DOWN THROUGH THE CHIMNEY ♪ ♪ WITH GOOD SAINT NICK ♪ ♪ HO, HO, HO ♪ 554 00:21:07,433 --> 00:21:08,577 ♪ WITH GOOD SAINT NICK ♪ ♪ HO, HO, HO ♪ ♪ WHO WOULDN'T GO? ♪ 555 00:21:08,601 --> 00:21:09,578 ♪ HO, HO, HO ♪ ♪ WHO WOULDN'T GO? ♪ ♪ HO, HO, HO ♪ 556 00:21:09,602 --> 00:21:11,313 ♪ WHO WOULDN'T GO? ♪ ♪ HO, HO, HO ♪ ♪ WHO WOULDN'T KNOW? ♪ 557 00:21:11,337 --> 00:21:14,650 ♪ HO, HO, HO ♪ ♪ WHO WOULDN'T KNOW? ♪ ♪ OH ♪ 558 00:21:14,674 --> 00:21:16,451 ♪ WHO WOULDN'T KNOW? ♪ ♪ OH ♪ TO THE TOP OF THE PORCH. 559 00:21:16,475 --> 00:21:17,920 ♪ OH ♪ TO THE TOP OF THE PORCH. TO THE TOP OF THE WALL. 560 00:21:17,944 --> 00:21:19,454 TO THE TOP OF THE PORCH. TO THE TOP OF THE WALL. NOW DANCE AWAY, DANCE AWAY, 561 00:21:19,478 --> 00:21:20,623 TO THE TOP OF THE WALL. NOW DANCE AWAY, DANCE AWAY, DANCE AWAY ALL! 562 00:21:20,647 --> 00:21:21,857 NOW DANCE AWAY, DANCE AWAY, DANCE AWAY ALL! HEE HEE! 563 00:21:21,881 --> 00:21:23,191 DANCE AWAY ALL! HEE HEE! ♪ UP ON THE HOUSETOP ♪ 564 00:21:23,215 --> 00:21:24,359 HEE HEE! ♪ UP ON THE HOUSETOP ♪ ♪ CLICK, CLICK, CLICK ♪ 565 00:21:24,383 --> 00:21:25,360 ♪ UP ON THE HOUSETOP ♪ ♪ CLICK, CLICK, CLICK ♪ ♪ DOWN THROUGH THE CHIMNEY ♪ 566 00:21:25,384 --> 00:21:26,194 ♪ CLICK, CLICK, CLICK ♪ ♪ DOWN THROUGH THE CHIMNEY ♪ ♪ WITH GOOD SAINT NICK ♪ 567 00:21:26,218 --> 00:21:26,862 ♪ DOWN THROUGH THE CHIMNEY ♪ ♪ WITH GOOD SAINT NICK ♪ MERRY CHRISTMAS! 568 00:21:26,886 --> 00:21:27,696 ♪ WITH GOOD SAINT NICK ♪ MERRY CHRISTMAS! ♪ HO, HO, HO ♪ 569 00:21:27,720 --> 00:21:28,530 MERRY CHRISTMAS! ♪ HO, HO, HO ♪ ♪ WHO WOULDN'T... ♪ 570 00:21:28,554 --> 00:21:29,698 ♪ HO, HO, HO ♪ ♪ WHO WOULDN'T... ♪ SIS? 571 00:21:29,722 --> 00:21:33,368 ♪ WHO WOULDN'T... ♪ SIS? OH, MY GOD. 572 00:21:33,392 --> 00:21:36,872 SIS? OH, MY GOD. DON'T LOOK, SIS. 573 00:21:36,896 --> 00:21:38,507 OH, MY GOD. DON'T LOOK, SIS. BE A LOT LESS PAINFUL FOR YOU IF 574 00:21:38,531 --> 00:21:42,678 DON'T LOOK, SIS. BE A LOT LESS PAINFUL FOR YOU IF YOU JUST, UH, TRY NOT TO LOOK. 575 00:21:42,702 --> 00:21:44,013 BE A LOT LESS PAINFUL FOR YOU IF YOU JUST, UH, TRY NOT TO LOOK. MY OWN BROTHER. 576 00:21:44,037 --> 00:21:45,848 YOU JUST, UH, TRY NOT TO LOOK. MY OWN BROTHER. I MIGHT HAVE EXPECTED THIS OF 577 00:21:45,872 --> 00:21:48,917 MY OWN BROTHER. I MIGHT HAVE EXPECTED THIS OF ANYONE, BUT MY OWN BROTHER? 578 00:21:48,941 --> 00:21:50,418 I MIGHT HAVE EXPECTED THIS OF ANYONE, BUT MY OWN BROTHER? IT'S BEEN MY SECRET SO LONG, 579 00:21:50,442 --> 00:21:51,586 ANYONE, BUT MY OWN BROTHER? IT'S BEEN MY SECRET SO LONG, LINDA. 580 00:21:51,610 --> 00:21:53,355 IT'S BEEN MY SECRET SO LONG, LINDA. I GUESS I'M ALMOST GLAD YOU 581 00:21:53,379 --> 00:21:56,591 LINDA. I GUESS I'M ALMOST GLAD YOU FOUND OUT. 582 00:21:56,615 --> 00:21:58,326 I GUESS I'M ALMOST GLAD YOU FOUND OUT. IT'S LIKE SOME RELIEF AFTER ALL 583 00:21:58,350 --> 00:22:01,229 FOUND OUT. IT'S LIKE SOME RELIEF AFTER ALL THESE YEARS FOR SOMEBODY TO 584 00:22:01,253 --> 00:22:03,331 IT'S LIKE SOME RELIEF AFTER ALL THESE YEARS FOR SOMEBODY TO FINALLY REALIZE AND KNOW THAT 585 00:22:03,355 --> 00:22:04,967 THESE YEARS FOR SOMEBODY TO FINALLY REALIZE AND KNOW THAT I'M... I'M A... 586 00:22:04,991 --> 00:22:08,270 FINALLY REALIZE AND KNOW THAT I'M... I'M A... LATENT ELF?! 587 00:22:08,294 --> 00:22:09,972 I'M... I'M A... LATENT ELF?! IS THAT WHAT YOU'RE TRYING TO 588 00:22:09,996 --> 00:22:11,140 LATENT ELF?! IS THAT WHAT YOU'RE TRYING TO SAY?! 589 00:22:11,164 --> 00:22:13,475 IS THAT WHAT YOU'RE TRYING TO SAY?! YES, I'M AN ELF! 590 00:22:13,499 --> 00:22:17,680 SAY?! YES, I'M AN ELF! I'M AN ELF, AND I'M PROUD OF IT! 591 00:22:17,704 --> 00:22:19,014 YES, I'M AN ELF! I'M AN ELF, AND I'M PROUD OF IT! NOW MAYBE YOU'LL UNDERSTAND WHAT 592 00:22:19,038 --> 00:22:20,649 I'M AN ELF, AND I'M PROUD OF IT! NOW MAYBE YOU'LL UNDERSTAND WHAT I WAS DOING WITH ALL THOSE 8x10s 593 00:22:20,673 --> 00:22:23,585 NOW MAYBE YOU'LL UNDERSTAND WHAT I WAS DOING WITH ALL THOSE 8x10s OF SANTA'S HELPERS OVER MY BED. 594 00:22:23,609 --> 00:22:24,920 I WAS DOING WITH ALL THOSE 8x10s OF SANTA'S HELPERS OVER MY BED. HOW DID IT START, TEDDY? 595 00:22:24,944 --> 00:22:25,754 OF SANTA'S HELPERS OVER MY BED. HOW DID IT START, TEDDY? HOW DID IT HAPPEN? 596 00:22:25,778 --> 00:22:26,955 HOW DID IT START, TEDDY? HOW DID IT HAPPEN? YOU WERE ALWAYS A RED-BLOODED 597 00:22:26,979 --> 00:22:28,023 HOW DID IT HAPPEN? YOU WERE ALWAYS A RED-BLOODED AMERICAN BOY GOING OFF TO 598 00:22:28,047 --> 00:22:28,857 YOU WERE ALWAYS A RED-BLOODED AMERICAN BOY GOING OFF TO FOOTBALL PRACTICE! 599 00:22:28,881 --> 00:22:30,025 AMERICAN BOY GOING OFF TO FOOTBALL PRACTICE! ONLY I WOULDN'T GO OFF TO 600 00:22:30,049 --> 00:22:31,760 FOOTBALL PRACTICE! ONLY I WOULDN'T GO OFF TO FOOTBALL PRACTICE! 601 00:22:31,784 --> 00:22:33,595 ONLY I WOULDN'T GO OFF TO FOOTBALL PRACTICE! I'D GO OFF TO SOME LEAFY GLADE 602 00:22:33,619 --> 00:22:37,866 FOOTBALL PRACTICE! I'D GO OFF TO SOME LEAFY GLADE AND MAKE MERRY. 603 00:22:37,890 --> 00:22:39,768 I'D GO OFF TO SOME LEAFY GLADE AND MAKE MERRY. I DON'T WANT TO TALK ABOUT IT. 604 00:22:39,792 --> 00:22:42,571 AND MAKE MERRY. I DON'T WANT TO TALK ABOUT IT. ALL RIGHT. 605 00:22:42,595 --> 00:22:43,906 I DON'T WANT TO TALK ABOUT IT. ALL RIGHT. SO THIS IS WHY YOU NEVER GOT 606 00:22:43,930 --> 00:22:44,807 ALL RIGHT. SO THIS IS WHY YOU NEVER GOT MARRIED. 607 00:22:44,831 --> 00:22:46,842 SO THIS IS WHY YOU NEVER GOT MARRIED. OH, I COULD HAVE GOTTEN 608 00:22:46,866 --> 00:22:48,010 MARRIED. OH, I COULD HAVE GOTTEN MARRIED. 609 00:22:48,034 --> 00:22:49,344 OH, I COULD HAVE GOTTEN MARRIED. LOTS OF US GET MARRIED, LEAD 610 00:22:49,368 --> 00:22:50,645 MARRIED. LOTS OF US GET MARRIED, LEAD PERFECTLY NORMAL LIVES, HAVE 611 00:22:50,669 --> 00:22:51,646 LOTS OF US GET MARRIED, LEAD PERFECTLY NORMAL LIVES, HAVE CHILDREN. 612 00:22:51,670 --> 00:22:52,981 PERFECTLY NORMAL LIVES, HAVE CHILDREN. WOULD YOU MIND BEING A LITTLE 613 00:22:53,005 --> 00:22:53,648 CHILDREN. WOULD YOU MIND BEING A LITTLE MORE DISCREET? 614 00:22:53,672 --> 00:22:57,853 WOULD YOU MIND BEING A LITTLE MORE DISCREET? I CAN SEE YOUR BELLS. 615 00:22:57,877 --> 00:22:59,188 MORE DISCREET? I CAN SEE YOUR BELLS. YOU THINK I'M DISGUSTING, 616 00:22:59,212 --> 00:22:59,922 I CAN SEE YOUR BELLS. YOU THINK I'M DISGUSTING, DON'T YOU? 617 00:22:59,946 --> 00:23:01,423 YOU THINK I'M DISGUSTING, DON'T YOU? NO, NOT DISGUSTING. 618 00:23:01,447 --> 00:23:03,158 DON'T YOU? NO, NOT DISGUSTING. JUST SORT OF... 619 00:23:03,182 --> 00:23:08,097 NO, NOT DISGUSTING. JUST SORT OF... IMPISH AND SPRY. 620 00:23:08,121 --> 00:23:10,265 JUST SORT OF... IMPISH AND SPRY. SPRY? 621 00:23:10,289 --> 00:23:11,834 IMPISH AND SPRY. SPRY? SEEN THAT WORD SO MANY TIMES IN 622 00:23:11,858 --> 00:23:12,601 SPRY? SEEN THAT WORD SO MANY TIMES IN DICTIONARIES. 623 00:23:12,625 --> 00:23:14,369 SEEN THAT WORD SO MANY TIMES IN DICTIONARIES. I'VE HEARD IT OVER THE YEARS. 624 00:23:14,393 --> 00:23:16,671 DICTIONARIES. I'VE HEARD IT OVER THE YEARS. I SOMEHOW NEVER DREAMED IT WOULD 625 00:23:16,695 --> 00:23:17,706 I'VE HEARD IT OVER THE YEARS. I SOMEHOW NEVER DREAMED IT WOULD APPLY TO ME. 626 00:23:17,730 --> 00:23:19,108 I SOMEHOW NEVER DREAMED IT WOULD APPLY TO ME. I NEVER DID, EITHER, TEDDY. 627 00:23:19,132 --> 00:23:20,408 APPLY TO ME. I NEVER DID, EITHER, TEDDY. I MEAN, WE GREW UP TOGETHER, 628 00:23:20,432 --> 00:23:21,744 I NEVER DID, EITHER, TEDDY. I MEAN, WE GREW UP TOGETHER, BOTH OF US, REFERRING TO THE 629 00:23:21,768 --> 00:23:23,178 I MEAN, WE GREW UP TOGETHER, BOTH OF US, REFERRING TO THE SEVEN DWARFS AS "THEY," AND NOW 630 00:23:23,202 --> 00:23:26,448 BOTH OF US, REFERRING TO THE SEVEN DWARFS AS "THEY," AND NOW THIS! 631 00:23:26,472 --> 00:23:28,150 SEVEN DWARFS AS "THEY," AND NOW THIS! YOU KNOW, I GUESS, IN A WAY, 632 00:23:28,174 --> 00:23:29,952 THIS! YOU KNOW, I GUESS, IN A WAY, I'M SURPRISED YOU DIDN'T GUESS 633 00:23:29,976 --> 00:23:31,120 YOU KNOW, I GUESS, IN A WAY, I'M SURPRISED YOU DIDN'T GUESS EARLIER. 634 00:23:31,144 --> 00:23:32,654 I'M SURPRISED YOU DIDN'T GUESS EARLIER. MANY'S THE TIME I COULD HAVE 635 00:23:32,678 --> 00:23:34,356 EARLIER. MANY'S THE TIME I COULD HAVE SWORN YOU MIGHT HAVE CAUGHT THE 636 00:23:34,380 --> 00:23:35,824 MANY'S THE TIME I COULD HAVE SWORN YOU MIGHT HAVE CAUGHT THE TWINKLE IN MY EYE. 637 00:23:35,848 --> 00:23:37,993 SWORN YOU MIGHT HAVE CAUGHT THE TWINKLE IN MY EYE. WELL, EVEN IF I DID, LOTS OF 638 00:23:38,017 --> 00:23:39,327 TWINKLE IN MY EYE. WELL, EVEN IF I DID, LOTS OF PEOPLE HAVE TWINKLES IN THEIR 639 00:23:39,351 --> 00:23:41,529 WELL, EVEN IF I DID, LOTS OF PEOPLE HAVE TWINKLES IN THEIR EYE... DICK CAVETT, I DON'T 640 00:23:41,553 --> 00:23:44,032 PEOPLE HAVE TWINKLES IN THEIR EYE... DICK CAVETT, I DON'T KNOW. 641 00:23:44,056 --> 00:23:45,433 EYE... DICK CAVETT, I DON'T KNOW. YOU DON'T MEAN... 642 00:23:45,457 --> 00:23:46,635 KNOW. YOU DON'T MEAN... [SCOFFS] 643 00:23:46,659 --> 00:23:51,874 YOU DON'T MEAN... [SCOFFS] MOST TALK-SHOW HOSTS ARE. 644 00:23:51,898 --> 00:23:54,910 [SCOFFS] MOST TALK-SHOW HOSTS ARE. YOU KNOW, YOU'LL PROBABLY HANDLE 645 00:23:54,934 --> 00:23:56,245 MOST TALK-SHOW HOSTS ARE. YOU KNOW, YOU'LL PROBABLY HANDLE THIS A LOT BETTER ONCE YOU 646 00:23:56,269 --> 00:23:57,579 YOU KNOW, YOU'LL PROBABLY HANDLE THIS A LOT BETTER ONCE YOU REALIZE THAT FROLICKING IS 647 00:23:57,603 --> 00:23:59,047 THIS A LOT BETTER ONCE YOU REALIZE THAT FROLICKING IS PERFECTLY NORMAL. 648 00:23:59,071 --> 00:24:00,448 REALIZE THAT FROLICKING IS PERFECTLY NORMAL. SURE. 649 00:24:00,472 --> 00:24:02,617 PERFECTLY NORMAL. SURE. I MEAN, YOU LIKE TO DANCE. 650 00:24:02,641 --> 00:24:05,287 SURE. I MEAN, YOU LIKE TO DANCE. I LIKE TO PRANCE. 651 00:24:05,311 --> 00:24:07,656 I MEAN, YOU LIKE TO DANCE. I LIKE TO PRANCE. I LIKE TO LOSE MY HAT. 652 00:24:07,680 --> 00:24:09,158 I LIKE TO PRANCE. I LIKE TO LOSE MY HAT. I LIKE TO PUT IT BACK ON MY 653 00:24:09,182 --> 00:24:09,992 I LIKE TO LOSE MY HAT. I LIKE TO PUT IT BACK ON MY HEAD. 654 00:24:10,016 --> 00:24:11,326 I LIKE TO PUT IT BACK ON MY HEAD. DOES THAT MAKE ME ANY DIFFERENT 655 00:24:11,350 --> 00:24:14,562 HEAD. DOES THAT MAKE ME ANY DIFFERENT THAN YOU? 656 00:24:14,586 --> 00:24:15,730 DOES THAT MAKE ME ANY DIFFERENT THAN YOU? I SUPPOSE NOT. 657 00:24:15,754 --> 00:24:16,731 THAN YOU? I SUPPOSE NOT. THERE YOU ARE. 658 00:24:16,755 --> 00:24:19,001 I SUPPOSE NOT. THERE YOU ARE. YOU THINK OF THE ELVES AND THE 659 00:24:19,025 --> 00:24:20,669 THERE YOU ARE. YOU THINK OF THE ELVES AND THE SHOEMAKER AS SOME KIND OF A CUTE 660 00:24:20,693 --> 00:24:21,670 YOU THINK OF THE ELVES AND THE SHOEMAKER AS SOME KIND OF A CUTE STORY. 661 00:24:21,694 --> 00:24:24,673 SHOEMAKER AS SOME KIND OF A CUTE STORY. I THINK OF IT AS A GRAND DESIGN 662 00:24:24,697 --> 00:24:26,508 STORY. I THINK OF IT AS A GRAND DESIGN FOR LIFE. 663 00:24:26,532 --> 00:24:28,110 I THINK OF IT AS A GRAND DESIGN FOR LIFE. SO? 664 00:24:28,134 --> 00:24:29,278 FOR LIFE. SO? SO WHAT? 665 00:24:29,302 --> 00:24:30,145 SO? SO WHAT? I'M SORRY, TEDDY. 666 00:24:30,169 --> 00:24:31,479 SO WHAT? I'M SORRY, TEDDY. IT'S JUST TAKING ME A WHILE TO 667 00:24:31,503 --> 00:24:32,247 I'M SORRY, TEDDY. IT'S JUST TAKING ME A WHILE TO GET USED TO IT. 668 00:24:32,271 --> 00:24:32,881 IT'S JUST TAKING ME A WHILE TO GET USED TO IT. THAT'S ALL. 669 00:24:32,905 --> 00:24:34,482 GET USED TO IT. THAT'S ALL. BUT I'LL LEARN TO ACCEPT IT. 670 00:24:34,506 --> 00:24:35,350 THAT'S ALL. BUT I'LL LEARN TO ACCEPT IT. AW, SIS. 671 00:24:35,374 --> 00:24:36,118 BUT I'LL LEARN TO ACCEPT IT. AW, SIS. TEDDY. 672 00:24:36,142 --> 00:24:37,186 AW, SIS. TEDDY. YOU'RE THE GREATEST. 673 00:24:37,210 --> 00:24:38,187 TEDDY. YOU'RE THE GREATEST. [KNOCK ON DOOR] 674 00:24:38,211 --> 00:24:39,387 YOU'RE THE GREATEST. [KNOCK ON DOOR] OH, MY GOD, IT'S MOM AND DAD! 675 00:24:39,411 --> 00:24:40,555 [KNOCK ON DOOR] OH, MY GOD, IT'S MOM AND DAD! I TOLD THEM TO MEET ME HERE FOR 676 00:24:40,579 --> 00:24:41,623 OH, MY GOD, IT'S MOM AND DAD! I TOLD THEM TO MEET ME HERE FOR THE CLUB CHRISTMAS PARTY AND 677 00:24:41,647 --> 00:24:42,324 I TOLD THEM TO MEET ME HERE FOR THE CLUB CHRISTMAS PARTY AND NOW... 678 00:24:42,348 --> 00:24:44,559 THE CLUB CHRISTMAS PARTY AND NOW... HEY, IF THEY HAVE TO HANDLE 679 00:24:44,583 --> 00:24:45,560 NOW... HEY, IF THEY HAVE TO HANDLE IT, THEY'LL HANDLE IT. 680 00:24:45,584 --> 00:24:49,832 HEY, IF THEY HAVE TO HANDLE IT, THEY'LL HANDLE IT. BOY, I HOPE SO. 681 00:24:49,856 --> 00:24:52,600 IT, THEY'LL HANDLE IT. BOY, I HOPE SO. MOM, DAD, UH, BEFORE YOU COME 682 00:24:52,624 --> 00:24:53,936 BOY, I HOPE SO. MOM, DAD, UH, BEFORE YOU COME IN, I THINK THERE'S ONE THING 683 00:24:53,960 --> 00:24:56,920 MOM, DAD, UH, BEFORE YOU COME IN, I THINK THERE'S ONE THING YOU SHOULD KNOW. 684 00:25:00,932 --> 00:25:05,747 SO, YOU'RE ONE OF THEM. MOM, LISTEN... IT'S ALL RIGHT, LINDA. 685 00:25:05,771 --> 00:25:07,449 MOM, LISTEN... IT'S ALL RIGHT, LINDA. YOUR FATHER HAS BEEN ONE FOR 686 00:25:07,473 --> 00:25:08,116 IT'S ALL RIGHT, LINDA. YOUR FATHER HAS BEEN ONE FOR YEARS. 687 00:25:08,140 --> 00:25:10,241 YOUR FATHER HAS BEEN ONE FOR YEARS. DAD?! 688 00:25:17,782 --> 00:25:22,264 IT'S SOMETHING I'VE LEARNED TO LIVE WITH. ALL THOSE LONELY CHRISTMAS EVES 689 00:25:22,288 --> 00:25:23,999 TO LIVE WITH. ALL THOSE LONELY CHRISTMAS EVES AFTER YOU KIDS WENT TO BED, 690 00:25:24,023 --> 00:25:25,734 ALL THOSE LONELY CHRISTMAS EVES AFTER YOU KIDS WENT TO BED, WONDERING WHOSE TREE HE WAS 691 00:25:25,758 --> 00:25:28,536 AFTER YOU KIDS WENT TO BED, WONDERING WHOSE TREE HE WAS TRIMMING, WHOSE STOCKING HE WAS 692 00:25:28,560 --> 00:25:32,074 WONDERING WHOSE TREE HE WAS TRIMMING, WHOSE STOCKING HE WAS STICKING A LUMP OF COAL INTO. 693 00:25:32,098 --> 00:25:33,842 TRIMMING, WHOSE STOCKING HE WAS STICKING A LUMP OF COAL INTO. COME ON, MOM, I THINK WE'D 694 00:25:33,866 --> 00:25:39,514 STICKING A LUMP OF COAL INTO. COME ON, MOM, I THINK WE'D BETTER TALK. 695 00:25:39,538 --> 00:25:41,049 COME ON, MOM, I THINK WE'D BETTER TALK. [DOOR CLOSES] 696 00:25:41,073 --> 00:25:42,050 BETTER TALK. [DOOR CLOSES] [SIGHS] 697 00:25:42,074 --> 00:25:43,818 [DOOR CLOSES] [SIGHS] SON, I DON'T KNOW WHAT TO SAY. 698 00:25:43,842 --> 00:25:47,044 [SIGHS] SON, I DON'T KNOW WHAT TO SAY. DAD, IT'S ALL RIGHT. 699 00:25:51,883 --> 00:25:55,730 ♪ UP ON THE ROOFTOP ♪ ♪ QUICK, QUICK, QUICK! ♪ ♪ DOWN THROUGH THE CHIMNEY ♪ 700 00:25:55,754 --> 00:25:58,333 ♪ QUICK, QUICK, QUICK! ♪ ♪ DOWN THROUGH THE CHIMNEY ♪ ♪ WITH GOOD SAINT NICK ♪ 701 00:25:58,357 --> 00:26:00,269 ♪ DOWN THROUGH THE CHIMNEY ♪ ♪ WITH GOOD SAINT NICK ♪ ♪ HO, HO, HO ♪ 702 00:26:00,293 --> 00:26:01,270 ♪ WITH GOOD SAINT NICK ♪ ♪ HO, HO, HO ♪ ♪ WHO WOULDN'T GO? ♪ 703 00:26:01,294 --> 00:26:03,727 ♪ HO, HO, HO ♪ ♪ WHO WOULDN'T GO? ♪ ♪ HO, HO, HO ♪ 704 00:26:14,004 --> 00:26:19,221 Announcer: AND NOW "WEEKEND UPDATE" WITH CHEVY CHASE. 705 00:26:19,245 --> 00:26:21,556 "WEEKEND UPDATE" WITH CHEVY CHASE. I WASN'T THAT MAD. 706 00:26:21,580 --> 00:26:22,890 CHEVY CHASE. I WASN'T THAT MAD. TEETH ALWAYS HURT. 707 00:26:22,914 --> 00:26:24,726 I WASN'T THAT MAD. TEETH ALWAYS HURT. I TOLD YOU THAT. 708 00:26:24,750 --> 00:26:28,630 TEETH ALWAYS HURT. I TOLD YOU THAT. G... 709 00:26:28,654 --> 00:26:29,631 I TOLD YOU THAT. G... GOOD EVENING. 710 00:26:29,655 --> 00:26:32,300 G... GOOD EVENING. I'M CHEVY CHASE, AND YOU'RE NOT. 711 00:26:32,324 --> 00:26:33,635 GOOD EVENING. I'M CHEVY CHASE, AND YOU'RE NOT. OUR TOP STORY TONIGHT... A 712 00:26:33,659 --> 00:26:35,337 I'M CHEVY CHASE, AND YOU'RE NOT. OUR TOP STORY TONIGHT... A HARRIS POLL HAS REVEALED THAT 713 00:26:35,361 --> 00:26:37,171 OUR TOP STORY TONIGHT... A HARRIS POLL HAS REVEALED THAT HUBERT HUMPHREY IS AHEAD OF BOTH 714 00:26:37,195 --> 00:26:39,173 HARRIS POLL HAS REVEALED THAT HUBERT HUMPHREY IS AHEAD OF BOTH FORD AND REAGAN IN POPULARITY. 715 00:26:39,197 --> 00:26:40,575 HUBERT HUMPHREY IS AHEAD OF BOTH FORD AND REAGAN IN POPULARITY. HARRIS SAID THAT IF THE ELECTION 716 00:26:40,599 --> 00:26:41,743 FORD AND REAGAN IN POPULARITY. HARRIS SAID THAT IF THE ELECTION WERE TO BE HELD TOMORROW, 717 00:26:41,767 --> 00:26:43,010 HARRIS SAID THAT IF THE ELECTION WERE TO BE HELD TOMORROW, HUBERT HUMPHREY WOULD BE THE 718 00:26:43,034 --> 00:26:43,578 WERE TO BE HELD TOMORROW, HUBERT HUMPHREY WOULD BE THE PRESIDENT. 719 00:26:43,602 --> 00:26:44,879 HUBERT HUMPHREY WOULD BE THE PRESIDENT. HUMPHREY COULD NOT BE REACHED 720 00:26:44,903 --> 00:26:45,780 PRESIDENT. HUMPHREY COULD NOT BE REACHED FOR COMMENT TODAY. 721 00:26:45,804 --> 00:26:47,181 HUMPHREY COULD NOT BE REACHED FOR COMMENT TODAY. HE'S RUNNING AROUND THE COUNTRY, 722 00:26:47,205 --> 00:26:50,285 FOR COMMENT TODAY. HE'S RUNNING AROUND THE COUNTRY, TRYING TO GET THE POLLS OPEN. 723 00:26:50,309 --> 00:26:51,986 HE'S RUNNING AROUND THE COUNTRY, TRYING TO GET THE POLLS OPEN. YESTERDAY A DELIGHTED HUMPHREY 724 00:26:52,010 --> 00:26:53,788 TRYING TO GET THE POLLS OPEN. YESTERDAY A DELIGHTED HUMPHREY HELD A PRESS CONFERENCE IN WHICH 725 00:26:53,812 --> 00:26:55,757 YESTERDAY A DELIGHTED HUMPHREY HELD A PRESS CONFERENCE IN WHICH HE STRUCK SIX CLASSIC POSES FOR 726 00:26:55,781 --> 00:26:58,861 HELD A PRESS CONFERENCE IN WHICH HE STRUCK SIX CLASSIC POSES FOR PHOTOGRAPHERS. 727 00:27:06,257 --> 00:27:10,104 THIS BULLETIN JUST IN. FROM MADRID, SPAIN, COMES THE WORD THAT GENERALISSIMO 728 00:27:10,128 --> 00:27:14,108 FROM MADRID, SPAIN, COMES THE WORD THAT GENERALISSIMO FRANCISCO FRANCO IS STILL DEAD. 729 00:27:14,132 --> 00:27:16,578 WORD THAT GENERALISSIMO FRANCISCO FRANCO IS STILL DEAD. DOCTORS SAY HIS CONDITION IS 730 00:27:16,602 --> 00:27:19,481 FRANCISCO FRANCO IS STILL DEAD. DOCTORS SAY HIS CONDITION IS UNCHANGED. 731 00:27:19,505 --> 00:27:20,815 DOCTORS SAY HIS CONDITION IS UNCHANGED. WELL, THE TRIAL OF 732 00:27:20,839 --> 00:27:23,652 UNCHANGED. WELL, THE TRIAL OF SQUEAKY FROMME HAS ENDED. 733 00:27:23,676 --> 00:27:24,986 WELL, THE TRIAL OF SQUEAKY FROMME HAS ENDED. HERE, REPORTING FROM THE 734 00:27:25,010 --> 00:27:26,288 SQUEAKY FROMME HAS ENDED. HERE, REPORTING FROM THE COURTROOM IN SACRAMENTO, 735 00:27:26,312 --> 00:27:27,789 HERE, REPORTING FROM THE COURTROOM IN SACRAMENTO, CALIFORNIA, IS CORRESPONDENT 736 00:27:27,813 --> 00:27:30,325 COURTROOM IN SACRAMENTO, CALIFORNIA, IS CORRESPONDENT DAVID HAYWARD. 737 00:27:30,349 --> 00:27:31,893 CALIFORNIA, IS CORRESPONDENT DAVID HAYWARD. LYNETTE "SQUEAKY" FROMME WAS 738 00:27:31,917 --> 00:27:33,461 DAVID HAYWARD. LYNETTE "SQUEAKY" FROMME WAS SENTENCED TO LIFE TODAY FOR HER 739 00:27:33,485 --> 00:27:34,862 LYNETTE "SQUEAKY" FROMME WAS SENTENCED TO LIFE TODAY FOR HER ATTEMPT ON PRESIDENT FORD'S 740 00:27:34,886 --> 00:27:35,330 SENTENCED TO LIFE TODAY FOR HER ATTEMPT ON PRESIDENT FORD'S LIFE. 741 00:27:35,354 --> 00:27:36,631 ATTEMPT ON PRESIDENT FORD'S LIFE. U.S. DISTRICT COURT JUDGE 742 00:27:36,655 --> 00:27:37,865 LIFE. U.S. DISTRICT COURT JUDGE MacBRIDE, SAYING HE WAS 743 00:27:37,889 --> 00:27:39,334 U.S. DISTRICT COURT JUDGE MacBRIDE, SAYING HE WAS CONVINCED MS. FROMME WOULD HAVE 744 00:27:39,358 --> 00:27:40,968 MacBRIDE, SAYING HE WAS CONVINCED MS. FROMME WOULD HAVE MURDERED FORD IF SHE COULD HAVE, 745 00:27:40,992 --> 00:27:42,404 CONVINCED MS. FROMME WOULD HAVE MURDERED FORD IF SHE COULD HAVE, DECLARED THAT SHE WAS BEYOND 746 00:27:42,428 --> 00:27:44,071 MURDERED FORD IF SHE COULD HAVE, DECLARED THAT SHE WAS BEYOND REHABILITATION. 747 00:27:44,095 --> 00:27:45,273 DECLARED THAT SHE WAS BEYOND REHABILITATION. MS. FROMME LET OUT A 748 00:27:45,297 --> 00:27:46,775 REHABILITATION. MS. FROMME LET OUT A BLOODCURDLING SCREAM AFTER 749 00:27:46,799 --> 00:27:47,542 MS. FROMME LET OUT A BLOODCURDLING SCREAM AFTER SENTENCING. 750 00:27:47,566 --> 00:27:49,177 BLOODCURDLING SCREAM AFTER SENTENCING. "YOU FOOL," SHE SHOUTED AT THE 751 00:27:49,201 --> 00:27:50,745 SENTENCING. "YOU FOOL," SHE SHOUTED AT THE JUDGE, "I TRIED TO SAVE YOUR 752 00:27:50,769 --> 00:27:51,413 "YOU FOOL," SHE SHOUTED AT THE JUDGE, "I TRIED TO SAVE YOUR LIFE!" 753 00:27:51,437 --> 00:27:53,915 JUDGE, "I TRIED TO SAVE YOUR LIFE!" THE SENTENCE CAME IN. 754 00:27:53,939 --> 00:27:55,383 LIFE!" THE SENTENCE CAME IN. FROMME HIT THE PROSECUTOR WITH 755 00:27:55,407 --> 00:27:55,983 THE SENTENCE CAME IN. FROMME HIT THE PROSECUTOR WITH AN APPLE. 756 00:27:56,007 --> 00:27:57,686 FROMME HIT THE PROSECUTOR WITH AN APPLE. THOUSANDS WATCHED ON TV AS 757 00:27:57,710 --> 00:27:59,621 AN APPLE. THOUSANDS WATCHED ON TV AS FROMME WAS CARRIED BODILY FROM 758 00:27:59,645 --> 00:28:01,389 THOUSANDS WATCHED ON TV AS FROMME WAS CARRIED BODILY FROM THE COURTROOM BY U.S. MARSHALS. 759 00:28:01,413 --> 00:28:03,191 FROMME WAS CARRIED BODILY FROM THE COURTROOM BY U.S. MARSHALS. AN OVERWORKED AND EXHAUSTED JURY 760 00:28:03,215 --> 00:28:05,026 THE COURTROOM BY U.S. MARSHALS. AN OVERWORKED AND EXHAUSTED JURY LEFT THE COURTROOM SATISFIED AND 761 00:28:05,050 --> 00:28:06,628 AN OVERWORKED AND EXHAUSTED JURY LEFT THE COURTROOM SATISFIED AND CELEBRATED LATER IN A NEARBY 762 00:28:06,652 --> 00:28:07,829 LEFT THE COURTROOM SATISFIED AND CELEBRATED LATER IN A NEARBY HOTEL. 763 00:28:07,853 --> 00:28:09,698 CELEBRATED LATER IN A NEARBY HOTEL. THIS IS DAVID HAYWARD FOR 764 00:28:09,722 --> 00:28:12,322 HOTEL. THIS IS DAVID HAYWARD FOR "WEEKEND UPDATE," REPORTING. 765 00:28:17,328 --> 00:28:21,476 THE MATTEL TOY COMPANY HAS INTRODUCED A NEW DOLL JUST IN TIME FOR CHRISTMAS. 766 00:28:21,500 --> 00:28:23,110 INTRODUCED A NEW DOLL JUST IN TIME FOR CHRISTMAS. IT'S CALLED GROWING UP SKIPPER. 767 00:28:23,134 --> 00:28:24,646 TIME FOR CHRISTMAS. IT'S CALLED GROWING UP SKIPPER. TWIST THE DOLL'S ARM, AND SHE 768 00:28:24,670 --> 00:28:25,947 IT'S CALLED GROWING UP SKIPPER. TWIST THE DOLL'S ARM, AND SHE GROWS AN INCH TALLER AND 769 00:28:25,971 --> 00:28:26,914 TWIST THE DOLL'S ARM, AND SHE GROWS AN INCH TALLER AND DEVELOPS A BUST. 770 00:28:26,938 --> 00:28:28,483 GROWS AN INCH TALLER AND DEVELOPS A BUST. FUTURE MARKETING PLANS INCLUDE 771 00:28:28,507 --> 00:28:29,984 DEVELOPS A BUST. FUTURE MARKETING PLANS INCLUDE GROWING UP SKIPPER'S FRIEND, 772 00:28:30,008 --> 00:28:30,885 FUTURE MARKETING PLANS INCLUDE GROWING UP SKIPPER'S FRIEND, GROWN-UP CINDY. 773 00:28:30,909 --> 00:28:32,119 GROWING UP SKIPPER'S FRIEND, GROWN-UP CINDY. TWIST HER ARM, AND SHE SAYS, 774 00:28:32,143 --> 00:28:33,521 GROWN-UP CINDY. TWIST HER ARM, AND SHE SAYS, "WHATEVER YOU LIKE, DEAR," "IT'S 775 00:28:33,545 --> 00:28:34,823 TWIST HER ARM, AND SHE SAYS, "WHATEVER YOU LIKE, DEAR," "IT'S RIGHT WHERE YOU LEFT IT," AND, 776 00:28:34,847 --> 00:28:35,490 "WHATEVER YOU LIKE, DEAR," "IT'S RIGHT WHERE YOU LEFT IT," AND, "NOT TONIGHT. 777 00:28:35,514 --> 00:28:38,493 RIGHT WHERE YOU LEFT IT," AND, "NOT TONIGHT. I HAVE A HEADACHE." 778 00:28:38,517 --> 00:28:40,194 "NOT TONIGHT. I HAVE A HEADACHE." FROM NEW ORLEANS COMES A STORY 779 00:28:40,218 --> 00:28:41,830 I HAVE A HEADACHE." FROM NEW ORLEANS COMES A STORY THAT FORMER DISTRICT ATTORNEY 780 00:28:41,854 --> 00:28:43,498 FROM NEW ORLEANS COMES A STORY THAT FORMER DISTRICT ATTORNEY JIM GARRISON HAS COME UP WITH 781 00:28:43,522 --> 00:28:45,233 THAT FORMER DISTRICT ATTORNEY JIM GARRISON HAS COME UP WITH WHAT HE CALLS THE SECOND WARREN 782 00:28:45,257 --> 00:28:46,167 JIM GARRISON HAS COME UP WITH WHAT HE CALLS THE SECOND WARREN REPORT THEORY. 783 00:28:46,191 --> 00:28:47,569 WHAT HE CALLS THE SECOND WARREN REPORT THEORY. GARRISON MAINTAINS THAT THERE 784 00:28:47,593 --> 00:28:48,737 REPORT THEORY. GARRISON MAINTAINS THAT THERE WERE ACTUALLY TWO WARREN 785 00:28:48,761 --> 00:28:50,037 GARRISON MAINTAINS THAT THERE WERE ACTUALLY TWO WARREN COMMISSIONS INVOLVED IN THE 786 00:28:50,061 --> 00:28:51,105 WERE ACTUALLY TWO WARREN COMMISSIONS INVOLVED IN THE REPORT, INDICATING AN 787 00:28:51,129 --> 00:28:52,474 COMMISSIONS INVOLVED IN THE REPORT, INDICATING AN INVESTIGATIVE CONSPIRACY. 788 00:28:52,498 --> 00:28:54,141 REPORT, INDICATING AN INVESTIGATIVE CONSPIRACY. AND FROM BATON ROUGE, LOUISIANA, 789 00:28:54,165 --> 00:28:55,443 INVESTIGATIVE CONSPIRACY. AND FROM BATON ROUGE, LOUISIANA, THE BATON ROUGE DISTRICT 790 00:28:55,467 --> 00:28:56,978 AND FROM BATON ROUGE, LOUISIANA, THE BATON ROUGE DISTRICT ATTORNEY MAINTAINS THAT THERE 791 00:28:57,002 --> 00:28:59,046 THE BATON ROUGE DISTRICT ATTORNEY MAINTAINS THAT THERE ARE TWO JIM GARRISONS, CALLING 792 00:28:59,070 --> 00:29:01,115 ATTORNEY MAINTAINS THAT THERE ARE TWO JIM GARRISONS, CALLING IT THE SECOND GARRISON THEORY. 793 00:29:01,139 --> 00:29:02,784 ARE TWO JIM GARRISONS, CALLING IT THE SECOND GARRISON THEORY. MORE ON THESE FOUR STORIES 794 00:29:02,808 --> 00:29:04,486 IT THE SECOND GARRISON THEORY. MORE ON THESE FOUR STORIES LATER. 795 00:29:04,510 --> 00:29:06,020 MORE ON THESE FOUR STORIES LATER. A CORRECTION IN A STORY "UPDATE" 796 00:29:06,044 --> 00:29:07,589 LATER. A CORRECTION IN A STORY "UPDATE" PRESENTED LAST WEEK, IN WHICH WE 797 00:29:07,613 --> 00:29:08,956 A CORRECTION IN A STORY "UPDATE" PRESENTED LAST WEEK, IN WHICH WE REPORTED THAT GEORGE WALLACE 798 00:29:08,980 --> 00:29:10,291 PRESENTED LAST WEEK, IN WHICH WE REPORTED THAT GEORGE WALLACE SAID IN A RECENT SPEECH, "I 799 00:29:10,315 --> 00:29:11,760 REPORTED THAT GEORGE WALLACE SAID IN A RECENT SPEECH, "I DON'T JUDGE A MAN BY THE COLOR 800 00:29:11,784 --> 00:29:12,460 SAID IN A RECENT SPEECH, "I DON'T JUDGE A MAN BY THE COLOR OF HIS SKIN. 801 00:29:12,484 --> 00:29:13,862 DON'T JUDGE A MAN BY THE COLOR OF HIS SKIN. I JUDGE HIM ACCORDING TO HOW 802 00:29:13,886 --> 00:29:15,397 OF HIS SKIN. I JUDGE HIM ACCORDING TO HOW WELL YOU CAN SEE HIM IN THE DARK 803 00:29:15,421 --> 00:29:17,565 I JUDGE HIM ACCORDING TO HOW WELL YOU CAN SEE HIM IN THE DARK WHEN HE SMILES." 804 00:29:17,589 --> 00:29:19,200 WELL YOU CAN SEE HIM IN THE DARK WHEN HE SMILES." APPARENTLY MR. WALLACE DID NOT 805 00:29:19,224 --> 00:29:19,868 WHEN HE SMILES." APPARENTLY MR. WALLACE DID NOT SAY THAT. 806 00:29:19,892 --> 00:29:21,569 APPARENTLY MR. WALLACE DID NOT SAY THAT. HE SAID, "I JUDGE HIM ACCORDING 807 00:29:21,593 --> 00:29:24,406 SAY THAT. HE SAID, "I JUDGE HIM ACCORDING TO HOW WELL HE CAST FAST-DANCE." 808 00:29:24,430 --> 00:29:26,274 HE SAID, "I JUDGE HIM ACCORDING TO HOW WELL HE CAST FAST-DANCE." RIGHT NOW LET'S GO TO OUR LIVE 809 00:29:26,298 --> 00:29:27,909 TO HOW WELL HE CAST FAST-DANCE." RIGHT NOW LET'S GO TO OUR LIVE REMOTE IN TIMES SQUARE AND 810 00:29:27,933 --> 00:29:29,076 RIGHT NOW LET'S GO TO OUR LIVE REMOTE IN TIMES SQUARE AND LARAINE NEWMAN. 811 00:29:29,100 --> 00:29:29,811 REMOTE IN TIMES SQUARE AND LARAINE NEWMAN. LARAINE? 812 00:29:29,835 --> 00:29:31,546 LARAINE NEWMAN. LARAINE? CHEVY, I'M STANDING IN 813 00:29:31,570 --> 00:29:33,648 LARAINE? CHEVY, I'M STANDING IN BELOW-FREEZING TEMPERATURES HERE 814 00:29:33,672 --> 00:29:35,550 CHEVY, I'M STANDING IN BELOW-FREEZING TEMPERATURES HERE IN TIMES SQUARE, WHERE IT IS 815 00:29:35,574 --> 00:29:36,751 BELOW-FREEZING TEMPERATURES HERE IN TIMES SQUARE, WHERE IT IS UNCANNILY QUIET. 816 00:29:36,775 --> 00:29:38,820 IN TIMES SQUARE, WHERE IT IS UNCANNILY QUIET. OF COURSE, AS IS THE TRADITION, 817 00:29:38,844 --> 00:29:40,822 UNCANNILY QUIET. OF COURSE, AS IS THE TRADITION, THE GIANT BALL ATOP THE ALLIED 818 00:29:40,846 --> 00:29:42,824 OF COURSE, AS IS THE TRADITION, THE GIANT BALL ATOP THE ALLIED CHEMICAL BUILDING SHOULD BEGIN 819 00:29:42,848 --> 00:29:44,759 THE GIANT BALL ATOP THE ALLIED CHEMICAL BUILDING SHOULD BEGIN ITS SLOW DESCENT SOON TO RING 820 00:29:44,783 --> 00:29:47,595 CHEMICAL BUILDING SHOULD BEGIN ITS SLOW DESCENT SOON TO RING OUT THE OLD, BRING IN THE NEW. 821 00:29:47,619 --> 00:29:50,364 ITS SLOW DESCENT SOON TO RING OUT THE OLD, BRING IN THE NEW. AGAIN, INEXPLICABLY, RELATIVE 822 00:29:50,388 --> 00:29:52,734 OUT THE OLD, BRING IN THE NEW. AGAIN, INEXPLICABLY, RELATIVE INACTIVITY HERE IN TIMES SQUARE. 823 00:29:52,758 --> 00:29:53,435 AGAIN, INEXPLICABLY, RELATIVE INACTIVITY HERE IN TIMES SQUARE. CHEVY? 824 00:29:53,459 --> 00:29:55,537 INACTIVITY HERE IN TIMES SQUARE. CHEVY? WHAT TIME DO YOU HAVE NOW 825 00:29:55,561 --> 00:29:58,072 CHEVY? WHAT TIME DO YOU HAVE NOW THERE, LARAINE? 826 00:29:58,096 --> 00:29:59,908 WHAT TIME DO YOU HAVE NOW THERE, LARAINE? I HAVE APPROXIMATELY 10 827 00:29:59,932 --> 00:30:01,309 THERE, LARAINE? I HAVE APPROXIMATELY 10 MINUTES PAST 12:00. 828 00:30:01,333 --> 00:30:03,411 I HAVE APPROXIMATELY 10 MINUTES PAST 12:00. WELL, NOW, WOULDN'T THE BALL 829 00:30:03,435 --> 00:30:04,746 MINUTES PAST 12:00. WELL, NOW, WOULDN'T THE BALL NORMALLY DROP AROUND MIDNIGHT, 830 00:30:04,770 --> 00:30:06,414 WELL, NOW, WOULDN'T THE BALL NORMALLY DROP AROUND MIDNIGHT, LARAINE? 831 00:30:06,438 --> 00:30:07,916 NORMALLY DROP AROUND MIDNIGHT, LARAINE? YOU'RE ABSOLUTELY RIGHT, 832 00:30:07,940 --> 00:30:08,416 LARAINE? YOU'RE ABSOLUTELY RIGHT, CHEVY. 833 00:30:08,440 --> 00:30:09,784 YOU'RE ABSOLUTELY RIGHT, CHEVY. THIS IS AN UNPRECEDENTED 834 00:30:09,808 --> 00:30:10,952 CHEVY. THIS IS AN UNPRECEDENTED OCCURRENCE IN THE... 835 00:30:10,976 --> 00:30:12,720 THIS IS AN UNPRECEDENTED OCCURRENCE IN THE... AND, LARAINE, WHAT'S THE DATE 836 00:30:12,744 --> 00:30:13,220 OCCURRENCE IN THE... AND, LARAINE, WHAT'S THE DATE TODAY? 837 00:30:13,244 --> 00:30:17,224 AND, LARAINE, WHAT'S THE DATE TODAY? DO YOU HAPPEN TO HAVE THE DATE? 838 00:30:17,248 --> 00:30:18,993 TODAY? DO YOU HAPPEN TO HAVE THE DATE? CHEVY, IT'S DECEMBER 20th. 839 00:30:19,017 --> 00:30:20,929 DO YOU HAPPEN TO HAVE THE DATE? CHEVY, IT'S DECEMBER 20th. LARAINE, ISN'T NEW YEAR'S EVE 840 00:30:20,953 --> 00:30:22,564 CHEVY, IT'S DECEMBER 20th. LARAINE, ISN'T NEW YEAR'S EVE NORMALLY ON DECEMBER 31st? 841 00:30:22,588 --> 00:30:25,099 LARAINE, ISN'T NEW YEAR'S EVE NORMALLY ON DECEMBER 31st? YOU'RE ABSOLUTELY RIGHT, 842 00:30:25,123 --> 00:30:25,967 NORMALLY ON DECEMBER 31st? YOU'RE ABSOLUTELY RIGHT, CHEVY. 843 00:30:25,991 --> 00:30:26,868 YOU'RE ABSOLUTELY RIGHT, CHEVY. THEN I GUESS THAT WOULD 844 00:30:26,892 --> 00:30:27,969 CHEVY. THEN I GUESS THAT WOULD PRETTY MUCH EXPLAIN IT, WOULDN'T 845 00:30:27,993 --> 00:30:28,803 THEN I GUESS THAT WOULD PRETTY MUCH EXPLAIN IT, WOULDN'T IT? 846 00:30:28,827 --> 00:30:31,506 PRETTY MUCH EXPLAIN IT, WOULDN'T IT? YES, I GUESS IT WOULD, CHEVY. 847 00:30:31,530 --> 00:30:34,676 IT? YES, I GUESS IT WOULD, CHEVY. BACK TO YOU. 848 00:30:34,700 --> 00:30:37,679 YES, I GUESS IT WOULD, CHEVY. BACK TO YOU. CORRESPONDENT LARAINE NEWMAN. 849 00:30:37,703 --> 00:30:39,714 BACK TO YOU. CORRESPONDENT LARAINE NEWMAN. CHER BONO, ESTRANGED WIFE OF 850 00:30:39,738 --> 00:30:41,916 CORRESPONDENT LARAINE NEWMAN. CHER BONO, ESTRANGED WIFE OF ROCK STAR GREGG ALLMAN, ONETIME 851 00:30:41,940 --> 00:30:43,551 CHER BONO, ESTRANGED WIFE OF ROCK STAR GREGG ALLMAN, ONETIME WIFE OF SONNY BONO, AND ONCE 852 00:30:43,575 --> 00:30:45,119 ROCK STAR GREGG ALLMAN, ONETIME WIFE OF SONNY BONO, AND ONCE MORE HIS TELEVISION COMEDY 853 00:30:45,143 --> 00:30:46,420 WIFE OF SONNY BONO, AND ONCE MORE HIS TELEVISION COMEDY PARTNER, THOUGH STILL 854 00:30:46,444 --> 00:30:47,956 MORE HIS TELEVISION COMEDY PARTNER, THOUGH STILL MRS. ALLMAN OFFICIALLY, IS 855 00:30:47,980 --> 00:30:48,656 PARTNER, THOUGH STILL MRS. ALLMAN OFFICIALLY, IS PREGNANT. 856 00:30:48,680 --> 00:30:50,257 MRS. ALLMAN OFFICIALLY, IS PREGNANT. CHER ALREADY HAS A DAUGHTER FROM 857 00:30:50,281 --> 00:30:51,493 PREGNANT. CHER ALREADY HAS A DAUGHTER FROM HER FIRST MARRIAGE NAMED 858 00:30:51,517 --> 00:30:52,093 CHER ALREADY HAS A DAUGHTER FROM HER FIRST MARRIAGE NAMED CHASTITY. 859 00:30:52,117 --> 00:30:53,561 HER FIRST MARRIAGE NAMED CHASTITY. AND HER INTENDED NAME FOR HER 860 00:30:53,585 --> 00:30:59,400 CHASTITY. AND HER INTENDED NAME FOR HER SECOND CHILD... PUBLICITY. 861 00:30:59,424 --> 00:31:01,903 AND HER INTENDED NAME FOR HER SECOND CHILD... PUBLICITY. MASS SUICIDE IN THE SOUTHWEST. 862 00:31:01,927 --> 00:31:03,304 SECOND CHILD... PUBLICITY. MASS SUICIDE IN THE SOUTHWEST. THOUSANDS ARE DEAD, AND IT'S NOT 863 00:31:03,328 --> 00:31:04,739 MASS SUICIDE IN THE SOUTHWEST. THOUSANDS ARE DEAD, AND IT'S NOT OVER YET IN WHAT AUTHORITIES ARE 864 00:31:04,763 --> 00:31:06,340 THOUSANDS ARE DEAD, AND IT'S NOT OVER YET IN WHAT AUTHORITIES ARE CALLING THE TEXAS CHAIN LETTER 865 00:31:06,364 --> 00:31:07,742 OVER YET IN WHAT AUTHORITIES ARE CALLING THE TEXAS CHAIN LETTER MASSACRE. 866 00:31:07,766 --> 00:31:09,043 CALLING THE TEXAS CHAIN LETTER MASSACRE. DISCOVERED WITH THE VICTIMS, A 867 00:31:09,067 --> 00:31:10,111 MASSACRE. DISCOVERED WITH THE VICTIMS, A LETTER THAT READS, "DEAR 868 00:31:10,135 --> 00:31:11,379 DISCOVERED WITH THE VICTIMS, A LETTER THAT READS, "DEAR OCCUPANT, SEND EIGHT COPIES OF 869 00:31:11,403 --> 00:31:12,714 LETTER THAT READS, "DEAR OCCUPANT, SEND EIGHT COPIES OF THIS LETTER TO YOUR FRIENDS AND 870 00:31:12,738 --> 00:31:14,348 OCCUPANT, SEND EIGHT COPIES OF THIS LETTER TO YOUR FRIENDS AND THEN KILL YOURSELF. 871 00:31:14,372 --> 00:31:15,717 THIS LETTER TO YOUR FRIENDS AND THEN KILL YOURSELF. PLEASE DON'T BREAK THE CHAIN." 872 00:31:15,741 --> 00:31:16,885 THEN KILL YOURSELF. PLEASE DON'T BREAK THE CHAIN." LISTED AMONG THE DEAD... 873 00:31:16,909 --> 00:31:17,852 PLEASE DON'T BREAK THE CHAIN." LISTED AMONG THE DEAD... GENERAL WALSH OF THE 874 00:31:17,876 --> 00:31:19,053 LISTED AMONG THE DEAD... GENERAL WALSH OF THE PHILIPPINES. 875 00:31:19,077 --> 00:31:20,688 GENERAL WALSH OF THE PHILIPPINES. WELL, THE FIGHTING CONTINUES IN 876 00:31:20,712 --> 00:31:22,256 PHILIPPINES. WELL, THE FIGHTING CONTINUES IN ANGOLA AS THE MAJOR POWERS VIE 877 00:31:22,280 --> 00:31:23,858 WELL, THE FIGHTING CONTINUES IN ANGOLA AS THE MAJOR POWERS VIE FOR STRATEGIC TACTICAL POSITION 878 00:31:23,882 --> 00:31:25,259 ANGOLA AS THE MAJOR POWERS VIE FOR STRATEGIC TACTICAL POSITION IN AND AROUND THAT NATION. 879 00:31:25,283 --> 00:31:27,261 FOR STRATEGIC TACTICAL POSITION IN AND AROUND THAT NATION. "WEEKEND UPDATE" IS READY WITH 880 00:31:27,285 --> 00:31:28,830 IN AND AROUND THAT NATION. "WEEKEND UPDATE" IS READY WITH ANOTHER LIVE REPORT VIA 881 00:31:28,854 --> 00:31:30,665 "WEEKEND UPDATE" IS READY WITH ANOTHER LIVE REPORT VIA SATELLITE TRANSMISSION WITH 882 00:31:30,689 --> 00:31:32,534 ANOTHER LIVE REPORT VIA SATELLITE TRANSMISSION WITH CORRESPONDENT MALCOLM McCUNE 883 00:31:32,558 --> 00:31:34,402 SATELLITE TRANSMISSION WITH CORRESPONDENT MALCOLM McCUNE OVER A DIRECT TELEPHONE LINE 884 00:31:34,426 --> 00:31:36,237 CORRESPONDENT MALCOLM McCUNE OVER A DIRECT TELEPHONE LINE NEWSROOM FEED FROM WAR-TORN 885 00:31:36,261 --> 00:31:41,142 OVER A DIRECT TELEPHONE LINE NEWSROOM FEED FROM WAR-TORN LUANDA, ANGOLA. 886 00:31:41,166 --> 00:31:44,746 NEWSROOM FEED FROM WAR-TORN LUANDA, ANGOLA. HELLO? 887 00:31:44,770 --> 00:31:50,752 LUANDA, ANGOLA. HELLO? HELLO? 888 00:31:50,776 --> 00:31:52,086 HELLO? HELLO? HELLO? ANGOLA? 889 00:31:52,110 --> 00:31:54,923 HELLO? HELLO? ANGOLA? VERY HARD TO HEAR YOU. 890 00:31:54,947 --> 00:31:59,761 HELLO? ANGOLA? VERY HARD TO HEAR YOU. ANGELO? 891 00:31:59,785 --> 00:32:01,162 VERY HARD TO HEAR YOU. ANGELO? NO, WE'RE SUPPOSED TO HAVE A 892 00:32:01,186 --> 00:32:03,831 ANGELO? NO, WE'RE SUPPOSED TO HAVE A DIRECT AUDIO AND VIDEO FEED FROM 893 00:32:03,855 --> 00:32:05,166 NO, WE'RE SUPPOSED TO HAVE A DIRECT AUDIO AND VIDEO FEED FROM ANGOLA. 894 00:32:05,190 --> 00:32:06,500 DIRECT AUDIO AND VIDEO FEED FROM ANGOLA. WELL, I'M SORRY TO BOTHER YOU. 895 00:32:06,524 --> 00:32:07,835 ANGOLA. WELL, I'M SORRY TO BOTHER YOU. IT MUST BE THE WRONG NUMBER. 896 00:32:07,859 --> 00:32:10,071 WELL, I'M SORRY TO BOTHER YOU. IT MUST BE THE WRONG NUMBER. MM-HMM. BYE. 897 00:32:10,095 --> 00:32:11,305 IT MUST BE THE WRONG NUMBER. MM-HMM. BYE. WELL, WE HAD A LITTLE AUDIO 898 00:32:11,329 --> 00:32:12,574 MM-HMM. BYE. WELL, WE HAD A LITTLE AUDIO PROBLEM THERE, AND WE'LL GET 899 00:32:12,598 --> 00:32:13,708 WELL, WE HAD A LITTLE AUDIO PROBLEM THERE, AND WE'LL GET MORE ON THAT STORY LATER. 900 00:32:13,732 --> 00:32:14,976 PROBLEM THERE, AND WE'LL GET MORE ON THAT STORY LATER. CONFUSION CONTINUES OVER THE 901 00:32:15,000 --> 00:32:16,343 MORE ON THAT STORY LATER. CONFUSION CONTINUES OVER THE ANGOLAN SITUATION THROUGHOUT THE 902 00:32:16,367 --> 00:32:16,778 CONFUSION CONTINUES OVER THE ANGOLAN SITUATION THROUGHOUT THE WORLD. 903 00:32:16,802 --> 00:32:18,379 ANGOLAN SITUATION THROUGHOUT THE WORLD. THE JAPANESE PRIME MINISTER IS 904 00:32:18,403 --> 00:32:19,781 WORLD. THE JAPANESE PRIME MINISTER IS SAID TO HAVE COMMENTED, "I 905 00:32:19,805 --> 00:32:21,248 THE JAPANESE PRIME MINISTER IS SAID TO HAVE COMMENTED, "I ALWAYS THOUGHT ANGOLA WAS A 906 00:32:21,272 --> 00:32:24,919 SAID TO HAVE COMMENTED, "I ALWAYS THOUGHT ANGOLA WAS A SWEATER." 907 00:32:24,943 --> 00:32:26,253 ALWAYS THOUGHT ANGOLA WAS A SWEATER." OPPOSING PRESIDENT FORD'S 908 00:32:26,277 --> 00:32:27,822 SWEATER." OPPOSING PRESIDENT FORD'S WISHES, THE SENATE VOTED TO CUT 909 00:32:27,846 --> 00:32:29,423 OPPOSING PRESIDENT FORD'S WISHES, THE SENATE VOTED TO CUT OFF AID TO THE FACTIONS OPPOSED 910 00:32:29,447 --> 00:32:30,892 WISHES, THE SENATE VOTED TO CUT OFF AID TO THE FACTIONS OPPOSED TO THE LIBERATION OF ANGOLA, 911 00:32:30,916 --> 00:32:32,526 OFF AID TO THE FACTIONS OPPOSED TO THE LIBERATION OF ANGOLA, MAINTAINING THAT IT HAS COST THE 912 00:32:32,550 --> 00:32:34,328 TO THE LIBERATION OF ANGOLA, MAINTAINING THAT IT HAS COST THE U.S. OVER $32 MILLION THIS YEAR 913 00:32:34,352 --> 00:32:35,830 MAINTAINING THAT IT HAS COST THE U.S. OVER $32 MILLION THIS YEAR AND THAT THE SITUATION IS 914 00:32:35,854 --> 00:32:37,198 U.S. OVER $32 MILLION THIS YEAR AND THAT THE SITUATION IS POTENTIALLY ANOTHER VIETNAM. 915 00:32:37,222 --> 00:32:38,466 AND THAT THE SITUATION IS POTENTIALLY ANOTHER VIETNAM. FORD REPORTEDLY REACTED BY 916 00:32:38,490 --> 00:32:39,734 POTENTIALLY ANOTHER VIETNAM. FORD REPORTEDLY REACTED BY SAYING, "WHAT'S WRONG WITH 917 00:32:39,758 --> 00:32:40,602 FORD REPORTEDLY REACTED BY SAYING, "WHAT'S WRONG WITH ANOTHER VIETNAM? 918 00:32:40,626 --> 00:32:42,136 SAYING, "WHAT'S WRONG WITH ANOTHER VIETNAM? WE SHOULD KEEP DOING IT UNTIL WE 919 00:32:42,160 --> 00:32:45,139 ANOTHER VIETNAM? WE SHOULD KEEP DOING IT UNTIL WE GET IT RIGHT." 920 00:32:45,163 --> 00:32:47,875 WE SHOULD KEEP DOING IT UNTIL WE GET IT RIGHT." WELL, THE YEAR IS ALMOST ON ITS 921 00:32:47,899 --> 00:32:50,444 GET IT RIGHT." WELL, THE YEAR IS ALMOST ON ITS WAY OUT AS 1976 AND THE 200th 922 00:32:50,468 --> 00:32:52,413 WELL, THE YEAR IS ALMOST ON ITS WAY OUT AS 1976 AND THE 200th ANNIVERSARY OF OUR NATION COMES 923 00:32:52,437 --> 00:32:53,414 WAY OUT AS 1976 AND THE 200th ANNIVERSARY OF OUR NATION COMES OUR WAY. 924 00:32:53,438 --> 00:32:55,149 ANNIVERSARY OF OUR NATION COMES OUR WAY. LET'S TAKE A BRIEF LOOK BACK AT 925 00:32:55,173 --> 00:33:01,322 OUR WAY. LET'S TAKE A BRIEF LOOK BACK AT 1975, SHALL WE? 926 00:33:01,346 --> 00:33:04,425 LET'S TAKE A BRIEF LOOK BACK AT 1975, SHALL WE? COMING UP NEXT, PRESIDENT FORD'S 927 00:33:04,449 --> 00:33:05,760 1975, SHALL WE? COMING UP NEXT, PRESIDENT FORD'S MOTORCADE ROUTE THROUGH DENVER 928 00:33:05,784 --> 00:33:09,024 COMING UP NEXT, PRESIDENT FORD'S MOTORCADE ROUTE THROUGH DENVER AFTER THIS MESSAGE. 929 00:33:13,324 --> 00:33:14,604 Announcer: AND NOW HER SERENE 930 00:33:14,658 --> 00:33:15,859 HIGHNESS, PRINCESS GRACE OF 931 00:33:15,994 --> 00:33:18,595 MONACO, FOR NEW TARN-OFF. 932 00:33:18,729 --> 00:33:20,464 HI, I'M PRINCESS GRACE FOR 933 00:33:20,598 --> 00:33:22,332 TARN-OFF, ROVCO'S AMAZING NEW 934 00:33:22,467 --> 00:33:23,500 TARNISH REMOVER. 935 00:33:23,634 --> 00:33:24,868 THIS REVOLUTIONARY PRODUCT 936 00:33:25,003 --> 00:33:26,470 CLEANS FAST AND EFFECTIVELY, AND 937 00:33:26,604 --> 00:33:28,005 IT'S SAFE FOR EVERYTHING, EVEN 938 00:33:28,139 --> 00:33:29,139 TARNISHED DIAMONDS. 939 00:33:29,173 --> 00:33:31,975 WITH ONLY ONE DUNK... 940 00:33:32,243 --> 00:33:37,492 NEW TARN-OFF EATS UP TARNISH, LEAVES YOUR CROWN SPARKLING. GETS DEEP DOWN BETWEEN ENCRUSTED 941 00:33:37,516 --> 00:33:38,926 LEAVES YOUR CROWN SPARKLING. GETS DEEP DOWN BETWEEN ENCRUSTED JEWELS WITHOUT RUBBING. 942 00:33:38,950 --> 00:33:40,095 GETS DEEP DOWN BETWEEN ENCRUSTED JEWELS WITHOUT RUBBING. ISN'T THAT AMAZING? 943 00:33:40,119 --> 00:33:41,529 JEWELS WITHOUT RUBBING. ISN'T THAT AMAZING? AND TARN-OFF CLEANS A SCEPTER 944 00:33:41,553 --> 00:33:43,698 ISN'T THAT AMAZING? AND TARN-OFF CLEANS A SCEPTER BEFORE YOU CAN SAY, "LET THEM 945 00:33:43,722 --> 00:33:46,034 AND TARN-OFF CLEANS A SCEPTER BEFORE YOU CAN SAY, "LET THEM EAT CAKE." 946 00:33:46,058 --> 00:33:48,136 BEFORE YOU CAN SAY, "LET THEM EAT CAKE." TARN-OFF IS IDEAL FOR FAMILY 947 00:33:48,160 --> 00:33:51,739 EAT CAKE." TARN-OFF IS IDEAL FOR FAMILY HEIRLOOMS. 948 00:33:51,763 --> 00:33:54,175 TARN-OFF IS IDEAL FOR FAMILY HEIRLOOMS. REMOVES GRIT, GRIME, AND GERMS 949 00:33:54,199 --> 00:33:55,343 HEIRLOOMS. REMOVES GRIT, GRIME, AND GERMS FROM OTHER CENTURIES. 950 00:33:55,367 --> 00:33:59,514 REMOVES GRIT, GRIME, AND GERMS FROM OTHER CENTURIES. Both: OH, LOOK HOW SHINY! 951 00:33:59,538 --> 00:34:00,248 FROM OTHER CENTURIES. Both: OH, LOOK HOW SHINY! TRY IT. 952 00:34:00,272 --> 00:34:01,383 Both: OH, LOOK HOW SHINY! TRY IT. TELL YOUR FRIENDS. 953 00:34:01,407 --> 00:34:03,118 TRY IT. TELL YOUR FRIENDS. TARN-OFF IS USED IN VICE REGAL 954 00:34:03,142 --> 00:34:04,619 TELL YOUR FRIENDS. TARN-OFF IS USED IN VICE REGAL HOMES ALL OVER EUROPE AND 955 00:34:04,643 --> 00:34:05,387 TARN-OFF IS USED IN VICE REGAL HOMES ALL OVER EUROPE AND ASIA MINOR. 956 00:34:05,411 --> 00:34:07,188 HOMES ALL OVER EUROPE AND ASIA MINOR. AND IF YOU ORDER NOW, I'LL SEND 957 00:34:07,212 --> 00:34:08,656 ASIA MINOR. AND IF YOU ORDER NOW, I'LL SEND YOU THIS BOOKLET OF SPICY 958 00:34:08,680 --> 00:34:10,658 AND IF YOU ORDER NOW, I'LL SEND YOU THIS BOOKLET OF SPICY MEDITERRANEAN RECIPES. 959 00:34:10,682 --> 00:34:11,592 YOU THIS BOOKLET OF SPICY MEDITERRANEAN RECIPES. I DON'T RUB. 960 00:34:11,616 --> 00:34:12,593 MEDITERRANEAN RECIPES. I DON'T RUB. I DON'T SCRUB. 961 00:34:12,617 --> 00:34:14,496 I DON'T RUB. I DON'T SCRUB. I DON'T EVEN WIPE WITH ROVCO'S 962 00:34:14,520 --> 00:34:16,801 I DON'T SCRUB. I DON'T EVEN WIPE WITH ROVCO'S NEW TARN-OFF. 963 00:34:23,327 --> 00:34:28,276 RECOGNIZING OUR OBLIGATION TO PRESENT RESPONSIBLE OPPOSING VIEWPOINTS TO OUR OPINIONS, 964 00:34:28,300 --> 00:34:29,744 PRESENT RESPONSIBLE OPPOSING VIEWPOINTS TO OUR OPINIONS, "WEEKEND UPDATE" INVITES 965 00:34:29,768 --> 00:34:31,880 VIEWPOINTS TO OUR OPINIONS, "WEEKEND UPDATE" INVITES EMILY LITELLA TO REPLY TO AN 966 00:34:31,904 --> 00:34:33,381 "WEEKEND UPDATE" INVITES EMILY LITELLA TO REPLY TO AN EDITORIAL. 967 00:34:33,405 --> 00:34:36,418 EMILY LITELLA TO REPLY TO AN EDITORIAL. WHAT IS ALL THIS I HEAR ABOUT 968 00:34:36,442 --> 00:34:38,886 EDITORIAL. WHAT IS ALL THIS I HEAR ABOUT FIRING THE HANDICAPPED? 969 00:34:38,910 --> 00:34:41,978 IT'S A DIRTY, FILTHY IDEA... 970 00:34:42,112 --> 00:34:43,780 FIRING THE HANDICAPPED, 971 00:34:43,915 --> 00:34:45,982 ESPECIALLY AT CHRISTMASTIME, 972 00:34:46,116 --> 00:34:47,951 WHEN THERE'S SO MUCH MORE 973 00:34:48,085 --> 00:34:50,353 OPPORTUNITY FOR THE HANDICAPPED 974 00:34:50,488 --> 00:34:53,389 TO FIND EMPLOYMENT, LIKE LICKING 975 00:34:53,524 --> 00:34:56,693 STAMPS AND ENVELOPES AND PUTTING 976 00:34:56,828 --> 00:34:58,628 THE OUTFITS ON BARBIE DOLLS AND 977 00:34:58,763 --> 00:35:00,296 PUTTING IN THE LITTLE RECORDED 978 00:35:00,431 --> 00:35:02,699 MESSAGES IN CHATTY CATHYS AND 979 00:35:02,834 --> 00:35:05,735 POSING FOR CHRISTMAS SEAL PHOTOS 980 00:35:05,870 --> 00:35:08,738 AND PLAYING SANTA CLAUS, SITTING 981 00:35:08,873 --> 00:35:10,907 DOWN IN LARGE DEPARTMENT STORES. 982 00:35:11,041 --> 00:35:13,076 THE HOLIDAY SEASON IS THE TIME 983 00:35:13,210 --> 00:35:15,311 WHEN THE HANDICAPPED NEED MONEY 984 00:35:15,446 --> 00:35:17,280 TO BUY CHRISTMAS DINNER FOR 985 00:35:17,414 --> 00:35:18,882 THEIR FAMILIES. 986 00:35:19,149 --> 00:35:26,367 WHY, THEY'LL HAVE TO BUY CHEAP, UNPLUCKED, FROZEN TURKEYS, AND THEY'LL HURT THEMSELVES TRYING 987 00:35:26,391 --> 00:35:27,702 UNPLUCKED, FROZEN TURKEYS, AND THEY'LL HURT THEMSELVES TRYING TO PULL THE FEATHERS OUT. 988 00:35:27,726 --> 00:35:28,870 THEY'LL HURT THEMSELVES TRYING TO PULL THE FEATHERS OUT. AND THEY'LL FREEZE THEIR LAPS 989 00:35:28,894 --> 00:35:29,904 TO PULL THE FEATHERS OUT. AND THEY'LL FREEZE THEIR LAPS OFF. 990 00:35:29,928 --> 00:35:31,673 AND THEY'LL FREEZE THEIR LAPS OFF. WHY, THEY'LL END UP HAVING TO 991 00:35:31,697 --> 00:35:33,575 OFF. WHY, THEY'LL END UP HAVING TO EAT TOAST, AND WHOEVER HEARD OF 992 00:35:33,599 --> 00:35:34,676 WHY, THEY'LL END UP HAVING TO EAT TOAST, AND WHOEVER HEARD OF CHRISTMAS TOAST? 993 00:35:34,700 --> 00:35:35,677 EAT TOAST, AND WHOEVER HEARD OF CHRISTMAS TOAST? MISS LITELLA? 994 00:35:35,701 --> 00:35:37,679 CHRISTMAS TOAST? MISS LITELLA? MISS LITELLA? 995 00:35:37,703 --> 00:35:40,047 MISS LITELLA? MISS LITELLA? IT'S "HIRE" THE HANDICAPPED, NOT 996 00:35:40,071 --> 00:35:41,048 MISS LITELLA? IT'S "HIRE" THE HANDICAPPED, NOT "FIRE"... "HIRE" THE 997 00:35:41,072 --> 00:35:42,083 IT'S "HIRE" THE HANDICAPPED, NOT "FIRE"... "HIRE" THE HANDICAPPED. 998 00:35:42,107 --> 00:35:43,751 "FIRE"... "HIRE" THE HANDICAPPED. THE EDITORIAL WAS ABOUT HIRING 999 00:35:43,775 --> 00:35:44,919 HANDICAPPED. THE EDITORIAL WAS ABOUT HIRING THE HANDICAPPED. 1000 00:35:44,943 --> 00:35:46,921 THE EDITORIAL WAS ABOUT HIRING THE HANDICAPPED. OH. 1001 00:35:46,945 --> 00:35:49,256 THE HANDICAPPED. OH. WELL, THAT'S LOVELY. 1002 00:35:49,280 --> 00:35:55,663 OH. WELL, THAT'S LOVELY. NEVER MIND. 1003 00:35:55,687 --> 00:35:57,164 WELL, THAT'S LOVELY. NEVER MIND. AND NOW, AS A PUBLIC SERVICE 1004 00:35:57,188 --> 00:35:58,700 NEVER MIND. AND NOW, AS A PUBLIC SERVICE TO THOSE OF OUR VIEWERS WHO HAVE 1005 00:35:58,724 --> 00:36:00,234 AND NOW, AS A PUBLIC SERVICE TO THOSE OF OUR VIEWERS WHO HAVE DIFFICULTY WITH THEIR HEARING, I 1006 00:36:00,258 --> 00:36:01,736 TO THOSE OF OUR VIEWERS WHO HAVE DIFFICULTY WITH THEIR HEARING, I WILL REPEAT THE TOP STORY OF THE 1007 00:36:01,760 --> 00:36:03,237 DIFFICULTY WITH THEIR HEARING, I WILL REPEAT THE TOP STORY OF THE DAY, AIDED BY THE HEADMASTER OF 1008 00:36:03,261 --> 00:36:04,772 WILL REPEAT THE TOP STORY OF THE DAY, AIDED BY THE HEADMASTER OF THE NEW YORK SCHOOL FOR THE HARD 1009 00:36:04,796 --> 00:36:08,209 DAY, AIDED BY THE HEADMASTER OF THE NEW YORK SCHOOL FOR THE HARD OF HEARING, MR. GARRETT MORRIS. 1010 00:36:08,233 --> 00:36:10,410 THE NEW YORK SCHOOL FOR THE HARD OF HEARING, MR. GARRETT MORRIS. OUR TOP STORY TONIGHT... 1011 00:36:10,434 --> 00:36:12,201 OUR TOP STORY TONIGHT... A 1012 00:36:12,336 --> 00:36:14,103 HARRIS POLL HAS REVEALED THAT 1013 00:36:14,238 --> 00:36:16,072 HUMPHREY IS AHEAD OF BOTH FORD 1014 00:36:16,206 --> 00:36:16,940 AND REAGAN. 1015 00:36:17,074 --> 00:36:18,341 GOOD NIGHT AND... 1016 00:36:18,475 --> 00:36:19,976 GOOD NIGHT AND HAVE A 1017 00:36:20,110 --> 00:36:22,245 PLEASANT TOMORROW! 1018 00:36:28,752 --> 00:36:30,887 [WASHING MACHINES WHIRRING] 1019 00:39:57,228 --> 00:40:05,228 [ELECTRONIC BEEPING] TOMMY, DID YOU SEE THAT? TOMMY, CAN YOU HEAR ME? 1020 00:40:05,703 --> 00:40:07,014 TOMMY, DID YOU SEE THAT? TOMMY, CAN YOU HEAR ME? [THE WHO'S "PINBALL WIZARD" 1021 00:40:07,038 --> 00:40:08,015 TOMMY, CAN YOU HEAR ME? [THE WHO'S "PINBALL WIZARD" PLAYING] 1022 00:40:08,039 --> 00:40:11,319 [THE WHO'S "PINBALL WIZARD" PLAYING] TOMMY, CAN YOU SEE ME? 1023 00:40:11,343 --> 00:40:12,786 [PLAYING] TOMMY, CAN YOU SEE ME? HEY, TOMMY, CAN YOU SEE THE 1024 00:40:12,810 --> 00:40:16,357 TOMMY, CAN YOU SEE ME? HEY, TOMMY, CAN YOU SEE THE MOVING DOT? 1025 00:40:16,381 --> 00:40:17,925 HEY, TOMMY, CAN YOU SEE THE MOVING DOT? YOU KNOW, YOU MAY BE A PINBALL 1026 00:40:17,949 --> 00:40:19,327 MOVING DOT? YOU KNOW, YOU MAY BE A PINBALL WIZARD, BUT YOUR PONG SURE 1027 00:40:19,351 --> 00:40:21,871 YOU KNOW, YOU MAY BE A PINBALL WIZARD, BUT YOUR PONG SURE STINKS. 1028 00:40:25,422 --> 00:40:31,672 ♪ GOOD KING PLOOBIS ONCE LOOKED OUT ♪ ♪ AND ALL HE SAW WAS... PEUTA ♪ 1029 00:40:31,696 --> 00:40:34,808 LOOKED OUT ♪ ♪ AND ALL HE SAW WAS... PEUTA ♪ AH, IS THAT A MIRAGE OF BEAUTY 1030 00:40:34,832 --> 00:40:35,909 ♪ AND ALL HE SAW WAS... PEUTA ♪ AH, IS THAT A MIRAGE OF BEAUTY BEFORE ME, OR IS IT 1031 00:40:35,933 --> 00:40:37,678 AH, IS THAT A MIRAGE OF BEAUTY BEFORE ME, OR IS IT SOPHIA LOREN? 1032 00:40:37,702 --> 00:40:39,280 BEFORE ME, OR IS IT SOPHIA LOREN? NO, IT'S PEUTA. 1033 00:40:39,304 --> 00:40:41,349 SOPHIA LOREN? NO, IT'S PEUTA. OH, THANK YOU, DARLING. 1034 00:40:41,373 --> 00:40:43,717 NO, IT'S PEUTA. OH, THANK YOU, DARLING. BUT ISN'T EVERYTHING BEAUTIFUL? 1035 00:40:43,741 --> 00:40:44,518 OH, THANK YOU, DARLING. BUT ISN'T EVERYTHING BEAUTIFUL? HMM. 1036 00:40:44,542 --> 00:40:46,487 BUT ISN'T EVERYTHING BEAUTIFUL? HMM. OH, THIS PARTY WILL BE 1037 00:40:46,511 --> 00:40:48,456 HMM. OH, THIS PARTY WILL BE WRITTEN UP IN PEOPLE MAGAZINE! 1038 00:40:48,480 --> 00:40:49,991 OH, THIS PARTY WILL BE WRITTEN UP IN PEOPLE MAGAZINE! WELL, IT SHOULD BE. 1039 00:40:50,015 --> 00:40:51,492 WRITTEN UP IN PEOPLE MAGAZINE! WELL, IT SHOULD BE. WE INVITED THE WHOLE SHOW. 1040 00:40:51,516 --> 00:40:52,659 WELL, IT SHOULD BE. WE INVITED THE WHOLE SHOW. YES, THAT'S TRUE. 1041 00:40:52,683 --> 00:40:54,295 WE INVITED THE WHOLE SHOW. YES, THAT'S TRUE. DO YOU THINK WE'LL HAVE ENOUGH 1042 00:40:54,319 --> 00:40:54,761 YES, THAT'S TRUE. DO YOU THINK WE'LL HAVE ENOUGH FOOD? 1043 00:40:54,785 --> 00:41:00,234 DO YOU THINK WE'LL HAVE ENOUGH FOOD? WELL, LET'S SEE. 1044 00:41:00,258 --> 00:41:01,802 FOOD? WELL, LET'S SEE. HI, OH, SURE, THERE'S LOTS OF 1045 00:41:01,826 --> 00:41:02,169 WELL, LET'S SEE. HI, OH, SURE, THERE'S LOTS OF ME. 1046 00:41:02,193 --> 00:41:02,736 HI, OH, SURE, THERE'S LOTS OF ME. I'M FOOD! 1047 00:41:02,760 --> 00:41:04,071 ME. I'M FOOD! EAT ME, TASTE ME, BITE ME. 1048 00:41:04,095 --> 00:41:05,706 I'M FOOD! EAT ME, TASTE ME, BITE ME. I LOVE IT! 1049 00:41:05,730 --> 00:41:07,441 EAT ME, TASTE ME, BITE ME. I LOVE IT! WELL, SINCE THE DINNER HAS 1050 00:41:07,465 --> 00:41:09,477 I LOVE IT! WELL, SINCE THE DINNER HAS BEEN UNFORTUITOUSLY DELAYED, I 1051 00:41:09,501 --> 00:41:10,277 WELL, SINCE THE DINNER HAS BEEN UNFORTUITOUSLY DELAYED, I MIGHT AS WELL. 1052 00:41:10,301 --> 00:41:11,479 BEEN UNFORTUITOUSLY DELAYED, I MIGHT AS WELL. GOOD, EAT ME, EAT ME! 1053 00:41:11,503 --> 00:41:12,779 MIGHT AS WELL. GOOD, EAT ME, EAT ME! I AM WHAT YOU EAT! 1054 00:41:12,803 --> 00:41:14,581 GOOD, EAT ME, EAT ME! I AM WHAT YOU EAT! JUICY BACK HERE, SPICY DOWN 1055 00:41:14,605 --> 00:41:15,149 I AM WHAT YOU EAT! JUICY BACK HERE, SPICY DOWN HERE. 1056 00:41:15,173 --> 00:41:15,983 JUICY BACK HERE, SPICY DOWN HERE. I AM A BANQUET. 1057 00:41:16,007 --> 00:41:17,151 HERE. I AM A BANQUET. DELICIOUS, DELICIOUS! 1058 00:41:17,175 --> 00:41:18,685 I AM A BANQUET. DELICIOUS, DELICIOUS! YES, I HOPE THE GUESTS HURRY. 1059 00:41:18,709 --> 00:41:20,054 DELICIOUS, DELICIOUS! YES, I HOPE THE GUESTS HURRY. IF I'M NOT FRESH, I'M OUT OF 1060 00:41:20,078 --> 00:41:20,621 YES, I HOPE THE GUESTS HURRY. IF I'M NOT FRESH, I'M OUT OF BUSINESS. 1061 00:41:20,645 --> 00:41:21,889 IF I'M NOT FRESH, I'M OUT OF BUSINESS. [DOORBELL RINGS] 1062 00:41:21,913 --> 00:41:23,290 BUSINESS. [DOORBELL RINGS] [GROWLS] 1063 00:41:23,314 --> 00:41:24,725 [DOORBELL RINGS] [GROWLS] HMM, I DO BELIEVE I HEAR THE 1064 00:41:24,749 --> 00:41:25,893 [GROWLS] HMM, I DO BELIEVE I HEAR THE FIRST GUESTS ARRIVING. 1065 00:41:25,917 --> 00:41:26,360 HMM, I DO BELIEVE I HEAR THE FIRST GUESTS ARRIVING. OH! 1066 00:41:26,384 --> 00:41:27,828 FIRST GUESTS ARRIVING. OH! AND WHOEVER IT IS, I CAN'T 1067 00:41:27,852 --> 00:41:29,130 OH! AND WHOEVER IT IS, I CAN'T WAIT TO GET 'EM UNDER THE 1068 00:41:29,154 --> 00:41:31,132 AND WHOEVER IT IS, I CAN'T WAIT TO GET 'EM UNDER THE MISTLETOE. 1069 00:41:31,156 --> 00:41:36,970 WAIT TO GET 'EM UNDER THE MISTLETOE. OH! UGH. 1070 00:41:36,994 --> 00:41:38,339 MISTLETOE. OH! UGH. EVENING, SCRED. 1071 00:41:38,363 --> 00:41:40,107 OH! UGH. EVENING, SCRED. UH, YEAH. 1072 00:41:40,131 --> 00:41:41,942 EVENING, SCRED. UH, YEAH. NICE TO SEE YOU, PLOOBIS. 1073 00:41:41,966 --> 00:41:43,344 UH, YEAH. NICE TO SEE YOU, PLOOBIS. YES, YOU'RE LOOKING WONDERFUL 1074 00:41:43,368 --> 00:41:44,978 NICE TO SEE YOU, PLOOBIS. YES, YOU'RE LOOKING WONDERFUL TONIGHT. 1075 00:41:45,002 --> 00:41:49,016 YES, YOU'RE LOOKING WONDERFUL TONIGHT. AND I'M UNDER THE MISTLETOE. 1076 00:41:49,040 --> 00:41:50,851 TONIGHT. AND I'M UNDER THE MISTLETOE. UH, YOU'RE NOT LOOKING THAT 1077 00:41:50,875 --> 00:41:53,387 AND I'M UNDER THE MISTLETOE. UH, YOU'RE NOT LOOKING THAT WONDERFUL, SCRED. 1078 00:41:53,411 --> 00:41:56,390 UH, YOU'RE NOT LOOKING THAT WONDERFUL, SCRED. TELL ME, SCRED, WHERE IS 1079 00:41:56,414 --> 00:41:57,624 WONDERFUL, SCRED. TELL ME, SCRED, WHERE IS EVERYBODY TONIGHT? 1080 00:41:57,648 --> 00:41:59,493 TELL ME, SCRED, WHERE IS EVERYBODY TONIGHT? OH, THEY'RE ALL OVER AT THE 1081 00:41:59,517 --> 00:42:02,196 EVERYBODY TONIGHT? OH, THEY'RE ALL OVER AT THE BEES' CHRISTMAS PARTY! 1082 00:42:02,220 --> 00:42:03,697 OH, THEY'RE ALL OVER AT THE BEES' CHRISTMAS PARTY! THE BEES' CHRISTMAS PARTY? 1083 00:42:03,721 --> 00:42:05,332 BEES' CHRISTMAS PARTY! THE BEES' CHRISTMAS PARTY? THEY'RE HAVING A BIG BEE BASH? 1084 00:42:05,356 --> 00:42:06,434 THE BEES' CHRISTMAS PARTY? THEY'RE HAVING A BIG BEE BASH? YEAH. 1085 00:42:06,458 --> 00:42:07,000 THEY'RE HAVING A BIG BEE BASH? YEAH. OH. 1086 00:42:07,024 --> 00:42:08,835 YEAH. OH. I WONDER WHY THEY DIDN'T INVITE 1087 00:42:08,859 --> 00:42:09,236 OH. I WONDER WHY THEY DIDN'T INVITE US. 1088 00:42:09,260 --> 00:42:12,573 I WONDER WHY THEY DIDN'T INVITE US. WELL, THAT MIGHT BE MY FAULT. 1089 00:42:12,597 --> 00:42:15,342 US. WELL, THAT MIGHT BE MY FAULT. YOU SEE, LAST WEEK I OVERHEARD 1090 00:42:15,366 --> 00:42:17,445 WELL, THAT MIGHT BE MY FAULT. YOU SEE, LAST WEEK I OVERHEARD ONE OF THE BEES COMMENT THAT YOU 1091 00:42:17,469 --> 00:42:19,746 YOU SEE, LAST WEEK I OVERHEARD ONE OF THE BEES COMMENT THAT YOU LOOK LIKE A FACTORY OUTLET FOR 1092 00:42:19,770 --> 00:42:21,848 ONE OF THE BEES COMMENT THAT YOU LOOK LIKE A FACTORY OUTLET FOR GREEN WASHCLOTHS. 1093 00:42:21,872 --> 00:42:23,517 LOOK LIKE A FACTORY OUTLET FOR GREEN WASHCLOTHS. THE NERVE! 1094 00:42:23,541 --> 00:42:26,053 GREEN WASHCLOTHS. THE NERVE! YEAH, SO I TOLD HIM, I SAID, 1095 00:42:26,077 --> 00:42:28,322 THE NERVE! YEAH, SO I TOLD HIM, I SAID, "AHH! YOU EAT YOUR YOUNG!" 1096 00:42:28,346 --> 00:42:31,125 YEAH, SO I TOLD HIM, I SAID, "AHH! YOU EAT YOUR YOUNG!" HEH HEH HEH. 1097 00:42:31,149 --> 00:42:32,759 "AHH! YOU EAT YOUR YOUNG!" HEH HEH HEH. YOU GOT A NIMBLE TONGUE, 1098 00:42:32,783 --> 00:42:33,527 HEH HEH HEH. YOU GOT A NIMBLE TONGUE, SCRED. 1099 00:42:33,551 --> 00:42:34,528 YOU GOT A NIMBLE TONGUE, SCRED. YEAH. 1100 00:42:34,552 --> 00:42:36,397 SCRED. YEAH. BUT THEN HE SAID, "WELL, I'D 1101 00:42:36,421 --> 00:42:38,365 YEAH. BUT THEN HE SAID, "WELL, I'D RATHER SHAVE MY LEGS THAN GO TO 1102 00:42:38,389 --> 00:42:39,967 BUT THEN HE SAID, "WELL, I'D RATHER SHAVE MY LEGS THAN GO TO YOUR PARTY!" 1103 00:42:39,991 --> 00:42:41,368 RATHER SHAVE MY LEGS THAN GO TO YOUR PARTY!" SO I GUESS THAT'S WHEN HE MADE 1104 00:42:41,392 --> 00:42:42,703 YOUR PARTY!" SO I GUESS THAT'S WHEN HE MADE UP HIS MIND TO HAVE HIS OWN 1105 00:42:42,727 --> 00:42:43,370 SO I GUESS THAT'S WHEN HE MADE UP HIS MIND TO HAVE HIS OWN PARTY. 1106 00:42:43,394 --> 00:42:44,871 UP HIS MIND TO HAVE HIS OWN PARTY. WELL, IT WON'T BE NEARLY AS 1107 00:42:44,895 --> 00:42:46,039 PARTY. WELL, IT WON'T BE NEARLY AS MUCH FUN AS OURS. 1108 00:42:46,063 --> 00:42:46,740 WELL, IT WON'T BE NEARLY AS MUCH FUN AS OURS. YEAH. 1109 00:42:46,764 --> 00:42:48,742 MUCH FUN AS OURS. YEAH. IT'LL SURE TEACH HIM TO MIND HIS 1110 00:42:48,766 --> 00:42:50,077 YEAH. IT'LL SURE TEACH HIM TO MIND HIS OWN BEESWAX, ANYWAY. 1111 00:42:50,101 --> 00:42:51,044 IT'LL SURE TEACH HIM TO MIND HIS OWN BEESWAX, ANYWAY. [DOORBELL RINGS] 1112 00:42:51,068 --> 00:42:53,046 OWN BEESWAX, ANYWAY. [DOORBELL RINGS] OH! WHO'S THIS? 1113 00:42:53,070 --> 00:42:54,881 [DOORBELL RINGS] OH! WHO'S THIS? GOOD PARTY, WASN'T IT? 1114 00:42:54,905 --> 00:42:56,717 OH! WHO'S THIS? GOOD PARTY, WASN'T IT? HELLO, HELLO. 1115 00:42:56,741 --> 00:42:58,586 GOOD PARTY, WASN'T IT? HELLO, HELLO. THE FUNNIEST THING JUST HAPPENED 1116 00:42:58,610 --> 00:42:59,487 HELLO, HELLO. THE FUNNIEST THING JUST HAPPENED AT THE BEES'. 1117 00:42:59,511 --> 00:43:01,155 THE FUNNIEST THING JUST HAPPENED AT THE BEES'. SOMEBODY STARTED PLAYING "FLIGHT 1118 00:43:01,179 --> 00:43:02,823 AT THE BEES'. SOMEBODY STARTED PLAYING "FLIGHT OF THE BUMBLEBEE," AND THEN THEY 1119 00:43:02,847 --> 00:43:04,358 SOMEBODY STARTED PLAYING "FLIGHT OF THE BUMBLEBEE," AND THEN THEY ALL STARTED FLYING AROUND THE 1120 00:43:04,382 --> 00:43:05,892 OF THE BUMBLEBEE," AND THEN THEY ALL STARTED FLYING AROUND THE ROOM WITH LAMPSHADES ON THEIR 1121 00:43:05,916 --> 00:43:06,393 ALL STARTED FLYING AROUND THE ROOM WITH LAMPSHADES ON THEIR HEADS! 1122 00:43:06,417 --> 00:43:07,228 ROOM WITH LAMPSHADES ON THEIR HEADS! [BOTH LAUGH] 1123 00:43:07,252 --> 00:43:08,061 HEADS! [BOTH LAUGH] WASN'T THAT A RIOT? 1124 00:43:08,085 --> 00:43:09,196 [BOTH LAUGH] WASN'T THAT A RIOT? IT WAS TOO MUCH. 1125 00:43:09,220 --> 00:43:10,197 WASN'T THAT A RIOT? IT WAS TOO MUCH. HMM. 1126 00:43:10,221 --> 00:43:13,000 IT WAS TOO MUCH. HMM. WELL, THIS PARTY CERTAINLY IS 1127 00:43:13,024 --> 00:43:14,368 HMM. WELL, THIS PARTY CERTAINLY IS THE PITS. 1128 00:43:14,392 --> 00:43:16,003 WELL, THIS PARTY CERTAINLY IS THE PITS. HEY, LET'S GO BACK TO THE BEES'. 1129 00:43:16,027 --> 00:43:17,571 THE PITS. HEY, LET'S GO BACK TO THE BEES'. YEAH, ANYWAY, THEY'RE ABOUT 1130 00:43:17,595 --> 00:43:18,672 HEY, LET'S GO BACK TO THE BEES'. YEAH, ANYWAY, THEY'RE ABOUT TO SHOW "THE STING." 1131 00:43:18,696 --> 00:43:19,306 YEAH, ANYWAY, THEY'RE ABOUT TO SHOW "THE STING." RIGHT. 1132 00:43:19,330 --> 00:43:20,707 TO SHOW "THE STING." RIGHT. CATCH YA LATER. 1133 00:43:20,731 --> 00:43:21,642 RIGHT. CATCH YA LATER. COME ON, HONEY! 1134 00:43:21,666 --> 00:43:23,244 CATCH YA LATER. COME ON, HONEY! BYE. 1135 00:43:23,268 --> 00:43:27,248 COME ON, HONEY! BYE. YEAH. 1136 00:43:27,272 --> 00:43:28,081 BYE. YEAH. WELL. 1137 00:43:28,105 --> 00:43:30,584 YEAH. WELL. WELL... 1138 00:43:30,608 --> 00:43:34,087 WELL. WELL... I JUST REMEMBERED A GREAT PARTY 1139 00:43:34,111 --> 00:43:35,523 WELL... I JUST REMEMBERED A GREAT PARTY I COULD PROBABLY GET INTO IF I 1140 00:43:35,547 --> 00:43:38,392 I JUST REMEMBERED A GREAT PARTY I COULD PROBABLY GET INTO IF I GO STAG. 1141 00:43:38,416 --> 00:43:40,461 I COULD PROBABLY GET INTO IF I GO STAG. BESIDES, I'VE NEVER SEEN 1142 00:43:40,485 --> 00:43:43,297 GO STAG. BESIDES, I'VE NEVER SEEN "THE STING." 1143 00:43:43,321 --> 00:43:48,269 BESIDES, I'VE NEVER SEEN "THE STING." HAVE FUN. 1144 00:43:48,293 --> 00:43:52,105 "THE STING." HAVE FUN. WELL, SCRED, IT LOOKS LIKE 1145 00:43:52,129 --> 00:43:54,608 HAVE FUN. WELL, SCRED, IT LOOKS LIKE IT'S JUST YOU AND ME. 1146 00:43:54,632 --> 00:43:58,412 WELL, SCRED, IT LOOKS LIKE IT'S JUST YOU AND ME. WELL, MERRY CHRISTMAS, BOSS. 1147 00:43:58,436 --> 00:44:00,147 IT'S JUST YOU AND ME. WELL, MERRY CHRISTMAS, BOSS. HI, EVERYBODY! 1148 00:44:00,171 --> 00:44:01,582 WELL, MERRY CHRISTMAS, BOSS. HI, EVERYBODY! OH, CANDY! 1149 00:44:01,606 --> 00:44:03,150 HI, EVERYBODY! OH, CANDY! AM I TOO LATE FOR THE PARTY? 1150 00:44:03,174 --> 00:44:04,185 OH, CANDY! AM I TOO LATE FOR THE PARTY? OH, NOT AT ALL. 1151 00:44:04,209 --> 00:44:05,619 AM I TOO LATE FOR THE PARTY? OH, NOT AT ALL. WHY, SINCE YOU GOT HERE, THE 1152 00:44:05,643 --> 00:44:07,087 OH, NOT AT ALL. WHY, SINCE YOU GOT HERE, THE FUN'S JUST BEGUN. 1153 00:44:07,111 --> 00:44:08,522 WHY, SINCE YOU GOT HERE, THE FUN'S JUST BEGUN. WHERE IS EVERYBODY? 1154 00:44:08,546 --> 00:44:10,157 FUN'S JUST BEGUN. WHERE IS EVERYBODY? OH, WELL, UH, THEY, UH... 1155 00:44:10,181 --> 00:44:11,492 WHERE IS EVERYBODY? OH, WELL, UH, THEY, UH... YEAH, WELL, THEY'RE 1156 00:44:11,516 --> 00:44:13,126 OH, WELL, UH, THEY, UH... YEAH, WELL, THEY'RE SOCIALIZING WITH INSECTS. 1157 00:44:13,150 --> 00:44:14,461 YEAH, WELL, THEY'RE SOCIALIZING WITH INSECTS. OH, AT THE BEES'. 1158 00:44:14,485 --> 00:44:15,663 SOCIALIZING WITH INSECTS. OH, AT THE BEES'. I WAS JUST THERE. 1159 00:44:15,687 --> 00:44:16,730 OH, AT THE BEES'. I WAS JUST THERE. IT'S A TERRIFIC PARTY. 1160 00:44:16,754 --> 00:44:17,198 I WAS JUST THERE. IT'S A TERRIFIC PARTY. HMM. 1161 00:44:17,222 --> 00:44:17,831 IT'S A TERRIFIC PARTY. HMM. GREAT. 1162 00:44:17,855 --> 00:44:19,200 HMM. GREAT. LISTEN, I THINK THIS IS 1163 00:44:19,224 --> 00:44:19,866 GREAT. LISTEN, I THINK THIS IS WONDERFUL. 1164 00:44:19,890 --> 00:44:21,101 LISTEN, I THINK THIS IS WONDERFUL. I MEAN, I LOVE INTIMATE 1165 00:44:21,125 --> 00:44:23,304 WONDERFUL. I MEAN, I LOVE INTIMATE PARTIES... OF THREE. 1166 00:44:23,328 --> 00:44:24,971 I MEAN, I LOVE INTIMATE PARTIES... OF THREE. [SIGHS] 1167 00:44:24,995 --> 00:44:28,275 PARTIES... OF THREE. [SIGHS] COME ON, YOU GUYS. 1168 00:44:28,299 --> 00:44:32,413 [SIGHS] COME ON, YOU GUYS. ♪ HAVE YOURSELVES A MERRY LITTLE 1169 00:44:32,437 --> 00:44:34,147 COME ON, YOU GUYS. ♪ HAVE YOURSELVES A MERRY LITTLE CHRISTMAS ♪ 1170 00:44:34,171 --> 00:44:38,051 ♪ HAVE YOURSELVES A MERRY LITTLE CHRISTMAS ♪ ♪ LET YOUR HEART BE LIGHT ♪ 1171 00:44:38,075 --> 00:44:40,621 CHRISTMAS ♪ ♪ LET YOUR HEART BE LIGHT ♪ ♪ NEXT YEAR ALL YOUR TROUBLES 1172 00:44:40,645 --> 00:44:45,559 ♪ LET YOUR HEART BE LIGHT ♪ ♪ NEXT YEAR ALL YOUR TROUBLES WILL BE OUT OF SIGHT ♪ 1173 00:44:45,583 --> 00:44:48,895 ♪ NEXT YEAR ALL YOUR TROUBLES WILL BE OUT OF SIGHT ♪ ♪ HAVE YOURSELF A MERRY LITTLE 1174 00:44:48,919 --> 00:44:50,731 WILL BE OUT OF SIGHT ♪ ♪ HAVE YOURSELF A MERRY LITTLE CHRISTMAS ♪ 1175 00:44:50,755 --> 00:44:54,335 ♪ HAVE YOURSELF A MERRY LITTLE CHRISTMAS ♪ ♪ IF THE FATES ALLOW ♪ 1176 00:44:54,359 --> 00:44:57,504 CHRISTMAS ♪ ♪ IF THE FATES ALLOW ♪ ♪ HANG A SHINING STAR UPON THE 1177 00:44:57,528 --> 00:45:02,175 ♪ IF THE FATES ALLOW ♪ ♪ HANG A SHINING STAR UPON THE HIGHEST BOUGH ♪ 1178 00:45:02,199 --> 00:45:05,446 ♪ HANG A SHINING STAR UPON THE HIGHEST BOUGH ♪ ♪ AND HAVE YOURSELF ♪ 1179 00:45:05,470 --> 00:45:11,685 HIGHEST BOUGH ♪ ♪ AND HAVE YOURSELF ♪ ♪ A MERRY LITTLE CHRISTMAS ♪ 1180 00:45:11,709 --> 00:45:18,392 ♪ AND HAVE YOURSELF ♪ ♪ A MERRY LITTLE CHRISTMAS ♪ ♪ NOW ♪ 1181 00:45:18,416 --> 00:45:22,563 ♪ A MERRY LITTLE CHRISTMAS ♪ ♪ NOW ♪ OH, CANDY, UM, UH... 1182 00:45:22,587 --> 00:45:26,900 ♪ NOW ♪ OH, CANDY, UM, UH... WHAT ARE YOU DOING LATER? 1183 00:45:26,924 --> 00:45:29,236 OH, CANDY, UM, UH... WHAT ARE YOU DOING LATER? WHY? 1184 00:45:29,260 --> 00:45:31,071 WHAT ARE YOU DOING LATER? WHY? LET'S DITCH THAT GUY AND GO 1185 00:45:31,095 --> 00:45:33,335 WHY? LET'S DITCH THAT GUY AND GO TO THE BEES' PARTY. 1186 00:45:43,072 --> 00:45:48,689 MOMS, DADS, KIDS, AUNTS, UNCLES, YOU CUT YOUR OWN STEAKS! YOU FIND YOUR OWN COW! 1187 00:45:48,713 --> 00:45:49,390 UNCLES, YOU CUT YOUR OWN STEAKS! YOU FIND YOUR OWN COW! YOU STUN IT! 1188 00:45:49,414 --> 00:45:50,090 YOU FIND YOUR OWN COW! YOU STUN IT! YOU DRAG IT! 1189 00:45:50,114 --> 00:45:50,758 YOU STUN IT! YOU DRAG IT! YOU CUT IT! 1190 00:45:50,782 --> 00:45:51,825 YOU DRAG IT! YOU CUT IT! MEL'S SAWS ARE LIGHT! 1191 00:45:51,849 --> 00:45:53,260 YOU CUT IT! MEL'S SAWS ARE LIGHT! THIS LITTLE LADY IS MRS. MEL! 1192 00:45:53,284 --> 00:45:53,960 MEL'S SAWS ARE LIGHT! THIS LITTLE LADY IS MRS. MEL! SHE DOES IT! 1193 00:45:53,984 --> 00:45:55,661 THIS LITTLE LADY IS MRS. MEL! SHE DOES IT! [CHAIN SAW BUZZES] 1194 00:45:55,685 --> 00:45:56,965 YOU CUT YOUR OWN STEAKS, ROASTS, 1195 00:45:57,086 --> 00:45:58,687 AND RUMPS ANY WAY YOU WANT 'EM 1196 00:45:58,822 --> 00:46:00,289 'CAUSE YOU DO THE CUTTING! 1197 00:46:00,424 --> 00:46:00,956 YOU CUT! 1198 00:46:01,090 --> 00:46:01,757 YOU BROIL! 1199 00:46:01,892 --> 00:46:03,559 MEL'S CHAR PALACE... ROUTE 15, 1200 00:46:03,693 --> 00:46:05,494 PARAMUS! 1201 00:46:17,941 --> 00:46:23,123 [INTRODUCTION TO "WINTER WONDERLAND" PLAYS] ♪ SLEIGH BELLS RING ♪ 1202 00:46:23,147 --> 00:46:25,225 ["WINTER WONDERLAND" PLAYS] ♪ SLEIGH BELLS RING ♪ ♪ ARE YOU LISTENIN'? ♪ 1203 00:46:25,249 --> 00:46:27,193 ♪ SLEIGH BELLS RING ♪ ♪ ARE YOU LISTENIN'? ♪ ♪ IN THE LANE ♪ 1204 00:46:27,217 --> 00:46:29,930 ♪ ARE YOU LISTENIN'? ♪ ♪ IN THE LANE ♪ ♪ SNOW IS GLISTENIN' ♪ 1205 00:46:29,954 --> 00:46:31,665 ♪ IN THE LANE ♪ ♪ SNOW IS GLISTENIN' ♪ ♪ A BEAUTIFUL SIGHT ♪ 1206 00:46:31,689 --> 00:46:33,600 ♪ SNOW IS GLISTENIN' ♪ ♪ A BEAUTIFUL SIGHT ♪ ♪ WE'RE HAPPY TONIGHT ♪ 1207 00:46:33,624 --> 00:46:35,301 ♪ A BEAUTIFUL SIGHT ♪ ♪ WE'RE HAPPY TONIGHT ♪ ♪ WALKING IN A WINTER 1208 00:46:35,325 --> 00:46:37,170 ♪ WE'RE HAPPY TONIGHT ♪ ♪ WALKING IN A WINTER WONDERLAND ♪ 1209 00:46:37,194 --> 00:46:40,908 ♪ WALKING IN A WINTER WONDERLAND ♪ ♪ GONE AWAY IS THE BLUEBIRD ♪ 1210 00:46:40,932 --> 00:46:45,045 WONDERLAND ♪ ♪ GONE AWAY IS THE BLUEBIRD ♪ ♪ HERE TO STAY IS A NEW BIRD ♪ 1211 00:46:45,069 --> 00:46:47,047 ♪ GONE AWAY IS THE BLUEBIRD ♪ ♪ HERE TO STAY IS A NEW BIRD ♪ ♪ HE SINGS A LOVE SONG ♪ 1212 00:46:47,071 --> 00:46:48,849 ♪ HERE TO STAY IS A NEW BIRD ♪ ♪ HE SINGS A LOVE SONG ♪ ♪ AS WE GO ALONG ♪ 1213 00:46:48,873 --> 00:46:50,851 ♪ HE SINGS A LOVE SONG ♪ ♪ AS WE GO ALONG ♪ ♪ WALKING IN A WINTER 1214 00:46:50,875 --> 00:46:52,920 ♪ AS WE GO ALONG ♪ ♪ WALKING IN A WINTER WONDERLAND ♪ 1215 00:46:52,944 --> 00:46:55,088 ♪ WALKING IN A WINTER WONDERLAND ♪ ♪ IN THE MEADOW WE CAN BUILD 1216 00:46:55,112 --> 00:46:57,123 WONDERLAND ♪ ♪ IN THE MEADOW WE CAN BUILD A SNOWMAN ♪ 1217 00:46:57,147 --> 00:46:58,592 ♪ IN THE MEADOW WE CAN BUILD A SNOWMAN ♪ ♪ AND PRETEND THAT HE IS 1218 00:46:58,616 --> 00:47:00,727 A SNOWMAN ♪ ♪ AND PRETEND THAT HE IS PARSON BROWN ♪ 1219 00:47:00,751 --> 00:47:01,728 ♪ AND PRETEND THAT HE IS PARSON BROWN ♪ ♪ HE'LL SAY, "ARE YOU 1220 00:47:01,752 --> 00:47:02,395 PARSON BROWN ♪ ♪ HE'LL SAY, "ARE YOU MARRIED?" ♪ 1221 00:47:02,419 --> 00:47:04,731 ♪ HE'LL SAY, "ARE YOU MARRIED?" ♪ ♪ WE'LL SAY, "NO, MAN ♪ 1222 00:47:04,755 --> 00:47:06,399 MARRIED?" ♪ ♪ WE'LL SAY, "NO, MAN ♪ ♪ BUT YOU CAN DO THE JOB WHEN 1223 00:47:06,423 --> 00:47:08,234 ♪ WE'LL SAY, "NO, MAN ♪ ♪ BUT YOU CAN DO THE JOB WHEN YOU'RE IN TOWN" ♪ 1224 00:47:08,258 --> 00:47:12,039 ♪ BUT YOU CAN DO THE JOB WHEN YOU'RE IN TOWN" ♪ ♪ LATER ON, WE'LL CONSPIRE ♪ 1225 00:47:12,063 --> 00:47:16,109 YOU'RE IN TOWN" ♪ ♪ LATER ON, WE'LL CONSPIRE ♪ ♪ AS WE DREAM BY THE FIRE ♪ 1226 00:47:16,133 --> 00:47:18,211 ♪ LATER ON, WE'LL CONSPIRE ♪ ♪ AS WE DREAM BY THE FIRE ♪ ♪ TO FACE UNAFRAID ♪ 1227 00:47:18,235 --> 00:47:20,047 ♪ AS WE DREAM BY THE FIRE ♪ ♪ TO FACE UNAFRAID ♪ ♪ THE PLANS THAT WE'VE MADE ♪ 1228 00:47:20,071 --> 00:47:21,882 ♪ TO FACE UNAFRAID ♪ ♪ THE PLANS THAT WE'VE MADE ♪ ♪ WALKING IN A WINTER 1229 00:47:21,906 --> 00:47:24,386 ♪ THE PLANS THAT WE'VE MADE ♪ ♪ WALKING IN A WINTER WONDERLAND ♪ 1230 00:47:39,589 --> 00:47:45,105 ♪ IN THE MEADOW WE CAN BUILD A SNOWMAN ♪ ♪ THEN PRETEND THAT HE IS 1231 00:47:45,129 --> 00:47:47,240 A SNOWMAN ♪ ♪ THEN PRETEND THAT HE IS PARSON BROWN ♪ 1232 00:47:47,264 --> 00:47:48,241 ♪ THEN PRETEND THAT HE IS PARSON BROWN ♪ ♪ HE'LL SAY, "ARE YOU 1233 00:47:48,265 --> 00:47:48,909 PARSON BROWN ♪ ♪ HE'LL SAY, "ARE YOU MARRIED?" ♪ 1234 00:47:48,933 --> 00:47:51,044 ♪ HE'LL SAY, "ARE YOU MARRIED?" ♪ ♪ WE'LL SAY, "NO, MAN ♪ 1235 00:47:51,068 --> 00:47:52,813 MARRIED?" ♪ ♪ WE'LL SAY, "NO, MAN ♪ ♪ BUT YOU CAN DO THE JOB WHEN 1236 00:47:52,837 --> 00:47:54,648 ♪ WE'LL SAY, "NO, MAN ♪ ♪ BUT YOU CAN DO THE JOB WHEN YOU'RE IN TOWN" ♪ 1237 00:47:54,672 --> 00:47:58,451 ♪ BUT YOU CAN DO THE JOB WHEN YOU'RE IN TOWN" ♪ ♪ LATER ON, WE'LL CONSPIRE ♪ 1238 00:47:58,475 --> 00:48:02,522 YOU'RE IN TOWN" ♪ ♪ LATER ON, WE'LL CONSPIRE ♪ ♪ AS WE DREAM BY THE FIRE ♪ 1239 00:48:02,546 --> 00:48:04,625 ♪ LATER ON, WE'LL CONSPIRE ♪ ♪ AS WE DREAM BY THE FIRE ♪ ♪ TO FACE UNAFRAID ♪ 1240 00:48:04,649 --> 00:48:06,459 ♪ AS WE DREAM BY THE FIRE ♪ ♪ TO FACE UNAFRAID ♪ ♪ THE PLANS THAT WE'VE MADE ♪ 1241 00:48:06,483 --> 00:48:07,928 ♪ TO FACE UNAFRAID ♪ ♪ THE PLANS THAT WE'VE MADE ♪ ♪ WALKING IN A WINTER 1242 00:48:07,952 --> 00:48:10,497 ♪ THE PLANS THAT WE'VE MADE ♪ ♪ WALKING IN A WINTER WONDERLAND ♪ 1243 00:48:10,521 --> 00:48:11,765 ♪ WALKING IN A WINTER WONDERLAND ♪ ♪ WALKING IN A WINTER 1244 00:48:11,789 --> 00:48:14,534 WONDERLAND ♪ ♪ WALKING IN A WINTER WONDERLAND ♪ 1245 00:48:14,558 --> 00:48:17,470 ♪ WALKING IN A WINTER WONDERLAND ♪ ♪ WALKING IN A WINTER 1246 00:48:17,494 --> 00:48:21,908 WONDERLAND ♪ ♪ WALKING IN A WINTER WONDERLAND ♪ 1247 00:48:21,932 --> 00:48:25,078 ♪ WALKING IN A WINTER WONDERLAND ♪ [MUSIC CONCLUDES] 1248 00:48:25,102 --> 00:48:27,202 WONDERLAND ♪ [MUSIC CONCLUDES] [CHEERS AND APPLAUSE] 1249 00:48:34,711 --> 00:48:39,059 Announcer: ONLY THE DON PARDO DIGITAL GIFT CATALOGUE OFFERS DIGITAL MOOD RINGS. 1250 00:48:39,083 --> 00:48:40,794 DIGITAL GIFT CATALOGUE OFFERS DIGITAL MOOD RINGS. CLEAR, BRIGHT READOUT TELLS YOU 1251 00:48:40,818 --> 00:48:42,563 DIGITAL MOOD RINGS. CLEAR, BRIGHT READOUT TELLS YOU TIME, DATE, AND WHAT MOOD YOU'RE 1252 00:48:42,587 --> 00:48:42,929 CLEAR, BRIGHT READOUT TELLS YOU TIME, DATE, AND WHAT MOOD YOU'RE IN. 1253 00:48:42,953 --> 00:48:45,787 TIME, DATE, AND WHAT MOOD YOU'RE IN. $59.95 AT ALL OUTLETS. 1254 00:48:49,426 --> 00:48:51,393 MIKE MENDOZA, CRIME 1255 00:48:51,528 --> 00:48:53,061 PHOTOGRAPHER, CHALLENGES YOU TO 1256 00:48:53,196 --> 00:48:54,430 SOLVE ANOTHER ACTUAL CASE 1257 00:48:54,564 --> 00:48:55,997 HISTORY FROM THE FILES OF THE 1258 00:48:56,132 --> 00:48:57,633 MEXICO CITY POLICE ON TONIGHT'S 1259 00:48:57,767 --> 00:48:59,568 EPISODE OF... 1260 00:49:04,474 --> 00:49:08,422 [CAMERA SHUTTER CLICKS] GOOD. GOT IT. SEE YOU TOMORROW ON THE FRONT 1261 00:49:08,446 --> 00:49:09,556 GOOD. GOT IT. SEE YOU TOMORROW ON THE FRONT PAGE OF THE MEXICO CITY 1262 00:49:09,580 --> 00:49:10,390 SEE YOU TOMORROW ON THE FRONT PAGE OF THE MEXICO CITY GLOBE-DISPATCH. 1263 00:49:10,414 --> 00:49:12,226 PAGE OF THE MEXICO CITY GLOBE-DISPATCH. HEY. WAIT A MINUTE. 1264 00:49:12,250 --> 00:49:13,560 GLOBE-DISPATCH. HEY. WAIT A MINUTE. WHO ARE YOU? 1265 00:49:13,584 --> 00:49:14,794 HEY. WAIT A MINUTE. WHO ARE YOU? WANT TO PLAY "TRAP THE CLAM"? 1266 00:49:14,818 --> 00:49:16,162 WHO ARE YOU? WANT TO PLAY "TRAP THE CLAM"? I'LL ASK THE QUESTIONS AROUND 1267 00:49:16,186 --> 00:49:17,531 WANT TO PLAY "TRAP THE CLAM"? I'LL ASK THE QUESTIONS AROUND HERE, MIKE. 1268 00:49:17,555 --> 00:49:18,365 I'LL ASK THE QUESTIONS AROUND HERE, MIKE. WHO ARE YOU? 1269 00:49:18,389 --> 00:49:20,033 HERE, MIKE. WHO ARE YOU? WINONA FOXFIRE, THE VICTIM'S 1270 00:49:20,057 --> 00:49:21,335 WHO ARE YOU? WINONA FOXFIRE, THE VICTIM'S CONFIDENTIAL SECRETARY. 1271 00:49:21,359 --> 00:49:23,036 WINONA FOXFIRE, THE VICTIM'S CONFIDENTIAL SECRETARY. DO YOU WANT TO PLAY "TRAP THE 1272 00:49:23,060 --> 00:49:23,537 CONFIDENTIAL SECRETARY. DO YOU WANT TO PLAY "TRAP THE CLAM"? 1273 00:49:23,561 --> 00:49:24,003 DO YOU WANT TO PLAY "TRAP THE CLAM"? NO. 1274 00:49:24,027 --> 00:49:25,439 CLAM"? NO. WHERE WERE YOU FIVE MINUTES 1275 00:49:25,463 --> 00:49:25,805 NO. WHERE WERE YOU FIVE MINUTES AGO? 1276 00:49:25,829 --> 00:49:27,040 WHERE WERE YOU FIVE MINUTES AGO? ATTENDING A LECTURE ON 1277 00:49:27,064 --> 00:49:28,775 AGO? ATTENDING A LECTURE ON CHLORINE. 1278 00:49:28,799 --> 00:49:30,009 ATTENDING A LECTURE ON CHLORINE. WHAT'S YOUR FAVORITE COLOR? 1279 00:49:30,033 --> 00:49:30,677 CHLORINE. WHAT'S YOUR FAVORITE COLOR? SHELL PINK. 1280 00:49:30,701 --> 00:49:31,911 WHAT'S YOUR FAVORITE COLOR? SHELL PINK. WHAT'S YOUR SECOND FAVORITE 1281 00:49:31,935 --> 00:49:32,312 SHELL PINK. WHAT'S YOUR SECOND FAVORITE COLOR? 1282 00:49:32,336 --> 00:49:34,581 WHAT'S YOUR SECOND FAVORITE COLOR? ROBIN'S-EGG BLUE. 1283 00:49:34,605 --> 00:49:37,251 COLOR? ROBIN'S-EGG BLUE. WHAT'S YOUR PET PEEVE? 1284 00:49:37,275 --> 00:49:39,319 ROBIN'S-EGG BLUE. WHAT'S YOUR PET PEEVE? I CAN'T STAND A MAN WHO 1285 00:49:39,343 --> 00:49:40,587 WHAT'S YOUR PET PEEVE? I CAN'T STAND A MAN WHO DOESN'T HAVE A SCAR. 1286 00:49:40,611 --> 00:49:43,331 I CAN'T STAND A MAN WHO DOESN'T HAVE A SCAR. [DRAMATIC MUSIC PLAYS] 1287 00:49:46,416 --> 00:49:48,762 SAY, LISTEN, I GOT A SCAR RIGHT HERE WHERE I FELL OFF A SCOOTER. 1288 00:49:48,786 --> 00:49:49,929 RIGHT HERE WHERE I FELL OFF A SCOOTER. YOU LOOK LIKE YOU COMB YOUR 1289 00:49:49,953 --> 00:49:54,534 SCOOTER. YOU LOOK LIKE YOU COMB YOUR HAIR WITH BUTTERED TOAST. 1290 00:49:54,558 --> 00:49:55,769 YOU LOOK LIKE YOU COMB YOUR HAIR WITH BUTTERED TOAST. HEY, YOU WANT TO SEE SCARS, 1291 00:49:55,793 --> 00:49:56,136 HAIR WITH BUTTERED TOAST. HEY, YOU WANT TO SEE SCARS, BABY? 1292 00:49:56,160 --> 00:49:56,970 HEY, YOU WANT TO SEE SCARS, BABY? I GOT SCARS... 1293 00:49:56,994 --> 00:50:01,207 BABY? I GOT SCARS... EAT MY HAIRNET, JOCKO. 1294 00:50:01,231 --> 00:50:02,242 I GOT SCARS... EAT MY HAIRNET, JOCKO. MINX. 1295 00:50:02,266 --> 00:50:04,311 EAT MY HAIRNET, JOCKO. MINX. VIXEN. 1296 00:50:04,335 --> 00:50:06,280 MINX. VIXEN. A BIT SLICK FOR MY TASTES. 1297 00:50:06,304 --> 00:50:06,946 VIXEN. A BIT SLICK FOR MY TASTES. YEAH. 1298 00:50:06,970 --> 00:50:08,815 A BIT SLICK FOR MY TASTES. YEAH. HEY, FELLAS, YOU KNOW WHAT 1299 00:50:08,839 --> 00:50:11,885 YEAH. HEY, FELLAS, YOU KNOW WHAT REALLY GETS ME HOT? 1300 00:50:11,909 --> 00:50:14,321 HEY, FELLAS, YOU KNOW WHAT REALLY GETS ME HOT? GUYS WHO CAN'T SOLVE CRIMES. 1301 00:50:14,345 --> 00:50:15,756 REALLY GETS ME HOT? GUYS WHO CAN'T SOLVE CRIMES. THERE'S SOMETHING ABOUT 1302 00:50:15,780 --> 00:50:17,624 GUYS WHO CAN'T SOLVE CRIMES. THERE'S SOMETHING ABOUT BUMBLING, DIM-WITTED DETECTIVES 1303 00:50:17,648 --> 00:50:21,461 THERE'S SOMETHING ABOUT BUMBLING, DIM-WITTED DETECTIVES THAT REALLY GUNS MY MOTOR. 1304 00:50:21,485 --> 00:50:23,397 BUMBLING, DIM-WITTED DETECTIVES THAT REALLY GUNS MY MOTOR. WELL, LOPEZ, WHO DO YOU THINK 1305 00:50:23,421 --> 00:50:24,798 THAT REALLY GUNS MY MOTOR. WELL, LOPEZ, WHO DO YOU THINK SNUFFED THE PROFESSOR? 1306 00:50:24,822 --> 00:50:25,699 WELL, LOPEZ, WHO DO YOU THINK SNUFFED THE PROFESSOR? BEATS ME. 1307 00:50:25,723 --> 00:50:28,034 SNUFFED THE PROFESSOR? BEATS ME. I HAVEN'T THE VAGUEST IDEA. 1308 00:50:28,058 --> 00:50:29,169 BEATS ME. I HAVEN'T THE VAGUEST IDEA. WHAT ABOUT YOURSELF? 1309 00:50:29,193 --> 00:50:30,236 I HAVEN'T THE VAGUEST IDEA. WHAT ABOUT YOURSELF? YOU GOT ME, PAL. 1310 00:50:30,260 --> 00:50:31,037 WHAT ABOUT YOURSELF? YOU GOT ME, PAL. I DON'T KNOW. 1311 00:50:31,061 --> 00:50:32,506 YOU GOT ME, PAL. I DON'T KNOW. MAYBE OUR VIEWING AND STUDIO 1312 00:50:32,530 --> 00:50:33,407 I DON'T KNOW. MAYBE OUR VIEWING AND STUDIO AUDIENCE KNOWS. 1313 00:50:33,431 --> 00:50:34,974 MAYBE OUR VIEWING AND STUDIO AUDIENCE KNOWS. I'M GOING TO GIVE THEM JUST 20 1314 00:50:34,998 --> 00:50:36,410 AUDIENCE KNOWS. I'M GOING TO GIVE THEM JUST 20 SECONDS TO COME UP WITH THE 1315 00:50:36,434 --> 00:50:39,794 I'M GOING TO GIVE THEM JUST 20 SECONDS TO COME UP WITH THE RIGHT ANSWER, STARTING NOW. 1316 00:51:05,127 --> 00:51:09,242 [BUZZER SOUNDS] TIME'S UP. DON PARDO, WHY DON'T YOU TELL 1317 00:51:09,266 --> 00:51:10,577 TIME'S UP. DON PARDO, WHY DON'T YOU TELL THE FOLKS WHO THE MURDERER IS? 1318 00:51:10,601 --> 00:51:11,878 DON PARDO, WHY DON'T YOU TELL THE FOLKS WHO THE MURDERER IS? Announcer: I HAVE NO IDEA. 1319 00:51:11,902 --> 00:51:14,214 THE FOLKS WHO THE MURDERER IS? Announcer: I HAVE NO IDEA. I'M STUMPED. 1320 00:51:14,238 --> 00:51:14,981 Announcer: I HAVE NO IDEA. I'M STUMPED. ME, TOO. 1321 00:51:15,005 --> 00:51:16,350 I'M STUMPED. ME, TOO. I'M COMPLETELY BAFFLED. 1322 00:51:16,374 --> 00:51:17,684 ME, TOO. I'M COMPLETELY BAFFLED. TOTALLY NONPLUSSED. 1323 00:51:17,708 --> 00:51:19,419 I'M COMPLETELY BAFFLED. TOTALLY NONPLUSSED. Announcer: I DO HAVE A SCAR, 1324 00:51:19,443 --> 00:51:20,754 TOTALLY NONPLUSSED. Announcer: I DO HAVE A SCAR, HOWEVER. 1325 00:51:20,778 --> 00:51:21,254 Announcer: I DO HAVE A SCAR, HOWEVER. COME ON. 1326 00:51:21,278 --> 00:51:22,288 HOWEVER. COME ON. LET'S GET OUT OF THIS DUMP. 1327 00:51:22,312 --> 00:51:23,357 COME ON. LET'S GET OUT OF THIS DUMP. YOU CAN TEACH ME HOW TO PLAY 1328 00:51:23,381 --> 00:51:25,325 LET'S GET OUT OF THIS DUMP. YOU CAN TEACH ME HOW TO PLAY "STUFF THE BUNNY." 1329 00:51:25,349 --> 00:51:26,326 YOU CAN TEACH ME HOW TO PLAY "STUFF THE BUNNY." IT'S "TRAP THE CLAM." 1330 00:51:26,350 --> 00:51:27,427 "STUFF THE BUNNY." IT'S "TRAP THE CLAM." LISTEN, WE CAN PLAY 'EM 1331 00:51:27,451 --> 00:51:28,695 IT'S "TRAP THE CLAM." LISTEN, WE CAN PLAY 'EM ALL... "STUFF THE BUNNY," "TRAP 1332 00:51:28,719 --> 00:51:29,229 LISTEN, WE CAN PLAY 'EM ALL... "STUFF THE BUNNY," "TRAP THE CLAM." 1333 00:51:29,253 --> 00:51:30,163 ALL... "STUFF THE BUNNY," "TRAP THE CLAM." "SWALLOW THE SWAN." 1334 00:51:30,187 --> 00:51:31,631 THE CLAM." "SWALLOW THE SWAN." SURE! "SWALLOW THE SWAN." 1335 00:51:31,655 --> 00:51:33,299 "SWALLOW THE SWAN." SURE! "SWALLOW THE SWAN." I DON'T THINK I KNOW "SWALLOW 1336 00:51:33,323 --> 00:51:36,123 SURE! "SWALLOW THE SWAN." I DON'T THINK I KNOW "SWALLOW THE SWAN." 1337 00:51:36,325 --> 00:51:37,559 Announcer: NEXT WEEK, SEE 1338 00:51:37,694 --> 00:51:39,027 MIKE TACKLE THE MYSTERY OF THE 1339 00:51:39,161 --> 00:51:40,829 ONE-ARMED JAPANESE AQUA MAID 1340 00:51:40,963 --> 00:51:42,765 ON... 1341 00:51:52,208 --> 00:51:57,891 THIS HANDSOME 3-PIECE SUIT WITH DIGITAL VEST IS AVAILABLE ONLY THROUGH DON PARDO'S DIGITAL GIFT 1342 00:51:57,915 --> 00:51:58,692 DIGITAL VEST IS AVAILABLE ONLY THROUGH DON PARDO'S DIGITAL GIFT CATALOGUE. 1343 00:51:58,716 --> 00:52:04,531 THROUGH DON PARDO'S DIGITAL GIFT CATALOGUE. $129.95 AT ALL OUTLETS. 1344 00:52:04,555 --> 00:52:06,032 CATALOGUE. $129.95 AT ALL OUTLETS. [INTRODUCTION TO "SILVER BELLS" 1345 00:52:06,056 --> 00:52:07,033 $129.95 AT ALL OUTLETS. [INTRODUCTION TO "SILVER BELLS" PLAYS] 1346 00:52:07,057 --> 00:52:08,902 [INTRODUCTION TO "SILVER BELLS" PLAYS] ♪ CHRISTMAS MAKES YOU FEEL 1347 00:52:08,926 --> 00:52:11,037 [PLAYS] ♪ CHRISTMAS MAKES YOU FEEL EMOTIONAL ♪ 1348 00:52:11,061 --> 00:52:13,606 ♪ CHRISTMAS MAKES YOU FEEL EMOTIONAL ♪ ♪ IT MAY BRING PARTIES 1349 00:52:13,630 --> 00:52:17,277 EMOTIONAL ♪ ♪ IT MAY BRING PARTIES OR THOUGHTS DEVOTIONAL ♪ 1350 00:52:17,301 --> 00:52:20,313 ♪ IT MAY BRING PARTIES OR THOUGHTS DEVOTIONAL ♪ ♪ WHATEVER HAPPENS OR WHAT MAY 1351 00:52:20,337 --> 00:52:21,815 OR THOUGHTS DEVOTIONAL ♪ ♪ WHATEVER HAPPENS OR WHAT MAY BE ♪ 1352 00:52:21,839 --> 00:52:24,584 ♪ WHATEVER HAPPENS OR WHAT MAY BE ♪ ♪ HERE IS WHAT CHRISTMASTIME 1353 00:52:24,608 --> 00:52:32,425 BE ♪ ♪ HERE IS WHAT CHRISTMASTIME MEANS TO ME ♪ 1354 00:52:32,449 --> 00:52:35,328 ♪ HERE IS WHAT CHRISTMASTIME MEANS TO ME ♪ ♪ CITY SIDEWALKS ♪ 1355 00:52:35,352 --> 00:52:37,497 MEANS TO ME ♪ ♪ CITY SIDEWALKS ♪ ♪ BUSY SIDEWALKS ♪ 1356 00:52:37,521 --> 00:52:40,834 ♪ CITY SIDEWALKS ♪ ♪ BUSY SIDEWALKS ♪ ♪ DRESSED IN HOLIDAY STYLE ♪ 1357 00:52:40,858 --> 00:52:44,237 ♪ BUSY SIDEWALKS ♪ ♪ DRESSED IN HOLIDAY STYLE ♪ ♪ IN THE AIR THERE'S A FEELING 1358 00:52:44,261 --> 00:52:46,739 ♪ DRESSED IN HOLIDAY STYLE ♪ ♪ IN THE AIR THERE'S A FEELING OF CHRISTMAS ♪ 1359 00:52:46,763 --> 00:52:49,475 ♪ IN THE AIR THERE'S A FEELING OF CHRISTMAS ♪ ♪ CHILDREN LAUGHING ♪ 1360 00:52:49,499 --> 00:52:51,812 OF CHRISTMAS ♪ ♪ CHILDREN LAUGHING ♪ ♪ PEOPLE PASSING ♪ 1361 00:52:51,836 --> 00:52:55,081 ♪ CHILDREN LAUGHING ♪ ♪ PEOPLE PASSING ♪ ♪ MEETING SMILE AFTER SMILE ♪ 1362 00:52:55,105 --> 00:52:58,685 ♪ PEOPLE PASSING ♪ ♪ MEETING SMILE AFTER SMILE ♪ ♪ AND ON EVERY STREET CORNER 1363 00:52:58,709 --> 00:53:02,588 ♪ MEETING SMILE AFTER SMILE ♪ ♪ AND ON EVERY STREET CORNER YOU HEAR ♪ 1364 00:53:02,612 --> 00:53:04,624 ♪ AND ON EVERY STREET CORNER YOU HEAR ♪ ♪ SILVER BELLS ♪ 1365 00:53:04,648 --> 00:53:06,426 YOU HEAR ♪ ♪ SILVER BELLS ♪ ♪ SILVER BELLS ♪ 1366 00:53:06,450 --> 00:53:08,195 ♪ SILVER BELLS ♪ ♪ SILVER BELLS ♪ ♪ SILVER BELLS ♪ 1367 00:53:08,219 --> 00:53:10,030 ♪ SILVER BELLS ♪ ♪ SILVER BELLS ♪ ♪ SILVER BELLS ♪ 1368 00:53:10,054 --> 00:53:13,867 ♪ SILVER BELLS ♪ ♪ SILVER BELLS ♪ ♪ IT'S CHRISTMASTIME IN THE 1369 00:53:13,891 --> 00:53:17,370 ♪ SILVER BELLS ♪ ♪ IT'S CHRISTMASTIME IN THE CITY ♪ 1370 00:53:17,394 --> 00:53:19,206 ♪ IT'S CHRISTMASTIME IN THE CITY ♪ ♪ RING-A-LING ♪ 1371 00:53:19,230 --> 00:53:21,041 CITY ♪ ♪ RING-A-LING ♪ ♪ RING-A-LING ♪ 1372 00:53:21,065 --> 00:53:22,876 ♪ RING-A-LING ♪ ♪ RING-A-LING ♪ ♪ HEAR THEM RING ♪ 1373 00:53:22,900 --> 00:53:24,777 ♪ RING-A-LING ♪ ♪ HEAR THEM RING ♪ ♪ HEAR THEM RING ♪ 1374 00:53:24,801 --> 00:53:28,414 ♪ HEAR THEM RING ♪ ♪ HEAR THEM RING ♪ ♪ SOON IT WILL BE CHRISTMAS 1375 00:53:28,438 --> 00:53:30,616 ♪ HEAR THEM RING ♪ ♪ SOON IT WILL BE CHRISTMAS DAY ♪ 1376 00:53:30,640 --> 00:53:33,419 ♪ SOON IT WILL BE CHRISTMAS DAY ♪ ♪ STRINGS OF STREETLIGHTS, 1377 00:53:33,443 --> 00:53:35,488 DAY ♪ ♪ STRINGS OF STREETLIGHTS, EVEN STOPLIGHTS ♪ 1378 00:53:35,512 --> 00:53:38,758 ♪ STRINGS OF STREETLIGHTS, EVEN STOPLIGHTS ♪ ♪ BLINK A BRIGHT RED AND GREEN ♪ 1379 00:53:38,782 --> 00:53:42,262 EVEN STOPLIGHTS ♪ ♪ BLINK A BRIGHT RED AND GREEN ♪ ♪ AS THE SHOPPERS RUSH HOME WITH 1380 00:53:42,286 --> 00:53:45,332 ♪ BLINK A BRIGHT RED AND GREEN ♪ ♪ AS THE SHOPPERS RUSH HOME WITH ALL THEIR TREASURES ♪ 1381 00:53:45,356 --> 00:53:47,901 ♪ AS THE SHOPPERS RUSH HOME WITH ALL THEIR TREASURES ♪ ♪ HEAR THE SNOW CRUNCH ♪ 1382 00:53:47,925 --> 00:53:49,970 ALL THEIR TREASURES ♪ ♪ HEAR THE SNOW CRUNCH ♪ ♪ SEE THE KIDS BUNCH ♪ 1383 00:53:49,994 --> 00:53:53,406 ♪ HEAR THE SNOW CRUNCH ♪ ♪ SEE THE KIDS BUNCH ♪ ♪ THIS IS SANTA'S BIG SCENE ♪ 1384 00:53:53,430 --> 00:53:56,776 ♪ SEE THE KIDS BUNCH ♪ ♪ THIS IS SANTA'S BIG SCENE ♪ ♪ AND ABOVE ALL THIS BUSTLE 1385 00:53:56,800 --> 00:53:59,779 ♪ THIS IS SANTA'S BIG SCENE ♪ ♪ AND ABOVE ALL THIS BUSTLE YOU HEAR ♪ 1386 00:53:59,803 --> 00:54:02,715 ♪ AND ABOVE ALL THIS BUSTLE YOU HEAR ♪ ♪ BEAUTIFUL SILVER BELLS ♪ 1387 00:54:02,739 --> 00:54:04,517 YOU HEAR ♪ ♪ BEAUTIFUL SILVER BELLS ♪ ♪ SILVER BELLS ♪ 1388 00:54:04,541 --> 00:54:06,286 ♪ BEAUTIFUL SILVER BELLS ♪ ♪ SILVER BELLS ♪ ♪ SILVER BELLS ♪ 1389 00:54:06,310 --> 00:54:08,121 ♪ SILVER BELLS ♪ ♪ SILVER BELLS ♪ ♪ SILVER BELLS ♪ 1390 00:54:08,145 --> 00:54:11,958 ♪ SILVER BELLS ♪ ♪ SILVER BELLS ♪ ♪ IT'S CHRISTMASTIME IN THE 1391 00:54:11,982 --> 00:54:15,461 ♪ SILVER BELLS ♪ ♪ IT'S CHRISTMASTIME IN THE CITY ♪ 1392 00:54:15,485 --> 00:54:17,297 ♪ IT'S CHRISTMASTIME IN THE CITY ♪ ♪ RING-A-LING ♪ 1393 00:54:17,321 --> 00:54:19,132 CITY ♪ ♪ RING-A-LING ♪ ♪ RING-A-LING ♪ 1394 00:54:19,156 --> 00:54:20,967 ♪ RING-A-LING ♪ ♪ RING-A-LING ♪ ♪ HEAR THEM RING ♪ 1395 00:54:20,991 --> 00:54:22,602 ♪ RING-A-LING ♪ ♪ HEAR THEM RING ♪ ♪ HEAR THEM RING ♪ 1396 00:54:22,626 --> 00:54:26,172 ♪ HEAR THEM RING ♪ ♪ HEAR THEM RING ♪ ♪ SOON IT WILL BE CHRISTMAS 1397 00:54:26,196 --> 00:54:29,776 ♪ HEAR THEM RING ♪ ♪ SOON IT WILL BE CHRISTMAS DAY ♪ 1398 00:54:29,800 --> 00:54:35,481 ♪ SOON IT WILL BE CHRISTMAS DAY ♪ ♪ SOON IT WILL BE CHRISTMAS 1399 00:54:35,505 --> 00:54:43,505 DAY ♪ ♪ SOON IT WILL BE CHRISTMAS DAY ♪ 1400 00:54:44,014 --> 00:54:46,381 ♪ SOON IT WILL BE CHRISTMAS DAY ♪ [CHEERS AND APPLAUSE] 1401 00:54:49,919 --> 00:54:53,433 SINCE CHRISTMAS IS A TRADITIONAL TIME FOR OVEREATING, WE HAVE NONE OTHER THAN THE 1402 00:54:53,457 --> 00:54:54,834 TRADITIONAL TIME FOR OVEREATING, WE HAVE NONE OTHER THAN THE GREAT GILDA HERE TO TELL YOU HOW 1403 00:54:54,858 --> 00:54:56,102 WE HAVE NONE OTHER THAN THE GREAT GILDA HERE TO TELL YOU HOW NOT TO DO IT. 1404 00:54:56,126 --> 00:54:57,737 GREAT GILDA HERE TO TELL YOU HOW NOT TO DO IT. LAST CHRISTMAS, I WENT TO MY 1405 00:54:57,761 --> 00:54:59,105 NOT TO DO IT. LAST CHRISTMAS, I WENT TO MY COUSIN LENORE'S HOUSE FOR 1406 00:54:59,129 --> 00:55:00,606 LAST CHRISTMAS, I WENT TO MY COUSIN LENORE'S HOUSE FOR DINNER, AND I WAS REAL GOOD. 1407 00:55:00,630 --> 00:55:02,042 COUSIN LENORE'S HOUSE FOR DINNER, AND I WAS REAL GOOD. I JUST HAD A SALAD WITH NO 1408 00:55:02,066 --> 00:55:03,776 DINNER, AND I WAS REAL GOOD. I JUST HAD A SALAD WITH NO DRESSING, AND I HAD THREE PIECES 1409 00:55:03,800 --> 00:55:05,478 I JUST HAD A SALAD WITH NO DRESSING, AND I HAD THREE PIECES OF THE WHITE MEAT OF TURKEY, AND 1410 00:55:05,502 --> 00:55:06,980 DRESSING, AND I HAD THREE PIECES OF THE WHITE MEAT OF TURKEY, AND I DIDN'T HAVE ANY STUFFING... 1411 00:55:07,004 --> 00:55:08,181 OF THE WHITE MEAT OF TURKEY, AND I DIDN'T HAVE ANY STUFFING... EXCEPT FOR THIS LITTLE PIECE 1412 00:55:08,205 --> 00:55:09,515 I DIDN'T HAVE ANY STUFFING... EXCEPT FOR THIS LITTLE PIECE THAT GOT STUCK ON THE MEAT, AND 1413 00:55:09,539 --> 00:55:10,683 EXCEPT FOR THIS LITTLE PIECE THAT GOT STUCK ON THE MEAT, AND IT WASN'T MY FAULT. 1414 00:55:10,707 --> 00:55:12,352 THAT GOT STUCK ON THE MEAT, AND IT WASN'T MY FAULT. AND THEN I HAD ONE CANDIED YAM, 1415 00:55:12,376 --> 00:55:13,954 IT WASN'T MY FAULT. AND THEN I HAD ONE CANDIED YAM, BUT I SCRAPED ALL THE CANDIED 1416 00:55:13,978 --> 00:55:15,588 AND THEN I HAD ONE CANDIED YAM, BUT I SCRAPED ALL THE CANDIED PART OFF, AND I DIPPED IT IN A 1417 00:55:15,612 --> 00:55:17,090 BUT I SCRAPED ALL THE CANDIED PART OFF, AND I DIPPED IT IN A GLASS OF WATER BEFORE I ATE IT. 1418 00:55:17,114 --> 00:55:19,025 PART OFF, AND I DIPPED IT IN A GLASS OF WATER BEFORE I ATE IT. AND ON THE TABLE, THERE WAS THIS 1419 00:55:19,049 --> 00:55:20,760 GLASS OF WATER BEFORE I ATE IT. AND ON THE TABLE, THERE WAS THIS BOWL OF MIXED NUTS, THE KIND 1420 00:55:20,784 --> 00:55:22,562 AND ON THE TABLE, THERE WAS THIS BOWL OF MIXED NUTS, THE KIND THAT YOU CRACK YOURSELF, SO I 1421 00:55:22,586 --> 00:55:23,563 BOWL OF MIXED NUTS, THE KIND THAT YOU CRACK YOURSELF, SO I HAD ONE PECAN. 1422 00:55:23,587 --> 00:55:24,864 THAT YOU CRACK YOURSELF, SO I HAD ONE PECAN. BUT BY ACCIDENT, MY TONGUE 1423 00:55:24,888 --> 00:55:26,433 HAD ONE PECAN. BUT BY ACCIDENT, MY TONGUE TOUCHED THE PART THAT WASN'T THE 1424 00:55:26,457 --> 00:55:27,934 BUT BY ACCIDENT, MY TONGUE TOUCHED THE PART THAT WASN'T THE NUT PART, AND MY MOUTH GOT REAL 1425 00:55:27,958 --> 00:55:29,402 TOUCHED THE PART THAT WASN'T THE NUT PART, AND MY MOUTH GOT REAL DRY, AND I HAD TO WASH IT DOWN 1426 00:55:29,426 --> 00:55:31,404 NUT PART, AND MY MOUTH GOT REAL DRY, AND I HAD TO WASH IT DOWN WITH SOME PUMPKIN PIE. 1427 00:55:31,428 --> 00:55:33,806 DRY, AND I HAD TO WASH IT DOWN WITH SOME PUMPKIN PIE. AND THEN I HAD JUST A BLACK CUP 1428 00:55:33,830 --> 00:55:36,209 WITH SOME PUMPKIN PIE. AND THEN I HAD JUST A BLACK CUP OF COFFEE WITH TWO SWEET'N LOWS 1429 00:55:36,233 --> 00:55:36,943 AND THEN I HAD JUST A BLACK CUP OF COFFEE WITH TWO SWEET'N LOWS IN IT. 1430 00:55:36,967 --> 00:55:38,445 OF COFFEE WITH TWO SWEET'N LOWS IN IT. AND THEN ON MY WAY HOME, I HAD 1431 00:55:38,469 --> 00:55:39,812 IN IT. AND THEN ON MY WAY HOME, I HAD TO GO TO THE BATHROOM, SO I 1432 00:55:39,836 --> 00:55:41,414 AND THEN ON MY WAY HOME, I HAD TO GO TO THE BATHROOM, SO I STOPPED OFF AT THIS LADIES' ROOM 1433 00:55:41,438 --> 00:55:42,648 TO GO TO THE BATHROOM, SO I STOPPED OFF AT THIS LADIES' ROOM THAT JUST HAPPENED TO BE 1434 00:55:42,672 --> 00:55:44,117 STOPPED OFF AT THIS LADIES' ROOM THAT JUST HAPPENED TO BE ATTACHED TO A HOWARD JOHNSON. 1435 00:55:44,141 --> 00:55:45,452 THAT JUST HAPPENED TO BE ATTACHED TO A HOWARD JOHNSON. I WENT IN, AND I ORDERED A 1436 00:55:45,476 --> 00:55:46,052 ATTACHED TO A HOWARD JOHNSON. I WENT IN, AND I ORDERED A FISHWICH. 1437 00:55:46,076 --> 00:55:47,587 I WENT IN, AND I ORDERED A FISHWICH. BUT I TOOK OFF THE ROLL, AND I 1438 00:55:47,611 --> 00:55:49,055 FISHWICH. BUT I TOOK OFF THE ROLL, AND I PICKED ALL THE BREADING OFF THE 1439 00:55:49,079 --> 00:55:50,523 BUT I TOOK OFF THE ROLL, AND I PICKED ALL THE BREADING OFF THE FISH, AND I JUST ATE THE FISH. 1440 00:55:50,547 --> 00:55:52,058 PICKED ALL THE BREADING OFF THE FISH, AND I JUST ATE THE FISH. AND THEN I ATE THE BREADING, AND 1441 00:55:52,082 --> 00:55:53,426 FISH, AND I JUST ATE THE FISH. AND THEN I ATE THE BREADING, AND THEN I PICKED ALL THE SESAME 1442 00:55:53,450 --> 00:55:54,894 AND THEN I ATE THE BREADING, AND THEN I PICKED ALL THE SESAME SEEDS OFF THE ROLL, AND THEN I 1443 00:55:54,918 --> 00:55:56,729 THEN I PICKED ALL THE SESAME SEEDS OFF THE ROLL, AND THEN I ATE THE ROLL. 1444 00:55:56,753 --> 00:55:58,365 SEEDS OFF THE ROLL, AND THEN I ATE THE ROLL. AND WHEN I GOT HOME, I COULDN'T 1445 00:55:58,389 --> 00:56:00,000 ATE THE ROLL. AND WHEN I GOT HOME, I COULDN'T SLEEP, SO I MADE MYSELF A GLASS 1446 00:56:00,024 --> 00:56:00,800 AND WHEN I GOT HOME, I COULDN'T SLEEP, SO I MADE MYSELF A GLASS OF WARM MILK. 1447 00:56:00,824 --> 00:56:02,302 SLEEP, SO I MADE MYSELF A GLASS OF WARM MILK. BUT I WAS STILL HUNGRY, SO I 1448 00:56:02,326 --> 00:56:03,669 OF WARM MILK. BUT I WAS STILL HUNGRY, SO I POURED SOME CEREAL IN IT. 1449 00:56:03,693 --> 00:56:05,071 BUT I WAS STILL HUNGRY, SO I POURED SOME CEREAL IN IT. UM, GILDA, I THINK WE HAVE TO 1450 00:56:05,095 --> 00:56:06,473 POURED SOME CEREAL IN IT. UM, GILDA, I THINK WE HAVE TO GET ON WITH THE REST OF THE SHOW 1451 00:56:06,497 --> 00:56:06,806 UM, GILDA, I THINK WE HAVE TO GET ON WITH THE REST OF THE SHOW NOW. 1452 00:56:06,830 --> 00:56:07,807 GET ON WITH THE REST OF THE SHOW NOW. [CLEARS THROAT] 1453 00:56:07,831 --> 00:56:09,142 NOW. [CLEARS THROAT] I WAS MAKING MYSELF SICK, 1454 00:56:09,166 --> 00:56:09,809 [CLEARS THROAT] I WAS MAKING MYSELF SICK, ACTUALLY. 1455 00:56:09,833 --> 00:56:11,766 I WAS MAKING MYSELF SICK, ACTUALLY. OKAY. 1456 00:56:14,971 --> 00:56:16,604 Announcer: AND NOW IT'S TIME 1457 00:56:16,739 --> 00:56:21,276 FOR... 1458 00:56:21,544 --> 00:56:28,995 GOOD EVENING, KITCHEN LOVERS. YOU KNOW, CHRISTMAS IS ONLY FIVE DAYS AWAY FROM TONIGHT. 1459 00:56:29,019 --> 00:56:30,730 YOU KNOW, CHRISTMAS IS ONLY FIVE DAYS AWAY FROM TONIGHT. MMM, CHRISTMAS. 1460 00:56:30,754 --> 00:56:33,066 DAYS AWAY FROM TONIGHT. MMM, CHRISTMAS. WHAT A DELICIOUS HOLIDAY. 1461 00:56:33,090 --> 00:56:36,469 MMM, CHRISTMAS. WHAT A DELICIOUS HOLIDAY. ROAST GOOSE, CHESTNUT PUREE. 1462 00:56:36,493 --> 00:56:38,238 WHAT A DELICIOUS HOLIDAY. ROAST GOOSE, CHESTNUT PUREE. AND WHAT CHRISTMAS WOULD BE 1463 00:56:38,262 --> 00:56:40,440 ROAST GOOSE, CHESTNUT PUREE. AND WHAT CHRISTMAS WOULD BE COMPLETE WITHOUT YUMMY 1464 00:56:40,464 --> 00:56:41,842 AND WHAT CHRISTMAS WOULD BE COMPLETE WITHOUT YUMMY YULE POEGENS? 1465 00:56:41,866 --> 00:56:44,577 COMPLETE WITHOUT YUMMY YULE POEGENS? OH, BOY, THAT'S A TANTALIZING 1466 00:56:44,601 --> 00:56:47,314 YULE POEGENS? OH, BOY, THAT'S A TANTALIZING COOKIE WHICH INSPIRES THE MEMORY 1467 00:56:47,338 --> 00:56:50,016 OH, BOY, THAT'S A TANTALIZING COOKIE WHICH INSPIRES THE MEMORY OF EFFERNUS AND THE LIP-SMACKING 1468 00:56:50,040 --> 00:56:51,684 COOKIE WHICH INSPIRES THE MEMORY OF EFFERNUS AND THE LIP-SMACKING FLAVOR OF AUFLOUFF. 1469 00:56:51,708 --> 00:56:55,322 OF EFFERNUS AND THE LIP-SMACKING FLAVOR OF AUFLOUFF. NOW, THE FIRST THING YOU DO IS 1470 00:56:55,346 --> 00:56:57,290 FLAVOR OF AUFLOUFF. NOW, THE FIRST THING YOU DO IS YOU TAKE YOUR BUTTERED COOKIE 1471 00:56:57,314 --> 00:56:59,092 NOW, THE FIRST THING YOU DO IS YOU TAKE YOUR BUTTERED COOKIE SHEET, ON WHICH YOU DOLLOP 1472 00:56:59,116 --> 00:57:01,527 YOU TAKE YOUR BUTTERED COOKIE SHEET, ON WHICH YOU DOLLOP LITTLE PLOOMPS OF BATTER, WHICH 1473 00:57:01,551 --> 00:57:04,030 SHEET, ON WHICH YOU DOLLOP LITTLE PLOOMPS OF BATTER, WHICH IS, OF COURSE, FRITZIE'S BASIC 1474 00:57:04,054 --> 00:57:06,766 LITTLE PLOOMPS OF BATTER, WHICH IS, OF COURSE, FRITZIE'S BASIC CREAMY-COOKIE CATALYST. 1475 00:57:06,790 --> 00:57:09,769 IS, OF COURSE, FRITZIE'S BASIC CREAMY-COOKIE CATALYST. OH, BOY, I TELL YOU. 1476 00:57:09,793 --> 00:57:12,505 CREAMY-COOKIE CATALYST. OH, BOY, I TELL YOU. FLUFFY EGGS... 1477 00:57:12,529 --> 00:57:15,608 OH, BOY, I TELL YOU. FLUFFY EGGS... FORTIFIED FLOUR... 1478 00:57:15,632 --> 00:57:18,211 FLUFFY EGGS... FORTIFIED FLOUR... AND PURE SUGAR. 1479 00:57:18,235 --> 00:57:20,013 FORTIFIED FLOUR... AND PURE SUGAR. DELICIOUS. 1480 00:57:20,037 --> 00:57:21,714 AND PURE SUGAR. DELICIOUS. I BET YOU THINK THAT'S ALL THERE 1481 00:57:21,738 --> 00:57:22,749 DELICIOUS. I BET YOU THINK THAT'S ALL THERE IS TO YULE YUMMIES. 1482 00:57:22,773 --> 00:57:24,084 I BET YOU THINK THAT'S ALL THERE IS TO YULE YUMMIES. WELL, YOU'RE WRONG! 1483 00:57:24,108 --> 00:57:25,685 IS TO YULE YUMMIES. WELL, YOU'RE WRONG! THEN YOU'VE GOT TO ADD YOUR 1484 00:57:25,709 --> 00:57:28,221 WELL, YOU'RE WRONG! THEN YOU'VE GOT TO ADD YOUR MOIST, CHEWY RAISINS. 1485 00:57:28,245 --> 00:57:31,892 THEN YOU'VE GOT TO ADD YOUR MOIST, CHEWY RAISINS. OH, YUMMY, YUMMY. 1486 00:57:31,916 --> 00:57:33,393 MOIST, CHEWY RAISINS. OH, YUMMY, YUMMY. BOY, OH, BOY. 1487 00:57:33,417 --> 00:57:34,895 OH, YUMMY, YUMMY. BOY, OH, BOY. AND YOUR PECANS. 1488 00:57:34,919 --> 00:57:36,596 BOY, OH, BOY. AND YOUR PECANS. I TELL YOU, YOU CAN'T FORGET 1489 00:57:36,620 --> 00:57:38,231 AND YOUR PECANS. I TELL YOU, YOU CAN'T FORGET THOSE, EITHER. 1490 00:57:38,255 --> 00:57:42,202 I TELL YOU, YOU CAN'T FORGET THOSE, EITHER. MMM! I'M IN PECAN HEAVEN. 1491 00:57:42,226 --> 00:57:44,104 THOSE, EITHER. MMM! I'M IN PECAN HEAVEN. NOW I BET YOU THINK THAT'S ALL 1492 00:57:44,128 --> 00:57:45,705 MMM! I'M IN PECAN HEAVEN. NOW I BET YOU THINK THAT'S ALL THERE IS TO YOUR COOKIE. 1493 00:57:45,729 --> 00:57:47,107 NOW I BET YOU THINK THAT'S ALL THERE IS TO YOUR COOKIE. WELL, YOU'RE WRONG! 1494 00:57:47,131 --> 00:57:49,075 THERE IS TO YOUR COOKIE. WELL, YOU'RE WRONG! YOU CAN'T FORGET YOUR MINIATURE 1495 00:57:49,099 --> 00:57:50,576 WELL, YOU'RE WRONG! YOU CAN'T FORGET YOUR MINIATURE MARSHMALLOWS. 1496 00:57:50,600 --> 00:57:52,545 YOU CAN'T FORGET YOUR MINIATURE MARSHMALLOWS. AND I DON'T MEAN THE BIG ONES. 1497 00:57:52,569 --> 00:57:55,415 MARSHMALLOWS. AND I DON'T MEAN THE BIG ONES. I MEAN THE PRECIOUS LITTLE ONES. 1498 00:57:55,439 --> 00:57:57,150 AND I DON'T MEAN THE BIG ONES. I MEAN THE PRECIOUS LITTLE ONES. MMM! 1499 00:57:57,174 --> 00:58:00,020 I MEAN THE PRECIOUS LITTLE ONES. MMM! AND, OF COURSE, YOUR CHOCOLATE 1500 00:58:00,044 --> 00:58:02,789 MMM! AND, OF COURSE, YOUR CHOCOLATE CHIPS. 1501 00:58:02,813 --> 00:58:06,459 AND, OF COURSE, YOUR CHOCOLATE CHIPS. SCRUMPTIOUS! 1502 00:58:06,483 --> 00:58:09,296 CHIPS. SCRUMPTIOUS! NOW, WHEN YOUR COOKIE ENTERS THE 1503 00:58:09,320 --> 00:58:12,966 SCRUMPTIOUS! NOW, WHEN YOUR COOKIE ENTERS THE OVEN, IT SHOULD LOOK LIKE THIS. 1504 00:58:12,990 --> 00:58:17,137 NOW, WHEN YOUR COOKIE ENTERS THE OVEN, IT SHOULD LOOK LIKE THIS. AND WHEN IT'S FINISHED... 1505 00:58:17,161 --> 00:58:22,309 OVEN, IT SHOULD LOOK LIKE THIS. AND WHEN IT'S FINISHED... IT SHOULD LOOK LIKE THIS. 1506 00:58:22,333 --> 00:58:24,411 AND WHEN IT'S FINISHED... IT SHOULD LOOK LIKE THIS. I TELL YOU, IT'S THE PERFECT 1507 00:58:24,435 --> 00:58:26,746 IT SHOULD LOOK LIKE THIS. I TELL YOU, IT'S THE PERFECT THING TO FOLLOW A DELICIOUS MEAL 1508 00:58:26,770 --> 00:58:31,251 I TELL YOU, IT'S THE PERFECT THING TO FOLLOW A DELICIOUS MEAL OF ROAST GOOSE. 1509 00:58:31,275 --> 00:58:32,919 THING TO FOLLOW A DELICIOUS MEAL OF ROAST GOOSE. HAVE A MERRY CHRISTMAS. 1510 00:58:32,943 --> 00:58:35,422 OF ROAST GOOSE. HAVE A MERRY CHRISTMAS. AND REMEMBER... SNIP, SNAP, 1511 00:58:35,446 --> 00:58:38,366 HAVE A MERRY CHRISTMAS. AND REMEMBER... SNIP, SNAP, SNORUM, HEY COCKALORUM. 1512 00:58:45,087 --> 00:58:49,402 YOU FIND! YOU STUN! YOU CUT! YOU BROIL! STEAKS THE WAY YOU'VE ALWAYS 1513 00:58:49,426 --> 00:58:50,069 YOU CUT! YOU BROIL! STEAKS THE WAY YOU'VE ALWAYS WANTED THEM! 1514 00:58:50,093 --> 00:58:51,404 STEAKS THE WAY YOU'VE ALWAYS WANTED THEM! CUSTOM-CUT TO YOUR TASTE AND 1515 00:58:51,428 --> 00:58:51,804 WANTED THEM! CUSTOM-CUT TO YOUR TASTE AND SIZE! 1516 00:58:51,828 --> 00:58:52,639 CUSTOM-CUT TO YOUR TASTE AND SIZE! WE MAKE IT EASY. 1517 00:58:52,663 --> 00:58:54,306 SIZE! WE MAKE IT EASY. YOU GET PROD, APRON, BOARD, AND 1518 00:58:54,330 --> 00:58:54,741 WE MAKE IT EASY. YOU GET PROD, APRON, BOARD, AND SAW! 1519 00:58:54,765 --> 00:58:56,275 YOU GET PROD, APRON, BOARD, AND SAW! YOU FIND! YOU STUN! YOU CUT! 1520 00:58:56,299 --> 00:58:57,043 SAW! YOU FIND! YOU STUN! YOU CUT! NO MISTAKES! 1521 00:58:57,067 --> 00:58:58,177 YOU FIND! YOU STUN! YOU CUT! NO MISTAKES! YOU DO THE CUTTING! 1522 00:58:58,201 --> 00:58:59,045 NO MISTAKES! YOU DO THE CUTTING! NO EXCESS FAT! 1523 00:58:59,069 --> 00:59:00,613 YOU DO THE CUTTING! NO EXCESS FAT! THE MOST SATISFYING CHARBROILERS 1524 00:59:00,637 --> 00:59:02,313 NO EXCESS FAT! THE MOST SATISFYING CHARBROILERS YOU'VE EVER EATEN! 1525 00:59:02,337 --> 00:59:02,804 YOU CUT! 1526 00:59:02,939 --> 00:59:03,504 YOU BROIL! 1527 00:59:03,639 --> 00:59:05,073 MEL'S CHAR PALACE... ROUTE 17 1528 00:59:05,207 --> 00:59:06,041 AND 15, PARAMUS. 1529 00:59:06,175 --> 00:59:08,142 [CHAIN SAW BUZZING] 1530 00:59:21,824 --> 00:59:25,471 WE USUALLY THINK OF CHRISTMAS IN TERMS OF CHILDREN, BUT THERE'S A GROUP OF HUMANS AT THE 1531 00:59:25,495 --> 00:59:26,773 IN TERMS OF CHILDREN, BUT THERE'S A GROUP OF HUMANS AT THE OTHER END OF LIFE, WHICH IS OUR 1532 00:59:26,797 --> 00:59:27,607 THERE'S A GROUP OF HUMANS AT THE OTHER END OF LIFE, WHICH IS OUR OLD PEOPLE. 1533 00:59:27,631 --> 00:59:28,842 OTHER END OF LIFE, WHICH IS OUR OLD PEOPLE. THEY'RE THE FASTEST-GROWING 1534 00:59:28,866 --> 00:59:30,243 OLD PEOPLE. THEY'RE THE FASTEST-GROWING MINORITY IN OUR COUNTRY, AND I'D 1535 00:59:30,267 --> 00:59:31,544 THEY'RE THE FASTEST-GROWING MINORITY IN OUR COUNTRY, AND I'D LIKE YOU TO MEET SOMEONE VERY 1536 00:59:31,568 --> 00:59:32,979 MINORITY IN OUR COUNTRY, AND I'D LIKE YOU TO MEET SOMEONE VERY SPECIAL WHO'S NOW TRYING TO TAKE 1537 00:59:33,003 --> 00:59:33,747 LIKE YOU TO MEET SOMEONE VERY SPECIAL WHO'S NOW TRYING TO TAKE CARE OF THEM. 1538 00:59:33,771 --> 00:59:35,381 SPECIAL WHO'S NOW TRYING TO TAKE CARE OF THEM. SHE'S RESPONSIBLE FOR A GROUP OF 1539 00:59:35,405 --> 00:59:36,716 CARE OF THEM. SHE'S RESPONSIBLE FOR A GROUP OF OLD PEOPLE CALLED THE GRAY 1540 00:59:36,740 --> 00:59:37,316 SHE'S RESPONSIBLE FOR A GROUP OF OLD PEOPLE CALLED THE GRAY PANTHERS. 1541 00:59:37,340 --> 00:59:38,417 OLD PEOPLE CALLED THE GRAY PANTHERS. I'D LIKE YOU TO MEET 1542 00:59:38,441 --> 00:59:39,753 PANTHERS. I'D LIKE YOU TO MEET MS. MAGGIE KUHN. 1543 00:59:39,777 --> 00:59:41,877 I'D LIKE YOU TO MEET MS. MAGGIE KUHN. [APPLAUSE] 1544 00:59:47,283 --> 00:59:51,631 NOW, MAGGIE, IF YOU COULD GIVE US ANYTHING FOR CHRISTMAS, WHAT WOULD YOU CHOOSE? 1545 00:59:51,655 --> 00:59:53,299 US ANYTHING FOR CHRISTMAS, WHAT WOULD YOU CHOOSE? I'D LIKE TO GIVE EVERYBODY 1546 00:59:53,323 --> 00:59:54,567 WOULD YOU CHOOSE? I'D LIKE TO GIVE EVERYBODY HERE... YOUNG PEOPLE, 1547 00:59:54,591 --> 00:59:55,935 I'D LIKE TO GIVE EVERYBODY HERE... YOUNG PEOPLE, MIDDLE-AGED PEOPLE, OLD 1548 00:59:55,959 --> 00:59:58,171 HERE... YOUNG PEOPLE, MIDDLE-AGED PEOPLE, OLD PEOPLE... A WHOLLY NEW VIEW 1549 00:59:58,195 --> 01:00:00,840 MIDDLE-AGED PEOPLE, OLD PEOPLE... A WHOLLY NEW VIEW ABOUT AGE, GETTING OLD. 1550 01:00:00,864 --> 01:00:02,976 PEOPLE... A WHOLLY NEW VIEW ABOUT AGE, GETTING OLD. OUR SOCIETY STEREOTYPES AND 1551 01:00:03,000 --> 01:00:04,978 ABOUT AGE, GETTING OLD. OUR SOCIETY STEREOTYPES AND SEGREGATES US BY AGE FROM 1552 01:00:05,002 --> 01:00:05,912 OUR SOCIETY STEREOTYPES AND SEGREGATES US BY AGE FROM BABYHOOD. 1553 01:00:05,936 --> 01:00:09,082 SEGREGATES US BY AGE FROM BABYHOOD. LOTS OF US FEAR GETTING OLD. 1554 01:00:09,106 --> 01:00:10,784 BABYHOOD. LOTS OF US FEAR GETTING OLD. WE'RE TERRIFIED ABOUT WRINKLES 1555 01:00:10,808 --> 01:00:11,717 LOTS OF US FEAR GETTING OLD. WE'RE TERRIFIED ABOUT WRINKLES AND GRAY HAIR. 1556 01:00:11,741 --> 01:00:12,551 WE'RE TERRIFIED ABOUT WRINKLES AND GRAY HAIR. I AM. 1557 01:00:12,575 --> 01:00:14,821 AND GRAY HAIR. I AM. DON'T BE, CANDY, REALLY DON'T 1558 01:00:14,845 --> 01:00:15,488 I AM. DON'T BE, CANDY, REALLY DON'T BE. 1559 01:00:15,512 --> 01:00:17,423 DON'T BE, CANDY, REALLY DON'T BE. NOBODY HERE SHOULD BE AFRAID. 1560 01:00:17,447 --> 01:00:20,660 BE. NOBODY HERE SHOULD BE AFRAID. I WOULD LIKE TO GIVE EVERYBODY 1561 01:00:20,684 --> 01:00:23,797 NOBODY HERE SHOULD BE AFRAID. I WOULD LIKE TO GIVE EVERYBODY WHO HAS COPPED OUT, YOU KNOW, 1562 01:00:23,821 --> 01:00:26,032 I WOULD LIKE TO GIVE EVERYBODY WHO HAS COPPED OUT, YOU KNOW, AND GIVEN UP... AND THERE ARE 1563 01:00:26,056 --> 01:00:27,533 WHO HAS COPPED OUT, YOU KNOW, AND GIVEN UP... AND THERE ARE YOUNG PEOPLE WHO HAVE GIVEN 1564 01:00:27,557 --> 01:00:30,003 AND GIVEN UP... AND THERE ARE YOUNG PEOPLE WHO HAVE GIVEN UP... I'D LIKE TO GIVE EVERYBODY 1565 01:00:30,027 --> 01:00:32,405 YOUNG PEOPLE WHO HAVE GIVEN UP... I'D LIKE TO GIVE EVERYBODY A BIG SHOT IN THE ARM OF 1566 01:00:32,429 --> 01:00:37,376 UP... I'D LIKE TO GIVE EVERYBODY A BIG SHOT IN THE ARM OF COURAGE AND GUTS TO BE INVOLVED, 1567 01:00:37,400 --> 01:00:39,813 A BIG SHOT IN THE ARM OF COURAGE AND GUTS TO BE INVOLVED, TO GET TO WORK TO HEAL THIS 1568 01:00:39,837 --> 01:00:41,480 COURAGE AND GUTS TO BE INVOLVED, TO GET TO WORK TO HEAL THIS SICK, OLD WORLD OF OURS. 1569 01:00:41,504 --> 01:00:43,944 TO GET TO WORK TO HEAL THIS SICK, OLD WORLD OF OURS. [APPLAUSE] 1570 01:00:49,312 --> 01:00:57,312 CANDY, I'D LIKE TO GIVE EVERY OLD, LONELY PERSON A NEW YOUNG FRIEND FOR CHRISTMAS. 1571 01:00:58,755 --> 01:01:01,701 OLD, LONELY PERSON A NEW YOUNG FRIEND FOR CHRISTMAS. WELL, I'D LIKE TO GIVE... 1572 01:01:01,725 --> 01:01:03,536 FRIEND FOR CHRISTMAS. WELL, I'D LIKE TO GIVE... SPEAKING AS A YOUNG PERSON... I 1573 01:01:03,560 --> 01:01:05,438 WELL, I'D LIKE TO GIVE... SPEAKING AS A YOUNG PERSON... I WOULD LIKE TO HAVE AN OLD FRIEND 1574 01:01:05,462 --> 01:01:06,405 SPEAKING AS A YOUNG PERSON... I WOULD LIKE TO HAVE AN OLD FRIEND FOR CHRISTMAS. 1575 01:01:06,429 --> 01:01:07,974 WOULD LIKE TO HAVE AN OLD FRIEND FOR CHRISTMAS. PERHAPS YOU AND I COULD BE 1576 01:01:07,998 --> 01:01:10,109 FOR CHRISTMAS. PERHAPS YOU AND I COULD BE FRIENDS. 1577 01:01:10,133 --> 01:01:12,533 PERHAPS YOU AND I COULD BE FRIENDS. [APPLAUSE] 1578 01:01:17,439 --> 01:01:22,322 OUR BODIES SOMETIMES SLOW DOWN. MINE'S CRIPPLED WITH ARTHRITIS. 1579 01:01:22,346 --> 01:01:24,490 DOWN. MINE'S CRIPPLED WITH ARTHRITIS. BUT THERE'S NO EXCUSE FOR NOT 1580 01:01:24,514 --> 01:01:26,425 MINE'S CRIPPLED WITH ARTHRITIS. BUT THERE'S NO EXCUSE FOR NOT KEEPING OUR MINDS AND OUR 1581 01:01:26,449 --> 01:01:27,626 BUT THERE'S NO EXCUSE FOR NOT KEEPING OUR MINDS AND OUR SPIRITS ALIVE. 1582 01:01:27,650 --> 01:01:29,996 KEEPING OUR MINDS AND OUR SPIRITS ALIVE. WE'VE GOT TO KEEP ON GROWING AND 1583 01:01:30,020 --> 01:01:32,165 SPIRITS ALIVE. WE'VE GOT TO KEEP ON GROWING AND DEVELOPING AND LEARNING UNTIL 1584 01:01:32,189 --> 01:01:34,267 WE'VE GOT TO KEEP ON GROWING AND DEVELOPING AND LEARNING UNTIL RIGOR MORTIS SETS IN. 1585 01:01:34,291 --> 01:01:35,768 DEVELOPING AND LEARNING UNTIL RIGOR MORTIS SETS IN. REALLY. 1586 01:01:35,792 --> 01:01:39,339 RIGOR MORTIS SETS IN. REALLY. AND I'D LIKE TO JUST GIVE YOU 1587 01:01:39,363 --> 01:01:40,740 REALLY. AND I'D LIKE TO JUST GIVE YOU THE GRAY PANTHER SIGN-OFF. 1588 01:01:40,764 --> 01:01:44,177 AND I'D LIKE TO JUST GIVE YOU THE GRAY PANTHER SIGN-OFF. THE GRAY PANTHER SIGN-OFF. 1589 01:01:44,201 --> 01:01:46,645 THE GRAY PANTHER SIGN-OFF. THE GRAY PANTHER SIGN-OFF. OFF YOUR ASSES. 1590 01:01:46,669 --> 01:01:49,469 THE GRAY PANTHER SIGN-OFF. OFF YOUR ASSES. [LAUGHTER AND APPLAUSE] 1591 01:02:10,526 --> 01:02:15,775 OUR IDOL. CHRISTMAS TRADITIONALLY, REALLY, MEANS HOME, I THINK, FOR ALL OF 1592 01:02:15,799 --> 01:02:17,277 CHRISTMAS TRADITIONALLY, REALLY, MEANS HOME, I THINK, FOR ALL OF US, AND WE HAVE A FILM FOR YOU 1593 01:02:17,301 --> 01:02:18,778 MEANS HOME, I THINK, FOR ALL OF US, AND WE HAVE A FILM FOR YOU NOW BY "SATURDAY NIGHT'S" STAFF 1594 01:02:18,802 --> 01:02:20,246 US, AND WE HAVE A FILM FOR YOU NOW BY "SATURDAY NIGHT'S" STAFF THAT IN TWO MINUTES SAYS MORE 1595 01:02:20,270 --> 01:02:21,614 NOW BY "SATURDAY NIGHT'S" STAFF THAT IN TWO MINUTES SAYS MORE ABOUT HOME AND HUMANITY THAN 1596 01:02:21,638 --> 01:02:22,048 THAT IN TWO MINUTES SAYS MORE ABOUT HOME AND HUMANITY THAN MOST. 1597 01:02:22,072 --> 01:02:22,849 ABOUT HOME AND HUMANITY THAN MOST. HERE WE ARE. 1598 01:02:22,873 --> 01:02:23,883 MOST. HERE WE ARE. [INTRODUCTION TO 1599 01:02:23,907 --> 01:02:25,018 HERE WE ARE. [INTRODUCTION TO SIMON & GARFUNKEL'S 1600 01:02:25,042 --> 01:02:26,385 [INTRODUCTION TO SIMON & GARFUNKEL'S "HOMEWARD BOUND" PLAYS] 1601 01:02:26,409 --> 01:02:28,454 [SIMON & GARFUNKEL'S "HOMEWARD BOUND" PLAYS] ♪ I'M SITTING IN THE RAILWAY 1602 01:02:28,478 --> 01:02:29,155 ["HOMEWARD BOUND" PLAYS] ♪ I'M SITTING IN THE RAILWAY STATION ♪ 1603 01:02:29,179 --> 01:02:30,656 ♪ I'M SITTING IN THE RAILWAY STATION ♪ ♪ GOT A TICKET FOR MY 1604 01:02:30,680 --> 01:02:33,927 STATION ♪ ♪ GOT A TICKET FOR MY DESTINATION ♪ 1605 01:02:33,951 --> 01:02:36,762 ♪ GOT A TICKET FOR MY DESTINATION ♪ ♪ MMM ♪ 1606 01:02:36,786 --> 01:02:38,597 DESTINATION ♪ ♪ MMM ♪ ♪ ON A TOUR OF ONE-NIGHT 1607 01:02:38,621 --> 01:02:39,332 ♪ MMM ♪ ♪ ON A TOUR OF ONE-NIGHT STANDS ♪ 1608 01:02:39,356 --> 01:02:41,201 ♪ ON A TOUR OF ONE-NIGHT STANDS ♪ ♪ MY SUITCASE AND GUITAR IN 1609 01:02:41,225 --> 01:02:41,935 STANDS ♪ ♪ MY SUITCASE AND GUITAR IN HAND ♪ 1610 01:02:41,959 --> 01:02:43,937 ♪ MY SUITCASE AND GUITAR IN HAND ♪ ♪ AND EVERY STOP IS NEATLY 1611 01:02:43,961 --> 01:02:44,670 HAND ♪ ♪ AND EVERY STOP IS NEATLY PLANNED ♪ 1612 01:02:44,694 --> 01:02:48,908 ♪ AND EVERY STOP IS NEATLY PLANNED ♪ ♪ FOR A POET AND ONE-MAN BAND ♪ 1613 01:02:48,932 --> 01:02:52,278 PLANNED ♪ ♪ FOR A POET AND ONE-MAN BAND ♪ ♪ HOMEWARD BOUND ♪ 1614 01:02:52,302 --> 01:02:54,680 ♪ FOR A POET AND ONE-MAN BAND ♪ ♪ HOMEWARD BOUND ♪ ♪ I WISH I WAS ♪ 1615 01:02:54,704 --> 01:02:58,651 ♪ HOMEWARD BOUND ♪ ♪ I WISH I WAS ♪ ♪ HOMEWARD BOUND ♪ 1616 01:02:58,675 --> 01:02:59,652 ♪ I WISH I WAS ♪ ♪ HOMEWARD BOUND ♪ ♪ HOME ♪ 1617 01:02:59,676 --> 01:03:01,287 ♪ HOMEWARD BOUND ♪ ♪ HOME ♪ ♪ WHERE MY THOUGHT'S ESCAPING ♪ 1618 01:03:01,311 --> 01:03:02,288 ♪ HOME ♪ ♪ WHERE MY THOUGHT'S ESCAPING ♪ ♪ HOME ♪ 1619 01:03:02,312 --> 01:03:03,990 ♪ WHERE MY THOUGHT'S ESCAPING ♪ ♪ HOME ♪ ♪ WHERE MY MUSIC'S PLAYING ♪ 1620 01:03:04,014 --> 01:03:04,991 ♪ HOME ♪ ♪ WHERE MY MUSIC'S PLAYING ♪ ♪ HOME ♪ 1621 01:03:05,015 --> 01:03:07,660 ♪ WHERE MY MUSIC'S PLAYING ♪ ♪ HOME ♪ ♪ WHERE MY LOVE LIES WAITING 1622 01:03:07,684 --> 01:03:11,998 ♪ HOME ♪ ♪ WHERE MY LOVE LIES WAITING SILENTLY FOR ME ♪ 1623 01:03:12,022 --> 01:03:14,200 ♪ WHERE MY LOVE LIES WAITING SILENTLY FOR ME ♪ ♪ EVERY DAY'S AN ENDLESS 1624 01:03:14,224 --> 01:03:15,701 SILENTLY FOR ME ♪ ♪ EVERY DAY'S AN ENDLESS STREAM OF CIGARETTES 1625 01:03:15,725 --> 01:03:19,005 ♪ EVERY DAY'S AN ENDLESS STREAM OF CIGARETTES AND MAGAZINES ♪ 1626 01:03:19,029 --> 01:03:22,041 STREAM OF CIGARETTES AND MAGAZINES ♪ ♪ MMM ♪ 1627 01:03:22,065 --> 01:03:23,776 AND MAGAZINES ♪ ♪ MMM ♪ ♪ AND EACH TOWN LOOKS 1628 01:03:23,800 --> 01:03:24,978 ♪ MMM ♪ ♪ AND EACH TOWN LOOKS THE SAME TO ME ♪ 1629 01:03:25,002 --> 01:03:27,280 ♪ AND EACH TOWN LOOKS THE SAME TO ME ♪ ♪ THE MOVIES AND THE FACTORIES ♪ 1630 01:03:27,304 --> 01:03:29,382 THE SAME TO ME ♪ ♪ THE MOVIES AND THE FACTORIES ♪ ♪ AND EVERY STRANGER'S FACE I 1631 01:03:29,406 --> 01:03:30,350 ♪ THE MOVIES AND THE FACTORIES ♪ ♪ AND EVERY STRANGER'S FACE I SEE ♪ 1632 01:03:30,374 --> 01:03:33,019 ♪ AND EVERY STRANGER'S FACE I SEE ♪ ♪ REMINDS ME THAT I LONG TO BE ♪ 1633 01:03:33,043 --> 01:03:37,924 SEE ♪ ♪ REMINDS ME THAT I LONG TO BE ♪ ♪ HOMEWARD BOUND ♪ 1634 01:03:37,948 --> 01:03:40,760 ♪ REMINDS ME THAT I LONG TO BE ♪ ♪ HOMEWARD BOUND ♪ ♪ I WISH I WAS ♪ 1635 01:03:40,784 --> 01:03:43,863 ♪ HOMEWARD BOUND ♪ ♪ I WISH I WAS ♪ ♪ HOMEWARD BOUND ♪ 1636 01:03:43,887 --> 01:03:45,198 ♪ I WISH I WAS ♪ ♪ HOMEWARD BOUND ♪ ♪ HOME ♪ 1637 01:03:45,222 --> 01:03:46,732 ♪ HOMEWARD BOUND ♪ ♪ HOME ♪ ♪ WHERE MY THOUGHT'S ESCAPING ♪ 1638 01:03:46,756 --> 01:03:47,833 ♪ HOME ♪ ♪ WHERE MY THOUGHT'S ESCAPING ♪ ♪ HOME ♪ 1639 01:03:47,857 --> 01:03:49,435 ♪ WHERE MY THOUGHT'S ESCAPING ♪ ♪ HOME ♪ ♪ WHERE MY MUSIC'S PLAYING ♪ 1640 01:03:49,459 --> 01:03:50,436 ♪ HOME ♪ ♪ WHERE MY MUSIC'S PLAYING ♪ ♪ HOME ♪ 1641 01:03:50,460 --> 01:03:52,705 ♪ WHERE MY MUSIC'S PLAYING ♪ ♪ HOME ♪ ♪ WHERE MY LOVE LIES WAITING 1642 01:03:52,729 --> 01:03:58,711 ♪ HOME ♪ ♪ WHERE MY LOVE LIES WAITING SILENTLY FOR ME ♪ 1643 01:03:58,735 --> 01:04:00,513 ♪ WHERE MY LOVE LIES WAITING SILENTLY FOR ME ♪ ♪ TONIGHT I'LL SING MY SONGS 1644 01:04:00,537 --> 01:04:01,180 SILENTLY FOR ME ♪ ♪ TONIGHT I'LL SING MY SONGS AGAIN ♪ 1645 01:04:01,204 --> 01:04:03,416 ♪ TONIGHT I'LL SING MY SONGS AGAIN ♪ ♪ I'LL PLAY THE GAME AND 1646 01:04:03,440 --> 01:04:06,585 AGAIN ♪ ♪ I'LL PLAY THE GAME AND PRETEND ♪ 1647 01:04:06,609 --> 01:04:09,222 ♪ I'LL PLAY THE GAME AND PRETEND ♪ ♪ MMM ♪ 1648 01:04:09,246 --> 01:04:11,190 PRETEND ♪ ♪ MMM ♪ ♪ BUT ALL MY WORDS COME BACK 1649 01:04:11,214 --> 01:04:11,690 ♪ MMM ♪ ♪ BUT ALL MY WORDS COME BACK TO ME ♪ 1650 01:04:11,714 --> 01:04:13,927 ♪ BUT ALL MY WORDS COME BACK TO ME ♪ ♪ IN SHADES OF MEDIOCRITY ♪ 1651 01:04:13,951 --> 01:04:17,096 TO ME ♪ ♪ IN SHADES OF MEDIOCRITY ♪ ♪ LIKE EMPTINESS IN HARMONY ♪ 1652 01:04:17,120 --> 01:04:22,435 ♪ IN SHADES OF MEDIOCRITY ♪ ♪ LIKE EMPTINESS IN HARMONY ♪ ♪ I NEED SOMEONE TO COMFORT ME ♪ 1653 01:04:22,459 --> 01:04:24,837 ♪ LIKE EMPTINESS IN HARMONY ♪ ♪ I NEED SOMEONE TO COMFORT ME ♪ ♪ HOMEWARD BOUND ♪ 1654 01:04:24,861 --> 01:04:28,174 ♪ I NEED SOMEONE TO COMFORT ME ♪ ♪ HOMEWARD BOUND ♪ ♪ I WISH I WAS ♪ 1655 01:04:28,198 --> 01:04:31,110 ♪ HOMEWARD BOUND ♪ ♪ I WISH I WAS ♪ ♪ HOMEWARD BOUND ♪ 1656 01:04:31,134 --> 01:04:32,111 ♪ I WISH I WAS ♪ ♪ HOMEWARD BOUND ♪ ♪ HOME ♪ 1657 01:04:32,135 --> 01:04:33,779 ♪ HOMEWARD BOUND ♪ ♪ HOME ♪ ♪ WHERE MY THOUGHT'S ESCAPING ♪ 1658 01:04:33,803 --> 01:04:34,780 ♪ HOME ♪ ♪ WHERE MY THOUGHT'S ESCAPING ♪ ♪ HOME ♪ 1659 01:04:34,804 --> 01:04:36,316 ♪ WHERE MY THOUGHT'S ESCAPING ♪ ♪ HOME ♪ ♪ WHERE MY MUSIC'S PLAYING ♪ 1660 01:04:36,340 --> 01:04:37,383 ♪ HOME ♪ ♪ WHERE MY MUSIC'S PLAYING ♪ ♪ HOME ♪ 1661 01:04:37,407 --> 01:04:39,718 ♪ WHERE MY MUSIC'S PLAYING ♪ ♪ HOME ♪ ♪ WHERE MY LOVE LIES WAITING 1662 01:04:39,742 --> 01:04:44,890 ♪ HOME ♪ ♪ WHERE MY LOVE LIES WAITING SILENTLY FOR ME ♪ 1663 01:04:44,914 --> 01:04:49,495 ♪ WHERE MY LOVE LIES WAITING SILENTLY FOR ME ♪ ♪ SILENTLY FOR ME ♪ 1664 01:04:49,519 --> 01:04:51,497 SILENTLY FOR ME ♪ ♪ SILENTLY FOR ME ♪ MERRY CHRISTMAS. 1665 01:04:51,521 --> 01:04:53,788 ♪ SILENTLY FOR ME ♪ MERRY CHRISTMAS. [APPLAUSE] 1666 01:04:57,860 --> 01:05:02,396 [BAND PLAYS SOFTLY] [FEMALE SINGERS VOCALIZING] 1667 01:05:12,607 --> 01:05:19,781 MERRY CHRISTMAS, EVERYBODY. MERRY CHRISTMAS! [CHEERS AND APPLAUSE] 1668 01:06:03,926 --> 01:06:04,792 Announcer: THE MUPPETS ARE 1669 01:06:04,927 --> 01:06:06,327 FRANK OZ, JERRY NELSON, 1670 01:06:06,461 --> 01:06:08,329 ALICE DINNEAN, FRAN BRILL, 1671 01:06:08,463 --> 01:06:10,664 RICHARD HUNT, AND JIM HENSON. 1672 01:06:10,799 --> 01:06:13,167 THIS IS DON PARDO SAYING... 1673 01:06:13,301 --> 01:06:15,870 HO, HO, HO! 1674 01:06:16,004 --> 01:06:17,205 HERE'S ME PERFORMING... 1675 01:06:17,339 --> 01:06:19,340 UPSIDE DOWN. 179523