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>> Previously on
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Project Runway...
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>> For this challenge, you will
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be creating '70s-inspired
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separates.
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>> I lost my money.
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I cannot find my money
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anywhere.
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>> I'm not using this.
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This is four yards.
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>> My fellow designers are
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definitely helping Anya.
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>> Yeah, I got this.
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>> Just, like, hook this into it.
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>> I really would love to spend
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some more time with Bert.
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He's really a sweet man.
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>> Oh!
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>> I'm calling time.
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♪ ♪
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>> With $11, you made the pants.
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That is pretty impressive.
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>> Thank you.
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>> You are the winner of this
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challenge.
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>> Oh, my God.
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>> Let's see the butt.
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Aah!
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>> You have an edit problem.
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>> I would not want to be any of
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those girls.
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>> I think they look like two
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boring girls that are a part of
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a cult.
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>> Anthony Ryan...You're out.
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>> This...
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>> This...
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>> This...
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>> This...
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>> This is the search for the
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next big fashion designer.
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>> It's about style.
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>> Fashion.
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>> Attitude.
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>> Three finalists.
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>> And one winner.
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>> This is for real.
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>> Be good.
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>> Be great.
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>> This is Project Runway.
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The winner of Project Runway
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will receive $100,000 from
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L'Oreal Paris to start their own
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line...
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A fashion spread in Marie Claire
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magazine...
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A $50,000 technology suite from
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HP and Intel to enable their
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creativity and run their
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business, and the opportunity to
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design and sell an exclusive
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collection on Piperlime.com.
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The model paired with the winner
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of Project Runway will receive
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a fashion spread in Marie Claire
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magazine and $25,000 from
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L'Oreal Paris Studio Secrets
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Professional.
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Project Runway 9x11
This Is for the Birds
Original Air Date on October 6, 2011
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== sync, corrected by elderman ==
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>> Six of us left.
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Crazy.
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>> I am still standing
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strong to Anthony's dress.
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I liked it.
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>> Anthony Ryan leaving makes it
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very real.
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We're at the point where
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everyone is so good, it's every
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man, woman to herselfs.
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Himselfs, herselfs, both.
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Whatever.
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>> The way to deal with
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challenges like that is, really,
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you have to put it behind you.
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>> Well, it kind of shows you
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what Heidi says is true.
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One day you're in, and one day
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you're out in fashion.
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>> Somebody has to go, because I
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need to win this.
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The only one that probably could
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beat me is Joshua, but he has
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really bad editing techniques.
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I think that's gonna hurt him so
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bad.
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Let's see what Heidi has to
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say.
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And, of course, Tim.
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It's always a pleasure to see
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him.
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>> Okay.
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>> Bye, Atlas.
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>> Hello.
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Hi.
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>> We're getting very close to
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the end.
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The competition is getting very
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tough and we, as judges, have
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more of a difficult time every
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week.
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So make sure you bring your best
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to every challenge.
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For this one, we really want you
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to spread your wings.
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>> My wings are spread, girl.
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Okay? I'm just playing.
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>> We want you to elevate your
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designs to show us who really
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deserves to go to fashion week.
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Tim will meet you back at the
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work room to fill you in on all
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of the details.
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Good luck.
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And I'll see you all on
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the runway.
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Bye.
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Bye.
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>> Skydiving.
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>> Skydiving--I have no idea
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what that would have to do with
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fashion.
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Design a skydiving harness or
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a parachute or something?
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I don't know.
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>> Oh, my God.
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>> Oh, my goodness.
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>> Hello.
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>> Oh! Whoo whoo!
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>> Birds? Exotic birds.
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>> Tim!
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>> Oh, wow.
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>> No. Hmm-mm.
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I am a city girl.
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I like all wild animals...
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From a distance.
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>> Good morning, designers.
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Good morning, Tim.
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>> I am delighted to introduce
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you to Collier Strong,
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consulting makeup artist for
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L'Oreal, Paris.
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Collier is here to help you with
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your makeup and your overall
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look for this challenge.
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>> Okay.
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>> You may be wondering why we
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have birds among us.
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>> Yes.
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>> These birds will serve as the
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inspiration for a high-fashion
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runway look.
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And the winning design will be
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presented in a L'Oreal Paris
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advertorial featured in
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Marie Claire magazine.
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Wow.
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>> Wow is right.
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>> It's a great opportunity to
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get your name, your design in
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Marie Claire.
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It's a big prize.
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>> This advertorial will feature
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a limited edition 2011 color
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collection: Colors Take Flight.
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This collection is inspired by
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the world of birds.
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First, we have the cockatoo,
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which is a very soft, romantic
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color palate.
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Next, we have the owl, which is
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a much more rich deal.
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And then we have the Amazon,
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which is bright, bold, and
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playful.
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Lastly, we have the seductive
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and very stoic raven, which can
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be a very dramatic look.
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>> We wanna give you a little
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more incentive.
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The winner of this challenge
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will receive...
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$20,000 cash prize from L'Oreal
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Paris.
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>> What?
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>> You kidding me?
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I checked my big account, and
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I'm like negative bunny.
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How badly I could use $20,000
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right now...is unreal.
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>> That's a lot of money...
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That I want.
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Today.
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>> And for this challenge,
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you're going to be placed in
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pairs.
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>> I knew it.
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Oh, it's going to be rough
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to do this again.
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>> Quite frankly, I am over the
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team challenges.
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>> First pair, we have...
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Anya...and...
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Laura.
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>> Laura and I get along
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extremely well.
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She's helped me on several
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occasions at this point.
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>> Joshua and...
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Bert.
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>> Yay!
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>> We love each other.
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It's a lot better now.
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If this had happened a few weeks
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ago, I think one of us would
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have killed the bird.
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>> Our third pair, we have
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Viktor and Kimberly.
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>> Yay! You know, I like
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Kimberly.
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I think we could both make good
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work.
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>> Each pair is designing for a
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bird.
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We'll start with Anya and Laura.
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You're designing for...
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The raven.
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>> Oh, nice.
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>> Whose name is Phoenix.
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Joshua and Bert, you're
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designing for...
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The Amazon parrot, whose name is
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Sweetie.
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>> Sweetie.
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>> Kimberly and Viktor, you are
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designing for...
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Fortune.
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>> I feel great about working
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with Viktor.
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He is a great person all around.
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>> There is another component to
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this challenge.
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For this challenge, you're
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competing head to head.
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You're competing with each
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other.
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One of you will be on the top...
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One of you will be on the
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bottom.
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>> It's not friendly.
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It's against each other.
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>> Wow.
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>> I love Anya, but in this
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challenge, I won't help her
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because it is competition.
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>> You only have to worry about
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the other competitor.
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This is gonna push me to bring
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my A-game.
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>> You're going to have 30
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minutes to sketch.
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Then we're going shopping at
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Mood.
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You'll have a budget of $300.
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You have two days for this
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challenge.
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Collier will be consulting with
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you later about the makeup for
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this look.
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>> Enjoy the birds.
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>> Bye, ladies and gentlemen.
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>> What I consistently bring is
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a high fashion eye.
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I can bring an element that Bert
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won't even be able to think
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about.
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>> Wearable, wearable, wearable.
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Can I wear you...little birdy?
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I just wanted to make
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something that you would see in
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a couture show or Paris.
292
00:07:13,916 --> 00:07:15,015
I don't care if it's feathers.
293
00:07:15,050 --> 00:07:16,016
I have to do something that just
294
00:07:16,051 --> 00:07:17,484
looks cool.
295
00:07:17,520 --> 00:07:18,652
>> Green's not my favorite
296
00:07:18,687 --> 00:07:19,553
color.
297
00:07:19,588 --> 00:07:21,255
>> But he has so much color.
298
00:07:21,290 --> 00:07:22,656
>> Yeah, but it's a little
299
00:07:22,691 --> 00:07:23,657
carnival.
300
00:07:23,692 --> 00:07:24,691
>> This parrot does not inspire
301
00:07:24,727 --> 00:07:25,659
me at all.
302
00:07:25,694 --> 00:07:26,560
I just hate the green and the
303
00:07:26,595 --> 00:07:27,461
yellow.
304
00:07:27,496 --> 00:07:28,495
It's so dime store looking to
305
00:07:28,531 --> 00:07:29,363
me.
306
00:07:29,398 --> 00:07:30,397
But that is the challenge, so I
307
00:07:30,432 --> 00:07:33,300
have to work with it.
308
00:07:33,335 --> 00:07:35,035
>> Holy crap.
309
00:07:35,070 --> 00:07:37,604
I used a bird as my inspiration
310
00:07:37,640 --> 00:07:39,039
for the avant-garde challenge.
311
00:07:39,074 --> 00:07:41,742
I have a bigger challenge
312
00:07:41,777 --> 00:07:43,677
because I don't want to be
313
00:07:43,712 --> 00:07:44,745
repetitive.
314
00:07:44,780 --> 00:07:46,179
>> We need to say good-bye to
315
00:07:46,215 --> 00:07:47,314
the birds.
316
00:07:47,349 --> 00:07:50,050
And head off to Mood.
317
00:07:50,085 --> 00:07:52,486
>> Make it work, make it work.
318
00:07:52,521 --> 00:07:53,854
>> All right, designers, you
319
00:07:53,889 --> 00:07:55,222
have 30 minutes to shop.
320
00:07:55,257 --> 00:08:00,060
Your time starts now.
321
00:08:00,095 --> 00:08:02,663
>> Ooh, what are you?
322
00:08:06,901 --> 00:08:09,636
>> I am going to pick up nude
323
00:08:09,672 --> 00:08:12,205
chiffons, which I really don't
324
00:08:12,241 --> 00:08:14,074
usually work with, because the
325
00:08:14,109 --> 00:08:15,842
bird just seems to almost be
326
00:08:15,878 --> 00:08:17,077
nude.
327
00:08:17,112 --> 00:08:18,812
>> It's a raven, so it's really
328
00:08:18,847 --> 00:08:20,447
mostly black, but I definitely
329
00:08:20,482 --> 00:08:21,615
see some purples in it.
330
00:08:21,650 --> 00:08:24,051
I generally don't design in
331
00:08:24,086 --> 00:08:26,353
one color, so designing a solid
332
00:08:26,388 --> 00:08:28,255
look is definitely outside of my
333
00:08:28,290 --> 00:08:29,256
comfort zone.
334
00:08:29,291 --> 00:08:30,357
I'm gonna have to really push
335
00:08:30,392 --> 00:08:31,858
myself in this challenge.
336
00:08:31,894 --> 00:08:34,595
>> 15 minutes, everybody!
337
00:08:34,630 --> 00:08:35,862
Course, it's all Viktor ever
338
00:08:35,898 --> 00:08:37,264
needs to shop.
339
00:08:37,299 --> 00:08:39,166
>> Going to Carnivale, right?
340
00:08:39,201 --> 00:08:40,534
>> I need probably a stretch,
341
00:08:40,569 --> 00:08:41,535
since I want to make a pant,
342
00:08:41,570 --> 00:08:42,636
like a tight-fitted pant out of
343
00:08:42,671 --> 00:08:43,503
it.
344
00:08:43,539 --> 00:08:44,538
>> I'm gonna do pants.
345
00:08:44,573 --> 00:08:45,872
And then on top, I want to do a
346
00:08:45,908 --> 00:08:48,275
tailored coat out of organza.
347
00:08:48,310 --> 00:08:49,276
I feel like they're gonna
348
00:08:49,311 --> 00:08:50,510
expect, like, a gown covered in
349
00:08:50,546 --> 00:08:51,378
feathers.
350
00:08:51,413 --> 00:08:52,679
I'm not gonna do that.
351
00:08:52,715 --> 00:08:53,580
>> Let's take these.
352
00:08:53,616 --> 00:08:54,448
>> What about this?
353
00:08:54,483 --> 00:08:55,616
>> That's perfect.
354
00:08:55,651 --> 00:08:57,084
I was, ugh, embarrassed that
355
00:08:57,119 --> 00:08:58,352
i got the bold and bright
356
00:08:58,387 --> 00:09:00,087
colored bird, but at this point,
357
00:09:00,122 --> 00:09:01,922
I'm feelin' it.
358
00:09:01,957 --> 00:09:04,558
>> Designers, time is up.
359
00:09:04,593 --> 00:09:05,559
>> Here you go.
360
00:09:05,594 --> 00:09:06,426
>> Thank you, hon.
361
00:09:06,462 --> 00:09:09,896
>> Let's head back to Parsons.
362
00:09:09,932 --> 00:09:12,165
>> Where's my green scissors?
363
00:09:12,201 --> 00:09:13,367
>> Let me see your palate.
364
00:09:13,402 --> 00:09:15,369
Oh, okay.
365
00:09:15,404 --> 00:09:16,503
>> ♪ Oh, okay ♪
366
00:09:16,538 --> 00:09:17,537
Viktor Luna.
367
00:09:17,573 --> 00:09:20,207
He is a great designer.
368
00:09:20,242 --> 00:09:22,175
He is definitely a competitor
369
00:09:22,211 --> 00:09:23,944
I have to keep my eye on.
370
00:09:23,979 --> 00:09:25,312
>> Oh, look at the raven.
371
00:09:25,347 --> 00:09:27,714
>> Laura, she's really making an
372
00:09:27,750 --> 00:09:29,650
effort to go a little more edgy.
373
00:09:29,685 --> 00:09:32,653
My strategy is to be as
374
00:09:32,688 --> 00:09:35,555
different from Laura design-wise
375
00:09:35,591 --> 00:09:36,556
as possible.
376
00:09:36,592 --> 00:09:38,792
This is tough competition.
377
00:09:38,827 --> 00:09:39,960
>> I can't believe I'm competing
378
00:09:39,995 --> 00:09:40,927
against Anya.
379
00:09:40,963 --> 00:09:42,029
>> I know, it kind of makes it a
380
00:09:42,064 --> 00:09:43,563
little hard, because, you know,
381
00:09:43,599 --> 00:09:44,665
i like Kimberly a lot.
382
00:09:44,700 --> 00:09:45,799
I think she's a nice girl.
383
00:09:45,834 --> 00:09:47,501
Like, as much as she wants to
384
00:09:47,536 --> 00:09:48,902
take me out...
385
00:09:48,937 --> 00:09:50,570
It ain't gonna happen.
386
00:09:50,606 --> 00:09:52,039
Just being honest.
387
00:09:52,074 --> 00:09:53,206
I like Kimberly, but her
388
00:09:53,242 --> 00:09:54,675
designs, they're not elevated.
389
00:09:54,710 --> 00:09:56,343
They don't have the polish.
390
00:09:56,378 --> 00:09:58,311
We'll see who wins.
391
00:10:04,652 --> 00:10:05,485
>> Pretty bird.
392
00:10:05,521 --> 00:10:06,520
>> I hate this bird.
393
00:10:06,555 --> 00:10:07,487
It's just not me at
394
00:10:07,523 --> 00:10:10,157
all, this green.
395
00:10:10,192 --> 00:10:11,925
>> Yeah, like the birds.
396
00:10:11,960 --> 00:10:12,926
>> Oh, my God.
397
00:10:12,961 --> 00:10:14,461
Work the [bleep] out of it.
398
00:10:14,496 --> 00:10:15,495
This is like saying, "hello,
399
00:10:15,531 --> 00:10:16,863
sexy.com."
400
00:10:16,899 --> 00:10:17,898
I love it.
401
00:10:17,933 --> 00:10:19,966
My first look is a very
402
00:10:20,002 --> 00:10:21,334
beautiful gown.
403
00:10:21,370 --> 00:10:23,303
Kind of pleated, very Roman.
404
00:10:23,338 --> 00:10:25,172
But with a lot of feathers.
405
00:10:25,207 --> 00:10:26,873
All the feathers are done
406
00:10:26,909 --> 00:10:28,175
individually by hand.
407
00:10:28,210 --> 00:10:29,943
I have to shred the organza to
408
00:10:29,978 --> 00:10:31,645
make them look very airy and
409
00:10:31,680 --> 00:10:32,612
moveable.
410
00:10:32,648 --> 00:10:33,613
It's really time consuming, but
411
00:10:33,649 --> 00:10:35,849
I think the effect is gonna be
412
00:10:35,884 --> 00:10:37,050
glam-azing.
413
00:10:42,056 --> 00:10:44,324
>> All right, designers.
414
00:10:44,359 --> 00:10:46,026
As you know, the fashion
415
00:10:46,061 --> 00:10:47,594
industry is fiercely
416
00:10:47,629 --> 00:10:49,196
competitive.
417
00:10:49,231 --> 00:10:50,564
Project Runway is fiercely
418
00:10:50,599 --> 00:10:52,966
competitive.
419
00:10:53,001 --> 00:10:55,602
So...there is another dimension
420
00:10:55,637 --> 00:10:58,338
to this challenge.
421
00:10:58,373 --> 00:10:59,406
>> Coming up on
422
00:10:59,441 --> 00:11:00,307
Project Runway...
423
00:11:00,342 --> 00:11:01,641
>> Oh, my gosh.
424
00:11:01,677 --> 00:11:03,543
>> We don't need this right now.
425
00:11:03,579 --> 00:11:05,145
>> It's a lot of work.
426
00:11:05,180 --> 00:11:06,713
>> Aah! Aah!
427
00:11:06,749 --> 00:11:08,148
>> I feel like I'm seeing her
428
00:11:08,183 --> 00:11:09,850
unraveling right before my eyes.
429
00:11:15,819 --> 00:11:17,920
>> You have launched into the
430
00:11:17,955 --> 00:11:21,623
execution of your design work.
431
00:11:21,659 --> 00:11:24,059
You certainly have your eye on
432
00:11:24,095 --> 00:11:26,628
your competitor.
433
00:11:26,664 --> 00:11:29,465
So you are designing a second
434
00:11:29,500 --> 00:11:32,434
high-fashion look inspired by
435
00:11:32,470 --> 00:11:33,435
your bird.
436
00:11:33,471 --> 00:11:36,205
>> Oh, Tim, no, no, no.
437
00:11:36,240 --> 00:11:37,940
We don't need this right now.
438
00:11:37,975 --> 00:11:39,575
>> You will have 30 minutes to
439
00:11:39,610 --> 00:11:41,176
sketch, right now.
440
00:11:41,212 --> 00:11:42,277
Then we're going shopping at
441
00:11:42,313 --> 00:11:44,246
Mood again with a budget of
442
00:11:44,281 --> 00:11:45,447
$300.
443
00:11:45,483 --> 00:11:47,750
And your model will wear both
444
00:11:47,785 --> 00:11:49,118
looks on the runway.
445
00:11:49,153 --> 00:11:50,119
So we will have a change.
446
00:11:50,154 --> 00:11:51,120
>> Okay.
447
00:11:51,155 --> 00:11:52,154
>> Oh, my God.
448
00:11:52,189 --> 00:11:54,289
The thought of sizing again
449
00:11:54,325 --> 00:11:55,791
where we were, like, ten hours
450
00:11:55,826 --> 00:11:56,825
ago, I don't where the
451
00:11:56,861 --> 00:11:58,460
inspiration's gonna come from.
452
00:11:58,496 --> 00:11:59,561
>> All right, 30 minutes to
453
00:11:59,597 --> 00:12:00,929
sketch, and I will be back.
454
00:12:00,965 --> 00:12:02,798
Second look, everybody.
455
00:12:02,833 --> 00:12:04,466
>> Oh, my gosh.
456
00:12:04,502 --> 00:12:05,667
>> We haven't got the first one
457
00:12:05,703 --> 00:12:06,568
yet.
458
00:12:06,604 --> 00:12:08,470
>> It's a lot of work.
459
00:12:08,506 --> 00:12:10,472
And I've basically thrown myself
460
00:12:10,508 --> 00:12:13,709
100% into this first look, so
461
00:12:13,744 --> 00:12:15,144
now what in the world am I going
462
00:12:15,179 --> 00:12:17,146
to do for a second high-fashion
463
00:12:17,181 --> 00:12:20,015
look?
464
00:12:20,050 --> 00:12:21,517
>> We are competing directly
465
00:12:21,552 --> 00:12:23,185
against one of the remaining
466
00:12:23,220 --> 00:12:24,019
designers.
467
00:12:24,054 --> 00:12:25,721
Mine happens to be Anya.
468
00:12:25,756 --> 00:12:26,989
>> Where's the raven?
469
00:12:27,024 --> 00:12:28,257
Where is it?
470
00:12:28,292 --> 00:12:29,958
I want to challenge myself.
471
00:12:29,994 --> 00:12:32,194
Come out of the comfort zone.
472
00:12:32,229 --> 00:12:35,664
>> So I decide to do a very,
473
00:12:35,699 --> 00:12:37,166
very different piece for me.
474
00:12:37,201 --> 00:12:38,500
Meaning that it's very
475
00:12:38,536 --> 00:12:40,102
structured, it's very solid,
476
00:12:40,137 --> 00:12:41,270
it's just black.
477
00:12:41,305 --> 00:12:42,504
>> This damn bird.
478
00:12:43,541 --> 00:12:45,174
>> Oh, my God, Bert.
479
00:12:45,209 --> 00:12:46,942
>> I'm gonna design my look.
480
00:12:46,977 --> 00:12:48,143
It's gonna be high fashion.
481
00:12:48,179 --> 00:12:49,111
It's gonna be relating to the
482
00:12:49,146 --> 00:12:50,746
first one and the color palate.
483
00:12:50,781 --> 00:12:51,814
But it's going to be something
484
00:12:51,849 --> 00:12:53,215
that I can accomplish in the
485
00:12:53,250 --> 00:12:54,817
timeframe.
486
00:12:54,852 --> 00:12:56,084
>> All right, designers.
487
00:12:56,120 --> 00:12:57,820
Let's head off to Mood.
488
00:13:02,625 --> 00:13:03,659
>> You know, maybe I need to
489
00:13:03,694 --> 00:13:04,626
branch out.
490
00:13:04,662 --> 00:13:05,828
I always close my eyes and feel
491
00:13:05,863 --> 00:13:07,062
the fabrics, because they kind
492
00:13:07,097 --> 00:13:09,164
of can give me a design idea.
493
00:13:09,200 --> 00:13:10,165
>> Hey, Tim.
494
00:13:10,201 --> 00:13:10,999
>> Yeah?
495
00:13:11,035 --> 00:13:12,167
>> That bird really doesn't have
496
00:13:12,203 --> 00:13:13,335
this purple in it.
497
00:13:13,370 --> 00:13:14,269
>> So what?
498
00:13:14,305 --> 00:13:15,304
>> Do you think I should maybe--
499
00:13:15,339 --> 00:13:16,772
>> Inspired. Inspired.
500
00:13:16,807 --> 00:13:17,806
You don't have to be literal.
501
00:13:17,842 --> 00:13:18,941
>> Where would gray be?
502
00:13:18,976 --> 00:13:20,008
Like this color.
503
00:13:20,044 --> 00:13:20,876
>> Ooh, yeah, yeah, yeah.
504
00:13:20,911 --> 00:13:23,045
My idea is to get tons and
505
00:13:23,080 --> 00:13:25,514
tons and tons of velvet ribbon.
506
00:13:25,549 --> 00:13:27,616
And actually weave it, twirl it,
507
00:13:27,651 --> 00:13:29,284
and make this entire pattern all
508
00:13:29,320 --> 00:13:34,590
over this dress.
509
00:13:34,625 --> 00:13:38,627
>> Oh, man.
510
00:13:38,662 --> 00:13:39,928
>> One minute, everybody.
511
00:13:39,964 --> 00:13:41,163
>> That's fine, it doesn't have
512
00:13:41,198 --> 00:13:42,331
to be perfect--it's fine.
513
00:13:42,366 --> 00:13:44,967
Perfect.
514
00:13:45,002 --> 00:13:46,635
>> I'm actually really excited
515
00:13:46,670 --> 00:13:47,369
for the second look.
516
00:13:47,404 --> 00:13:48,403
I just hope we have enough
517
00:13:48,439 --> 00:13:49,271
time.
518
00:13:49,306 --> 00:13:50,239
>> I know, that's the only
519
00:13:50,274 --> 00:13:51,073
thing.
520
00:13:51,108 --> 00:13:52,774
>> Time is a big concern.
521
00:13:52,810 --> 00:13:54,076
A big concern.
522
00:13:54,111 --> 00:13:55,177
>> I would totally wear a dress
523
00:13:55,212 --> 00:13:56,011
like this.
524
00:13:56,046 --> 00:13:57,012
>> It's so pretty, huh?
525
00:13:57,047 --> 00:13:58,480
It's in the curtain section.
526
00:13:58,515 --> 00:13:59,448
>> It's gorgeous.
527
00:13:59,483 --> 00:14:00,315
I would wear this.
528
00:14:00,351 --> 00:14:01,250
>> Even though we both wanna be
529
00:14:01,285 --> 00:14:02,751
friendly and...
530
00:14:02,786 --> 00:14:03,652
>> We'll just switch.
531
00:14:03,687 --> 00:14:04,953
>> We're pitted against each
532
00:14:04,989 --> 00:14:06,488
other, so it's like you can't
533
00:14:06,523 --> 00:14:07,956
win, really.
534
00:14:07,992 --> 00:14:09,124
>> Oh, this is gonna be so much
535
00:14:09,159 --> 00:14:11,126
work, so much work.
536
00:14:11,161 --> 00:14:12,661
Anya's gonna bring great design
537
00:14:12,696 --> 00:14:14,096
to this challenge, and I know
538
00:14:14,131 --> 00:14:15,030
that.
539
00:14:15,065 --> 00:14:16,298
All I can really do is try to
540
00:14:16,333 --> 00:14:17,466
top it with the fact that I can
541
00:14:17,501 --> 00:14:19,301
tailor, so, you know, at a
542
00:14:19,336 --> 00:14:22,771
higher level.
543
00:14:22,806 --> 00:14:23,872
>> This needs to be like a
544
00:14:23,908 --> 00:14:26,275
three-day challenge.
545
00:14:26,310 --> 00:14:27,876
>> Construction-wise, Viktor has
546
00:14:27,912 --> 00:14:29,344
the advantage over me.
547
00:14:29,380 --> 00:14:30,679
I'm just doing this thing as I
548
00:14:30,714 --> 00:14:32,147
go, pretty much.
549
00:14:32,182 --> 00:14:35,584
So it's a bit intimidating.
550
00:14:39,389 --> 00:14:40,956
>> Having Josh as my team
551
00:14:40,991 --> 00:14:42,190
member, which I have to compete
552
00:14:42,226 --> 00:14:43,191
against, I think maybe it's
553
00:14:43,227 --> 00:14:44,359
gonna benefit me, 'cause we are
554
00:14:44,395 --> 00:14:45,427
so different.
555
00:14:45,462 --> 00:14:46,662
They'll either love his look or
556
00:14:46,697 --> 00:14:47,496
they'll love my look.
557
00:14:47,531 --> 00:14:48,664
>> Nice little buckle.
558
00:14:48,699 --> 00:14:49,431
>> Ain't it cute?
559
00:14:49,466 --> 00:14:50,966
My first little hot glue gun
560
00:14:51,001 --> 00:14:51,800
project.
561
00:14:51,835 --> 00:14:52,834
>> You're getting a little too
562
00:14:52,870 --> 00:14:53,702
creative on me here.
563
00:14:53,737 --> 00:14:55,671
>> I know. Ka-bling.
564
00:14:55,706 --> 00:14:57,005
>> I got my eye on Bert.
565
00:14:57,041 --> 00:14:58,140
I'm watchin'.
566
00:14:58,175 --> 00:15:00,275
>> Mm...Hmm.
567
00:15:00,311 --> 00:15:01,944
>> All right, everyone.
568
00:15:01,979 --> 00:15:03,211
Let's go! Come on!
569
00:15:03,247 --> 00:15:04,680
>> The end of the first workday,
570
00:15:04,715 --> 00:15:06,648
and there's a lot left to do.
571
00:15:06,717 --> 00:15:07,683
I don't think anybody has
572
00:15:07,718 --> 00:15:08,684
started their second look.
573
00:15:08,719 --> 00:15:09,918
>> Let's go, peeps.
574
00:15:19,395 --> 00:15:20,696
>> You're not going today?
575
00:15:20,731 --> 00:15:21,797
>> Hmm?
576
00:15:21,832 --> 00:15:22,731
>> You're not gonna go today?
577
00:15:22,766 --> 00:15:23,799
>> No, think I'm gonna take a
578
00:15:23,834 --> 00:15:24,666
sick day.
579
00:15:25,703 --> 00:15:27,736
>> Call in sick.
580
00:15:27,771 --> 00:15:28,670
>> Laura, you have a lot more
581
00:15:28,706 --> 00:15:30,038
work to do on the first one?
582
00:15:30,074 --> 00:15:31,473
>> I just need to figure out the
583
00:15:31,508 --> 00:15:33,442
sleeve and then the collar, and
584
00:15:33,477 --> 00:15:34,743
it's pretty much done.
585
00:15:34,778 --> 00:15:36,645
>> I'm not even 50% done on the
586
00:15:36,680 --> 00:15:38,180
first one, so...
587
00:15:38,215 --> 00:15:39,648
I don't know what's gonna
588
00:15:39,683 --> 00:15:40,749
happen.
589
00:15:40,784 --> 00:15:42,451
>> With your competition of
590
00:15:42,486 --> 00:15:43,652
Kimberly, it's like she chose
591
00:15:43,687 --> 00:15:44,720
fabrics that I'm, like, if
592
00:15:44,755 --> 00:15:45,954
you've never worked with them,
593
00:15:45,990 --> 00:15:47,322
your execution is gonna look
594
00:15:47,358 --> 00:15:48,357
like crap.
595
00:15:48,392 --> 00:15:49,424
>> She best not get the $20,000.
596
00:15:49,460 --> 00:15:50,692
>> That's mine.
597
00:15:50,728 --> 00:15:51,960
>> All right, let's go to
598
00:15:51,996 --> 00:15:53,195
Parsons.
599
00:15:53,230 --> 00:15:55,263
>> It's gonna be a long day.
600
00:15:55,299 --> 00:15:57,366
Two dresses to finish.
601
00:16:03,606 --> 00:16:04,940
>> Here we go again.
602
00:16:04,975 --> 00:16:11,847
Let's do this.
603
00:16:11,882 --> 00:16:13,949
>> Just go down.
604
00:16:13,984 --> 00:16:14,883
Go down!
605
00:16:14,918 --> 00:16:15,751
>> You need help?
606
00:16:15,786 --> 00:16:17,185
>> Yes.
607
00:16:17,221 --> 00:16:19,588
Thank you.
608
00:16:19,623 --> 00:16:20,589
>> As I start to work on my
609
00:16:20,624 --> 00:16:23,125
first look, I just become very
610
00:16:23,160 --> 00:16:25,260
frustrated with how it's not
611
00:16:25,295 --> 00:16:26,762
working in the way that I
612
00:16:26,797 --> 00:16:27,863
thought it would.
613
00:16:27,898 --> 00:16:31,366
Could verge on just bad.
614
00:16:31,402 --> 00:16:32,768
>> Put it on your dress form, so
615
00:16:32,803 --> 00:16:33,802
we can see what it is.
616
00:16:33,837 --> 00:16:35,771
I wanna see how it looks.
617
00:16:35,806 --> 00:16:36,605
>> It's not ready yet.
618
00:16:36,640 --> 00:16:37,973
>> I can't really tell what
619
00:16:38,008 --> 00:16:39,541
Kim's doing quite yet.
620
00:16:39,576 --> 00:16:40,976
The ideas are, I think, still
621
00:16:41,011 --> 00:16:42,010
forming.
622
00:16:42,046 --> 00:16:43,445
There isn't as much pinned on
623
00:16:43,480 --> 00:16:45,013
her form as everybody else.
624
00:16:45,049 --> 00:16:45,981
I know she's working with
625
00:16:46,016 --> 00:16:47,215
fabrics that she's uncomfortable
626
00:16:47,251 --> 00:16:48,016
with.
627
00:16:48,052 --> 00:16:49,404
>> Oh, my God, it's a cockroach.
628
00:16:49,405 --> 00:16:50,671
>> A cock-a-roach?
629
00:16:50,707 --> 00:16:51,639
>> Where?!
630
00:16:51,674 --> 00:16:52,840
>> Look how big it is.
631
00:16:52,876 --> 00:16:54,242
>> Where, people?
632
00:16:54,277 --> 00:16:55,910
Aah! Aah!
633
00:16:55,945 --> 00:16:57,311
Oh, my goodness, it's running
634
00:16:57,347 --> 00:16:58,212
my clothes!
635
00:16:58,248 --> 00:16:59,647
My bag, it's going in my bag!
636
00:16:59,682 --> 00:17:00,615
>> Ooh!
637
00:17:00,650 --> 00:17:01,649
>> Ooh, there it is.
638
00:17:01,684 --> 00:17:02,717
Get it, get it, get it, get it.
639
00:17:02,752 --> 00:17:03,885
Aah!
640
00:17:03,920 --> 00:17:04,752
>> Ooh!
641
00:17:04,787 --> 00:17:05,620
>> Get it! Yes!
642
00:17:05,655 --> 00:17:06,621
>> Anya, that was like
643
00:17:06,656 --> 00:17:07,622
Lara Croft: Tomb Raider type
644
00:17:08,691 --> 00:17:09,657
>> Yeah, it's me against the
645
00:17:09,692 --> 00:17:10,825
cockroach.
646
00:17:16,031 --> 00:17:17,798
>> Good morning, designers.
647
00:17:17,834 --> 00:17:18,699
Hi.
648
00:17:18,735 --> 00:17:21,469
>> Collier is here to begin your
649
00:17:21,504 --> 00:17:23,237
makeup consultations for your
650
00:17:23,273 --> 00:17:24,906
runway look for this challenge.
651
00:17:24,941 --> 00:17:25,907
>> Very exciting.
652
00:17:25,942 --> 00:17:27,108
>> There we go.
653
00:17:27,143 --> 00:17:28,843
Hey he-hey hey.
654
00:17:28,878 --> 00:17:29,744
>> Hi, Collier.
655
00:17:29,779 --> 00:17:30,645
So I kind of wanted to give her
656
00:17:30,680 --> 00:17:32,613
like a really fresh face.
657
00:17:32,649 --> 00:17:33,581
>> Uh-huh, very soft, like
658
00:17:33,650 --> 00:17:34,448
monochromatic.
659
00:17:34,484 --> 00:17:35,316
>> Yes.
660
00:17:35,351 --> 00:17:36,150
>> Yeah.
661
00:17:36,185 --> 00:17:37,051
>> Is that a blush that goes
662
00:17:37,086 --> 00:17:38,119
with the eye shadow concept?
663
00:17:38,154 --> 00:17:38,986
Cool, yeah.
664
00:17:39,022 --> 00:17:40,388
So there's a whole line, even in
665
00:17:40,423 --> 00:17:41,722
lipstick too?
666
00:17:41,758 --> 00:17:43,291
>> Mm-hmm. Like that?
667
00:17:43,326 --> 00:17:44,125
>> I love it.
668
00:17:44,160 --> 00:17:45,626
Yay!
669
00:17:45,662 --> 00:17:47,228
>> And we want to use a bold
670
00:17:47,263 --> 00:17:48,396
application.
671
00:17:48,431 --> 00:17:49,397
>> That's great.
672
00:17:49,432 --> 00:17:50,431
Now, what was your thought on
673
00:17:50,466 --> 00:17:52,767
just dabbing a little streak of
674
00:17:52,802 --> 00:17:53,901
the purple through there?
675
00:17:53,937 --> 00:17:54,936
>> I think it's too much.
676
00:17:54,971 --> 00:17:55,970
>> Too much? Okay.
677
00:17:56,005 --> 00:17:57,171
>> Step away from the
678
00:17:57,206 --> 00:17:58,039
purple.
679
00:17:58,074 --> 00:17:59,640
>> That's what they say to me.
680
00:17:59,676 --> 00:18:00,841
>> I'm using these four colors.
681
00:18:00,877 --> 00:18:01,842
>> Beautiful. I think just
682
00:18:01,878 --> 00:18:03,945
washes of the color on the eye,
683
00:18:03,980 --> 00:18:05,613
so that actually the makeup will
684
00:18:05,648 --> 00:18:06,981
play the part of the bird.
685
00:18:07,016 --> 00:18:08,115
It's gorgeous.
686
00:18:08,151 --> 00:18:09,617
I think if we really primarily
687
00:18:09,652 --> 00:18:10,651
focus on that...
688
00:18:10,687 --> 00:18:11,619
>> Exactly.
689
00:18:11,654 --> 00:18:12,620
>> And then we can use a little
690
00:18:12,655 --> 00:18:13,621
bit of silver as a highlight
691
00:18:13,656 --> 00:18:15,122
inside the corners to brighten
692
00:18:15,158 --> 00:18:17,258
it so that it's not a black eye.
693
00:18:17,293 --> 00:18:18,626
>> Oh, they look stunning.
694
00:18:18,661 --> 00:18:19,760
>> I wanted to pretty much to
695
00:18:19,796 --> 00:18:21,162
keep her lip the same tone.
696
00:18:21,197 --> 00:18:22,263
>> This color is a beautiful,
697
00:18:22,298 --> 00:18:23,297
perfect nude.
698
00:18:23,333 --> 00:18:24,365
It's actually lighter than her
699
00:18:24,400 --> 00:18:25,232
color.
700
00:18:25,268 --> 00:18:26,100
>> Than her lip, love that.
701
00:18:26,135 --> 00:18:27,101
And then just gloss it out.
702
00:18:27,136 --> 00:18:28,235
That was easy.
703
00:18:28,271 --> 00:18:29,470
>> The colors are obviously very
704
00:18:29,505 --> 00:18:31,272
much like the cockatoo.
705
00:18:31,307 --> 00:18:33,107
>> We'll do a darker eye.
706
00:18:33,142 --> 00:18:34,675
It's gonna be a nice contrast to
707
00:18:34,711 --> 00:18:36,143
the romantic quality of the
708
00:18:36,179 --> 00:18:36,978
gown.
709
00:18:37,013 --> 00:18:37,912
>> Yes.
710
00:18:37,947 --> 00:18:38,713
>> That is perfect.
711
00:18:38,748 --> 00:18:39,647
>> Love it.
712
00:18:39,682 --> 00:18:40,681
>> Good.
713
00:18:40,717 --> 00:18:42,083
Whoo!
714
00:18:42,118 --> 00:18:43,417
Neckline.
715
00:18:43,453 --> 00:18:44,251
>> Bert.
716
00:18:44,287 --> 00:18:45,186
Bert, Bert, Bert, Bert.
717
00:18:45,221 --> 00:18:46,020
Bert.
718
00:18:46,055 --> 00:18:47,188
>> Let me know if I start
719
00:18:47,223 --> 00:18:48,022
annoying you all.
720
00:18:48,925 --> 00:18:50,024
>> Now we're just immune to it.
721
00:18:50,059 --> 00:18:50,958
>> Yeah, now it's just like,
722
00:18:50,994 --> 00:18:51,792
"oh, it's Bert."
723
00:18:51,828 --> 00:18:52,693
>> Now we actually enjoy.
724
00:18:52,729 --> 00:18:53,661
>> Yeah.
725
00:18:53,696 --> 00:18:54,729
>> Yeah.
726
00:18:54,764 --> 00:18:55,730
A lot of the challenges for me
727
00:18:55,765 --> 00:18:56,897
were sort of--they didn't get me
728
00:18:56,933 --> 00:18:58,499
that early on.
729
00:18:58,534 --> 00:18:59,667
Everybody seems to be enjoying
730
00:18:59,702 --> 00:19:00,668
my company now.
731
00:19:00,703 --> 00:19:01,869
So that's great, 'cause we don't
732
00:19:01,904 --> 00:19:03,270
have this angst going on.
733
00:19:03,306 --> 00:19:04,772
>> I like your jacket, Laura.
734
00:19:04,807 --> 00:19:05,706
>> Thank you.
735
00:19:05,742 --> 00:19:07,008
My collar's gonna be, like,
736
00:19:07,043 --> 00:19:08,676
scalloped, purple and leather.
737
00:19:08,711 --> 00:19:09,710
>> Be really cute.
738
00:19:09,746 --> 00:19:10,878
>> You're supposed to not be
739
00:19:10,913 --> 00:19:12,179
taking sides.
740
00:19:12,215 --> 00:19:13,447
>> Oh, I see what you're saying.
741
00:19:13,483 --> 00:19:15,249
I hate it! It's ugly!
742
00:19:15,284 --> 00:19:17,184
Jeez, stop paying me to say
743
00:19:17,220 --> 00:19:19,020
that.
744
00:19:19,055 --> 00:19:20,187
>> Oh, shoot.
745
00:19:20,223 --> 00:19:21,689
Anybody have any tricks on
746
00:19:21,724 --> 00:19:23,024
getting stains out of this
747
00:19:23,059 --> 00:19:24,158
light-colored fabric?
748
00:19:24,193 --> 00:19:25,126
>> Stains?
749
00:19:25,161 --> 00:19:26,394
>> You got stain in your fabric?
750
00:19:26,429 --> 00:19:27,395
>> Yep.
751
00:19:27,430 --> 00:19:29,430
>> Uh-uh.
752
00:19:29,465 --> 00:19:31,065
>> Ay yi yi.
753
00:19:31,100 --> 00:19:32,700
People, work with me.
754
00:19:32,735 --> 00:19:33,768
Work with me.
755
00:19:33,803 --> 00:19:35,870
Things are not working out, no.
756
00:19:35,905 --> 00:19:38,773
I am behind on time, and I have
757
00:19:38,808 --> 00:19:40,474
no clear direction on what I'm
758
00:19:40,510 --> 00:19:41,442
doing with either of these
759
00:19:41,477 --> 00:19:42,343
looks.
760
00:19:42,378 --> 00:19:43,744
I just think I made it worse.
761
00:19:43,780 --> 00:19:45,379
>> I am really frustrated at
762
00:19:45,415 --> 00:19:46,313
this point.
763
00:19:46,349 --> 00:19:47,715
Just beyond--
764
00:19:47,750 --> 00:19:48,849
>> Oh, my goodness.
765
00:19:48,885 --> 00:19:50,718
Stains all over this thing.
766
00:19:50,753 --> 00:19:52,053
>> This just looks a mess, this
767
00:19:52,088 --> 00:19:53,487
frickin' dress already.
768
00:19:53,523 --> 00:19:54,588
It's a mess.
769
00:20:00,796 --> 00:20:03,097
>> My solution to getting my
770
00:20:03,132 --> 00:20:05,199
mind off my first look, I reach
771
00:20:05,234 --> 00:20:06,734
into the new bag for my second
772
00:20:06,769 --> 00:20:08,402
trip to Mood, and look at the
773
00:20:08,438 --> 00:20:09,270
fabrics.
774
00:20:09,305 --> 00:20:10,838
I keep saying to myself, "think
775
00:20:10,873 --> 00:20:13,441
Amazon, think beauty."
776
00:20:13,476 --> 00:20:15,509
And this orange is speaking
777
00:20:15,545 --> 00:20:17,111
volumes to me right now.
778
00:20:20,983 --> 00:20:22,149
>> How you doing, Kim?
779
00:20:22,185 --> 00:20:24,318
>> Okay.
780
00:20:24,353 --> 00:20:25,619
Thank you.
781
00:20:25,655 --> 00:20:26,620
>> It's like, it's not the
782
00:20:26,656 --> 00:20:28,255
challenge to lose it on.
783
00:20:28,291 --> 00:20:29,824
>> Right?
784
00:20:29,859 --> 00:20:31,826
And I have to step it up.
785
00:20:31,861 --> 00:20:34,061
>> We all do, that's the thing.
786
00:20:34,097 --> 00:20:35,896
>> Yeah, I know.
787
00:20:35,932 --> 00:20:38,599
I'm pretty concerned that my
788
00:20:38,634 --> 00:20:40,801
looks are not going to be
789
00:20:40,837 --> 00:20:43,104
polished and finished as I need
790
00:20:43,139 --> 00:20:45,272
them to be going up against
791
00:20:45,308 --> 00:20:46,240
Viktor.
792
00:20:46,275 --> 00:20:47,608
I don't know if I can do it.
793
00:20:47,643 --> 00:20:48,943
>> Maybe when it's really tight
794
00:20:48,978 --> 00:20:50,811
on her, it might look good.
795
00:20:50,847 --> 00:20:51,579
>> Yeah.
796
00:20:51,614 --> 00:20:52,480
>> You know what I mean?
797
00:20:52,515 --> 00:20:53,614
>> It's good that she's pushed
798
00:20:53,649 --> 00:20:54,882
herself, because, I mean, I know
799
00:20:54,917 --> 00:20:55,816
that this is not...
800
00:20:55,852 --> 00:20:56,817
>> Her--
801
00:20:56,853 --> 00:20:57,818
>> Easy for her, you know?
802
00:20:57,854 --> 00:20:58,586
>> Yeah, no, no.
803
00:20:58,621 --> 00:20:59,820
>> You have tons of experience.
804
00:20:59,856 --> 00:21:01,088
Whereas Kim has, like, told
805
00:21:01,124 --> 00:21:03,090
herself how to sew, you know?
806
00:21:03,126 --> 00:21:05,126
I hope she gets it done.
807
00:21:05,161 --> 00:21:06,827
Her looks are just very--
808
00:21:06,863 --> 00:21:07,828
they just look like they're
809
00:21:07,864 --> 00:21:08,596
struggling.
810
00:21:08,631 --> 00:21:09,597
Like, the looks she has on her
811
00:21:09,632 --> 00:21:10,598
dress forms seem like a
812
00:21:10,633 --> 00:21:12,099
reflection of where she is at
813
00:21:12,135 --> 00:21:13,834
the moment, emotionally.
814
00:21:18,673 --> 00:21:20,107
>> I'm sewing the second look,
815
00:21:20,143 --> 00:21:21,142
which is full of all this big
816
00:21:21,177 --> 00:21:22,143
tulle.
817
00:21:22,178 --> 00:21:23,844
And my foot hits the pedal...
818
00:21:25,014 --> 00:21:26,547
Ow! You son of--ah!
819
00:21:26,582 --> 00:21:28,983
And the sewing needle goes
820
00:21:29,018 --> 00:21:30,885
directly through my finger.
821
00:21:30,920 --> 00:21:35,856
And then there was blood.
822
00:21:37,360 --> 00:21:39,960
Ay yi yi yi yi.
823
00:21:39,996 --> 00:21:43,597
I cannot do it.
824
00:21:43,633 --> 00:21:45,032
>> What's wrong?
825
00:21:45,067 --> 00:21:45,900
>> I sawed through my finger.
826
00:21:45,935 --> 00:21:46,867
>> You sawed through your
827
00:21:46,903 --> 00:21:47,868
finger?
828
00:21:47,904 --> 00:21:48,636
>> Yeah.
829
00:21:48,671 --> 00:21:50,204
It's not that big of a deal.
830
00:21:50,239 --> 00:21:51,472
It really is not.
831
00:21:51,507 --> 00:21:53,040
I'm having a bad day to begin
832
00:21:53,075 --> 00:21:54,375
with.
833
00:21:54,410 --> 00:21:57,144
I'm so built up with emotions of
834
00:21:57,180 --> 00:21:58,445
the day.
835
00:21:58,481 --> 00:22:00,848
It's just--it's just stress.
836
00:22:00,883 --> 00:22:04,852
Oh, my goodness gracious.
837
00:22:04,887 --> 00:22:06,253
>> I'm really concerned about
838
00:22:06,289 --> 00:22:07,454
her, because it's been rough for
839
00:22:07,490 --> 00:22:08,355
her today.
840
00:22:08,391 --> 00:22:09,657
I feel like I'm seeing her
841
00:22:09,692 --> 00:22:11,425
emotional stages unraveling
842
00:22:11,460 --> 00:22:13,327
right before my eyes.
843
00:22:21,037 --> 00:22:21,835
>> Coming up on
844
00:22:21,871 --> 00:22:22,870
Project Runway...
845
00:22:22,905 --> 00:22:25,673
>> $20,000.
846
00:22:25,708 --> 00:22:27,141
>> We can tell you've only sewed
847
00:22:27,176 --> 00:22:28,008
for four months.
848
00:22:28,044 --> 00:22:29,643
>> You need to ditch it.
849
00:22:38,895 --> 00:22:39,727
>> Did she just run to the
850
00:22:39,763 --> 00:22:40,562
bathroom?
851
00:22:40,597 --> 00:22:42,297
>> Yeah, like, really upset.
852
00:22:49,305 --> 00:22:50,104
>> Kim? Kim?
853
00:22:50,140 --> 00:22:50,939
>> Mm-hmm?
854
00:22:50,974 --> 00:22:51,873
>> Can we come in?
855
00:22:51,908 --> 00:22:53,908
>> Mm-hmm.
856
00:22:53,944 --> 00:22:55,977
>> Or do you want us to go?
857
00:22:56,012 --> 00:22:57,278
>> Yeah, right.
858
00:22:57,314 --> 00:23:02,483
I'm coming out.
859
00:23:06,956 --> 00:23:08,790
>> This is one of those moments
860
00:23:08,825 --> 00:23:10,792
where I just have to find a way
861
00:23:10,827 --> 00:23:15,597
to muster up and pull through.
862
00:23:15,632 --> 00:23:17,599
It just--it mirrors my life in
863
00:23:17,634 --> 00:23:18,967
the things that I have gone
864
00:23:19,002 --> 00:23:20,802
through.
865
00:23:20,837 --> 00:23:23,104
I lost my mom when I was 17,
866
00:23:23,139 --> 00:23:24,939
and it's been hard just being a
867
00:23:24,975 --> 00:23:26,641
young girl, um...
868
00:23:26,676 --> 00:23:27,976
You know, growing up without a
869
00:23:28,011 --> 00:23:29,010
mom.
870
00:23:29,045 --> 00:23:31,112
Then losing my stepdad, my
871
00:23:31,147 --> 00:23:32,113
brother...
872
00:23:32,148 --> 00:23:33,581
Being on my own, and basically
873
00:23:33,617 --> 00:23:35,950
just fighting my way through
874
00:23:35,986 --> 00:23:38,553
life trying to, you know, get
875
00:23:38,588 --> 00:23:40,121
where I am today.
876
00:23:45,861 --> 00:23:47,028
>> What do you think?
877
00:23:47,063 --> 00:23:47,962
>> Very pretty.
878
00:23:47,998 --> 00:23:49,497
I mean, it's totally different
879
00:23:49,532 --> 00:23:50,465
than your other one.
880
00:23:50,500 --> 00:23:51,666
>> Well, I don't even think I'm
881
00:23:51,701 --> 00:23:52,967
using that one.
882
00:23:53,003 --> 00:23:53,801
>> Oh, okay.
883
00:23:53,837 --> 00:23:55,003
>> What? Scrapping it?
884
00:23:55,038 --> 00:23:56,004
>> It's heinous.
885
00:23:56,039 --> 00:23:57,605
That's what I'm trying to say.
886
00:23:57,641 --> 00:23:58,506
>> The one you spent the whole
887
00:23:58,541 --> 00:23:59,374
last day to make?
888
00:23:59,409 --> 00:24:00,341
>> Yeah.
889
00:24:00,377 --> 00:24:01,175
>> What are you gonna do?
890
00:24:01,211 --> 00:24:02,343
>> Do another one.
891
00:24:02,379 --> 00:24:03,511
>> Oh, my God.
892
00:24:03,546 --> 00:24:05,446
>> With six people left in this
893
00:24:05,482 --> 00:24:07,348
competition, me deciding to
894
00:24:07,384 --> 00:24:11,185
scratch this dress...is a huge
895
00:24:11,221 --> 00:24:12,854
risk.
896
00:24:18,193 --> 00:24:20,528
Anya...Do you have any fabric I
897
00:24:20,563 --> 00:24:21,462
can borrow?
898
00:24:21,498 --> 00:24:23,731
I have nothing with body.
899
00:24:23,767 --> 00:24:26,901
>> Um...
900
00:24:26,937 --> 00:24:27,902
Let me sew it first, 'cause I
901
00:24:27,938 --> 00:24:28,836
don't know if I want to do
902
00:24:28,872 --> 00:24:29,771
sleeves in it or--
903
00:24:29,806 --> 00:24:31,439
>> Okay.
904
00:24:31,474 --> 00:24:32,440
I just need something with more
905
00:24:32,475 --> 00:24:33,942
body, like, I did not buy
906
00:24:33,977 --> 00:24:35,076
anything with body.
907
00:24:35,111 --> 00:24:36,444
>> Mm-hmm.
908
00:24:36,479 --> 00:24:37,779
>> I'm just not going down that
909
00:24:37,814 --> 00:24:38,780
road again, 'cause it was
910
00:24:38,815 --> 00:24:40,114
different a few challenges ago.
911
00:24:40,150 --> 00:24:41,616
But right now, we're at a point
912
00:24:41,651 --> 00:24:42,884
in the competition where any
913
00:24:42,919 --> 00:24:46,220
little change in design can
914
00:24:46,256 --> 00:24:48,723
affect who wins and who loses
915
00:24:48,758 --> 00:24:50,191
and...I just don't think it's
916
00:24:50,226 --> 00:24:51,659
the right thing to be doing.
917
00:24:51,695 --> 00:24:52,794
I just don't think it's even the
918
00:24:52,829 --> 00:24:54,829
right thing to be asking.
919
00:24:54,864 --> 00:24:56,931
>> When the stakes are so high,
920
00:24:56,967 --> 00:24:58,633
true colors start to show.
921
00:24:58,668 --> 00:24:59,767
I mean, if you don't want to
922
00:24:59,803 --> 00:25:00,935
lend me any fabric and you kind
923
00:25:00,971 --> 00:25:02,470
of want to give me a little bit
924
00:25:02,505 --> 00:25:03,471
of attitude...
925
00:25:03,506 --> 00:25:04,472
Just remember the past when
926
00:25:04,507 --> 00:25:05,940
people have assisted, and you
927
00:25:05,942 --> 00:25:07,308
really see how it's repaid to
928
00:25:07,344 --> 00:25:08,476
you, so...
929
00:25:08,511 --> 00:25:12,113
I don't need yo' fabric.
930
00:25:12,148 --> 00:25:13,681
>> It's one thing to be doing it
931
00:25:13,717 --> 00:25:15,483
a few challenges ago, but not
932
00:25:15,518 --> 00:25:16,284
now.
933
00:25:16,319 --> 00:25:17,285
>> I think, as a whole in the
934
00:25:17,320 --> 00:25:18,586
room, people aren't lending
935
00:25:18,621 --> 00:25:19,787
advice as much, people aren't--
936
00:25:19,823 --> 00:25:20,655
you know what I mean?
937
00:25:20,690 --> 00:25:21,656
>> We're at a different point
938
00:25:21,691 --> 00:25:22,490
now.
939
00:25:22,525 --> 00:25:23,925
It's a different game.
940
00:25:28,931 --> 00:25:30,965
>> $20,000?
941
00:25:31,001 --> 00:25:32,500
Oh! That would be so awesome.
942
00:25:32,535 --> 00:25:33,301
>> 20 grand.
943
00:25:33,336 --> 00:25:34,302
>> Like, even though it's a
944
00:25:34,337 --> 00:25:35,336
small amount, you could really
945
00:25:35,372 --> 00:25:36,337
start your own line again.
946
00:25:36,373 --> 00:25:37,505
>> Of course.
947
00:25:37,540 --> 00:25:38,940
>> Yeah.
948
00:25:38,975 --> 00:25:39,941
>> After I scrapped the green
949
00:25:39,976 --> 00:25:40,942
dress, I knew that I had to
950
00:25:40,977 --> 00:25:42,310
start fresh.
951
00:25:42,345 --> 00:25:44,812
So I reconsider my old fabrics.
952
00:25:44,848 --> 00:25:46,547
And I decided to work on a very
953
00:25:46,583 --> 00:25:48,516
structured circle skirt.
954
00:25:48,551 --> 00:25:50,518
So I'm confident that this skirt
955
00:25:50,553 --> 00:25:57,125
can lead me to my second look.
956
00:25:57,160 --> 00:25:58,092
>> Now it looks fine on the
957
00:25:58,128 --> 00:25:59,360
dress form.
958
00:25:59,396 --> 00:26:00,528
The question is how...
959
00:26:00,563 --> 00:26:01,362
>> Which one?
960
00:26:01,398 --> 00:26:03,865
>> Do we actually construct it
961
00:26:03,900 --> 00:26:04,966
>> On the correct side.
962
00:26:05,001 --> 00:26:06,067
>> Why did I drape it on the
963
00:26:06,102 --> 00:26:07,001
right side?
964
00:26:07,037 --> 00:26:08,002
>> Well, just mark it on the
965
00:26:08,038 --> 00:26:09,570
side seams you want, see, but
966
00:26:09,606 --> 00:26:10,538
just stitch it on the outside,
967
00:26:10,573 --> 00:26:11,305
right?
968
00:26:11,341 --> 00:26:12,306
>> Yeah, we'll stitch it on the
969
00:26:12,342 --> 00:26:13,174
outside.
970
00:26:13,209 --> 00:26:14,142
>> How is she gonna get in it?
971
00:26:14,177 --> 00:26:16,878
>> Uh, good question.
972
00:26:16,913 --> 00:26:17,879
>> It just comes to the point
973
00:26:17,914 --> 00:26:18,880
where you're like, we can tell
974
00:26:18,915 --> 00:26:19,881
you've only sewed for four
975
00:26:19,916 --> 00:26:21,549
months, but you keep getting by.
976
00:26:21,584 --> 00:26:22,550
I mean, this is something that
977
00:26:22,585 --> 00:26:24,585
I've worked for for years.
978
00:26:24,621 --> 00:26:26,154
And then you're just gonna jump
979
00:26:26,189 --> 00:26:27,922
in and think that sewing for
980
00:26:27,957 --> 00:26:29,057
four months is all that it
981
00:26:29,092 --> 00:26:30,391
takes.
982
00:26:30,427 --> 00:26:31,392
True talent will shine in the
983
00:26:31,428 --> 00:26:34,228
end.
984
00:26:34,264 --> 00:26:36,397
>> What a quiet room.
985
00:26:36,433 --> 00:26:37,765
How is everyone?
986
00:26:37,801 --> 00:26:38,733
>> Good.
987
00:26:38,768 --> 00:26:40,601
>> How is Laura?
988
00:26:40,637 --> 00:26:41,602
>> She's rethinking.
989
00:26:41,638 --> 00:26:43,037
>> What are you rethinking?
990
00:26:43,073 --> 00:26:44,405
>> My second look.
991
00:26:44,441 --> 00:26:45,573
>> So that is this fabric over
992
00:26:45,608 --> 00:26:47,175
black?
993
00:26:47,210 --> 00:26:48,409
>> Over this gray.
994
00:26:48,445 --> 00:26:49,777
>> Over gray.
995
00:26:49,813 --> 00:26:51,612
>> Mm-hmm.
996
00:26:51,648 --> 00:26:53,581
>> You need to ditch it.
997
00:26:53,616 --> 00:26:54,282
>> Yeah.
998
00:26:54,317 --> 00:26:56,250
>> When you look at the delicacy
999
00:26:56,286 --> 00:26:57,985
that you can achieve on the
1000
00:26:58,021 --> 00:26:58,886
jacket...
1001
00:26:58,922 --> 00:26:59,887
>> Uh-huh.
1002
00:26:59,923 --> 00:27:01,255
>> How beautiful is that?
1003
00:27:01,291 --> 00:27:02,256
You have to take the best of
1004
00:27:02,292 --> 00:27:03,691
what's happening in this and
1005
00:27:03,726 --> 00:27:04,725
bring it to that.
1006
00:27:04,761 --> 00:27:05,960
>> Okay.
1007
00:27:05,995 --> 00:27:06,961
>> I very much keep an eye on
1008
00:27:06,996 --> 00:27:07,962
Laura's critique, because, I
1009
00:27:07,997 --> 00:27:08,963
mean, that is part of this
1010
00:27:08,998 --> 00:27:09,797
competition.
1011
00:27:09,833 --> 00:27:11,265
You know, I mean the thing is is
1012
00:27:11,301 --> 00:27:12,633
that I want her to do well, but
1013
00:27:12,669 --> 00:27:14,268
I want to do well, and...
1014
00:27:14,304 --> 00:27:15,136
Who knows?
1015
00:27:15,171 --> 00:27:17,438
>> So...How is Anya?
1016
00:27:17,474 --> 00:27:19,407
>> I've done one long skirt to
1017
00:27:19,442 --> 00:27:20,408
try under this.
1018
00:27:20,443 --> 00:27:21,609
I've also done the body suit.
1019
00:27:21,644 --> 00:27:24,045
>> The two arm poles, one looks
1020
00:27:24,080 --> 00:27:25,346
longer than the other.
1021
00:27:25,381 --> 00:27:26,614
>> Ohh.
1022
00:27:26,649 --> 00:27:27,448
>> See?
1023
00:27:27,484 --> 00:27:28,416
>> Yes.
1024
00:27:28,451 --> 00:27:29,517
>> I've been sewing since I was
1025
00:27:29,552 --> 00:27:30,485
eight years old.
1026
00:27:30,520 --> 00:27:32,253
So with all that experience in
1027
00:27:32,288 --> 00:27:33,855
comparison to Anya, you know,
1028
00:27:33,890 --> 00:27:35,323
technically, I'm faster.
1029
00:27:35,358 --> 00:27:37,225
And I know more.
1030
00:27:37,260 --> 00:27:38,726
That's gonna be to my advantage.
1031
00:27:38,761 --> 00:27:40,094
>> This one was based off of the
1032
00:27:40,130 --> 00:27:41,295
texture of the bird.
1033
00:27:41,331 --> 00:27:42,463
>> This was based on the shape.
1034
00:27:42,499 --> 00:27:43,364
>> The shape.
1035
00:27:43,399 --> 00:27:45,366
>> I think this shape is superb.
1036
00:27:45,401 --> 00:27:46,200
>> Oh, thanks.
1037
00:27:46,236 --> 00:27:47,201
I also have to see it on the
1038
00:27:47,237 --> 00:27:48,469
model.
1039
00:27:48,505 --> 00:27:49,470
>> You do.
1040
00:27:49,506 --> 00:27:50,505
When you have a piece that is
1041
00:27:50,540 --> 00:27:52,940
this sculptural, it needs to...
1042
00:27:52,976 --> 00:27:53,875
>> Be perfect.
1043
00:27:53,910 --> 00:27:54,842
>> Yeah. Thanks, Anya.
1044
00:27:54,878 --> 00:27:55,877
>> Thank you, Tim.
1045
00:27:55,912 --> 00:27:56,878
>> Joshua...
1046
00:27:56,913 --> 00:27:58,012
>> Hi, Tim.
1047
00:27:58,047 --> 00:27:58,880
>> What is this?
1048
00:27:58,915 --> 00:27:59,947
Qu'est-ce que c'est?
1049
00:27:59,983 --> 00:28:02,049
>> What's a "guess cassay"?
1050
00:28:02,085 --> 00:28:02,984
>> What is it?
1051
00:28:03,019 --> 00:28:03,885
>> Oh!
1052
00:28:04,787 --> 00:28:05,753
>> Um, I'm doing a circle skirt
1053
00:28:05,788 --> 00:28:06,988
at the moment.
1054
00:28:07,023 --> 00:28:08,389
>> Oh, this is the first piece?
1055
00:28:08,424 --> 00:28:09,390
>> Yeah, I'm kind of scrapping
1056
00:28:09,425 --> 00:28:10,424
the bottom of the--
1057
00:28:10,460 --> 00:28:11,459
>> What did you do?
1058
00:28:11,494 --> 00:28:12,393
>> I can show you what's
1059
00:28:12,428 --> 00:28:13,227
happened thus far.
1060
00:28:13,263 --> 00:28:14,595
I mean, I would like to see it
1061
00:28:14,631 --> 00:28:16,297
on my model, but I'm working to
1062
00:28:16,332 --> 00:28:18,099
get something else done.
1063
00:28:18,134 --> 00:28:21,569
>> This looks...Static.
1064
00:28:21,604 --> 00:28:22,737
>> Okay.
1065
00:28:22,772 --> 00:28:24,438
>> And crafty.
1066
00:28:24,474 --> 00:28:25,439
>> But I guess that's the
1067
00:28:25,475 --> 00:28:26,941
novelty of it.
1068
00:28:26,976 --> 00:28:27,875
>> I don't know what to say
1069
00:28:27,911 --> 00:28:28,743
about Josh.
1070
00:28:28,778 --> 00:28:29,744
He doesn't want to reign it in.
1071
00:28:29,779 --> 00:28:30,745
I mean, he thinks about it, and
1072
00:28:30,780 --> 00:28:31,779
then he goes forward.
1073
00:28:31,814 --> 00:28:34,048
So I don't know what he'll do.
1074
00:28:34,083 --> 00:28:36,083
>> What's the orange piece?
1075
00:28:36,119 --> 00:28:37,552
>> It's my second look right
1076
00:28:37,587 --> 00:28:38,753
now.
1077
00:28:38,788 --> 00:28:39,787
>> It's a beautiful silhouette.
1078
00:28:39,822 --> 00:28:40,922
Beautiful proportions.
1079
00:28:40,957 --> 00:28:41,923
>> Right.
1080
00:28:41,958 --> 00:28:43,591
Quite frankly, rather sublime.
1081
00:28:43,626 --> 00:28:44,592
>> Thank you.
1082
00:28:44,627 --> 00:28:45,593
You just gave me chills.
1083
00:28:45,628 --> 00:28:46,761
>> You gave me chills
1084
00:28:46,796 --> 00:28:48,462
too.
1085
00:28:48,498 --> 00:28:49,764
No, it's really beautiful.
1086
00:28:49,799 --> 00:28:50,598
Keep working.
1087
00:28:50,633 --> 00:28:51,532
>> All right.
1088
00:28:51,568 --> 00:28:53,201
>> Okay. How's Bert?
1089
00:28:53,236 --> 00:28:54,769
>> Um, this is my first look.
1090
00:28:54,804 --> 00:28:55,770
It's looking a little too
1091
00:28:55,805 --> 00:28:56,771
serious.
1092
00:28:56,806 --> 00:28:57,772
>> What's happening with the
1093
00:28:57,807 --> 00:28:58,472
second look?
1094
00:28:58,508 --> 00:28:59,540
>> This color's going to be the
1095
00:28:59,576 --> 00:29:01,209
vest, or long coat, whatever you
1096
00:29:01,244 --> 00:29:02,076
want to call it.
1097
00:29:02,111 --> 00:29:03,077
>> I don't see high fashion in
1098
00:29:03,112 --> 00:29:03,945
this.
1099
00:29:03,980 --> 00:29:04,946
>> I think high fashion doesn't
1100
00:29:04,981 --> 00:29:06,614
have to be ball gowny or--
1101
00:29:06,649 --> 00:29:07,782
>> no, doesn't.
1102
00:29:07,817 --> 00:29:08,783
>> It just has to be a taste
1103
00:29:08,818 --> 00:29:09,817
level more than anything else.
1104
00:29:09,852 --> 00:29:11,152
>> Okay. All right.
1105
00:29:11,187 --> 00:29:11,986
Carry on, Bert.
1106
00:29:12,021 --> 00:29:12,987
>> Thank you, sir.
1107
00:29:13,022 --> 00:29:13,988
>> So you're feathering away,
1108
00:29:14,023 --> 00:29:14,822
huh?
1109
00:29:14,857 --> 00:29:15,790
>> Which I love.
1110
00:29:15,825 --> 00:29:16,624
I think it looks very romantic.
1111
00:29:16,659 --> 00:29:17,491
Simple and--
1112
00:29:17,527 --> 00:29:18,392
>> I'm with you.
1113
00:29:18,428 --> 00:29:19,493
I don't think there's any reason
1114
00:29:19,529 --> 00:29:20,461
why you need to go any further
1115
00:29:20,496 --> 00:29:21,295
than that.
1116
00:29:21,331 --> 00:29:22,296
You're making the point.
1117
00:29:22,332 --> 00:29:23,397
What's happening with the second
1118
00:29:23,433 --> 00:29:24,232
look.
1119
00:29:24,267 --> 00:29:25,833
>> It's looking very vintagey.
1120
00:29:25,868 --> 00:29:26,834
>> Yeah, it's beginning to look
1121
00:29:26,869 --> 00:29:28,636
kind of bridal too...
1122
00:29:28,671 --> 00:29:29,637
>> Yes.
1123
00:29:29,672 --> 00:29:30,805
>> These two pieces together.
1124
00:29:30,840 --> 00:29:31,806
I'm in full support of getting
1125
00:29:31,841 --> 00:29:33,374
some color into this.
1126
00:29:33,409 --> 00:29:34,375
>> And I just have to play with
1127
00:29:34,410 --> 00:29:35,243
it.
1128
00:29:35,278 --> 00:29:36,644
>> All right. Thank you, Viktor.
1129
00:29:36,679 --> 00:29:37,812
Kimberly!
1130
00:29:37,847 --> 00:29:38,946
>> Hi, Tim.
1131
00:29:38,982 --> 00:29:39,847
>> How are you doing?
1132
00:29:39,882 --> 00:29:40,815
>> I'm okay.
1133
00:29:40,850 --> 00:29:41,616
>> Yeah?
1134
00:29:41,651 --> 00:29:42,950
>> This was my first look.
1135
00:29:42,986 --> 00:29:43,818
Execution-wise, this is
1136
00:29:43,853 --> 00:29:44,652
something I've never done
1137
00:29:44,687 --> 00:29:45,586
before.
1138
00:29:45,622 --> 00:29:46,587
So I'm hoping, when my model
1139
00:29:46,623 --> 00:29:49,423
comes in, that it'll look how I
1140
00:29:49,459 --> 00:29:50,324
envisioned it.
1141
00:29:50,360 --> 00:29:51,225
>> Tell me about the second
1142
00:29:51,261 --> 00:29:52,126
look.
1143
00:29:52,161 --> 00:29:53,261
>> Okay, so the second look, I
1144
00:29:53,296 --> 00:29:54,395
want to see it on to see if it's
1145
00:29:54,430 --> 00:29:56,364
gonna be too over-the-top.
1146
00:29:56,399 --> 00:30:00,101
>> It's looking pretty costumey.
1147
00:30:00,136 --> 00:30:02,169
I don't know.
1148
00:30:02,205 --> 00:30:03,170
>> What--what are your feelings
1149
00:30:03,206 --> 00:30:04,538
about this?
1150
00:30:04,574 --> 00:30:06,574
'Cause I don't sense that you
1151
00:30:06,609 --> 00:30:07,675
have a lot of confidence in
1152
00:30:07,710 --> 00:30:10,278
what--where it's going.
1153
00:30:10,313 --> 00:30:11,679
>> I don't know, Tim.
1154
00:30:11,714 --> 00:30:15,049
It's just one of those days.
1155
00:30:15,084 --> 00:30:16,050
>> I don't want you to have one
1156
00:30:16,085 --> 00:30:17,051
of those days.
1157
00:30:17,086 --> 00:30:17,985
I want you to be on top.
1158
00:30:18,021 --> 00:30:19,453
>> Yeah. It's too late.
1159
00:30:19,489 --> 00:30:20,321
>> No, it's not.
1160
00:30:20,356 --> 00:30:21,389
It's not too late.
1161
00:30:21,424 --> 00:30:22,690
I'm your cheerleader!
1162
00:30:22,725 --> 00:30:23,924
>> I know. Thanks, Tim.
1163
00:30:23,960 --> 00:30:24,959
It's always good to see your
1164
00:30:24,994 --> 00:30:25,860
face.
1165
00:30:25,895 --> 00:30:28,863
>> This is the time when...
1166
00:30:28,898 --> 00:30:29,864
Quite frankly, you should stop
1167
00:30:29,899 --> 00:30:34,001
thinking...And just feel.
1168
00:30:34,037 --> 00:30:35,069
>> Mm-hmm.
1169
00:30:35,104 --> 00:30:36,704
>> How does it feel to you?
1170
00:30:36,739 --> 00:30:37,872
I'm coming around.
1171
00:30:37,907 --> 00:30:38,706
You need a hug.
1172
00:30:38,741 --> 00:30:40,241
>> Oh, heh, Tim...
1173
00:30:40,276 --> 00:30:41,075
>> You do.
1174
00:30:41,110 --> 00:30:42,677
>> I always like your hugs.
1175
00:30:42,712 --> 00:30:44,645
You know, in these times, you
1176
00:30:44,681 --> 00:30:46,681
usually have your support
1177
00:30:46,716 --> 00:30:48,649
system, and so for Tim to be
1178
00:30:48,685 --> 00:30:50,217
that right now in this moment,
1179
00:30:50,253 --> 00:30:52,520
it's very emotional for me.
1180
00:30:52,555 --> 00:30:53,688
>> All right?
1181
00:30:53,723 --> 00:30:54,722
>> Yes.
1182
00:30:54,757 --> 00:30:55,589
>> Keep your eye on this.
1183
00:30:55,625 --> 00:30:56,590
You can do it.
1184
00:30:56,626 --> 00:30:57,591
>> Okay, thanks.
1185
00:30:57,627 --> 00:31:02,263
>> All right.
1186
00:31:02,298 --> 00:31:04,365
All right, designers.
1187
00:31:04,400 --> 00:31:05,366
I wanna tell you, there is so
1188
00:31:05,401 --> 00:31:07,702
much potential in this room.
1189
00:31:07,737 --> 00:31:09,303
I mean this with all sincerity.
1190
00:31:09,339 --> 00:31:11,739
Any one of you could win.
1191
00:31:11,774 --> 00:31:13,541
And you know what that means.
1192
00:31:13,576 --> 00:31:15,910
$20,000.
1193
00:31:16,779 --> 00:31:17,912
>> Don't forget it.
1194
00:31:17,947 --> 00:31:19,280
>> People may think it's crazy,
1195
00:31:19,315 --> 00:31:21,415
but $20,000 for me could
1196
00:31:21,451 --> 00:31:23,918
actually 180 my life.
1197
00:31:23,953 --> 00:31:24,919
>> All right, everybody.
1198
00:31:24,954 --> 00:31:26,354
Bye.
1199
00:31:26,389 --> 00:31:27,455
>> Hello.
1200
00:31:27,490 --> 00:31:29,557
>> Hey.
1201
00:31:29,592 --> 00:31:30,424
>> Oh, my God, look at that
1202
00:31:30,460 --> 00:31:31,325
dress.
1203
00:31:31,361 --> 00:31:32,226
>> Da da da!
1204
00:31:32,261 --> 00:31:33,160
>> I really feel like the black
1205
00:31:33,196 --> 00:31:34,628
swan.
1206
00:31:34,664 --> 00:31:35,563
>> You do?
1207
00:31:35,598 --> 00:31:36,397
>> Yeah.
1208
00:31:36,432 --> 00:31:37,331
>> It's always good when you
1209
00:31:37,367 --> 00:31:38,432
guys like it, 'cause you have to
1210
00:31:38,468 --> 00:31:39,467
work it.
1211
00:31:39,502 --> 00:31:41,268
>> Josh's second look, he came
1212
00:31:41,304 --> 00:31:42,937
up with this very simple, uh,
1213
00:31:42,972 --> 00:31:44,238
modern-looking dress.
1214
00:31:44,273 --> 00:31:45,172
He's just, like, trying to
1215
00:31:45,208 --> 00:31:46,941
impersonate me a bit or...
1216
00:31:46,976 --> 00:31:48,542
Um, duplicate what I'm doing.
1217
00:31:48,578 --> 00:31:50,945
>> Bert.
1218
00:31:50,980 --> 00:31:52,213
See you at home tonight.
1219
00:31:52,248 --> 00:31:54,148
>> Yes, dear.
1220
00:31:54,183 --> 00:31:56,217
>> Just trying to see how much
1221
00:31:56,252 --> 00:31:58,085
you can see, I guess...
1222
00:31:58,121 --> 00:32:00,955
Well, my model has full breasts,
1223
00:32:00,990 --> 00:32:02,189
and so in front, it's
1224
00:32:02,225 --> 00:32:04,091
looking very vulgar.
1225
00:32:04,127 --> 00:32:05,659
There's a bit of concern there.
1226
00:32:05,695 --> 00:32:06,627
All right, you know what?
1227
00:32:06,662 --> 00:32:09,764
Ohh...Hot glue gun.
1228
00:32:09,799 --> 00:32:10,765
>> What?
1229
00:32:10,800 --> 00:32:12,032
>> Oh, my God.
1230
00:32:12,068 --> 00:32:13,300
>> A glue hole?
1231
00:32:13,336 --> 00:32:14,802
>> Yep.
1232
00:32:14,837 --> 00:32:16,971
>> Son of a [bleep] bitch.
1233
00:32:17,006 --> 00:32:18,139
>> In my frustration with the
1234
00:32:18,174 --> 00:32:20,007
dress, I threw the dress down
1235
00:32:20,042 --> 00:32:22,176
onto my work table.
1236
00:32:22,211 --> 00:32:24,345
And it is now burnt with a hole
1237
00:32:24,380 --> 00:32:25,813
through it, so I need to scrap
1238
00:32:25,848 --> 00:32:29,116
it and start anew.
1239
00:32:29,152 --> 00:32:31,118
>> It's just more problems.
1240
00:32:31,154 --> 00:32:32,820
How is she going to make
1241
00:32:32,855 --> 00:32:34,255
something happen when she's been
1242
00:32:34,290 --> 00:32:36,157
so emotional today?
1243
00:32:36,192 --> 00:32:37,158
>> Think I'm gonna have to pull
1244
00:32:37,193 --> 00:32:38,526
out an Anya moment and go from
1245
00:32:38,561 --> 00:32:40,628
tragedy to triumph.
1246
00:32:40,663 --> 00:32:41,629
This just has to be quick,
1247
00:32:41,664 --> 00:32:42,797
though.
1248
00:32:42,832 --> 00:32:43,798
I probably have about three
1249
00:32:43,833 --> 00:32:45,599
hours to pull this out.
1250
00:32:45,635 --> 00:32:46,600
I'm gonna make an entirely new
1251
00:32:46,636 --> 00:32:50,104
dress.
1252
00:32:50,139 --> 00:32:51,972
And I have no more of that silk
1253
00:32:52,008 --> 00:32:53,574
charmeuse left, so I'm going to
1254
00:32:53,609 --> 00:32:55,109
have to use the poly that I
1255
00:32:55,144 --> 00:32:57,978
brought for lining.
1256
00:32:58,014 --> 00:32:59,447
Three hours is generally not
1257
00:32:59,482 --> 00:33:01,982
enough time to make a full gown.
1258
00:33:02,018 --> 00:33:04,785
So I don't know how I'm gonna
1259
00:33:04,821 --> 00:33:06,654
get it done.
1260
00:33:06,689 --> 00:33:07,688
Everything that can go wrong has
1261
00:33:07,723 --> 00:33:11,058
gone wrong.
1262
00:33:11,093 --> 00:33:11,992
>> Coming up on
1263
00:33:12,028 --> 00:33:12,993
Project Runway...
1264
00:33:13,029 --> 00:33:14,328
>> I have a special
1265
00:33:14,363 --> 00:33:16,063
announcement.
1266
00:33:16,098 --> 00:33:17,064
>> The last thing I want to
1267
00:33:17,099 --> 00:33:18,866
hear...There's another twist.
1268
00:33:18,901 --> 00:33:20,401
Uhh!
1269
00:33:25,949 --> 00:33:26,916
>> It's gonna be that kind of
1270
00:33:26,924 --> 00:33:27,668
day.
1271
00:33:27,669 --> 00:33:28,601
I told Viktor, watch out for the
1272
00:33:28,637 --> 00:33:30,436
underdog.
1273
00:33:30,472 --> 00:33:31,604
I mean, you know, his dress is
1274
00:33:31,640 --> 00:33:35,275
beautiful, but...You never know.
1275
00:33:35,310 --> 00:33:36,943
>> Fashion with a passion.
1276
00:33:36,978 --> 00:33:39,145
>> Runway day number 11.
1277
00:33:39,181 --> 00:33:40,146
>> Let's go to Parsons!
1278
00:33:40,182 --> 00:33:41,548
>> Whoo hoo!
1279
00:33:51,492 --> 00:33:53,860
>> The third look is coming
1280
00:33:53,895 --> 00:33:56,396
along...Pretty nicely.
1281
00:33:56,431 --> 00:33:57,597
I think I will not be
1282
00:33:57,632 --> 00:33:59,065
embarrassed.
1283
00:33:59,100 --> 00:34:00,066
>> I'm pretty surprised that
1284
00:34:00,101 --> 00:34:01,601
Kimberly makes this dress that
1285
00:34:01,636 --> 00:34:04,037
is similar, I guess,
1286
00:34:04,072 --> 00:34:06,940
one-shoulder gown, like mine.
1287
00:34:06,975 --> 00:34:08,374
I turned around, and I'm like,
1288
00:34:08,410 --> 00:34:11,444
"Oh, this bitch copied me."
1289
00:34:11,479 --> 00:34:13,146
>> Good morning, designers.
1290
00:34:13,181 --> 00:34:14,247
Good morning.
1291
00:34:14,282 --> 00:34:16,583
>> We have a busy morning.
1292
00:34:16,618 --> 00:34:18,585
You will have one hour to send
1293
00:34:18,620 --> 00:34:20,053
your models to the L'Oreal Paris
1294
00:34:20,088 --> 00:34:21,588
makeup room and the Garnier hair
1295
00:34:21,623 --> 00:34:22,622
studio.
1296
00:34:22,657 --> 00:34:24,390
You know to use the Piperlime
1297
00:34:24,426 --> 00:34:26,025
wall very thoughtfully.
1298
00:34:26,061 --> 00:34:29,095
And I have...A special
1299
00:34:29,130 --> 00:34:31,598
announcement.
1300
00:34:31,633 --> 00:34:32,832
You may wanna put those scissors
1301
00:34:32,867 --> 00:34:34,601
down, Laura.
1302
00:34:36,004 --> 00:34:37,770
>> At this point, the last thing
1303
00:34:37,806 --> 00:34:40,106
I wanna hear is there's another
1304
00:34:40,141 --> 00:34:43,209
twist.
1305
00:34:43,245 --> 00:34:44,277
>> Only one of your two looks
1306
00:34:44,312 --> 00:34:46,446
will walk the runway.
1307
00:34:46,481 --> 00:34:47,647
>> What?
1308
00:34:47,682 --> 00:34:49,082
>> God!
1309
00:34:49,117 --> 00:34:50,083
>> Timmy!
1310
00:34:50,118 --> 00:34:52,785
>> Are you serious?
1311
00:34:52,821 --> 00:34:54,454
>> It's up to you which one.
1312
00:34:54,489 --> 00:34:55,455
>> Oh!
1313
00:34:55,490 --> 00:34:57,023
>> I'm relieved because I don't
1314
00:34:57,058 --> 00:34:58,625
really feel like I have any cons
1315
00:34:58,660 --> 00:35:00,960
about my pants and blazer.
1316
00:35:00,996 --> 00:35:01,961
It's something different.
1317
00:35:01,997 --> 00:35:02,962
It's not a dress.
1318
00:35:02,998 --> 00:35:04,464
And it's pretty much completed.
1319
00:35:04,499 --> 00:35:06,132
>> I know that some of you are
1320
00:35:06,167 --> 00:35:07,734
probably ecstatic.
1321
00:35:07,769 --> 00:35:08,735
And some of you may be
1322
00:35:08,770 --> 00:35:09,802
disappointed.
1323
00:35:09,838 --> 00:35:10,803
But in the real world, fashion
1324
00:35:10,839 --> 00:35:12,639
designers edit.
1325
00:35:12,674 --> 00:35:13,940
They have to.
1326
00:35:13,975 --> 00:35:14,907
I don't want you to think that
1327
00:35:14,943 --> 00:35:15,875
you should use the look you've
1328
00:35:15,910 --> 00:35:17,377
invested the most time in.
1329
00:35:17,412 --> 00:35:18,411
You should use the look that is
1330
00:35:18,446 --> 00:35:20,680
the most outstanding.
1331
00:35:20,715 --> 00:35:21,681
This also means that, for the
1332
00:35:21,716 --> 00:35:24,651
next two hours, you can focus
1333
00:35:24,686 --> 00:35:27,020
all of your time and energy into
1334
00:35:27,055 --> 00:35:28,655
that look.
1335
00:35:28,690 --> 00:35:30,023
>> I mean, one is more low-key
1336
00:35:30,058 --> 00:35:30,957
and one's more high fash--
1337
00:35:30,992 --> 00:35:31,791
>> It's up to you.
1338
00:35:31,826 --> 00:35:32,792
>> They're both high fashion.
1339
00:35:32,827 --> 00:35:33,760
>> One of them's not going to
1340
00:35:33,795 --> 00:35:34,661
walk the runway.
1341
00:35:34,696 --> 00:35:35,662
It's up to you to decide which
1342
00:35:35,697 --> 00:35:36,663
one.
1343
00:35:36,698 --> 00:35:37,430
Thank you, everyone.
1344
00:35:37,465 --> 00:35:38,264
>> Thank you.
1345
00:35:38,300 --> 00:35:39,666
>> Bye.
1346
00:35:39,701 --> 00:35:40,733
>> My gosh.
1347
00:35:40,769 --> 00:35:41,768
>> My plan sort of like fell
1348
00:35:41,803 --> 00:35:43,670
apart, and so I'm thinking,
1349
00:35:43,705 --> 00:35:44,671
"which spectrum do I want
1350
00:35:44,706 --> 00:35:45,672
to go to?"
1351
00:35:45,707 --> 00:35:46,706
I don't know.
1352
00:35:46,741 --> 00:35:47,840
I'm a little bummed that we're
1353
00:35:47,876 --> 00:35:48,708
not having both looks to
1354
00:35:48,743 --> 00:35:49,776
represent our work.
1355
00:35:49,811 --> 00:35:50,810
>> Josh is pissed.
1356
00:35:50,845 --> 00:35:51,778
>> What, you don't know which
1357
00:35:51,813 --> 00:35:52,645
one to choose?
1358
00:35:52,681 --> 00:35:53,479
>> Well, they're--
1359
00:35:53,515 --> 00:35:54,314
>> Orange, right?
1360
00:35:54,349 --> 00:35:55,281
>> They're both so different.
1361
00:35:55,317 --> 00:35:56,282
>> Mm, but I see your
1362
00:35:56,318 --> 00:35:57,116
frustration, 'cause...
1363
00:35:57,152 --> 00:35:58,117
>> You've put so much work into
1364
00:35:58,153 --> 00:35:58,951
the other one.
1365
00:35:58,987 --> 00:36:00,153
>> Yeah.
1366
00:36:00,188 --> 00:36:01,654
>> I don't know, for me, this is
1367
00:36:01,690 --> 00:36:03,856
about editing now. You know?
1368
00:36:03,892 --> 00:36:04,857
>> I agree.
1369
00:36:04,893 --> 00:36:05,858
It's always good to step back
1370
00:36:05,894 --> 00:36:06,759
like you are right now, just
1371
00:36:06,795 --> 00:36:07,694
look at--
1372
00:36:07,729 --> 00:36:08,661
>> I never get to do this.
1373
00:36:08,697 --> 00:36:09,662
And maybe that's why I have a
1374
00:36:09,698 --> 00:36:11,130
problem with editing, 'cause I'm
1375
00:36:11,166 --> 00:36:12,799
always so up close to it.
1376
00:36:12,834 --> 00:36:14,233
Through all the trials and the
1377
00:36:14,269 --> 00:36:15,868
insanity, I have definitely come
1378
00:36:15,904 --> 00:36:17,670
to a great place with this
1379
00:36:17,706 --> 00:36:18,771
orange dress.
1380
00:36:18,807 --> 00:36:19,672
It's beautiful.
1381
00:36:19,708 --> 00:36:21,507
It just feels really good.
1382
00:36:21,543 --> 00:36:23,843
>> Oh, what to do, what to do.
1383
00:36:23,878 --> 00:36:24,677
>> Uhh!
1384
00:36:24,713 --> 00:36:25,678
>> Anya, which one are you gonna
1385
00:36:25,714 --> 00:36:26,479
go with?
1386
00:36:26,514 --> 00:36:27,847
>> I like both.
1387
00:36:27,882 --> 00:36:30,350
That's not a bad place to be.
1388
00:36:30,385 --> 00:36:31,651
>> The first one is finished
1389
00:36:31,686 --> 00:36:33,152
and will look great.
1390
00:36:33,188 --> 00:36:35,021
The second one, it's so
1391
00:36:35,056 --> 00:36:36,656
different from anything I've
1392
00:36:36,691 --> 00:36:37,490
ever done.
1393
00:36:37,525 --> 00:36:39,292
I'm not so sure exactly what
1394
00:36:39,327 --> 00:36:40,927
finishing the second look is
1395
00:36:40,962 --> 00:36:42,028
gonna entail.
1396
00:36:42,063 --> 00:36:44,464
>> I-I'd go with this.
1397
00:36:44,499 --> 00:36:45,965
>> Okay.
1398
00:36:46,000 --> 00:36:46,966
I'm a little uncertain about
1399
00:36:47,001 --> 00:36:47,967
sending down the three-hour
1400
00:36:48,002 --> 00:36:50,203
gown, but I've been safe for a
1401
00:36:50,238 --> 00:36:52,672
few challenges now, so I need to
1402
00:36:52,707 --> 00:36:54,374
take this risk.
1403
00:36:54,409 --> 00:36:55,675
>> Hi.
1404
00:36:55,710 --> 00:36:57,844
>> Hi.
1405
00:36:57,879 --> 00:36:58,945
>> So pretty, right?
1406
00:36:58,980 --> 00:37:00,847
>> Right.
1407
00:37:00,882 --> 00:37:02,749
>> Here we go. Hot!
1408
00:37:02,784 --> 00:37:03,716
>> To kick Anya's ass would be
1409
00:37:03,752 --> 00:37:04,684
great.
1410
00:37:04,719 --> 00:37:05,818
It's kind of a great match-up:
1411
00:37:05,854 --> 00:37:08,688
Two beauty Queens head-to-head.
1412
00:37:08,723 --> 00:37:09,956
>> We're ready.
1413
00:37:09,991 --> 00:37:11,724
>> I would like to see Josh get
1414
00:37:11,760 --> 00:37:13,726
his ass kicked on the runway.
1415
00:37:13,762 --> 00:37:14,727
But we'll see.
1416
00:37:14,763 --> 00:37:17,830
>> Oh, my God, Kim's is amazing.
1417
00:37:17,866 --> 00:37:19,065
>> She pulled that one out of
1418
00:37:19,100 --> 00:37:19,999
the hat.
1419
00:37:20,034 --> 00:37:21,033
>> Mm-hmm.
1420
00:37:21,069 --> 00:37:22,101
>> Ooh, I want to beat Viktor so
1421
00:37:22,137 --> 00:37:25,371
bad because he's been put on
1422
00:37:25,407 --> 00:37:26,739
this pedestal.
1423
00:37:26,775 --> 00:37:28,841
So to beat him, head to head,
1424
00:37:28,877 --> 00:37:35,114
would be major.
1425
00:37:35,150 --> 00:37:36,182
>> So yesterday, I had my
1426
00:37:36,217 --> 00:37:37,417
consultation with Collier.
1427
00:37:37,452 --> 00:37:38,951
Similar, but just softer.
1428
00:37:38,987 --> 00:37:39,852
>> Okay.
1429
00:37:39,888 --> 00:37:41,421
>> Collier, yesterday he used a
1430
00:37:41,456 --> 00:37:42,755
pale, like, peach.
1431
00:37:42,791 --> 00:37:43,790
A little play on soft, but a
1432
00:37:43,825 --> 00:37:46,592
little edge.
1433
00:37:46,628 --> 00:37:47,760
>> Very nude lip.
1434
00:37:47,796 --> 00:37:49,595
Keep her as pale, make her
1435
00:37:49,631 --> 00:37:50,596
flawless porcelain.
1436
00:37:50,632 --> 00:37:51,464
>> She's got it.
1437
00:37:51,499 --> 00:37:52,398
>> I got the crazy, fabulous
1438
00:37:52,434 --> 00:37:53,566
palate.
1439
00:37:53,601 --> 00:37:55,768
I want a really strong brow,
1440
00:37:55,804 --> 00:37:58,137
that beautiful yellow and green.
1441
00:37:58,173 --> 00:38:00,306
Just keep it beautiful.
1442
00:38:06,079 --> 00:38:07,046
>> We're the raven, so we're
1443
00:38:07,081 --> 00:38:08,047
good with just sleek, because
1444
00:38:08,082 --> 00:38:09,615
we're trying to show the makeup
1445
00:38:09,651 --> 00:38:10,550
so much, you know, and--
1446
00:38:10,585 --> 00:38:11,350
>> Right.
1447
00:38:11,386 --> 00:38:12,285
>> Wah, wah, wah.
1448
00:38:12,320 --> 00:38:13,619
>> Okay.
1449
00:38:13,655 --> 00:38:14,787
>> So I really want something
1450
00:38:14,823 --> 00:38:16,422
soft and flowy.
1451
00:38:16,458 --> 00:38:17,623
But controlled, a little bit.
1452
00:38:17,659 --> 00:38:20,159
Marisa Berenson-ish.
1453
00:38:20,195 --> 00:38:22,094
Yeah.
1454
00:38:22,130 --> 00:38:23,629
>> So we have the cockatoo.
1455
00:38:23,665 --> 00:38:24,931
Some really nice, soft curls.
1456
00:38:24,966 --> 00:38:26,065
A Litt bit of volume.
1457
00:38:26,100 --> 00:38:27,767
>> So, like, away from the face
1458
00:38:27,802 --> 00:38:28,768
and then just like...
1459
00:38:28,803 --> 00:38:30,403
>> Yeah.
1460
00:38:30,438 --> 00:38:32,872
>> Look at that.
1461
00:38:32,907 --> 00:38:35,241
>> Yeah!
1462
00:38:35,276 --> 00:38:36,375
>> It's impossible.
1463
00:38:36,411 --> 00:38:38,110
Hold on.
1464
00:38:38,146 --> 00:38:40,112
Sorry!
1465
00:38:40,148 --> 00:38:42,448
I haven't put any form of
1466
00:38:42,484 --> 00:38:43,816
fastening into this dress,
1467
00:38:43,852 --> 00:38:45,151
because it has stretch.
1468
00:38:45,186 --> 00:38:47,487
And when I fit it on Sevita,
1469
00:38:47,522 --> 00:38:49,555
I have to rip some of the back
1470
00:38:49,591 --> 00:38:51,457
seam out in order to open the
1471
00:38:51,493 --> 00:38:52,892
neck.
1472
00:38:52,927 --> 00:38:54,126
And I have to sort of sew that
1473
00:38:54,162 --> 00:38:55,795
back in.
1474
00:38:55,830 --> 00:38:57,296
>> Okay, let's see that.
1475
00:38:57,332 --> 00:38:58,297
Okay.
1476
00:38:58,333 --> 00:38:59,599
>> It's just, you know, at this
1477
00:38:59,634 --> 00:39:01,067
point, we're here to make
1478
00:39:01,102 --> 00:39:02,335
clothing that people can wear
1479
00:39:02,370 --> 00:39:04,103
and take on and off.
1480
00:39:04,138 --> 00:39:05,471
If you have to keep cutting
1481
00:39:05,507 --> 00:39:07,807
people out of the look at the
1482
00:39:07,842 --> 00:39:09,809
end of a runway show, I think
1483
00:39:09,844 --> 00:39:10,877
that there needs to be something
1484
00:39:10,912 --> 00:39:12,645
said about that.
1485
00:39:13,615 --> 00:39:15,281
>> All right, designers and
1486
00:39:15,316 --> 00:39:16,649
models, we're going down to the
1487
00:39:16,684 --> 00:39:18,217
runway right now.
1488
00:39:18,253 --> 00:39:19,852
Laura...
1489
00:39:19,888 --> 00:39:23,456
Anya...
1490
00:39:23,491 --> 00:39:26,292
Thank you.
1491
00:39:26,327 --> 00:39:27,527
>> Coming up on
1492
00:39:27,562 --> 00:39:28,394
Project Runway...
1493
00:39:28,429 --> 00:39:29,295
>> What happened?
1494
00:39:29,330 --> 00:39:31,163
>> Viktor.
1495
00:39:31,199 --> 00:39:32,498
>> You've got the talent.
1496
00:39:32,534 --> 00:39:34,967
You've just gotta hold it in.
1497
00:39:35,003 --> 00:39:35,968
>> This is a very disappointing
1498
00:39:36,004 --> 00:39:37,837
look.
1499
00:39:46,065 --> 00:39:46,843
>> Hello.
1500
00:39:46,844 --> 00:39:47,743
Hi, Heidi.
1501
00:39:47,779 --> 00:39:48,644
>> Welcome to the runway.
1502
00:39:48,680 --> 00:39:50,046
>> Thank you.
1503
00:39:50,081 --> 00:39:51,047
>> As you know, in fashion, one
1504
00:39:51,082 --> 00:39:52,615
day you're in, and the next day,
1505
00:39:52,650 --> 00:39:53,983
you're out.
1506
00:39:54,018 --> 00:39:55,618
Your challenge was to create a
1507
00:39:55,653 --> 00:39:56,752
high-fashion runway look
1508
00:39:56,788 --> 00:39:58,421
inspired by birds.
1509
00:39:58,456 --> 00:39:59,422
The winning look will be
1510
00:39:59,457 --> 00:40:01,157
featured in a L'Oreal Paris
1511
00:40:01,192 --> 00:40:02,925
advertorial in Marie Claire
1512
00:40:02,961 --> 00:40:03,826
magazine.
1513
00:40:03,861 --> 00:40:05,294
And the winner will receive
1514
00:40:05,330 --> 00:40:08,297
$20,000 from L'Oreal Paris.
1515
00:40:08,333 --> 00:40:09,632
High stakes.
1516
00:40:11,302 --> 00:40:12,468
>> Okay, let's meet the judges.
1517
00:40:12,503 --> 00:40:14,237
First, we have CFDA lifetime
1518
00:40:14,272 --> 00:40:15,137
achievement award winner,
1519
00:40:15,173 --> 00:40:16,172
Michael Kors.
1520
00:40:16,207 --> 00:40:17,073
>> Hi, guys.
1521
00:40:17,108 --> 00:40:18,307
>> Hi, Michael.
1522
00:40:18,343 --> 00:40:19,308
>> Fashion director for
1523
00:40:19,344 --> 00:40:20,176
Marie Claire magazine,
1524
00:40:20,211 --> 00:40:21,344
Nina Garcia.
1525
00:40:21,379 --> 00:40:22,178
>> Hi, guys.
1526
00:40:22,213 --> 00:40:23,913
>> And guest judge, Francisco
1527
00:40:23,948 --> 00:40:25,414
Costa, award-winning woman's
1528
00:40:25,450 --> 00:40:26,782
creative director for Calvin
1529
00:40:26,818 --> 00:40:28,184
Klein collection.
1530
00:40:28,219 --> 00:40:30,353
>> Hello, everyone.
1531
00:40:30,388 --> 00:40:31,354
>> We will score your designs as
1532
00:40:31,389 --> 00:40:32,488
they come down the runway.
1533
00:40:32,523 --> 00:40:33,856
One of you will be named the
1534
00:40:33,891 --> 00:40:35,925
winner, and one of you will
1535
00:40:35,960 --> 00:40:38,127
be out.
1536
00:40:38,162 --> 00:40:39,362
Okay? Let's start the show.
1537
00:40:47,838 --> 00:40:49,005
>> That is hot.
1538
00:40:49,040 --> 00:40:50,006
What I like about my look is the
1539
00:40:50,041 --> 00:40:51,807
fact that she looks very demure
1540
00:40:51,843 --> 00:40:53,442
and rich and fun.
1541
00:40:53,478 --> 00:40:54,443
And it just has a lot of
1542
00:40:54,479 --> 00:40:55,678
movement.
1543
00:40:55,713 --> 00:40:57,747
It is one of my favorite as far
1544
00:40:57,782 --> 00:41:00,416
as design and ideas.
1545
00:41:00,451 --> 00:41:01,717
>> Those feathers were worth it.
1546
00:41:01,753 --> 00:41:02,985
>> Yeah.
1547
00:41:10,427 --> 00:41:11,927
>> Oh, my goodness.
1548
00:41:11,963 --> 00:41:13,829
I am elated with the way she
1549
00:41:13,865 --> 00:41:15,197
looks.
1550
00:41:15,233 --> 00:41:16,899
The dress is beautiful.
1551
00:41:16,934 --> 00:41:18,834
She is so so statuesque.
1552
00:41:18,870 --> 00:41:19,902
I do notice the imperfections,
1553
00:41:19,937 --> 00:41:23,239
but hopefully they will not be
1554
00:41:23,274 --> 00:41:24,774
to my detriment.
1555
00:41:24,809 --> 00:41:25,775
>> Got a little snafu at the
1556
00:41:25,810 --> 00:41:27,777
zipper, but that's okay.
1557
00:41:33,784 --> 00:41:35,117
>> This look that Viktor has
1558
00:41:35,153 --> 00:41:36,752
chosen is not my favorite just
1559
00:41:36,788 --> 00:41:38,421
because we've seen the
1560
00:41:38,456 --> 00:41:40,456
silhouette before, and it's just
1561
00:41:40,491 --> 00:41:42,158
a bit voluminous on one side.
1562
00:41:42,193 --> 00:41:43,426
So I don't know how that's gonna
1563
00:41:43,461 --> 00:41:45,027
appeal to the judges.
1564
00:41:45,063 --> 00:41:47,196
>> Kimberly's look is horrible.
1565
00:41:47,231 --> 00:41:48,197
It's kind of like mine, and she
1566
00:41:48,232 --> 00:41:49,432
did it in three hours.
1567
00:41:49,467 --> 00:41:50,900
It's not even stitched well.
1568
00:41:50,935 --> 00:41:52,234
This is a sewing competition,
1569
00:41:52,270 --> 00:41:54,704
not a pinning competition.
1570
00:42:03,947 --> 00:42:05,715
>> Kristin looks great in this.
1571
00:42:05,750 --> 00:42:06,716
She's beautiful and very
1572
00:42:06,751 --> 00:42:07,717
romantic and elegant and
1573
00:42:07,752 --> 00:42:08,718
sophisticated, which is what I
1574
00:42:08,753 --> 00:42:10,353
like to do.
1575
00:42:10,388 --> 00:42:11,754
But the skirt somehow looks too
1576
00:42:11,789 --> 00:42:13,222
short, so it's not flowing the
1577
00:42:13,257 --> 00:42:14,490
way I really would have liked it
1578
00:42:14,525 --> 00:42:15,725
to.
1579
00:42:15,760 --> 00:42:17,226
But I thought it looked great.
1580
00:42:23,600 --> 00:42:24,734
>> There's no regrets with this
1581
00:42:24,769 --> 00:42:25,735
challenge.
1582
00:42:25,770 --> 00:42:27,103
I feel confident about what's
1583
00:42:27,138 --> 00:42:28,471
walking down the runway.
1584
00:42:28,506 --> 00:42:30,005
The orange dress is very
1585
00:42:30,041 --> 00:42:31,407
beautiful, so it's something I'm
1586
00:42:31,442 --> 00:42:32,742
really, really proud of.
1587
00:42:32,777 --> 00:42:34,577
I'm riding high right now.
1588
00:42:34,612 --> 00:42:35,745
>> I wish guys could wear stuff
1589
00:42:35,780 --> 00:42:37,079
like this.
1590
00:42:43,787 --> 00:42:46,122
>> Josh's look is great.
1591
00:42:46,157 --> 00:42:47,089
He's just sort of gussied it up
1592
00:42:47,125 --> 00:42:48,958
with this flower corsage on the
1593
00:42:48,993 --> 00:42:50,292
neckline.
1594
00:42:50,328 --> 00:42:51,293
It doesn't need that,
1595
00:42:51,329 --> 00:42:52,595
but that's Josh.
1596
00:42:52,630 --> 00:42:53,763
>> I think Bert, he didn't want
1597
00:42:53,798 --> 00:42:54,764
to show the color too much.
1598
00:42:54,799 --> 00:42:55,765
He wanted to keep it more
1599
00:42:55,800 --> 00:42:57,133
hidden, which, in turn, he
1600
00:42:57,168 --> 00:42:58,567
produced work that wasn't so
1601
00:42:58,603 --> 00:43:00,202
great.
1602
00:43:08,645 --> 00:43:10,813
>> The look is just so
1603
00:43:10,848 --> 00:43:12,148
different from anything I've
1604
00:43:12,183 --> 00:43:13,182
ever done.
1605
00:43:13,217 --> 00:43:14,216
The shadows of the lines are
1606
00:43:14,252 --> 00:43:16,285
beautiful, and I'm really,
1607
00:43:16,320 --> 00:43:17,787
really, really pleased.
1608
00:43:17,822 --> 00:43:19,221
I can't believe it came out of
1609
00:43:19,257 --> 00:43:20,289
me.
1610
00:43:20,324 --> 00:43:21,924
Lord have mercy.
1611
00:43:27,531 --> 00:43:28,497
>> The jacket fits beautifully
1612
00:43:28,533 --> 00:43:29,965
on Megan.
1613
00:43:30,001 --> 00:43:31,066
I'm really happy about it.
1614
00:43:31,102 --> 00:43:32,635
The pant is really great.
1615
00:43:32,670 --> 00:43:34,003
They are sleek and tight.
1616
00:43:34,038 --> 00:43:35,004
I'm definitely happy I chose
1617
00:43:35,039 --> 00:43:36,505
this look.
1618
00:43:36,541 --> 00:43:37,506
I think it's fresh, it's
1619
00:43:37,542 --> 00:43:38,808
classic.
1620
00:43:38,843 --> 00:43:39,809
It's so gorgeous, and Megan
1621
00:43:39,844 --> 00:43:41,610
looks beautiful in it.
1622
00:43:49,386 --> 00:43:51,153
>> I think Laura's is beautiful.
1623
00:43:51,189 --> 00:43:53,189
I don't so much like all the
1624
00:43:53,224 --> 00:43:54,657
feathering on the neckline.
1625
00:43:54,692 --> 00:43:56,425
But it's just a matter of taste
1626
00:43:56,461 --> 00:43:57,493
at this point.
1627
00:43:57,528 --> 00:43:59,028
>> Anya did something cool.
1628
00:43:59,063 --> 00:44:00,830
I really love the design.
1629
00:44:00,865 --> 00:44:02,231
But, construction-wise,
1630
00:44:02,266 --> 00:44:03,265
it's frustrating because the
1631
00:44:03,301 --> 00:44:05,000
pieces she constructs herself,
1632
00:44:05,036 --> 00:44:06,268
you can't sell.
1633
00:44:11,209 --> 00:44:12,641
♪ ♪
1634
00:44:12,677 --> 00:44:14,043
>> You are the final six.
1635
00:44:14,078 --> 00:44:15,478
One of you will be named the
1636
00:44:15,513 --> 00:44:18,681
winner...and one of you will be
1637
00:44:18,716 --> 00:44:20,783
out.
1638
00:44:26,538 --> 00:44:27,504
>> One of you will be named the
1639
00:44:27,540 --> 00:44:30,307
winner...And one of you will be
1640
00:44:30,343 --> 00:44:33,177
out.
1641
00:44:33,212 --> 00:44:34,178
Okay, we're gonna talk to Anya
1642
00:44:34,213 --> 00:44:36,146
and Laura first.
1643
00:44:36,182 --> 00:44:37,147
Anya, tell us about your
1644
00:44:37,183 --> 00:44:38,515
inspiration and your look.
1645
00:44:38,551 --> 00:44:39,516
>> I really wanted to do
1646
00:44:39,552 --> 00:44:40,818
something that was solid,
1647
00:44:40,853 --> 00:44:42,252
inspired by the texture of the
1648
00:44:42,288 --> 00:44:44,822
raven, and more structured,
1649
00:44:44,857 --> 00:44:47,024
and move away from the kind of
1650
00:44:47,059 --> 00:44:48,125
work that I've been showing
1651
00:44:48,160 --> 00:44:49,493
so far in the competition.
1652
00:44:49,528 --> 00:44:50,494
>> I have to say, Anya, I really
1653
00:44:50,529 --> 00:44:51,662
loved your dress.
1654
00:44:51,697 --> 00:44:52,863
I think it's really fashion
1655
00:44:52,898 --> 00:44:55,499
forward, it's really cool, edgy.
1656
00:44:55,534 --> 00:44:57,501
All those names together.
1657
00:44:57,536 --> 00:44:59,002
I can also see the raven.
1658
00:44:59,038 --> 00:45:01,105
But it's not over the top.
1659
00:45:01,140 --> 00:45:02,072
It's not gimmicky.
1660
00:45:02,108 --> 00:45:03,640
It doesn't look like a costume.
1661
00:45:03,676 --> 00:45:05,242
I think she looks great.
1662
00:45:05,277 --> 00:45:06,477
>> Thank you.
1663
00:45:06,512 --> 00:45:08,645
>> I think that you found the
1664
00:45:08,681 --> 00:45:11,148
inspiration, but it's totally
1665
00:45:11,183 --> 00:45:12,483
not literal.
1666
00:45:12,518 --> 00:45:13,317
>> Mm-hmm.
1667
00:45:13,352 --> 00:45:14,485
>> And I think the dress is
1668
00:45:14,520 --> 00:45:16,320
interesting to look at, but
1669
00:45:16,355 --> 00:45:17,488
also, at the same time, quite
1670
00:45:17,523 --> 00:45:18,555
flattering.
1671
00:45:18,591 --> 00:45:19,857
I think it's an easy-to-wear
1672
00:45:19,892 --> 00:45:20,891
dress.
1673
00:45:20,926 --> 00:45:23,127
>> This is probably...
1674
00:45:23,162 --> 00:45:27,064
My favorite outfit that you have
1675
00:45:27,099 --> 00:45:29,066
produced so far.
1676
00:45:29,101 --> 00:45:31,068
You moved away from your comfort
1677
00:45:31,103 --> 00:45:34,772
zone, and it turned out really
1678
00:45:34,807 --> 00:45:37,875
beautiful, modern, dramatic.
1679
00:45:37,910 --> 00:45:40,377
It just looks great.
1680
00:45:40,413 --> 00:45:41,945
>> Francisco, what do you think?
1681
00:45:41,981 --> 00:45:44,114
>> I find it very, uh, very
1682
00:45:44,150 --> 00:45:44,982
urban.
1683
00:45:45,017 --> 00:45:45,949
There's a sense of goth about
1684
00:45:45,985 --> 00:45:46,817
it.
1685
00:45:46,852 --> 00:45:47,851
You know, I'm very impressed
1686
00:45:47,887 --> 00:45:48,786
with the cut.
1687
00:45:48,821 --> 00:45:49,787
I think you did a fantastic job
1688
00:45:49,822 --> 00:45:51,054
there.
1689
00:45:51,090 --> 00:45:52,589
You really get a sense of bird.
1690
00:45:52,625 --> 00:45:54,057
I think it's really great.
1691
00:45:54,093 --> 00:45:55,259
>> Thank you.
1692
00:45:55,294 --> 00:45:56,894
>> Laura...
1693
00:45:56,929 --> 00:45:58,595
You too impressed me, because,
1694
00:45:58,631 --> 00:46:00,097
yes, you moved out of your
1695
00:46:00,132 --> 00:46:01,231
comfort zone.
1696
00:46:01,267 --> 00:46:02,599
I thought that was very
1697
00:46:02,635 --> 00:46:04,935
dramatic.
1698
00:46:04,970 --> 00:46:07,738
But I do think the feathers and
1699
00:46:07,773 --> 00:46:10,407
the tight satin leggings, that's
1700
00:46:10,443 --> 00:46:12,910
what I think I didn't
1701
00:46:12,945 --> 00:46:13,744
appreciate.
1702
00:46:13,779 --> 00:46:16,246
And maybe it was too literal.
1703
00:46:16,282 --> 00:46:17,815
>> I feel like I've seen this
1704
00:46:17,850 --> 00:46:19,082
too many times.
1705
00:46:19,118 --> 00:46:21,185
I don't love all those ruffles.
1706
00:46:21,220 --> 00:46:22,653
It was too birdy.
1707
00:46:22,688 --> 00:46:23,887
I think that the pants are so
1708
00:46:23,923 --> 00:46:24,888
tight.
1709
00:46:24,924 --> 00:46:26,757
You know, they have so many
1710
00:46:26,792 --> 00:46:28,926
wrinkles.
1711
00:46:28,961 --> 00:46:31,161
>> For you, it's certainly
1712
00:46:31,197 --> 00:46:33,630
edgier than anything we've seen
1713
00:46:33,666 --> 00:46:34,832
you do before.
1714
00:46:34,867 --> 00:46:36,066
>> Yeah, I didn't want to do a
1715
00:46:36,101 --> 00:46:38,101
dress or a gown because I felt
1716
00:46:38,137 --> 00:46:39,670
that that would be expected.
1717
00:46:39,705 --> 00:46:41,371
So, um, I really did try to--
1718
00:46:41,407 --> 00:46:42,906
>> No, I appreciate that you
1719
00:46:42,942 --> 00:46:44,708
didn't go that route.
1720
00:46:44,743 --> 00:46:47,444
Unfortunately, though, it verges
1721
00:46:47,480 --> 00:46:49,246
costumey because of that.
1722
00:46:49,281 --> 00:46:51,915
I prefer the hair and makeup
1723
00:46:51,951 --> 00:46:54,084
that I see on Laura on her
1724
00:46:54,119 --> 00:46:55,152
model.
1725
00:46:55,187 --> 00:46:56,420
I like the sleekness of it, and
1726
00:46:56,455 --> 00:46:57,287
I think the eye makeup's
1727
00:46:57,323 --> 00:46:58,121
gorgeous.
1728
00:46:58,157 --> 00:46:59,156
>> The cut of the jacket's
1729
00:46:59,191 --> 00:47:00,157
really lovely, really beautiful.
1730
00:47:00,192 --> 00:47:01,992
I'm not so keen on the styling.
1731
00:47:02,027 --> 00:47:03,660
But I can get the sense, you
1732
00:47:03,696 --> 00:47:06,063
know, of your interest with cut.
1733
00:47:06,098 --> 00:47:07,931
I can appreciate very much.
1734
00:47:07,967 --> 00:47:08,999
>> Thank you.
1735
00:47:09,034 --> 00:47:10,000
>> Anya, you were the higher
1736
00:47:10,035 --> 00:47:12,202
score.
1737
00:47:12,238 --> 00:47:13,203
And, Laura, you had the lower
1738
00:47:13,239 --> 00:47:15,205
score.
1739
00:47:15,241 --> 00:47:16,673
Bert, tell us about your look.
1740
00:47:16,709 --> 00:47:17,875
>> We got this short, dumpy
1741
00:47:17,910 --> 00:47:18,976
little parrot.
1742
00:47:19,011 --> 00:47:20,811
It wasn't my favorite choice.
1743
00:47:20,846 --> 00:47:22,045
The only thing I really liked
1744
00:47:22,081 --> 00:47:24,281
was the claws, sort of
1745
00:47:24,316 --> 00:47:25,415
purpley-gray.
1746
00:47:25,451 --> 00:47:26,984
That was my inspiration, was for
1747
00:47:27,019 --> 00:47:28,218
that part of the bird.
1748
00:47:28,254 --> 00:47:29,219
I like this look.
1749
00:47:29,255 --> 00:47:30,354
I'm not, like, in--I'm not gonna
1750
00:47:30,389 --> 00:47:31,722
try and ditch my own look.
1751
00:47:31,757 --> 00:47:33,323
But it's not my strongest thing
1752
00:47:33,359 --> 00:47:34,458
I think I could have done, in
1753
00:47:34,493 --> 00:47:35,993
hindsight.
1754
00:47:36,028 --> 00:47:36,827
>> Talk about pageanty.
1755
00:47:36,862 --> 00:47:37,694
>> Mm-hmm.
1756
00:47:37,730 --> 00:47:39,663
>> Wonder Woman, weird.
1757
00:47:39,698 --> 00:47:40,664
It has nothing to do with the
1758
00:47:40,699 --> 00:47:42,366
joy or the exuberance of the
1759
00:47:42,401 --> 00:47:43,834
bird.
1760
00:47:43,869 --> 00:47:44,935
>> Right.
1761
00:47:44,970 --> 00:47:47,170
>> The bustier is cut perfectly.
1762
00:47:47,206 --> 00:47:48,338
Perfectly.
1763
00:47:48,374 --> 00:47:49,339
But even her hair and makeup,
1764
00:47:49,375 --> 00:47:50,974
while I think it's good-looking,
1765
00:47:51,010 --> 00:47:52,075
I don't think that it has the
1766
00:47:52,111 --> 00:47:53,477
exuberance he went for.
1767
00:47:53,512 --> 00:47:54,478
>> Mm-hmm, I agree to that,
1768
00:47:54,513 --> 00:47:56,647
totally.
1769
00:47:56,682 --> 00:47:57,981
>> I don't think the shape is,
1770
00:47:58,017 --> 00:48:00,150
uh, felt very new or
1771
00:48:00,185 --> 00:48:01,018
interesting.
1772
00:48:01,053 --> 00:48:02,319
You weren't very inspired by it.
1773
00:48:02,354 --> 00:48:04,454
I think that was the point here.
1774
00:48:04,490 --> 00:48:05,455
I thought there was a lack of
1775
00:48:05,491 --> 00:48:06,857
confidence, perhaps, you know.
1776
00:48:06,892 --> 00:48:08,258
>> This is a very disappointing
1777
00:48:08,294 --> 00:48:09,660
look, Bert.
1778
00:48:09,695 --> 00:48:11,962
But I have a feeling colors
1779
00:48:11,997 --> 00:48:13,664
aren't your strong suit.
1780
00:48:13,699 --> 00:48:15,899
However, the silhouette of this
1781
00:48:15,935 --> 00:48:19,036
is what troubles me even more.
1782
00:48:19,071 --> 00:48:21,505
Because it does look so generic,
1783
00:48:21,540 --> 00:48:22,806
so expected.
1784
00:48:22,841 --> 00:48:24,708
>> Right, I agree.
1785
00:48:24,743 --> 00:48:25,709
>> I know you guys all don't
1786
00:48:25,744 --> 00:48:27,511
like the idea of Bert's dress
1787
00:48:27,546 --> 00:48:29,680
being kind of gray from the
1788
00:48:29,715 --> 00:48:30,981
outside, you know.
1789
00:48:31,016 --> 00:48:31,982
I--I thought it was nice when it
1790
00:48:32,017 --> 00:48:33,684
opened, then, puff!
1791
00:48:33,719 --> 00:48:35,218
There's the color, it's there.
1792
00:48:35,254 --> 00:48:36,219
>> I mean, the element of
1793
00:48:36,255 --> 00:48:37,120
surprise I thought was really
1794
00:48:37,156 --> 00:48:38,088
interesting.
1795
00:48:38,123 --> 00:48:38,956
>> Right.
1796
00:48:38,991 --> 00:48:39,823
>> I like the idea.
1797
00:48:39,858 --> 00:48:40,958
It's just the execution, it just
1798
00:48:40,993 --> 00:48:41,825
didn't work.
1799
00:48:41,860 --> 00:48:42,960
>> My bad.
1800
00:48:42,995 --> 00:48:43,961
>> Joshua, tell us about your
1801
00:48:43,996 --> 00:48:45,362
look.
1802
00:48:45,397 --> 00:48:46,463
>> I guess it just really
1803
00:48:46,498 --> 00:48:47,731
started--I really haven't done,
1804
00:48:47,766 --> 00:48:49,199
you know, a challenge that's
1805
00:48:49,234 --> 00:48:51,034
shown my draping ability.
1806
00:48:51,070 --> 00:48:52,035
I just wanted something that's
1807
00:48:52,071 --> 00:48:53,503
very easy and, you know,
1808
00:48:53,539 --> 00:48:54,371
beautiful.
1809
00:48:54,406 --> 00:48:56,840
And throwing a little bit of...
1810
00:48:56,875 --> 00:48:58,775
Me into it.
1811
00:48:58,811 --> 00:48:59,876
But nicely.
1812
00:48:59,912 --> 00:49:02,212
'Cause my first look is hundreds
1813
00:49:02,247 --> 00:49:04,448
of these in green.
1814
00:49:05,718 --> 00:49:06,817
Hundreds.
1815
00:49:06,852 --> 00:49:07,818
>> I think that the cut of the
1816
00:49:07,853 --> 00:49:09,686
dress is fantastic.
1817
00:49:09,722 --> 00:49:11,355
I love the chain detail on the
1818
00:49:11,390 --> 00:49:12,723
side over here.
1819
00:49:12,758 --> 00:49:13,690
Great.
1820
00:49:13,726 --> 00:49:15,792
The dress is beautifully draped.
1821
00:49:15,828 --> 00:49:16,793
I love that it doesn't look
1822
00:49:16,829 --> 00:49:18,829
worked, which is such a good
1823
00:49:18,864 --> 00:49:20,097
thing for you, when something
1824
00:49:20,132 --> 00:49:22,032
doesn't look worked.
1825
00:49:22,067 --> 00:49:23,033
But then, all of a sudden, she
1826
00:49:23,068 --> 00:49:25,035
had to get the "I was drunk in
1827
00:49:25,070 --> 00:49:26,536
the Caribbean at a party"
1828
00:49:26,572 --> 00:49:29,539
corsage on her shoulder.
1829
00:49:29,575 --> 00:49:30,707
>> I hear what you're saying.
1830
00:49:30,743 --> 00:49:31,508
>> I mean, it's just--
1831
00:49:31,543 --> 00:49:33,276
you've got the talent.
1832
00:49:33,312 --> 00:49:35,846
You've just gotta hold it in.
1833
00:49:35,881 --> 00:49:37,381
>> I love the fact that you
1834
00:49:37,416 --> 00:49:39,416
embraced this...
1835
00:49:39,451 --> 00:49:41,385
Minimalism, for you.
1836
00:49:41,420 --> 00:49:42,886
Because this is as
1837
00:49:42,921 --> 00:49:44,554
minimal as I have seen for you.
1838
00:49:44,590 --> 00:49:47,157
It really works very well.
1839
00:49:47,192 --> 00:49:49,259
You did it very nicely.
1840
00:49:49,294 --> 00:49:50,827
I mean, I love the draping, I
1841
00:49:50,863 --> 00:49:52,896
love that it looks very modern.
1842
00:49:52,931 --> 00:49:54,398
I mean, that is a really
1843
00:49:54,433 --> 00:49:55,532
beautifully cut dress.
1844
00:49:55,567 --> 00:49:56,400
>> Thank you.
1845
00:49:56,435 --> 00:49:57,267
>> You know what I find
1846
00:49:57,302 --> 00:49:58,435
interesting is that the
1847
00:49:58,470 --> 00:50:00,437
references are absolutely not
1848
00:50:00,472 --> 00:50:01,538
literal.
1849
00:50:01,573 --> 00:50:02,773
Um, 'cause he didn't use,
1850
00:50:02,808 --> 00:50:04,074
obviously, the colors of the
1851
00:50:04,109 --> 00:50:04,908
bird.
1852
00:50:04,943 --> 00:50:06,243
But the exuberance of it is
1853
00:50:06,278 --> 00:50:07,077
there.
1854
00:50:07,112 --> 00:50:08,779
And I think that shows through,
1855
00:50:08,814 --> 00:50:10,047
and it's very refreshing,
1856
00:50:10,082 --> 00:50:10,914
in a way.
1857
00:50:10,949 --> 00:50:12,049
I think it's--it's great.
1858
00:50:12,084 --> 00:50:13,450
I think you did a fantastic job.
1859
00:50:13,485 --> 00:50:14,985
>> Thank you so much.
1860
00:50:15,020 --> 00:50:16,787
>> Now, you, on the other hand,
1861
00:50:16,822 --> 00:50:19,022
I think hated the challenge.
1862
00:50:19,058 --> 00:50:19,890
>> I hated the bird, not the
1863
00:50:19,925 --> 00:50:20,857
cha--
1864
00:50:20,893 --> 00:50:21,625
>> Well, you hated the bird,
1865
00:50:21,660 --> 00:50:22,626
Well, therefore, that's like,
1866
00:50:22,661 --> 00:50:23,493
you know.
1867
00:50:23,529 --> 00:50:24,561
>> I made the wrong choice.
1868
00:50:24,596 --> 00:50:26,463
>> Joshua...
1869
00:50:26,498 --> 00:50:27,864
You have the higher score.
1870
00:50:27,900 --> 00:50:29,132
And, Bert, you have the lower
1871
00:50:29,168 --> 00:50:30,867
score.
1872
00:50:30,903 --> 00:50:31,868
So do you think the editing
1873
00:50:31,904 --> 00:50:32,869
helped you?
1874
00:50:32,905 --> 00:50:33,870
>> Oh, of course.
1875
00:50:33,906 --> 00:50:35,872
I mean, if I keep listening, it
1876
00:50:35,908 --> 00:50:36,873
will only keep me in.
1877
00:50:36,909 --> 00:50:38,175
And it will only make me a
1878
00:50:38,210 --> 00:50:39,543
better designer in the end.
1879
00:50:39,578 --> 00:50:40,877
And, you know, that's my main
1880
00:50:40,913 --> 00:50:41,878
goal of being here.
1881
00:50:41,914 --> 00:50:42,913
>> Kimberly, tell us about your
1882
00:50:42,948 --> 00:50:43,880
bird.
1883
00:50:43,916 --> 00:50:44,715
What bird did you have?
1884
00:50:44,750 --> 00:50:45,882
>> We had the cockatoo.
1885
00:50:45,918 --> 00:50:46,883
You know, it was really pretty.
1886
00:50:46,919 --> 00:50:47,884
It was very soft.
1887
00:50:47,920 --> 00:50:48,885
It was like a really pale ivory
1888
00:50:48,921 --> 00:50:49,720
color.
1889
00:50:49,755 --> 00:50:50,687
And I just want to do something
1890
00:50:50,723 --> 00:50:51,521
different.
1891
00:50:51,557 --> 00:50:52,389
You know, show you guys that I
1892
00:50:52,424 --> 00:50:54,024
can do, you know, soft and
1893
00:50:54,059 --> 00:50:55,092
romantic, 'cause usually I'm
1894
00:50:55,127 --> 00:50:57,260
urban and edgy, or, you know.
1895
00:50:57,296 --> 00:50:58,195
>> One of your dress almost
1896
00:50:58,230 --> 00:50:59,029
burned, or it burned?
1897
00:50:59,064 --> 00:50:59,896
>> It did get burned, yes.
1898
00:50:59,932 --> 00:51:01,231
>> What happened?
1899
00:51:01,266 --> 00:51:02,899
>> Uh, it...Viktor.
1900
00:51:02,935 --> 00:51:04,034
>> I didn't do it.
1901
00:51:04,069 --> 00:51:05,902
I didn't do that on purpose.
1902
00:51:05,938 --> 00:51:07,204
>> You burnt her dress.
1903
00:51:07,239 --> 00:51:08,405
>> No, you didn't.
1904
00:51:08,440 --> 00:51:09,406
>> It was on an iron or
1905
00:51:09,441 --> 00:51:10,373
something, and it had a big hole
1906
00:51:10,409 --> 00:51:11,308
in it.
1907
00:51:11,343 --> 00:51:12,309
So I didn't start this until,
1908
00:51:12,344 --> 00:51:13,910
like, three hours before the end
1909
00:51:13,946 --> 00:51:14,911
of the day last night.
1910
00:51:14,947 --> 00:51:15,912
>> So you made this dress in
1911
00:51:15,948 --> 00:51:17,047
three hours?
1912
00:51:17,082 --> 00:51:18,381
>> Basically, yeah.
1913
00:51:18,417 --> 00:51:20,016
>> This is one of those dresses
1914
00:51:20,085 --> 00:51:23,920
that...It's cut so well, it's so
1915
00:51:23,956 --> 00:51:25,455
bare, that you think she'll fall
1916
00:51:25,491 --> 00:51:27,390
out of it, which is fabulous,
1917
00:51:27,426 --> 00:51:28,425
but she doesn't.
1918
00:51:28,460 --> 00:51:29,760
I think it's great.
1919
00:51:29,795 --> 00:51:31,628
I could live without the pearl
1920
00:51:31,663 --> 00:51:32,562
trim.
1921
00:51:32,598 --> 00:51:33,463
That got a little mommy-ish to
1922
00:51:33,499 --> 00:51:34,431
me.
1923
00:51:34,466 --> 00:51:35,532
But I think the cut of this is
1924
00:51:35,567 --> 00:51:36,700
fabulous.
1925
00:51:36,735 --> 00:51:38,935
>> I think the look of--
1926
00:51:38,971 --> 00:51:40,303
total look, just feels a bit
1927
00:51:40,339 --> 00:51:41,304
mature to me.
1928
00:51:41,340 --> 00:51:42,939
And that's why I thought perhaps
1929
00:51:42,975 --> 00:51:44,608
Viktor's felt a little younger,
1930
00:51:44,643 --> 00:51:45,542
maybe a little fresher and more
1931
00:51:45,577 --> 00:51:46,443
airy.
1932
00:51:46,478 --> 00:51:48,311
But I love the mixture, also.
1933
00:51:48,347 --> 00:51:49,146
Is that leather in the
1934
00:51:49,181 --> 00:51:49,980
waistband?
1935
00:51:50,015 --> 00:51:50,947
>> Yes.
1936
00:51:50,983 --> 00:51:51,782
>> I think it looks great.
1937
00:51:51,817 --> 00:51:52,949
It's incredible that you made
1938
00:51:52,985 --> 00:51:54,284
this dress in three hours.
1939
00:51:54,319 --> 00:51:55,252
I mean, it's remarkable.
1940
00:51:55,287 --> 00:51:56,286
It's fantastic.
1941
00:51:56,321 --> 00:51:58,688
>> I did like yours very much.
1942
00:51:58,724 --> 00:52:01,424
However, there is something a
1943
00:52:01,460 --> 00:52:04,561
little beauty pageant about it.
1944
00:52:04,596 --> 00:52:07,497
I do not like her makeup.
1945
00:52:07,533 --> 00:52:10,167
I prefer Viktor's makeup.
1946
00:52:10,202 --> 00:52:11,802
But there is something very
1947
00:52:11,837 --> 00:52:13,270
seductive about this dress,
1948
00:52:13,305 --> 00:52:14,971
and when it walked out, she
1949
00:52:15,007 --> 00:52:17,073
looked phenomenal.
1950
00:52:17,109 --> 00:52:18,575
>> Okay, Viktor, tell us about
1951
00:52:18,610 --> 00:52:20,410
your inspiration and your look.
1952
00:52:20,445 --> 00:52:21,545
>> I know it's a little literal,
1953
00:52:21,580 --> 00:52:23,413
but I just wanted to really be
1954
00:52:23,448 --> 00:52:24,815
whimsical and fun with it.
1955
00:52:24,850 --> 00:52:26,016
>> The colors, I think, are
1956
00:52:26,051 --> 00:52:27,284
great, and I think your use of
1957
00:52:27,319 --> 00:52:29,419
technique of the feather is
1958
00:52:29,454 --> 00:52:31,021
fascinating, actually.
1959
00:52:31,056 --> 00:52:32,122
Because it really, when she
1960
00:52:32,157 --> 00:52:33,757
walked in, it was very light.
1961
00:52:33,792 --> 00:52:34,825
It was very romantic.
1962
00:52:34,860 --> 00:52:35,992
So I actually liked it very
1963
00:52:36,028 --> 00:52:36,993
much.
1964
00:52:37,029 --> 00:52:38,428
I think again, both are really,
1965
00:52:38,463 --> 00:52:40,997
really beautiful dresses.
1966
00:52:41,033 --> 00:52:42,032
>> You know, Viktor, when I look
1967
00:52:42,067 --> 00:52:44,367
at your dress, the work on it is
1968
00:52:44,403 --> 00:52:45,368
great.
1969
00:52:45,404 --> 00:52:47,003
The colors are gorgeous.
1970
00:52:47,039 --> 00:52:49,139
And it--it had a real movement
1971
00:52:49,174 --> 00:52:50,006
to it.
1972
00:52:50,042 --> 00:52:53,810
But it's so literal to me.
1973
00:52:53,846 --> 00:52:55,645
>> And, as competitors, were you
1974
00:52:55,681 --> 00:52:59,015
guys eyeing each other's work?
1975
00:52:59,051 --> 00:53:00,016
Yeah?
1976
00:53:00,052 --> 00:53:00,817
>> Yeah, I mean...
1977
00:53:00,853 --> 00:53:01,651
>> Yeah.
1978
00:53:01,687 --> 00:53:02,552
>> They're both beautiful
1979
00:53:02,588 --> 00:53:03,453
dresses.
1980
00:53:03,488 --> 00:53:05,121
Kimberly, I think that, when you
1981
00:53:05,157 --> 00:53:06,857
look up close, you will see a
1982
00:53:06,892 --> 00:53:08,792
lot of things that are not done
1983
00:53:08,827 --> 00:53:09,659
as well...
1984
00:53:09,695 --> 00:53:10,493
>> Right.
1985
00:53:10,529 --> 00:53:11,828
>> As Viktor's.
1986
00:53:11,864 --> 00:53:14,064
I think Viktor's is impeccable.
1987
00:53:14,099 --> 00:53:15,732
I just liked yours more.
1988
00:53:15,767 --> 00:53:18,201
>> Thank you.
1989
00:53:18,237 --> 00:53:20,036
>> It's unfortunate, Viktor,
1990
00:53:20,072 --> 00:53:22,672
because I think you went too
1991
00:53:22,708 --> 00:53:24,741
much with these feathers.
1992
00:53:24,776 --> 00:53:28,044
And the dress lost its lightness
1993
00:53:28,080 --> 00:53:32,148
and it lost its balance.
1994
00:53:32,184 --> 00:53:33,383
Well, Kimberly, you are in the
1995
00:53:33,418 --> 00:53:34,451
high.
1996
00:53:34,486 --> 00:53:37,554
And, Viktor, you are in the low.
1997
00:53:37,589 --> 00:53:38,822
Well, we have a very
1998
00:53:38,857 --> 00:53:40,590
difficult decision to make.
1999
00:53:40,626 --> 00:53:42,726
And I'm gonna call you back out.
2000
00:53:42,761 --> 00:53:44,461
You can leave the runway.
2001
00:53:50,568 --> 00:53:51,534
>> How do you like that for a
2002
00:53:51,570 --> 00:53:53,203
three-hour dress?
2003
00:53:53,238 --> 00:53:54,137
>> I don't like it at all.
2004
00:53:55,240 --> 00:53:57,040
It feels great to be in the top.
2005
00:53:57,075 --> 00:53:59,276
To beat the mighty Viktor feels
2006
00:53:59,311 --> 00:54:01,478
so amazing.
2007
00:54:01,513 --> 00:54:03,013
>> You know what I'm mad about?
2008
00:54:03,048 --> 00:54:04,014
Kim. I'm--
2009
00:54:05,851 --> 00:54:06,850
>> I took him down.
2010
00:54:06,885 --> 00:54:08,852
Take that, Viktor.
2011
00:54:08,887 --> 00:54:09,853
>> I have to say, I loved
2012
00:54:09,888 --> 00:54:11,554
today's fashion show.
2013
00:54:11,590 --> 00:54:12,489
I thought they were very
2014
00:54:12,524 --> 00:54:13,356
innovative.
2015
00:54:13,392 --> 00:54:14,624
They were all very different.
2016
00:54:14,660 --> 00:54:16,559
And also, I think to kind of
2017
00:54:16,595 --> 00:54:18,695
team them up, you know, so they
2018
00:54:18,730 --> 00:54:19,930
have to battle it out...
2019
00:54:19,965 --> 00:54:21,298
>> Create an excitement.
2020
00:54:21,333 --> 00:54:22,132
>> Yeah.
2021
00:54:22,167 --> 00:54:23,099
>> Fashion's a competitive
2022
00:54:23,135 --> 00:54:24,100
sport.
2023
00:54:24,136 --> 00:54:26,102
And I think today, they really
2024
00:54:26,138 --> 00:54:27,871
had that competitive spirit.
2025
00:54:27,906 --> 00:54:28,872
It helped.
2026
00:54:28,907 --> 00:54:29,706
>> Anya made a really cool
2027
00:54:29,741 --> 00:54:30,740
outfit today.
2028
00:54:30,776 --> 00:54:31,574
>> I mean, the fabric was
2029
00:54:31,610 --> 00:54:32,409
amazing.
2030
00:54:32,444 --> 00:54:33,243
The madness of it.
2031
00:54:33,278 --> 00:54:34,110
And, really, she really
2032
00:54:34,146 --> 00:54:35,378
expressed herself in the best
2033
00:54:35,414 --> 00:54:36,546
way possible.
2034
00:54:36,581 --> 00:54:37,814
>> Look at the construction on
2035
00:54:37,849 --> 00:54:38,648
that dress.
2036
00:54:38,684 --> 00:54:40,116
Suddenly, today, she gave us
2037
00:54:40,152 --> 00:54:42,118
something hard-edged, urban,
2038
00:54:42,154 --> 00:54:43,954
totally out of her comfort zone.
2039
00:54:43,989 --> 00:54:45,422
She showed an inspiration that
2040
00:54:45,457 --> 00:54:46,556
wasn't so obvious.
2041
00:54:46,591 --> 00:54:47,424
>> Totally.
2042
00:54:47,459 --> 00:54:48,291
>> Which I loved.
2043
00:54:48,327 --> 00:54:52,429
>> Which I liked too.
2044
00:54:52,464 --> 00:54:54,130
>> Well, I love what Joshua did.
2045
00:54:54,166 --> 00:54:55,732
I thought the color was great.
2046
00:54:55,767 --> 00:54:56,700
>> It was great.
2047
00:54:56,735 --> 00:54:57,767
>> I love the cut of that dress.
2048
00:54:57,803 --> 00:54:59,636
>> And, you know, it was bold,
2049
00:54:59,671 --> 00:55:00,804
bright, fun, playful.
2050
00:55:00,839 --> 00:55:02,205
What it was supposed to be.
2051
00:55:02,240 --> 00:55:04,341
>> I like the chain, and also
2052
00:55:04,376 --> 00:55:05,508
easy to wear.
2053
00:55:05,544 --> 00:55:07,510
>> Would you wear it, Michael?
2054
00:55:07,546 --> 00:55:09,846
>> Well, I--I happen to be very
2055
00:55:09,881 --> 00:55:11,948
much an orange kind of guy.
2056
00:55:11,984 --> 00:55:13,516
>> That was a beautiful dress.
2057
00:55:13,552 --> 00:55:15,151
>> It was gorgeous.
2058
00:55:15,187 --> 00:55:16,386
>> Beautiful dress.
2059
00:55:19,623 --> 00:55:21,324
>> Now, you know, I think that
2060
00:55:21,360 --> 00:55:23,259
Kimberly is also trying to
2061
00:55:23,295 --> 00:55:24,194
push herself.
2062
00:55:24,229 --> 00:55:25,662
This really beautifully cut,
2063
00:55:25,697 --> 00:55:28,231
white grecian goddess dress,
2064
00:55:28,266 --> 00:55:29,699
which I think took the
2065
00:55:29,735 --> 00:55:31,301
inspiration of the cockatoo.
2066
00:55:31,336 --> 00:55:32,168
I love the fluttering of the
2067
00:55:32,204 --> 00:55:33,003
wing.
2068
00:55:33,038 --> 00:55:33,870
>> It works.
2069
00:55:33,905 --> 00:55:34,971
>> And, three hours, it's major
2070
00:55:35,007 --> 00:55:35,839
work.
2071
00:55:35,874 --> 00:55:36,840
>> Three hours, she pulled that
2072
00:55:36,875 --> 00:55:37,707
together.
2073
00:55:37,743 --> 00:55:38,675
>> And she also stepped out of
2074
00:55:38,710 --> 00:55:39,509
her comfort zone.
2075
00:55:39,544 --> 00:55:40,477
Normally, she doesn't do these
2076
00:55:40,512 --> 00:55:45,215
kind of clothes, either.
2077
00:55:45,250 --> 00:55:46,649
I have to say, all the people
2078
00:55:46,685 --> 00:55:47,984
today that were in the bottom
2079
00:55:48,020 --> 00:55:49,386
were really, really literal in
2080
00:55:49,421 --> 00:55:50,353
their designs.
2081
00:55:50,389 --> 00:55:51,654
>> Yeah, that's what happened.
2082
00:55:51,690 --> 00:55:52,689
>> They went to Bert.
2083
00:55:52,724 --> 00:55:53,690
>> It's interesting, because
2084
00:55:53,725 --> 00:55:54,991
when I saw Viktor's dress, it
2085
00:55:55,027 --> 00:55:57,927
felt less important because, you
2086
00:55:57,963 --> 00:55:58,928
know, it was a little
2087
00:55:58,964 --> 00:56:00,196
unbalanced, really.
2088
00:56:00,232 --> 00:56:01,498
>> I liked his construction
2089
00:56:01,533 --> 00:56:02,632
skills, Viktor.
2090
00:56:02,667 --> 00:56:04,034
You know, I think the dress was
2091
00:56:04,069 --> 00:56:05,502
made beautifully.
2092
00:56:05,537 --> 00:56:06,403
>> We didn't hate it.
2093
00:56:06,438 --> 00:56:07,470
>> Romantic, certainly.
2094
00:56:07,506 --> 00:56:08,872
Fragile, elegant, all of those
2095
00:56:08,907 --> 00:56:12,375
things.
2096
00:56:12,411 --> 00:56:13,676
>> I mean, there were really
2097
00:56:13,712 --> 00:56:15,345
only two, today, I think, that
2098
00:56:15,380 --> 00:56:16,813
we didn't like, and that was
2099
00:56:16,848 --> 00:56:18,548
Laura and Bert.
2100
00:56:18,583 --> 00:56:20,050
>> I was very disappointed with
2101
00:56:20,085 --> 00:56:22,218
both, but Bert really...
2102
00:56:22,254 --> 00:56:23,753
It's like he was wrestling with
2103
00:56:23,789 --> 00:56:24,988
the challenge.
2104
00:56:25,023 --> 00:56:27,924
And you have this sad, somber,
2105
00:56:27,959 --> 00:56:29,225
very kind of run-of-the-mill
2106
00:56:29,261 --> 00:56:30,226
gown.
2107
00:56:30,262 --> 00:56:31,494
>> Reptilian corset?
2108
00:56:31,530 --> 00:56:32,362
>> Yeah.
2109
00:56:32,397 --> 00:56:33,563
>> It wasn't exciting, really,
2110
00:56:33,598 --> 00:56:34,397
at all.
2111
00:56:34,433 --> 00:56:36,232
>> I quite like the idea of it.
2112
00:56:36,268 --> 00:56:37,267
>> You like the hidden color.
2113
00:56:37,302 --> 00:56:38,234
>> Yeah.
2114
00:56:38,270 --> 00:56:39,035
>> Just not the way it was done.
2115
00:56:39,071 --> 00:56:40,537
>> Because if that was the
2116
00:56:40,572 --> 00:56:41,504
explosion, and if that would
2117
00:56:41,540 --> 00:56:42,305
have worked out perfectly,
2118
00:56:42,340 --> 00:56:43,239
then, yeah.
2119
00:56:43,275 --> 00:56:44,240
>> And Bert basically said,
2120
00:56:44,276 --> 00:56:45,241
"I don't like my dress."
2121
00:56:45,277 --> 00:56:46,276
>> I mean, he didn't have a good
2122
00:56:46,311 --> 00:56:47,544
relationship with the bird.
2123
00:56:47,579 --> 00:56:48,578
>> Bert's done some amazing
2124
00:56:48,613 --> 00:56:49,412
things.
2125
00:56:49,448 --> 00:56:50,847
I just think, today, it just
2126
00:56:50,882 --> 00:56:51,748
didn't work out.
2127
00:56:51,783 --> 00:56:52,582
>> This wasn't his day.
2128
00:56:52,617 --> 00:56:53,583
>> This wasn't the challenge
2129
00:56:53,618 --> 00:56:55,985
for him.
2130
00:56:56,021 --> 00:56:58,088
>> Laura, on the other hand,
2131
00:56:58,123 --> 00:56:58,922
talk about literal.
2132
00:56:58,957 --> 00:56:59,756
>> Oof.
2133
00:56:59,791 --> 00:57:00,757
>> I mean, excuse me.
2134
00:57:00,792 --> 00:57:02,459
First off, let's start from the
2135
00:57:02,494 --> 00:57:03,493
foot up.
2136
00:57:03,528 --> 00:57:04,494
>> Yeah, the skinny legs,
2137
00:57:04,529 --> 00:57:05,728
because those are the bird's...
2138
00:57:05,764 --> 00:57:06,830
Legs.
2139
00:57:06,865 --> 00:57:08,264
>> "Yeah, and birds have
2140
00:57:08,300 --> 00:57:09,466
feathers next to their head.
2141
00:57:09,501 --> 00:57:10,967
So I'm gonna put some feathers
2142
00:57:11,002 --> 00:57:12,268
on the jacket."
2143
00:57:12,304 --> 00:57:13,269
>> "Then they have a long, black
2144
00:57:13,305 --> 00:57:14,270
tail, so I'm gonna put a
2145
00:57:14,306 --> 00:57:15,472
gigantic, long tail on it."
2146
00:57:15,507 --> 00:57:16,473
>> Well, I think it was a little
2147
00:57:16,508 --> 00:57:17,540
bit unfortunate, really.
2148
00:57:17,576 --> 00:57:18,575
>> It's Project Runway.
2149
00:57:18,610 --> 00:57:19,909
It's about design.
2150
00:57:19,945 --> 00:57:21,878
And I think she was so literal
2151
00:57:21,913 --> 00:57:26,449
in her inspiration.
2152
00:57:26,485 --> 00:57:27,684
>> Okay, so we've made our
2153
00:57:27,719 --> 00:57:28,985
decision?
2154
00:57:29,020 --> 00:57:30,887
Let's bring them back out.
2155
00:57:34,091 --> 00:57:36,326
>> You are the final six.
2156
00:57:36,361 --> 00:57:37,327
One of you will be named the
2157
00:57:37,362 --> 00:57:39,562
winner, and one of you will be
2158
00:57:39,598 --> 00:57:41,898
out.
2159
00:57:46,103 --> 00:57:48,119
>> You represent the final six.
2160
00:57:48,120 --> 00:57:49,085
One of you will be named the
2161
00:57:49,121 --> 00:57:51,955
winner...
2162
00:57:51,990 --> 00:57:54,190
And one of you will be out.
2163
00:57:57,862 --> 00:57:59,929
Anya, you are the clear winner
2164
00:57:59,965 --> 00:58:01,564
of this challenge.
2165
00:58:01,600 --> 00:58:04,667
Congratulations.
2166
00:58:04,703 --> 00:58:06,503
>> Thank you so much.
2167
00:58:06,538 --> 00:58:07,504
>> You stepped outside of your
2168
00:58:07,539 --> 00:58:08,938
comfort zone, and it really
2169
00:58:08,974 --> 00:58:10,507
worked.
2170
00:58:10,542 --> 00:58:12,075
You will receive an advertorial
2171
00:58:12,110 --> 00:58:14,477
in Marie Clair magazine.
2172
00:58:14,513 --> 00:58:16,846
And $20,000 from L'Oreal Paris.
2173
00:58:16,882 --> 00:58:19,983
>> Thank you so much.
2174
00:58:20,018 --> 00:58:21,084
>> Great job.
2175
00:58:21,119 --> 00:58:25,088
You can leave the runway.
2176
00:58:25,123 --> 00:58:27,056
>> It feels fantastic to win
2177
00:58:27,092 --> 00:58:28,158
this, especially for something
2178
00:58:28,193 --> 00:58:30,193
that I took such a huge risk on.
2179
00:58:30,228 --> 00:58:32,662
It's extremely validating.
2180
00:58:32,697 --> 00:58:34,964
It's a huge, huge challenge to
2181
00:58:35,000 --> 00:58:40,637
have won.
2182
00:58:40,672 --> 00:58:42,505
>> Joshua...Good job.
2183
00:58:42,541 --> 00:58:44,174
You're in.
2184
00:58:48,646 --> 00:58:51,047
>> Josh.
2185
00:58:51,082 --> 00:58:52,348
Are you mad at me?
2186
00:58:52,384 --> 00:58:53,883
>> No.
2187
00:58:53,919 --> 00:58:57,120
>> What? What's up?
2188
00:58:57,155 --> 00:58:58,188
>> Congratulations.
2189
00:58:58,223 --> 00:58:59,355
Mwah.
2190
00:58:59,391 --> 00:59:00,657
>> Anya was the winner, but
2191
00:59:00,692 --> 00:59:02,325
these are the challenges that
2192
00:59:02,360 --> 00:59:03,693
infuriate me, when, you know,
2193
00:59:03,728 --> 00:59:05,628
once again, her model had to be
2194
00:59:05,664 --> 00:59:07,330
cut out of the garment following
2195
00:59:07,365 --> 00:59:08,364
the runway show.
2196
00:59:08,400 --> 00:59:09,365
>> What's up?
2197
00:59:09,401 --> 00:59:10,567
What are you thinking?
2198
00:59:10,602 --> 00:59:11,701
>> It would have been nice to
2199
00:59:11,736 --> 00:59:13,002
make some money, honey.
2200
00:59:13,038 --> 00:59:14,304
>> Yeah, well, there's still
2201
00:59:14,339 --> 00:59:16,873
a $100,000 prize.
2202
00:59:18,643 --> 00:59:20,577
She definitely has some sort of
2203
00:59:20,612 --> 00:59:23,913
strategy for this game.
2204
00:59:23,949 --> 00:59:26,850
She's doing very well at it.
2205
00:59:26,885 --> 00:59:28,251
You know, if she keeps playing
2206
00:59:28,286 --> 00:59:29,752
it right, you know, she could be
2207
00:59:29,788 --> 00:59:31,888
showing at Fashion Week.
2208
00:59:36,594 --> 00:59:37,827
>> Kimberly...Good job.
2209
00:59:37,863 --> 00:59:38,728
You're in.
2210
00:59:38,763 --> 00:59:39,596
You can leave the runway.
2211
00:59:39,631 --> 00:59:40,563
>> Thank you.
2212
00:59:40,599 --> 00:59:42,365
Thank you, everyone.
2213
00:59:42,400 --> 00:59:44,367
Thank you.
2214
00:59:46,437 --> 00:59:47,570
>> Viktor...
2215
00:59:47,606 --> 00:59:48,404
You're in.
2216
00:59:48,440 --> 00:59:49,639
You can leave the runway.
2217
00:59:49,674 --> 00:59:54,410
>> Thank you.
2218
00:59:54,446 --> 00:59:57,113
>> Laura...Bert...
2219
00:59:57,148 --> 00:59:58,348
One of you will be out.
2220
00:59:59,384 --> 01:00:06,422
♪ ♪
2221
01:00:06,458 --> 01:00:10,927
>> Laura...
2222
01:00:10,962 --> 01:00:12,595
You're in.
2223
01:00:12,631 --> 01:00:16,599
>> Mm.
2224
01:00:16,635 --> 01:00:18,434
Thank you...So much.
2225
01:00:18,470 --> 01:00:20,136
>> You can leave the runway.
2226
01:00:20,171 --> 01:00:21,604
>> I swear, I'll keep taking
2227
01:00:21,640 --> 01:00:23,640
risks and I'll...do it.
2228
01:00:30,614 --> 01:00:31,581
>> I'm sorry, Bert.
2229
01:00:31,616 --> 01:00:32,715
That means you're out.
2230
01:00:32,751 --> 01:00:34,117
I have to tell you, Bert, we all
2231
01:00:34,152 --> 01:00:35,251
think that you're a great
2232
01:00:35,287 --> 01:00:36,085
designer.
2233
01:00:36,121 --> 01:00:36,920
>> Thank you.
2234
01:00:36,955 --> 01:00:37,787
>> But this was just not your
2235
01:00:37,822 --> 01:00:38,621
challenge.
2236
01:00:38,657 --> 01:00:40,023
>> Yeah, I totally messed it up.
2237
01:00:40,058 --> 01:00:40,890
I agree.
2238
01:00:40,926 --> 01:00:43,359
You made the right choice.
2239
01:00:43,395 --> 01:00:44,227
Thank you.
2240
01:00:44,262 --> 01:00:45,194
>> Auf wiedsehen.
2241
01:00:45,230 --> 01:00:46,029
>> Thank you.
2242
01:00:46,064 --> 01:00:46,863
Bye, guys.
2243
01:00:46,898 --> 01:00:47,697
>> Thank you.
2244
01:00:47,732 --> 01:00:48,698
>> I wasn't surprised I was
2245
01:00:48,733 --> 01:00:50,566
eliminated in this challenge,
2246
01:00:50,602 --> 01:00:52,068
'cause I really missed the mark.
2247
01:00:52,103 --> 01:00:53,069
I just didn't know how to fix
2248
01:00:53,104 --> 01:00:54,971
it.
2249
01:00:55,006 --> 01:00:56,839
>> Bert...
2250
01:00:56,875 --> 01:00:58,107
>> I gave a good fight, right?
2251
01:00:58,143 --> 01:00:58,908
>>Yeah, you did.
2252
01:00:58,944 --> 01:01:00,743
>> I was really grateful that,
2253
01:01:00,779 --> 01:01:01,744
when I did say good-bye to the
2254
01:01:01,780 --> 01:01:03,012
other designers, I felt they
2255
01:01:03,048 --> 01:01:04,247
generally liked me,
2256
01:01:04,282 --> 01:01:05,181
and I liked them.
2257
01:01:05,216 --> 01:01:06,149
It was nice.
2258
01:01:06,184 --> 01:01:07,050
>> Come here, Bert.
2259
01:01:07,085 --> 01:01:10,186
>> Bye, roommate.
2260
01:01:10,221 --> 01:01:11,387
Hey, Tim.
2261
01:01:11,423 --> 01:01:14,190
>> That was a fabulous show.
2262
01:01:14,225 --> 01:01:16,292
>> Oh, thank you.
2263
01:01:16,328 --> 01:01:17,393
>> So, Bert, I have to send you
2264
01:01:17,429 --> 01:01:18,261
to the work room to clean up
2265
01:01:18,296 --> 01:01:19,128
your space.
2266
01:01:19,164 --> 01:01:20,096
>> It's gonna take a while,
2267
01:01:20,131 --> 01:01:21,064
though--it's a bit of a mess.
2268
01:01:21,099 --> 01:01:21,998
>> It will take a while.
2269
01:01:22,033 --> 01:01:23,266
>> See you guys. Bye, guys.
2270
01:01:23,301 --> 01:01:24,667
Okay. Bye, Tim.
2271
01:01:24,703 --> 01:01:25,568
>> Bye, Bert.
2272
01:01:25,603 --> 01:01:27,036
>> Thank you very much.
2273
01:01:27,072 --> 01:01:28,571
Three or four years ago, I never
2274
01:01:28,606 --> 01:01:29,772
would have imagined that I could
2275
01:01:29,808 --> 01:01:30,873
have done what I've just
2276
01:01:30,909 --> 01:01:31,741
completed.
2277
01:01:31,776 --> 01:01:34,744
So I'm really, really grateful.
2278
01:01:34,779 --> 01:01:36,145
I am very excited about
2279
01:01:36,181 --> 01:01:38,181
returning to L.A., knowing what
2280
01:01:38,216 --> 01:01:39,916
I've learned here and getting
2281
01:01:39,951 --> 01:01:41,351
back into designing.
2282
01:01:41,386 --> 01:01:42,685
I've just had a great experience
2283
01:01:42,721 --> 01:01:43,586
here.
2284
01:01:43,621 --> 01:01:44,654
A little exhausting, but a great
2285
01:01:44,689 --> 01:01:46,456
experience.
2286
01:01:51,295 --> 01:01:53,296
>> The whole thing is stunning.
2287
01:01:53,331 --> 01:01:55,798
It's amazing to win $20,000.
2288
01:01:55,834 --> 01:01:58,201
And it's also just extra-amazing
2289
01:01:58,236 --> 01:01:59,569
to be part of the shoot for
2290
01:01:59,637 --> 01:02:01,637
L'Oreal.
2291
01:02:01,673 --> 01:02:02,705
>> So what do you think?
2292
01:02:02,741 --> 01:02:03,806
>> I love it.
2293
01:02:03,842 --> 01:02:05,074
It's a transformation.
2294
01:02:05,110 --> 01:02:08,211
And like a raven.
2295
01:02:08,246 --> 01:02:09,245
This feels absolutely
2296
01:02:09,280 --> 01:02:10,279
incredible.
2297
01:02:10,315 --> 01:02:11,814
>> Strong raven.
2298
01:02:11,850 --> 01:02:14,117
Beautiful.
2299
01:02:14,152 --> 01:02:15,118
>> To be on set, and the
2300
01:02:15,153 --> 01:02:17,086
photographer is amazing.
2301
01:02:17,122 --> 01:02:19,455
>> This is really great.
2302
01:02:19,491 --> 01:02:20,823
>> It feels really special to be
2303
01:02:20,859 --> 01:02:22,725
the one to be part of this.
2304
01:02:22,761 --> 01:02:24,394
>> Thank you...So much.
2305
01:02:24,429 --> 01:02:25,495
It was a pleasure.
2306
01:02:25,520 --> 01:02:29,520
== sync, corrected by elderman ==
135336
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