All language subtitles for Project_Runway_S09E09

>> Previously on Project Runway.

>> For this challenge we wanted to

bring in some new clients for

you to work with.

>> I've never done menswear.

I don't know where to start.

>> I'm really gonna faint,

because there is fat people,

and that is fine, but not when

I'm making clothes.

>> You will be creating a look

for their wife or their

girlfriend.

>> This doesn't work.

Chuck that.

>> This might end up being

a big mess.

>> You have time management

issues.

What about this whole area?

>> This was cut wrong.

>> Olivier, stop.

No more sewing.

>> She looks really elegant.

Very chic.

>> I really like the sheer on

the top here.

It makes it a little sexy

and flirty and feminine.

>> Thank you.

>> Joshua, you are the winner

of this challenge.

>> Thank you so much.

>> It looks like she slept

in the car on her way to

the wedding.

>> Bryce, you're out.

>> This...

>> This...

>> This...

>> This is the search for

the next big fashion designer.

>> It's about style.

>> Fashion.

>> Attitude.

Three finalists.

>> And one winner.

>> This is for real.

>> Be good.

>> Be great.

>> This is Project Runway.

The winner of Project Runway

will receive $100,000 from

L'Oreal Paris to start their own

line, a fashion spread in

Marie Claire magazine,

a $50,000 technology suite from

HP and Intel to enable their

creativity and run their

business, and the opportunity

to design and sell an exclusive

collection on Piperlime.com.

The model paired with the winner

of Project Runway will receive

a fashion spread in Marie Claire

magazine and $25,000 from

L'Oreal Paris Studio Secrets

Professional.

Project Runway 9x09
Image Is Everything
Original Air Date on September 23, 2011

== sync, corrected by elderman ==

>> I wonder what's gonna happen

today, though.

>> Another torture.

>> More torture?

>> Well, just the whole,

you know, not knowing what it's

gonna be and nine minutes to

figure it out.

>> That's the exciting part.

>> Oh, is it?

>> This is a challenging

competition, mentally,

physically, and emotionally.

You have to be a fighter

and a survivor and really just

have a lot of endurance.

>> Eight designers left.

>> I mean, it was sad to see

Bryce go, but at least it wasn't

one of us.

I mean, everybody who's left

are my friends, but, I mean,

friends are friends...

>> Go to Parsons!

>> Until there are high stakes.

>> Come on, honey, let's go.

>> I think I started out

the competition well and then

got slightly lost in the middle.

I'm trying to find my confidence

again and try to do my best

in every challenge.

>> All right, let's go, guys.

>> Hello.

Hi.

>> We're down to eight

designers.

>> Yay!

>> Fashion Week is not at your

fingertips just yet.

Now for your next challenge,

I have one thing to say.

Image...is everything.

>> Tim is waiting for you at

Rockwood Music Hall to fill you

in on all of the details.

Have fun, and I'll see you on

the runway.

Bye.

>> "Image is everything."

>> I'm thinking it's gonna be

images of old rock stars

and that kind of thing.

I'm excited.

>> Good morning, designers.

>> Good morning.

>> I wanna introduce you to

Peter Butler, consulting stylist

for Garnier.

Hi.

>> As you all know, fashion and

music are linked very strongly,

because they're both profound

forms of personal expression.

Think about The Beatles.

Think about Lady Gaga,

for that matter.

And no magazine has had more

covers showcasing the iconic

style of musicians than

Rolling Stone magazine.

And our dear friends at Garnier

have partnered with

Rolling Stone to make

rock and roll history by

presenting an unsigned band on

the cover of Rolling Stone.

Chosen through popular vote,

I am thrilled to announce that

the Sheepdogs have emerged as

the winner.

>> Wow.

>> For the artist, it's not

always just about the music.

It's about creating a signature

style that's iconic and unique

to them.

So for this week's challenge,

we want you to take

the Sheepdogs to the next level

and to create an image for them,

but keeping it true to who they

are as artists.

>> The winning look will be

featured in an advertorial in

Marie Claire magazine

and in Rolling Stone magazine.

>> Oh, my gosh.

>> My God.

>> And the winning look will be

worn at a live Rolling Stone

event.

>> That's awesome.

>> This is huge.

>> Designers, for this challenge

you're going to be working in

two teams of four.

>> Of course.

>> Thank God.

>> Dun, dun, dun, dun!

>> Team one will be Olivier...

Victor...

Yay!

>> Kimberly...

>> Yay!

>> And Joshua.

>> Oh, wow, that's a good team.

>> And who will the other team

be?

>> Hey, Bert.

>> Hey, Laura.

>> Third time around.

Give me five. Here we go.

Just come on. Like, I am the

only person that's always with

him.

I don't get a break.

It's like somebody wants me

and Bert to be together.

>> If you don't remember the

last time me, Bert, and Laura

were on a team together,

that crashed and burned to

the ground.

There is no confronting you,

and there's no budging with you.

I've pulled you on the side,

trying to express to you--

>> You have not.

>> That's a [bleep] lie, Bert.

>> No.

>> It's now my huge pleasure to

introduce you to the Sheepdogs.

>> Yay!

>> Oh, crap. It's menswear.

I've never done menswear.

I don't know what the components

are in putting it together.

>> I've never even ventured

into this area.

>> Menswear is a bit more

involved in terms of, you know,

the fit and the tailoring.

>> Olivier is like, "Oh, my God.

That's so loud I can't

stand it."

He's sort of a delicate

personality.

>> ♪ Who ♪

♪ who do you belong to ♪

>> Can you guys just give us

a generalization of the image

you guys want to represent?

>> Musically we are inspired by,

like, classic sounds, so I think

that a lot of the style choices

we make are kind of like that.

Boots, jeans, denim, suede.

♪ Pick and choo-oo-oose ♪

>> Like, I have this one thing.

It's called a kaftan or dashiki.

It's very, like, kind of

hippie look.

Like, it cuts down real low here

and it has the long sleeves,

and I'd love to wear it onstage.

>> I'm feeling a little

overwhelmed by doing menswear,

but I love the idea of

modernizing that shape,

so instantly I'm like, "okay.

He's the one."

>> It's the personal style that

draws me to Ryan specifically.

I mean, the moment that I saw

these snakeskin cowboy boots,

i was like, "I want that one."

>> I've been looking for some,

like, rad jeans for, like, ever.

Like red bell bottoms or red

cords.

>> If I make a pair of red jeans

he loves, how can I not win?

>> In a way, it's a good

challenge for me, because I am

a menswear designer, so I have

no problem doing men's clothing.

>> ♪ Who do you belong to ♪

>> Powerful.

>> Thanks, guys.

>> So, designers, each team will

create looks for the whole band,

and each designer will be

responsible for the head-to-toe

look of one band member.

So everyone will need to decide

who designs for which band

member on their team.

I don't want you to be thinking

that cohesion is necessarily

important here.

What is important is that each

member of the band look as

though they come from the same

planet.

>> When Tim mentions that it

doesn't have to be cohesive

and it's judged individually,

that kind of gave me a little

bit of relief.

I know that I can make a very

stunning outfit, and it doesn't

have to match everybody else's

in my team.

>> So, designers, you can sketch

now, and we'll get measurements

for you, and then we're heading

off to Mood, all right?

Thank you, gentlemen.
>> See you, guys.

>> Good luck.

Looking forward to it.

>> Where's my sparkle pencil?

>> You guys are doing

the drummer?

>> I'd like to do Sam.

>> And I'd like to do Leot.

>> And I wanted Ryan.

>> So I'm doing the singer?

>> ♪ Who... ♪

>> Is that cool with you?

>> That's fabulous.

>> Perfect.

>> Team Harmony. I'm just

putting that out there.

>> I love it.

>> Our team, which is called

"Untitled," I think we have

a good chemistry.

We're all leaders.

Well, let's get our themes

together so we know already--

>> I like the western.

>> Yeah, 'cause I'm thinking

about plaid and using a cord

on the bottom.

He likes brown, but...

>> For Leot I'm making, like,

a leather jacket, and then

inside of a shirt maybe print.

I don't know if it's floral.

>> What are your thoughts?

>> I am thinking he has the most

weight, so I'm thinking of,

like, a slim--like, what he has

on today, like, that fit.

I think I'm sort of at

a disadvantage, because,

you know, menswear is all about

detail, and fitting,

and proportion, and I got

the biggest guy.

>> And I'm thinking I'd like

to do that western cut with

a chain.

>> Ooh.

>> I know for sure I'm making

him a red pair of jeans.

>> Right. I mean, that's easy.

>> He said cords too.

>> I can't compromise myself

with cords, so--

but we'll do jeans.

>> I love doing dashikis

and kaftans, and so for Sam,

like, something that will work

with his arms being...

>> That'll be awesome.

>> Something I was thinking was,

like, a sheer blousy--

>> for the top?

>> I mean, that's totally,

you know, Haight Ashbury

and all that stuff.

>> Think '70s. Think vintage.

>> This is where I'll come in

handy, so this is good.

>> The fact that Bert has lived

through this whole era is

a bonus.

But the fact that Bert may not

remember this whole era--

I mean, Bert can't remember

where he put his toothpaste

half the time.

>> All right, designers, let's

head off to Mood!

All right, designers, your time

begins now.

Have fun.

>> No pushing.

>> Why don't they have red

denim?

I don't get it.

>> Because they're not going to

have red denim.

>> I see Laura looking at

the denim, and I'm looking at

the denim too, but there is no

red denim, so I have to change

my design into a blue denim.

>> No way. He requested red

denim, and I'm gonna make it

happen, so I'm gonna find a

denim I can dye and make this

all work for him.

>> It's the last one.

It must be a good sign.

>> Take your time.

Oh, you can't take your time.

>> 15 minutes downstairs.

>> 2 yards, please. Thank you.

No, 3 yards. Sorry.

Actually, 1 1/2 yards.

>> Anya, what do you think about

this?

>> I love it. I was wondering

who found this.

I was like, "damn it."

Usually I'm so, like, on.

I just know I'm gonna find

something, and I do.

But this time it's so not

happening, and I'm starting to

freak out.

>> Five minutes remaining.

>> Laura, this is crazy.

>> This is madness.

>> I'm looking for a sort of

thick corduroy, dark shade of

brown or gray, and there were

probably 20 shades of beige.

>> Olivier, two minutes,

and I'm serious.

>> Okay.

I am quite stressed, and Tim's

yelling.

>> Olivier, I just have to

tell you, we have less than a

minute.

This fabric has to be cut and

in your hands, and you have to

be at the register, all right?

>> It is very frustrating.

>> That is it.

Shopping time is up.

>> This is so ugly.

Why am I buying it?

>> What's ugly?

>> All three of these that I

bought.

I'm actually really shocked at

myself at the things that I

bought, but I can't leave here

without something.

>> What are we at?

Are we gonna make it?

>> $449.34.

>> Uh-oh.

Yeah, I've got about $450 of

materials when our budget's

$300.

>> Diva, diva, diva.

>> It's not a diva.

I just like nice things.

>> I'm gonna have money left

over.

>> Awesome.

Luckily, Bert, for some

reason, only brings $150 worth

of materials up to the

counter, so he's got $150 to

spare.

Thanks, Bert.

>> Oh, you're welcome.

We're team members.

>> I take back anything I ever

said.

>> Just take back what you're

gonna say.

>> I never bash you.

I never bash you.

>> Team Harmony.

>> All right, designers, let's

head back to Parsons, okay?

>> Thank you.

>> Thank you, Mood.

>> Can't do a thing without

Mood.

>> ♪ Say who ♪

♪ who do you belong to? ♪

>> That looks good for him.

If you want to go, like, another

4th in, it might be safer.

>> My problem with this

challenge, um, Ewan is much

bigger than the mannequin.

We were given a size 14

mannequin, which is basically

the size of other people.

You know, we have measurements

already.

I would really have liked to

have a bigger mannequin in the

workroom.

I felt like that's a

disadvantage and it's just like

it's out of my control.

He's massive.

>> Oh, that is true.

>> And, like, you're half the

size.

>> Olivier seems to be very

frustrated that he has Ewan as

a--as a client.

In real life, you're gonna fit

and have to make clothes for

people who aren't the same size

as a mannequin, and this is just

a reality.

>> Coming up on Project

Runway...

>> It looks like my mom's.

>> It's feeling very feminine.

>> Bert's is "scrap and start

over."

>> You're big, so--

>> That shouldn't make any

difference.

Just move forward.

>> So the challenge today is all

about image, and we are doing

looks for the Sheepdogs, an

up-and-coming rock band, and I

think, from their music, they're

gonna be a huge success.

>> At this point, I don't really

think it's about a winning team

and a losing team.

This is an individual

competition within a group, so--

>> Do you see Josh?

>> Oh, my God.

>> Can everyone look at Joshua?

>> It's really every man and

woman for themselves.

>> Um, I can't wait to see

Olivier, what he does, 'cause he

does menswear.

>> I know, but don't you think,

like, what he bought looks like

the same palette he always

buys?

>> Everything, yeah.

>> Every single time.

>> Yeah, but you know why?

It's because it's not his taste

level and he's stuck on him, and

it shouldn't be like that.

>> But in a way, it kind of

showed, with the last challenge,

with the client.

>> Yeah, that he cannot work

with people 'cause he couldn't

work with her.

>> Do you like it?

>> Not really; This is what

I don't like--why don't you just

make, like, a yellow sash?

>> I don't see that.

>> You don't want to do this as

a sash?

>> He doesn't see it.

He doesn't see it.

>> Okay, do whatever you see.

>> He thought he was gonna win.

>> He thought he was gonna win?

>> Yeah.

>> Huh.

>> Hi, everybody.

>> Hi.

>> You remember Peter Butler,

consulting stylist for Garnier.

Well, Peter's here to launch

your consultations.

The individuals on each team who

share a band member will be

meeting with Peter together to

discuss your ideas.

>> And I look forward to seeing

you downstairs.

>> All right?

>> You're doing a look and

you're doing a look?

>> Right, we're different teams.

>> Okay, what did you guys have

in mind for our front man?

>> You ever wear your hair,

like, in a knot back here?

>> Yeah, I sometimes do.

>> Maybe and have this down,

hanging down in the front, sort

of?

>> I would prefer less shine, if

possible, with a texture.

>> I can use a little pure clean

gel but, like, you don't want it

shiny?

>> I like how he is now.

>> Okay.

>> Maybe a little bit on--on--I

don't know how you feel about

that?

>> That's--that's my--that's my

power.

>> I know.

>> His magic is in his beard.

>> Well, just keep it trimmed.

>> So you guys are creating a

look for Mr. Leot here?

>> Yeah.

>> Has Leot shown you his, um,

hair move?

He pushes it all from behind

for--and there it is.

>> Just kind of like refine it

and make sure it's, you know--

>> I can do a tiny bit of the

pure clean paste, which is nice.

>> I'm gonna have a bandana.

>> Oh, how cool!

>> Like, just here.

I-I love that.

>> Then we'll set his curls so

they're not too crunchy.

>> What I'm doing is a lot of

mixing of different fabrics and

so I want that to sort of be

mirrored in the hair as well.

>> Yeah, for me, it's the

texture and the movement.

>> To prep him is, um, I'll use

the XXL volume.

It's a thickening mousse.

>> For me, I would love to

really define that curl.

>> Okay.

>> I don't personally want to

get too textured.

>> And for me, I think, like, a

higher shine.

>> And we'll set it so the

wonder waves, when their hair

is damp, like I spray that in

and it kind of sets the curl and

it looks polished.

>> Not that you don't.

>> No, no, man, I don't.

>> Do you make, um, like, men's

clothes a lot or do you just

make 'em for yourself or--?

>> I make it for myself but I've

made button-up shirts for, um,

other people, like my friends,

and some of them are medium or

large.

>> Mm-hmm.

>> Image is everything, and so

we're trying to create an image

for them and I think they know

as well but, you know, they

kind of came into this

challenge being open-minded, so

I don't see how he's gonna

dislike it.

>> It's time to pack it up and

go.

Let's go to bed.

Good morning.

>> Oh, my God.

>> Menswear. Aah!

>> Yay.

>> I don't know the tailoring of

menswear.

I don't know the fit, the

measurements, the proportions.

I know nothing about it.

Just the thought of it, it just

sends me into a frenzy.

>> I really want to keep the

jeans uncut till he gets there.

Just try the muslin on him.

'Cause I have--I have no extra

fabric.

I don't even have enough right

now for the waistband.

I've only got a yard and a half.

>> A yard and a half?

>> Are you gonna have enough?

>> We'll see.

>> Kim, are you ready to hit the

road?

>> Sure.

>> So this is a team challenge,

but we're really being judged

individually according to the

band member that we're designing

for.

>> I definitely have a lot more

work to do.

I have to do the final details

on the jeans.

If I don't finish that, it's

gonna look pretty bad.

>> I've got Navy blue dye.

I'm expecting it to come out

some sort of Navy blue.

And I dyed the stuff.

It comes out sort of purple,

grape juice purple and, uh, it

wasn't what I was going for, but

I sort of like it, so I don't

have a problem with it, but it's

up to Ewan.

>> It's not like we're creating

a cohesive collection or that

we're having to create one

garment together or that there's

a team leader, so if Bert comes

up with a dopey look, that's his

problem, because I'm not gonna

design for him and neither is

anybody else in the group.

>> Hi.

>> Hi, Tim.

>> Good morning, designers.

We're having a little fitting

here, aren't we?

>> Yeah.

I am here for your critiques and

the Sheepdogs are here as well.

I'm going to start with Team

Harmony.

I have Leot for you.

>> Great.

>> Your client.

So talk to us about what you're

doing.

>> I am making a pair of red

denim pants with distressing.

I found this great denim, and

I'm dyeing actually the flip

side--

>> oh.

>> To get it to this.

>> Oh.

Is this after putting it in the

dye?

>> This is after dye.

>> So this is a test.

>> Yes.

>> What do you think?

>> I do like that color.

It's a little light maybe.

>> Mm-hmm.

>> I also agree.

>> Darker?

>> This should go darker.

>> I just want to make sure that

I can get the color on the

whole, you know, denim jean that

he likes.

And then I'm tie-dyeing this

knit to make a really, like,

oversized slouch tank.

>> The only thing I would say is

maybe, if this is a little too

deep of a cut, like, I have a

lot of chest hair, so--

>> uh-huh.

Do you not like to show it?

>> I don't know if you want to

see like a big rug, like, of

hair or not, but--

>> I think it's cool, but if

you're uncomfortable, then I

don't want to--

>> I--maybe tighten it up a

little bit.

>> Okay.

>> Thank you, Laura.

Anya, I have Sam for you.

We'd love to hear what you're

doing.

>> I wanted to find prints that

I could perhaps panel.

>> And she's a master with

prints, I have to tell you.

>> What I'm liking as I'm

cutting it is that it's like

a sort of layer.

>> Like, that's kind of the

right idea.

Like, I would maybe make this

layer thinner, I guess.

>> Right. That sounds good.

>> It's definitely looking good.

>> Thank you, Anya.

>> Okay, cool.

>> Anthony Ryan.

>> Hey, Tim.

>> I have Ryan for you.

>> Oh, how are you?

>> So we want to hear what

you're doing.

>> For the shirt, we're gonna do

a twinge on a western, you know,

kind of similar to what you had

on, but I have two print

options.

This one almost has a floral

sense to it but it's actually

wood.

And then I have this, which is a

little more traditional.

>> No, I like the wood.

I think you're going in the

right direction for sure.

>> Okay. Thank you, Tim.

>> Thank you.

>> Bye.

>> Hi, Bert.

>> Morning, Tim, how are you?

>> I have Ewan for you.

>> Good to see you.

Remember I talked about a

striped jean...

And you said, "oh, my God, a

striped jean."

So, this was--it had a cream

background to it, and I dyed it

this--it's like a marine blue.

>> Bert has a quite flamboyant

print on top and pinstripes on

the bottom, and they're all in

shades of purple, so I thought

that was quite odd.

>> Mm-hmm.

>> And then, it seems like

there's a lot of purple going

on, 'cause, like, this is the

top that's it gonna be--

>> Yeah, mm-hmm.

>> I mean, it's feeling, to me,

very feminine.

>> Exactly.

>> But so is this fabric.

>> I know.

This looks like my mom's closet.

>> Yeah, but that's like--again,

like I said, this was--if I'm

gonna do--maybe I won't be

doing the blouse.

>> See, the fact that you even

called it a blouse.

>> But this--I do--

>> Bert is having a critique

that just seems to lead him in

the direction of "scrap and

start over."

>> Coming up on Project

Runway...

>> Ah--no!

>> This isn't the way a man's

pants should fit.

>> I never really thought of

making things for plus-size

people.

>> It draws your eye to the

crotch.

>> You don't like that?

>> Hello, Viktor.

>> Oh, hi, Tim.

Hi, Leot, how are you?

>> We'd love to hear what you're

doing.

>> I wanted to keep it almost

similar to what he's wearing but

just add the crispiness.

>> Crispiness?

>> Crispiness.

>> That's a word I just made up.

I wanted to stress the denim.

>> I'm interested in how you're

doing this.

Oh.

>> And it starts getting that

old vintagey look.

>> Yep.

>> I'm afraid if you have a lot

of this, it's gonna look cheap.

>> The focus piece is definitely

the jacket.

>> Wow.

>> This is pleather, and I want

to make it, like, kind of like a

cowboy meets motorcycle jacket.

>> Viktor's look is well-made,

but I don't think he's got the

time to execute the distressing

that he's working on.

And then, he's making this

pleather jacket, and I

personally don't like pleather.

Fake leather has got that kind

of like cushy texture to it,

so I think it's gonna look like

big pillows.

Kind of like a linebacker.

>> All right, thank you, Viktor.

>> Thank you so much, Tim.

And I'll see you soon.

>> Kimberly.

>> Hi, Tim.

>> So talk to us.

What are you doing?

>> He mentioned he liked brown.

I thought about doing a brown

cord and a plaid tunic.

>> Um, well, I think it's kind

of a cool pattern, but when I

think of, like, a dashiki, I

think of, like, maybe something

along this kind of color.

>> Okay.

>> Just, like, a little simpler,

I guess.

>> Well, it goes well with the

brown.

>> I actually just borrowed this

fabric.

>> You borrowed it?

>> Well, I--I was going--

>> From Anya?

>> Did anybody ask you for your

two cents?

>> We're over here, laughing

about it.

>> We have an opposing team

member loaning to you?

>> Yes. She was very nice.

>> I'm thinking, what if he

likes it more than what I have?

What if she wins because I gave

it to her?

Oh, my God.

What have I done?

>> Things happen for a reason.

All right, Kimberly.

>> Thank you, Sam.

Okay, great.

>> Joshua.

>> Good to see you again.

>> Nice to see you again.

We can start with the pants.

I have the zipper--

>> The zipper?

>> You don't like that?

>> Well, I don't know.

I just think it draws your eye

to the crotch.

>> Right.

We're on the same wavelength.

I primarily sell to gay men, so

dealing with a straight band,

I'm nervous that I could tilt to

too feminine, too gay, and that

is running through my mind.

>> I do like that, actually.

>> All right.

>> Sounds fantastic.

>> This is good.

Hi, Olivier.

>> Hi, Tim.

>> I have Ewan for you.

>> Hi, Ewan, how are you?

>> Good to see you.

>> Basically, I am doing a

button-up shirt, so I have long

sleeves and have lots of details

of pockets, and I'm mixing the

two textiles of this print.

>> It's a flowery pattern with

little swans on there?

>> I don't think from far away

you can actually see the swans.

I just like the color

combination.

>> Well, it's a new look for

you....

>> It's a new look for me, yep.

All kinds of new looks, yeah.

>> If I follow every bit of

direction in giving him what he

wants and what he normally

wears, then what's the point of

the challenge?

I don't know if he's gonna be

happy, but he'll look good.

So, because he's visually

bigger onstage, so I don't want

to put a lot of things on him to

make him even bigger.

>> He's saying I'm a big man.

>> You're big, so...

>> Can you finish these up

before the fitting?

>> That's my concern, because

Ewan is bigger than the

mannequin, and--

>> But this is an issue that

every fashion designer faces.

>> Yeah, I mean--

>> So you need a seam allowance,

because you have Ewan's

measurements.

>> I have all his measurements.

It's just sometimes it's hard.

>> But that shouldn't make any

difference.

Just move forward.

>> I'm not worried if someone on

the team doesn't do a great

job because we're gonna be

judged individually.

>> We'll see what happens at the

fitting.

>> We'll see.

>> I'll move forward.

>> Okay.

Thank you, everybody.

>> Thank you, Tim.

>> Ah--no!

>> Ewan does not like purple at

all.

I was going for deep Navy, and

then the dye came up purple, so

I've been fighting with that.

I've dyed everything, like,

three times so far, and I've got

to dye it again, 'cause my

challenge is to make him feel

comfortable.

>> Oh, it's gonna be hot.

>> I probably should have

lowered this.

>> Yeah, I was just gonna say

that.

Whatever.

You don't feel that passionate

when you're designing for

something that you don't really

care for.

I never really thought of making

things for plus-size people.

You can say I'm ignorant,

because I'm always used to dress

model size.

This big man.

>> I probably sound like we're--

we're going, like, "how's it

going? "

And he's like, "Oh, I don't have

too much to do."

And I'm like, "Olivier, you've

got pins pinned up there."

>> Here's what I'm worried

about.

He goes up there looking like a

Tommy Hilfiger ad...It's just

gonna look awkward.

>> Right.

>> You know what I'm saying?

>> I know, I get that.

That's why I'm worried about

Bert.

I mean, in the end, it's you're

responsible for the look.

>> Right.

>> Hi, everybody.

I have Ewan and Leot and Ryan

and Sam here for your fitting.

Have at it, everybody.

>> The waist looks good.

All right, cool.

>> Well, I will say this.

The boot toughens up the pant.

>> The leg, I think, looks all

right.

It looks really contemporary.

>> Ewan looks like he's about

to go fight...

>> Sorry, I'm reaching in your

pants.

>> It's been more than one girl

to reach in my pants.

>> This is my first pair of

jeans, actually.

>> Yeah?

>> I've never--never made jeans

before.

>> Kimberly and Anya do a lot of

flowy.

Everything's very feminine, and

they don't have the structure,

but those two girls always pull

the rabbit out of the hat from

nowhere.

>> I don't know.

It doesn't matter.

>> It doesn't matter to you?

>> I can show a little chest.

>> And what's happening with the

arm?

>> Well, it's gonna be the

raglan going here, but this is

not the right pattern.

>> Okay, okay, okay.

You have to re-cut it.

>> In menswear, their style

lines are very different from my

aesthetic and what I like to do.

It's calling upon a different

set of skills and creativity for

me.

The butt looks yummy.

>> These are the jeans?

>> I have to release the back

because the front needs a little

bit more closure.

>> Yes, it does.

>> It's a little wedgie-ish in

the--

>> I'm sorry, Ewan.

How is this going to be

avoided?

Because it's all about lifting

the waistband.

>> This is a menswear challenge

and all Olivier's been doing the

whole challenge is complaining

about how much bigger Ewan is

and that the form doesn't fit.

But any good flat pattern-maker

would have been able to have

something other than some sloppy

pair of pants.

>> This bunching back here isn't

the way a man's pant should fit.

It needs to come up to avoid

that.

>> Thank you. Thank you, Tim.

>> Designers, this was an

incredibly valuable session,

especially since you haven't

done menswear this season.

All right, so work hard.

Tomorrow is our runway day.

Use the rest of your time

wisely.

Bye!

>> Oh, there's so many little

things to do with these pants.

It'll take forever.

>> Crotch, 26.

>> What does that mean?

>> 26 long.

>> From here to here?

>> Do you think Olivier's gonna

be okay?

>> I don't know.

I was just about to start to say

to you, we were talking about

that.

>> 'Cause he gets upset when

people tell him to go faster.

>> The only thing, you know--

hi.

>> Hi.

>> How are you doing?

>> The pants fit okay.

I understand how people are

concerned about time management

issue.

I'm grateful for their concern,

but I'm fine, so whatever.

>> We're a little worried.

I mean, 'cause this is like,

your forte is menswear, right?

>> Whatever.

>> Uhh!

>> I know.

There's so much more to do and

so little time.

>> Time is just going by so

fast.

Not enough is getting done.

There are so many details that

go into menswear.

We need more time.

Give us a couple more hours.

>> I sewed it on the wrong side.

I always do this at this hour of

the night.

>> It's time to go.

Come on, wrap it up.

Come on, wrap it up.

>> I can't quite figure out why

I'm so behind when we had two

days.

>> I have no idea.

>> I can't figure it out.

>> It's like I just started in

midday today.

The challenges are getting

tougher and tougher as we get

closer and closer to Fashion

Week.

This is a big one.

I need for Bert and Olivier to

be worse off than I am.

>> I'm kind of worried about

Anya.

She's got the shirt started.

>> Being that these guys are

from Canada, I really don't see

them in those "shadikis" or

whatever they are.

>> Are you gonna finish,

Olivier?

>> I'm not gonna be 100%

finished, but it'll be

finished--a finished look.

I always judge things

particularly--like, my things,

especially, so I think, compared

to other people, I am not the

worst.

>> Coming up on Project

Runway...

>> I'm gonna go out there naked.

>> I really don't feel like I

have time management issue.

>> Olivier.

>> That top is a mess.

It looks like things they wear

in fast food restaurants.

>> Here we go.

>> Great.

>> There's just everything to do

to the shirt.

The waistband is not on the

pants.

The thing about menswear is that

you have to be very precise.

I don't see where the precision

is going to come in.

>> Good morning, everyone.

>> Hi, Tim.

>> This is going to be a

jam-packed morning.

Your client models will be

coming in.

It's a little complicated

because we've never shared

models before, and instead of

walking the runway, they will be

performing two songs in front of

the judges.

It's another Project Runway

first.

>> Whoo!

>> They will perform first in

Team Harmony's look, so you're

taking them then to the L'Oreal

Paris makeup room and the

Garnier hair studio.

It is the Garnier challenge.

And then they're going to

perform.

Piperlime has provided you with

men's accessories.

Use them, please.

Make it work.

>> I can't keep waiting and

dyeing.

At one point, I have to say

this is the best I've got and go

for it.

>> I'm so happy I got to this

fringe.

It's gonna make all the

difference.

>> Are you doing the fringe?

>> Yeah.

>> I started making my jacket

with the elaborate braiding and

fringe, and Josh started making

his vest after that with fringe.

It's a competition, and I don't

think nobody should be copying

anybody.

>> Hi, Sam.

>> Hey.

>> I'm like a groupie already.

>> Uh-oh.

The Sheepdogs arrive.

I still have so much work to do.

Let me just measure you

to do a headband.

So a little back, lower to the

back?

>> Yeah.

>> And throw this on.

I've got to finish the edges of

it, but I just did it as a

last-minute afterthought.

Like, just around your neck.

>> Be like Steven Tyler?

>> I love Steven Tyler! Oh!

>> Do you strum with your right

hand?

>> Yeah, right hand.

>> Good.

So, this is--this is a little

lighter, and then you've got

some brown down here and then

this little thing in the back,

which I think is cool.

>> Cool.

>> I have not done any

tie-dyeing since about 1972, and

it worked out really well.

I left the center part of the

back of his shirt so it almost

looked like a galaxy in there.

It's a little trippy.

Yeah, I think it's great.

>> Yeah, it came together.

>> Yeah.

>> I'm still working on them to

look--

>> I like that.

I like them very much.

>> I just want to put a little

bit more, just so it looks more

natural.

>> Do you need to make a new...

>> I don't need it now.

>> Guess that's fine.

>> Nobody.

My outfit's ready to be tried

on.

Olivier.

I think Olivier's going for the

emperor's new clothes approach.

I'm just gonna go out there

naked.

>> On the floor, my guitar

straps on my guitar covers my

crotch.

>> Yeah.

>> I made you a sock.

>> Olivier has got his client

sitting in his underwear on a

stool for about an hour while

he's in the sewing room getting

God knows what done.

He cannot manage time to save

his life.

>> Yay!

Oh, hold on.

Do you like it?

>> I don't know yet.

I gotta see if it fits.

>> Can you move around?

Almost not.

>> If it's done up, I'm not--

it's--it might be a little--

>> I'm gonna loosen just a tiny

touch here and here.

Oh, this is higher than this.

Oh, whatever, I don't care.

>> Too late.

>> I really don't feel like

I have time management issue.

Sometimes it might seem that I'm

really out of time, in a hurry,

and I think that's just the

spirit of using the last minute

possible to finish your garment.

>> Is there gonna be a button or

what's--

>> it's gonna be fastened here.

>> You're just gonna hold it

while I play, or--

>> No...

Yeah, there's gonna be a b...

>> The only thing I'm worried

about is like...It almost like

looks like a bowling shirt, you

know?

>> What? No.

I was thinking baseball.

>> Kimberly's outfit is a mess.

That top looks like, you know,

do you want that with biscuits?

Looks like the things they wear

in fast food restaurants.

>> Kinda like hippie it up a

little bit.

I think that'll take away from

that look.

>> I'm ready.

Bert, I think you found the

missing pieces to your outfit.

I think this really will bring

it together.

>> Hi!

I wanna rock him out, stage

ready and fresh.

>> Why don't we just moisturize

and powder?

>> I like it.

>> Freshen his face up.

A little bit of powder.

Very laid-back, like you.

>> I just want to keep him

looking like himself--

just healthy and natural.

>> He looks good already.

>> Nothing too dramatic.

So that he doesn't shine.

>> I know the drill.

>> He has the right volume in

there.

>> Are you okay if we put his

hair in braids?

>> I mean, if he's comfortable

with it...

>> Ha!

>> Oh!

>> Is that cute?

>> This is it.

All right, designers, we are

leaving for the runway.

Right now!

>> I'm quite stressed.

It's about making decisions

in a split second.

It is very stressful.

>> You're very organized.

Good. Anya.

>> I created a garment that's

ill-fitted, poorly designed,

and I guess crossing my fingers

that it'll get through just by

virtue of the fact that there's

a little bit more creativity in

it than Kimberly's, because she

and I are clearly in the bottom.

There you go.

>> Coming up on Project

Runway...

>> Kind of like a golden girl

goes rock and roll moment.

>> I think it's really boring.

>> It's just too literal.

>> This tunic is like an

eighth-grade production of Hair.

>> Hi, everybody.

Hi.

>> Welcome to the runway.

As you know, in fashion one day

you're in...

And the next day, you're out.

For this challenge, you worked

in teams to design looks and

help create a new image for the

Sheepdogs.

And sometimes designers do

fashion shows in different ways.

And today we're having our first

ever rock concert right here on

the runway.

The winning look will appear in

Garnier advertorials and Marie

Claire and in Rolling Stone

magazine.

It will also be worn by a band

member at a live Rolling Stone

event.

All right, let's meet the

judges.

First we have CFDA lifetime

achievement award winner Michael

Kors.

>> Hey, guys.

>> Fashion director for Marie

Claire magazine, Nina Garcia.

>> Hi, Nina.

>> Hello, everyone.

>> And guest judge, fashion

forward musician Adam Lambert.

Welcome.

>> Hi!

>> One of you will be named the

winner, and one of you...

will be out.

Let's start the show, everybody.

♪ ♪

>> Yeah!

♪ ♪

>> ♪ never had I heard ♪

♪ a more disturbing word, yeah ♪

♪ I get up in the morning ♪

>> ♪ I don't know ♪

>> I like what my garment's

doing on Ryan.

He looks like Rock Jesus.

He's super-hot.

I love the print that I picked,

and the pants pop.

I can see the little fringe

in the back.

Overall, I'm really excited

about what I did.

♪ ♪

>> ♪ I don't know ♪

>> Everything about this garment

is sloppy.

It's badly made.

It doesn't fit.

The choice of fabric is bad.

I tried to bring a little bit

more design into the look, but

it's just not flattering at all.

I just wanna literally like run

out of the room, it's so bad.

♪ ♪

>> It's so cool to see Leot

rocking out in my garment.

The fringe is moving.

He looks really comfortable.

It fits his silhouette.

He looks slim.

He's rocking it, so...

I'm just thrilled.

>> ♪ I don't know ♪

♪ help me, yeah ♪

♪ I don't know ♪

>> I think Ewan looks

spectacular in his new look.

I gave him a contemporary look

that has a vibe from the '70s

but not taken so literal at all.

And I think Ewan looks very

authentic and looks very now,

so I'm very happy.

>> ♪ I don't know ♪

♪ help ♪

♪ me ♪

♪ ♪

>> ♪ Well, there's talk ♪

♪ and talk and talking ♪

♪ but who are they...♪

>> Oh, my God!

The pants are sexy on Ryan.

And the tank, of course, has a

great print.

And the jacket I love.

I think the look is really

solid.

I really tackled this challenge

and really brought my A-game.

>> ♪ Who ♪

♪ who ♪

>> Sam just seems to blend in

with the rest of the band, so I

think he's okay.

The shirt is not my favorite,

but the pants fit well.

I have never done menswear

before, so I'm just happy that

he is dressed.

♪ ♪

>> I'm looking at Leot

performing with my garment,

and I think the jacket is very

stunning and it has such a

presence.

It was really cool to see the

garment come alive and the

fringe is really going out

there.

It looks really, really cool.

Overall, I think it looks

amazing, and he looks stunning.

>> ♪ Can you really win ♪

♪ or when you must ♪

♪ pick and choo-oo-oose ♪

>> I'm feeling generally good

about seeing Ewan play on the

stage.

I do see some problems and some

proportion mistakes.

But I do think overall he looks

great in the outfit compared

to a lot of people.

I'm not worried.

>> ♪ Who do you belong to ♪

>> One of you will be named the

winner, and one of you will be

out.

>> We're gonna speak to this

team first.

So we're gonna talk to you in a

little bit.

You can leave the runway.

>> Thank you.

All right, let's bring out the

guys.

Well, first of all, I would like

to thank you, Sheepdogs, for

letting our designers help you

maybe a little bit to define

your image.

>> Thank you.

>> Did you guys collaborate at

all on the images?

>> Concept was really a

modernized Jimi Hendrix, but I

don't know if we necessarily got

there.

>> Jimi had...Swagger.

And I don't see the swagger.

>> This wasn't the typical team

challenge where cohesion was

necessary, so we didn't spend

too much time in a unified

design process.

>> I think that everything that

I've seen here is very expected,

and I wish that, working as a

group, you would have been able

to come up with an image--

I don't know something new,

something more creative,

something we haven't seen,

something not so literal.

They need to have something that

is theirs and it's unique to

them.

>> Well, we could talk about

Adam.

>> Correct.

>> You're riffing on things, but

it's your own take on it.

It's not recreating.

>> Right. Yeah, you can like

reference it but flip it.

>> Laura, tell us about your

look, what you designed for

Leot.

>> He had said he'd always

wanted red jeans, and he likes

darker colors.

So I got a darker red.

And then I wanted to go and get

like kind of a rocked out sort

of blazer feel, so I actually

dyed the jacket as well.

And then I just wanted a really

easy tank top, so I actually got

the tank and tie-dyed that as

well.

So I just dyed his whole outfit.

>> Leot, what do you think about

this look?

>> I like the dark colors.

I think it's got like a

retro kind of vibe.

>> Your outfit was one of my

favorites.

You look the most original.

It looks real.

It looks worn in but yet

stylish.

Can we have a look at the back

of the outfit?

>> Yeah, sure.

>> I'm not a huge fan of

fringes, but it kinda works.

The fit of these pants are

really good.

You can come back around.

>> This was one of my favorites

as well.

It's '70s but it's also...

contemporary.

In order for a band like this to

really work, you have to bridge

the old with the new, and I

think you did that.

>> Thanks.

>> I'm not a fan of the tie-dye

itself.

I think it looks like he cut

himself shaving.

It's a little Sweeney Todd

tie-dye, you know?

>> Okay.

>> I've got a little bit of an

issue there.

I wish it was more memorable.

I think you can push it further

within the vibe of the band.

>> I think this looks like a

ladies' jacket with a silk scarf

from a mall.

I don't like it.

I'm sorry.

>> So Bert, tell us about what

you designed for Ewan.

>> I definitely didn't want to

do the bell-bottom thing.

I lived through that era myself.

And I didn't want to do the

tie-dye experience so much as

more the shading.

And I really love the striped

jean.

I thought it was sort of cool.

>> Ewan, what do you think about

your look?

>> It's probably outside of my

comfort zone, but that probably

says more about me than

necessarily the outfit.

>> I have to say I like this

tunic.

It's still a little bit retro

and hippie, but there's

something very like chic and

kind of new about it.

>> Who would have thought that

Bert...has a rocker vibe?

I think you gave him something

that isn't a costume.

>> I like the fabric that you

chose.

I have to say I'm not a big fan

of the pigtails.

>> I think the pigtails are

fabulous.

>> I do too.

>> He looks like a Viking.

>> Yeah.

>> You gave him an identity.

You gave him a persona.

You gave him a look.

That's what I wanted to see more

of.

>> All right, Anya, tell us

about the look that you made for

Sam.

>> Sam mentioned that he liked

dashikis and caftans.

He likes browns and he likes a

more muted kind of palette.

That's essentially what we did.

>> I think he looks like

Pocahontas.

>> That's what I wrote too.

Pocahontas.

>> It's just too literal.

Down to the band in the hair.

Then you turn him into a

costume.

>> What do you think about your

look, Sam?

>> Well, I really liked the

whole kinda like freaky hippie

vibe.

That's sort of what I wanted.

And then maybe it just didn't

quite fully come together, I

guess.

>> Menswear is very new for me.

>> What about the pants?

Did anyone help you with the

pants or did you do them all

by yourself?

>> That's why I took so long.

>> Let's look at the booty.

Show the ribbon on the booty.

Come on!

>> And now it's splitting in the

back.

>> This week we got to see that

you've only been sewing for four

months.

>> Yeah.

>> I think he's like reggae

Jesus.

I mean, it's--he looks like he's

got a suede lobster bib on.

It's like a Brady bunch dashiki.

I don't know what else to say.

>> This tunic is like eighth

grade production of Hair, the

musical.

It just doesn't feel like

fashion.

>> Anthony Ryan.

>> Yes.

>> Tell us, what did you do to

Ryan?

>> I actually really wanted to

do something in a white for a

pant for him.

I also found this print that

kind of reminded me of a flower

at the same time, but it was

still very masculine.

He likes fringe, so I did the

fringe detail on the back, so--

>> Let's have a look at it.

>> Yeah. So it's not getting in

the way of the guitar in the

front.

We really got this very vintage

vibe about them.

>> Ryan, what do you think about

your look?

>> I normally wouldn't wear a

sleeveless shirt, but I kinda

dig it.

>> I thought it was okay, this

outfit.

I like the print.

I wish the pants would be a

little tighter.

>> They're so polished, it's

kind of like a Golden Girl goes

rock and roll moment.

I mean, he's literally missing a

shoulder bag.

>> It looks like a woman's

blouse.

>> The top is cool.

It reminds me of mushrooms,

which I think is appropriate.

I like the cut of it.

But I don't like it with the

color and the style.

I don't think they work

together.

>> Okay, we've heard what you

had to say.

We're gonna talk to the other

designers now.

You guys will have to change.

See you in a little bit.

You can leave the runway.

>> It's my first time getting a

bad critique, so I guess I'm

just feeling feeling it.

>> I was afraid of menswear.

I was afraid of the era.

>> She was psyching herself out.

>> I would die if I went home

over this.

>> But Anya, menswear--just--

>> It's just--I'm super-hard on

myself.

To just be nailed on the one

thing that I just can't pull

together would just really be

just so disappointing.

It's crazy.

I just wish this never happened.

>> Olivier, tell us about the

look that you have made for

Ewan.

>> I think as a team we decided

on the theme of western.

My take was to make a detailed

button-up shirt.

>> Ewan, tell us what you think

about your look.

>> I appreciate that Olivier

went with sort of a simple

button-up shirt and pants

approach.

It's like pretty much my style,

but...It's, uh, ultimately I

find that the...

I don't like the light pants.

>> So did you guys discuss the

color of the pants?

>> I think I said I, you know,

I generally like blue.

I like darker colors, so...

>> So why would you make

something light if he prefers

dark?

>> I just felt like using this

darker color will make the

whole look a bit more flat.

>> Olivier, I think it's really

boring.

You know, people always say

mom jeans.

They look like dad jeans.

>> I don't know if it's the most

flattering cut.

It's a little short, and it's a

little boxy.

A little length and little bit

narrower might serve him better.

>> It is almost too feminine for

him.

He's the lead.

He's gotta look the part.

>> There's nothing really

interesting about it, and it

doesn't fit well.

And you're the only one here who

has menswear experience.

>> I have mixed feelings about

the print.

It's interesting, but at the

same time it looks a bit like

upholstery fabric, I think.

>> Are you trying to hide

something with the sleeves?

Is that why you pushed them up?

>> I think I had quite a problem

with fit--

well, I was gonna put a cuff

around it, but I--

>> let's have a look when you

roll them down.

So you were trying to hide this

a little bit.

You were not quite finished.

>> The fixing came a bit too

late, and Ewan is much bigger

than the mannequin I had.

>> You were running out of time.

>> Mm.

>> Kimberly, tell us about the

look that you made for Sam.

>> As the drummer, we wanted to

do something where he would pop

a little bit from the background

in terms of color.

But he doesn't really like

bright colors, so I did the

brown cords.

And then on the shirt, we kinda

wanted a tunic style, but then

we wound up doing a button-up

in the front and piped it with

the suede.

We didn't want to go too

over-the-top with it, even

though they like '60s and '70s

shapes and silhouettes.

So we just did minor touches of

it.

>> Sam, what do you think about

this look?

>> I really like the pants.

They fit great.

For the shirt I feel like

somewhere along the line the

shirt got lost.

>> I think he looks like Peter

Brady at an autumn harvest.

I mean, he's in like rust and

brown.

It couldn't be a more God-awful

color combination

>> I'm happy he's in a shirt and

a pair of pants right now, so...

>> Was this your first time

you've done men's?

>> Yes.

>> I think the shirt looks like

an old man's pajama that's been

lying around the house dirty.

>> To me it looks like

Scooby-Doo, Where Are You?

>> I see forest elf.

Like Tinker Bell's boyfriend.

That's not what a man of today

wants to look like.

And especially not a rock star.

>> It's a bowling shirt with

those big buttons.

I mean, those big buttons on a

man's shirt...

They're terrible.

>> And why did you decide to do

those buttons?

>> I don't know, Nina, just...

>> And the collar...It's just--

it's not working.

>> I hear you.

>> Viktor, please tell us about

your look that you made.

>> In our consultation, I

noticed he likes flared pants.

So I just went with the more

normal denim but just distressed

it a little bit and make it look

vintagey.

Then the top--I wanted to bring

something like flower but make

it more western with the piping

and just make it a little bit

more masculine.

I did want to add a very strong

piece, which is the jacket.

I know it's like a traditional

kind of motorcycle fringe

jacket, but I really thought it

would bring something new if I

braid it and make it look more

like a armor structure.

>> How do you feel about your

look?

>> I really like the shirt.

I think it's a cool print.

The jeans are sharp.

>> I think the jacket is

fabulous.

>> Might be like a little tough

guy for me, but...

>> I think the jacket is insane.

It looks like $2,000 jacket.

>> Oh, good.

>> It's good.

>> It looks impeccable.

I don't know how...

>> Is it fake?

>> You did that.

>> Pleather. I couldn't afford

the real thing.

>> It looks really expensive.

>> It had movement, which I

think a lot of the other pieces

are missing.

They're really stiff.

I'm not nuts about the shirt.

It kind of takes away from the

jacket a little bit.

>> I could see that.

>> This is kind of like Mad Max

meets Woodstock.

I think the bandana's great on

him.

And you're the only one who made

a pair of real jeans.

Can we see the back of them?

And they fit.

They're sexy, they fit.

>> This is a lot of work and

very impressive work.

>> Thank you.

>> Joshua.

>> We had discussed white, so I

found this really great treated

stretch denim with kind of a

cream overlay.

And I love this brown suede.

You know, an exposed zipper, I

think--I personally love it.

I think Tim thought it was

screaming a little too much sex,

but they are rock stars and

musicians.

And, you know, I kind of

personally love that.

It's something that I would be

attracted to as a viewer.

Um...

I would.

And I found this really great

print.

It's really graphic.

I got the chance to add this

really great little vest.

I mean, that's pretty much the

basics of it all.

>> Ryan, what do you think of

your look?

>> I really like it.

I like how he took a more modern

spin on kind of what direction I

gave him.

>> I do like the pants.

I think they fit him great.

I do like the zipper in the

crotch.

>> Good.

>> I'm with you.

I love the top, and I love

the vest with the strips.

I don't love the fringe or the

orange applique.

So there's a lot about your look

that I really like, but I just

think there's a few things too

many.

>> Okay.

>> Pants are cool.

One of the few pants that I

think really fit the leg.

The zipper's sexy.

It's like rock and roll,

totally.

I don't like the thing on the

side.

You didn't need it.

It cuts his line when he stands

sideways, you know?

He'd look taller with just the

white.

And also the pockets in the back

i find a bit distracting.

They're just a little dark, you

know?

It kind of ruins his--his booty.

>> You know, it's gotta be a

little more natural.

When you get too tricky or too

designy, that's when you go

wrong.

>> I like that it's not a

straightforward normal fringed

vest.

The sleeve is interesting.

>> Thank you.

>> There's some weird

cross-referencing going on

which I think makes it look a

little bit more modern.

Neil Young meets Jim Morrison.

>> I love that top, though.

>> I kinda want to take it home.

>> Yeah, I love that.

>> That's really cool, and the

way it like lines up, it's

really good.

>> I like this.

>> Okay. We have heard what you

have to say.

We're gonna have a little chat,

and then I'll call you right

back.

You can leave the runway.

>> Thank you.

>> Bye.

Okay, so the designers that we

didn't like were Olivier.

We didn't like Anya.

>> Kimberly.

>> But who was the worst one?

Who was the worst one for you?

>> That tunic.

>> Anya's for you was the worst?

>> It looks--I mean, I could

make a better...

>> Yeah.

>> And I don't make

clothes.

>> And she normally has a great

taste.

>> She just learned how to sew.

She normally has a real flavor

for what's cool and what's hip.

She's never made men's clothes.

And look at how well-tailored

those pants are.

And I certainly think her reggae

Jesus is not a shining moment,

but Olivier is a men's designer.

How do you take a guy who's the

lead singer, is 6'3", and finds

an outfit that actually

diminishes him and makes him

kind of shrink?

The proportions were wrong.

It was made poorly.

And he didn't even get to finish

it.

>> It did look well sewn...

>> Project seamstress or Project

Runway?

>> Kimberly's pajama party here

was awful.

>> The Salvation Army $5 bin.

Yeah.

>> $2 bin.

>> I don't know.

You know, I have to say,

Kimberly always makes amazing

pants.

>> I think that her problem is

that she's never shown anything

for men.

>> These three just crashed and

burned.

>> Yeah, they're pretty

neck-and-neck.

>> Let's talk about the

designers that we loved.

>> There were some elements of

Joshua's design that were really

out of the box and creative.

You break it down and look at

the top--the pants that fit

well, the vest, the sleeves.

There was something really great

in all his elements.

>> For me, in terms of being

hip and sexy, he was the

hottest guy in the band.

>> Totally!

I think Viktor, the jeans, they

fit fabulously.

The shirt's a sexy western

shirt.

And the jacket was fan-tastic.

>> But did he look hot?

I don't think he looked hot.

>> You're crazy.

>> The whole entire look could

have been cooler.

>> You know, he had the same

time as everybody else and made

three spectacular pieces.

>> I think Bert managed to give

Ewan something that looked

modern but still winking at the

past.

He made him look really powerful

and sexy.

>> I wasn't crazy about the

pinstripe pants.

To me that was a little '60s

derivative.

But I loved the top.

>> He gave him a...A look.

>> Yeah.

>> Okay, so we've made our

decision?

All right, let's bring them back

out.

Designers...

Some of you did well, and some

of you did not.

>> Some of you did well, and

some of you did not.

Bert...you're in.

We really loved your outfit.

Great job.

>> Thank you.

>> Viktor...

You are the winner of this

challenge.

>> Yay! Thank you.

>> Congratulations.

Great job.

You can leave the runway.

>> I still can believe that I

won.

I did put my heart and soul into

this garment.

I won.

>> You did?

Congratulations.

That was fast.

>> This is very important.

I love Rolling Stone magazine

and Marie Claire, and it was

just really, really cool.

I love it.

Laura, you're in.

>> Thank you.

>> Congrats.

>> Joshua.

You're in.

You can leave the runway.

>> Thank you.

>> Anthony Ryan, you're in.

>> Thank you.

>> Anya...

You're in.

You can leave the runway.

>> Thank you.

>> But not great today.

>> Oh, my God.

>> I knew it!

>> Whoo!

>> I swear, my heart stopped at

like...It was going flatline.

Nina, Heidi, and Michael can be

very harsh.

My life is about my work, and

when they rip me apart on my

work, it really makes me feel

like oh, my God, what am I

doing?

>> Olivier...Kimberly...

One of you will be out.

Olivier, your outfit for the

lead singer was just not cool.

You're a men's designer.

This could have been your chance

to shine.

Kimberly...

Your look was majorly

disappointing.

Your client looked like he was

stuck in the '70s, but in a very

bad way.

Kimberly...

You're in.

You can leave the runway.

>> Thank you.

They ripped me to shreds.

So I am surprised, I'm happy.

I am emotional.

I am...everything.

I'm everything.

>> Hug, Kimmy.

>> Oh, poor Olivier.

I'm sorry for him.

>> It's nerve-racking, right?

>> Give her her blanket.

She needs it.

>> You have your spot.

You have your spot.

>> The most emotional part of

this process is...

The unknown.

Just being on the brink like

that--

>> Yeah, yeah.

>> Because that was so tough.

I was like, you know, if I go

out, it's fine, it's fine.

But then when it was just us two

and she was like, "Kimberly,"

and she said my name, I was

like, oh, my gosh.

Like I want this, my dream.

So...

>> You're okay, you're okay,

you're okay.

>> Yes.

>> Olivier, I'm sorry.

That means you're out.

>> Thank you.

>> Auf wiedersehen.

>> Thank you so much.

>> All the best to you.

>> Thank you.

I know it's a tough competition.

I've seen lots of amazing people

doing amazing work.

At the same time, I don't think

i deserve to go at this point.

>> I don't want to go this way.

>> You okay?

>> You don't want a hug?

>> Ollie.

>> It just feels like, um...

A dream.

>> Yeah.

It happens so fast.

>> What'd they say?

>> Olivier, I have to send you

to the workroom to clean up

your space.

>> Okay. Thank you so much.

>> You take care.

>> Thank you.

>> All right?

Bye!

>> I don't know what the future

holds.

I just moved here recently, so

i will have to see.

My journey here ended, but I

hope I will find my passion

again in high fashion and I can

focus my career in that

direction, and I will be really

happy.

>> You look great.

>> I love it.

>> Good.

>> Leot looked stunning.

The look that I gave him fits

him like a glove.

Do you mind if I pull the jacket

just a tiny bit in?

>> You can do whatever you need

to do.

>> Just from the side.

Once in a lifetime where you get

to shoot with a band and a band

that probably will be famous

and Marie Claire.

This is my first time doing

something really huge.

>> Beautiful.

>> Definitely I have a little

ego going on right now.

But so what, who cares?

I'll do it.

== sync, corrected by elderman ==

>> Next time on Project

Runway...

For your next challenge, you

need to look to the past.

>> Holy crap!

>> I never lived in that time.

I just feel a little lost.

What kind of top are you doing?

>> I'm not driving you no more,

Miss Daisy.

You do it.

>> You lost your money?

>> Yes. I cannot find my money

anywhere.

>> You can use muslin, but

that's it.

>> Bert is making Roller Barbie.

Don't understand it.

Again.

>> Nina has this thing and gets

bristly about your taste level.

>> Rrroow!

>> I would not want to be any of

those girls.

>> It's over-the-top.

>> It looks hor-ren-dous.

>> Aah!

>> Visit mylifetime.com to learn

more about the fashion you've

seen on tonight's show.