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Previously on

Project Runway...

Your challenge is to create

resort wear

Designers, I'm putting you into teams

of two.

You are executing each

other's design work.

Oh, my God.

I'm looking for to make

a simple blouse

I could just feel her crazy

energy.

If we can just finish.

You keep going back to colors

that no one likes.

Move on.

Why can't the judges see

value in what I do?

The whole outfit has no

personality.

It's a yawn.

When I found out that I was

working with Michael, I had to

edit down a lot.

Is that not throwing him

under the bus?

April, congratulations.

You are the winner of this

challenge.

Wow. Thank you so much.

Casanova, you designed with

your grandmother in mind.

I'm sorry.

That means you're out.

This is Project Runway.

The winner of Project Runway

will receive $100,000 from

L'Oreal Paris to start their own

line, a fashion spread in

Marie Claire magazine,

a $50,000 technology suite from

HP and Intel to create their

vision and run their business,

and the opportunity to design

and sell an exclusive collection

on piperlime.com.

The model paired with the winner

of Project Runway will receive a

fashion spread in Marie Claire

magazine and $25,000 from

L'Oreal Paris Studio Secrets

Professional.

Project Runway 8x08 A Rough Day on the Runway Original Air Date on September 16, 2010

-- Sync by elderman -- -- for www.MY-SUBS.com --

Do you feel like it's kind of

quieter in here today?

Yeah, it is quieter.

Casanova's no longer with us.

Duh.

How sad.

The workroom's gonna be kind of

boring without him here.

Mm-hmm.

I got called out on the

Runway yesterday by Heidi.

For?

Michael, I saw you roll your

eyes ten times while Ivy was

speaking.

Working with her on a

previous challenge, I was

terrified.

Then you shouldn't roll your

eyes.

I was like...

Didn't know what to say.

How you feeling, Ivy?

It's done.

Yesterday was yesterday.

You were so blase about it.

You were like, "yeah, it was bad

colors.

Meh.

Yeah, it was poor design. Meh."

I think I'm a very strong

woman.

And there's been times where

people have told me that I'm not

good enough, I'll never make it,

and if I listened to those

idiots, I wouldn't be here

today.

I think Ivy really needs to

prove why she's here.

I think she needs to step it

up and play with some color,

something other than cream,

opaque--opaque is not a color,

but if it was, it would be

called Ivy.

Yeah, I agree.

Let's go.

Let's do it.

Time to get busy.

Hello.

Hi.

For this challenge, you will

be looking to the past to secure

your future.

Tim will fill you in on all of

the details.

When Heidi tells us that

we're stepping back in time, I

feel like it really could be

anything.

You never know on this show

what's gonna happen.

All I know is I don't want to

be forced into making a corset.

Good morning, designers.

I am honored to be standing in

front of photographs of

Jacqueline Kennedy, one of the

world's leading fashion icons.

Ever since she became first Lady

in 1961, she has personified

quality, taste, style,

sophistication, and elegance.

She is how the world perceives

classic American sportswear.

For this challenge, you will

design a look that personifies

your own point of view as a

designer and your own

contribution to American

sportswear.

Remember your point of view as

a designer.

We have to do a garment

inspired by American sportswear

and use Jackie Kennedy as our

muse.

You will have 30 minutes to

sketch and use

Jacqueline Kennedy as your

inspiration.

Then we're going shopping at

mood where you'll have a budget

of $150.

And you have until midnight

tonight.

And your sketching time begins

now.

Have fun.

Classic American sportswear

is definitely what I do as a

designer.

This challenge, I think, is a

good one for me.

I'm gonna do a dress.

And I'm making it a little bit

more fantastic, just because

it's Jackie Kennedy, and it's a

Runway show.

Using Jacqueline Kennedy as

an inspiration, at first I

thought was kind of a hindrance

because I relate her so much to

American fashion.

And my aesthetic plays a lot

with asian ideas of aesthetic,

and so I thought that it wasn't

gonna really mix well, but

Jacqueline Kennedy was a fashion

risk-taker without even knowing

it, and so it's gonna be a

statement piece.

I really want to do separates

this time around just because I

feel like I started off the

competition with more dresses

than I wanted to.

So, designers, your sketching

time is up, and we're heading

off to mood.

Let's go.

All right, designers, think

quality, taste, style,

sophistication, elegance,

expensive.

Your time starts now.

Whaa!

Once I get to mood, I let the

fabric speak to me.

I just kind of run up and down

the aisles like a crazy man.

Yeah, those bolts of fabric have

voices, and they say, "come over

and pick me up," and I usually

do.

It needs to be something you

feel passionate about.

Great about.

Remember, leader.

Forward.

You're leading.

Right.

Okay.

Ten minutes.

Aah!

I'm lost right now.

I don't really have a clear

vision of what I want to create.

Fortunately, I do have a color

palette in mind.

I'm thinking either white and

black or white and Navy.

I want to definitely create a

garment that's chic and

timeless.

Designers, one minute.

One minute remains.

This is the time when I'm

like, what if I screwed up?

But we can't think about that.

I think I did a fabulous job.

You did a great job.

I go into mood with all of

this positive energy, and I'm

gonna get it, and then I'm at

the cash line, and I'm like...

Crap. Okay.

Did I make the right choice?

All right, designers, let's

head back to the workroom and

get to work.

All right?

Thank you, mood.

Thanks, mood.

I think it's very Jackie o.

Don't you?

Very. Yes.

When I get back to the

workroom, I start draping a

dress pattern on the form, but

after working on it for a while,

i'm really not feeling it.

What were you thinking of

doing?

Like, a panel?

Like a...

Border hooker?

Border.

Borderline hooker.

There's a fine line.

I'm a little concerned about

mondo's look.

It's very mondo, but I feel

like, because of the materials

he used, he might be not hitting

the nail on the head with this

one.

I can't go back to mood, so

i have to make this work, so I

think I'm going to switch and do

a skirt and a top.

This could either be really

good or really bad.

I decided to do sportswear a

little dressier because I

don't like sportswear.

I'm using sportswear fabric.

That counts, right?

What if it, like, it looks too

expensive?

For real, though.

You're out.

Yes.

"Michael, your look was sewn

well and expensive.

You may leave the Runway."

Michael D is a barrel of laughs.

He's very quick-witted.

He's the funny that I wish I

could be.

For this challenge, I decided

to channel the earliest

americans--the puritans.

I'm making a skirt out of wool

crepe, but it's sort of

reminiscent of a '50s circle

skirt, but it's got cartridge

pleating, which is kind of like

the crucible.

So I'm not really sure what's

going on, but I really kind of

don't care at this point, 'cause

i think I'm losing my mind.

Aah.

My plan is to get this thing

drafted as fast as possible,

get this thing cut so I can

start working on the details,

because there are a lot of

details on the top.

Hopefully, that's Jackie--

Jackie o enough.

I don't know.

I think that it's about what

she would wear now, not...

Her aesthetic then.

Yeah.

I'm like the Susan lucci of

the show.

I've been in the top, like, four

times, and I've not won a

challenge yet.

And I really, really hope that

this time I might win something.

I just don't want to get too

crazy, 'cause Jackie o wouldn't

wear goth, you know what I mean?

Jackie o would not wear goth.

You are right, madame.

Don't want to get too

cray-cray.

I feel like the easiest way

to screw yourself is

second-guessing.

Too many people psych

themselves out, I feel.

There is just such a small group

of designers now that if you

even eff up one time, you're

going home.

Coming up on

Project Runway...

That looks too flight

attendant-stewardess, doesn't

it?

Kind of.

What happens with this?

I was--wanted to maybe soften

it.

It looks like my

grandmother's clothes.

I'm the old fart.

I admit it.

But I find it to be pretty

vulgar.

Really?

Yeah.

This challenge is to design

a piece that is classic American

sportswear and take into account

who Jacqueline Kennedy was when

she was in her prime.

Classic American sportswear,

it's what a lot of women

normally do have in their

wardrobe.

What are you making?

A top and a pencil skirt.

I don't think that some of

the other contestants really

know what sportswear is.

To me, Michael C's look looks

very cocktail, and I would have

to say the same thing for

Christopher's.

I don't know if I should do

the piping, though.

I'm wondering if it's too...

You think it's too...

If it'd be too much, because

I'm putting pleats on the

sleeves, like three pleats on

the sleeves, and then I'm

putting a pleated placket.

I don't know.

I'm gonna ask Tim.

Valerie, she always has to

get feedback from all the

designers.

I want to put piping in the

seams, but I was like, piping

and pockets and pleats and

leather.

Although I have to say your

piping, I thought, took it up

a notch on your Marie Claire.

Yeah, I think it needs to

look really rich.

It looks rich.

I'll do the inside, and then

i'll think about the piping.

How's it going, Michael?

I don't know yet.

I might make another dress.

I'm not really feeling my blue

backless dress right now.

And that looks too flight

attendant-stewardess.

Doesn't it?

Kind of.

I'm a little worried for

Michael C, but it's a

competition, so I can't be

someone that's gonna just bail

you out because I see you

digging a hole.

Let's just show Tim this.

So these are my pants.

It looks like I could fit in

one leg.

And my model could probably fit

in the same leg.

Have you seen what Andy's

working on?

Andy? No, not really.

Kind of like the pants that

he wears a lot, but in shorts.

Really?

I know.

I think that looks cute.

A fashion-forward person

takes risks, and so I'm pushing

fashion a little more forward.

Kind of hoping he keeps going

with it.

Just keep going.

Yeah, just keep going, Andy.

Hi, everyone.

I'm here to check in with you.

So, Christopher, may I begin

with you?

Yes.

Great.

So when I think of

Jackie Kennedy, I think it was

about, like, her energy that

made everything so beautiful.

What happens with this?

Does it remain a--it's like two

separate pieces?

Well, kind of.

Like, I was wanting to maybe

soften it by using some of the

trimming here.

You've just made it look more

expensive.

Nobody's gonna want to see

that fashion week.

It looks like my grandmother's

clothes.

Okay, Christopher, thank you.

Thank you.

How's Valerie?

Valerie is doing good.

What I'm doing is a very slim

black pant, just almost like a

legging, but not a legging.

What's the fit like through

the hips and thighs?

Oh, it's fitted.

I'm the old fart.

I admit it.

But I find it to be pretty

vulgar.

Really?

Yeah, you've got to be

careful of what happens here

and what happens back here.

Right. Okay.

So then do you think I should

just leave myself some more

extra room in the sides so that

it's a little more loose on her?

Just be very mindful of the

fit.

What about back pockets?

Do you think that's necessary?

These need to be your

decisions.

Valerie doesn't want to

commit, and Valerie doesn't want

to make a design decision on her

own.

Thank you, Valerie.

Thanks, Tim.

I have two dresses.

Why?

Because it might be too

cocktail.

What's this?

Too cocktail.

I did a cutout here, so

when my model walks, it'll give

it some three-dimension.

It makes it more than just a

pant.

Yeah.

Especially with the comments

last time.

Yes.

So it's like a very beautifully

draped cargo pant.

Right.

It's you.

It's me. Exactly.

I can't believe that you

found overscaled herringbone

in mondo.

If you took Jackie Kennedy

to the desert and gave her some

mescaline to eat, then you would

have Jackie Kennedy in mondo.

Does that make sense?

Hey, Michael.

Hi, Tim.

So talk to me about the

skirt.

So right now it's really

kind of heavy.

Yes, it is.

Michael Drummond's skirt is

a little crucible right now.

All she needs is a bonnet on her

head.

I mean, the more that I look

at this, it's Annie oakley.

It's annie get your gun.

People recycle old in fashion

all the time.

Sometimes things that haven't

been seen for ages and ages and

ages can look extremely modern.

I mean, I don't want her to look

like she's also got a ruler and

she beats children.

Do you know what I'm saying?

Like, I mean, it could go there.

That could be the other side

of her.

Stop.

Thank you.

Thank you.

All right, everyone.

I will see you in the morning.

Thank you.

Thank you.

Thank you, Tim.

How's it going?

Good. I just--I'm waiting

to get that girl in for a

fitting, and I think we're good.

That girl?

That girl eyen.

Here they are.

Yay!

At this point, I only have

my top to fit on ekaterina.

I'm kind of concerned because

i haven't fit the pant on her

yet.

So turn sideways.

So that's kind of how it is.

Oh, cool.

I just feel like this needs

to be tighter.

I like it.

A little.

Okay, so if it doesn't have

all that, it's actually, like,

kind of cute.

Jackie Kennedy, she wouldn't

wear that.

I don't care what time period

it is.

And the fit was, like, going up

her ass.

It was just, like, saggy

saddlebags.

We are done.

Eh, how'd yours go?

It went good.

I'm glad that I made two

dresses because I would have

been stuck on that first dress

that I made.

You know, Michael C, he's

done, like, two dresses, and, to

be honest, they really remind me

a lot of Donna karan.

And I don't see Michael Costello

in it.

I don't even know who

Michael Costello is as a

designer, so I can't even say

if I see him in it.

She is Annie.

I swear it's gonna be chic.

I swear.

Do you need some help?

That's some s&m.

All of a sudden, it's prairie

home sex shop.

Michael Drummond, I can't

tell if I should be harvesting

wheat...

Or smacking you with it.

Or smacking you with it.

You're in.

Yes.

Ugh!

You okay?

No.

I'm not seeing anything from

Ivy yet.

She didn't get to fit her model

when she came in, 'cause she

didn't have anything ready.

I'm totally experimenting

with my look right now.

So I'm hoping that it does work.

I think Ivy's a really

beautiful tailor, but I don't

think of her as one of the more

forward designers in the room.

I think I'll finish it

tomorrow.

And not everybody needs to

be.

If I don't, then I have

nothing.

Hopefully, things work out for

the best.

I'm just going to have to try

and make it work.

I think we're all in the

clear for sure.

Yeah.

I'm kind of concerned for Andy.

Yeah.

I don't think that look is

Jackie o or anyone really.

She's more like Jackie yo

than Jackie o.

I think when the judges see

those pants, they're gonna think

if Jackie Kennedy was alive

today, she would probably wear

pants like this, 'cause she

was a risk-taker.

I think she would.

I just hope they don't--I hope

they get it.

You kind of look like

Jackie Kennedy today.

Thank you.

I know, if Jackie Kennedy

came back as a tranny.

After you. Ladies first.

Excuse me.

Mondo, mondo, mondo.

Ooh, I like this so much

better after a couple of hours

of sleep.

Oh. Oh.

Good morning, designers.

Hi, Tim.

I have an announcement to

make.

Of course you do.

Today is not a Runway day.

It is not a Runway day.

What day is it?

Coming up on

Project Runway...

He has no conviction or

vision.

Egads.

If they're gonna send me

home, they're gonna send me home

on something that I believe in.

Jackie Kennedy would not have

camel toe.

Today is not a Runway day.

What?

It is not a Runway day.

I'm so happy about this little

Twist, you have no idea.

Whenever Tim Gunn says

there's a Twist, I want to smack

him in the head.

You will be creating an

additional item to go with this

look.

And that item is outerwear.

Ohh.

I don't like outerwear.

In palm Springs, we don't make

a lot of outerwear.

That's fabulous.

I actually am a knitwear

designer by trade, so I'm, like,

Captain outerwear.

If the garment we made is

similar to a jacket already, can

we make that our outerwear and

make something underneath?

I feel like this is already a

jacket, and anything over this

is gonna be really bulky.

I don't disagree with you.

And I was surprised to see that

you created a jacket.

You will have 15 minutes to

sketch.

Then we're going shopping at

mood where you'll have

15 minutes to shop with a budget

of $150.

Wow.

Hey.

This is gonna help our

outfits.

I agree.

I like the idea of a complete

full look for my Jackie Kennedy

of 2010.

We are in 2010, right?

Thank you, everyone.

I'll be back.

Thank you.

I'm really stumped.

I'm kind of excited that this

is gonna be more and more of a

look, though.

I love outerwear.

I'm thinking of designing a silk

organza jacket to go over the

top and pants that I have

designed.

I'm thinking about scrapping

my whole jacket that I already

made and then just making a

whole new outf.

Outerwear doesn't have to

just be a jacket, though.

I want to do a very simple

black, long-sleeved jacket.

I want to play with some of

the lines from the skirt in the

coat.

I want, like, a big collar

to really build volume around

the face.

I like the idea of giving her

some coverage over her

shoulders and just try to make

her look elegant.

I'm deciding to do a vest.

It's very modern.

It's very classic.

And it's very versatile.

I'm really hoping for a win.

Girl.

I'm following my butt, not

my gut.

Does that mean you're making

her a Fanny pack?

Girl, just wait.

All right, everyone, let's

head off to mood.

Yay!

Follow me, please.

Oh, , we have

15 minutes?

I'm looking for a really

soft, stretch-type wool.

And this fabric is sticking out,

and I want that fabric.

Hmm?

I could have been a bitch about

it and take the fabric anyway,

but I rise above that kind of

stuff.

Could I get five yards?

For my shrug, I'd love to use

something that resembles fur.

It was, like, breeze through the

faux furs, and they all looked

so tacky and cheap.

So I went straight immediately

just down to the leathers.

This is the first time I've ever

picked up animal fur.

I feel a little bit bad.

All right, everyone, time is

up.

Thank you very much.

Come on, let's go back to

parsons.

Thank you, mood.

I don't know. I like it.

I do too actually.

As I'm using this hide, I'm

seeing how thick hide is.

I've never sewn leather before.

Leather?

Uh-huh.

You're gonna have to use some

hand time doing this.

Oh, okay.

I know my capabilities of

doing outerwear, and I

absolutely love it.

And the fact that we're able to

make another piece, I couldn't

ask for anything better.

Mondo, what are you making?

The little cape coat.

I want to step it up a little

bit and show them that I can

still have a sense of fun but

also be elegant.

Your skirt's finished then,

Michael?

Yup.

Now it's just time for this

jacket.

I figured if I did a coat,

it would just be too much.

It's kind of heartbreaking

because I am an outerwear

designer, and I really love

making coats.

And I can't do that.

Yeah, I'm scaling it back.

I wonder if this was a boy

animal or a girl animal.

The fur is really long and kind

of nappy.

So I'm gonna basically give the

hide a shave.

It looks really pretty.

It takes it up, like, so

much.

Totally.

I still haven't seen anything

from Ivy, but if it's the same

old stuff, I think she'll be in

the bottom.

I know with the organza piece

you can see everything inside

and out, so I think that's going

to be my biggest challenge--

to make sure that the finishing

is perfect.

You are Harry Potter.

I didn't want to make it a

costume, you know.

It should be like things that

Jacqueline would pull out of

her closet and throw on.

You know, I'm thinking I might

recut this coat all over again.

I turned out that beige

jacket, but it looks like a damn

Terry cloth towel.

Now I got to make another look.

Is mc changing his dress

again?

I don't know.

And then say to everyone, "I

made seven dresses."

Every single challenge, he

creates multiple things.

He has to wait until Tim Gunn

comes in and tells him what to

do, and then everything changes.

He has no conviction or vision

for these challenges.

I think people are starting

to talk about me because they

don't understand how is it that

I can win two challenges.

If you're gonna hate on me for

that, then step up your game

and win a Challenge.

How is everyone?

Fine.

Boy, is it quiet in here.

Pensive.

It is pensive.

Valerie.

Hi, Tim.

It's a new look.

Yeah, this is the outer

piece.

So you're still using the

other top?

Yes, I'm still using the top,

and the reason I made it a vest

is because I didn't want it to

be too heavy.

Mm-hmm.

And I decided to go with a

skirt instead of the pant.

Oh, you're going with a

skirt?

Yeah.

How are you feeling about

time?

Oh, I'm feeling good.

I mean, all I have to do is

just sew up the side seams, turn

the arms under, and put a zipper

in.

That's all.

Yeah, it's--it doesn't take

that long.

And the skirt.

But I think I can do it.

Michael.

Hi, Tim.

I want to hear about the

outerwear.

Okay.

But I also want to hear about

this skirt again.

I had it on my model

yesterday, and it looked really

good.

It did?

Yes.

The skirt?

Yes.

There's several gauges of

Tim Gunn.

There's this one.

And this one.

And this one.

And he's giving me this one.

Do you feel strong enough to

stand up on that Runway for it?

I want to fix it a little

bit, but I-I really like it.

Hi, Andy.

Hey, Tim.

You know, this is the most

you you've been this whole

season.

Don't you agree?

I think so.

How is this whole crotch

area?

'Cause you don't want that

pulling.

Yeah, earlier it was doing

this, like--it was giving her,

like, an arrow there.

Jackie Kennedy would not have

camel toe.

Right.

How is mondo?

Ohhh.

What's the matter?

I started thinking that it

looked old, and it started

worrying me.

Give it some shape.

Okay.

Give it some detail.

Make that work.

All right, I will.

Okay? Thank you, mondo.

All right, thank you.

Michael.

Hi, Tim.

What's that?

Well, I made three jackets

today.

You made three jackets?

Yeah, and about three other

dresses too.

I found this fabric today at

mood, and it looked so much

better there until I got it

here.

I kind of like it better in the

denim.

Well, it's prettier than

this, but what wouldn't be?

Put the stuff under the table.

That's where the rest of it

is.

Egads.

Christopher.

Hi, Tim.

What do you think?

The dress is so

form-fitting...

Mm-hmm.

It just looks kind of anemic.

Build it up.

I will. Thanks, Tim.

Thanks, Christopher.

All right, everyone, I am going

to leave you for the night.

Make it work, everybody.

Thank you.

A little piece of my soul is

dying every second.

Mine too.

I'm not finished yet.

I have to put the facing on my

shrug, which is, again, more

handwork.

My fingers are gonna fall off.

I know.

Coming up on

Project Runway...

Tim Gunn's got me real

nervous.

Michael, in two minutes,

we're going down to the Runway.

This can't be happening.

I don't want to be sent home

over a damn zipper.

Runway day.

Are you nervous?

Not really.

No?

This morning, I'm confident.

I'm gonna stand by my look no

matter what.

I really, really love the

concept and the idea behind it.

I'm concerned for Andy.

I just feel like he didn't

pay attention to the challenge

at all.

Mm-mm, he designed for

himself.

Like, he just made whatever

he wanted to make.

As a woman, you want to hide

certain things.

Not hide your whole bottom

half, you know.

I just don't want to go home.

That's all I'm asking.

Just don't send me home.

Okay?

I don't think you're going

home, Michael Drummond.

I don't know.

Tim Gunn's got me real nervous.

Michael Drummond is probably

the most artistic designer in

this competition.

I mean, he definitely has his

own point of view.

And, you know, I praise him for

that.

Mondo, you look fabulous

today.

Thank you.

I love your outfit.

It was inspired by the cotton

club.

Let me see.

Stand up.

It's so cute.

Did you make that shirt?

Yes.

Love it.

Hey, would you tap dance for

a second?

No.

Come on.

I'll give you a dollar.

All right.

I love.

I've never put on snaps so

fast in my life.

The issue with my design is

really just gonna be getting the

perfect fit on Rose, my model.

The judges are really critical

about the proportions, so as

long as I can get that, I think

I should be in good shape.

All right, you have two hours

to send your models to the

L'Oreal Paris makeup room and

the garnier hair salon.

The piperlime accessory wall,

use it thoughtfully.

I'm sending in your models.

Thank you, everyone.

Thank you, Tim.

Yeah.

Hello, ladies.

I think it's really good.

It is.

I mean, it's not perfect, but

I'm happy with it.

It's very close.

The model arrives, and I'm

really glad because I'm really

excited to be able to put this

jacket on her.

It's cute.

The top fits her well, and the

skirt fits her well.

It's a little high above her

hips.

Perfect. Perfect.

I'm on the fence about mc's.

I'm not into it.

I'm not into it, but I'm on

the fence about what the judges

would think, you know?

Like, they're gonna overlook

that it's a knock-off.

Well, they've overlooked it

every time before.

Exactly.

I've never made a dress like

is before.

I feel like the designers

don't like Michael Costello

because of an elitist sort of

thing.

I think a lot of people come

here with, like, big head maybe.

And they think that they know

what they're talking about.

Like, he may not be as seasoned,

but it doesn't mean that he's

not talented.

That part's fine.

Let me see the pant pleat

first.

I'm trying not to panic that the

crotch isn't fitting as nicely,

so I'm trying to just fix the

problem as much as I can and

make it work.

Okay. Put 'em in here.

Your little breast cup things

in that one over here.

Let's go to makeup.

Okay.

Hi.

Hello.

We want to do a smoky eye.

Uh-huh.

Smoky eye. Imagine that.

So how about a light smoke

with that red hair?

Yeah, like, a light smoke.

Like...

Yeah, let's do that.

That'll be fun.

Maybe just all away from

the face.

And just the high ponytail.

I want to simulate, like,

the modern-day french braid.

I'm talking to the garnier

stylist, and I really want to

do kind of like a low chignon,

but modern.

Like that and then the hair

that's wrapped around.

Okay, come on.

Let's try this on.

My dress looks beautiful on her.

I really, really like it.

So it's gonna go like this.

The shrug, I don't know how

that's gonna work out.

So it's a little bit more like a

jacket shrug.

Right.

We're down to the last eight

people now, and how we're gonna

get eliminated now is by

slipping up and making an error.

Do you key?

Go look.

Even though I was intimidated by

the Twist, the outerwe

definitely completes the look.

She's really giving us

Jacqueline Kennedy now.

Stand straight.

I'm kind of surprised that

everything is going as well as

possible.

Oh, Ivy, that's beautiful.

Oh, yeah, it's really, really

cool.

I think Ivy's is looking really

good.

I'm glad that in this challenge

she's finally able to show the

designer in her and her

tailoring skills.

I want your hand in the

pocket, just 'cause it looks

really neat.

Ekaterina is embodying the

Jackie Kennedy, so let's just

get this party started.

Designers and models, in

10 minutes, we're going down to

the Runway, all right?

As we're putting on the

skirt, the invisible zipper

breaks.

I am probably gonna have a heart

attack.

Damn it.

This can't be happening.

I don't want to be sent home

over a damn zipper.

I had to pull out the pliers,

did a little fixing.

Ooh, girl, I was about to have

a heart attack.

Make sure your hair is behind

it.

I think my look will be safe.

I don't foresee my look being

in the bottom.

But the way the judges are, you

never know.

So I'm kind of hoping for the

best, preparing for the worst.

I think the judges will be

bored with Gretchen's look

just because I feel like it's

so many layers and so drapey

that it could look a little old.

Cool.

There's really not much else

for me to do.

I mean, it sucks to be somebody

that's frantically freaking out

trying to get something done,

but, I mean, I worked hard and

fast to get it done, and I did.

There's so many factors that

factor into the reason why I'm

hustling right now.

I mean, I'm never finished.

Like, even if I was finished, I

still wouldn't be finished.

I'd see something else I want

to do to it.

Michael.

Yeah.

In two minutes, we're going

down to the Runway.

I'm almost finished.

All right, two minutes.

120 seconds.

Thank you.

Thank you very much.

You know, this is a weird

challenge.

Maybe like 50% of the room I'm a

little nervous for.

I think Andy's reads

through-and-through Andy, but

I don't think it reads at all

Jacqueline.

Mike c's outfit is a cocktail

dress with, like, a mom jacket

over it.

Christopher, his outer piece, I

think, is just odd.

All right, designers and

models, follow me down to the

Runway.

I don't know what three are

gonna be in the bottom, 'cause

I feel like it could be one of

those where, like, more than

three are in the bottom.

That's it. All right.

Coming up on

Project Runway...

It looks like a dirty old rug.

I think it's insulting.

I feel like I'm on a

different planet.

This is a train wreck.

So what are you, a grand

couturier?

Did I miss something?

I mean, come on.

Hello.

Hi.

Welcome to the Runway.

As you know, in fashion, one

day, you're in, and the next

day, you're out.

There are nine of you here, and

after tonight there will be

eight.

For this challenge, we asked you

to create a fashion-forward look

that shows your take on American

sportswear.

You were inspired by fashion

icon Jackie Kennedy.

Then we asked that you create an

outerwear piece to go with your

look.

You had $300 and two days to put

it together.

All right, let's meet the

judges.

First we have top American

designer Michael Kors...

Hey, guys.

Fashion Director for

Marie Claire magazine

Nina Garcia...

Hi, everyone.

And our guest judge today,

actress January Jones.

Hi, everyone.

Hello.

Welcome.

Thank you.

We will score your designs

as they come down the Runway.

One of you will be named the

winner, and one of you will be

out.

Let's start the show.

♪ ♪

I really like the way it

looks.

I like the way it moves.

She fills it out perfectly.

I think that I understood this

challenge.

They said clean, elegant,

sophisticated, simple, but

fashion-forward.

And I think the dress is that.

I love pencil skirts, and

I think that she looks really

sexy.

It's me. It's edgy.

I'm really happy with this look,

and I think that it definitely

fulfilled the challenge and

also fulfilled my aesthetic.

And I'm really confident in it.

I'm just so excited.

She looks so beautiful.

And she's really embodying

Jacqueline Kennedy.

The entire overall look looks

stupendous, and it looks very,

very expensive.

I think it's very original.

It's very different.

It's things that I've never seen

before.

And I definitely am very proud

of what I've created.

I'm a little nervous.

I'm curious to know what the

judges are gonna think of me

sending down a cocktail dress.

But my model looks great.

Maybe her walking in this dress

shall spark something in the

judges' eye to make me safe or

put me in the top.

It's really hard being on

this side of the Runway.

I nitpick everything.

But I feel like it looks like

something Jacqueline would maybe

wear, and, more than anything,

that's what feels good.

You know, I've come a long

way in this competition, and I

really like my garment.

There's something very beautiful

about that monochromatic outfit,

but, as my model walks down the

Runway, I think to myself, the

skirt's too short.

Why is the skirt so short?

Oh, stop.

When I see my look coming

down the Runway, I feel great.

I think I pulled off a very

clean look, and it's very

versatile.

I think all the pieces could

stand well on their own, but

also changed amongst other

garments in your wardrobe.

It was good to be done and

relaxed, but it's nerve-racking

'cause you just never know which

way the bottle's gonna spin.

Once it hits the Runway, I

have no power.

I'm kind of sweating when I'm

watching because of the fact

that the fit is really off on

the crotch area.

But the overall look, I really,

really love.

Eyen definitely exudes the

spirit, the Grace, and the

elegance that Jacqueline Kennedy

was all about.

She looks sophisticated and

strong and smart, and that's

exactly what I wanted to send

down, so I'm 150% happy with

this look.

And I think I'm gonna win this

one.

If I call your name, please

step forward.

Michael Costello, please step

forward.

April.

Gretchen.

If I've called your name,

congratulations, your scores

have qualified you to move on to

the next challenge.

You can leave the Runway.

Thanks.

I guess we thought wrong, huh?

Yeah.

I thought I was going home.

I sent down a cocktail dress

with a denim jacket.

Come on.

Oh, I am like--I'm so shocked

right now.

I thought mine looked like a

modern spirit of what separates

really--like, what sportswear

is.

But I could have see you in

the top three because, you know,

Jackie Kennedy's a fashion icon,

and she sets trends.

And I could so imagine her in

your outfit, you know.

Like, it's so fashion-forward.

When I said it was an honor to

be there with Gretchen, it's

all bull.

I don't think Jackie Kennedy

would ever wear any of those

pieces that she sent down the

Runway.

The remaining designers have

the highest and the lowest

scores.

Let's bring out your models.

I think mondo and Ivy are

going to be in the top.

To me, Valerie's read

street wear, not sportswear.

Maybe she missed the mark on

this challenge.

Andy's pants are amazing.

I think they're so cool.

I don't think Jackie Kennedy

would have wore that.

They look fun.

One of you will be named the

winner.

And one of you will be out.

Valerie.

Tell us about your look.

For Jacqueline Kennedy in

2010, I really wanted to keep

her modern, but still keep her

classic and keep her streamlined

at the same time.

But I want to give her a little

bit of an edge.

Immediately thought of a fall

look.

That's why you put a jacket

over a jacket?

Well, it's more of a vest.

'Cause she's wearing a

jacket under the jacket, isn't

she?

I mean, it could be used as

a jacket, but it's like a

blouse that can be a jacket.

Can we have a look?

Sure.

Is that not a jacket?

It's a double-knit.

And I made it intentionally to

be something that could be worn

as a blouse, but...

It looks like a jacket.

She can wear a camisole

underneath, and, if she wants,

she can take it off.

Can we put it back on?

Sure.

It has no impact at all.

It's just sad looking.

I mean, she's wearing a lycra

tube skirt with no design in it.

The jacket looks very sadly

tailored.

The collar is an odd shape.

Well, I wanted to keep it

really simple and basic, and I

tried to put, you know...

But, guys, simple doesn't

mean boring.

Right, but that's why I put,

you know, the pleating in the

sleeves and pockets.

I thought it gave it a little

bit of a difference.

You're talking about a style

icon, and that does not look

like a style icon to me.

I guess my interpretation of

American sportswear for

Jackie Kennedy was something a

little more casual.

And the collars just--they

drag it even down further.

And the ankle boot confuses

me with that length of skirt.

Any time that you want to

make a design reference, it's

pleating and zippers.

That does not a good design

make.

Some of the best things are very

simple and have no design

gimmicks to them.

Christopher.

When I was thinking of

Jacqueline Kennedy, I was

definitely inspired by the

effortless, the elegant theme,

so I wanted to do a dress, a

fitted dress, with kind of an

asymmetrical neckline, and

then, when we got the

opportunity for the second

challenge, I found these hides,

these furs, and so I cut the fur

and then I incorporated these

pieces together to kind of

create a stripe.

Well, this was my favorite.

The dress is beautiful.

I love the silhouette of it.

It's chic.

I loved all the draping.

I think the dress is elegant

and sexy at the same time.

I like the subtle sheen.

The wrap on the other hand, I

like the texture, and I like the

color.

I have to say that that dress in

itself is a tricky one to try

to figure out what on earth you

would wear over it.

Yes.

The idea of this piece is, like,

she can wear this to, like, a

fancy luncheon.

I doubt it's lunch.

I kind of agree.

It is more of an evening.

I think it's the silhouette

is what's difficult.

I think you've got this

beautiful neckline, and,

unfortunately, you know, you

obstruct it, you're not helping

it.

When you take the shrug off,

it looks much better.

I agree.

Can you put it back on,

please?

Oh, yeah.

What you've made, I mean, it

looks like a dirty, old rug,

because it's unreadable.

If you can't see it like that,

it's not good.

Michael Drummond, tell us about

your look.

I was thinking about things

about Jackie Kennedy, and I was

thinking about a vintage

silhouette.

I wanted to do a deconstructed

jacket.

I did some cartridge pleating.

I just wanted to sort of make

something modern, but something

that could also transcend to the

past.

This is schizophrenic

Jackie Kennedy.

She's an old Lady on top, and

she's a cheerleading ice skater

on bottom.

I'm mesmerized that you can take

the inspiration of a woman who

quite frankly looked fabulous

for four decades, and now

suddenly she's in a mall.

The skirt is so unbelievably

unflattering.

The top underneath the jacket is

just an insane concept.

That you would think that that

has anything to do with American

sportswear, I think it's

insulting.

I don't think the drop waist

is flattering with the belt,

'cause I just don't see any of

her in that.

Can I see it without the

jacket?

Your muse was a woman that is

iconic.

Yeah, she's fabulous.

Right.

I'm surprised that this is what

you have to deliver.

The top does not really fit.

It has to be sharp.

It has to, like, fit right.

It looks a bit sloppy.

Okay.

Mondo, tell us about your

look.

In my kitchen, I have a

picture of Jacqueline Kennedy.

She's turning around, 'cause the

paparazzi's chasing her.

I started playing with the

conceptual idea of, like, she's

always in the public eye.

I wanted to find prints and

textiles that were overblown

and just play with that idea.

And I just wanted to keep it

really smart, sleek, and

streamlined.

I didn't mean your model.

I meant you.

Tell us about your look.

Oh, my look?

Oh, wow.

I'm kidding.

Well, my roommates were

asking me to tap dance earlier.

So...I don't know.

It looks sharp.

Yeah, it is loud, but you

designed within the challenge.

I could see her in it.

The last time on the Runway,

the word cheap came up, so I

did really want to show that,

you know, I can still be true

to who I am, but also make it

look expensive.

Can we have a look at it

without the jacket?

I love that it has the color

in the inside.

You don't see it immediately,

but it looks complete.

I think the t-shirt's

fabulous.

The silhouette is very classic,

very well-tailored.

Jackie Kennedy would have worn

that skirt with little flat

shoes and a black turtleneck.

And it definitely does not look

cheap.

The mix was very clever.

And it's fun, yet it's still

elegant and chic.

For a modern take on it, it's

really--really well done.

And I think you look great

together.

Oh.

Thank you.

Thanks.

Ivy, tell us about your look.

When I think of

Jacqueline Kennedy, I think

classic, timeless elegance.

And I got inspired by triangles

and squares because I feel like

shapes are timeless.

So I played around with

contrasting of fabrics and

making sure that there was

something original or with my

signature on it.

Intrinsically, it's elegant.

It's got a sharpness.

Obviously, the styling is very

Jackie.

You know, with the glasses, with

the slick chignon.

Can you close the jacket for me?

I think there's something

interesting also that it's

tailored, but not in the

traditional men's sense.

I kind of like that you continue

the idea of the architectural

geometry.

And I like the neckline.

Thank you.

See, to me, there's almost

too much design in the top.

Because my eye is confused.

I don't really know what I'm

supposed to look at.

There's the opening--the

neckline.

Then there's this boob hole.

And then it almost looks like

too small this jacket for her

body.

Did made it too small.

Should we have a look at it

without the coat?

It is better without the coat.

I love it like that.

I love the tailoring of it,

and I love the seam--the

asymmetrical seam along the

torso.

I actually like that twisted

tuxedo pant.

I think it's very chic.

It was smart to keep it black

and white.

I love the printed black and

white shoes.

Thank you.

Andy.

I associate

Jacqueline Kennedy with an ease

and a chicness about her.

She wasn't afraid to have her

own style.

The main piece of my look

obviously are these pants,

which are draped, and they have

these big pockets on the side,

and I just felt that they were

just a great statement piece.

I have to tell you with this

look, I have a very hard time

keeping it together.

Because I want to, like, burst

out and crack up.

Especially for this challenge,

to come up with this?

It's like, I feel like I'm on a

different planet.

Wow.

I mean, can you imagine

Jackie Kennedy in these pants

with this ill-fitting top for

underneath and then this funny

bolero over it?

I don't see it at all.

At all.

Really?

At all.

I guess maybe I'm on a

different wavelength right now.

Can you show it from the back

too?

I mean, it's so tight on her

butt going in.

That's supposed to hang and be

low.

There is no real silhouette.

I don't see American sportswear

in that at all.

Well, that was one of my

struggles too, was this idea of

American sportswear.

I don't necessarily consider

myself an American sportswear

designer.

So what are you, a grand

couturier?

Did I miss something?

No.

I mean, come on.

If someone said to me, the

inspiration was mc hammer meets,

you know,

the Beverly hillbillies'

grandmother, I mean, that's

what that looks like.

The fit is horrific.

And then the ankle boot.

I mean, it's come on.

They look a little bit from

the 1800s, those boots.

Yeah, no, I mean, she's

making soap or something.

I don't know what she's doing.

It doesn't make any sense.

You think these pants fit

really great, right?

I know there's issues in the

crotch, which I tried to fix

this morning.

Maybe you have to sit down

here and look up on them.

Do you want to have a look from

down here?

Um, no, because I know what

it looks like from down on the

other side.

I mean, realistically, if

you're going for, like, a

relaxed silhouette, well, then

it should be relaxed.

Let's try to take the

terrible vest off, please.

This is just a train wreck.

You had a hard time working

with the silk Jersey too.

I can tell.

This isn't fitted enough to be

fitted, and it's not draped

enough to be draped.

It looks like a mistake.

I did want to take a risk,

so...

Oh, you took one.

Okay, we've heard what you

had to say.

We're gonna have a little chat.

And then I'll bring you back

out.

You can leave the Runway.

Thank you.

They were, like, in bad moods

today, man.

Yeah?

I really thought that my vest

was well-made.

But what did they say about

yours?

They hated the boots.

They hated the pants.

Um, they hated the top.

And they hated the vest.

The judges were extremely

tough this week.

They basically laughed at me.

And that's really tough to hear.

That's really tough to take.

I actually really loved this,

so...

But, you know, at the end of

the day, it was very me.

This idea of this style icon

of the ages...

In our time.

And, like, and then she's in

our time, and it's just like,

that's so much pressure.

You know?

I could be the one going

home, because I think they were

just really not impressed.

Like, they thought it was really

boring.

I just have a feeling it could

be me.

I don't know.

I'm so sick of deliberating.

Let's talk about the ones

that we didn't like.

When I look at Valerie's, I

think there's no tailoring, no

imagination, nothing special,

no design.

It's incredibly boring and blah.

I just have a problem with

that black lycra skirt.

Ugly burgundy whatever that is.

None of the three pieces looked

special.

It's just too boring.

Let's talk about Andy.

I cannot see Jackie Kennedy in

this entire look.

I mean, not on this planet.

I think these pants didn't fit.

I'm just seeing ill-fitting and

ill-appropriate.

And when you look at Andy, how

he styled the model, why is she

wearing, like, Nicole Kidman's

boots from cold mountain?

I mean...

And her hair from

far and away.

And she's got the

far and away hair.

Maybe it's a Nicole Kidman

challenge.

'Cause I don't know what it is.

I'm bored to pieces with

Valerie.

At least, maybe, Andy has a

surprise for me somewhere.

Well, he surprised you today.

Yeah.

Jackie Kennedy's wearing...

It can't get much better

than that.

Wearing this pant with those

granny boots.

Boy, that's a surprise.

From top to toe, it's a mess.

Yeah.

Let's talk about

Michael Drummond.

Talk about, like, just, like,

oh, sign me up.

I want something that's gonna

look like my waist fl, where

my hips are growing.

The proportion of the skirt,

the belt, the tops were

ill-fitting.

It's just--he really put it

together terribly.

Mm-hmm.

It's also a sportswear

challenge.

So the simple truth is, can you

kind of dissemble it and

actually make the pieces work?

I would take the belt off.

And the jacket.

Or wear the jacket with

something else.

It's just, you know, I mean,

it's terribly unflattering the

way he showed it.

That was also poor and sad.

Yes.

Mm.

He just overthought it.

Yeah, exactly.

Everything.

Let's talk about the

designers that we did like.

Christopher.

The dress is an elegant

dress.

It's sexy without being vulgar.

Yeah, it fit her well.

It looked expensive.

I think he was clever in

picking that silhouette because

it was very classic, but that

shrug just killed it.

That shrug was horrible.

I call it a dirty dish rag.

Her shoulder toilet seat

cover?

Yeah.

It's been called many things

at this point.

I mean, it was an odd choice.

The dress is wearable,

though.

You'd wear that dress.

Yeah.

Well, I liked this.

I liked the dress.

But, yeah, I thought it fit her

well.

I thought it was tailored.

I thought it was a perfect

silhouette for Jackie

sportswear.

Mm-hmm.

Yeah.

Yeah.

We also liked mondo's.

I think mondo, you know, he

definitely got it.

I don't think his point of view

is what I would call very

Jackie Kennedy, but he managed

to do something that I think

was appropriate using her as a

muse.

He thought about sportswear

separates, but he still kept his

own personality.

Yeah.

He was the one that said he

had a picture of Jackie in his

apartment, right?

Yeah.

Well, it helped him.

He was able to capture just

that--that allure that she had.

It was that clean, it was a

classic...

The silhouette.

Yes. That silhouette.

It's funny that how he

managed to have these bold

colors and these big patterns,

that he actually managed for it

to still look chic.

I mean, I actually think it

was very smart, the pattern mix.

I thought it was really

interesting.

I like it too.

I like that he goes a little bit

outside the box and he doesn't

do what is expected.

Well, he stayed true to his

own style.

Let's talk about Ivy's.

It was sleek, and it was

elegant.

But then why are they all

designing so old?

Well, I mean, you know what,

I don't necessarily agree with

you totally on Ivy.

When you looked at the

proportions of that top, I

thought the neckline was great.

Um, I love that the collar kind

of flipped up asymmetrically.

I thought it was a great pant.

I liked her styling.

I think she had a problem with

the jacket.

I didn't mind the pants, and

I didn't mind the top, but,

you know, as a look...

I actually liked her fabric

choice, though, Heidi, for the

coat.

I liked the idea that it was

sheer.

Mm-hmm.

You know, it wasn't heavy

and opaque.

The look was elegant.

Yeah, and to be honest with

you, this is the most polished

look and probably the best one

that I have seen from her out

on the Runway.

Just want to remind, everybody,

this was the woman who did that

mumsy blouse with those ugly

printed pants in the first

episode.

I'll never forget that.

Yeah.

You're right.

The taste level was

questionable.

Yeah, no, she definitely

stepped up.

So we've made our decision?

Okay, let's bring them back out.

The six of you have the highest

and the lowest scores.

One of you will be named the

winner, and one of you will be

out.

One of you will be named the

winner.

And one of you will be out.

Mondo...

You are the clear winner of this

challenge.

Thank you.

Congratulations.

You gave us a strong and

well-made interpretation of

American sportswear.

It was clean, classic, but still

contemporary and bold.

Congratulations.

You can leave the Runway.

Thank you. Thank you.

Good job.

I'm so excited that I won

this one.

I've been waiting so long.

I feel like I've been so close,

and finally I won.

Oh!

I won.

You won?

Yes. Finally.

Whoo!

It's just really amazing.

I'm really glad that I got the

recognition that I feel like I

deserve.

And, you know what, I couldn't

be happier.

I'm so happy for you.

You were--I think you were the

clear winner.

I've been waiting for it.

No, you d a really good

job, and it was really--it was

really mondo.

Yeah, it was pretty cool.

A well-deserved win.

Oh, thank you, guys.

Christopher.

Yes.

You're in.

You can leave the Runway.

Thank you.

Ivy, you're in.

You can leave the Runway.

Thank you.

Andy...

You're in.

You can leave the Runway.

Thank you.

Thanks.

Hey, guys.

Are you safe?

I'm okay.

Good.

Oh, that is nerve-racking.

Yeah, I'm happy.

I'm still happy with my look,

actually.

I still really love it, so...

Just got to figure out what they

want next time.

Michael...

Valerie...

One of you will be out.

Valerie, you missed the mark in

the big way.

Your look did not read chic

sportswear.

Instead, it was boring,

inexpensive, badly-executed

mall wear.

Michael...

Your look was an unfortunate

mismatch.

And your proportions were way

off.

The top was ill-fitting.

And the bottom was bulky and

unflattering.

And no woman wants that

silhouette.

Valerie...

You're in.

U can leave the Runway.

Thank you very much.

Michael, I'm sorry.

That means you're out.

Auf wiederesehen.

Ciao.

Being here on Project Runway

has been kind of an eye-opening

experience.

Do not be sad.

I'm not kidding.

I'm not that depressed.

I'm mostly bummed out that I'm

honestly going to be missing you

and you, and that's truly the

case.

I'm really bummed out about

that.

Hi, Tim.

I'm okay with not taking your

advice.

Don't be upset.

I am going to invoke that

damn skirt.

Anyway, I'm very proud of you

all.

And we are going to come out of

this, except for you.

I will be fine.

I'm coming out of this.

I had close to maybe the time of

my life.

It was certainly an adventure.

Thanks for your thoughts.

And we're gonna miss you.

Well, good, I'm glad.

One more little bubble of

laughter's going away.

Again, thank you, and thank

you--I liked what you said, but

i just really felt like, at the

end of the day, I needed to do

what I wanted.

You did. You stood by it.

And it was your Waterloo.

And I, like, have to go look

that up now.

Bye, you guys.

Bye, Michael.

Thank you for the experience.

Love you too. Bye.

This is an incredible

experience that I think

thousands of designers would

just die to have, so I did

exactly what I needed to do for

this last competition, and I

don't feel bad about what I've

created.

I'm very lucky.

I mean, I had a good time, and

i have no regrets.

Next time on

Project Runway...

The winner of this challenge

will receive something

unprecedented.

What?

That's a lot of pressure.

Listen to me.

Listen to me. Listen to me.

You can't forfeit.

I just lost a day and a half.

Val?

Designers, can I have your

attention, please?

Oh, my God.

Even I'm shaking over this.

I'm basically .

I think it's a very, very

glamorous and original design.

You have to choose either

boobs or legs.

This was tragic.

Wow.

-- Sync by elderman -- -- for www.MY-SUBS.com --