Original subtitles

BOYD: Previously on From...

(SCREAMING) What's wrong with her?

ETHAN: What happened to you? What do you mean?

Since you fell asleep and your eyes got all white,

you've been different.

Do you feel that?

We should go.

You feel it.

You do.

JIM: What the hell's going on?

It was my idea. She needed to come out here.

Mum saw this place when she was little.

JIM: There might be a part of you that wants so badly

for all of this to make sense.

This wasn't just a random nightmare, Jim.

This was a dream I had for months.

JADE: Miranda said she was chosen.

If you were destined to come to this place,

then one way or another,

you were always gonna come to that tree in the road.

(EERIE MUSIC PLAYING)

He knows things.

I heard him tell Christopher a story about this place once.

We'll make him tell it again.

Can I go in your basement?

I need him to tell me a secret.

Help me, Elgin. I can save all of you.

Is this really where it happens?

Whatever is inside me, it's getting stronger.

The cravings, they're getting stronger.

I'm angry all the time. It's okay.

Fatima, it's gonna be okay. (GROANS)

I said go!

Help!

What have I done? What have I done?

(MUSIC FADES)

Come on.

Have a seat.

(GRUNTS)

Have a seat. Tell me what happened.

We were in the greenhouse.

I was...

And I didn't want to eat those rotting things anymore.

Tillie came in, and she was trying to help me,

and I felt this wave of anger come over me, like this rage.

It was like this thing inside me.

It was...

It was like I was there, but I wasn't.

And I felt my hand reach for the shears...

and I couldn't stop. (SOBS)

I didn't wanna do it. There was nothing I could do.

Here's what we're gonna do.

You're gonna stay out here tonight.

And come morning,

Ellis and I are gonna figure out the best way...

We're gonna figure out how we move forward.

There's no way forward.

Hey. Look at me.

(SOBS)

You are my family.

And what happened back there,

we are gonna find a way to deal with it.

Okay?

Fatima.

Okay?

Okay.

Okay.

If you need to eat...

No, no, no, no. Please take that away.

Look, whatever is happening to you...

Take it away!

...I don't want it to get any worse. So, you need to eat, you eat.

What about Tillie?

We just... I left her there.

I left her there. BOYD: Okay.

My God, I left her there. Listen to me, listen.

We're gonna have to let someone find her.

Oh, my God. (SOBS)

No, no, no, no. I know. Hey. Look at me, look at me.

Look, I need you to be strong right now, okay?

I need you to be-- Ellis needs you to be strong.

Please.

That's right.

Okay.

Now, it's getting dark.

This door stays closed, no matter what.

Right.

We're gonna be okay.

(CRIES, WHIMPERS)

("QUE SERA SERA" PLAYING)

♪ When I was just a little boy ♪

♪ I asked my father "What will I be?" ♪

♪ Will I be handsome? Will I be rich? ♪

♪ Here's what he said to me ♪

♪ Que sera, sera ♪

♪ Whatever will be, will be ♪

♪ The future's not ours to see ♪

♪ Que sera, sera ♪

♪ What will be, will be ♪

♪ Now I have children ♪

♪ Of my own ♪

♪ They ask their father ♪

♪ "What will I be?" ♪

♪ Will I be pretty? ♪

♪ Will I be rich? ♪

♪ I tell them tenderly ♪

♪ Que sera, sera ♪

♪ Whatever will be, will be ♪

♪ The future's not ours to see ♪

♪ Que sera, sera ♪

♪ What will be, will be ♪

♪ Que sera, sera ♪

("QUE SERA SERA" CONCLUDES)

Hey, uh... (CLEARS THROAT)

I'll catch up with you guys later.

Hey, Ethan, Ethan...

(CLATTERING)

(TENSE MUSIC PLAYING)

Hello?

Okay.

Hello?

Hey. Uh, sorry. (CHUCKLES)

Who the fuck are you?

Sorry, I'm Henry Kavanaugh.

You probably know my son, Victor.

Oh.

Right. Nice to meet you.

Same. Uh...

Uh...

It's quite the setup you've got.

You making any progress?

No, not really.

I hope you don't mind if I grab a little pick-me-up.

Help yourself.

Cheers.

(SIGHS)

(EXHALES)

(HENRY COUGHING)

(MARIELLE HUMMING)

We need help!

Help! I need help!

Somebody get Donna!

What is it?

RESIDENT: It's Tillie!

Shit.

JULIE: I'm going home.

Have you seen Kristi or Marielle?

No. JULIE: Can you tell them

I said thank you for letting me stay the night?

Don't I get a thank you?

Thank you, Randall,

for letting me stay at the place that

Marielle and Kristi are letting you stay at.

You're welcome.

Ooh, we should go back.

To that place, whatever it is, we should go back

and check it out.

What?

Well, typically,

when a place makes the hair on the back of my neck stand up,

it's enough for me to stay away.

Yeah, but we both felt it. Right?

What if it can, like,

I don't know, help with whatever's--

And what if it makes it worse?

Huh?

Look.

There is nothing here that wants to help us.

Okay? Nothing.

So stay the fuck away from that place.

Right?

BOYD: Remember what I said. If anybody asks,

you and Fatima were with me last night. Okay?

What if we just tell them the truth

and explain what happened?

Ellis... That it wasn't her fault.

I know. I know.

Maybe some of those people will understand that.

There's no version of us explaining this away.

They're gonna put her in the Box!

I'm not gonna let that happen. Look at me!

I'm not gonna let that happen. Get yourself together.

Go in there, get up to your room,

put some things in her bag. Don't pack too much,

just enough for her to spend a couple days

out there at the shack.

And what are you gonna do? I'm gonna... (CLEARS THROAT)

KENNY: Boyd! ...buy us some time. Hey!

KENNY: Hey, uh, we found something.

Anyone see anything?

No, not that we've...

Not that we've heard so far.

Any idea when this happened?

Could've been this morning. It could've been last night.

There's not a whole lot of people coming in,

with the snow and everything.

ACOSTA: Those things that come out at night,

I'm guessing they don't use gardening shears?

No.

We should talk to everyone in the house.

KENNY: Boyd?

Yeah, that's a good idea.

Start talking to people.

I'll take Ellis out to walk the road.

Walk the road?

This could've been done by people we know

or people we don't.

We need to rule out the possibility

we had any new arrivals yesterday

that we don't know about.

All right? Yeah.

Yeah. Hey.

I know you're not my deputy, but--

Yeah, no, I got it.

We'll get the interviews started.

Yeah.

Hey, Sheriff?

We good?

Let's find out who did this.

Hey, you okay?

Hell, we're gonna have to talk to Sara.

It wasn't her. DONNA: You don't know that.

And I am not the only person who's gonna be asking about her.

(BREATHING DEEPLY)

If you don't think she did it, fine.

Then, we'll just have to

go talk to her and make sure.

Listen... DONNA: No, no, no, you listen.

Hiding every night from those things,

that's one thing.

But this? This is something

that people are gonna have to blame someone for.

And if we don't figure out who, then it's gonna be Sara,

whether she did it or not.

Okay.

You get things straightened out here,

then meet me at the station,

and we will talk to her together.

SARA: (IN DOLL VOICE) "Hello, Victor."

"Do you want to play today? I can tell you a secret."

No, no, not like that!

I told you! It doesn't sound like that, Sara!

SARA: I'm doing the best that I can!

I'm trying everything that I know!

I don't know what you want, Victor!

(VICTOR MUTTERING)

Hey, hey, hey!

No! No! He doesn't--

You need-- He needs to talk

and you're not doing it right! I'm doing the best that I can!

No, you're not doing it good enough!

No, you're not good enough.

Victor! Hey! VICTOR: You're not good enough.

Hey, don't! Stop! Stop! (REPEATS) You're not good enough.

Look, I know you want all this to mean something,

and this place has you convinced

that you need to save these children.

It's got you trying to fix something that we can never...

(SIGHS)

Do you know why the phone is off the wall?

Because it rang the other day

and the voice on the other end said his name was Thomas.

What?

Something here knows things about us,

and it knows which buttons to push.

(KNOCKING AT DOOR)

(KNOCKING CONTINUES)

I'm sorry, I know I shouldn't be here, but...

Victor is in my basement, and he's in really bad shape.

He said he only wants to talk to you.

I wouldn't have come if it wasn't important.

Just wait there. I'll get my coat.

I have to go.

ELGIN: Hello?

RANDALL: Hey.

If you're looking for drugs, you're in the wrong spot.

Oh, no, no. Um...

I was just looking for a Band-Aid.

I cut my foot.

Mm.

You better not let Kristi or Marielle

find you rooting through their shit.

You hear about Tillie?

Yeah.

It's fucked up.

Hey. I'm sorry I was so hard on you

on the bus that day.

I guess you were right.

We should've turned around.

Sorry I threw up all over your shirt.

Yeah.

(DOOR OPENS)

(DOOR CLOSES)

(PENSIVE MUSIC PLAYING)

TABITHA: Victor?

(MUTTERING)

Oh, you're here.

Hi, Victor. Hi. Good. Come.

Hey.

(GRUNTS) You sit-- come sit here.

Okay. There. Take this.

Okay. Okay.

Victor, what are we... You were there.

You were there when I remembered Eloise,

so you're the one that can make him talk.

Okay, Victor, I'm so sorry.

I don't know-- I don't understand.

He needs to tell me! You need to make him tell me!

TABITHA: Tell you what, Victor?

VICTOR: The secrets that he told Christopher

'cause he can help us.

TABITHA: I'm sorry, honey, he's just a doll.

VICTOR: No! No. (SOBS)

You have to be the one. You have to be the one!

Okay, okay! You have to be the one!

TABITHA: Victor! Hey! Hey! VICTOR: You have to be the one!

You have to be the one! Hey! Victor, stop it!

Stop it! Don't do that!

Calm down. Don't do that, Victor, please.

Shh. Look at me. Look at me. Look at me.

Look at me, Victor! It's okay. You're okay.

You're okay. It's okay. VICTOR: Okay. Yeah.

Do you want to draw a picture?

No. No, it doesn't work like that.

See, the pictures always remembered,

so that I didn't have to.

But I never drew one,

so now it's gone, and I can't remember.

No. No, okay, okay. First of all, sit down.

It's okay. You're okay. You're okay. Sit down, okay?

It's okay, Victor. Just sit down.

It's okay, Victor.

Nothing is gone. Nothing's gone. It's okay.

Um...

Tell me about-- Tell me about the doll.

His name is Jasper.

Jasper? Okay. Tell me about Jasper.

I heard him once telling Christopher things

that we need to know.

But I don't remember.

Hey, it's okay. Victor, look at me.

But... Look at me.

We'll remember together,

just like last time.

Okay. Okay. TABITHA: We can do this together, okay?

Okay. Yeah. (SNIFFLES)

Hello? Anyone home?

JIM: Hey.

Uh...

How were things at the settlement?

Oh, not great.

Oh.

Listen, your brother's upstairs.

Would you mind hanging with him for a bit?

Well, where are you going? Something I gotta take care of.

Okay?

But...

(DOOR OPENS)

(DOOR CLOSES)

(KNOCKING ON DOOR)

Ethan?

You doing okay?

ETHAN: I'm fine. JULIE: 'Cause I thought,

maybe, you might wanna go see something really cool.

My wife had visions of this place.

Yeah, I've heard.

I thought she was crazy.

I should've listened to her.

Well...

shoulda, woulda, coulda, right?

What exactly makes you think

you're gonna be the one to figure this out?

I imagine a lot of pretty smart people have tried.

I'm smarter. (DOOR OPENS)

(SARCASTICALLY) Oh, please, come on in.

Make yourself at home.

It's done.

Right now.

Do you understand me?

What are we talking about?

Who the fuck do you think you are

dragging my wife and kid

out into the middle of the woods?

Okay, first of all, I didn't drag anybody anywhere.

I only wanna say this once.

Tabitha is not in a good place right now.

She doesn't need you filling her head with ideas

about how, somehow, she's this chosen saviour,

responsible for getting everybody home--

You get your fucking hands off me!

"Filling her head with ideas"? What is she? Nine?

Jim, she came here! She came here, okay?

She saw the drawings, she recognised the--

You know what? I don't need to explain this to you.

All right, then, let me explain this to you.

You are a lonely, selfish, narcissistic asshole,

who doesn't give a shit about anything but yourself

and your own goddamn ego.

If you wanna kill yourself trying to figure this thing out,

be my guest.

But I have a family to look out for. Hm.

I have people who mean more to me than you will ever understand.

Jim, I'm getting a little tired

of this sanctimonious blue-collar bullshit.

(SIGHS) JADE: You wanna talk about your family?

Let's talk about your family. Of the two of us,

I am the only one doing a goddamn thing to help them!

(SCOFFS)

Look at this! You see this? This! This helps people!

No! You know what this does?

This shows people how you are

the smartest fucking prick in the room!

So what?

If it gets us home, who gives a shit?

And I'm not gonna do this. I'm sorry. I'm not gonna do this.

I'm not gonna waste any more of my time.

Listen, if you wanna keep your kids under lock and key,

more power to you. Tabitha's a grown-up.

You got a problem with what she's doing,

talk to her.

Sorry. We're not done here! Yeah, we fucking are, Jim!

(JIM GRUNTS)

Well, that was certainly productive.

ELLIS: Fatima?

(ELLIS EXHALES)

Hey. Come here.

We're gonna get through this, okay?

Ellis, I need you and your dad to stop saying that.

I killed someone. How, I mean--

Help me. No, listen to me. Listen to me.

Whatever this is, it's you and I.

We are in this together.

I don't care if we need to take that talisman and go live in the woods.

No, you don't understand. Ellis, whatever is inside me,

whatever made me... It's still there.

No. It's still there. I...

Baby. Hey. What if it happens again?

What if I-- What if I do something...

You won't. You won't. Look at me. Look at me.

You won't.

Because you are stronger than this.

Whatever this is, we are stronger than this.

Okay?

Fatima?

Okay.

(GRUNTS SOFTLY)

I brought you some things.

Some... Some clothes, if you wanna change.

Hey...

Lucky handkerchief. Remember?

I love you.

I love you too.

(PENSIVE MUSIC PLAYING)

Okay.

I'll be back soon. Okay.

Okay. Back soon.

(EXHALES)

(EXCLAIMS, WHIMPERS)

(TENSE MUSIC PLAYING)

(MUSIC FADES)

(EXHALES)

(INHALES)

(EXHALES)

(BREATHING HEAVILY)

(GRUNTING)

(WHIMPERS)

(EXHALES) You mind if I give you some unsolicited advice?

I don't see why not.

Maybe, sometimes, when you're with your wife...

you should shut the fuck up and listen.

Excuse me?

Jim, I look at you right now,

all I see is me standing there 40 years ago.

I was so sure I could "fix" her.

(CHUCKLES) It never occurred to me

she wasn't broken.

That arrogant fella who stormed out of here?

He was right about one thing.

What you're doing,

how tight you're holding on to everything...

you may tell yourself

you're doing it for your family...

but you're doing it because you're scared,

and you're doing it for yourself.

I'm probably the only guy in this whole place

who can tell you that and say it's true.

It's true.

You want a drink?

No. I don't.

Oh. My dad was a drunk.

Mine too.

The night my daughter was born,

after Tabitha fell asleep, I...

I went to the bar

across the street from the hospital,

and I asked the bartender

for the tallest glass of whiskey she could pour,

and I stared at that drink for hours,

and I promised myself I would be a better father to my kids,

a better husband to my wife.

What are you doing?

Giving you the chance to renew your vows.

Sit there as long as you like.

I could use the company.

What is this?

I don't know.

But if I tell you something,

can you promise that you won't tell Mum and Dad?

Ever since I woke up,

something has been happening to me.

I hear things in my head.

What kind of things?

I hear people screaming.

And it won't stop.

(INHALES) But yesterday,

I was out here with Randall, and when I saw this place...

everything went quiet

for the first time since I woke up.

But that's good, right?

I don't know.

(EXHALES) I feel...

I feel like something...

Like it wants me to go in here.

And I don't know what to do.

It's just a pile of rocks, right?

But I'm scared.

So... what do I do?

What?

All I keep thinking about is that this sounds like

those stories that you always tell us.

If I was a character in one of those stories...

what would I do?

What would...

What would this be?

You're at a threshold.

It's always scary, but...

the hero has to be brave.

We can go in together, if you want.

Yeah.

Ready?

Yeah.

(EERIE MUSIC PLAYING)

(BREATH SHUDDERS)

(WHIMPERING)

(SHUDDERED BREATHING)

(DISTANT SCREAMS)

(SCREAMS GROW LOUDER)

(GRUNTING)

(SCREAMING)

(BREATHING HEAVILY)

(SCREAMING)

No! No! No! No!

Julie! Julie!

Help!

TABITHA: Victor,

do you remember where you were

when you heard Jasper talk?

It was dark in a basement.

Do you remember which basement?

No, I don't remember.

Victor, it's fine. Yeah.

What were you doing in the basement?

I don't remember!

I don't remember. Hey, don't do...

Was it nice that day?

What?

The day you heard Jasper talk. What was it like outside?

It was sunny. It was... I was...

We were playing.

Wait. You mean, you and Eloise?

Yeah. Yeah. I was...

We were playing hide-and-seek... Yeah?

...'cause Eloise was good at hide-and-seek.

I could never find her, no matter how hard I looked.

Okay. Where did you look that day, Victor?

Everywhere. The bar, the diner, the houses, the church.

I looked in the church.

(PENSIVE MUSIC PLAYING)

She'd never hid there before.

Mm-hmm?

She said it always scared her, and I'd already looked everywhere else.

That was where it happened.

That's where I saw Jasper talking

to Christopher in the church!

We just need to know if you saw anything.

I mean, did I see someone stab the old lady

in the greenhouse? No.

What about Tillie?

When was the last time you saw her?

I don't know. Yesterday morning.

Why aren't you guys talking

to the one person in town who actually murdered someone?

What?

You don't know about Sara? She doesn't know about Sara.

Look, I'm not sure why you guys are talking to us.

It's pretty fuckin' obvious who did this.

Okay, look, we're gonna talk to Sara after.

But for right now, let's-- Didn't she kill your Dad?

The fuck are you defending her for? (SCOFFS)

Goddammit, I said no!

Then, what is your solution?

Okay, we are running out of time, okay?

Maybe if you explain to them,

and then give it a little bit of time...

And in the meantime, what?

What? You two are living out there in a tent?

Yes! We'll have talismans! We'll be safe!

You won't be safe from her!

So that-- Is that what you're afraid of?

Whatever made her do this-- She would never hurt me.

She just stabbed someone in the fucking chest!

Son, listen to me.

I love Fatima, I do! But we do not know what--

Boyd, I have a whole lot of people up there

just ready to march on Sara's house with torches...

What's going on?

It wasn't Sara.

Boyd, look, I know you care about her...

It was Fatima!

Was what that guy said about Sara and your dad true?

(EXHALES) It's not that simple.

Okay, you didn't think it was worth mentioning the girl

that already murdered two people?

Look, it's just, uh...

she's different now, and Boyd trusts her.

Who gives a shit what Boyd thinks? ETHAN: Help!

You people got a real funny way of-- ETHAN: I need help!

Hey, hey.

Julie, she's on the ground! She's shaking!

Okay. Wait, wait, wait. Come on, we have to help her!

(SCREAMING)

Stop it! Stop!

(HYPERVENTILATING)

(SCREAMING CONTINUES)

(SCREAMING STOPS)

(SHUDDERED BREATHING)

MARTIN: You have to climb!

BOYD: What? No, I--

(GROANS)

I can't!

MARTIN: Wait.

Julie?

How do you know my name?

He needs the rope.

Please.

(SHUDDERED BREATHING)

JULIE: Who is that?

(GRUNTING)

Hey, what the fuck! (GRUNTS)

Wha...

MARTIN: You have to hurry.

They'll be back soon.

Okay.

Thank you.

Who's down there? You need to leave.

It isn't safe here.

Go!

What?

Plea...

TABITHA: No, Victor.

Can you please tell me what's going on? Where are we?

VICTOR: (WHISPERING) We're underneath the town. This is where the monsters live.

This is where they sleep, but I can get us out.

TABITHA: The what?

Mum?

Mum?

Mum?

CHILD 1: Anghkooey!

CHILD 2: Anghkooey!Mum

CHILD 3: Anghkooey!

CHILDREN: Anghkooey! Anghkooey!

Please...

(CHILDREN SCREAMING) (GASPS)

ETHAN: Julie! Julie! Julie!

Just get her up. Julie! Come here.

I got you. Just get her up.

(SCREAMING CONTINUES)

ACOSTA: Hey, hey, hey, hey! ETHAN: Julie!

Hey. Hey. It's okay. It's okay.

Oh, my God. Oh, my God.

Oh, my God.

What happened?

Are you okay? Are you okay?

So I took her outta town before everyone woke up.

DONNA: You need to bring her back.

I can't do that. Not yet.

Not until we-- Until you what?

Manage to resurrect Tillie?

Look, I don't wanna...

I love Fatima as though she were my own.

But we have a town we have to worry about here, Boyd.

And if you try to hide this, and people find out--

They will understand. Just like they did with Sara.

Is that what you think?

You think they understood about Sara? Yes.

No, no, no! They didn't understand. They accepted it!

People swallowed it!

But they certainly did not understand it!

They let it go

because you told them they had to.

Great, then I will tell them again!

It's not gonna work this time. Why not?

Because they don't believe in you anymore.

Not like they did.

I'll tell them I did it. No, no, no!

No, I did it!

No, it's not enough! Why?

Because it doesn't change

that it made it happen in the first place!

There is either something horrible growing inside of her

or else this place has finally broken her mind!

Either way, it's only a matter of time

before it happens again!

They can stay with me.

She won't be a threat to anyone else.

I can watch her. We can watch her.

No, no, no, Boyd. Boyd, you may both want this

to be okay, and God knows I want it to be okay, too!

But if you are not gonna tell everyone, then I am.

Please, don't make me do this.

What are you doing?

You're gonna need supplies.

VICTOR: It was in the basement. It happened in the basement.

When I opened the door, I heard voices.

So I was quiet, and I wanted to get closer.

When I got to the bottom of the stairs,

Jasper was telling secrets.

Christopher got angry.

(INDISTINCT CHATTER)

VICTOR: No, no, that's not right.

It wasn't Jasper.

It was The Boy in White.

He was the one that was down here.

He was the one who was telling secrets to Christopher.

He said, "The answers to the end are at the beginning."

That it started with the children...

what the others did to them.

What others, Victor?

The people they loved.

The people they trusted.

He said the children were born in the dark.

And then they were murdered in the dark.

But someone who loved them...

told them a story.

The story gave them hope.

And when the children laid on the stones,

they poured their hope into the roots that made the symbol,

and those roots became the tree.

The Farway Tree.

The Boy in White was trying to tell Christopher

that to save the children...

he would have to go through the tree.

But he wouldn't listen. He got angry.

You're a liar! Everything lies here!

Christopher wouldn't listen, so I... I...

What?

Christopher wouldn't go to the tree, so...

I told my mother what the Boy in White said...

and that's why she left us.

ELGIN: Fatima?

It's Elgin.

You...

BOYD: Okay, stay close, all right? But not too close.

Four or five hours out, that should be enough.

Okay. And, whatever you do,

you stay off the path to the settlement.

Last thing we want is anybody tripping over your tent.

I'm gonna leave supplies for you at the shack twice a week.

You need anything, you leave a note behind.

Okay. You bring a pen and pad?

Yeah, it's in the pack.

And if things...

Look, if things get worse...

you promise me that you'll...

Look, Dad, I know you don't want me to do this...

but if you had the chance, if you and Mum coulda ran,

even after she did what she did...

what would you have done?

Let's go. Come on. Come on.

No.

Fatima?

What? Fatima!

Fatima!

Fatima!

Almost there. Elgin, where are we going?

It's just through here. It's...

Are you sure we're supposed to be this close to town?

I told you...

Ellis is waiting for you.

Right here. (GRUNTS)

There's a room down here that nobody knows about.

(GRUNTS)

Come on. Please.

Fatima.

It's right through there.

FATIMA: Ellis?

I think I'll wait for him at the shack.

Wait, wait, wait. You can't do that.

Elgin, get out of my way.

No, you don't understand. You have to be here.

It's the only place that the baby will be safe.

There is no baby! (CHUCKLES) Yes, there is.

It... It's just not yours.

Elgin, get out of my way.

Get out of my way! Get out of my--

Elgin, get out of my way! Fatima!

(GROANING)

You see?

The baby knows you have to stay.

FATIMA: Elgin, stop.

Fighting it is just going to make it worse.

Elgin, get out of my way. Please, get out of my way.

Elgin, get out of my way.

Get out of my way!

(GROANING)

(TENSE MUSIC PLAYING)

I'm sorry.

I really am. No, no, no!

No! No!

This is for the best.

No, please! Help!

Help!

Elgin, no!

Elgin, please!

Help!

Help! Help!

Help!

(THEME MUSIC PLAYING)

(THEME MUSIC CONCLUDES)