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1
00:00:01,640 --> 00:00:05,600
The following programme contains
strong language and violent scenes.
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00:00:22,840 --> 00:00:24,920
(MUFFLED GUNSHOT)
Someone I've been working with
3
00:00:24,920 --> 00:00:27,400
has misunderstood
their obligations to me.
4
00:00:29,480 --> 00:00:31,760
(MUFFLED GUNSHOT)
(WHIMPERS)
5
00:00:31,760 --> 00:00:33,640
There's another deal brewing.
6
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ZINA: 'Why are you still in Munich?
Have you loose ends to tie up?'
7
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Fuck you.
8
00:00:41,320 --> 00:00:42,880
We'll need a codename for you.
9
00:00:42,880 --> 00:00:44,320
Why not the Jackal?
10
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(THEY SPEAK SPANISH)
11
00:00:50,560 --> 00:00:52,120
I can get your daughter
out of prison.
12
00:00:52,120 --> 00:00:55,000
Just get me Norman's phone number
and I'll do the rest.
13
00:00:55,000 --> 00:00:57,040
(TENSE MUSIC)
14
00:00:57,040 --> 00:00:58,240
(CAMERA SHUTTER CLICKS)
15
00:00:58,240 --> 00:01:00,680
I need a priority location
on a phone.
16
00:01:02,800 --> 00:01:04,400
Aaargh!
(ENGINE REVS)
17
00:01:04,400 --> 00:01:06,960
(BULLETS RICOCHET)
Fuck!
18
00:01:06,960 --> 00:01:10,560
This is Mr Carver.
He cleans up messes for us.
19
00:01:10,560 --> 00:01:12,920
I spoke to Sparrow this morning.
She's on the hook.
20
00:01:12,920 --> 00:01:15,000
Did you tell her
that her daughter's dead?
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CELESTE: Some flowers
22
00:01:21,040 --> 00:01:25,480
? Never get to bloom and see the day
23
00:01:26,800 --> 00:01:28,800
? Some flowers
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00:01:28,800 --> 00:01:34,000
? Are content to wish
their lives away
25
00:01:35,400 --> 00:01:39,200
? Some may rise
26
00:01:39,200 --> 00:01:43,320
? And some may fall
27
00:01:43,320 --> 00:01:45,360
? But only
28
00:01:45,360 --> 00:01:47,720
? You make
29
00:01:47,720 --> 00:01:49,640
? Heaven
30
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? Seem it's true
31
00:01:51,600 --> 00:01:53,720
? So, only
32
00:01:53,720 --> 00:01:55,880
? You can
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00:01:55,880 --> 00:01:57,880
? Tell them
34
00:01:57,880 --> 00:02:02,800
? This is who I am
35
00:02:05,920 --> 00:02:09,960
? This is who I am!
36
00:02:09,960 --> 00:02:11,720
? No lie
37
00:02:11,720 --> 00:02:14,360
? Know that
38
00:02:14,360 --> 00:02:18,480
? This is who I am ?
39
00:02:23,000 --> 00:02:25,000
(TRAIN CLATTERS)
40
00:02:25,000 --> 00:02:27,040
? THE SEI: Metroma
41
00:02:29,120 --> 00:02:31,720
? We brought this on
42
00:02:32,760 --> 00:02:34,640
? Resisting...
43
00:02:34,640 --> 00:02:37,200
ANNOUNCER: 'We are now approaching
London Liverpool Street
44
00:02:37,200 --> 00:02:40,680
where this train terminates.'
45
00:02:40,680 --> 00:02:43,000
? ..we're missing
46
00:02:43,000 --> 00:02:45,000
(STIFLES SOBS)
47
00:02:45,000 --> 00:02:50,320
? Don't ask why
48
00:02:50,320 --> 00:02:52,640
(LARRY SOBS)
49
00:02:52,640 --> 00:02:57,680
? I close my eyes... ?
50
00:03:00,760 --> 00:03:03,120
(SONG CONTINUES)
51
00:03:21,640 --> 00:03:23,640
(BEEP)
52
00:03:27,720 --> 00:03:29,800
Did you get anything
from Norman's phone?
53
00:03:29,800 --> 00:03:33,560
No, it's been wiped remotely. But
there'll probably be some residue.
54
00:03:33,560 --> 00:03:35,920
Paddy, this one's urgent.
55
00:03:35,920 --> 00:03:37,640
(EXHALES)
56
00:03:38,600 --> 00:03:41,960
What did you get from his bag?
Might wanna take a look at this.
57
00:03:46,440 --> 00:03:51,480
Now you're gonna love this, Bianca.
It's er... very clever.
58
00:03:54,320 --> 00:03:55,840
(LOW CONVERSATIONS)
59
00:04:04,080 --> 00:04:08,200
This operation has been a total and
utter shambles from start to finish.
60
00:04:08,200 --> 00:04:11,280
We have Emma Stoke,
completely innocent,
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00:04:11,280 --> 00:04:15,520
whose death went unreported
for more than 36 hours.
62
00:04:15,520 --> 00:04:17,800
And we have two
top Special Forces operatives
63
00:04:17,800 --> 00:04:19,800
killed in a botched snatch.
64
00:04:19,800 --> 00:04:24,440
All of it based on nothing more than
a hunch you had about Norman Stoke.
65
00:04:24,440 --> 00:04:28,800
You, and this operation,
need to be shut down now!
66
00:04:30,200 --> 00:04:34,120
I can't see a reason
to keep it alive. Thank you, Bianca.
67
00:04:34,120 --> 00:04:38,480
I retrieved this... bag
68
00:04:38,480 --> 00:04:40,520
from the suspect's location.
69
00:04:40,520 --> 00:04:42,720
So you found a bag that looks like
a million other bags,
70
00:04:42,720 --> 00:04:45,680
one of which the assassin
happened to have.
71
00:04:45,680 --> 00:04:48,360
What does that prove?
72
00:05:03,120 --> 00:05:04,680
(CLICKING)
73
00:05:05,640 --> 00:05:07,040
(CLICK)
74
00:05:09,680 --> 00:05:11,080
(GENTLE THUD)
75
00:05:12,400 --> 00:05:16,480
I took this with me
through Customs this morning.
76
00:05:17,720 --> 00:05:21,360
I had no idea I was bringing
a sniper rifle with me
77
00:05:21,360 --> 00:05:24,880
and neither did Security.
78
00:05:24,880 --> 00:05:30,200
It's a prototype.
That is actually bloody clever.
79
00:05:31,080 --> 00:05:34,040
The sniper took the weapon
he used to kill Fest with him.
80
00:05:34,040 --> 00:05:37,560
And this is how he did it.
81
00:05:37,560 --> 00:05:40,480
All thanks to Norman Stoke.
82
00:05:42,960 --> 00:05:45,520
Isabel?
(SOFTLY) No...
83
00:05:47,120 --> 00:05:49,760
It's complicated.
84
00:05:49,760 --> 00:05:52,760
We just lost two men on an op
that supposedly no-one knew about.
85
00:05:54,040 --> 00:05:56,440
Let's get to the bottom
of what went wrong in Belarus
86
00:05:56,440 --> 00:05:58,480
as quickly as possible.
87
00:05:59,520 --> 00:06:02,080
In the meantime...
88
00:06:02,080 --> 00:06:05,440
your operation
is very much alive, Bianca.
89
00:06:06,360 --> 00:06:07,840
Thank you.
90
00:06:10,840 --> 00:06:13,200
(BREATHES DEEPLY)
91
00:06:13,200 --> 00:06:15,240
(CLEARS THROAT)
92
00:06:22,360 --> 00:06:25,360
VOICEMAIL: 'This is Alison,
leave a message.' (BEEP)
93
00:06:25,360 --> 00:06:28,880
Hi, Alison, it's Nadine.
94
00:06:28,880 --> 00:06:33,680
(EXHALES) I...I can't
tell you how sorry I am.
95
00:06:33,680 --> 00:06:37,200
What you must be going through
right now is just...
96
00:06:39,600 --> 00:06:44,160
Look, I know I'm the last person
you wanna speak to right now.
97
00:06:44,160 --> 00:06:47,840
But I've been doing some digging
and it would mean a lot to me
98
00:06:47,840 --> 00:06:50,880
if you'd allow me to sit down
with you face-to-face,
99
00:06:50,880 --> 00:06:53,320
so I can explain what happened
100
00:06:53,320 --> 00:06:58,120
and... try and make
some sense of all of this.
101
00:07:00,080 --> 00:07:02,080
You deserve that.
102
00:07:03,600 --> 00:07:06,240
Again, I'm... so sorry.
103
00:07:07,600 --> 00:07:11,640
OK, er... call me back
when you get this. Thanks.
104
00:07:14,080 --> 00:07:16,080
That was very good.
105
00:07:19,040 --> 00:07:23,360
Well, I'm off to Hereford,
see if they've got any names for us.
106
00:07:23,360 --> 00:07:26,760
Why hasn't that been done already?
(SIGHS)
107
00:07:30,880 --> 00:07:33,160
(DOOR CLOSES)
108
00:07:33,160 --> 00:07:34,760
(WOMAN SPEAKS GERMAN)
109
00:07:34,760 --> 00:07:36,800
Oh!
110
00:07:44,440 --> 00:07:46,440
(THEY SPEAK GERMAN)
111
00:07:52,400 --> 00:07:53,800
(SPEAKS GERMAN)
112
00:08:15,640 --> 00:08:17,040
(INHALES DEEPLY)
113
00:08:18,560 --> 00:08:20,560
(TEARFUL)
114
00:08:21,640 --> 00:08:23,640
(CLOCK TICKING)
115
00:08:31,680 --> 00:08:32,840
Nein.
116
00:08:47,400 --> 00:08:49,560
Ja, ja, ja, ja, ja, ja.
117
00:09:12,840 --> 00:09:14,120
Naturlich.
118
00:09:14,120 --> 00:09:15,680
(FOOTSTEPS)
119
00:09:15,680 --> 00:09:18,080
(BLINDS SWISHING)
120
00:09:32,280 --> 00:09:34,680
(TENSE MUSIC)
121
00:09:39,520 --> 00:09:41,000
(CLICK)
122
00:10:11,560 --> 00:10:12,960
(PILLS RATTLE)
123
00:10:15,440 --> 00:10:17,520
(MOUSE CLICKS)
124
00:10:24,280 --> 00:10:27,000
(MUSIC INTENSIFIES)
125
00:10:40,680 --> 00:10:42,120
Mm-hm.
126
00:10:53,480 --> 00:10:55,080
(SIGHS)
127
00:11:00,720 --> 00:11:02,400
(PHYSIO SPEAKS GERMAN)
128
00:11:04,280 --> 00:11:06,280
(REPLIES IN GERMAN)
129
00:11:08,400 --> 00:11:09,960
(BREATHES DEEPLY)
130
00:11:11,200 --> 00:11:12,280
(BEEP)
131
00:11:15,480 --> 00:11:17,160
(WHIRRING)
132
00:11:48,960 --> 00:11:53,120
(LABOURED BREATHS)
133
00:11:59,440 --> 00:12:01,440
(GRUNTS)
134
00:12:07,880 --> 00:12:10,920
(RAPID BREATHS, EXHALES DEEPLY)
135
00:12:13,280 --> 00:12:15,440
(CHUCKLES)
136
00:12:28,920 --> 00:12:30,640
(TYPES)
137
00:13:05,600 --> 00:13:07,600
(BIRDS CHIRRUPING)
138
00:13:12,760 --> 00:13:14,960
(BABY GURGLES)
139
00:13:14,960 --> 00:13:17,960
(SPEAKS SPANISH)
140
00:13:17,960 --> 00:13:19,240
(REPLIES IN SPANISH)
141
00:13:32,520 --> 00:13:34,520
(PHONE VIBRATES)
142
00:13:49,200 --> 00:13:50,720
Hey.
143
00:13:50,720 --> 00:13:52,720
'Hey! Sorry I haven't called.'
144
00:13:52,720 --> 00:13:54,560
I knew the deal
was gonna be complicated,
145
00:13:54,560 --> 00:13:56,680
but it's got ridiculous.
146
00:13:56,680 --> 00:13:59,560
'Is everything alright?'
147
00:14:02,240 --> 00:14:03,520
Nuria?
148
00:14:05,800 --> 00:14:08,440
The other day
when I left you at the airport.
149
00:14:08,440 --> 00:14:11,360
'Yeah?'
150
00:14:14,080 --> 00:14:16,520
I was at Plaza Las Flores...
151
00:14:18,880 --> 00:14:20,240
I saw you pass in a taxi.
152
00:14:23,000 --> 00:14:25,480
Wait, what do you mean?
153
00:14:25,480 --> 00:14:27,520
'I saw you in a taxi, Charles.'
154
00:14:30,680 --> 00:14:34,160
OK, well, I don't know who you saw
but it definitely wasn't me.
155
00:14:35,400 --> 00:14:38,240
But I saw you.
156
00:14:38,240 --> 00:14:39,920
(SCOFFS)
157
00:14:39,920 --> 00:14:43,400
Nuria, I have no idea who you saw,
but I was straight on that plane.
158
00:14:43,400 --> 00:14:46,120
I don't know where you went.
159
00:14:49,360 --> 00:14:50,840
Where are you now?
160
00:14:50,840 --> 00:14:55,080
Now, I'm in an incredibly
overpriced hotel in Amsterdam.
161
00:14:55,080 --> 00:14:57,920
OK, let me see.
162
00:14:57,920 --> 00:14:59,720
Go on video.
Oh, no, please.
163
00:14:59,720 --> 00:15:01,560
You know I hate the video thing,
come on.
164
00:15:01,560 --> 00:15:04,840
Do you have a woman with you?
'(SCOFFS)'
165
00:15:04,840 --> 00:15:07,840
Of course I don't have
a woman with me.
166
00:15:07,840 --> 00:15:09,640
'Then let me see you.'
167
00:15:10,800 --> 00:15:11,920
'Nuria.'
168
00:15:11,920 --> 00:15:14,680
Charles, let me see you
or I will come to Amsterdam tonight.
169
00:15:14,680 --> 00:15:16,720
OK, OK. Alright, alright.
170
00:15:22,280 --> 00:15:26,600
Hello, it's your husband.
Look, wait, wait, wait.
171
00:15:28,200 --> 00:15:29,680
No woman.
172
00:15:30,600 --> 00:15:33,480
Let me see the bathroom.
Honestly?
173
00:15:34,960 --> 00:15:37,320
OK, let's do this.
174
00:15:39,000 --> 00:15:42,000
So... There's um...
175
00:15:44,920 --> 00:15:49,640
...no make-up, no creams, no jars.
176
00:15:49,640 --> 00:15:51,720
No woman.
177
00:15:51,720 --> 00:15:53,800
'Satisfied?'
178
00:15:55,280 --> 00:15:56,920
She might be a very ugly woman.
179
00:15:56,920 --> 00:16:00,720
(CHUCKLES) Yeah, I only have affairs
with incredibly ugly women.
180
00:16:00,720 --> 00:16:02,320
Now can I see my son, please?
181
00:16:07,480 --> 00:16:08,600
'Ma?'
182
00:16:08,600 --> 00:16:11,680
Ma? Que vea Carlitos.
183
00:16:11,680 --> 00:16:13,680
Mira, mira, mira!
Hola.
184
00:16:13,680 --> 00:16:15,040
(GURGLES)
Oh!
185
00:16:15,040 --> 00:16:17,760
Oh! Que?
186
00:16:17,760 --> 00:16:19,200
Hi.
187
00:16:19,200 --> 00:16:22,400
Que tal?
(THEY LAUGH)
188
00:16:22,400 --> 00:16:25,040
Look at him, I think,
I think his face has changed.
189
00:16:25,040 --> 00:16:26,480
Is that possible?
190
00:16:26,480 --> 00:16:28,080
Hola!
A-bo!
191
00:16:28,080 --> 00:16:30,880
- A-bo!
- I miss him. Adios a papa.
192
00:16:30,880 --> 00:16:34,160
Bye-bye. (KISSING SOUND)
I love you. Bye-bye.
193
00:16:34,160 --> 00:16:35,840
(MARISA CHUCKLES)
194
00:16:36,840 --> 00:16:38,560
I miss him.
195
00:16:41,920 --> 00:16:43,680
'He misses you.'
196
00:16:47,640 --> 00:16:49,280
I'm coming to Amsterdam.
197
00:16:52,080 --> 00:16:53,960
I would love that,
198
00:16:53,960 --> 00:16:56,880
but I think they've probably
got me leaving tomorrow, so...
199
00:16:56,880 --> 00:17:00,240
What's wrong, Charles?
You don't want me to come?
200
00:17:00,240 --> 00:17:03,560
No, I would love you to come,
but I...at the moment, honestly,
201
00:17:03,560 --> 00:17:07,560
Nuria, it's so frenzied here that I
literally don't have a minute.
202
00:17:07,560 --> 00:17:09,440
This life we're living,
it's not normal.
203
00:17:09,440 --> 00:17:12,800
(SIGHS) Yeah, I know it's not.
204
00:17:12,800 --> 00:17:16,320
'You're always away.
For business you say,
205
00:17:16,320 --> 00:17:19,080
but you never tell me anything
about your business.
206
00:17:19,080 --> 00:17:21,200
I never met any of your colleagues.'
207
00:17:21,200 --> 00:17:23,800
I don't know what you do
when you're away.
208
00:17:23,800 --> 00:17:26,320
'I work, Nuria.
209
00:17:26,320 --> 00:17:30,000
I work, that's all I do.
I just work.'
210
00:17:30,960 --> 00:17:32,520
When are you coming back?
211
00:17:32,520 --> 00:17:34,920
Soon, a couple of days, I-
212
00:17:34,920 --> 00:17:37,120
'When?'
I... Honestly, I don't know.
213
00:17:37,120 --> 00:17:38,440
I'm not sure.
214
00:17:40,400 --> 00:17:42,720
You never know.
215
00:17:44,040 --> 00:17:46,760
It's not good enough, Charles.
216
00:17:46,760 --> 00:17:48,800
(BEEP)
217
00:17:50,080 --> 00:17:52,120
(SOMBRE MUSIC)
218
00:17:59,480 --> 00:18:01,480
(DOOR CREAKS)
219
00:18:03,800 --> 00:18:05,800
(SOLEMN MUSIC)
220
00:18:24,400 --> 00:18:26,400
(GENTLE THUD)
221
00:18:37,440 --> 00:18:38,880
(LOCK TURNS)
222
00:19:14,560 --> 00:19:17,440
(DRAWERS GENTLY SCRAPING)
223
00:19:18,280 --> 00:19:20,280
(CLINKING)
224
00:19:26,240 --> 00:19:28,240
(MUSIC BUILDS)
225
00:19:29,560 --> 00:19:31,560
(METALLIC SWISHING)
226
00:19:35,160 --> 00:19:37,160
(CLICK)
227
00:19:38,040 --> 00:19:39,440
(TENSE MUSIC)
228
00:19:52,080 --> 00:19:53,480
(MUSIC FADES)
229
00:19:54,320 --> 00:19:56,320
(SIREN WAILING IN DISTANCE)
230
00:19:58,800 --> 00:20:00,800
(WINGS FLUTTERING)
231
00:20:21,320 --> 00:20:23,320
Are you coming?
232
00:20:28,480 --> 00:20:30,840
Love, are you coming?
233
00:20:33,120 --> 00:20:35,520
They get you over here
to identify her...
234
00:20:36,680 --> 00:20:39,840
...and then they don't
even fucking call you.
235
00:20:42,600 --> 00:20:45,080
Bit of fresh air will do you good.
236
00:20:49,320 --> 00:20:50,720
You go.
237
00:20:50,720 --> 00:20:52,160
(INHALES DEEPLY)
238
00:21:02,640 --> 00:21:04,640
(REFUSE TRUCK RUMBLES)
239
00:21:25,240 --> 00:21:27,280
(PHONE VIBRATES)
240
00:21:34,080 --> 00:21:36,880
Who's this?
'Who the fuck do you think it is?'
241
00:21:39,160 --> 00:21:40,800
About ye, Norman?
242
00:21:42,440 --> 00:21:44,440
(BIRDS CHIRPING)
243
00:21:49,560 --> 00:21:53,120
I'm so sorry about Emma.
244
00:21:53,120 --> 00:21:54,960
I can't imagine
what you're going through.
245
00:21:54,960 --> 00:21:58,200
No, you can't.
246
00:21:58,200 --> 00:22:01,360
Larry and me are here
to take Emma home.
247
00:22:01,360 --> 00:22:03,120
Can you not just let us do that?
248
00:22:03,120 --> 00:22:05,960
Do you have no common decency?
249
00:22:12,120 --> 00:22:15,120
You said on the phone
you'd been digging?
250
00:22:15,120 --> 00:22:16,960
I've spoken to everybody.
251
00:22:16,960 --> 00:22:20,840
And I have to tell you
that no one behaved improperly.
252
00:22:23,240 --> 00:22:26,840
Did you know that Emma had
- a pre-existing condition? - No.
253
00:22:28,080 --> 00:22:30,760
First I heard of it was when
they rang us to tell us the news.
254
00:22:30,760 --> 00:22:34,080
It could just as easily
have happened at home, in bed.
255
00:22:34,080 --> 00:22:36,240
But she wasn't in her bed, was she?
256
00:22:36,240 --> 00:22:38,640
She was in a police cell
and you put her there.
257
00:22:38,640 --> 00:22:40,560
I didn't, Alison.
And I've told you that.
258
00:22:40,560 --> 00:22:43,360
Do you even know what the truth is?
259
00:22:44,240 --> 00:22:46,560
Listen to me carefully, Alison.
260
00:22:46,560 --> 00:22:52,440
Norman killed two British officers
yesterday and now he's disappeared.
261
00:22:53,320 --> 00:22:56,240
What's that got to do with me?
That's nothing to do with me.
262
00:22:56,240 --> 00:22:58,800
Larry's number
was in Norman's phone. So...
263
00:22:58,800 --> 00:23:02,480
(SCOFFS) We were trying to get
the money to go to London.
264
00:23:02,480 --> 00:23:03,720
Alison.
265
00:23:04,880 --> 00:23:08,640
Assisting an offender
carries a ten-year sentence.
266
00:23:10,320 --> 00:23:12,960
More,
with everything Larry's been up to.
267
00:23:14,360 --> 00:23:17,520
But I've turned a blind eye
because I like you...
268
00:23:19,400 --> 00:23:21,400
...and I want to help.
269
00:23:22,840 --> 00:23:25,640
But now you have to help me.
270
00:23:27,160 --> 00:23:29,880
You need to tell me where Norman is.
271
00:23:29,880 --> 00:23:31,520
Fuck off!
272
00:23:37,720 --> 00:23:40,480
(TRAIN CLATTERS IN DISTANCE)
273
00:23:41,880 --> 00:23:45,040
(BREATHING DEEPLY)
274
00:23:49,000 --> 00:23:52,360
(BEEP, DOOR OPENS AND CLOSES)
275
00:24:03,080 --> 00:24:05,160
Did you have a nice walk?
276
00:24:06,920 --> 00:24:08,800
Larry, is everything alright?
277
00:24:27,240 --> 00:24:29,920
What have you done?
278
00:24:29,920 --> 00:24:31,960
What?
279
00:24:35,320 --> 00:24:40,200
Why did you keep on at me
to call Norman?
280
00:24:42,160 --> 00:24:44,600
We needed the money to go to London.
281
00:24:47,480 --> 00:24:51,560
Do you know what happened
to Norman... after I called him?
282
00:24:52,960 --> 00:24:55,840
How would I?
283
00:24:55,840 --> 00:24:58,240
What happened?
284
00:24:59,200 --> 00:25:01,240
They came for him.
285
00:25:04,320 --> 00:25:06,320
He popped a couple of 'em.
286
00:25:08,920 --> 00:25:11,160
Is he all right?
287
00:25:15,560 --> 00:25:18,960
Gimme your phone.
288
00:25:18,960 --> 00:25:20,760
Larry, what are you on about?
289
00:25:21,880 --> 00:25:24,080
Give me your phone.
290
00:25:39,600 --> 00:25:42,600
(BREATHES DEEPLY)
291
00:25:44,800 --> 00:25:46,880
Who's Nadine?
292
00:25:48,760 --> 00:25:51,520
She's the new girl
at the hairdresser's.
293
00:25:52,680 --> 00:25:56,240
So if I call the hairdresser's now
and ask for Nadine...
294
00:25:57,280 --> 00:25:59,560
...is Nadine gonna come on the phone?
295
00:26:00,640 --> 00:26:02,520
She might do. I don't know.
296
00:26:04,800 --> 00:26:07,400
Larry, why are you being like this?
297
00:26:07,400 --> 00:26:09,920
Oh, Alison.
298
00:26:11,040 --> 00:26:13,040
(TEARFUL) Alison.
299
00:26:15,400 --> 00:26:17,480
(SOBS) What have you done?
300
00:26:19,520 --> 00:26:22,480
What the fuck have you done?
301
00:26:24,880 --> 00:26:27,320
No, don't, Larry.
302
00:26:27,320 --> 00:26:29,360
No! (GROANS)
303
00:26:30,840 --> 00:26:32,840
(WHIMPERS)
304
00:26:35,040 --> 00:26:38,320
(GROANS)
305
00:26:38,320 --> 00:26:40,400
(GUNSHOTS)
306
00:26:43,560 --> 00:26:46,800
(GUNSHOTS CONTINUE)
307
00:26:50,960 --> 00:26:53,960
INSTRUCTOR: Cease fire!
308
00:26:53,960 --> 00:26:55,960
Stand up!
309
00:26:55,960 --> 00:26:58,240
(RUSTLING)
310
00:26:58,240 --> 00:27:00,280
Make safe!
311
00:27:01,800 --> 00:27:03,800
Thank you, gentlemen.
312
00:27:07,680 --> 00:27:11,600
These individuals all meet
the parameters I was given.
313
00:27:11,600 --> 00:27:13,800
Do you think any of these men
could have made that shot?
314
00:27:13,800 --> 00:27:17,000
Not unless they've improved
massively from when they were here.
315
00:27:17,000 --> 00:27:19,320
Are you a hundred percent certain
about the distance?
316
00:27:19,320 --> 00:27:21,800
3,815 metres.
317
00:27:21,800 --> 00:27:24,520
That's a fucking long way.
That's what the Germans are saying.
318
00:27:24,520 --> 00:27:26,000
With all due respect to the Germans,
319
00:27:26,000 --> 00:27:28,440
I suggest
someone re-measures the distance,
320
00:27:28,440 --> 00:27:31,040
or else puts me in touch
with whoever modified the weapon,
321
00:27:31,040 --> 00:27:34,360
because whoever it is,
he knows how to make guns.
322
00:27:34,360 --> 00:27:36,760
We could make
very good use of him here.
323
00:27:36,760 --> 00:27:39,200
Yeah, well, thanks for this.
324
00:27:40,760 --> 00:27:43,320
BIANCA: Norman definitely knew
we were coming.
325
00:27:43,320 --> 00:27:47,040
His bags were packed,
and he was ready for a fight.
326
00:27:47,040 --> 00:27:51,200
What's your annual salary?
327
00:27:51,200 --> 00:27:54,760
You know my grade,
you know the pay scales.
328
00:27:54,760 --> 00:27:57,640
And your husband,
he's not a professor, is he?
329
00:27:57,640 --> 00:28:02,760
He's lower down
the university pecking order?
330
00:28:02,760 --> 00:28:04,960
He's a senior lecturer.
Senior lecturer?
331
00:28:04,960 --> 00:28:08,920
So, what does Paul earn? 40, 50?
332
00:28:08,920 --> 00:28:13,120
So it's a comfortable joint wage,
but not mega.
333
00:28:14,280 --> 00:28:18,200
Is there family money?
334
00:28:18,200 --> 00:28:21,240
Your father was... What was he?
Missing.
335
00:28:21,240 --> 00:28:25,240
And your mother?
Has nothing to do with Norman Stoke.
336
00:28:25,240 --> 00:28:26,960
You've been on this side
of the table.
337
00:28:26,960 --> 00:28:29,320
You know why I'm asking.
338
00:28:32,520 --> 00:28:36,960
My mother, if that's what you
wanna call her, was an alcoholic.
339
00:28:36,960 --> 00:28:39,120
She still is.
340
00:28:39,120 --> 00:28:42,200
She lives in sheltered housing now.
Which you pay for.
341
00:28:42,200 --> 00:28:43,920
(INHALES SHARPLY)
342
00:28:43,920 --> 00:28:45,920
Must cost quite a penny.
343
00:28:46,880 --> 00:28:51,600
(SCOFFS) Are you suggesting
I tipped off Norman Stoke
344
00:28:51,600 --> 00:28:54,040
to pay for
my mother's sheltered housing?
345
00:28:54,040 --> 00:28:56,720
Money is almost always the motive.
346
00:28:58,560 --> 00:29:01,640
Let me tell you something, yeah.
347
00:29:01,640 --> 00:29:05,760
I almost got killed
trying to GET Norman.
348
00:29:05,760 --> 00:29:09,320
Two of the men I was with are dead.
349
00:29:09,320 --> 00:29:12,840
You know I didn't tip him off so why
you going through this charade?
350
00:29:12,840 --> 00:29:16,120
You know the world we live in.
351
00:29:16,120 --> 00:29:18,880
You can't trust anyone.
352
00:29:18,880 --> 00:29:21,920
Everyone lies.
353
00:29:21,920 --> 00:29:24,680
About everything.
354
00:29:29,040 --> 00:29:31,320
(IN SPANISH)
355
00:29:36,960 --> 00:29:39,760
(SIX BEEPS ON NUMBERPAD)
356
00:29:39,760 --> 00:29:41,280
(INCORRECT CODE BEEPS)
357
00:29:41,280 --> 00:29:43,320
No.
358
00:29:47,880 --> 00:29:51,040
(SIX BEEPS ON NUMBERPAD)
359
00:29:51,040 --> 00:29:53,080
(INCORRECT CODE BEEPS)
360
00:30:04,000 --> 00:30:07,080
(SIX BEEPS ON NUMBERPAD)
361
00:30:07,080 --> 00:30:08,280
(BEEPS)
362
00:30:41,760 --> 00:30:43,760
NURIA:
363
00:30:51,160 --> 00:30:53,880
(LIFT BELL DINGS)
364
00:30:53,880 --> 00:30:56,560
Damian?
The Special Forces gave me a list
365
00:30:56,560 --> 00:30:58,680
of the best snipers
who fit our parameters,
366
00:30:58,680 --> 00:31:01,120
but they don't think any of them
could have made that shot.
367
00:31:01,120 --> 00:31:04,280
Well, check them out anyway.
Yeah, I will, just got to...
368
00:31:04,280 --> 00:31:07,400
Yep, yeah.
Yeah.
369
00:31:14,120 --> 00:31:15,520
(KISSES TEETH)
370
00:31:15,520 --> 00:31:17,800
(EXHALES)
371
00:31:19,920 --> 00:31:22,440
(PHONE RINGING)
372
00:31:29,080 --> 00:31:32,480
Anything on Norman Stoke?
373
00:31:32,480 --> 00:31:35,280
Er... I spoke to Sparrow in person.
374
00:31:35,280 --> 00:31:38,240
Did you get anything?
375
00:31:38,240 --> 00:31:43,480
Well, she's devastated
and angry about Emma.
376
00:31:43,480 --> 00:31:46,640
She's not in the mood to talk.
377
00:31:48,840 --> 00:31:51,360
When did you last get some sleep?
I'm fine, honestly.
378
00:31:51,360 --> 00:31:53,360
I need you firing on all cylinders.
379
00:31:53,360 --> 00:31:56,880
Go home, get some rest.
380
00:31:59,640 --> 00:32:02,080
(EXHALES)
381
00:32:02,080 --> 00:32:05,240
(PHONE BUZZING)
382
00:32:11,080 --> 00:32:14,160
OSI: 'Can anyone hear us?'
383
00:32:14,160 --> 00:32:16,720
Why are you calling me
on my personal phone?
384
00:32:16,720 --> 00:32:18,440
What's going on?
385
00:32:18,440 --> 00:32:20,480
(BIRD SQUAWKING)
386
00:32:22,040 --> 00:32:24,040
(SIREN WAILING IN DISTANCE)
387
00:32:35,640 --> 00:32:38,640
I've just had the pleasure
of Carver's company.
388
00:32:40,120 --> 00:32:42,160
How was that for you?
389
00:32:42,160 --> 00:32:44,920
Unpleasant,
and I've got nothing to hide.
390
00:32:45,840 --> 00:32:49,800
But if there's a leak, it
has to be investigated and resolved.
391
00:32:49,800 --> 00:32:53,440
Something definitely
went wrong in Belarus.
392
00:32:53,440 --> 00:32:55,760
Norman knew we were coming.
393
00:32:59,800 --> 00:33:04,960
Let's assume for present purposes,
it's not you and it's not me.
394
00:33:04,960 --> 00:33:07,480
OK.
395
00:33:07,480 --> 00:33:10,600
The only other people
who knew about the operation
396
00:33:10,600 --> 00:33:12,240
are Damian and Isabel.
397
00:33:12,240 --> 00:33:16,400
(SCOFFS) Well, if it's Isabel,
we're all fucked.
398
00:33:16,400 --> 00:33:19,280
Indeed.
399
00:33:19,280 --> 00:33:23,760
Could it be Damian?
Why would Damian do it?
400
00:33:24,960 --> 00:33:28,120
Not an easy fellow to pin down,
is he, Damian?
401
00:33:28,120 --> 00:33:30,160
Has a sort of... slippery quality.
402
00:33:31,920 --> 00:33:34,000
Why are we here?
403
00:33:35,920 --> 00:33:37,720
Just to be on the safe side,
404
00:33:37,720 --> 00:33:40,920
what I'm going to tell you
doesn't go any further.
405
00:33:40,920 --> 00:33:43,280
Agreed?
Agreed.
406
00:33:45,600 --> 00:33:50,160
An American friend
has been in contact.
407
00:33:50,160 --> 00:33:53,200
Unofficial, back channel.
408
00:33:53,200 --> 00:33:55,240
I've known him for 20 years.
409
00:33:55,240 --> 00:33:57,600
Ex-station chief
in Ankara and Tokyo.
410
00:33:57,600 --> 00:34:01,480
Level-headed, very judicious.
411
00:34:01,480 --> 00:34:03,640
The Yanks are worried
that the assassination of Fest
412
00:34:03,640 --> 00:34:06,880
will spark copycat murders
of politicians.
413
00:34:06,880 --> 00:34:08,600
They're very keen
to get to the bottom of it
414
00:34:08,600 --> 00:34:11,120
and had been liaising
closely with us.
415
00:34:11,120 --> 00:34:13,320
But now his department
has been told
416
00:34:13,320 --> 00:34:16,640
to not share
any information with 303.
417
00:34:18,160 --> 00:34:21,480
Well, either Carver's right
418
00:34:21,480 --> 00:34:24,560
or the Americans
are trying to sabotage us.
419
00:34:25,960 --> 00:34:28,680
The Americans didn't know
about the Belarus operation
420
00:34:28,680 --> 00:34:30,920
until after it happened.
421
00:34:35,560 --> 00:34:37,320
So... if my friend is right,
422
00:34:39,200 --> 00:34:41,360
the problem is in-house.
423
00:34:47,120 --> 00:34:52,520
From here on, keep the circle tight.
424
00:34:52,520 --> 00:34:54,560
(OMINOUS MUSIC)
425
00:35:11,600 --> 00:35:13,320
MARISA:
426
00:35:13,320 --> 00:35:15,360
NURIA:
427
00:35:41,320 --> 00:35:42,720
(CLICK)
428
00:35:45,720 --> 00:35:47,120
(CLICK)
429
00:35:54,680 --> 00:35:58,840
(THUD)
(GRUNTS)
430
00:36:09,640 --> 00:36:12,160
(WHIRRING)
431
00:36:13,520 --> 00:36:15,600
(THUD)
432
00:36:18,360 --> 00:36:21,560
(BELL TOLLING)
433
00:36:25,640 --> 00:36:28,200
(PHONE BUZZING)
434
00:36:33,720 --> 00:36:37,160
Good morning.
'Have you checked your account?'
435
00:36:37,160 --> 00:36:39,480
Er, I saw that the er,
commencement fee had landed, yeah.
436
00:36:39,480 --> 00:36:41,160
Good.
437
00:36:41,160 --> 00:36:44,400
Rodin is going to be in Tallinn
on the 22nd.
438
00:36:44,400 --> 00:36:46,800
If you leave now you'll have
plenty of time to prepare.
439
00:36:46,800 --> 00:36:51,240
'How reliable's that information?'
A hundred percent.
440
00:36:51,240 --> 00:36:54,080
Understood.
I will start making arrangements.
441
00:36:54,080 --> 00:36:58,280
And we're assuming you finished
whatever business you had in Munich?
442
00:36:58,280 --> 00:37:00,520
Well, that seems like
a decent assumption.
443
00:37:00,520 --> 00:37:03,160
'Good to hear.
We've paid you a lot of money
444
00:37:03,160 --> 00:37:05,120
and we expect to have
your complete attention.'
445
00:37:05,120 --> 00:37:07,240
Absolutely.
(CALL ENDS)
446
00:37:11,400 --> 00:37:13,200
(ZIP RASPS)
447
00:37:13,200 --> 00:37:15,240
(SUSPENSEFUL MUSIC)
448
00:37:19,360 --> 00:37:21,360
(IMMOBILISER BEEP)
449
00:38:00,080 --> 00:38:02,240
How was the Carver experience?
450
00:38:02,240 --> 00:38:04,440
Yeah, he was just doing his job,
I suppose.
451
00:38:04,440 --> 00:38:06,320
Here's the list of snipers.
452
00:38:06,320 --> 00:38:09,640
Appallingly analogue, I know.
But that's the Army for you.
453
00:38:09,640 --> 00:38:12,720
And they've all left the Service.
Thompson's in prison. Manslaughter.
454
00:38:12,720 --> 00:38:15,520
Clegg has MS.
I have addresses for the others.
455
00:38:15,520 --> 00:38:17,840
What do you want me to do?
456
00:38:17,840 --> 00:38:22,120
Find out where they were
- when Fest was killed. - Copy that.
457
00:38:22,120 --> 00:38:24,080
Thank you.
Anything from Sparrow?
458
00:38:24,080 --> 00:38:26,960
Not yet.
Bianca.
459
00:38:26,960 --> 00:38:29,640
Found something very interesting
on the phone.
460
00:38:31,120 --> 00:38:34,320
Can you get me a coffee, please?
461
00:38:34,320 --> 00:38:37,680
Er, black, no sugar.
462
00:38:42,160 --> 00:38:43,520
Cheers.
463
00:38:43,520 --> 00:38:46,680
Eh, what you got for me?
Well, it was tough.
464
00:38:46,680 --> 00:38:49,880
There's some very serious
encryptions. I'd say state level.
465
00:38:49,880 --> 00:38:52,200
Almost all of the data's
been wiped remotely.
466
00:38:52,200 --> 00:38:54,800
And we were only able to recover
incoming and outgoing numbers.
467
00:38:54,800 --> 00:38:57,040
None of the content but...
468
00:38:57,040 --> 00:38:59,320
in the three weeks leading up
to Manfred Fest's murder,
469
00:38:59,320 --> 00:39:02,280
there was a flurry of calls
and messages from a single number.
470
00:39:02,280 --> 00:39:04,040
Now, interestingly,
471
00:39:04,040 --> 00:39:06,520
they stopped completely
the day Fest was murdered.
472
00:39:06,520 --> 00:39:10,640
Did you get a name for the caller?
Yeah, well, Jackal.
473
00:39:10,640 --> 00:39:12,960
Jackal?
Well, it's codename, obviously.
474
00:39:12,960 --> 00:39:14,640
(BOTH CHUCKLE)
Alright.
475
00:39:14,640 --> 00:39:18,320
Alright, I'll leave you to it.
Cheers.
476
00:39:22,560 --> 00:39:24,320
(TYPES)
477
00:39:33,880 --> 00:39:36,120
(TENSE MUSIC)
478
00:39:48,880 --> 00:39:51,280
Frau Muller.
Herr Fest.
479
00:39:51,280 --> 00:39:54,000
(LOW CONVERSATION IN GERMAN)
480
00:40:57,440 --> 00:40:59,480
(FOOTSTEPS RETREATING)
481
00:41:05,320 --> 00:41:07,320
(SUSPENSEFUL MUSIC)
482
00:41:33,680 --> 00:41:35,920
MULLER:
483
00:42:19,400 --> 00:42:21,560
(MUSIC INTENSIFIES)
484
00:42:23,000 --> 00:42:24,480
(IN GERMAN)
485
00:42:40,560 --> 00:42:41,960
(MUFFLED GUNSHOT)
(GASPS)
486
00:42:42,960 --> 00:42:44,520
(TYRES SCREECH)
487
00:42:44,520 --> 00:42:46,000
(ELIAS SPEAKS GERMAN)
488
00:42:46,560 --> 00:42:48,520
(TYRES SCREECH, HORN BLARES)
489
00:42:50,080 --> 00:42:51,920
(ELIAS CRIES OUT)
490
00:42:51,920 --> 00:42:53,520
(ELIAS SHOUTS IN GERMAN)
491
00:42:53,520 --> 00:42:55,760
(GRUNTS, PANICKED BREATHS)
492
00:43:03,840 --> 00:43:04,960
(TYRES SCREECH)
493
00:43:04,960 --> 00:43:07,080
Muller!
(HORN BLARES)
494
00:43:07,080 --> 00:43:08,640
Muller!
495
00:43:09,640 --> 00:43:12,840
Muller! Muller!
496
00:43:12,840 --> 00:43:14,960
(PANICKED SHOUTS AND SCREAMS)
497
00:43:14,960 --> 00:43:16,520
(SMASHING)
498
00:43:17,560 --> 00:43:18,960
(ELIAS CRIES OUT)
499
00:43:18,960 --> 00:43:20,680
(TYRES SCREECH)
500
00:43:20,680 --> 00:43:22,240
(GRUNTS)
501
00:43:22,240 --> 00:43:24,360
(TYRES SCREECH)
(CAR ALARM WAILS)
502
00:43:24,360 --> 00:43:25,960
(ELIAS SHOUTS IN GERMAN)
503
00:43:28,600 --> 00:43:30,880
(TYRES SCREECH)
504
00:43:32,360 --> 00:43:35,160
(GASPS, CRIES OUT)
505
00:43:35,160 --> 00:43:36,840
(GASPS)
506
00:43:36,840 --> 00:43:38,280
(ENGINE REVS)
507
00:43:38,280 --> 00:43:39,360
(GASPS)
508
00:43:46,560 --> 00:43:47,960
(TYRES SCREECH)
509
00:43:47,960 --> 00:43:49,160
(GASPS)
510
00:43:50,720 --> 00:43:52,240
(CLATTERING)
511
00:43:52,240 --> 00:43:54,280
(ENGINE REVS)
512
00:43:55,720 --> 00:43:57,720
(CRACKING, CLATTER)
513
00:43:59,360 --> 00:44:01,240
(IN SPANISH)
514
00:44:02,880 --> 00:44:04,720
(WHIRRS)
515
00:44:04,720 --> 00:44:06,840
(WHINES)
516
00:44:07,600 --> 00:44:09,640
(TYRES SCREECH)
517
00:44:12,480 --> 00:44:13,960
(CRIES OUT IN PAIN)
518
00:44:13,960 --> 00:44:15,680
(MUFFLED GROAN)
519
00:44:15,680 --> 00:44:17,600
(BREATHES SHARPLY)
520
00:44:17,600 --> 00:44:19,640
(BREATHES SHAKILY)
521
00:44:22,800 --> 00:44:24,640
(GASPS) No...
522
00:44:25,640 --> 00:44:27,640
You know who I am.
523
00:44:27,640 --> 00:44:32,040
Look. I'm... I'm sorry.
524
00:44:33,920 --> 00:44:36,240
I...I hired you to shoot my father
and then you shot me.
525
00:44:36,240 --> 00:44:38,440
So I was just... I was mad.
526
00:44:38,440 --> 00:44:41,520
Ah, ah, I was just mad.
527
00:44:42,680 --> 00:44:44,840
See it from my point of view, please.
528
00:44:44,840 --> 00:44:46,600
Huh?
529
00:44:46,600 --> 00:44:49,560
I'll pay you, I promise. I promise.
530
00:44:49,560 --> 00:44:53,800
I'll pay you...
I'll pay you whatever you want.
531
00:45:00,640 --> 00:45:02,600
But it's not about the money.
532
00:45:02,600 --> 00:45:04,440
(GRUNTS)
(THUDDING)
533
00:45:06,240 --> 00:45:08,760
(CRIES OUT)
(THUDDING)
534
00:45:09,800 --> 00:45:12,200
Elias.
535
00:45:12,200 --> 00:45:14,560
(SNORTS)
536
00:45:14,560 --> 00:45:16,600
(WHISPERS) Elias.
537
00:45:20,480 --> 00:45:23,000
(BREATHES SHAKILY)
538
00:45:24,440 --> 00:45:27,200
Fuck... You.
539
00:45:27,200 --> 00:45:29,120
(WHIMPERS)
540
00:45:29,120 --> 00:45:31,240
(GENTLE THUD)
541
00:45:39,760 --> 00:45:41,840
? THE WHO: Won't Get Fooled Again
542
00:45:51,480 --> 00:45:53,480
(PHONE BUZZES)
543
00:46:03,920 --> 00:46:05,920
(TWO BEEPS)
544
00:46:17,800 --> 00:46:19,960
(LOCK TURNS)
545
00:46:23,640 --> 00:46:26,960
? We'll be fighting in the streets
546
00:46:26,960 --> 00:46:29,720
? With our children at our feet
547
00:46:31,520 --> 00:46:35,720
? And the morals
that they worship will be gone
548
00:46:35,720 --> 00:46:37,920
(EXPLOSION BOOMS)
549
00:46:37,920 --> 00:46:41,280
? And the men who spurred us on
550
00:46:41,280 --> 00:46:44,640
? Sit in judgment of all wrong
551
00:46:44,640 --> 00:46:49,920
? They decide
and the shotgun sings the song
552
00:46:52,440 --> 00:46:55,920
? I'll tip my hat
to the new Constitution
553
00:46:55,920 --> 00:46:59,000
? Take a bow for the new revolution
554
00:46:59,000 --> 00:47:00,800
(DOOR CLICKS)
? Smile and grin
555
00:47:00,800 --> 00:47:02,960
? At the change all around
556
00:47:02,960 --> 00:47:06,920
? Pick up my guitar and play
557
00:47:06,920 --> 00:47:08,960
? Just like yesterday
558
00:47:10,240 --> 00:47:14,280
? Then I'll get on my knees and pray
559
00:47:16,840 --> 00:47:19,760
? We don't fooled again
560
00:47:19,760 --> 00:47:21,800
(SONG CONTINUES)
561
00:47:33,600 --> 00:47:35,600
(POWER TOOL WHIRS)
562
00:48:15,960 --> 00:48:18,120
(SONG CONTINUES)
563
00:48:29,360 --> 00:48:32,440
? Yeah!
564
00:48:36,600 --> 00:48:39,960
? Meet the new boss
565
00:48:39,960 --> 00:48:42,560
? Same as the old boss ?
566
00:48:42,560 --> 00:48:44,640
(SONG CONTINUES)
567
00:49:13,400 --> 00:49:14,600
(SONG ENDS)
568
00:49:14,600 --> 00:49:17,480
ETTA JAMES: Trust in me
569
00:49:18,840 --> 00:49:21,960
? In all you do
570
00:49:23,920 --> 00:49:29,480
? Have the faith I have in you
571
00:49:31,720 --> 00:49:34,960
? Love will see us through
572
00:49:36,000 --> 00:49:40,400
? If only you trust in me
573
00:49:40,400 --> 00:49:45,520
? Why don't you, you trust me?
574
00:49:46,400 --> 00:49:49,960
? Come to me
575
00:49:49,960 --> 00:49:53,720
? When things go wrong
576
00:49:53,720 --> 00:49:56,120
? Cling to me, daddy
577
00:49:57,240 --> 00:49:59,880
? Woah-yeah, and I'll be strong
578
00:50:01,200 --> 00:50:04,960
? Oh, if only you trust in me ?
579
00:50:07,520 --> 00:50:10,960
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580
00:50:11,010 --> 00:50:15,560
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