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[Music]
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People have been
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telling ghost stories forever.
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You can read about ghosts,
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watch them in movies and on TV.
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And you can hear about
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them from friends, like we do.
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I love ghost stories.
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Everyone does. You know why?
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Sure, because they're
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scary. People dig being scared.
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Yeah, but what makes them scary?
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What do you mean? Everything. The ghosts.
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The ghosts. No. There's another reason.
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Think about this. Even though
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every ghost story is different,
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they're all really about the same thing.
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Yeah, scaring people.
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No. They're about unfinished business.
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Unfinished business?
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All ghosts walked the
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earth for the same reason.
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Because they wanted to do
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something when they were alive,
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but didn't get the chance.
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Because they died too soon.
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Exactly. And there's the mystery.
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Is the ghost here to
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do something friendly?
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Or is it here to haunt the living? To
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create some unspeakable evil?
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You never know. Until the ghost strikes.
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And that's what makes it scary.
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That is what makes it scary.
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Submitted for the
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approval of the Midnight Society.
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I call this story.
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The Tale of the Walking Shadow.
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You!
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[screaming]
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Ross Doyle was in trouble.
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He tried out for a part in a school
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production of Macbeth,
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so he could be closer
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to this girl Vanessa.
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He wasn't an actor and never really
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thought he'd get the part.
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But he did.
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So now he's stuck having to go on stage
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in front of a ton of people.
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When all he really wanted was a date.
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Hey, hi. Sit down.
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Hi. Thanks.
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So he's psyched about
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finally rehearsing on a big stage?
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Oh, yeah. I'm thrilled.
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Well, who?
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What's the matter?
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Well, I've never done this before.
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I mean, what if I
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forget my lines or barf?
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You won't.
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Well, do you have any acting tips, like
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picturing the
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audience naked or something?
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The best thing you can do is just forget
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your acting and become the character.
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What?
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Okay.
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Another big scene I have
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where Lady Macbeth goes mad?
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The one where she thinks she sees blood
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on her hand and she can't wash it off?
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Exactly.
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When everything's working,
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I can stop being me and
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actually become Lady Macbeth.
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It gets so intense, I can
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almost see the drop of blood.
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Bravo. What a performance.
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Not funny.
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Come on. If Beth is
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allowed to kid Lady Macbeth...
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No, no stage. He's not.
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You're the director.
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Direct her to lighten up.
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I'm directing all you guys back to the
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theater. We've got a ton of work to do.
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Duty calls, my lady.
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Wow.
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It's so amazing to be on a real stage.
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Little stage fright there, Ross?
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That it's a good thing you're only
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playing me stuff and not Macbeth.
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What is that smell?
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Oh, yeah. It's ham.
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Oh, like you're not a ham?
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Come on, Your Majesty.
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Help me unload the car.
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Could you guys clear the stage?
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Sure.
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Ross, don't mind him.
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Macduff is a really important part.
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It's okay. I don't need to hear that.
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You know, I wish I could make you feel
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the same inspiration I
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get just from being here.
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[MUSIC PLAYING]
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Then yet...
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Here's a spot.
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Oh, damn spot. How could I say?
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Whoa, whoa, whoa, whoa. What happened?
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It was blood.
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Why did you do that?
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I didn't...
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I was just trying to help
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you, you know, and you're just...
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Just what? What?
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Just clear the stage, would you?
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What?
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[MUSIC PLAYING] [WHISTLING]
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Stop that!
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Don't you know it's bad
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luck to whistle in a theater?
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Uh, no. Uh, no, I didn't know that.
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Well, now you do.
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Uh, who are you?
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Hermione Sinclair,
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wardrobe mistress. Who are you?
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Ross Doyle, lousy
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actor. I'm playing Macduff.
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Ah, Macduff. A very important part.
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I don't need to hear that.
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Well, Macduff, make yourself useful.
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So, she thinks I spilled fake blood on
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her hand, and I did it.
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It was creepy.
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It wouldn't be the first time odd things
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have happened in this theater.
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It haunted you, no?
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Yeah, right.
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I'm not joking.
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A ghost has wandered
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this theater for years.
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They say he's harmless, but he has been
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known to show anger towards those who do
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not respect the
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theater and its traditions.
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Vanessa. You know, Hermione here says
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that this theater is haunted.
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Great. Hi, I'm Vanessa, Lady Macbeth.
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No!
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I played her once myself.
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Did you know that this production will be
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the first time this Scottish play has
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been performed in this
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theater for 50 years?
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Scottish play? We're doing Macbeth.
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Quick!
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What?
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Turn around three times.
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What?
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Don't argue. Turn around three times,
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then leave the room and come back in.
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Why?
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It's appalling bad luck to refer to the
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Scottish play by name.
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Don't you know
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anything about the theater?
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Okay.
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I'll never leave the
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theater with your costume on.
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Can I go now?
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Come on.
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[sighs]
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[whistles]
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Give me a break.
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Macbeth!
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Macbeth! Macbeth! Macbeth!
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[music]
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You probably shouldn't tell Roscoe
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stories. He's scared enough as it is.
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A little stage fright is a good thing.
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But I'm afraid he
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might walk off the show.
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Oh, but he can't.
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I mean, we'd never get
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a replacement in time.
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[phone rings]
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[indistinct voices]
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The final ban is between us and Macduff.
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[screams]
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[screams]
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What happened?
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Look at the cauldron. Look at it.
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[panting]
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What are you talking about?
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It was full of goo and the glove. It
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grabbed me, I swear.
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Like this. I'm not kidding.
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You know, Ross, if you want to bail out
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of the play because you're scared, do it.
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But don't blame it on
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some tongue-goe story.
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No, no.
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Ross, listen, wait. Listen, look.
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Look, I'm not trying to bail here. It's
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just that I thought I saw...
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I'm not sure what I saw.
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I don't know. This whole
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play is just freaking me out.
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It shouldn't be,
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Ross. You're really good.
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I thought you should have
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gotten the lead instead of Jesse.
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Really? Macbeth?
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Yeah, that guy.
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Oh, thanks.
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You know, the only reason, the real
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reason why I went out
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for this play was...
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so that I could hang with you.
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Then don't listen to dumb-goe stories.
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Relax. Have some fun. Okay?
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Sure.
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See you tomorrow. Don't you hear us?
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(EERIE MUSIC)
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Is this a dagger I see before me?
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Dagger of the mind.
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A false creation
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proceeding from the heat of present.
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Are you prepared for the battle, Macduff?
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(EERIE MUSIC)
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(INDISTINCT CHATTER)
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Hey.
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Look, guys, I really
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hate to do this, but...
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I got a drop out of the play.
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What?
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You know, it's school. I'm falling
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behind, and I don't crack the books.
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Ross, dress rehearsal is tonight. Macduff
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is an important role.
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I really don't need to hear that.
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Vanessa, talk to him.
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(EERIE MUSIC)
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It's because you're afraid, isn't it?
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You have no idea.
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Come on, Kim.
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We'll just find someone else.
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Excuse me, Hermione.
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I'm sorry. Who were you looking for?
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Hermione, the costume lady.
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Well, I'm the wardrobe mistress, but
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there's no Hermione here.
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But...
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That's it.
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I have totally lost it.
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Can I help you with something?
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Oh, I doubt it, unless
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you believe in ghosts.
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Ghosts?
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Mm-hmm.
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Then I take it you've seen Adrienne.
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Adrienne? Who's Adrienne?
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Adrienne Herkon, our resident spirit.
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So he's real. You've seen him.
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Oh, my, yes. Just the other day, in fact.
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Oh, he scared the wits out of me.
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Me, too. I think he's after me because I
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broke some bogus theatre
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traditions or something.
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Ah, here we go. Such a tragic story.
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It was opening night
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of the Scottish play.
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Adrienne had the lead.
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Apparently, towards the
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end of the performance,
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he took ill and died.
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There hasn't been another production of
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the Scottish play in this theatre since.
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Unbelievable.
283
00:15:01,500 --> 00:15:02,958
So his ghost has been
284
00:15:03,041 --> 00:15:04,000
haunting ever since.
285
00:15:04,083 --> 00:15:05,166
Mm-hmm.
286
00:15:05,625 --> 00:15:06,750
Whoa. Wait a second.
287
00:15:07,250 --> 00:15:09,333
Hermione St. Clair is Lady Macbeth.
288
00:15:09,833 --> 00:15:11,958
His wife. So sad.
289
00:15:12,375 --> 00:15:13,333
I understand that she was
290
00:15:13,416 --> 00:15:14,833
never the same after he died.
291
00:15:15,333 --> 00:15:16,125
Why didn't Hermione
292
00:15:16,208 --> 00:15:17,416
tell me about any of this?
293
00:15:17,708 --> 00:15:18,333
Tell you?
294
00:15:20,000 --> 00:15:20,916
Probably because she's
295
00:15:21,000 --> 00:15:23,625
been dead for over 20 years.
296
00:15:27,000 --> 00:15:34,375
What are you doing here?
297
00:15:34,625 --> 00:15:35,833
Look, I wanted to prove
298
00:15:35,916 --> 00:15:37,208
that I'm not crazy. I'm not.
299
00:15:37,625 --> 00:15:39,250
This place is haunted.
300
00:15:40,166 --> 00:15:41,416
And there was this guy
301
00:15:41,500 --> 00:15:43,041
who died here playing Mac...
302
00:15:44,250 --> 00:15:45,750
...playing the M-word. And for some
303
00:15:45,833 --> 00:15:47,500
reason, he's after me.
304
00:15:48,000 --> 00:15:50,166
And that's why I don't
305
00:15:50,250 --> 00:15:51,041
want to be in the play.
306
00:15:52,208 --> 00:15:52,791
Ross, just...
307
00:15:55,208 --> 00:15:56,291
Just go away.
308
00:16:02,000 --> 00:16:03,625
So we'll run from top to bottom.
309
00:16:04,166 --> 00:16:05,791
I won't stop for notes unless something
310
00:16:05,875 --> 00:16:07,375
really weird jumps out at us.
311
00:16:07,833 --> 00:16:08,791
Let's make it great.
312
00:16:20,875 --> 00:16:22,666
So, who'd you get to play Macduff?
313
00:16:23,333 --> 00:16:24,541
I'm gonna do it myself.
314
00:16:27,833 --> 00:16:29,125
Hey, is it too late for
315
00:16:29,208 --> 00:16:30,083
me to come back? I mean...
316
00:16:31,291 --> 00:16:32,291
Macduff is a really
317
00:16:32,375 --> 00:16:33,375
important part, right?
318
00:16:36,791 --> 00:16:37,708
Play on, Macduff.
319
00:16:43,125 --> 00:16:44,833
I'm gonna leave now.
320
00:16:44,916 --> 00:16:49,083
- If we should fail... - We fail?
321
00:16:50,166 --> 00:16:51,750
But screw your courage to the sticking
322
00:16:51,833 --> 00:16:53,916
place, and we will not face.
323
00:16:55,833 --> 00:17:00,541
[humming]
324
00:17:07,208 --> 00:17:09,708
- Thanks. - Hey, hey, hey.
325
00:17:10,541 --> 00:17:11,291
It's okay. Everyone
326
00:17:11,375 --> 00:17:12,416
gets a little stage fright.
327
00:17:12,875 --> 00:17:14,500
- Oh, believe me, stage fright is the
328
00:17:14,583 --> 00:17:15,750
last thing on my mind right now.
329
00:17:21,000 --> 00:17:25,625
[dramatic music]
330
00:17:27,000 --> 00:17:27,916
[gasping]
331
00:17:35,000 --> 00:17:36,458
[dramatic music]
332
00:17:38,000 --> 00:17:38,250
Here...
333
00:17:40,041 --> 00:17:41,625
is the smell of the pied still?
334
00:17:47,000 --> 00:17:48,750
All the perfumes of Arabia will not
335
00:17:48,833 --> 00:17:50,500
sweeten this little head.
336
00:17:51,791 --> 00:17:53,250
[dramatic music]
337
00:17:54,000 --> 00:17:55,750
- Oh, gentle lady,
338
00:17:56,708 --> 00:17:57,583
it is not for you to
339
00:17:57,666 --> 00:17:58,750
hear what I can speak.
340
00:18:00,125 --> 00:18:01,791
- The repetition in a woman's
341
00:18:01,875 --> 00:18:03,125
ear would murder as it fell.
342
00:18:07,083 --> 00:18:08,625
- Turn, hellhound, turn!
343
00:18:09,500 --> 00:18:10,583
[door opens]
344
00:18:20,000 --> 00:18:21,208
- Cue Jesse.
345
00:18:21,750 --> 00:18:24,875
[door opens]
346
00:18:25,125 --> 00:18:26,083
Hello, Macbeth?
347
00:18:27,958 --> 00:18:28,500
Where's Jesse?
348
00:18:29,958 --> 00:18:34,375
- Of all men else, I have avoided thee.
349
00:18:35,500 --> 00:18:36,375
Get thee back.
350
00:18:37,000 --> 00:18:39,416
My soul is too much charged
351
00:18:39,500 --> 00:18:41,541
with blood of thine already.
352
00:18:42,041 --> 00:18:44,541
[glass shatters]
353
00:18:48,125 --> 00:18:50,083
- Lars, please.
354
00:18:51,708 --> 00:18:53,083
He's waited so long.
355
00:18:55,083 --> 00:18:57,083
All that's left is the final battle.
356
00:18:58,625 --> 00:19:00,500
Please let him complete his performance.
357
00:19:01,416 --> 00:19:02,041
- His performance?
358
00:19:03,000 --> 00:19:16,500
[tense music]
359
00:19:16,625 --> 00:19:19,958
[dramatic music]
360
00:19:26,458 --> 00:19:26,625
[dramatic music]
361
00:19:26,708 --> 00:19:28,125
[door closes]
362
00:19:28,208 --> 00:19:30,958
- I have no words.
363
00:19:31,041 --> 00:19:33,750
My voice is in my sword.
364
00:19:34,958 --> 00:19:35,666
Thou bloodier villain
365
00:19:35,750 --> 00:19:37,375
than terms can give thee out.
366
00:19:37,666 --> 00:19:40,458
- Then lay on Macduff.
367
00:19:41,916 --> 00:19:45,666
[dramatic music]
368
00:19:45,750 --> 00:19:46,333
[metal clanking]
369
00:19:46,416 --> 00:19:53,416
[metal clanking]
370
00:19:53,500 --> 00:19:55,333
[metal clanking]
371
00:19:55,416 --> 00:19:56,416
[metal clanking]
372
00:19:56,500 --> 00:19:57,000
[metal clanking]
373
00:20:06,500 --> 00:20:06,708
[dramatic music]
374
00:20:08,000 --> 00:20:10,458
[suspenseful music]
375
00:20:20,250 --> 00:20:20,833
[yel implementation]
376
00:20:20,875 --> 00:20:20,916
- [screams]
377
00:20:22,416 --> 00:20:26,750
[grunting]
378
00:20:26,833 --> 00:20:30,958
[grunting]
379
00:20:31,041 --> 00:20:34,375
[gasping]
380
00:20:41,375 --> 00:20:43,333
Out, out, brief candle.
381
00:20:45,750 --> 00:20:47,375
Life's but a walking shadow.
382
00:20:48,375 --> 00:20:52,125
A poor player that struts and frets his
383
00:20:52,208 --> 00:20:53,291
hour upon the stage,
384
00:20:53,375 --> 00:20:57,833
and then is heard no more.
385
00:21:01,500 --> 00:21:09,375
[applause]
386
00:21:17,416 --> 00:21:40,958
[applause]
387
00:21:41,041 --> 00:21:41,291
[applause]
388
00:21:47,416 --> 00:21:58,708
[applause]
389
00:22:10,375 --> 00:22:10,625
Hi.
390
00:22:11,583 --> 00:22:12,083
Hi.
391
00:22:15,458 --> 00:22:16,125
So all he wanted to
392
00:22:16,208 --> 00:22:17,000
do was finish the play.
393
00:22:18,041 --> 00:22:18,208
Yeah.
394
00:22:21,166 --> 00:22:23,083
That was pretty amazing.
395
00:22:24,333 --> 00:22:24,583
Yep.
396
00:22:25,791 --> 00:22:27,083
See, how are we gonna
397
00:22:27,166 --> 00:22:28,333
top that one exactly?
398
00:22:35,375 --> 00:22:37,083
That'll do it.
399
00:22:38,375 --> 00:22:40,333
So you're gonna stay with the play, right?
400
00:22:40,416 --> 00:22:42,125
What, are you kidding me?
401
00:22:42,750 --> 00:22:45,166
Uh, Macduff is a very important part.
402
00:22:47,916 --> 00:22:51,708
But I still think I should
403
00:22:51,791 --> 00:22:52,750
picture the audience naked.
404
00:23:02,375 --> 00:23:04,458
So Adrian finally got to
405
00:23:04,541 --> 00:23:05,416
finish the performance,
406
00:23:06,208 --> 00:23:08,333
and take care of his unfinished business.
407
00:23:08,416 --> 00:23:09,541
The end.
408
00:23:10,291 --> 00:23:11,458
Wow, that's really good.
409
00:23:11,916 --> 00:23:12,958
That was a great story.
410
00:23:13,250 --> 00:23:14,750
And speaking of unfinished business,
411
00:23:15,625 --> 00:23:17,458
you guys owe me for the popcorn and soda.
412
00:23:18,125 --> 00:23:19,958
Now, if we divide it by--
413
00:23:20,041 --> 00:23:21,916
Uh, sorry, man. I'll catch you next time.
414
00:23:22,583 --> 00:23:24,041
I don't get my allowance till tomorrow.
415
00:23:24,333 --> 00:23:24,625
Bye.
416
00:23:25,708 --> 00:23:27,625
I didn't eat any, and I hate soda.
417
00:23:28,125 --> 00:23:30,583
Uh, no excuse, no money. Sorry.
418
00:23:30,875 --> 00:23:32,875
Oh, come on. We're supposed to--
419
00:23:35,208 --> 00:23:36,375
And you're leaving me with the mess?
420
00:23:37,375 --> 00:23:38,083
Guys?
421
00:23:39,833 --> 00:23:43,083
This was way more fun when
422
00:23:43,166 --> 00:23:44,750
it was the response we wanted.
27984
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