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1
00:01:17,060 --> 00:01:19,739
WE WERE A CLOSE FAMILY
GROWING UP ON THAT MOUNTAIN,
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00:01:19,763 --> 00:01:21,374
BUT AS WE GREW OLDER
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00:01:21,398 --> 00:01:24,443
AND WERE FACED WITH THE
PROBLEMS OF FINDING MATURITY,
4
00:01:24,467 --> 00:01:27,514
CONFLICT SOMETIME
DEVELOPED BETWEEN US.
5
00:01:27,538 --> 00:01:32,318
I REMEMBER A TIME WHEN MY BROTHER
JASON'S PURSUIT OF FAME AS A MUSICIAN
6
00:01:32,342 --> 00:01:35,154
AND MY BROTHER BEN'S
PURSUIT OF A YOUNG LADY
7
00:01:35,178 --> 00:01:37,790
BROUGHT THEM INTO A
BITTER MISUNDERSTANDING.
8
00:01:37,814 --> 00:01:39,592
ALL RIGHT, FELLOWS,
LET'S GET TO WORK.
9
00:01:41,351 --> 00:01:44,030
COME ON, BEN, YOU LOOK LIKE
YOU'RE PLANTED IN A SQUASH HILL.
10
00:01:44,054 --> 00:01:45,854
COME ON.
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00:01:49,626 --> 00:01:51,159
BEN, HELP YOUR BROTHER.
12
00:01:53,997 --> 00:01:55,909
YOU'RE WASTIN' YOUR
BREATH THIS MORNIN', DADDY.
13
00:01:55,933 --> 00:01:57,610
HE'S IN SOME OTHER WORLD.
14
00:01:57,634 --> 00:02:00,046
HE WAS WALKIN' ALONG AND
WENT SMACK INTO A TREE.
15
00:02:00,070 --> 00:02:02,081
MAYBE HE'S GOT SOMETHIN'
SPECIAL ON HIS MIND.
16
00:02:02,105 --> 00:02:04,405
YEAH, I WONDER
WHO SHE IS THIS WEEK.
17
00:02:07,444 --> 00:02:08,888
W-WELCOME BACK, SON.
18
00:02:08,912 --> 00:02:10,924
SORRY, DADDY, UH,
JUST WENT TO THINKIN'.
19
00:02:10,948 --> 00:02:12,324
OH!
20
00:02:12,348 --> 00:02:14,627
IF I EVER SAW A
LOVESICK PUPPY, IT'S YOU.
21
00:02:14,651 --> 00:02:16,162
WHO ARE YOU MOONING
OVER THIS WEEK?
22
00:02:16,186 --> 00:02:17,496
HEY, MIND YOUR
OWN BUSINESS, HUH?
23
00:02:17,520 --> 00:02:19,465
HUH? HUH? HUH? WHO ARE
YOU MOONING OVER THIS WEEK?
24
00:02:19,489 --> 00:02:20,867
COME ON. OH, WILL YOU STOP?
25
00:02:20,891 --> 00:02:22,969
DADDY... ALL RIGHT, YOU TWO
YOUNG BUCKS, SETTLE DOWN.
26
00:02:22,993 --> 00:02:25,504
JIM-BOB AND ELIZABETH WOULD BE
MORE HELP THAN YOU ARE TODAY.
27
00:02:25,528 --> 00:02:28,374
UH, DADDY, I'M GONNA GO
TALK TO JASON, IF IT'S OK.
28
00:02:28,398 --> 00:02:29,809
HE'S NOT HOME YET, BEN.
29
00:02:29,833 --> 00:02:31,878
WELL, I'LL GO LOOK FOR HIM.
30
00:02:31,902 --> 00:02:33,546
LOOK WHERE YOU'RE GOIN', SON.
31
00:02:33,570 --> 00:02:35,281
GUESS I WASN'T LOOKIN'
WHERE I WAS GOIN'.
32
00:02:35,305 --> 00:02:37,785
SEE YOU LATER. YEAH.
33
00:02:40,243 --> 00:02:42,021
NEVER EASY BEIN' IN LOVE, IS IT?
34
00:02:42,045 --> 00:02:44,646
HUH, I WOULDN'T KNOW,
IT'S BEEN A WHILE FOR ME.
35
00:02:45,782 --> 00:02:47,716
YEAH, I'D SAY ABOUT 15 MINUTES.
36
00:02:55,558 --> 00:02:58,927
♪♪
37
00:03:01,531 --> 00:03:03,064
HEY, JASE.
38
00:03:04,200 --> 00:03:05,979
I'VE BEEN LOOKIN' FOR YOU.
39
00:03:06,003 --> 00:03:07,346
YOU WANT TO BORROW
SOME MONEY, HUH?
40
00:03:07,370 --> 00:03:08,748
THAT'S NOT WHAT I WANT.
41
00:03:08,772 --> 00:03:10,750
THEN WHAT DO YOU WANT? I
FIGURE YOU CAN USE SOME HELP
42
00:03:10,774 --> 00:03:13,586
WITH YOUR MUSICAL CAREER.
OH, YEAH? WHAT KIND OF HELP?
43
00:03:13,610 --> 00:03:16,923
LIKE A FOREMAN, THE WAY
CASPAR TICE IS FOR BOBBY BIGELOW.
44
00:03:16,947 --> 00:03:19,726
OH, YOU MEAN A MANAGER,
SOMEBODY TO CARRY MY GUITAR CASE,
45
00:03:19,750 --> 00:03:22,662
MY BANJO CASE, SET UP MY
MUSIC. AND GIVES YOU ADVICE.
46
00:03:22,686 --> 00:03:23,763
GOT ANYBODY IN MIND?
47
00:03:23,787 --> 00:03:24,919
ME!
48
00:03:25,956 --> 00:03:27,800
WELL, YOU DO WANT
MONEY AFTER ALL.
49
00:03:27,824 --> 00:03:29,002
NO.
50
00:03:29,026 --> 00:03:30,703
I'VE GOT SOME IDEAS,
TOO. LIKE WHAT?
51
00:03:30,727 --> 00:03:32,672
FOR INSTANCE, THAT NEW
SONG THAT YOU'RE WRITIN',
52
00:03:32,696 --> 00:03:34,473
IT SOUNDS REAL NIFTY,
AND I'VE BEEN THINKIN'.
53
00:03:34,497 --> 00:03:36,542
YOU KNOW WHAT'D MAKE IT
SOUND MORE PERFECT? WHAT?
54
00:03:36,566 --> 00:03:40,312
IF YOU GOT A GIRL TO SING
IT WITH YOU. MAKE IT A DUET.
55
00:03:40,336 --> 00:03:42,782
WELL, I DON'T KNOW, THIS SONG
IS PRETTY IMPORTANT TO ME.
56
00:03:42,806 --> 00:03:44,617
I KNOW THAT, BUT
THAT'S WHAT I MEAN.
57
00:03:44,641 --> 00:03:46,686
ESPECIALLY SINCE THE
DANCE WILL BE BROADCAST.
58
00:03:46,710 --> 00:03:49,922
IT'LL SOUND MORE EXCITING.
JUST THINK ABOUT IT FOR A MOMENT,
59
00:03:49,946 --> 00:03:51,457
WITH A GIRL SINGING, TOO.
60
00:03:52,983 --> 00:03:55,028
YEAH, YOU MIGHT
HAVE AN IDEA THERE.
61
00:03:55,052 --> 00:03:57,130
ONLY TROUBLE IS I DON'T
KNOW ANY GIRL SINGERS.
62
00:03:57,154 --> 00:03:58,497
YOU DO, TOO.
63
00:03:58,521 --> 00:03:59,832
NOT RIGHT OFF THE BAT.
64
00:03:59,856 --> 00:04:01,034
SALLY ANN HARPER!
65
00:04:01,058 --> 00:04:02,468
ABNER'S LITTLE SISTER?
66
00:04:02,492 --> 00:04:04,926
WELL, YOU'VE HEARD HER, SHE
SINGS IN THE CHURCH CHOIR.
67
00:04:06,362 --> 00:04:08,240
WELL, SHE IS PRETTY GOOD.
68
00:04:08,264 --> 00:04:10,376
WELL, WHAT DO YOU THINK?
69
00:04:10,400 --> 00:04:12,679
WELL, I THINK YOU MAY HAVE
A REAL GOOD IDEA THERE, BEN.
70
00:04:12,703 --> 00:04:14,513
BUT FIRST, I'VE GOTTA HEAR HER
71
00:04:14,537 --> 00:04:17,150
AND THEN BOBBY'S GOT TO AUDITION
HER, AND IT'S UP TO HIM ANYWAY.
72
00:04:17,174 --> 00:04:18,584
WHEN CAN YOU ASK HIM?
73
00:04:18,608 --> 00:04:20,119
TOMORROW AT REHEARSAL.
74
00:04:20,143 --> 00:04:21,303
YOU WON'T FORGET, WILL YOU?
75
00:04:22,445 --> 00:04:24,691
AS LONG AS YOU'RE
GOING TO BE MY MANAGER,
76
00:04:24,715 --> 00:04:28,027
WHY DON'T YOU COME ALONG WITH
ME SO YOU CAN HELP ME REMEMBER?
77
00:04:28,051 --> 00:04:29,896
THANKS, JASE.
78
00:04:29,920 --> 00:04:31,652
♪♪
79
00:04:40,697 --> 00:04:41,930
THANK YOU.
80
00:04:45,602 --> 00:04:47,413
THANK YOU.
81
00:04:47,437 --> 00:04:50,216
HERE YOU GO, BOBBY. JUST
THE WAY YOU LIKE IT, ICE COLD.
82
00:04:50,240 --> 00:04:52,151
THANK YOU, HONEY.
83
00:04:52,175 --> 00:04:54,954
OUGHT TO REALLY HIT THE SPOT
AFTER THE NIGHT I JUST BEEN THROUGH.
84
00:04:54,978 --> 00:04:57,590
YOU OUT HONKY-TONKIN'
AROUND? HMM.
85
00:04:57,614 --> 00:05:00,226
WELL, THIS BUSINESS
IS A LONELY ROAD.
86
00:05:00,250 --> 00:05:03,429
WHAT ELSE IS A MAN TO DO?
87
00:05:03,453 --> 00:05:05,598
WELL, YOU COULD'VE COME
BY MY HOUSE FOR SUPPER.
88
00:05:05,622 --> 00:05:09,368
WELL, SUGAR, MAYBE YOU BETTER
GO HOME AND, UH, GROW A SPELL.
89
00:05:09,392 --> 00:05:11,637
YOU'RE A LITTLE
TENDER ON THE VINE, YET.
90
00:05:11,661 --> 00:05:13,128
♪♪
91
00:05:14,865 --> 00:05:18,544
HEY, JASON, ABOUT TO SEND OUT
A SEARCH PARTY FOR YOU, BOY.
92
00:05:18,568 --> 00:05:20,679
SORRY, I'M LATE, BOBBY, I HAD
SOME CHORES TO DO AT HOME.
93
00:05:20,703 --> 00:05:21,680
HI, JASON.
94
00:05:21,704 --> 00:05:22,915
HEY, BETSY. HI, BEN.
95
00:05:22,939 --> 00:05:25,118
THIS REDHEADED FELLOW
HERE ANY KIN OF YOURS?
96
00:05:25,142 --> 00:05:26,886
THIS IS MY BROTHER BEN.
97
00:05:26,910 --> 00:05:28,554
HI, BEN. IT'S A PLEASURE.
98
00:05:28,578 --> 00:05:30,389
YOU WANT TO JOIN MY BAND, TOO?
99
00:05:30,413 --> 00:05:33,174
NO, I'M GONNA BE JASON'S
MANAGER FROM NOW ON.
100
00:05:34,151 --> 00:05:36,885
WELL, UH, PUT YOUR FEET UP,
MAKE YOURSELF RIGHT AT HOME.
101
00:05:40,223 --> 00:05:43,335
UH, WHAT DO YOU GOT
THERE? THIS IS MY NEW SONG.
102
00:05:43,359 --> 00:05:44,771
WELL, IS IT ANY GOOD, JASE?
103
00:05:44,795 --> 00:05:46,105
I HOPE SO. HERE, TAKE A LOOK.
104
00:05:46,129 --> 00:05:47,974
IT'S TERRIFIC!
105
00:05:47,998 --> 00:05:49,463
WELL, YOU MIND IF I LOOK?
106
00:05:50,867 --> 00:05:52,344
ASK HIM.
107
00:05:52,368 --> 00:05:55,047
YEAH. YEAH, I WILL,
JUST LET HIM LOOK AT IT.
108
00:05:55,071 --> 00:05:56,582
WHAT ARE YOU DOING HERE, BETSY?
109
00:05:56,606 --> 00:05:59,451
OH, MY COUSIN, HASSIE
LONGSTREET, IS THE BANJO PLAYER.
110
00:05:59,475 --> 00:06:03,089
I JUST LOVE MUSIC. JUST
SHIVERS ME DOWN MY SPINE.
111
00:06:03,113 --> 00:06:04,523
UM, JASON,
112
00:06:04,547 --> 00:06:07,326
WOULD YOU LIKE TO COME OVER
THIS EVENING AFTER SUPPER?
113
00:06:07,350 --> 00:06:09,095
I GOT A BRAND NEW
VICTROLA RECORD
114
00:06:09,119 --> 00:06:10,930
WITH LITTLE ROSEWOOD
CASKET ON ONE SIDE
115
00:06:10,954 --> 00:06:13,599
AND WHEN MY BLUE MOON TURNS
TO GOLD AGAIN ON THE OTHER SIDE.
116
00:06:13,623 --> 00:06:16,235
UH, JASON, FROM,
UH, WHAT I CAN TELL,
117
00:06:16,259 --> 00:06:18,971
LOOKS LIKE A PRETTY
SASSY LITTLE SONG HERE.
118
00:06:18,995 --> 00:06:20,072
THANKS, BOBBY.
119
00:06:20,096 --> 00:06:21,841
WOULD YOU LIKE TO
COME OVER, JASON?
120
00:06:21,865 --> 00:06:23,276
BETSY, I'M BUSY.
121
00:06:23,300 --> 00:06:26,312
UH, BOBBY, I HAD AN IDEA.
122
00:06:26,336 --> 00:06:29,481
WHAT DO YOU THINK OF ME SINGING
THIS SONG WITH A GIRL, AS A DUET?
123
00:06:29,505 --> 00:06:31,717
WE COULD ALTERNATE
VOICES ON THE CHORUS.
124
00:06:31,741 --> 00:06:33,853
WELL,
125
00:06:33,877 --> 00:06:37,890
THE IDEA SOUNDS ALL RIGHT, BUT, UH, WE
DON'T HAVE A GIRL IN THE BAND, AND, UH...
126
00:06:37,914 --> 00:06:39,192
SO I DON'T KNOW.
127
00:06:39,216 --> 00:06:40,492
I'M NOT CRAZY ABOUT RUNNING OUT
128
00:06:40,516 --> 00:06:42,094
AND HIRING A GIRL
JUST FOR ONE SONG.
129
00:06:42,118 --> 00:06:43,729
WELL, YOU DON'T HAVE TO.
130
00:06:43,753 --> 00:06:46,732
SEE, I KNOW THIS GIRL NAMED SALLY
ANN HARPER. SINGS LIKE AN ANGEL.
131
00:06:46,756 --> 00:06:49,535
AND I'M SURE SHE'D
DO IT FOR NOTHING.
132
00:06:49,559 --> 00:06:52,071
ANYWAY, IF YOU WANT, YOU COULD
AUDITION HER, AND IF SHE'S OK,
133
00:06:52,095 --> 00:06:55,174
THEN THE TWO OF US CAN
SING THE SONG TOGETHER.
134
00:06:55,198 --> 00:07:00,095
WELL, IT'S YOUR SONG. IF THAT'S
THE WAY YOU WANT ME TO HEAR IT, UH,
135
00:07:00,119 --> 00:07:02,198
YOU BRING HER AROUND AND
I'LL LISTEN. THANKS, BOBBY.
136
00:07:02,222 --> 00:07:05,501
UH, COME ON, EVERYBODY, LET'S GET
SOME PICKIN' AND SINGIN' GOIN' ON HERE.
137
00:07:05,525 --> 00:07:06,969
MY GOODNESS.
138
00:07:06,993 --> 00:07:09,104
HEY, FELLAS, I
HAVE AN IDEA HERE,
139
00:07:09,128 --> 00:07:10,807
A THING I WANNA DO
ON CRIPPLE CREEK.
140
00:07:10,831 --> 00:07:12,007
YOU CAN HELP ME RUN THROUGH IT.
141
00:07:12,031 --> 00:07:13,810
SALLY ANN HARPER!
142
00:07:13,834 --> 00:07:16,512
THAT'S THE ROTTENEST
IDEA I'VE EVER HEARD.
143
00:07:16,536 --> 00:07:17,947
WELL, WHO'D BE A BETTER IDEA?
144
00:07:17,971 --> 00:07:19,382
ME.
145
00:07:19,406 --> 00:07:21,806
OH, SURE. TOO BAD
YOU CAN'T SING, THOUGH.
146
00:07:25,812 --> 00:07:27,557
SO WHEN THEY
BROADCAST THE DANCE,
147
00:07:27,581 --> 00:07:29,592
SALLY ANN HARPER AND I
WILL BE SINGING MY SONG.
148
00:07:29,616 --> 00:07:30,827
GREAT IDEA, HUH? UH-HUH.
149
00:07:30,851 --> 00:07:32,729
MAMA, CAN I BE EXCUSED?
I HAVE LOTS TO DO.
150
00:07:32,753 --> 00:07:34,433
GO AHEAD, JASE. GREAT.
151
00:07:36,423 --> 00:07:39,268
MAMA, I'M JASON'S MANAGER NOW,
AND I'M PLANNIN' A SCHEDULE FOR HIM.
152
00:07:39,292 --> 00:07:42,004
SO, COULD SALLY ANN HAVE SUPPER
HERE TOMORROW AND WEDNESDAY NIGHT...
153
00:07:42,028 --> 00:07:43,873
I DO NOT INTEND TO
SERVE AND WASH UP
154
00:07:43,897 --> 00:07:45,074
AFTER SALLY ANN HARPER.
155
00:07:45,098 --> 00:07:46,442
I CAN'T STAND THAT SISSY.
156
00:07:46,466 --> 00:07:48,611
WHAT CAN'T YOU STAND
THIS TIME, MARY ELLEN?
157
00:07:48,635 --> 00:07:51,647
WELL, MY OWN BROTHER PICKED A
SILLY, SKINNY, STUCK-UP LITTLE CHILD
158
00:07:51,671 --> 00:07:54,116
TO SING WITH HIM ON THE RADIO
FOR THE WHOLE WORLD TO HEAR.
159
00:07:54,140 --> 00:07:56,486
SHE'S NOT SILLY, AND SHE'S
NOT STUCK-UP, NEITHER.
160
00:07:56,510 --> 00:07:57,820
JUST SKINNY.
161
00:07:57,844 --> 00:07:59,389
YOU WANT A KNOT IN YOUR HEAD?
162
00:07:59,413 --> 00:08:01,591
BEN, HAVEN'T YOU
ANY TASTE AT ALL?
163
00:08:01,615 --> 00:08:03,726
MARY ELLEN, WHAT HAVE YOU
GOT AGAINST THE POOR GIRL?
164
00:08:03,750 --> 00:08:06,128
WELL, IT JUST SEEMS THAT MY
OWN BROTHER COULD HAVE ASKED ME
165
00:08:06,152 --> 00:08:09,198
IF WANTED TO SING HIS DUMB
SONG BEFORE HE ASKED A STRANGER.
166
00:08:09,222 --> 00:08:11,667
MARY ELLEN, YOU SING LIKE A
MOCKINGBIRD THAT'S GOT THE CROUP.
167
00:08:11,691 --> 00:08:13,636
MAYBE THAT'S WHY
HE DIDN'T ASK YOU.
168
00:08:13,660 --> 00:08:15,271
I DIDN'T EVEN KNOW
YOU LIKED TO SING.
169
00:08:15,295 --> 00:08:17,339
I DON'T, BUT THAT'S
NOT THE POINT.
170
00:08:17,363 --> 00:08:18,696
OH, MARY ELLEN.
171
00:08:19,766 --> 00:08:22,144
JASON SHOULD HAVE ASKED ME.
172
00:08:22,168 --> 00:08:24,914
TOO BAD JOHN-BOY'S BUSY WITH
SCHOOL, MAYBE HE'D WANT TO DO IT.
173
00:08:24,938 --> 00:08:26,682
WELL, I SING BETTER
THAN ALL OF YOU.
174
00:08:26,706 --> 00:08:29,585
ACTUALLY, I SING
BETTER THAN ANY OF YOU.
175
00:08:29,609 --> 00:08:31,120
WELL, YOU'RE RIGHT.
176
00:08:31,144 --> 00:08:34,023
YOU KNOW, YOUR GRANDPA HAD
A REAL GOOD VOICE IN HIS TIME.
177
00:08:34,047 --> 00:08:35,925
AND I STILL GOT IT, ESTHER.
178
00:08:35,949 --> 00:08:37,493
♪ MI, MI, MI, MI, MI, MI ♪
179
00:08:37,517 --> 00:08:38,994
♪ YOU, YOU, YOU, YOU ♪
180
00:08:39,018 --> 00:08:40,963
I DON'T SING GOOD
AT ALL. SO I DON'T MIND.
181
00:08:40,987 --> 00:08:44,333
NOW, WAIT A MINUTE, IF ANYBODY
SHOULD SING WITH JASE, IT SHOULD BE ME.
182
00:08:44,357 --> 00:08:45,701
YOU?
183
00:08:47,160 --> 00:08:49,004
THERE'S NO SUCH
THING AS TONE-DEAF.
184
00:08:49,028 --> 00:08:50,139
THAT'S RIGHT, PA.
185
00:08:51,230 --> 00:08:52,442
♪ MI, MI, MI, MI, MI, MI ♪
186
00:08:53,967 --> 00:08:57,246
MARY ELLEN, I'LL ASK JASON
TO DEDICATE THE SONG TO YOU.
187
00:08:57,270 --> 00:08:59,515
WELL, THANKS A LOT.
188
00:08:59,539 --> 00:09:02,952
ALL THAT FUSS OVER A SONG
THAT'S NOT EVEN A HYMN.
189
00:09:02,976 --> 00:09:05,621
WELL, IT HAS BEEN A
LOVELY SUPPER, LADIES.
190
00:09:05,645 --> 00:09:08,691
AND I AM LOATH TO LEAVE
YOU, JUST EAT AND RUN,
191
00:09:08,715 --> 00:09:10,927
BUT JOHN AND I HAVE GOT
TO BE GOIN' ELSEWHERE.
192
00:09:10,951 --> 00:09:12,695
WHERE DID YOU
SAY YOU WERE GOIN'?
193
00:09:12,719 --> 00:09:14,263
I DIDN'T SAY, BUT IF
YOU WANNA KNOW,
194
00:09:14,287 --> 00:09:15,598
WE'RE GOIN' DOWN
TO IKE GODSEY'S.
195
00:09:15,622 --> 00:09:17,032
AND WHAT FOR?
196
00:09:17,056 --> 00:09:20,002
IT'S THE FIRST OFFICIAL
MEETING OF THE W.M.E.B.T.
197
00:09:20,026 --> 00:09:23,339
SOUNDS LIKE SOME NEW GOVERNMENT
AGENCY MR. ROOSEVELT MADE UP.
198
00:09:23,363 --> 00:09:24,574
WHAT'S IT MEAN?
199
00:09:24,598 --> 00:09:27,643
THE WALTON'S MOUNTAIN
8 BALL TOURNAMENT.
200
00:09:27,667 --> 00:09:29,645
I STILL DON'T KNOW
WHAT IT MEANS.
201
00:09:29,669 --> 00:09:32,014
IT'S JUST AS WELL.
IT'S A GAMBLIN' GAME.
202
00:09:32,038 --> 00:09:34,650
NONSENSE, THERE HASN'T
BEEN ANY MONEY INTERCHANGED
203
00:09:34,674 --> 00:09:36,752
SINCE WAY BACK IN 1928.
204
00:09:36,776 --> 00:09:39,856
I'M SURPRISED CORABETH DIDN'T
PUT A STOP TO SUCH LOW DOINGS.
205
00:09:39,880 --> 00:09:42,658
SHE IS NOT HERE. SHE'S
GONE BACK TO DOE HILL
206
00:09:42,682 --> 00:09:44,694
TO PICK UP THE LAST OF
HER MOTHER'S ANTIQUES.
207
00:09:44,718 --> 00:09:46,596
SO SHE WON'T BE
AROUND TO MAKE ANY FUSS.
208
00:09:46,620 --> 00:09:49,398
WELL, I CALL IT TRASHY
GOINGS-ON, AND GRANDMA'S RIGHT.
209
00:09:49,422 --> 00:09:51,767
A GAME OF CHANCE IS GAMBLING,
I DON'T CARE HOW MANY INITIALS
210
00:09:51,791 --> 00:09:53,168
YOU PUT IN FRONT OF IT.
211
00:09:53,192 --> 00:09:55,938
SOME UPSTANDING MEMBERS
OF THE COMMUNITY WILL BE THERE,
212
00:09:55,962 --> 00:09:57,974
ZACK ROSWELL, HORACE BRIMLEY.
213
00:09:57,998 --> 00:09:59,609
CROOKS.
214
00:09:59,633 --> 00:10:01,611
HOW LONG IS THIS
TOURNAMENT GONNA LAST?
215
00:10:01,635 --> 00:10:03,946
4 DAYS. SHOULD BE OVER
BY THURSDAY NIGHT, HUH?
216
00:10:03,970 --> 00:10:05,615
FRIDAY'S THE
BROADCAST, DON'T FORGET.
217
00:10:05,639 --> 00:10:08,183
OH, THAT WON'T BE ANY
PROBLEM, IN CASE OF A TIE
218
00:10:08,207 --> 00:10:11,253
US 2 TERRIBLE WALTONS WILL
BE AROUND THERE AT THAT TABLE.
219
00:10:11,277 --> 00:10:13,355
IT'LL ALL BE OVER BY THURSDAY.
220
00:10:13,379 --> 00:10:15,591
IT WOULD SUIT ME IF
IT NEVER GOT STARTED.
221
00:10:15,615 --> 00:10:18,460
WHAT AM I SUPPOSED TO DO? SIT
HOME AND LISTEN TO THE RADIO?
222
00:10:18,484 --> 00:10:21,096
COULD FIGURE OUT HOW MUCH
YOU MISS ME WHEN I'M NOT AROUND.
223
00:10:21,120 --> 00:10:22,932
I KNOW THAT ALREADY.
224
00:10:22,956 --> 00:10:24,121
AS THEY SAY,
225
00:10:25,592 --> 00:10:27,703
ABSENCE MAKES THE
HEART GROW FONDER.
226
00:10:27,727 --> 00:10:30,973
OH! THAT GOES FOR
ME, TOO, OLD DEAR.
227
00:10:30,997 --> 00:10:33,543
ZEB, NOW YOU BE COMIN'
HOME AT A DECENT HOUR.
228
00:10:33,567 --> 00:10:35,377
YOU KNOW I CAN'T
SLEEP TILL YOU'RE HERE.
229
00:10:35,401 --> 00:10:37,547
WHY, I'M GLAD TO
HEAR THAT, OLD DARLIN'.
230
00:10:37,571 --> 00:10:38,781
GOOD NIGHT.
231
00:10:40,040 --> 00:10:41,884
GOOD NIGHT, LADIES.
232
00:10:41,908 --> 00:10:44,453
GOOD NIGHT, KIDS. BE HOME
EARLY, LIV. GOOD NIGHT, DADDY.
233
00:10:44,477 --> 00:10:46,556
GOOD NIGHT, ESTHER.
GOOD NIGHT, GRANDPA.
234
00:10:48,514 --> 00:10:49,725
IKE,
235
00:10:49,749 --> 00:10:51,894
MAYBE YOU OUGHT TO PUT
UP SOME OF THEM DOLLS
236
00:10:51,918 --> 00:10:53,395
THAT YOUR WIFE'S
GONE AND BOUGHT.
237
00:10:53,419 --> 00:10:55,097
YOU'RE GONNA LOSE ANYWAY,
238
00:10:55,121 --> 00:10:57,433
MIGHT AS WELL GET
RID OF SOME OF THEM.
239
00:10:57,457 --> 00:10:58,601
BELIEVE IT OR NOT,
240
00:10:58,625 --> 00:11:00,585
THOSE DOLLS ARE
SELLIN' PRETTY GOOD.
241
00:11:04,731 --> 00:11:06,576
OK.
242
00:11:06,600 --> 00:11:10,012
NOW, WE GOT 6
CONTESTANTS, INCLUDIN' ME.
243
00:11:10,036 --> 00:11:12,448
NOW, I'M GONNA WRITE
ALL OUR WAGERS DOWN.
244
00:11:12,472 --> 00:11:15,818
NOW FOR ME, I'M GONNA GIVE A
WEEK'S SUPPLY OF GROCERIES.
245
00:11:15,842 --> 00:11:17,987
NOT TO EXCEED $7.
246
00:11:18,011 --> 00:11:20,222
OK, LET'S STATE OUR BETS.
247
00:11:20,246 --> 00:11:22,024
I'M PUTTIN' UP A PRIZE PIG:
248
00:11:22,048 --> 00:11:25,149
200 POUND POLAND CHINA
SHOAT, NAMED JEW'S HARP.
249
00:11:26,252 --> 00:11:27,697
ZACK, ONE PIG.
250
00:11:27,721 --> 00:11:29,431
I'LL PUT IN A TRUCKLOAD
OF FIREWOOD.
251
00:11:29,455 --> 00:11:30,888
HALF FOR ME, HALF FOR PA.
252
00:11:32,558 --> 00:11:34,536
OK, THAT SOUNDS FAIR.
253
00:11:34,560 --> 00:11:36,271
HOW ABOUT YOU, EASY?
254
00:11:36,295 --> 00:11:40,142
WELL, I GOT MYSELF A NEW RIFLE,
SO I'M GONNA PUT UP MY OLD .22.
255
00:11:40,166 --> 00:11:42,144
OH, IT'S STILL IN FINE SHAPE.
256
00:11:42,168 --> 00:11:44,669
OK, WHAT ABOUT YOU, HORACE?
257
00:11:45,739 --> 00:11:48,818
6 FAT HENS, RHODE ISLAND REDS.
258
00:11:48,842 --> 00:11:50,653
ALL OF THEM LAYIN'
DOUBLE-YOLK EGGS.
259
00:11:53,179 --> 00:11:55,825
HORACE IS TRYING TO
GET RID OF 6 OLD HENS.
260
00:11:55,849 --> 00:11:58,227
I DESERVE BETTER
THAN THAT FROM YOU, IKE.
261
00:11:59,318 --> 00:12:01,363
OK, THE STAKES ARE ALL SET.
262
00:12:01,387 --> 00:12:05,167
NOW THE PLAYOFFS ARE THURSDAY
NIGHT, AND WINNER TAKES ALL.
263
00:12:05,191 --> 00:12:08,037
NOW, IN CASE OF A TIE, WE'RE
GONNA KEEP RIGHT ON PLAYIN',
264
00:12:08,061 --> 00:12:09,839
EVEN IF IT TAKES A YEAR.
265
00:12:09,863 --> 00:12:12,842
NO NEED OF THAT. JOHN AND I PLAN
TO HAVE THE WHOLE SHOOTIN' MATCH
266
00:12:12,866 --> 00:12:14,710
IN HAND BY THURSDAY.
267
00:12:14,734 --> 00:12:16,812
OF WHAT YEAR, MR. WALTON?
268
00:12:18,705 --> 00:12:21,617
OK, EASY, WE'LL LET YOU DRAW
OUT THE FIRST 2 CONTESTANTS.
269
00:12:21,641 --> 00:12:23,318
ALL RIGHT.
270
00:12:32,585 --> 00:12:34,730
SEE YOU AROUND, JASON.
271
00:12:34,754 --> 00:12:37,055
NO, NO, NOT RIGHT NOW.
272
00:12:49,368 --> 00:12:51,947
SALLY ANN, CAN I TALK TO YOU?
273
00:12:51,971 --> 00:12:53,549
WELL, SURE, BEN.
274
00:12:53,573 --> 00:12:55,417
WELL, IT'S KIND OF PERSONAL.
275
00:12:55,441 --> 00:12:57,553
THERE'S NOTHING YOU COULDN'T
SAY IN FRONT OF PHYLLIS.
276
00:12:57,577 --> 00:12:59,221
WE'RE BEST FRIENDS.
277
00:12:59,245 --> 00:13:01,924
YEAH. WELL, WOULD YOU LIKE TO
HAVE SUPPER AT MY HOUSE TONIGHT?
278
00:13:01,948 --> 00:13:02,992
WELL, WHY?
279
00:13:03,016 --> 00:13:04,259
TO CELEBRATE.
280
00:13:04,283 --> 00:13:05,961
JASON'S GOING TO BE
ON THE RADIO, AND, WELL,
281
00:13:05,985 --> 00:13:08,030
HE HAS SOMETHING
HE WANTS TO TELL YOU.
282
00:13:08,054 --> 00:13:11,200
WELL, THANK YOU, BEN,
BUT SOME OTHER TIME.
283
00:13:11,224 --> 00:13:13,836
SOME OTHER TIME, I'D LOVE TO.
284
00:13:13,860 --> 00:13:17,006
YEAH. WELL, JASON HAS
SOMETHING HE WANTS TO TELL YOU.
285
00:13:17,030 --> 00:13:18,950
WELL, I'LL SEE HIM
LATER ON TODAY.
286
00:13:24,003 --> 00:13:25,781
SALLY ANN?
287
00:13:25,805 --> 00:13:27,717
WHAT'S THE MATTER?
288
00:13:27,741 --> 00:13:30,652
IT'S UM, U-R-G-E-N-T.
289
00:13:30,676 --> 00:13:33,789
WELL, WHAT'S SO U-R-G-E-N-T?
290
00:13:33,813 --> 00:13:36,558
PHYLLIS, GO AWAY.
291
00:13:42,222 --> 00:13:45,334
HOW DOES IT FEEL BEING THE
MOST IMPORTANT GIRL IN SCHOOL?
292
00:13:45,358 --> 00:13:47,336
BETSY, I THINK YOU'RE CRAZY.
293
00:13:47,360 --> 00:13:49,338
WELL, YOU CERTAINLY
ARE CALM ABOUT IT.
294
00:13:49,362 --> 00:13:51,473
IF I WERE SINGING WITH THE
HAYSTACK GANG ON THE RADIO,
295
00:13:51,497 --> 00:13:53,375
I'D BE HALF OUT OF MY MIND.
296
00:13:53,399 --> 00:13:55,211
I DON'T KNOW WHAT
YOU'RE TALKIN' ABOUT.
297
00:13:55,235 --> 00:13:56,511
YOU DON'T KNOW?
298
00:13:56,535 --> 00:13:58,447
BETSY, WHAT IS ALL THIS ABOUT?
299
00:13:58,471 --> 00:13:59,982
DON'T YOU KNOW THAT JASON WALTON
300
00:14:00,006 --> 00:14:01,784
PERSONALLY REQUESTED
BOBBY BIGELOW
301
00:14:01,808 --> 00:14:03,418
TO LET YOU SING
HIS BRAND NEW SONG
302
00:14:03,442 --> 00:14:05,221
WITH HIM AT THE
BROADCAST FRIDAY NIGHT?
303
00:14:05,245 --> 00:14:07,623
WHAT? JASON WALTON,
THAT DREAMBOAT.
304
00:14:07,647 --> 00:14:09,225
ALL THAT RED HAIR
AND CUTE FRECKLES.
305
00:14:09,249 --> 00:14:11,627
HE CAN JUST TEAR YOUR
HEART APART WITH A SONG.
306
00:14:11,651 --> 00:14:14,496
BETSY, TELL ME EXACTLY
WHAT YOU HEARD, PLEASE?
307
00:14:14,520 --> 00:14:16,331
I WAS WITH MY COUSIN,
HASSIE LONGSTREET.
308
00:14:16,355 --> 00:14:18,100
HE PLAYS THE BANJO
WITH BOBBY BIGELOW.
309
00:14:18,124 --> 00:14:20,236
OH, THAT BOBBY IS A
HEARTTHROB, I'LL TELL THE WORLD.
310
00:14:20,260 --> 00:14:23,605
OH, HIS EYES ARE LIKE DARK POOLS OF
MOONLIGHT, AND HIS HAIR IS SO EXCITING,
311
00:14:23,629 --> 00:14:25,407
OH, I JUST GET SEASICK
THINKIN' ABOUT HIM.
312
00:14:25,431 --> 00:14:27,143
BETSY, TELL ME WHAT
YOU STARTED TO SAY.
313
00:14:27,167 --> 00:14:29,779
I WAS RIGHT THERE. I WAS WITH
JASON, AND I HEARD HIS EVERY WORD.
314
00:14:29,803 --> 00:14:32,614
TELL! HE WANTS YOU
TO SING WITH HIM.
315
00:14:32,638 --> 00:14:35,684
HE WANTS YOU TO BE A
DUET WITH HIM ON THE RADIO.
316
00:14:35,708 --> 00:14:38,254
YOU'RE NOT MAKIN'
THIS UP? NO, I SWEAR.
317
00:14:38,278 --> 00:14:41,318
BUT DON'T TELL ANYBODY I TOLD
YOU OR I SWEAR I'LL KILL YOU.
318
00:14:42,315 --> 00:14:45,527
E-EXCUSE ME. REMEMBER, NOW
DON'T TELL ANYONE I TOLD YOU.
319
00:14:45,551 --> 00:14:47,896
BEN. BEN WALTON!
320
00:14:47,920 --> 00:14:49,097
WHERE'S JASON?
321
00:14:49,121 --> 00:14:51,133
HE'S INSIDE.
322
00:14:51,157 --> 00:14:53,502
IS THAT INVITATION TO
SUPPER STILL OPEN, BEN?
323
00:14:53,526 --> 00:14:55,036
WELL, SURE.
324
00:14:55,060 --> 00:14:56,900
THEN I'LL BE HAPPY TO ACCEPT.
325
00:15:16,399 --> 00:15:19,144
OH, GOOD. THANK YOU.
326
00:15:19,168 --> 00:15:20,479
OH, THAT LOOKS GOOD.
327
00:15:20,503 --> 00:15:22,214
AND THIS IS HOW IT GOES:
328
00:15:22,238 --> 00:15:24,750
"WHO'S THE LITTLE CHATTERBOX?
THE ONE WITH PRETTY AUBURN LOCKS?
329
00:15:24,774 --> 00:15:26,685
CUTE LITTLE SHE, IT'S
LITTLE ORPHAN ANNIE."
330
00:15:26,709 --> 00:15:28,521
AND THAT'S HOW
IT GOES, I KNOW IT.
331
00:15:28,545 --> 00:15:31,724
YOU'RE WRONG, BEN. I LISTEN
TO IT MORE THAN YOU DO.
332
00:15:31,748 --> 00:15:34,192
IF YOU'RE SO SMART,
HOW DOES IT GO?
333
00:15:34,216 --> 00:15:36,729
WELL, I DON'T REMEMBER.
334
00:15:36,753 --> 00:15:39,031
ELIZABETH, BEN'S RIGHT,
IT DOES GO LIKE THAT.
335
00:15:39,055 --> 00:15:41,700
OH, JASON, YOU KNOW EVERYTHING
THERE IS TO KNOW ABOUT MUSIC.
336
00:15:41,724 --> 00:15:42,868
YOU'RE RIGHT.
337
00:15:42,892 --> 00:15:45,325
NO, NOT QUITE EVERYTHING.
338
00:15:46,963 --> 00:15:49,241
YOU WALTON BOYS
ARE REALLY SOMETHING.
339
00:15:49,265 --> 00:15:51,276
A WRITER AND A MUSICIAN
ALL IN ONE FAMILY.
340
00:15:51,300 --> 00:15:53,045
I'M GOING TO BE AN AVIATOR.
341
00:15:53,069 --> 00:15:55,814
WELL, I'M THINKING ABOUT APPLYING
FOR A SCHOLARSHIP TO V.M.I. WHEN I...
342
00:15:55,838 --> 00:15:57,716
SALLY ANN,
343
00:15:57,740 --> 00:16:00,185
I THINK WE BETTER START
PRACTICIN'. IT'S GETTIN' KIND OF LATE.
344
00:16:00,209 --> 00:16:01,186
WHENEVER YOU SAY.
345
00:16:01,210 --> 00:16:02,387
I'M LOOKIN' FORWARD TO IT.
346
00:16:02,411 --> 00:16:03,989
WE COULD PRACTICE
WITH YOU, JASON.
347
00:16:04,013 --> 00:16:05,424
I CAN PLAY A COMB.
348
00:16:05,448 --> 00:16:06,858
I'LL GO GET AN OLD DRUM.
349
00:16:06,882 --> 00:16:09,028
UH, NOW, HOLD ON, BOTH OF YOU.
350
00:16:09,052 --> 00:16:10,529
YOU TWO ARE STAYIN' IN HERE,
351
00:16:10,553 --> 00:16:12,998
AND WE'RE GOIN' OUT TO
PRACTICE ON THE PORCH ALONE.
352
00:16:13,022 --> 00:16:14,221
COME ON, SALLY ANN.
353
00:16:19,128 --> 00:16:21,273
I'M COMIN' WITH YOU.
354
00:16:21,297 --> 00:16:22,841
YOUR MANAGER, REMEMBER?
355
00:16:22,865 --> 00:16:24,465
YEAH, OK, COME ON.
356
00:16:27,203 --> 00:16:28,502
OH, THANK YOU.
357
00:16:30,673 --> 00:16:32,717
WHO NEEDS THEM ANYWAY? YEAH.
358
00:16:32,741 --> 00:16:35,054
I'D RATHER JUST SIT HERE
AND ENJOY MY ICE CREAM.
359
00:16:35,078 --> 00:16:37,556
MAMA, WE'RE GONNA NEED
SOME MORE ICE CREAM.
360
00:16:37,580 --> 00:16:39,791
SORRY, I ONLY MADE
ENOUGH TO GO AROUND ONCE.
361
00:16:39,815 --> 00:16:41,415
BALONEY.
362
00:16:41,984 --> 00:16:43,895
YOU ALL FINISHED YOUR HOMEWORK?
363
00:16:43,919 --> 00:16:45,130
♪♪
364
00:16:45,154 --> 00:16:46,965
AS SOON AS YOU
FINISH YOUR ICE CREAM,
365
00:16:46,989 --> 00:16:48,934
♪♪YOU BETTER GET TO IT.
366
00:16:48,958 --> 00:16:50,903
MAMA, I SAW REVEREND
FORDWICK TODAY.
367
00:16:50,927 --> 00:16:52,538
WELL, THAT'S NICE.
368
00:16:52,562 --> 00:16:55,807
OH, AND, DADDY, I TOLD HIM THAT
YOU WOULD WIN THE POOL CONTEST.
369
00:16:55,831 --> 00:16:57,976
GOOD LORD.
370
00:16:58,000 --> 00:16:59,978
REVEREND FORDWICK MUST
HAVE BEEN REAL PLEASED
371
00:17:00,002 --> 00:17:01,880
TO HEAR ABOUT THE POOL CONTEST.
372
00:17:01,904 --> 00:17:03,549
NOW, JOHN, PERHAPS
YOU'LL UNDERSTAND
373
00:17:03,573 --> 00:17:05,384
WHY I'D PREFER IT IF
YOU DON'T GET INVOLVED
374
00:17:05,408 --> 00:17:07,119
WITH POOL
TOURNAMENTS. NOW, LIVIE,
375
00:17:07,143 --> 00:17:09,321
THE REVEREND WOULD BE
PLAYIN' WITH US HIMSELF TONIGHT,
376
00:17:09,345 --> 00:17:11,424
IF HE WEREN'T OFF
SPARKIN' WITH MISS HUNTER.
377
00:17:11,448 --> 00:17:14,982
AT LEAST HE DOESN'T HAVE 7 CHILDREN
GOIN' ALL OVER THE COUNTY TALKIN' ABOUT IT.
378
00:17:16,286 --> 00:17:18,064
PA, WE, UH, BEST BE GOIN'.
379
00:17:18,088 --> 00:17:19,353
I THINK SO.
380
00:17:21,291 --> 00:17:24,870
♪ I NEVER FELT BEFORE ♪
381
00:17:24,894 --> 00:17:27,739
♪ THE WAY I FEEL RIGHT NOW ♪
382
00:17:27,763 --> 00:17:33,045
♪ WHAT'S MORE I HAVE TO
MAKE MY FEELINGS CLEAR ♪
383
00:17:33,069 --> 00:17:36,915
♪ TO YOU ♪
384
00:17:36,939 --> 00:17:38,184
DOWN HERE.
385
00:17:38,208 --> 00:17:41,653
♪ YOU KNOW I LOVED
YOU FROM THE START ♪
386
00:17:41,677 --> 00:17:45,791
♪ YOU SHOT AN ARROW
THROUGH MY HEART ♪
387
00:17:45,815 --> 00:17:49,027
♪ NOW, OOH, OOH ♪
388
00:17:49,051 --> 00:17:51,919
♪ WILL YOU BE MINE? ♪
389
00:17:55,258 --> 00:18:00,228
♪ OOH, OOH, WILL YOU BE MINE? ♪
390
00:18:02,965 --> 00:18:07,146
♪ OOH ♪
391
00:18:07,170 --> 00:18:09,848
♪ OOH ♪
392
00:18:09,872 --> 00:18:13,707
♪ WILL YOU BE MINE? ♪♪
393
00:18:15,745 --> 00:18:16,989
THAT WAS GREAT.
394
00:18:17,013 --> 00:18:18,690
YOU'RE SUCH A SWEET BOY, BEN.
395
00:18:18,714 --> 00:18:21,427
WHAT DID YOU THINK, JASON? I
THINK IT'S GONNA SOUND JUST FINE,
396
00:18:21,451 --> 00:18:23,061
BUT WE'VE GOTTA
KEEP ON PRACTICING.
397
00:18:23,085 --> 00:18:26,932
WELL, YOU'RE THE BOSS, AND,
JASON, THE SONG IS WONDERFUL.
398
00:18:26,956 --> 00:18:29,268
I NEVER KNEW YOU
HAD SO MUCH TALENT.
399
00:18:29,292 --> 00:18:30,836
WELL, THANK YOU.
400
00:18:30,860 --> 00:18:33,005
WE'VE GOTTA KEEP ON
PRACTICIN' THIS THOUGH,
401
00:18:33,029 --> 00:18:35,608
IT'S GOTTA BE A LOT BETTER IF WE'RE
GONNA SING IT FOR BOBBY TONIGHT.
402
00:18:35,632 --> 00:18:37,276
UM,
403
00:18:37,300 --> 00:18:40,260
I'LL PLAY THE INTRODUCTION
FOR YOU AGAIN, ALL RIGHT? OK.
404
00:18:49,546 --> 00:18:50,956
TOO BAD, IKE.
405
00:18:50,980 --> 00:18:52,824
I DON'T KNOW WHAT'S THE
MATTER WITH ME TONIGHT.
406
00:18:52,848 --> 00:18:54,393
I KEEP MISSIN' ALL
THE EASY ONES.
407
00:18:54,417 --> 00:18:57,630
BUCKIN' PROFESSIONALS ARE
APT TO MAKE A BODY NERVOUS, IKE.
408
00:18:59,055 --> 00:19:00,032
I'LL BET IT'S MY WIFE.
409
00:19:00,056 --> 00:19:01,700
OH, QUIT WORRYIN'.
410
00:19:01,724 --> 00:19:04,436
ALL RIGHT, YOU TWO, YOU'RE
BREAKIN' MY CONCENTRATION.
411
00:19:04,460 --> 00:19:07,206
ZACK ROSWELL, I
KNOW YOU'RE IN THERE!
412
00:19:07,230 --> 00:19:10,409
I TOLD YOU. NO, NO,
NO, NOT UNDER THERE.
413
00:19:10,433 --> 00:19:12,273
GO BACK THERE. GO BACK THERE.
414
00:19:13,603 --> 00:19:16,515
IKE GODSEY, OPEN THIS DOOR!
415
00:19:16,539 --> 00:19:18,639
OK, YOU GUYS, JUST
KEEP RIGHT ON PLAYIN'.
416
00:19:22,945 --> 00:19:24,790
IS HE IN HERE? UH, WHO? WHO?
417
00:19:24,814 --> 00:19:26,325
MY HUSBAND, ZACK ROSWELL.
418
00:19:26,349 --> 00:19:28,026
WHAT... WHAT WOULD
HE BE DOIN' IN HERE?
419
00:19:28,050 --> 00:19:29,895
OH, NOW, DON'T YOU TRY
AND FOOL ME, IKE GODSEY.
420
00:19:29,919 --> 00:19:32,464
EVERYBODY KNOWS WHAT'S
GOIN' ON AROUND HERE.
421
00:19:32,488 --> 00:19:34,700
I'M SURPRISED YOUR
WIFE PUTS UP WITH IT.
422
00:19:34,724 --> 00:19:36,804
WELL, SHE WOULDN'T,
EXCEPT SHE'S NOT HERE.
423
00:19:37,727 --> 00:19:40,005
LUCKY YOU'RE HER
PROBLEM AND NOT MINE.
424
00:19:40,029 --> 00:19:41,940
NOW, WHERE IS ZACK?
425
00:19:41,964 --> 00:19:44,843
WELL, WHY DON'T YOU JUST, UH, SATISFY
YOURSELF AND... AND LOOK AROUND, HUH?
426
00:19:44,867 --> 00:19:45,867
UH...
427
00:19:49,071 --> 00:19:50,182
ARE... ARE YOU SATISFIED?
428
00:19:50,206 --> 00:19:52,351
WHAT WAS THAT?
429
00:19:52,375 --> 00:19:55,588
MICE. UH, I GOT 'EM ALL OVER THE PLACE.
I... I DON'T KNOW HOW TO GET RID OF 'EM.
430
00:19:55,612 --> 00:19:58,624
WHY, ELVIRA, THERE'S NO POINT
IN YOUR HUSBAND COMIN' HERE,
431
00:19:58,648 --> 00:20:00,568
HE DOESN'T PLAY
GOOD ENOUGH FOR US.
432
00:20:02,252 --> 00:20:06,254
IF ZACK COMES HERE, YOU
TELL HIM I WANT HIM HOME, FAST!
433
00:20:07,624 --> 00:20:09,056
NOT GOOD ENOUGH?
434
00:20:15,365 --> 00:20:18,977
ZEB, WHO'S NOT GOOD ENOUGH? THIS
TOURNAMENT'S NOT OVER, NOT BY A LONG SHOT.
435
00:20:20,403 --> 00:20:22,748
YOU HAVE A CHANCE.
436
00:20:22,772 --> 00:20:24,612
LET'S GET BACK AND PLAY POOL.
437
00:20:34,384 --> 00:20:35,494
OK.
438
00:20:35,518 --> 00:20:37,730
SEE YOU AT NEXT
REHEARSAL. GOOD NIGHT.
439
00:20:37,754 --> 00:20:39,698
GOOD NIGHT, BOBBY.
KEEP WORKING AT IT.
440
00:20:39,722 --> 00:20:40,888
WE WILL. WE WILL.
441
00:20:43,926 --> 00:20:45,871
I'M SORRY, JASON. I
JUST GOT SO NERVOUS.
442
00:20:45,895 --> 00:20:47,439
WELL, THAT'S NATURAL.
443
00:20:47,463 --> 00:20:49,583
SINGIN' IN FRONT OF A
PROFESSIONAL FOR THE FIRST TIME.
444
00:20:51,501 --> 00:20:54,913
BEN'S RIGHT. FIRST TIME I SANG
FOR BOBBY, I WAS SHAKIN' LIKE A LEAF.
445
00:20:54,937 --> 00:20:56,548
HEY, BOTH OF YOU.
YOU WERE GREAT.
446
00:20:56,572 --> 00:20:59,251
THANK YOU, BEN.
447
00:20:59,275 --> 00:21:02,321
YOU KNOW, I JUST LOVE TO
HEAR YOU TALK ABOUT MUSIC.
448
00:21:02,345 --> 00:21:04,990
YOU KNOW SO MUCH
AND YOU REALLY CARE.
449
00:21:05,014 --> 00:21:06,647
THANKS.
450
00:21:08,217 --> 00:21:11,497
WELL, LET ME WALK
YOU HOME, SALLY ANN.
451
00:21:11,521 --> 00:21:12,998
OK.
452
00:21:13,022 --> 00:21:16,134
JASON, YOU COME, TOO, AND WE
CAN TALK MORE ABOUT THE SONG.
453
00:21:16,158 --> 00:21:17,369
OK.
454
00:21:17,393 --> 00:21:18,870
TRUST ME. IT'S GOING
TO BE JUST GREAT.
455
00:21:18,894 --> 00:21:21,206
YEAH, ESPECIALLY IF I FORGET
THE WORDS LIKE I DID TONIGHT...
456
00:21:21,230 --> 00:21:23,475
NO, YOU WON'T. ONCE IT
PRACTICES, IT'S GOING TO BE GREAT.
457
00:21:25,000 --> 00:21:27,446
WELL, IT IS MY SONG, YOU
KNOW. I SHOULDN'T FORGET IT.
458
00:21:27,470 --> 00:21:29,715
I FORGOT THE WORDS, TOO.
YOU DIDN'T HAVE ENOUGH TIME.
459
00:21:29,739 --> 00:21:31,550
YOU DID A GOOD JOB, I
THOUGHT. BOBBY LOVED YOU.
460
00:21:31,574 --> 00:21:32,840
OH, I HOPE SO.
461
00:21:34,877 --> 00:21:36,855
WANT ME TO WALK YOU
TO THE DOOR, SALLY ANN?
462
00:21:36,879 --> 00:21:39,758
OH, NO NEED FOR THAT, BEN. YEAH.
463
00:21:39,782 --> 00:21:42,761
YOU'LL BE PROUD OF
ME, JASON. I PROMISE.
464
00:21:42,785 --> 00:21:44,663
I'LL DO THE VERY BEST I CAN.
465
00:21:44,687 --> 00:21:47,366
I KNOW YOU WILL.
GOOD NIGHT, SALLY ANN.
466
00:21:47,390 --> 00:21:49,535
GOOD NIGHT, JASON.
467
00:21:49,559 --> 00:21:51,303
SALLY ANN?
468
00:21:51,327 --> 00:21:52,993
OH, GOOD NIGHT, BEN.
469
00:21:54,129 --> 00:21:55,295
GOOD NIGHT.
470
00:21:56,733 --> 00:21:59,345
YOU KNOW, I THINK I'LL RAISE
YOUR SALARY, MANAGER.
471
00:21:59,369 --> 00:22:02,113
SALLY ANN'S GOING
TO BE REAL GOOD.
472
00:22:02,137 --> 00:22:05,217
I NEVER WOULD HAVE THOUGHT
OF HER, IF IT HADN'T BEEN FOR YOU.
473
00:22:06,242 --> 00:22:08,153
IT'S A GREAT IDEA.
474
00:22:08,177 --> 00:22:10,121
REALLY THINK SO?
475
00:22:10,145 --> 00:22:12,012
I KNOW SO. COME ON.
476
00:22:17,720 --> 00:22:19,498
IT'S KIND OF NICE
BEING ALONE, ISN'T IT?
477
00:22:19,522 --> 00:22:20,599
UH-HUH.
478
00:22:23,292 --> 00:22:24,570
WELL, LET'S TALK.
479
00:22:24,594 --> 00:22:25,771
ABOUT WHAT?
480
00:22:25,795 --> 00:22:27,172
ANYTHING.
481
00:22:27,196 --> 00:22:29,076
I'M NOT A VERY TALKATIVE PERSON.
482
00:22:34,970 --> 00:22:37,182
WOULD YOU LIKE ME TO
MAKE YOU SOME LEMONADE?
483
00:22:37,206 --> 00:22:38,338
NO, THANK YOU.
484
00:22:40,276 --> 00:22:43,321
ON SECOND THOUGHT, SOME
LEMONADE WOULD BE NICE, BEN.
485
00:22:43,345 --> 00:22:44,423
SURE.
486
00:22:44,447 --> 00:22:45,991
HEY, SALLY ANN. HI.
487
00:22:46,015 --> 00:22:48,159
YOU READY TO REHEARSE?
READY AND WAITING.
488
00:22:48,183 --> 00:22:49,961
GOOD. UM, IS THE BARN OK?
489
00:22:49,985 --> 00:22:51,296
JOHN-BOY'S STUDYIN' IN THE HOUSE
490
00:22:51,320 --> 00:22:52,598
AND I DON'T WANT TO BOTHER HIM.
491
00:22:52,622 --> 00:22:54,366
SURE. IT'LL BE GOOD
PRACTICE FOR SATURDAY.
492
00:22:56,992 --> 00:22:58,872
I'M GOING TO MAKE SOME LEMONADE.
493
00:23:00,863 --> 00:23:02,207
WELL, LET'S GET STARTED.
494
00:23:02,231 --> 00:23:03,263
OK.
495
00:23:04,400 --> 00:23:05,566
I'LL BE RIGHT BACK.
496
00:23:18,748 --> 00:23:20,392
CAN I HELP?
497
00:23:20,416 --> 00:23:23,529
NO. I'LL JUST GET TUNED UP,
AND WE CAN START IN A MINUTE.
498
00:23:23,553 --> 00:23:25,196
YOU KNOW,
499
00:23:25,220 --> 00:23:27,566
I JUST HATE HAVIN' TO
WASTE TIME IN HIGH SCHOOL
500
00:23:27,590 --> 00:23:30,569
WITH A LOT OF SILLY CHILDREN.
501
00:23:30,593 --> 00:23:34,929
I WISH YOU AND ME COULD SING
PROFESSIONALLY ALL THE TIME.
502
00:23:37,032 --> 00:23:40,434
WELL, WE GOTTA PRACTICE FOR THIS
BEFORE WE GO RUNNIN' OFF TO NASHVILLE.
503
00:23:42,037 --> 00:23:45,216
JASON, DID YOU EVER
TAKE A GOOD LOOK AT ME?
504
00:23:45,240 --> 00:23:46,406
OH, SURE.
505
00:23:48,043 --> 00:23:50,021
YOU KNOW,
506
00:23:50,045 --> 00:23:52,947
I'M A LOT MORE MATURE
THAN A LOT OF GIRLS MY AGE.
507
00:23:54,216 --> 00:23:58,029
UH, YEAH, I... I RECKON YOU ARE.
508
00:23:58,053 --> 00:23:59,613
JASON,
509
00:24:01,691 --> 00:24:05,337
I JUST WANT YOU TO KNOW THAT
I CAN'T EVER THANK YOU ENOUGH.
510
00:24:05,361 --> 00:24:07,906
AND I'M GOING TO DO MY
VERY BEST TO SING YOUR SONG
511
00:24:07,930 --> 00:24:09,207
JUST THE WAY YOU WANT IT.
512
00:24:09,231 --> 00:24:10,330
I KNOW YOU WILL.
513
00:24:12,267 --> 00:24:13,534
YOU'RE SO GROWN-UP
514
00:24:15,104 --> 00:24:17,850
AND YOU'VE GOT SO MUCH TALENT.
515
00:24:17,874 --> 00:24:19,317
WELL,
516
00:24:19,341 --> 00:24:22,021
I GUESS WHAT I'M
REALLY TRYING TO SAY IS...
517
00:24:23,513 --> 00:24:25,178
I LIKE YOU VERY MUCH.
518
00:24:46,703 --> 00:24:49,515
♪♪
519
00:24:49,539 --> 00:24:52,718
JASON! JASON! ♪ OOH ♪♪
520
00:24:52,742 --> 00:24:54,453
GRANDMA, WE'RE IN THE BARN.
521
00:24:54,477 --> 00:24:56,154
WELL, I'VE BEEN
YELLING MY HEAD OFF.
522
00:24:56,178 --> 00:24:57,690
I'M SORRY. WE'VE
BEEN PRACTICIN'.
523
00:24:57,714 --> 00:24:59,492
WELL, YOU'VE BEEN IN
THERE LONG ENOUGH.
524
00:24:59,516 --> 00:25:01,260
NOW, SUPPER'S READY.
525
00:25:01,284 --> 00:25:03,050
OK, WE'LL BE RIGHT THERE.
526
00:25:10,026 --> 00:25:12,371
SIT OVER THERE BY MR. WALTON.
527
00:25:12,395 --> 00:25:14,172
HEY, BEN, YOU SHOULD'VE
COME OUT TO THE BARN.
528
00:25:14,196 --> 00:25:15,608
THE SONG SOUNDS GREAT.
529
00:25:15,632 --> 00:25:17,777
YEAH, WHATEVER HAPPENED
TO THAT LEMONADE?
530
00:25:17,801 --> 00:25:19,144
COME ON, THE
FOOD'S GETTIN' COLD.
531
00:25:19,168 --> 00:25:20,646
JIM-BOB, IT'S YOUR
TURN TO SAY GRACE.
532
00:25:20,670 --> 00:25:21,647
WE HOLD HANDS, DEAR.
533
00:25:21,671 --> 00:25:22,948
I'M TOO HUNGRY.
534
00:25:22,972 --> 00:25:24,338
SO ARE WE ALL. SO TRY.
535
00:25:27,777 --> 00:25:29,522
THANKS, LORD. AMEN.
536
00:25:29,546 --> 00:25:31,579
JIM-BOB, YOU CAN
DO BETTER THAN THAT.
537
00:25:33,215 --> 00:25:36,215
DEAR LORD, WE THANK THEE FOR
THIS FOOD AND THY BLESSINGS.
538
00:25:39,121 --> 00:25:41,366
WE THANK THEE FOR
THE SUNRISE AT 6:15.
539
00:25:41,390 --> 00:25:43,569
IT SURE LOOKED NICE
THROUGH THE PINE TREES.
540
00:25:43,593 --> 00:25:45,203
AND IN CASE YOU'RE INTERESTED,
541
00:25:45,227 --> 00:25:47,540
THOSE MALLARD DUCKS GRANDPA
THANKED YOU FOR A FEW WEEKS AGO
542
00:25:47,564 --> 00:25:49,308
HAVE GOT BABY DUCKS NOW
543
00:25:49,332 --> 00:25:52,645
EXCEPT FOR THE NEST THAT THE MUSKRAT
GOT INTO AND ATE UP ALL THE EGGS.
544
00:25:52,669 --> 00:25:54,547
WE THANK THEE... AMEN, JIM-BOB.
545
00:25:54,571 --> 00:25:57,416
AMEN, JIM-BOB. I MEAN, AMEN.
546
00:25:57,440 --> 00:25:59,852
YOU FORGOT TO THANK GOD
FOR THE TRAILING ARBUTUS.
547
00:25:59,876 --> 00:26:02,621
GRANDPA ALWAYS THANKS
GOD FOR THE TRAILING ARBUTUS.
548
00:26:02,645 --> 00:26:04,490
DO I HAVE TO START
ALL OVER AGAIN, DADDY?
549
00:26:04,514 --> 00:26:06,826
NO, YOU DON'T. LET'S EAT.
550
00:26:06,850 --> 00:26:08,561
YOU KNOW, DADDY, I
HEARD ON THE RADIO TODAY
551
00:26:08,585 --> 00:26:10,529
THAT THEY'RE TALKIN'
ABOUT ABOLISHIN' THE N.R.A.
552
00:26:10,553 --> 00:26:11,964
WHAT?
553
00:26:11,988 --> 00:26:14,132
YES, THAT GABRIEL HEATER
HAD THE NERVE TO SAY
554
00:26:14,156 --> 00:26:16,635
THAT THE N.R.A. HAD JUST
ABOUT SERVED ITS PURPOSE.
555
00:26:16,659 --> 00:26:20,172
ALWAYS THOUGHT THAT
HAD A LOT OF PROMISE.
556
00:26:20,196 --> 00:26:22,876
JASON, PASS THE
POTATOES, PLEASE.
557
00:26:24,000 --> 00:26:25,000
JASON?
558
00:26:26,302 --> 00:26:28,013
PASS THE POTATOES, PLEASE.
559
00:26:28,037 --> 00:26:29,637
OH, SORRY, DADDY.
560
00:26:31,173 --> 00:26:33,452
I THOUGHT LOVE
WAS BLIND, NOT DEAF.
561
00:26:33,476 --> 00:26:35,754
THE MEAL IS REALLY
WONDERFUL, MRS. WALTON.
562
00:26:35,778 --> 00:26:37,723
THANK YOU. HOW DO YOU KNOW?
563
00:26:37,747 --> 00:26:40,292
ALL YOU'VE BEEN DOING SINCE
YOU SAT DOWN IS WHISPER TO JASON.
564
00:26:40,316 --> 00:26:41,393
YOU HAVEN'T EATEN.
565
00:26:41,417 --> 00:26:42,862
ERIN.
566
00:26:44,721 --> 00:26:46,098
BEN, AREN'T YOU GOING TO EAT?
567
00:26:46,122 --> 00:26:47,900
I'LL EAT WHEN I'M READY.
568
00:26:47,924 --> 00:26:50,024
BEN, DON'T TALK TO
YOUR MOTHER LIKE THAT.
569
00:26:52,495 --> 00:26:53,873
MAY I PLEASE BE EXCUSED?
570
00:26:53,897 --> 00:26:56,617
NO, YOU MAY NOT BE
EXCUSED. SIT DOWN.
571
00:27:01,370 --> 00:27:03,250
HERE, HAVE SOME MASHED POTATOES.
572
00:27:06,275 --> 00:27:08,220
I, UH...
573
00:27:08,244 --> 00:27:11,724
JOHN, I SUPPOSE YOU AND ZEB WILL BE
GOING DOWN TO IKE'S AGAIN TONIGHT, HMM?
574
00:27:11,748 --> 00:27:13,492
YOU CAN SUPPOSE AGAIN, OLD GIRL.
575
00:27:13,516 --> 00:27:15,427
IKE HAS BUSINESS ELSEWHERE.
576
00:27:15,451 --> 00:27:17,830
AND BESIDES, THE TOURNAMENT
WILL BE ALL OVER BY TOMORROW.
577
00:27:17,854 --> 00:27:20,666
TOMORROW? THAT'S
WHEN THE BROADCAST IS.
578
00:27:20,690 --> 00:27:22,801
OH, DON'T GET SO
NERVOUS ABOUT IT, JASON.
579
00:27:22,825 --> 00:27:24,637
WE'LL BE THROUGH IN
PLENTY OF TIME AND...
580
00:27:24,661 --> 00:27:26,605
BESIDES, I WOULDN'T MISS
ANY MEMBER OF THIS FAMILY
581
00:27:26,629 --> 00:27:28,407
WHEN THEY'RE SINGIN',
582
00:27:28,431 --> 00:27:32,633
ESPECIALLY WHEN HE HAS SUCH A LOVELY
YOUNG LADY SINGIN' ALONGSIDE OF HIM.
583
00:27:33,803 --> 00:27:36,148
CHARMING MEN SURE
DO RUN IN THIS FAMILY.
584
00:27:36,172 --> 00:27:38,739
EAT YOUR SUPPER, SALLY ANN,
YOU'LL BE LATE FOR REHEARSAL.
585
00:27:43,312 --> 00:27:44,312
HEY.
586
00:27:45,949 --> 00:27:48,215
UH, I... I'LL GO UP,
DADDY. LET ME GO UP.
587
00:27:53,355 --> 00:27:55,067
PASS THE SAUERKRAUT.
588
00:27:55,091 --> 00:27:57,335
WHAT'S BEEN GOIN' ON?
WHAT'S WRONG WITH BEN?
589
00:28:04,734 --> 00:28:05,734
BEN.
590
00:28:07,203 --> 00:28:09,715
LEAVE ME ALONE. BEN.
591
00:28:09,739 --> 00:28:12,851
LOOK, I DON'T COME PRYING
INTO YOUR BUSINESS, JOHN-BOY.
592
00:28:12,875 --> 00:28:16,221
IF I WAS HURTIN' AS MUCH AS YOU
ARE RIGHT NOW, I'D WANT TO TALK.
593
00:28:16,245 --> 00:28:18,090
WHO SAYS I'M HURTIN'?
594
00:28:18,114 --> 00:28:21,060
NOBODY HAS TO SAY
IT. IT'S PLAIN TO SEE.
595
00:28:21,084 --> 00:28:22,695
I DON'T WANT TO TALK ABOUT IT.
596
00:28:24,253 --> 00:28:26,632
YOU ARE THE STUBBORNEST WALTON
THAT EVER COME DOWN THE TRACK.
597
00:28:26,656 --> 00:28:27,866
JASON WAS ABSOLUTELY RIGHT.
598
00:28:27,890 --> 00:28:29,957
I WOULDN'T TRUST
A WORD JASON SAYS.
599
00:28:31,293 --> 00:28:32,537
WHY DO YOU SAY THAT?
600
00:28:32,561 --> 00:28:33,939
I PLANNED THIS WHOLE THING OUT
601
00:28:33,963 --> 00:28:35,540
WITH SALLY ANN
SINGIN' JASON'S SONG,
602
00:28:35,564 --> 00:28:37,604
AND NOW SHE DOESN'T
EVEN KNOW I'M ALIVE.
603
00:28:38,701 --> 00:28:39,878
UH-OH.
604
00:28:39,902 --> 00:28:41,446
SHE'S HEAD OVER
HEELS ABOUT JASON.
605
00:28:41,470 --> 00:28:43,649
HE'S GONE ALL MUSHY OVER HER.
606
00:28:43,673 --> 00:28:45,884
DID YOU SEE THEM
AT THE SUPPER TABLE?
607
00:28:45,908 --> 00:28:47,407
IT MADE ME SICK.
608
00:28:52,682 --> 00:28:54,827
YOU DID ALL THIS JUST
TO BE CLOSE TO HER, HUH?
609
00:28:54,851 --> 00:28:56,361
NO.
610
00:28:56,385 --> 00:28:58,163
JUST WANTED TO DO
SOMETHING NICE FOR HER.
611
00:28:58,187 --> 00:29:00,633
DOES SHE KNOW THIS
WAS YOUR IDEA, BEN?
612
00:29:00,657 --> 00:29:02,400
I COULDN'T THINK OF
ANY WAY TO TELL HER
613
00:29:02,424 --> 00:29:04,737
WITHOUT COMING RIGHT
OUT AND TELLING HER THAT...
614
00:29:04,761 --> 00:29:06,605
HOW I FEEL ABOUT HER.
615
00:29:06,629 --> 00:29:08,473
DOES JASON KNOW
THAT YOU LIKE HER?
616
00:29:08,497 --> 00:29:10,676
I DON'T. NOT ANYMORE.
617
00:29:10,700 --> 00:29:12,377
OF COURSE YOU DO.
618
00:29:12,401 --> 00:29:14,847
AND IF HE KNEW ABOUT IT, HE
WOULDN'T EVEN GIVE HER A SECOND LOOK.
619
00:29:14,871 --> 00:29:17,716
LOOK, JOHN-BOY, YOU'RE OFF
TO COLLEGE MOST OF THE TIME.
620
00:29:17,740 --> 00:29:20,185
YOU MISS A LOT OF THINGS
THAT GO ON AROUND HERE.
621
00:29:20,209 --> 00:29:21,920
JASON'S NOT THE
PERSON YOU THINK HE IS.
622
00:29:21,944 --> 00:29:24,356
I KNOW HE'S NOT A MIND READER,
AND NEITHER IS SALLY ANN.
623
00:29:24,380 --> 00:29:26,491
HOW DO YOU EXPECT THEM TO
KNOW WHAT YOU'RE THINKING?
624
00:29:26,515 --> 00:29:28,661
I TOLD YOU I DON'T CARE ANYMORE!
625
00:29:28,685 --> 00:29:30,696
LOOK, BEN, YOU AND
JASON ARE BROTHERS.
626
00:29:30,720 --> 00:29:32,965
YOU'VE GOT TO LIVE TOGETHER,
YOU'VE GOT TO EAT TOGETHER,
627
00:29:32,989 --> 00:29:34,800
YOU'VE GOT TO SLEEP IN
THE SAME ROOM TOGETHER,
628
00:29:34,824 --> 00:29:36,902
AND I THINK YOU OUGHT TO
WORK THIS THING OUT WITH HIM.
629
00:29:36,926 --> 00:29:40,072
I DON'T HAVE TO DO ANYTHING.
630
00:29:40,096 --> 00:29:44,476
BEN, YOU'RE BACKIN' DOWN, AND
I DON'T LIKE TO SEE YOU DO THAT.
631
00:29:44,500 --> 00:29:46,712
YOU HAD A GOOD IDEA.
AND, YOU'RE... AND...
632
00:29:46,736 --> 00:29:48,681
WHY DON'T YOU
JUST STICK UP FOR IT?
633
00:29:48,705 --> 00:29:51,316
WHY DON'T YOU STICK
UP FOR YOURSELF, BEN?
634
00:29:51,340 --> 00:29:53,251
LET ME TELL YOU
SOMETHING, JOHN-BOY.
635
00:29:53,275 --> 00:29:54,787
THAT WAS PROBABLY
THE DUMBEST IDEA
636
00:29:54,811 --> 00:29:56,588
I'VE EVER HAD IN MY
WHOLE ENTIRE LIFE.
637
00:29:56,612 --> 00:29:58,757
I WISH I'D NEVER SEEN
SALLY ANN HARPER.
638
00:29:58,781 --> 00:30:02,021
AND I DON'T CARE IF I NEVER SEE OR
HEAR ABOUT JASON OR HIS SONGS AGAIN.
639
00:30:20,703 --> 00:30:22,781
UH, DADDY, EXCUSE ME.
640
00:30:22,805 --> 00:30:25,617
COULD YOU HELP ME HERE?
COULD YOU QUIZ ME ON THE FRENCH?
641
00:30:25,641 --> 00:30:27,619
HERE, YOU JUST... YOU
JUST READ THE ENGLISH
642
00:30:27,643 --> 00:30:29,088
AND THEN CHECK ME
OUT ON THE FRENCH,
643
00:30:29,112 --> 00:30:30,322
ALL RIGHT? ALL RIGHT.
644
00:30:30,346 --> 00:30:31,957
"I CAN GO."
645
00:30:31,981 --> 00:30:33,092
I CAN GO.
646
00:30:33,116 --> 00:30:36,628
JE PEUX... GO, SORTIR.
647
00:30:36,652 --> 00:30:38,197
NO, NO, "JE PUX..."
648
00:30:38,221 --> 00:30:39,364
NO, NO, NO.
649
00:30:39,388 --> 00:30:41,166
PEUX, THE "X" IS
SILENT ON THERE.
650
00:30:41,190 --> 00:30:43,357
YOU JUST PRONOUNCE LIKE PEUX.
651
00:30:44,961 --> 00:30:47,206
WHAT ARE YOU TWO DOIN' UP?
652
00:30:47,230 --> 00:30:50,442
WELL, I WAS WAITIN'
FOR YOU, JASON.
653
00:30:50,466 --> 00:30:51,565
IS ANYTHING WRONG?
654
00:30:53,502 --> 00:30:56,014
UM,
655
00:30:56,038 --> 00:30:58,751
YOU KNOW THAT BEN GOT A
LITTLE UPSET AT THE SUPPER TABLE
656
00:30:58,775 --> 00:31:02,287
AND RAN UPSTAIRS AND I
WENT UP TO TALK TO HIM.
657
00:31:02,311 --> 00:31:05,690
AND BY THE TIME I GOT DOWN, YOU AND
SALLY ANN WERE OFF AT YOUR REHEARSAL.
658
00:31:05,714 --> 00:31:08,526
AND I THINK THERE'S
SOMETHIN' YOU OUGHT TO KNOW.
659
00:31:08,550 --> 00:31:10,062
HAS SOMETHIN' HAPPENED?
660
00:31:10,086 --> 00:31:11,663
IT WAS BOUND TO HAPPEN
661
00:31:11,687 --> 00:31:14,166
WITH A BUNCH OF BOYS
GROWIN' UP LIKE WEEDS.
662
00:31:14,190 --> 00:31:15,355
WHAT HAD TO HAPPEN?
663
00:31:16,793 --> 00:31:19,059
WELL, BEN IS IN LOVE WITH
SALLY ANN HARPER, JASON.
664
00:31:20,396 --> 00:31:22,274
MMM-HMM. AND HE
THINKS YOU ARE, TOO.
665
00:31:22,298 --> 00:31:23,541
WHAT?
666
00:31:23,565 --> 00:31:25,677
I DON'T KNOW HOW YOU
COULDN'T KNOW ABOUT IT.
667
00:31:25,701 --> 00:31:27,646
YOU'RE AROUND HIM ALL THE TIME.
668
00:31:27,670 --> 00:31:29,514
SURE, BUT I'M AROUND
YOU ALL THE TIME
669
00:31:29,538 --> 00:31:32,183
AND I DON'T KNOW
EVERYTHING ABOUT YOU.
670
00:31:32,207 --> 00:31:33,785
WHERE'D HE EVER GET
A NOTION LIKE THAT?
671
00:31:33,809 --> 00:31:35,387
I DON'T KNOW, JASON.
672
00:31:35,411 --> 00:31:37,789
YOU AND SALLY ANN LOOKED
KIND OF INTERESTED IN EACH OTHER
673
00:31:37,813 --> 00:31:39,524
AT THE SUPPER TABLE TONIGHT.
674
00:31:39,548 --> 00:31:43,462
OH, WELL, SURE, SHE
IS CUTE AND SHE'S FUN.
675
00:31:43,486 --> 00:31:46,331
SHE SINGS GOOD. WE HAVE
A GOOD TIME TOGETHER.
676
00:31:46,355 --> 00:31:48,333
SHE KISSES GOOD.
677
00:31:48,357 --> 00:31:49,635
BUT HE DON'T LIKE HER.
678
00:31:49,659 --> 00:31:51,737
NO, HE DON'T LIKE HER.
679
00:31:51,761 --> 00:31:55,106
NO, I LIKE HER. I DO. I LIKE HER A
LOT, BUT I'M NOT IN LOVE WITH HER,
680
00:31:55,130 --> 00:31:58,610
AND I'M GOING TO GO UP THERE AND WAKE
BEN WALTON UP AND TELL HIM THAT RIGHT NOW.
681
00:32:02,070 --> 00:32:03,070
I DON'T KNOW, SON.
682
00:32:04,674 --> 00:32:07,486
WHAT WITH MISS HUNTER
WATCHIN' THEM ALL DAY AT SCHOOL
683
00:32:07,510 --> 00:32:10,389
AND YOUR MAMA KEEPIN' AN EYE
PEELED FOR ANYTHING GOIN' ON
684
00:32:10,413 --> 00:32:12,357
THAT ISN'T EXACTLY BAPTIST,
685
00:32:12,381 --> 00:32:14,660
MMM-HMM. WHEN DID HE EVER
GET A CHANCE TO KISS HER?
686
00:32:14,684 --> 00:32:15,960
BEATS ME.
687
00:32:17,085 --> 00:32:18,664
SHE'S NICE.
688
00:32:18,688 --> 00:32:20,965
SHE'S FUN, SHE SINGS GOOD.
689
00:32:20,989 --> 00:32:22,301
SHE KISSES GOOD.
690
00:32:22,325 --> 00:32:23,902
BUT... BUT HE DON'T LIKE HER.
691
00:32:23,926 --> 00:32:27,506
OH, HE LIKES HER. HE
JUST DON'T LOVE HER.
692
00:32:27,530 --> 00:32:29,808
THAT'S SOME KIND OF WALTON.
THAT'S A ROMEO WALTON.
693
00:32:29,832 --> 00:32:31,876
I WONDER WHERE HE GETS IT FROM.
694
00:32:33,135 --> 00:32:35,213
WHAT'S SO FUNNY?
695
00:32:35,237 --> 00:32:37,749
UH, JUST A LITTLE
JOKE, SON, BETWEEN US.
696
00:32:37,773 --> 00:32:39,518
WHAT YOU DOIN' BACK DOWN HERE?
697
00:32:39,542 --> 00:32:42,086
BEN LEFT A NOTE. SAID HE'S
GOING TO SLEEP IN THE BARN
698
00:32:42,110 --> 00:32:44,556
'CAUSE HE DOESN'T WANT TO SPEND
THE NIGHT IN THE SAME ROOM AS ME.
699
00:32:44,580 --> 00:32:47,258
I'M GLAD HE DIDN'T RUN
OFF AND JOIN THE NAVY.
700
00:32:48,384 --> 00:32:49,528
WELL, I'M GOING TO GO OUT THERE
701
00:32:49,552 --> 00:32:51,229
AND STRAIGHTEN
HIM OUT RIGHT NOW.
702
00:32:51,253 --> 00:32:54,333
NO, NO, SON. LET HIM ALONE. YOU
CAN TALK TO HIM IN THE MORNIN'.
703
00:32:55,891 --> 00:32:57,336
GOOD NIGHT.
704
00:32:57,360 --> 00:32:58,392
NIGHT.
705
00:33:00,896 --> 00:33:01,896
FRENCH.
706
00:33:12,842 --> 00:33:14,419
MARY ELLEN, TAKE
THE CHILDREN HOME.
707
00:33:14,443 --> 00:33:16,003
OK.
708
00:33:16,645 --> 00:33:17,645
BEN?
709
00:33:18,981 --> 00:33:19,981
BEN?
710
00:33:27,423 --> 00:33:29,067
YOU MUST'VE SPENT
YOUR ENTIRE DAY
711
00:33:29,091 --> 00:33:31,169
JUST FIGURIN' OUT WAYS TO
AVOID HAVIN' TO TALK TO ME.
712
00:33:31,193 --> 00:33:33,605
YEAH, AND UP TILL NOW,
IT WAS WORKIN' JUST FINE.
713
00:33:33,629 --> 00:33:36,274
BOY, YOU ARE DUMB. YOU REALLY
ARE STUPID! YOU KNOW THAT?
714
00:33:36,298 --> 00:33:38,643
I KNOW WE'RE NOT SUPPOSED TO
RAISE HANDS AGAINST EACH OTHER,
715
00:33:38,667 --> 00:33:41,680
BUT IF YOU DON'T GET AWAY FROM ME
FAST, YOU'RE GONNA HAVE A BUSTED LIP!
716
00:33:41,704 --> 00:33:43,181
NOW, YOU HOLD ON
WITH THAT KIND OF TALK.
717
00:33:43,205 --> 00:33:44,716
NOW, MAYBE I DO LIKE SALLY ANN,
718
00:33:44,740 --> 00:33:47,118
AND SHE DOES HAVE A SWEET
WAY OF TALKIN' TO A PERSON,
719
00:33:47,142 --> 00:33:49,053
BUT I'M CERTAINLY
NOT IN LOVE WITH HER.
720
00:33:49,077 --> 00:33:51,055
YOU'RE A LIAR!
721
00:33:51,079 --> 00:33:53,057
LISTEN HERE, BEN.
722
00:33:53,081 --> 00:33:55,159
I'M NOT INTERESTED IN SALLY ANN.
723
00:33:55,183 --> 00:33:56,595
IF YOU'RE NOT INTERESTED IN HER,
724
00:33:56,619 --> 00:33:58,819
WHAT WERE YOU DOIN'
KISSING HER IN THE BARN?
725
00:34:04,560 --> 00:34:06,438
LISTEN, I CAN EXPLAIN
ALL ABOUT THAT.
726
00:34:06,462 --> 00:34:10,341
I DON'T WANT TO HEAR ANOTHER WORD
FROM YOU. JUST MIND YOUR OWN BUSINESS.
727
00:34:10,365 --> 00:34:12,866
SING YOUR STUPID SONG,
AND I HOPE IT SOUNDS ROTTEN.
728
00:34:22,511 --> 00:34:23,511
HI.
729
00:34:30,252 --> 00:34:32,719
BUBBER, LUANNE,
GET INSIDE. SCAT!
730
00:34:34,056 --> 00:34:35,222
HI, JASON.
731
00:34:40,062 --> 00:34:42,240
WELL, WHAT'S THE...
WHAT'S THE MATTER?
732
00:34:44,633 --> 00:34:47,112
BEN SAW ME KISS YOU YESTERDAY.
733
00:34:47,136 --> 00:34:49,381
DID HE TELL? DOES
YOUR MAMA KNOW?
734
00:34:49,405 --> 00:34:51,183
NO. HE JUST TOLD ME.
735
00:34:51,207 --> 00:34:54,819
BUT HE'S REALLY UPSET
AND HURT AND ANGRY.
736
00:34:54,843 --> 00:34:56,143
W-WHY?
737
00:34:58,580 --> 00:35:00,592
BECAUSE HE'S IN LOVE WITH YOU.
738
00:35:00,616 --> 00:35:01,860
WHAT?
739
00:35:01,884 --> 00:35:04,129
HE'S IN LOVE WITH YOU.
740
00:35:04,153 --> 00:35:06,498
AND I HAVE TO TELL
YOU SOMETHIN' ELSE.
741
00:35:06,522 --> 00:35:09,434
IT WAS HIS IDEA FOR YOU TO
SING THE SONG IN THE FIRST PLACE.
742
00:35:09,458 --> 00:35:11,503
BUT I DON'T UNDERSTAND.
743
00:35:11,527 --> 00:35:13,905
BETSY MORGAN SAID IT WAS YOURS.
744
00:35:13,929 --> 00:35:17,509
I KNOW. IT WAS BEN'S. HE
DIDN'T WANT ME TO TELL YOU.
745
00:35:18,867 --> 00:35:21,579
IF I HADN'T BEEN SO
WRAPPED UP IN MY MUSIC,
746
00:35:21,603 --> 00:35:23,523
I WOULD HAVE
REALIZED HOW HE FELT.
747
00:35:24,840 --> 00:35:28,186
WELL, WHAT ABOUT US?
748
00:35:28,210 --> 00:35:29,354
US?
749
00:35:29,378 --> 00:35:30,544
DIDN'T WE KISS?
750
00:35:31,813 --> 00:35:33,013
SURE, BUT...
751
00:35:34,250 --> 00:35:36,283
I'M A SENIOR. WE DO
THAT ALL THE TIME.
752
00:35:37,953 --> 00:35:39,597
JASON.
753
00:35:39,621 --> 00:35:41,566
SALLY ANN.
754
00:35:43,526 --> 00:35:44,526
UH...
755
00:35:48,130 --> 00:35:51,410
SALLY ANN, I REALLY DO THINK
YOU'RE PRETTY AND YOU'RE NICE
756
00:35:51,434 --> 00:35:54,468
AND I DO LIKE YOU, BUT
BEN REALLY CARES FOR YOU.
757
00:35:55,971 --> 00:35:57,404
AND YOU DON'T?
758
00:35:59,275 --> 00:36:00,840
WELL, NOT IN THE SAME WAY.
759
00:36:03,946 --> 00:36:06,624
SEE, I... I JUST THINK WE GOT
CARRIED AWAY BY ALL THE...
760
00:36:06,648 --> 00:36:09,528
ALL THE EXCITEMENT AND
ALL THE FUN WE WERE HAVIN'.
761
00:36:09,552 --> 00:36:10,684
YEAH, I KNOW.
762
00:36:11,787 --> 00:36:14,132
EVERY NIGHT WHEN
I WENT TO SLEEP,
763
00:36:14,156 --> 00:36:16,301
ALL THAT WAS GOIN'
THROUGH MY MIND
764
00:36:16,325 --> 00:36:19,104
WERE PICTURES OF YOU
AND ME SINGIN' TOGETHER,
765
00:36:19,128 --> 00:36:21,973
TRAVELIN' AROUND THE
COUNTRY, AND PEOPLE LIKIN' US.
766
00:36:21,997 --> 00:36:24,164
THERE'S NO REASON
WE STILL CAN'T DO THAT.
767
00:36:25,601 --> 00:36:28,313
I JUST WISH BEN
HAD SAID SOMETHING.
768
00:36:28,337 --> 00:36:30,515
LET ON SOMEHOW
WHAT HE WAS FEELING.
769
00:36:30,539 --> 00:36:32,139
SO DO I.
770
00:36:33,775 --> 00:36:36,254
SEE, BEN'S...
771
00:36:36,278 --> 00:36:39,913
HE... HE JOKES A LOT, AND... AND HE
NEVER REALLY SAYS WHAT HE REALLY FEELS.
772
00:36:41,317 --> 00:36:42,860
DOES HE HATE ME NOW?
773
00:36:42,884 --> 00:36:44,818
HATE YOU? HE'S CRAZY ABOUT YOU.
774
00:36:45,854 --> 00:36:47,865
HE JUST FEELS BAD.
775
00:36:47,889 --> 00:36:50,768
HE'S QUIET AND SENSITIVE,
AND WHEN SOMETHIN' HURTS HIM,
776
00:36:50,792 --> 00:36:52,971
IT HURTS HIM DEEP DOWN.
777
00:36:52,995 --> 00:36:55,207
WHAT ARE WE GOING TO DO?
778
00:36:55,231 --> 00:36:56,563
GOT ANY IDEAS?
779
00:36:58,501 --> 00:37:00,567
UM, OK.
780
00:37:01,703 --> 00:37:05,183
I'D LIKE TO SAY,
"I'M SORRY, BEN.
781
00:37:05,207 --> 00:37:08,620
AND I DIDN'T MEAN TO HURT
YOU, AND I LIKE YOU VERY MUCH."
782
00:37:08,644 --> 00:37:10,422
I'LL TRY TO SAY IT AT
THE DANCE TONIGHT.
783
00:37:10,446 --> 00:37:11,711
BEN'S NOT COMING.
784
00:37:14,316 --> 00:37:16,983
WELL, THEN YOU GIVE
BEN THE MESSAGE FOR ME.
785
00:37:18,621 --> 00:37:21,266
TELL HIM THAT I THINK HE'S
THE CUTEST BOY IN SCHOOL,
786
00:37:21,290 --> 00:37:25,003
AND IF HE'LL HAVE THE LAST DANCE
WITH ME, HE CAN WALK ME HOME.
787
00:37:25,027 --> 00:37:26,360
YOU'RE TERRIFIC.
788
00:37:27,696 --> 00:37:28,828
SEE YOU TONIGHT.
789
00:37:33,135 --> 00:37:35,913
I DON'T CARE. YOU STILL
SHOULDN'T HAVE SAID ANYTHING.
790
00:37:35,937 --> 00:37:37,715
BEN, SHE LIKES YOU.
791
00:37:37,739 --> 00:37:39,551
OH, SHE'S GOT A GREAT
WAY OF SHOWING IT.
792
00:37:39,575 --> 00:37:41,186
WHAT'D SHE DO? SEND ME A KISS?
793
00:37:41,210 --> 00:37:45,089
BOY, I WISH I'D LET YOU HIT
ME WHEN YOU HAD THE CHANCE.
794
00:37:45,113 --> 00:37:49,327
LOOK, BEN, I DON'T BLAME YOU
FOR FEELIN' THE WAY YOU DID,
795
00:37:49,351 --> 00:37:50,962
BUT IF IT MAKES YOU
FEEL ANY BETTER,
796
00:37:50,986 --> 00:37:52,906
I WANT YOU TO
KNOW THAT I'M SORRY.
797
00:37:53,789 --> 00:37:55,667
I MADE A REAL FOOL OF MYSELF.
798
00:37:55,691 --> 00:37:58,102
SHE JUST KEPT TELLIN' ME
WHAT A GREAT MUSICIAN I WAS,
799
00:37:58,126 --> 00:37:59,737
AND I JUST STARTED
BELIEVIN' HER.
800
00:37:59,761 --> 00:38:03,208
OH, SHE'S RIGHT. YOU'RE A GREAT
MUSICIAN, BUT A ROTTEN BROTHER.
801
00:38:03,232 --> 00:38:04,742
BEN, I SAID I'M SORRY.
802
00:38:04,766 --> 00:38:06,646
OK. YOU'RE NOT A ROTTEN BROTHER.
803
00:38:08,737 --> 00:38:11,071
SALLY ANN FEELS JUST
AWFUL ABOUT THIS, TOO.
804
00:38:12,341 --> 00:38:14,686
SHE WANTS YOU TO
BE THERE TONIGHT.
805
00:38:14,710 --> 00:38:16,188
SHE... SHE'S SAVIN'
A DANCE FOR YOU
806
00:38:16,212 --> 00:38:18,132
AND SHE WANTS YOU
TO WALK HER HOME.
807
00:38:19,415 --> 00:38:20,581
I CAN'T, JASE.
808
00:38:22,984 --> 00:38:25,064
I'M TOO EMBARRASSED
ABOUT THIS WHOLE THING.
809
00:38:28,557 --> 00:38:31,597
I'M JUST GOING TO STAY HERE
AND I DON'T WANT TO SEE ANYBODY.
810
00:38:32,528 --> 00:38:34,506
I WISH YOU'D CHANGE YOUR MIND.
811
00:38:34,530 --> 00:38:35,530
MMM-MMM.
812
00:38:39,134 --> 00:38:41,801
GOOD LUCK, JASON.
SALLY ANN, TOO.
813
00:38:56,818 --> 00:39:00,131
WELL, JOHN'S OUT. THAT
JUST LEAVES HORACE
814
00:39:00,155 --> 00:39:01,821
AND MR. WALTON TO BEAT.
815
00:39:03,024 --> 00:39:05,870
IT'S EASIER SAID
THAN DONE, ZACK.
816
00:39:05,894 --> 00:39:09,040
YOU SURE ARE A FANCY DUDE
IN THAT SUIT, MR. WALTON.
817
00:39:09,064 --> 00:39:10,575
ARE YOU CELEBRATIN' OR MOURNIN'?
818
00:39:10,599 --> 00:39:12,344
MOURNIN'. WHO?
819
00:39:12,368 --> 00:39:13,678
MOURNIN' FOR YOU, ZACK.
820
00:39:13,702 --> 00:39:16,069
IT'S ONLY FITTIN' WHEN YOU LOSE.
821
00:39:21,644 --> 00:39:23,121
TOO BAD, MR. WALTON.
822
00:39:23,145 --> 00:39:24,544
I MAY BE MOURNIN' YOU.
823
00:39:41,196 --> 00:39:44,809
IS GRANDPA HERE YET? NOT YET. WE
BETTER SAVE A PLACE FOR HIM, JUST IN CASE.
824
00:39:44,833 --> 00:39:46,110
I WOULDN'T BOTHER.
825
00:39:46,134 --> 00:39:48,568
ALL RIGHT, JIM-BOB. PUT
THE CHAIRS UP HERE, SON.
826
00:39:53,642 --> 00:39:55,019
BEN'S NOT HERE.
827
00:39:55,043 --> 00:39:57,322
I WAS HOPING HE
WOULD CHANGE HIS MIND.
828
00:39:57,346 --> 00:39:58,956
YEAH, SO WAS I.
829
00:39:58,980 --> 00:40:00,958
I FEEL JUST AWFUL, JASON.
830
00:40:00,982 --> 00:40:03,027
I DON'T THINK I CAN SING.
831
00:40:03,051 --> 00:40:04,851
SURE YOU CAN. YOU'VE GOT TO.
832
00:40:11,794 --> 00:40:14,105
HEY, HEY, EVERYBODY!
833
00:40:14,129 --> 00:40:16,240
HEY, HEY, BOBBY!
834
00:40:16,264 --> 00:40:18,075
ON BEHALF OF THE HAYSTACK
GANG AND YOURS TRULY,
835
00:40:18,099 --> 00:40:19,277
A MIGHTY WARM WELCOME TO YOU.
836
00:40:19,301 --> 00:40:21,379
WE'RE GOING TO HAVE SO MUCH FUN,
837
00:40:21,403 --> 00:40:24,282
YOU'RE GOING TO THINK YOU'RE IN
NASHVILLE, TENNESSEE ON A SATURDAY NIGHT.
838
00:40:24,306 --> 00:40:26,484
NOW LET'S GET THINGS
STARTED OFF HERE
839
00:40:26,508 --> 00:40:29,253
WITH A LITTLE SONG. GET YOUR HANDS
A-CLAPPIN' AND YOUR FEET A-TAPPIN'.
840
00:40:29,277 --> 00:40:31,197
KICK IT OFF FOR US THERE, OSCAR.
841
00:40:39,521 --> 00:40:41,621
♪♪
842
00:40:52,835 --> 00:40:54,479
♪♪
843
00:41:07,015 --> 00:41:08,560
GENTLEMEN, I AM CONCEDING.
844
00:41:08,584 --> 00:41:09,694
WHAT?
845
00:41:09,718 --> 00:41:12,296
YOU HEARD ME, I AM CONCEDING.
846
00:41:12,320 --> 00:41:15,500
NEVER THOUGHT I'D LIVE TO HEAR YOU
SAY SOMETHIN' LIKE THAT, MR. WALTON.
847
00:41:15,524 --> 00:41:18,470
NEVER THOUGHT I WOULD
EITHER, BUT I HAVE PLACES TO GO
848
00:41:18,494 --> 00:41:21,706
AND THINGS TO DO, AND
VERY LITTLE TIME TO DO IT.
849
00:41:21,730 --> 00:41:23,690
GOOD EVENING TO
YOU ALL, GENTLEMEN.
850
00:41:25,534 --> 00:41:27,779
WELL, IF THAT DON'T BEAT ALL.
851
00:41:27,803 --> 00:41:29,748
HE WAS BOUND TO
WIN THE WHOLE THING.
852
00:41:29,772 --> 00:41:31,204
I'LL NEVER ADMIT TO THAT.
853
00:41:32,408 --> 00:41:36,554
WELL, CHALK YOUR
CUE. RACK THEM UP, IKE...
854
00:41:36,578 --> 00:41:38,656
GO ALONG, MULE ♪
855
00:41:38,680 --> 00:41:41,225
♪ DON'T YOU ROLL THEM EYES ♪
856
00:41:41,249 --> 00:41:44,996
♪ YOU CAN CHANGE A FOOL BUT A
DOGGONE MULE IS A MULE UNTIL SHE DIES ♪
857
00:41:45,020 --> 00:41:46,498
♪ GO ALONG, MULE ♪
858
00:41:46,522 --> 00:41:48,633
♪ DON'T YOU ROLL THEM EYES ♪♪
859
00:41:48,657 --> 00:41:52,437
I'M JUST AS PROUD AS I CAN BE TO
INTRODUCE THESE NEXT 2 YOUNG FOLKS TO YOU.
860
00:41:52,461 --> 00:41:56,007
HERE'S JASON WALTON, THE FELLOW THAT
WROTE THE SONG YOU'RE JUST ABOUT TO HEAR.
861
00:41:56,031 --> 00:41:57,341
SAY HELLO TO THE FOLKS, JASON.
862
00:41:57,365 --> 00:41:58,976
HEY, EVERYBODY.
863
00:41:59,000 --> 00:42:01,145
THANK YOU, JASON, AND...
AND RIGHT HERE WITH HIM
864
00:42:01,169 --> 00:42:02,947
IS HIS PRETTY LITTLE
SINGIN' PARTNER,
865
00:42:02,971 --> 00:42:06,518
MISS SALLY ANN HARPER. HOW ABOUT
A BIG HELLO FROM YOU, SALLY ANN?
866
00:42:06,542 --> 00:42:08,119
HELLO, EVERYBODY.
867
00:42:08,143 --> 00:42:09,921
CAN I SAY SOMETHING
TO SOMEONE SPECIAL?
868
00:42:09,945 --> 00:42:11,790
YEAH, GO RIGHT AHEAD, HONEY.
869
00:42:11,814 --> 00:42:15,993
BEN, I JUST WANT YOU TO KNOW
THAT I WISH YOU WERE HERE
870
00:42:16,017 --> 00:42:18,329
AND I WANT TO DEDICATE
THIS SONG TO YOU.
871
00:42:18,353 --> 00:42:19,798
OK, BEN, THIS IS FOR YOU,
872
00:42:19,822 --> 00:42:22,233
AND HERE IS JASON'S
BRAND NEW SONG.
873
00:42:22,257 --> 00:42:23,523
♪♪
874
00:42:30,799 --> 00:42:34,712
♪ WHEN I SAW YOU ON THE CORNER ♪
875
00:42:34,736 --> 00:42:38,037
♪ I JUST HAD TO SAY ♪
876
00:42:39,608 --> 00:42:41,986
♪ OOH, OOH ♪
877
00:42:42,010 --> 00:42:45,411
♪ WILL YOU BE MINE? ♪
878
00:42:46,648 --> 00:42:50,227
♪ I NEVER HAD NOBODY ♪
879
00:42:50,251 --> 00:42:53,687
♪ WHO COULD MAKE
ME FEEL THIS WAY ♪
880
00:42:55,190 --> 00:42:57,435
♪ OOH, OOH ♪
881
00:42:57,459 --> 00:43:00,527
♪ WILL YOU BE MINE? ♪
882
00:43:02,831 --> 00:43:06,110
♪ I NEVER FELT BEFORE ♪
883
00:43:06,134 --> 00:43:08,646
♪ THE WAY I FEEL RIGHT NOW ♪
884
00:43:08,670 --> 00:43:13,417
♪ WHAT'S MORE I HAVE TO
MAKE MY FEELINGS CLEAR ♪
885
00:43:13,441 --> 00:43:17,956
♪ TO YOU ♪ ♪ AND TELL
YOU THAT I LOVE YOU DEARLY ♪
886
00:43:17,980 --> 00:43:20,725
♪ I NEVER KNEW SOMEBODY ♪
887
00:43:20,749 --> 00:43:24,762
♪ WHO COULD MAKE ME
FEEL THE WAY YOU DO ♪
888
00:43:24,786 --> 00:43:26,230
♪ NOW ♪
889
00:43:26,254 --> 00:43:31,970
♪ OOH, OOH, WILL YOU BE MINE? ♪
890
00:43:31,994 --> 00:43:35,206
♪ I NEVER FELT BEFORE ♪
891
00:43:35,230 --> 00:43:37,775
♪ THE WAY I FEEL RIGHT NOW ♪
892
00:43:37,799 --> 00:43:42,547
♪ WHAT'S MORE I HAVE TO
MAKE MY FEELINGS CLEAR ♪
893
00:43:42,571 --> 00:43:46,818
♪ TO YOU ♪ ♪ AND TELL
YOU THAT I LOVE YOU DEARLY ♪
894
00:43:46,842 --> 00:43:50,622
♪ YOU KNOW I LOVED
YOU FROM THE START ♪
895
00:43:50,646 --> 00:43:54,158
♪ YOU SHOT AN ARROW
THROUGH MY HEART ♪
896
00:43:54,182 --> 00:43:55,259
♪ NOW ♪
897
00:43:55,283 --> 00:43:57,328
♪ OOH, OOH ♪
898
00:43:57,352 --> 00:44:00,787
♪ WILL YOU BE MINE? ♪
899
00:44:02,991 --> 00:44:05,136
♪ OOH, OOH ♪
900
00:44:05,160 --> 00:44:08,127
♪ WILL YOU BE MINE? ♪
901
00:44:09,932 --> 00:44:13,912
♪ OOH ♪
902
00:44:13,936 --> 00:44:16,247
♪ OOH ♪
903
00:44:16,271 --> 00:44:20,040
♪ WILL YOU BE MINE? ♪♪
904
00:44:26,381 --> 00:44:29,027
MISS SALLY ANN
HARPER. JASON WALTON.
905
00:44:29,051 --> 00:44:30,931
JASON WROTE THAT ONE.
906
00:44:32,955 --> 00:44:34,675
HIP-HIP-HOORAY!
907
00:44:42,263 --> 00:44:47,344
ESTHER, I'LL THANK YOU TO STOP
THROWIN' THOSE SOUR LOOKS MY WAY.
908
00:44:47,368 --> 00:44:49,981
AND I'LL THANK YOU
NOT TO SPEAK TO ME.
909
00:44:50,005 --> 00:44:52,416
MISSING JASON'S SONG
FOR A GAMBLIN' GAME.
910
00:44:52,440 --> 00:44:54,786
♪♪OH, HE DIDN'T MISS
JASON'S SONG, GRANDMA.
911
00:44:54,810 --> 00:44:56,821
I SAW HIM OVER AT
THE DOOR LISTENING.
912
00:44:56,845 --> 00:44:58,056
THANK YOU, CHILD.
913
00:44:58,080 --> 00:44:59,557
YES, I WAS STANDING
THERE IN THE BACK
914
00:44:59,581 --> 00:45:01,225
WHERE I COULD HEAR
EVERYTHING PERFECTLY.
915
00:45:01,249 --> 00:45:05,785
AND I AM PROUD TO SAY THAT
JASON INHERITS MY MUSICAL ABILITY.
916
00:45:08,490 --> 00:45:11,435
MAY I HAVE THIS DANCE, OLD GIRL?
917
00:45:11,459 --> 00:45:13,004
WHO WON THE TOURNAMENT?
918
00:45:13,028 --> 00:45:16,028
WELL, IT'S HARD TO SAY, I HAD
TO LEAVE BEFORE IT WAS OVER.
919
00:45:17,032 --> 00:45:19,232
I'LL BE PROUD TO
DANCE WITH YOU, ZEB.
920
00:45:28,777 --> 00:45:31,878
♪ JUST BECAUSE YOU
THINK YOU'RE SO PRETTY ♪♪
921
00:45:33,414 --> 00:45:36,060
YOU TWO WERE WONDERFUL. THANKS.
922
00:45:36,084 --> 00:45:39,931
WHAT'S THE MATTER WITH YOU? BY THE LOOK
ON YOUR FACE, YOU'D THINK YOU WERE AWFUL.
923
00:45:39,955 --> 00:45:41,733
THE FUN'S GONE OUT OF IT.
924
00:45:41,757 --> 00:45:44,858
♪ THAT NOBODY ELSE HAS GOT ♪
925
00:45:46,327 --> 00:45:50,407
♪ KNOW YOU MADE ME
SPEND ALL MY MONEY ♪
926
00:45:50,431 --> 00:45:55,146
♪ YOU LAUGH AND CALL
ME OLD SANTA CLAUS ♪
927
00:45:55,170 --> 00:45:59,416
♪ BUT I'M TELLIN' YOU
HONEY, I'M LEAVIN' YOU ♪
928
00:45:59,440 --> 00:46:03,076
♪ BECAUSE, JUST BECAUSE ♪♪
929
00:46:04,813 --> 00:46:06,991
♪♪
930
00:46:30,572 --> 00:46:33,685
WE HAVE A SPECIAL REQUEST HERE
FOR AN INSTRUMENTAL RENDITION
931
00:46:33,709 --> 00:46:36,420
OF JASON WALTON'S NEW
SONG, WILL YOU BE MINE.
932
00:46:36,444 --> 00:46:39,057
SO WE'RE GOING TO
TRY IT FOR YOU NOW.
933
00:46:39,081 --> 00:46:41,214
♪♪
934
00:47:12,480 --> 00:47:14,425
JASON.
935
00:47:14,449 --> 00:47:15,860
OH, THANK YOU.
936
00:47:15,884 --> 00:47:18,662
YOU TAKIN' A BREAK? MMM-HMM.
937
00:47:18,686 --> 00:47:20,832
YOU KNOW, I THINK
YOUR SONG WAS JUST FINE
938
00:47:20,856 --> 00:47:23,267
AND I THINK YOU SING REAL GOOD.
939
00:47:23,291 --> 00:47:25,203
THANK YOU.
940
00:47:25,227 --> 00:47:29,073
JASON, MY COUSIN, HASSIE LONGSTREET,
WAS SUPPOSED TO TAKE ME HOME,
941
00:47:29,097 --> 00:47:31,575
BUT HE'S IN THERE MAKING EYES
AT THAT DANG MARY LOU SIMPSON
942
00:47:31,599 --> 00:47:34,639
AND I JUST KNOW HE'S GOING TO
GO OFF AND LEAVE ME STRANDED.
943
00:47:37,906 --> 00:47:41,741
BETSY, YOU'RE NOT GOING TO
BE STRANDED. COME WITH ME.
944
00:47:44,913 --> 00:47:47,125
BEN WALKED HOME WITH SALLY ANN
945
00:47:47,149 --> 00:47:49,460
AND JASON WALKED
HOME WITH BETSY.
946
00:47:49,484 --> 00:47:52,997
THEY BOTH GOT BACK TO THE
HOUSE AROUND MIDNIGHT, SINGING.
947
00:47:53,021 --> 00:47:54,065
BEN?
948
00:47:54,089 --> 00:47:55,166
MMM-HMM.
949
00:47:55,190 --> 00:47:56,367
DID YOU KISS HER?
950
00:47:56,391 --> 00:47:57,601
I'LL NEVER TELL.
951
00:47:57,625 --> 00:47:59,370
DID YOU KISS BETSY, JASON?
952
00:47:59,394 --> 00:48:01,038
I'M ASLEEP, ELIZABETH.
953
00:48:01,062 --> 00:48:03,374
I'D RATHER KISS
RECKLESS THAN A GIRL.
954
00:48:03,398 --> 00:48:06,177
JIM-BOB, YOU GOT A LOT
OF GROWIN' UP TO DO.
955
00:48:06,201 --> 00:48:09,046
GOOD NIGHT. GOOD NIGHT, JASE.
956
00:48:09,070 --> 00:48:10,830
GOOD NIGHT, BEN.
72254
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