Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
Esperanto
Estonian
Ewe
Faroese
Filipino
Finnish
French
Frisian
Ga
Galician
Georgian
German
Guarani
Gujarati
Haitian Creole
Hausa
Hawaiian
Hebrew
Hindi
Hmong
Hungarian
Icelandic
Igbo
Indonesian
Interlingua
Irish
Italian
Japanese
Javanese
Kannada
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kurdish (Soranî)
Kyrgyz
Laothian
Latin
Latvian
Lingala
Lithuanian
Lozi
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Malayalam
Maltese
Maori
Marathi
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Nigerian Pidgin
Northern Sotho
Norwegian
Norwegian (Nynorsk)
Occitan
Oriya
Oromo
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Punjabi
Quechua
Romanian
Romansh
Runyakitara
Russian
Samoan
Scots Gaelic
Serbian
Serbo-Croatian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Spanish (Latin American)
Sundanese
Swahili
Swedish
Tajik
Tamil
Tatar
Thai
Tigrinya
Tonga
Tshiluba
Tumbuka
Turkish
Turkmen
Twi
Uighur
Ukrainian
Urdu
Uzbek
Vietnamese
Welsh
Wolof
Xhosa
Yiddish
Yoruba
Zulu
[SILENCE]
[HEAVY BREATHING]
?
[DOOR OPEN]
[SLIP OF THE TONGUE]
[M¨¢RCIO] MOTHER?
[STEPS]
[DOOR OPEN]
[STEPS]
[DOOR OPEN]
[STEPS]
[DOOR CLOSE]
[WOMAN] [MUFFLED VOICE] STOP CRYING.
[CRY]
[WOMAN] I CAN'T DO ANYTHING! I CAN'T DO ANYTHING.
[TELEVISION IN THE BACKGROUND]
[PRESENTATOR] 11:58 AM, GOOD MORNING...
[DOG'S BARK]
?
[CIBELE] YOU WAIT FOR ME HERE, WAIT HERE.
?
[BELL]
[S¨¦RGIO] WHO is it?
[CIBELE] CIBELE, YOUR NEIGHBOR IN 301.
?
[CIBELE] ¨¦ ALL I HAVE.
[OBJECT HANDLING]
[S¨¦RGIO] [SIGHS] DO YOU KNOW HOW TO USE IT? NEVER HANDLED A GUN? HMM.
[GUN HANDLING]
[S¨¦RGIO] THE BULLET GOES HERE. JUST PAY ATTENTION.
NO... IT'S NOT DIFFICULT. YOU TRY.
HERE.
[GUN HANDLING]
[S¨¦RGIO] HERE, PRESS. TAKE YOUR FINGER OFF THE TRIGGER, PRESS HERE, ¨®.
DOWN, HERE.
[GUN HANDLING]
[S¨¦RGIO] PRESS HERE. [CIBELE] NO, I... AH...
[S¨¦RGIO] THERE'S A CHILD AT HOME, RIGHT?
[CIBELE] I HAVE.
[S¨¦RGIO] THEN YOU BETTER KEEP IT DOWNLOADED,
HIDDEN AND PUT AMMUNITION VERY CLOSE TO YOU, ALWAYS.
?TENSION MUSIC?
[CIBELE] THANK YOU, LORD.
?TENSION MUSIC?
[CIBELE] I WILL NOT TELL ANYONE.
?TENSION MUSIC?
[DOOR CLOSE]
[ELEVATOR AMBIANCE]
[M¨¢RCIO] IS IT COMING, MOTHER?
[CIBELE] T¨¢, THIRD FLOOR, NEAR.
[AMANCIO] [ECHOED VOICE] ARE YOU ANXIOUS, MY SON?
[M¨¢RCIO] YES. [AMANCIO] IT'S COMING.
[CIBELE] I'M COMING... AND IT'S GOING TO OPEN THE DOOR IN...
[AMANCIO] ZERO... ONE. I WON! I DECIDE THEN WHO WILL...
WHO WILL OPEN ¨¦ YOU, MARCINHO.
[CIBELE] MARCINHO'S NEW HOUSE, HUM.
[M¨¢RCIO] FATHER! [LAUGHTER] GO!
[AMANCIO] GO, MARCINHO!
[M¨¢RCIO] ¨¦... WHAT NUMBER ¨¦?
[AMANCIO] 300 E?
[M¨¢RCIO] ONE!
[AMANCIO] [EXTENDED] AH!
?
?NOW I WAS THE HER¨®I?
?AND MY HORSE?
?S¨® SPEAK ENGLISH?
?THE COWBOY BRIDE?
?WAS YOU BESIDES THE OTHER THREE?
?
[CIBELE] I DON'T BELIEVE IT.
[AMANCIO] CAN BELIEVE IT. TEN MORE YEARS AND THE PEOPLE QUIT.
?WAS I GUARDING MY BODOQUE?
?AND REHEARSED A ROCK?
[M¨¢RCIO] MOM, NOW CAN I GO DOWN TO PLAY?
?NOW I WAS THE KING?
?HE WAS THE BEDEL AND HE WAS ALSO A JUDGE?
[CIBELE] YOU CAN, MY SON. HERE YOU CAN GO IN THE SWIMMING POOL,
ON THE COURT, RIDE A BICYCLE.
HERE YOU CAN DO ANYTHING, SON.
?AND IT WAS TOO BEAUTIFUL TO ADMIRE?
?WHAT WALKED NAKED THROUGHOUT MY COUNTRY?
?COME, GIVE ME YOUR HAND?
?THE PEOPLE NOW?
?WAS NO LONGER AFRAID?
?IN THE TIME OF EVIL?
?I THINK PEOPLE?
?I HAD NOT BEEN BORN?
?TENSION MUSIC?
[ROG¨¦RIO] [VOICE ECHOED] WHO DO YOU THINK YOU ARE TO DO
THIS WITH HIM? HUH? T? TALKING TO YOU!
[M¨¢RCIO] I DID NOTHING! THIS HAPPENS, IT'S FOOTBALL, GET IT?
[SOUZA] YOU DID IT ON PURPOSE!
[ROG¨¦RIO] [SCREAMING] WHO DO YOU THINK YOU ARE TO DO THIS
WITH HIM? [SOUZA] GOES ON HIM.
[M¨¢RCIO] STOP!
[COUP IMPACT]
[SPOKEN]
?TENSION MUSIC?
[MAN] STOP IT, MAN, STOP IT!
[SPOKEN]
[SOUZA] PUT THE FOOT! Are you CRAZY? RUN, RUN, RUN, RUN!
[SPOKEN]
[JUCA] [DISTANT VOICE] AUNT! AUNT! AUNT CIBELE!
AUNT CIBELE!
[CIBELE] WHAT WAS IT?
[JUCA] SO HITTING MARCINHO, L ¨ ¢ ON THE COURT.
?TENSION MUSIC?
[M¨¢RCIO] OH!
[ROG¨¦RIO] [SCREAM]
[CIBELE] STOP!
[M¨¢RCIO] [GEMIDO]
[CIBELE] OH, NO, OH, NO. SON. ? MY SON. SON, LOOK
FOR ME. TALK TO ME, SON. LOOK WHAT YOU DID!
[ROG¨¦RIO] HE WAS THE ONE WHO STARTED IT!
[CIBELE] WHAT ARE YOU LOOKING AT?
FOR THE LOVE OF GOD, CALL AN AMBULANCE!
[MILA] WHAT DID YOU DO, ROG¨¦RIO?
[SOUZA] HE WAS DEFENDING ME.
[MILA] I DON'T HAVE TALKING TO YOU!
?TENSION MUSIC?
[CIBELE] SON. SPEAK TO ME, MY SON, SPEAK.
[MILA] I'LL TAKE YOU TO THE HOSPITAL.
[CIBELE] THEY DON'T GO TO THE HOSPITAL, THEY GO TO THE POLICE.
[MILA] FOR THE LOVE OF GOD, I AM A MOTHER,
FORGIVE MY SON, PLEASE.
[CIBELE] GET THAT MONSTER OUT OF HERE!
[MILA] I'LL CALL YOUR FATHER. ¨¦ HIM, ¨¦ WITH HIM
WHAT YOU WILL TALK ABOUT. [L¨²CIA] WHAT IS THAT?
[MILA] WALK!
[L¨²CIA] WHAT IS THIS? WHAT'S GOING ON HERE?
HUH? I WILL CLAIM THIS COURT!
?TENSION MUSIC?
[L¨²CIA] MAY CLOSE.
[CIBELE] [SCREAMING] HELP!
[EXTENDED] HELP!
[CRY]
?TENSION MUSIC?
[MILA] POLICE, ROG¨¦RIO?
POLICE STATION. DID YOU HEAR WHAT SHE SAID? IS THAT WHAT YOU WANT?
[ROG¨¦RIO] HE WAS THE ONE WHO STARTED IT! HE GOT A BALL IN THE FACE
SOUZA. [MILA] AND THIS ¨¦ REASON FOR YOU
HIT THE BOY LIKE THAT?
[ROG¨¦RIO] HE DID IT ON PURPOSE!
[MILA] DOWN YOUR BALL!
DOWN YOUR BALL, ROG¨¦RIO! AND PRAY, PRAY THAT NOTHING HAPPENED
SERIOUSLY WITH THAT BOY.
[OBJECT HANDLING]
[SHOTS]
[WANDO] LOVE, I DIDN'T TELL YOU I DON'T CALL
FOR ME HERE, WHEN I'M AT WORK? TURN THE KEY,
TAKE A LOOK. YOU CAN SEE, THE ENGINE DOESN'T WRINKLE. STAY ¨¤ WILL,
TURN ON EVERYTHING, SEE THE PANEL. HEY. POLICE STATION?
[MAN] WANDO, GIVE ME AN INFORMATION HERE.
[WANDO] NO... BUT MILA, WHICH STATION? DON'T PIRA, MILA.
[MAN] WANDO!
[WANDO] BUT... MILA, NO ONE WILL GIVE A PART BECAUSE OF A
THINGS LIKE THAT, NOBODY. FOR A BULLSHIT LIKE THAT. I? COMMON
CUSTOMER NOW, I CAN'T GIVE YOU ATTENTION. LET'S CLOSE?
I DELIVER WITH IPVA, I DELIVER WITH... PLACED, CARPET,
ALL, NEXT WEEK. AND IN THIS COLOR, FOR YOU.
[MAN] AH, I'M GOING TO CALCULATE A ¨ª, FROM...
ANYTHING I'LL COME BACK, OK?
[WANDO] WILL CALCULATE AND COME BACK? C¨º DON'T YOU PREFER TO TAKE IT?
PROMOTION IS GOING TO END, HEIN? [MAN] NO, THANKS, THANKS.
[WANDO] OK. GOT MY CARD?
[CONCESSIONAIRE AMBIENCE]
[WANDO] SEE YOU, MILA? I LOST A SALES HERE, A CUSTOMER,
BECAUSE OF A FANIQUITO OF YOURS. THAT WAY DON'T GIVE,
I ALREADY TOLD YOU NOT TO CALL HIM AT ALL.
[RICARDO] HAVE A MINUTE?
[WANDO] MY BOSS IS CALLING ME, I'M GOING UP.
[STEPS]
[WANDO] Speak, RICARDO. [RICARDO] And A¨ª, WANDO?
[STEPS]
[PHONE RING]
[STEPS]
[RICARDO] SITS A¨ª.
[WANDO] [SIGH]
[SILENCE]
[RICARDO] WANDO, I WANTED TO THANK YOU
FOR ALL THESE YEARS OF DEDICATION HERE AT THE COMPANY.
BUT UNFORTUNATELY I WILL HAVE TO TURN YOU OFF.
[WANDO] NO, P?, BUT... NO.
?TENSION MUSIC?
[RICARDO] YOU ARE DISMISSED.
?TENSION MUSIC?
[CIBELE] ARE YOU SURE, DOCTOR?
[DOCTOR] I HAVE. INCLUSIVE, HE WILL COME BACK HOME TODAY
AND I ASK YOU TO LOOK AT HIM, TO KNOW IF HE WILL HAVE
ANY HEADACHES... [CIBELE] C¨º HEARD...
[DOCTOR] YOU HAVE TO WATCH THIS.
[CIBELE]? MY SON!
[AMANCIO] SON, C¨º Are you OK?
[CIBELE] MY LOVE, AND A ¨ª, IS EVERYTHING REALLY OK? ALL GOOD?
[AMANCIO] MY GOD IN HEAVEN, WHAT A SCARED I GOT, MY SON.
[CIBELE] WHAT WORLD IS THIS, MY GOD? WHAT WORLD IS THIS?
[SIREN]
[CIBELE] COULD YOU EAT RIGHT?
[M¨¢RCIO] YES.
[CIBELE] DON'T DO¨ª, NO, DO¨ª?
[SIREN]
[M¨¢RCIO] IT'S BETTER.
[URBAN ENVIRONMENT]
[CIBELE] PEOPLE HAVE TO PART.
[URBAN ENVIRONMENT]
[AMANCIO] ON WHAT PART?
[CIBELE] BUT HOW "DE QU¨º"? YOUR SON HAS BEEN MURDERED.
[AMANCIO] CIBELE, I WILL NOT DENOUNCE A TEENAGER.
[URBAN ENVIRONMENT]
[AMANCIO] DO YOU KNOW THE BOY?
[CIBELE] A VANDAL FROM BLOCK ONE.
[AMANCIO] ¨¦ A KID'S FIGHT, THEN IT PASSES.
[CIBELE] HOW DOES IT "PASS"? SO, IT'S RIGHT FOR YOU
DO NOTHING, IS IT?
[AMANCIO] CIBELE, PLEASE. [MUXOXO]
?DRAMATIC MUSIC?
[AMANCIO] FOR THE LOVE OF GOD.
?DRAMATIC MUSIC?
[SHOTS]
?DRAMATIC MUSIC?
[TELEVISION IN THE BACKGROUND]
?DRAMATIC MUSIC?
[MILA] [SIGHS]
?DRAMATIC MUSIC?
[MILA] [SIGHS]
?DRAMATIC MUSIC?
[FABRIC RUSTLING]
[WANDO] [SIGH]
[SNIFFLE]
[SIGH]
[STEPS]
[LIGHT SWITCH]
[WANDO] [SNUNCH]
[STEPS]
[SHOWER ON]
?DRAMATIC MUSIC?
[KNOCKING ON THE DOOR]
[MILA] WANDO?
[WANDO] HI?
[MILA] ROG¨¦RIO HAS TO APOLOGIZE TO THIS BOY.
BY THE WAY, FOR THIS BOY AND HIS MOTHER!
[WANDO] APOLOGIZE FOR WHAT? ROG¨¦RIO IS NOT GOING TO CHANGE, MILA.
[MILA] HUM. IF YOU DO NOT DO ANYTHING,
REALLY IT WILL NOT CHANGE AT ALL.
[WANDO] U¨¦, IT'S NOT ENOUGH FOR ME TO WORK ALL DAY
TO PUT MONEY INSIDE THE HOUSE?
NOW DO YOU HAVE TO RESOLVE A SON'S FIGHT?
[MILA] DON'T I WORK? ¨¦ THIS?
I STAY HERE, I MAKE FOOD, I DO THE CLOTHES,
I GO TO SCHOOL TO LISTEN
PROFESSOR... OH! [WANDO] OK, OK.
BUT, CALM. [MILA] NO, WANDO.
YOU KNOW, T? TIRED.
HE IS THE SON OF US TWO.
[WANDO] [Sigh] MILA, CAN YOU SPARE ME TODAY?
S¨® TODAY. I'VE HAD A HARD DAY AS FUCKING GO.
[MILA] [Sigh] MY DAY WAS AWFUL TOO.
ROG¨¦RIO DOESN'T LISTEN TO ME ANYMORE, HE DOESN'T OBEY ME.
YOU KNOW, HE NEEDS TO LEARN THAT IT'S NOT BEATING PEOPLE
THAT HE WILL ACHIEVE THINGS.
[SILENCE]
[MILA] TEACH THIS BOY HOW TO BE A KIND.
[SILENCE]
[WANDO] OK, MILA, I'M GOING THERE. IS THAT WHAT YOU WANT?
[MILA] ¨¦, ¨¦ THIS IS WHAT I WANT...
[WANDO] OK. T? GOING. READY.
BUT PLEASE DON'T FUCK ME AGAIN.
[DOOR OPEN]
[KNOCKING ON THE DOOR]
[WANDO] ROG¨¦RIO. OPEN, SON.
[TELEVISION IN THE BACKGROUND]
[M¨¢RCIO] C¨º DON'T YOU GO TO THE POLICE?
[TELEVISION IN THE BACKGROUND]
[AMANCIO] LET'S TRY TO FORGET IT?
[SILENCE]
[M¨¢RCIO] THEY WILL COME AFTER ME, FATHER.
[SILENCE]
[AMANCIO] NO ONE WILL COME AFTER YOU. OK?
[SILENCE]
[KISS SLAP]
[SILENCE]
[AMANCIO] C¨º DIDN'T DO IT BY WANTING TO.
[SILENCE]
[AMANCIO] M¨¢RCIO?
LOOK AT ME.
LOOK AT ME.
THE BALL ON SOUZA'S FACE, IT WAS AN ACCIDENT, ISN'T IT?
[M¨¢RCIO] SOUZA ¨¦ A SCROT, FATHER!
[AMANCIO] [SIGHS]
[TELEVISION IN THE BACKGROUND]
[CIBELE] And A¨ª?
[TELEVISION IN THE BACKGROUND]
[AMANCIO] H??
[CIBELE] HOW IS HE?
[AMANCIO] HUM, NO, OK, OK.
WE TALKED A LITTLE BIT, HE HAS NO FEVER, NO SICKNESS.
[CIBELE] I'M GOING TO BE WITH HIM.
[AMANCIO] NO, NO NEED, NO. YOU CAN FINISH WORK.
[CIBELE] I CAN'T, I CAN'T, MY HEAD WON'T STOP.
I STILL HAVE FIVE STATEMENTS TO DELIVER.
[ROG¨¦RIO] BUT HE HACKED SOUZA IN THE FACE, RIGHT?
[WANDO] AND DA¨ª?
[ROG¨¦RIO] OH, SO WHAT DID HE DO THAT, BUT, NO HOW
IF HE HAD NOT DONE ANYTHING. I'M NOT CRAZY ABOUT...
[WANDO] HEY.
[URBAN ENVIRONMENT]
[WANDO] HIS PROBLEM, NOT YOURS.
SON, YOU DON'T HAVE TO DEFEND ANYONE.
DO YOU WANT TO HELP, GIVE IT AWAY, SEE IT?
?
[WANDO] WHAT THE SHIT MUST BE LIVING IN THIS BACK BLOCK, N¨¦?
?
[PHONE RING]
[AMANCIO] AL??
?
[AMANCIO] THERE'S A "WANDO" UNDER THERE.
[CIBELE] WANDO?
[AMANCIO] HELLO, ¨¦... WANDO FROM WHERE?
?
[AMANCIO] ¨¦ THE FATHER OF THE BOY FROM BLOCK ONE,
HE WANTS TO GO UP.
[CIBELE] WHY SHOW UP HERE?
[AMANCIO] LET ME SPEAK TO HIM.
?
[COUGH]
?
[BELL]
[DOOR OPEN]
[WANDO] GOOD NIGHT. YOUR NAME? [AMANCIO] I AM THE AMANCIO.
[WANDO] I AM THE... [AMANCIO] THE WANDO.
[WANDO] WANDO, THAT, THAT ¨¦ MY SON ROG¨¦RIO.
[AMANCIO] YOU CAN COME IN, COME IN. [WANDO] GO, SON, GO L¨¢.
?
[WANDO] SORRY TO INTRODUCE AT THIS TIME.
[AMANCIO] NO, THAT'S IT. [WANDO] GIVE LICENSE.
[AMANCIO] STAY AT WILL.
?
[WANDO] THAT NOISE... [AMANCIO] ¨¦.
?
[AMANCIO] EVERY FRIDAY ¨¦ LIKE THIS.
THE S¨ªNDICA IS TRYING TO SOLVE.
?
[WANDO] L ¨ ¢ IN OUR BLOCK WE DON ' T HEAR THIS,
Isn't it, SON?
[AMANCIO] LUCKY FOR YOU.
[WANDO] MAYBE THAT'S WHY... WHICH IS MORE EXPENSIVE, ISN'T IT?
GOODNIGHT! [CIBELE] GOOD NIGHT.
[CLINKING OF CROCKERS]
[TRAY IMPACT]
[CLINKING OF CROCKERS]
[WANDO] THANK YOU. GOOD, I...
SO I... I CAME HERE WITH MY SON
THAT ROG¨¦RIO WANTS TO APOLOGIZE, DOESN'T HE, SON?
[ROG¨¦RIO] ¨¦.
[WANDO] ¨¦? [LAUGHTER] SPEAKS RIGHT, N¨¦, SON? SORRY, P?.
[SILENCE]
[ROG¨¦RIO] SORRY. [CLEAR] IT WAS BAD A¨ª.
[AMANCIO] OF COURSE. T¨¢ SORRY.
[WANDO] SEE, SON? ¨¦ THIS. WELL, THAT WAS IT THEN.
[CIBELE] MY SON BROKE HIS ARM, HAD SIX POINTS.
[WANDO] [LAUGHING] ¨¦, BOY WAS BORN TO GET POINTS, RIGHT?
I, FOR EXAMPLE, HAVE BROKEN MY ARM, I'VE BROKEN MY LEG
TWICE, I TOOK A STITCH HERE, BROKE A RIB.
[AMANCIO] UNDERSTAND.
[WANDO] ¨¦, CHILD'S THING, LIKE THAT...
[AMANCIO] PEOPLE KNOW IT CAN BE A CHILD'S THING.
[CIBELE] CHILDREN'S THING?
MY SON FAILED AFTER HE WAS PUNCHED BY YOUR SON.
DO YOU THINK THIS IS A CHILD'S THING?
[WANDO] ¨¦, WAY TO SAY IT, N¨¦?
[CIBELE] THIS TO ME IS A BANDIT THING! BANDIT, GET IT?
THE LORD HAS TO THANK MY HUSBAND BECAUSE HE DOESN'T
LET ME GIVE A COMPLAINT TO THE POLICE,
BECAUSE YOUR SON WAS IN JAIL FOR ME.
[WANDO] LOOK AT THIS, MADAM, PLEASE, THERE'S NO BANDIT HERE.
WHAT HAS ¨¦ A FRAGILE BOY, YOUR SON,
ABUSED, WHO ENDED UP HURT
TO LEAVE THE HAND OF BEING A BEAST. [LAUGHING] IF YOU DON'T KNOW HOW TO PLAY, DON'T YOU?
[ROG¨¦RIO] DON'T GO DOWN TO PLAY. [WANDO] NO, SON?
[CIBELE] PERA¨ª, THE LORD LEAVES HIS HOUSE TO COME TO MY HOUSE
OFFEND MY SON, OFFEND ME, OFFEND MY FAMILY?
IT'S NOT ENOUGH WHAT YOUR BITCH SON DID?
[WANDO] NO, MY SON IS NOT A BUM.
C¨º WON'T TALK LIKE THAT, I DON'T ALLOW IT.
[IMPACT ON THE GROUND]
[WANDO] APOLOGIZE TO HIM NOW!
[CIBELE] GET OUT OF MY HOUSE, GO, GET OUT, GET OUT.
[WANDO] I'M NOT LEAVING, I'M JUST LEAVING YOUR HOUSE...
I WILL ONLY LEAVE YOUR HOUSE AFTER YOU APOLOGIZE TO ME
AND FOR MY SON. NO ONE OFFENDS MY SON LIKE THIS,
IN FRONT OF ME NO ONE OFFENDS! SORRY TO HIM NOW.
[SPIT]
[CIBELE] TAKE YOUR APOLOGIES. STREET DOOR, HOUSE SERVICE.
[AMANCIO] CIBELE, WHAT THE FUCK DID THAT, CIBELE, COME HERE.
[WANDO] I'M VERY CALM UNTIL SOMEONE MESS WITH ME.
[AMANCIO] WANDO.
[WANDO] I'M GOING TO SAY SOMETHING... [AMANCIO] CALM.
[WANDO] I T? CALM. ¨¦ YOU BETTER NOT LEAVE THE CHICKEN
OF YOUR CHILD MOST AUTHENTY, THROUGH THE CORRIDOR.
?TENSION MUSIC?
[WANDO] C¨º BE CAREFUL WITH YOUR CHICKEN WHEN HE
GO DOWN AT THE CONDOMINIUM, BECAUSE NEXT TIME I WILL ASK PRO
ROG¨¦RIO... I WILL NOT ASK, I WILL TELL HIM TO HIT.
[AMANCIO] PLEASE.
[WANDO] BUT IT WILL HIT FOR REAL.
[AMANCIO] PLEASE.
[WANDO] GO, GET OUT, SON, YOU CAN GET AWAY FROM ME,
YOU CAN LET ME OUT, I DON'T WANT TO COME BACK.
[DOOR CLOSE]
?TENSION MUSIC?
[LOCK HANDLE]
?TENSION MUSIC?
[AMANCIO] WANT A WATER? She sits HERE.
[DOOR CLOSE]
[CIBELE] WHAT A NIGHTMARE THIS IS.
[AMANCIO] SIT HERE, SIT HERE.
GET A ¨¢ WATER.
?TENSION MUSIC?
[CIBELE] I DON'T WANT WATER, NO, I DON'T WANT ANYTHING,
I DON'T WANT NOTHING, I DON'T WANT NOTHING
[¨¢ RUNNING WATER FROM THE TAP]
?
[MILA] SHE SPIT IN YOUR FACE?
[WANDO] SPIT IN MY FACE, IN FRONT OF MY SON.
[MILA] BUT HE DIDN'T APOLOGIZE?
[WANDO] ASKED AND GAVE IT. SATISFIED, MILA?
[STEPS]
[MILA] T¨¢, SHE SPIT OUT OF NOTHING?
[WANDO] CAN I SLEEP MILA? PLEASE LET ME SLEEP.
TOMORROW? ¨¦ CHAMPIONSHIP DAY OF ROG¨¦RIO DE JUD?. [SIGH]
I HAVE TO WAKE UP EARLY.
[MILA] WANDO, I WANT TO KNOW WHAT HAPPENED.
[WANDO] I GOT FIRED, MILA.
[MILA] WHAT?
[WANDO] THAT'S WHAT HAPPENED, FIRED.
[MILA] WHAT DO YOU KNOW? TODAY?
[WANDO] ¨¦, TODAY.
[MILA] WHY DIDN'T YOU TALK TO ME BEFORE?
[WANDO] IF YOU LET ME.
[MILA] OH MY GOD. MY GOD WANDO.
[WANDO] WE HAVE A GOOD CAR.
[MILA] BUT WHAT THE... C¨º GO SELL THE CAR?
[WANDO] NO BUT I CAN...
APPLICATION DRIVER WORKING. [LAUGHTER]
¨¦ WHAT EVERYONE IS DOING, MILA.
[MILA] I CAN GO BACK TO HAIR CUTTING,
FIND A SALON...
[WANDO] AND ROG¨¦RIO IS GOING TO STAY HERE AT HOME ALONE?
[MILA] WANDO, I T? TRYING TO HELP.
[WANDO] WELL, YOU WANT TO HELP, SO DON'T MAKE A PROBLEM...
[MILA] PROBLEM? AREN'T PEOPLE A FAMILY?
OUR! T¨¢ GOOD.
THE BLAME OF SPITTING, SO, IS MINE NOW.
[ELECTRIC BRUSH]
[¨¢ RUNNING WATER FROM THE TAP]
[SPIT]
[AMANCIO] STOP TAKING THESE QUIETS.
[CIBELE] LEAVE ME, GO.
[STEPS]
[AMANCIO] COME C¨¢.
[KISS SLAP]
[AMANCIO] C¨º DON'T YOU WANT TO TAKE A BATH, TAKE OFF THAT CLOTHES?
[CIBELE] NO, NO, NO, NO... [AMANCIO] BREATHE A LITTLE BREATH?
[CIBELE] NO, NO, JUST LET ME STAY HERE A LITTLE BIT,
PLEASE LEAVE ME HERE FOR A LITTLE BIT.
?
[URBAN ENVIRONMENT]
?
[SOUZA] THIS KID IS ALL WRONG, MAN, HE IS ALL WRONG.
NO, AND HE THINKS HE WILL ARRIVE FILLED
ON THE PEOPLE, FULL OF STRESS ON ME
AND ROG¨¦RIO, WILL ARRIVE IN THE COURT,
I CALL A FOUL ON HIM PART UP. THIS KID IS CRAZY,
MAN, HE IS CRAZY.
I THINK ROG¨¦RIO HIT HIM SO MUCH...
IH, ALA WHO'S COMING OVER THERE. DAMN, VERY SUCKY,
YOU MUST HAVE A LOT OF COURAGE. [LAUGHTER]
[WOMAN] IS HE COMING WITH FATHER YET? Ah.
[SOUZA] WITH MEDIINHO, right?
?
[AMANCIO] WHAT WAS IT, SON?
?
[AMANCIO] M¨¢RCIO?
[M¨¢RCIO] I DON'T WANT TO GO TO THE SWIMMING POOL, NO, FATHER.
?
[AMANCIO] MARCINHO, MARCINHO.
?
[WANDO] BOA SON, VAMO L¨¢, THE TIME HAS COME!
NOW ¨¦ THE TIME, GO L¨¢, GO L¨¢, ENERGY! ROG¨¦RIO!
?
[GYM AMBIENCE]
[WANDO] BORA, ROG¨¦RIO. [JUDGE] "HAJIME".
[OVA??O]
[WANDO] ¨®, THE FOOTPRINT AI, THE FOOTPRINT AI, ROG¨¦RIO.
VAMO L¨¢, GO L¨¢, SLOWLY.
THIS, THIS PART UP. THIS, THIS, SON!
VAMO L¨¢, VAMO L¨¢" KNOCK HIM OUT NOW.
BEWARE, L¨¢ BY HIS LEFT.
[JUDGE] "IPPON. SOREMADE"
[OVA??O]
[WANDO] I LOVE YOU, SON! [EXTENDED] AH!
ESCULACHO.
[CIBELE] U¨¦, DID YOU COME BACK?
[M¨¢RCIO] ¨¦.
[CIBELE] WHAT WAS THERE? [AMANCIO] MARCINHO FOUND IT
ONE OF THE BOYS IN THE FIGHT FOR L¨¢.
[WHISPERING] I THINK HE'S SCARED.
[CIBELE] [WHISPERING] OF COURSE HE'S SCARED.
AND YOU DIDN'T DO ANYTHING?
[AMANCIO] [WHISPERING] WHAT DID YOU WANT ME TO DO?
HUH? [CIBELE] MY SON WILL NOT STAY
LOCKED IN THIS APARTMENT, YOU'RE NOT GOING.
[CLINKING OF KEYS]
[AMANCIO] CIBELE.
[IMPACT ON WATER]
[SPOKEN]
[CIBELE] HERE BOY.
MY SON WILL PLAY WHERE HE WANT,
ARE YOU HEARING ME?
HE WILL FALL INTO THE SWIMMING POOL, HE WILL RIDE A BICYCLE,
HE WILL PLAY BALL, HE WILL DO WHAT HE WANTS
IN THIS CONDOMINIUM! [SOUZA] WHAT IS THAT, AUNT?
[CIBELE] [SCREAMING] I'M NOT YOUR AUNT!
[SOUZA] C¨º T¨¢ MALUCA? [CIBELE] THE MALUCA YOU WILL SEE,
IF ANYTHING HAPPENS TO MARCINHO.
[SOUZA] OK! T¨¢ GOOD, T ¨¢ GOOD, MALUCA.
[CIBELE] YOU WILL SEE WHAT WILL HAPPEN TO YOU!
[LAUGHTER]
[SOUZA] CRAZY.
[LAUGHTER]
[SOUZA] CRAZY!
[LAUGHTER]
[SOUZA] A ¨ª, KID, SHE ¨¦ CRAZY!
[URBAN ENVIRONMENT]
[HEAVY BREATHING]
?
?LOOK?
?
?NOT THAT?
?
?THOUGH I DON'T KNOW?
?
?SAY NO MORE?
?
?NOTHING MORE BUT THE THINGS?
?
?WHAT HAVE ALWAYS BEEN SILENT?
?
?LOOK?
[WANDO] WHY SLAM THE DOOR LIKE THAT? PLEASE NO?
THIS HERE ¨¦ A JEWEL FOR ME. ¨®, HERE, ¨®! I'LL SHOW YOU
AGAIN. ¨®! ¨®!
[DOOR CLOSE]
[WANDO] "PUF"!
?
?¨¦ EASY TO UNDERSTAND?
?SHE JUST CAME TO TELL ME?
?
?GOODBYE?
?
?BUT WHAT DID I REALLY WANT?
?WAS IT NOT TO HAVE MORE TIME?
?
[ROG¨¦RIO] HERE, ¨®, FATHER.
[WANDO] LET ME KISS THAT TROPHY A¨ª.
[ROG¨¦RIO] [LAUGHTER]
[WANDO] AND NOW IN MY.
?EVEN SO?
[WANDO] I LOVE YOU. [ROG¨¦RIO] I LOVE YOU TOO.
[WANDO] LET ME SEE THE WEIGHT OF THIS. Oops!
?THAT PEOPLE COULD TRAVEL?
?
?AND MAKE AN ¨¢LBUM?
?OF PHOTOGRAPHS?
?
[ELECTRIC KNIFE]
[DOOR OPEN]
[WANDO] [LAUGHTER] ¨¦, WHH, HE LOOKED LIKE A PUFFER! LOVE!
WE ARRIVED! [MILA] DID YOU WIN?
[WANDO] CHAMPION HAS ARRIVED! [LAUGHTER] PUT FIVE ON THE CANVAS!
[MILA] WOW! COME C¨¢, SON! LET ME GIVE YOU A HUG.
[ROG¨¦RIO] NO, THANKS, MOM. T¨¢ GOOD, T¨¢ GOOD.
T¨¢ GOOD, T¨¢ GOOD.
[WANDO] CONGRATULATIONS. [ROG¨¦RIO] THANKS!
?TENSION MUSIC?
[MILA] WOW, C¨º VIU? C¨º SEE HOW HE'S TREAT ME?
?TENSION MUSIC?
[MILA] Oh, I get upset, you know?
[WANDO] LOOK, WHAT THE FUCK, KITTEN? COME C¨¢, COME?
[MILA] AH, SEE, I EVEN MADE THE DISH HE LIKES TODAY.
[WANDO] I WAKE UP WITH A WISH FOR YOU TODAY.
[MILA] OH, WANDO, PERA¨ª! T? FINISHING DINNER!
[WANDO] COME HERE, HOW LONG DOESN'T WE HAVE SEX, HEIN?
[MILA] T? CONCERNED ABOUT YOUR JOB.
[WANDO] BUT I T? ¨¦, ¨®. ¨®!
?TENSION MUSIC?
[FRICTION BETWEEN METALS]
[DEEP SIGHS]
[MILA] OH, REALLY.
[MILA] [WISPERING] PEAR, WANDO.
[HEAVY BREATHING]
[KISS SLAP]
[HEAVY BREATHING]
?
[CRICKET CRACKING]
[FRICTION BETWEEN METALS]
[MILA] [SIGHS]
[INTERCOM RING]
[WANDO] HI, WHO IS IT?
TALK, ELVIS.
[CRICKET CRACKING]
[HAND FRICTION WITH THE BODYWORK]
?TENSION MUSIC?
[MAN] I DIDN'T SEE ANYTHING BECAUSE I WAS PUTTING POISON ON THE PLANT.
[MILA] WHAT ABOUT THE SECURITY CAMERAS?
[MAN] I'VE TALKED TO DONA L¨²CIA, SHE IS GOING DOWN
TO RELEASE THE CAMERA.
?TENSION MUSIC?
[MILA] WANDO.
?TENSION MUSIC?
[MILA] WANDO. WHERE C¨º GO? SO AS TO. FOR GOD'S SAKE,
SO AS TO. YOU'RE GOING TO DO NUTS.
[WANDO] LEAVE ME.
[TELEVISION IN THE BACKGROUND]
[WANDO] [DISTANT VOICE] HEY CRAZY! APPEAR A¨ª!
[MILA] WHAT THE HELL ARE YOU GOING TO DO WITH IT?
[WANDO] [DISTANT VOICE] HEY! GO, GO DOWN!
OPEN A¨º!
[AMANCIO] WHAT IS THAT?
[WANDO] [DISTANT VOICE] COME HERE!
[M¨¢RCIO] ¨¦ HERE?
[WANDO] [DISTANT VOICE] LET GO MILA PLEASE!
OPEN IT SO I CAN GO UP AND LOOK AT YOUR FACE,
YOU DISGRACEFUL! GO!
?DRAMATIC MUSIC?
[WANDO] [DISTANT VOICE] APPEAR HERE!
?DRAMATIC MUSIC?
[WANDO] LEAVE ME, MILA! LEAVE ME, I'M LOOKING AT NOTHING!
And A¨ª? OPEN THERE FOR ME TO GO UP THERE, TO LOOK INTO YOUR FACE,
DISGRACEFUL!
?DRAMATIC MUSIC?
[WANDO] HERE ¨®. [AMANCIO] QUE QUE T¨¢
HAPPENING, WANDO? GOODNIGHT.
[WANDO] AH, DON'T YOU KNOW WHAT'S GOING ON? ¨¦ THAT SAME,
DON'T KNOW WHAT'S GOING ON?
[AMANCIO] NO, NO, I DON'T KNOW, NO, MAN.
[WANDO] THEN ASK HER TO SHOW UP A¨ª.
[MILA] EVERYONE IS WATCHING.
[WANDO] TELL HER TO APPEAR! [MILA] STOP IT!
[WANDO] TELL HER SHOW UP THERE, OPEN THIS THERE I WANT IT
LOOK AT YOUR WIFE'S BITCH FACE.
[MILA] DON'T TALK LIKE THAT. [WANDO] OR GO DOWN IF YOU HAVE THE COURAGE.
[MILA] STOP IT! FOR THAT, LET'S GO HOME.
CONTROL YOURSELF, CONTROL YOURSELF, WANDO, STOP!
[SCREAMING] STOP! T¨¢ EVERYBODY... WANDO.
[BEATS ON THE GLASS]
[MILA] WHAT ARE YOU GOING TO DO? C¨º CANNOT GO UP IN THE HOUSE
NOT FROM PEOPLE! WANDO, TO.
[INTERCOM RING]
?
[INTERCOM RING]
[INTERCOM RING]
[CIBELE] DOES NOT ANSWER.
[INTERCOM RING]
?DRAMATIC MUSIC?
[AMANCIO] WHAT DID C¨º DO, CIBELE?
?DRAMATIC MUSIC?
[MAN] ? YOUR WANDO.
?DRAMATIC MUSIC?
[L¨²CIA] TALK TO HIM.
[ERNESTO] YOUR WANDO, ¨® DONA L¨²CIA HERE, ¨®, TO RELEASE
THE CAMERAS TO SEE THE IMAGES TO SEE WHO IT WAS.
[WANDO] GO, DOWN, I KNOW WHO IT WAS, OK?
[L¨²CIA] LOOK, NERVOUS... NERVOUS LIKE THIS THE LORD
IT WILL NOT SOLVE ANYTHING.
[WANDO] [LAUGHTER] WILL THE CONDOMINIUM PAY FOR MY CAR REPAIR?
MAKE ME LAUGH WHO IS GOING TO FIX MY CAR?
[L¨²CIA] MUST SEE, MUST SEE, MUST SEE, IT'S NOT LIKE THAT.
[WANDO] GO.
[MILA] WANDO, SHE'S TRYING TO HELP YOU.
[WANDO] SHUT UP MILA FOR GOD'S SAKE SHUT UP
WHAT I T? TRYING TO SOLVE A PROBLEM HERE. GO!
C¨º CAN YOU OPEN FOR ME FROM THE HEART HERE THE DOOR?
[LUCIA] DON'T OPEN, CARLOS, DON'T OPEN.
[WANDO] OPEN THIS DOOR.
[LUCIA] DON'T OPEN, CARLOS. [WANDO] OPEN THIS,
OTHERWISE I WILL BREAK THIS DOOR DOWN. I WILL BREAK THIS DOOR DOWN!
[L¨²CIA] IF YOU BREAK THIS DOOR DOWN I WILL CALL THE POLICE.
[WANDO] THEN GO THERE AND CALL THE POLICE!
GO THERE, CALL THE POLICE, TAKE ADVANTAGE TO TAKE THIS CRAZY ONE!
GO THERE, CALL THE POLICE.
[MILA] DON'T CALL THE POLICE, DONA L¨²CIA!
[WANDO] I WILL BREAK!
[SHATTERING GLASS]
[SILENCE]
?TENSION MUSIC?
[CIBELE] CALLS THE POLICE.
?TENSION MUSIC?
[KNOCKING ON THE DOOR]
?TENSION MUSIC?
[S¨¦RGIO] OP. [L¨²CIA] GOOD NIGHT.
[S¨¦RGIO] GOOD NIGHT. [L¨²CIA] ¨¦ S¨¦RGIO, N¨¦?
[S¨¦RGIO] THAT. [L¨²CIA] WITH LICENSE.
I AM SENDICA HERE FROM BARRA DIAMOND.
L¨²CIA, VERY PLEASURE. ¨¦ WHAT ¨¢... [STATUTORING] PEOPLE
THERE'S A LITTLE PROBLEM, THEY SCRATCHED WANDO'S CAR,
DO YOU KNOW WANDO? BLOCK ONE, WANDO, BLOCK ONE.
[S¨¦RGIO] I DON'T KNOW, NO. [LUCIA] SO HE IS...
HE IS BREAKING THE WHOLE ORDINANCE.
[S¨¦RGIO] HAVE YOU CALLED THE POLICE? [L¨²CIA] J¨¢, J¨¢ WE CALL
THE POLICE, WE CALL THE POLICE.
[S¨¦RGIO] YOU HAVE TO BE QUIET
THAT THEY WILL SOLVE.
[L?CIA] IT WILL NOT GIVE YOU TIME, NO... THE LORD...
IS NOT THE LORD A POLICEMAN?
[S¨¦RGIO] EX-POLICE.
[L¨²CIA] SO, WHAT HAS BEEN DOESN'T STOP BEING, FOR LOVE
GOD'S. I NEED YOUR HELP. HE WILL KILL...
IS GOING TO KILL SOMEONE, THIS MAN.
[STEPS]
[DOOR OPEN]
?
[IMPACT OF METAL ON WOOD]
[WANDO] OPEN! OR YOU GET OUT...
[CIBELE] PASSES TO C¨¢. NOTHING WILL HAPPEN TO YOU,
REST ASSURED. TRUST YOUR MOTHER!
[M¨¢RCIO] DON'T LET HIM IN, FATHER!
[AMANCIO] PEAR, PEAR. [CIBELE] DO SOMETHING
THING, AMANCIO. [M¨¢RCIO] [SCREAMING] GO AWAY!
[AMANCIO] WANDO, CALM, WANDO. CALM. HEY, LET'S TALK.
ARE YOU SURE YOU DIDN'T DO ANYTHING, CIBELE?
[KNOCKING ON THE DOOR]
[WANDO] OPEN! OPEN!
[AMANCIO] WANDO, LISTEN TO ME, MAN,
FOR THE LOVE OF GOD, LISTEN TO ME.
[CIBELE] DON'T LET HIM IN, DON'T LET HIM IN!
[AMANCIO] CALM! [WANDO] [PAUSEDLY] I WILL
BREAK DOWN THIS DOOR!
[AMANCIO] WANDO, CALM! CALM! LET'S TALK!
[MILA] WANDO! [SCREAMING] WANDO! [AMANCIO] LET'S TALK!
[WANDO] OPEN THIS DOOR!
[IMPACTS ON THE DOOR]
[MILA] [SCREAMING] WANDO!
[AMANCIO] WANDO, LOOK AT ME! LOOK AT ME, WANDO!
[MILA] [SCREAMING] DID I? ASKING!
[S¨¦RGIO] GET OUT THE DOOR! OPEN THE DOOR!
[IMPACT ON THE DOOR]
[AMANCIO] CALM, WANDO, FOR GOD'S SAKE!
[S¨¦RGIO] STOPPED! STOPPED! STOPPED! STOPPED! STOPPED! STOPPED! STOPPED!
STOPPED! STOPPED! STOPPED! STOPPED! DROP THE IRON...
[MILO] HE WILL SHOOT WANDO PLEASE. FOR GOD'S SAKE,
HE WILL SHOOT, WANDO. PLEASE WANDO!
[S¨¦RGIO] WIDE. [MILO] HE'S GOING TO...
[S¨¦RGIO] DROP THE IRON!
[METAL IMPACT ON THE FLOOR]
[S¨¦RGIO] HAND ON HEAD AND BELOW.
[CRY]
?
[S¨¦RGIO] DOWN, DOWN, DOWN, DOWN, DOWN, DOWN.
HAND ON HEAD, THAT.
?
[CIBELE] [SIGHS]
[CRY]
[STEPS]
[URBAN ENVIRONMENT]
?TENSION MUSIC?
[SIREN]
?TENSION MUSIC?
[ROG¨¦RIO] MOM! ME! [MILA] ROG¨¦RIO! ROG¨¦RIO.
[ROG¨¦RIO] WHAT HAPPENED? WHAT HAPPENED? I'M TAKING
MY FATHER, WHO IS REALLY GOING TO LET THIS HAPPEN?
[MILA] ROG¨¦RIO, MY FIVE... COME HERE.
[ROG¨¦RIO] [SCREAMING] LET ME GO! [MILA] ROG¨¦RIO, COME HERE!
[SIREN]
[MILO] ROG¨¦RIO!
[ROG¨¦RIO] NO, NO!
[MILA] ROG¨¦RIO!
?
[MILA] ROG¨¦RIO
[Sniffle] COME HERE, MY SON.
?DRAMATIC MUSIC?
[MILA] WE WILL GET YOUR FATHER OUT OF L¨¢.
?
[MILA] WE WILL GET YOUR FATHER OUT OF L¨¢.
ROG¨¦RIO!
?
[MILA] WHERE C¨º GOING? ROG¨¦RIO!
[ROG¨¦RIO] [SCREAMING] I WILL KILL YOU!
[MILA] ROG¨¦RIO, COME HERE, STOP! VEM C¨¢.
?
[MILA] STOP, IT'S NOT GOING TO KILL ANYONE, ENOUGH! C¨º WILL STAY
HERE, COME, ARE YOU LISTENING? C¨º IS NOT GOING TO KILL ANYONE.
[CRY]
[M¨¢RCIO] [CRYING] HE WILL KILL ME, HE WILL KILL ME!
[HEAVY BREATHING]
?
[S¨¦RGIO] CALM, CALM.
[CIBELE] HE'S GONNA GET IN JAIL, WON'T HE?
[S¨¦RGIO] LOOK, IN THE COUNTRY WE LIVE IN, YOU CAN'T KNOW.
[CIBELE] WHAT AM I GOING TO DO, MY GOD?
[S¨¦RGIO] IF I WERE YOU, I WOULD PROTECT MYSELF.
[CRICKET CRACKING]
[CIBELE] HE ASKED IF WE'RE GOING TO MOVE FROM HERE.
[AMANCIO] MOVE IN? [CIBELE] I THINK
WHICH WILL BE THE WAY.
[AMANCIO] [Sigh] WITH THIS CRISIS?
C¨º HAVE YOU SEEN HOW MANY APARTMENTS THERE ARE FOR SALE IN THIS BLOCK ONLY?
[CIBELE] HOW ARE WE GOING TO CONTINUE HERE WITH THIS CRAZY
LOOSE, MY GOD? HIS SON TOO.
[AMANCIO] YOU COULD HAVE THOUGHT ABOUT THIS BEFORE
TO SCRATCH HIS CAR.
?
[AMANCIO] LET'S SLEEP, BREATHE A LITTLE,
TOMORROW? WE TALK.
?
[AMANCIO] IT'S GOING TO BE OK.
?
[CIBELE] [WHISPERING] MY SON IS HURT,
THEY HURT MY SON.
?
[BROOM ATTRACTION WITH THE FLOOR]
[ELVIS] HELLO MISS CIBELE, GOOD MORNING.
[CIBELE] GOOD MORNING, ELVIS.
[BROOM ATTRACTION WITH THE FLOOR]
[STEPS]
[CAR IGNITION]
[CAR ENGINE]
[M¨¢RCIO] MOM, LETS GO.
[CAR ENGINE]
[CIBELE] I HAVE TO GO SOMEWHERE, COME ON.
[M¨¢RCIO] I WILL BE LATE.
?TENSION MUSIC?
[CIBELE] COME, SON, COME.
?TENSION MUSIC?
?
[S¨¦RGIO] IF I WERE YOU, I WOULD PROT... I HAVE ALREADY CALLED THE POLICE,
HAVE YOU CALLED THE POLICE? EX-POLICE.
?
[S¨¦RGIO] WOULD PROTECT ME... IN THE COUNTRY WE LIVE IN,
I DON'T GIVE YOU A KNOW... IT WOULD PROTECT ME.
[BELL]
[S¨¦RGIO] WHO is it?
[CIBELE] CIBELE. YOUR NEIGHBOR, FROM 301.
?
[BUBBLE OF LIQUID]
[DOOR OPEN]
[BUBBLE OF LIQUID]
[S¨¦RGIO] WANT A WATER?
[CIBELE] NO, THANK YOU.
[S¨¦RGIO] [SIGHS]
[CIBELE] ¨¦ ALL I HAVE.
[S¨¦RGIO] OP.
[BUBBLE OF LIQUID]
[IMPACT ON THE TABLE]
[S¨¦RGIO] READY, DO YOU KNOW HOW TO USE IT?
NEVER HANDLED A GUN?
I'LL SHOW YOU. PAY ATTENTION THAT IT IS NOT DIFFICULT. H?.
[GUN COCK]
[S¨¦RGIO] YOUR TURN.
CAN GO. IT'S DOWNLOADED, YOU CAN GO. HERE, ¨®.
?TENSION MUSIC?
[S¨¦RGIO] WITH THIS FINGER HERE YOU OPEN...
HERE, CLICK HERE. HOLD IT WITH... [LAUGHING] HOLD IT TIGHT HERE.
HERE, THIS. CLOSE WITH THIS OTHER ONE HERE, THIS ONE HERE,
¨®. READY, SEE?
[GUN COCK]
[S¨¦RGIO] PRESS HERE. C¨º YOU HAVE CHILDREN AT HOME, DON'T YOU?
[CIBELE] I HAVE.
[S¨¦RGIO] THEN GUARD UNLOADED, HIDDEN,
AND THE AMMUNITION IS ALWAYS CLOSE TO YOU.
[DOOR OPEN]
?TENSION MUSIC?
[CIBELE] LETS GO?
[DOOR CLOSE]
?TENSION MUSIC?
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.