Original subtitles

Leo...

Leo!

Not again.

No.

María, please.

María, please.

Listen to me.

Listen.

THE LAST NIGHT AT TREMORE BEACH

No. It's too late.

EPISODE 8 THE LAST NIGHT

María.

María. What's wrong with Leo?

What's wrong with Leo?

Is he okay?

Please, no.

No, María.

María, no.

Bea.

Get out!

Get out now! Out!

María.

Leo.

What?

No.

Leo.

How are you?

Are you okay?

- Take your brother. - Let's go.

Bea.

What's wrong?

I want to see too. I'm old enough.

Okay. But stay with me, okay?

- Let me see. - She's losing a lot of blood.

- I know what I have to do. - It's in her abdomen.

- She'll lose consciousness soon. - Can you hear me?

Álex. This doesn't look good.

- The red van is there. - Call an ambulance. Quick.

There's no signal. Go to the lighthouse.

Do you have a landline?

The storm broke the pole and it hasn't been fixed.

Álex, listen.

- Go to the lighthouse. - Álex.

- Fuck. - I'll try outside.

- There's no signal! - She needs a doctor.

- It's too late. - No. She's still breathing.

- No ambulance will come. - I'll stop the bleeding and we'll go.

- That's useless! - Where's the first-aid kit?!

- Please! - Where?!

In the kitchen.

Wait. Let's go! Judy, please!

We must go now!

Ruth!

You have to see this!

Come quickly!

- No fucking way. - Ruth!

Don't worry. I'll get the bullet out.

- Say something. - Leo.

Say something.

- Álex. What the hell is going on? - I told you, but you didn't listen to me.

I don't like the look of this.

- He's coming. - Who?

I don't know yet.

If we don't go now, he'll end up killing us all.

Shut up and go inside, dammit.

Judy, where's your car?

- It's in the barn, but we're not leaving. - Listen.

- No! - Listen to me.

Trust me.

They're already dead. I know it.

Let's go.

Kids.

Let's go, kids.

Quick. Okay?

Let's go. Come on.

Don't move.

Go. I'll cover you.

- What's going on? - It didn't happen this way.

The van stopped in front of the house.

And an armed man stepped out with a rifle in his hand.

But I couldn't see everything.

- Judy, trust me. - What?

Take the car. Protect my kids and take care of María.

Please. Go!

Go!

Bea, I need you!

María.

Stay here. I'll be back.

I have to move you.

- Turn over. - Can you help her?

She won't make it to the hospital. Help me move her legs.

I'll get the bullet out, okay? You need to help us.

That's it.

That's it. Slowly. Let's go.

- Can you do it? - Done.

Let's go.

- What the hell is he doing here? - Don't move.

Impossible.

This is impossible! This can't be happening.

- Impossible. - Ruth!

- Impossible. - Search the van.

- Be careful, Ricciardo. - Yes. Go.

Give me gauze.

Here.

- Can you go fill up a bucket with water? - Okay.

Judy.

Here.

Álex!

Something's changed.

Álex, please, wait for me.

Álex!

More. Okay.

You're still here?

What happened out there?

I think that...

Something has changed. I don't quite know what.

But it's...

It's different. As if...

It's as if something happened that changed everything.

The man who was coming to kill us

is dead.

Leo to Álex. Do you copy?

Leo to Álex. Do you copy?

Leo to Álex. Do you copy?

Is that a radio?

It's a receiver. The radio is in Leo's house.

You had a radio and didn't say anything?

Leo?

I'm still here.

You're alive.

What happened?

Five men broke in and tried to kill us.

One came here.

- He's dead. - You'll find the rest of them here.

Did you kill them all?

I think you were right about Souza. Maybe he's not dead and found us.

Souza, the Butcher?

When I went down to the village and heard your message,

I, once again, thought you were nuts.

Leo, it's Álex. Find another gun.

If a van appears at your house, get ready to use it.

Only you can save us.

I don't know, Álex. I decided that...

it was better to trust you, so I took my grandpa's shotgun

and some old cartridges I had in María's studio.

I was awake. I couldn't sleep. Then I heard them arriving at our house.

Alicia, wake up.

What's going on?

What's going on?

Álex, I managed to save María

and myself

thanks to you.

Is she at your house?

María is wounded, Leo.

Shot in the abdomen.

I told her to hide when the shooting started. How is she wounded?

They shot her. She came here, just like in my visions. Exactly the same.

Shit, you told me if we did as you said,

we'd be safe, and we could change things.

I just killed five guys. What is wrong with you?

I'm truly so sorry.

How is she? I want to talk to her.

She can't right now. We're trying to treat the wound.

Álex.

Will she be okay?

I don't know.

Leo.

Yes?

Are you okay?

I'm fine. It's just a scratch, that's all.

Are you sure?

Leo.

- Leo! - Let's go over there.

Álex, come quickly.

I'm dizzy. I'm losing a lot of blood.

Call an ambulance. We can't from here. We'll come get you.

Hold on, my friend. Okay? Call that ambulance.

- Ask for backup. - The police too.

Okay. Over and out.

Let's go there.

On the way, tell me what Souza has to do with your neighbor.

- Judy. - What?

- Can you do it alone? - I don't know.

I'm trying to take the bullet out, but she needs help.

Did you hear that?

Leo's going to call an ambulance. He's alive.

We changed it.

It's done. We changed it.

Let's go.

Hurry up. We have to go to Leo Bazán's house.

We changed it.

Let's go to his house.

Let's go.

Explain this to me.

Souza, Leo Bazán... What is this all about?

Leo and María are witnesses protected by Interpol.

They collaborated to bring down his network.

- Souza, the Butcher? - He was supposed to be dead.

But his corpse was never found.

Interpol didn't make the news public

so they could break up the organization without interference.

Leo!

Leo!

Leo.

Leo!

Be careful, Ricciardo.

Five men broke in. Leo said they were all dead.

Go upstairs.

Leo!

We're the police!

Gauze, quick.

Pass me the saline solution.

Saline solution. That's it.

I think I've got it.

Okay.

Got it.

Got it.

Got it.

Done.

María.

I did it. I got it out.

I got it out.

María?

Leo...

Leo is fine. They went to get him.

Leo.

He's fine.

Really, he's fine.

Leo.

Leo!

- Leo! I'm with the police. Where are you? - We're armed!

Leo.

María.

María. Hold on.

Leo.

- María, listen to me. - Leo.

Leo is fine.

There's no exit wound.

She wasn't killed here.

She was dragged here.

A wedding ring.

"María and Leo, 12/05/2007."

Leo.

Impossible.

Something's not right.

Try to breathe.

No.

If Leo is dead, nothing has changed.

Ricciardo!

Ricciardo!

María.

María.

No! María, no!

No.

No, María.

Don't go.

María.

No.

What's going on? I need you to come here.

Please. Álex, Leo. Can you hear me?

Why are you taking so long?

Álex.

Álex, can you hear me?

Leo?

- Judy. Álex is fine. Don't worry. - Let me talk to him.

He's giving a statement. Once he finishes, I'll pass him to you.

They won't be long.

How's María?

The ambulance must be about to arrive.

Leo. I'm sorry.

I'm sorry.

Leo.

Leo, I tried, but...

Don't leave the house. We sent backup your way.

No, Leo, please.

I need to understand what's going on. Who broke into your house?

Who is that Souza you were talking about over the radio?

I can't talk right now. I'll call you later.

No, Leo, please. I need to know.

Listen to me. Do you hear me? Leo.

Leo!

I swear I would've done anything to prevent this from happening.

Before the police entered the house,

I didn't know what exactly you had seen.

And how devastating the consequences would be.

What I still don't understand is how you did it.

Who are you, Leo?

That doesn't matter now, Álex.

All you need to know is that

I'm willing to do whatever it takes to get out of here alive.

Tell me...

Tell me your name at least.

I've had many names, Álex.

I've been running from the police all my life.

Before being Leo, I was Álvaro.

That was the name I gave María when we met.

Souza.

María came to me because of Souza.

Souza.

You're Souza?

Souza is the nickname for a faceless man.

I've made up so many stories in my life that I don't know who I am anymore.

Our whole story could be told with María's paintings.

- How did you meet? - In Caracas.

She was never my mule.

In Painter's Square.

I tried to protect her and not involve her in any of it.

Everyone has the right to start fresh,

despite past mistakes.

That's who we were, Álex.

Álvaro and Alicia.

Two people who never should've met, but...

found a way to be together, move on, and be happy.

For years, we lived under threat.

Until Daniel.

You have no fucking clue how hard it was to lose our son.

The police were hot on our heels.

The stress triggered labor early, which ended up killing our son.

María blamed herself and I blamed myself too.

We made a promise to disappear

and try to find peace again.

And we came to Tremore.

I haven't been involved in the business since we got here.

Once a year, they bring me what's mine and then I'm Leo again.

It wasn't Interpol who came to my house.

It wasn't them your ornithologist friend saw when spying on us.

It was my people.

María.

María knew.

It was María who devised our plan from the beginning, Álex.

City by city, country by country, name by name.

Erasing any trace of us with money.

It's not easy to stop existing and be born again every so often.

And it was all going well,

until tonight.

It wasn't her they'd been looking for so long, but me.

María saved us...

with her escape plan.

It's my fault she died tonight.

I tried to change what you saw, Álex.

I tried to save us both.

But I underestimated you.

I underestimated what you saw.

For the first time in my life, I let my guard down

and I wasn't able to protect her or me.

It's over. They're dead.

- You're hurt. - I'm fine. It's just a scratch.

Let's go to the hospital.

María tried to get me to go to the hospital,

but we both knew that was absurd.

Listen to me.

- We both know what we have to do now. - No.

We had five fucking dead Interpol cops in our house.

If they had found out about us, more would arrive soon.

I tried to convince María to follow the plan

that we had devised so long ago.

But then it started to rain fish.

And we both knew

that what you had warned us about was about to happen.

And that it would affect your entire family too.

Everything got out of hand because one of them was still alive.

As soon as she ran away,

I understood that it was the exact moment you had been seeing for so long.

María.

Leo.

I knew that I hadn't been exposed by María or the cop

who got out of here alive after we shot each other,

or else you would have known who I was.

María...

She wanted to warn me about you.

- Leo... - What's wrong with Leo?

What I'm sure of is that I won't ever set foot in jail again, Álex.

I'm sorry about what happened. I didn't want it to happen.

But I guess you were right. Fate can't be changed.

I've tried, Álex.

Believe me, I've tried.

Álex. Leo.

Judy.

Álex?

Can you hear me?

Judy.

Judy.

Álex?

Please.

Leo.

- Judy. - Leo!

Can you hear me?

Álex.

- Judy. - Álex. Can you hear me?

Álex. Leo. Do you copy?

Can you hear me? Do you copy?

Álex. Leo. Can you hear me?

I'm sorry. I can't let you talk to her.

I need to talk to you. Can you hear me?

- Listen to me. - Álex. Can you hear me?

Can you hear me? Please, can you hear me?

Álex, can you hear me?

- Listen to me. - Leo.

Listen to me. Please.

It was written, Álex.

And it can't be changed.

Álex.

Álex, can you hear me?

Álex. Leo. Can you hear me?

Judy, I'm sorry, but he's still talking to the police.

- We'll call you later, okay? - Leo, let me talk to Álex.

Judy, I have four corpses in my house. Okay?

Please, Leo.

Everything that's happening matches Álex's visions.

And I'm scared.

Because the last thing Álex told me

was that something would happen

to his kids and to me.

And I'm scared, Leo.

Judy. Don't worry. He saw me dead too.

And here we are, talking. Okay?

I need you both here, please.

Right now.

- Please. - Okay. We'll come your way.

See you soon.

Souza here, I need backup. Does anybody copy?

Souza here. I need backup. Does anybody copy? Over.

Copy. Hello.

They found me.

There are six bodies in my house and a problem at the neighbor's.

- I need backup. - At the usual coordinates?

The usual. I need to run. I want no faces and no names, okay?

- Someone'll be there in one hour. - Over and out.

Are you expecting someone, Àlex?

Who is it?

- Leo, please. - Don't call me Leo.

Leo Bazán died tonight.

Don't hurt my family. They're not to blame.

Please.

They all know who I am now, Álex.

If you hurt my family,

I swear I'll kill you.

That's not going to happen, Álex.

Please.

No.

Paula.

Paula!

Paula, no!

Paula!

Come on.

Bea!

- Bea! - Mom!

Bea!

Bea, no!

- Mom! - Bea!

Bea, wait!

- Bea! - Wait.

Bea.

- How are you? - It was horrible!

- We're not safe here. - Tell me what's going on.

The police are coming. Let's go inside.

Paula!

I can't believe it. Out of all the places in the world...

Mom!

No!

No!

Let's go! Now!

Now! Run, Bea, run!

Judy! Not to the car! To the lighthouse!

Quick! Let's get in the car! Let's go!

Let's go!

Run, Bea!

Quick!

Quick.

Quick!

Get in. Quick!

It won't start!

It won't start!

Fucking start. Start!

Start.

Come on, please.

Come on!

Come on!

The lighthouse! You must go to the lighthouse, please!

- Come on, go! Start it, dammit! - Come on!

It won't start! Shit.

- It won't start! - Shit.

Come on.

- Hurry! - Come on.

Look! Come on!

Come on!

It started.

To the lighthouse!

Go to the lighthouse. The lighthouse!

- Judy, start it, dammit. He's coming! - I can't.

He's going to kill us. Shit!

Judy!

- I can't! - Judy!

No!

No!

No!

No.

No.

Álex.

Are you okay?

Put her on the bed, number four.

You and six, put the others in the van.

Okay.

Number three, put this on him.

Will this work?

It will work.

It'll work until they do the autopsy.

And by then, I'll be far away.

One, you come with me.

Two and three, take the van and bodies to the agreed place.

Four and five, go to that house.

Take the cars straight to the scrapyard. Understood?

- Yes. - Okay.

Both houses are clean. He's the only one left.

I'm really sorry, Álex.

We've come to the end of the journey.

It's not the end.

I'm afraid it is.

Impossible.

It's impossible.

Ramiro.

He came to visit me at the hospital.

The news on TV.

I've seen many more things than all this, Leo.

Ramiro's visit.

It hasn't happened yet. It will happen.

It was as real...

as the burning I feel in my chest right now.

It burns now.

I'm scared.

I'm very scared.

You said

that what's written can't be changed.

Unless you have all the puzzle pieces.

And I have them.

I have them all.

You're missing the last piece, Álex.

Did you talk to the scrapyard people?

Yes. When we get rid of the bodies, we'll give them the cars and we're done.

What a night, huh?

What a night.

My last night in Tremore.

Álex.

Álex!

Are you okay?

Álex!

Álex!

Álex, what happened?

Álex!

Let's take him to the hospital. Help me pick him up.

Our secret's gone to shit.

Don't move!

You're in the provincial hospital. Do you know why you were admitted?

You were struck by lightning.

Do you remember?

You were lucky.

If your neighbors hadn't found you, the side effects could have been serious.

We were just in time to prevent more damage.

You really scared us, kid.

How are you?

I'm going to sit you up. Tell me if you feel dizzy, okay?

The electrical shock was strong. It's normal if you feel disoriented.

Do you know what day it is?

Álex.

Do you remember what happened?

We had dinner at home with Peio and Viviana...

And if they're not?

I have this wonderful hunting shotgun.

Do you remember?

I shouldn't have let you leave in that huge storm.

Well, it's over.

It's the only thing I have left.

Don't leave the house, Álex.

You talked about her in your sleep. She called you non-stop.

Calm down.

Thanks for calling me.

No!

Judy.

- Judy. - You should go home and rest.

We'll stay with him. We're his only family here.

I called Eva. She's going to stay at the hostel. I can stay.

- Are you sure? - Yes.

- We don't mind. We're fine here. - Sure.

I mean...

Okay.

Okay, then. Let us know when you get the results.

I'll see you to the door. I'll be right back.

What's wrong?

Our secret's gone to shit.

I need to go to the bathroom.

- I'll get a bedpan. - No.

Álex, I was a nurse.

- I've seen... - Worse. Yeah.

I know.

Can you...?

Holy shit.

There it is.

Does it hurt?

They talk to me.

They're called Lichtenberg figures, after the discoverer,

the German physicist Georg Christoph Lichtenberg.

These skin tattoos are the result of capillary ruptures

from electricity passing through the body.

The good news is they'll subside soon.

And the bad news is that they will cause discomfort.

Headaches, disorientation, and cutaneous irritation.

How do you know? Has this happened to you before?

SHIPWRECK FURY BLANCHARD

MISSING AFTER SAILBOAT SINKS

MARRIED COUPLE RESIDING IN BRAZIL DECLARED MISSING

None of this has happened yet.

I couldn't have known.

I've seen many more things than all this, Leo.

Ramiro.

He came to visit me at the hospital.

What are you saying?

If it wasn't for me, Estrella would be alive.

TRAGEDY STRIKES IN THE WORLD OF MUSIC

ESTRELLA ESCUDÉ DIES

THE YOUNG PIANIST DIES AFTER WINNING A SCHOLARSHIP

The news on TV...

But time could end up proving...

...hasn't happened yet.

An anonymous source claims to be able to prove...

It will happen.

Stop!

My little girl!

My little girl!

Hi, this is Ramiro. Please leave me a message. Thanks.

Ramiro.

This is Álex de la Fuente. I don't know if you still have...

my phone number.

When you hear this message, I'd like you to get in touch with me.

There's something I need to tell you about Estrella

that I think... you should know.

I'd rather do it in person.

So...

I'm at the provincial hospital right now, the one near Tremore.

That's all.

I was surprised to get that call.

I didn't expect to see you again.

I did.

Is everything okay?

Do you know him?

No, why?

He was in Álex's room.

Do you have or have you had headaches?

The ticktock.

- It disappeared. - The "ticktock"?

The throbbing pain is gone.

But you felt it?

Yes, but it won't be back.

- Well, you don't know that. - I know.

Trust me.

- What they gave you is strong. - Yes, it is.

Who visited you at the hospital this morning?

His name's Ramiro.

- You don't want to talk about him? - Not now.

- I wanted to get here before I told you. - I know the landline is down.

Look at him.

He comes and goes through a hole in the basement.

Be careful if you go downstairs.

The leaking pipe could burst at any moment.

I don't like this house, Judy.

- Can I stay at the hostel with you? - Of course.

Until you recover.

It's lovely.

Is it new?

I composed it for you.

What?

In two or three days.

It's amazing that I can remember so many details.

Remember what?

I have the complete puzzle.

Are you sure you're okay?

I'll be able to connect it all.

I'll go get your stuff and we can go.

Hey, you.

Can we stop by Leo and María's?

Did you lock the house?

Thanks.

Hello?

Where are they?

Look at you!

Well, well. Look at him!

How are you?

- How is our electric man doing? - Good.

I'm here to say goodbye.

- Are you leaving? - Yes.

To Amsterdam. I want to see my kids.

I'm going to ask Judy to come with me.

When will you be back?

I might not come back.

What?

Life has given me a second chance. I want to make the most of it.

I want to do things right. To avoid things I now know I can avoid.

- But are you okay? - Yes.

I need to start over.

- Isn't that why you came to Tremore? - Yes.

Here, I discovered I've been pretending to be someone I'm not for years.

I need to settle accounts with my past, start over, live in peace.

We'll miss you a lot, Álex.

Thanks for everything.

Well, shit...

This took us by surprise.

If you ever need anything at all, you know where to find us.

I know we'll meet again, Leo.

We'll have plenty of time to talk.

I hope so.

This is the National Police.

Hi. Good afternoon.

I know the whereabouts of a man you've been looking for for years.

- His name's Souza. Nickname the Butcher. - I'll connect you to Interpol.

Who am I speaking to?

My name doesn't matter.

I know you are looking for Souza around the area of Tremore.

Or you will be very soon.

What do you know?

I wanted to tell you that he lives in the remodeled house

above El Diente beach, on the cliffs, near the lighthouse.

The other house is empty.

He lives with his wife.

I'll leave her out of all this.

If you go now, you'll find him unarmed.

Police!

- Come on! Police! - Come on!

Don't move!

Put your hands up!

We've got Souza.

I've just been told he's in Tremore,

in a house above El Diente beach.

It has to be here.

Hi, Álex.

Is this a bad time?

- Yeah, we're having lunch. - I can call at another time if you want.

- No, don't worry. Tell me. - I just wanted to know how the kids were.

Good. It's school break in Holland. They're a bit hyper, but...

We're dealing with it.

What about you?

How are you?

Good.

Well, a bit busy.

Niels got a call from work. He might have to go to Greece for a few days.

- If you want, I can stay with the kids. - That easy?

That easy.

Álex. Are you okay?

Paula.

I want you to be happy.

And...

I want to make up for how I hurt you.

I wasn't myself.

I'm sorry.

Do you want the kids to go there for a few days?

No.

I'll go there. Is that okay?

Yes.

And...

If it's okay with you...

I'll bring someone.

She'll be there at around 6:00 p.m.

Her name's Judy and she's a wonderful woman.

Of course.

Okay, then...

We'll look for a flight for tomorrow or the day after.

We probably won't leave for another two or three days.

Okay. Perfect.

That way we can meet up

and talk for a bit.

That sounds great.

Can I talk to the kids now?

Of course.

Dad.

Hi, Dad.

Hi.

To Amsterdam with your kids?

I can't leave the hostel unattended for so many days.

Eva's here.

- Hire someone else if you want. - I don't know if I want to.

We said this wouldn't happen.

It's happening because I'm asking.

But I don't want you to ask.

Álex.

You don't know me.

I also came to Tremore

aimlessly,

to find myself, just like you.

But I don't know if I have yet.

All I know is that when...

I close this chapter, I want to be free.

I don't want to suffer.

I don't know if that's possible with you.

And in crime news,

a case that has been unresolved for more than two decades

that, thanks to an anonymous source, may soon be closed.

Twenty years ago, a promising young pianist had a car accident.

Estrella Escudé, 21, was on her way home after winning a scholarship to study...

Is that the man who visited you this morning?

...in London when she lost control of her vehicle.

- The victim's father, Ramiro Escudé... - Yes.

...the owner of a construction company linked to extortion cases,

always maintained that his daughter...

Álex, what's going on?

Álex, I don't understand anything.

You've been behaving very strangely since we left the hospital.

What's going on?

I know you're scared.

I know you didn't get those scars in a car accident.

I know everything, Judy.

Toulouse.

Listen.

I know what those five bastards did to you.

Who told you that?

You.

In a couple of days.

You spoke to me about the future at your house too. Why?

I love you, Judy.

I love you.

And I know you love me too.

And you're right.

Nothing's written.

It all depends on what we do in the moment.

I won't miss this opportunity.

I can choose. And I choose you.

And if you choose me,

we can live here, in London, in Amsterdam... Wherever you want.

But whatever you choose,

don't do it out of fear.

Judy, please.

Let's go away for a few days, until what's going to happen is over.

What's going to happen?

Leo and María.

What about them?

You'll soon understand.

Just like my mother. What she did to Estrella some years ago.

Your mother?

The news on TV.

Judy.

My mom had a gift.

She called it "instinct."

The lightning awakened it in me.

THE LAST NIGHT AT TREMORE BEACH

Subtitle translation by: Molly Yurick