Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:15,290 --> 00:00:17,750
I remember we sat and
listened to the songs, and,
2
00:00:17,790 --> 00:00:20,720
there was something
incredibly eerie about
3
00:00:20,750 --> 00:00:23,520
the first track Jesus Alone,
4
00:00:23,550 --> 00:00:26,750
sort of had this line, "He fell
from the sky, crash landed".
5
00:00:26,790 --> 00:00:28,790
Do you wanna
just tell me the story?
6
00:00:28,820 --> 00:00:31,550
I mean I don't really
know because I can't imagine
7
00:00:31,590 --> 00:00:33,920
how you navigate such
a thing.
8
00:00:33,950 --> 00:00:37,650
And, you know, I
just can't even
9
00:00:37,690 --> 00:00:39,520
fathom it. Um...
10
00:00:39,550 --> 00:00:44,420
And watching this happen to
people that you love,
11
00:00:44,450 --> 00:00:47,350
is um...
It doesn't even...
12
00:00:47,390 --> 00:00:51,350
I don't think even... lets you
any, gives you any insight
13
00:00:51,390 --> 00:00:54,190
really into it. Because,
there's a step within,
14
00:00:54,220 --> 00:00:55,550
you can't go.
15
00:00:56,550 --> 00:00:59,590
But, it... it feels like...
16
00:00:59,620 --> 00:01:03,620
for Nick or somebody who's
created all his life, um,
17
00:01:03,650 --> 00:01:07,390
it feels like...
18
00:01:07,420 --> 00:01:09,150
Can we stop right there?
19
00:01:11,450 --> 00:01:13,490
We have to re-calibrate,
this is out of focus.
20
00:01:13,520 --> 00:01:14,690
It's not usable at the moment.
21
00:01:14,720 --> 00:01:16,650
I know.
Calibrate focus please.
22
00:01:17,650 --> 00:01:19,820
Sorry.
That's alright, man.
23
00:01:19,850 --> 00:01:21,690
Are you...
Let's cut it.
24
00:01:22,920 --> 00:01:24,650
Alright, do you want me
to hop out?
Yeah.
25
00:01:24,690 --> 00:01:26,750
Yes please. Could you?
Do you want me to get out too?
26
00:01:26,790 --> 00:01:28,750
Yea, we'll get out.
If you wanna stretch your legs.
27
00:01:28,790 --> 00:01:29,890
Yeah.
28
00:01:31,890 --> 00:01:34,190
Mate, I'm sorry.
29
00:01:34,220 --> 00:01:37,350
It's shocking man.
It's shocking, it's terrible.
This is not what I...
30
00:01:37,390 --> 00:01:41,790
-what I want you to...
- To be honest I find this
really hard, because,
31
00:01:41,820 --> 00:01:46,620
- I've never discussed Nick's
private life, um...
- Yeah.
32
00:01:46,650 --> 00:01:51,650
Or anybody that I know. I don't
sort of, discuss it like this,
and, it feels like this is
33
00:01:51,690 --> 00:01:54,820
-something that gotta come up.
You know?
- Yeah.
34
00:01:54,850 --> 00:01:59,790
Um, and so there's a part of
me that feels very protective.
35
00:01:59,820 --> 00:02:02,690
That's where's it's hard
to strike a balance, you know.
36
00:02:02,720 --> 00:02:04,520
Like, I can... you know,
37
00:02:04,550 --> 00:02:07,290
I don't wanna go and tell you
what I saw when I went there,
38
00:02:07,320 --> 00:02:10,620
and all this, I don't wanna
tell what I felt because,
39
00:02:10,650 --> 00:02:14,250
it just feels like...
that's...
40
00:02:14,290 --> 00:02:16,090
that's like, private, you know.
41
00:02:19,950 --> 00:02:23,720
Uh, I just... Warren sent me
something yesterday.
42
00:02:23,750 --> 00:02:26,120
Uh...
emailed a friend...
43
00:02:26,590 --> 00:02:29,550
um, last night.
44
00:02:29,590 --> 00:02:32,490
I shouldn't go in first,
because I get in before...
45
00:02:33,450 --> 00:02:34,490
Uh...
46
00:02:37,790 --> 00:02:40,420
We've all gotta get behind you.
47
00:02:40,450 --> 00:02:41,850
Um, I don't know.
48
00:02:41,890 --> 00:02:46,750
And, I was
mentioning how time
49
00:02:46,790 --> 00:02:49,490
felt elastic these days.
50
00:02:51,950 --> 00:02:54,390
Alright so we need to go
this way, mate.
51
00:02:58,290 --> 00:03:01,320
And he emailed
me back...
52
00:03:01,350 --> 00:03:05,890
uh, a very excited
and lovely email.
53
00:03:05,920 --> 00:03:11,350
Where he spoke about um, the idea
that all things were happening...
54
00:03:11,390 --> 00:03:12,420
Is this um...
55
00:03:12,450 --> 00:03:14,090
all the time.
56
00:03:14,120 --> 00:03:16,690
Is this okay to wear in the studio,
do you want me to put a shirt on and stuff?
57
00:03:17,750 --> 00:03:21,550
Uh...
Textually,
58
00:03:21,590 --> 00:03:23,520
textually that's not the
greatest thing.
Okay.
59
00:03:23,550 --> 00:03:25,890
Yeah.
Okay.
60
00:03:25,920 --> 00:03:30,250
Okay, come on, let's uh...
begin to film this. Alright.
Yeah, we're filming.
61
00:03:30,290 --> 00:03:31,550
We never stopped.
62
00:03:31,590 --> 00:03:34,220
Okay.
So, try and get
both Nick's.
63
00:03:34,250 --> 00:03:38,420
All past present and future,
are happening now.
64
00:03:38,450 --> 00:03:39,650
Right now.
65
00:03:39,690 --> 00:03:42,690
And then if you just...
Yeah, great Nick.
66
00:03:42,720 --> 00:03:47,890
That basically a caveman,
was clubbing a female mate,
67
00:03:51,150 --> 00:03:56,890
Uh, at the same time that
astronauts, or scientists
trying to...
68
00:03:56,920 --> 00:03:59,450
work out how to
colonize Mars.
69
00:04:07,820 --> 00:04:08,890
Now...
70
00:04:11,350 --> 00:04:14,250
that is encouraging right?
71
00:04:16,350 --> 00:04:21,820
And, I think he meant well.
But, it's not true because...
72
00:04:29,720 --> 00:04:30,850
it's not true...
73
00:04:32,250 --> 00:04:33,420
because...
74
00:04:33,450 --> 00:04:35,420
We need an exit.
I know.
75
00:04:35,450 --> 00:04:36,550
It's to the right.
76
00:04:40,920 --> 00:04:43,550
Hey, you see there's another
Nick in the mirror there...
Yeah, there.
77
00:04:43,590 --> 00:04:45,450
Wait till he comes back in.
78
00:04:47,290 --> 00:04:49,390
If everything was
happening now...
79
00:04:50,250 --> 00:04:51,490
Nick.
Yeah?
80
00:04:51,520 --> 00:04:53,920
How do you feel about us
having another go at that?
81
00:04:53,950 --> 00:04:55,750
I wouldn't be sitting here
82
00:04:55,790 --> 00:04:59,690
waiting for the film crew to
work out how to work...
83
00:04:59,720 --> 00:05:02,450
Yeah, we'd really appreciate
another go.
84
00:05:02,490 --> 00:05:05,790
this ridiculous 3D black
and white camera.
85
00:05:06,650 --> 00:05:07,650
Uh, alright.
86
00:05:08,390 --> 00:05:09,220
Okay.
87
00:05:09,250 --> 00:05:11,390
Right now nothing is happening.
88
00:05:11,420 --> 00:05:13,320
We won't do it a third time.
89
00:05:13,350 --> 00:05:15,150
Okay, so what do you
want to do?
90
00:05:15,190 --> 00:05:18,520
Basically, everything you just
did was fantastic, okay?
91
00:05:18,550 --> 00:05:21,790
And?
We'd really appreciate
another go.
92
00:05:24,720 --> 00:05:27,490
You know what I'm saying?
Um... so, I have to
undress again?
93
00:05:27,520 --> 00:05:29,220
Undress, yeah.
94
00:05:29,250 --> 00:05:32,350
Now, let's go back to it, eh?
Do you want to do it
a bit slower?
95
00:05:32,390 --> 00:05:34,550
I see the focus, guys,
you need to focus guys.
96
00:05:41,490 --> 00:05:45,890
I mean obviously
your songs have become
97
00:05:45,920 --> 00:05:47,620
a lot less narrative.
98
00:05:48,750 --> 00:05:50,690
Uh...
99
00:05:50,720 --> 00:05:53,190
Yeah. The other half.
Yeah, and...
100
00:05:53,220 --> 00:05:56,520
do you have uh, is there
a reason for that?
101
00:05:56,550 --> 00:05:59,350
Well, yeah...
Yeah I mean,
102
00:05:59,390 --> 00:06:01,490
I think um...
103
00:06:03,750 --> 00:06:08,690
maybe there's... maybe
some serve a certain need,
104
00:06:08,720 --> 00:06:13,190
and, I think I probably needed
uh, on some level
105
00:06:13,220 --> 00:06:17,490
a kind of narrative in my life
that was...
106
00:06:17,520 --> 00:06:19,820
kind of predictable
and had it's...
107
00:06:20,720 --> 00:06:22,620
had a kind of logic to it.
108
00:06:25,290 --> 00:06:27,850
So, I wrote stories and,
109
00:06:27,890 --> 00:06:33,350
they seem to hold everything
together. Um, in a particular
part of my life, for a long
110
00:06:33,390 --> 00:06:35,390
part of my life
111
00:06:35,420 --> 00:06:40,620
where things needed to be
held together. Um, but, I
don't believe in the narrative
112
00:06:40,650 --> 00:06:43,150
anymore. I don't... um...
113
00:06:46,650 --> 00:06:50,590
I don't actually believe that
that's what life is like.
114
00:06:50,620 --> 00:06:52,720
And, that there's
115
00:06:52,750 --> 00:06:57,520
a pleasing resolve and all
of that sort of thing to life.
116
00:06:57,550 --> 00:07:00,150
I... I... I just feel that
117
00:07:00,190 --> 00:07:04,720
to do fractured narrative, uh,
a thing where, uh...
118
00:07:04,750 --> 00:07:07,290
where time is actually
compressed,
119
00:07:07,320 --> 00:07:10,190
um, events uh...
120
00:07:10,220 --> 00:07:14,890
stuck on top of other events.
There's no particular logic
to it. Um...
121
00:07:16,620 --> 00:07:19,520
or, a distressing
kind of logic,
122
00:07:19,550 --> 00:07:22,490
um, makes it, um...
123
00:07:22,520 --> 00:07:26,120
it's much ore real that true
to the way I feel about things.
124
00:07:27,290 --> 00:07:31,220
So, um, this is just sort of
directorial...
125
00:07:32,390 --> 00:07:36,150
uh, tactic, to make us
all pissed off.
126
00:07:36,190 --> 00:07:37,650
What, you're pissed off?
127
00:07:38,890 --> 00:07:40,120
No, roll.
128
00:07:41,550 --> 00:07:43,190
To get us all edgy in the
morning.
129
00:07:43,220 --> 00:07:44,850
WO Should we put
your bags in front?
Yeah, thanks.
130
00:07:44,890 --> 00:07:48,620
Not at all. It's
actually just
a... this is...
131
00:07:48,650 --> 00:07:49,720
Thanks, Nick.
132
00:07:50,950 --> 00:07:52,920
We're rolling right?
133
00:07:57,950 --> 00:08:01,620
So, um, everything we say...
134
00:08:02,690 --> 00:08:04,520
is taped?
135
00:08:04,550 --> 00:08:06,550
It's all.
Unless we pull out the plug.
136
00:08:07,290 --> 00:08:08,350
Yup.
137
00:08:10,450 --> 00:08:12,050
Okay.
138
00:08:12,090 --> 00:08:17,550
I think it's the nature
of songs to um... have an
insight into things
139
00:08:17,590 --> 00:08:22,420
that we don't consciously have
because, largely they come from
140
00:08:22,450 --> 00:08:24,520
the unconscious.
Yeah.
141
00:08:24,550 --> 00:08:29,220
Which is a king of reservoir
of knowledge and understanding
that"s far beyond what
142
00:08:29,250 --> 00:08:31,350
we consciously are aware of.
143
00:08:34,220 --> 00:08:36,150
I've got this...
144
00:08:36,190 --> 00:08:38,490
stuff that we did in
Morwan here,
145
00:08:38,520 --> 00:08:40,850
when we were going
through it.
146
00:08:40,890 --> 00:08:44,390
And, maybe we can just go
through
147
00:08:45,250 --> 00:08:46,920
these, and look at them.
148
00:08:46,950 --> 00:08:49,690
What?
Yeah, let's change it
a little bit.
149
00:08:49,720 --> 00:08:52,920
Yeah, but it...
Well, you know, we can add
But um...
150
00:08:52,950 --> 00:08:55,820
or subtract and then...
151
00:08:55,850 --> 00:09:00,220
But actually,
with Jesus Alone,
should we go back to that,
152
00:09:00,250 --> 00:09:04,150
um, you know, we talked about
going back to the earlier
version of it.
153
00:09:04,190 --> 00:09:06,350
Yeah.
That's less... okay, good.
154
00:09:06,390 --> 00:09:08,290
So, songs an often uh...
155
00:09:09,790 --> 00:09:13,820
appear to foretell
situations in
156
00:09:13,850 --> 00:09:16,520
the same way as dreams maybe,
are able to...
157
00:09:17,450 --> 00:09:21,520
um... have, uh...
158
00:09:21,550 --> 00:09:24,390
have a kind of
prophetic nature sometimes.
159
00:09:24,420 --> 00:09:28,490
Susie, for example, is
hugely superstitious,
160
00:09:28,520 --> 00:09:32,850
about my songs. Um...
Yeah.
161
00:09:32,890 --> 00:09:36,350
That there being a canary in
the coal mine kind of thing
that there's some...
162
00:09:36,390 --> 00:09:38,290
Because, if...
Exactly. Yeah.
163
00:09:40,320 --> 00:09:45,590
But, you know, and I... I...
Like I said, I don't think
164
00:09:45,620 --> 00:09:49,890
that this is a unique to what
I do. Although I
165
00:09:49,920 --> 00:09:54,390
write a certain type of song,
that has a certain element
166
00:09:54,420 --> 00:09:59,450
of, uh, anxiety, and dread,
and anguish...
167
00:09:59,490 --> 00:10:01,520
Yeah.
To them in their nature.
168
00:10:02,720 --> 00:10:04,690
So, it can... it can...
169
00:10:05,390 --> 00:10:08,450
foretell, um...
170
00:10:12,620 --> 00:10:16,150
uh, they can foretell, um...
171
00:10:17,920 --> 00:10:19,420
certain events.
172
00:10:46,250 --> 00:10:49,150
Right.
Hey Jake!
173
00:10:49,190 --> 00:10:51,450
This is the vocal that
you didn't do at La Frite.
Yeah.
174
00:10:51,490 --> 00:10:55,520
Yeah but, I just patched
up this...
Yeah.
175
00:10:55,550 --> 00:10:59,620
So, um, is this
before it's being...
176
00:10:59,650 --> 00:11:01,420
Before it's being...
put in time?
177
00:11:01,450 --> 00:11:04,250
Yeah.
178
00:11:04,290 --> 00:11:09,220
* You fell from the sky
Crash landed in a field
Near the river Adur
179
00:11:14,250 --> 00:11:20,390
* Flowers spring from the
Ground Lambs burst from the
Wombs of their mothers
180
00:11:24,720 --> 00:11:29,590
* In a hole beneath the bridge
You convalesced you
Fashioned masks
181
00:11:29,620 --> 00:11:32,920
* You gave them names
You gave them names
182
00:11:32,950 --> 00:11:34,750
* With my voice.
183
00:11:34,790 --> 00:11:36,190
It's better there.
184
00:11:36,220 --> 00:11:40,150
* I am calling you.
185
00:11:40,190 --> 00:11:42,150
And, I'm playing the
piano at the same time.
Yeah.
186
00:11:42,190 --> 00:11:44,890
And, because it's
just opened up a bit more there.
187
00:11:45,790 --> 00:11:47,850
This feels like...
188
00:11:47,890 --> 00:11:51,250
It does need the piano right?
Cut the piano here.
189
00:11:52,650 --> 00:11:55,390
We could do the piano
separately.
Yeah, yeah.
190
00:11:55,420 --> 00:11:59,150
Edit over done piano, and
all those sorts of.
191
00:11:59,190 --> 00:12:00,450
"Ooh's", and "Ah's",
and all that.
192
00:12:00,490 --> 00:12:04,150
*You're an African doctor
Harvesting tear ducts *
193
00:12:04,190 --> 00:12:07,350
That has a, I mean a...
I have to listen to the other
one, but this...
194
00:12:07,390 --> 00:12:09,790
definitely has a sort of,
intensity about it.
195
00:12:09,820 --> 00:12:13,820
Yeah. There's something the
vibe just builds in it and it
becomes hypnotic and stuff
196
00:12:13,850 --> 00:12:17,820
and, the other one feels like
a song. It Feels...
Yeah, okay. So...
197
00:12:17,850 --> 00:12:22,490
The vocal needs to be fixed up,
because there's...
Yeah, it goes in and out.
198
00:12:22,520 --> 00:12:24,490
Just mumbo-jumbo on it.
199
00:12:26,450 --> 00:12:28,150
Well, it's kind of ad-libbed.
200
00:12:28,190 --> 00:12:31,150
Right.
A bit, a bit. You know,
a lot.
201
00:12:31,190 --> 00:12:32,020
And then...
202
00:12:32,050 --> 00:12:34,850
In La Frite we
kind of put it on one.
203
00:12:34,890 --> 00:12:37,250
The one was actually...
it wasn't...
204
00:12:37,290 --> 00:12:39,220
We never even knew
where the one was.
205
00:12:39,250 --> 00:12:43,190
It's coming in the wrong spots.
At least we all had
a different opinion.
206
00:12:43,220 --> 00:12:44,650
As we often do.
[LAUGHS]
207
00:12:44,690 --> 00:12:48,290
It felt like it...
You've never heard
that one before.
208
00:12:51,450 --> 00:12:55,820
One! Should there be a vocal
before we do anything else?
209
00:12:55,850 --> 00:12:59,420
Uh... Yeah.
Or, maybe we don't need
a vocal before.
210
00:12:59,450 --> 00:13:03,650
I think the vocal would give us
the kind of... the energy,
211
00:13:03,690 --> 00:13:05,190
Um...
Right.
212
00:13:05,220 --> 00:13:07,720
And what to do, so that you
feed off...
213
00:13:07,750 --> 00:13:10,490
You know,
you working off like...
214
00:13:14,590 --> 00:13:15,850
Oh, that's it?
Yeah.
215
00:13:19,750 --> 00:13:22,420
Incredible wasn't it.
Aluminum.
216
00:13:25,850 --> 00:13:27,320
I'm incredible.
217
00:13:28,750 --> 00:13:30,150
3000 Dollars.
218
00:13:32,590 --> 00:13:34,890
You bought it?
Yeah.
219
00:13:34,920 --> 00:13:37,920
It sound good?
Nah, it looks awesome.
220
00:13:56,320 --> 00:13:59,750
This is difficult.
This is really
fucking difficult.
221
00:14:00,620 --> 00:14:01,720
It is.
222
00:14:03,490 --> 00:14:09,490
Doing and over dub-vocal, is
some kind of torture.
223
00:14:09,520 --> 00:14:12,750
And it's something that I
really try and avoid.
224
00:14:12,790 --> 00:14:18,490
I do everything I can to get
the vocal down while
225
00:14:18,520 --> 00:14:20,690
the basic track is being
recorded,
226
00:14:20,720 --> 00:14:23,250
you know. That we just
all do it together.
227
00:14:23,290 --> 00:14:27,320
There's something more
hypnotic about this one
and kind of more...
228
00:14:27,350 --> 00:14:30,290
meditative or, something.
And it kind of has a...
229
00:14:30,320 --> 00:14:32,720
Feels a bit more
mysterious or something.
230
00:14:32,750 --> 00:14:37,750
And, also the kind of fact
that the stuff doesn't
just come in on the one,
231
00:14:37,790 --> 00:14:39,850
wait, feel it
comes in somewhere,
232
00:14:39,890 --> 00:14:42,320
there's some more space
for the kind of backing...
233
00:14:42,350 --> 00:14:43,820
to kind of come through.
234
00:14:52,490 --> 00:14:53,650
C?
235
00:14:54,820 --> 00:14:57,420
No.
What's that one?
236
00:15:00,490 --> 00:15:02,590
I don't know
what the chords are.
237
00:15:03,790 --> 00:15:05,250
I have to hear it on...
238
00:15:06,750 --> 00:15:09,520
Nick, you wanna
play piano right?
239
00:15:09,550 --> 00:15:11,750
I don't know what
the chords are.
240
00:15:11,790 --> 00:15:15,650
I don't know.
I don't know yet, because,
241
00:15:15,690 --> 00:15:17,450
I don't even know what
the chords are.
242
00:15:19,390 --> 00:15:21,390
They keep changing
all the time.
243
00:15:24,690 --> 00:15:27,150
I mean, I played the
chords originally.
244
00:15:29,650 --> 00:15:33,890
But, there seems to be an
endless variations on the
circle.
245
00:15:33,920 --> 00:15:37,190
Oh fuck it. I don't know what
that is. So, no, I won't be
playing the piano.
246
00:15:39,490 --> 00:15:42,190
And, there seems to be a bit
weird to be trying to work
out the chords,
247
00:15:43,190 --> 00:15:45,590
to an improvised song anyway.
248
00:15:45,620 --> 00:15:47,220
Don't you think?
249
00:15:48,650 --> 00:15:52,350
* I am calling you
250
00:15:56,650 --> 00:15:59,450
* With your voice
251
00:15:59,490 --> 00:16:04,220
* I am calling you
252
00:16:04,250 --> 00:16:06,420
I should have strengthened
my voice.
253
00:16:07,250 --> 00:16:09,320
* With my voice
254
00:16:10,250 --> 00:16:12,350
* With my voice
My voice
255
00:16:13,520 --> 00:16:18,220
* I am call, call, call
256
00:16:20,690 --> 00:16:23,720
I should have sung more before
I came into the studio.
257
00:16:25,850 --> 00:16:27,920
* I am call
258
00:16:27,950 --> 00:16:29,890
I knew that at the time.
259
00:16:30,690 --> 00:16:31,820
Okay.
260
00:16:35,690 --> 00:16:36,850
Alright.
261
00:16:39,450 --> 00:16:41,220
I'll come out okay.
Yeah.
262
00:16:43,390 --> 00:16:45,520
263
00:16:57,820 --> 00:16:59,720
Just find it
into lost things.
264
00:17:04,820 --> 00:17:06,350
My voice.
265
00:17:08,720 --> 00:17:10,420
My iPhone.
266
00:17:13,290 --> 00:17:15,250
My judgment.
267
00:17:18,250 --> 00:17:19,450
My memory maybe.
268
00:17:23,190 --> 00:17:24,490
Fuck.
269
00:17:39,490 --> 00:17:41,820
And, isn't that
the invisible things?
270
00:17:46,450 --> 00:17:47,720
Lost things...
271
00:17:49,650 --> 00:17:51,520
that have so much mass,
272
00:17:54,390 --> 00:17:55,720
and so much weight.
273
00:18:01,290 --> 00:18:02,320
Alright.
274
00:18:02,350 --> 00:18:04,220
And, are as big as
the universe.
275
00:18:26,750 --> 00:18:29,390
* You fell from the sky
276
00:18:29,420 --> 00:18:32,850
* Crash landed in a field
Near the river Adur
277
00:18:38,350 --> 00:18:43,420
* Flowers spring from
The ground Lambs burst from
The wombs of their mothers
278
00:18:48,290 --> 00:18:54,320
* In a hole beneath the bridge
You convalesced, you fashioned
Masks of twigs and clay
279
00:18:59,490 --> 00:19:03,390
* You cried beneath
The dripping tree
280
00:19:03,420 --> 00:19:05,650
* Ghost song Lodged
In the throat of a mermaid
281
00:19:11,890 --> 00:19:13,750
* With my voice
282
00:19:14,720 --> 00:19:18,550
* I am calling you
283
00:19:22,890 --> 00:19:27,650
* You're a young man waking
Covered in blood that is
Not yours
284
00:19:32,720 --> 00:19:38,220
* You're a woman in a yellow
Dress Surrounded by a charm
Of hummingbirds
285
00:19:43,490 --> 00:19:48,750
* You're a young girl full of
Forbidden energy
Flickering in the gloom
286
00:19:53,650 --> 00:19:59,220
* You're a drug addict
Lying on your back
In a Tijuana hotel room
287
00:20:04,490 --> 00:20:07,290
* With my voice
288
00:20:07,320 --> 00:20:11,520
* I am calling you
289
00:20:14,790 --> 00:20:17,550
* With my voice
290
00:20:17,590 --> 00:20:21,120
* I am calling you
291
00:20:26,950 --> 00:20:32,590
* You're an African doctor
Harvesting tear ducts
292
00:20:37,290 --> 00:20:43,150
* You believe in God, but you
Get no special dispensation
For this belief now
293
00:20:49,320 --> 00:20:54,720
* You're an old man sitting by
The fire, you're the mist
Rolling off the sea
294
00:20:59,320 --> 00:21:05,150
* You're a distant memory in
The mind of your creator
Don't you see
295
00:21:08,250 --> 00:21:10,820
* With my voice
296
00:21:10,850 --> 00:21:15,120
* I am calling you
297
00:21:18,490 --> 00:21:20,790
* With my voice
298
00:21:20,820 --> 00:21:25,450
* I am calling you
299
00:21:30,490 --> 00:21:32,850
* Let us sit together
300
00:21:33,850 --> 00:21:37,150
* Until the moment comes
301
00:21:39,720 --> 00:21:41,720
* With my voice
302
00:21:42,550 --> 00:21:46,790
* I am calling you
303
00:21:51,790 --> 00:21:54,450
* Let us sit together
In the dark
304
00:21:54,490 --> 00:21:57,850
* Until the moment comes
305
00:22:01,550 --> 00:22:03,190
* With my voice
306
00:22:03,890 --> 00:22:07,890
* I am calling you
307
00:22:11,650 --> 00:22:13,720
* With my voice
308
00:22:14,620 --> 00:22:18,650
* I am calling you
309
00:22:21,950 --> 00:22:24,890
* With my voice
310
00:22:24,920 --> 00:22:29,620
* I am calling you
311
00:22:32,620 --> 00:22:35,450
* With my voice
312
00:22:35,490 --> 00:22:39,850
* I am calling you
313
00:24:15,290 --> 00:24:17,790
Cool!
Nice.
314
00:24:17,820 --> 00:24:20,250
That's a good one,
and a longer.
It's good.
315
00:24:20,290 --> 00:24:22,120
Great.
Cup of tea?
316
00:24:26,320 --> 00:24:30,420
Do you feel that
the lack of narrative allows
you to get the something...
317
00:24:30,450 --> 00:24:34,250
as wide a...
I just don't think, I
don't think, uh...
318
00:24:35,520 --> 00:24:37,220
life is a story.
319
00:24:37,250 --> 00:24:40,150
Yeah.
You know, that...
that hasn't,
320
00:24:40,190 --> 00:24:42,420
I mean, we all hope it is.
Yeah.
321
00:24:42,820 --> 00:24:44,650
Um...
322
00:24:44,690 --> 00:24:46,750
We all...
It kind of is,
I have to say.
323
00:24:47,450 --> 00:24:49,820
It kind of is a story.
324
00:24:49,850 --> 00:24:52,390
It's the same story for
everyone.
325
00:24:52,420 --> 00:24:55,850
In a way
It... In a way but, um...
326
00:24:55,890 --> 00:25:00,390
the arc can be very different
and it's not necessarily, um...
327
00:25:03,250 --> 00:25:04,390
um...
328
00:25:05,520 --> 00:25:08,250
yeah, yeah,
I guess...
329
00:25:08,290 --> 00:25:10,620
you were born, and you die.
330
00:25:10,650 --> 00:25:13,350
Um...
Well you gradually...
331
00:25:13,390 --> 00:25:15,490
decay.
Gradually decay.
332
00:25:15,520 --> 00:25:17,620
Yeah, which is...
333
00:25:17,650 --> 00:25:20,150
I mean, that what I feel like
I'm dealing with.
334
00:25:20,190 --> 00:25:21,720
And, you're ten years ahead
of me.
335
00:25:22,950 --> 00:25:24,220
Um...
336
00:25:25,720 --> 00:25:29,150
you decay and you sort
of diminish.
337
00:25:35,420 --> 00:25:37,420
Um...
338
00:25:37,450 --> 00:25:38,790
339
00:25:39,720 --> 00:25:43,150
Yeah.
In what sense?
340
00:25:43,190 --> 00:25:48,420
Um, that the struggle to...
to do what I do is um...
341
00:25:50,890 --> 00:25:53,450
it just requires more effort.
342
00:25:56,820 --> 00:25:58,350
Was he ready?
Yeah.
343
00:25:58,390 --> 00:25:59,720
Alright, mate.
What from?
344
00:25:59,750 --> 00:26:01,720
Were do you wanna go from, boss?
345
00:26:01,750 --> 00:26:04,120
346
00:26:05,820 --> 00:26:07,650
the second... no, verse.
Chord?
347
00:26:07,690 --> 00:26:08,820
Second verse, okay.
348
00:26:10,520 --> 00:26:12,320
Most of us don't
wanna change.
349
00:26:13,420 --> 00:26:14,750
Really.
350
00:26:14,790 --> 00:26:16,390
Does that went away?
351
00:26:16,420 --> 00:26:17,890
That did...
What happened when you,
352
00:26:17,920 --> 00:26:20,290
when you came in, 'cause it
went away. Now, it's come back.
353
00:26:21,290 --> 00:26:23,050
I mean why should we.
354
00:26:23,090 --> 00:26:26,890
Has it moved back or,
is it a cable? Was it when you
lifted up the cables, John?
355
00:26:26,920 --> 00:26:28,490
Lift up the cables.
356
00:26:30,920 --> 00:26:33,250
What we want to do is...
357
00:26:33,290 --> 00:26:35,550
to sort of modific...
modif...
358
00:26:35,590 --> 00:26:36,920
modify...
359
00:26:36,950 --> 00:26:39,850
Yeah.
Yes. Stop, what've you
done there?
360
00:26:39,890 --> 00:26:42,450
Most of us don't
want to change.
361
00:26:42,490 --> 00:26:45,150
Whatever that cable is,
that's the one.
362
00:26:45,190 --> 00:26:50,150
What we do want is
sort of, modifications
on the original model.
363
00:26:52,520 --> 00:26:56,450
We keep on being ourselves
but just...
364
00:26:56,490 --> 00:26:58,620
hopefully better
versions of ourselves.
365
00:27:00,650 --> 00:27:01,890
But, what happens when...
366
00:27:03,520 --> 00:27:07,150
an event occurs that's
so catastrophic
367
00:27:07,190 --> 00:27:10,490
that we just change from one
day to the next.
368
00:27:12,320 --> 00:27:14,690
You change from the known
person,
369
00:27:14,720 --> 00:27:17,150
to an unknown person.
370
00:27:17,190 --> 00:27:19,250
So that, when you look at
yourself in the mirror,
371
00:27:20,390 --> 00:27:22,890
you recognize the person...
372
00:27:23,720 --> 00:27:25,620
uh, but you won't...
373
00:27:25,650 --> 00:27:28,650
but, the person inside
the skin is a different person.
374
00:27:33,450 --> 00:27:35,420
So that when you go
outside...
375
00:27:40,550 --> 00:27:42,620
the world is the same.
376
00:27:42,650 --> 00:27:47,350
But, now you are a different
person and you have to
377
00:27:47,390 --> 00:27:49,790
renegotiate your position
in the world.
378
00:27:52,250 --> 00:27:53,520
WO
a bit. Going for G here...
379
00:27:53,550 --> 00:27:54,850
Yeah.
We can do it.
380
00:27:54,890 --> 00:27:56,220
Okay.
For instance...
381
00:27:56,950 --> 00:27:59,490
I think D-F-G, D-F-A seems to...
382
00:27:59,520 --> 00:28:01,420
383
00:28:01,450 --> 00:28:06,220
to get cigarettes, because this
new version of yourself
384
00:28:06,250 --> 00:28:10,520
smokes, and the shop owner
says, "How are you?"
385
00:28:10,550 --> 00:28:13,620
And you don't know how
to answer.
386
00:28:13,650 --> 00:28:17,620
Or, when you meet a friend on
the street, who says some
kindness.
387
00:28:17,650 --> 00:28:22,320
Uh, the... they don't really
work on the choruses because,
388
00:28:22,350 --> 00:28:25,890
they connect to the...
Yes... maybe it should be...
389
00:28:25,920 --> 00:28:27,450
it's like a "boom".
390
00:28:27,490 --> 00:28:30,690
And, suddenly
you are crying in their
arms for ages.
391
00:28:30,720 --> 00:28:33,920
And, then you realize
that the person is not
a friend at all.
392
00:28:33,950 --> 00:28:37,350
I think it's... we're saying
the same thing...
Like a boom?
393
00:28:38,850 --> 00:28:40,850
They're doing the "waa".
Then I'm planning to wind up.
394
00:28:41,320 --> 00:28:42,720
Yeah.
395
00:28:42,750 --> 00:28:45,620
396
00:28:45,650 --> 00:28:46,820
know very well.
397
00:28:48,650 --> 00:28:51,150
I wouldn't put any more
emotion into it.
398
00:28:51,190 --> 00:28:55,190
Or, you go into a bakery to
buy a loaf of bread...
399
00:28:55,720 --> 00:28:57,820
let's say.
400
00:28:57,850 --> 00:29:01,250
And, you're standing
in the queue,
401
00:29:01,290 --> 00:29:04,620
and someone grabs you
by the arm and says something,
402
00:29:04,650 --> 00:29:06,650
with their kind eyes...
403
00:29:08,690 --> 00:29:14,320
But, you can't work out what
they've said because the new
you can't hear very well.
404
00:29:14,350 --> 00:29:16,520
And, so, you say "What?"
405
00:29:16,550 --> 00:29:19,150
But, too loudly and angrily,
406
00:29:19,620 --> 00:29:20,820
and he says,
407
00:29:23,220 --> 00:29:26,390
"We are all with you, man".
408
00:29:26,420 --> 00:29:30,890
And you look around and all
the bakery is looking at you
with kind eyes.
409
00:29:32,350 --> 00:29:34,550
And, you think that people
are really nice.
410
00:29:37,450 --> 00:29:40,390
But, when did you become
an object of pity?
411
00:30:02,650 --> 00:30:07,350
As soon as I walked in here,
I got this spike of agitation.
You did?
412
00:30:07,750 --> 00:30:08,750
How come?
413
00:30:13,720 --> 00:30:15,290
Has anyone seen my pen?
414
00:30:19,750 --> 00:30:21,250
Thank you.
415
00:30:21,290 --> 00:30:23,220
Um, yeah.
416
00:30:26,950 --> 00:30:28,120
Um...
417
00:30:28,150 --> 00:30:31,590
did you print out the words
that I sent, or the words...
418
00:30:31,620 --> 00:30:33,320
This is what you sent.
Yeah.
Did I?
419
00:30:34,490 --> 00:30:36,250
Um, okay.
420
00:30:37,350 --> 00:30:39,450
Yeah, um...
421
00:30:39,490 --> 00:30:41,890
No, because you
don't have any...
422
00:30:41,920 --> 00:30:43,590
What if I've got them on
my computer?
423
00:30:45,890 --> 00:30:47,290
Do you have a printer?
424
00:30:48,850 --> 00:30:53,220
Here I am,
the moonlight man, with my six
shooter and Steve McQueen,
425
00:30:53,250 --> 00:30:57,650
call me a cab,
I'm not that kind of a guy,
I have a dream.
426
00:30:57,690 --> 00:31:01,490
Sometimes I the elevator to
the top of the Burj Al Arab
427
00:31:01,520 --> 00:31:04,420
and shoot my guns across Dubai.
428
00:31:04,450 --> 00:31:07,250
Bang, bang, bang,
I'm that kind of guy.
429
00:31:13,690 --> 00:31:15,250
I know.
430
00:31:15,290 --> 00:31:19,650
But mostly, I curl up inside
my typewriter... curl up inside
my typewriter and wish
431
00:31:19,690 --> 00:31:20,750
that I can die.
432
00:31:23,420 --> 00:31:27,520
Your legs are so long, they
should come with their
own elevator.
433
00:31:27,550 --> 00:31:30,650
Don't worry, darling, I'll be
coming around, see you later.
434
00:31:30,690 --> 00:31:32,450
Have you guys sang them
differently,
435
00:31:32,490 --> 00:31:34,350
or, something like that, um...
436
00:31:36,520 --> 00:31:39,890
Because, between you and me
and my best friend,
the housefly...
437
00:31:42,320 --> 00:31:45,420
I'm Steve McQueen
with a big beautiful dream.
438
00:31:46,920 --> 00:31:48,320
I am god.
439
00:31:50,590 --> 00:31:54,290
I am God, thinking about
God, thinking about
Steve McQueen.
440
00:31:54,890 --> 00:31:57,390
Oh, yeah, great.
441
00:31:57,420 --> 00:32:01,390
It's for me the sirens
and the sylphs do their
twilight pining.
442
00:32:01,420 --> 00:32:05,390
On Saturday night. I woke on
someone else's stomach lining.
443
00:32:06,920 --> 00:32:09,720
Up and down this street,
call me a cab.
444
00:32:09,750 --> 00:32:11,550
Call me a cab.
445
00:32:11,590 --> 00:32:15,220
No I'm a housefly called God
and I don't give a fuck.
446
00:32:16,650 --> 00:32:18,390
Right, that's it.
Go on.
447
00:32:18,420 --> 00:32:22,650
Here I come up the elevator,
sixty floors hoping I don't
get stuck.
448
00:32:24,320 --> 00:32:28,650
And everyone out here does mean
And everyone out here does pain.
449
00:32:28,690 --> 00:32:31,220
But, someone's got to
sing the stars.
450
00:32:31,250 --> 00:32:33,290
And, someone's got to
sing the rain.
451
00:32:34,750 --> 00:32:36,450
I'm the atomizer.
452
00:32:36,490 --> 00:32:38,090
I'm the vaporizer.
453
00:32:38,120 --> 00:32:42,650
I turn everything to crud,
I like it here in flesh
and blood.
454
00:32:42,690 --> 00:32:44,850
I'm the elevator man,
don't you see?
455
00:32:44,890 --> 00:32:48,590
You're a spine lashed,
long legged lovely young thing.
456
00:32:48,620 --> 00:32:52,590
Call me a cab. I'll drive
to the top of the Burj Al Arab.
457
00:32:52,620 --> 00:32:55,320
And, fire my guns
across your stomach.
458
00:32:59,250 --> 00:33:04,720
Because, someone's got to
sing the stars, and someone's
got to sing the rain.
459
00:33:04,750 --> 00:33:09,220
And someone's got to sing
the blood. And someone's got to
sing the pain.
460
00:33:10,820 --> 00:33:13,150
Watch out you fuckers.
461
00:33:13,190 --> 00:33:16,250
I've got my six shooter and my
housefly on lead,
462
00:33:16,290 --> 00:33:18,550
I'm Burj Al McQueen.
463
00:33:18,590 --> 00:33:21,490
And I'm coming to make
every last one of you bleed.
464
00:33:21,520 --> 00:33:25,250
How are you, Jim?
I'm alright, thank you.
How are you?
465
00:33:27,320 --> 00:33:29,690
Got your beard back, mate.
Yeah, yeah.
466
00:33:29,720 --> 00:33:31,420
I thought I'd grow it just
for the show.
467
00:33:33,250 --> 00:33:34,920
What about continuity?
468
00:33:34,950 --> 00:33:36,520
Fuck continuity.
469
00:33:37,450 --> 00:33:39,150
Fuck continuity.
470
00:33:39,190 --> 00:33:44,920
God is great, chances are
God is good,
well I wouldn't go that far
471
00:33:46,750 --> 00:33:47,790
C to B Flat.
472
00:33:47,820 --> 00:33:50,820
I'm Steve McQueen
the atrocity man.
473
00:33:50,850 --> 00:33:55,390
* You wanna bleed on me.
474
00:33:56,720 --> 00:33:58,320
And sing too, Jim.
475
00:33:58,350 --> 00:34:03,250
* If you wanna bleed
Don't bleed *
476
00:34:03,290 --> 00:34:06,250
With my strap on blood
pondered dream...
477
00:34:06,290 --> 00:34:10,420
* If you wanna bleed
Don't bleed
478
00:34:11,550 --> 00:34:13,320
* Step away.
479
00:34:13,350 --> 00:34:17,750
But, mostly curl up
inside my typewriter
with my housefly and cry.
480
00:34:20,320 --> 00:34:22,820
I tell my housefly not to cry.
481
00:34:22,850 --> 00:34:25,350
My housefly chose me
not to die.
482
00:34:26,690 --> 00:34:29,790
Because someone's got to
sing the stars,
483
00:34:29,820 --> 00:34:32,120
and someone's got to sing
the rain.
484
00:34:32,720 --> 00:34:33,720
D minor.
485
00:34:33,750 --> 00:34:35,590
And, someone's got to
sing the blood.
486
00:34:38,350 --> 00:34:40,450
And, someone's
got to sing the pain.
487
00:34:41,920 --> 00:34:43,190
Okay.
488
00:34:53,190 --> 00:34:54,350
Look at him.
489
00:34:57,350 --> 00:34:58,720
Holding everything together.
490
00:34:58,750 --> 00:35:00,120
Is my hair alright?
491
00:35:01,550 --> 00:35:03,690
Fucking, never been better.
492
00:35:03,720 --> 00:35:07,590
Best it's ever been.
Best it's ever been.
Huh? Best it's ever...
493
00:35:07,620 --> 00:35:12,550
It better be.
Fucking, proceed with
absolute confidence.
494
00:35:12,590 --> 00:35:14,420
What would I
do without Warren.
495
00:35:14,450 --> 00:35:15,520
If it's not...
496
00:35:16,890 --> 00:35:18,250
Cut! Cut!
497
00:35:19,520 --> 00:35:20,750
Three-Four minutes.
498
00:35:20,790 --> 00:35:24,390
499
00:35:24,420 --> 00:35:27,850
Or we're gonna lose
the essence of the thing.
500
00:35:27,890 --> 00:35:31,420
Because I can the whole mojo
slipping away.
Yeah, it's getting
501
00:35:31,450 --> 00:35:35,420
cold.
We're getting bored,
irritable.
502
00:35:35,450 --> 00:35:39,620
Can I hear, can I try that
out just with the backing track
please, Jake.
503
00:35:47,490 --> 00:35:48,620
What's the time line?
504
00:35:54,720 --> 00:35:56,720
'Cause it's too loud.
505
00:36:33,590 --> 00:36:36,220
Tishi, see that guy?
Tishi.
506
00:36:36,250 --> 00:36:40,320
That means, go to...
The cameraman, was like, Tishi.
507
00:36:40,350 --> 00:36:42,890
Did you show him his camera?
Yeah, yeah, I showed him
a photo.
508
00:36:43,390 --> 00:36:44,820
Spooky.
509
00:36:44,850 --> 00:36:47,850
Warren just pointed out
how much the photographer
looks like.
510
00:36:47,890 --> 00:36:49,290
Tishi.
511
00:36:50,650 --> 00:36:52,490
Tishi is another photographer.
512
00:36:52,520 --> 00:36:55,250
Hang on.
513
00:36:55,290 --> 00:36:57,820
Who has like shaggy hair
and a beard and...
514
00:36:57,850 --> 00:37:00,420
Bad backs are coming back.
Yeah, mate.
515
00:37:00,450 --> 00:37:04,250
Lived most of his life in
the streets, of his home town.
516
00:37:04,850 --> 00:37:06,120
In the Czech Republic.
517
00:37:07,620 --> 00:37:10,290
He took photographs of
women, with a camera
518
00:37:10,320 --> 00:37:11,590
that he made himself.
519
00:37:12,520 --> 00:37:14,350
They are...
520
00:37:14,390 --> 00:37:16,920
really wonderful photographs.
521
00:37:16,950 --> 00:37:21,450
Like stolen moments, of women
in over many
522
00:37:21,490 --> 00:37:23,290
amazing facets.
523
00:37:26,390 --> 00:37:28,550
I mean,
many amazing facets.
524
00:37:31,620 --> 00:37:34,490
Women have more
facets than men.
525
00:37:35,950 --> 00:37:37,750
Men are...
526
00:37:37,790 --> 00:37:40,520
Men are pretty much
two dimensional.
527
00:37:41,550 --> 00:37:43,420
And women are,
528
00:37:43,450 --> 00:37:44,550
like, fucking 3D.
529
00:37:46,220 --> 00:37:49,350
My wife is spectacularly
three dimensional.
530
00:37:52,750 --> 00:37:54,420
But, every time I try to, um...
531
00:37:55,690 --> 00:37:56,820
get a handle on her,
532
00:37:58,650 --> 00:38:01,720
and to put her into focus,
533
00:38:01,750 --> 00:38:04,850
she shifts and changes,
and becomes someone else.
534
00:38:04,890 --> 00:38:07,690
Or worse, she steps out of
the frame entirely.
535
00:38:08,520 --> 00:38:09,550
And...
536
00:38:10,450 --> 00:38:13,720
I'm left with a hovering
537
00:38:13,750 --> 00:38:15,790
ghost, in which...
that's...
538
00:38:17,190 --> 00:38:18,590
burned on my retina.
539
00:38:19,850 --> 00:38:22,490
Like I've starred into
a spotlight.
540
00:38:23,420 --> 00:38:24,790
And closed my eyes.
541
00:38:27,620 --> 00:38:29,520
Eventually she steps back
into the frame,
542
00:38:31,190 --> 00:38:33,450
and I pull her back in focus.
543
00:38:33,490 --> 00:38:35,450
But, she's changed because
she's been
544
00:38:37,750 --> 00:38:40,790
out there, communing
with the dead.
545
00:39:09,350 --> 00:39:14,520
* Some go and some stay behind
Some never move at all
546
00:39:15,890 --> 00:39:22,850
* Girl in amber trapped forever
Spinning down the hall
547
00:39:22,890 --> 00:39:29,590
* Let no part of her go
Unremembered, clothes
Across the floor
548
00:39:29,620 --> 00:39:36,320
* Girl in amber lumber slumber
Shuts the bathroom door
549
00:39:36,350 --> 00:39:43,390
* The phone, the phone
The phone it rings, it rings
It rings no more
550
00:39:43,420 --> 00:39:50,650
* The song, the song,
the Song it spins
since nineteen eighty-four
551
00:39:50,690 --> 00:39:57,590
* The phone, the phone
The phone it rings, it rings
It rings no more
552
00:39:57,620 --> 00:40:01,720
* The song, the song
It's been spinning
553
00:40:01,750 --> 00:40:05,590
* Since Nineteen
554
00:40:05,620 --> 00:40:09,320
* And if you want to
Bleed, just bleed
555
00:40:11,850 --> 00:40:16,250
* And if you want to
Bleed, just bleed
556
00:40:18,820 --> 00:40:23,520
* But if you want to leave
Don't breathe
557
00:40:24,520 --> 00:40:28,590
* The world just step away
558
00:40:28,620 --> 00:40:31,290
* And let the world
559
00:40:31,320 --> 00:40:37,750
* And now in turn, you turn
You kneel, lace up his shoes
Your little blue-eyed boy
560
00:40:39,620 --> 00:40:46,920
* Take him by his hand
Go floating down the hall
561
00:40:46,950 --> 00:40:54,150
* I get lucky, I get lucky
Cause I tried again
562
00:40:54,190 --> 00:41:01,520
* I knew the world it would
Stop spinning now since
You've been gone
563
00:41:01,550 --> 00:41:08,390
* I used to think that when
You died you kind of
Wandered the world
564
00:41:08,420 --> 00:41:14,920
* In a slumber till you
Crumbled, were absorbed
Into the earth
565
00:41:14,950 --> 00:41:19,320
* Well, I don't think
That any more
566
00:41:19,350 --> 00:41:21,890
* The phone it rings no more
567
00:41:21,920 --> 00:41:29,390
* The song, the song it
Spins now
Since nineteen eighty-four
568
00:41:29,420 --> 00:41:35,650
* The song, the song it spins
The song, it spins, it spins
It's been a spinning now
569
00:41:35,690 --> 00:41:42,290
* And if you'll hold me I will
Tell you that you know that
570
00:41:44,390 --> 00:41:48,790
* And if you want to leave
Don't breathe
571
00:41:50,450 --> 00:41:55,120
* And if you want to leave
Don't breathe
572
00:41:57,250 --> 00:42:02,590
* And if you want to leave
Don't breathe
573
00:42:03,550 --> 00:42:05,520
* A word
574
00:42:06,420 --> 00:42:08,920
* Just step away
575
00:42:08,950 --> 00:42:13,150
* And let the world turn
576
00:42:25,220 --> 00:42:31,420
* The song, the song it
Spins now
Since nineteen eighty-four
577
00:42:32,790 --> 00:42:38,650
* The phone, it rings, it rings
And you won't stay
578
00:43:07,620 --> 00:43:10,190
* Don't touch me
579
00:43:14,850 --> 00:43:16,790
* Don't touch me
580
00:43:21,650 --> 00:43:24,190
* Don't touch me
581
00:43:27,920 --> 00:43:30,620
* Don't touch me
582
00:43:35,920 --> 00:43:39,120
* Don't touch me
583
00:43:55,750 --> 00:43:57,350
Hair's still alright?
584
00:43:58,250 --> 00:43:59,650
Even better.
585
00:43:59,690 --> 00:44:01,520
It's even better now.
586
00:44:02,950 --> 00:44:04,450
What ever you did,
don't touch it.
587
00:44:05,250 --> 00:44:07,190
Don't touch it.
588
00:44:13,220 --> 00:44:14,720
589
00:44:17,620 --> 00:44:19,520
Look at those bags
under my eyes.
590
00:44:21,550 --> 00:44:22,850
Where did they come from?
591
00:44:25,950 --> 00:44:27,350
They weren't there last year.
592
00:44:31,880 --> 00:44:34,790
The director says I look
like a battered monument.
593
00:44:37,620 --> 00:44:40,420
I have a terrible feeling he's
trying to be kind to me.
594
00:44:44,520 --> 00:44:46,620
I must remember
to be kind back.
595
00:44:49,220 --> 00:44:51,250
I must remember to be kind.
596
00:45:31,450 --> 00:45:34,620
* Mostly I never knew
Which way was out
597
00:45:40,550 --> 00:45:44,220
* Once it was on
It was on and that was that
598
00:45:50,550 --> 00:45:54,450
* The umbilicus was a faucet
That fountained rabbit blood
599
00:45:54,490 --> 00:45:56,880
* And I spun on my wheel
600
00:46:00,320 --> 00:46:02,190
* Like a laboratory rat
601
00:46:09,290 --> 00:46:14,520
* I was an electrical storm
On the bathroom floor
Clutching the bowl
602
00:46:19,250 --> 00:46:23,350
* My blood was for the gags
And other people's diseases
603
00:46:28,390 --> 00:46:31,750
* My monstrous little memory
Had swallowed me whole
604
00:46:37,450 --> 00:46:42,450
* It was the year I officially
Became the bride of Jesus
605
00:46:43,650 --> 00:46:48,550
* In love, in love
In love you laugh
606
00:46:48,590 --> 00:46:51,290
* I move you move
607
00:46:51,320 --> 00:46:55,150
* And one more time
With feeling
608
00:46:55,190 --> 00:46:58,450
* In love, in love
In laugh, you laugh
609
00:46:59,320 --> 00:47:01,520
* I'm sawn in half
610
00:47:01,550 --> 00:47:04,550
* And the stars are splashed
611
00:47:07,780 --> 00:47:12,220
* Across the ceiling
612
00:47:14,450 --> 00:47:19,650
* Oh, the urge to kill
Somebody was basically
Overwhelming
613
00:47:23,880 --> 00:47:29,390
* I had such hard blues
Down there in the supermarket
Queues
614
00:47:33,420 --> 00:47:39,450
* And I had a sudden urge to
Become someone
Someone like you
615
00:47:39,490 --> 00:47:45,290
* Who started out with less
Than anyone I ever knew
616
00:47:51,620 --> 00:47:55,780
* In love, in love, I love
You love, I laugh, you love
617
00:47:55,820 --> 00:48:01,550
* I move, you move
And one more time with feeling
618
00:48:03,420 --> 00:48:06,490
* In love, in love
I love, You love
I laugh, you laugh
619
00:48:07,520 --> 00:48:10,190
* I'm sawn in half
620
00:48:10,220 --> 00:48:12,820
* And the stars are splashed
621
00:48:15,550 --> 00:48:20,220
* Across the ceiling
622
00:48:46,920 --> 00:48:51,350
* Oh, and oh you come shining
623
00:48:51,390 --> 00:48:54,390
* Softly to the hold
Of a drink
624
00:48:56,780 --> 00:49:02,550
*Come as far as the edge
Of my blood and swim
625
00:49:07,290 --> 00:49:12,190
* And in the bathroom mirror
I see me vomit in the sink
626
00:49:15,720 --> 00:49:21,520
* And all through the house we
Hear the hyena's hymns
627
00:49:25,580 --> 00:49:30,490
* Of love
I love, you love
I laugh, You laugh
628
00:49:30,520 --> 00:49:35,520
* I move, you move, you move
One more time with feeling
629
00:49:38,420 --> 00:49:43,150
* I love, you love
I laugh, you laugh
630
00:49:43,190 --> 00:49:49,320
* We saw each other in heart
And all the stars have
Splashed
631
00:49:49,350 --> 00:49:51,150
* And splattered
632
00:49:53,350 --> 00:49:56,450
* Across the ceiling
633
00:50:18,190 --> 00:50:20,390
How disturbing is this?
634
00:50:20,420 --> 00:50:22,350
It's quite disturbing. Yeah.
It is?
635
00:50:22,390 --> 00:50:26,820
Well, I think, um...
I'll make a deal with you.
636
00:50:26,850 --> 00:50:30,220
Absolutely anything in that's
in the film that you don't like?
637
00:50:30,250 --> 00:50:31,750
Yeah.
Right? You can cut out.
638
00:50:31,780 --> 00:50:33,120
Okay.
Okay?
639
00:50:36,490 --> 00:50:37,850
Okay.
640
00:50:37,880 --> 00:50:39,520
Let's just take one now.
641
00:50:39,550 --> 00:50:41,420
Wait till it's, um...
642
00:50:41,450 --> 00:50:45,150
I'll wait till...
You know, take a photo
of them,
643
00:50:45,190 --> 00:50:47,580
and then we can put it
in the film.
644
00:50:51,250 --> 00:50:53,390
That worked, yeah.
Okay, cool.
Yeah. Okay.
645
00:50:53,420 --> 00:50:55,190
And just wind it
on with the...
Okay.
646
00:50:55,620 --> 00:50:56,820
The winder thing.
647
00:50:57,950 --> 00:50:59,650
Okay.
648
00:50:59,680 --> 00:51:00,650
Awesome.
Okay.
649
00:51:00,680 --> 00:51:03,580
And so, if you wanna, um,
take any photos today,
650
00:51:03,620 --> 00:51:05,450
just gotta pop up the flash,
which is that.
651
00:51:10,880 --> 00:51:12,290
We didn't ask for it.
652
00:51:16,650 --> 00:51:18,650
But, it is all around us.
653
00:51:18,680 --> 00:51:20,250
A gratuitous beauty.
654
00:51:21,950 --> 00:51:24,880
That exists whether we,
uh, there to witness it or not.
655
00:51:27,520 --> 00:51:29,650
The world plunges on.
656
00:51:31,680 --> 00:51:33,390
And the world is magnificent.
657
00:51:37,420 --> 00:51:39,550
I watch you on your ice flow.
658
00:51:41,350 --> 00:51:43,780
Cold something into
the Arctic wind.
659
00:51:46,580 --> 00:51:49,350
The wind offers
a brutal resistance.
660
00:51:51,750 --> 00:51:53,120
But, still you plough on.
661
00:51:57,650 --> 00:52:00,220
I cling to my ice berg
and sing to you.
662
00:52:01,780 --> 00:52:07,520
*See the sun, see it rising
663
00:52:10,290 --> 00:52:13,820
* See it rising
664
00:52:14,880 --> 00:52:20,120
* Rising in your eyes.
665
00:52:24,720 --> 00:52:27,550
Oh my God.
Hey.
666
00:52:27,580 --> 00:52:29,780
Look at you.
I've got brown hair.
667
00:52:34,650 --> 00:52:37,420
You've been alright?
Yeah.
668
00:52:37,450 --> 00:52:40,190
What you doing.
Oh, good.
Nothing.
669
00:52:40,950 --> 00:52:44,680
Um...
No, get rid of it.
670
00:52:44,720 --> 00:52:47,480
Have the animal rights
people...
Shh, shh!
671
00:52:48,380 --> 00:52:49,650
Why is it creaking?
672
00:52:51,950 --> 00:52:55,720
It's been, um, an enormous
amount of doing nothing,
673
00:52:55,750 --> 00:52:56,880
waiting around.
Yeah.
674
00:52:58,220 --> 00:52:59,620
Sounds pretty difficult.
675
00:53:02,290 --> 00:53:04,780
You'll get used to the camera
being there, now you're on.
676
00:53:05,750 --> 00:53:07,120
Thanks.
677
00:53:08,480 --> 00:53:09,620
Good day Suz!
678
00:53:12,380 --> 00:53:13,650
See you're shy.
679
00:53:19,680 --> 00:53:21,320
That's what I'd do
at the time, and they...
680
00:53:21,350 --> 00:53:24,220
they give me special one
that's not connected.
681
00:53:24,250 --> 00:53:25,720
Just for the fuck of it.
682
00:53:26,950 --> 00:53:29,720
Go to DFA fader, that's
fuck all.
683
00:53:33,420 --> 00:53:35,650
And the buttons?
Can I press
the buttons as well.
684
00:53:43,220 --> 00:53:47,550
And this guy,
is the videographer. We're
watching the videographer,
685
00:53:47,580 --> 00:53:50,920
who's watching the camera man,
who's watching us,
686
00:53:50,950 --> 00:53:53,380
and it just goes around,
and around, and around.
687
00:53:54,780 --> 00:53:56,580
Spooky, huh?
688
00:53:56,620 --> 00:53:58,480
So, which is the 3D camera?
689
00:53:58,520 --> 00:53:59,550
Cam-ception!
690
00:53:59,580 --> 00:54:01,480
They heavy one.
That one.
691
00:54:01,520 --> 00:54:03,320
This is the videographer.
692
00:54:03,350 --> 00:54:06,480
Is this in 2D?
That's in 2D.
693
00:54:06,520 --> 00:54:08,580
Okay.
He's in 2D.
694
00:54:18,880 --> 00:54:22,220
695
00:54:22,250 --> 00:54:25,680
Yeah, yeah. Basically
the couple of record in
the soundtrack stuff
696
00:54:25,720 --> 00:54:29,720
has been really about that
I just pall a bunch of
stuff in there,
697
00:54:29,750 --> 00:54:33,820
and then just try and find
something in there, like it's
really about... that's
698
00:54:33,850 --> 00:54:35,750
the really exciting thing.
699
00:54:35,780 --> 00:54:39,920
Um, for the last few years with
me, has been about that, like...
700
00:54:39,950 --> 00:54:44,220
trying to find something that
kind of, just comes out of
nowhere.
701
00:54:44,620 --> 00:54:45,820
Um...
702
00:54:45,850 --> 00:54:49,280
These guys, Warren
and Andrew the director,
703
00:54:49,320 --> 00:54:51,280
they like to go on about,
704
00:54:51,320 --> 00:54:55,480
accidents
and the accident... uh...
705
00:54:56,450 --> 00:55:00,520
the accidental nature of art,
706
00:55:00,550 --> 00:55:04,750
but, this is just another way
of saying they're communing
with the Gods.
707
00:55:06,580 --> 00:55:09,880
I mean, you think God would
have more pressing to do.
Really.
708
00:55:11,780 --> 00:55:13,850
There's no such thing as
accidents.
709
00:55:16,220 --> 00:55:17,280
Oh, fuck!
710
00:55:20,620 --> 00:55:23,320
Yeah, I think accidents
is the wrong word, because,
711
00:55:25,250 --> 00:55:27,380
um, it more...
712
00:55:29,720 --> 00:55:31,220
Um...
713
00:55:31,250 --> 00:55:35,580
that we just get into... that
we get ourselves into
a space these days.
714
00:55:36,320 --> 00:55:38,280
Where, um...
715
00:55:38,320 --> 00:55:42,420
some sort of magical thing
happens, that isn't
716
00:55:42,450 --> 00:55:43,680
to do with, uh,
717
00:55:45,850 --> 00:55:48,750
which isn't to do with knowing,
718
00:55:48,780 --> 00:55:52,820
which isn't to do with knowing
at all actually, so...
719
00:55:53,550 --> 00:55:56,150
um...
720
00:55:56,180 --> 00:56:01,680
I mean there are of course,
happy accidents and stuff
like that, but...
721
00:56:01,720 --> 00:56:06,850
Mostly, um, I find that me
and Warren particularly,
when we kind of
722
00:56:06,880 --> 00:56:10,480
jam together and stuff like
that, we get into, uh...
723
00:56:12,180 --> 00:56:16,550
a situation where a lot of very
beautiful things just happen
724
00:56:16,580 --> 00:56:21,880
after each other. And, then we
get into a situation where
that doesn't happen at all.
725
00:56:21,920 --> 00:56:24,620
And we kind of, um,
forever...
726
00:56:26,750 --> 00:56:31,250
um, foraging away
for these moments.
727
00:56:37,480 --> 00:56:42,250
It's a very different
collaborative situation with me
and Warren that is
728
00:56:42,280 --> 00:56:47,180
with anybody else, that has
been working with me.
729
00:56:47,220 --> 00:56:50,750
Because, we actually sit down
in a room together and compose
730
00:56:50,780 --> 00:56:52,180
a song together.
731
00:56:53,780 --> 00:56:56,280
* We're beginning our descent
732
00:56:57,750 --> 00:57:01,180
* I never knew
What that meant
733
00:57:03,520 --> 00:57:05,850
* We grabbed the oxygen pod
734
00:57:20,920 --> 00:57:25,480
* And I call out the window
735
00:57:29,450 --> 00:57:31,780
* Down here the sea.
736
00:57:35,380 --> 00:57:40,920
And it actually really exciting
to sing the same if you're
in a room together,
737
00:57:40,950 --> 00:57:42,850
to sing to something,
738
00:57:44,280 --> 00:57:46,320
that you don't know.
739
00:57:46,350 --> 00:57:48,420
You don't know
where it's going.
740
00:57:48,450 --> 00:57:50,520
So, I'm singing
a melody,
741
00:57:51,850 --> 00:57:57,820
that's being kind of,
stretched into all these
742
00:57:57,850 --> 00:58:02,220
into a wholly different way,
that I can never come up with
myself.
743
00:58:31,480 --> 00:58:34,250
When I sit at the piano,
744
00:58:34,280 --> 00:58:39,450
I play chords and I know what
it's gonna sound like before I
press the keys down.
745
00:58:42,550 --> 00:58:46,850
And so you just... it becomes
repetitious, there's no way
around it.
746
00:58:54,880 --> 00:58:56,750
It's very exciting to have
747
00:58:57,650 --> 00:58:59,880
someone else doing
748
00:58:59,920 --> 00:59:01,620
that side of things.
749
00:59:04,350 --> 00:59:07,520
Because, your melodies aren't
dictated by
750
00:59:07,550 --> 00:59:08,680
what you know,
751
00:59:29,820 --> 00:59:33,880
* Sunday morning
752
00:59:33,920 --> 00:59:37,720
* Scattered in trees
753
00:59:39,250 --> 00:59:41,750
* Pressed against the sky
754
00:59:43,280 --> 00:59:47,180
* The jittery TV
755
00:59:48,280 --> 00:59:51,220
* And an empty bed
756
00:59:53,780 --> 00:59:59,250
* Glowing white like fire
757
00:59:59,280 --> 01:00:03,180
* And I called out the window
758
01:00:06,880 --> 01:00:11,520
* Down to the sea
759
01:00:14,380 --> 01:00:18,380
* And the devil
Comes collecting
760
01:00:18,420 --> 01:00:21,320
* For nothing is for free
761
01:00:22,220 --> 01:00:25,380
* And I call out the window
762
01:00:26,420 --> 01:00:32,250
* Jesus rising by
763
01:00:32,280 --> 01:00:34,820
* In a
764
01:00:38,520 --> 01:00:41,250
* Field.
765
01:00:53,550 --> 01:00:55,280
You know, I'm...
766
01:00:56,350 --> 01:00:58,380
to a fault,
767
01:00:58,420 --> 01:01:02,680
have had a thing about words,
both, love and respect about
768
01:01:02,720 --> 01:01:08,280
words, but, a kind of fear
about words, of where they can
actually take you, and...
769
01:01:08,320 --> 01:01:14,580
Um, what they can expose and
stuff about you. Words right,
that's what that's...
770
01:01:14,620 --> 01:01:18,420
what makes the world go around,
if we didn't have any way about
771
01:01:18,450 --> 01:01:22,250
articulating anything, we would
have no way of even remembering
anything really.
772
01:01:23,320 --> 01:01:26,620
Um... so,
773
01:01:26,650 --> 01:01:30,520
because of that power of
words I've really kept them
774
01:01:30,950 --> 01:01:33,520
contained like,
775
01:01:33,550 --> 01:01:36,350
don't let a line go,
in my opinion...
776
01:01:36,380 --> 01:01:39,850
I mean, people might just think
what I do is shit. I have to
forget about that.
777
01:01:39,880 --> 01:01:41,920
But, in my opinion I don't
need a line go,
778
01:01:41,950 --> 01:01:43,880
that I'm not really really
please with.
779
01:01:43,920 --> 01:01:45,720
Basically, right?
780
01:01:45,750 --> 01:01:47,420
Um, and this record
781
01:01:48,450 --> 01:01:52,220
I have to let go of that,
because,
782
01:01:52,250 --> 01:01:54,880
um, the line is successful
783
01:01:54,920 --> 01:01:56,320
for another reason.
784
01:02:04,850 --> 01:02:08,550
* All the fine wind is gone
785
01:02:13,180 --> 01:02:16,580
* And this sweet world is so
Much older
786
01:02:22,280 --> 01:02:27,480
* Animals pull the night
Around their shoulders
787
01:02:31,180 --> 01:02:36,580
*Flowers fall to their
Naked knees
788
01:02:37,580 --> 01:02:41,820
* Here I come now here I come
789
01:02:41,850 --> 01:02:46,820
* I hear you been out there
Looking for something to love
790
01:02:50,620 --> 01:02:55,480
* The dark force that shifts
At the edge of the tree
791
01:02:56,850 --> 01:03:00,850
* It's alright, it's alright
792
01:03:00,880 --> 01:03:06,550
* When you turn
So long and Lovely
It's hard to believe
793
01:03:09,680 --> 01:03:16,620
* That we're falling now
In the name of the Anthrocene
794
01:03:27,550 --> 01:03:33,750
* All the things we love
We love, we love, we lose
795
01:03:37,280 --> 01:03:44,180
* It's our bodies that fall
When they try to rise
796
01:03:47,580 --> 01:03:53,180
* And I hear you been looking
Out for something to love
797
01:03:55,350 --> 01:03:59,380
* Sit down beside me
798
01:03:59,420 --> 01:04:02,120
* And I'll name it for you
799
01:04:04,750 --> 01:04:10,220
* Behold, behold
The heaven bound sea
800
01:04:13,920 --> 01:04:19,420
* The wind cast its shadow
And moves for the tree
801
01:04:21,720 --> 01:04:28,720
*Behold the animals
And the Birds
And the sky entire
802
01:04:28,750 --> 01:04:34,520
* I hear you been out there
Looking for something to
Set on fire
803
01:04:37,220 --> 01:04:43,720
*The head bow children
Fall to their knees
804
01:04:43,750 --> 01:04:49,850
* Humbled in the age
Of the Anthrocene
805
01:05:04,180 --> 01:05:07,350
* Here they come now
Here they come
806
01:05:07,380 --> 01:05:10,150
* Are pulling you away
807
01:05:11,550 --> 01:05:17,150
* There are powers at play
More forceful than we
808
01:05:19,780 --> 01:05:23,420
* Come over here and sit down
809
01:05:23,450 --> 01:05:26,520
* And say a short prayer
810
01:05:28,350 --> 01:05:33,720
* A prayer to the air, the air
That we breathe
811
01:05:35,250 --> 01:05:40,580
* And the astonishing rise
Of the Anthrocene
812
01:05:41,820 --> 01:05:44,820
* Come on now, come on now
813
01:05:44,850 --> 01:05:48,220
* Hold your breath
While you're safe
814
01:05:50,850 --> 01:05:56,720
* It's a long way back
And I'm begging you please
815
01:05:56,750 --> 01:06:00,750
* To come home now
Come home now
816
01:06:05,380 --> 01:06:11,520
* Well, I heard you been out
Looking for something to love
817
01:06:14,420 --> 01:06:18,420
* Close your eyes
Little world
818
01:06:18,450 --> 01:06:20,850
* And brace yourself
819
01:06:28,550 --> 01:06:32,780
I don't want to just write
songs like a diary,
820
01:06:32,820 --> 01:06:36,550
of what my life is like, I'm
not really interested in that.
821
01:06:36,580 --> 01:06:38,780
Um...
822
01:06:38,820 --> 01:06:42,720
I want to write songs that
radiate out... that...
823
01:06:42,750 --> 01:06:45,620
connect with people
and don't alienate people.
824
01:06:50,450 --> 01:06:52,720
A kind of great...
825
01:06:52,750 --> 01:06:56,380
trauma isn't actually
a very good thing,
826
01:06:56,420 --> 01:06:58,020
um...
827
01:06:58,050 --> 01:07:02,520
you know, you kind of...
Well sometimes you know,
we all wish we have something
828
01:07:02,550 --> 01:07:06,880
to write about. We all wish
we have something in
our lives,
829
01:07:06,920 --> 01:07:09,920
that can happen.
That we can...
830
01:07:09,950 --> 01:07:12,120
that we can, um...
831
01:07:16,180 --> 01:07:18,850
to write about and make
our writing interesting.
832
01:07:18,880 --> 01:07:21,820
And all of that
sort of stuff.
833
01:07:21,850 --> 01:07:26,180
But, actually trauma actually
I think in the way that
this happened and,
834
01:07:26,220 --> 01:07:27,620
and in the events that
happened,
835
01:07:31,220 --> 01:07:34,450
it was extremely damaging to
the creative process.
836
01:07:38,820 --> 01:07:45,150
Later someone entered
the garden and bashed the
snakes brains in with a rock.
837
01:07:45,180 --> 01:07:50,280
Basically every one stood
around among the long black
cars in a state of shock.
838
01:07:52,520 --> 01:07:57,150
Everything got sad,
sad as a wind chime.
Sad, as stream as,
839
01:07:57,180 --> 01:07:59,320
sad as a single lost sock.
840
01:08:01,420 --> 01:08:06,880
There are many snakes, many
trees, many gardens to unlock.
841
01:08:06,920 --> 01:08:12,680
The media and it's complicitors
reader blew the whole thing out
of proportion.
842
01:08:12,720 --> 01:08:17,750
A snake became a serpent,
and in a typical tabloid
distortion
843
01:08:17,780 --> 01:08:22,250
the dead tree grew apples,
the wasteland paradise,
God was brought in
844
01:08:22,280 --> 01:08:24,680
blame apportioned.
845
01:08:24,720 --> 01:08:29,620
The whole thing went tits up
to the ceiling. A complete
fuck up and a total abortion.
846
01:08:29,650 --> 01:08:30,720
It's like a rap song.
847
01:08:31,880 --> 01:08:36,850
The children let off hand fulls
of balloons into the sky,
848
01:08:36,880 --> 01:08:38,480
they huddled under the marquis.
849
01:08:40,950 --> 01:08:42,320
The wind chime stopped.
850
01:08:45,180 --> 01:08:46,380
Stream is flagged.
851
01:08:49,180 --> 01:08:51,320
The straight sailing ships
on the sea.
852
01:08:53,950 --> 01:08:58,180
There is a toll gate now in
paradise, absolutely nothing
is for free.
853
01:09:02,780 --> 01:09:04,320
What's the worst
that can happen?
854
01:09:06,520 --> 01:09:09,450
Turning, pushing the hair
from you face
and smiling at me.
855
01:09:14,920 --> 01:09:18,820
Do you think it's a good
idea to have Suzie coming out
of the toilet?
856
01:09:20,550 --> 01:09:23,580
Just from an aesthetic
857
01:09:23,620 --> 01:09:25,650
and emotional and,
858
01:09:25,680 --> 01:09:28,280
How do you feel Suzie?
I don't mind. No, no.
859
01:09:28,320 --> 01:09:29,480
It's fine.
I don't mind.
860
01:09:31,650 --> 01:09:35,150
Darling, do you really wanna be
photographed pinning
and dressed up in the toilet?
861
01:09:35,180 --> 01:09:36,550
It's fine. I don't mind.
862
01:09:36,580 --> 01:09:38,520
Just decide though.
Okay.
863
01:09:38,550 --> 01:09:41,850
Well, it probably, oh...
Let's move the camera
up there.
864
01:09:41,880 --> 01:09:43,380
Can we avoid seeing th toilet?
865
01:09:43,420 --> 01:09:45,180
You won't see the toilet.
866
01:09:45,220 --> 01:09:47,450
You're not going down
into the bowl.
867
01:10:10,850 --> 01:10:12,520
868
01:10:14,580 --> 01:10:16,180
Yeah, things are changed.
869
01:10:16,880 --> 01:10:17,880
Um...
870
01:10:19,950 --> 01:10:21,780
I like that because, uh...
871
01:10:25,350 --> 01:10:30,480
because of the position of our
bodies, that we're not, uh,
connected.
872
01:10:30,520 --> 01:10:32,250
That we're sorbed
in our own...
873
01:10:33,950 --> 01:10:39,620
whatever. And, uh... but there
is a real connection as well
874
01:10:39,650 --> 01:10:40,720
at the same time.
875
01:10:46,280 --> 01:10:48,250
Anyway I love that picture.
876
01:10:48,280 --> 01:10:53,520
Actually went to a union
psychiatrist, 'cause I had
877
01:10:53,550 --> 01:10:56,850
some problems or whatever. But,
when you ended up talking about
Suzie all the time because
878
01:10:56,880 --> 01:11:00,320
she's actually much more
interesting than I am,
879
01:11:00,350 --> 01:11:04,420
And he was obviously more
interested in her as well.
880
01:11:04,920 --> 01:11:07,150
Um, and...
881
01:11:08,850 --> 01:11:13,320
and he said, that it was a kind
of untapped
882
01:11:13,350 --> 01:11:16,880
creativity makes... is quite
a common thing, actually
883
01:11:16,920 --> 01:11:20,780
to... for... um,
884
01:11:20,820 --> 01:11:23,850
that she's not doing what
she's supposed to be doing.
885
01:11:23,880 --> 01:11:26,680
So, it's a common
thing for women
886
01:11:27,680 --> 01:11:29,250
to move furniture around.
887
01:11:30,220 --> 01:11:32,180
I mean, what should we do... 2.
888
01:11:32,220 --> 01:11:34,180
Yes?
Where can this go?
889
01:11:34,220 --> 01:11:36,820
It can go back to where it
was the other day.
Back into...
890
01:11:36,850 --> 01:11:39,820
SUZIE:
Where was it the other day?
It was where?
891
01:11:39,850 --> 01:11:44,150
The bike was there. Yeah.
Yeah, but do you want
this out of the shot completely.
892
01:11:44,180 --> 01:11:45,380
If you can just get that.
893
01:11:45,420 --> 01:11:47,550
That could go into
Nick's office.
894
01:11:47,580 --> 01:11:51,380
She knows I don't like it,
so, um,
895
01:11:51,420 --> 01:11:54,320
tends to happen when I'm
not in the house.
896
01:11:54,350 --> 01:11:58,480
And, so I go away and then I
come back in and it's different.
897
01:11:58,520 --> 01:12:03,380
You don't mind if I put this
back under the...
Yeah, that's fine.
898
01:12:03,420 --> 01:12:08,320
I found this article of
this guy up north, who had a
similar situation with his wife
899
01:12:08,350 --> 01:12:10,080
and, he would nail...
900
01:12:10,120 --> 01:12:14,480
everything. All the chairs to
the ground and everything like
that. And she would tear them up
901
01:12:14,520 --> 01:12:19,420
and she'd be... it was like,
that chronic. And eventually
he divorced her in the end.
902
01:12:20,420 --> 01:12:21,480
But, um...
903
01:12:23,780 --> 01:12:25,550
doesn't bid well for the future.
904
01:12:28,780 --> 01:12:31,580
'Cause it's cropped up in
couple of Nick's songs,
905
01:12:31,620 --> 01:12:33,420
I'm like...
Yeah, yeah, yeah.
906
01:12:33,450 --> 01:12:35,680
I'm really embarrassed.
I always thought that
907
01:12:35,720 --> 01:12:40,720
it was some brilliant...
He'd come up with
some brilliant kind of,
908
01:12:40,750 --> 01:12:43,480
metaphor, you know...
Yeah, I know.
909
01:12:43,520 --> 01:12:46,520
Is an actual description.
Actual description.
910
01:12:46,550 --> 01:12:51,480
Suzie changes, um, it's better
but Suzie actually changes
911
01:12:51,520 --> 01:12:53,650
the function of the room.
912
01:12:53,680 --> 01:12:56,620
While you asleep, right.
913
01:12:56,650 --> 01:12:58,220
So that you wake up,
914
01:12:59,420 --> 01:13:03,480
and, yeah it's...
it's a different, yeah.
915
01:13:03,520 --> 01:13:07,220
It's like the TV room,
when before it was
the bedroom or something.
916
01:13:08,750 --> 01:13:11,180
No, I unplug it myself, darling.
917
01:13:11,220 --> 01:13:14,220
The woman keeps it
plugged in though.
Suzie, I think here...
918
01:13:14,250 --> 01:13:17,750
they should...
The boots
and everything. Thank you.
919
01:13:20,450 --> 01:13:21,780
Alright, just take
it in and out.
920
01:13:24,450 --> 01:13:25,850
Oh, fuck.
921
01:13:25,880 --> 01:13:27,780
Because there's, um...
Okay.
922
01:13:31,580 --> 01:13:33,650
Did you see that?
That's Nick Cave.
923
01:13:36,350 --> 01:13:39,680
Now, should we just see,
you can see what's gong
on there, Nick.
924
01:13:39,720 --> 01:13:42,150
You can see what you're being
photographed by.
925
01:13:42,180 --> 01:13:44,180
Yeah.
926
01:13:44,220 --> 01:13:47,480
You just thought that we'd
leave the house and you'd
be safe from us right?
927
01:13:47,520 --> 01:13:50,280
Yeah. In a sense yeah.
928
01:13:50,320 --> 01:13:53,480
But, we're still filming you,
in 3D.
929
01:13:53,520 --> 01:13:55,380
From another location.
930
01:13:55,420 --> 01:13:56,850
Thats amazing.
931
01:13:56,880 --> 01:14:00,620
But, seriously what...
what do you think about
Suzie's shoes?
932
01:14:01,720 --> 01:14:03,580
Well, let me see her feet.
933
01:14:07,180 --> 01:14:09,280
You see them?
934
01:14:09,320 --> 01:14:12,650
I think you should wear
the high heels.
Okay.
935
01:14:12,680 --> 01:14:13,850
I'll keep them on.
936
01:14:14,580 --> 01:14:17,250
Alright.
Okay.
937
01:14:17,280 --> 01:14:20,620
Now, Suzie, you want to just
explain to us the philosophy
of the dress?
938
01:14:20,650 --> 01:14:26,320
Yeah, um, okay this dress is
based on the American
prairie dress,
939
01:14:26,680 --> 01:14:28,720
and, um...
940
01:14:28,750 --> 01:14:32,280
it's, you know, there's
some cults that all wear
the same dresses...
941
01:14:33,320 --> 01:14:35,180
that was kind of
the inspiration,
942
01:14:35,220 --> 01:14:38,220
because I wanted to do them
in all these different color
pastels.
943
01:14:38,250 --> 01:14:41,720
And I wanted them to be kind
of, instead of, being really
frumpy that they're really
944
01:14:41,750 --> 01:14:44,520
see through. Some of them are
completely see through.
945
01:14:44,550 --> 01:14:47,650
And some of them, like, this
one is sort of,
semi see through.
946
01:14:47,680 --> 01:14:50,420
We can decide how much you...
947
01:14:50,450 --> 01:14:52,080
want to reveal.
948
01:14:52,120 --> 01:14:57,280
So, its the idea that takes
something that is supposed to
be deeply conservative,
949
01:14:57,320 --> 01:14:58,780
and sexualize it.
950
01:14:58,820 --> 01:15:02,520
Yeah, I guess so. There is that.
And it's not that see through.
951
01:15:02,550 --> 01:15:03,820
So you don't have to worry.
952
01:15:05,480 --> 01:15:06,880
Since, um,
953
01:15:06,920 --> 01:15:11,620
you know, since everything that
happened my work became
something
954
01:15:11,650 --> 01:15:14,780
different, you know. Before it
was something I was doing
955
01:15:14,820 --> 01:15:19,280
you know, because I was enjoying
it and loving it, but, then
it became a real necessity,
956
01:15:19,320 --> 01:15:22,450
I really had to be able to work,
957
01:15:22,480 --> 01:15:24,920
'cause it was the only thing
that would take my mind
off everything.
958
01:15:24,950 --> 01:15:25,780
Yeah.
959
01:15:27,620 --> 01:15:31,750
I tried to not
allow myself,
960
01:15:31,780 --> 01:15:36,880
to sink down into, you know,
I try to...
961
01:15:36,920 --> 01:15:42,480
You know, to just keep moving
forward and keep looking
forwards, and just, um...
962
01:15:42,520 --> 01:15:48,720
But, sometimes, you know,
physically sometimes I feel
it almost more on my...
963
01:15:48,750 --> 01:15:53,680
Don't know how to describe it.
It's like a physical depression
almost. Not 'cause I'm
964
01:15:53,720 --> 01:15:58,520
depressed, but just the grief
process and, you know, and
everything like that is very...
965
01:15:58,550 --> 01:16:03,220
physical but, very you know,
my work is so diverting,
966
01:16:03,250 --> 01:16:06,420
and, I'm so grateful
for that.
Right.
967
01:16:06,450 --> 01:16:10,480
Nick tells me, "You're really
different when you go..."
Nick really encourages
968
01:16:10,520 --> 01:16:13,320
me to work, and, um,
969
01:16:13,350 --> 01:16:18,450
people have said to me all
that's what... creativity,
where it comes from.
970
01:16:18,480 --> 01:16:22,620
It comes from all other time
from pain and from...
971
01:16:22,650 --> 01:16:25,820
some terrible situations and...
972
01:16:25,850 --> 01:16:29,420
And, then I realized that
that's what was happening
to me.
973
01:16:30,520 --> 01:16:31,780
You know, in a small way.
974
01:16:35,420 --> 01:16:39,750
I haven't got anything I can
say any words of...
975
01:16:39,780 --> 01:16:45,680
wisdom or anything about it.
Because, I'm not at that... I
don't know if I ever will be.
976
01:16:59,950 --> 01:17:01,420
Suzie, can tell us
what it is?
977
01:17:02,850 --> 01:17:04,250
Um...
978
01:17:04,280 --> 01:17:05,420
It's difficult.
979
01:17:08,380 --> 01:17:09,380
I'm gonna cry.
980
01:17:14,450 --> 01:17:21,650
Um, well, after Arthur died
I found this in storage.
981
01:17:21,680 --> 01:17:27,520
I just couldn't believe it when
I saw it because, it's a
painting that he did when he was
982
01:17:27,550 --> 01:17:32,850
how old? About five or,
something like that? And it
was... it's of the windmill,
983
01:17:35,520 --> 01:17:36,780
and, you know, just where died.
984
01:17:39,650 --> 01:17:41,520
Um...
985
01:17:41,550 --> 01:17:45,280
And Earl did one as well.
There's two of them.
986
01:17:45,320 --> 01:17:49,880
Um, and then I found this one
and I just kind of couldn't
believe it.
987
01:17:53,550 --> 01:17:57,280
I sort of hid it for a while,
I didn't want to show
Nick, I didn't know what to
988
01:17:57,320 --> 01:17:59,220
do with it,
989
01:17:59,250 --> 01:18:03,450
and, I was upset that it's
framed in black and why
it's framed in black.
990
01:18:03,480 --> 01:18:04,750
I don't know why?
991
01:18:04,780 --> 01:18:07,650
Um, because it was framed
a long time ago,
992
01:18:07,680 --> 01:18:11,550
and it kind of, freaked me out
as well. 'Cause I thought "Why
is it framed in black?"
993
01:18:11,580 --> 01:18:12,680
You know, maybe that's...
994
01:18:14,650 --> 01:18:19,420
you know, it's been really
superstitious, and, um,
anyway yeah.
995
01:18:19,450 --> 01:18:21,320
But, I'm...
I don't really know
996
01:18:23,180 --> 01:18:24,380
what else to say about it.
Really.
997
01:18:32,180 --> 01:18:33,380
Yeah.
998
01:18:37,320 --> 01:18:38,880
Put it over here?
Yeah.
999
01:18:58,550 --> 01:19:02,580
There is more paradise
in hell than what we've been
told.
1000
01:19:02,620 --> 01:19:06,350
And every step we take,
we stop from blue.
1001
01:19:06,380 --> 01:19:08,380
Lie down and bleed
into the water hole.
1002
01:19:10,520 --> 01:19:13,580
And so, the night, it will
in time unfold.
1003
01:19:13,620 --> 01:19:16,820
Curled up inside my palm
and it's sleeping too.
1004
01:19:16,850 --> 01:19:20,820
There is more paradise in
hell than we've been told.
1005
01:19:20,850 --> 01:19:24,250
From your lashes tumble
stars of gold,
1006
01:19:24,280 --> 01:19:27,420
star lashes, little splashes
of dew.
1007
01:19:27,450 --> 01:19:30,120
Spill across the world
and through my soul.
1008
01:19:31,480 --> 01:19:34,720
Now call your tiny animals
to the drinking hole.
1009
01:19:34,750 --> 01:19:38,680
Little cat, little bear, little
fire horse, little kangaroo,
1010
01:19:38,720 --> 01:19:42,280
there is more paradise in hell
than we've been told.
1011
01:19:42,320 --> 01:19:46,250
Little cat, little fire horse
with a shivering foal.
1012
01:19:46,280 --> 01:19:49,380
Curled in my demon palm
and dreaming too.
1013
01:19:49,420 --> 01:19:52,850
And, all across the world
the night night unfolds.
1014
01:19:52,880 --> 01:19:56,220
And all across the night
and through my soul.
1015
01:19:56,250 --> 01:19:59,820
But, every step
we take we start
from blue.
1016
01:19:59,850 --> 01:20:02,250
Fresh tears bleed into
the water hole.
1017
01:20:04,450 --> 01:20:06,880
There is more paradise
in hell than we've been told.
1018
01:20:16,950 --> 01:20:21,420
You need... The imagination
needs room to move.
1019
01:20:21,450 --> 01:20:23,820
It needs room to invent.
1020
01:20:23,850 --> 01:20:27,720
Um, and to dream,
and when
1021
01:20:27,750 --> 01:20:32,180
a trauma happens, that's
that big...
1022
01:20:32,220 --> 01:20:36,250
It is no room, it's just
no imaginative room around it.
1023
01:20:36,280 --> 01:20:37,680
It's just the fucking trauma.
1024
01:20:39,580 --> 01:20:42,850
Um, and I think that was...
1025
01:20:42,880 --> 01:20:47,250
that was what the problem
was when I tried to do new
songs in the studio.
1026
01:20:49,320 --> 01:20:51,450
It's almost like
the songs, uh...
1027
01:20:52,680 --> 01:20:55,820
that songs that you
had written, uh...
1028
01:20:58,380 --> 01:21:02,720
in a way... maybe there
were songs you might have
needed.
1029
01:21:05,620 --> 01:21:08,380
I don't know.
I don't know about the songs.
1030
01:21:08,420 --> 01:21:10,820
Because the songs do seem
to have a...
1031
01:21:12,550 --> 01:21:14,550
The...
Um...
1032
01:21:17,420 --> 01:21:19,750
There's a sense of helplessness
in the songs.
1033
01:21:19,780 --> 01:21:22,650
Yeah. Well, you know...
You know.
1034
01:21:25,220 --> 01:21:29,380
When we... you know, it's sort
of talking about this prophetic
nature of all of them,
1035
01:21:29,420 --> 01:21:32,450
that sort of stuff, I mean we
gotta take that with a pinch
of salt.
1036
01:21:32,480 --> 01:21:34,720
Yeah.
You know, um...
1037
01:21:36,480 --> 01:21:39,780
And I don't really care
about their prophetic,
1038
01:21:39,820 --> 01:21:42,380
they're not important enough.
1039
01:21:42,420 --> 01:21:45,150
At this stage...
1040
01:21:45,180 --> 01:21:48,880
but, the way that they've been
presented, the way that...
1041
01:21:48,920 --> 01:21:50,720
the way that you hear them
on this record.
1042
01:21:54,780 --> 01:21:58,680
It's very much because of
the emotional state,
1043
01:21:58,720 --> 01:22:01,650
just... not just of myself but,
everybody actually.
1044
01:22:01,680 --> 01:22:03,420
In the studio when we
were doing that...
1045
01:22:04,650 --> 01:22:06,920
it's... it's, um,
1046
01:22:06,950 --> 01:22:12,450
the kind of state we were all in
gave us, I think a confidence
just to allow this thing
1047
01:22:12,480 --> 01:22:16,720
to go out like it was. This
document to go out like it was.
1048
01:22:16,750 --> 01:22:21,820
Um, which we wouldn't have done
if events were different,
you know.
1049
01:22:21,850 --> 01:22:25,880
Fix this up and we would have
redone this and, um...
1050
01:22:29,280 --> 01:22:34,280
There's something about
the naked nature
of the songs that have
1051
01:22:34,320 --> 01:22:35,420
um...
1052
01:22:36,920 --> 01:22:38,320
Alpha.
1053
01:22:39,650 --> 01:22:42,420
Or, you know...
1054
01:22:43,720 --> 01:22:45,320
all through.
1055
01:22:46,820 --> 01:22:47,820
So we're here.
1056
01:23:42,780 --> 01:23:47,850
* When you're feeling
Like a lover
1057
01:23:47,880 --> 01:23:53,420
* Nothing really
Matters anymore
1058
01:23:54,380 --> 01:23:57,650
* I saw you standing there
1059
01:23:57,680 --> 01:24:01,780
* In the supermarket
1060
01:24:01,820 --> 01:24:08,780
* With your red dress falling
And your eyes are to
The ground
1061
01:24:10,880 --> 01:24:15,350
* Nothing really matters
1062
01:24:15,380 --> 01:24:22,150
* Nothing really matters
When the one you love is gone
1063
01:24:23,520 --> 01:24:26,520
* You're still in me, baby
1064
01:24:27,220 --> 01:24:30,750
* I need you
1065
01:24:36,380 --> 01:24:41,820
* In my heart, I need you
1066
01:24:47,920 --> 01:24:52,480
* Cause nothing
Really matters
1067
01:24:52,520 --> 01:24:56,650
* I'm standing in the doorway
1068
01:24:56,680 --> 01:25:02,850
* You're walking around my
Place in your red dress
1069
01:25:02,880 --> 01:25:07,420
* Hair hanging down
1070
01:25:07,450 --> 01:25:13,520
* With your eyes on one, we
Love the ones we can
1071
01:25:13,550 --> 01:25:18,620
* Cause nothing really matters
When you're standing
1072
01:25:26,750 --> 01:25:32,350
* I need you, I need you
1073
01:25:35,680 --> 01:25:40,650
* Cause nothing
Really matters
1074
01:25:40,680 --> 01:25:46,820
* We follow the line of
The palms of our hands
1075
01:25:46,850 --> 01:25:51,550
* You're standing
In the supermarket
1076
01:25:51,580 --> 01:25:54,750
* Nothing, holding hands
1077
01:25:54,780 --> 01:26:00,320
* In your red dress, falling
1078
01:26:00,350 --> 01:26:04,150
* Falling, Falling in
1079
01:26:04,180 --> 01:26:09,550
* A long black car is
Waiting 'round
1080
01:26:09,580 --> 01:26:14,850
* I will miss you
When you're gone
1081
01:26:14,880 --> 01:26:21,720
* I'll miss you when you're
Gone away forever
1082
01:26:21,750 --> 01:26:26,180
* Cause nothing
Really matters
1083
01:26:26,220 --> 01:26:31,680
* I thought I knew better
So much better
1084
01:26:31,720 --> 01:26:35,780
* And I need you
1085
01:26:41,920 --> 01:26:46,320
* I need you
1086
01:26:51,280 --> 01:26:55,580
* Cause nothing
Really matters
1087
01:26:55,620 --> 01:27:00,320
* On the night we
Wrecked like a train
1088
01:27:00,350 --> 01:27:04,620
* Purring cars
And pouring rain
1089
01:27:04,650 --> 01:27:10,580
* Never felt right about
Never again
1090
01:27:10,620 --> 01:27:15,150
* Cause nothing
Really matters
1091
01:27:15,180 --> 01:27:20,420
* Nothing really
Matters anymore
1092
01:27:20,450 --> 01:27:22,620
* Not even today
1093
01:27:22,650 --> 01:27:26,880
* No matter how hard I try
1094
01:27:28,920 --> 01:27:34,350
* When you're standing in
The aisle
1095
01:27:35,580 --> 01:27:39,250
* And no, baby
1096
01:27:39,280 --> 01:27:44,850
* Nothing, nothing, nothing
1097
01:27:46,220 --> 01:27:49,220
* Nothing
1098
01:27:50,750 --> 01:27:57,320
* I need, I need, I need you
1099
01:27:59,450 --> 01:28:04,580
* I need you
1100
01:28:09,550 --> 01:28:12,750
* In my heart
1101
01:28:12,780 --> 01:28:16,880
* I need you
1102
01:28:19,820 --> 01:28:23,550
* Just breathe, just breathe
1103
01:28:24,250 --> 01:28:31,180
* I need you
1104
01:28:50,620 --> 01:28:53,780
There are things that are
being torn apart,
1105
01:28:53,820 --> 01:28:57,880
and I'm desperately trying
to find
1106
01:28:57,920 --> 01:29:02,650
a way of making some
kind of, um...
1107
01:29:02,680 --> 01:29:06,780
narrative sense out of it,
if we're talking about song
writing, or, at least
1108
01:29:06,820 --> 01:29:10,180
some sense out of it
where, um...
1109
01:29:10,220 --> 01:29:15,820
over the... I can do what
it keeps saying in the books.
What people keep saying to me
1110
01:29:15,850 --> 01:29:21,250
that It's, uh...
that I can reduce
this chaotic...
1111
01:29:21,280 --> 01:29:25,320
mess that's happened down
into something that...
1112
01:29:25,350 --> 01:29:26,380
that's more um...
1113
01:29:29,620 --> 01:29:33,820
You know, that I can reduce,
distill it down to like
1114
01:29:33,850 --> 01:29:38,720
a platitude that I can fit
nicely you know,
a kind of greeting card
1115
01:29:38,750 --> 01:29:40,880
sized platitude,
1116
01:29:40,920 --> 01:29:44,850
that means something to me,
like, "He lives in my heart",
or something like that.
1117
01:29:44,880 --> 01:29:47,450
People say it all
the time to me.
1118
01:29:47,480 --> 01:29:51,250
"He lives in my heart",
and I go, "Yeah, yeah, I know,
I know".
1119
01:29:51,280 --> 01:29:53,550
But, he doesn't you know.
He doesn't?
1120
01:29:53,580 --> 01:29:57,780
I mean, he is in my heart but,
he doesn't live at all.
1121
01:29:57,820 --> 01:30:02,520
And, there is no...
I wanna be able to sit
here and...
1122
01:30:04,720 --> 01:30:09,850
round this off in some kind of
way. But, to me it's just
not.
1123
01:30:11,380 --> 01:30:13,150
You know, it's just not...
1124
01:30:18,650 --> 01:30:23,480
things... it's affected me
in a way that I don't
understand.
1125
01:30:23,520 --> 01:30:28,550
So, then my reactions to things
aren't, um,
1126
01:30:28,580 --> 01:30:32,480
the same as they used to,
and they used to be able to
predict what would...
1127
01:30:32,520 --> 01:30:35,350
I would feel at certain
times and now...
1128
01:30:35,380 --> 01:30:37,250
um...
1129
01:30:37,280 --> 01:30:40,520
I just have a handle on things
anymore.
1130
01:30:41,480 --> 01:30:45,250
Um...
What's that like?
1131
01:30:45,280 --> 01:30:48,620
Well, it's frightening
because, uh...
1132
01:30:48,650 --> 01:30:51,110
like, I don't know what I'm
fucking doing now.
1133
01:30:51,550 --> 01:30:52,780
For example.
1134
01:30:52,820 --> 01:30:56,220
What am I sitting in a...
in a... camera...
1135
01:30:57,450 --> 01:31:00,850
being filmed, talking about
this sort of thing.
1136
01:31:00,880 --> 01:31:03,820
I wouldn't have dreamed
of doing that before.
1137
01:31:03,850 --> 01:31:06,420
Well, I'm not sure that
I feel entirely comfortable
about it either.
1138
01:31:07,820 --> 01:31:09,150
I don't know either.
1139
01:31:20,250 --> 01:31:23,320
* Let us go now
1140
01:31:28,580 --> 01:31:31,110
* My one true love
1141
01:31:32,820 --> 01:31:35,280
* Call the gasman
1142
01:31:35,880 --> 01:31:38,720
* Cut the power out
1143
01:31:40,750 --> 01:31:44,620
* We can set out
1144
01:31:44,650 --> 01:31:47,750
* We can set out
For the distant sky
1145
01:31:50,680 --> 01:31:56,150
* Watch the sun
Watch it rising
1146
01:31:58,780 --> 01:32:01,180
* In your eyes
1147
01:32:21,280 --> 01:32:25,420
* Let us go now
1148
01:32:26,420 --> 01:32:32,880
* My darling companion
1149
01:32:40,480 --> 01:32:42,720
* Set out
1150
01:32:42,750 --> 01:32:49,720
* For the distant sky
1151
01:33:00,480 --> 01:33:05,350
* See the sun
See it rising
1152
01:33:08,320 --> 01:33:12,820
* See it rising
1153
01:33:12,850 --> 01:33:18,350
* Rising in your eyes
1154
01:33:35,850 --> 01:33:39,180
* Let us go now
1155
01:33:40,780 --> 01:33:46,250
* My only companion
1156
01:33:55,220 --> 01:33:59,650
* Set out for
1157
01:34:00,780 --> 01:34:06,320
* The distant skies
1158
01:34:13,950 --> 01:34:18,910
* Soon the children
1159
01:34:18,950 --> 01:34:22,580
* Will be rising
1160
01:34:23,480 --> 01:34:29,350
* Will be rising
1161
01:34:29,380 --> 01:34:36,350
* This is not for our eyes
1162
01:34:51,580 --> 01:34:56,750
* They told us our gods
Would outlive us
1163
01:34:58,750 --> 01:35:04,180
* They told us our dreams
Would outlive us
1164
01:35:07,180 --> 01:35:12,750
* They told us our gods
Would outlive us
1165
01:35:14,950 --> 01:35:19,380
* But they lied
1166
01:36:36,650 --> 01:36:40,580
I'm driving in a car
along the M25,
1167
01:36:40,620 --> 01:36:46,550
and I'm driving in a car along
the M25, on a tiny blue spec
trapped in a moon beam.
1168
01:36:50,320 --> 01:36:55,250
I'm looking out the window,
and up at the countless
and indifferent stars.
1169
01:36:56,810 --> 01:36:58,350
I am barely a child, really.
1170
01:37:00,380 --> 01:37:02,780
The blue speck spins in
a dark field,
1171
01:37:04,550 --> 01:37:08,810
that began 15 billion
years ago.
1172
01:37:08,850 --> 01:37:13,750
I'm driving home from
the studio where I've been
making a record.
1173
01:37:13,780 --> 01:37:18,150
I'm feeling what every person
who makes a record probably
feels.
1174
01:37:18,180 --> 01:37:22,450
That I am making something
of great significance,
and permanence.
1175
01:37:22,480 --> 01:37:27,550
Even though in reality I know
what I've committed my self to
is of no real significance.
1176
01:37:28,710 --> 01:37:30,220
And, no real permanence.
1177
01:37:33,910 --> 01:37:38,450
But, I have something
that the universe has not
1178
01:37:38,480 --> 01:37:39,810
never has had.
1179
01:37:39,850 --> 01:37:41,520
And will never have.
1180
01:37:42,710 --> 01:37:43,780
Consciousness.
1181
01:37:47,280 --> 01:37:52,420
My consciousness exists only
at this given time,
it has no past.
1182
01:37:52,450 --> 01:37:54,880
And no future.
1183
01:37:54,910 --> 01:38:00,250
But, it's present, is bigger
in magnitude than
all the trillion stars
1184
01:38:00,280 --> 01:38:01,620
and planets, and galaxies.
1185
01:38:12,680 --> 01:38:13,680
There's no, um...
1186
01:38:15,810 --> 01:38:20,420
it... you know, I can put it in
different ways with...
1187
01:38:20,450 --> 01:38:25,150
and make it sound nice
and stuff like that,
what happened, and...
1188
01:38:25,180 --> 01:38:30,280
you just kind of, tied up in
language and stuff like that,
but, actually...
1189
01:38:30,320 --> 01:38:33,810
every time I try and articulate
it just... just...
1190
01:38:35,180 --> 01:38:38,710
does the whole...
does him a disservice.
1191
01:38:38,750 --> 01:38:40,220
That's what it feels
like to me.
1192
01:38:44,880 --> 01:38:46,710
You know, 'cause it's...
1193
01:38:46,750 --> 01:38:48,650
it happened to us
but, to happened to him.
1194
01:39:03,280 --> 01:39:05,110
Um, and that's um...
1195
01:39:07,680 --> 01:39:12,220
like the day, or the night,
and around that time is, um...
1196
01:39:14,610 --> 01:39:16,320
is like this place...
1197
01:39:19,910 --> 01:39:21,810
you just don't wanna go,
1198
01:39:21,850 --> 01:39:23,420
you know.
It's like...
1199
01:39:23,450 --> 01:39:26,250
all the rest around
is okay, I can
1200
01:39:26,280 --> 01:39:31,420
deal with that. I can deal with
that. It's okay. In fact that's
something I wanted to say...
1201
01:39:32,280 --> 01:39:33,910
is that...
1202
01:39:33,950 --> 01:39:37,480
if everything is not okay, but,
it's also okay.
1203
01:39:37,520 --> 01:39:41,910
Right? Things go on,
and, you know, if
1204
01:39:41,950 --> 01:39:44,680
anyone's interested,
the records go on.
1205
01:39:44,710 --> 01:39:46,550
And, we're still going
what we do.
1206
01:39:47,420 --> 01:39:48,610
Um, and the work goes on.
1207
01:39:49,910 --> 01:39:51,550
Um...
1208
01:39:51,580 --> 01:39:53,750
And, in that respect things...
1209
01:39:55,320 --> 01:39:56,750
continue.
1210
01:40:01,710 --> 01:40:03,810
Can we hear the, uh...
1211
01:40:03,850 --> 01:40:06,610
song please?
Jake, where ever you are.
1212
01:40:09,420 --> 01:40:11,780
What ever, we just want
to see how it goes.
1213
01:40:12,550 --> 01:40:13,780
Okay.
1214
01:40:15,580 --> 01:40:17,480
1215
01:40:17,520 --> 01:40:18,780
Here we go guys,
And...
1216
01:40:18,810 --> 01:40:20,710
We're rolling.
1217
01:40:33,910 --> 01:40:36,710
* Sunday morning
1218
01:40:37,850 --> 01:40:40,180
* Skeleton tree
1219
01:40:42,550 --> 01:40:45,710
* Oh, nothing is for free
1220
01:40:49,780 --> 01:40:54,350
* In the window, a candle
1221
01:40:57,850 --> 01:41:01,550
* Well, maybe you can see
1222
01:41:05,710 --> 01:41:12,180
* Fallen leaves thrown
Against the sky
1223
01:41:13,750 --> 01:41:17,280
* A jittery TV
1224
01:41:20,680 --> 01:41:24,780
* Glowing white like fire
1225
01:41:28,910 --> 01:41:32,650
* Nothing is for free
1226
01:41:36,280 --> 01:41:39,450
* I called out
1227
01:41:40,480 --> 01:41:43,250
* I called out
1228
01:41:44,650 --> 01:41:48,180
* Right across the sea
1229
01:41:52,180 --> 01:41:56,180
* But the echo comes
Back empty
1230
01:41:59,950 --> 01:42:03,320
* Nothing is for free
1231
01:42:37,410 --> 01:42:40,180
* Sunday morning
1232
01:42:41,350 --> 01:42:43,380
* Skeleton tree
1233
01:42:46,280 --> 01:42:49,510
* Pressed against the sky
1234
01:42:53,950 --> 01:42:56,750
* The jittery TV
1235
01:43:00,450 --> 01:43:05,510
* Glowing white like fire
1236
01:43:08,610 --> 01:43:12,480
* And I called out
1237
01:43:12,510 --> 01:43:14,850
* I called out
1238
01:43:17,480 --> 01:43:20,480
* Right across the sea
1239
01:43:24,550 --> 01:43:27,510
* And I called out
1240
01:43:27,550 --> 01:43:30,220
* I called out
1241
01:43:32,380 --> 01:43:35,610
* Nothing is for free
1242
01:43:36,480 --> 01:43:39,180
* And it's
1243
01:43:40,410 --> 01:43:43,710
* Alright
1244
01:43:45,680 --> 01:43:47,410
* Now
1245
01:43:51,380 --> 01:43:53,450
* And it's
1246
01:43:55,280 --> 01:43:58,220
* Alright
1247
01:44:00,610 --> 01:44:02,180
* Now
1248
01:44:06,510 --> 01:44:08,580
* And it's
1249
01:44:10,480 --> 01:44:13,380
* Alright
1250
01:44:15,950 --> 01:44:17,480
* Now.
1251
01:44:28,750 --> 01:44:32,150
Anyway, that's what
I mean, you know...
1252
01:44:32,180 --> 01:44:36,220
All of this stuff that I'm
saying now it just...
it feels like,
1253
01:44:36,250 --> 01:44:38,550
it's just a lot of
bullshit to me.
1254
01:44:38,580 --> 01:44:41,610
You know, it may mean something
but, in the end,
1255
01:44:42,880 --> 01:44:45,750
in the end there's something
that happened,
1256
01:44:47,610 --> 01:44:53,480
um, and there's a kind of,
like a ring around that
event...
1257
01:44:54,850 --> 01:44:56,610
um, it's fenced off.
1258
01:45:00,850 --> 01:45:05,220
And, everything else is okay
around it but, there's just
something that happened
1259
01:45:05,250 --> 01:45:09,480
in that short space of time
that we can never get
that far away from.
1260
01:45:10,580 --> 01:45:11,680
That we're, uh...
1261
01:45:12,550 --> 01:45:14,450
You probably
don't want to.
1262
01:45:14,480 --> 01:45:17,510
Well, it's I think,
you know, when I looked
at the film back there was
1263
01:45:17,550 --> 01:45:20,250
something I was rattling all
about time being elastic.
1264
01:45:20,280 --> 01:45:21,710
Yeah.
And that is
1265
01:45:21,750 --> 01:45:26,510
I think, that's what I meant
that we're attached to this
1266
01:45:26,550 --> 01:45:31,550
event. And that we move
away like that and we're
line on a rubber band.
1267
01:45:31,580 --> 01:45:35,410
And life can go on, and on,
and on, but eventually,
1268
01:45:35,450 --> 01:45:38,510
it just keeps coming
back to that thing.
And that's, uh...
1269
01:45:41,510 --> 01:45:44,380
that's some kind of
trauma, I guess.
1270
01:45:50,680 --> 01:45:54,510
1271
01:45:55,750 --> 01:45:57,550
lyrics...
1272
01:45:57,580 --> 01:45:58,780
from my song book back.
1273
01:46:01,950 --> 01:46:05,580
And, you know, they're okay.
1274
01:46:07,210 --> 01:46:08,880
They're actually kind
of beautiful really.
1275
01:46:11,350 --> 01:46:13,910
But, at the time they never
revealed themselves as such.
1276
01:46:13,950 --> 01:46:15,650
And they just thought
that I was writing
1277
01:46:16,350 --> 01:46:17,580
a lot of rubbish.
1278
01:46:21,550 --> 01:46:22,850
That was one of
the things I lost.
1279
01:46:25,280 --> 01:46:27,680
That was one of the things
that I lost hard.
1280
01:46:30,410 --> 01:46:32,550
A sense of belief in myself.
1281
01:46:34,850 --> 01:46:36,480
Like I had fucked up bad.
1282
01:46:38,510 --> 01:46:42,580
The me and Suzie had looked
away for a terrible moment.
1283
01:46:42,610 --> 01:46:45,180
And this reflected savagely
on everything else.
1284
01:46:47,750 --> 01:46:50,650
My belief in the good in things
in the world.
1285
01:46:52,180 --> 01:46:54,550
In ourselves, evaporated.
1286
01:47:00,550 --> 01:47:03,280
But, you know, after a while,
after a time,
1287
01:47:04,710 --> 01:47:06,780
Suzie and I decided
to be happy.
1288
01:47:08,480 --> 01:47:12,580
This happiness seemed to
be an act of revenge.
1289
01:47:15,350 --> 01:47:16,810
An act of defiance.
1290
01:47:21,350 --> 01:47:24,150
To care about each other,
and everyone else.
1291
01:47:25,410 --> 01:47:26,750
And to be careful.
1292
01:47:27,810 --> 01:47:29,280
To be careful with each other.
1293
01:47:30,780 --> 01:47:32,310
And the ones around us.
1294
01:47:43,480 --> 01:47:47,550
* I'm walking through
Deep water
1295
01:47:48,710 --> 01:47:52,250
* It's all but I can do
1296
01:47:55,750 --> 01:47:59,380
* I'm walking through
Deep water
1297
01:48:01,310 --> 01:48:05,410
* Trying to get to you
1298
01:48:08,250 --> 01:48:13,150
* Your face is hidden from me
But your love is not
1299
01:48:13,180 --> 01:48:17,880
* I will not reach for other
Things till I know what
I have got
1300
01:48:17,910 --> 01:48:23,880
* I'm walking through
Deep water
Trying to get to you
1301
01:48:27,810 --> 01:48:30,710
* I'm walking through
Deep water
1302
01:48:33,180 --> 01:48:37,810
* I have no time to lose
1303
01:48:40,510 --> 01:48:45,180
* I'm walking through
Deep water
1304
01:48:45,210 --> 01:48:49,480
* There's nothing
Left to choose
1305
01:48:52,510 --> 01:48:57,310
* This little heart of mine
Got loaded up with chains
1306
01:48:57,350 --> 01:49:02,550
* The world just swirls
Around me
The water makes its claim
1307
01:49:02,580 --> 01:49:07,580
* I'm walking through
Deep water
Trying to get to you
1308
01:49:12,510 --> 01:49:15,580
* Who will calm my fears?
1309
01:49:17,280 --> 01:49:22,380
* Who will drive my
tears away
1310
01:49:22,410 --> 01:49:25,880
* Who will calm my fears?
1311
01:49:27,380 --> 01:49:31,350
* Who will drive my
Tears away
1312
01:49:40,750 --> 01:49:44,750
* I'm walking through
Deep water
1313
01:49:45,950 --> 01:49:49,750
* Nearer to the sea
1314
01:49:52,850 --> 01:49:57,680
* I'm asking the deep water
1315
01:49:57,710 --> 01:50:01,550
* Don't take my love from me
1316
01:50:04,950 --> 01:50:09,550
* I'll dance with little ladies
With a hundred just like me
1317
01:50:09,580 --> 01:50:14,410
* They hold their breath
And hesitate
And dance beneath the sea
1318
01:50:14,450 --> 01:50:19,880
* I'm walking through
Deep water
Trying to get to you *
1319
01:50:36,580 --> 01:50:40,110
One, two, three, four...
1320
01:50:41,350 --> 01:50:43,410
* Come one
1321
01:50:45,380 --> 01:50:48,580
* Morning comes
1322
01:50:51,610 --> 01:50:55,680
* A jittery TV
1323
01:50:59,410 --> 01:51:02,150
* I call out the window
1324
01:51:02,180 --> 01:51:04,710
* When the morning comes
1325
01:51:06,480 --> 01:51:09,250
* Nothing is for free
1326
01:51:11,610 --> 01:51:18,150
* Nothing is for free
1327
01:51:27,180 --> 01:51:30,310
* Fire
1328
01:51:31,580 --> 01:51:34,510
* Nothing
1329
01:51:35,650 --> 01:51:39,380
* Can narrow the bed
1330
01:51:39,410 --> 01:51:45,550
* Glowing white like fire
1331
01:51:45,580 --> 01:51:51,680
* And I called out the window
1332
01:51:53,950 --> 01:51:58,450
* Down in the sea
1333
01:52:01,680 --> 01:52:05,780
* But the echo
Comes back in, dear
1334
01:52:05,810 --> 01:52:09,610
* 'Cause nothing is for free
1335
01:52:09,650 --> 01:52:13,180
* And I called out the window
1336
01:52:13,210 --> 01:52:17,880
* Skeleton tree
97538
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
Esperanto
Estonian
Faroese
Finnish
Galician
Georgian
German
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Portuguese (Brazil)
Portuguese (Portugal)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof