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how did you come to
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false it's a long
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story when they talked about doing a
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spin-off I had ideas and they've just
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taken those ideas and made them
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something even better action you're
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maintaining all of this history but
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you're bringing it into a completely new
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world it is The Walking Dead but it's a
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totally new version of it being
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surrounded by olders walkers in the
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Eiffel Tower it was magnificent we're
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constantly trying to do things that we
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haven't done before this is the first
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time The Walking Dead has done
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superpowered walk it was wild to fight
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walkers in the Gladiator battle that
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move like they do I hope they love it
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this is the exciting place that we find
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ourselves in as we tell stories not just
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for ourselves but for everybody in the
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whole world the season is full of
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surprises it's epic in scale there's
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very heartbreaking moments some insane
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action they really taking it to a whole
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another level
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here well it's very exciting to be
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shooting this show in France when we
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first started talking about this series
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the number one question is well how are
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we going to do it how are we going to
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translate the essence of the show into
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another country to sort of Infuse a new
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culture and a new
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landscape there's something really
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exciting about having it set somewhere
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completely different and seeing what the
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apocalypse looks like on the other side
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of the ocean sure beats a view from my
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old house we've gotten to film at insane
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locations it's a castle here it's an
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Abbey there it's the catacombs over here
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in the Eiffel Tower there we filmed in
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the south of France with The Story
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begins we're here in the
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comed in Paris we are at the park it's
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just next to Paris we filmed
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that shooting at Monami shed was really
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beautiful it was an amazing place it's a
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much different show than shooting in the
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woods it's in uh full
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force my name is darl
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Dixon I come from a place called The
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Commonwealth it's in American
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I went out looking for
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something well I found was
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trouble the story that we're telling is
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first off Daryl getting here and him
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trying to figure out where he's at well
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you're
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homick I see in your eyes he just wants
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to get from point A to point B and to
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get back home he's got to take this
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group with him through France so it's
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this sort of Epic Journey from the south
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to the north going through Paris in the
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middle and all of the turmoil that he
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creates on the way and that he's running
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from and trying to salvage the hopes of
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these people you know at first I was
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afraid of you wow there was something in
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your eyes that could tell you've been
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through
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stuff it has elements of the same show
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but it's a complete reboot it's a new
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start of a story with this character
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that I mean I've been playing for 13
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years and it feels so fresh to me if I
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don't make it
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back I want him to know I
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tried
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and the decision to shoot the show in
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France I think everyone thinks it was my
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decision but it wasn't I was like wow
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that's interesting this redneck Wild guy
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in France well Norman has been Central
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to this whole production I mean he he's
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been the heart and soul of it this is
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his show as as far as I'm concerned with
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David Z and I'm here to bring it to life
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for them you know I'd never filmed over
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here before and I was game for it
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there's an Artistry here like the camera
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Department you do a take and then they
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would stop and they would talk and I
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wasn't used to that then I realized what
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they were talking about and they were
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talking about like what is this move
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what's the story it's telling you know
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once I learned what the camera
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Department was talking about I was like
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take your time all your day players are
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really good so got the zombies that are
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really good you have your cameraman who
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are artists kind of a dream to work here
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all of France is such a character in the
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show and it's really added in Elegance I
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really like the way it's affected the
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storytelling and the look and the
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lighting of it and the pacing the more
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we let it breathe and the more true we
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are to what we're filming on the day I
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think the better it
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is
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dead ones at the market here we call
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them there's a the hungry ones butar is
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just one
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[Applause]
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kind I think one of the most exciting
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things for me was coming to France doing
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zombie school and the majority of the
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performers you know their dancers their
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mimes they had all seen the show and I
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think a lot of them were really
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delighted to be able to be a part of the
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series they came ready to go 3:00 a.m.
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excited to be in the makeup chair they
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really love like walk up and touch the
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Prosthetics and look at the teeth and
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look at the contact
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lenses and they take off their mask and
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they're these amazing youthful full of
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life men and women and the minute they
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put on everything you kind of want to
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stay
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away well you know the real challenge
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with changing up the rules is is you
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know people are very very specific in
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terms of what our zombies can and can't
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do so it's been introduced that there's
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a group of people that are doing
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experiments there's burners who react
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differently and they sort of have this
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like acid Bloods to the touch there's
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some there sort of pulsating and emate a
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little smoke something we've never done
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on The Walking Dead we've never painted
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veins on them before changed the color
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of the contact lenses so that the
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eyeballs kind of look almost like a
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bright blue hot flame like a blowtorch
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it's just something different because
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the traditionalists who know what the
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zombie rules are will understand that oh
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this is a mutation a
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variant there's an amped up version of
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the Walkers that move really fast and
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are super
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terrifying There's an actual reason for
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the zombies to become even more active
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they're injected with this fluid that
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act as an accelerant and their eyes
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change color to Black and the zombies
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become very quick and very
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powerful it's just a momentary change in
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their
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physiology and it's something that I
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think suits the story well and you know
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they only last for a minute maybe two
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and then and then they just kind of melt
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down into puddles of rotting
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flashh which is also
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fun there's a sequence that I direct
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where Daryl falls through a glass roof
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and lands in the water we had several
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Walkers they were burners we had
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actually rigged a tube up Zombie's hand
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so when he grabs Daryl's arm bubbles
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erupt as if it's sizzling we had tubing
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underneath the Prosthetics so when darl
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would stab one we would just start
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pumping the brown fluid into the water
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we spent about 8 hours in this water
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tank meticulously choreographing laugh
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in this I think Norman might have drank
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half of the water in the pool by the
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time he got
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[Music]
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out there of the Angels
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[Music]
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now are we lost as
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a we never lost
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[Music]
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him I had never seen The Walking Dead
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I'd heard a lot about it thought I'd be
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too
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scared I like the idea of starting the
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project with no idea about who Daryl was
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and what he had been up to and so I kept
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it that way thinking I could binge watch
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it
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later hello I'm Clon I play Isabelle
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when we meet her she's a nun but what we
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discovered that Isabelle was someone
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with quite a troubled youth and someone
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who found some kind of redemption in the
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apocalypse she has a few Secrets wasn't
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always a none Isabelle has learned a few
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tricks in our youth which come handy
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when you need to fight off zombies and
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fascists Isabelle was like a second
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month to L there's a motherly Bond
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there's a sisterly Bond I think she
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wants to save Lan and she believes that
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he needs to be saved he's got a greater
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Destiny than just surviving because he's
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going to be the one leading Humanity
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towards something better kind a lot to
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put on a kid don't you think God chooses
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our burdens Clemen and I you know we
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didn't know each other before this we
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kind of barely met before we started
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filming but as they sort of soften
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towards each other we as people sort of
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softened towards each other it just kind
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of worked out perfectly maybe we the
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saying that way broken until the world
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[Music]
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ended hi I'm Lou pry and I played the
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roong of lauron I just enjoy Lou he'd
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never have been on the set before so
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just to see that Discovery through his
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eyes is quite was quite special I really
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like Lou right off the bat I read a
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bunch of Kit's age and I liked him first
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during my audition we were starting to
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improvise and it was really cool and it
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made us kind of bun you look homesick I
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see it in your eyes when he was
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Shing he's super smart I could tell he
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was kind of like mimicking me in real
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life sort of like the way the character
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was mimicking me in the show as that
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happened our friendship grew and I had
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to call into Sony and I'm like I got to
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get a PlayStation for this kid yeah he
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gave that to me and I was really happy I
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run out to no woman and I give him a big
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Hub thaning him that's kind of how we
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started our relationship please to make
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your
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[Music]
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acquaintance I think sometimes I wish he
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wouldn't be the chosen one he wants to
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be a kid I want to be like other the
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kids yeah I know you do the kid is an
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outsider I think Daryl sees a lot of
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himself in
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luron I don't want to
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be yeah yeah come here I think he's
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going to be a superstar of that
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kid hi I'm laa FR and I'm playing
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sylv I just passed the audition telling
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myself that I'm never going to have this
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part because it's Walking Dead and I
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just did it for fun and it worked I know
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she's not perfect but she'll do anything
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for you little brother she'll die for
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you is
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nuron and Isabelle they are family she's
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like the big sister of lauron and she's
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taking care of him Isabelle is like a
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mother to her she really T her about the
274
00:11:52,320 --> 00:11:54,760
world and they are really close and have
275
00:11:54,760 --> 00:11:57,279
this strong
276
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connection
277
00:12:02,440 --> 00:12:05,760
she's a kind of naive but she's also a
278
00:12:05,760 --> 00:12:07,399
badass because she know how to fight and
279
00:12:07,399 --> 00:12:09,880
to defend
280
00:12:11,120 --> 00:12:16,199
herself so I like this duality of her
281
00:12:17,519 --> 00:12:19,360
personality we're looking for an
282
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American we understand has been here his
283
00:12:23,079 --> 00:12:25,079
name is darl
284
00:12:25,079 --> 00:12:30,880
Dixon I'm ROM and I play codon I been
285
00:12:30,880 --> 00:12:32,880
actually I was very nervous about this
286
00:12:32,880 --> 00:12:35,399
audition for me it's really a dream come
287
00:12:35,399 --> 00:12:38,360
true I am a big big fan of the show I
288
00:12:38,360 --> 00:12:42,279
have watched every episode Kon he's a
289
00:12:42,279 --> 00:12:45,680
French soldier for political movement
290
00:12:45,680 --> 00:12:50,160
called the cause our leader is
291
00:12:50,160 --> 00:12:54,199
Jan hi I'm anay and I'm playing Mar J
292
00:12:54,199 --> 00:12:57,240
she's a political
293
00:12:57,839 --> 00:13:00,160
figure
294
00:13:00,160 --> 00:13:03,399
she's kind of bad
295
00:13:05,000 --> 00:13:09,920
seed it was name
296
00:13:12,639 --> 00:13:16,959
Dix that scene in the Abby with Dariel
297
00:13:16,959 --> 00:13:19,880
when Kon finally meets Dariel that was
298
00:13:19,880 --> 00:13:23,279
my first scene Norman was so kind with
299
00:13:23,279 --> 00:13:25,800
me so careful with me all the time
300
00:13:25,800 --> 00:13:27,800
because he punched me a lot during that
301
00:13:27,800 --> 00:13:29,720
scene I love loved
302
00:13:29,720 --> 00:13:33,680
it so Dell is immediately a threat
303
00:13:33,680 --> 00:13:36,800
anything that goes against a will is a
304
00:13:36,800 --> 00:13:39,399
threat she's threatened by Lon because
305
00:13:39,399 --> 00:13:42,120
it's another Power she can't let him be
306
00:13:42,120 --> 00:13:44,519
I think Lon thinks that Jan has a broken
307
00:13:44,519 --> 00:13:47,079
heart cuz she's doing bad things really
308
00:13:47,079 --> 00:13:50,759
bad things but she's doing it for
309
00:13:50,759 --> 00:13:53,600
others she's fighting for right but
310
00:13:53,600 --> 00:13:55,759
she's doing wrong she wants people to be
311
00:13:55,759 --> 00:13:58,279
free but she needs to control them she
312
00:13:58,279 --> 00:14:01,160
knows what is right and she believes it
313
00:14:01,160 --> 00:14:03,120
so much that's the point of the
314
00:14:03,120 --> 00:14:06,199
character she's a
315
00:14:08,880 --> 00:14:11,399
tyrant you still love
316
00:14:11,399 --> 00:14:13,959
champ I I would grew
317
00:14:13,959 --> 00:14:17,680
it my name is Adam neus and I play Quinn
318
00:14:17,680 --> 00:14:19,720
he owns a cabaret club called the demim
319
00:14:19,720 --> 00:14:23,040
mon he's made alliances with Jana and
320
00:14:23,040 --> 00:14:26,680
he's um purveyor of rare items in this
321
00:14:26,680 --> 00:14:29,320
dystopian World hi is he he he ends up
322
00:14:29,320 --> 00:14:30,920
stumbling across the love of his life
323
00:14:30,920 --> 00:14:33,040
again after a decade strange to see you
324
00:14:33,040 --> 00:14:34,880
again after all these years everybody
325
00:14:34,880 --> 00:14:36,440
else gets shut off as soon as he sees
326
00:14:36,440 --> 00:14:38,440
Isabelle walk in should we talk in my
327
00:14:38,440 --> 00:14:42,680
office and what he wants changes and
328
00:14:42,680 --> 00:14:44,600
therefore he changes you still should
329
00:14:44,600 --> 00:14:48,040
have told me that my sister died
330
00:14:48,040 --> 00:14:51,680
and I had a son I mean he's genuinely
331
00:14:51,680 --> 00:14:53,720
hurt for whatever he can be hurt a boy
332
00:14:53,720 --> 00:14:56,000
should know his dad he just gets angry
333
00:14:56,000 --> 00:14:59,480
which is what men do best darl
334
00:14:59,480 --> 00:15:01,199
when you get down to this Primal level
335
00:15:01,199 --> 00:15:04,480
of a dystopian world just go people
336
00:15:04,480 --> 00:15:06,680
certainly tend to adopt the most cliche
337
00:15:06,680 --> 00:15:09,279
versions of
338
00:15:09,959 --> 00:15:12,120
themselves his selfish and self-
339
00:15:12,120 --> 00:15:15,240
obsession is his
340
00:15:19,800 --> 00:15:22,920
downfall the journey to wash aore is was
341
00:15:22,920 --> 00:15:25,279
such a big Journey he's got to take a
342
00:15:25,279 --> 00:15:27,600
minute to sort of figure it
343
00:15:27,600 --> 00:15:29,279
out
344
00:15:29,279 --> 00:15:32,360
he RS in France wearing the costume that
345
00:15:32,360 --> 00:15:35,199
he's been last seen in uh the finale of
346
00:15:35,199 --> 00:15:40,279
season 11 the iconic blue winged vest
347
00:15:40,279 --> 00:15:43,240
the vest makes its way over here it just
348
00:15:43,240 --> 00:15:45,160
is in bad shape everything on me is in
349
00:15:45,160 --> 00:15:47,160
bad shape my clothes are ripped
350
00:15:47,160 --> 00:15:48,759
everything that I have with me is pretty
351
00:15:48,759 --> 00:15:51,040
much
352
00:15:53,000 --> 00:15:56,319
destroyed see we had to make this
353
00:15:56,319 --> 00:15:59,880
beautiful iconic item into something
354
00:15:59,880 --> 00:16:02,079
completely unwearable to justify the
355
00:16:02,079 --> 00:16:03,360
fact that we're going to give him a
356
00:16:03,360 --> 00:16:07,040
French look we painted the result of a
357
00:16:07,040 --> 00:16:10,959
SE salt drying for days wetting drying
358
00:16:10,959 --> 00:16:14,920
then we painted the wings and by fading
359
00:16:14,920 --> 00:16:18,720
the paint on the wings and then we we
360
00:16:18,720 --> 00:16:22,160
went at it with a cutter so so that he
361
00:16:22,160 --> 00:16:24,800
would never feel like wearing his rest
362
00:16:24,800 --> 00:16:27,800
again my first idea was um we have to
363
00:16:27,800 --> 00:16:30,560
get him into a is never wor before for
364
00:16:30,560 --> 00:16:33,560
sure we've never seen him in blue it's
365
00:16:33,560 --> 00:16:36,360
quite ionic France on the boat when he
366
00:16:36,360 --> 00:16:39,560
arrives he finds a blue Pono hey you
367
00:16:39,560 --> 00:16:41,440
American guy and then when he gets
368
00:16:41,440 --> 00:16:44,160
attacked on the road very quickly he
369
00:16:44,160 --> 00:16:47,440
finds himself rescued by the
370
00:16:47,440 --> 00:16:51,880
nuns all of my wardrobe is from an old
371
00:16:51,880 --> 00:16:54,560
priest this is per we are waiting for
372
00:16:54,560 --> 00:16:57,600
him to rise again he's dressed with per
373
00:16:57,600 --> 00:17:01,720
old clothes B being his character in VI
374
00:17:01,720 --> 00:17:04,679
who has become a zomie and so his
375
00:17:04,679 --> 00:17:07,439
clothing are being shared he's the only
376
00:17:07,439 --> 00:17:10,480
male that lived there so I end up
377
00:17:10,480 --> 00:17:14,280
incorporating his wardrobe into my
378
00:17:15,679 --> 00:17:17,400
wardrobe yeah we should probably have
379
00:17:17,400 --> 00:17:20,720
some it one of the things that David's
380
00:17:20,720 --> 00:17:22,760
able the showrunner had said was we got
381
00:17:22,760 --> 00:17:24,839
to find a castle because we have to have
382
00:17:24,839 --> 00:17:27,400
a moat filled with
383
00:17:27,400 --> 00:17:30,400
zombies
384
00:17:32,960 --> 00:17:36,919
we had 80 zombies uh in the moat and we
385
00:17:36,919 --> 00:17:39,320
shot over four
386
00:17:39,320 --> 00:17:41,880
days that looks great that going be good
387
00:17:41,880 --> 00:17:44,240
we have our hero closeup makeups we have
388
00:17:44,240 --> 00:17:45,799
our mid-ground masks we have our
389
00:17:45,799 --> 00:17:47,919
background printed masks I brought
390
00:17:47,919 --> 00:17:50,840
several people from the United States
391
00:17:50,840 --> 00:17:52,440
that were part of my makeup team on The
392
00:17:52,440 --> 00:17:55,400
Walking Dead and and then I found a lot
393
00:17:55,400 --> 00:17:57,679
of fantastic local makeup artists who
394
00:17:57,679 --> 00:17:59,840
have sort of been indoctrinated into the
395
00:17:59,840 --> 00:18:01,679
family so if we have some that are
396
00:18:01,679 --> 00:18:04,400
grabbing here here and then some of the
397
00:18:04,400 --> 00:18:06,799
bigger ones could be up there in this
398
00:18:06,799 --> 00:18:09,240
instance we wanted to just make sure
399
00:18:09,240 --> 00:18:11,840
that the shots that we did in the mod
400
00:18:11,840 --> 00:18:14,240
look like it was filled from every
401
00:18:14,240 --> 00:18:17,240
direction for vfix we have all the blue
402
00:18:17,240 --> 00:18:19,360
screens when we are doing the editing
403
00:18:19,360 --> 00:18:22,480
and we can add crowds of zombies adding
404
00:18:22,480 --> 00:18:24,360
blood adding stuff maybe adding some
405
00:18:24,360 --> 00:18:26,320
blood on the camera lens we will be
406
00:18:26,320 --> 00:18:29,159
there if needed get back there is a
407
00:18:29,159 --> 00:18:31,600
signature Moment In The Walking Dead
408
00:18:31,600 --> 00:18:35,000
anytime any character is killed by
409
00:18:35,000 --> 00:18:38,480
zombies the disembowelment you
410
00:18:38,480 --> 00:18:42,039
know you want to see that ripping senu
411
00:18:42,039 --> 00:18:44,880
and muscle so he's actually dangling
412
00:18:44,880 --> 00:18:45,760
like a
413
00:18:45,760 --> 00:18:48,360
pinata and then the zombies grab him and
414
00:18:48,360 --> 00:18:50,960
start to devour his legs and pull him
415
00:18:50,960 --> 00:18:54,120
down and start to tear him apart so we
416
00:18:54,120 --> 00:18:56,400
designed a dummy that we could tear the
417
00:18:56,400 --> 00:18:58,480
stomach open and pull all these fig
418
00:18:58,480 --> 00:19:01,320
intestines out and then what we did was
419
00:19:01,320 --> 00:19:04,200
we put uh bite Prosthetics on the
420
00:19:04,200 --> 00:19:07,559
actor's legs one the high part of his
421
00:19:07,559 --> 00:19:10,440
leg and one uh and his calf that were
422
00:19:10,440 --> 00:19:12,240
pre-rigged so that a zombie could bite
423
00:19:12,240 --> 00:19:14,280
into it we would pump blood and you'd
424
00:19:14,280 --> 00:19:17,559
see the muscle in the skin rip so it's
425
00:19:17,559 --> 00:19:19,480
something that Walking Dead audiences
426
00:19:19,480 --> 00:19:22,799
have come to expect no no
427
00:19:22,799 --> 00:19:26,080
no everything has a poetic nature to it
428
00:19:26,080 --> 00:19:30,240
although it can be brutally Savage
429
00:19:33,320 --> 00:19:36,000
it's been a lot of
430
00:19:38,080 --> 00:19:40,760
fun that was a great day it was the
431
00:19:40,760 --> 00:19:43,280
first I think scene that we did that
432
00:19:43,280 --> 00:19:45,360
involved a lot of
433
00:19:45,360 --> 00:19:47,240
zombies and
434
00:19:47,240 --> 00:19:49,960
explosives for shooting the propan tank
435
00:19:49,960 --> 00:19:53,919
we have a huge team working there
436
00:19:53,919 --> 00:19:56,919
actually you see the zombies and then we
437
00:19:56,919 --> 00:20:01,159
blow them up with old antique rifles we
438
00:20:01,159 --> 00:20:04,600
will be enhancing all of this with CGI
439
00:20:04,600 --> 00:20:06,799
to make the propine tanks fly directly
440
00:20:06,799 --> 00:20:09,440
in front of the
441
00:20:15,039 --> 00:20:17,600
camera so we have a way of doing things
442
00:20:17,600 --> 00:20:19,559
and the French crew has a way of doing
443
00:20:19,559 --> 00:20:21,000
things and I think what's fun is we're
444
00:20:21,000 --> 00:20:23,400
both learning from each other and I've
445
00:20:23,400 --> 00:20:26,120
been really impressed the team has been
446
00:20:26,120 --> 00:20:30,159
fantastic it's very good
447
00:20:32,159 --> 00:20:34,559
we're always really looking for uh new
448
00:20:34,559 --> 00:20:36,159
and different ways to portray the
449
00:20:36,159 --> 00:20:38,760
zombies in this universe uh the Daryl
450
00:20:38,760 --> 00:20:41,640
Dixon show gives us a unique perspective
451
00:20:41,640 --> 00:20:43,799
because the European flare and the
452
00:20:43,799 --> 00:20:47,440
European flavor is something that allows
453
00:20:47,440 --> 00:20:50,159
us to be a bit more artistic and a bit
454
00:20:50,159 --> 00:20:51,200
more
455
00:20:51,200 --> 00:20:53,960
creative like a
456
00:20:53,960 --> 00:20:56,679
show so there's a sequence where there's
457
00:20:56,679 --> 00:20:59,520
a conductor who has has actually
458
00:20:59,520 --> 00:21:02,440
modified zombies to be performers in
459
00:21:02,440 --> 00:21:05,400
this little symphony that he's set up
460
00:21:05,400 --> 00:21:06,880
it's an interesting scene that sort of
461
00:21:06,880 --> 00:21:09,000
came from the minds of our our writer
462
00:21:09,000 --> 00:21:11,640
David zel and his team we have to create
463
00:21:11,640 --> 00:21:13,919
musicians to be in this Orchestra for
464
00:21:13,919 --> 00:21:16,039
this crazed and I would say desperate
465
00:21:16,039 --> 00:21:18,320
conductor who's yearning to put an
466
00:21:18,320 --> 00:21:22,919
orchestra back together you see music
467
00:21:22,919 --> 00:21:30,039
cure it lives heav now it still lives
468
00:21:30,360 --> 00:21:32,240
our department in conjunction with
469
00:21:32,240 --> 00:21:34,400
Clovis the production designer came up
470
00:21:34,400 --> 00:21:37,400
some really beautiful concept art we
471
00:21:37,400 --> 00:21:39,039
were able to really do something a
472
00:21:39,039 --> 00:21:41,640
little different you know having zombies
473
00:21:41,640 --> 00:21:44,799
with its arms broken that was able to
474
00:21:44,799 --> 00:21:47,000
bang on a Gong and we had other zombies
475
00:21:47,000 --> 00:21:49,080
that had trumpets shoved down their
476
00:21:49,080 --> 00:21:51,960
throat we had a zombie head that was
477
00:21:51,960 --> 00:21:55,400
swinging back and forth in a harp so it
478
00:21:55,400 --> 00:21:59,000
was something really really outrageous
479
00:21:59,000 --> 00:22:03,080
you fired up oh no I use some buts for
480
00:22:03,080 --> 00:22:05,200
um
481
00:22:05,200 --> 00:22:06,960
amplification the radio's been
482
00:22:06,960 --> 00:22:09,200
repurposed as a stereo and of course
483
00:22:09,200 --> 00:22:10,880
it's very disconcerting for darl and
484
00:22:10,880 --> 00:22:13,000
Isabelle who who who've come to find a
485
00:22:13,000 --> 00:22:15,320
radio and find instead the zombie
486
00:22:15,320 --> 00:22:18,159
Orchestra that's a stupid
487
00:22:18,159 --> 00:22:21,480
detour you did it your way now we're
488
00:22:21,480 --> 00:22:24,000
going to do it
489
00:22:26,480 --> 00:22:29,960
mine I'm going to
490
00:22:36,840 --> 00:22:42,080
Paris you hear that Miss Paris
491
00:22:42,080 --> 00:22:45,080
crying
492
00:22:45,600 --> 00:22:50,799
come this set is our camp Hey voila home
493
00:22:50,799 --> 00:22:53,520
sweet home and he did amazing job
494
00:22:53,520 --> 00:22:56,200
because this set is in the studio but
495
00:22:56,200 --> 00:22:58,760
the thing is it looks like it outdoor
496
00:22:58,760 --> 00:23:00,480
our
497
00:23:00,480 --> 00:23:03,520
Garden Palo is an artist and he lives
498
00:23:03,520 --> 00:23:06,480
with an underground group of
499
00:23:06,480 --> 00:23:09,000
people and they are self-sufficient and
500
00:23:09,000 --> 00:23:11,360
they're trying to do their best to
501
00:23:11,360 --> 00:23:13,640
survive and the history behind
502
00:23:13,640 --> 00:23:15,720
everywhere that we're going it Blends
503
00:23:15,720 --> 00:23:18,480
very well into the story where are we
504
00:23:18,480 --> 00:23:21,080
the cath comes brother among the remains
505
00:23:21,080 --> 00:23:24,320
of the 6 million who died in laest Noir
506
00:23:24,320 --> 00:23:26,919
the Black Death there's a really great
507
00:23:26,919 --> 00:23:28,640
line from
508
00:23:28,640 --> 00:23:31,480
where he says uh this is this is France
509
00:23:31,480 --> 00:23:34,799
oh here we surviv many
510
00:23:34,799 --> 00:23:37,760
apocalypses we we survive this one too
511
00:23:37,760 --> 00:23:40,120
history is entwined with what's going on
512
00:23:40,120 --> 00:23:42,440
with the
513
00:23:50,919 --> 00:23:55,279
plot as fun come back as
514
00:23:55,279 --> 00:23:58,279
fun we just always remember the
515
00:23:58,279 --> 00:24:01,760
resistance and the occupation so it just
516
00:24:01,760 --> 00:24:04,279
remind us that what happened in the past
517
00:24:04,279 --> 00:24:07,960
may come again I love that tribute that
518
00:24:07,960 --> 00:24:11,559
David and his team have weaved in to the
519
00:24:11,559 --> 00:24:14,000
French
520
00:24:14,000 --> 00:24:17,840
Resistance and to Heroes who have
521
00:24:17,840 --> 00:24:21,039
actually been there good luck you too
522
00:24:21,039 --> 00:24:23,240
thank
523
00:24:26,799 --> 00:24:30,600
you okay's shoot so today we are
524
00:24:30,600 --> 00:24:33,640
shooting at UT Beach it's particular
525
00:24:33,640 --> 00:24:36,120
place for the cultural exchange between
526
00:24:36,120 --> 00:24:37,919
France and United
527
00:24:37,919 --> 00:24:41,960
States action it has this sort of old
528
00:24:41,960 --> 00:24:43,760
Battlefield
529
00:24:43,760 --> 00:24:46,320
rustic traditional feeling here that you
530
00:24:46,320 --> 00:24:49,399
don't have in the United
531
00:24:50,039 --> 00:24:53,120
States the cemetery where darl will
532
00:24:53,120 --> 00:24:55,799
discover his uh grandfather
533
00:24:55,799 --> 00:24:59,080
Tom we will just dress a little part
534
00:24:59,080 --> 00:25:02,279
where darel will work and then we will
535
00:25:02,279 --> 00:25:04,679
enlarge all the cemetery and adding a
536
00:25:04,679 --> 00:25:07,360
lot of graves it's a huge part of the
537
00:25:07,360 --> 00:25:10,080
vfix to be unseen if our job is well
538
00:25:10,080 --> 00:25:12,320
done then you won't see
539
00:25:12,320 --> 00:25:15,399
it he's heard stories of his grandfather
540
00:25:15,399 --> 00:25:20,000
but finding those Graves there he sort
541
00:25:20,000 --> 00:25:23,080
of realizes where he is and then he sort
542
00:25:23,080 --> 00:25:26,320
of frantically starts looking for these
543
00:25:26,320 --> 00:25:28,600
names and then he finds it and it sort
544
00:25:28,600 --> 00:25:31,480
of hits some who that is so there's a
545
00:25:31,480 --> 00:25:34,520
moment of sadness but then there's also
546
00:25:34,520 --> 00:25:36,480
I'm not going to be you I'm not going to
547
00:25:36,480 --> 00:25:39,080
destroy the family I have back home by
548
00:25:39,080 --> 00:25:40,799
being you so there's like resentment
549
00:25:40,799 --> 00:25:44,080
there as well even though the guy's a
550
00:25:44,080 --> 00:25:46,919
hero but it just sort of makes him walk
551
00:25:46,919 --> 00:25:50,840
faster to the boat hey we are shooting D
552
00:25:50,840 --> 00:25:53,720
living and we will have the huge fight
553
00:25:53,720 --> 00:25:56,679
with all the zombies in the
554
00:25:56,679 --> 00:26:00,159
Hills I like the fight through the
555
00:26:00,159 --> 00:26:03,520
walkers on the way to the water because
556
00:26:03,520 --> 00:26:06,120
it was like one foot in front of the
557
00:26:06,120 --> 00:26:08,360
other determined determined determined
558
00:26:08,360 --> 00:26:10,240
you know it wasn't like a normal fight
559
00:26:10,240 --> 00:26:12,399
that you see on the shows but it's great
560
00:26:12,399 --> 00:26:14,679
I love
561
00:26:19,320 --> 00:26:22,120
it if there is a deal to be made this is
562
00:26:22,120 --> 00:26:25,399
the place Isabelle when she reaches
563
00:26:25,399 --> 00:26:29,480
Paris with Daryl and Lon and syv they
564
00:26:29,480 --> 00:26:31,960
end up in a place called The Dy the
565
00:26:31,960 --> 00:26:35,360
flame of lavid still Burns in the
566
00:26:35,360 --> 00:26:38,360
dyon which is this like crazy
567
00:26:38,360 --> 00:26:41,720
underground cab and I think we were all
568
00:26:41,720 --> 00:26:44,080
kind of as Amazed by it as our
569
00:26:44,080 --> 00:26:47,000
characters were people find all sort of
570
00:26:47,000 --> 00:26:48,559
things
571
00:26:48,559 --> 00:26:53,039
here you help us now we help you you
572
00:26:53,039 --> 00:26:57,840
walk into sex and heathenism but also
573
00:26:57,840 --> 00:27:01,159
Beauty it's walking into Quinn's brain
574
00:27:01,159 --> 00:27:03,520
how
575
00:27:03,679 --> 00:27:05,840
that actually at the beginning in was
576
00:27:05,840 --> 00:27:07,960
supposed to be in the catacombs not in a
577
00:27:07,960 --> 00:27:11,320
sewer and I spoke with David made
578
00:27:11,320 --> 00:27:13,840
drawings I've showed him some stuff and
579
00:27:13,840 --> 00:27:17,240
well here we are now it's the kind of
580
00:27:17,240 --> 00:27:18,960
thing that only Quinn could do would be
581
00:27:18,960 --> 00:27:20,840
to say the world is ending I think I'm
582
00:27:20,840 --> 00:27:22,960
going to start an underground nightclub
583
00:27:22,960 --> 00:27:24,919
he's more at home underground than he is
584
00:27:24,919 --> 00:27:28,159
above it Queen Is AA I collect all sorts
585
00:27:28,159 --> 00:27:30,440
of things by the time he's at his height
586
00:27:30,440 --> 00:27:32,159
when we meet him he's collected out in
587
00:27:32,159 --> 00:27:33,799
the streets everything that you could
588
00:27:33,799 --> 00:27:37,080
think of that's of value he's got it
589
00:27:37,080 --> 00:27:39,880
can't believe You' never heard one of
590
00:27:39,880 --> 00:27:43,279
those looks a bit
591
00:27:43,279 --> 00:27:46,399
old an old one is better than none at
592
00:27:46,399 --> 00:27:49,559
all in art Department including set
593
00:27:49,559 --> 00:27:52,080
decoration art Department designers we
594
00:27:52,080 --> 00:27:55,080
are about 150 people working on that
595
00:27:55,080 --> 00:27:59,120
show which is enough to make those great
596
00:27:59,120 --> 00:28:03,600
sets for this specific set we took three
597
00:28:03,600 --> 00:28:08,240
months we started from ground from zero
598
00:28:08,240 --> 00:28:11,039
and we built everything here on the
599
00:28:11,039 --> 00:28:13,919
demim and on Queen Banker CU a such a
600
00:28:13,919 --> 00:28:17,480
place do not exist in real life this is
601
00:28:17,480 --> 00:28:19,480
where the generals HD away during World
602
00:28:19,480 --> 00:28:23,519
War II good
603
00:28:23,840 --> 00:28:27,799
B I like the idea of making the
604
00:28:27,799 --> 00:28:31,720
beautiful sexy Cabaret in a sewer and
605
00:28:31,720 --> 00:28:35,919
transform it into this weird and yet a
606
00:28:35,919 --> 00:28:39,640
sexy place there's debauchery and danger
607
00:28:39,640 --> 00:28:42,600
but also elegance and beauty and art all
608
00:28:42,600 --> 00:28:45,880
trapped in the caves of the
609
00:28:48,000 --> 00:28:51,679
catacomb those will be
610
00:28:53,840 --> 00:28:57,559
those Paloma who won rupal's drag race
611
00:28:57,559 --> 00:29:01,399
France was performing
612
00:29:04,760 --> 00:29:08,519
there and I'm a huge drag race Watcher
613
00:29:08,519 --> 00:29:10,240
I've seen them all so I was kind of
614
00:29:10,240 --> 00:29:12,840
geeking out there being in drag is a
615
00:29:12,840 --> 00:29:15,760
pain everything is painful most
616
00:29:15,760 --> 00:29:18,720
difficult part is the the PS in my back
617
00:29:18,720 --> 00:29:21,640
which are very heavy I've been on drag
618
00:29:21,640 --> 00:29:25,440
race I can do everything
619
00:29:25,799 --> 00:29:29,799
now watching L's performance was really
620
00:29:29,799 --> 00:29:32,640
beautiful everything on my look is very
621
00:29:32,640 --> 00:29:35,960
uh FES in the eyes and the the finger
622
00:29:35,960 --> 00:29:38,320
wavs classic
623
00:29:38,320 --> 00:29:41,519
glamour we don't have a lot of chance in
624
00:29:41,519 --> 00:29:44,320
France to play in big am Hollywood
625
00:29:44,320 --> 00:29:47,880
production for an actor and for dragman
626
00:29:47,880 --> 00:29:49,000
like
627
00:29:49,000 --> 00:29:52,720
a big dream I
628
00:29:56,320 --> 00:29:59,320
think
629
00:30:01,490 --> 00:30:05,880
[Applause]
630
00:30:05,880 --> 00:30:08,159
I think that's such a different look
631
00:30:08,159 --> 00:30:09,440
than things we've seen it was very
632
00:30:09,440 --> 00:30:12,720
colorful and it was awesome to film that
633
00:30:12,720 --> 00:30:15,760
old school mixed with uh apocalyptic
634
00:30:15,760 --> 00:30:18,720
that was such a a ciray moment in the
635
00:30:18,720 --> 00:30:21,519
middle of the darkness I thought it was
636
00:30:21,519 --> 00:30:23,760
awesome every time I pass the Eiffel
637
00:30:23,760 --> 00:30:25,399
Tower in real life I have to take a
638
00:30:25,399 --> 00:30:26,679
picture of it I don't know why I have a
639
00:30:26,679 --> 00:30:29,720
thousand Pi of it
640
00:30:29,799 --> 00:30:32,240
now looks like I got the tip knocked off
641
00:30:32,240 --> 00:30:35,399
of them it must be magical to stand
642
00:30:35,399 --> 00:30:38,840
under it and look up at the sky the
643
00:30:38,840 --> 00:30:40,720
Eiffel tower has a special twist to it
644
00:30:40,720 --> 00:30:43,399
cuz it's broken in half and at night the
645
00:30:43,399 --> 00:30:46,360
wind will pick it up a little
646
00:30:46,360 --> 00:30:51,000
bit when the winds blow the metal grows
647
00:30:51,000 --> 00:30:53,399
that sort of is the feeling of the world
648
00:30:53,399 --> 00:30:55,880
here at the
649
00:30:56,240 --> 00:30:58,600
moment
650
00:30:58,600 --> 00:31:00,000
the scene at the base of the Eiffel
651
00:31:00,000 --> 00:31:03,200
Tower is a great action
652
00:31:11,919 --> 00:31:15,360
sceney so here we are in parl in sanlu
653
00:31:15,360 --> 00:31:17,760
it's in the suburb of Paris we are
654
00:31:17,760 --> 00:31:20,039
recreating the Shand Mar that's why
655
00:31:20,039 --> 00:31:21,880
we're here because it's the same kind of
656
00:31:21,880 --> 00:31:24,240
garden with the same Alle the same trees
657
00:31:24,240 --> 00:31:26,320
and where we can put the F Tower the art
658
00:31:26,320 --> 00:31:28,080
department just didn't amazing work so
659
00:31:28,080 --> 00:31:30,960
for this set we just established this
660
00:31:30,960 --> 00:31:33,760
white blue screen it's one of the
661
00:31:33,760 --> 00:31:36,200
biggest we've done in Paris outside the
662
00:31:36,200 --> 00:31:38,840
main idea is we have a hord of zombie
663
00:31:38,840 --> 00:31:40,919
like thousands of zombie under the the a
664
00:31:40,919 --> 00:31:44,080
Tor and it's so fun I bring the F to the
665
00:31:44,080 --> 00:31:47,039
zombies and the zombies to the
666
00:31:47,039 --> 00:31:49,919
F the set was really
667
00:31:49,919 --> 00:31:52,600
amazing and the Walkers were coming up
668
00:31:52,600 --> 00:31:55,760
to me and then surrounding me it was
669
00:31:55,760 --> 00:31:57,559
kind of funny cuz there were kind of
670
00:31:57,559 --> 00:32:00,080
making funny faces cuz we weren't really
671
00:32:00,080 --> 00:32:02,840
in the sh they just saw the exterior of
672
00:32:02,840 --> 00:32:06,039
the Walkers surrounding
673
00:32:07,080 --> 00:32:10,559
me today you died watching The Gladiator
674
00:32:10,559 --> 00:32:13,279
scenes was
675
00:32:16,399 --> 00:32:20,279
incredible the crew really has brought a
676
00:32:20,279 --> 00:32:22,600
unique sensibility to the show the way
677
00:32:22,600 --> 00:32:23,919
they shoot things here it's very
678
00:32:23,919 --> 00:32:25,559
different than the way that we've done
679
00:32:25,559 --> 00:32:28,159
it in the state so for me it's exciting
680
00:32:28,159 --> 00:32:31,039
to watch the tools that they use and see
681
00:32:31,039 --> 00:32:32,760
the way that they compose shots which
682
00:32:32,760 --> 00:32:35,880
makes the show feel unique very good we
683
00:32:35,880 --> 00:32:38,360
pick it up from this moment Dan paral
684
00:32:38,360 --> 00:32:40,679
who was the director of the episode was
685
00:32:40,679 --> 00:32:42,679
very keen to collaborate making sure
686
00:32:42,679 --> 00:32:44,440
that this didn't feel like a sequence
687
00:32:44,440 --> 00:32:46,679
that we had seen before the whole thing
688
00:32:46,679 --> 00:32:48,880
is theater for the masses it needs to
689
00:32:48,880 --> 00:32:50,519
feel like a post-apocalyptic
690
00:32:50,519 --> 00:32:52,639
gladiatorial combat I ain't going to be
691
00:32:52,639 --> 00:32:55,600
in here the way the spotlights came in
692
00:32:55,600 --> 00:32:59,440
it done one 2 free they're panning from
693
00:32:59,440 --> 00:33:02,279
Walker to Walker and the crowds yelling
694
00:33:02,279 --> 00:33:05,519
and screaming and as we see these
695
00:33:05,519 --> 00:33:08,039
zombies being altered by the injection
696
00:33:08,039 --> 00:33:10,600
of this fluid it sort of amps everything
697
00:33:10,600 --> 00:33:14,159
up find by braking just by break now
698
00:33:14,159 --> 00:33:16,120
this is the first time The Walking Dead
699
00:33:16,120 --> 00:33:18,279
has done superpowered Walkers so so they
700
00:33:18,279 --> 00:33:20,240
move really really fast it's always
701
00:33:20,240 --> 00:33:23,720
challenging to cast uh zombie performers
702
00:33:23,720 --> 00:33:27,039
because the aesthetic is they're rotting
703
00:33:27,039 --> 00:33:29,080
corpses so you imagine that they're
704
00:33:29,080 --> 00:33:31,399
thinner they look more skeletal I think
705
00:33:31,399 --> 00:33:33,840
in the early incarnation of the script
706
00:33:33,840 --> 00:33:36,200
and they talking about Uber zombies some
707
00:33:36,200 --> 00:33:37,679
of the people that they auditioned were
708
00:33:37,679 --> 00:33:41,279
like 6'4 they look like the rock it says
709
00:33:41,279 --> 00:33:44,279
super strong Uber zombies but you don't
710
00:33:44,279 --> 00:33:46,720
want them to be muscular they're still
711
00:33:46,720 --> 00:33:49,000
corpses they're corpses that have been
712
00:33:49,000 --> 00:33:51,240
chemically altered something we've never
713
00:33:51,240 --> 00:33:53,159
done on The Walking Dead Before darl
714
00:33:53,159 --> 00:33:55,039
Dixon has spent his whole life fighting
715
00:33:55,039 --> 00:33:56,840
Walkers that Lumber around like this and
716
00:33:56,840 --> 00:33:57,919
now now he's having to fight from the
717
00:33:57,919 --> 00:34:00,519
run at him it's a whole new experience
718
00:34:00,519 --> 00:34:02,480
it's wild to fight walkers in the
719
00:34:02,480 --> 00:34:05,120
Gladiator battle that move like they do
720
00:34:05,120 --> 00:34:07,960
and the stunt team here is phenomenal
721
00:34:07,960 --> 00:34:10,560
they give it up 200% every single take
722
00:34:10,560 --> 00:34:12,440
they're just like so in it biggest
723
00:34:12,440 --> 00:34:14,918
challenge is to have two people fighting
724
00:34:14,918 --> 00:34:17,480
together chained together it's you
725
00:34:17,480 --> 00:34:19,359
against me then eh darl is experienced
726
00:34:19,359 --> 00:34:22,119
and knows how to kill these things Quinn
727
00:34:22,119 --> 00:34:23,560
is not experienced in killing these
728
00:34:23,560 --> 00:34:26,040
things but he's not a coward and so how
729
00:34:26,040 --> 00:34:27,879
would they fight it's very Scrappy for
730
00:34:27,879 --> 00:34:30,879
Quinn and Daryl manages to maneuver it's
731
00:34:30,879 --> 00:34:34,560
a ballet between camera directors actors
732
00:34:34,560 --> 00:34:37,359
stunt people special effects well Norman
733
00:34:37,359 --> 00:34:39,119
and Adam want to do all their own starts
734
00:34:39,119 --> 00:34:40,679
they want to do all their own fighting
735
00:34:40,679 --> 00:34:42,679
you know there was barely a moment here
736
00:34:42,679 --> 00:34:43,839
where they weren't doing your own
737
00:34:43,839 --> 00:34:45,440
fighting and when they did I was just
738
00:34:45,440 --> 00:34:47,520
giving them a break it's exhausting I'm
739
00:34:47,520 --> 00:34:49,040
glad I was chain to Norman I can think
740
00:34:49,040 --> 00:34:50,599
of other people in my life I'd rather
741
00:34:50,599 --> 00:34:52,560
not be chainu they were doing these long
742
00:34:52,560 --> 00:34:56,560
set choreograph pieces and nail it both
743
00:34:56,560 --> 00:34:58,200
fantastic fantastic physical access it's
744
00:34:58,200 --> 00:35:03,920
a really fun way to work 3 2
745
00:35:07,400 --> 00:35:09,920
1 the hardest part was throwing the head
746
00:35:09,920 --> 00:35:12,079
in the right spot from across the room
747
00:35:12,079 --> 00:35:13,839
but I thought my aim was a little better
748
00:35:13,839 --> 00:35:16,680
but it took me like 10 dve at one point
749
00:35:16,680 --> 00:35:18,320
I threw it in the head landed right in
750
00:35:18,320 --> 00:35:20,839
some guy's lap and he was like a which
751
00:35:20,839 --> 00:35:23,680
was great but it wasn't
752
00:35:23,680 --> 00:35:26,520
right and then at one point I threw it I
753
00:35:26,520 --> 00:35:29,000
threw at J and she went to catch it so
754
00:35:29,000 --> 00:35:31,040
the head was there and we kind of played
755
00:35:31,040 --> 00:35:33,160
with it you know we made pictures and
756
00:35:33,160 --> 00:35:36,280
stuff was clearly a caret you know or
757
00:35:36,280 --> 00:35:39,440
dummy and I got
758
00:35:39,440 --> 00:35:42,560
afraid it's a very bad day for her it
759
00:35:42,560 --> 00:35:44,200
starts really
760
00:35:44,200 --> 00:35:48,359
well and ends up not so
761
00:35:48,359 --> 00:35:51,800
good that gladiator battle was the most
762
00:35:51,800 --> 00:35:55,359
fun to film the days that we shot that
763
00:35:55,359 --> 00:35:58,440
gladiator walkers scene was a huge day
764
00:35:58,440 --> 00:36:00,720
for me was a dream coming true being on
765
00:36:00,720 --> 00:36:03,520
the set of The Walking Dead all right
766
00:36:03,520 --> 00:36:05,400
here more
767
00:36:05,400 --> 00:36:09,400
Jeff I hope the fans love
768
00:36:09,720 --> 00:36:13,839
it it was a gross fun exhausting day
769
00:36:13,839 --> 00:36:16,400
which are my
770
00:36:20,680 --> 00:36:24,480
favorite that location M Michelle's it's
771
00:36:24,480 --> 00:36:25,720
just
772
00:36:25,720 --> 00:36:27,880
magnificent
773
00:36:27,880 --> 00:36:30,520
we are on a little island there's a real
774
00:36:30,520 --> 00:36:34,359
medieval vibe in the streets shooting at
775
00:36:34,359 --> 00:36:37,240
Mami Shadow was really beautiful it was
776
00:36:37,240 --> 00:36:39,800
an amazing place and the view was great
777
00:36:39,800 --> 00:36:41,920
and we had loads of fun when they
778
00:36:41,920 --> 00:36:44,160
arrived at the nest there's this big
779
00:36:44,160 --> 00:36:48,079
feeling of we did it we
780
00:36:49,160 --> 00:36:51,160
succeeded the whole first season they're
781
00:36:51,160 --> 00:36:53,480
trying to get to this mysterious place
782
00:36:53,480 --> 00:36:54,720
and at the end of the season they find
783
00:36:54,720 --> 00:36:57,480
it welcome to the nest I'm
784
00:36:57,480 --> 00:37:02,359
loang you French now
785
00:37:02,720 --> 00:37:04,960
Hoboken for a character like loang it
786
00:37:04,960 --> 00:37:06,720
just really appeals to me because first
787
00:37:06,720 --> 00:37:08,880
of all he's Asian in appearance and yet
788
00:37:08,880 --> 00:37:11,119
he's speaking French and then he's a
789
00:37:11,119 --> 00:37:13,720
Buddhist monk but he now Embraces
790
00:37:13,720 --> 00:37:16,640
Catholicism and Judaism and
791
00:37:16,640 --> 00:37:20,160
Hinduism God does not exist unless we
792
00:37:20,160 --> 00:37:23,160
believe in God there's a great faith
793
00:37:23,160 --> 00:37:25,400
that salvation is near and that they
794
00:37:25,400 --> 00:37:26,760
just have to hold on and they have have
795
00:37:26,760 --> 00:37:29,960
to tow the line and if they can do that
796
00:37:29,960 --> 00:37:31,880
then they can be present and in service
797
00:37:31,880 --> 00:37:35,040
of a return to the way things used to be
798
00:37:35,040 --> 00:37:36,720
I like it
799
00:37:36,720 --> 00:37:41,920
here yeah kind of gross on it feels like
800
00:37:41,920 --> 00:37:44,480
home we've talked about the nest so much
801
00:37:44,480 --> 00:37:45,960
throughout the season and to finally
802
00:37:45,960 --> 00:37:47,760
meet all the characters at the nest was
803
00:37:47,760 --> 00:37:50,400
great I got family waiting for me back
804
00:37:50,400 --> 00:37:51,960
home you've got people here who hope
805
00:37:51,960 --> 00:37:54,599
you'll stay I think the arrival of
806
00:37:54,599 --> 00:37:56,200
finally getting this kid where he has to
807
00:37:56,200 --> 00:37:57,880
go and Daryl having to make a decision
808
00:37:57,880 --> 00:37:59,640
where he's grown very fond of these
809
00:37:59,640 --> 00:38:01,119
people and sort of feels a
810
00:38:01,119 --> 00:38:03,240
responsibility and a and a sense of
811
00:38:03,240 --> 00:38:04,400
family here and he don't know if he
812
00:38:04,400 --> 00:38:07,480
wants to admit it it isn't my fight
813
00:38:07,480 --> 00:38:09,440
maybe the fight's not the reason you're
814
00:38:09,440 --> 00:38:13,160
torn sometimes when a person leaves
815
00:38:13,160 --> 00:38:15,280
home he comes to find he belongs
816
00:38:15,280 --> 00:38:17,760
someplace
817
00:38:21,040 --> 00:38:25,000
else the thing that loang sees is that
818
00:38:25,000 --> 00:38:27,280
Daryl has an ability to love
819
00:38:27,280 --> 00:38:28,480
which is something that I don't even
820
00:38:28,480 --> 00:38:30,440
think Daryl acknowledges and I think
821
00:38:30,440 --> 00:38:32,920
Daryl has a wonderful influence he
822
00:38:32,920 --> 00:38:35,480
breaks the cycle and allows Laur to just
823
00:38:35,480 --> 00:38:39,040
be a kid we're so lucky to have the
824
00:38:39,040 --> 00:38:41,000
opportunity to shoot in a place like M
825
00:38:41,000 --> 00:38:43,800
Melle I believe it's the first
826
00:38:43,800 --> 00:38:45,680
non-french production to have the
827
00:38:45,680 --> 00:38:47,920
opportunity to shoot there the monelle
828
00:38:47,920 --> 00:38:50,640
has been restored for cultur purpose so
829
00:38:50,640 --> 00:38:52,520
we will remove the bridge we will remove
830
00:38:52,520 --> 00:38:55,359
the scaffoldings and we will make
831
00:38:55,359 --> 00:38:58,560
everything feels like the M Mel is
832
00:38:58,560 --> 00:39:01,160
living during the apocalypse you have
833
00:39:01,160 --> 00:39:03,880
this beautiful Jewel in Western France
834
00:39:03,880 --> 00:39:05,720
it has a Mystique about it and so to
835
00:39:05,720 --> 00:39:07,960
take this group The Nest and to put them
836
00:39:07,960 --> 00:39:10,560
there it's a great match story-wise it
837
00:39:10,560 --> 00:39:12,520
just sort of enhances the mystery and
838
00:39:12,520 --> 00:39:14,880
the Majesty of the place it just adds an
839
00:39:14,880 --> 00:39:16,800
air of authenticity and makes it so much
840
00:39:16,800 --> 00:39:19,160
easier to to do your job as an actor to
841
00:39:19,160 --> 00:39:21,160
inhabit the space in the world because
842
00:39:21,160 --> 00:39:23,480
you have this amazing
843
00:39:23,480 --> 00:39:25,760
place to get to the top of that place
844
00:39:25,760 --> 00:39:28,319
you climb stairs for like an hour and a
845
00:39:28,319 --> 00:39:30,880
half there's no escalator or elevator in
846
00:39:30,880 --> 00:39:33,440
that spot and you're so tired it's the
847
00:39:33,440 --> 00:39:36,440
sort of spiral the Cathedral at the top
848
00:39:36,440 --> 00:39:39,359
of the mam shell was really big and cold
849
00:39:39,359 --> 00:39:40,640
and they were telling me at the top oh
850
00:39:40,640 --> 00:39:42,440
there's a few fans there and I was like
851
00:39:42,440 --> 00:39:46,119
oh it's cool but I did not expect to see
852
00:39:46,119 --> 00:39:48,400
the spiral road all the way down the
853
00:39:48,400 --> 00:39:52,079
mountain full of people that was crazy
854
00:39:52,079 --> 00:39:54,599
there was a Quee of like 3,000 people
855
00:39:54,599 --> 00:39:57,000
there it took me a long time to get in
856
00:39:57,000 --> 00:39:57,720
the
857
00:39:57,720 --> 00:40:01,760
car but other than that it was
858
00:40:01,800 --> 00:40:05,640
great hello are you
859
00:40:05,640 --> 00:40:11,760
there hello hey it's me Daryl are you
860
00:40:14,040 --> 00:40:17,000
okay I'm hoping when they hear a Carol's
861
00:40:17,000 --> 00:40:18,560
voice on the other end of that radio
862
00:40:18,560 --> 00:40:20,480
they're going to be surprised Melissa
863
00:40:20,480 --> 00:40:22,280
has been part of the show since before
864
00:40:22,280 --> 00:40:23,760
the first script was written looking for
865
00:40:23,760 --> 00:40:26,920
a friend of mine nam's Daryl Dixon I got
866
00:40:26,920 --> 00:40:29,040
out here before you got out here and I
867
00:40:29,040 --> 00:40:30,520
knew you were coming but I couldn't say
868
00:40:30,520 --> 00:40:32,280
you were coming you got the ball rolling
869
00:40:32,280 --> 00:40:34,880
in a really big way yeah we're supposed
870
00:40:34,880 --> 00:40:37,520
to like keep it a secret yeah so I was
871
00:40:37,520 --> 00:40:40,160
just H up in a hotel room
872
00:40:40,160 --> 00:40:42,800
oh six weeks I was visiting the Eiffel
873
00:40:42,800 --> 00:40:45,319
Tower I was going to restaurants right
874
00:40:45,319 --> 00:40:47,079
yeah you were hiding and I'm like
875
00:40:47,079 --> 00:40:49,400
wearing hats and sunglasses and just
876
00:40:49,400 --> 00:40:51,680
staying in and yeah hoping nobody sees
877
00:40:51,680 --> 00:40:54,400
me yeah I'm happy that you're here how
878
00:40:54,400 --> 00:40:57,240
does it feel coming back it feels
879
00:40:57,240 --> 00:41:00,200
exciting it feels strange and it feels
880
00:41:00,200 --> 00:41:02,079
very
881
00:41:02,079 --> 00:41:05,400
familiar easy lady where'd you get the
882
00:41:05,400 --> 00:41:07,640
bike I think the most important thing
883
00:41:07,640 --> 00:41:10,119
was really Carol's heads space she
884
00:41:10,119 --> 00:41:11,920
needed her friend and she needed to know
885
00:41:11,920 --> 00:41:14,040
that he was okay if you're lying I won't
886
00:41:14,040 --> 00:41:16,760
be back that sort of gut feeling is
887
00:41:16,760 --> 00:41:18,560
something that reverberates inside of
888
00:41:18,560 --> 00:41:22,640
her and she in Very Carol fashion goes
889
00:41:22,640 --> 00:41:25,440
to figure it out I think that she will
890
00:41:25,440 --> 00:41:28,160
be true to her character and there are
891
00:41:28,160 --> 00:41:30,200
always changes coming with her she's
892
00:41:30,200 --> 00:41:33,000
holding something
893
00:41:34,599 --> 00:41:38,319
back to be able to continue as a
894
00:41:38,319 --> 00:41:40,880
producer director and creative on the
895
00:41:40,880 --> 00:41:42,680
show with Norman has been an absolute
896
00:41:42,680 --> 00:41:45,280
dream come true it's a complete reset
897
00:41:45,280 --> 00:41:47,440
for us this show has scale that we've
898
00:41:47,440 --> 00:41:50,520
never seen where the other show was Time
899
00:41:50,520 --> 00:41:53,680
Square this is like candl
900
00:41:53,680 --> 00:41:56,880
light everything is working you know
901
00:41:56,880 --> 00:41:59,270
which is how the original Walking Dead
902
00:41:59,270 --> 00:42:02,389
[Music]
903
00:42:25,160 --> 00:42:28,160
felt
904
00:42:33,280 --> 00:42:36,760
[Music]
63037
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