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NARRATOR: Chichen Itza,
one of Mexico's main historic sites
is the sacred city of the ancient Maya civilisation.
is the sacred city of the ancient Maya civilisation.
- It's the centre of the world, the universe!
NARRATOR: Precisely constructed monuments
with thousands of colourfully sculpted decorations
with thousands of colourfully sculpted decorations
make these remains unique.
- I think there's nowhere like it in today's world!
- I think there's nowhere like it in today's world!
- They mastered not only the beauty in architecture
but the practical side of it,
it's very impressive!
it's very impressive!
NARRATOR: Over 800 years ago,
the builders of Chichen Itza, masters of geometry and astronomy,
the builders of Chichen Itza, masters of geometry and astronomy,
created a whole new architectural style.
- There's a shadow effect, it looks like the body of a snake!
NARRATOR: These mysterious structures
are marked by a little-known history
and hide the secrets of an elaborate religion.
and hide the secrets of an elaborate religion.
- Each of these elements tells us what the Maya worldview was
and how they understood time.
NARRATOR: How did the Maya design such a large city
with such refined decorations?
Who were the priest and warrior architects
behind the splendour and magic of Chichen Itza?
- Inside, there is a solid block with a small spiral staircase.
- Inside, there is a solid block with a small spiral staircase.
- I don't believe in coincidence.
If they built it there, it was because they knew something!
NARRATOR: With the latest technology used by archaeologists,
we'll X-ray these bodies of stone,
we'll X-ray these bodies of stone,
revealing their hidden structures
and the genius of the builders
who created the mystic city of the Maya!
who created the mystic city of the Maya!
An unusual atmosphere reigns in this Central American forest.
An unusual atmosphere reigns in this Central American forest.
These imposing stone constructions seem to cast a spell...
..and take you back in time.
- You feel an energy that's hard to describe.
I've been to places that scared me a bit
I've been to places that scared me a bit
and, well, sometimes I leave offerings for protection
because yes, it's a bit intense!
NARRATOR: The impressive, enigmatic remains of Chichen Itza
are a portal to the mysterious Maya civilisation...
are a portal to the mysterious Maya civilisation...
..one of the most technically advanced
but also most mystical civilisations in this part of the world.
but also most mystical civilisations in this part of the world.
This immense archaeological site covers almost 20 square kilometres.
This immense archaeological site covers almost 20 square kilometres.
Located in Mexico's Yucatan Peninsula,
Chichen Itza developed
in the northeast of the ancient Maya territory
in the northeast of the ancient Maya territory
in Central America.
The centre of the city is littered with unusual monuments
thousands of years old.
thousands of years old.
The Temple of the Warriors and its hundreds of columns,
the Caracol with its circular shape,
a first in Maya architecture,
a first in Maya architecture,
or the Castillo,
a pyramidal temple and centre of the whole city.
The main superstructures
were built on a 240,000 square metre esplanade
three times the size of Paris' Place de la Concorde.
- These areas, like any other town here,
were the seat of political, economic and religious institutions.
were the seat of political, economic and religious institutions.
But there's also the countryside beyond,
where there were smaller communities,
small huts where families lived
and where most of the food consumed by the city was produced.
- The monuments are very large.
Massive amounts of work, energy
Massive amounts of work, energy
and materials were needed to create them.
It's an extremely important site for Maya culture.
It's an extremely important site for Maya culture.
NARRATOR: In the 11th and 12th centuries AD,
NARRATOR: In the 11th and 12th centuries AD,
tens of thousands of inhabitants made Chichen Itza an urban centre
in the heart of the forest,
the political and economic capital of the Yucatan region
the political and economic capital of the Yucatan region
with a wide spiritual and cultural influence.
- We know that from a long time ago
- We know that from a long time ago
people would come from different places,
distant places all the way to South America.
distant places all the way to South America.
So, imagine in Mesoamerica
the importance that place have for people doing peregrinations
and all these trips.
and all these trips.
- This is a very different site from the others.
It stands out, of course, because of its vast size
It stands out, of course, because of its vast size
and there are buildings you don't see on Maya territory
from other eras.
NARRATOR: Why was this city so important and so special
to the Maya?
Was there another reason to create this unique architectural site?
Was there another reason to create this unique architectural site?
Here, unlike other Maya cities,
the inhabitants left no written historical record.
the inhabitants left no written historical record.
Archaeologists must dissect the remains
to unlock the secrets of Chichen Itza.
The Castillo,
so named by the 16th century Spanish conquistadors,
so named by the 16th century Spanish conquistadors,
is the builders' most impressive legacy.
This nine-level pyramid and its temple
This nine-level pyramid and its temple
reach a height of 30 metres.
With a base 55 and a half metres square,
it stands out for its balanced proportions
it stands out for its balanced proportions
and symmetrical shape.
It's not the tallest Maya construction
but the recently restored pyramid is now popularly considered
one of the Seven Wonders of the World.
Since its 19th century rediscovery,
the Temple of Kukulkan is, however,
the Temple of Kukulkan is, however,
not the Chichen Itza structure which most intrigues archaeologists.
The building that has long puzzled them the most is the Caracol,
Spanish for snail.
- The Caracol structure is an unusual building.
First of all, it has a round roof,
First of all, it has a round roof,
which is unusual in the Maya area.
It's a round building.
And also because you can see different parts of the sky.
And also because you can see different parts of the sky.
NARRATOR: Set on a large rectangular terrace,
this circular building is even more surprising inside
this circular building is even more surprising inside
as Marco Santos Ramirez,
the archaeological site's director explains...
- The inside is a solid block
with a small spiral staircase to the upper part
with a small spiral staircase to the upper part
formed from a type of vault built by the Maya
which made tall structures possible.
NARRATOR: In the middle of the platform,
the 11-metre-diameter tower encloses two circular rooms
the 11-metre-diameter tower encloses two circular rooms
around a central core.
This core was the base for a staircase
This core was the base for a staircase
built out of the stone
to reach another small vaulted chamber
now gone.
The tower's four entrances face the four points of the compass
The tower's four entrances face the four points of the compass
but slightly offset
so that the structure precisely aligns with the sun
so that the structure precisely aligns with the sun
at the summer and winter solstices.
- There's a series of doors and windows
- There's a series of doors and windows
through which you can see the horizon.
If the evening sun comes through here
and forms a line of light
and forms a line of light
it means it's the summer solstice.
NARRATOR: The key element of this complex architecture
is the Maya arch.
- This is the Maya arch
built out from these large walls.
That's where the axial forces are directed
That's where the axial forces are directed
and that's what makes it possible to reach great heights
and then bring them together!
NARRATOR: The Maya arch is an ancestral technique
in which blocks of stone are stacked in a staggered way
to bring them progressively closer together
to bring them progressively closer together
above the walls
and form these large triangular vaults.
Weight is then transferred vertically to the ground
Weight is then transferred vertically to the ground
without pushing outwards.
This technique gives high but narrow rooms,
This technique gives high but narrow rooms,
meaning the walls have to be very thick.
- These other blocks gave stability to the walls here.
- These other blocks gave stability to the walls here.
So, with this type of architecture,
they would create this great building,
one of the most recognisable in Chichen Itza.
one of the most recognisable in Chichen Itza.
NARRATOR: Built through the wall just above the vaults,
NARRATOR: Built through the wall just above the vaults,
the spiral staircase went up to a floor where windows were cut
to observe the planet Venus...
..for this mysterious round structure
built to align with the course of stars and planets
built to align with the course of stars and planets
is much like an astronomical observatory.
From the Caracol,
From the Caracol,
the Maya had a 360-degree view of the movement of the sun,
the moon, Venus
and a whole series of constellations.
and a whole series of constellations.
The builders of Chichen Itza were experienced astronomers,
certainly the most advanced of their time.
certainly the most advanced of their time.
- It's incredible to see how the ancient Maya designed,
perfected and built a building over a thousand years ago
perfected and built a building over a thousand years ago
that's very similar to today's observatories
with the same features.
with the same features.
- Astronomy is one of the first sciences
that was dominated by the Mayas,
not only for the calendar
but also in a way of laying out their cities.
For a long time,
the Mayas were called the skywatchers culture
the Mayas were called the skywatchers culture
because they were so knowledgeable about the universe
that they were able to place structures
exactly with the alignment of the stars
exactly with the alignment of the stars
and the planets that they really wanted
and that's amazing!
NARRATOR: Thanks to their meticulous observation of the sky
and mathematical skills,
and mathematical skills,
the Maya were able to accurately measure time.
They used several calendars,
all interconnected,
all interconnected,
and with some similarities to our own system of time.
The beginning of time,
the Maya zero,
corresponds to the 11th of August 3113 BC.
corresponds to the 11th of August 3113 BC.
With each cycle lasting 5,125 years,
With each cycle lasting 5,125 years,
the first one ended on the 21st of December 2012.
The Maya also counted the days in a solar year
The Maya also counted the days in a solar year
using a 365-day calendar similar to our own.
Finally, they used the sacred calendar
common to all the civilisations of pre-Hispanic Central America
common to all the civilisations of pre-Hispanic Central America
which counted 13 months of 20 days each.
This 365-day division of time
This 365-day division of time
is inscribed in Chichen Itza's stone.
The Castillo is like an open-air ephemeris,
a book of astronomical charts.
a book of astronomical charts.
There are 365 steps,
91 on each of the four side staircases
plus the last step to enter the temple...
plus the last step to enter the temple...
..and 52 decorative panels on the pyramid's four sides
marking the conjunction of the sacred and solar calendars
marking the conjunction of the sacred and solar calendars
exactly every 52 years.
- So, there are many symbolic numbers like that
spread throughout the architecture and the decoration of the building
which makes it a very special construction
which makes it a very special construction
and extremely symbolic of the Maya concept of time!
NARRATOR: All of the architecture of the Castillo
is determined by astronomy.
Another example is how builders moved the pyramid's north face
some 15 degrees to the east.
Twice a year, in September and March,
Twice a year, in September and March,
this precise alignment produces an impressive effect.
- El Castillo is not only a beautiful structure,
it's also an equinox marker.
You know that, at certain times of the year,
You know that, at certain times of the year,
it's so well-planned and so well-designed
that the staircases, that they have snakes around...
that the staircases, that they have snakes around...
You can see, actually, the sun moving
and it's a very impressive visual effect
to see how this snake comes down.
to see how this snake comes down.
- I imagine that when it was being built
they made a model
to work out mathematical alignment of the temple
to work out mathematical alignment of the temple
to achieve this effect.
It's a shadow effect
which seems to mimic the body of a snake.
which seems to mimic the body of a snake.
NARRATOR: This snake is Kukulkan,
NARRATOR: This snake is Kukulkan,
the feathered serpent god.
- At certain times of the year the god Kukulkan would descend.
- At certain times of the year the god Kukulkan would descend.
He would come down the Castillo all the way down to the ground.
- Imagine that effect in the Maya society at that time.
- Imagine that effect in the Maya society at that time.
It must have been impressive!
NARRATOR: Today,
NARRATOR: Today,
this play of light and shadow is watched by crowds of tourists.
More than 800 years ago,
this effect conferred immense power on the priests of Chichen Itza.
this effect conferred immense power on the priests of Chichen Itza.
Thought to be masters of time
and able to communicate with the gods,
the priests looked down from the pyramid temple
the priests looked down from the pyramid temple
on ceremonies attended by tens of thousands
to the glory of Kukulkan.
The god of resurrection and reincarnation,
his return heralds the end of the world.
Kukulkan is a major divinity in Maya mythology,
although his cult took hold late,
around the year 1000.
The builders of Chichen Itza
used their knowledge of astronomy and mathematics
to measure time and determine agricultural seasons
to measure time and determine agricultural seasons
both to honour Kukulkan
and to organise sacred rituals reserved for the bravest warriors.
Very close to the Castillo is a structure
typical of the Maya civilisation,
a ball court.
- In Mesoamerica,
a ball court always takes the form of two long parallel structures
marking out a central playing area.
NARRATOR: The rules of this game aren't known
though it wasn't a sport as we know it,
rather a bloody confrontation
which ended with the losing team being sacrificed
which ended with the losing team being sacrificed
in the centre of the arena.
- We call it a game
but in reality it was a ritual practice!
but in reality it was a ritual practice!
NARRATOR: For the Maya,
this religious ritual symbolised the daily battle
between day and night, life and death.
between day and night, life and death.
Two teams of warriors faced each other
using a ball made of rubber symbolising the sun.
using a ball made of rubber symbolising the sun.
- There are rings attached to the side walls...
And one aspect of the game
And one aspect of the game
was to pass the ball through these rings.
NARRATOR: These rings are special,
as are the dimensions of the Chichen Itza site.
as are the dimensions of the Chichen Itza site.
Chichen Itza's ball court is 168 metres long
Chichen Itza's ball court is 168 metres long
and 79 metres wide,
roughly the size of a modern football stadium.
The elite watched from the temples to the north and south
while the public stood on the two eight-metre-high side platforms.
while the public stood on the two eight-metre-high side platforms.
The last temple on the eastern platform
was occupied by the priests,
its entrance framed by two enormous columns
its entrance framed by two enormous columns
each with an effigy of the feathered serpent god.
- The ball court at Chichen Itza is unique in terms of its size
and scale,
which is virtually unrivalled in the Maya area.
- They mastered not only the beauty in architecture
but the practical side of it,
it's very impressive!
NARRATOR: An arena of this size,
designed for several hundred spectators,
needed considerable stonework.
needed considerable stonework.
The base of the two stepped walls is around ten metres wide.
Beneath the carvings,
the filling is made of crushed stone, earth and mortar,
the filling is made of crushed stone, earth and mortar,
just like the walls of a medieval fortress.
These two massive galleries stretch over 95 metres in length.
These two massive galleries stretch over 95 metres in length.
Most of the quarries at Chichen Itza have disappeared
but one has been identified deep in the forest
but one has been identified deep in the forest
which provided limestone for the ball game site.
- We know that the Maya quarried stone blocks
and limestone powder here...
and limestone powder here...
..also known in the region as sascab.
NARRATOR: Powdered limestone, which the Maya call sascab,
is an essential material for building.
- This sascab was used to prepare mortar for stonework,
to make plasters and prepare stucco.
to make plasters and prepare stucco.
NARRATOR: The Maya covered all structures with this plaster
NARRATOR: The Maya covered all structures with this plaster
made from sascab, water and quicklime.
This layer of stucco gave the buildings a perfect finish
and colour
but above all protected the stone from erosion
but above all protected the stone from erosion
by making it waterproof.
In a tropical region where the rainy season is intense
and hurricanes can destroy everything
waterproofing is essential.
- In all the buildings we found not just a single layer
but a succession of them.
The older the building, the more layers were needed to maintain it.
The older the building, the more layers were needed to maintain it.
NARRATOR: The builders needed to put the different layers of stucco
NARRATOR: The builders needed to put the different layers of stucco
on walls eight metres from the ground.
Like builders everywhere,
the Maya used scaffolding
the Maya used scaffolding
made from tropical wood and fixed with vines.
- What's special about this scaffolding
is the vines that hold it together,
a species called soulbatche in the Maya language.
As the vines dry, they shrink and harden
the supports for the building.
the supports for the building.
It's very stable
and can take the weight of many men and several blocks of limestone.
NARRATOR: To make it even more stable,
the Maya built holes into the walls
so that scaffolding support could be driven into the wall
so that scaffolding support could be driven into the wall
along its entire length.
This gigantic enclosure
This gigantic enclosure
built using traditional Maya masonry techniques
is also notable for the thousands of bas-reliefs surrounding the site.
is also notable for the thousands of bas-reliefs surrounding the site.
On closer inspection,
these ancient engravings aren't all of the same standard.
these ancient engravings aren't all of the same standard.
- The central scenes seem to be better carved
than the ones on the side.
There must have been a master who worked on the central panels
There must have been a master who worked on the central panels
while his apprentices worked on the side ones,
rather like the great masters of painting.
NARRATOR: These refined frescoes
were carved without the use of any metal tools.
- Limestone is a sedimentary stone
- Limestone is a sedimentary stone
that can be worked with volcanic stones.
If you use a harder...
Like, let's say granite
or you use andesite
or you use andesite
or basalt
or any other tool that is harder
you can really carved and cut in the shape you want.
NARRATOR: The Castillo and adjacent ball court
were constructed at the start of the city's golden age
from the year 1000 onwards.
from the year 1000 onwards.
A ritual confrontation was held in the arena
probably every day
under the eyes of the city's masters
under the eyes of the city's masters
faithful to the god Kukulkan.
The Maya considered blood a source of divine energy,
helping to fertilise the earth.
helping to fertilise the earth.
And at Chichen Itza, human sacrifices were frequent.
On this large platform carved with symbols of death,
On this large platform carved with symbols of death,
the skulls of the tortured were displayed for all to see.
But who were these builders,
followers of Kukulkan and bloody sacrifices
followers of Kukulkan and bloody sacrifices
and who were their masters?
Archaeologists have discovered something about their identity
Archaeologists have discovered something about their identity
thanks to a building
they have called the Warriors' Temple.
These remains,
under restoration after centuries of looting,
show an architecture very untypical of the Maya region.
show an architecture very untypical of the Maya region.
Located to the east of the Castillo,
the Temple of the Warriors
was one of the most imposing complexes in Chichen Itza.
was one of the most imposing complexes in Chichen Itza.
The structure consisted of an 11-metre-high pyramidal base
38 metres on each side
topped by a building with five vaulted rooms.
topped by a building with five vaulted rooms.
A type of sculpture called chacmool
stood in front of the entrance.
At the bottom of the grand staircase,
At the bottom of the grand staircase,
almost 200 columns formed a long covered gallery
which extended to the south and east.
Built at the end of the 10th century,
it is one of the most recent constructions
in Chichen Itza.
- We don't see these buildings today as they once were
but as the colonnade and the upper building
had a large frieze from which a vault emerged
had a large frieze from which a vault emerged
we know that the spaces must have been very large.
NARRATOR: These hundreds of round, square
NARRATOR: These hundreds of round, square
and sometimes even curved columns
supported the stone ceilings over the living spaces.
- Of course, it's hard to imagine that it was covered
- Of course, it's hard to imagine that it was covered
but there is evidence that the ceilings weren't flat
and all the colonnades were vaulted,
So that might double the height of the interior spaces.
So that might double the height of the interior spaces.
NARRATOR: At the time of the city's golden age,
NARRATOR: At the time of the city's golden age,
this temple and covered gallery close to the market
would have housed a military and religious centre.
Chichen Itza did not have great palaces
built by powerful lords.
The city seems to have been ruled by a council of wise men
The city seems to have been ruled by a council of wise men
perhaps governing from the Temple of the Warriors.
Some of the columns still bear carvings
describing where these leaders came from.
describing where these leaders came from.
- The name of the Temple of Warriors
comes from the figures depicted on the pillars.
comes from the figures depicted on the pillars.
They're holding weapons such as a propelling bow...
..a type of weapon from central Mexico.
..a type of weapon from central Mexico.
But now, seeing each of these representations,
we know that they're not all warriors.
Some of these figures are armed, others are gods.
Some of these figures are armed, others are gods.
NARRATOR: The weapons, headdresses and breastplates
NARRATOR: The weapons, headdresses and breastplates
engraved in the stone
have enabled archaeologists to trace the builders
to 1,100 kilometres away...
..in Tula,
..in Tula,
the capital of the Toltec people.
In the heart of this desert region of Mexico,
so-called master builders left behind five-metre-high warriors
so-called master builders left behind five-metre-high warriors
made of volcanic rock.
Giant figures equipped with the same weapons,
headdresses and breastplates
as those at the Temple of Chichen Itza.
Tula also boasts a very special sculpture
Tula also boasts a very special sculpture
used in sacrificial rituals
and similar to the one found in Chichen Itza.
- This is one of the most beautiful existing pieces
- This is one of the most beautiful existing pieces
of chacmool sculpture.
It is the divine messenger,
through which men pay homage to the gods
through which men pay homage to the gods
with sacrifices and self-sacrifice.
At one time,
chacmool was thought to have come from the Itzas,
the Maya of Northern Yucatan,
but it is in fact much older.
The chacmool comes from Toltec culture,
meaning that the chacmool of Chichen Itza
originated with the Toltecs
originated with the Toltecs
and the importance of the chacmool
is no longer solely rooted with the Toltecs.
NARRATOR: The former vestibule of Pyramid B
NARRATOR: The former vestibule of Pyramid B
confirms the influence of the Toltecs
with its columns decorated and assembled
in the same way as those in the Maya city.
in the same way as those in the Maya city.
- The blocks in this square pillar have a hole in the middle
and also a spike so that they fit together.
It's quite impressive from an architectural point of view.
NARRATOR: On closer inspection,
the sculptures at Tula tell part of the Chichen Itza story.
the sculptures at Tula tell part of the Chichen Itza story.
- What's interesting about this character
is that he has a glyph on top of his head.
is that he has a glyph on top of his head.
Here, you can also see his face. He has a beard.
He is wearing a feathered snake helmet
He is wearing a feathered snake helmet
and the glyph at the top is also a feathered snake.
So, this glyph probably tells us that this figure is Quetzalcoatl.
So, this glyph probably tells us that this figure is Quetzalcoatl.
This is a portrait
one of the most important rulers of Tula.
NARRATOR: The powerful Toltec ruler and warrior, Quetzalcoatl,
is said to have seized Chichen Itza between 967 and 987
is said to have seized Chichen Itza between 967 and 987
and the Yucatan Maya called him...
..Kukulkan!
He brought the cult of the feathered serpent to the city,
He brought the cult of the feathered serpent to the city,
which boomed under his impetus from the year 1000 onwards
and saw the construction of buildings
such as the Temple of the Warriors.
such as the Temple of the Warriors.
The temple shows the dominance of the Toltecs over the Maya
after the classical era
but it's also a symbol of the closeness of the two cultures.
but it's also a symbol of the closeness of the two cultures.
The temple's sculptures were all the more beautiful
The temple's sculptures were all the more beautiful
for their vibrant colours.
- The site must have been striking because it wasn't just painted,
- The site must have been striking because it wasn't just painted,
all the surfaces were polished too,
which means the colours would have really stood out in the sunlight.
I really think there's nowhere like it in today's world.
NARRATOR: The colours have been erased by time
and the weather
but the Temple of Warriors was originally covered
but the Temple of Warriors was originally covered
with an undercoat of white plaster
then decorated in red, yellow and blue.
The reliefs on the outer columns had a range of colours
and the inside walls were painted from floor to ceiling.
The Temple of the Warriors and the whole of Chichen Itza
shone brightly.
Today, Claudia Garcia Solis,
in charge of protecting the remaining paintings,
in charge of protecting the remaining paintings,
is analysing the pigments that have survived the centuries.
- We can actually see what it looked like.
- We can actually see what it looked like.
These are blocks of stone
that have been coated with a thin layer of stucco.
It was on this surface they applied the colours,
It was on this surface they applied the colours,
starting with red.
The decorations were probably drawn first
to mark out the areas
to mark out the areas
that would later be painted with different colours.
NARRATOR: These rare images inside the Temple of the Warriors
NARRATOR: These rare images inside the Temple of the Warriors
give us a glimpse of the artistry of Chichen Itza's builders.
- Red was the basic colour for large surfaces such as floors
but the decorations and all the reliefs in the buildings
but the decorations and all the reliefs in the buildings
were multi-coloured,
depending on the motifs depicted.
- There's a very wide colour palette on the walls, pillars and columns
- There's a very wide colour palette on the walls, pillars and columns
which still have their stucco and decoration.
What's more, there isn't just one green
but different shades of green.
but different shades of green.
There isn't just one red but different shades of red.
NARRATOR: The colouring of buildings
was a key aspect of Maya construction.
How did the builders produce the millions of litres of paint
How did the builders produce the millions of litres of paint
that covered these colossal structures?
- In the Maya lands we have blue and green...
..which are hybrids.
These hybrid colours were the first man-made colours
These hybrid colours were the first man-made colours
to exist.
For example, in Europe,
all pigments were made from minerals
but here a synthetic colour was produced for the first time,
but here a synthetic colour was produced for the first time,
which says a lot about the level of technology
available to the Maya to make these colours.
NARRATOR: Luis May Ku, a painter,
NARRATOR: Luis May Ku, a painter,
has spent several years
investigating how this synthetic paint was produced.
The ancestral recipe for Maya blue had been lost over time...
The ancestral recipe for Maya blue had been lost over time...
..but after a few experiments
this archaeology enthusiast found the right ingredients.
this archaeology enthusiast found the right ingredients.
- This plant in Mayan is called Ch'oj,
- This plant in Mayan is called Ch'oj,
native to this region
and a plant that was on the verge of extinction
until I did some research to find it.
until I did some research to find it.
The ancient Maya used it to make Maya blue.
NARRATOR: After leaving the plant to infuse for 14 hours,
the water needs to be patiently stirred to oxygenate it.
the water needs to be patiently stirred to oxygenate it.
- Here is the final result
after extracting the ink from the plant.
This is the dye obtained from Ch'oj.
This is the dye obtained from Ch'oj.
NARRATOR: The second essential ingredient of Maya blue
NARRATOR: The second essential ingredient of Maya blue
is a clay rock
found only within a 50-kilometre radius
of Chichen Itza.
- The other element is this clay called sak lu'um in Mayan.
- The other element is this clay called sak lu'um in Mayan.
It's a type of clay that holds colour.
If we in the Yucatan Peninsula have this clay
as well as the Ch'oj plant
then there's a very strong probability
that the Maya of Yucatan were the first to create Maya blue.
NARRATOR: The synthetic colour was finally obtained
NARRATOR: The synthetic colour was finally obtained
by mixing the clay
with crystals produced by fermenting the plant.
And to make sure the paint would stick,
the Maya added a final ingredient...
the Maya added a final ingredient...
Honey or sap.
If a few drops of Maya blue take so many hours of work,
If a few drops of Maya blue take so many hours of work,
the large-scale production of paint
had to be based on a quasi-industrial organisation.
had to be based on a quasi-industrial organisation.
When they arrived at Chichen Itza,
the Toltec builders used their own construction techniques
while drawing on Maya skills for decoration and painting.
But in transforming the city
they also wiped out hundreds of years of its history.
they also wiped out hundreds of years of its history.
- This large terrace is an artificial construction.
I mean, at Chichen, everything was levelled over
so what we see is a filled platform covering the ancient buildings.
so what we see is a filled platform covering the ancient buildings.
This created a large square
where the post-classical buildings are.
NARRATOR: This esplanade surrounding the Castillo
serves as a foundation for all the superstructures
built between the end of the 10th and beginning of the 13th century.
built between the end of the 10th and beginning of the 13th century.
By digging a trench in the middle of this platform,
archaeologists uncovered older ruins
archaeologists uncovered older ruins
erected before the 9th century and buried by the Toltecs.
It was an area of 240,000 square metres
levelled with more than two metres of stone and mortar.
A thick covering layer of plaster made the terrace surface flat
and watertight.
- It was a project that seems like madness
when you think about it now.
It's a testament to the power that Chichen had,
It's a testament to the power that Chichen had,
to its ability to mobilise all the necessary manpower.
I mean, tons and tons of stone had to be brought in,
I mean, tons and tons of stone had to be brought in,
transported and laid out over this entire area
and that's because the leaders of Chichen,
whoever they were,
whoever they were,
had enough people at their disposal to do that amount of work.
NARRATOR: With these earthworks,
the new masters of Chichen Itza had created a huge ceremonial space
to welcome thousands of devotees to the Kukulkan pyramid
to welcome thousands of devotees to the Kukulkan pyramid
and around their sacrificial sites.
But it wasn't the Toltecs
who gave this sacred city its mystical aura.
In the 1930s,
after exploring the four vaulted rooms
of the temple at Castillo's summit,
archaeologists dig tunnels into the pyramid's base.
archaeologists dig tunnels into the pyramid's base.
They then discovered traces of another building,
another pyramid smaller and older
another pyramid smaller and older
but which appears to have the same shape and layout
as the current one.
- So, a first pyramid is built
and then this pyramid's built on top of it.
It's literally covered over by another, slightly larger pyramid.
It's literally covered over by another, slightly larger pyramid.
This is an architectural practice that's common with Mesoamerica
and the Maya.
and the Maya.
NARRATOR: A technique which enabled the Toltecs
to build their own temple
to build their own temple
while saving on raw materials and labour.
But it's not clear who built the structure
buried beneath the Castillo.
buried beneath the Castillo.
For the Maya,
pyramids linked the three dimensions of the cosmos.
The worlds of the dead, living beings
The worlds of the dead, living beings
and celestial divinities.
They're often the burial place of a ruler
but here it's scientists that have made a completely new discovery.
but here it's scientists that have made a completely new discovery.
NARRATOR: It's 1500 kilometres from Chichen Itza in Mexico City
that the Castillo's secrets are being revealed.
that the Castillo's secrets are being revealed.
Rene Chavez Segura is not an archaeologist
but a geophysicist.
In 2015,
he used non-invasive and non-destructive methods
to explore the body of the Castillo.
Placing hundreds of electrodes all over the pyramid,
he bombarded the structure with electrical impulses
to see through its casing.
to see through its casing.
- Well, here's what we see...
These are our electrodes
These are our electrodes
with the cables connected to the measuring equipment
and this is the number of points we obtained.
There are over 37,000 data points!
There are over 37,000 data points!
This is the model we came up with.
Here, we can see the external structure of the pyramid...
..and these changes clearly show the wall here.
NARRATOR: Like with a medical MRI scan,
he can see the internal volumes of the pyramid,
an examination which provided some unexpected discoveries.
- We've known for a long time
that inside this pyramid there‘s another pyramid
but we've also discovered
that inside this second pyramid is a THIRD pyramid!
that inside this second pyramid is a THIRD pyramid!
NARRATOR: This very first pyramid buried inside the Castillo
NARRATOR: This very first pyramid buried inside the Castillo
is some ten metres high.
It's thought to have been built around the sixth century.
It was then covered by a second structure,
a 20-metre-high pyramid dating back to the 800s.
Then, between the 11th and 12th centuries,
Toltec builders constructed another shell,
giving the Castillo its final shape.
giving the Castillo its final shape.
Discovering these hidden pyramids
has rewritten part of Chichen Itza's history.
Seven hundred years before the city's golden age,
in the fifth century
early Maya colonists built a pyramid beneath the Castillo.
The people known as the Itzas,
meaning the wizards of water,
built their first settlements south of the Castillo
in the old district of Chichen.
in the old district of Chichen.
Buildings here have classical sculpted ornamentation.
These 'wizards' settled in the hostile Yucatan area
because of strange formations,
rock pools known as cenotes.
rock pools known as cenotes.
- The soil of the Yucatán peninsula is made of limestone,
- The soil of the Yucatán peninsula is made of limestone,
which is very porous.
Over millions of years,
water has seeped in to create cavities.
These sinkholes are large wells whose dome has collapsed
These sinkholes are large wells whose dome has collapsed
and we call them cenotes.
- And it's one of the main sources of water in northern Yucatan
- And it's one of the main sources of water in northern Yucatan
as there are no rivers or lakes.
NARRATOR: Cenotes are essential during the dry season
NARRATOR: Cenotes are essential during the dry season
as the only access to fresh water in this otherwise arid forest.
- Water was vital for everyday life,
- Water was vital for everyday life,
for agriculture, for survival
but also for building the monuments we see today.
- Water is needed to make the mortar
and the limestone also needs to be made wet
and the limestone also needs to be made wet
during building...
..otherwise the blocks absorb water from the mortar,
which weakens the structure.
which weakens the structure.
So, water is absolutely essential not just for everyday living
but also for creating monumental architecture.
but also for creating monumental architecture.
NARRATOR: In the centre of Chichen Itza,
the main natural wells are the cenotes
the main natural wells are the cenotes
called the Sacred and the Xtoloc.
The Castillo pyramid lies directly on a north-south line
The Castillo pyramid lies directly on a north-south line
formed by these two cenotes.
Around it are two more,
Around it are two more,
further to the east and west
and the Castillo sits at the junction of them all.
- One of the main things about the Castillo
is where it's placed.
That's what makes it such an extraordinary building.
That's what makes it such an extraordinary building.
It's a place that's symbolically very significant
in terms of the Maya vision of the universe.
in terms of the Maya vision of the universe.
NARRATOR: The position of the Castillo
is no coincidence.
The Itza saw the cenotes as symbolic entrances
to the Maya underworld...
..the world of the dead.
- The cenote, or well,
was the entrance to the sacred spaces
where the gods resided
to whom offerings had to be made as thanks for all the gifts
they had given to mankind.
These offerings could be human beings
These offerings could be human beings
or objects made of gold or jade.
This is why the cenote is considered a sacred place,
This is why the cenote is considered a sacred place,
it's where the most important rituals were performed
in honour of the gods of the underworld.
NARRATOR: Geophysicist Rene Chavez Segura
has recently found pivotal evidence
for the sacred positioning of the Castillo
for the sacred positioning of the Castillo
and the ingenuity of its builders.
He analysed thousands of electrical measurements from the scan
He analysed thousands of electrical measurements from the scan
and made another remarkable discovery.
Beneath the two buried pyramids and the foundation rock
Beneath the two buried pyramids and the foundation rock
he found a cavity with air and water,
meaning the Castillo lies just above another cenote.
meaning the Castillo lies just above another cenote.
- We found that the third pyramid, as well as the second pyramid...
- We found that the third pyramid, as well as the second pyramid...
..are centred on the cenote.
We expected to find some kind of structure, a platform,
We expected to find some kind of structure, a platform,
but we never thought there could be a cavity of this nature
under the Kukulkan pyramid.
under the Kukulkan pyramid.
I don't believe in coincidence...
If they built it there, it was because they knew something!
NARRATOR: This chasm is 20 metres deep
NARRATOR: This chasm is 20 metres deep
and 25 by 35 metres across.
The pyramid above it sits on a layer of limestone
The pyramid above it sits on a layer of limestone
only four to five metres thick.
- Being built like this on top of a cavity,
- Being built like this on top of a cavity,
the Castillo, this artificial mountain,
actually brings together the vision the Maya had of their universe.
The pyramid is a link between its different levels.
The pyramid is a link between its different levels.
NARRATOR: This stone mountain demonstrates the builders' skills
NARRATOR: This stone mountain demonstrates the builders' skills
in geometry, geology and cave exploration.
By positioning their pyramid at the centre of four cenotes
and directly above a fifth,
the Itza builders had constructed the most saved and mystical temple
the Itza builders had constructed the most saved and mystical temple
in Mesoamerica.
- For the ancient Maya,
- For the ancient Maya,
this space was the axis mundi, the centre of the world.
It was a most sacred place
where the most important ceremonies happened
where the most important ceremonies happened
and where the forces from below and above
came to communicate to the rulers
what should happen in Maya daily life.
what should happen in Maya daily life.
NARRATOR: Building Chichen Itza
needed countless thousands of tonnes of materials
needed countless thousands of tonnes of materials
and thousands of days to construct and decorate
carried out by armies of labourers and artisans.
carried out by armies of labourers and artisans.
An unparalleled 700-year work of art
in which each building has its own sacred purpose.
in which each building has its own sacred purpose.
But after 200 years of prosperity,
in the early 13th century it was suddenly abandoned.
It was in Mayapan,
a hundred kilometres away,
that the city's fate was decided.
A small fortified town strikingly similar to Chichen Itza,
A small fortified town strikingly similar to Chichen Itza,
as with this structure resembling the Caracol observatory.
- All the doors are oriented to the cardinal points,
east, south, north and west, OK?
Every equinox,
Every equinox,
I mean, 21st of March,
22nd of September
when the sun rise,
the ray of the sun
cross from the east door to the north door,
cross from the east door to the north door,
making a perfect angle.
NARRATOR: Mayapan was a satellite of Chichen Itza
NARRATOR: Mayapan was a satellite of Chichen Itza
and for two centuries the two cities formed a powerful military
and trading alliance.
- It's a mini Chichen Itza.
We are sure that the Cocom family dynasty
from Chichen Itza,
from Chichen Itza,
when Chichen Itza decline in 1200,
they decide to be here
and they try to do almost the same like in Chichen Itza.
and they try to do almost the same like in Chichen Itza.
NARRATOR: Mayapan has exactly the same pyramid
dedicated to Kukulkan
dedicated to Kukulkan
but half the size.
Its builders failed to reach the same heights
as those at Chichen Itza.
- Those guys that built Mayapan,
they didn't use a good quality of limestone.
They did it very fast.
They did it very fast, OK?
They just came from Chichen Itza
and they tried to do the city very fast,
so they found stones,
so they found stones,
the closest part but not a good quality.
NARRATOR: Its architecture may not have been the equal of Chichen Itza
NARRATOR: Its architecture may not have been the equal of Chichen Itza
but around 1220
Mayapan did manage to defeat and take over its rival.
From then on,
From then on,
as power was transferred to Mayapan,
the Toltecs and Itzas deserted the sacred city.
But even after 600 years of neglect,
But even after 600 years of neglect,
this city founded by sorcerers then taken over by warriors
has never lost its magnetism.
has never lost its magnetism.
- We are creative beings.
This is the meaning of these monuments,
this cultural heritage that brings us together
across cultures and civilisations!
across cultures and civilisations!
NARRATOR: At Chichen Itza,
the builders' knowledge of engineering, geometry and astronomy
the builders' knowledge of engineering, geometry and astronomy
created a city that continues to exert its magic and mystery.
created a city that continues to exert its magic and mystery.
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