Original subtitles

Downloaded from YTS.MX

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[WHIMPERING]

[SOBBING]

[MAN GRUNTING]

[GRUNTING]

WOMAN 1 : Oh, my--

-I can see the-- WOMAN 2: What?

I can see the keys.

The keys. Here, l can see them. Okay?

-I can see them outside. lt's okay. -Okay. Okay.

I'm gonna come back and I'm gonna bring the keys...

...and we're gonna be okay. Okay?

-Okay. -We're gonna be okay.

I'm gonna come back.

[SIGNAL PULSING]

BEN: What was that?

-That was strange. MYA: What?

BEN: TV turned itself on.

Come back.

Okay.

MAYA: Mmm.

-What time is it? -TweIve-fifteen.

You're kidding.

Are you serious?

Oh, God.

I'm sorry, l have to call him.

[STATIC CRACKLlNG]

My phone's out.

Thank you.

[STATIC CRACKLlNG]

Your phone's out too.

What?

I have to go.

BEN: Just-- Just sit down and reIax.

I can't relax, Ben. I've never done this before.

I don't know what I'm doing. I don't know how.

-I don't know how to do this. -First you breathe...

...and then realize that it's okay.

-It's okay? What we're doing? -Do you love your husband?

It doesn't matter.

AIl right.

I'm just gonna teIl him that l went and had drinks with the girls...

...and my phone didn't work.

Makes sense, right?

Don't even have time to shower here.

Wouldn't want him to smell you on me.

You know, you could just leave him.

It's not that simple, Ben.

-I mean, l can't possibIy just-- -Anything's possible, come on.

Anything.

You can drop your stuff right now...

...and stay here tonight and never go back there again.

-Ben. -Or we could...

...go up to the rooftop and build an exotic flower garden...

...or we could take one of my cameras and dress up like homeIess people...

...and infiltrate their community and take pictures of their lives.

Or we could take my TV...

...and throw it off the balcony and replace it with coloring books...

...or we could leave Terminus tomorrow.

New Year's fucking Eve.

We could.

Leave?

We'll go down to the station, we'll walk up to Terminal 13...

...and we'Il get on a train and we'll get in our own private compartment...

...rip each other's clothes off and fuck our way to freedom.

We'll go to the country and start a life.

A real life.

Mya and Ben.

New Year's Eve, Terminal 13, Mya and Ben.

And you don't look back.

-That's beautiful. -It's possible.

Leave him.

Leave him.

I have to go.

-Okay. -Okay.

[MYA CHUCKLES]

-What's this? -It's a present.

It's a mix CD. l made it for you.

Because I'm an awesome guy. And l like you.

[MUSlC PLAYlNG OVER HEADPHONES]

[SIGNAL PULSING]

[MUSlC PLAYlNG OVER HEADPHONES]

[MAN 1 GROANS]

MAN 1 : Jesus.

[WOMAN SHOUTS lN DlSTANCE]

MAN 1 : Fuck.

Hello?

I need some help.

-What? -Please.

-I don't have any money. -I don't need money. I'm hurt.

If you could come here a minute. PIease, l need some help.

PIease.

If you could just come here a minute. Okay?

[SIRENS WAlLlNG IN DlSTANCE]

[MAN 1 COUGHlNG]

PIease, for fuck's sake, you know?

I'm just walking around, going to my car--

Are you okay?

--and now I'm bleeding. BIeeding everywhere.

This guy comes up and cuts me and he runs away and l think l--

Look, okay, all right, all right. You need to go to a hospital. Okay?

[MAN 2 SHOUTS]

-Whoa! Whoa! -Please, help me right now. Please.

-Please. MYA: No.

MAN 2: Don't Iisten to him. He's crazy.

[MAN 2 SPEAKlNG lNDlSTlNCTLY]

[CAR ENGlNE STARTS]

[TlRES SCREECH]

[STATIC CRACKLlNG]

Okay.

[POUNDS ON DOOR]

[KNOCKlNG ON DOOR]

WOMAN: And just because you did that for me, doesn't mean l would.

When l leave here, I'm not coming back into your life.

Did you? Did you have any money?

Bullshit. I'm tired of it. I'm a woman. l cook, l clean, l wash.

That's it. It's your deal. Now, I'm leaving here.

I'm out of here. Do you hear me? Fuck off.

[MAN AND WOMAN SHOUTlNG]

[PEOPLE SHOUTING]

-Hey. -Hey, Janice.

-Lewis is looking for you. -I know, thank you.

He's got his friends in there. You look rough.

You've got blood on your shirt.

[MAN SHOUTS]

JANlCE: Would you guys shut the hell up already?

It's 1 :00 in the morning!

Thank you, Janice. I'm going in.

ROD: It's not gonna work.

Would you shut up for two seconds? Damn it, give me a hand here.

-What's going on? -Cable's out.

-No, outside in the haIlway. JERRY: This sucks.

It was the best game probabIy there ever was.

-Where's Lewis? -He's in the bathroom.

JERRY: l mean-- Yeah? ROD: Jerry, put the bat down and help me.

JERRY: First of all, the bat doesn't get put down. But l will--

Jesus Christ. Where have you been?

I went to have a drink with the girls. I tried calling you but my phone's dead.

I tried calling you from the bar but the phone was dead there too--

ROD: Jerry, man. Give me the duct--

MYA: l decided l was ready to leave, so l just finaIly left.

JERRY: Duct tape. -But l don't--

Reach your hand out and give me the tape.

This was to be used in case of a chemical attack.

Jerry, Jerry, Jerry.

What's going on? Why isn't anything working?

Everybody's in the hall. Your phone work?

No. l tried caIling you. I didn't know where you were.

I'm sorry. l should have called you before l Ieft the restaurant.

-That was stupid. ROD: Give me the duct--

Who did you have drinks with?

-Donna and Emily. -Where'd you go?

Who's Donna?

Starbar. Donna's new, she just started yesterday.

-She's a waitress? -Hostess.

-What did you have? -What did l have?

What did you have to drink?

Gin and tonic and a shot of tequila.

You got something on your shirt.

Yeah.

What is it?

It's barbeque sauce...

...or something, I don't know.

You reek of perfume.

I don't want to smell like a restaurant.

I feel gross.

You know how much l love you.

You know how much l love you.

You can look at me when you say that.

ROD: Did you pay the cabIe bill, man? LEWIS: I'm having a moment with my wife.

ROD: Excuse me.

Why don't you go wash up? Get rid of that perfume.

I like the way you sweat.

ROD: It's really odd, man.

It's the same sound that's coming from the phone.

[SIGNAL PULSING]

Go on, take a shower, Mya.

-Hey, put the fucking bat down. -What?

You almost clocked Mya in the head.

Put the fucking bat down now.

-It's not hurting anybody. ROD: Just put the bat down.

JERRY: No. l can't watch the game, I'm gonna swing the bat, all right?

I told you, put it down. Sit.

-What's the matter with you? -You could hurt somebody.

-Why are you looking at me like that? -You almost fucking killed my wife.

-Sit down. -What is wrong with you?

You almost fucked my wife.

What did you just say?

-You almost fucking hit her in the head. -Okay, okay, okay, boys.

-Just relax, Lewis, take a seat. -I'm not sitting down.

This is my house. You guys are my guests.

You're watching my TV. You're drinking my beer.

This is my basebaIl bat.

-That's my wife you almost hit. -Lewis, l think maybe we--

Take a shower, baby.

ROD: Okay. l understand that.

You're a little aggressive right now, man.

Why is he staring at me like that?

-I'm not even looking at you. -You're doing it right now.

-Look, look at him. He's doing it now. ROD: Okay, fellas.

Look, just take a deep breath and sit down, please.

[GLASS BREAKS]

ROD: Lewis, God--

Lewis!

Lewis. What have you done? What's wrong with you?

LEWIS: Let go. Get off. Let-- Get off.

Get in the shower, babe.

ROD: Lewis, what's the matter with you? Lewis, what have you done?

[PEOPLE SHOUTING AND SCREAMlNG]

[WOMAN SCREAMS lN DISTANCE]

Janice.

Janice.

Janice. Janice! Janice!

Janice! Janice!

-Janice. Janice, the door. JANlCE: Come inside.

-Come inside. MYA: Close the door.

-Look, you gotta close the door. JANlCE: No, no, you're safe.

-Janice, there's a man-- -Stay in here. Stay in here.

Just stay in here. Stay in here. Honey--

Shh, shh, shh.

You're gonna be okay. You're with me.

You're okay.

[MUFFLED GRUNTlNG]

[STEVEN GRUNTS] [JANlCE YELPS]

WOMAN: Steven, come out here now.

Steven, come over here.

Did you hear me?

[WOMAN SHOUTlNG]

[POUNDlNG ON DOOR]

[SIGNAL PULSING]

[PEOPLE SHOUTING lN DISTANCE]

[GUNSHOTS]

[STATIC CRACKLlNG]

[MUFFLED GRUNTlNG]

[GROANS]

[MUSlC PLAYlNG OVER HEADPHONES]

[MUSlC PLAYlNG OVER HEADPHONES]

[PEOPLE SCREAMlNG IN DlSTANCE]

[MYA SCREAMlNG]

MAN: Come here, come here. Come here.

[SIGNAL PULSING]

Mya?

[RUSTLlNG]

Did you get crazy in your head?

How am l supposed to know? TeIl me.

Look me in the eyes.

Are you Iooking?

I'm gonna pull this duct tape off. You make any noises...

... I'm gonna whack you, do you understand?

Hm? Huh?

Did you kill anybody last night?

How am l supposed to know? Tell me, I'm--

Wait, where did you go? Where were you?

I hid in the apartment across the hall.

I'm sorry, I'm sorry, I'm sorry.

I couIdn't trust anybody, I went looking for you, l couldn't find shit.

Everybody's either dead, dying or completely flipped.

Mad, crazy.

-Why did Lewis hurt Jerry? -Hurt? Jerry's dead, lady.

Lewis got him. Fucking snapped.

I couIdn't get any sense into him. I knocked him out. l taped him up...

...so he couldn't hurt anybody eIse. I had no choice.

Then l saw the hallway.

I've never seen anything like that.

One out of two people just started killing each other. They decided to kill people.

I've never killed anybody before. What do l do?

I'm not gonna fuck around. But, you know, what do I do?

ROD: So anybody who comes at me...

... I take them out. No questions asked. Got to. Anybody.

Anybody else, I secure and I put in a safe place.

No telling who's gonna go crazy next. You got to put them up.

I pulled the fire alarm.

I don't know why. Maybe somebody'll come.

Maybe they won't. Maybe they're screwed up too. So l went to the roof.

Gotta see the big picture. One's gotta know, have to know, right?

Then l see it, in the streets.

All of Terminus, it's happening everywhere.

People are going crazy in their head.

First it's just murder, the crazy kill anybody, everybody, each other.

lndiscriminate, it looks like chaos.

Then l realized, they're thinking. Then l really get scared...

...because it's rationaI. They know what they're doing.

I mean, they think it makes sense. But it doesn't make any sense.

It's different for everybody.

Let me teIl you, they are gonna fucking murder the world.

And I'm thinking they aIl gotta die.

You know, but I can't kill them all. I'm thinking that there's too many.

Maybe I'lI run.

But run where?

I'm thinking...

...then l get hit in the head.

Is it so bad?

You'll be fine.

Fucker has a hammer.

l have a hammer go into my head.

So l smash his face.

And l realize he's not crazy.

He thinks I'm crazy.

I'm not crazy.

He's hurt really bad, so l finish him.

I taped up 12 people last night.

AIl of them had been killed by morning.

AIl but Lewis.

What do l do?

Yeah, we go. We go.

We walk out that door...

...and we start waIking, and we don't stop.

We don't stop. We don't talk to anybody.

We don't draw attention to ourselves.

We just keep walking.

We go to my car...

We go to my car, and we get in...

...and we drive.

Okay?

We do this right now.

We drive?

-Yeah. -Where we gonna go?

MYA: Is it safe?

Come on, Rod, keep walking.

Walk, Rod.

WOMAN: Hey. Roger?

-Is that you? -Keep waIking, Rod.

-Wait. Wait, wait, wait. MYA: Rod.

-Maybe she's just confused. -Rod!

Do you--?

MYA: Rod! -Do you have the crazy?

[GUNSHOT]

Fuck.

ROD: You fucking bitch.

You fucking bitch, you fucking bitch!

[SCREAMlNG]

[GUNSHOTS]

Rod. Shit.

ROD: Wait. Wait. Wait.

Wait! Wait!

What are you--? Wait.

I got a gun.

I got shot.

I got shot, and you were gonna leave me back there.

-Put your seat belt on. -You were gonna Ieave me.

Fuck. Yeah, fuck right, you were gonna leave me.

Can't trust anyone.

[STATIC CRACKLlNG]

Fuck, the radio too.

-Turn it off. Rod, turn the fucking radio off. -Do you hear that?

Do you think I wanted to kilI those people? l had to.

I'm sorry.

Goddamn it. Now I'm gonna fucking bleed to death.

-You're gonna be okay. -Fuck, fuck, fuck.

I don't wanna die like this.

You're gonna be okay, Rod.

You're lying. You're lying to me. We should not be out here.

We should have stayed. I trusted you.

PIease keep quiet.

Look at me, you fucking crazy bitch. I'm bleeding to death.

-Please be quiet. Shut up! -You shot me in the stomach.

You left me to bleed in the street.

-Shut up, shut up, shut up. -I'm not saying anything.

What are you doing?

ROD: Don't Ieave me.

You're crazy, Rod.

Just like all those other people.

Don't. I don't have the crazy.

-Are you okay? -Don't come near me.

I'm just trying to help.

Hey, it's not safe out here.

I've got a place here. You should come inside.

Where are you going?

I'm going to Terminal 13 to meet somebody...

...and we're gonna leave this fucking town and never look back.

Do you understand? Don't fucking foIlow me.

CLARK: Well, what about the guy in the car?

[SIGNAL PULSING]

I know what you're thinking.

You don't have to say it.

No need to teIl me, because l already know.

You think this party is a bad idea.

I just don't think we can have people over right now.

[DOORBELL RINGS]

I'll just tell them that the party's been canceled.

[KNOCKlNG ON DOOR]

Clark?

You look chapped.

This is a dress-up party here tonight.

I need a couple of things that Ken borrowed, namely my hatchet.

And some garbage bags.

Ken, I'm gonna need that hatchet you borrowed.

I also need to borrow a couple of--

-He's dead. -Yeah.

-I'm going to turn our program on. -Sounds glorious.

-How many more balloons do we need? -At Ieast seven.

-That's how many I was thinking. -Well, that's why you married me.

[ROD GRUNTING]

[SIGNAL PULSING]

ANNA: Honey?

What is it?

Honey, people are coming over.

Honey.

Honey.

You're hurting me.

Stop, honey, you're hurting me.

Honey, stop.

[KEN GASPS]

Oh, my God.

I know.

He's kind of gross now.

Anna, I'm sorry.

Are you mad at me for killing your friend?

-What? -I know he's your friend and all.

-We weren't that close. -You always heIped him fix stuff.

-I'm your landlord. -I know, but are you mad at me?

No.

You did what you had to do.

We all do what we have to do sometimes.

[YELLlNG]

Oh, shit.

What are you doing?

[HEAVES]

So l guess we're in this together.

What should we do now?

I'm still trying to figure out that one.

What if my party guests show up?

Anna, l don't know if you know this...

...but there is some seriously insane shit going on out there right now.

People are losing their minds.

There's a bad sector in the electromagnetic spectrum...

...which is causing a rift in logical thinking.

Rational behavior has given way to primordial action.

We've reached a critical juncture in the consistency of everyday Iiving.

Societal norms are being completeIy abandoned.

Anarchy has repIaced etiquette.

Chaos is the ruling class of this civilization.

I think coming to a goddamn New Year's Eve party...

...is the last thing on people's minds.

[DOORBELL RINGS]

AIl right.

You get rid of them, I'm gonna move Ken into the bedroom.

Well, what should l say?

Anything.

Just don't let them in, no matter what.

Okay.

[KNOCKlNG ON DOOR]

-Yes? MAN: Pest control.

There's no party, thanks.

Somebody here caIl an exterminator?

-We don't have bugs. LEWIS: l think they were rats, ma'am.

Your husband must have calIed it in.

-Ken? -Yeah.

-Ken. -Hey, we're fine.

Thank God it's you. You're alive.

Wait, do you have it?

Are you crazy?

Look, l know you left me in the chair...

...because you thought I'd lost it.

But l didn't. I saw your car outside, and l thought the worst had happened.

I thought that one of-- One of those people...

...had gotten to you and taken you away from me.

They can't get to you.

No one can get to you.

What's this now?

Stop, what are you doing? Don't do that to him.

He was coming at you, I thought he might be one of them.

He's my friend, he's helping me. You can't do that to friends.

-Looked like he was going to hurt you. MYA: He's Clark, you idiot.

-He's not gonna hurt me. -You can't trust anybody.

MYA: Oh, his poor eyes are burning. LEWIS: Mya, I'm sorry.

ANNA: Who's Mya?

I'll check in the bathroom to see if there's anything to flush the poison with.

Don't go in there.

Don't go in there.

What do you have here?

It's, you know, Ken. He's napping.

He looks dead.

-He is. -I see.

-Who did this? -I did.

-But l didn't want to. -You kiIled him?

-And Clark killed somebody too. -I didn't--

I did.

-It was self-defense. -You chopped his head off.

He had it coming.

Probably.

These are wild times.

Everybody's being driven to desperate measures.

I guess this happens to everybody. I've got something to show you too.

You just don't know who to trust right now.

[SIGNAL PULSING]

BEN: Mya.

[LEWIS GRUNTS]

BEN: Where's Mya?

Untie me.

Ah!

Fuck.

You're him.

[GUNSHOT]

MYA: Rod!

The TV must have gotten into his head and toId him to kill you.

Yeah, that's what happened to Ken.

He was watching TV and it made him go bad.

[CHAIN SAW BUZZING]

[WOMAN SCREAMS]

This is, without a doubt, the most fucked-up day in the history of mankind.

We should get back inside.

Who wants cocktails?

[DOORBELL RINGS]

Party guests.

Act natural.

-Hi. -You gotta heIp me.

My mom was trying to kill me and so l ran over her...

...and my dad made the dog die because it tried to bite me...

...and l Ieft it in the car, and l didn't know where to go...

...and l remembered that Anna and Ken lived here, and I'm Laura.

-Laura. -Anna.

[ANNA SCREAMS]

Laura!

What the fuck?

[ANNA GASPS]

You killed Laura.

She was coming at you.

Stay away from me.

You killed Laura.

She was heading for you with that knife.

-She doesn't have a knife. -That's a key chain.

[SOBBING]

I was trying to protect you.

[SOBBING]

It's okay. It's okay.

It's okay.

It's aIl right.

-He beat her face in. -I know.

I know, and I'm gonna find out what happened...

...but l need you to be strong for me.

Okay?

Laura might have actually wanted to hurt you.

Her puppy's name was Charlie Man.

We don't know where Laura was at in her head. We don't, okay?

Look, for all we know, she might have received this cancerous signal.

This hypnotic frequency that's all around.

She might have transmitted it, from her car radio.

Or the television or stereo or...

We don't know. l mean, everybody's a suspect right now, everyone.

[SIGNAL PULSING]

Turn that off.

-Why did you turn that on? -I didn't. She did.

Ah!

LEWIS: The TV went on, she came back to Iife.

She's trying to get me.

Get back at me for what I did to her.

This is getting to be ridiculous.

[DOORBELL RINGS]

God in heaven.

Just open the door, then l'Il take them down.

That's not the way to play this.

Can't be sure. We have to exterminate with extreme prejudice.

It might be somebody who could heIp us. We don't know.

[DOORBELL RINGS]

We can't risk it.

I'm killing whoever walks through that door.

CLARK: It's Jim.

It's Jim Parsons.

-Trust no one. -You were watching TV.

I told you l wasn't watching the TV.

Listen, if l had it, I would've kilIed you by now, right?

I guess.

I'm fine, and you're fine and she's fine.

This we know. But he may not be, and probably isn't.

You might be right.

He might be infected.

Then we'd have to kill Jim.

Jim Parsons.

Maybe if we're quiet, he'll go away.

[KNOCKlNG ON DOOR]

-He wants in, to get us. -Shush! Shh!

He's gone.

[KNOCKlNG ON DOOR]

Sweet--

JlM: Clark.

Clark, is that you?

I have to let the poor guy in, he might be in trouble.

PIease, let me handle this.

If he's not okay, I'lI kill him myself.

JlM: Don't Ieave me out here, man.

-Clark, come on, let me in. -Jim? Yeah, it's me, Clark.

JlM: Hey, Clark. Let me in.

Okay, just give me a second.

Come on, buddy.

I ain't got any-- Anywhere else to go tonight.

Clark.

You just gotta turn the handle.

Okay.

Where is everybody?

Oh, I'm early.

-EarIy? -The shindig.

The fiesta.

That's tonight, right?

It better be.

That ball drops, I'm gonna grab a sIut, and I'm just gonna pee in her butt.

-Jim, are you aware that--? -Oh, no, I'm so sorry.

-Jim. Jim Parsons. -Jim Parsons. This is, um...

-Lewis. -Lewis.

Lewis.

Clark.

Lewis and Clark.

Where's Sacagawea?

I would totally fuck an lndian girl. I would.

[WHOOPlNG]

Those kind, if l ever saw one.

I would just take her back to the tepee, "Oh, nice little squaw.

Oh, peel my corn," you know?

Seriously, is there gonna be some pussy here?

Because l really don't wanna make out with my two brave explorers here.

So you're here for the party?

You know this, yeah.

Are Ken and Anna around?

Anna's getting ready.

And Ken is just laying down for a second.

He's dead tired.

Can l get you a cocktail, Jim?

Oh, yeah, please.

Put that in the fridge, l'll get that later.

Hm.

It says "Lewis" on your shirt.

That's funny.

I didn't even see it. PIace looks good.

Ken.

I knew you'd get better.

[MUSlC PLAYlNG OVER RADlO]

[MUSlC STOPS]

She's got nice boobs in there.

I hope she has some cute friends.

That'd be nice.

I went to a party last year...

...everybody started kissing each other, you know, at midnight...

...like, the tradition, or how did that start?

Everybody starts kissing each other...

...and l had no one else to kiss, so l, just as a joke, kissed the dog...

...but then l realized when I got home I made out with the dog for New Year's.

It's wrong.

Tonight l really wouldn't mind just cleaning out my pipes, you know?

Maybe a m茅nage 脿 three in there.

Clark's been in there a long time.

BEN: You know...

...she's with everybody, l guess.

You.

Me.

Clark.

The milkman.

She's damaged goods.

Somebody should just put her out of her misery.

That's my wife.

What?

That's not your wife, that's Ken's wife.

Your wife's not here.

Your wife has gone far away...

...out of your sight...

...where you can't help her anymore.

You don't know what you're saying.

No.

You don't know what you're saying.

That TV got in your brain and has distorted your perception.

I'm not crazy like those others.

No, man.

You're much worse off...

...because you don't even realize what's happening to you.

You don't even know.

Your wife left you, alone, tied to a chair, helpless...

...so the world could take your life and the savages could feast on your remains.

No.

She's here.

She's fine.

BEN: Sorry.

But that's just not true.

I love you, Ken.

BEN: But l know where she is...

...and I'm going to find her...

...and free her of the burden of being the used-up, adulterous whore that she is.

I'm going to get to her. I'm gonna get to her before you...

...and there's nothing you can do about that.

My wife's in there...

...and she's upset...

...because I accidentally kilIed her friend.

But she's safe now...

...and you can't get to her.

I won't let you get to her.

What?

That was kind of odd.

What are you saying?

Where is she?

Who?

My wife.

How the helI do l know? l just met you.

I didn't know you were married, that's kind of-- Kind of cool.

I wish l was married.

What did you do that for?

Where's my wife?

Where's Mya?

[JIM GRUNTlNG]

She's fine. She didn't leave me.

She loves me and only me.

And everything is going to be safe and quiet.

Don't touch her.

She was just upset, and l was consoling her.

PIease leave us alone, we don't want you here.

I'm trying to have an intimate moment with my husband before the end of the world.

But I'm your husband.

You're not my husband.

You're a homicidal maniac.

But l killed him for you.

I didn't want that, and l didn't ask for it.

And the last person I wanna die with is you.

Ken.

I think he's gonna kill us.

I'm not Ken.

Okay? Look, that's Ken.

[ANNA WHIMPERING]

Shit, okay.

-No, I-- I'm Ken. l can be Ken. -You're not Ken.

She's not Mya.

I'll be whoever you guys want me to be.

If she's not Mya, that means you did something to Mya.

No, no. She can be Mya. Right? Right.

Mya, Mya--

[CLARK SCREAMS]

[CLARK GROANING]

[CLARK SCREAMS]

[CLARK SOBBING]

[SIGNAL PULSING]

[ANNA SOBBING]

Look at me. Look at me.

[SCREAMlNG]

So l was admittedly a little fucked up earlier.

It's been a crazy day for me as I'm sure it has been for you as well.

But l get it now. You're not Mya. You never were Mya.

You're just some other woman that doesn't matter.

So, what I need you to tell me...

...so we don't stretch this out any longer than either of us wants...

...where is Mya?

Where is my wife?

[ANNA SCREAMS]

[ANNA SOBBING]

LEWIS: Answer me or you get the spray again. Where is Mya?

[ANNA SCREAMING]

[ANNA WHIMPERING]

I can't see.

She has to be here somewhere.

Her car is outside. I know she's been here.

I can smell her perfume all over this place.

We were having a party.

[SCREAMS]

I need to know where she is. I have to find her.

I love her. l have to save her.

I gotta see so l can have a party.

Look, l know my wife came in here...

...so tell me where you're hiding her or where she went...

...so l can kiIl you and get it over with and then l'll know where she is.

Where Ken?

[GRUNTlNG]

I want to see Ken.

Ken's enjoying the party.

Ken. l want to see you.

Ken? Ken?

What are you doing to her?

It's time to go home now.

Ken, l am home, siIly.

Oh, my God.

[CHOKING]

LEWIS: You. You know. You know where she went.

You're wrong. You're wrong, man.

You're seeing things wrong. The stuff that's in your head is not real.

LEWIS: You'll see things the way I'm seeing them. You just gotta understand.

Understand the message coming through.

No, it's making people think the wrong things.

Everything is not what it seems.

[SIGNAL PULSING]

I was misunderstanding it before but I get it now.

It's telling me what l should do.

What l should want.

I want my wife and l want my home.

And l want aIl of you peopIe to stop bothering us.

So teIl me where she is.

You can't just kill--

What's in your head to tell you-- It's not what--

It's a poisonous-- lt's radioactive--

You had to kill those peopIe, didn't you?

That's right.

They were keeping you from happiness.

Now you understand.

-I wanna be happy. -You will.

You will if you let go and tell me.

Tell me where she went.

Terminal 13.

She said she was going to Terminal 13 to get out.

-Get out of Terminus. -See?

See how easy that was?

[SIGNAL PULSING]

[GRUNTlNG]

[COUGHlNG]

LEWIS: You're him.

[GUNSHOT]

MYA: Rod!

Fuck.

[BEN YELLS]

[GRUNTlNG]

[LEWIS WHlSTLES]

[BEN COUGHING]

[GASPlNG]

LEWIS: Come on.

Stand up. Come on.

Don't do that. Come on, get up.

[ANNA SCREAMING]

See how easy that was?

[SCREAMING]

CLARK: Stop.

PIease stop.

PIease stop, Lewis.

I'm not Lewis.

[CANISTER CLATTERS]

[SIGNAL PULSING]

Look, I...

I reaIly need your help, okay?

The girl in the car wreck outside, did you see her?

Did you see where she went?

Look, everything's gonna be fine. Okay?

But l need you to listen to me. Okay? Just Iisten.

If you listen to me, I can help you make it go away.

Okay?

Who are you? What's your name?

Just tell me your name.

-Clark. I'm Clark. -Hi, Clark.

-Um, I'm Ben. -Ben.

We need to get out of here right now. All right?

-Just hoId on. lt's all right. -No. No. No.

-All right. This might hurt just a little. -No. No. No.

[CLARK YELLS]

BEN: Wait, wait, wait.

Clark.

Clark.

Goddamn it, Clark. I need your help.

Clark.

Clark. Clark.

Clark, open the door. Right now.

Clark? Lewis Denton.

[LEWIS SPEAKS INDISTINCTLY]

LEWIS: Open the door!

-Listen to me. LEWIS: Open the fucking door.

The car, the one that's wrecked outside.

The girl inside of it, where did she go?

-I told you already. -Not me. That wasn't me.

We've got to find her.

I don't know. l don't know.

Maybe he knows.

He was with her.

Man, he's not gonna be able to talk to us.

I killed him.

Didn't I?

Think back, okay?

Did he say anything before he died?

No. God.

-Fuck. -Look, he's going to help us, all right?

-We just gotta get the brain fired. -What?

CLARK: If we stimulate the premotor cortex...

...we can definiteIy restore some limited speech patterns.

Right?

Okay. Sure. Do it.

-Oh, God. Oh, God. -Just relax. Relax.

Hold on. I got this, okay.

You just finish jump-starting the head. Okay?

Okay.

Clark.

AIl right, then.

[WHIRRING]

Fuck you want?

Can you hear me?

-Got a smoke? -I don't smoke.

Ask him about the girI.

You want to know about the girl, give me a c--

-Cigarette. -He wants a cigarette.

What?

You can't be-- You gotta be fucking kidding me.

What's he saying?

Where'd she go?

She told you she went to Terminal 13.

Bitch.

Terminal 13. She said she was going to...

...Terminal 13.

Terminal 13.

No.

-She was going to find you. -Nobody Ieaves Terminus.

Hey, he also says that no one can leave Terminus.

Because it's an impossibility, so l guess we'll have to stay here.

-That right? -Yeah.

Good work.

Now, um...

You're aware you're having a conversation...

...with a decapitated head. Right?

Listen to me. Listen.

Listen to me.

You hear that?

Listen, it's--

Past the noise in your head...

...that is the natural world.

That's been here a long time before us.

It's gonna be here a long time after we're gone.

That is real.

And that is what we focus on.

-Past the noise. -Yeah.

This calls for a radical reassessment of all the facts.

[KNOCKlNG ON DOOR]

LEWIS: Clark? Lewis Denton again.

Look, man, I think l found your sledgehammer out here.

So I'm gonna borrow it for a second if that's okay.

I'm gonna knock this door off its fucking hinges.

I thought we had an understanding.

Apparently l was wrong.

LEWIS: Fuck. Clark, don't.

You fucking A-hole!

[YELLlNG]

Breathe. Breathe, man.

Just breathe.

We wanna save our breathing.

[GRUNTING]

[FOOTSTEPS]

Do you have a car?

-All right, it's alI right. -Ow! Fuck.

Okay. You got it?

Are you sure you're okay to drive?

-It's the generator. -What?

It's supposed to be self-sustaining. Adaptable.

The only way to get the system out is to add indeterminism...

-Watch the road. -...to the dynamic.

Give the system the possibility to make transitions to smarter states.

You're making complete sentences. Good.

But the filter must have failed.

So now it's broadcasting that frequency.

What the hell are you talking about?

It disrupts synaptic neural networks, causing extreme behavioral shifts.

-Great panic. -I got it, l got it.

Paranoia. Rage. Enhanced suggestibiIity.

There go your caIcium ions. Snap, crackIe, pop.

What are you talking about?

-Out of your brain cells. -Drive the car.

-What are you trying to tell me? -Psychotron resonance.

A broadcast on that scale could cause mass psychosis.

Clark, l don't know who or what started it...

...but we all sure as shit signed up for it.

We made ourselves vulnerable.

When Mya left last night...

...I turned the TV back on, and there it was.

[SIGNAL PULSING]

lt was replacing my thoughts.

The sun came up.

l see it.

lt's a lie.

The signal. lt's a trick.

If we change the way we look at things...

...the things we look at wiIl change.

What?

We're out of gas.

[WOMAN SCREAMlNG lN DlSTANCE]

[MUSlC PLAYlNG lN DlSTANCE]

[MAN SHOUTlNG lN DlSTANCE]

Music.

[MUSlC PLAYlNG OVER HEADPHONES]

Mya?

Mya--

Why did you--? Why did you bring me here?

I'll fucking kilI you.

I will fucking kill you.

[CLARK LAUGHlNG]

I will rip your fucking throat out.

Fucking shut up.

CLARK: Breathe, Ben.

Breathe for me.

Breathe. There's nothing there.

-It's not Mya? -No. That's not Mya.

Look.

Thirteen's right up here.

If she's here, we're gonna find her, okay?

[PEOPLE SHOUTING lN DISTANCE]

Mya.

Is there any water around here? She needs water.

-Sure. -Mya, Mya.

Mya, it's all right. It's me.

Look at me. Look at me.

LEWIS: Here you go.

[CLARK CHOKlNG]

You wanna fuck around?

AIl I gotta do is tighten my grip.

PIease. Just let him go.

[lMITATES BEN] PIease. Just let him go.

Why is he not breathing? Clark?

[GRUNTlNG]

[lN NORMAL VOICE] You fucking peopIe never quit.

Where are you going? You don't need that.

[BEN YELLlNG]

LEWIS: Let's take a walk for a second.

[CHOKING]

Told her fucking lies and poisoned her brain.

She doesn't even know who she is anymore.

It's amazing. But even now, even with that faraway stare...

...she looks just like she did in our wedding video.

So strange. Two people hardly know each other.

Until death do us part and all that. I love it.

We've got a good life here.

A home.

That is precious. And you will never know the beauty of that.

-You're kilIing her. -I'm saving her.

No, you're not. You can't see it. lt's a trick.

The signal.

Yeah. You have to trust me.

Oh, realIy?

You want me to trust you. With my wife.

I don't think so.

Look at her. Go ahead.

Take a good fucking look.

Look at how pretty she is.

She's gorgeous, yeah?

How long do you think you can possibly hold on to that image?

A few months? A year?

Before it fades?

She doesn't deserve that.

And you are never going to Iook upon my wife again.

Mya. Don't look, Mya.

Don't Iook, Mya.

[BEN YELLlNG]

Not now, Mya. I need you to be quiet now.

Let me handle this.

BEN: No. LEWIS: Not now, Mya.

Mya, shut up.

[SCREAMlNG]

What did l telI you?

Why can't you just keep your fucking mouth shut and watch TV?

I'm sorry, baby.

But you don't understand the situation here.

What?

What are you trying to say?

No, but you're implying it.

That it's my fault.

I don't know what you expect of me.

Maybe I'm not the man you thought you married.

Did you think of that?

Do you have any idea how hard I've worked...

...to be the person you wanted me to be?

Where did you go?

You keep putting on these masks and l get really confused.

LEWIS: You keep putting on these masks and l get really confused.

Okay. Now, it's not funny.

Take it off.

Take that mask off or l'll rip it off.

Who do you think you're talking to?

What? I'm talking to my wife. Do you mind?

That's not your wife. That's my wife.

-What did you just say? -What did you just say?

You do not look at her. You do not speak to her.

I am speaking to you!

Honey.

Did this man try to hurt you?

-Mya. -Shut the fuck up.

What have you done to my wife?

What?

You will not speak to my wife again!

Now...

Who are you?

Say your fucking name!

Lewis.

Is this a game?

Or do you actually think you're me?

-I am. -Look at me.

Look at me.

I'm Lewis.

So...

Who are you?

BEN: Wait a minute.

Wait a minute.

You're him.

You're the one.

You actuaIly think she loves you?

Can't you see she is using you?

She's using you.

She doesn't love you.

She never has.

And she never wilI.

It's a trick.

[SIGNAL PULSING]

[SCREAMS]

[GRUNTlNG]

Mya.

Mya.

-Ben. -Yeah.

Mya.

[MUSlC PLAYlNG OVER HEADPHONES]

[SIGNAL PULSING]