All language subtitles for q224

I need you to take him
to our secret place.

The cave in the woods.

I'm looking for an American.

Daryl Dixon.

Why do you want to find Dixon?

I came here to kill him.

You know, you were right.

I found something here.

Where are you taking her?!

She knows we have a mission
here, a greater purpose.

I know where the
kid is. Isabelle!

You're turning them?

I'm giving you
what you asked for.

You're gonna kill your friend.

Hey! Get off me!

Allez, allez, allons-y.

Yaah!

Get us out of here. Hurry up!

Hold on!

What are you doing?
Why are you stopping?!

They're coming!
They're coming!

Allez, plus vite!

Go! Go!

Go!

Get me loose. Get me loose!

Hold still.

Go on, up the mountain.

What about you?

Tell Dixon I did it for the boy.

This is what you chose.

When we first met,

Laurent was 6.

I'd heard of him,

a child torn from the
womb of un Affamé.

From a horrific ending...

a miraculous beginning.

We met with the boy,
we evaluated his gifts,

we... found him to be special.

As Père Jean had
said he would be.

As you said he would be.

For years, the good father and I

stayed in touch
as best we could.

And then, when it seemed time,
we summoned the boy here.

Time for you or time for him?

Time for us all.

To be free again.

There was only one reason.

He feared losing control.

I can see that now.

I'm sorry your
will has weakened.

I want to fortify
you and everyone.

Who's feeling
tired and hopeless.

What you're doing

is not strength, Losang.

It's desperate, misguided,
and it's savage.

Sounds like Daryl talking.

No, it's me.

Part of me that was
asleep until I met him.

The part that doesn't believe
in false prophets anymore.

You yourself said how special
the boy was all those years ago.

He is special. He thinks
and feels in a way

that humanity needs
in order to survive.

But he's human.

He can bleed, he can
be hurt, he can die.

Like Jesus, like
Mohammed, like Buddha.

This is a waste of time.

Arrete!

Sister...

we're going to offer the flock

proof of their faith.

It must be done.

Do you understand?

And so I need you to
tell me where the boy is.

Unh!

Losang, we must go.

Oh, scuse!

Unh!

Unh!

Unh!

Are you all right?

I think so.

Were you stabbed?

Let's sit you down.

Just right here.

Careful. Careful.

Ah! Ah.

Careful.

Can I have a look?

Looks pretty
clean. That's good.

Who are you?

My name's Carol.

Easy now.

Keep that pressed
pretty tight, okay?

Can you do that for me?

You're shivering.

What are you doing here?

I'm looking for
a friend of mine.

From America.

She's right there.

No, no, no, no.

Oh, no.

Daryl, it's okay.

Shit. Here.

Here. Hold this real tight.

- We're getting out of here.
- Come on.

No, this is too late.

It's not too late.

Not like this.

Don't.

Just...

Just make sure he's okay.

We can do that together.

Make sure he's taken care of.

And that he knows
I'm always with him.

Okay?

Okay. Okay.

I can see them.

The fireflies.

They're so beautiful.

Come on. Move faster.

Where are we going?

Let's go! Okay.

You know, I got... got
somebody ready to take us home.

A pilot with a
plane back in Paris.

Everybody misses you.

Connie, Judith...
they'll all be so happy

to have you come back.

Are you hearing me?

You knew her pretty
well, I know.

Who was she talking
about taking care of?

This way.

C'est fini.

Laurent?

They're gone.

Who's gone?

Look, Daryl, maybe we should
just head back to Paris... No.

Not without the kid.

Was that... Was that
Isabelle was talking about?

He was with Fallou. He was
supposed to meet us here.

It's cold.

Fuck!

Hey. Hey.

- He was here.
- Okay.

He left this for
me. Okay. Okay.

Hey.

Let's find him together, okay?

- Yeah, okay.
- Okay.

Come on.

They must have just
gone through here.

Then we can't be too far behind.

So, Isabelle?

Yeah, we helped each other out.

I don't think I'd
be here without her.

Your pilot... what'd you
do, just load up the plane

and fly all the way to Maine?

We stopped in
Greenland to refuel.

That's a whole other story.

You just left on a hunch?
Left everybody back home?

Yeah.

Just flew halfway around
the world on a feeling.

You were supposed to come back.

Hey, I was trying.

Well, one thing's for sure.

We're not in Ohio anymore.

Dépaysant.

What?

- It's a French word.
- Uh-huh.

Means, uh, a place that makes
you see things different.

Ah.

What?

What?

Just you speaking French.

Me, you here... this is crazy.

Mm.

Nah, it's stupid.

It's crazy.

I met a guy, helped me out.

His name is Codron.

Said he knows you.

I met him at that
Maison Mère place.

Genet got him.

She's a piece of work.

He helped you find me?

Said he did it for the boy.

Huh.

Our war should be with the dead,

with hopelessness, with despair,

not some innocent child.

Empathy, concern.

I can see how you lull
the sheep into submission.

Do you think all this
time I've been relying

on only the truth?

We found the nun. Isabelle.

She won't tell you anything.

Not anymore, no.

Was she hiding the boy?

Did she fear what
you would do to him?

She had nothing to fear.

But you do.

I fear for my people,

for the future.

When the boy escaped,

I feared that God was
protecting him from me.

I doubted myself, even my faith.

But I don't anymore.

Because I realize now that God
was protecting him from you.

Does the American work for God?

We all serve Him,

whether we believe
or not, even you.

So if I find the boy,

it will prove God is on my side.

I wouldn't worry so
much about the future.

You don't have one.

Ouù est. La gare. Daryl: What?

High school French.

It means, "Where's
the train station?"

If we find a train,
you do all the talking.

Madame Bergeron.

If you'd miss a verb,

she'd crack your
knuckles with a ruler.

She was the math teacher, too.

I wasn't very good
at that either.

You know, I never really
went anywhere before.

We've been places.

You know what I mean.

When I was a kid, my
dad had this old globe

next to the TV.
I'd spin it around,

think how easy it would
be to see the world.

So why didn't you?

Became a mom.

That was my world.

You said on the radio that
time someone came back.

Who was it?

It wasn't a person.

It was a feeling.

Everything at Commonwealth
just got so quiet.

All that old stuff
came back like ghosts.

So I got out of there, and
I was worried about you.

Tracks? Yeah.

More than two people.
Someone caught up to them.

M-Monsieur Dixon?

Who the fuck are you?

Et Souer Isabelle?

I am Didi. He is Theo.

The boy said you will come.

I'm out foraging
when I see them.

- Didi... she loves - the white mushrooms.
- Mm.

Merci. C'est bon.

I see they are hungry, tired.

The big man,
Fallou... very nice.

And the boy. Laurent
est très gentil.

He helps me with the dishes.

They left on foot?

To Paris? Yeah.

No, I find them a car.

Can you find us a car?

I have many. Um...

Maybe you can make one to work.

We'll look in the morning.

No, morning's fine.

It's pitch black - out there right now.
- All right.

Enjoy dinner. Rest.

Sister Isabelle knows best.

When was the last time
any of these worked?

Oh, who can remember?

I learned to drive
in this truck.

And learned a few
other things, too.

You grew up here?

Uh, fourth generation.

We sold carrots to the Germans
in the First World War,

uh, Nazis in the second,

and, uh, American
soldiers after that.

Uh, armies come and
go. We're still here.

This one's shot. It's
been converted, though.

You got any ethanol?

Uh, i-in the barn.

This one ain't bad.

Need to find a battery,
one that holds a charge.

A few hoses. Ah.

Oh, uh, I know a place
to find these things.

Uh, let me get my walking
shoes. I can take you.

All right.

I miss young people.

All the children grew up

and left so long ago.

Was nice having Laurent here,

even if only a day.

Well, like you said,
he's a really sweet kid.

Mm. He's very fond
of his Aunt Isabelle.

Hm.

And Daryl. He went on and on.

Daryl's a really good influence.

And the way he talked
about the two of you.

Hm. Sometimes
children see things

we're afraid to look at.

Why do I get the feeling

you're trying to
tell me something?

Laurent thinks that Daryl
loves you but won't say it

because if he says it, he
won't be able to leave.

Hm.

It's a little more
complicated than that.

Mm. Not to a child.

And not to me.

I know how rare love is.

How long have the two
of you been married?

Theo?

We are not married.

My husband died years ago.

My children, grandchildren...
everyone's gone.

But you seem so happy.

For a long time, I wasn't.

Like Daryl, I was torn between

the world I lost
and the one I found.

But...

one must look for a way to...

keep living.

Not so easy sometimes.

Reasons are everywhere.

Ah.

I'm glad he put on
his walking boots.

Place gives me the creeps.

The Walkers have Walkers.

Hey! Bonjour, Madame Ducasse!

Kind lady. And good dentist.

I still have most of
my teeth thanks to her.

Hey! Monsieur Roux! The baker.

Very quiet. Makes
more noise now

than when he was alive.

Ah. Sadly, this whole
street has passed on.

Couldn't you just bury 'em?

There's only old people
left in the village.

Old people burying
old people? too hard.

So when someone dies,

we lock the gate and pay
respect when we pass by.

That's a new one. Yeah.

Whoa! Monsieur Toussaint!

Stop.

You stay here. I
talk to him first.

All right.

Didi says Laurent idolizes you.

Well, she just spent
one day with him, so...

Well, he made a big impression.

Sounds like he's gonna do
really well at Commonwealth.

Well, he's got friends in Paris.

Maybe it's better
he stays with them.

Better for who? He's
your responsibility.

Maybe I don't want that.

What about the kids back home?

- This is different.
- Is it?

Yeah.

Yeah, it is.

I don't want to lose him.

What, you'll end up like me?
Is that what you're afraid of?

No. No, I ain't
afraid of that.

C'est bon.

Yeah.

Hurry. Dépêchez-vous.

Oh, yeah. Yeah,
this will work.

Americains?

Uh, oui. Ah.

My brother... he
lives in Florida.

Louise and I...

Yeah, he and his wife
go every year in winter.

To the Fontainebleau.

Florida's very nice.

Did you stay at
the Fontainebleau?

- It's on our bucket list.
- Tell them I send you.

Ask for Room 22. The best.

Put everything back by Monday.

I must have the
car to get to work.

You got it.

Merci.

He forgets everything,
even about the Hungry Ones.

Lucky him.

Sort of a bliss, huh?

I wish I could forget.

Ow.

Thank you.

How is it coming?

We'll have to turn
it over to find out.

Hey, uh, Theo said
you had some ethanol?

Oui. In the barn.
I can bring it.

- Ah, thank you.
- I'll help you.

Oh, thank you.

Stay back!

Sister Isabelle.

Huh?

What is it, dear?

Uh...

You can tell me.

I had a little girl.

I got through it.

You will, too.

Oui?

Come. We'll go in together.

All right, go ahead. Give
it some gas. Just a little.

Stop! Stop!

I said a little.

That was a little.

No, that was too much.

How am I supposed to know
how much is too much?

Well, you listen, and if it
sounds like it's too much,

then it's too much.

Maybe you're too much.

What? What?

What? What?

Please don't stop.
It's a good show.

Like an old married couple.

I'm glad you're enjoying it.

It's the Guerrier.
You hide here.

They're gonna kill them.

We don't know that.

Get down.

I guess Genet won the battle.

I know you had people there.

Isabelle and Laurent.

It's from Judith.

How is she?

She didn't want me to go.

Part of her knewl had to

if there was a chance
I could find you.

I guess I'm just surprised you
got so close to people here.

I didn't mean to.

It's hard to explain, I guess.

Well, if you ever want to try...

Hey.

I'm glad you came.

Me, too.

Y-You leave?

Long trip.

Oh, dommage.

Didi make something special.

Her truffle eggs.

You never ate truffle?

No, unh-unh.

Like sex, uh, for the tongue.

Uh, forgive me, Sister.

We'll make it quick. Come on.

Mmm. Jesus.

I'm sorry. These are the
best eggs I've ever had.

Yeah, truffle.

I'm gonna have to
get me some of these.

You need a good eye
and a lot of patience.

They're very hard to find.

Only for special occasions.

Well, thank you for the car.

And for all you've done.

What are your plans
after you find Laurent?

Will you stay in Paris?

I don't know. We're
still working it out.

Mmm. Mmm.

What are you doing?

Theo?

Qu'est-ce que ça veut dire?

What'd they offer you?

Do you know who
those people are?

Armies come and go.

You don't survive by
picking the losing side.

Come with me.

Count five. Six.

There's Genet.

You can hide down there.

Monsieur.

They're gonna search the barn.

Here. Cover me.

I'll get the car.

Didi...

No.

- Allez, on sort!
- D'accord.

Qu'est-ce que c'est,
vite, vite, vite!

Judgment.

I see it in your eyes.

More like confusion.

About how someone
like you could turn...

turn into this.

Do you know what else I've seen?

The City of Lights gone dark

while the wealthy fled to their
villas and their chateaux.

Families huddled in
terror under the Pont Neuf

as barges took the powerful
down the Seine for refuge.

So you're making
up for that now?

And while the great
works were safe...

I saw my love... my hope...

devoured by the
monsters they made.

Five feet from me.

On the other side of the glass.

Have you ever known
that kind of loss?

Oh!

Found a map in the glove box.

Oh, good. Yeah.

You know, I-I didn't
think much of Isabelle

when I first met her.

She needed my help, and
I needed a way home.

So we made a deal.

Makes sense.

And Laurent... he, uh,
kind of became the glue

that held us all
together, you know?

Yeah, I do.

And I never, ever stopped
trying to get home to you.

The longer I stayed here,
the... the harder it got.

You loved her.

You know Laurent's coming
home with us, right?

Yeah, I know.

She went after the boy
and now she's gone.

If that isn't proof that
God is on our side...

Marion's way was not enough.

But neither is yours.

So now what?

All is forgiven... my friends.

Tout est pardonné.

Pouvoir des Vivants.

Bienvenue ici, à
l'Union de l'Espoir.

Nous pouvons unir nos
rêves pour un avenir

meilleur et plus fort.

Let us merge our dreams

for a better, stronger future.

Ahead is the promised land.

Laurent will take us there.

Are you ready?

Carol has a friend
who has a plane.

We just got to find him.

Do you think that someday
this will be over?

You're thinking of everything
you could have done differently?

It's a pretty long list.

He wants to go home.
If he takes the boy,

what becomes of ours?

Be careful.

Some people will do
anything for a way out.

Today we are at the
Mont-Saint-Michel, the Nest.

Genet is here with soldiers,

and we are going to
try to escape from her.

The first time for
me in this place.

I'm thrilled by the
beauty of this location.

Filming at
Mont-Saint-Michel at night,

and we have the lighting and
there's fog machines and smoke,

and then all of a sudden
comes these figures,

and they're moving
faster and faster.

I had so much fun filming that.

These Walkers on the
show are frightening.

Actually, I was really
scared when I saw them,

tell you the truth.

Getting to ride on
the ATVs was fun.

I did like the challenge
of being able to drive it

as quickly as I could through
some very narrow spaces,

and the challenge of, you
know, not hitting anybody.

That was fun.

Strapped to the back of the
vehicle is our friend Codron,

who's serving as zombie bait
for these amped-up zombies.

The dummy... it's very funny.

It really looks
like me, all right?

The only thing is that his
head is a bit bigger than mine.

So I told them, "Listen,
okay, I have a big head.

But not so big, you know?"

I was shocked. I
mean, to see a guy

who really look like you
like this, it's funny.

Sister, we're going to offer
the flock proof of their faith.

Losang has slowly
been kind of grinding

under the pressure of this more
radical faction within the Nest.

What I loved in that scene
with Losang is that I think

it's a very accurate scene
about beliefs gone too far,

and to just bring
it back to humanity

and to try and bring him
back to his humanity,

which she, you know, fails.

I read that scene and
my response was...

was literally this...

"Me?! No! No, no!"

I was both excited
with the story,

but also sort of horrified

that it was my responsibility
to do this task.

Oh.

It was the second time
that I had been to

Mont-Saint-Michel,
and I remember

it was the first time
that I had met Clémence.

I'd been waiting to meet her

since we started season two,

and we kept missing each other

because we were never
in the same locations.

And I saw her before
we went to rehearse.

We just had a big,
long hug and it was so,

so nice to meet her

and so incredibly frustrating
to just have these two scenes

and then to just
kind of be done.

I did like that they
intersected when they did.

I mean, she was the piece
to get Carol to Daryl.

There was a lot of talk about

how Daryl and Carol reunite,

because obviously it was
one of the centerpieces

of the season for us.

I mean, there's a
whole story going on,

but that story people
are waiting on,

and it has to be legendary.

There was an early
version of them

fighting to get
back to each other.

Then it changed into something
a little bit different.

That was Norman's idea.

I grabbed my phone and
I wrote down this idea

that I had about the meeting,

and, I don't know,
it just came to me

while I was asleep, then
at like 11:00 at night,

I sent it to David,

and he and Jason both liked
it, and they took that idea

and they just
elevated it 1,000%.

And then as we worked on scenes

around that whole sequence,

we continued talking about
it, Norman and Melissa and I,

and then we ended up with
this version that you see now.

I can see them.

The fireflies.

It's a world where I
guess you're very used to

saying goodbye. I think
there's an acceptance.

I don't think she's fighting
it. I think she knows she can't.

They're so beautiful.

For the moment
when Isabelle dies,

I think what we wanted
was great dignity,

intelligence, strength,

and a really moving
ending to the character.

Isabelle and
Daryl's relationship

has evolved to a point where
he truly cares about her.

It's been so nice, season two.

It's been such a sort of treat
to take Isabelle a bit further,

and knowing that we were
taking these two characters

on a journey

and exploring their
relationship a bit more

was just the greatest luxury.

Isabelle's death hits hard

because she's touched
something within him

that we haven't seen before,

and it's because she's
so different from him,

and it's also because she's tied
into this boy that he loves,

and now he's got to
make sure after that

not to let the same thing
happen with Laurent.

One thing's for sure.
We're not in Ohio anymore.

The scenes we're filming here

in this little
village are scenes

that involve Daryl and
Carol trying to find a way

to get back to Paris
to find Laurent.

This village is composed
entirely of old people.

The young people went away or
died during the apocalypse.

They all died of natural causes.

None of them were
killed by zombies.

They died of old age.

So a lot of the rot that
we apply to the performers

signified deterioration, not
any sort of violent death.

Hey. Bonjour, Madam Picard.

There's a sense of
community in this village

that has led them to
this unusual decision

to allow some of the
people who have died

and become Walkers
to continue to exist,

confined within
their properties.

So it preserves a very
strange, touching,

but weird sense of community.

It's one of a number of sort of
signature Walker environments

that we've created on the show.

Judgment... I see
it in your eyes.

The trick with Genet is she
has been a tremendous villain,

so her death has to live up to
the glory of her evil-doings.

She really did
believe she was doing

the right thing
for the community,

you know, finding order
and, um, that's it.

It's gone.

Oh.

We really wanted her death to be

just completely horrific,

painful, gut-wrenching.

It's a great death.
It's a great death.

It was the only way
she could die...

from the monsters she created.

She's gonna be one of them.

It's a complete character.
Her journey is complete.

I'm proud of it.

They shot that separately.

But I did see what Nicotero
and his team came up with

for when she really goes
bananas on the ground.

And bladders.

It's horrifying.

We designed this
animatronic head

that we did several
stages of makeup on,

and it was funny...
the phone calls.

I would have to
call her from L.A.

"Hey, I need really detailed
photos of your teeth."

I'm in the south of France,

in a very remote village.

Like, "Okay, get a ruler and
put it next to your eyes."

So we had to go to the town
after to get just the ruler.

And my husband was
taking pictures of me

in front of the
kids who were, like,

passing by, going...

That was very funny.

And, of course, when
she saw it, she's like,

"What are you gonna do with that

when you're done with it?"

And I said, "I don't know.

Probably end up in your
house somewhere, maybe."

Ah! He told me not to say it!

I'm so happy that
I have this head.