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These are the user uploaded subtitles that are being translated: 1 00:00:00,001 --> 00:00:03,023 . 2 00:00:04,995 --> 00:00:08,195 NARRATOR: WHEN YOU SEE THIS SYMBOL, YOU KNOW YOUโ€™RE WATCHING 3 00:00:08,220 --> 00:00:11,089 TELEVISION THAT IS EDUCATIONAL AND INFORMATIONAL. 4 00:00:11,114 --> 00:00:14,047 THE MORE YOU KNOW ON NBC. 5 00:00:15,181 --> 00:00:16,783 DYLAN: HI EVERYONE, I'M DYLAN DREYER. 6 00:00:16,883 --> 00:00:20,086 WELCOME TO ANOTHER ADVENTURE ON EARTH ODYSSEY. 7 00:00:20,954 --> 00:00:22,989 TODAY, WE'RE GETTING A LOOK AT HOW EARTH'S 8 00:00:23,089 --> 00:00:27,127 MOST AMAZING ANIMALS KEEP THEMSELVES HEALTHY AND HAPPY. 9 00:00:27,727 --> 00:00:30,463 LIKE THESE COLORFUL CHARACTERS, ALWAYS WORKING TO KEEP 10 00:00:30,563 --> 00:00:32,432 THEIR PLUMAGE PERFECT. 11 00:00:32,999 --> 00:00:37,404 AND A STYLISH SPECIES THAT MAKES PEST CONTROL A PRIORITY. 12 00:00:38,038 --> 00:00:39,706 LATER, WE'LL WING OUR WAY TO THE TROPICS 13 00:00:39,806 --> 00:00:42,342 TO MEET SOME ECO-FRIENDLY FLYERS. 14 00:00:42,709 --> 00:00:45,078 BUT OUR FIRST STOP IS IN THE HEART OF AFRICA 15 00:00:45,178 --> 00:00:48,214 TO SEE A MONKEY TROOP IN TIP-TOP SHAPE. 16 00:00:48,314 --> 00:00:52,318 JOIN OUR AMAZING ANIMAL EXCURSION HERE ON EARTH ODYSSEY. 17 00:00:55,121 --> 00:00:57,123 [MUSIC] 18 00:01:14,441 --> 00:01:16,509 DYLAN: A BABOON'S LIFE, MUCH LIKE OUR OWN, 19 00:01:16,609 --> 00:01:18,745 RELIES HEAVILY ON SOCIAL CONNECTIONS 20 00:01:18,845 --> 00:01:20,714 AND A DEEP SENSE OF COMMUNITY. 21 00:01:20,814 --> 00:01:23,283 NO BABOON CAN SURVIVE SUCCESSFULLY IN THE WILD 22 00:01:23,383 --> 00:01:24,517 WITHOUT ITS CLAN. 23 00:01:24,617 --> 00:01:26,853 AND THAT MUTUAL DEPENDENCE ON ONE ANOTHER 24 00:01:26,953 --> 00:01:30,490 HAS FORMED UNIQUE AND SOMETIMES UNEXPECTED HABITS 25 00:01:30,590 --> 00:01:31,825 FROM THE DAY THEY'RE BORN. 26 00:01:33,727 --> 00:01:36,463 ONE OF THE MOST CONSISTENT BATTLES IN THE ANIMAL KINGDOM 27 00:01:36,563 --> 00:01:38,732 IS THE FIGHT AGAINST PESTS. 28 00:01:40,333 --> 00:01:41,801 AND WHEN IT COMES TO FENDING THEM OFF, 29 00:01:41,901 --> 00:01:43,803 SOME ANIMALS ARE BETTER EQUIPPED. 30 00:01:45,205 --> 00:01:46,806 MONKEYS, FOR EXAMPLE. 31 00:01:48,141 --> 00:01:50,143 WITH THEIR LONG ARMS AND FINGERS, 32 00:01:50,243 --> 00:01:53,313 THEY CAN REACH ANY PART OF THEIR BODY WITH PRECISION 33 00:01:53,413 --> 00:01:55,482 OR EVEN THEIR FRIEND'S BODY. 34 00:01:57,817 --> 00:02:00,620 FOR BABOONS, THERE'S A BONUS FOR PARASITE REMOVAL, 35 00:02:00,720 --> 00:02:02,122 A TASTY SNACK. 36 00:02:03,456 --> 00:02:05,759 AND THERE'S A GOOD REASON WHY THEY USE THEIR MOUTHS 37 00:02:05,859 --> 00:02:08,061 INSTEAD OF THEIR FINGERS TO PICK OFF THE PESTS. 38 00:02:09,396 --> 00:02:11,564 WHILE THEIR THUMBS AND FINGERS ARE USEFUL, 39 00:02:11,664 --> 00:02:13,333 THEY AREN'T WELL ENOUGH COORDINATED 40 00:02:13,433 --> 00:02:15,802 TO GRAB THE TINY INSECTS. 41 00:02:15,902 --> 00:02:19,773 THEIR TEETH, ON THE OTHER HAND, ARE SURGICALLY PRECISE. 42 00:02:20,807 --> 00:02:22,542 WHILE THEY MAY BE THE MOST FAMOUS FOR IT, 43 00:02:22,642 --> 00:02:26,980 MONKEYS AREN'T THE ONLY ANIMALS THAT APPRECIATE MUTUAL GROOMING. 44 00:02:27,080 --> 00:02:30,483 IN FACT, IT'S A VERY WIDESPREAD PRACTICE 45 00:02:30,583 --> 00:02:33,186 AND ITS BENEFITS ARE OBVIOUS. 46 00:02:33,286 --> 00:02:35,689 MUTUAL GROOMING HELPS TO CLEAN PARTS OF THE BODY 47 00:02:35,789 --> 00:02:37,824 WHICH WOULD OTHERWISE BE UNREACHABLE. 48 00:02:39,259 --> 00:02:43,263 AND OF COURSE, IT'S A TRIED AND TESTED BONDING EXERCISE. 49 00:02:44,431 --> 00:02:46,833 BUT FOR THE REALLY TOUGH TO REACH PLACES, 50 00:02:46,933 --> 00:02:49,869 THERE ARE ALWAYS A FEW VOLUNTEERS AVAILABLE. 51 00:02:50,904 --> 00:02:54,808 THIS YOUNG IMPALA IS ACTING AS A LIVING BIRD FEEDER 52 00:02:54,908 --> 00:02:56,242 FOR THESE OXPECKERS. 53 00:02:58,845 --> 00:03:01,381 THEY'VE COME FOR THE BACKSIDE BUFFET OF INSECTS 54 00:03:01,481 --> 00:03:03,149 IN THE IMPALA'S FUR. 55 00:03:04,117 --> 00:03:06,052 [MUSIC] 56 00:03:15,061 --> 00:03:17,297 DYLAN: OCCASIONALLY, THE OXPECKERS CAN BE PRETTY 57 00:03:17,397 --> 00:03:19,866 INTRUSIVE, BORDERING ON DOWNRIGHT RUDE. 58 00:03:26,406 --> 00:03:28,541 BUT ANIMALS PUT UP WITH THEIR CHEEKY NATURE 59 00:03:28,641 --> 00:03:30,543 BECAUSE THEY ARE THE BEST IN THE BUSINESS 60 00:03:30,643 --> 00:03:34,147 AT KEEPING COATS OF ALL COLORS AND SIZES HEALTHY. 61 00:03:43,690 --> 00:03:45,158 FROM ZEBRAS... 62 00:03:46,092 --> 00:03:47,660 ...TO WATER BUFFALO... 63 00:03:48,461 --> 00:03:50,830 ...AND ESPECIALLY GIRAFFES. 64 00:03:51,598 --> 00:03:53,833 OXPECKERS AREN'T TOO PICKY AS LONG AS THERE IS 65 00:03:53,933 --> 00:03:55,669 AMPLE SPACE TO COVER. 66 00:03:55,769 --> 00:03:58,471 AND A GIRAFFE'S NECK IS THE PERFECT HUNTING GROUND. 67 00:04:00,040 --> 00:04:02,876 THE GIRAFFE IS A WILLING AND THANKFUL HOST. 68 00:04:04,711 --> 00:04:06,546 HIPPOS ARE ANOTHER APPRECIATIVE CUSTOMER 69 00:04:06,646 --> 00:04:08,648 OF THE OXPECKER'S GROOMING SERVICES. 70 00:04:11,451 --> 00:04:15,355 RHINOS ARE A PARTICULARLY ATTRACTIVE ANIMAL FOR OXPECKERS. 71 00:04:16,589 --> 00:04:19,125 THE LARGE SURFACE AREA AND MINIMAL HAIR 72 00:04:19,225 --> 00:04:20,760 MAKE THEIR JOBS EASIER. 73 00:04:24,564 --> 00:04:27,600 AND THEY'RE EXTREMELY SAFE WHILE CLEANING THE RHINO. 74 00:04:27,701 --> 00:04:29,736 [MUSIC] 75 00:04:30,837 --> 00:04:33,873 DYLAN: THIS SYMBIOTIC RELATIONSHIP BETWEEN OXPECKERS 76 00:04:33,973 --> 00:04:37,477 AND THE ANIMALS OF THE SAVANNA SHOWS THAT EVEN IN THE WILD, 77 00:04:37,577 --> 00:04:39,879 NOTHING BEATS A SENSE OF COMMUNITY. 78 00:04:42,415 --> 00:04:44,584 AFTER THE BREAK, WE'LL SEE HOW BIRDS 79 00:04:44,684 --> 00:04:47,954 BRING THEIR OWN PERSONAL STYLE TO THE WILD, 80 00:04:48,088 --> 00:04:52,125 AND WHY THESE MEMORABLE MAMMALS ARE A SIGHT FOR SORE EYES. 81 00:04:52,225 --> 00:04:54,394 PLUS, MEET ONE OF THE CARIBBEAN'S MOST 82 00:04:54,494 --> 00:04:56,162 PROLIFIC POLLINATORS. 83 00:04:56,262 --> 00:04:58,565 STAY TUNED FOR MORE EARTH ODYSSEY. 84 00:05:08,141 --> 00:05:08,274 . 85 00:05:08,775 --> 00:05:11,378 NARRATOR: WE NOW RETURN TO THE MORE YOU KNOW ON NBC. 86 00:05:11,878 --> 00:05:13,847 [MUSIC] 87 00:05:24,190 --> 00:05:26,960 DYLAN: THE WIDE ARRAY OF PLUMAGE AND COLORS WE SEE IN BIRDS 88 00:05:27,060 --> 00:05:31,297 IS NOT ONLY CAPTIVATING TO US, BUT A CRUCIAL SIGHT FOR SORE 89 00:05:31,398 --> 00:05:34,668 EYES AMONG BIRDS THEMSELVES, ESPECIALLY WHEN TRYING TO FIND 90 00:05:34,768 --> 00:05:35,835 A MATE. 91 00:05:41,074 --> 00:05:44,444 THEIR BEAUTIFUL PLUMAGE IS TO ATTRACT AND IMPRESS, 92 00:05:44,544 --> 00:05:47,147 AND IT CERTAINLY ACCOMPLISHES THAT GOAL. 93 00:05:47,247 --> 00:05:49,282 WHEREAS SOME ANIMALS, LIKE GAZELLES, 94 00:05:49,382 --> 00:05:53,486 SEEM TO BE THOUSANDS OF VERSIONS OF THE SAME SHADE AND PATTERN, 95 00:05:53,586 --> 00:05:56,589 BIRDS PARADE AROUND WITH AN AMAZING PALETTE OF COLORS. 96 00:05:59,159 --> 00:06:02,762 AND FOR MANY, THEIR SONG MATCHES THEIR UNIQUE LOOK. 97 00:06:06,833 --> 00:06:09,736 WHILE HUNDREDS OF BIRD CALLS MAY BE HEARD ACROSS THE WILD, 98 00:06:09,836 --> 00:06:13,907 EACH BIRD IS ONLY INTERESTED IN THAT OF THEIR OWN SPECIES, 99 00:06:14,040 --> 00:06:15,742 A CALLING CARD, IF YOU WILL. 100 00:06:38,531 --> 00:06:41,868 PLACING HIMSELF OUT IN THE OPEN, THIS WOODLAND KINGFISHER 101 00:06:41,968 --> 00:06:44,671 LISTENS CLOSELY TO THE SONG OF A RIVAL LOOKING 102 00:06:44,771 --> 00:06:46,239 TO MOVE IN ON HIS TERRITORY. 103 00:06:48,608 --> 00:06:50,944 BUT THERE WILL BE NO EVICTION TODAY. 104 00:06:56,216 --> 00:06:58,318 SURVEYING THE LANDSCAPE FROM ABOVE, 105 00:06:58,418 --> 00:07:02,022 THIS IS ONE OF THE WORLD'S LARGEST BIRDS OF PREY, 106 00:07:02,122 --> 00:07:03,556 THE VULTURE. 107 00:07:03,656 --> 00:07:05,759 KNOWN PROBABLY MORE FOR THEIR SCAVENGING 108 00:07:05,859 --> 00:07:07,727 THAN THEIR HUNTING, THESE CARNIVOROUS 109 00:07:07,827 --> 00:07:09,863 BIRDS ARE MASTERS OF MAKING THE MOST 110 00:07:10,030 --> 00:07:11,031 OF THEIR RESOURCES. 111 00:07:17,237 --> 00:07:19,806 WHEN THE TIME TO HUNT COMES, VULTURES RELY ON THEIR 112 00:07:19,906 --> 00:07:23,143 EXTREMELY ACUTE EYESIGHT TO FIND THEIR NEXT MEAL. 113 00:07:32,619 --> 00:07:36,489 ABLE TO SPOT PREY OR CARRION FROM UP TO FOUR MILES AWAY, 114 00:07:36,589 --> 00:07:39,693 THEIR NEXT MEAL SEEMS TO ALWAYS BE IN SIGHT. 115 00:07:44,264 --> 00:07:47,834 THIS HADADA IBIS IS ON THE HUNT FOR FOOD. 116 00:07:47,934 --> 00:07:51,371 UNLIKE MOST AVIANS, THIS BIRD DOESN'T DEPEND ON ITS SIGHT. 117 00:07:51,471 --> 00:07:54,074 INSTEAD, IT'S ALL ABOUT SMELL. 118 00:07:55,308 --> 00:07:57,677 ITS LONG BEAK IS EQUIPPED WITH SPECIAL SENSORS 119 00:07:57,777 --> 00:08:00,780 THAT DETECT ODORS AND TELL IT JUST THE RIGHT PLACE TO DIG 120 00:08:00,880 --> 00:08:02,682 FOR A DELICIOUS MORSEL. 121 00:08:02,782 --> 00:08:04,784 [MUSIC] 122 00:08:13,727 --> 00:08:16,629 DYLAN: FOR THE YELLOW-BILLED STORK, THE BEAK CALLS ON 123 00:08:16,730 --> 00:08:18,832 ANOTHER SENSE - TOUCH. 124 00:08:23,670 --> 00:08:25,739 NOT ONLY IS IT A TOOL THAT THIS BIRD CAN USE 125 00:08:25,839 --> 00:08:28,308 WITH EXTREME PRECISION, BUT IT'S EQUIPPED 126 00:08:28,408 --> 00:08:30,944 WITH TACTILE SENSORS. 127 00:08:31,044 --> 00:08:33,580 [MUSIC] 128 00:08:33,680 --> 00:08:36,916 DYLAN: WHEN THE STORK FISHES, ITS BEAK IS TRIGGERED BY REFLEX 129 00:08:37,050 --> 00:08:38,251 WHEN IT FEELS A FISH. 130 00:08:42,255 --> 00:08:44,257 [MUSIC] 131 00:09:05,478 --> 00:09:08,181 DYLAN: SEEING THESE BIRDS BROOM, YOU CAN TELL THAT THERE'S 132 00:09:08,281 --> 00:09:11,551 AN ENORMOUS CONNECTION BETWEEN SIGHT AND TOUCH. 133 00:09:13,553 --> 00:09:17,023 IT'S AN IMPRESSIVE DISPLAY OF COORDINATION AND EXPERTISE 134 00:09:17,057 --> 00:09:19,559 THAT SHOWCASES THE AMAZING SENSES OF THIS 135 00:09:19,659 --> 00:09:21,027 REMARKABLE ANIMAL. 136 00:09:23,697 --> 00:09:28,201 COMING UP, THIS SEA OF STRIPES IS THE PERFECT PEST REPELLENT. 137 00:09:28,301 --> 00:09:30,937 AND A CURIOUS COLONY OF CARIBBEAN NATIVES 138 00:09:31,037 --> 00:09:35,141 ARE STAYING UP PAST BEDTIME WHEN EARTH ODYSSEY RETURNS. 139 00:09:46,119 --> 00:09:46,252 . 140 00:09:46,386 --> 00:09:49,055 NARRATOR: WE NOW RETURN TO THE MORE YOU KNOW ON NBC. 141 00:09:49,522 --> 00:09:51,558 [MUSIC] 142 00:10:01,167 --> 00:10:04,137 DYLAN: IN AN ENVIRONMENT WITH SUCH INCREDIBLE BIODIVERSITY, 143 00:10:04,237 --> 00:10:06,639 IT CAN BE HARD TO FIND ONE SPECIES 144 00:10:06,740 --> 00:10:09,075 THAT TRULY STANDS OUT AMONG THE REST. 145 00:10:09,175 --> 00:10:12,512 A CREATURE COMPLETELY DIFFERENT FROM ITS CO-INHABITANTS 146 00:10:12,612 --> 00:10:16,249 BECAUSE ITS WAY OF THRIVING IN THE WILD IS UNLIKE ANY OTHER. 147 00:10:16,349 --> 00:10:17,984 HOWEVER, YOU'RE ABOUT TO SEE AN ANIMAL 148 00:10:18,084 --> 00:10:20,286 THAT CERTAINLY MEETS THAT CRITERIA, 149 00:10:20,387 --> 00:10:22,288 LIVING IN THE SPOTLIGHT THANKS TO THEIR 150 00:10:22,389 --> 00:10:24,157 ONE-OF-A-KIND LIFESTYLE. 151 00:10:26,559 --> 00:10:29,129 THE WILD IS FULL OF MEMORABLE MAMMALS 152 00:10:29,229 --> 00:10:32,665 THAT HAVE LOOKS AND HABITS THAT ARE HARD TO MISS. 153 00:10:32,766 --> 00:10:36,503 FROM THE WILDEBEEST TO THE NYALA. 154 00:10:39,606 --> 00:10:42,909 THEY COME IN ALL SHAPES, SIZES, AND COLORS. 155 00:10:44,077 --> 00:10:47,313 BUT A COMMON THEME YOU MAY NOTICE IS DARK COATS. 156 00:10:48,748 --> 00:10:52,352 THE BROWNS, BLACKS, AND GRAYS GIVE THEM A SUBTLE DISGUISE 157 00:10:52,452 --> 00:10:54,788 AMONGST THE SHADE OF TREES AND BUSHES. 158 00:10:57,924 --> 00:11:00,226 HOWEVER, THERE'S STILL ONE CONCERN 159 00:11:00,326 --> 00:11:04,698 NO MATTER THE COAT'S COLOR, PESTS. 160 00:11:05,799 --> 00:11:08,601 WHETHER LIGHT OR DARK FUR, ANIMALS IN THE WILD 161 00:11:08,702 --> 00:11:12,972 MUST CONSTANTLY CONTEND WITH A BOMBARDMENT OF BUGS. 162 00:11:13,073 --> 00:11:16,209 SO THEY ALL HAVE THEIR OWN STRATEGIES OF HOW TO REPEL THEM. 163 00:11:16,309 --> 00:11:20,513 SOME LICK, SOME SCRATCH, SOME HIDE. 164 00:11:20,613 --> 00:11:23,183 BUT THERE'S ONE ANIMAL WHO USES STYLE 165 00:11:23,283 --> 00:11:27,587 TO KEEP THE BUGS AT BAY, ZEBRAS. 166 00:11:27,687 --> 00:11:31,291 THEIR STRIPED HIDE WORKS LIKE A NATURAL INSECT REPELLENT, 167 00:11:31,391 --> 00:11:33,993 CONFUSING FLIES AND DISRUPTING THEIR ABILITY 168 00:11:34,094 --> 00:11:36,696 TO LAND EFFECTIVELY. 169 00:11:36,796 --> 00:11:40,867 BUT AMONG ALL THE STRIPES, ONE DISCREPANCY STICKS OUT. 170 00:11:40,967 --> 00:11:44,804 A SMALL BLACK PATCH ON THE INSIDE OF ITS HIND LEGS. 171 00:11:47,640 --> 00:11:50,310 IT'S AN AREA OF BARE AND CALLOUSED SKIN 172 00:11:50,410 --> 00:11:52,479 WITH A CRUCIAL FUNCTION. 173 00:11:52,579 --> 00:11:54,147 IT PROTECTS THE LEG. 174 00:11:55,448 --> 00:11:59,119 THIS PATCH STOPS THE SHARP EDGES OF THE ZEBRA'S HOOF 175 00:11:59,219 --> 00:12:01,054 FROM INJURING IT WHEN RESTING. 176 00:12:02,922 --> 00:12:06,493 THE PAD CUSHIONS THE EXACT PLACE WHERE THE HOOF MAKES CONTACT. 177 00:12:08,561 --> 00:12:11,965 A ZEBRA'S COAT IS AS VERSATILE AS IT IS UNIQUE. 178 00:12:15,335 --> 00:12:16,836 BUT HERBIVORES AREN'T THE ONLY ONES 179 00:12:16,936 --> 00:12:19,806 WITH STYLISH LOOKS AND SOCIAL SENSIBILITIES. 180 00:12:21,841 --> 00:12:25,278 AFRICAN PAINTED DOGS ARE MORE THAN UP TO THE CHALLENGE. 181 00:12:29,182 --> 00:12:32,352 THESE EXPERT HUNTERS LIVE AND HUNT IN GROUPS, 182 00:12:32,452 --> 00:12:34,587 EPITOMIZING THE SUCCESS OF TEAMWORK. 183 00:12:35,922 --> 00:12:40,260 OTHER ANIMALS ARE CONSTANTLY ON ALERT WHEN WILD DOGS ARE AROUND, 184 00:12:41,194 --> 00:12:44,998 ESPECIALLY IF THEY ARE NEWBORNS LIKE THIS BABY WILDEBEEST. 185 00:12:45,098 --> 00:12:47,133 [MUSIC] 186 00:12:55,008 --> 00:12:58,378 DYLAN: WILD DOGS ARE THE LEAST DEMANDING OF ALL AFRICAN DOG 187 00:12:58,478 --> 00:13:00,280 FAMILIES IN TERMS OF HABITAT. 188 00:13:09,556 --> 00:13:12,258 BUT THERE'S ONE THING THEY APPRECIATE MORE THAN ANYTHING, 189 00:13:14,060 --> 00:13:15,795 ACCESS TO A POND. 190 00:13:22,836 --> 00:13:24,170 WHEN THEY GET TO THE WATER'S EDGE, 191 00:13:24,270 --> 00:13:27,307 THEY CAN'T RESIST THE TEMPTATION TO GET IN. 192 00:13:36,383 --> 00:13:40,420 THE PAINTED DOG HAS IN ITS ARSENAL STAMINA AND SPEED. 193 00:13:41,955 --> 00:13:45,859 IT CAN RUN AT NEARLY 30 MILES PER HOUR FOR SEVERAL MILES. 194 00:13:55,635 --> 00:13:58,438 THIS GIVES IT A MASSIVE ADVANTAGE WHEN HUNTING. 195 00:13:58,538 --> 00:14:02,609 BUT FOR NOW, REST IS ON THE MINDS OF BOTH PREDATOR AND PREY, 196 00:14:02,709 --> 00:14:04,544 MAKING FOR A PEACEFUL AFTERNOON. 197 00:14:06,913 --> 00:14:09,315 WHEN WE COME BACK, WE VISIT A CREATURE OF THE NIGHT 198 00:14:09,416 --> 00:14:11,484 THAT NEEDS NO INTRODUCTION. 199 00:14:11,584 --> 00:14:14,888 STICK AROUND FOR MORE EARTH ODYSSEY RIGHT AFTER THIS. 200 00:14:25,098 --> 00:14:25,231 . 201 00:14:25,498 --> 00:14:28,068 NARRATOR: WE NOW RETURN TO THE MORE YOU KNOW ON NBC. 202 00:14:28,601 --> 00:14:30,603 [MUSIC] 203 00:14:41,181 --> 00:14:43,616 DYLAN: DEEP IN THE TROPICAL ISLANDS OF THE CARIBBEAN, 204 00:14:43,717 --> 00:14:46,319 THERE'S ONE TYPE OF MAMMAL, INDIGENOUS, 205 00:14:46,419 --> 00:14:48,521 THAT'S ROLE IS PARAMOUNT TO THE SURVIVAL 206 00:14:48,621 --> 00:14:52,292 OF A VAST ARRAY OF BOTH PLANT AND ANIMAL SPECIES. 207 00:14:52,392 --> 00:14:55,662 A MAJOR CONTRIBUTOR TO THE PROLIFERATION OF SEEDS 208 00:14:55,762 --> 00:14:59,632 AND THE POLLINATION OF PLANTS, BATS ARE A KEY SPECIES 209 00:14:59,733 --> 00:15:00,834 IN THIS ENVIRONMENT. 210 00:15:00,934 --> 00:15:04,404 THEY ARE, IN A WAY, THE FOREST'S LITTLE HELPERS. 211 00:15:06,039 --> 00:15:10,043 THE ANTILLEAN FRUIT-EATING BAT LIVES ONLY HERE. 212 00:15:10,076 --> 00:15:12,846 THESE MEDIUM-SIZED BATS LIVE IN TIGHTLY KNIT GROUPS 213 00:15:12,946 --> 00:15:15,382 IN GROTTOS AND CAVES UPSIDE DOWN. 214 00:15:19,586 --> 00:15:21,721 WHEN THEIR WINGS ARE SPREAD, THEY HAVE A SPAN 215 00:15:21,821 --> 00:15:23,957 OF ALMOST TWO FEET, DESPITE WEIGHING 216 00:15:24,057 --> 00:15:27,827 LESS THAN TWO OUNCES. 217 00:15:27,927 --> 00:15:29,929 [MUSIC] 218 00:15:33,366 --> 00:15:35,502 DYLAN: THEIR WINGS ARE, IN FACT, THEIR HANDS, 219 00:15:35,602 --> 00:15:37,437 BUT BETWEEN THEIR ELONGATED FINGERS, 220 00:15:37,537 --> 00:15:41,074 THERE'S A FINE MEMBRANE OF SKIN WHICH ALLOWS THEM TO FLY. 221 00:15:42,142 --> 00:15:44,611 AS NIGHT FALLS, THESE LITTLE FINGER WINGS 222 00:15:44,711 --> 00:15:47,447 ALLOW THEM TO FLY OFF TO FEED ON SWEET FRUIT 223 00:15:47,547 --> 00:15:50,850 AND NECTARS RICH IN SUGAR, THE PERFECT FUEL FOR THEIR 224 00:15:50,950 --> 00:15:51,985 METABOLISM. 225 00:15:52,085 --> 00:15:54,087 [MUSIC] 226 00:15:59,426 --> 00:16:02,262 DYLAN: THESE SMALL MAMMALS MAY UNDENIABLY BE DEPENDENT 227 00:16:02,362 --> 00:16:04,497 ON THE FOREST, BUT THEY RETURN THE FAVOR 228 00:16:04,597 --> 00:16:07,233 BY BEING THE MOST LOYAL ALLIES TO THE ISLAND'S 229 00:16:07,334 --> 00:16:08,568 FLOWERING PLANTS. 230 00:16:10,837 --> 00:16:13,540 THIS CARIBBEAN TREE IS THE PERFECT EMBODIMENT 231 00:16:13,640 --> 00:16:17,077 OF THE ALLIANCE BETWEEN PLANTS AND BATS. 232 00:16:17,177 --> 00:16:20,280 THE KAPOK TREE IS A VEGETAL MONSTER. 233 00:16:20,380 --> 00:16:22,048 A NATIVE OF THIS PART OF THE WORLD, 234 00:16:22,082 --> 00:16:24,584 IT DOMINATES ITS REALM LIKE A MONARCH. 235 00:16:27,754 --> 00:16:30,557 ITS TRUNK GIVES IT AN ANIMAL-LIKE APPEARANCE, 236 00:16:30,657 --> 00:16:32,926 AND ALONG WITH ITS INTIMIDATING SPINES, 237 00:16:33,059 --> 00:16:35,962 HAS GIVEN IT PRIDE OF PLACE AT THE HEART OF CARIBBEAN 238 00:16:36,062 --> 00:16:38,164 BELIEFS AND LEGENDS, WHERE IT'S OFTEN 239 00:16:38,264 --> 00:16:41,267 ASSOCIATED WITH DEATH AND THE SPIRIT WORLD, 240 00:16:41,368 --> 00:16:45,972 A TREE WHICH IS BOTH VENERATED AND FEARED. 241 00:16:46,072 --> 00:16:48,074 [MUSIC] 242 00:16:51,778 --> 00:16:55,348 DYLAN: IN THE DRY SEASON, THE KAPOK LOSES ALL OF ITS LEAVES. 243 00:16:55,448 --> 00:16:57,183 IT THEN STARTS TO FLOWER. 244 00:17:00,020 --> 00:17:03,323 DURING THE DAY, ONLY THE FULLY CLOSED BUDS ARE VISIBLE. 245 00:17:05,425 --> 00:17:08,695 THE TREE KING HAS DECIDED TO WAIT UNTIL NIGHT FALLS 246 00:17:08,795 --> 00:17:12,032 BEFORE ITS RETINUE OF LITTLE CREATURES TAKES THE STAGE. 247 00:17:15,468 --> 00:17:18,538 IT'S NOW DARKEST NIGHT, AND HUNDREDS OF BATS 248 00:17:18,638 --> 00:17:21,041 FLUTTER FRANTICALLY AROUND THE GIANT TREE. 249 00:17:23,076 --> 00:17:25,445 THIS IS A DIFFERENT SPECIES OF BAT 250 00:17:25,545 --> 00:17:27,380 COMMON THROUGHOUT THE CARIBBEAN. 251 00:17:27,480 --> 00:17:30,316 THE JAMAICAN FRUIT BAT HAS STAKED EVERYTHING 252 00:17:30,417 --> 00:17:31,518 ON THE KAPOK TREE. 253 00:17:33,787 --> 00:17:35,889 THEY'RE ALL WAITING FOR ONE THING, 254 00:17:36,056 --> 00:17:38,725 FOR THE FLOWERS TO FINALLY OPEN. 255 00:17:38,825 --> 00:17:41,261 THAT'S WHEN THE MAGIC HAPPENS. 256 00:17:41,361 --> 00:17:43,363 [MUSIC] 257 00:17:48,702 --> 00:17:51,771 DYLAN: WITH THE FLOWERS NOW ACCESSIBLE, THE FRUIT BATS THROW 258 00:17:51,871 --> 00:17:55,141 THEMSELVES ONTO THE BLOOMS, GREEDILY LAPPING THE NECTAR 259 00:17:55,241 --> 00:17:56,309 WITH THEIR TONGUES. 260 00:17:58,578 --> 00:18:00,847 ALMOST EVERY VISIT IS AN OPPORTUNITY. 261 00:18:01,014 --> 00:18:03,883 THE FRUIT BATS GUZZLE THE SWEET LIQUID FROM THE TREE, 262 00:18:04,017 --> 00:18:07,253 AND IN RETURN, THEY POLLINATE EACH AND EVERY FLOWER. 263 00:18:08,488 --> 00:18:12,058 TIME GOES BY, BUT THE FRENZY DOESN'T END. 264 00:18:12,158 --> 00:18:14,527 THE BAT'S BROWN PELT IS NOW STAINED WITH 265 00:18:14,627 --> 00:18:16,596 THE FLOWER'S POLLEN. 266 00:18:16,696 --> 00:18:19,232 THE HARVEST IS TURNING INTO A PARTY. 267 00:18:22,469 --> 00:18:25,338 ON THIS CARIBBEAN NIGHT, THE FRUIT AND NECTAR-EATING BATS 268 00:18:25,438 --> 00:18:27,841 ARE PERFORMING AN ACT CRUCIAL TO THE SURVIVAL 269 00:18:27,941 --> 00:18:30,877 AND WELL-BEING OF THESE TROPICAL ECOSYSTEMS. 270 00:18:31,044 --> 00:18:33,513 THEIR ROLE, WHILE ALMOST INVISIBLE TO US, 271 00:18:33,613 --> 00:18:35,415 IS NONETHELESS VITAL. 272 00:18:35,515 --> 00:18:38,118 WITHOUT THE BATS, THESE TROPICAL FORESTS 273 00:18:38,218 --> 00:18:39,519 WOULD BE QUITE DIFFERENT. 274 00:18:39,619 --> 00:18:41,921 THESE TROPICAL FORESTS COULD NOT SURVIVE 275 00:18:42,055 --> 00:18:43,556 WITHOUT THE WORK OF BATS. 276 00:18:44,924 --> 00:18:46,659 AND THEY'RE COMMITTED TO THEIR TASK 277 00:18:46,760 --> 00:18:48,428 WITHOUT BATTING AN EYE. 278 00:18:51,865 --> 00:18:54,367 AS WE LOOK BACK AT THE UNIQUE, WEIRD, 279 00:18:54,467 --> 00:18:56,836 AND WONDERFUL ANIMALS WE'VE SEEN TODAY, 280 00:18:56,936 --> 00:19:00,407 IT'S CLEAR THAT IT TAKES ALL KINDS OF LOOKS AND TALENTS 281 00:19:00,507 --> 00:19:01,908 TO SURVIVE IN THE WILD. 282 00:19:02,008 --> 00:19:05,745 WHILE EACH MAY HAVE THEIR OWN INDIVIDUAL WAY OF GETTING BY, 283 00:19:05,845 --> 00:19:09,416 ONLY TOGETHER CAN THEY CREATE A THRIVING ECOSYSTEM 284 00:19:09,516 --> 00:19:13,253 THAT SUPPORTS SUCH A RICH AND DIVERSE ANIMAL KINGDOM. 285 00:19:13,353 --> 00:19:15,188 THANK YOU FOR COMING ALONG ON TODAY'S JOURNEY. 286 00:19:15,288 --> 00:19:17,624 WE'LL SEE YOU NEXT TIME ON EARTH ODYSSEY. 287 00:19:18,591 --> 00:19:20,593 [MUSIC] 22946

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