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These are the user uploaded subtitles that are being translated: 1 00:00:05,138 --> 00:00:05,271 . 2 00:00:06,106 --> 00:00:07,107 NARRATOR: WHEN YOU SEE THIS SYMBOL, YOU KNOW YOU'RE 3 00:00:08,208 --> 00:00:11,378 WATCHING TELEVISION THAT IS EDUCATIONAL AND INFORMATIONAL. 4 00:00:11,411 --> 00:00:14,414 THE MORE YOU KNOW ON NBC. 5 00:00:15,415 --> 00:00:18,818 DYLAN: OH, HA HA, I'M DYLAN DREYER HERE AT BROOKFIELD ZOO 6 00:00:18,852 --> 00:00:21,855 AND YOU'RE WATCHING "EARTH ODYSSEY." 7 00:00:22,422 --> 00:00:26,326 TODAY, WE'RE CRUISING THE OCEAN FLOOR FOR A LOOK AT SOME TRULY 8 00:00:26,359 --> 00:00:31,164 CURIOUS CRUSTACEANS LIKE THIS COLORFUL CHARACTER THAT'S NOT AS 9 00:00:31,197 --> 00:00:33,700 DELICATE AS IT SOUNDS. 10 00:00:33,733 --> 00:00:37,971 AND A SUPER SMALL SPECIES WITH A BIG-TIME IMPACT. 11 00:00:38,004 --> 00:00:42,308 PLUS, A CAMOUFLAGE CONNOISSEUR THAT'S ALWAYS IN FASHION. 12 00:00:42,342 --> 00:00:45,578 BUT FIRST, WE START OUR JOURNEY WITH A LOOK IN AT AN UNDERWATER 13 00:00:45,612 --> 00:00:49,049 DWELLER WITH ITS OWN 3D GLASSES. 14 00:00:49,082 --> 00:00:52,318 ALL OF THIS AND MORE COMING UP ON "EARTH ODYSSEY". 15 00:00:52,352 --> 00:00:55,355 [MUSIC] 16 00:01:13,807 --> 00:01:15,675 DYLAN: IT OFTEN GOES OVERLOOKED JUST 17 00:01:15,709 --> 00:01:18,144 HOW DIVERSE CRUSTACEANS ARE. 18 00:01:18,178 --> 00:01:21,414 THERE ARE GIANTS, LIKE THE JAPANESE SPIDER CRAB MEASURING 19 00:01:21,448 --> 00:01:24,117 12 FEET FROM CLAW TO LEG. 20 00:01:24,150 --> 00:01:27,354 OTHERS CAN LIVE MILES BELOW THE OCEAN SURFACE, 21 00:01:27,387 --> 00:01:29,622 COMBATING EXTREME PRESSURE. 22 00:01:29,656 --> 00:01:33,693 THEN, THERE ARE A RARE FEW LIKE WOODLICE THAT SKIP AQUATIC LIFE 23 00:01:33,727 --> 00:01:37,297 ALTOGETHER, MAKING THEIR HOME IN THE TREES. 24 00:01:37,330 --> 00:01:40,600 EACH OF THESE CREATURES ALL HAVE FOUND THEIR OWN NICHE WITHIN THE 25 00:01:40,633 --> 00:01:45,105 WILD, YET ARE TIED TOGETHER BY ONE UNIQUE ATTRIBUTE. 26 00:01:45,138 --> 00:01:46,139 TAKE A LOOK. 27 00:01:47,774 --> 00:01:51,978 OUT OF THE APPROXIMATELY 50,000 SPECIES OF CRUSTACEANS, THEY ALL 28 00:01:52,012 --> 00:01:54,881 SHARE ONE DEFINING CHARACTERISTIC THAT ALSO MAKES 29 00:01:54,914 --> 00:01:59,452 THEM SO UNIQUE; THEIR EXTERNAL SKELETON; MORE COMMONLY REFERRED 30 00:01:59,486 --> 00:02:03,556 TO AS A SHELL OR CARAPACE. 31 00:02:03,590 --> 00:02:06,593 IN FACT, THEY GOT THEIR NAME FROM THIS CARAPACE BECAUSE THE 32 00:02:06,626 --> 00:02:10,463 WORD "CRUSTACEAN" COMES FROM THE LATIN CRUSTA, WHICH MEANS CRUST, 33 00:02:10,497 --> 00:02:14,100 OR, HARD SHELL. 34 00:02:14,134 --> 00:02:18,171 THIS HARD EXTERIOR IS NOT MADE OF ONE SOLID PIECE, AS THIS 35 00:02:18,204 --> 00:02:20,573 WOULD MEAN THEY COULDN'T MOVE. 36 00:02:20,607 --> 00:02:23,643 MOVEMENT IS POSSIBLE THANKS TO THE ARTICULATION BETWEEN THE 37 00:02:23,677 --> 00:02:27,881 DIFFERENT PARTS. 38 00:02:27,914 --> 00:02:31,918 BUT IF THIS SHELL IS RIGID, HOW DO THEY GROW? 39 00:02:34,087 --> 00:02:35,522 MOLTING. 40 00:02:35,555 --> 00:02:39,092 MOLTING IS THE PROCESS BY WHICH THEY GROW AND WHAT MAY LOOK LIKE 41 00:02:39,092 --> 00:02:42,662 JUST A DEAD CRUSTACEAN IS IN FACT AN EMPTY SHELL BEING 42 00:02:42,696 --> 00:02:46,199 CARRIED ALONG BY THE WAVES. 43 00:02:46,232 --> 00:02:49,235 [MUSIC AND UNDERWATER SOUNDS] 44 00:02:54,407 --> 00:02:56,543 DYLAN: MOLTING INVOLVES THE SHEDDING OF THE OLD SHELL AND 45 00:02:56,576 --> 00:02:58,611 REGENERATION OF THE NEW ONE. 46 00:02:58,645 --> 00:03:03,483 CRUSTACEANS MOLT BECAUSE THEIR OLD SHELL HAS BECOME TOO SMALL. 47 00:03:03,516 --> 00:03:05,952 SO, IT HAPPENS FREQUENTLY WHEN AN ANIMAL IS YOUNG, AND THEN 48 00:03:06,052 --> 00:03:10,490 LESS SO AS IT GROWS OLDER. 49 00:03:10,523 --> 00:03:13,393 IT IS ALMOST IMPOSSIBLE TO OBSERVE A CRUSTACEAN MOLTING 50 00:03:13,426 --> 00:03:16,162 BECAUSE IT USUALLY OCCURS WHEN NO ONE IS LOOKING-- 51 00:03:16,196 --> 00:03:18,465 AT NIGHTFALL. 52 00:03:18,498 --> 00:03:20,900 THEY USE THE COVER OF DARKNESS TO HIDE SINCE THEY ARE 53 00:03:20,934 --> 00:03:23,970 ESPECIALLY VULNERABLE. 54 00:03:24,070 --> 00:03:27,674 BEING ABLE TO SEE THE MOLTING PROCESS IS EXCEPTIONALLY RARE. 55 00:03:27,707 --> 00:03:30,176 SHOT IN AN ARTIFICIAL ENVIRONMENT, THIS RECORDING 56 00:03:30,210 --> 00:03:33,079 CATCHES THE ENTIRE PROCESS. 57 00:03:33,079 --> 00:03:36,082 FIRST, THE OLD SHELL BECOMES DETACHED. 58 00:03:36,116 --> 00:03:39,119 THEN, THE ANIMAL BEGINS TO SHED IT. 59 00:03:41,221 --> 00:03:44,090 SHEDDING OCCURS THANKS TO THE ANIMAL'S TYPICAL BEHAVIOR. 60 00:03:44,090 --> 00:03:46,893 IT MOVES RHYTHMICALLY AND INFLATES ITS BODY AS MUCH AS 61 00:03:46,926 --> 00:03:49,929 POSSIBLE, OFTEN BY SWALLOWING WATER. 62 00:03:53,233 --> 00:03:55,835 THE OLD SHELL TEARS ALONG THE WEAKEST POINTS AND THE ANIMAL'S 63 00:03:55,869 --> 00:03:59,606 MOVEMENTS ENABLE IT TO SHED THE OLD SHELL AND STRETCH THE NEW 64 00:03:59,639 --> 00:04:03,443 SHELL FULLY. 65 00:04:03,476 --> 00:04:06,579 AFTER MOLTING, THE ANIMAL IS SOFT, AND THEREFORE, IT'S EASY 66 00:04:06,613 --> 00:04:10,283 PREY FOR PREDATORS. 67 00:04:10,316 --> 00:04:13,553 IT TAKE SEVERAL DAYS FOR THE NEW SHELL TO HARDEN AND FORM A 68 00:04:13,586 --> 00:04:15,522 PROTECTIVE LAYER. 69 00:04:21,061 --> 00:04:23,797 MOLTING ENABLES CRUSTACEANS TO REGENERATE MISSING LIMBS. 70 00:04:23,830 --> 00:04:27,334 IN OTHER WORDS, THEIR LEGS CAN GROW BACK. 71 00:04:27,367 --> 00:04:30,303 ALL THAT THIS WOUNDED LITTLE CRUSTACEAN HAS TO DO IS WAIT FOR 72 00:04:30,337 --> 00:04:34,307 THE NEXT MOLT TO REGAIN THE USE OF ALL ITS LIMBS. 73 00:04:37,377 --> 00:04:39,913 MOST CRUSTACEANS HAVE EYES, AND SOME OF THEM 74 00:04:39,946 --> 00:04:42,615 DESERVE SPECIAL ATTENTION. 75 00:04:42,649 --> 00:04:45,652 [MUSIC AND UNDERWATER SOUNDS] 76 00:04:51,191 --> 00:04:52,759 DYLAN: THEIR EYES HAVE MANY FACETS; 77 00:04:52,792 --> 00:04:56,363 SOMETIMES SEVERAL HUNDRED. 78 00:04:56,396 --> 00:04:59,232 THEY DON'T HAVE KEEN VISION, BUT THEIR EYES MOVE QUICKLY, WHICH 79 00:04:59,265 --> 00:05:02,669 ENABLES THEM TO DETECT MOVING SHAPES. 80 00:05:02,702 --> 00:05:06,373 SOME DEEP-SEA SPECIES WHICH LIVE IN TOTAL DARKNESS HAVE PRICKLES 81 00:05:06,406 --> 00:05:08,408 INSTEAD OF EYES. 82 00:05:12,078 --> 00:05:15,682 THE MANTIS SHRIMP HAS THE BEST EYESIGHT IN THE MARINE WORLD AND 83 00:05:15,715 --> 00:05:18,151 MAYBE EVEN THE ANIMAL KINGDOM. 84 00:05:18,184 --> 00:05:21,154 ITS EYES PIVOT INDEPENDENTLY AND WILL ALLOW IT TO SEE 85 00:05:21,187 --> 00:05:24,557 IN EVERY DIRECTION. 86 00:05:24,591 --> 00:05:26,726 EACH EYE IS DIVIDED INTO 3 SECTIONS; EACH 87 00:05:26,760 --> 00:05:28,495 WITH ITS OWN PUPIL. 88 00:05:28,528 --> 00:05:32,632 THIS EYE SEES THE SHAPE, DISTANCE AND DEPTH OF OBJECTS. 89 00:05:32,665 --> 00:05:35,602 IT'S BASICALLY 3D VISION, AND ONE OF THE MOST IMPRESSIVE 90 00:05:35,635 --> 00:05:37,637 ADAPTATIONS IN THE WILD. 91 00:05:41,508 --> 00:05:43,877 COMING UP, A TROPICAL NATIVE WITH THE ULTIMATE 92 00:05:43,910 --> 00:05:45,912 FOOD FILTERING SYSTEM. 93 00:05:45,945 --> 00:05:50,517 LATER, DON'T BLINK OR YOU MIGHT MISS THIS CORAL-LOVING CROWD. 94 00:05:50,550 --> 00:05:54,587 AND A CRUSTACEAN THAT PROVES YOU ARE WHAT YOU EAT. 95 00:05:54,621 --> 00:05:58,625 THIS AND MORE WHEN "EARTH ODYSSEY" RETURNS. 96 00:06:07,100 --> 00:06:07,233 . 97 00:06:08,268 --> 00:06:10,737 NARRATOR: WE NOW RETURN TO THE MORE YOU KNOW ON NBC. 98 00:06:11,438 --> 00:06:14,441 [MUSIC] 99 00:06:23,516 --> 00:06:26,219 DYLAN: MOVEMENT AMONG CRUSTACEANS IS CERTAINLY A 100 00:06:26,252 --> 00:06:28,121 UNIQUE ENDEAVOR. 101 00:06:28,154 --> 00:06:31,424 THEY MOVE MAINLY THANKS TO THEIR APPENDAGES, OR LEGS. 102 00:06:31,458 --> 00:06:35,729 IT'S JERKY, SLIGHTLY UNBALANCED, AND NOT VERY ELEGANT. 103 00:06:35,762 --> 00:06:38,765 [ADVENTUROUS MUSIC] 104 00:06:44,738 --> 00:06:46,806 DYLAN: BUT THESE LEGS AREN'T JUST MADE FOR WALKING. 105 00:06:46,840 --> 00:06:50,210 THEY CAN ALSO BE USED FOR SWIMMING. 106 00:06:50,243 --> 00:06:51,845 THAT'S THE CASE WITH SHRIMP. 107 00:06:51,878 --> 00:06:54,881 THEY SWIM SO QUICKLY AND ELEGANTLY THAT IT LOOKS AS IF 108 00:06:54,914 --> 00:06:56,082 THEY'RE FLYING. 109 00:06:56,116 --> 00:06:59,119 [ADVENTUROUS MUSIC] 110 00:07:13,133 --> 00:07:17,303 DYLAN: THE LEGS ALSO SERVE AS PINCERS. 111 00:07:17,337 --> 00:07:21,041 AS WELL AS ITS HUGE CLAWS, THE PORCELAIN CRAB HAS MORE 112 00:07:21,041 --> 00:07:24,511 SOPHISTICATED APPENDAGES. 113 00:07:24,544 --> 00:07:29,215 LIKE NETS, IT UNFURLS ITS FEATHERY, FAN-LIKE MOUTH PARTS. 114 00:07:35,221 --> 00:07:37,691 THIS INGENIOUS SYSTEM ENABLES IT TO FILTER THE PLANKTON 115 00:07:37,724 --> 00:07:39,726 IT FEEDS ON. 116 00:07:44,864 --> 00:07:49,536 THESE DIFFERENT FUNCTIONS HAVE ONE PURPOSE; FEEDING. 117 00:07:50,870 --> 00:07:53,540 MOST CRUSTACEANS ARE CARNIVOROUS, EVEN THOUGH ALGAE 118 00:07:53,573 --> 00:07:58,411 SOMETIMES ENTERS THEIR DIGESTIVE SYSTEM. 119 00:07:58,445 --> 00:08:03,116 THEY ARE OFTEN OPPORTUNISTIC AND EAT DEAD AS WELL AS LIVE PREY. 120 00:08:05,051 --> 00:08:09,656 THE SMALLEST FEED ON PLANKTON OR DECOMPOSING PARTICLES. 121 00:08:10,156 --> 00:08:13,259 POWERFULLY-ARMED, THE LARGEST PREFER LIVE PREY LIKE 122 00:08:13,293 --> 00:08:17,464 FISH, OR MOLLUSKS. 123 00:08:17,497 --> 00:08:20,033 HOWEVER, CRUSTACEANS ARE CONSUMMATE SURVIVORS, EVEN WHEN 124 00:08:20,033 --> 00:08:22,235 FOOD IS SCARCE. 125 00:08:22,268 --> 00:08:25,672 SOME, SUCH AS LOBSTERS, ARE ABLE TO SURVIVE WITHOUT FOOD FOR 126 00:08:25,705 --> 00:08:28,508 SEVERAL MONTHS. 127 00:08:28,541 --> 00:08:31,678 ONE MORE REASON THIS FASCINATING CLASS OF ANIMALS HAS BEEN ABLE 128 00:08:31,711 --> 00:08:34,714 TO ROAM THE EARTH FOR MILLIONS OF YEARS. 129 00:08:37,150 --> 00:08:39,352 WHEN WE RETURN, THERE'S A FEEDING FRENZY 130 00:08:39,386 --> 00:08:41,721 ALONG THIS CORAL REEF. 131 00:08:41,755 --> 00:08:44,958 PLUS, WE'LL MEET A SHRIMP WHOSE PERSONAL STYLE MATCHES 132 00:08:45,058 --> 00:08:46,326 ITS HOME DECOR. 133 00:08:47,861 --> 00:08:51,364 BUT FIRST, IT'S TIME FOR WILDLIFE A-Z. 134 00:08:53,199 --> 00:08:55,335 ALL OVER THE WORLD, TEAMS OF DEDICATED VETERINARY 135 00:08:55,368 --> 00:08:58,672 PROFESSIONALS WORK AROUND THE CLOCK TO ENSURE THAT ANIMALS 136 00:08:58,705 --> 00:09:01,307 LIVING IN CURATED ENVIRONMENTS ARE NOT JUST 137 00:09:01,341 --> 00:09:04,878 WELL CARED FOR, BUT THRIVING. 138 00:09:04,911 --> 00:09:08,314 THEIR HEALTHCARE IS A LOT LIKE OUR OWN; ANNUAL CHECKUPS, 139 00:09:08,348 --> 00:09:12,686 PREVENTATIVE MEDICINE AND IF ANY PROBLEMS ARISE, SURGEONS AND 140 00:09:12,719 --> 00:09:16,756 EMERGENCY PROFESSIONALS ARE THERE TO SAVE THEIR LIVES. 141 00:09:16,790 --> 00:09:20,060 FROM PHYSICAL THERAPY TO ULTRASOUNDS, DAILY VITAMINS TO 142 00:09:20,093 --> 00:09:23,596 ADVANCED MEDICINE, VETERINARY STAFF LIKE HERE AT BROOKFIELD 143 00:09:23,630 --> 00:09:28,501 ZOO'S ANIMAL HOSPITAL ARE VITAL IN KEEPING THESE ANIMAL ICONS IN 144 00:09:28,535 --> 00:09:30,770 TIP-TOP HEALTH. 145 00:09:30,804 --> 00:09:33,807 STAY TUNED, THERE'S MORE "EARTH ODYSSEY" RIGHT AFTER THIS. 146 00:09:40,113 --> 00:09:40,246 . 147 00:09:41,314 --> 00:09:43,183 NARRATOR: WE NOW RETURN TO THE MORE YOU KNOW ON NBC. 148 00:09:44,117 --> 00:09:47,120 [MUSIC] 149 00:09:55,729 --> 00:09:56,830 DYLAN: WELCOME BACK. 150 00:09:56,863 --> 00:09:58,932 WE ARE HERE AT BROOKFIELD ZOO AND I'M JOINED BY DR. MIKE 151 00:09:58,965 --> 00:10:02,836 ADKESSON AND OUR VERY LARGE, EXTRA SPECIAL GUEST, 152 00:10:02,869 --> 00:10:04,904 KIINAQ THE GRAY SEAL. 153 00:10:04,938 --> 00:10:08,742 AND YOU KNOW, WE'RE SO USED TO SEEING THESE ANIMALS FORTUNATELY 154 00:10:08,775 --> 00:10:11,544 AT ORGANIZATIONS LIKE BROOKFIELD ZOO. 155 00:10:11,578 --> 00:10:13,346 BUT THEY LIVE IN THE WILD TOO. 156 00:10:13,380 --> 00:10:17,050 SO, HOW DO ORGANIZATIONS LIKE YOURS FOCUS ON CONSERVATION? 157 00:10:17,083 --> 00:10:19,552 DR. MIKE: KIINAQ IS A WONDERFUL AMBASSADOR FOR HIS COUNTERPARTS 158 00:10:19,586 --> 00:10:20,620 IN THE WILD. 159 00:10:20,653 --> 00:10:23,023 HE WAS STRANDED AS A PUP AND WAS NON-RELEASABLE BACK 160 00:10:23,056 --> 00:10:26,593 INTO THE WILD BECAUSE OF SOME DAMAGE TO HIS MOUTH. 161 00:10:26,626 --> 00:10:29,696 SO, HE'S HERE AT THE ZOO TO TELL THE STORY OF PROTECTING THESE 162 00:10:29,729 --> 00:10:33,299 ANIMALS IN THE WILD AND ALL THE INCREDIBLE CONSERVATION WORK 163 00:10:33,333 --> 00:10:34,334 THAT WE DO. 164 00:10:34,367 --> 00:10:35,869 DYLAN: DR. MIKE, THANK YOU SO MUCH. 165 00:10:35,902 --> 00:10:36,636 DR. MIKE: YOU'RE WELCOME. 166 00:10:36,670 --> 00:10:38,104 DYLAN: ALRIGHT, BACK TO OUR SHOW. 167 00:10:39,239 --> 00:10:42,142 IT'S NOT JUST MAJESTIC MARINE MAMMALS THAT MAKE OUR OCEANS 168 00:10:42,175 --> 00:10:43,777 TRULY SPECIAL. 169 00:10:43,810 --> 00:10:48,114 THIS MAY SEEM LIKE JUST A TANGLE OF THREADS, BUT ACTUALLY, IT'S A 170 00:10:48,148 --> 00:10:50,016 LIVING CLUSTER. 171 00:10:50,050 --> 00:10:53,687 THEY BELONG TO A GROUP OF THE OCEAN'S MOST UNIQUE CREATURES; 172 00:10:53,720 --> 00:10:54,954 CRUSTACEANS. 173 00:10:54,988 --> 00:10:58,525 IF WE TAKE A CLOSER LOOK, WE CAN SEE IT'S A SKELETON SHRIMP WITH 174 00:10:58,558 --> 00:11:01,661 A WHOLE BROOD CLINGING TO IT. 175 00:11:01,695 --> 00:11:06,566 THESE TINY BABIES ARE WRIGGLING ALL OVER THE PLACE. 176 00:11:06,599 --> 00:11:09,669 AFTER THE MALES FERTILIZE THE EGGS, THE FEMALES CARRY THESE 177 00:11:09,703 --> 00:11:12,872 BABY SHRIMP THROUGH TO BIRTH. 178 00:11:12,906 --> 00:11:16,743 AND AS THERE IS NO LARVAL STAGE IN SKELETON SHRIMPS, IT'S VERY 179 00:11:16,776 --> 00:11:20,180 LIKELY THAT THESE MINI CREATURES HAVE JUST BEEN BORN. 180 00:11:20,213 --> 00:11:23,850 LIKE MANY OTHER CRUSTACEANS, SKELETON SHRIMPS ARE MINISCULE, 181 00:11:23,883 --> 00:11:26,886 BUT NO LESS CAPTIVATING. 182 00:11:29,255 --> 00:11:33,093 IN THE LAND OF LILLIPUTIANS, THERE ARE REALLY TINY CREATURES 183 00:11:33,093 --> 00:11:37,097 LIKE THIS MINI-CRAB, LOST AMONG THE GRAINS OF SAND, WHICH WE CAN 184 00:11:37,130 --> 00:11:40,633 ONLY SEE BECAUSE IT'S MOVING ITS EYES. 185 00:11:40,667 --> 00:11:43,670 [ADVENTUROUS MUSIC] 186 00:11:47,707 --> 00:11:51,144 DYLAN: BARELY BIGGER, THIS ONE EXTRICATES ITSELF EASILY AND 187 00:11:51,177 --> 00:11:55,115 ELEGANTLY FROM ITS HIDING PLACE, WHICH IT HURRIES BACK INTO; 188 00:11:55,148 --> 00:11:59,819 PROBABLY FRIGHTENED BY THE NOISE OF THE WORLD OUTSIDE. 189 00:12:03,123 --> 00:12:06,292 THIS CRAB, HIDING IN THE CORAL, SEEMS VERY AT EASE IN THIS 190 00:12:06,326 --> 00:12:11,064 NARROW SHELTER AND GOES ABOUT ITS BUSINESS WITHOUT FEAR. 191 00:12:14,267 --> 00:12:17,437 NOT MUCH BIGGER THAN THE POLYPS OF ITS OCEAN PLAYPEN, THIS TINY 192 00:12:17,470 --> 00:12:20,473 CRAB MOVES PEACEFULLY AROUND ITS HOME. 193 00:12:23,576 --> 00:12:26,479 IN THIS OTHER SEA RESIDENCE, EXPOSED TO THE CURRENT IN A 194 00:12:26,513 --> 00:12:30,483 PLANKTON-RICH ENVIRONMENT, THIS UPSIDE-DOWN LITTLE CRAB IN A 195 00:12:30,517 --> 00:12:35,188 RATHER ACROBATIC POSE, GRABS ALL THE FOOD WITHIN ITS REACH. 196 00:12:37,090 --> 00:12:40,093 JUST LIKE A JUGGLER; NOTHING DISTRACTS IT. 197 00:12:43,430 --> 00:12:46,199 EACH CREATURE HAS ADAPTED TO ITS SIZE AND LIFE AS 198 00:12:46,232 --> 00:12:48,234 A DWARF CRUSTACEAN. 199 00:12:54,107 --> 00:12:57,711 [ADVENTUROUS MUSIC AND UNDERWATER SOUNDS] 200 00:12:57,744 --> 00:13:00,180 DYLAN: CRUSTACEANS LIKE MANY OTHER ANIMAL SPECIES, ATTACH A 201 00:13:00,213 --> 00:13:04,884 GOOD DEAL OF IMPORTANCE TO THEIR APPEARANCE. 202 00:13:04,918 --> 00:13:08,221 THE ABDOMEN OF THIS PRETTY AMBER SHRIMP, ADORNED WITH WHITE 203 00:13:08,254 --> 00:13:11,491 ARABESQUES, IS ALMOST VERTICAL IN RELATION 204 00:13:11,524 --> 00:13:13,827 TO THE REST OF ITS BODY. 205 00:13:13,860 --> 00:13:16,663 LIKE A SEDUCTION DANCE, IT SWINGS IT CONSTANTLY 206 00:13:16,696 --> 00:13:18,698 TO ATTRACT A MATE. 207 00:13:27,273 --> 00:13:31,511 ADULT FEMALES ARE ALMOST TWICE AS LARGE AS MALES. 208 00:13:31,544 --> 00:13:34,881 THIS SPECIES USUALLY LIVES IN GROUPS, SOMETIMES OF 6 TO 8 209 00:13:34,914 --> 00:13:39,085 INDIVIDUALS; ALL AMONG THE TENTACLES OF AN ANEMONE, SHOWING 210 00:13:39,085 --> 00:13:43,723 THEIR BEAUTY, CONFIDENCE, AND CUNNING FOR ALL TO SEE. 211 00:13:45,091 --> 00:13:48,695 UP NEXT, GET A LOOK AT THE EDIBLE ART OF BLENDING IN. 212 00:13:48,728 --> 00:13:52,732 THIS AND MORE WHEN "EARTH ODYSSEY" RETURNS. 213 00:14:01,107 --> 00:14:01,241 . 214 00:14:02,208 --> 00:14:04,678 NARRATOR: WE NOW RETURN TO THE MORE YOU KNOW ON NBC. 215 00:14:05,478 --> 00:14:08,481 [MUSIC] 216 00:14:18,191 --> 00:14:19,759 DYLAN: PARASITES. 217 00:14:19,793 --> 00:14:24,464 EACH PARASITE SPECIES HAS A VERY SPECIAL WAY OF FEEDING. 218 00:14:25,331 --> 00:14:29,669 ATTACHED TO THE FISH'S BACK, THIS PARASITE LIVES OFF IT, BUT 219 00:14:29,703 --> 00:14:33,073 THE FISH DOES NOT BENEFIT IN ANY WAY. 220 00:14:33,106 --> 00:14:37,911 IN MOST CASES, THE PARASITE IS EVEN HARMFUL TO IT. 221 00:14:37,944 --> 00:14:40,980 UNLIKE MORE TYPICAL PREDATORS, IT IS NOT TO THE PARASITE'S 222 00:14:41,081 --> 00:14:45,685 ADVANTAGE TO KILL ITS HOST BECAUSE IT COULD DIE WITH IT. 223 00:14:46,386 --> 00:14:51,091 EASY TO OBSERVE, EXTERNAL PARASITES SUCK FISHES BLOOD. 224 00:14:54,894 --> 00:14:57,831 TO ATTACH THEMSELVES TO FISH, THEY HAVE APPENDAGES 225 00:14:57,864 --> 00:15:01,768 ENDING IN HOOKS. 226 00:15:01,801 --> 00:15:05,338 PARASITES ARE DEMANDING, NEEDING NEAR PERFECT CONDITIONS TO 227 00:15:05,372 --> 00:15:08,375 SUCCESSFULLY LIVE ON THEIR HOSTS. 228 00:15:14,381 --> 00:15:18,885 SCIENTISTS AGREE THAT ALL FORMS OF PARASITE EVOLVED FROM ANIMALS 229 00:15:18,918 --> 00:15:21,488 THAT WERE INITIALLY INDEPENDENT, CAPABLE OF 230 00:15:21,521 --> 00:15:23,923 SURVIVING ON THEIR OWN. 231 00:15:23,957 --> 00:15:26,960 THESE DAYS, THEY CERTAINLY PREFER THE COMPANY OF OTHERS, 232 00:15:27,060 --> 00:15:31,931 EVEN IF THEY WEREN'T INVITED. 233 00:15:31,965 --> 00:15:34,834 THESE CLINGY CREATURES ARE SO WELL-ADAPTED TO THIS NEW WAY OF 234 00:15:34,868 --> 00:15:37,871 LIFE, THEY'VE LET THEIR ORGANS REGRESS. 235 00:15:40,073 --> 00:15:43,076 IF YOU AREN'T GONNA USE IT, LOSE IT. 236 00:15:46,346 --> 00:15:48,281 WE ARE WHAT WE EAT. 237 00:15:48,314 --> 00:15:52,986 THIS WELL-KNOWN SAYING CERTAINLY APPLIES TO SOME CRUSTACEANS. 238 00:15:54,187 --> 00:15:57,157 SHRIMPS LIVING IN CRINOIDS CHANGE COLOR BY FEEDING 239 00:15:57,190 --> 00:15:59,192 ON THEIR HOSTS MUCOUS. 240 00:16:06,900 --> 00:16:10,303 [ADVENTUROUS MUSIC] 241 00:16:10,337 --> 00:16:12,639 DYLAN: THE SHRIMP'S COLOR CHANGES ACCORDING TO 242 00:16:12,672 --> 00:16:15,342 THE CRINOID'S COLOR. 243 00:16:15,375 --> 00:16:18,144 THIS ABILITY TO CHANGE COLOR ENABLES THEM TO BLEND IN WITH 244 00:16:18,178 --> 00:16:22,215 THIS LIVING DECOR AND GO UNNOTICED. 245 00:16:22,248 --> 00:16:25,285 LIKE ALL MARINE ANIMALS, CRUSTACEANS ARE BOTH PREDATORS 246 00:16:25,318 --> 00:16:27,754 AND PREY. 247 00:16:27,787 --> 00:16:31,091 THEY ARE THE FAVORITE DISH OF MANY SPECIES. 248 00:16:31,124 --> 00:16:35,795 THE PROBLEM IS ALWAYS THE SAME; EAT WITHOUT BEING EATEN. 249 00:16:37,897 --> 00:16:40,967 SMALL AND LARGE CRUSTACEANS ALL HAVE PREDATORS. 250 00:16:41,067 --> 00:16:45,338 INSTINCTIVELY, THEY ALL EXPERIENCE THE SAME FRIGHT. 251 00:16:45,372 --> 00:16:48,808 AMONG THEIR PREDATORS, MANY MARINE ANIMALS SEARCH THE SAND 252 00:16:48,842 --> 00:16:51,511 AND CATCH SMALL CRUSTACEANS, EVEN THOUGH 253 00:16:51,544 --> 00:16:53,480 THEY ARE WELL-HIDDEN; 254 00:16:53,513 --> 00:16:56,449 THE SMALLEST SPECIES OFTEN ENDING UP PAYING. 255 00:17:00,420 --> 00:17:02,422 DANGER IS EVERYWHERE. 256 00:17:05,658 --> 00:17:08,661 [ADVENTUROUS/DANGEROUS MUSIC] 257 00:17:13,900 --> 00:17:18,171 DYLAN: HUNTING USUALLY TAKES PLACE AT NIGHT. 258 00:17:18,204 --> 00:17:21,808 THIS CRUSTACEAN HAS NO CHANCE AGAINST THIS MORAY EEL THAT HAS 259 00:17:21,841 --> 00:17:23,843 JUST SPOTTED IT. 260 00:17:28,048 --> 00:17:31,051 [MUSIC CONTINUES] 261 00:17:48,068 --> 00:17:50,603 DYLAN: IT'S THE LAW OF THE WILD ON WHICH THE GOOD FUNCTIONING OF 262 00:17:50,637 --> 00:17:54,240 THE FOOD CHAIN DEPENDS. 263 00:17:54,274 --> 00:17:58,945 TO NOT BE EATEN, YOU HAVE TO AVOID BEING SEEN AT ALL COSTS. 264 00:18:00,347 --> 00:18:02,816 WHILE KEEPING AN EYE ON THE PREDATOR, SOME SHRIMPS BURY 265 00:18:02,849 --> 00:18:04,851 THEMSELVES IN THE SAND. 266 00:18:12,592 --> 00:18:16,730 PISTOL SHRIMPS BUILD AND TEND VERY STRONG BURROWS. 267 00:18:16,763 --> 00:18:19,366 THIS VERY BUSY SHRIMP IS CLEARING AN INCREDIBLE QUANTITY 268 00:18:19,399 --> 00:18:21,401 OF SAND AT A FRENETIC PACE. 269 00:18:26,239 --> 00:18:29,075 OTHERS HOUSE SHARE. 270 00:18:29,109 --> 00:18:33,313 WHAT A MYSTERIOUS COUPLE; THE GOBY AND SHRIMP MAKE. 271 00:18:33,346 --> 00:18:37,484 IN FACT, THEY HAVE A SYMBIOTIC RELATIONSHIP; 272 00:18:37,517 --> 00:18:40,687 THEY SHARE THEIR HOME AND DO THINGS FOR EACH OTHER 273 00:18:40,720 --> 00:18:43,256 ACCORDING TO THEIR ABILITIES. 274 00:18:43,289 --> 00:18:46,793 THIS SITUATION IS MUTUALLY BENEFICIAL FOR THE BLIND SHRIMP 275 00:18:46,826 --> 00:18:50,463 AND THE GOBY, WHICH IS INCAPABLE OF BUILDING A SHELTER. 276 00:18:50,497 --> 00:18:52,899 TOGETHER, THEY FORM A FORMIDABLE DEFENSE AGAINST 277 00:18:52,932 --> 00:18:54,801 AN OCEAN OF DANGER. 278 00:18:56,736 --> 00:18:59,673 WHEN IT COMES TO SURVIVAL IN NATURE, IT'S ALL ABOUT DOING 279 00:18:59,706 --> 00:19:01,107 WHATEVER IT TAKES. 280 00:19:01,141 --> 00:19:04,110 AND CRUSTACEANS ARE A PRIME EXAMPLE. 281 00:19:04,144 --> 00:19:07,480 WHETHER RELYING ON ANOTHER IN A SYMBIOTIC RELATIONSHIP OR 282 00:19:07,514 --> 00:19:11,217 DEVELOPING PHYSICAL ATTRIBUTES THAT HELP PROTECT, HUNT, 283 00:19:11,251 --> 00:19:14,688 OR BLEND IN, LIFE FOR THESE SHELL-BOUND SURVIVORS IS 284 00:19:14,721 --> 00:19:17,257 ABOUT GETTING A COMPETITIVE ADVANTAGE AND FINDING 285 00:19:17,290 --> 00:19:21,127 THEIR OWN TAILORED METHOD OF THRIVING IN THE WILD. 286 00:19:21,161 --> 00:19:23,596 WE HOPE YOU'LL JOIN US FOR ANOTHER ADVENTURE ON THE NEXT 287 00:19:23,630 --> 00:19:26,366 EPISODE OF "EARTH ODYSSEY." 288 00:19:26,399 --> 00:19:30,403 [MUSIC] 23815

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