Original subtitles

Legendas traduzidas e sincronizadas por: Artur Santos...

ELVIS: Meu pai tinha visto muitas pessoas quem tocava viol�o e outras coisas ...

... quem n�o trabalhou.

Ent�o ele disse: "Voc� deveria se decidir ...

... sobre ser um eletricista ou tocando viol�o. "

Ele disse: "Eu nunca vi um guitarrista que valeu a pena. "

Um jogador ficou t�o bravo depois de um jogo ele foi no vesti�rio ...

... jogou a luva no ch�o e errou.

Agora, esta � uma das minhas cidades favoritas ...

... e muitas pessoas me perguntaram perguntas sobre o nosso tour.

Nosso tour � de 15 dias.

N�s come�amos em Buffalo atrav�s de Richmond e agora estamos aqui em San Antone.

N�s comemos tudo de assado de panela de ianque a grits.

E n�s estivemos em 15 cidades em 15 noites.

Elvis esteve em 15 cidades diferentes em 15 noites ...

... e ele n�o est� concorrendo a presidente.

Mas ele teria vencido todas as prim�rias, Eu te digo isso.

Agora, muitas pessoas perguntam Por que ele me tem neste show?

Estou no show porque ele precisava de um s�mbolo sexual.

Para o grupo Medicare.

Como est� o palco?

� um palco baixo e as luzes s�o baixas ...

... ent�o eles v�o estar perto bem nos seus olhos.

Voc� vai ter que ter cuidado ao fazer o backup porque a orquestra est� bem atr�s de n�s.

Qu�o longe � Jackie?

N�o bata a porta.

Qu�o longe � Jackie? Voc� quer dizer que n�o h� intermiss�o ainda?

N�o, ainda n�o.Eles est�o atrasados ou ele est� atrasado.

Mesmo? Sim.

Voc� assinaria isso? Uau.

� para o nosso filme.

N�s chegamos cedo demais, n�o �? Sim.

Eu nunca superei o que eles chamam de medo do palco.

Eu passo por isso todo show.

� sempre t�o selvagem.

Estou muito preocupada.

Eu estou pensando muito sobre o show.

Eu nunca fico completamente confort�vel com isso.

Eu n�o deixo as pessoas comigo fique confort�vel com isso ...

... nisso eu lembro a eles que � uma nova multid�o l� fora, � uma nova audi�ncia.

E eles n�o nos viram antes, ent�o tem que ser como a primeira vez que n�s continuamos.

Se Hal aparece e eu n�o o vejo, diga a ele para voltar novamente.

Tudo bem, claro. Sim, tudo bem. OK.

Voc� sabe sobre o palco e tudo isso? Sim.

Nada que eu possa fazer sobre isso.

Eu n�o gosto de ficar nos bastidores por muito tempo.

Eu tenho que agradar a multid�o.

Quero dizer, eu tenho que excit�-los, sabe, fa�a-os felizes.

E me preparar para fazer esse show.

E algu�m poderia andar at� mim e diz:

"Ei, sua cabe�a explodiu." Eu n�o ouviria isso.

Voc� est� confort�vel?

Confortavelmente confort�vel. N�o � muito confort�vel?

Eles apenas trouxeram o acende-se, Elvis.

� melhor voc� ir.

� um bom som l� fora. Aproveite o show.

N�s vamos ter para ir em frente.

Tire isso, baby.

Voc� � linda. Obrigado.

Aceite, Jerry.

Venha aqui, Rich.

Acertar, baby.

Sim, amor

Fa�a isso para mim. Vamos.

Traga para casa.

Corte Isso.

Ronnie? Sim.

Parece um pouco lento e--

Sim, faremos mais um.

Voc� pode desligar o piano nos telefones?

Sim. Boa.

Isso foi estranho, n�o �?

Esses fones de ouvido. Heh

Deus, � estranho.

Ok, voc� quer tentar de novo? Certo.

MAN 3: Okay, we're rolling. This'll be take two.

TUTT: One, two.

One, two, three.

[BAND PLAYING "SEPARATE WAYS"]

[SINGING "SEPARATE WAYS"]

[INAUDIBLE DIALOGUE]

[INAUDIBLE DIALOGUE]

[GIRLS SCREAMING AND CHATTERING]

GIRL 1: Oh, my God! I can't believe it's him!

GIRL 2: Elvis. Elvis, oh, Elvis.

MAN: Stand back, girls. Please, stand back, girls.

[GIRLS SCREAMING]

GIRL 3: Elvis! GIRL 4: Elvis!

GIRL 5: Elvis! Elvis! GIRL 6: Elvis!

[SCREAMS THEN SOBS]

GIRL 7: Elvis! GIRL 8: Elvis!

ELVIS: Whew.

ESPOSITO: Boy, that one girl really reached. - I know it.

I'm hip, man.

MAN 1: How far is it to the...? MAN 2: Oh, about five, seven minutes.

MAN 3: There's the building back over there, Red.

Oh, hell, we could have taken a boat. Phweet.

MAN 2: Yeah, we gotta cross the bridge.

- Yeah, last matinee of the tour. - A rowboat.

MAN [OVER RADIO]: The party just left the hotel.

They ought to be there in about five minutes.

ESPOSITO: That's the Gator Bowl over there.

That's-- Yeah, yeah.

MAN 1: It's where you first played that's-- It wasn't that big...

Is that when we got caught that night, chief...

...when the doors locked at the Gator Bowl?

And you guys put me through a window into a paddy wagon to the hospital?

MAN 2: Yeah, we fought all night long. I mean fought.

[SIREN WAILING]

MAN: Hey, there's the King, Elvis.

[CROWD CHEERING]

GIRL 1: Elvis!

GIRL 1: Elvis! GIRL 2: Elvis!

GIRL 3: Elvis! GIRL 4: Elvis!

GIRL 5: All right, I just got one.

GIRL 6: Oh, my God. MAN: He's in a hurry.

[ALL SHRIEK]

VENDOR: Pictures. Souvenir photo op right here.

WILKINSON: I'll see you up there. - Okay, Joe.

SCHILLING: You'll be up there? WILKINSON: Huh?

- You're gonna be up there? WILKINSON: I'll be up there.

You gonna be on-stage, Charlie?

[BAND PLAYING "ALSO SPRACH ZARATHUSTRA"]

[CROWD CHEERING AND APPLAUDING]

[BAND PLAYING "HAIL, ELVIS"]

[GIRLS SCREAMING]

Thank you.

[BAND PLAYING "PROUD MARY"]

[SINGING "PROUD MARY"]

ELVIS: Bring it, baby.

Sing it.

Bring that bass up, guys.

[CROWD CHEERING AND APPLAUDING]

ELVIS: Thank you. Thank you very much.

Thank you very much.

[ELVIS SINGING "NEVER BEEN TO SPAIN"]

[CROWD CHEERING AND APPLAUDING]

Thank you. Thank you.

I'd like to introduce you to the members of my group, ladies and gentlemen.

First of all, the, uh--

J.D. Sumner and the Stamps Quartet, ladies and gentlemen.

[CROWD CHEERS AND APPLAUDS]

The young ladies that opened our show tonight, the Sweet Inspirations.

[BOTH WHOOPING]

You, I ought to punch you in your nose.

ELVIS: Girls.

[CROWD CHEERS AND APPLAUDS]

ELVIS: Little girl that does our--

[CROWD CHEERING]

Little girls that do our high-voice singing-- Ha, ha. Kathy Westmoreland.

Kathy.

[CROWD CHEERS AND APPLAUDS]

On lead guitar is James Burton.

[CROWD CHEERS AND APPLAUDS]

Rhythm guitar is John Wilkinson.

[CROWD CHEERS AND APPLAUDS]

On the drums is Ronnie Tutt.

[CROWD CHEERS AND APPLAUDS]

Fender bass is Jerry Scheff.

Well, it's a couple of degrees cooler.

[CROWD CHEERS AND APPLAUDS]

On the piano, Glen Hardin.

[CROWD CHEERS AND APPLAUDS]

The guy that gives me my water and scarves and so forth...

...his name is Charlie Hodge.

[CROWD CHEERS AND APPLAUDS]

Our conductor is Joe Guercio.

Thanks, Joe.

Joe Guercio Orchestra.

[CROWD CHEERS AND APPLAUDS]

We'd like to do a new song for you tonight, ladies and gentlemen. Ahem.

If we goof this up, just bear with us.

You know, we'll... We'll do it.

"Burning Love," baby, get on it.

Remember?

[BAND PLAYING "BURNING LOVE"]

[SINGING "BURNING LOVE"]

ELVIS: Lord have mercy. Thank you.

[ELVIS CHUCKLES]

[BAND PLAYING "HAIL, ELVIS"]

[GIRLS SCREAMING]

GIRL 1: Elvis, I love you!

GIRL 2: Elvis!

[GIRL 2 SCREAMING]

REPORTER: Hey, Elvis. Who do you--? Elvis.

ELVIS: Here we go. ESPOSITO: Easy, easy, easy.

Good show. Good show. Whew.

MAN 1: Boy. - How was the sound in that building?

MAN 1: Very good. Very good.

- Very good. MAN 2: Sounded like it was good.

It really did.

Good show.

We should do it again.

Here, did you take this off, or what? Or did it come off?

- I took it off. - You did?

- Still tearing your wrist up? - Cutting my wrist.

ESPOSITO: Gotta get Band-Aids on that. - Both sides this time.

Look at the size of this.

LAUGHS]

Flip-flopped here a little bit.

[ESPOSITO CHUCKLES]

MAN 3: Looking all rusty, worn.

It's a hot time in Florida.

MAN 2: Boy, it is.

[SINGS "RAINY NIGHT IN GEORGIA"]

[ESPOSITO CHUCKLES]

MAN 3: What rusted it was, like, the salt air.

ESPOSITO: Is that right? MAN 3: Oh, yeah. Take in the salt air.

Oh, I thought you said "salt hair."

[ESPOSITO & MAN 3 LAUGH]

ESPOSITO: You do-- I'm pulling the thing you do to me.

[ELVIS, MAN 1 & MAN 2 SINGING "FOR THE GOOD TIMES"]

MAN 1: I don't know the words.

MAN 2: Yeah. ELVIS: Ha, ha.

ESPOSITO: Got in there on the last word, yeah.

[ALL LAUGH]

MAN 2: I was singing lead. I don't know the harmony.

[CROWD SCREAMING]

[SINGING "DON'T BE CRUEL"]

[CROWD CHEERING AND APPLAUDING]

Now, ladies and gentlemen...

...for his second appearance of three appearances on our show tonight...

...Elvis Presley.

[SINGING "READY TEDDY"]

[CROWD SCREAMING]

All right, everybody, come on.

ELVIS: Yeah.

[CROWD CHEERING AND APPLAUDING]

Thank you very much.

Whew.

[CROWD SCREAMS]

MAN: Boy, it was wild. Wild in the early days, yeah.

I have seen his clothes completely torn off, his shoes gone...

...just scratched all over and bleeding.

Just wild fans, you know.

Really don't mean to hurt him, but just wanted a part of his clothes or something.

ELVIS: First time that I appeared on-stage, it scared me to death.

I really didn't know what the yelling was about.

I didn't realize that my body was moving. It's a natural thing to me.

So the manager backstage, I said, "What did I do? What did I do?"

And he said, "Well, whatever it is, go back and do it again." Ha, ha.

[CROWD SCREAMING]

[MAN SINGING "THE LIGHTHOUSE"]

ELVIS: We did two shows a night for five weeks.

A lot of times we'd go upstairs and sing until daylight, gospel songs.

We grew up with it in the towns.

I can remember, I'm like 2 years old.

It more or less puts your mind at ease. It does mine.

[PLAYING "LEAD ME, GUIDE ME"]

[ALL SINGING "LEAD ME, GUIDE ME"]

Last line.

[ALL SINGING "ROCK-A MY SOUL"]

[ALL LAUGHING]

That's all I could do.

[ALL LAUGH]

That's enough. That's enough, Eddie.

Let's take a collection and go get some coffee.

[ALL LAUGH]

MAN 1: What is the plan? When he comes through this door, what happens?

MAN 2: Speak up for us, please.

Well, he goes on and goes up the elevator to his room.

MAN 1: I mean, what does he do? He comes through this door...?

Why don't you just tell me?

He comes through this door, goes around...

...and takes the elevator.

MAN 1: What is this? The kitchen or--?

- No, this is the freight elevator. MAN 1: Oh.

Do you have lots of people coming through like that?

Well, there's quite a few.

MAN 1: You have a lot of celebrities go through here?

Well, uh, all the conventions...

...and things in the past has come through this way.

MAN 1: What do you think about Elvis Presley coming here?

Oh, it's wonderful, ha, ha.

MAN 1: Do you know anything about him?

- Do I know anything about him? MAN 1: Yeah.

I was raised in his hometown.

MAN 1: Are you gonna be saying something to him?

Well, that just all depends.

MAN 1: Are you looking forward to seeing him?

Sure.

MAN 1: Why don't you show us where he's coming in here?

He's coming through this door here.

There's two doors in this entrance.

He comes through this door here at this entrance...

...and then he'll open it back like this.

Then this one, the outer door, comes back like this.

ANNOUNCER: We will be ready to go in just a few moments.

We appreciate your kindness in bearing with us.

This is something that happens once in a lifetime.

But everything's being rectified.

We want you to enjoy the show.

We want you to have a good time.

Now I would like your attention for some very important announcements.

We ask, once the show starts...

...that you do not stand...

...and you do not congregate in the aisles...

...nor approach the stage.

Everyone's here to have a good time, to enjoy the show.

You said it, Joe.

[ALL LAUGH]

ANNOUNCER: So please stay seated once the performance starts...

...and enjoy yourselves.

Thank you once again, ladies and gentlemen.

ELVIS: Thank you very much.

You're a beautiful audience.

And-- Thank you. You're really fantastic.

Thank you very much.

I'd like to, uh--

[GIRLS SCREAMING]

ELVIS: Wait a minute, baby, hang loose.

[CROWD CHEERING]

ELVIS: Okay, come on. Come here.

ELVIS: Close your mouth.

Okay.

My first movie, ladies and gentlemen, was called Love Me Tender.

It went like this.

[BAND PLAYING "LOVE ME TENDER"]

[SINGING "LOVE ME TENDER"]

[SCREAMS]

[CHUCKLES]

Alright, come here.

[CROWD SCREAMING]

[cow MOOS]

[MOOING NEARBY]

ELVIS: One more time. - Did you hear something?

[SINGING "LOVE ME TENDER"]

[SCREAMS]

LAUGHS]

[GIRL CHEERS]

Shall we go below?

Last one.

[DOG YAWNS]

[CRYING]

[CRYING] Oh, God. Yeah, oh, man.

GIRL 1: He didn't die.

GIRL 2: Still won't-- GIRL 1: Don't worry.

I can't believe I saw him.

I've loved him for nine years.

And-- Oh, I'm so happy I saw him.

[TUTT PLAYING RIFF ON DRUMS]

GIRL 2: Still can't believe it.

I just-- I couldn't believe it. I thought I was gonna faint.

ELVIS: Sneaking up on me, man.

GIRL 2: He'll always be--

Always be number one.

And he'll never grow too old.

Oh, he's still so handsome.

Oh, he's just the greatest.

[TUTT PLAYING RIFF ON DRUMS]

GIRL 3: This has made me so happy. I've loved him for years.

I've loved him also for about 10 years myself.

I have scrapbooks, I have records of Elvis.

I love him very much.

[SINGING "UNTIL IT'S TIME FOR YOU TO 00"]

Let her up.

[CROWD SCREAMS]

Oh, no.

GIRL 2: We imitate him in our spare time. GIRL 1: Yes, we do.

[BAND PLAYING "SUSPICIOUS MINDS"]

[SINGING "SUSPICIOUS MINDS"]

[CROWD SCREAMS]

[CROWD LAUGHING]

GIRL 2: We pretend we're playing his, you know, guitar with his albums on.

GIRL 1: Right. GIRL 2: I belong to his fan club

We both belong to his fan club in Kansas City.

He has a style of his own.

GIRL 1: He has a style of his own, yes.

GIRL 2: He has a style of his own. GIRL 1: Definitely.

GIRL 2: No, but Elvis, he started the whole thing.

He just does something to me.

He does.

The way he moves, the way he talks.

[SINGING "SUSPICIOUS MINDS"]

Are these yours, honey?

GIRL 4: We want Elvis.

Every record, every album...

...every movie, every picture and every scrapbook...

...every little clip and everything of Elvis Presley.

- He's got it all, everything. - He's got it all.

We come from Houston to see him.

GIRL 4: We came all the way from Houston to see him.

GIRL 5: I just got out of the hospital from having an operation, but I came anyway.

Ha, ha. I wouldn't miss him for nothing.

Cut it hard, cut it hard, cut it hard.

Come on, bring it back.

MAN 1: I'm gonna pull up the bus. - Hold it, hold it.

MAN 1: Jesus Christ.

MAN 1: Don't drop this one, that's mine. MAN 2: Let's go.

Let's go.

MAN 1: Test, one, two, three, four.

- Check, one, two, three. MAN 2: Got the music, John?

MAN 3: Watch your back, you'll come into a mike.

One, two.

MAN 1: We seem to have a slight buzz there, Paul.

Can you check the temp lighting again?

One, two, three, four.

Keep the monitoring system separate. He needs it right now.

MAN 1: You can change by yourself, really. - Hey, you can't talk to me that way.

MAN 1: I did. - You with food in your mouth.

MAN 2: Where do you want these, Al? MAN 3: Regular place.

MAN 4: Take five, fellas. MAN 5: Okay, fine.

MAN 4: Take that apart.

[ELVIS & GROUP SINGING "I, JOHN"]

[ELVIS SINGING "I NEED YOUR LOVIN' EVERY DAY"]

[WOMAN GROANS THEN ALL LAUGH]

ESPOSITO: See y'all after while.

- See you all later. ESPOSITO: See you.

MAN 1: See you later.

WOMAN: Bye. - Good rehearsals, kids.

MAN 2: Bye.

MAN 3: Run off.

[SINGS INDISTINCTLY]

- How much time we got? ESPOSITO: Huh?

How much time do we have?

You got three and a half hours.

And four days and 23 seconds.

[ESPOSITO & ELVIS LAUGH]

[CROWD CHEERING AND APPLAUDING]

[BAND PLAYING "BRIDGE OVER TROUBLED WATER"]

[CROWD SCREAMS]

[SINGING "BRIDGE OVER TROUBLED WATER"]

[CROWD CHEERING]

Thank you.

Thank you. Thank you very much.

I'd like to turn the house lights up, ladies and gentlemen.

Because now that you've seen me, I'd like to take a look at you, okay?

[CROWD SCREAMING]

ELVIS: Beautiful. Thank you.

Just leave them up for a minute, man. Whoo.

You know, it's funny because I can't see you, really.

I can only see, like, the first row here, right?

There's a lot of folks out there, boy, I tell you.

And up there too, there's a lot of folks.

[ELVIS SINGING "FUNNY HOW TIME SLIPS AWAY"]

[CROWD CHEERS]

I'm sweating a little bit, baby, but, uh...

GIRL 1: Elvis!

[GIRL 2 SCREAMS INDISTINCTLY]

[CROWD SCREAMING]

Let her have that. Let her have that, man.

[CROWD SCREAMS]

For those of you that can't see back there, this is an owl.

[CROWD CHEERING AND APPLAUDING]

ELVIS: Thank you.

Okay. Thank you very much.

You're crazy.

[BAND PLAYING "AMERICAN TRILOGY"]

[SINGING "AMERICAN TRILOGY"]

[CROWD CHEERING]

Take it, fellas.

[CROWD CHEERING AND APPLAUDING]

GIRL 3: Yeah!

ELVIS: Whoo. Thank you.

- Some little kids took up some money. MAN: Here's the money.

Okay, I'll take the money and we'll give it to charity.

MAN: All right.

Give it to the Salvation Army.

That's a good charitable institution.

We have a lot of friends in the Army, haven't we?

Brigadier General--

MAN: So this is quite an occasion for Roanoke, then?

What? Well, it's quite--

When Elvis Presley comes to town, it's quite an occasion...

...for any section of the country.

We-- He has a lot of fans here.

You'll find people here tonight...

...from up as far north as Winchester...

...down to Winston-Salem, far west as Bristol...

...east, Lynchburg and Richmond.

MAN: How many people do you think are out here, mayor?

WEBBER: Oh, this is about six, 800. Yes? MAN 2: Mr. Mayor?

You gonna give that money to charity? You're not gonna keep it?

No, give it to Salvation Army.

MAN 3: He's coming. - Yeah.

GIRLS: Elvis!

Elvis! Elvis!

WEBBER: Let's move the van and swing Elvis by the fence.

[GIRL SCREAMS]

WEBBER: Women been calling me all day...

...wanting to know what time you get here...

...and many other things that--

ELVIS: Does the key fit the vault? Let me see.

WEBBER: The vault, and it fits the jail and all the public buildings.

- Ha, ha, okay. And the bank. WEBBER: Things like that.

Um, you gonna play "I Ain't Nothing but a Hound Dog"?

Yes, sir, yes, sir. I'm gonna--

That was my favorite when you, uh--

- I remember-- - Uh-oh.

ESPOSITO: Broke a string. - Heh, I broke the whole thing.

That's all right.

The girls down at the place just made it up just to have something unusual for you.

You never played a guitar, they said, and they wanted you to have one.

- But, uh, I'll-- - No, I played here several times.

WEBBER: You have? - Yes, sir.

I was in Roanoke when I first started out.

WEBBER: Now, these little names are listed on it, "To Elvis from your friends."

- Your fans. - Yes, sir.

Is there anything I can do for you while you're here?

- Anything you need? - Uh... Well, everything's just fine.

Our city manager sent his regards...

...and the members of the council sent their regards.

We all would like to have been here to receive you...

...but we know that you have so many things to do.

And your show starts at 8:30 and you have to dress.

- So again, thanks for coming to Roanoke. - Thank you very much.

And we'll enjoy your show tonight.

And any time you're through here, just let us know what you want done...

...and we'll be right here for you.

Thank you very much. I appreciate it, thank you.

- Keep it on, keep it on. MAN: All right.

[SINGING INDISTINCTLY]

[ALL CHUCKLING]

How you doing? Good to see you.

WOMAN 1: Elvis, will you sign this for me?

WOMAN 2: Whoo, you good-looking doll. - Thank you, dear.

WOMAN 2: Whoo-wee.

[CROWD SCREAMS]

MAN: We're coming. - We've only got about five minutes here.

[CROWD SCREAMS]

Give me five there, man.

- Elvis. MAN: Please, don't crowd.

WOMAN 3: I want your autograph.

ELVIS: He'll make it.

WOMAN 4: Hey, Elvis.

ELVIS: Hello, buddy. HOST: Get it on, get it on.

[RADIO STATION JINGLE PLAYS ON RECORDING]

Three o'clock and George Klein ready to get it on...

...with some solid-gold rock 'n' roll, Memphis-made music.

Here's my man Elvis himselvis, hit-a-dee, "Suspicious Mind."

[CROWD CHEERING AND APPLAUDING]

First of all, I plead innocent of all charges.

That's it.

REPORTER: I hear from a lot of people in the press corps...

...that you're really a shy, humble, wonderful human being.

Would you agree with that?

Oh, I don't know what makes them think that.

You know, this gold belt and...

[CROWD LAUGHS]

ANNOUNCER [OVER PA]: The Elvis Presley show is a complete sellout.

[CAR HORNS HONKING]

ANNOUNCER: No one will be admitted to the coliseum lobby without a ticket.

Ladies and gentlemen, if you do not have a ticket...

...please do not attempt to enter the lobby.

It is necessary that everyone hold their own ticket...

...which must be shown to the police officers at the lobby doors.

Programs, posters, right here. Picture of Elvis.

VENDORS [IN UNISON]: Elvis photo albums, 2 dollars.

ANNOUNCER: All ticket holders with the word "up" printed on the tickets...

...please use the escalators for the upper level.

Bring your house lights down now.

Yeah, bring them down, bring them down. Let's go.

[CROWD CHEERING AND APPLAUDING]

[BAND PLAYING VAMP]

Thank you.

[SINGING "I GOT A WOMAN"]

[SIGHS]

[SINGING "AMEN"]

[CHUCKLES THEN WHOOPS]

[CROWD CHEERING AND APPLAUDING]

We ain't through.

[SINGING "I GOT A WOMAN"]

"Big Hunk O' Love."

[BAND PLAYING "BIG HUNK O' LOVE"]

[SINGING "BIG HUNK O' LOVE"]

Play it, Glen.

[CROWD CHEERING AND APPLAUDING]

Whew.

Thank you.

[BAND PLAYING "YOU GAVE ME A MOUNTAIN"]

[SINGING "YOU GAVE ME A MOUNTAIN"]

[CROWD CHEERING AND APPLAUDING]

Thank you.

Thank you. You're fantastic.

I'd like to, uh...

Ladies and gentlemen, if you would...

...I would like to ask the Stamps if they would sing a song...

...that they do by themselves.

It's a beautiful song called "Sweet, Sweet Spirit."

And I don't sing in this. Just listen to them, please.

[THE STAMPS SINGING "SWEET, SWEET LOVE"]

Whoo! Thank you, fellas.

Thank you. Beautiful.

Thank you.

That was beautiful. Thank you.

Let's do "Lawdy, Miss Clawdy."

[BAND PLAYING "LAWDY, MISS CLAWDY"]

[SINGING "LAWDY, MISS CLAWDY"]

Take it, baby.

One more time.

[CROWD CHEERING AND APPLAUDING]

You're a fantastic audience.

We love to sing for you. Thank you very much.

Take it home, baby.

[BAND PLAYING "CAN'T HELP FALLING IN LOVE"]

[SINGING "CAN'T HELP FALLING IN LOVE"]

[CROWD CHEERS]

[GIRL SCREAMS]

Elvis!

Come on.

[BAND PLAYS "HAIL, ELVIS"]

WOMAN: Elvis, over here! Elvis, I'm over here!

Elvis!

[WOMAN SCREAMING]

[CAR HORN HONKING]

ALL [IN UNISON]: We want Elvis.

We want Elvis.

Elvis has left the building.

ALL [IN UNISON]: We want Elvis. We want Elvis.

We want Elvis. We want Elvis.

We want Elvis. We want Elvis.

[INAUDIBLE DIALOGUE]

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