All language subtitles for Tulsa King S02E07 Life Support 1080p AMZN WEB-DL DDP5 1 H 264-NTb (3)

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic Download
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali Download
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French Download
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
el Greek
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian Download
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish Download
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: Eߣ�B��B��B�B�B��matroskaB��B��S�g�FM�t�M��S��I�fS��M��S��T�kS���M��S��S�kS����M��S��T�gS�����O�I�f�*ױ�B@M��libebml v1.3.9 + libmatroska v1.5.2WA�mkvmerge v37.0.0 ('Leave It') 64-bitD��AA�7Da� ofP��s���N�8��v�/�d� ��T�k���ׁsň^倊�?Ӷ��������S_TEXT/UTF8�D%C�u��������♪ MTV��C�u@��נ����What is going on in Atlanta?���������Gonna work out some misunderstandings.�� 2������- So it's a sit-down. - Where did you hear that term?���C�u@��3������It's not like she didn't grow up in this family.�� ܠ���� 3You're in the weed business.��N������The right thing to do is you cut us in for a taste.�� -C�u@��N������How 'bout a week from never?��p�����qAnd as for Kansas City we're neighbors, man.��������- 15% off the top. - Maybe I can live with that.�� C�u@��h,�����What the fuck does New York get?��q������The milkshakes. Both of 'em.�� �������Manfredi thinks he can do whatever the hell he wants.�� �C�u@�炃⠼���You don't defeat an enemy by using half measures.�� ����� ZShouldn't have caved. Manfredi's got my lunch money.�� X������- We made a deal, though, right? - Fuck that.�� ]C�u@�炠�á��I don't want to do this anymore. Dwight's too dangerous.��T�����UI own you.��I������- What does Dwight give us? - Nothing.�� hC�u�炻������You're a stupid motherfucker.�������z- That anything? - It's dead.���C�u@���Ġ����I'm gonna buy the Navigator.��砚����Okay. Go for it.�������� �Hey, Tyson, stay alert.��������Keep your head on a swivel.���C�u���|�����I bought it. Now it's yours.������� eDad, no!��qC�u��������Dad!��������♪ slow, bluesy music��C�u��B������Mama? Mama, I can get you a coffee or something.�� �C�u��^�����- Hey. - How's he doing?�� 1����� 2Still waiting on the doc.��PC�u���m�����Excuse me. I'm sorry about Mark.�� ������ �He's a strong guy.�� �C�u���������I'm sure he'll come back better than ever.��Ӡ����*- Anybody need anything? - No.�� 7�����bThank you.���C�u@��ǔ�����- How is he, Doctor? - He's a very lucky man.�� @����� AHe's alive because he seems��p������to have only been halfway into the car��uC�u@��༠����at the time of the explosion.�������- So he's gonna be okay? - He will.�������� �He'll need surgery on his right shoulder and leg,�� /C�u@��������and he also got some burns that'll need attention,�� ����� but other than that,��*������- he's out of danger. - Mm.��oC�u�� ������So how long he got to be up in here?��Ơ�����- A week, possibly less. - Can we see him?�� �C�u@��!������Only briefly. He's sedated, so he really won't be able��נ���� .to speak, but I'll send a nurse out�������� �- to bring you back. - Okay.���C�u��5������- Okay? - All right.�� C�u@��M4�����I want him dead, and I want to do it myself.�� 䠪��� �Not now. We don't know anything.�������RWhat else do we have to know?���C�u@��bs�����It was Bevilaqua. It was Bevilaqua!�� ����� Mama, I swear to God, I'm-I'm gonna handle this.��Ѡ�����- I promise you. - Who the hell are you?�� C�u@��}O�����'Cause you ain't my son.��󠹡���You're just a two-bit gangster just like them.�� ]�š��R- Mama, it's not even like that. - It's exactly like that!�� �C�u���F�����Now get out, all of you.��UC�u���������You want to see your father,�� 3����� �do it when I'm not around.��������♪ slow, dramatic music�� .C�u�� ������What do you have so far?���������It's definitely an incendiary device.��$C�u��" �����Remote-controlled, looks defective.�������� Most likely went off too early.��$C�u��9,�����Uh, we got a name off the VIN. You're gonna love it.�� ]����� ^Car's registered to Dwight Manfredi.�� �C�u@��M������The plumber's son's his driver.���������So Dad here was just collateral damage?��Ѡ���� mUnless he's got a really pissed-off customer.���C�u@��n堦���Tell me about the explosion.��"�����#I don't know. It just all happened so fast.��򠵡�� Like, right before my dad pushed a button,��p������there was this white car, this Prius.��KC�u@��������- It was, like... sketchy. - Yup.��J������- What do you mean? - I don't know.��y�á��I saw it earlier in that day. It was like... it was like���C�u@���S�����it was watching us.���������Right before the car exploded, it skirted off.�� 2������- Any security cameras? - Nah.�� �C�u@��������- Any neighbors see anything? - No. I don't know.�������What difference does that even make?�������� jIt makes a big difference.���C�u@���k�ʡāI need to know the exact address where you first saw the Prius.��q������Okay, fine, but what's the fucking plan?�� ������wWe wait until we know something.��uC�u���X�����We wait?��������We waited, and now this is the price.��C�u@���������My pops is nearly dead!�� ��ǡ�� �It was Bevilaqua. What the fuck? Are y'all serous right now?�� -������- Easy. Easy. - No. This is my pops in there.��(C�u@��Ѡ����♪ slow, somber music���������You told us he was gonna come for us, and he did.�� .������Hey, you don't make this... personal. You get it?�� �C�u@��1������If it's not personal, then what the fuck else is it?��t�����u- It's business, kid. - That's right. It's business.�� �������They weren't trying to whack your old man.���C�u@��FJ�����They wanted to kill me.�������- And me, too. - You, too.������� 8Maybe it was Kansas City. I doubt it.��������1It could be New York.���C�u��]i�����But we don't a make a move��w������until we know what the fuck we're up against.���C�u��{������I didn't sign up for this.��נ���� .What'd you sign up for?��R������♪ tense, percussive music���C�u���"�����To be you.���C�u���������♪ percussive, upbeat music��UC�u��գ�����- How is he? - It's okay. He'll be all right.�� -����� .Oh, thank God.�������� �It's all over the news.��C�u@��鲠����That could have been you in the car, or us.��p�����qIs this why you're pushing for homeschooling?�������� All right, all right. Just calm down.�������,Who the hell's that?��#C�u@�������It's probably nothing. Why don't you guys�� X����� Ygo upstairs, lock the door, just as a precaution.��������- Come on. - Go on. You'll be all right.���C�u�������Lock the door.��U������- Who is it? - FBI. Open up.�� C�u@��@�����I'm assuming you've heard about your car by now.��S�����TWhat about it?��N������Just curious if you might know who'd want you dead.��mC�u@��Tw�����Like Vince Antonacci? Bill Bevilaqua?�� ������ �- Don't know 'em. - The Atlanta office��������/has photos of the three of you having lunch together.���C�u��oR�����Three guys show up at the same place.�� m����� nIt could be a coincidence. What can I tell you?���C�u���������Well, you think of something,��k�����lyou give us a call.��N����� �Well, don't wait by the phone.���C�u@��������Showing your age, Dwight.�������Nobody waits by the phone anymore.��Ѡ���� �♪ atmospheric blues�� C�u���렗���I need a car.��頭��� 9Navigator not working out for you?���C�u��������Why don't you���������step into my office here?��S����� =Uh... [smacks lips] Look,��*C�u@��Ҡ����as I'm sure you already know,��'�����(I'm in the process of transferring ownership�� �������of this business to Mr. Manfredi.��NC�u@�� ������Now, I can't just give you a car without--��Ѡ�����Stop fucking with me, Donnie.�������� �I don't got time for your shit.���C�u@��8������Whoa, whoa, hey, now. Take it easy.�� ߠ���� �What'd you have in mind?���������I don't give a shit. Just hurry the fuck up!���C�u@��O �����Well, I-I can put you in a Chevy Tahoe.���������Yes, whatever the fuck you got. Let's go.��u�����!All right, that's what the fuck I got. Let's go.���C�u��m|�����All right. Here, let's do it.��q����� 3♪ Oh, Father, let me go ♪�� C�u@���������♪ Cut me loose and rest my bones ♪�� :����� �♪ Oh, Father, bless my... ♪���������All signs point to KC.���C�u@����¡��I mean, bombings have been their trademark in the past.�� ᠹ��� �But that's also why I don't think it was them.�� C�u���+�����- Too obvious. - Mm.��󠶡�� �You know, it could've been Bevilaqua's guy,�� C�u���Р����Vic... the fuck is his name? It doesn't matter.��ʠ�����But he wasn't too happy with the sit-down,�� �C�u@��� �����and he could've whispered in Bevilaqua's ear,��Ѡ�����kind of squirreled the whole deal.��������yThat's a possibility.��IC�u@���㠧���From a whisper to a car bomb?�� -����� .Seems like a pretty big jump.��(�����WWell, New York is mad enough to do it.���C�u@�� �����And with Chickie, you can never tell.��k�����lHe's a hothead, he'll have a hard-on�������� for you until the day he dies.���������Maybe we should put that idea into the works.�� �C�u@��-@�����Throw Vince in there, too, while we're at it.��o�����p- Yeah. - I have this theory.������� �I think Vince is too stupid to die.�� C�u��Cܠ����It's a theory.��������PYou know, some guys...��y������bulletproof?��#C�u@��Yʠ����- Trying to be serious here. - I know.���������What about your pal Thresher?��#�����You said he worked with Bevilaqua.��NC�u@��o6�����Could be the two of them together.��̠�����I don't know, Mitch. I'm not feeling that.�� ������But this does have all the moronic earmarks�� C�u��������of something Chickie might have dreamed up.�� 2����� 3Why don't you get him on the phone?��wC�u���&�����Mm-hmm.���������Sports book.��pC�u��ʂ�����That's it?���������Fucking Yankees killed us again this week.��͠���� This is bullshit.���C�u��޽�����Got to tell your guys to stop paying out so fast.�������� CHey. Vince.���C�u���Ѡ����Fuck you been?��I�����JHad to take the kid to the dentist.��Π���� oGetting his braces off soon.���C�u�� ������Goodie.�������sWhat do you want?��C�u�� (.�����Did you try to kill me?��Ӡ����*General.�� ,�����WTo what do I owe the pleasure?���C�u@�� A+�����A bomb. Did you try to blow me up?�� Y����� ZGive me a little credit, Dwight.��̠����'I ever take a run at you,��uC�u@�� WȠ����I'll put two in the back of your fucking head.�� 2����� 3Put Vince on the phone.�� �����Why? I'm here. You talk to me.�� XC�u�� p�����No, Vince was there,��p�����qyou weren't. Put him on the phone.���C�u@� �Ġ����It's me.�� ����� Kansas City, Bevilaqua.���������- What's the temperature? - Fuck should I know?���C�u@�� �>�����Why don't you drive over there��O�����Pand stick a thermometer up your new buddy's ass?��̠����Alls I know is whoever tried to kill you��C�u@�� �y�����wasn't us, unfortunately.��(�����)Better grow a new pair of eyes, Vince.���������Fuck's that mean?��%C�u�� �ʠ����♪ slow, tense music ♪�� 2C�u@�� ������I don't like he talks to you directly.��������UThen you shouldn't have put me on the phone.��n����� �You shouldn't have been at the sit-down.��#C�u�� "������Yeah, you mentioned that.�� �C�u@�� =K�����So what does this mean?���������We gotta start checking our cars for bombs now?�� .�����&I wouldn't even know what to look for.���C�u�� R3�����Wires, I-I guess.��%�����|Thanks, MacGyver. Very helpful.��I����� �You ever look under a hood?���C�u@�� f������There's wires everywhere, man.��u�����vOkay, everyone just take a breath.������� �They're after Dwight, not us.�� 5C�u@�� }������Then how did Tyson's dad almost buy it?�������vI'm pretty sure that was unintentional.�������� mThat makes me feel a lot better.���C�u@�� �Ƞ����So what do you think?��p�����qShould we shut down for a few days,��#�ơ�� �say it's, like, some kind of family emergency or something?��Ǡ����]Fuck.�� C�u@�� �������We just had our grand opening.�������Yeah, really.��G����� �What kind of message would that send?��s�����/Not as bad as the messages being dead would send.�� .C�u@�� �������You want to stay home,���������that's fine, go ahead.�������� ^I'm not gonna pay you.��������If we do stay,��oC�u�� �5�����do we get hazard pay?���������No.��o����� How do we get there?��|������How do you get where?���C�u�� ������Home.�������I'm not gonna start my car.���������Looks like my skateboard's not so stupid, is it?���C�u�� Р����Fred, go start Grace's car.��O������I'm the bomb squad now?��Ơ���� mYou're security, remember?���C�u@�� 㠿���Yeah, that just seems a little bit above and beyond.���������Look, I'll pay for your Uber.��󠺡�� DCan I make him stop at the Greenery on the way?�� �C�u�� 6�����- What? - I'm hungry.��נ�����I want a salad for when I get home.���C�u�� V|�����Pull in.���������You want me to go in with you?���C�u�� m�����Don't take this the wrong way,��נ�����but if someone who looked like you��ˠ�����knocked on the door,���C�u�� �b�����would you answer?���������No.��������HThere it is.���C�u�� �3�����Number 9, Johnson, leads off���������at first. Number 6...��$C�u�� �������Yeah? Can I, uh, can I help you?�������� Yeah, good afternoon.�������� �My name is Mario Lanza.���C�u@�� �^�����I represent the Allied Insurance Company,��(�����)who represents Mark Mitchell.��֠����- My plumber? - Exactly.���C�u@�� ������Now, he had a hit-and-run accident��M�����Nright out front here, and I see you got one of these��Q������doorbells that photographs everything.���C�u�� +ؠơ��And I was wondering if perhaps I could borrow that footage.�� Š����You have some, uh, ID or something?�� �C�u�� Kw�����♪ soft, rhythmic music�� X����� YWell, yeah, I got five of them.�� C�u@�� eN�����Okay. Yeah.�� ]����� ^- Why don't you come on in? - You got any iced tea?��%������Yeah, yeah, make yourself at home.��CC�u�� |l�����- I got you. - All right.���������♪ intriguing music ♪���C�u�� �y�����Let me pull it up here. One second.�� ������ �- Mm-hmm. - Okay.��qC�u@�� C�����Good. There's Mark and Tyson.�� ����� - There's the Prius. - Yeah.��֠�����Can you pull something out of that?���C�u�� /�����It's a weird angle, but let me zoom in.�� ������ �Um...���C�u�� Gi�����Oklahoma plate. First two letters AZ.�� ������ �- AZ? - That's all I can make out.���C�u�� [������That's all I need. Thanks.��?�����@♪ intriguing music���C�u@�� rĠ����Now, when the light changes,��󠬡��Jlet's have you pull over up ahead�������� �- and parallel park. - Okay.�� C�u�� �֠����What's this guy doing?��$����� �♪ imposing music�� C�u�� �Ϡ����Oh, no. Oh, no.�� �C�u�� �렧���Always nice to see you, Paul.�� ۠���� �Mr. Manfredi, uh, I'm in the middle�� hC�u�� �0�����of administering a test.���������But this can't wait.�� ����� �Young lady, uh, could you, like,���C�u@�� �Ǡ����play with the hazard button for a while,��r������see how they work?�������� �He'll be right back.��������tStep into my office, Paul.��)C�u��"堸���- Wow, you're healing up nicely. - Thank you?���������Listen, I need you to do a favor for me.��%C�u@��; �����I need you to run a plate.��񠳡���Mr. Manfredi, I-I can't do this anymore.�� ۠�����- I could lose my job. - I understand.���C�u��S������But actually, you'll be doing something good��z�����{for the city, and look.��A�����-Ten grand.�� 3C�u@��w栬���I need you to find a white Prius,�� ������ �and the license number... Paul.��Ǡ����|Look at me. Eyes up here.��(C�u���������Plate number AZ.�� �C�u���������This is absolutely the last time?�� ������ Sure. Of course it is.���C�u���;�����You can leave now.��C�����D♪ imposing music���C�u���'�����Thank you, sweetheart, for your patience.���������He's such a good teacher.������� �And, Paul... ciao.�� 7C�u��������Ciao.��z�����{No, not the Chinese C-H-O-W.�� ������,I'm talking "ciao."���C�u�������Ciao.���������I'm breaking your balls.���������Take off. See you later.��-C�u@��14�����I have no fucking idea what you're talking about.��y�����zSo you're telling me������� �you got nothing to do with this?��y�����aIf it was me, he'd be fucking dead, Chickie.���C�u��L;�¡��Well, irregardless, you're Dwight's number one suspect.�� ������ - Based on what? - Come on.�� 1C�u@��`v�����It ain't like KC doesn't have a history��%�����|with this type of shit.��Ơ���� CWhat do you mean, car bombs? Come on.���C�u@��u������It's ancient history. Before my time even.��������Well, like I said,������� �that's not Dwight's take.�������Come on, it's bullshit, man.���C�u@���S�����I made a deal with the guy.��#�ɡÁ$I'm getting paid. Why would I go back on my word? It's stupid.�� �������What's Vince's take on this?��C�u@���������Who gives a fuck what Vince thinks?��u�����vYou're right.��N����� �Anyway, how do I know you didn't do this, Chickie,���C�u@���������and you're implicating me and my guys?���������What the fuck are you saying here?��O����� �You got years of bad history with him, right?���C�u��ф�����You keep me the fuck out of this, you understand?�� �C�u��������♪ ominous music ♪���C�u��������Nice. All right, cool him down and feed him.�� ������ �The oaten hay. No alfalfa.��+C�u��)������Fucking huh? Jesus Christ.���C�u@��D������Goodie told me what happened.��j�����kI called Tyson to wish his dad well,�������� but he didn't pick up.��J�����WEh, it's the thought that counts, Armand.��C�u��o̠����Hey.��ՠɡÁ�Margaret's watching, so pretend we're talking about the horse.�� :C�u���3�����Just look at the horse, nod, smile,�� W����� Xand answer my fucking questions.��Ѡ����*Okay.��C�u���ݠ����So, what about Thresher?�� 蠙��� ?What about him?��������Now, did you see him or any of his cronies���C�u@��h�����driving around in a fucking white Prius by any chance?�� ������ �- A Prius? No, I don't think so. - Mm-hmm.�� =C�u���f�����You guys talk about me?�� ������ �Look, Dwight, I mean, it's no secret�� �C�u@���z�����he don't like you, but what are you asking me exactly?�� ����� Look at the fucking horse.��������There you go.��SC�u@��Ϡ����So what do you guys talk about?��֠�����I don't know, general stuff.��Π�����We make conversation. He asks a lot of questions��SC�u�������about his horses here. Just random shit.�� ࠴��� �Did you ever tell him about our turbines?�� �C�u��.������No.�� ������ �No, why would I do that?���C�u@��C��ġ��I mean, it's possible maybe I inadvertently mentioned it,�� ]����� ^but, uh, I really don't remember.��I������Inadvertently?��IC�u@��Z������How about I whack you so fucking hard��p�����qyou inadvertently remember��%����� �what you're supposed to remember?��t�����bDwight, please, I really... I don't recall.���C�u��uD�����What about the bombing?��ˠ�����Him? You think that...��UC�u@���������I-I don't know. Honestly, Dwight,��>�����?I barely know the fucking guy.��֠���� I'm sorry, I'm just, I'm caught in the middle here.�� �C�u���������There is no middle.�� ����� There's only one side, Armand.���C�u���V�����♪ ominous music�� �C�u@��������There she is, queen of the ranch.���������- You all right? - I'm good.���������Yeah, unfortunately, Tyson's father got injured.��C�u���%�����What caused it?��Р�����Something faulty caused it.�� �����0I don't have the specifics.��C�u��s�����Uh-huh.�� ����� Faulty something?�� Y�����bMm. That's not what they're reporting.���C�u��;S�����You're right about that.��������~I'm thinking that maybe we should cool things down�� �C�u��W������until things get cooler,�� ������ �'cause I don't want to cause you any problems.���C�u��������We ever gonna have a normal relationship?�� �������Listen, I want that badly, I do.�� �C�u���:�ȡBut me and normal have rarely been in the same room together.���C�u@���l�����I'm half-waiting for Mickey Featherstone��i�����jto walk through the door.��u����� �It's better that we meet here,��T�����5instead of some scungilli joint down on 18th Avenue.�� XC�u���������- Salute. - Salute.��Q������Salute.��H����� �So, how's Rosamund?���C�u@������We stay in our separate corners.�������She goes to St. John's twice a week.��������I play golf at Maplewood, you know.�� C�u@��)�����- You ever miss-- - What?��j�����kLooking over my shoulder?��J����� �That never stops.��Π�����You probably changed cars in Bayonne.��C�u@��#������- Piscataway. - Oh!��'�����(Those fucking feds, they'd love to put me away.�� �����5Things are different now.���C�u@��?�����You guys still boosting packages from Amazon?�� ����� - It's not that bad. - Yeah.��������It ain't getting any better, Vincenzo.���C�u@��]�����Dwight's doing big things.��t�����uDwight could sell sunshine in Sedona.��������Well, you're not far off.���C�u��r򠡡��What's my family doing?��������UGot a guy, thinks he inherits the top job.��S������Chickie.���C�u@���m�����Just went and fucking declared himself king.�� ࠲��� �Yeah, Pete would've wanted it that way.��������sYou think so?��������aAn incompetent hothead?���C�u���Ҡ����Guy sends Dwight to the sticks,���������Pete himself to the great beyond.��t�����rSo that's true?��C�u@���c�����He as much as admitted it.���������Talk about getting fucked over.�������� �Look at Benny Abramo.���������Pete's underboss going back to the flood.��"C�u@��������He walks away 'cause he didn't see a path.��Ѡ�����He knew... he knew Chickie was being groomed.�� ^�����1Like a fucking Pekingese.���C�u@���栥���Hey, the top job, you know,���������like an old gray mare, ain't what it used to be, boys.�� 2�����1Nah, it doesn't have to be, Ralphie.���C�u@�� �����It's just different now.�������There's no more giant fucking smack refineries.�� �����1But now we get to piggyback the legal stuff.�� C�u��%H�����The weed, the gaming, Big Pharma.�� ����� So...�������&you want to move Chickie out?���C�u@��C5�����I could go to Dwight.��t�����uI can make a business arrangement.��򠢡�� hI can make things right.��������But not with Chickie out front.��C�u@��]��ơ��You fellas and your families never had no beef with Dwight.�� [����� �On the contrary.��������So let me move Chickie aside�� C�u@��v������before the Invernizzi family's decommissioned.��������Sold for fucking scraps.��֠����WIs that what you're asking for here, Vince?��TC�u@���7�����Hey, we got to go to the bosses.��N�����OWe got to get this sanctioned.��r����� Of course.��E������You were smart to go this route.��IC�u@���5�����By not taking matters into your own hands.�� �ġ�� 9I thank you gentlemen for taking the time to hear me out.�� �C�u@���������- I didn't hear nothing. - Me neither.��N�����O- Nothing. - Enough said.�������� e- Cent'anni. - Cent'anni.��kC�u���ՠ����♪ intriguing music��zC�u��*?�����Something you want to tell me?�� W����� XWhatever you're thinking,��Ѡ����*I'd rethink it.���C�u��C;�����You want to lose your head?�������� Soon...��N�����]I'm gonna stop talking.��PC�u��b۠����And that's when bad shit happens.���������You sent your goons�� �������to wreck my turbines.�� ,C�u��|������Do you have a death wish?��Ӡ����*Why do people like you��'�����Rprovoke people like me?�� �C�u���������It really ends fucking badly, Thresher.�� :������You made your point.��C�u���������What about the bombing?��̠�����What bombing?�������� iThe bomb that was meant to kill me.�� -C�u���:�����It hurt someone else.���������That's bad.��t����� nI don't know what you're talking about.���C�u���g�����You better pray you don't.���������I'm gonna find that white Prius.�� �C�u���>�����I got the plate number.��y�����zAnd when I do,���������you better pray���C�u�������that you��ˠ�����or these fuckheads you have working for you�� Y�����&weren't involved.��(C�u��-U�����Because I'm gonna burn your world�� 9����� �to the fucking ground�� 2C�u��C�����with you in it.�������� �♪ dramatic music�� -C�u@��ʠ����We need to talk.���������I'm busy.��u����� Manfredi was just here��Q������asking about a white Prius.���C�u@��������What did you tell him?��Р�����I lied. I told him we didn't have one.���������I mean... [scoffs] do we?���C�u���u�����I'm not even sure.��Ӡ����(He says he has partial plates.���C�u���࠴���Look, does this Prius have anything to do�� ������ �with a bombing and trying to take Manfredi out?�� �C�u��c�����Do you know about this?��{C�u��f������♪ "James" by Toby Lightman�� �C�u���x�����♪ Ooh�� ,����� -- Hey. - ♪ Ooh�� �C�u������♪ Ooh... ♪�� ����� Need to talk?���C�u@��ǐ�����Tyson.��R�����SI can't talk about nothing right now.��������Q♪ Now no one gonna save my soul... ♪�� �C�u��◠����We're all tied together, bud.����ơ��NSo when I hear you saying shit about driving to Kansas City�� bC�u���H�����to shoot someone,�� -����� .you don't even think like that yet.���������My mother hates me.��wC�u��ꠔ���My family.�������� They think I'm responsible.��"�����&And they're right.���C�u��)Ҡ����It wasn't your fault.���������The fuck it wasn't!�����IWhy did I give my dad that car?���C�u@��?젶���Because it was a beautiful fucking gesture.��(�����)He's your father. How could you have known?��Ǡ���� �Should've been me! Should've been me!���C�u��Sy�����Not him.�������� �When are we gonna get our revenge?��MC�u@��g��¡��Look, shut up, I'm gonna tell you something, all right?��z�����{And I want you to really think about this.��u����� �Not now, not when your emotions are raw.�� 2C�u@��ؠ����I mean tomorrow when you wake up.��*������You are at a crossroads, my friend.��������,A real life fucking crossroads.�� �C�u@��� �����And this might be�������your last chance to get out of this life.�� �����}I'm already in it! I'm in it!���C�u@���������I'm in it, man!���������Some shit's been done that can't be undone.��y�����sAll right, I have done bad things, all right?���C�u@��Ǘ�����And I have done��t�����uhard fucking time for it, so you listen to me.��������!You murder a motherfucker, there is no turning back.�� �C�u@���ˠ����You will never be the same.��S�����TBelieve me, every night when you close your eyes,��������Ryou will see that guy's face.���C�u���䠡���So don't fucking do it!�� e����� �Anybody can kill a man, sure as shit, but when you do,�� �C�u��������a little piece of you dies, too.�� DC�u@��+������Point is, we had nothing to do with it.��H�����INot that that fucking matters.��ɠ���� iWhat matters is, Manfredi thinks we did.�� �C�u��A������Strike first, strike hard, that's my fucking vote.�� ۠���� �Your vote?������� �So you want trouble?��(C�u��W������Maybe we could reach out.��򠚡���Reason with him.�� C�u@��k������You know what "projecting" means?��~�ȡIt means you're putting out the wrong fucking premature ideas��������~about what's actually happening right now,��OC�u@��ʠ����which is a big fucking nothing.��S�����TCould be New York for all we know.��������Trying to set us up.��IC�u@���蠓���Possible.��O�����PWhat's the financial upside there, though, right?�� /������I don't think they're players.���C�u���������They hate the guy, that's for sure, but...��֠�����to whack him is personal, it's not profitable.�� `C�u@��Θ�����So what's the plan?��t�����uHe's got the casino, right?�������� mThe weed store, all the rest of his shit?���C�u���������I say we take him out.��̠�����Keep all his stuff.������� �Put the blame on New York.���C�u@���������I mean, why not?��w����� �Manfredi got no backup to speak of.��������1Exactly, we take out him and the fucking Black kid.���C�u��������That's key, also.��J�����KIt's his father got blown up.��Ѡ����He's got to be looking for blood.���C�u@��%K�����What, are you fucking psychic now?��z�����{Is that what you all are?���������I keep telling you, this guy is fucking different.�� ]C�u@��>t�����He's a killer for sure, but...���������he's a major fucking earner and he's only gonna grow.���������Doesn't makes sense to kill this guy now.���C�u��VA�����Huh, why?�������Why?��j����� �Not now.��Q�����-Maybe down the road a little bit, maybe later,���C�u��m������but not now.��'�����(♪ I'm done filling a cup�� �C�u@��p�����♪ With a hole in the bottom�� ������ �♪ Taking an ax...��������MPlace your bets, please.��DC�u@��������Place your bets.��D�����E♪ The rot at the roots��#����� i♪ Is the root of the problem... ♪��NC�u���������Jesus, I can't believe I called you already.�� ������ �Well, well, I like it.��P�����XYou like��NC�u���a�����- that I'm weak? - That's not weak.��Ӡ����*I think it's flattering.���C�u@���|�����Flattering.��H�����II tell you that we need to cool it,�� �������we need to stay away from each other for a while,���C�u���젚���and here we are.��v������That's pretty weak in my book.�� ������}You want to make���C�u@�������- this crazy relationship work? - Okay.�� ����� [I want to know what you're thinking.��C������What you're going through.��JC�u@�����You know, Margaret, all my life,��(�����)I take and I take, I take and I take.�� -�����WAnd you know what I give back?���C�u��2������Ugatz.��y�����zNot good.��Ǡ���� BYou gave 25 years of your life.�� ^C�u��J7�����- Mm. - Or are you just��(�����)- feeling sorry for yourself? - No.��Ѡ�����I'm mad at myself.���C�u��`Ӡ����You spend all this time�� ������ �trying to build something.�������1And not just me.���C�u��{�����Any guy.��O�����PHe spends his whole life,������� jhis best years trying to get something.�� �C�u���������And the price you pay:��򠯡���the people that need you the most...�� B�����6are left behind.��FC�u���9�����They get nothing.��"�����#And when the time comes for you to check out...�� �C�u��������...you don't matter to anybody.�� ;����� <We all got regrets, we've made mistakes.�� =C�u���������Well, I, I made a lot.�� Y����� ZA lot.��������HI have a corner on regrets.�� hC�u���1�����And I keep wondering,�� Y����� Zwhy are you with me?��I������I mean, I'm glad you are.�� C�u��⠦���But it's not safe, Margaret.�� ������ �Are you fishing for a compliment?��D�����Maybe.��DC�u��,'�����- A little one. - Okay.�� ������ �Here's the deal.��̠����WTough times don't last,�� C�u@��I������but tough people do.��E�����F- Hmm. - That's you and me.�������� �We've had to be, or else people walk all over us.��0C�u��i��¡��Way too many times, but that is not gonna happen again.��ɠ�����And if you want to build a future,��EC�u��} ����you got to know what you want.��Ơ�����I want you.�� �C�u@���6�����You have terrible taste in men.���������Tell me about it.�� ^����� Listen, I know about Thresher and his...��KC�u���������low-life Kansas City playmates.��������NYeah, you got a dark side.���C�u��֫�����So do I.�������� �That doesn't mean that we can't--�� ^C�u���堐���Sorry.���C�u@��Q�����Hello.��'�����(Mr. Manfredi, uh, it's Paul Cheevers.��r����� �The vehicle you inquired about��sC�u@��������is registered to a business called AGV Imports,���������375 Front Street in Guthrie.��֠�����Okay. Thanks.�� cC�u��9������Everything okay?�� ����� Yeah.��(�����,More gangster business?���C�u��Q������Sorta.��u�����vMargaret, you're not a little afraid of this?��&C�u��h^�����Scared a little bit?���������Mm, a little.��K������It's kind of a turn-on.���C�u���������Turn-on.��#�����$I got an idea.��z�ơ���Why don't we go back to my place for a little private time?���C�u���֠����And I know you're really busy,��w������so don't feel obligated to spend the night.�� C�u���Š����Okay.��S�����TCheck, please.��FC�u���������♪ gentle, hopeful music ♪��JC�u��g������Nurse said you can still hear me.��{������I don't know if that's true or not.��$C�u���;�����I guess it don't matter.��{C�u�����á��I know you're not happy with the choices that I've made.�� .C�u���������Being truthful now, I ain't so sure myself.�� �C�u���]�����But if I turn back now, Pop...�� .������...what was it all for?��C�u���X�����I'm a punk.��q����� 9I'm-I'm-I'm a wannabe.���C�u��������A little bitch with his tail tucked between his legs���������soon as shit hit the fan.���C�u��������If I let this go...��J�ġ�� ...how will I ever be able to look you in your eye again?�� �C�u��HL�����You're my father.�������yI love you.�� .C�u��g������And look what they did to you.��JC�u��|~�����I'd give anything to trade places with you right now.�� ^������That can't happen.���C�u���~�����And I know if I was in the bed,�������qyou would be thinking the same thing I am.���C�u��‰�����I love you, Dad.��)������Forgive me.��$C�u�� ������What the fuck?��Р�����♪ dark, pulsing music�� ������Did you...?���C�u@�� ,F�����Manfredi. I told you.�� ����� You don't fuck around with a snake.�������� You cut its head off and throw it away.��C�u�� Dj�����Enough of that fortune cookie shit.�������What happened?��wC�u@�� Z������The explosive went off too early.��Р�����They both should have been gone.��I�����And what happens when Manfredi finds out about this?���C�u@�� oB�����'Cause he sure as shit will.���������Not going to happen.�������� �Of course it is!�� ������This is gonna get so fucking ugly.��yC�u�� �D�����What were you thinking?��̠�����Manfredi is nothing,��p����� >he meant nothing in the big picture.���C�u@� �������You were the one who kept pushing him.�� 2����� 3Now we get rid of the car,��(�����\crush it into a cube.��rC�u�� �������I'll handle it.���������Really?�������� �What about your friend Hanjin?��(C�u�� ӻ�����What if Manfredi talks to him?��FC�u�� 뉠����What the fuck?!���C�u��!������That won't happen.��qC�u��!\k�����It's Tyson. Leave a message.���������Tyson, it's Dad.��נ����'I know you were just here.��vC�u��!s_�����Where are you?��$�����{Call me back.��v�����H♪ pulsing, dramatic music ♪���C�u��!�������Yeah.��������]Hello.���C�u��"(�����It's Mark.���������Hey, Mark. How you doing?��P�����HOkay. Is-is Tyson with you?��'C�u��"(������No. I thought he was supposed to be home.�� ������ �He was here before, but I'm-I'm worried,�� �C�u@��"@:�����and he was talking some crazy shit.�� 7����� 8Will you find him?���������All right, yeah. I'll get back to you.�� �C�u��"dq�����Fuck.���C�u@��"ƴ�����Yeah?��"�����#- Where the fuck are you? - That don't matter.�� -�����QI want you to come to my house now.��rC�u@��"�Π����It's not happening.�������vTyson, listen, I found the address��젶��� cof the guy that has the white Prius.���C�u@��"�(�����- Is that right? - Tyson...��Р�����whatever you're thinking about doing,���������don't fucking do it.���C�u��#x�����Don't fucking do it.��zC�u��#`d�����Tyson?��M�����NTyson!��UC�u��#�������♪ tense, percussive music��C�u��#Ƽ�����♪ percussive, upbeat music��IS�k Gۻ������������������׷��������������!r��������,�� 2����+���������_�������3����������� ܻ���>.��������A��N����E}��������i�� -����N������Q����p����T�����Q��,�������\Ƿ����Q��e�� ����h,����������q����m���������0�� �����xշ�������X�� ������ⷎ�������� �����<��������B�� X����������������� ]���������\����T�����H�����\��I��I�����������\��_�� h���������������������u��������-��������ķ����P����绔��֬�����P��,��������I�����P��H��������෎���P��r��������|���������������᷎������,��q����������;�������� �����;��������B������}���� �����^���������� 1����h3��������*��P�����m��������� �������������1�� ������������l����ӻ����巎���l��<�� 7����������l��g����ǔ���������� @�����շ�������?��p�����F��������f��u����༷��������������ַ�������.��������|��������^�� /����������/���� ���������/��D��*����������/��d��o���� �����������ƻ������������6�� �����!������3����׻���*ܷ����3��H�������/r�����3��x��ɻ���5����������� ����M4��������� 仕��Y�������>������]��������j��컕��bs���������� ����kv��������5��ѻ���sH��������r�� ����}O����� K����󻕳��C����� K��)�� ]����������� K��d�� 軕���F����� �����U�����������!*���� 3�����������!*��-�������������!*��S�� .���� ������!����������������!���)��$����" �����" ���������.�����" ��5��$����9,�����"r���� ]����C������"r��F�� ݻ���M������"����������SY�����"���0��ѻ���[+�����"���d�������n巎���#�����"����v�����#���-��򻕳�{������#���e��p�����l�����#������K����������$f����J�����������$f��3��y�����)�����$f��c��ӻ����S�����%����������������%��$�� 2�����'�����%��_�� ۻ���������%����������"�����%���C��������m�����%���t��������k�����&D����q�����3�����&D��Q�� ������ⷎ���&D�����u�����X�����&����������ط����&����������������'L���� �����z�����'L��(�� -���� ������'L��q��(����ѷ����'����������w�����'���.�� .����%������'���l�� �����1������(�����t����8�����(���F�� �����A������(������»���FJ�����)q��������Kc�����)q��(������Q������)q��O�������X{�����)q����������]i�����*����w����d7�����*��+�������{������*�����׻����۷����*���+��R�����.�����*���N��󻕳��"�����+����󻕳��������+$����U����գ�����+]���� -�����ѷ����+]��?�������㓷����+]��Y������鲷����+�����p�����#�����+���=��������ķ����+���w�������޷����+������#���������,����� X���� [�����,���;������������,���y������������-a����U����+������-a���� ����@�����-�����S����Hd�����-���B��N����O������-���\��m����Tw�����.P���� �����_�����.P��7�������f������.P��j�������oR�����/���� m����|������/��7��ѻ����������/z����k�����������/z��.��N�����M�����/z��M��ѻ���������/����������>�����/���*��ѻ���������/���Y�� �����뷎���0}����黕���$�����0}����󻕳�������0�����������������0�����S�����Q�����0���C��*����ҷ����1<����'����������1<��.�� �����������1<��g��N���� ������1�����ѻ���(̷����1���<�������-������1���e�������8������2m���� ߻���C}�����2m��5�������Jw�����2m��Y�������O �����3���������W������3��9��u����^.�����3��o��ӻ���m|�����3�����q����w������3���.�� �����������4���� :�����G�����4��?��������?�����4��q��������䷎���4����� ổ���Ʒ����4���I�� �����+�����5=����󻕳��������5=��&�� �����з����5�����ʻ���ٛ�����5���A�� ������ �����6����ѻ��������6��?�������򙷎���6��n��I�����㷎���6����� -���������6���.��(���� :�����6���W��ѻ��� �����7B����k����x�����7B��7������������7B��h�������#������7B����� �����-@�����8����o����2������8��?������8Ϸ����8��i�� ����Cܷ����8����������K,�����8�����y����R������8���A��#����Yʷ����9���������`÷����9��8��#����g緎���9��a��N����o6�����9�����̻���v�����9���4�� ����� �����9���k�� ����������:P���� 2�����K�����:P��=��w�����&�����:�����������!�����:�����p����ʂ�����:�����������u�����:�����ͻ���י�����:���R��ͻ���޽�����;k���������������;k��C��л����ѷ����;�����I����������;�����λ��� @�����;���O������� ����������p���� u������>��,��ﻕ�� �ķ����>~���� ���� �Ʒ����>~��������� �l�����>~��<��ѻ��� �>�����?����O���� �������?��/��̻��� �[�����?��l������ �y�����?�����(���� �������?���*������� �N�����?���]��%���� �ʷ����@1���� 2���� ������@g��������� �����@g��8��n���� u�����@g��q��#���� "������A���� ����� =K�����AB��������� DB�����AB��/�� .���� Mq�����AB��k������� R3�����A�����%���� Y������A���"��I���� _������A���N������� f������B`����u���� m�����B`��/������ s.�����B`��^�� 5���� }������B��������� �0�����B���9������� �'�����B���m������� �ȷ����C�����p���� �9�����C���&��#���� �]�����C���V��ǻ��� �%�����C������ ���� �������DB�������� �������DB��/��G���� �W�����DB��H��s���� �˷����DB��z�� .���� �������E��������� ʼ�����E��'������� �X�����E��I������ �ŷ����E��k��o���� �5�����E���������� �̷����E���&��o���� �<�����E���5��|���� ������E���U������� ������F�������� � �����F��������� ̷����F��=������� з����F�����O���� v�����F���,��ƻ��� =�����F���O������� 㷎���F���������� %ݷ����F���F��󻕳� ,'�����F���o�� ڻ��� 6�����G�����׻��� >ڷ����G���'��ػ��� V|�����H ��������� h*�����H �� ��컕�� m�����Hb����׻��� u﷎���Hb��/��˻��� |������Hb��^������� �b�����H���������� ������H���"������� �������H���1������� �3�����I3��������� �ӷ����I3��4��$���� �������I���������� �������I���2������� 󑷎���I���S��̻��� �^�����J����(���� ������J��;��ֻ��� ^�����J��d������� ������J�����M���� �����J���4��Q���� "������J���u��׻��� +ط����KL���� Ż��� 9������KL��M�� ����� Kw�����K����� X���� Tз����K���0�� ���� eN�����L.���� ]���� o������L.����%���� w(�����L.��\��C���� |l�����L���������� �`�����L���+������� �y�����M���� ����� �(�����M��5��q���� C�����Mr���� ���� J�����Mr��.��ֻ��� (!�����Mr��W������� /�����M����� ����� 8ʷ����M���9������� Gi�����NN���� ����� R������NN��7������� [������N�����?���� _䷎���N���+������� rķ����O����󻕳� y�����O��-������� ~������O��[�� ���� �ַ����O�����$���� �p�����O���'�� ���� �Ϸ����O����� ����� �뷎���P���� ۻ��� �Ƿ����P��.�� h���� �0�����Ps��������� �Ƿ����Ps��)�� ���� �ɷ����Ps��I������� �Ƿ����P�����r���� �������P���:������� �Q�����P���X�������;�����P���x��)����"巎���Q����������3������Q���?��%����; �����R ����񻕳�@������R ��+�� ۻ���J׷����R ��`�������S������R�����z����Z������R���>��A����d������R���a�� 3����w淎���S���� ������������S��3��ǻ����b�����S��_��(�����������S����� ������������S����� ������Ƿ����S���3��������;�����T)����C����������T)��#��������'�����Tv����������Ƿ����Tv��;�������淎���Tv��`�� 7����������T�����z����������T����� ����� J�����T���>��ǻ��������U[��������� �����U[���������������U[��:��-����14�����U�����y����8������U���C������=�����U���j��y����D������U�����������L;�����V����� �����VD�����V���I�� 1����`v�����W����%����g����W��9��ƻ���m������W��\��ѻ���u������W���������~ �����W���<�������x�����W���a�������������W������»����S�����Xf����#�����w�����Xf��,�� ������-�����Xf��w�������������Y����u�����#�����Y��5��N�����r�����Y��U��ӻ����������Y�����������7�����Y���8��O����ɇ�����Y���g�������ф�����ZZ���� �����������Z����������������Z����� �����5�����Z���>��+����)������[>���������D������[o����j����I_�����[o��.�������P�����[o��_��J����VK�����[o���������o̷����\,����ջ���x������\,���� :�����3�����\����� W�����������\���5��ѻ����]�����\���a�������ݷ����]���� 軕��������]��)�������������]��D��ջ����h�����]����� ������(�����]���H�� =�����f�����^ ���� ������������^ ��(�� ������z�����^k���� �����}�����^k��H��������{�����^k��n��S����Ϸ����^�����ֻ��� ������^���0��λ���˷����^���X��S���������_����� ໕��$�����_���:�� �����.������`���� �����8�����`���������C������`E���� ]����M������`E��K��I����TH�����`E��y��I����Z������`�����p����`�����`���7��%����g�����`���]��t����m������`�����������uD�����a�����˻���|�����a���(��U�����������a�����>�����귎���a���3��ֻ����������a���]�� ۻ����������b����� �����������b���$��������V�����b����� �����������c���������賷����c��3�������𰷎���c��\�������%�����c�����л���������c��� �� ����U�����c���G������s�����d,���� ����!{�����d,���� Y����*շ����d,��5�������;S�����d����������Kѷ����d���)�� 仕��W������e���� �����eP�����e��)��ӻ���������eo���� ������������eo��;�� ������:�����e�����ڻ����l�����f/����i�����ַ����f/��:��u�����L�����f/��_��T����ҡ�����f/����� X�����������f�����Q����㢷����f���3��H�����뷎���f���M�����������gp���������������gp��1�������&�����gp��b�� ����)�����h����j���� ������h��+��J����߷����h��P��λ��������h��m������#������h�����'����+᷎���h���%�� ����6���h���a��ӻ���?�����i9���� ����H�����i9��?�������Q�����i9��h�������]�����i�����t����cy�����i���+�������k �����i���]��ѻ���r����jb���������{G�����jb��(��S�����������jb��_��ѻ����m�����j����� ໕���N�����j���>��������෎���j���r��������η����j������������ҷ����k�����������Ϸ����k���0��t�����D�����k���^�������c�����l ����������W�����l ��+��������������l ��V��������췎���l ��w��"����������l�����ѻ����᷎���l���<�� ^�����@�����l���v��������淎���m`����������䷎���m`��,�� 2���������m`��o������� �����n��������3�����n��)�� ����E�����n��e�� ����%H�����n����� ����/P�����n���3������5n�����n���D�������C5�����o����t����I������o��&��򻕳�O������o��U�������U9�����o��y������]������o����� [����gk�����o���M������l������o���i�� ����v������p]�������� �����p]��@��ֻ����ⷎ���p]��d��T�����7�����p�����N�����������p���1��r�����O�����p���[��E�����뷎���p���q��I�����5�����q����� ⻕���n�����q���<�� ������������r*����N�����L�����r*��8��������b�����r*��^��k�����շ����r�����z����*?�����r����� W����3������r���/��ѻ���;i�����r���T��ѻ���C;�����s`���������NI�����s`��,��N����U������s`��?��P����b۷����s����������i|�����s���3�� �����s������s���R�� ,����|������t?����ӻ����ܷ����t?��*��'����������t?��L�� ������������t����� :�����������t���9�������������u����̻����p�����u��(�������� �����u��A�� -�����:�����u�����������3�����u���&��t����Ϩ�����u���=��������g�����u�����������b�����u���+�� ������>�����vY����y����������vY��(������������vY��B������������v�����˻���ҷ����v����� Y����%,�����v���Q��(����-U�����w.���� 9����8巎���w.��3�� 2����C�����w����������M������w��� �� -�����ʷ����w�����������`�����w���!��u�����ַ����w���6��Q�����~�����w���X��������������xV����л����Ƿ����xV��'��������~�����xV��Z��������u�����x�����ӻ���흷����x���#��ͻ����෎���y-���� �����������y-��;�� �����c�����y�����{����f������y����� ������x�����z���� ,�����������z���� 򻕳�����zW���� �����������zW��&��ͻ���ǐ�����z�����R�����㷎���z�����������᷎���z���I�� �����◷����{&����������巎���{&��.�� b�����H�����{����� -����v�����{���"������������{���R��w����귎���|���������������|����"����%�����|��B�������)ҷ����||���������-d�����||��&��ﻕ��8�����||��E��л���?췎���|�����(����H�����|���=��ǻ���Mݷ����|���u�������Sy�����}����������`f�����}�����M����g������}�����z����o/�����}���I��u����u������}������ 2����ط����~�����*�����Y�����~���3�������������~���c�� ������ �����:���������+�����:��"�� �����������:��X�������������������������{�������� ��y��������������X�������Ǘ�����Y����t����� �����Y�� �������ָ�����Y��[�� ������˷���������S�������������,����������������j��ƻ����䷎��񂁔���� e���������񂁔��(�� 仕������������ D����+������:����H����2�����:��@��ɻ���8#�����:��j�� �����A����������� ۻ���K���������D������O���������Z��(����W������^����򻕳�]������^��*�� ����k�����񂃩����~����t%����񂃩��3�������|$����񂃩��}��O�����ʷ����c����S����������c��0�������������c��_��I�����跎��������O�����8���������� /��������������X��������������p����ֻ����������p��<�� `����Θ����������t����� ��������$����������������K��������������s����̻����ʷ����s��'�������鷎���s��F�������������������w������������!����������������Q��ֻ���������{����J����ݷ����{��"��ѻ���������{��K�������%K����������z����,Ʒ�������4�������4��������Y�� ]����>t����񂈗���������Fr����񂈗��/�������OJ����񂈗��q�������VA�����D��������[[�����D����j����_Ʒ����D��*��Q����gn�����D��>��ǻ���m�����������'����u����������� ������p��������� ������ �������5����������������[��D���������񂊖����D�����G����񂊖��!��#�����k����񂊖��L��N�����������!���� ������k�����!��>��P����������!��`��N�����a����񂋚����ӻ���ʋ����񂋚��5��������|����������H�����ŷ��������� ������J��������L��������췎��񂌈����v����������񂌈��!�� ������i����񂌈��K����������������� ����`��������9��C�������������j��J����﷎��񂍊����(����"����񂍊��1�� -����+F����񂍊��c�������2����������y����:���������ǻ���?ط������3�� ^����J7����񂎀����(����R`����񂎀��)��ѻ���Z2����񂎀��Y�������`ӷ��������� �����j���������(������s��������N�������{�����k����O�����Q�����k���������k�����k��>�� �����������������򻕳��跎������'�� B�����+��������X��F�����9�����[����"�����\�����[��"�� ����������񂐾���� ;�����B����񂐾��0�� =�����������(���� Y�����ڷ����(��'��������ȷ����(��9�� h�����1����񂑍���� Y���������񂑍��&��I���� շ���񂑍��F�� ����ⷎ�������� �����!���������-��D����&ⷎ������[��D����,'�����o���� �����6������o��)��̻���=~�����o��E�� ����I�����������E����Nַ�������%�������W���������M��0����i������m����ɻ���x|�����m��I��E����}·���������ƻ�������������/�� ������6�����5����������᷎���5��0�� ^�����@�����5��M��K����������񂔽����������ڷ���񂔽��0��л���֫���������������A��������� ^�����巎���d���������Q����񂕀����'����y����񂕀����r����B����񂕀��P��s�������������������%b�������H��ֻ���.9�������w�� c����9�����񂖝���� ����B�����񂖝��!��(����Jɷ���񂖝��2�������Q�����������u����X7����������&����h^�����M���������n������M��%��K����z淎���M��>�������������񂗳����#����������񂗳����z�����+����񂗳��3��������ַ����3����w�����������3��/�� �����ŷ���񂘟����S���������񂘟����F����������������J����g����������{����z��������3��$�����;�����v����{����������񂙤���� .���������������� ������]�����5���� .�����෎���5��/�������X����񂚌����q����������񂚌����ͻ������������������� ���������F�������������?����J����1�����?��$�� 滕��HL����񂛮��������Wŷ���񂛮��"�� .����g�����������J����|~����� ���� ^���������� ��G��������~����񂜊���������﷎��񂜊��0�������‰����������)�����b��������!��$���� ������3����л��� U�����3���� ���� 'X�����3��I������� ,F����񂝘���� ���� 7S����񂝘��&������� ?Q����񂝘��V������ Dj�����(�������� I������(��5��w���� Z������|����л��� bV�����|��3��I���� h������|��_������� oB�����"��������� t0�����"��-������� xǷ����"��M�� ���� �ʷ����"��i��y���� �D����������̻��� ���������(��p���� ����������H������� �������>���� 2���� �������>��8��(���� �ܷ����>��^��r���� ����������������� �췎������ ������� ˒��������3��(���� ӻ�����%����F���� 뉷����Y����һ���!������~����q����!\k����񂡦���������!cd����񂡦��4��׻���!l�����񂡦��P��v����!s_�����!����$����!zڷ����!����v����!�������!��?�������!������񂢗���������"����񂢗���������"(���������������"ɷ���������P����" p��������G��'����"(������7���� �����"5X�����7��;�� ổ��"@:����񂣬���� 7����"Kr����񂣬��5�������"R����񂣬��S�� 컕��"dq�����8����ͻ���"ƴ�����S����"����"�׷����S���� -����"������S��X��r����"�η�������������"�D��������$��컕��"�1��������Z��λ���"�(����񂥀����л���"������񂥀��4�������#���񂥀��f��ɻ���#x����� ����z����#`d�����=����M����#g������=����U����#�������y��������#Ƽ����񂦱����IT�gAtssApc��hʁ2cň^倊�?ӶcʅMOVIEgȑE��BPSD��83Dz�enggȦE��DURATIOND��00:39:04.558000000Dz�enggȟE��NUMBER_OF_FRAMESD��801Dz�enggȠE��NUMBER_OF_BYTESD��24565Dz�engg��E��_STATISTICS_WRITING_APPD��mkvmerge v37.0.0 ('Leave It') 64-bitDz�enggȻE��_STATISTICS_WRITING_DATE_UTCD��2024-10-28 21:56:31Dz�engg��E��_STATISTICS_TAGSD��BPS DURATION NUMBER_OF_FRAMES NUMBER_OF_BYTESDz�eng96981

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.