All language subtitles for Stingray.s1e2.eng

[music playing]

[theme music]

Man's gotta have you ride.

Man makes a million a day, and
got boats and houses and all

the white lines he wants.

What do you want?

Hey, I'm one of
you, I'm Chicano.

You shot one of us.
You're the man.

Are you--

I mean, do people
call you Stingray?

I hope not.

Well, if you're the man
who's known as Stingray,

I need to talk to you.

I understand you're
a friend of Eddie

Cancharos, the chief
deputy district attorney.

[heart monitor beeping]

[surging electricity]

You're prosecuting
Louis Magna,

and now the chief deputy DA
leaves court, shows up 12 hours

later hooked on cartoons.

Were you his friend?

He said once he knew a Stingray.

I heard a lot of rumors
about a man who drives your--

Take him to the
Malibu Palms Inn

on the Pacific Coast Highway.

Ask for Sharla.

She'll give you a
room in the back.

Wait for my call.

Why?

Do you think I'm in danger too?

I'll be in touch.

Done the deed, Mr. Mendosa.

Somebody took
your boss down hard.

They decided not to kill
him but the turn him

into a smiling six-year-old.

Whoever did it is sending
some pretty strong signals.

DAPHNE DELGADO: I don't
even what to call you.

Call me Ray.

Short for Stingray.

Short for Raymond.

You work for the
government, don't you?

No, Daphne.

I work for you.

[music playing]

(SINGING) Yeah.

All right, Doctor.

Shoom, shoom, shoom,
shoom, shoom, shoom.

Yeah.

Yeah.

Jungle concrete, the urban zoo.

Saying look out
there, he's after you.

Evil rides in a limousine.

He's your deepest fear
and your darkest dream.

White heat on the
street, cocaine.

Junkies eating right
out of his hand.

White heat on the
street, cocaine.

If you're looking for
trouble, he's the man.

So somebody said come, I come.

But I ain't gonna stand around
all day waiting for some taco

prince to show up.

I heard somebody connected
electrodes to Mike Magna.

I heard he's
sitting in his house

and he can't even
remember his own name.

Yeah.

Well, so what are we
supposed to do, huh?

Are we supposed to back
off just because Mikey

Magna can't put his pants on?

Hey, this is a fast track.

You move away from the
rail, guys pass you.

Take a look at this.

[laughter]

MAN: Dig that coat.

Gee, you believe this, man?

Get a load of
this guy, will ya?

He got his ice cream truck
parked outside or what?

My name is Tony Mendosa.

I'm from Mexico City.

Yeah, yeah, yeah.

I know you are.

You're the guy they
call Moonlight.

This piece of broccoli
made his rep by hacking

up Panchos while they slept.

Huh?

You have a very
loud mouth, senior.

Hey beanbag, you
want to close it, huh?

No.

Do you like the food I
have prepared for you?

I understand this caterer is
used by many Hollywood actors.

It would be a mistake
to take me too lightly.

I control all organized
crime in Mexico.

Also Brazil and parts of Peru.

Now, each of these territories
was not easily won,

but I have always
prevailed because I

will do anything to win.

So what you want from us?

Prostitution, dope,
off-track, everything.

[laughter]

I am going to run it all.

If you choose to cooperate,
I will give you a percentage

and allow you to
manage the business.

If you fail to cooperate, I
will make your world go away.

Poor Mr. Magna, he
was my message to you.

Talk to him.

Oh, he will giggle
and say funny things.

He will tell you about the
cartoon program he is watching.

He will ask if he can
go to the bathroom,

and then he will forget that you
are on the phone and walk away.

You think you can swing
in here from tacoville

and vacuum up my operation?

Get serious, pal.

I hope the food was OK.

I will contact each of
you about your answer.

Except for you, Mr. D'Agostino.

Yeah?

What are you gonna do
to me, huh, hot sauce?

You gonna strap me down
and zap me too, huh?

No.

[laughter]

Hey, take the
eight-foot tree with you.

[laughter]

Rice and beans.

[music playing]

(SINGING) All right, all
right, all right, all right.

Yes.

Guy comes here, thinks
he can scrape me off.

I'll get the car.

Yeah.

Lousy beanbag.

He'd have never made
the damn neighborhood,

I'm telling you that right now.

Put him right in the cans.

Make Swiss cheese out of
that guy right in the middle

of the neighborhood.

Whoa!

Wait a minute!

Hold on, hold!

Hold it, wait a minute.

Hey, help me out here.

No!

[tires screeching]

MARCIA FINCH: Ray,
it's Marsha Finch.

Are you in there?

STINGRAY: Yeah, I just
got out of the shower.

I'll be out in a minute.

Is it pay Ray day?

Who do you want me
to kill for you?

STINGRAY: It's
nothing that dramatic.

I'm job hunting.

Send me your resume,
social security

number, correct identification.

I'll need to know who
the hell I'm employing.

Russ Martin, originally
from Fort Worth, Texas.

Social security
number 257-63-789.

MARCIA FISH: Russ Martin?

Another alias, darling?

Why a Texan?

I need something that'll
check all the way to the IRS.

The man I'm interested in is
married to a woman from there.

Besides, sophisticated people
sometimes underestimate those

of us with southern drawls.

Well, what kind of a
job did you have in mind?

Oh, nothing too fancy.

Senior vice president
of your hotel chain.

Head of operations
might be nice.

I-- I wouldn't have any of
this if it weren't for you.

I owe you everything.

But I-- I can't make you
senior vice president.

It needs to be a title
with the power to negotiate

a contract for your hotel.

I need the title to get
into a high security

executive placement service.

Oh, and I'll need
access to the computer

and the locking code number.

The computer?

I-- I don't know.

Marcia, stop hedging.

I'm so happy you
could stay with us

this evening, Mr. Martin.

It must be fascinating
traveling as you do.

Well ma'am, there are
times, I have to say,

I get real tired of looking
at the inside of a suitcase.

Um, my husband will
be with us in a moment.

Just so glad you
could stay for dinner.

Well, I wasn't expecting
such a charming invitation

from such a charming lady.

Norm, could you see
what's keeping Ernst?

I asked to go see
what my husband is.

I'm sure he'll be
here as soon as he can.

In the hotel business, when
we ask one of our employees

to do us a little favor and
he refuses, why, we very often

ask next for his resignation.

So glad you could be
our guest for dinner.

Sorry I was detained.

Darling.

Oh, haven't you offered Mr.
Martin a glass of sherry?

Well sir, she has, but, uh,
sherry doesn't happen to be

the liquor of choice in Texas.

If you all might have a
whiskey, I'd appreciate it.

Norman?

I understand you come from
Fort Worth originally.

Well, how'd you
find that out, sir?

I like to know
about my guests here,

so sometimes I do some checking.

Evelyn's from Fort Worth.

Well, now there's
a coincidence.

Thank you, son.

Where did y'all go to school?

Addison.

Old man Riley still head
man there when y'all went?

Yes.

Yes, I believe he was.

But, uh, didn't he retire?

STINGRAY: Oh, no sir.

Not Jake Riley I
stay current 'cause

we put a little endowment
money in the school.

And how long have you been
with the Keys hotel chain?

Well sir, I've been in
operations about three years,

Before that, I was
in acquisitions.

Oh, then you were
present during the Marsh

Regency acquisition.

Tricky little maneuver.

IRS still scratching
their heads,

but we survived the audit.

Yes, the audit on that
was closed last February.

Well Mr. Dexter,
you've been doing

a little research on the Keys
hotel chain, now haven't you?

Well, I like to
know that people

are who they say they are.

Tell me, Mr. Martin, how much
do you know about our operation?

Well sir, I know you
supply executive talent

for some of the largest
corporations in America.

Now, we need some
top level people.

I thought I'd stop by
and give you a look see.

Well, the
Institute specializes

in executive placement.

We operate under the principle
that a good executive

is an executive who can make
decisions under extreme stress,

not break down under pressure.

We scout out up and coming
executives in other companies.

Well then, uh, we
invite them here

to undergo what I call
severe stress testing,

with a guarantee in
writing if they pass

my two-week observation period
that we place them with client

companies at two or
sometimes even three times

the salary of their
current positions.

Just what kind of stress
you put these fellas under?

Oh, extreme.

How long you all
been in business?

I practiced down in
Mexico for 10 years

before setting up
my organization

here in LA five years ago.

But I still have
many ties there.

[music playing]

(SINGING) Shoom!

All right, all right, all right,
all right, all right, yeah!

I took the liberty of talking
to your employer Mrs. Finch,

and she asked me to
extend you every courtesy.

So I do hope you
will be our guest.

Be my pleasure, sir.

Good.

May I show you to your suite?

Damn friendly of you, son.

Oh, Hey.

Hey, what are you gonna do?

What are you gonna
do to me, huh?

Oh hey, please.

Please, please,
don't hurt me, huh?

What are you gonna do?

Please.

Please.

Are you pleading with the
beanbag from tacoville, senor?

D'AGOSTINO: (FRIGHTENED) Oh
hey, what are you gonna--

what are gonna do?
What are you gonna do?

Oh, no.
Please.

Hey!

Oh, please, please!

No.

[surging electricity]

[groaning]

Problem with the power?

Here's the key to your
suite and all the open areas

of the institute.

Its computerized, so it
won't open any secured areas.

What do you all
do for entertainment

around here, good buddy?

[music playing]

MAN: What's he doing?

Just unpacking.

[whistling]

In here.

Who are you?

Are you a policeman?

I can't help you unless
you tell me what's going on.

What happened to
your cute Texas accent?

I outgrew it after
you slipped me the note.

I have to get to the
main research lab.

I need a key.
Do you have one?

He's got the only one
that'll open everything.

It's in his wallet.

ERNST: Evelyn?

Evelyn, where are you?

I was just getting
ready for bed.

Be right there.

I didn't enjoy
your flirtatious

performance at dinner.

I wasn't flirting, Ernst.

I wouldn't think
you would have to be

reminded about your cassette.

I want to go home, Ernst.

I want to see my parents.
They're getting old.

My father isn't feeling--

Look, I have big trouble.

And Norman has told me about
your trying to telephone out

behind my back.

What are you talking about?

This Mexican
will have my soul.

He's low and common.

I should never have accepted
any money from him in Mexico.

He thinks he owns all this.

He doesn't understand.

He's going to take
over everything in LA.

He'll destroy everything
that I have built.

I'd like to really
give him some-- gah!

[music playing]

What-- what are you doing?

Take off your clothes, Ernst.

Come on, let me help you.

You mock me.

You know this won't work.

You know I--

How do you know
if you don't try?

Here, let me take your jacket.

I'll just be a minute.

Not now.

I-- I must go.

I have-- I have work to do.

You're a whore.

I know what you really are.

EVELYN: Relax, it's OK.

Come on.

ERNST: No!
[slap]

EVELYN: Oh!

[door shutting]

Thanks.

Oh, God.
He knows.

He hates me.

Then why'd you do it?

Right.

Come on.

This way.

Wait for something.

He does most of his research
in an underground laboratory

complex.

The only way it is
through a passageway

from the basement of his house.

When he gets these
executives in here

and he puts them through some of
this stress test, some of them

break, don't they?

Yes.

And when they break, they
confess things, private things,

the kind of things they
wouldn't want anybody to know?

Are you one of them, Evelyn?

I made a mistake
when I was 16.

I was on drugs and I--

It doesn't matter.

I was an account
exec at an ad agency.

I was just looking for a
quick way up the ladder.

He needed a woman, a hostess.

He made me marry him or he was
gonna send a tape to my father.

I'll get you out
of here, Evelyn.

I need my tape.

Listen, there's always a
guard in the tape room.

There's hundreds, maybe
1,000 videos in there.

And each video has
someone's darkest secrets.

This place was started by
a Mexican name Mendosa,

but it was built with money
from the people on those tapes.

I'll be back.

[music playing]

[door shutting]

GUARD 1: What's going on?

GUARD 2: I don't even know.

There's someone else here.

GUARD 1: Is he still here?

Where is he?

GUARD 2: He could go around.

GUARD 1: All right.

I'll check it out.

MAN: Don't forget to file the
rest of those video tapes.

Ah.

Too much, I think.

Too much too fast.

He must see me.

He must see it is me.

I don't want to hear.

Yes.

Check bungalow 3.

Make sure he's still there.

Someone stole Dr. Decker's key.

[music playing]

[birds chirping]

Hi.

Hi.

He did that to you?

Norm did it.

Ernst doesn't like
to bruise his hands.

It's happened before.

It'll happen again.

He'll never let you leave.

You know, somebody penetrated
security last night.

You're the only one
that could've done it.

It's got him
puzzled, as he looked

at the tapes of his
TV security, and, uh,

you never left your bungalow.

How'd you manage that?

Oh, people that have
fancy security systems

tend to rely on them
a little bit too much.

Makes them vulnerable
to their own system.

So the tape room, I got
a way to destroy the t--

I don't know what your
purpose is in coming here,

but I must ask you to gather
your things and leave.

Leave now, while I'm
still in favor of it.

Well, a big howdy to you both.

I didn't know we were wearing
our six guns to breakfast.

I'd have brought mine.

Go, or I'll have
you forcibly ejected.

Then I assume
that the services

of this here institution are no
longer available to my hotel?

Been real nice chatting
with you, ma'am.

Howdy, Normy.

I'm sorry, me dear, you had
to be subjected to that rather

embarrassing moment.

I don't suppose you're just
gonna show that hog leg to me,

are you Normy?

Dr. Decker doesn't
like to upset the missus,

so I generally don't use
this in front of her inside.

Damn fine sense of
propriety you got there, son.

[gunshot]

[music playing]

You Joe, you will no
walk if you wait too long.

You Joe, what is your name?

Your mind cannot resist me.

You tell me Joe,
what is your name?

MENDOSA: Who are you are?

SOLDIER: You tell me
Joe, what is your name?

MENDOSA: Who are you?

You work for the police?

I will know who you are, senior.

Do you see me?

Yeah, but you look terrible.

I will eliminate his memory.

Everything he is will
die inside his head.

No, no, I already
had my checkup.

[surging electricity]

[music playing]

Again, what is your name?

SOLDIER: What is your name?

Who are you?

SOLDIER: What is your name?

DOCTOR: What is your name?

You cannot resist me.

BOTH: I have paralyzed
that part of your mind

the resists commands.

What is your name?

What is your name?

Your name is Mark.

I'm gonna give him
another jolt. Tell Ernst.

[glass breaking]

Where did you get that?

It's a-- it's a ta-- taser.

Somebody left it under
the operating t--

table.
Lucky break.

Are you OK?

Oh yeah, great.

My eyes.

I can't-- I can't see very well.

We've got to go.
I've got your car outside.

We've got to go now.
- No, no.

No, no.

No, no.

Where-- where's
the drug cabinet?

It's here.

You OK?

Here.

You know any of these drugs?

No.

What are you choosing?

Well, we'll take pot luck.

Hallucinogens.

Diethyltryptamine.

We used
dimethyltryptamine in Nam.

It's got to be close.

Where do the guards
drink their coffee?

Uh, at the end of the
corridor, to the left.

Stay here.

[music playing]

Hiya, Normy.

Stay here.

[chatter]

[whistling]

Oh God.

Evelyn.

Evelyn!

What are you doing?
Let's go.

Let's get out of here.

We'll never make it.

They got 30 guards
in this place.

I juiced up the coffee.

We need time to make it work.

But they won't I'll drink it.

Two or three will be enough.

We need confusion.

Just give it a few minutes.

So it was either
Mexico or Canada.

We decided on Canada 'cause
my girlfriend's folks

live up in Seattle and--

[laughter]

We'd probably drive
up through Big Sur.

[laughter]

Get back.

[music playing]

Come on, come on.
Let's go, let's go.

Fire.
Let's go.

Come on, get.

EVELYN: Fire.

Come on!

Come on.

[gunshot]

[laughter]

ERNST: Oh no.

He's trying to
escape with Evelyn.

Get them!

[music playing]

(SINGING) Shoom.

Get out.

[gunshot]

[laughter]

Hey, stop him!

Stop!

You idiots, stop him!

[tires screeching]

[laughter]

[gunshot]

Evelyn!

(SINGING) Shoom.

Yes.

Take this car.

Head back to Fort Worth.

Where are you going?

It's not finished.

I need Tony Mendosa.

Come on, man.

Brothers don't run.

Hey man, brothers
don't run, man!

MENDOSA: Get me to my boat.

Here see.

[engine starting]

I don't even know
your real name.

You shouldn't.

[music playing]

Where is he?

[music playing]

(SINGING) Well the razor
cuts, and it cuts both ways.

It's a half a day
when the pusher pays.

Gonna break him down,
gonna bring him in.

Gonna give him a dose
of his own medicine.

White heat on the
street, cocaine.

Junkies eating right
out of his hand.

White heat on the
street, cocaine.

Yeah, they're hungry
for some action.

He's the man.

All right, all right, yeah.

Shoom.

Andale, andale!

Vamos!

(SINGING) All right,
all right, all right,

all right, all right, yeah.

[horn blowing]

[music playing]

Its-- it's turning gray.

[groaning]

Can you see me?

14 kilos, huh?

Guess it's too much.

Can you see me?

Yeah, but you look terrible.

MENDOSA: Can you see me?

Can you see me?

Has the jury reached a verdict
in the case of The People

versus Louis Magna?

We have, Your Honor.

Would you, uh, hand it
to the bailiff please?

We the jury, in the
above entitled action do

find the defendant, Louis Magna,
guilty of the crime of murder.

And we find it to be
murder of the first degree.

You did it.

Thank you.

Who are you looking for, kid?

Oh, he said he'd be here.

He promised,

[chatter]

He's gone.

He's gone.

[speaking spanish]

Daphne?

Are you OK?

Yeah.

I wanted to tell him what Dr.
Rosenberg said about Eddie.

I wanted to tell him that
Eddie was getting better.

Who?

Tell who?

I don't know his name.

If it's this
guy Mark Bouchard,

you don't want to know him.

He's got a sheet that
looks like a grocery list,

He used to be in the CIA.

And now he does bag jobs for
South American countries.

What?

Where did that come in?

This morning.

A little bit hard to get.

Ha.

This guy's got some
heavy downfield blockers.

So he is Mark Bouchard.

I knew it was him.

I knew it.

Hey, where you going?

Yes?

Hi, I'm looking for Mark.

Who shall I say is calling?

Tell him it's Daphne Delgado.

Just a moment.

Yes?

You're not Mark Bouchard.

Who are you, Miss?

Look, I've got to be someplace.

I'm supposed to be at
the airport in an hour.

Mark Bouchard.

He's-- he's very handsome.

He's got big brown eyes.

Mark Bouchard.

Mark please,
you've got to hurry.

The ambassador's afraid
you're gonna miss your flight.

Yeah, yeah.
Thank you.

OK?

Let's go.

JENNIFER: Mark?

Yeah?

JENNIFER: Don't forget this.

MARK: Thanks, Jennifer.

Do-- um, do you know a Ray?

I don't know his last name.

We were here last night.

Oh, you must be mistaken.

This is Ambassador
Mason's house.

I'm his wife.

Nobody lives here but us.

Wait.

It's very important that I
find him, that I see him again.

Well, I wouldn't
worry about that, dear.

Oh, I'm sure he'll call
you sometime, somewhere.

I'm sure you'll see
him one more time.

[music playing]

[theme music]