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[upbeat music]
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‐ Whoo!
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Season four, we're in a new place.
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‐ Yeah. ‐ Some changes have been made.
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‐ They don't know we're gonna be there, too, so‐‐
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‐ And they walk in and they see us and they go...
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‐ No audience for the first round.
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‐ I dig that. There's no distraction.
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‐ You can't hide behind the lights, the stage.
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‐ Let's go see what it looks like.
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‐ It really shows if you have it,
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if you can, like, light up a room.
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‐ It's very really. Speaking of lighting up a room.
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‐ Let's see what happens today.
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‐ ♪ It ain't my fault that I'm out here gettin' loose ♪
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‐ Oh, boy, if the dance thing doesn't work out,
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I might just rent this out.
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‐ [laughs] Live here?
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‐ Might just live here.
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‐ ♪ It ain't my fault that I'm out here makin' news ♪
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♪ I'm the pudding in the proof ♪
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‐ Boom, bounce, stop.
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‐ All right, okay, so we're moments away from going in.
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Have fun, okay? ‐ Thank you.
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[dramatic music]
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‐ Three, two...
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‐ And you go.
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‐ Hello. ‐ Hi!
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‐ Hi. ‐ Hi, sweetie.
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‐ Look at that smile.
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‐ Keagan?
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‐ Yes. ‐ How are you?
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‐ Good. How are you? ‐ Good.
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Were you expecting to see us? ‐ No, not at all.
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‐ Are you happy to see us? ‐ Yes.
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‐ Clearly. I'm loving it. I'm loving the smile.
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‐ How old are you? ‐ I'm 13.
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‐ You're 13? ‐ Yes.
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Hi, my name is Keagan Capps. I'm 13 years old,
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and I'm a contemporary dancer from Moore, Oklahoma.
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Being from a small town, I definitely think
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people underestimate what I'm able to do on the dance floor.
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Like, I say, "Oh, yeah, I'm from Oklahoma,"
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and people go, like, "What?"
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‐ Where is Oklahoma?
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Somewhere in the middle, right?
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‐ ♪ Oklahoma! ♪
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‐ They think that I ride a horse to school,
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or that we live in, like, a tent or something.
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But it's definitely not that way.
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I live in a normal house.
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We drive normal cars. [laughs]
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Live is very normal.
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[upbeat music]
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"World of Dance" is one of the biggest opportunities
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I've ever had.
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♪ ♪
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I want to show that just because
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I'm from a small town in Oklahoma
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doesn't mean that I can't go make this dream happen.
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‐ Are you ready to do some dancing for us?
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‐ Yes. ‐ Let's do it.
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‐ Let's do it. ‐ Yep.
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‐ Okay.
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‐ Mm‐hmm.
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[balladic pop music]
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♪ ♪
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‐ What? ‐ Oh.
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Okay. ‐ ♪ Another head hands lowly ♪
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♪ Child is slowly taken ♪ ‐ Wow.
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‐ ♪ But you see it's not me ♪
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♪ It's not my family ♪
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♪ In your head, in your head ♪
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‐ Wow. ‐ ♪ They're all cryin' ♪
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♪ In your head ♪
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♪ In your head ♪
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♪ Zombie ♪
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♪ Zombie ♪
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♪ Zombie ♪
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[vocalizing]
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‐ Wow.
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‐ ♪ In your head ♪
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♪ In your head ♪
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♪ Zombie ♪
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♪ Zombie ♪
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♪ Zombie ♪
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‐ Wow. ‐ Yeah!
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All right! ‐ Wow.
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‐ Show‐off!
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‐ [laughs] ‐ Wow.
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Keagan. ‐ That was beautiful.
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‐ Thank you so much.
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‐ So how old were you when you learned
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that you could literally wring yourself out like a towel?
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Like, how old were you when you figured that out?
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Goodness gracious. ‐ Well, it's kind of taken
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a lot of practice.
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I do mostly ballet and contemporary,
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and so my ballet has definitely helped me
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be able to, like, contort my body like that.
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‐ Yeah. ‐ Sometimes when I see that,
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‐ It looks Gumby and it looks like uncontrol‐‐
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you had‐‐there was so much control and so much stability
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in everything that you did. It was so wonderful to watch.
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‐ When a dancer can do that,
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they tend to overdo it. It's like,
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"Look, hey, I'm super‐flexible,"
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and it's, like, "Is that it? Is that all there is?"
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It's clearly not it with you.
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‐ Thank you. ‐ Very, very impressed.
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‐ I love what Derek wrote here. "Alien."
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[laughter]
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‐ I did. I wrote down "alien"
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'cause, like, you're not‐‐ ‐ You're from another planet.
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‐ You're not, like, real, honestly.
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It's wild. It's other‐worldly.
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It's, like, not even, like, human.
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‐ For me, it's always about the story.
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It's always about what you're trying to say
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with your body, with your moves,
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with your dancing.
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And we didn't see all of what you had today.
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There's something even more special there, I feel.
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‐ Thank you. ‐ Really, really impressive.
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‐ Thank you so much. ‐ You little alien.
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‐ [giggles] ‐ You little alien.
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‐ I'm gonna go out on a limb here.
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‐ Do it, go on a limb. ‐ I'm gonna say
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it's a yes for me.
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‐ It's a yes for me.
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‐ Yes. [laughter]
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‐ You're onto the Duels. ‐ Thank you.
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‐ Congratulations, and we'll see you there.
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‐ Thank you so much. ‐ Well done, Keagan.
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‐ Congrats.
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‐ She was good. Really good.
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‐ I'm waiting to see that move that she did.
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Come on, come on, come on.
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‐ Put your leg‐‐ ‐ This one?
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‐ Put your head underneath. ‐ I believe in you.
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‐ You're gonna have to put my head underneath.
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‐ Can you get over here?
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‐ Yeah?
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‐ Yes. ‐ Yeah, go ahead!
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‐ Bless you. ‐ Thank you.
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‐ You showed up today.
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‐ Thank you so much. ‐ How did it feel
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to hear that kind of response?
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‐ It felt really good,
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and I just want to keep impressing them
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through each round.
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‐ The Duels mean business.
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‐ Yeah.
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‐ Bring everything you got‐‐
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‐ Okay. ‐ To that dance floor.
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All right? ‐ Okay.
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‐ So excited for you guys. ‐ Thank you.
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‐ So excited.
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‐ It's the "World of Dance."
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‐ World. The whole world.
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‐ How we celebrate, it's how we mourn‐‐
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‐ It's still how we celebrate.
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‐ Yeah. ‐ It's still‐‐like,
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you do the happy dance
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when you get a phone call with good news.
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You do the happy dance when you see your food
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coming at the restaurant. both: Mm‐hmm.
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‐ You dance at your wedding.
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You dance, you know, at your baptisms.
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‐ I don't know what kind of baptism you had.
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I definitely did not‐‐
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‐ They danced at my baptism.
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‐ Praise dancing, yeah. It's a real thing.
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‐ That's beautiful, though. It really is.
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‐ What you remember, where it comes from.
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There's roots in religion and tradition
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and culture and that's what makes everything so beautiful,
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the differences that we have.
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[upbeat music]
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‐ One, two, and three.
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‐ [yells] ‐ [laughs]
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[laughs]
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‐ Antonio and Maria.
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‐ Love you, Jennifer Lopez.
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‐ Why hello there. ‐ Hi.
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‐ Costumes. ‐ Welcome!
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‐ She's coming in like a leopard.
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Let's go.
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both: Hi! ‐ Hi!
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So how old are you?
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‐ [speaking Italian]
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‐ Oh. Oh, hello.
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‐ [Speaking Italian] ‐ 11.
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‐ 11 and 13.
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all: Wow. ‐ Are you guys ready to dance?
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‐ Yes. ‐ Let's do it.
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‐ Let's get it.
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[upbeat music]
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♪ ♪
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‐ Whoo! ‐ Hey!
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‐ All right. ‐ Adorable.
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‐ Great job. ‐ You guys had some
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really good energy.
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Really good dancers, too.
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‐ So I'm a ballroom and Latin dancer,
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and I've danced since I was nine years old.
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And one day, I was, like, 13 years old,
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and it, like, clicked.
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I don't feel like you've crossed
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that threshold just yet,
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but you're on your way.
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‐ There's still a level of maturity in your movement
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that I feel like you need to reach
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before you're completely ready
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for the "World of Dance" stage,
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so it's gonna be a no for me.
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‐ For me, it's gonna be a no,
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but I would love to see you guys come back next season
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'cause I think you'll be fantastic.
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‐ Thank you. ‐ Thank you so much, guys.
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‐ Bye‐bye. ‐ I'm sorry.
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‐ Bye, guys.
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‐ Bye‐bye.
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[upbeat music]
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♪ ♪
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‐ Let's get it.
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‐ Hello. ‐ Ooh, dapper.
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Dapper.
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‐ Look at these sharp‐dressed gentlemen.
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‐ Where you guys from?
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‐ The Netherlands, Amsterdam.
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‐ The name is Avant Garde.
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You know, that means innovation,
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and we mix different styles.
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Like, we dressed everybody as his own character,
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and everybody has his own dance style.
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‐ Let's see it. ‐ Let's do it.
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[upbeat music]
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♪ ♪
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I am pleasantly confused.
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[laughs]
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I was not expecting that.
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I really wasn't.
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I'm gonna cut right to the chase.
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This is a yes for me.
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‐ Is it really? ‐ It's a yes for me.
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I dug it. I really, really dug it.
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‐ For me, the dancing didn't feel strong enough.
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It's gonna be a no for me, so it's up to Derek.
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‐ Oh, man.
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It's gonna be a callback for me.
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You gotta do more of the breaking
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'cause those were the wow moments for sure.
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I think energetically, just everything
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needs to be a little bit more.
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‐ Thank you, thank you. ‐ See you at the callback.
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‐ ♪ Won't you sing me a sweet lullaby? ♪
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[upbeat music]
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[all shouting]
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♪ ♪
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♪ ♪
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‐ Okay, stand by.
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‐ Who next, who next?
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‐ I'm ready.
265
00:10:40,974 --> 00:10:43,601
‐ Three, two...
266
00:10:43,601 --> 00:10:44,978
‐ And you go.
267
00:10:44,978 --> 00:10:46,437
‐ Whoo!
268
00:10:49,983 --> 00:10:51,151
‐ [gasps] [all shouting]
269
00:10:51,151 --> 00:10:53,862
‐ Oh, my gosh. ‐ Oh!
270
00:10:55,905 --> 00:10:57,824
[laughter]
271
00:10:57,824 --> 00:10:59,159
‐ How are you?
272
00:10:59,159 --> 00:11:00,451
[all shouting]
273
00:11:00,451 --> 00:11:02,287
‐ Hi! ‐ Wow!
274
00:11:02,287 --> 00:11:04,497
‐ Hi. ‐ Yes.
275
00:11:04,497 --> 00:11:06,374
‐ Well, hi, y'all. ‐ I love that, I love that.
276
00:11:06,374 --> 00:11:09,085
all: Hello! ‐ Hi!
277
00:11:09,085 --> 00:11:11,337
‐ Hello, nice to meet you. I'm Anna, their interpreter.
278
00:11:11,337 --> 00:11:12,672
‐ How are you, Anna? ‐ Okay, nice to meet you, Anna.
279
00:11:12,672 --> 00:11:14,507
‐ Please. Okay, Chibi Unity.
280
00:11:14,507 --> 00:11:15,758
‐ Yeah! Chibi Unity.
281
00:11:15,758 --> 00:11:17,177
‐ All right, what are you feeling right now?
282
00:11:17,177 --> 00:11:18,178
Put me in your head.
283
00:11:18,178 --> 00:11:20,263
‐ [speaking Japanese]
284
00:11:24,184 --> 00:11:26,311
‐ [speaking Japanese]
285
00:11:28,188 --> 00:11:29,647
‐ Whenever they opened the door,
286
00:11:29,647 --> 00:11:32,275
they really didn't expect to see you guys,
287
00:11:32,275 --> 00:11:35,445
and they're really, like, really excited to see you guys.
288
00:11:35,445 --> 00:11:37,030
‐ Are we ready? ‐ Yeah!
289
00:11:37,030 --> 00:11:38,489
‐ Yeah? Let's do it.
290
00:11:40,200 --> 00:11:41,701
‐ Whoo! ‐ I like the energy.
291
00:11:41,701 --> 00:11:43,661
Come on. ‐ Hyping me up.
292
00:11:43,661 --> 00:11:45,038
‐ I love it.
293
00:11:45,038 --> 00:11:47,415
‐ ♪ Some nights I stay up ♪
294
00:11:47,415 --> 00:11:49,834
♪ Cashing in my bad luck ♪
295
00:11:49,834 --> 00:11:53,296
♪ Some nights, I call it a draw ♪
296
00:11:53,296 --> 00:11:55,465
♪ But I still wake up ♪
297
00:11:55,465 --> 00:11:57,383
♪ I still see your ghost ♪
298
00:11:57,383 --> 00:11:59,844
♪ Oh, Lord, I'm still not sure ♪
299
00:11:59,844 --> 00:12:02,722
♪ What I stand for, oh ♪
300
00:12:02,722 --> 00:12:04,724
What do I stand for?
301
00:12:04,724 --> 00:12:08,394
♪ Most nights, I don't know ♪
302
00:12:08,394 --> 00:12:10,396
♪ Anymore ♪
303
00:12:10,396 --> 00:12:12,690
‐ Come on. ‐ [vocalizing]
304
00:12:12,690 --> 00:12:17,737
[upbeat music]
305
00:12:17,737 --> 00:12:19,822
♪ Well, that is it, guys, that is all ♪
306
00:12:19,822 --> 00:12:21,908
♪ Five minutes in and I'm bored again ♪
307
00:12:21,908 --> 00:12:23,576
♪ Ten years of this, I'm not sure ♪
308
00:12:23,576 --> 00:12:26,412
♪ If anybody understands ♪
309
00:12:26,412 --> 00:12:28,206
♪ The other night, you wouldn't believe ♪
310
00:12:28,206 --> 00:12:30,792
♪ The dream I just had about you and me ♪
311
00:12:30,792 --> 00:12:33,419
I called you up, but we'd both agree ♪
312
00:12:33,419 --> 00:12:36,464
♪ ♪
313
00:12:39,926 --> 00:12:41,886
‐ Hey! ‐ Hai!
314
00:12:41,886 --> 00:12:43,429
‐ Hai. ‐ Yeah.
315
00:12:43,429 --> 00:12:46,099
‐ Oh, my God. I love that last move.
316
00:12:46,099 --> 00:12:47,225
‐ Thank you! ‐ That breath.
317
00:12:47,225 --> 00:12:49,060
‐ Quality. ‐ Thank you!
318
00:12:49,060 --> 00:12:50,186
‐ Quality, quality.
319
00:12:50,186 --> 00:12:52,855
‐ Their breath in unison was so‐‐oh.
320
00:12:52,855 --> 00:12:55,108
The choreography for me was a real standout.
321
00:12:55,108 --> 00:12:57,277
Really great. It has a real style to it
322
00:12:57,277 --> 00:12:59,779
that feels signature, which I think really
323
00:12:59,779 --> 00:13:03,032
helps in this competition that you have your own style.
324
00:13:03,032 --> 00:13:04,284
all: Thank you!
325
00:13:04,284 --> 00:13:06,202
‐ Like Jennifer said, the emotion and, like,
326
00:13:06,202 --> 00:13:07,787
the feeling and what you guys were doing,
327
00:13:07,787 --> 00:13:08,913
I really felt that,
328
00:13:08,913 --> 00:13:10,331
but there was a moment
329
00:13:10,331 --> 00:13:12,667
where there was a big setup and, like, you ran back,
330
00:13:12,667 --> 00:13:14,127
and then you climbed onto their backs.
331
00:13:14,127 --> 00:13:16,087
For me, I was expecting, like, a‐‐
332
00:13:16,087 --> 00:13:17,630
[gasps] Moment.
333
00:13:17,630 --> 00:13:19,132
And it was like a...
334
00:13:19,132 --> 00:13:20,425
[whimpers]
335
00:13:20,425 --> 00:13:23,594
So if you're going to do a trick
336
00:13:23,594 --> 00:13:25,555
or a visual, it has to be‐‐
337
00:13:25,555 --> 00:13:27,640
‐ Something amazing. ‐ I can't be like, "Oh."
338
00:13:27,640 --> 00:13:28,975
‐ Ne‐Yo, what'd you feel, man?
339
00:13:28,975 --> 00:13:30,768
‐ Okay, so it started a little slow.
340
00:13:30,768 --> 00:13:34,439
The first 10, 15 seconds was not a lot of movement,
341
00:13:34,439 --> 00:13:36,566
and you don't have a lot of time up there.
342
00:13:36,566 --> 00:13:37,942
Once the energy picked up,
343
00:13:37,942 --> 00:13:39,402
it kept going through the whole thing.
344
00:13:39,402 --> 00:13:40,820
I was thoroughly impressed.
345
00:13:40,820 --> 00:13:42,488
[overlapping chatter]
346
00:13:42,488 --> 00:13:43,573
‐ Thank you!
347
00:13:43,573 --> 00:13:45,324
‐ Guys, remember, you need to yeses
348
00:13:45,324 --> 00:13:48,327
to go through to the Duels, okay?
349
00:13:48,327 --> 00:13:49,620
‐ You know what?
350
00:13:49,620 --> 00:13:50,830
It's a yes.
351
00:13:50,830 --> 00:13:52,123
‐ Thank you!
352
00:13:52,123 --> 00:13:54,208
‐ I think for me, it's a yes.
353
00:13:54,208 --> 00:13:57,170
[all shouting]
354
00:13:57,170 --> 00:13:59,672
‐ Definite yes, but notes.
355
00:13:59,672 --> 00:14:01,632
Take these notes. They're there to help.
356
00:14:01,632 --> 00:14:03,176
We need the energy from the jump,
357
00:14:03,176 --> 00:14:04,594
from the very, very beginning.
358
00:14:06,262 --> 00:14:08,014
‐ We'll see you in the Duels. ‐ In the Duels.
359
00:14:08,014 --> 00:14:09,932
‐ Yeah!
360
00:14:09,932 --> 00:14:11,184
‐ I feel like I have to do it back.
361
00:14:11,184 --> 00:14:12,852
‐ Oh! ‐ I love you!
362
00:14:12,852 --> 00:14:15,104
[laughter]
363
00:14:15,104 --> 00:14:16,439
‐ Thank you!
364
00:14:16,439 --> 00:14:17,857
‐ They are funny.
365
00:14:17,857 --> 00:14:22,028
[all shouting]
366
00:14:22,028 --> 00:14:23,863
‐ Yeah!
367
00:14:23,863 --> 00:14:25,490
Yeah!
368
00:14:31,704 --> 00:14:34,791
‐ ♪ Don't give up on me now ♪
369
00:14:39,587 --> 00:14:39,922
‐ [mutters]
370
00:14:42,298 --> 00:14:46,552
‐ ♪ Always follow who you are ♪
371
00:14:46,552 --> 00:14:48,054
♪ Come to life ♪
372
00:14:48,054 --> 00:14:51,057
[upbeat pop music]
373
00:14:51,057 --> 00:14:53,017
♪ Come to life ♪
374
00:14:53,017 --> 00:14:54,060
‐ I need you, I need you.
375
00:14:54,060 --> 00:14:56,062
I'm dancing with an invisible person.
376
00:14:56,062 --> 00:14:58,022
I need a human being.
377
00:14:58,022 --> 00:15:00,358
Turn out that way. That's it.
378
00:15:00,358 --> 00:15:01,818
[laughs]
379
00:15:01,818 --> 00:15:02,860
‐ How are you? ‐ Now we're partnered.
380
00:15:02,860 --> 00:15:04,695
‐ I've never partnered well.
381
00:15:04,695 --> 00:15:06,364
‐ God, Ne‐Yo.
382
00:15:06,364 --> 00:15:07,782
‐ I don't partner well. ‐ Gosh.
383
00:15:10,660 --> 00:15:12,078
‐ Seven, eight.
384
00:15:12,078 --> 00:15:15,206
[both muttering]
385
00:15:16,457 --> 00:15:18,000
‐ I'm Josh. ‐ And I'm Erica.
386
00:15:18,000 --> 00:15:20,086
‐ And we're an urban dance duo from Los Angeles.
387
00:15:20,086 --> 00:15:23,422
‐ ♪ Every time I see your face ♪
388
00:15:23,422 --> 00:15:25,550
‐ Last year, I was actually on "World of Dance"
389
00:15:25,550 --> 00:15:26,926
with my duet partner Aidan,
390
00:15:26,926 --> 00:15:28,427
but unfortunately, we did not
391
00:15:28,427 --> 00:15:29,595
make it through the first round.
392
00:15:29,595 --> 00:15:30,847
‐ I almost can feel
393
00:15:30,847 --> 00:15:33,099
that you haven't been together a long time.
394
00:15:33,099 --> 00:15:36,269
Almost a chemistry that is lacking a little bit.
395
00:15:36,269 --> 00:15:38,104
‐ Once they gave you that advice,
396
00:15:38,104 --> 00:15:39,772
I was like, "Wait, we're dating.
397
00:15:39,772 --> 00:15:41,440
That's chemistry right there. Here we go."
398
00:15:41,440 --> 00:15:43,067
You excited? ‐ Yes.
399
00:15:43,067 --> 00:15:44,735
‐ You're back. ‐ It's so different this time.
400
00:15:44,735 --> 00:15:46,612
‐ Back and you're better. ‐ It's so different.
401
00:15:46,612 --> 00:15:49,198
‐ We first met through social media, and‐‐
402
00:15:49,198 --> 00:15:51,576
‐ What really sparked it was we danced in a music video,
403
00:15:51,576 --> 00:15:54,412
and during that rehearsal, I was like,
404
00:15:54,412 --> 00:15:55,746
"Oh, my gosh, this person
405
00:15:55,746 --> 00:15:57,665
is the most incredible person I've ever met."
406
00:15:57,665 --> 00:16:02,587
‐ ♪ Tell me I'm forever yours ♪
407
00:16:02,587 --> 00:16:04,130
‐ Do you believe in us? ‐ I believe in us.
408
00:16:04,130 --> 00:16:05,631
‐ Do you believe in us? ‐ I believe.
409
00:16:05,631 --> 00:16:06,883
[laughs] ‐ Wow.
410
00:16:06,883 --> 00:16:08,634
This is an amazing opportunity
411
00:16:08,634 --> 00:16:10,303
where we get to dance together,
412
00:16:10,303 --> 00:16:12,597
and really bring the artistry that
413
00:16:12,597 --> 00:16:14,140
we connect with up here
414
00:16:14,140 --> 00:16:17,435
to connect with the audience out there.
415
00:16:17,435 --> 00:16:19,478
Let's do it. ‐ Okay.
416
00:16:21,105 --> 00:16:22,106
‐ Just gonna have you wait over here
417
00:16:22,106 --> 00:16:24,650
in our on‐deck circle.
418
00:16:24,650 --> 00:16:26,819
[heartbeat pulsing]
419
00:16:26,819 --> 00:16:27,987
‐ Let's do it. ‐ You're the one.
420
00:16:27,987 --> 00:16:29,947
‐ Love you. ‐ I love you so much.
421
00:16:29,947 --> 00:16:31,657
I love you, I love you, I love you.
422
00:16:31,657 --> 00:16:32,992
[heartbeat pulsing]
423
00:16:32,992 --> 00:16:34,368
[exhales]
424
00:16:35,494 --> 00:16:40,708
[dramatic music]
425
00:16:40,708 --> 00:16:42,501
[both whispering]
426
00:16:42,501 --> 00:16:43,669
‐ Hey! ‐ [laughs]
427
00:16:43,669 --> 00:16:45,463
‐ Oh, yeah! ‐ Hi!
428
00:16:45,463 --> 00:16:47,506
‐ How you guys doing? ‐ Hi, guys.
429
00:16:47,506 --> 00:16:48,507
How are you? ‐ You guys are here.
430
00:16:48,507 --> 00:16:49,967
‐ Good. They psyched us out.
431
00:16:49,967 --> 00:16:51,427
‐ Yeah. ‐ Yes.
432
00:16:51,427 --> 00:16:53,930
‐ They did psych you out. ‐ A little bit, a little bit.
433
00:16:53,930 --> 00:16:55,181
‐ Erica, you've been here before, right?
434
00:16:55,181 --> 00:16:56,349
‐ I have been here before.
435
00:16:56,349 --> 00:16:57,683
I'm so happy to be back.
436
00:16:57,683 --> 00:16:58,768
Yeah. ‐ That's right.
437
00:16:58,768 --> 00:17:00,269
Remind us what happened last time.
438
00:17:00,269 --> 00:17:02,480
‐ We didn't make it past the qualifiers round.
439
00:17:02,480 --> 00:17:04,023
‐ And obviously‐‐but you're with a different partner.
440
00:17:04,023 --> 00:17:05,024
‐ Yes, Yes, yes.
441
00:17:05,024 --> 00:17:06,442
‐ I'm a little bit shorter.
442
00:17:06,442 --> 00:17:07,443
‐ It's okay, it works. [laughs]
443
00:17:07,443 --> 00:17:08,486
‐ You guys seem to be gazing
444
00:17:08,486 --> 00:17:09,695
into each other's eyes longingly.
445
00:17:09,695 --> 00:17:10,821
Is there, like‐‐
446
00:17:10,821 --> 00:17:12,198
‐ Yeah, we've been dating‐‐
447
00:17:12,198 --> 00:17:14,450
‐ Oh, you are? ‐ Yeah, for a year and a half.
448
00:17:14,450 --> 00:17:15,868
‐ Yeah. ‐ Okay, all right.
449
00:17:15,868 --> 00:17:17,536
Well, I'm anxious to see the chemistry.
450
00:17:17,536 --> 00:17:18,829
I'm anxious to see what it is. Y'all ready?
451
00:17:18,829 --> 00:17:20,164
‐ Yeah, yes, we are. ‐ Thank you, we're ready.
452
00:17:20,164 --> 00:17:21,165
‐ Let's do it. ‐ Thank you, guys.
453
00:17:21,165 --> 00:17:22,416
‐ Whoo.
454
00:17:26,837 --> 00:17:28,130
‐ ♪ Mount Everest ♪
455
00:17:28,130 --> 00:17:32,051
♪ Ain't got‐‐one me ♪
456
00:17:32,051 --> 00:17:33,469
♪ Mount Everest ♪
457
00:17:33,469 --> 00:17:36,055
♪ Ain't got‐‐one me ♪
458
00:17:36,055 --> 00:17:38,724
♪ 'Cause I'm on top of the world ♪
459
00:17:38,724 --> 00:17:42,812
♪ I'm on top of the world, yeah ♪
460
00:17:42,812 --> 00:17:45,815
[vocalizing]
461
00:17:45,815 --> 00:17:52,863
♪ ♪
462
00:17:57,868 --> 00:17:59,537
♪ Tell 'em ♪
463
00:17:59,537 --> 00:18:01,289
♪ I burn down my house ♪
464
00:18:01,289 --> 00:18:03,374
♪ And build it up again ♪
465
00:18:03,374 --> 00:18:04,750
♪ Tell 'em ♪
466
00:18:04,750 --> 00:18:08,754
♪ I got me one‐‐and an alibi ♪
467
00:18:08,754 --> 00:18:09,714
♪ Tell 'em ♪
468
00:18:09,714 --> 00:18:11,048
♪ So much love ♪
469
00:18:11,048 --> 00:18:13,926
♪ That the whole thing feel like a lie ♪
470
00:18:13,926 --> 00:18:16,262
♪ I don't need nobody ♪
471
00:18:16,262 --> 00:18:18,097
♪ I don't need nobody ♪
472
00:18:18,097 --> 00:18:19,432
♪ I don't need nobody ♪
473
00:18:19,432 --> 00:18:21,684
♪ I don't need nobody ♪
474
00:18:21,684 --> 00:18:23,394
♪ I don't need nobody ♪
475
00:18:23,394 --> 00:18:25,438
♪ I don't need nobody, to save me ♪
476
00:18:25,438 --> 00:18:27,940
♪ Sweet, sweet ♪
477
00:18:27,940 --> 00:18:30,943
[vocalizing]
478
00:18:30,943 --> 00:18:32,278
♪ Mount Everest ♪
479
00:18:32,278 --> 00:18:36,032
♪ Ain't got‐‐on me ♪
480
00:18:36,032 --> 00:18:38,242
‐ All right, nice guys!
481
00:18:38,242 --> 00:18:39,619
‐ Whoop, whoop!
482
00:18:39,619 --> 00:18:41,078
‐ He said...
483
00:18:41,078 --> 00:18:42,288
‐ Good job.
484
00:18:42,288 --> 00:18:44,081
‐ There's nothing like real chemistry.
485
00:18:44,081 --> 00:18:45,499
‐ Amen. ‐ Real chemistry
486
00:18:45,499 --> 00:18:48,544
is something that you can't manufacture.
487
00:18:48,544 --> 00:18:49,629
‐ Very real. ‐ Right? The two of you
488
00:18:49,629 --> 00:18:51,714
together have an amazing chemistry.
489
00:18:51,714 --> 00:18:53,466
both: Thank you. ‐ It was really good.
490
00:18:53,466 --> 00:18:55,134
There were some very strong moves in there
491
00:18:55,134 --> 00:18:57,094
when they really worked with the musicality
492
00:18:57,094 --> 00:18:58,387
of your song.
493
00:18:58,387 --> 00:18:59,805
When you hit it the right way,
494
00:18:59,805 --> 00:19:01,140
it really worked.
495
00:19:01,140 --> 00:19:02,558
‐ Yeah, thank you.
496
00:19:02,558 --> 00:19:04,060
‐ Extremely powerful.
497
00:19:04,060 --> 00:19:05,061
‐ Thank you.
498
00:19:05,061 --> 00:19:06,479
‐ First and foremost, great job.
499
00:19:06,479 --> 00:19:08,481
There is no question whatsoever whether or not
500
00:19:08,481 --> 00:19:09,774
you guys are quality dancers.
501
00:19:09,774 --> 00:19:12,443
You clearly are. You wouldn't be here.
502
00:19:12,443 --> 00:19:14,111
Here's my issue.
503
00:19:14,111 --> 00:19:15,613
This is "World of Dance,"
504
00:19:15,613 --> 00:19:17,573
which kind of means that everybody's
505
00:19:17,573 --> 00:19:18,574
a quality dancer,
506
00:19:18,574 --> 00:19:19,575
so it's gotta be a little bit more
507
00:19:19,575 --> 00:19:20,993
than just the fact
508
00:19:20,993 --> 00:19:23,120
that you're really, really, really good at dancing.
509
00:19:23,120 --> 00:19:24,955
You know what I mean? There has to be something more.
510
00:19:24,955 --> 00:19:26,874
I like how hard you guys hit,
511
00:19:26,874 --> 00:19:28,501
but I will say that there were some places
512
00:19:28,501 --> 00:19:30,836
where, like, he hit so hard
513
00:19:30,836 --> 00:19:32,129
that it almost softened yours.
514
00:19:32,129 --> 00:19:33,339
You know what I mean?
515
00:19:33,339 --> 00:19:34,507
Because there were some places where, like,
516
00:19:34,507 --> 00:19:35,633
you were so‐‐bow!
517
00:19:35,633 --> 00:19:37,134
That hers her kind of bow.
518
00:19:37,134 --> 00:19:38,636
‐ Got it. ‐ So should you guys
519
00:19:38,636 --> 00:19:39,679
make it through to the next round,
520
00:19:39,679 --> 00:19:40,680
that's something to consider.
521
00:19:40,680 --> 00:19:41,972
‐ Okay. ‐ There's a marriage
522
00:19:41,972 --> 00:19:43,766
that has to happen. You're dating,
523
00:19:43,766 --> 00:19:45,184
but now there is a marriage that has to happen.
524
00:19:45,184 --> 00:19:46,185
‐ Oh. ‐ Okay?
525
00:19:46,185 --> 00:19:47,186
‐ Oh! ‐ [laughs]
526
00:19:47,186 --> 00:19:48,354
‐ D, what you thinking?
527
00:19:48,354 --> 00:19:49,689
‐ Here's my thoughts about this routine.
528
00:19:49,689 --> 00:19:51,691
Musicality was on point.
529
00:19:51,691 --> 00:19:52,983
The execution was great.
530
00:19:52,983 --> 00:19:55,194
The separation movement, solid, so there.
531
00:19:55,194 --> 00:19:56,362
Chemistry, check.
532
00:19:56,362 --> 00:19:58,322
But it's, like, utilize the tools.
533
00:19:58,322 --> 00:20:00,199
Utilize all the tools that you have,
534
00:20:00,199 --> 00:20:02,201
and, Erica, you're a sensational
535
00:20:02,201 --> 00:20:04,704
contemporary dancer with amazing ability
536
00:20:04,704 --> 00:20:05,830
in your movement,
537
00:20:05,830 --> 00:20:08,416
though I would say to access that,
538
00:20:08,416 --> 00:20:09,583
and utilize that.
539
00:20:09,583 --> 00:20:10,710
‐ Mm‐hmm. ‐ And I think that
540
00:20:10,710 --> 00:20:14,380
it could be just a better formula.
541
00:20:14,380 --> 00:20:16,465
‐ Guys, remember, you need two yeses
542
00:20:16,465 --> 00:20:18,718
to go through to the Duels.
543
00:20:18,718 --> 00:20:20,386
Ne‐Yo, what do you think?
544
00:20:20,386 --> 00:20:22,054
‐ You know what? I'm still not
545
00:20:22,054 --> 00:20:23,472
completely convinced.
546
00:20:23,472 --> 00:20:26,851
‐ ♪ Ooh, you should let me love you ♪
547
00:20:26,851 --> 00:20:27,852
‐ I'm still not completely convinced.
548
00:20:27,852 --> 00:20:28,894
It's a callback for me.
549
00:20:28,894 --> 00:20:30,563
‐ Okay. ‐ It's a callback for me.
550
00:20:30,563 --> 00:20:32,690
‐ Um, I think for me,
551
00:20:32,690 --> 00:20:34,358
it's...
552
00:20:34,358 --> 00:20:35,401
it's gonna be a yes.
553
00:20:35,401 --> 00:20:38,904
‐ ♪ Hold me now for evermore ♪
554
00:20:38,904 --> 00:20:41,407
‐ Okay, so you got a callback. You got a yes.
555
00:20:41,407 --> 00:20:43,993
‐ ♪ Tell me I'm forever yours ♪
556
00:20:43,993 --> 00:20:44,994
‐ It's gonna be a yes for me.
557
00:20:44,994 --> 00:20:47,413
‐ Yay! ‐ All right?
558
00:20:47,413 --> 00:20:48,748
‐ So we're doing it. ‐ Thank you, guys.
559
00:20:48,748 --> 00:20:51,459
‐ You're doing it. We'll see you in the Duels!
560
00:20:51,459 --> 00:20:52,543
[overlapping chatter]
561
00:20:52,543 --> 00:20:53,753
‐ Thank you, guys. Appreciate it.
562
00:20:53,753 --> 00:20:55,171
‐ All right. ‐ Bye, guys, congrats.
563
00:20:55,171 --> 00:20:56,589
‐ We did it, we did it, we did it!
564
00:20:56,589 --> 00:20:58,215
We did it, we did it, we did it!
565
00:20:58,215 --> 00:20:59,592
‐ This looks like a celebration.
566
00:20:59,592 --> 00:21:00,843
both: Yeah. ‐ Congratulations!
567
00:21:00,843 --> 00:21:01,927
‐ Thank you, thank you.
568
00:21:01,927 --> 00:21:03,763
‐ I really just wanted to make it
569
00:21:03,763 --> 00:21:05,264
further than last year.
570
00:21:05,264 --> 00:21:06,766
‐ Mission accomplished. ‐ We did, we did.
571
00:21:06,766 --> 00:21:09,894
[upbeat music]
572
00:21:16,066 --> 00:21:16,609
‐ ♪ You gotta keep the faith ♪
573
00:21:17,610 --> 00:21:18,944
♪ You gotta keep the faith ♪
574
00:21:18,944 --> 00:21:20,529
‐ Wow.
575
00:21:21,614 --> 00:21:23,407
‐ So are you nervous?
576
00:21:23,407 --> 00:21:24,742
‐ I'm a little nervous,
577
00:21:24,742 --> 00:21:26,702
'cause it's my first time‐‐ like, going by myself,
578
00:21:26,702 --> 00:21:28,120
like, doing a solo, so‐‐ ‐ Really?
579
00:21:28,120 --> 00:21:29,455
‐ How you feeling?
580
00:21:29,455 --> 00:21:32,249
‐ A little nervous just because I'm different
581
00:21:32,249 --> 00:21:34,043
than a lot of the other people.
582
00:21:34,043 --> 00:21:35,628
‐ There are some well‐known people here.
583
00:21:35,628 --> 00:21:36,629
‐ Yeah. ‐ We come from a small town
584
00:21:36,629 --> 00:21:37,963
in Chicago.
585
00:21:37,963 --> 00:21:40,132
‐ This is an experience of a lifetime, guys.
586
00:21:40,132 --> 00:21:42,802
And this is the time to show America what we got.
587
00:21:42,802 --> 00:21:46,055
‐ We are... all: The Break Ninjaz!
588
00:21:46,055 --> 00:21:47,932
‐ ♪ Go, ninja, go, ninja, go! ♪
589
00:21:47,932 --> 00:21:49,975
♪ Go, ninja, go, ninja, go! ♪
590
00:21:49,975 --> 00:21:52,144
♪ Go, go, go, go! ♪
591
00:21:52,144 --> 00:21:53,646
‐ To be a Break Ninja, you have to follow
592
00:21:53,646 --> 00:21:54,772
our three rules.
593
00:21:54,772 --> 00:21:56,148
all: Have fun,
594
00:21:56,148 --> 00:21:57,608
work hard,
595
00:21:57,608 --> 00:21:58,984
and help each other.
596
00:21:58,984 --> 00:22:01,779
‐ ♪ Ninja, ninja rap ♪
597
00:22:01,779 --> 00:22:03,113
‐ We're all athletes,
598
00:22:03,113 --> 00:22:05,324
even though we do, like, 100 push‐ups,
599
00:22:05,324 --> 00:22:06,659
you know, it doesn't feel like work, like‐‐
600
00:22:06,659 --> 00:22:08,786
‐ Y'all don't do 100 push‐ups. ‐ Yes, we do!
601
00:22:08,786 --> 00:22:09,995
‐ Let's get ten right now, then.
602
00:22:09,995 --> 00:22:11,872
Let's get ten right now.
603
00:22:11,872 --> 00:22:16,293
Six, seven, eight, nine, ten.
604
00:22:16,293 --> 00:22:19,505
Okay. Okay. I take it back.
605
00:22:19,505 --> 00:22:21,340
Maybe I need to do a little bit more push‐ups.
606
00:22:21,340 --> 00:22:23,843
‐ ♪ Go, ninja, go, ninja, go ♪
607
00:22:23,843 --> 00:22:25,469
‐ In the breaking culture,
608
00:22:25,469 --> 00:22:26,804
you get a nickname.
609
00:22:26,804 --> 00:22:28,138
I am B‐boy Babalu.
610
00:22:28,138 --> 00:22:29,348
‐ And I'm A‐Plus.
611
00:22:29,348 --> 00:22:31,183
‐ I'm Capital. ‐ The Blondie.
612
00:22:31,183 --> 00:22:33,519
‐ I'm Taylor. I just use my normal name
613
00:22:33,519 --> 00:22:34,645
'cause I like it.
614
00:22:34,645 --> 00:22:35,646
[laughter]
615
00:22:35,646 --> 00:22:38,357
‐ Oh, yeah! Go, Babalu!
616
00:22:38,357 --> 00:22:40,442
[all cheering]
617
00:22:40,442 --> 00:22:42,444
all: Go, ninja, go, ninja, go.
618
00:22:42,444 --> 00:22:44,488
Go, ninja, go, ninja, go.
619
00:22:44,488 --> 00:22:46,657
Break Ninjaz!
620
00:22:46,657 --> 00:22:48,033
‐ Next.
621
00:22:48,033 --> 00:22:49,326
‐ And you go. ‐ Okay.
622
00:22:49,326 --> 00:22:53,581
[dramatic music]
623
00:22:53,581 --> 00:22:54,582
‐ [gasps]
624
00:22:54,582 --> 00:22:55,875
‐ Oh, my gosh!
625
00:22:55,875 --> 00:22:57,877
‐ Hey! ‐ Yo!
626
00:22:57,877 --> 00:22:59,879
How are you? ‐ Hi, guys.
627
00:22:59,879 --> 00:23:00,838
‐ Yo.
628
00:23:00,838 --> 00:23:02,798
‐ What's up? ‐ Hi!
629
00:23:02,798 --> 00:23:04,174
‐ What's up? ‐ Hi!
630
00:23:04,174 --> 00:23:05,968
‐ How are you?
631
00:23:05,968 --> 00:23:07,386
‐ Yeah, look at this group.
632
00:23:07,386 --> 00:23:08,721
Like, how old are you, my man?
633
00:23:08,721 --> 00:23:09,889
‐ I'm ten.
634
00:23:09,889 --> 00:23:11,515
‐ He said, "what's up? I'm ten."
635
00:23:11,515 --> 00:23:12,850
‐ All breaking, all breakdancing.
636
00:23:12,850 --> 00:23:14,393
‐ All breaking. ‐ Yeah, all breaking.
637
00:23:14,393 --> 00:23:15,519
‐ I mean, I love breakdancing.
638
00:23:15,519 --> 00:23:16,979
I'm from the Bronx. I love it.
639
00:23:16,979 --> 00:23:18,397
I grew up with it.
640
00:23:18,397 --> 00:23:20,190
It was kind of invented at the time
641
00:23:20,190 --> 00:23:22,902
that was, like, your guys' age down here.
642
00:23:22,902 --> 00:23:25,905
And it's something that is very close to my heart,
643
00:23:25,905 --> 00:23:29,074
so I just love seeing it. I love seeing a new generation
644
00:23:29,074 --> 00:23:30,242
like, continue it on.
645
00:23:30,242 --> 00:23:31,577
all: Yeah!
646
00:23:31,577 --> 00:23:32,828
‐ Now I'm anxious to see it. ‐ Let's go.
647
00:23:32,828 --> 00:23:34,038
Let's see it, you guys. ‐ Let's do it.
648
00:23:34,038 --> 00:23:35,122
‐ Okay, y'all, let's go!
649
00:23:35,122 --> 00:23:37,583
‐ Let's go, Ninjaz! ‐ Let's go!
650
00:23:37,583 --> 00:23:39,877
‐ Yo. ‐ Babalu is his name.
651
00:23:39,877 --> 00:23:41,170
Babalu. ‐ Babalu.
652
00:23:41,170 --> 00:23:42,379
[laughs]
653
00:23:43,422 --> 00:23:46,425
[upbeat music]
654
00:23:46,425 --> 00:23:49,094
♪ ♪
655
00:23:49,094 --> 00:23:50,596
‐ ♪ Put your loving ♪
656
00:23:50,596 --> 00:23:54,725
♪ Hand out ♪
657
00:23:54,725 --> 00:23:57,102
♪ Baby ♪
658
00:23:57,102 --> 00:24:00,272
♪ I'm beggin' ♪
659
00:24:00,272 --> 00:24:07,404
♪ ♪
660
00:24:08,530 --> 00:24:10,449
‐ Whoo! ‐ ♪ Beggin' ♪
661
00:24:10,449 --> 00:24:12,284
‐ What?
662
00:24:12,284 --> 00:24:14,453
♪ ♪
663
00:24:14,453 --> 00:24:16,163
[laughter]
664
00:24:16,163 --> 00:24:19,667
‐ ♪ Beggin', I'm beggin' you ♪
665
00:24:19,667 --> 00:24:20,793
‐ Let's go, Babalu!
666
00:24:20,793 --> 00:24:24,797
‐ Go, Babalu, go Babalu!
667
00:24:24,797 --> 00:24:26,382
‐ Yo! ‐ Babalu!
668
00:24:26,382 --> 00:24:27,633
‐ Great!
669
00:24:27,633 --> 00:24:30,552
[cheers and applause]
670
00:24:30,552 --> 00:24:31,553
‐ Let's go. ‐ Good job, Babalu!
671
00:24:31,553 --> 00:24:32,721
‐ Yo, okay.
672
00:24:32,721 --> 00:24:34,807
Well, first of all, my man Babalu,
673
00:24:34,807 --> 00:24:37,309
that last spin on your head and then the whole thing
674
00:24:37,309 --> 00:24:38,310
and‐‐unbelievable.
675
00:24:38,310 --> 00:24:39,561
‐ Thank you, sir. ‐ Who did, like,
676
00:24:39,561 --> 00:24:41,605
the front flip with no hands on their head?
677
00:24:41,605 --> 00:24:43,315
‐ Oh, that was me. ‐ That was crazy, man.
678
00:24:43,315 --> 00:24:44,483
That was insane.
679
00:24:44,483 --> 00:24:45,734
There were so many great moments.
680
00:24:45,734 --> 00:24:47,736
‐ The hand‐stand, the slow up,
681
00:24:47,736 --> 00:24:49,071
I don't think people watching understand
682
00:24:49,071 --> 00:24:50,155
how much strength that takes.
683
00:24:50,155 --> 00:24:51,323
‐ Yeah, that was crazy. ‐ Quality.
684
00:24:51,323 --> 00:24:53,492
‐ But that strength, that athleticism
685
00:24:53,492 --> 00:24:55,452
is what makes a great B‐boy.
686
00:24:55,452 --> 00:24:56,662
You know? Or B‐girl.
687
00:24:56,662 --> 00:24:58,163
‐ Yeah. ‐ B‐human.
688
00:24:58,163 --> 00:24:59,456
both: B‐human. ‐ [laughs]
689
00:24:59,456 --> 00:25:01,333
‐ I like it. ‐ Here's my note.
690
00:25:01,333 --> 00:25:02,501
'Cause I think often what happens
691
00:25:02,501 --> 00:25:03,836
is, like, yo, here's this amazing trick,
692
00:25:03,836 --> 00:25:05,838
here's this amazing, you know, break move.
693
00:25:05,838 --> 00:25:07,339
And then it's, like, transition,
694
00:25:07,339 --> 00:25:09,008
and then the transition feels like a throwaway,
695
00:25:09,008 --> 00:25:11,510
or it just feels a little bit too, like, relaxed.
696
00:25:11,510 --> 00:25:15,514
‐ The standard that you guys are dancing at is good,
697
00:25:15,514 --> 00:25:18,017
but to really compete, it needs to, like,
698
00:25:18,017 --> 00:25:20,644
grow to a whole other level.
699
00:25:20,644 --> 00:25:23,689
‐ With that said, for me, it's gonna be a no.
700
00:25:23,689 --> 00:25:24,815
‐ You guys are close,
701
00:25:24,815 --> 00:25:26,692
but you're not completely there yet.
702
00:25:26,692 --> 00:25:29,278
Unfortunately, it's a no for me.
703
00:25:29,278 --> 00:25:31,030
‐ And not because you guys aren't fantastic,
704
00:25:31,030 --> 00:25:32,156
but because we think that
705
00:25:32,156 --> 00:25:33,866
if you had a little bit more time,
706
00:25:33,866 --> 00:25:35,534
that you're gonna come back even stronger.
707
00:25:35,534 --> 00:25:37,703
That's it. ‐ You guys are great dancers,
708
00:25:37,703 --> 00:25:39,455
so keep working hard
709
00:25:39,455 --> 00:25:41,206
so you can come back,
710
00:25:41,206 --> 00:25:42,833
and maybe win next year.
711
00:25:42,833 --> 00:25:44,168
‐ Yeah, yeah. ‐ Thank you, guys.
712
00:25:44,168 --> 00:25:45,878
‐ Good job, Babalu! You killed it.
713
00:25:45,878 --> 00:25:47,379
‐ Thank you. ‐ You killed it at the end.
714
00:25:47,379 --> 00:25:48,547
‐ Yeah. ‐ Bye!
715
00:25:48,547 --> 00:25:50,883
‐ Thanks, guys. ‐ Thank you, guys.
716
00:25:50,883 --> 00:25:55,846
‐ ♪ I got this lovesick feeling ♪
717
00:25:55,846 --> 00:25:57,723
‐ Why are y'all so quiet?
718
00:25:57,723 --> 00:25:59,141
What happened in there?
719
00:25:59,141 --> 00:26:00,851
‐ We weren't disappointed, you know.
720
00:26:00,851 --> 00:26:03,979
Hopefully next year.
721
00:26:03,979 --> 00:26:07,566
‐ You're all stars. Don't forget that.
722
00:26:07,566 --> 00:26:08,567
Shine bright, y'all.
723
00:26:08,567 --> 00:26:09,568
‐ Thank you. ‐ Shine bright.
724
00:26:09,568 --> 00:26:11,570
‐ Thank you. ‐ Babalu!
725
00:26:11,570 --> 00:26:12,571
‐ [laughs]
726
00:26:12,571 --> 00:26:13,989
‐ Don't go.
727
00:26:13,989 --> 00:26:15,741
‐ I think we're ready.
728
00:26:15,741 --> 00:26:17,701
‐ Nervous.
729
00:26:17,701 --> 00:26:19,369
‐ We're gonna do so good, guys.
730
00:26:19,369 --> 00:26:22,956
‐ ♪ Into your heart ♪
731
00:26:22,956 --> 00:26:24,083
‐ You guys have been auditioning
732
00:26:24,083 --> 00:26:25,417
for "World of Dance" since season two.
733
00:26:25,417 --> 00:26:27,044
‐ Yeah. ‐ Third time is a charm.
734
00:26:27,044 --> 00:26:29,254
That must mean you've raised the stakes.
735
00:26:29,254 --> 00:26:30,506
‐ Yeah. ‐ Quite a bit.
736
00:26:30,506 --> 00:26:32,674
‐ We worked really hard.
737
00:26:32,674 --> 00:26:35,260
‐ Come on in.
738
00:26:35,260 --> 00:26:37,513
‐ Give everything you have on this stage,
739
00:26:37,513 --> 00:26:40,516
and have fun. Enjoy every moment, okay?
740
00:26:40,516 --> 00:26:41,600
‐ You guys ready for this? ‐ Yes.
741
00:26:41,600 --> 00:26:43,894
‐ I'm ready. ‐ Let's do it.
742
00:26:46,522 --> 00:26:47,940
‐ Oh, my God! ‐ Hi!
743
00:26:47,940 --> 00:26:50,234
‐ Hi! ‐ Hi.
744
00:26:50,234 --> 00:26:51,401
‐ What's going on, y'all?
745
00:26:51,401 --> 00:26:52,611
‐ Oh, my God.
746
00:26:52,611 --> 00:26:54,446
‐ Hi, guys. ‐ How are you, how are you?
747
00:26:54,446 --> 00:26:55,781
‐ What, you surprised to see us?
748
00:26:55,781 --> 00:26:58,408
all: Yeah! [laughter]
749
00:26:58,408 --> 00:26:59,785
‐ Welcome. Where you guys from?
750
00:26:59,785 --> 00:27:01,286
‐ Quebec, Canada.
751
00:27:01,286 --> 00:27:03,789
‐ Quebec, okay. Why "World of Dance"?
752
00:27:03,789 --> 00:27:06,333
‐ Because it's the biggest competition.
753
00:27:06,333 --> 00:27:08,127
It's, like, the best from the best
754
00:27:08,127 --> 00:27:09,128
from all around the world.
755
00:27:09,128 --> 00:27:11,755
We've been trying from season two.
756
00:27:11,755 --> 00:27:14,133
We got rejected twice, but we never gave up.
757
00:27:14,133 --> 00:27:15,634
‐ Interesting. So you've actually tried out
758
00:27:15,634 --> 00:27:16,802
for "World of Dance" before?
759
00:27:16,802 --> 00:27:17,970
all: Yeah. ‐ But this the first time
760
00:27:17,970 --> 00:27:18,971
you've gotten to this stage.
761
00:27:18,971 --> 00:27:20,597
all: Yeah. ‐ Well, that's exciting.
762
00:27:20,597 --> 00:27:22,266
Well, congratulations for that.
763
00:27:22,266 --> 00:27:23,308
all: Thank you.
764
00:27:23,308 --> 00:27:24,309
‐ So you ready to show us what you got?
765
00:27:24,309 --> 00:27:25,477
all: Yeah. ‐ Let's go.
766
00:27:25,477 --> 00:27:26,979
‐ Let's get it. ‐ Let's do it, guys.
767
00:27:26,979 --> 00:27:28,313
Good luck. ‐ Yes!
768
00:27:28,313 --> 00:27:30,816
All right.
769
00:27:30,816 --> 00:27:35,654
[upbeat music]
770
00:27:35,654 --> 00:27:38,156
‐ ♪ Sick‐‐ ♪ ‐ ♪ Ho! ♪
771
00:27:38,156 --> 00:27:39,950
‐ ♪ I drink that, drink that, yac ♪
772
00:27:39,950 --> 00:27:42,452
♪ Step back 'cause I might put it on ya ♪
773
00:27:42,452 --> 00:27:44,246
♪ I go deep, so deep till you sleep ♪
774
00:27:44,246 --> 00:27:46,540
♪ Count sheep, wake you up from‐‐all week ♪
775
00:27:46,540 --> 00:27:48,000
♪ What up, I'm tore up, sho' nuff ♪
776
00:27:48,000 --> 00:27:49,126
♪ Ain't scared to take it out ♪
777
00:27:49,126 --> 00:27:50,335
♪ Tell the freak to take it off ♪
778
00:27:50,335 --> 00:27:51,461
♪ Ain't scared to take it‐‐ ♪
779
00:27:51,461 --> 00:27:53,005
‐ Hey. ‐ Whoo.
780
00:27:53,005 --> 00:27:54,631
‐ ♪ Sho' nuff‐‐sho' nuff‐‐ [stuttering] ♪
781
00:27:54,631 --> 00:27:55,966
♪ Scared to take it, scared to take it ♪
782
00:27:55,966 --> 00:27:57,426
♪ Scared to take it‐‐ tell the freak ♪
783
00:27:57,426 --> 00:28:00,095
♪ To tell the freak, tell the freak to‐‐ ♪
784
00:28:00,095 --> 00:28:02,097
♪ East coast, west coast ♪
785
00:28:02,097 --> 00:28:04,182
♪ Down south, represent your coast ♪
786
00:28:04,182 --> 00:28:06,310
♪ Yeah, we run it, Yeah, we run it ♪
787
00:28:06,310 --> 00:28:08,687
♪ Y'all don't want it, 'cause my coast run it ♪
788
00:28:08,687 --> 00:28:15,736
♪ ♪
789
00:28:19,364 --> 00:28:21,450
[laughter]
790
00:28:21,450 --> 00:28:23,493
‐ Yeah. Quality work.
791
00:28:23,493 --> 00:28:24,828
‐ Listen, I thought you guys
792
00:28:24,828 --> 00:28:27,414
had some really good formations in there,
793
00:28:27,414 --> 00:28:30,250
some great energy, but to me,
794
00:28:30,250 --> 00:28:32,836
I couldn't really tell if you guys
795
00:28:32,836 --> 00:28:34,880
can do other things besides
796
00:28:34,880 --> 00:28:37,049
just kind of make these great formations,
797
00:28:37,049 --> 00:28:39,801
so for me, there was just a little bit of question
798
00:28:39,801 --> 00:28:41,470
if you can compete with everybody.
799
00:28:41,470 --> 00:28:43,722
I didn't see that in this routine.
800
00:28:43,722 --> 00:28:46,183
‐ You guys are really strong when you're dancing in sync.
801
00:28:46,183 --> 00:28:47,726
You know? I love the visuals.
802
00:28:47,726 --> 00:28:49,394
I love the roll‐off you guys did in that diagonal
803
00:28:49,394 --> 00:28:50,729
into the splits.
804
00:28:50,729 --> 00:28:52,064
‐ I definitely agree. I think that you guys
805
00:28:52,064 --> 00:28:53,482
are a really, really strong team.
806
00:28:53,482 --> 00:28:55,025
I just need everything to hit
807
00:28:55,025 --> 00:28:56,568
a little harder than it does. There was a moment
808
00:28:56,568 --> 00:28:58,737
where you‐‐I think it was you in the middle,
809
00:28:58,737 --> 00:29:00,238
and you gave kind of one of these,
810
00:29:00,238 --> 00:29:02,157
and everybody reacted.
811
00:29:02,157 --> 00:29:04,910
And it was just‐‐ it just wasn't as staccato
812
00:29:04,910 --> 00:29:06,912
as I would've personally liked it to have been.
813
00:29:06,912 --> 00:29:08,956
The moves that were supposed to hit really hard
814
00:29:08,956 --> 00:29:10,290
didn't hit as hard as I would've personally
815
00:29:10,290 --> 00:29:11,792
liked them to hit.
816
00:29:11,792 --> 00:29:13,001
‐ I think I would've liked to have seen
817
00:29:13,001 --> 00:29:14,252
a little bit more dancing.
818
00:29:14,252 --> 00:29:15,921
It seems like there was a lot of transition
819
00:29:15,921 --> 00:29:18,090
to, like, pictures, which is fine,
820
00:29:18,090 --> 00:29:20,258
but I wanted to see more groove.
821
00:29:20,258 --> 00:29:22,260
I wanted to see more musicality.
822
00:29:22,260 --> 00:29:23,595
What do you guys think?
823
00:29:23,595 --> 00:29:25,097
‐ I'm gonna say yes.
824
00:29:25,097 --> 00:29:29,893
‐ For me, I'd probably have you come for a callback.
825
00:29:29,893 --> 00:29:33,772
‐ I'm gonna say...
826
00:29:33,772 --> 00:29:35,565
callback. ‐ Okay.
827
00:29:35,565 --> 00:29:37,359
‐ So a callback basically means
828
00:29:37,359 --> 00:29:38,902
you get one more opportunity to show us
829
00:29:38,902 --> 00:29:41,279
what it is that you can do before,
830
00:29:41,279 --> 00:29:43,907
which means that you guys will be back to show us
831
00:29:43,907 --> 00:29:46,034
you really, really and truly deserve to be here.
832
00:29:46,034 --> 00:29:47,619
‐ Thank you so much. ‐ Good job, guys.
833
00:29:47,619 --> 00:29:48,620
Well done.
834
00:29:48,620 --> 00:29:50,831
Let's see what you got.
835
00:29:50,831 --> 00:29:53,333
‐ ♪ Don't worry about a thing ♪
836
00:29:53,333 --> 00:29:54,626
‐ The skill level is there.
837
00:29:54,626 --> 00:29:55,961
Now let's see if they can take the note,
838
00:29:55,961 --> 00:29:58,255
and then step up to where they need to be.
839
00:29:58,255 --> 00:30:00,132
‐ Yeah.
840
00:30:00,132 --> 00:30:01,967
‐ What was it like to actually be there
841
00:30:01,967 --> 00:30:03,468
finally in front of the judges?
842
00:30:03,468 --> 00:30:05,095
‐ Oh, my God. ‐ It felt so good.
843
00:30:05,095 --> 00:30:07,264
‐ [laughs] It felt so good!
844
00:30:07,264 --> 00:30:08,432
‐ Yes!
845
00:30:08,432 --> 00:30:09,933
Getting a callback is just, like,
846
00:30:09,933 --> 00:30:11,893
another opportunity to show them what new stuff
847
00:30:11,893 --> 00:30:12,978
we can pull.
848
00:30:12,978 --> 00:30:15,731
It's not a no, so we need to take it.
849
00:30:15,731 --> 00:30:17,774
‐ [vocalizing]
850
00:30:24,197 --> 00:30:24,532
‐ Three.
851
00:30:25,407 --> 00:30:26,575
Little snuggle if you guys don't mind.
852
00:30:26,575 --> 00:30:28,827
‐ Snuggle. ‐ Yeah, we love the snuggle.
853
00:30:28,827 --> 00:30:31,204
Big eyes, Ne‐Yo.
854
00:30:31,204 --> 00:30:32,622
‐ Big eyes, Ne‐Yo. ‐ Hm?
855
00:30:32,622 --> 00:30:33,999
Big eyes? Me? Really?
856
00:30:33,999 --> 00:30:35,876
‐ Yep. Got it. ‐ Thank you, guys.
857
00:30:35,876 --> 00:30:37,169
‐ I'm gonna need you to act like you know
858
00:30:37,169 --> 00:30:39,588
that when the teeth come out, the eyes go away.
859
00:30:39,588 --> 00:30:40,672
‐ Yeah. ‐ Nothing I can do about it.
860
00:30:40,672 --> 00:30:42,007
‐ That's what it is.
861
00:30:42,007 --> 00:30:44,509
‐ If we just don't get in our heads about anything.
862
00:30:44,509 --> 00:30:45,677
‐ I'm really nervous.
863
00:30:45,677 --> 00:30:47,804
‐ I can't wait, though.
864
00:30:47,804 --> 00:30:49,639
We are... all: MDC 3.
865
00:30:49,639 --> 00:30:52,184
‐ A contemporary trio from Placentia, California.
866
00:30:52,184 --> 00:30:56,813
‐ ♪ I've got friends that will run through walls ♪
867
00:30:56,813 --> 00:30:58,982
‐ We have danced together for so long
868
00:30:58,982 --> 00:31:02,110
that we can share a vulnerable feeling together,
869
00:31:02,110 --> 00:31:03,528
and are able to feel comfortable
870
00:31:03,528 --> 00:31:05,530
relaying our emotions on each other,
871
00:31:05,530 --> 00:31:07,532
no matter what.
872
00:31:07,532 --> 00:31:09,868
‐ All right, let's go.
873
00:31:09,868 --> 00:31:12,704
‐ I've known Maddie since she was about seven
874
00:31:12,704 --> 00:31:14,247
and I love her family.
875
00:31:14,247 --> 00:31:15,582
They are a like a second family to me.
876
00:31:15,582 --> 00:31:16,583
‐ Definitely, yeah.
877
00:31:16,583 --> 00:31:17,709
‐ I'm so proud of you, honey.
878
00:31:17,709 --> 00:31:18,794
‐ I love you, Mom.
879
00:31:18,794 --> 00:31:20,545
‐ I love you, too.
880
00:31:20,545 --> 00:31:23,465
‐ In 2012, my mom first diagnosed
881
00:31:23,465 --> 00:31:24,841
with breast cancer.
882
00:31:24,841 --> 00:31:26,802
I was only ten years old,
883
00:31:26,802 --> 00:31:28,845
so I didn't really understand
884
00:31:28,845 --> 00:31:32,307
the amount of pain she was facing.
885
00:31:32,307 --> 00:31:34,476
‐ Maddie had to see me
886
00:31:34,476 --> 00:31:37,896
go from being a healthy mom
887
00:31:37,896 --> 00:31:41,483
to undergoing surgery, chemotherapy,
888
00:31:41,483 --> 00:31:44,402
and then actually losing my hair.
889
00:31:44,402 --> 00:31:46,404
That was the hardest part, I think,
890
00:31:46,404 --> 00:31:48,740
definitely was losing my hair,
891
00:31:48,740 --> 00:31:52,410
because she did not understand that at all.
892
00:31:52,410 --> 00:31:54,079
I wanted her to know that I'm just gonna be there
893
00:31:54,079 --> 00:31:55,205
no matter what.
894
00:31:55,205 --> 00:31:57,457
Good job.
895
00:31:57,457 --> 00:31:59,584
‐ After she beat cancer,
896
00:31:59,584 --> 00:32:00,585
five years later,
897
00:32:00,585 --> 00:32:02,254
she got diagnosed again.
898
00:32:02,254 --> 00:32:03,755
To see her in that much pain,
899
00:32:03,755 --> 00:32:07,509
like, really tore my heart up a little.
900
00:32:07,509 --> 00:32:09,761
‐ We try our best to be the biggest light in her life
901
00:32:09,761 --> 00:32:10,929
at that moment.
902
00:32:10,929 --> 00:32:13,181
‐ We always tried to be positive around her,
903
00:32:13,181 --> 00:32:15,100
so she would feel like she could tell us things.
904
00:32:15,100 --> 00:32:19,187
[inspiring music]
905
00:32:19,187 --> 00:32:21,940
‐ These two hold a really special place in my heart
906
00:32:21,940 --> 00:32:25,110
because they were able to be my support system.
907
00:32:25,110 --> 00:32:28,113
They're like my little brother and sister.
908
00:32:28,113 --> 00:32:30,282
I'll always be there for them.
909
00:32:31,783 --> 00:32:34,035
"World of Dance" is super important to us
910
00:32:34,035 --> 00:32:37,789
because my mom's in remission and healthy again,
911
00:32:37,789 --> 00:32:40,500
but we all know that tomorrow's not a promise
912
00:32:40,500 --> 00:32:43,295
and that we are able to take the moments that we can get
913
00:32:43,295 --> 00:32:45,297
and cherish them forever.
914
00:32:51,803 --> 00:32:54,764
‐ All right, stand by, guys. Have fun.
915
00:32:54,764 --> 00:32:59,102
‐ Five, four, three, two...
916
00:33:01,980 --> 00:33:03,815
‐ Oh, my God. ‐ Hi!
917
00:33:03,815 --> 00:33:05,567
‐ Hello. ‐ No way.
918
00:33:05,567 --> 00:33:06,776
[laughter]
919
00:33:06,776 --> 00:33:07,986
‐ Wasn't expecting that.
920
00:33:07,986 --> 00:33:09,112
‐ How are you?
921
00:33:09,112 --> 00:33:10,488
‐ I don't even feel like this is real.
922
00:33:10,488 --> 00:33:12,157
‐ I know. It's like a dream.
923
00:33:12,157 --> 00:33:13,408
‐ You guys weren't expecting to see us?
924
00:33:13,408 --> 00:33:16,077
‐ No. I'm lost for words.
925
00:33:16,077 --> 00:33:17,162
‐ How long you guys been dancing together?
926
00:33:17,162 --> 00:33:18,371
‐ Seven years.
927
00:33:18,371 --> 00:33:20,290
‐ As, like, a trio, or just separately?
928
00:33:20,290 --> 00:33:21,374
all: As a trio. ‐ Together.
929
00:33:21,374 --> 00:33:22,500
‐ Really? ‐ Yeah.
930
00:33:22,500 --> 00:33:23,627
‐ Y'all ready to show us what you got?
931
00:33:23,627 --> 00:33:25,003
‐ Of course. ‐ Let's do it, let's do it.
932
00:33:25,003 --> 00:33:26,171
‐ Let's go. ‐ Good luck.
933
00:33:26,171 --> 00:33:28,423
‐ Okay.
934
00:33:32,510 --> 00:33:34,262
[balladic pop music]
935
00:33:34,262 --> 00:33:36,139
‐ ♪ I'm holding on your rope ♪
936
00:33:36,139 --> 00:33:40,143
♪ Got me ten feet off the ground ♪
937
00:33:40,143 --> 00:33:42,145
♪ ♪
938
00:33:42,145 --> 00:33:44,189
♪ I'm hearing what you say ♪
939
00:33:44,189 --> 00:33:48,193
♪ But I just can't make a sound ♪
940
00:33:48,193 --> 00:33:50,528
♪ ♪
941
00:33:50,528 --> 00:33:52,864
♪ You tell me that you need me ♪
942
00:33:52,864 --> 00:33:56,451
♪ Then you go and cut me down ♪
943
00:33:56,451 --> 00:33:58,870
♪ But wait ♪
944
00:33:58,870 --> 00:34:00,997
♪ Tell me that you're sorry ♪
945
00:34:00,997 --> 00:34:04,376
♪ Didn't think I'd turn around ♪
946
00:34:04,376 --> 00:34:06,836
♪ You say ♪
947
00:34:06,836 --> 00:34:11,132
♪ It's too late to apologize ♪
948
00:34:11,132 --> 00:34:14,386
♪ It's too late ♪
949
00:34:14,386 --> 00:34:19,224
♪ It's said it's too late to apologize, yeah ♪
950
00:34:19,224 --> 00:34:22,560
‐ ♪ Too late ♪
951
00:34:22,560 --> 00:34:27,399
‐ ♪ It's said it's too late to apologize, yeah ♪
952
00:34:27,399 --> 00:34:31,403
‐ ♪ Too late ♪
953
00:34:31,403 --> 00:34:33,238
‐ ♪ I'm holding on your rope ♪
954
00:34:33,238 --> 00:34:38,702
♪ Got me ten feet off the ground ♪
955
00:34:39,744 --> 00:34:41,579
‐ Ooh. ‐ Aww.
956
00:34:41,579 --> 00:34:44,291
‐ Whoo. ‐ Yeah!
957
00:34:44,291 --> 00:34:45,959
Wow. ‐ Well, that was clear.
958
00:34:45,959 --> 00:34:47,252
‐ Yeah.
959
00:34:47,252 --> 00:34:49,087
‐ Wow, guys.
960
00:34:49,087 --> 00:34:50,755
That was very clear to me
961
00:34:50,755 --> 00:34:53,091
what was going on, which I always love,
962
00:34:53,091 --> 00:34:55,093
and all three of you are super strong, too.
963
00:34:55,093 --> 00:34:56,261
both: Thank you so much.
964
00:34:56,261 --> 00:34:57,429
‐ I love the transitions.
965
00:34:57,429 --> 00:34:59,431
You guys had seamless transitions,
966
00:34:59,431 --> 00:35:00,765
really creative, really innovative.
967
00:35:00,765 --> 00:35:02,183
‐ Super creative.
968
00:35:02,183 --> 00:35:03,727
‐ Some moments where I'm like, "Oh, I've seen‐‐
969
00:35:03,727 --> 00:35:04,936
no, I have not. That's really different."
970
00:35:04,936 --> 00:35:06,438
I really enjoyed it. Ne‐Yo‐‐
971
00:35:06,438 --> 00:35:09,274
‐ The way the three of them interacted, I mean‐‐
972
00:35:09,274 --> 00:35:10,609
‐ I mean, out of the gate, too,
973
00:35:10,609 --> 00:35:12,569
the way you were all connected and entangled,
974
00:35:12,569 --> 00:35:13,903
and then, like, whoosh, whoosh.
975
00:35:13,903 --> 00:35:15,947
You immediately got the story of, like, yo,
976
00:35:15,947 --> 00:35:18,575
this love triangle is confusing.
977
00:35:18,575 --> 00:35:20,452
‐ Intricate. Like, there was one area where
978
00:35:20,452 --> 00:35:23,788
it was almost ugly how tangled you guys were,
979
00:35:23,788 --> 00:35:25,665
but I felt like it was kind of purposely done.
980
00:35:25,665 --> 00:35:29,419
Like, a love triangle can be a very ugly thing.
981
00:35:29,419 --> 00:35:30,545
‐ It's gonna be a yes for me.
982
00:35:30,545 --> 00:35:31,796
‐ [titters]
983
00:35:31,796 --> 00:35:33,923
‐ What did you think, baby?
984
00:35:35,300 --> 00:35:36,635
‐ Um...
985
00:35:36,635 --> 00:35:39,137
[mellow music]
986
00:35:39,137 --> 00:35:41,431
Yeah, it's...
987
00:35:41,431 --> 00:35:42,641
it's gonna be a yes for me.
988
00:35:42,641 --> 00:35:43,892
[laughter]
989
00:35:43,892 --> 00:35:44,976
‐ It's a yes for me, too. ‐ Go. You're through.
990
00:35:44,976 --> 00:35:45,977
‐ You're through to the next round.
991
00:35:45,977 --> 00:35:48,813
‐ [shouts] ‐ Yes.
992
00:35:48,813 --> 00:35:50,482
all: Thank you so much.
993
00:35:50,482 --> 00:35:52,150
‐ Congratulations, guys. We'll see you in the Duels.
994
00:35:52,150 --> 00:35:54,486
‐ Thank you. ‐ See you in the Duels.
995
00:35:54,486 --> 00:35:57,822
‐ ♪ We'll have nowhere left to go ♪
996
00:35:57,822 --> 00:35:59,157
♪ And I need my hero ♪
997
00:35:59,157 --> 00:36:00,325
‐ Did great? all: Yeah.
998
00:36:00,325 --> 00:36:02,327
‐ Oh, there's smiles. That's a good thing.
999
00:36:02,327 --> 00:36:03,828
So... ‐ We got a yes.
1000
00:36:03,828 --> 00:36:05,372
‐ We got a yes, two yeses.
1001
00:36:05,372 --> 00:36:06,956
‐ To the Duels? all: Yeah.
1002
00:36:06,956 --> 00:36:08,041
‐ We're feeling a lot of emotions‐‐
1003
00:36:08,041 --> 00:36:09,793
‐ Overwhelmed with excitement,
1004
00:36:09,793 --> 00:36:10,835
and just‐‐we're so happy.
1005
00:36:10,835 --> 00:36:11,836
‐ Give me some.
1006
00:36:11,836 --> 00:36:13,004
‐ Yeah. ‐ Give me some.
1007
00:36:13,004 --> 00:36:14,339
‐ We have so much more to give.
1008
00:36:14,339 --> 00:36:15,840
‐ And so me many more stories to tell, too.
1009
00:36:15,840 --> 00:36:17,008
‐ Duels.
1010
00:36:17,008 --> 00:36:18,009
‐ We'll see you there.
1011
00:36:18,009 --> 00:36:20,512
‐ Can't wait. ‐ We're ready.
1012
00:36:27,852 --> 00:36:28,228
‐ Check out the ruffles.
1013
00:36:29,354 --> 00:36:31,314
Check out the ruffles.
1014
00:36:31,314 --> 00:36:33,858
‐ We are... all: Show Stopper!
1015
00:36:33,858 --> 00:36:35,527
‐ A jazz funk team from...
1016
00:36:35,527 --> 00:36:37,529
all: Miami!
1017
00:36:37,529 --> 00:36:40,198
‐ [vocalizing]
1018
00:36:40,198 --> 00:36:41,533
all: ♪ We stomp out ♪
1019
00:36:41,533 --> 00:36:43,827
♪ We stop the show! ♪
1020
00:36:43,827 --> 00:36:45,954
‐ We are a group of first generation
1021
00:36:45,954 --> 00:36:47,247
American women,
1022
00:36:47,247 --> 00:36:49,499
and we're here representing our family,
1023
00:36:49,499 --> 00:36:51,668
what struggles they went through to get here.
1024
00:36:51,668 --> 00:36:53,169
‐ ♪ And on the run from a country ♪
1025
00:36:53,169 --> 00:36:54,713
♪ Where they put you in prison ♪
1026
00:36:54,713 --> 00:36:57,382
♪ For being a woman and speaking your mind ♪
1027
00:36:57,382 --> 00:36:59,884
‐ My grandparents came from Cuba with my mom.
1028
00:36:59,884 --> 00:37:01,136
It was communist
1029
00:37:01,136 --> 00:37:03,054
and everything was very restricted,
1030
00:37:03,054 --> 00:37:04,723
and that was no way of living.
1031
00:37:04,723 --> 00:37:08,017
So they came here with a dream and a thirst for freedom,
1032
00:37:08,017 --> 00:37:09,519
and thirst to do more.
1033
00:37:09,519 --> 00:37:11,020
You guys are gorgeous and you're beautiful
1034
00:37:11,020 --> 00:37:12,731
and passionate and we've been working so hard,
1035
00:37:12,731 --> 00:37:14,983
so this is our time shine and really showcase
1036
00:37:14,983 --> 00:37:16,401
what we're all about.
1037
00:37:16,401 --> 00:37:19,070
And it's about a revolution.
1038
00:37:19,070 --> 00:37:21,489
‐ There's a lot of violence in Colombia,
1039
00:37:21,489 --> 00:37:23,908
and when I moved, I was nine.
1040
00:37:23,908 --> 00:37:25,493
It was very hard to just pick up
1041
00:37:25,493 --> 00:37:27,078
and literally leave everything,
1042
00:37:27,078 --> 00:37:29,622
your school, your culture, your language.
1043
00:37:29,622 --> 00:37:31,291
We lived in New York.
1044
00:37:31,291 --> 00:37:33,752
It was seven of us in one room,
1045
00:37:33,752 --> 00:37:36,671
and to know that I'm here now
1046
00:37:36,671 --> 00:37:39,257
and I look at my parents that gave everything
1047
00:37:39,257 --> 00:37:40,884
for us to be here.
1048
00:37:40,884 --> 00:37:43,511
It's definitely a proud moment
1049
00:37:43,511 --> 00:37:45,430
to know that,
1050
00:37:45,430 --> 00:37:47,348
you know, it is the American dream.
1051
00:37:47,348 --> 00:37:49,851
‐ ♪ They said I would never make it ♪
1052
00:37:49,851 --> 00:37:52,729
‐ Right now, we're living through a key time in history
1053
00:37:52,729 --> 00:37:55,064
where diverse cultures and women
1054
00:37:55,064 --> 00:37:57,734
are really coming forward and breaking boundaries.
1055
00:37:57,734 --> 00:38:00,278
And all we want is to open doors
1056
00:38:00,278 --> 00:38:01,946
for other women that are coming
1057
00:38:01,946 --> 00:38:03,448
from our backgrounds.
1058
00:38:03,448 --> 00:38:06,409
‐ ♪ You will rise up, rise up, yeah ♪
1059
00:38:06,409 --> 00:38:08,036
‐ And in you go.
1060
00:38:08,036 --> 00:38:09,078
‐ Let's go, guys.
1061
00:38:09,078 --> 00:38:13,333
[dramatic music]
1062
00:38:13,333 --> 00:38:14,584
[laughter]
1063
00:38:14,584 --> 00:38:15,627
‐ Hello!
1064
00:38:15,627 --> 00:38:16,628
‐ Hi! Hiya!
1065
00:38:16,628 --> 00:38:18,379
‐ Ooh! ‐ What's up?
1066
00:38:18,379 --> 00:38:20,465
‐ The shock and awe on your faces.
1067
00:38:20,465 --> 00:38:22,091
‐ It's showtime, Show Stoppers.
1068
00:38:22,091 --> 00:38:24,427
‐ How are you, how are you, how are you?
1069
00:38:24,427 --> 00:38:26,095
‐ And now that we see you,
1070
00:38:26,095 --> 00:38:29,140
extra ready, extra ready.
1071
00:38:29,140 --> 00:38:32,477
J‐Lo, I have to say, growing up in Puerto Rico,
1072
00:38:32,477 --> 00:38:35,063
I remember following along in your journey
1073
00:38:35,063 --> 00:38:36,648
starting as a dancer,
1074
00:38:36,648 --> 00:38:39,108
and being, honestly, the first
1075
00:38:39,108 --> 00:38:41,402
female to really represent Latinas
1076
00:38:41,402 --> 00:38:43,404
beyond the stereotype.
1077
00:38:43,404 --> 00:38:45,406
‐ Thank you. ‐ That is what inspired
1078
00:38:45,406 --> 00:38:46,407
most of us.
1079
00:38:46,407 --> 00:38:48,618
‐ Aww, thank you. Don't cry.
1080
00:38:48,618 --> 00:38:50,995
I see you all of you with tears in your eyes.
1081
00:38:50,995 --> 00:38:52,038
Stop it. Look it.
1082
00:38:52,038 --> 00:38:53,289
‐ You blazed the path for us,
1083
00:38:53,289 --> 00:38:54,707
and we're so honored
1084
00:38:54,707 --> 00:38:56,334
to do this for our family
1085
00:38:56,334 --> 00:38:58,169
and for what we truly represent,
1086
00:38:58,169 --> 00:39:00,463
which is that Latin woman power, you know?
1087
00:39:00,463 --> 00:39:01,673
‐ Yes. ‐ Thank you.
1088
00:39:01,673 --> 00:39:03,007
‐ Yes. ‐ I love it.
1089
00:39:03,007 --> 00:39:04,342
‐ You ready to show me? ‐ Are we ready?
1090
00:39:04,342 --> 00:39:06,845
[all cheering]
1091
00:39:06,845 --> 00:39:08,805
‐ Let's do it. ‐ Whoo!
1092
00:39:10,849 --> 00:39:13,935
[upbeat music]
1093
00:39:13,935 --> 00:39:15,019
‐ Okay.
1094
00:39:15,019 --> 00:39:18,481
‐ Major Lazer. J Balvin, man.
1095
00:39:18,481 --> 00:39:20,608
Latino gang.
1096
00:39:20,608 --> 00:39:21,693
Global.
1097
00:39:21,693 --> 00:39:24,696
[singing in Spanish]
1098
00:39:24,696 --> 00:39:31,828
♪ ♪
1099
00:39:42,714 --> 00:39:45,216
all: [shout] ‐ [singing in Spanish]
1100
00:39:45,216 --> 00:39:52,223
♪ ♪
1101
00:39:52,223 --> 00:39:54,726
all: [shout] ‐ [singing in Spanish]
1102
00:39:54,726 --> 00:40:01,774
♪ ♪
1103
00:40:09,824 --> 00:40:10,825
‐ Cool.
1104
00:40:10,825 --> 00:40:12,827
‐ Well done, ladies.
1105
00:40:12,827 --> 00:40:15,121
[applause]
1106
00:40:15,121 --> 00:40:16,748
‐ All right, Show Stoppers.
1107
00:40:16,748 --> 00:40:20,084
Well, first and foremost, I can completely see the camaraderie.
1108
00:40:20,084 --> 00:40:21,836
It's like it's one brain up there.
1109
00:40:21,836 --> 00:40:23,254
Dope. Super‐duper dope.
1110
00:40:23,254 --> 00:40:24,756
‐ I agree. I thought
1111
00:40:24,756 --> 00:40:26,758
you're a good, cohesive group,
1112
00:40:26,758 --> 00:40:28,343
but I think the moves
1113
00:40:28,343 --> 00:40:30,345
need to be hit a little bit harder.
1114
00:40:30,345 --> 00:40:32,430
And I'm wondering if it was the outfits,
1115
00:40:32,430 --> 00:40:35,099
because they kind of covered your body a little bit,
1116
00:40:35,099 --> 00:40:36,267
all of the extra material.
1117
00:40:36,267 --> 00:40:38,186
I'm wondering if that was a little bit
1118
00:40:38,186 --> 00:40:42,398
of me not being able to see how hard you were dancing.
1119
00:40:42,398 --> 00:40:43,524
Do you know what I'm saying? ‐ Yeah.
1120
00:40:43,524 --> 00:40:44,776
‐ I actually like the outfits, honestly.
1121
00:40:44,776 --> 00:40:46,444
I think it adds to the‐‐ ‐ I like them.
1122
00:40:46,444 --> 00:40:47,570
I'm not saying I don't like them.
1123
00:40:47,570 --> 00:40:48,863
I'm not sure it worked
1124
00:40:48,863 --> 00:40:50,448
for the dancing that you were doing,
1125
00:40:50,448 --> 00:40:52,033
but that shouldn't matter.
1126
00:40:52,033 --> 00:40:54,619
We have to feel that energy like a rollercoaster.
1127
00:40:54,619 --> 00:40:57,622
We have to feel it like a Mack Truck.
1128
00:40:57,622 --> 00:40:59,749
You have the passion,
1129
00:40:59,749 --> 00:41:03,127
but now you have to get the level of skill
1130
00:41:03,127 --> 00:41:05,296
up a little bit higher.
1131
00:41:05,296 --> 00:41:07,298
These are the best dancers in the world,
1132
00:41:07,298 --> 00:41:09,592
and that's who you're gonna be competing against.
1133
00:41:09,592 --> 00:41:10,927
‐ I definitely agree.
1134
00:41:10,927 --> 00:41:13,471
In all honesty, I heard the name Show Stoppers,
1135
00:41:13,471 --> 00:41:15,974
I'm like, "My bar went up to here."
1136
00:41:15,974 --> 00:41:17,600
Like, you can't call yourself Show Stoppers
1137
00:41:17,600 --> 00:41:19,227
unless you about to stop the show.
1138
00:41:19,227 --> 00:41:23,314
I found myself waiting for the wow.
1139
00:41:23,314 --> 00:41:25,650
I'm looking for the thing that makes me go,
1140
00:41:25,650 --> 00:41:27,485
"Oh, my gosh, Show Stoppers might get a million dollars."
1141
00:41:27,485 --> 00:41:29,070
‐ Yeah, I mean, the thing is I think you guys
1142
00:41:29,070 --> 00:41:30,655
are all fantastic dancers.
1143
00:41:30,655 --> 00:41:32,323
I think for me choreographically,
1144
00:41:32,323 --> 00:41:33,908
It was just‐‐ ‐ Needs to step up.
1145
00:41:33,908 --> 00:41:35,618
‐ It's, like, what happened is that all
1146
00:41:35,618 --> 00:41:38,329
kind of stayed on this beat the whole time.
1147
00:41:38,329 --> 00:41:41,040
I wanted to see more, like‐‐ [vocalizing]
1148
00:41:41,040 --> 00:41:42,500
To play around with rhythms.
1149
00:41:42,500 --> 00:41:44,961
You want all these different dynamics within a routine
1150
00:41:44,961 --> 00:41:46,838
because you only have, like, a minute and a half
1151
00:41:46,838 --> 00:41:49,007
to show us everything you have.
1152
00:41:49,007 --> 00:41:51,342
So with that said, what do you think?
1153
00:41:51,342 --> 00:41:53,011
‐ I think...I don't know.
1154
00:41:53,011 --> 00:41:54,345
I'm on the fence. I'm on the fence.
1155
00:41:54,345 --> 00:41:56,973
‐ ♪ They said I would never make it ♪
1156
00:41:56,973 --> 00:41:58,599
♪ But I was built to break the mold ♪
1157
00:41:58,599 --> 00:42:00,685
‐ I'm thinking it's gonna be a callback.
1158
00:42:00,685 --> 00:42:02,687
Derek, what were your thoughts on it?
1159
00:42:02,687 --> 00:42:04,689
‐ It's gonna be a callback for me, too.
1160
00:42:04,689 --> 00:42:06,524
‐ Yeah. We do believe
1161
00:42:06,524 --> 00:42:08,151
that there is something really special here.
1162
00:42:08,151 --> 00:42:09,527
‐ Yes, definitely.
1163
00:42:09,527 --> 00:42:11,029
‐ This is a callback. When you go to an audition,
1164
00:42:11,029 --> 00:42:12,321
you get a callback, that's a good thing.
1165
00:42:12,321 --> 00:42:13,865
‐ Yes. ‐ That's a good thing.
1166
00:42:13,865 --> 00:42:15,450
I've been there. ‐ Good job, ladies.
1167
00:42:15,450 --> 00:42:16,868
‐ All right. all: Thank you.
1168
00:42:16,868 --> 00:42:18,202
‐ Congrats, congrats. That's good.
1169
00:42:18,202 --> 00:42:21,414
‐ ♪ This goes out to the underdog ♪
1170
00:42:21,414 --> 00:42:23,082
‐ Well, well done. ‐ That's it.
1171
00:42:23,082 --> 00:42:24,584
‐ Well done, guys. It was fun.
1172
00:42:24,584 --> 00:42:26,169
‐ I was impressed. I was thoroughly impressed.
1173
00:42:26,169 --> 00:42:27,545
‐ That was awesome.
1174
00:42:27,545 --> 00:42:30,590
‐ ♪ Rise up, yeah ♪
1175
00:42:34,385 --> 00:42:34,761
[upbeat hip‐hop music]
1176
00:42:37,013 --> 00:42:44,062
♪ ♪
83146
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