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1
00:00:03,404 --> 00:00:05,106
GOSSIP GIRL HERE--
YOUR ONE AND ONLY SOURCE
2
00:00:05,139 --> 00:00:07,108
INTO THE SCANDALOUS LIVES
OF MANHATTAN'S ELITE.
3
00:00:07,141 --> 00:00:08,442
DANIEL HUMPHREY
HAS JUST RELEASED
4
00:00:08,476 --> 00:00:10,378
THE LATEST INSTALLMENT
OF HIS SERIAL--
5
00:00:10,411 --> 00:00:12,713
A CHAPTER
ON OUR VERY OWN SERENA.
6
00:00:12,746 --> 00:00:14,115
WHY WOULD YOU WRITE THIS NOW?
7
00:00:14,148 --> 00:00:15,183
YOU WERE SUPPOSED
TO BE DIFFERENT.
8
00:00:15,216 --> 00:00:18,319
WHAT I WANT ISN'T IN BROOKLYN,
DAD. I HAVE A PLAN.
9
00:00:18,352 --> 00:00:19,453
I HAVE THIS WHOLE TIME.
10
00:00:19,487 --> 00:00:21,255
YOU ARE INDEBTED TO ME.
11
00:00:21,289 --> 00:00:23,124
YOU'RE GONNA HELP ME
DEFEAT CHUCK.
12
00:00:23,157 --> 00:00:24,792
Meet me at my office
first thing tomorrow.
13
00:00:24,825 --> 00:00:26,527
Unless, of course,
14
00:00:26,560 --> 00:00:29,130
YOU'D RATHER A WAKE-UP CALL
FROM THE FEDS.
15
00:00:29,163 --> 00:00:30,531
HE IS A RUTHLESS CRIMINAL.
16
00:00:30,564 --> 00:00:31,799
THERE IS NOTHING TO STOP HIM
FROM HURTING ANYONE,
17
00:00:31,832 --> 00:00:33,134
INCLUDING YOU.
18
00:00:33,167 --> 00:00:36,804
I TOLD YOU,
NO ONE GOT HURT.
19
00:00:36,837 --> 00:00:38,272
YOU'RE HURTING ME RIGHT NOW.
20
00:00:38,306 --> 00:00:40,141
LILY HAS FINALLY
SEEN THE LIGHT.
21
00:00:40,174 --> 00:00:42,143
SHE'S GOING TO HELP ME
TAKE DOWN BART.
22
00:00:42,176 --> 00:00:44,278
WILL YOU GO TO WAR WITH ME?
23
00:00:44,312 --> 00:00:46,080
I THOUGHT YOU'D NEVER ASK.
24
00:00:47,181 --> 00:00:49,683
AND WHO AM I?
25
00:00:49,717 --> 00:00:53,154
THAT'S A SECRET
I'LL NEVER TELL.
26
00:00:53,187 --> 00:00:55,089
YOU KNOW YOU LOVE ME.
27
00:00:55,123 --> 00:00:57,158
X.O.X.O., GOSSIP GIRL.
28
00:00:57,191 --> 00:00:59,293
-- Captions by VITA --
29
00:00:59,327 --> 00:01:01,329
(drumroll)
30
00:01:01,362 --> 00:01:02,830
(crashes cymbal)
31
00:01:02,863 --> 00:01:05,099
(French accent) STEP RIGHT UP,
LADIES AND GENTLEMEN!
32
00:01:05,133 --> 00:01:09,103
(speaking French)
33
00:01:09,137 --> 00:01:12,840
ALORS, YOU PLACE THE ORANGE
UNDER YOUR NECK,
34
00:01:12,873 --> 00:01:15,776
AND YOU PASS IT TO THE PLAYER
RIGHT NEXT TO YOU...
35
00:01:15,809 --> 00:01:19,113
BUT WITHOUT USING YOUR HANDS.
36
00:01:19,147 --> 00:01:21,882
ALORS UN, DEUX, ET TROIS.
37
00:01:21,915 --> 00:01:23,317
(blows whistle)
38
00:01:23,351 --> 00:01:26,354
***
39
00:01:40,901 --> 00:01:42,370
MRS. BASS?
40
00:01:42,403 --> 00:01:44,638
(gasps) WHO ARE YOU?
41
00:01:46,240 --> 00:01:47,908
DIDN'T CHARLES TELL YOU,
MRS. BASS?
42
00:01:47,941 --> 00:01:48,876
TELL ME WHAT?
43
00:01:48,909 --> 00:01:51,212
ANY MORNING NOW,
44
00:01:51,245 --> 00:01:53,113
HE COULD WAKE UP DEAD.
45
00:01:54,648 --> 00:01:56,884
LEAVE ME ALONE!
46
00:01:56,917 --> 00:01:58,919
DEAD, MRS. BASS,
47
00:01:58,952 --> 00:02:01,855
LIKE LAST WEEK'S NEWS.
48
00:02:03,924 --> 00:02:05,393
DOROTA, IT'S TIME!
49
00:02:05,426 --> 00:02:06,627
WAKEY, WAKEY!
50
00:02:06,660 --> 00:02:08,396
LET'S HOPE IN THIS NIGHTMARE,
51
00:02:08,429 --> 00:02:10,664
FATHER DOESN'T KNOW BEST.
52
00:02:10,698 --> 00:02:19,907
***
53
00:02:19,940 --> 00:02:22,310
THIS IS THE ONE.
54
00:02:22,343 --> 00:02:25,446
THIS HOVEL? YOU'RE FLUSH
WITH CASH FROM YOUR MOVIE DEAL.
55
00:02:25,479 --> 00:02:28,249
LOOK. NIKKI FINKE PUT YOUR
PICTURE UP NEXT TO HARVEY'S.
56
00:02:28,282 --> 00:02:29,650
YOU SHOULD BE LOOKING FOR
A SOUNDPROOF ROOM
57
00:02:29,683 --> 00:02:30,851
AND A BIDET AND A GUEST BATH.
58
00:02:30,884 --> 00:02:32,853
WHAT ARE YOU TALKING ABOUT?
I DON'T--I DON'T NEED A BIDET.
59
00:02:32,886 --> 00:02:34,121
IT'S FOR ME.
60
00:02:34,154 --> 00:02:36,590
OH. WELL, NOW I'LL NEVER BE ABLE
TO SET FOOT IN THE GUEST BATH
61
00:02:36,624 --> 00:02:38,659
WITHOUT FIRST THINKING
OF YOUR GEOR-GINA.
62
00:02:38,692 --> 00:02:40,528
BUT YOU'RE NOT MOVING IN HERE,
63
00:02:40,561 --> 00:02:42,196
SO YOU CAN CHECK YOUR FANTASIES
AT THE DOOR.
64
00:02:43,764 --> 00:02:44,932
WHAT HAPPENED TO PHILIP?
65
00:02:44,965 --> 00:02:46,200
SOMETHING HAPPENED TO PHILIP?
66
00:02:46,234 --> 00:02:47,535
WELL...
67
00:02:47,568 --> 00:02:50,538
WHAT? I AM A HIGHLY SOUGHT AFTER
TALENT MANAGER NOW.
68
00:02:50,571 --> 00:02:52,973
I CANNOT BE EXPECTED
TO LIVE IN A LESSER BOROUGH.
69
00:02:53,006 --> 00:02:54,342
(mouths word)
70
00:02:54,375 --> 00:02:55,843
AND PHILIP LOVES BROOKLYN
AND HE HAS
71
00:02:55,876 --> 00:02:57,978
HIS LITTLE DADDY AND ME CLASSES
EVERY TUESDAY IN FORT GREEN.
72
00:02:58,011 --> 00:02:59,413
YOU'RE DELUSIONAL.
73
00:02:59,447 --> 00:03:02,216
THIS IS GREAT.
I'LL TAKE IT--SOLO.
74
00:03:02,250 --> 00:03:03,351
GREAT. GREAT.
75
00:03:03,384 --> 00:03:05,753
THE ONLY THING IS THAT
THE CO-OP BOARD OF THIS BUILDING
76
00:03:05,786 --> 00:03:06,920
IS PARTICULARLY STRINGENT,
77
00:03:06,954 --> 00:03:09,957
SO IF YOU WANT IN, YOU'LL HAVE
TO GET A GOOD REFERENCE.
78
00:03:09,990 --> 00:03:12,860
RIGHT. (sighs)
79
00:03:14,395 --> 00:03:15,696
LILY, I HAVE RESEARCHED
80
00:03:15,729 --> 00:03:17,298
ALL THE NAMES AND NUMBERS
YOU GAVE ME
81
00:03:17,331 --> 00:03:18,999
FROM BART'S OFFSHORE ACCOUNTS.
82
00:03:19,032 --> 00:03:21,702
I CAN'T PULL UP THE RECORDS
WITHOUT THE PASS CODES.
83
00:03:21,735 --> 00:03:23,337
DO YOU RECALL ANY OF THOSE?
84
00:03:23,371 --> 00:03:24,438
I'm sorry, Charles.
85
00:03:24,472 --> 00:03:27,308
I gave you
all the information I have.
86
00:03:27,341 --> 00:03:29,610
OKAY. WELL, THANK YOU.
87
00:03:29,643 --> 00:03:30,778
I APPRECIATE YOUR HELP.
88
00:03:30,811 --> 00:03:32,380
UNFORTUNATELY,
I NEED SOMETHING MORE.
89
00:03:32,413 --> 00:03:36,250
I better go. I'm late for
my bamboo oat body smoother.
90
00:03:36,284 --> 00:03:37,017
Good luck, darling.
91
00:03:37,050 --> 00:03:38,452
(beep)
92
00:03:38,486 --> 00:03:39,853
LILY'S INFORMATION IS USELESS
93
00:03:39,887 --> 00:03:41,922
WITHOUT THE P.I.N. NUMBERS.
94
00:03:41,955 --> 00:03:46,026
WE HAVE NO HARD EVIDENCE
BART ILLEGALLY TRADED OIL.
95
00:03:46,059 --> 00:03:47,160
WELL, IT'S TOO BAD.
96
00:03:47,194 --> 00:03:49,530
TONIGHT'S GALA WOULD'VE BEEN
THE PERFECT TIME TO STRIKE,
97
00:03:49,563 --> 00:03:51,999
WITH THE CITY'S
MOST PROMINENT EYES UPON HIM.
98
00:03:52,032 --> 00:03:53,967
MAN OF THE YEAR.
WHAT A CHARADE.
99
00:03:55,503 --> 00:03:56,504
THAT'S IT.
100
00:03:56,537 --> 00:03:57,671
WHAT'S IT?
101
00:03:57,705 --> 00:03:59,006
A CHARADE.
102
00:03:59,039 --> 00:04:01,642
LILY'S INFORMATION MAY NOT
BE ENOUGH TO CONVICT BART,
103
00:04:01,675 --> 00:04:04,345
BUT IT MAY BE ENOUGH TO BLUFF
A CONFESSION OUT OF HIM.
104
00:04:04,378 --> 00:04:05,646
I CAN'T PUT LILY IN DANGER.,
105
00:04:05,679 --> 00:04:08,649
HE CANNOT KNOW SHE WAS THE ONE
WHO TOLD ME ABOUT THE ACCOUNTS.
106
00:04:08,682 --> 00:04:10,784
BUT WHAT IF LILY DIDN'T DO IT?
107
00:04:17,558 --> 00:04:19,360
ARE YOU ON SOME DIET
I SHOULD KNOW ABOUT?
108
00:04:19,393 --> 00:04:20,494
HUH?
109
00:04:20,528 --> 00:04:21,662
YOU LITERALLY
JUST TOSSED A COOKIE.
110
00:04:21,695 --> 00:04:22,830
I GO TO CONSTANCE.
111
00:04:22,863 --> 00:04:24,365
I KNOW AN EATING DISORDER
WHEN I SEE ONE.
112
00:04:24,398 --> 00:04:25,232
NO, IT'S MORE LIKE NERVES.
113
00:04:25,265 --> 00:04:26,834
I HAVE MY DAILY MEETING
WITH BART BASS.
114
00:04:26,867 --> 00:04:28,502
WELL, IF THE STRESS IS
DRIVING YOU TO MANOREXIA,
115
00:04:28,536 --> 00:04:29,937
MAYBE YOU SHOULD SKIP IT.
116
00:04:29,970 --> 00:04:31,372
YEAH, RIGHT.
117
00:04:31,405 --> 00:04:32,940
ONLY REASON BART'S NOT
SENDING ME TO JAIL
118
00:04:32,973 --> 00:04:34,775
IS BECAUSE I'M BEING HIS MOLE
WITH CHUCK.
119
00:04:34,808 --> 00:04:36,577
I MEAN, I DON'T KNOW
HOW CLAIRE DANES DOES IT.
120
00:04:36,610 --> 00:04:38,045
SPYING HURTS ME HEAD, OKAY?
121
00:04:38,078 --> 00:04:40,414
WELL, MAYBE HE'LL GET SICK
OF THESE MEETINGS SOON ENOUGH.
122
00:04:40,448 --> 00:04:41,915
THAT'S DOUBTFUL,
123
00:04:41,949 --> 00:04:43,684
AND THE ONLY THING HE HATES
MORE THAN CHUCK IS TARDINESS,
124
00:04:43,717 --> 00:04:45,419
SO I'M GONNA GO.
125
00:04:48,989 --> 00:04:50,691
HEY, MARSHALL, IT'S SERENA.
126
00:04:50,724 --> 00:04:53,060
UH, LET ME KNOW IF YOU HEAR
OF ANY SUBLETS
127
00:04:53,093 --> 00:04:54,828
OR PRODUCTIONS THAT NEED
AN EXTRA HAND.
128
00:04:54,862 --> 00:04:56,597
I'LL BE IN L.A. TOMORROW.
BYE.
129
00:04:56,630 --> 00:04:57,798
(Blair) SERENA!
130
00:04:57,831 --> 00:04:58,966
(beep)
131
00:05:01,101 --> 00:05:03,404
OH. IT IS A MESS IN HERE.
132
00:05:03,437 --> 00:05:06,006
OH. YEAH, I'M JUST PURGING
MY CLOSET.
133
00:05:06,039 --> 00:05:08,108
AH. A POST-DAN CLEANSE.
134
00:05:08,141 --> 00:05:10,110
IT'S JUST WHAT
THE DOCTOR ORDERED,
135
00:05:10,143 --> 00:05:11,545
AND A LITTLE DISTRACTION.
136
00:05:11,579 --> 00:05:13,614
WHICH IS EXACTLY WHAT WE HAVE
FOR YOU.
137
00:05:13,647 --> 00:05:16,116
IS THIS ABOUT BART? YEAH, MY MOM
CALLED AND TOLD ME EVERYTHING.
138
00:05:16,149 --> 00:05:18,018
IT SOUNDS LIKE IT'S GOTTEN
PRETTY SCARY.
139
00:05:18,051 --> 00:05:19,186
WHICH IS WHY
WE NEED TO STOP HIM.
140
00:05:19,219 --> 00:05:21,822
BUT IN ORDER TO DO THAT,
WE HAVE TO ELICIT A CONFESSION.
141
00:05:21,855 --> 00:05:23,624
AND MAKE HIM BELIEVE
WE HAVE PROOF FOR HIS CRIMES.
142
00:05:23,657 --> 00:05:25,426
OKAY, BUT HOW CAN I HELP?
143
00:05:25,459 --> 00:05:27,428
WELL, THE LAST PERSON TO BE SEEN
WITH THAT MICROFILM
144
00:05:27,461 --> 00:05:29,830
IN HER GRIMY LITTLE PAW
WAS IVY DICKENS.
145
00:05:29,863 --> 00:05:30,964
BUT HER CELL'S
BEEN DISCONNECTED
146
00:05:30,998 --> 00:05:33,601
AND SHE HASN'T BEEN SPOTTED
ON "GOSSIP GIRL" FOR WEEKS.
147
00:05:33,634 --> 00:05:35,102
SHE'S PROBABLY
AT CeCe's HAMPTONS HOUSE.
148
00:05:35,135 --> 00:05:37,104
THAT'S THE PLACE SHE WENT
THE LAST TIME SHE DISAPPEARED.
149
00:05:37,137 --> 00:05:40,908
WHY DON'T WE, UH,
GET HER BACK HERE?
150
00:05:40,941 --> 00:05:44,144
(clicks)
151
00:05:44,177 --> 00:05:45,979
(phone rings)
152
00:05:46,013 --> 00:05:46,980
(Ivy) Hello?
153
00:05:47,014 --> 00:05:49,116
HEY, IVY. IT'S SERENA.
154
00:05:49,149 --> 00:05:52,453
YEAH, I KNOW.
I CAN AFFORD CALLER I.D.
155
00:05:52,486 --> 00:05:54,054
YOU KNOW, I'VE BEEN DOING
SOME THINKING,
156
00:05:54,087 --> 00:05:57,591
AND--AND I REALIZED THAT
MY FAMILY TREATED YOU HORRIBLY.
157
00:05:57,625 --> 00:06:00,794
TRUE. BUT WHY APOLOGIZE NOW?
158
00:06:00,828 --> 00:06:02,863
I DON'T KNOW.
I GUESS SINCE DAN HUMILIATED ME,
159
00:06:02,896 --> 00:06:04,965
I HAVE A NEW APPRECIATION
FOR FRIENDSHIP.
160
00:06:06,567 --> 00:06:08,869
SO WHY DON'T WE MET
AT THE OAK ROOM AROUND NOON?
161
00:06:08,902 --> 00:06:11,371
AND, UH, WE CAN CHAT
OVER LUNCH.
162
00:06:12,973 --> 00:06:14,174
(sighs) FINE.
163
00:06:14,207 --> 00:06:16,777
AND THERE ARE SOME THINGS I
WANNA TALK TO YOU ABOUT AS WELL.
164
00:06:18,211 --> 00:06:20,147
GREAT. BYE.
165
00:06:20,180 --> 00:06:21,515
(beep)
166
00:06:21,549 --> 00:06:23,651
SHE'S IN.
167
00:06:25,185 --> 00:06:26,286
(beep)
168
00:06:26,319 --> 00:06:28,656
HEY, WILLIAM, I MIGHT NOT
BE HERE WHEN YOU GET BACK.
169
00:06:28,689 --> 00:06:30,958
BUT YOU'LL BE EXCITED
TO KNOW THAT
170
00:06:30,991 --> 00:06:34,528
YOUR DAUGHTER AND I ARE WORKING
ON SMOOTHING THINGS OVER.
171
00:06:35,963 --> 00:06:37,898
(beep)
172
00:06:37,931 --> 00:06:39,633
(chuckles)
173
00:06:39,667 --> 00:06:43,437
PER YOUR INSTRUCTIONS,
I SWIPED CHUCK'S PHONE.
174
00:06:43,471 --> 00:06:45,539
WELL DONE, GRASSHOPPER.
175
00:06:46,607 --> 00:06:49,176
HE HAD BREAKFAST WITH BLAIR
AT ROSEMARY THIS MORNING
176
00:06:49,209 --> 00:06:51,178
AND HAS A HOTEL MANAGEMENT
MEETING LATER THIS AFTERNOON.
177
00:06:51,211 --> 00:06:53,647
ISN'T THIS GETTING
A LITTLE BIT DULL FOR YOU?
178
00:06:53,681 --> 00:06:56,450
MY ENNUI IS OF NO CONCERN
TO YOU.
179
00:06:56,484 --> 00:06:58,452
I WILL NOT BE CAUGHT OFF GUARD
BY CHUCK'S ANTICS
180
00:06:58,486 --> 00:07:00,654
WHILE I'M BEING FETED
AT TONIGHT'S EVENT.
181
00:07:00,688 --> 00:07:01,822
YEAH, FINE.
182
00:07:01,855 --> 00:07:03,056
WELL, THE ONLY OTHER THING
I NOTICED
183
00:07:03,090 --> 00:07:06,093
WAS THAT HE CALLED IVY DICKENS
A FEW TIMES.
184
00:07:11,131 --> 00:07:14,234
(Minnaars) * YOU ARE NOT
MY LOVER *
185
00:07:14,267 --> 00:07:17,971
***
186
00:07:18,005 --> 00:07:21,208
* SHE SETS ME ON FIRE
187
00:07:21,241 --> 00:07:22,409
* SHE SETS ME ON FIRE
188
00:07:22,442 --> 00:07:24,812
DON'T TRY TO TELL ME
YOU A WANNA BE FRIENDS.
189
00:07:24,845 --> 00:07:25,713
WE DON'T.
190
00:07:25,746 --> 00:07:27,815
I CALLED YOU HERE
UNDER FALSE PRETENSES.
191
00:07:27,848 --> 00:07:31,018
WE NEED YOUR HELP WITH A MISSION
WE HAVE AGAINST BART BASS.
192
00:07:31,051 --> 00:07:33,020
ARE YOU KIDDING?
193
00:07:33,053 --> 00:07:35,889
I WAS LOCKED IN A ROOM
WITH BART BASS. HE'S DANGEROUS.
194
00:07:35,923 --> 00:07:38,091
YES, HE IS,
AND YOU AGGRAVATED HIM
195
00:07:38,125 --> 00:07:41,729
WITH YOUR TOPLESS ANTICS
AND MISSING MICROFILM.
196
00:07:41,762 --> 00:07:44,097
SO IF YOU EVER WANNA SAFELY
RETURN TO NEW YORK,
197
00:07:44,131 --> 00:07:45,566
HE NEEDS TO BE TAKEN CARE OF.
198
00:07:45,599 --> 00:07:47,835
WELL, IF I KNEW HOW,
I WOULD'VE DONE IT.
199
00:07:47,868 --> 00:07:49,603
WE NEED YOU TO BE THE GOAT.
200
00:07:49,637 --> 00:07:52,105
DON'T TELL ME YOU'VE NEVER
STUDIED MEDIEVAL WARFARE.
201
00:07:52,139 --> 00:07:55,008
WHEN THE BYZANTINES WANTED
TO LURE A DRAGON FROM ITS CAVE,
202
00:07:55,042 --> 00:07:56,977
THEY TIED A GOAT TO A STICK.
203
00:07:57,010 --> 00:08:00,581
(scoffs) YOU WANNA TIE ME UP
AND LEAVE ME SOMEWHERE?
204
00:08:00,614 --> 00:08:01,982
IT'S A METAPHOR.
205
00:08:02,015 --> 00:08:03,717
WE'RE GOING TO USE YOU
206
00:08:03,751 --> 00:08:05,986
AND THE COPIES YOU MADE
OF THE MICROFILM AS BAIT.
207
00:08:06,019 --> 00:08:07,120
(door opens)
208
00:08:07,154 --> 00:08:08,255
BUT I DIDN'T MAKE ANY COPIES.
209
00:08:08,288 --> 00:08:09,590
(door closes)
210
00:08:09,623 --> 00:08:11,058
AS FAR AS BART'S CONCERNED,
YOU DID.
211
00:08:11,091 --> 00:08:13,293
IT ALL WENT ACCORDING TO PLAN.
212
00:08:13,326 --> 00:08:16,129
(cell phone ringing)
213
00:08:16,163 --> 00:08:18,165
THAT'S PROBABLY BART
CALLING YOU NOW.
214
00:08:18,198 --> 00:08:19,533
START TALKING.
215
00:08:19,567 --> 00:08:20,734
(beep)
216
00:08:20,768 --> 00:08:22,536
I heard you're back in town.
Where are you?
217
00:08:22,570 --> 00:08:24,271
UM... (sighs) THE OAK ROOM.
218
00:08:24,304 --> 00:08:27,908
AH. COINCIDENTALLY,
I'M AROUND THE CORNER,
219
00:08:27,941 --> 00:08:30,110
AND I HAVE TIME FOR A CHAT.
220
00:08:31,812 --> 00:08:33,246
(beep)
221
00:08:34,782 --> 00:08:35,916
(beep)
222
00:08:35,949 --> 00:08:37,084
HE'S ON HIS WAY.
223
00:08:37,117 --> 00:08:39,286
THE MICROFILM HAD THE RECORDS
224
00:08:39,319 --> 00:08:40,821
OF BART'S ILLEGAL OIL TRADE.
225
00:08:40,854 --> 00:08:42,322
(Blair) AS LONG
AS YOU GET HIM TALKING,
226
00:08:42,355 --> 00:08:44,625
HE'S BOUND TO SAY SOMETHING
THAT LINKS HIM TO HIS CRIMES.
227
00:08:44,658 --> 00:08:46,293
AND MAKE SURE TO RECORD
EVERYTHING HE SAYS
228
00:08:46,326 --> 00:08:47,661
ON YOUR PHONE.
229
00:08:47,695 --> 00:08:49,763
* FIRE
230
00:08:49,797 --> 00:08:52,833
NATHANIEL ARCHIBALD,
YOU'RE UNDER ARREST FOR FRAUD.
231
00:08:52,866 --> 00:08:53,967
(Nate) WAIT. WHAT?
232
00:08:54,001 --> 00:08:55,302
(man) COME WITH ME, SIR.
233
00:08:55,335 --> 00:08:57,805
(camera shutters clicking)
234
00:08:57,838 --> 00:08:59,707
POOR NATE.
235
00:08:59,740 --> 00:09:02,309
PLAYING THE DOUBLE AGENT GOT
HIM INTO DOUBLE THE TROUBLE.
236
00:09:02,342 --> 00:09:04,778
AND NOW THAT BART'S WISE
TO THIS GUY,
237
00:09:04,812 --> 00:09:06,079
THE QUESTION IS,
238
00:09:06,113 --> 00:09:08,949
WHO WILL HE OUTSMART NEXT?
239
00:09:10,851 --> 00:09:12,119
THANK YOU.
240
00:09:12,152 --> 00:09:13,854
MY LAWYERS ARE DOING EVERYTHING
IN THEIR POWER
241
00:09:13,887 --> 00:09:15,789
TO HAVE HIM RELEASED
AS SOON AS POSSIBLE.
242
00:09:15,823 --> 00:09:18,258
WELL, OBVIOUSLY BART FIGURED OUT
THAT NATE WAS PLAYING HIM.
243
00:09:18,291 --> 00:09:20,193
AND THEN HE STARTED USING NATE
AS HIS GOAT.
244
00:09:20,227 --> 00:09:23,063
AM I THE ONLY ONE WHO DIDN'T
STUDY BYZANTINE WARFARE?
245
00:09:23,096 --> 00:09:24,331
HE THINKS HAVING NATE ARRESTED
246
00:09:24,364 --> 00:09:27,200
WILL FORCE ME TO GO TO HIM
TO MAKE A DEAL.
247
00:09:27,234 --> 00:09:29,136
WELL, IF THAT'S WHAT HE WANTS,
DON'T GIVE IN.
248
00:09:29,169 --> 00:09:30,804
I'M NOT ABOUT
TO LET NATE ROT IN JAIL.
249
00:09:30,838 --> 00:09:32,940
I HAVE TO GO TO THE APARTMENT
AND SEE WHAT HE PROPOSES.
250
00:09:32,973 --> 00:09:35,008
WILL YOU GO WITH HIM?
251
00:09:35,042 --> 00:09:36,376
BART'S LESS LIKELY
TO PULL ANYTHING
252
00:09:36,409 --> 00:09:38,078
IF SOMEONE ELSE IS
ON THE PREMISES.
253
00:09:38,111 --> 00:09:39,112
OF COURSE. CHUCK?
254
00:09:39,146 --> 00:09:41,682
AFTER YOU.
255
00:09:41,715 --> 00:09:43,150
WELL, THAT'S MY CUE
TO LEAVE, TOO.
256
00:09:43,183 --> 00:09:44,852
NOT SO FAST.
257
00:09:44,885 --> 00:09:47,254
YOU ARE NOT GOING ANYWHERE.
WE MIGHT NEED YOU AS LEVERAGE.
258
00:09:47,287 --> 00:09:49,389
YOU'RE COMING WITH ME.
259
00:09:49,422 --> 00:09:52,092
SO... WHAT CAN I DO FOR YOU,
DANIEL?
260
00:09:52,125 --> 00:09:53,761
WELL, UM...
261
00:09:53,794 --> 00:09:56,964
I HAVE--I'VE FOUND AN APARTMENT
THAT I'M INTERESTED IN BUYING.
262
00:09:56,997 --> 00:09:59,733
RECENTLY, I'VE HAD SOME...
(sighs) TROUBLE
263
00:09:59,767 --> 00:10:01,301
LENDING MONEY
TO MY SON'S FRIENDS.
264
00:10:01,334 --> 00:10:03,170
NO. (chuckles)
NO, I'M NOT HERE FOR A LOAN.
265
00:10:03,203 --> 00:10:05,305
FOR THE FIRST TIME EVER,
IN FACT, I HAVE PLENTY OF MONEY.
266
00:10:05,338 --> 00:10:07,775
BUT I NEED A SPONSOR TO VOUCH
FOR ME FOR THE CO-OP BOARD,
267
00:10:07,808 --> 00:10:09,977
AND I KNOW YOUR NAME CARRIES
A LOT OF WEIGHT
268
00:10:10,010 --> 00:10:11,979
IN NEW YORK REAL ESTATE.
269
00:10:12,012 --> 00:10:14,147
WELL, UNLIKE MY SON,
IT'S NICE TO SEE
270
00:10:14,181 --> 00:10:16,784
SOMEONE RECOGNIZES MY STATURE
IN THIS TOWN.
271
00:10:16,817 --> 00:10:18,285
YOU COULDN'T FIND
A BETTER SPONSOR
272
00:10:18,318 --> 00:10:20,654
THAN NEW YORK REAL ESTATE'S
MAN OF THE YEAR.
273
00:10:20,688 --> 00:10:23,757
THAT'S RIGHT. I HEAR
CONGRATULATIONS ARE IN ORDER.
274
00:10:23,791 --> 00:10:25,258
THANK YOU.
275
00:10:25,292 --> 00:10:28,261
YOU KNOW, I'VE BEEN ASSIGNED
A REPORTER TO DO A PROFILE ON ME
276
00:10:28,295 --> 00:10:29,997
IN CONJUNCTION
WITH THE EVENT.
277
00:10:30,030 --> 00:10:32,365
MAYBE YOU WOULD LIKE
THE OPPORTUNITY INSTEAD?
278
00:10:34,367 --> 00:10:36,269
PROFILES ARE MY SPECIALTY.
279
00:10:36,303 --> 00:10:39,272
GOOD. THEN IT'S SETTLED.
280
00:10:39,306 --> 00:10:41,341
YOU WRITE NICE THINGS
ABOUT ME,
281
00:10:41,374 --> 00:10:43,310
I'LL WRITE YOU
A GREAT RECOMMENDATION.
282
00:10:46,446 --> 00:10:48,148
IF YOU'LL EXCUSE ME,
283
00:10:48,181 --> 00:10:51,819
I HAVE SOME... FAMILY BUSINESS
TO ATTEND TO.
284
00:10:51,852 --> 00:10:53,386
BUT I LOOK FORWARD
TO WORKING WITH YOU.
285
00:10:57,190 --> 00:10:58,225
I'M--I'M GLAD TO SEE YOU.
286
00:10:58,258 --> 00:10:59,893
I'VE BEEN TRYING TO REACH YOU
SINCE THANKSGIVING.
287
00:10:59,927 --> 00:11:01,228
OH, YEAH, AND I'VE BEEN
IGNORING YOUR CALLS,
288
00:11:01,261 --> 00:11:02,763
YOUR E-MAILS, AND YOUR TEXTS.
289
00:11:02,796 --> 00:11:04,431
SERENA, PLEASE.
JUST LET ME EXPLAIN.
290
00:11:04,464 --> 00:11:07,434
EXPLAIN WHAT? THAT YOU'RE
BEST FRIENDS WITH BART BASS?
291
00:11:07,467 --> 00:11:10,971
CONGRATULATIONS. YOU'VE
OFFICIALLY JOINED THE DARK SIDE.
292
00:11:16,209 --> 00:11:19,379
OKAY, I'M HERE. I KNOW THAT'S
WHY YOU HAD NATE ARRESTED.
293
00:11:19,412 --> 00:11:22,950
SO TELL ME, WHAT'S IT GONNA TAKE
TO GET YOU TO DROP THE CHARGES?
294
00:11:25,285 --> 00:11:27,087
IT'S QUITE SIMPLE, ACTUALLY.
295
00:11:27,120 --> 00:11:29,990
STOP YOUR WITCH HUNT
296
00:11:30,023 --> 00:11:32,325
AND LEAVE NEW YORK
FOR MOSCOW TONIGHT... ALONE.
297
00:11:32,359 --> 00:11:34,327
MOSCOW? AS IN RUSSIA?
298
00:11:34,361 --> 00:11:35,495
IT'S A LOVELY PLACE.
299
00:11:35,528 --> 00:11:38,331
REAL ESTATE MARKET
IS BOOMING.
300
00:11:38,365 --> 00:11:39,466
LOTS OF OPPORTUNITIES
301
00:11:39,499 --> 00:11:41,268
FOR A YOUNG ENTREPRENEUR
LIKE YOURSELF.
302
00:11:41,301 --> 00:11:44,938
AND HOW LONG DO YOU EXPECT ME
TO LIVE IN EXILE?
303
00:11:44,972 --> 00:11:46,373
FOREVER.
304
00:11:49,877 --> 00:11:51,378
YOU CAN NEVER COME BACK
TO NEW YORK.
305
00:11:52,846 --> 00:11:54,114
THAT'S NOT A DEAL.
306
00:11:54,147 --> 00:11:55,415
THAT'S A DIFFERENT KIND
OF PRISON SENTENCE.
307
00:11:55,448 --> 00:11:58,518
I WILL FIND ANOTHER WAY
TO GET NATE OUT OF JAIL.
308
00:11:58,551 --> 00:12:02,155
THERE IS NO OTHER WAY.
309
00:12:02,189 --> 00:12:04,892
DON'T YOU GET IT?
310
00:12:04,925 --> 00:12:09,029
I'M VERY CLOSE FRIENDS
WITH THE POLICE COMMISSIONER.
311
00:12:09,062 --> 00:12:12,432
THE ONLY PERSON WHO CAN
GET NATE OUT OF JAIL
312
00:12:12,465 --> 00:12:14,434
IS ME.
313
00:12:14,467 --> 00:12:17,370
WE'LL SEE
HOW POWERFUL YOU ARE
314
00:12:17,404 --> 00:12:21,741
WHEN YOU ARE LOCKED INSIDE
WITH HIM.
315
00:12:32,886 --> 00:12:35,322
IF YOU WANT
TO GO TO CHUCK, GO.
316
00:12:35,355 --> 00:12:36,857
YOU CAN TRUST ME.
317
00:12:36,890 --> 00:12:39,292
YOU WERE RIGHT. I NEED TO
HELP YOU GET RID OF BART
318
00:12:39,326 --> 00:12:40,894
IF I WANNA COME BACK
TO NEW YORK
319
00:12:40,928 --> 00:12:43,330
TO BE WITH
THE MAN THAT I LOVE.
320
00:12:43,363 --> 00:12:45,465
WE HAVE A PACT,
JUST LIKE YOU AND CHUCK.
321
00:12:45,498 --> 00:12:46,633
RUFUS?
322
00:12:46,666 --> 00:12:49,436
WHAT KIND OF COCKAMAMIE LOVE
PACT DID YOU MAKE WITH RUFUS?
323
00:12:49,469 --> 00:12:52,205
IT'S NOT RUFUS,
324
00:12:52,239 --> 00:12:54,541
ALTHOUGH I'M NOT AT LIBERTY
TO NAME NAMES AT THIS TIME.
325
00:12:54,574 --> 00:12:55,542
(deadpan) REALLY?
326
00:12:55,575 --> 00:12:56,910
(cell phone alert chimes)
327
00:12:56,944 --> 00:12:58,078
'CAUSE I'M JUST DYING
TO KNOW.
328
00:12:58,111 --> 00:12:59,279
(beep)
329
00:12:59,312 --> 00:13:01,281
(gasps) OH, NO.
330
00:13:01,314 --> 00:13:03,884
THE SAMPLES JUST CAME IN
AND THEY ARE A DISASTER.
331
00:13:03,917 --> 00:13:06,019
I HAVE TO GO BACK
TO THE ATELIER.
332
00:13:06,053 --> 00:13:08,188
DON'T ANSWER YOUR PHONE
UNLESS IT'S ME,
333
00:13:08,221 --> 00:13:10,457
AND DO NOT MOVE OFF
THAT COUCH.
334
00:13:10,490 --> 00:13:11,458
DOROTA WILL BE ABLE TO TELL
335
00:13:11,491 --> 00:13:13,460
IF THERE ARE FRESH FOOTPRINTS
ON THE AUBUSSON.
336
00:13:19,499 --> 00:13:21,434
I SAW YOUR PICTURE
ALL OVER THE NEWS.
337
00:13:21,468 --> 00:13:23,370
WHAT HAPPENED?
338
00:13:23,403 --> 00:13:25,338
BART FIGURED OUT
I WAS PLAYING BOTH SIDES,
339
00:13:25,372 --> 00:13:27,908
AND THIS IS HIS WAY
OF RETALIATING.
340
00:13:27,941 --> 00:13:29,910
HOW ARE YOU DOING?
341
00:13:29,943 --> 00:13:32,479
WELL... BETTER
NOW THAT YOU'RE HERE.
342
00:13:32,512 --> 00:13:34,181
TMZ LEAKED YOUR MUG SHOT,
343
00:13:34,214 --> 00:13:35,448
AND YOU ACTUALLY LOOK
PRETTY CUTE.
344
00:13:35,482 --> 00:13:37,250
WELL, CUTE IS GONNA
HELP ME NOW.
345
00:13:37,284 --> 00:13:38,451
I SPOKE WITH CHUCK'S LAWYERS,
346
00:13:38,485 --> 00:13:39,586
AND THEY HAVEN'T MADE
ANY PROGRESS
347
00:13:39,619 --> 00:13:41,054
IN GETTING ME OUT ON BAIL.
348
00:13:41,088 --> 00:13:43,490
WELL, I KNOW YOU DON'T TRUST
YOUR GRANDFATHER
349
00:13:43,523 --> 00:13:45,358
OR ANYONE FROM THE VAN DER BILT
SIDE OF THE FAMILY,
350
00:13:45,392 --> 00:13:46,459
SO I CALLED SOMEONE
351
00:13:46,493 --> 00:13:48,495
WHO HAS SOME EXPERIENCE
WITH THIS KIND OF SITUATION.
352
00:13:53,166 --> 00:13:54,501
DAD?
353
00:14:03,443 --> 00:14:05,612
WHY ARE YOU STOPPING?
354
00:14:05,645 --> 00:14:08,215
(singsongy) HELLO?!
ARE YOU DEAF?
355
00:14:08,248 --> 00:14:09,482
WILL YOU GIVE ME
A HAND SIGNAL?
356
00:14:09,516 --> 00:14:11,851
I-I SPEAK FLUENT SIGN.
357
00:14:13,386 --> 00:14:15,488
WHAT THE HELL ARE YOU DOING?!
358
00:14:15,522 --> 00:14:17,891
TAKING YOU FOR A LITTLE RIDE.
359
00:14:19,326 --> 00:14:20,427
(doors lock)
360
00:14:38,011 --> 00:14:39,112
LOOKING FOR ME?
361
00:14:39,146 --> 00:14:40,413
WHERE'S BLAIR?
362
00:14:40,447 --> 00:14:41,581
SHE TEXTED ME
AND SAID SHE'S HERE.
363
00:14:41,614 --> 00:14:42,549
IF YOU'VE DONE SOMETHING...
364
00:14:42,582 --> 00:14:44,117
BLAIR IS FINE, OKAY?
365
00:14:44,151 --> 00:14:46,253
SHE'S UPSTAIRS
IN THE ATELIER, UNHARMED.
366
00:14:46,286 --> 00:14:48,188
SHE'S FINE
367
00:14:48,221 --> 00:14:51,391
BECAUSE I DECIDED
SHE COULD BE FINE.
368
00:14:51,424 --> 00:14:53,393
MAYBE NEXT TIME
I MAKE A DIFFERENT DECISION.
369
00:14:53,426 --> 00:14:56,029
SO PERHAPS YOU'D LIKE TO...
370
00:14:56,063 --> 00:14:58,598
RECONSIDER MY EARLIER OFFER?
371
00:14:58,631 --> 00:15:02,335
ARE YOU THREATENING BLAIR
WITH PHYSICAL HARM?
372
00:15:02,369 --> 00:15:03,470
ME? NO.
373
00:15:03,503 --> 00:15:05,672
I WOULDN'T HURT A FLY.
374
00:15:05,705 --> 00:15:07,707
BUT I'M NOT GOD.
375
00:15:07,740 --> 00:15:09,542
I CAN'T HELP IT
IF ACCIDENTS HAPPEN.
376
00:15:09,576 --> 00:15:11,945
THIS FIGHT IS BETWEEN
ME AND YOU.
377
00:15:11,979 --> 00:15:13,413
LEAVE EVERYONE ELSE
OUT OF IT.
378
00:15:13,446 --> 00:15:16,616
IF YOU WANT YOUR BEST FRIEND
TO GET OUT OF JAIL,
379
00:15:16,649 --> 00:15:18,718
YOUR STEPMOTHER TO ENJOY
HER HAPPY MARRIAGE,
380
00:15:18,751 --> 00:15:20,153
YOUR GIRLFRIEND
TO CONTINUE MAKING
381
00:15:20,187 --> 00:15:23,423
HER PRETTY LITTLE DRESSES...
382
00:15:23,456 --> 00:15:25,025
THEN A NEW LIFE ON
THE OTHER SIDE OF THE WORLD
383
00:15:25,058 --> 00:15:26,593
IS YOUR ONLY OPTION.
384
00:15:33,666 --> 00:15:37,570
THE BASS JET IS WAITING
ON THE TARMAC.
385
00:15:37,604 --> 00:15:40,040
GO TO MOSCOW TONIGHT,
386
00:15:40,073 --> 00:15:41,975
THEN EVERYONE YOU LOVE
387
00:15:42,009 --> 00:15:44,011
WILL BE SAFE.
388
00:15:48,015 --> 00:15:49,449
I SPOKE TO YOUR LAWYERS.
389
00:15:49,482 --> 00:15:51,251
THE JUDGE IS REFUSING
TO SET BAIL.
390
00:15:51,284 --> 00:15:52,585
THIS CAN'T BE HAPPENING.
391
00:15:52,619 --> 00:15:54,121
YOU'RE CLEARLY
BEING VICTIMIZED
392
00:15:54,154 --> 00:15:55,455
BECAUSE OF THE MISTAKES
I'VE MADE IN THE PAST.
393
00:15:55,488 --> 00:15:57,457
NOW DON'T WORRY.
IT'LL ALL GET SORTED OUT.
394
00:15:57,490 --> 00:16:01,228
NO, IT WON'T, DAD.
395
00:16:01,261 --> 00:16:03,396
I DID IT. I'M GUILTY.
396
00:16:04,664 --> 00:16:06,599
NATE.
397
00:16:06,633 --> 00:16:09,236
YOU'VE ALWAYS DONE
THE RIGHT THING.
398
00:16:09,269 --> 00:16:11,204
I CAN'T BELIEVE YOU'D DO
SOMETHING LIKE THIS.
399
00:16:11,238 --> 00:16:14,107
ALTHOUGH, AFTER THE EXAMPLE
I SET FOR YA,
400
00:16:14,141 --> 00:16:16,643
I SUPPOSE I ONLY HAVE
MYSELF TO BLAME.
401
00:16:16,676 --> 00:16:18,611
THIS WAS ALL ME.
402
00:16:18,645 --> 00:16:20,680
I FUDGED THE NUMBERS TO TRY
AND SAVE "THE SPECTATOR."
403
00:16:20,713 --> 00:16:23,616
SO YOU SLIPPED.
404
00:16:23,650 --> 00:16:26,653
YOU'VE ALWAYS STOOD BY ME.
IT'S MY TURN TO STAND BY YOU.
405
00:16:26,686 --> 00:16:28,755
WE'LL GO TO THE LENDER,
EXPLAIN EVERYTHING TO THEM,
406
00:16:28,788 --> 00:16:30,223
PAY THEM WHATEVER YOU OWE.
407
00:16:30,257 --> 00:16:31,524
THEY'LL DROP THE CHARGES.
408
00:16:31,558 --> 00:16:33,426
NO.
409
00:16:33,460 --> 00:16:36,396
THE ONLY PERSON THAT CAN
DROP THE CHARGES IS BART BASS,
410
00:16:36,429 --> 00:16:39,532
AND HE WON'T BUDGE.
411
00:16:41,568 --> 00:16:44,237
DOROTA, THE SAMPLES
WERE PRISTINE.
412
00:16:44,271 --> 00:16:45,072
IT WAS A FALSE ALARM--
413
00:16:45,105 --> 00:16:47,240
MERELY BART BASS FANNING
THE FLAMES.
414
00:16:47,274 --> 00:16:49,109
SO MAKE SURE THAT IVY'S ASS
STAYS GLUED
415
00:16:49,142 --> 00:16:51,278
TO THAT COUCH CUSHION.
416
00:16:51,311 --> 00:16:52,479
UGH!
417
00:16:55,215 --> 00:16:57,250
YES, THIS IS BLAIR WALDORF.
418
00:16:57,284 --> 00:16:59,119
APPARENTLY, MY TOWN CAR
HAS BEEN ABSCONDED
419
00:16:59,152 --> 00:17:01,254
BY A RUTHLESS BILLIONAIRE.
420
00:17:01,288 --> 00:17:02,355
SO IF YOU'D PLEASE
SEND ANOTHER--
421
00:17:02,389 --> 00:17:05,058
PREFERABLY WITH A DIFFERENT,
LESS DEVIOUS DRIVER...
422
00:17:06,593 --> 00:17:08,195
NO. NO, WHAT DO YOU MEAN?
423
00:17:08,228 --> 00:17:11,064
I'M NOT STILL IN THE CAR.
I'M RIGHT HERE.
424
00:17:11,098 --> 00:17:12,765
WHY? WHERE'D IT GO?
425
00:17:20,740 --> 00:17:22,442
THANK YOU.
426
00:17:25,178 --> 00:17:26,446
YOU SEEM ENGROSSED.
427
00:17:28,181 --> 00:17:30,617
OH, I AM.
428
00:17:30,650 --> 00:17:33,486
NORMALLY, I DON'T GO FOR...
429
00:17:33,520 --> 00:17:36,723
ROMANCE NOVELS,
BUT, UH...
430
00:17:36,756 --> 00:17:38,425
THE WAY YOU DESCRIBE SERENA...
431
00:17:38,458 --> 00:17:40,727
WHERE'D YOU GET THAT?
432
00:17:40,760 --> 00:17:41,728
A PACKAGE CAME THIS AFTERNOON.
433
00:17:41,761 --> 00:17:44,697
THINKING IT WAS YOUR PROFILE
ON ME, I OPENED IT.
434
00:17:44,731 --> 00:17:46,433
YEAH, WELL, UH,
435
00:17:46,466 --> 00:17:47,767
I WROTE TWO VERSIONS
OF THE SERENA CHAPTER,
436
00:17:47,800 --> 00:17:49,569
AND THAT'S--
THAT'S THE NICE ONE.
437
00:17:49,602 --> 00:17:51,638
I PREFER THE NASTY ONE
YOU PUBLISHED.
438
00:17:51,671 --> 00:17:55,175
I'M NOT SURE THAT WAS
THE BEST DECISION.
439
00:17:55,208 --> 00:17:56,343
WHY NOT?
440
00:17:56,376 --> 00:17:58,445
WHEN I WAS STAYING HERE
WITH SERENA, I...
441
00:17:58,478 --> 00:17:59,746
(chuckles) DO YOU WANNA
HEAR THIS?
442
00:17:59,779 --> 00:18:01,348
MM-HMM.
443
00:18:03,783 --> 00:18:05,585
I WAS TRYING TO MAKE HER
FALL IN LOVE WITH ME
444
00:18:05,618 --> 00:18:07,454
SO I COULD WRITE
THE ULTIMATE EXPOSE
445
00:18:07,487 --> 00:18:09,122
BRINGING DOWN
THE GOLDEN GIRL.
446
00:18:09,156 --> 00:18:12,759
BUT WHILE I WAS BUSY TRYING
TO WIN HER AFFECTIONS,
447
00:18:12,792 --> 00:18:14,494
I REALIZED I WAS
STILL IN LOVE WITH HER.
448
00:18:14,527 --> 00:18:16,463
AND WROTE THIS NONSENSE.
449
00:18:16,496 --> 00:18:18,731
I WOULD'VE PUBLISHED IT, TOO,
BUT, UH,
450
00:18:18,765 --> 00:18:21,601
BUT ON THANKSGIVING, I REALIZED
THAT SERENA WAS...
451
00:18:21,634 --> 00:18:23,736
NEVER GONNA TAKE ME SERIOUSLY
452
00:18:23,770 --> 00:18:25,605
UNLESS I COULD SHOW HER THAT
I WASN'T AFRAID OF HER,
453
00:18:25,638 --> 00:18:26,773
THAT I DIDN'T THINK SHE WAS
BETTER THAN ME.
454
00:18:26,806 --> 00:18:28,475
BRAVO.
455
00:18:28,508 --> 00:18:30,777
YOU MADE THE RIGHT DECISION.
456
00:18:30,810 --> 00:18:33,646
YEAH, BUT SHE WON'T
SPEAK TO ME NOW.
457
00:18:33,680 --> 00:18:36,516
LET YOUR FATHER
458
00:18:36,549 --> 00:18:39,352
SERVE AS A CAUTIONARY TALE,
DANIEL.
459
00:18:39,386 --> 00:18:40,620
HE'S SITTING OVER THERE
IN BROOKLYN ALONE,
460
00:18:40,653 --> 00:18:42,689
WHILE I'M HERE
MARRIED TO LILY.
461
00:18:42,722 --> 00:18:45,658
SERENA RESPECTS YOU NOW,
462
00:18:45,692 --> 00:18:48,628
EVEN IF SHE DOESN'T KNOW IT.
463
00:18:48,661 --> 00:18:51,931
YOU STAY THE COURSE,
SHE WILL COME AROUND IN TIME.
464
00:18:51,964 --> 00:18:54,367
THAT WAS THE IDEA,
BUT IT'S, UH,
465
00:18:54,401 --> 00:18:55,768
IT'S TAKING A LITTLE LONGER
THAN I EXPECTED.
466
00:18:55,802 --> 00:18:57,770
WELL...
467
00:18:57,804 --> 00:18:59,272
HOPEFULLY, YOU HAVE
A FEW MORE DAYS
468
00:18:59,306 --> 00:19:01,908
UNTIL SHE MOVES
TO LOS ANGELES.
469
00:19:01,941 --> 00:19:04,511
LOS ANGELES?
470
00:19:04,544 --> 00:19:06,879
(chuckles)
471
00:19:13,953 --> 00:19:15,722
CHUCK!
472
00:19:17,590 --> 00:19:19,659
STOP! WHAT ARE YOU DOING?
473
00:19:19,692 --> 00:19:21,694
I COULDN'T LIVE WITH MYSELF
IF ANYTHING HAPPENED TO YOU.
474
00:19:21,728 --> 00:19:23,463
BUT I'M FINE.
475
00:19:23,496 --> 00:19:24,664
BECAUSE I'M LEAVING.
476
00:19:24,697 --> 00:19:26,933
IT'S A SMALL PRICE TO PAY
FOR YOUR SAFETY.
477
00:19:26,966 --> 00:19:29,302
BUT I DON'T WANT TO BE SAFE.
478
00:19:29,336 --> 00:19:31,938
I WANNA BE WITH YOU.
479
00:19:31,971 --> 00:19:35,208
COME ON. LET'S GO TOGETHER.
I'LL HAVE DOROTA SEND MY THINGS.
480
00:19:35,242 --> 00:19:36,709
BLAIR, I CAN'T.
481
00:19:36,743 --> 00:19:38,711
I HAVE TO GO ALONE.
482
00:19:38,745 --> 00:19:42,715
I MADE A DEAL.
THOSE WERE MY FATHER'S TERMS.
483
00:19:46,386 --> 00:19:48,555
JUST HAVE FAITH IN ME,
484
00:19:48,588 --> 00:19:50,557
THIS ONE LAST TIME.
485
00:19:50,590 --> 00:19:53,326
BUT I-I'VE WAITED TOO LONG.
I NEED TO BE WITH YOU NOW.
486
00:19:53,360 --> 00:19:55,862
BLAIR, TRUST ME.
487
00:19:55,895 --> 00:19:57,830
LETTING ME GO IS
THE RIGHT THING TO DO.
488
00:19:57,864 --> 00:20:00,367
NO.
489
00:20:00,400 --> 00:20:01,834
(voice breaks)
DON'T GET ON THE PLANE.
490
00:20:01,868 --> 00:20:03,603
BART HAS ALREADY HURT
SO MANY PEOPLE.
491
00:20:03,636 --> 00:20:04,904
I KNOW WHAT
MY FATHER'S CAPABLE OF,
492
00:20:04,937 --> 00:20:07,274
BUT HE WOULD NEVER TRY TO KILL
HIS OWN SON.
493
00:20:12,745 --> 00:20:13,980
THEN...
494
00:20:14,013 --> 00:20:15,648
DO ONE THING BEFORE YOU GO.
495
00:20:19,352 --> 00:20:21,621
KISS ME, CHUCK BASS.
496
00:21:04,096 --> 00:21:06,433
I HAVE CALLED YOU ALL HERE
BECAUSE YOU ARE
497
00:21:06,466 --> 00:21:08,901
THE MOST CONNIVING GROUP
OF SCAMMERS AND SCHEMERS
498
00:21:08,935 --> 00:21:10,069
THAT I KNOW.
499
00:21:10,102 --> 00:21:11,838
AND, SERENA,
YOU'RE MY BEST FRIEND,
500
00:21:11,871 --> 00:21:13,506
THANKS FOR CLARIFYING.
501
00:21:13,540 --> 00:21:14,674
I STILL DON'T UNDERSTAND
WHY GEORGINA'S HERE, THOUGH.
502
00:21:14,707 --> 00:21:17,377
YOU CAN'T HAVE AN EVIL CABAL
WITHOUT THE QUEEN OF CON.
503
00:21:17,410 --> 00:21:19,446
AND FRANKLY, I SHOULD'VE
BEEN GIVEN MORE NOTICE.
504
00:21:19,479 --> 00:21:21,581
YOU LOST YOUR ROYAL STATUS WHEN
I TOOK YOUR PHONE AT COTILLION.
505
00:21:21,614 --> 00:21:24,517
HA. PHONE STEALING?
SERIOUSLY?
506
00:21:24,551 --> 00:21:25,785
THAT'S THE TRAINING BRA
OF TREACHERY.
507
00:21:25,818 --> 00:21:27,520
ENOUGH!
508
00:21:27,554 --> 00:21:30,089
IF I WANTED INFIGHTING,
I WOULD'VE CALLED MY MINIONS.
509
00:21:30,122 --> 00:21:32,058
NOW I NEED HER HERE.
I NEED YOU ALL HERE
510
00:21:32,091 --> 00:21:34,927
TO USE YOUR DASTARDLY SKILLS
TO TAKE DOWN BART BASS.
511
00:21:34,961 --> 00:21:37,464
YEAH, BUT LAST TIME WE DID THAT,
NATE ENDED UP IN JAIL.
512
00:21:37,497 --> 00:21:39,466
DO YOU WANT TO GO BACK
TO BEING THE GOAT
513
00:21:39,499 --> 00:21:43,536
OR LEND YOUR IMPERSONATION
PROWESS TO MY PLAN?
514
00:21:43,570 --> 00:21:45,438
BLAIR, ARE YOU SURE CHUCK WOULD
WANT YOU INVOLVED IN HIS WAR?
515
00:21:45,472 --> 00:21:46,806
IT'S NOT HIS CHOICE.
516
00:21:46,839 --> 00:21:49,609
NOW I WANT YOU ALL TO GET
BART TALKING.
517
00:21:49,642 --> 00:21:51,678
AND RECORD HIM ON YOUR PHONES.
518
00:21:51,711 --> 00:21:54,113
WE'LL MERGE
YOUR MASTER MANIPULATIONS,
519
00:21:54,146 --> 00:21:56,449
YOUR WANTON DISREGARD
FOR AUTHORITY,
520
00:21:56,483 --> 00:21:58,751
AND YOUR BRILLIANCE
AT PLAYING DUMB.
521
00:21:58,785 --> 00:22:01,488
BART BASS MAY BE ABLE
TO FOOL THE FBI,
522
00:22:01,521 --> 00:22:03,356
BUT HE HAS NEVER
HAD TO FACE OFF AGAINST
523
00:22:03,390 --> 00:22:05,592
BLAIR WALDORF AND HER BITCHES.
524
00:22:05,625 --> 00:22:08,761
***
525
00:22:08,795 --> 00:22:10,863
(camera shutter clicks)
526
00:22:20,740 --> 00:22:24,110
(man) * EVERYWHERE I LOOK
I SEE YOU *
527
00:22:24,143 --> 00:22:28,581
* IN THE AIR
528
00:22:28,615 --> 00:22:31,150
* GOT IN YOUR SKIN
529
00:22:31,183 --> 00:22:34,987
* AND CURLS OF YOUR HAIR
530
00:22:35,021 --> 00:22:36,889
BART, HEY.
531
00:22:36,923 --> 00:22:39,592
MY MOM WANTED ME TO TELL YOU
SHE'S SO SORRY SHE CAN'T BE HERE
532
00:22:39,626 --> 00:22:40,927
TO CELEBRATE
YOUR ACCOMPLISHMENTS.
533
00:22:40,960 --> 00:22:42,529
WELL, ALL...
534
00:22:42,562 --> 00:22:44,464
ALL THIS DOES SEEM
RATHER IMPRESSIVE, DOESN'T IT?
535
00:22:44,497 --> 00:22:46,466
(chuckles) YEAH.
536
00:22:46,499 --> 00:22:49,001
HEY, MAYBE YOU CAN SHOW HER
THE SLIDE SHOW WHEN SHE RETURNS.
537
00:22:49,035 --> 00:22:50,903
I'M SURE SHE'D LOVE TO SEE
YOUR TRAVELS.
538
00:22:53,105 --> 00:22:55,542
***
539
00:22:55,575 --> 00:22:56,743
IS EVERYTHING OKAY?
540
00:22:56,776 --> 00:23:00,880
I DON'T REMEMBER APPROVING
THAT SLIDE.
541
00:23:00,913 --> 00:23:02,949
WELL, OBVIOUSLY SOMEONE
LIKES IT. (chuckles)
542
00:23:02,982 --> 00:23:05,518
OBVIOUSLY, THERE'S A GLITCH
IN THE SYSTEM.
543
00:23:05,552 --> 00:23:07,554
IF YOU'LL EXCUSE ME...
544
00:23:07,587 --> 00:23:10,523
***
545
00:23:14,126 --> 00:23:16,529
HAVE YOU GOTTEN
THIS EVENING'S PROGRAM?
546
00:23:16,563 --> 00:23:18,798
YOU LOOK EVEN MORE DASHING IN IT
THAN YOU DO IN PERSON.
547
00:23:18,831 --> 00:23:20,500
WELL, AT LEAST THEY FOLLOWED
MY INSTRUCTIONS
548
00:23:20,533 --> 00:23:22,034
REGARDING THIS PART
OF THE PRESENTATION.
549
00:23:22,068 --> 00:23:23,302
TELL ME THE TRUTH,
550
00:23:23,335 --> 00:23:26,973
DO YOU TRADE ON YOUR GOOD LOOKS
TO GET ALL YOUR ADORING DONORS?
551
00:23:27,006 --> 00:23:29,576
HOW DID YOU GET LADY ALEXANDER
TO GIVE SO MUCH,
552
00:23:29,609 --> 00:23:32,044
AND TWICE ON SUNDAYS--
553
00:23:32,078 --> 00:23:34,647
I BET SHE REALLY
PUT YOU THROUGH YOUR PACES.
554
00:23:34,681 --> 00:23:36,182
DID YOU GIVE THIS
TO ANYONE ELSE?
555
00:23:36,215 --> 00:23:38,184
NO.
556
00:23:38,217 --> 00:23:39,852
OH.
557
00:23:39,886 --> 00:23:43,055
UNLESS YOU COUNT
EVERYBODY HERE.
558
00:23:43,089 --> 00:23:46,058
WHATEVER IT IS
YOU'RE TRYING TO PULL,
559
00:23:46,092 --> 00:23:47,560
I'M PUTTING A STOP TO IT.
560
00:23:47,594 --> 00:23:49,662
***
561
00:23:49,696 --> 00:23:52,532
(cell phone rings)
562
00:23:52,565 --> 00:23:54,233
***
563
00:23:54,266 --> 00:23:55,568
(beep)
564
00:23:55,602 --> 00:23:59,205
***
565
00:23:59,238 --> 00:24:01,674
GREAT JOB ON STEALING
THE DEAD GUY'S PHONE.
566
00:24:01,708 --> 00:24:04,110
NOW JUST KEEP CALLING BART
UNTIL HE CRACKS.
567
00:24:04,143 --> 00:24:06,979
I'M GONNA START PHASE TWO.
568
00:24:07,013 --> 00:24:08,748
(beep)
569
00:24:08,781 --> 00:24:11,117
(Serena) YEAH, I KNOW.
570
00:24:11,150 --> 00:24:12,552
SERENA, THERE YOU ARE.
571
00:24:12,585 --> 00:24:13,620
DAN. WHAT ARE YOU DOING HERE?
572
00:24:13,653 --> 00:24:14,821
OH, WAIT! I FORGOT.
573
00:24:14,854 --> 00:24:17,557
YOU'RE HONORING YOUR NEW MENTOR
BART BASS.
574
00:24:17,590 --> 00:24:20,627
IF YOU'LL EXCUSE ME, I NEED
TO BE ANYWHERE BUT HERE.
575
00:24:20,660 --> 00:24:22,562
JUST TELL ME IF YOU ARE
REALLY LEAVING TOWN.
576
00:24:22,595 --> 00:24:23,763
WHAT DO YOU CARE?
YOU CAN JUST AS EASILY
577
00:24:23,796 --> 00:24:26,032
WRITE DESPICABLE THINGS ABOUT ME
FROM AFAR.
578
00:24:26,065 --> 00:24:27,333
I KNOW YOU'RE MAD,
579
00:24:27,366 --> 00:24:29,235
BUT THAT CHAPTER'S NOT THE ONLY
THING I'VE WRITTEN ABOUT YOU.
580
00:24:29,268 --> 00:24:30,737
THE--THE MOST FLATTERING THINGS
I'VE WRITTEN ABOUT ANYONE
581
00:24:30,770 --> 00:24:31,771
HAVE BEEN ABOUT YOU, TOO.
582
00:24:31,804 --> 00:24:33,573
OH, OKAY,
THAT WAS FIVE YEARS AGO.
583
00:24:33,606 --> 00:24:34,707
SINCE THEN, I'VE BEEN
584
00:24:34,741 --> 00:24:35,908
THE EMPTY-HEADED BLONDE
IN "INSIDE,"
585
00:24:35,942 --> 00:24:39,746
AND--AND THE GOLDEN GIRL WITH
DADDY ISSUES IN "INSIDE OUT."
586
00:24:39,779 --> 00:24:41,581
YOUR WRITING CHANGED,
AND SO DID YOU.
587
00:24:41,614 --> 00:24:43,716
THAT'S NO REASON TO LEAVE
YOUR ENTIRE WORLD BEHIND.
588
00:24:43,750 --> 00:24:47,520
MY WORLD TURNED YOU FROM
A PERSON WITH INTEGRITY
589
00:24:47,554 --> 00:24:48,721
INTO A CRUEL SATIRIST.
590
00:24:48,755 --> 00:24:50,256
I MEAN, YOU'RE WORSE
THAN GOSSIP GIRL.
591
00:24:50,289 --> 00:24:52,592
AT LEAST SHE HAS A CONSCIENCE.
592
00:24:52,625 --> 00:24:54,994
NO MATTER WHAT IT LOOKS LIKE,
I'M STILL ON YOUR SIDE, SERENA.
593
00:24:55,027 --> 00:24:56,529
I ALWAYS HAVE BEEN.
594
00:24:56,563 --> 00:24:58,064
YEAH, WELL, EXCUSE ME
IF I DON'T WAIT AROUND
595
00:24:58,097 --> 00:25:00,533
TO BE DISAPPOINTED AGAIN.
596
00:25:01,768 --> 00:25:03,603
I'M MOVING TO L.A.
597
00:25:03,636 --> 00:25:06,639
JUST AS SOON AS I'M DONE
HELPING BLAIR WITH BART,
598
00:25:06,673 --> 00:25:10,910
WHICH... YOU SHOULD BE DOING,
TOO, BUT YOU'RE ON HIS SIDE.
599
00:25:14,113 --> 00:25:16,015
HIRE MORE STAFF
IF YOU HAVE TO.
600
00:25:16,048 --> 00:25:18,618
I WILL NOT BE EMBARRASSED
AT MY OWN PARTY.
601
00:25:18,651 --> 00:25:20,553
OKAY.
602
00:25:20,587 --> 00:25:22,221
EXCUSE ME, SIR.
WOULD YOU LIKE A COCKTAIL?
603
00:25:22,254 --> 00:25:23,923
WE HAVE A LOVELY
SUDANESE VODKA.
604
00:25:23,956 --> 00:25:25,625
WHAT THE HELL
ARE YOU DOING HERE?
605
00:25:25,658 --> 00:25:27,894
JUST A WAITRESS TRYING
TO SERVE YOU A DRINK,
606
00:25:27,927 --> 00:25:29,662
WHICH YOU LOOK LIKE
YOU COULD USE.
607
00:25:31,698 --> 00:25:35,768
LILY DESTROYED WHAT WAS INSIDE
OF THIS ALREADY.
608
00:25:35,802 --> 00:25:38,638
HMM. OR DID I MAKE COPIES?
609
00:25:38,671 --> 00:25:40,840
YOU NEVER KNOW
WHICH ONE OF THESE
610
00:25:40,873 --> 00:25:43,710
HAS WHAT YOU'RE LOOKING FOR.
611
00:25:43,743 --> 00:25:48,314
(I Am in Love's
"Buccaneer Mastery/London II")
612
00:25:48,347 --> 00:25:49,682
(glass clatters)
613
00:25:52,018 --> 00:25:53,786
BART?
614
00:25:53,820 --> 00:25:54,754
THERE YOU ARE.
615
00:25:54,787 --> 00:25:57,123
PERHAPS YOU REMEMBER
MY VERY SPECIAL GUEST
616
00:25:57,156 --> 00:25:58,324
IMAN HASSAN?
617
00:25:58,357 --> 00:26:00,660
YOU DID SOME OIL DEALINGS
WITH HER FATHER.
618
00:26:00,693 --> 00:26:02,795
IT'S LOVELY TO SEE YOU, IMAN.
619
00:26:02,829 --> 00:26:05,598
ALTHOUGH I NEVER DID
ANY BUSINESS WITH YOUR FATHER.
620
00:26:05,632 --> 00:26:06,799
WE WERE SIMPLY GOOD FRIENDS.
621
00:26:06,833 --> 00:26:08,801
WHO SHARED A LOVE OF HORSES.
622
00:26:08,835 --> 00:26:10,202
YES, THAT'S RIGHT.
623
00:26:10,236 --> 00:26:11,838
HOW IS HER DEAR LADY ALEXANDER
624
00:26:11,871 --> 00:26:15,341
LIVING OUT HER DAYS
AT YOUR HORSE FARM?
625
00:26:15,374 --> 00:26:17,209
GRAZING AWAY HAPPILY,
I SHOULD THINK.
626
00:26:17,243 --> 00:26:20,012
I KNOW WHAT YOU DID
TO MY HORSE.
627
00:26:20,046 --> 00:26:21,881
DID YOU MURDER MY FATHER, TOO?
628
00:26:21,914 --> 00:26:24,951
***
629
00:26:24,984 --> 00:26:28,755
I LOVED YOUR FATHER
LIKE A BROTHER.
630
00:26:28,788 --> 00:26:30,122
(cell phone rings)
631
00:26:30,156 --> 00:26:31,223
(ring)
632
00:26:31,257 --> 00:26:33,092
***
633
00:26:33,125 --> 00:26:34,226
IF YOU'LL EXCUSE US, IMAN...
634
00:26:34,260 --> 00:26:35,227
(beep)
635
00:26:35,261 --> 00:26:37,229
WE NEED A MOMENT.
636
00:26:37,263 --> 00:26:39,699
OH. TELL SECURITY WHERE I AM.
637
00:26:39,732 --> 00:26:42,769
I WOULDN'T WANT TO GO
MYSTERIOUSLY MISSING.
638
00:26:42,802 --> 00:26:47,740
***
639
00:26:49,742 --> 00:26:51,744
I KNOW WHAT YOU'RE TRYING
TO DOING
640
00:26:51,778 --> 00:26:53,980
WITH THE ENVELOPES
AND THE PHONY PHONE CALLS.
641
00:26:54,013 --> 00:26:55,748
I'VE SEEN "A CHRISTMAS CAROL."
642
00:26:55,782 --> 00:26:56,816
THE CLASSIC TALE
643
00:26:56,849 --> 00:26:59,018
OF MISDEEDS HAUNTING A MAN
WHO DIDN'T REMEDY THEM.
644
00:26:59,051 --> 00:27:02,655
YOU KNOW, I'VE ALWAYS FELT THAT
SCROOGE WAS UNFAIRLY MALIGNED.
645
00:27:02,689 --> 00:27:05,658
HE SIMPLY EXPECTED PEOPLE
TO ACT LIKE ADULTS.
646
00:27:05,692 --> 00:27:06,859
(woman) AND IN OTHER NEWS...
647
00:27:06,893 --> 00:27:08,861
THERE IS NO SANTA CLAUS,
MS. WALDORF.
648
00:27:08,895 --> 00:27:11,864
...OWNED AND OPERATED
BY BASS INDUSTRIES.
649
00:27:11,898 --> 00:27:14,767
THE G2 WAS REPORTED MISSING
OFF THE COAST OF MAINE.
650
00:27:14,801 --> 00:27:15,768
WAIT. TURN THAT UP.
651
00:27:15,802 --> 00:27:17,203
SURE.
652
00:27:17,236 --> 00:27:18,738
THE COAST GUARD
IS INVESTIGATING THE AREA
653
00:27:18,771 --> 00:27:20,006
WHERE THE PLANE
WENT OFF THE RADAR
654
00:27:20,039 --> 00:27:22,008
AFTER SENDING A MAYDAY SIGNAL.
655
00:27:22,041 --> 00:27:23,209
OH, NO.
656
00:27:23,242 --> 00:27:25,211
I HOPE THAT WASN'T THE ONE
CHUCK WAS ON.
657
00:27:25,244 --> 00:27:28,014
AT PRESENT, THERE WAS NO
COMMUNICATION FROM THE PLANE.
658
00:27:28,047 --> 00:27:30,416
A SEARCH AND RESCUE OPERATION
IS CURRENTLY UNDERWAY
659
00:27:30,449 --> 00:27:31,617
TO IDENTIFY VICTIMS.
660
00:27:31,650 --> 00:27:34,153
(amplified voice) GOOD EVENING.
MY NAME IS JASON POMERANC,
661
00:27:34,186 --> 00:27:37,423
AND I'M THE CHAIRMAN AND FOUNDER
OF THOMPSON HOTELS.
662
00:27:37,456 --> 00:27:39,759
I'D LIKE TO TAKE THIS
OPPORTUNITY TO WELCOME YOU ALL
663
00:27:39,792 --> 00:27:41,894
TO NEW YORK REAL ESTATE'S
MAN OF THE YEAR AWARD.
664
00:27:41,928 --> 00:27:44,764
(applause)
665
00:27:44,797 --> 00:27:45,932
THAT'S MY CUE.
666
00:27:47,834 --> 00:27:50,069
THE EXACT NUMBER OF PASSENGERS
ABOARD THE PLANE
667
00:27:50,102 --> 00:27:51,771
IS STILL UNCERTAIN.
668
00:27:51,804 --> 00:27:53,239
WE'LL BRING YOU
MORE INFORMATION
669
00:27:53,272 --> 00:27:54,907
AS IT BECOMES AVAILABLE.
670
00:27:54,941 --> 00:27:56,108
AND IN OTHER NEWS...
671
00:27:56,142 --> 00:28:00,346
(Jason) BART BASS HAS BEEN
A BOON TO MANHATTAN'S SKYLINE.
672
00:28:00,379 --> 00:28:02,815
(camera shutter clicking)
673
00:28:02,849 --> 00:28:05,484
TO TRULY INTRODUCE HIM PROPERLY,
674
00:28:05,517 --> 00:28:07,186
IT'S MY HONOR TO PRESENT
675
00:28:07,219 --> 00:28:10,056
THE NUMBER ONE CHRONICLER
OF MANHATTAN'S ELITE--
676
00:28:10,089 --> 00:28:12,124
MR. DANIEL HUMPHREY.
677
00:28:12,158 --> 00:28:15,962
(applause)
678
00:28:18,965 --> 00:28:20,199
(amplified voice)
I WOULD LIKE TO INTRODUCE
679
00:28:20,232 --> 00:28:23,836
AN ICON OF NEW YORK REAL ESTATE
AND A PILLAR OF OUR COMMUNITY.
680
00:28:23,870 --> 00:28:26,806
HE IS THE CENTER
OF THE BASS FAMILY
681
00:28:26,839 --> 00:28:29,708
AND HE'S A PERSONAL INSPIRATION
TO ME.
682
00:28:31,243 --> 00:28:33,345
PLEASE WELCOME
683
00:28:33,379 --> 00:28:36,849
CHARLES BASS.
684
00:28:44,456 --> 00:28:46,158
THANK YOU. THANK YOU.
685
00:28:46,192 --> 00:28:50,496
MY FATHER IS BEING HONORED HERE
AS A HUMANITARIAN,
686
00:28:50,529 --> 00:28:52,298
BUT THE LAST TIME I CHECKED,
687
00:28:52,331 --> 00:28:55,001
HUMANITARIANS VALUE
HUMAN LIFE...
688
00:28:57,136 --> 00:28:59,839
AND HE JUST TRIED
TO HAVE HIS OWN SON KILLED.
689
00:28:59,872 --> 00:29:01,974
(guests murmuring)
690
00:29:02,008 --> 00:29:03,976
ISN'T THAT WHY
YOU LOOK SO SURPRISED?
691
00:29:04,010 --> 00:29:05,377
YOU PUT ME ON THAT PLANE TO DIE?
692
00:29:05,411 --> 00:29:09,816
(murmuring continues)
693
00:29:16,288 --> 00:29:18,858
(Gossip Girl) LOOKS LIKE CHUCK
FOUND THE EMERGENCY EXIT
694
00:29:18,891 --> 00:29:21,127
AT 10,000 FEET.
695
00:29:21,160 --> 00:29:24,864
LET'S HOPE HE CAN AVOID GOING
SIX FEET UNDER... AGAIN.
696
00:29:28,567 --> 00:29:32,304
(murmuring)
697
00:29:36,442 --> 00:29:37,877
(amplified voice)
I WOULD LIKE TO APOLOGIZE
698
00:29:37,910 --> 00:29:39,411
FOR MY SON'S OUTBURST.
699
00:29:39,445 --> 00:29:41,881
AS MANY OF YOU HERE KNOW,
700
00:29:41,914 --> 00:29:46,485
HE HAS LONG STRUGGLED
WITH SUBSTANCE ABUSE.
701
00:29:46,518 --> 00:29:49,455
I HAVE ALREADY CONTACTED
THE PEDOWITZ INSTITUTE,
702
00:29:49,488 --> 00:29:52,224
AND I CAN ONLY HOPE
THAT HE WILL ACCEPT
703
00:29:52,258 --> 00:29:54,426
THE HELP THAT
HE SO DESPERATELY NEEDS.
704
00:29:54,460 --> 00:29:58,230
PLEASE, LET'S NOT LET HIM RUIN
THIS OTHERWISE FESTIVE EVENING.
705
00:29:58,264 --> 00:29:59,598
THANK YOU, EVERYBODY.
706
00:29:59,631 --> 00:30:01,934
***
707
00:30:01,968 --> 00:30:03,302
(applause)
708
00:30:03,335 --> 00:30:06,873
***
709
00:30:11,110 --> 00:30:14,180
I OVERESTIMATED YOU.
710
00:30:14,213 --> 00:30:16,082
YOU'RE JUST LUCKY THAT SECURITY
IS GETTING CHUCK
711
00:30:16,115 --> 00:30:19,118
HOME TO HIS SUITE BEFORE HE CAN
DO ANY MORE DAMAGE.
712
00:30:33,966 --> 00:30:36,002
AT LEAST YOU KNOW
CHUCK'S OKAY.
713
00:30:36,035 --> 00:30:37,069
I STILL DESPISE YOU,
714
00:30:37,103 --> 00:30:39,271
BUT THANK YOU FOR DOING
THE RIGHT THING FOR ONCE.
715
00:30:39,305 --> 00:30:40,973
WAIT A SECOND. WAIT A SECOND.
DO YOU KNOW WHERE SERENA WENT?
716
00:30:41,007 --> 00:30:43,242
WHY WOULD I TELL YOU,
EVEN IF I DID?
717
00:30:43,275 --> 00:30:45,011
SO YOU CAN CON HER
INTO FALLING IN LOVE WITH YOU
718
00:30:45,044 --> 00:30:46,879
AND HUMILIATE HER AGAIN?
719
00:30:46,913 --> 00:30:48,180
NO, I WAS HOPING
AFTER MY SPEECH THAT
720
00:30:48,214 --> 00:30:50,482
MAYBE SHE WOULD CHANGE HER MIND
ABOUT ME AND ABOUT LEAVING TOWN.
721
00:30:50,516 --> 00:30:53,953
I REALLY HOPE THAT YOU'RE
REFERRING TO A VACATION SPOT
722
00:30:53,986 --> 00:30:55,354
TOO ELITE
FOR THE LIKES OF YOU.
723
00:30:55,387 --> 00:31:00,026
NO, I'M TALKING ABOUT L.A.,
FOR GOOD.
724
00:31:00,059 --> 00:31:02,028
I RETRACT EVERYTHING CIVIL
I JUST SAID.
725
00:31:02,061 --> 00:31:04,964
THIS IS ALL YOUR FAULT.
726
00:31:04,997 --> 00:31:06,999
IF SERENA MOVES AWAY,
727
00:31:07,033 --> 00:31:09,468
I WILL NEVER FORGIVE YOU,
HUMPHREY.
728
00:31:13,439 --> 00:31:16,008
I THINK IT'S TERRIFIC,
AND I THANK YOU SO MUCH.
729
00:31:16,042 --> 00:31:18,544
THANK YOU. THANK YOU.
THANK YOU SO MUCH.
730
00:31:19,946 --> 00:31:21,647
LET ME GUESS.
731
00:31:21,680 --> 00:31:22,781
PRISON OVERCROWDING,
732
00:31:22,814 --> 00:31:24,984
OR DID THEY LET THE BOTH OF YOU
OUT ON GOOD BEHAVIOR?
733
00:31:25,017 --> 00:31:27,019
MY SON NEVER SHOULD'VE BEEN
BEHIND BARS IN THE FIRST PLACE.
734
00:31:27,053 --> 00:31:28,554
BUT LOOK AT HOW THE TWO OF YOU
HAVE BONDED OVER IT,
735
00:31:28,587 --> 00:31:29,922
SO YOU'RE WELCOME.
736
00:31:29,956 --> 00:31:31,423
OKAY, YOU'VE HAD YOUR FUN.
737
00:31:31,457 --> 00:31:32,391
NOW WHAT WILL IT TAKE
738
00:31:32,424 --> 00:31:34,126
FOR YOU TO GET YOUR NAME OFF
MY LOAN DOCUMENT
739
00:31:34,160 --> 00:31:35,461
SO I CAN OWN MY PAPER AGAIN?
740
00:31:35,494 --> 00:31:38,464
SEE, THAT'S THE PROBLEM
WITH THIS GENERATION.
741
00:31:38,497 --> 00:31:40,933
THEY'RE SO ENTITLED.
THEY DON'T EVEN SAY "PLEASE."
742
00:31:40,967 --> 00:31:43,402
NATE WORKED HIS ASS OFF
TO BUILD THAT PAPER.
743
00:31:43,435 --> 00:31:45,604
HE NEVER ASKED YOU TO
COSIGN FOR HIM
744
00:31:45,637 --> 00:31:47,006
AND HE'S NOT ASKING
FOR CHARITY NOW.
745
00:31:47,039 --> 00:31:49,175
WE'LL PAY WHATEVER IT'S WORTH.
746
00:31:53,980 --> 00:31:54,713
A MILLION DOLLARS.
747
00:31:54,746 --> 00:31:56,282
DONE.
748
00:31:56,315 --> 00:31:57,549
I'M KIDDING. IT'S NOT FOR SALE.
749
00:31:57,583 --> 00:32:00,686
THE AMOUNT OF ENJOYMENT I PLAN
ON GETTING WATCHING NATE SQUIRM?
750
00:32:00,719 --> 00:32:02,054
PRICELESS.
751
00:32:02,088 --> 00:32:03,622
COME ON, BART.
752
00:32:03,655 --> 00:32:05,291
DON'T DO THIS TO MY KID.
753
00:32:05,324 --> 00:32:09,061
ENJOY YOURSELVES TONIGHT,
ARCHIBALDS.
754
00:32:09,095 --> 00:32:11,197
DRINKS ARE ON ME.
755
00:32:19,071 --> 00:32:21,040
PLEASE TELL ME THAT
YOU ARE HEADING HOME
756
00:32:21,073 --> 00:32:22,975
TO GET A GOOD NIGHT'S SLEEP
AFTER A TRYING DAY
757
00:32:23,009 --> 00:32:25,511
AND NOT PICKING UP YOUR BAGS
AND GOING TO THE AIRPORT.
758
00:32:25,544 --> 00:32:29,315
I'M SORRY, BLAIR. YOU KNOW
I'M TERRIBLE AT GOOD-BYES.
759
00:32:29,348 --> 00:32:32,251
WELL, I WON'T
LET YOU SAY ONE NOW.
760
00:32:32,284 --> 00:32:34,486
I KNOW THAT THINGS ARE BAD,
761
00:32:34,520 --> 00:32:36,388
BUT THEY'RE NEVER AS BAD
AS YOU THINK.
762
00:32:36,422 --> 00:32:39,058
YOU WERE THE ONE
WHO TAUGHT ME THAT.
763
00:32:39,091 --> 00:32:40,659
DO YOU REMEMBER JUNIOR YEAR,
764
00:32:40,692 --> 00:32:42,228
WHEN I WAS STANDING OUT
ON THAT HELIPAD,
765
00:32:42,261 --> 00:32:43,595
READY TO FLEE TO EUROPE
766
00:32:43,629 --> 00:32:45,764
AFTER MY "WHO'S THE DADDY?"
PREGNANCY SCANDAL?
767
00:32:45,797 --> 00:32:47,233
AND YOU WEREN'T EVEN
PREGNANT.
768
00:32:47,266 --> 00:32:48,600
(laughs)
769
00:32:48,634 --> 00:32:51,670
YOU KNOW, WE CAN LAUGH ABOUT IT
NOW BECAUSE...
770
00:32:51,703 --> 00:32:52,671
YOU DIDN'T LET ME GO.
771
00:32:52,704 --> 00:32:56,742
YOU TOLD ME
THAT THE SCANDAL ALWAYS PASSES,
772
00:32:56,775 --> 00:32:58,510
AND SO WILL DAN'S EXPOSE.
773
00:32:58,544 --> 00:33:00,779
NOT AS LONG AS I LIVE HERE.
774
00:33:00,812 --> 00:33:03,615
IN LOS ANGELES, NO ONE CARES
IF I DATE THE WRONG GUY.
775
00:33:03,649 --> 00:33:05,384
I MEAN, THEY DON'T CARE
ABOUT ANYTHING I DO.
776
00:33:05,417 --> 00:33:07,353
I HAVE THE CHANCE
TO REINVENT MYSELF.
777
00:33:07,386 --> 00:33:09,388
REINVENTION IS FOR STARLETS
FROM TRAILER PARKS
778
00:33:09,421 --> 00:33:11,523
WHO WANT TO BE YOU.
779
00:33:11,557 --> 00:33:13,025
SERIOUSLY, DO YOU KNOW
780
00:33:13,059 --> 00:33:15,094
HOW FEW FRIENDSHIPS
MAKE IT OUT OF HIGH SCHOOL?
781
00:33:15,127 --> 00:33:18,097
WE FINALLY GOT TO THE GOOD PART.
YOU CAN'T LEAVE NOW.
782
00:33:18,130 --> 00:33:19,365
BUT YOU WERE THE ONE THAT SAID
783
00:33:19,398 --> 00:33:20,799
WE'RE BETTER WHEN WE HAVE
OUR OWN TERRITORIES.
784
00:33:20,832 --> 00:33:23,102
REMEMBER PARIS?
RIGHT BANK, LEFT BANK?
785
00:33:23,135 --> 00:33:25,804
WELL, THEN MOVE TO THE WEST SIDE
AND WE'LL MEET IN CENTRAL PARK!
786
00:33:25,837 --> 00:33:26,905
AND WHEN WE DO,
787
00:33:26,938 --> 00:33:30,109
THERE WILL BE ENOUGH LIGHT
FOR BOTH OF US TO SHINE.
788
00:33:30,142 --> 00:33:33,679
YEAH, BUT I'D STILL BE LIVING
IN MY OWN SHADOW.
789
00:33:33,712 --> 00:33:35,114
I HAVE TO GO.
790
00:33:35,147 --> 00:33:37,716
BUT...
791
00:33:37,749 --> 00:33:41,053
THERE'S NO SARABETH'S
IN L.A.
792
00:33:41,087 --> 00:33:42,788
OR SERENDIPITY.
793
00:33:42,821 --> 00:33:44,490
OR ME.
794
00:33:46,092 --> 00:33:48,094
PLEASE JUST THINK ABOUT IT.
795
00:34:07,246 --> 00:34:09,215
(beep)
796
00:34:09,248 --> 00:34:11,283
(Chuck) Leave a message,
and I'll listen to it.
797
00:34:11,317 --> 00:34:14,420
HEY, IT'S ME. WHY AREN'T YOU
ANSWERING YOUR PHONE?
798
00:34:14,453 --> 00:34:15,721
(beep)
799
00:34:20,726 --> 00:34:22,428
THANK YOU FOR WAITING.
800
00:34:22,461 --> 00:34:25,597
I HAD NO CHOICE.
YOUR GUARDS LOCKED ME OUT.
801
00:34:25,631 --> 00:34:29,335
I WANTED FOR US TO HAVE A CHANCE
TO TALK PRIVATELY.
802
00:34:34,806 --> 00:34:36,508
(beep)
803
00:34:39,211 --> 00:34:42,248
YOU KNOW, I KNEW YOU WERE
COLD AND RUTHLESS,
804
00:34:42,281 --> 00:34:44,316
BUT I NEVER THOUGHT YOU'D TRY
TO KILL YOUR OWN SON.
805
00:34:44,350 --> 00:34:46,585
WE HAD A DEAL.
806
00:34:46,618 --> 00:34:49,321
YOUR FRIEND IS OUT OF JAIL.
807
00:34:49,355 --> 00:34:51,523
YOU WERE SUPPOSED TO BE
ON A PLANE TO RUSSIA.
808
00:34:51,557 --> 00:34:55,594
YOU NEVER INTENDED FOR ME
TO MAKE IT TO MOSCOW.
809
00:34:55,627 --> 00:34:59,665
YOU ARRANGED FOR THE PILOT
TO PARACHUTE TO SAFETY
810
00:34:59,698 --> 00:35:02,568
WHILE I WAS LEFT TO DIE
ON THE PLANE.
811
00:35:06,438 --> 00:35:08,474
YOU HAVE ALWAYS HAD
812
00:35:08,507 --> 00:35:10,376
A WONDERFULLY VIVID
IMAGINATION.
813
00:35:13,912 --> 00:35:16,615
BUT I WARNED YOU EARLIER...
814
00:35:16,648 --> 00:35:19,885
ACCIDENTS CAN HAPPEN.
815
00:35:19,918 --> 00:35:23,155
WE SHOULD WORK TOGETHER
MORE OFTEN.
816
00:35:23,189 --> 00:35:25,257
I'M JUST OVER CODDLING
CREATIVE TYPES.
817
00:35:25,291 --> 00:35:27,926
THERE'S A WHOLE UNTAPPED NICHE
IN SCHEMERS FOR HIRE.
818
00:35:27,959 --> 00:35:29,295
HAVE YOU SEEN CHUCK?
819
00:35:29,328 --> 00:35:30,762
BART SAID THAT SECURITY
TOOK HIM HOME,
820
00:35:30,796 --> 00:35:32,498
BUT I CALLED NATE.
821
00:35:32,531 --> 00:35:33,632
CHUCK'S NOT THERE AND HE'S NOT
ANSWERING HIS PHONE.
822
00:35:33,665 --> 00:35:35,501
WELL, HE'S HERE SOMEWHERE.
HE HASN'T LEFT THE BUILDING.
823
00:35:35,534 --> 00:35:36,768
HOW DO YOU KNOW?
824
00:35:36,802 --> 00:35:38,304
THE SECURITY GUARDS AT THE EXITS
ARE UNDER STRICT INSTRUCTIONS
825
00:35:38,337 --> 00:35:41,240
TO INFORM US
OF ALL BASS DEPARTURES.
826
00:35:41,273 --> 00:35:43,909
I HAVE MY WAYS OF INSURING
THEIR LOYALTY.
827
00:35:43,942 --> 00:35:45,010
WHERE'S BART?
828
00:35:45,043 --> 00:35:48,547
LAST TIME I SAW HIM, HE WAS
GETTING ON THE ELEVATOR.
829
00:35:50,449 --> 00:35:52,584
ALL I'VE BEEN TRYING TO DO
FOR THE PAST TWO YEARS
830
00:35:52,618 --> 00:35:54,386
IS JUST...
831
00:35:54,420 --> 00:35:57,656
BUILD SOMETHING
THAT I CAN BE PROUD OF.
832
00:35:57,689 --> 00:35:59,925
INSTEAD, I LOST IT,
833
00:35:59,958 --> 00:36:03,262
AND MY REPUTATION AND...
834
00:36:03,295 --> 00:36:05,297
MOST OF MY TRUST FUND.
835
00:36:07,599 --> 00:36:11,203
SORRY I WASN'T THERE FOR YOU
SOONER, SON.
836
00:36:11,237 --> 00:36:15,741
JUST NEVER WANTED YOU TO
END UP LIKE ME.
837
00:36:15,774 --> 00:36:16,942
HEY.
838
00:36:16,975 --> 00:36:18,277
(pats knee)
839
00:36:18,310 --> 00:36:19,578
YOU DIDN'T END UP SO BAD.
840
00:36:23,649 --> 00:36:26,552
WHATEVER YOU DECIDE
TO SET YOUR MIND TO NEXT,
841
00:36:26,585 --> 00:36:28,287
I KNOW YOU CAN ACHIEVE IT.
842
00:36:28,320 --> 00:36:29,455
THANKS, DAD.
843
00:36:29,488 --> 00:36:30,656
(glasses clink)
844
00:36:32,658 --> 00:36:34,192
(sets down glass)
845
00:36:46,638 --> 00:36:47,606
HEY.
846
00:36:47,639 --> 00:36:48,807
HI.
847
00:36:51,743 --> 00:36:53,579
YOUR DAD'S RIGHT, YOU KNOW.
848
00:36:53,612 --> 00:36:56,615
YOU C START OVER.
849
00:36:56,648 --> 00:36:57,749
WHEN I FIRST MET YOU,
850
00:36:57,783 --> 00:36:59,385
YOU HAD THE PERFECT STORY
TO GET NEW YORK'S ATTENTION.
851
00:36:59,418 --> 00:37:01,487
(scoffs) WHAT,
GOSSIP GIRL'S IDENTITY?
852
00:37:02,821 --> 00:37:04,490
I PROMISED HER
I'D STOP LOOKING
853
00:37:04,523 --> 00:37:05,757
AFTER SHE HELPED FIND SERENA.
854
00:37:05,791 --> 00:37:07,726
WHO KNEW SHE WAS
PERFECTLY FINE.
855
00:37:07,759 --> 00:37:09,995
SHE SET YOU UP
TO PROTECT HERSELF.
856
00:37:10,028 --> 00:37:10,929
WHAT DO YOU HAVE TO LOSE
857
00:37:10,962 --> 00:37:13,365
BY GOING THROUGH YOUR RESEARCH
ONE MORE TIME?
858
00:37:13,399 --> 00:37:16,368
(Ellie Goulding's "Hanging On"
playing)
859
00:37:16,402 --> 00:37:18,670
NOTHING ANYMORE.
860
00:37:18,704 --> 00:37:21,340
IN FACT, I, UH...
861
00:37:21,373 --> 00:37:22,674
I BROUGHT IT HOME
862
00:37:22,708 --> 00:37:25,277
SO THAT NO ONE AT
"THE SPECTATOR" WOULD FIND IT.
863
00:37:27,779 --> 00:37:29,281
* OOH, AHH
864
00:37:29,315 --> 00:37:31,517
OH!
865
00:37:31,550 --> 00:37:33,519
GARCON, WHERE ARE THE STAIRS?
866
00:37:33,552 --> 00:37:34,920
THE ELEVATORS ARE TAKING
FOREVER.
867
00:37:34,953 --> 00:37:36,388
* OOH, AHH
868
00:37:36,422 --> 00:37:38,724
***
869
00:37:43,795 --> 00:37:47,499
(scoffs) WHAT ARE YOU DOING
HERE? AND WITH A SUITCASE?
870
00:37:47,533 --> 00:37:48,900
I GOT AN APARTMENT
IN THE BUILDING.
871
00:37:48,934 --> 00:37:50,068
WHAT?
872
00:37:50,101 --> 00:37:52,804
I FINALLY REALIZED
WHERE I WANNA BE,
873
00:37:52,838 --> 00:37:54,573
AND IT'S HERE,
WHERE YOU ARE.
874
00:37:54,606 --> 00:37:55,874
WHERE I USED TO BE.
875
00:37:55,907 --> 00:37:58,043
I HAVE NO INTEREST IN BEING
ANYWHERE AROUND HERE ANYMORE.
876
00:37:58,076 --> 00:37:59,711
I DON'T BELIEVE THAT.
877
00:37:59,745 --> 00:38:01,680
YOU RUN AWAY TO--TO SPAIN,
878
00:38:01,713 --> 00:38:03,649
UPSTATE, BOARDING SCHOOL,
SANTORINI.
879
00:38:03,682 --> 00:38:05,651
YOU ALWAYS COME BACK.
880
00:38:05,684 --> 00:38:06,952
WELL, THAT WAS THEN.
881
00:38:06,985 --> 00:38:08,320
THAT WAS BEFORE I KNEW
882
00:38:08,354 --> 00:38:09,521
WHAT THIS PLACE COULD DO
TO PEOPLE,
883
00:38:09,555 --> 00:38:11,523
BEFORE I SAW IT
TURN YOU INTO BART BASS.
884
00:38:11,557 --> 00:38:13,792
I'M NOT BART.
885
00:38:13,825 --> 00:38:15,794
BUT WHAT'S WRONG WITH WANTING
POWER? YOU HAVE IT.
886
00:38:15,827 --> 00:38:19,331
MAYBE IF YOU STOPPED HATING IT,
YOU'D STOP HATING YOURSELF.
887
00:38:19,365 --> 00:38:21,600
THEN YOU CAN FINALLY BE HAPPY
WHERE--WHERE YOU BELONG.
888
00:38:21,633 --> 00:38:22,801
OKAY, YOU KNOW WHAT?
889
00:38:22,834 --> 00:38:24,570
I HAVE NO INTEREST
IN BEING PSYCHOANALYZED
890
00:38:24,603 --> 00:38:26,972
BY MY EVIL BIOGRAPHER.
891
00:38:27,005 --> 00:38:31,009
SERENA, I KNOW I'VE HURT YOU,
BUT I STILL LOVE YOU.
892
00:38:31,042 --> 00:38:32,844
I'VE LOST TRACK OF IT
AT TIMES.
893
00:38:32,878 --> 00:38:34,079
I'VE MADE MISTAKES--
894
00:38:34,112 --> 00:38:37,349
I'VE MADE MASSIVE,
HEARTBREAKING MISTAKES--
895
00:38:37,383 --> 00:38:39,518
BUT I'VE NEVER
STOPPED LOVING YOU.
896
00:38:40,986 --> 00:38:43,955
WELL, EXCUSE ME IF I DON'T FALL
FOR THAT, OR YOU, EVER AGAIN.
897
00:38:43,989 --> 00:38:45,757
PLEASE, JUST...
898
00:38:45,791 --> 00:38:47,759
IF YOU COME UPSTAIRS
FOR A SECOND,
899
00:38:47,793 --> 00:38:49,995
I HAVE SOMETHING I CAN SHOW YOU
THAT'LL PROVE IT.
900
00:38:50,028 --> 00:38:52,998
I'VE SEEN ALL I NEED TO SEE.
901
00:38:53,031 --> 00:38:54,500
I HAVE A PLANE WAITING.
902
00:38:55,634 --> 00:39:01,473
* I JUST CAN'T KEEP HANGING ON
903
00:39:04,009 --> 00:39:08,480
* TO YOU AND ME
904
00:39:10,882 --> 00:39:15,387
* YOU AND ME
905
00:39:15,421 --> 00:39:17,756
***
906
00:39:17,789 --> 00:39:21,660
* YOU AND ME
907
00:39:21,693 --> 00:39:23,895
***
908
00:39:23,929 --> 00:39:25,897
TELL ME...
909
00:39:27,499 --> 00:39:29,768
DID YOU TRY
TO HAVE ME KILLED
910
00:39:29,801 --> 00:39:32,070
BECAUSE YOU HATE ME SO MUCH
911
00:39:32,103 --> 00:39:34,906
OR BECAUSE I KNOW TOO MUCH?
912
00:39:37,042 --> 00:39:39,811
YOU KNOW, NO MATTER HOW HARD
I HAVE TRIED
913
00:39:39,845 --> 00:39:41,747
TO TURN YOU INTO A MAN,
914
00:39:41,780 --> 00:39:46,051
IT STILL REMAINS
THE ONE BIG FAILURE OF MY LIFE.
915
00:39:46,084 --> 00:39:48,186
YOU'RE NOT A MAN.
916
00:39:48,219 --> 00:39:52,624
A MAN ACCEPTS RESPONSIBILITY
FOR HIS ACTIONS.
917
00:39:52,658 --> 00:39:54,926
A MAN TAKES CARE
OF HIS FAMILY.
918
00:39:54,960 --> 00:39:59,498
A MAN DOESN'T PAY A MOTHER
TO ABANDON HER CHILD
919
00:39:59,531 --> 00:40:03,569
AND THEN TELL THAT CHILD
HIS MOTHER IS DEAD.
920
00:40:03,602 --> 00:40:08,707
A MAN DOESN'T TRY TO HAVE
HIS OWN SON KILLED!
921
00:40:12,077 --> 00:40:16,815
BUT YOU CAN TELL THE POLICE
WHAT KIND OF A MAN YOU ARE.
922
00:40:16,848 --> 00:40:18,817
YOUR NAIVETE IS ADORABLE.
923
00:40:20,151 --> 00:40:21,520
EVEN IF I DIDN'T HAVE
924
00:40:21,553 --> 00:40:22,988
THE POLICE COMMISSIONER
IN MY POCKET,
925
00:40:23,021 --> 00:40:24,790
WHO DO YOU THINK THEY'RE
GONNA BELIEVE?
926
00:40:24,823 --> 00:40:25,924
HUH?
927
00:40:25,957 --> 00:40:27,593
THE MAN OF THE YEAR
928
00:40:27,626 --> 00:40:28,794
OR SOME SAD,
929
00:40:28,827 --> 00:40:29,961
PATHETIC,
930
00:40:29,995 --> 00:40:31,930
LITTLE BOY?!
931
00:40:31,963 --> 00:40:33,098
UHH!
932
00:40:37,603 --> 00:40:39,004
AAH! (gasps)
933
00:40:39,037 --> 00:40:40,806
AAH! (grunts)
934
00:40:40,839 --> 00:40:42,841
CHUCK...
935
00:40:47,145 --> 00:40:49,147
GIVE ME YOUR HAND!
(panting)
936
00:40:49,180 --> 00:40:51,750
YOU KNOW I'M ALL TALK!
I WOULD NEVER REALLY HURT YOU!
937
00:40:51,783 --> 00:40:54,486
(panting)
EVERYTHING YOU SAY IS A LIE!
938
00:40:54,520 --> 00:40:56,488
CHARLES,
939
00:40:56,522 --> 00:40:58,056
THIS ISN'T WHO YOU ARE.
940
00:41:02,794 --> 00:41:04,896
(grunts) PLEASE, SON!
941
00:41:07,866 --> 00:41:08,900
AAH!
942
00:41:08,934 --> 00:41:10,468
(gasps)
943
00:41:17,643 --> 00:41:19,911
COME ON. WE HAVE TO GET OUT
OF HERE.
67811
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