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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:03,404 --> 00:00:05,106 GOSSIP GIRL HERE-- YOUR ONE AND ONLY SOURCE 2 00:00:05,139 --> 00:00:07,108 INTO THE SCANDALOUS LIVES OF MANHATTAN'S ELITE. 3 00:00:07,141 --> 00:00:08,442 DANIEL HUMPHREY HAS JUST RELEASED 4 00:00:08,476 --> 00:00:10,378 THE LATEST INSTALLMENT OF HIS SERIAL-- 5 00:00:10,411 --> 00:00:12,713 A CHAPTER ON OUR VERY OWN SERENA. 6 00:00:12,746 --> 00:00:14,115 WHY WOULD YOU WRITE THIS NOW? 7 00:00:14,148 --> 00:00:15,183 YOU WERE SUPPOSED TO BE DIFFERENT. 8 00:00:15,216 --> 00:00:18,319 WHAT I WANT ISN'T IN BROOKLYN, DAD. I HAVE A PLAN. 9 00:00:18,352 --> 00:00:19,453 I HAVE THIS WHOLE TIME. 10 00:00:19,487 --> 00:00:21,255 YOU ARE INDEBTED TO ME. 11 00:00:21,289 --> 00:00:23,124 YOU'RE GONNA HELP ME DEFEAT CHUCK. 12 00:00:23,157 --> 00:00:24,792 Meet me at my office first thing tomorrow. 13 00:00:24,825 --> 00:00:26,527 Unless, of course, 14 00:00:26,560 --> 00:00:29,130 YOU'D RATHER A WAKE-UP CALL FROM THE FEDS. 15 00:00:29,163 --> 00:00:30,531 HE IS A RUTHLESS CRIMINAL. 16 00:00:30,564 --> 00:00:31,799 THERE IS NOTHING TO STOP HIM FROM HURTING ANYONE, 17 00:00:31,832 --> 00:00:33,134 INCLUDING YOU. 18 00:00:33,167 --> 00:00:36,804 I TOLD YOU, NO ONE GOT HURT. 19 00:00:36,837 --> 00:00:38,272 YOU'RE HURTING ME RIGHT NOW. 20 00:00:38,306 --> 00:00:40,141 LILY HAS FINALLY SEEN THE LIGHT. 21 00:00:40,174 --> 00:00:42,143 SHE'S GOING TO HELP ME TAKE DOWN BART. 22 00:00:42,176 --> 00:00:44,278 WILL YOU GO TO WAR WITH ME? 23 00:00:44,312 --> 00:00:46,080 I THOUGHT YOU'D NEVER ASK. 24 00:00:47,181 --> 00:00:49,683 AND WHO AM I? 25 00:00:49,717 --> 00:00:53,154 THAT'S A SECRET I'LL NEVER TELL. 26 00:00:53,187 --> 00:00:55,089 YOU KNOW YOU LOVE ME. 27 00:00:55,123 --> 00:00:57,158 X.O.X.O., GOSSIP GIRL. 28 00:00:57,191 --> 00:00:59,293 -- Captions by VITA -- 29 00:00:59,327 --> 00:01:01,329 (drumroll) 30 00:01:01,362 --> 00:01:02,830 (crashes cymbal) 31 00:01:02,863 --> 00:01:05,099 (French accent) STEP RIGHT UP, LADIES AND GENTLEMEN! 32 00:01:05,133 --> 00:01:09,103 (speaking French) 33 00:01:09,137 --> 00:01:12,840 ALORS, YOU PLACE THE ORANGE UNDER YOUR NECK, 34 00:01:12,873 --> 00:01:15,776 AND YOU PASS IT TO THE PLAYER RIGHT NEXT TO YOU... 35 00:01:15,809 --> 00:01:19,113 BUT WITHOUT USING YOUR HANDS. 36 00:01:19,147 --> 00:01:21,882 ALORS UN, DEUX, ET TROIS. 37 00:01:21,915 --> 00:01:23,317 (blows whistle) 38 00:01:23,351 --> 00:01:26,354 *** 39 00:01:40,901 --> 00:01:42,370 MRS. BASS? 40 00:01:42,403 --> 00:01:44,638 (gasps) WHO ARE YOU? 41 00:01:46,240 --> 00:01:47,908 DIDN'T CHARLES TELL YOU, MRS. BASS? 42 00:01:47,941 --> 00:01:48,876 TELL ME WHAT? 43 00:01:48,909 --> 00:01:51,212 ANY MORNING NOW, 44 00:01:51,245 --> 00:01:53,113 HE COULD WAKE UP DEAD. 45 00:01:54,648 --> 00:01:56,884 LEAVE ME ALONE! 46 00:01:56,917 --> 00:01:58,919 DEAD, MRS. BASS, 47 00:01:58,952 --> 00:02:01,855 LIKE LAST WEEK'S NEWS. 48 00:02:03,924 --> 00:02:05,393 DOROTA, IT'S TIME! 49 00:02:05,426 --> 00:02:06,627 WAKEY, WAKEY! 50 00:02:06,660 --> 00:02:08,396 LET'S HOPE IN THIS NIGHTMARE, 51 00:02:08,429 --> 00:02:10,664 FATHER DOESN'T KNOW BEST. 52 00:02:10,698 --> 00:02:19,907 *** 53 00:02:19,940 --> 00:02:22,310 THIS IS THE ONE. 54 00:02:22,343 --> 00:02:25,446 THIS HOVEL? YOU'RE FLUSH WITH CASH FROM YOUR MOVIE DEAL. 55 00:02:25,479 --> 00:02:28,249 LOOK. NIKKI FINKE PUT YOUR PICTURE UP NEXT TO HARVEY'S. 56 00:02:28,282 --> 00:02:29,650 YOU SHOULD BE LOOKING FOR A SOUNDPROOF ROOM 57 00:02:29,683 --> 00:02:30,851 AND A BIDET AND A GUEST BATH. 58 00:02:30,884 --> 00:02:32,853 WHAT ARE YOU TALKING ABOUT? I DON'T--I DON'T NEED A BIDET. 59 00:02:32,886 --> 00:02:34,121 IT'S FOR ME. 60 00:02:34,154 --> 00:02:36,590 OH. WELL, NOW I'LL NEVER BE ABLE TO SET FOOT IN THE GUEST BATH 61 00:02:36,624 --> 00:02:38,659 WITHOUT FIRST THINKING OF YOUR GEOR-GINA. 62 00:02:38,692 --> 00:02:40,528 BUT YOU'RE NOT MOVING IN HERE, 63 00:02:40,561 --> 00:02:42,196 SO YOU CAN CHECK YOUR FANTASIES AT THE DOOR. 64 00:02:43,764 --> 00:02:44,932 WHAT HAPPENED TO PHILIP? 65 00:02:44,965 --> 00:02:46,200 SOMETHING HAPPENED TO PHILIP? 66 00:02:46,234 --> 00:02:47,535 WELL... 67 00:02:47,568 --> 00:02:50,538 WHAT? I AM A HIGHLY SOUGHT AFTER TALENT MANAGER NOW. 68 00:02:50,571 --> 00:02:52,973 I CANNOT BE EXPECTED TO LIVE IN A LESSER BOROUGH. 69 00:02:53,006 --> 00:02:54,342 (mouths word) 70 00:02:54,375 --> 00:02:55,843 AND PHILIP LOVES BROOKLYN AND HE HAS 71 00:02:55,876 --> 00:02:57,978 HIS LITTLE DADDY AND ME CLASSES EVERY TUESDAY IN FORT GREEN. 72 00:02:58,011 --> 00:02:59,413 YOU'RE DELUSIONAL. 73 00:02:59,447 --> 00:03:02,216 THIS IS GREAT. I'LL TAKE IT--SOLO. 74 00:03:02,250 --> 00:03:03,351 GREAT. GREAT. 75 00:03:03,384 --> 00:03:05,753 THE ONLY THING IS THAT THE CO-OP BOARD OF THIS BUILDING 76 00:03:05,786 --> 00:03:06,920 IS PARTICULARLY STRINGENT, 77 00:03:06,954 --> 00:03:09,957 SO IF YOU WANT IN, YOU'LL HAVE TO GET A GOOD REFERENCE. 78 00:03:09,990 --> 00:03:12,860 RIGHT. (sighs) 79 00:03:14,395 --> 00:03:15,696 LILY, I HAVE RESEARCHED 80 00:03:15,729 --> 00:03:17,298 ALL THE NAMES AND NUMBERS YOU GAVE ME 81 00:03:17,331 --> 00:03:18,999 FROM BART'S OFFSHORE ACCOUNTS. 82 00:03:19,032 --> 00:03:21,702 I CAN'T PULL UP THE RECORDS WITHOUT THE PASS CODES. 83 00:03:21,735 --> 00:03:23,337 DO YOU RECALL ANY OF THOSE? 84 00:03:23,371 --> 00:03:24,438 I'm sorry, Charles. 85 00:03:24,472 --> 00:03:27,308 I gave you all the information I have. 86 00:03:27,341 --> 00:03:29,610 OKAY. WELL, THANK YOU. 87 00:03:29,643 --> 00:03:30,778 I APPRECIATE YOUR HELP. 88 00:03:30,811 --> 00:03:32,380 UNFORTUNATELY, I NEED SOMETHING MORE. 89 00:03:32,413 --> 00:03:36,250 I better go. I'm late for my bamboo oat body smoother. 90 00:03:36,284 --> 00:03:37,017 Good luck, darling. 91 00:03:37,050 --> 00:03:38,452 (beep) 92 00:03:38,486 --> 00:03:39,853 LILY'S INFORMATION IS USELESS 93 00:03:39,887 --> 00:03:41,922 WITHOUT THE P.I.N. NUMBERS. 94 00:03:41,955 --> 00:03:46,026 WE HAVE NO HARD EVIDENCE BART ILLEGALLY TRADED OIL. 95 00:03:46,059 --> 00:03:47,160 WELL, IT'S TOO BAD. 96 00:03:47,194 --> 00:03:49,530 TONIGHT'S GALA WOULD'VE BEEN THE PERFECT TIME TO STRIKE, 97 00:03:49,563 --> 00:03:51,999 WITH THE CITY'S MOST PROMINENT EYES UPON HIM. 98 00:03:52,032 --> 00:03:53,967 MAN OF THE YEAR. WHAT A CHARADE. 99 00:03:55,503 --> 00:03:56,504 THAT'S IT. 100 00:03:56,537 --> 00:03:57,671 WHAT'S IT? 101 00:03:57,705 --> 00:03:59,006 A CHARADE. 102 00:03:59,039 --> 00:04:01,642 LILY'S INFORMATION MAY NOT BE ENOUGH TO CONVICT BART, 103 00:04:01,675 --> 00:04:04,345 BUT IT MAY BE ENOUGH TO BLUFF A CONFESSION OUT OF HIM. 104 00:04:04,378 --> 00:04:05,646 I CAN'T PUT LILY IN DANGER., 105 00:04:05,679 --> 00:04:08,649 HE CANNOT KNOW SHE WAS THE ONE WHO TOLD ME ABOUT THE ACCOUNTS. 106 00:04:08,682 --> 00:04:10,784 BUT WHAT IF LILY DIDN'T DO IT? 107 00:04:17,558 --> 00:04:19,360 ARE YOU ON SOME DIET I SHOULD KNOW ABOUT? 108 00:04:19,393 --> 00:04:20,494 HUH? 109 00:04:20,528 --> 00:04:21,662 YOU LITERALLY JUST TOSSED A COOKIE. 110 00:04:21,695 --> 00:04:22,830 I GO TO CONSTANCE. 111 00:04:22,863 --> 00:04:24,365 I KNOW AN EATING DISORDER WHEN I SEE ONE. 112 00:04:24,398 --> 00:04:25,232 NO, IT'S MORE LIKE NERVES. 113 00:04:25,265 --> 00:04:26,834 I HAVE MY DAILY MEETING WITH BART BASS. 114 00:04:26,867 --> 00:04:28,502 WELL, IF THE STRESS IS DRIVING YOU TO MANOREXIA, 115 00:04:28,536 --> 00:04:29,937 MAYBE YOU SHOULD SKIP IT. 116 00:04:29,970 --> 00:04:31,372 YEAH, RIGHT. 117 00:04:31,405 --> 00:04:32,940 ONLY REASON BART'S NOT SENDING ME TO JAIL 118 00:04:32,973 --> 00:04:34,775 IS BECAUSE I'M BEING HIS MOLE WITH CHUCK. 119 00:04:34,808 --> 00:04:36,577 I MEAN, I DON'T KNOW HOW CLAIRE DANES DOES IT. 120 00:04:36,610 --> 00:04:38,045 SPYING HURTS ME HEAD, OKAY? 121 00:04:38,078 --> 00:04:40,414 WELL, MAYBE HE'LL GET SICK OF THESE MEETINGS SOON ENOUGH. 122 00:04:40,448 --> 00:04:41,915 THAT'S DOUBTFUL, 123 00:04:41,949 --> 00:04:43,684 AND THE ONLY THING HE HATES MORE THAN CHUCK IS TARDINESS, 124 00:04:43,717 --> 00:04:45,419 SO I'M GONNA GO. 125 00:04:48,989 --> 00:04:50,691 HEY, MARSHALL, IT'S SERENA. 126 00:04:50,724 --> 00:04:53,060 UH, LET ME KNOW IF YOU HEAR OF ANY SUBLETS 127 00:04:53,093 --> 00:04:54,828 OR PRODUCTIONS THAT NEED AN EXTRA HAND. 128 00:04:54,862 --> 00:04:56,597 I'LL BE IN L.A. TOMORROW. BYE. 129 00:04:56,630 --> 00:04:57,798 (Blair) SERENA! 130 00:04:57,831 --> 00:04:58,966 (beep) 131 00:05:01,101 --> 00:05:03,404 OH. IT IS A MESS IN HERE. 132 00:05:03,437 --> 00:05:06,006 OH. YEAH, I'M JUST PURGING MY CLOSET. 133 00:05:06,039 --> 00:05:08,108 AH. A POST-DAN CLEANSE. 134 00:05:08,141 --> 00:05:10,110 IT'S JUST WHAT THE DOCTOR ORDERED, 135 00:05:10,143 --> 00:05:11,545 AND A LITTLE DISTRACTION. 136 00:05:11,579 --> 00:05:13,614 WHICH IS EXACTLY WHAT WE HAVE FOR YOU. 137 00:05:13,647 --> 00:05:16,116 IS THIS ABOUT BART? YEAH, MY MOM CALLED AND TOLD ME EVERYTHING. 138 00:05:16,149 --> 00:05:18,018 IT SOUNDS LIKE IT'S GOTTEN PRETTY SCARY. 139 00:05:18,051 --> 00:05:19,186 WHICH IS WHY WE NEED TO STOP HIM. 140 00:05:19,219 --> 00:05:21,822 BUT IN ORDER TO DO THAT, WE HAVE TO ELICIT A CONFESSION. 141 00:05:21,855 --> 00:05:23,624 AND MAKE HIM BELIEVE WE HAVE PROOF FOR HIS CRIMES. 142 00:05:23,657 --> 00:05:25,426 OKAY, BUT HOW CAN I HELP? 143 00:05:25,459 --> 00:05:27,428 WELL, THE LAST PERSON TO BE SEEN WITH THAT MICROFILM 144 00:05:27,461 --> 00:05:29,830 IN HER GRIMY LITTLE PAW WAS IVY DICKENS. 145 00:05:29,863 --> 00:05:30,964 BUT HER CELL'S BEEN DISCONNECTED 146 00:05:30,998 --> 00:05:33,601 AND SHE HASN'T BEEN SPOTTED ON "GOSSIP GIRL" FOR WEEKS. 147 00:05:33,634 --> 00:05:35,102 SHE'S PROBABLY AT CeCe's HAMPTONS HOUSE. 148 00:05:35,135 --> 00:05:37,104 THAT'S THE PLACE SHE WENT THE LAST TIME SHE DISAPPEARED. 149 00:05:37,137 --> 00:05:40,908 WHY DON'T WE, UH, GET HER BACK HERE? 150 00:05:40,941 --> 00:05:44,144 (clicks) 151 00:05:44,177 --> 00:05:45,979 (phone rings) 152 00:05:46,013 --> 00:05:46,980 (Ivy) Hello? 153 00:05:47,014 --> 00:05:49,116 HEY, IVY. IT'S SERENA. 154 00:05:49,149 --> 00:05:52,453 YEAH, I KNOW. I CAN AFFORD CALLER I.D. 155 00:05:52,486 --> 00:05:54,054 YOU KNOW, I'VE BEEN DOING SOME THINKING, 156 00:05:54,087 --> 00:05:57,591 AND--AND I REALIZED THAT MY FAMILY TREATED YOU HORRIBLY. 157 00:05:57,625 --> 00:06:00,794 TRUE. BUT WHY APOLOGIZE NOW? 158 00:06:00,828 --> 00:06:02,863 I DON'T KNOW. I GUESS SINCE DAN HUMILIATED ME, 159 00:06:02,896 --> 00:06:04,965 I HAVE A NEW APPRECIATION FOR FRIENDSHIP. 160 00:06:06,567 --> 00:06:08,869 SO WHY DON'T WE MET AT THE OAK ROOM AROUND NOON? 161 00:06:08,902 --> 00:06:11,371 AND, UH, WE CAN CHAT OVER LUNCH. 162 00:06:12,973 --> 00:06:14,174 (sighs) FINE. 163 00:06:14,207 --> 00:06:16,777 AND THERE ARE SOME THINGS I WANNA TALK TO YOU ABOUT AS WELL. 164 00:06:18,211 --> 00:06:20,147 GREAT. BYE. 165 00:06:20,180 --> 00:06:21,515 (beep) 166 00:06:21,549 --> 00:06:23,651 SHE'S IN. 167 00:06:25,185 --> 00:06:26,286 (beep) 168 00:06:26,319 --> 00:06:28,656 HEY, WILLIAM, I MIGHT NOT BE HERE WHEN YOU GET BACK. 169 00:06:28,689 --> 00:06:30,958 BUT YOU'LL BE EXCITED TO KNOW THAT 170 00:06:30,991 --> 00:06:34,528 YOUR DAUGHTER AND I ARE WORKING ON SMOOTHING THINGS OVER. 171 00:06:35,963 --> 00:06:37,898 (beep) 172 00:06:37,931 --> 00:06:39,633 (chuckles) 173 00:06:39,667 --> 00:06:43,437 PER YOUR INSTRUCTIONS, I SWIPED CHUCK'S PHONE. 174 00:06:43,471 --> 00:06:45,539 WELL DONE, GRASSHOPPER. 175 00:06:46,607 --> 00:06:49,176 HE HAD BREAKFAST WITH BLAIR AT ROSEMARY THIS MORNING 176 00:06:49,209 --> 00:06:51,178 AND HAS A HOTEL MANAGEMENT MEETING LATER THIS AFTERNOON. 177 00:06:51,211 --> 00:06:53,647 ISN'T THIS GETTING A LITTLE BIT DULL FOR YOU? 178 00:06:53,681 --> 00:06:56,450 MY ENNUI IS OF NO CONCERN TO YOU. 179 00:06:56,484 --> 00:06:58,452 I WILL NOT BE CAUGHT OFF GUARD BY CHUCK'S ANTICS 180 00:06:58,486 --> 00:07:00,654 WHILE I'M BEING FETED AT TONIGHT'S EVENT. 181 00:07:00,688 --> 00:07:01,822 YEAH, FINE. 182 00:07:01,855 --> 00:07:03,056 WELL, THE ONLY OTHER THING I NOTICED 183 00:07:03,090 --> 00:07:06,093 WAS THAT HE CALLED IVY DICKENS A FEW TIMES. 184 00:07:11,131 --> 00:07:14,234 (Minnaars) * YOU ARE NOT MY LOVER * 185 00:07:14,267 --> 00:07:17,971 *** 186 00:07:18,005 --> 00:07:21,208 * SHE SETS ME ON FIRE 187 00:07:21,241 --> 00:07:22,409 * SHE SETS ME ON FIRE 188 00:07:22,442 --> 00:07:24,812 DON'T TRY TO TELL ME YOU A WANNA BE FRIENDS. 189 00:07:24,845 --> 00:07:25,713 WE DON'T. 190 00:07:25,746 --> 00:07:27,815 I CALLED YOU HERE UNDER FALSE PRETENSES. 191 00:07:27,848 --> 00:07:31,018 WE NEED YOUR HELP WITH A MISSION WE HAVE AGAINST BART BASS. 192 00:07:31,051 --> 00:07:33,020 ARE YOU KIDDING? 193 00:07:33,053 --> 00:07:35,889 I WAS LOCKED IN A ROOM WITH BART BASS. HE'S DANGEROUS. 194 00:07:35,923 --> 00:07:38,091 YES, HE IS, AND YOU AGGRAVATED HIM 195 00:07:38,125 --> 00:07:41,729 WITH YOUR TOPLESS ANTICS AND MISSING MICROFILM. 196 00:07:41,762 --> 00:07:44,097 SO IF YOU EVER WANNA SAFELY RETURN TO NEW YORK, 197 00:07:44,131 --> 00:07:45,566 HE NEEDS TO BE TAKEN CARE OF. 198 00:07:45,599 --> 00:07:47,835 WELL, IF I KNEW HOW, I WOULD'VE DONE IT. 199 00:07:47,868 --> 00:07:49,603 WE NEED YOU TO BE THE GOAT. 200 00:07:49,637 --> 00:07:52,105 DON'T TELL ME YOU'VE NEVER STUDIED MEDIEVAL WARFARE. 201 00:07:52,139 --> 00:07:55,008 WHEN THE BYZANTINES WANTED TO LURE A DRAGON FROM ITS CAVE, 202 00:07:55,042 --> 00:07:56,977 THEY TIED A GOAT TO A STICK. 203 00:07:57,010 --> 00:08:00,581 (scoffs) YOU WANNA TIE ME UP AND LEAVE ME SOMEWHERE? 204 00:08:00,614 --> 00:08:01,982 IT'S A METAPHOR. 205 00:08:02,015 --> 00:08:03,717 WE'RE GOING TO USE YOU 206 00:08:03,751 --> 00:08:05,986 AND THE COPIES YOU MADE OF THE MICROFILM AS BAIT. 207 00:08:06,019 --> 00:08:07,120 (door opens) 208 00:08:07,154 --> 00:08:08,255 BUT I DIDN'T MAKE ANY COPIES. 209 00:08:08,288 --> 00:08:09,590 (door closes) 210 00:08:09,623 --> 00:08:11,058 AS FAR AS BART'S CONCERNED, YOU DID. 211 00:08:11,091 --> 00:08:13,293 IT ALL WENT ACCORDING TO PLAN. 212 00:08:13,326 --> 00:08:16,129 (cell phone ringing) 213 00:08:16,163 --> 00:08:18,165 THAT'S PROBABLY BART CALLING YOU NOW. 214 00:08:18,198 --> 00:08:19,533 START TALKING. 215 00:08:19,567 --> 00:08:20,734 (beep) 216 00:08:20,768 --> 00:08:22,536 I heard you're back in town. Where are you? 217 00:08:22,570 --> 00:08:24,271 UM... (sighs) THE OAK ROOM. 218 00:08:24,304 --> 00:08:27,908 AH. COINCIDENTALLY, I'M AROUND THE CORNER, 219 00:08:27,941 --> 00:08:30,110 AND I HAVE TIME FOR A CHAT. 220 00:08:31,812 --> 00:08:33,246 (beep) 221 00:08:34,782 --> 00:08:35,916 (beep) 222 00:08:35,949 --> 00:08:37,084 HE'S ON HIS WAY. 223 00:08:37,117 --> 00:08:39,286 THE MICROFILM HAD THE RECORDS 224 00:08:39,319 --> 00:08:40,821 OF BART'S ILLEGAL OIL TRADE. 225 00:08:40,854 --> 00:08:42,322 (Blair) AS LONG AS YOU GET HIM TALKING, 226 00:08:42,355 --> 00:08:44,625 HE'S BOUND TO SAY SOMETHING THAT LINKS HIM TO HIS CRIMES. 227 00:08:44,658 --> 00:08:46,293 AND MAKE SURE TO RECORD EVERYTHING HE SAYS 228 00:08:46,326 --> 00:08:47,661 ON YOUR PHONE. 229 00:08:47,695 --> 00:08:49,763 * FIRE 230 00:08:49,797 --> 00:08:52,833 NATHANIEL ARCHIBALD, YOU'RE UNDER ARREST FOR FRAUD. 231 00:08:52,866 --> 00:08:53,967 (Nate) WAIT. WHAT? 232 00:08:54,001 --> 00:08:55,302 (man) COME WITH ME, SIR. 233 00:08:55,335 --> 00:08:57,805 (camera shutters clicking) 234 00:08:57,838 --> 00:08:59,707 POOR NATE. 235 00:08:59,740 --> 00:09:02,309 PLAYING THE DOUBLE AGENT GOT HIM INTO DOUBLE THE TROUBLE. 236 00:09:02,342 --> 00:09:04,778 AND NOW THAT BART'S WISE TO THIS GUY, 237 00:09:04,812 --> 00:09:06,079 THE QUESTION IS, 238 00:09:06,113 --> 00:09:08,949 WHO WILL HE OUTSMART NEXT? 239 00:09:10,851 --> 00:09:12,119 THANK YOU. 240 00:09:12,152 --> 00:09:13,854 MY LAWYERS ARE DOING EVERYTHING IN THEIR POWER 241 00:09:13,887 --> 00:09:15,789 TO HAVE HIM RELEASED AS SOON AS POSSIBLE. 242 00:09:15,823 --> 00:09:18,258 WELL, OBVIOUSLY BART FIGURED OUT THAT NATE WAS PLAYING HIM. 243 00:09:18,291 --> 00:09:20,193 AND THEN HE STARTED USING NATE AS HIS GOAT. 244 00:09:20,227 --> 00:09:23,063 AM I THE ONLY ONE WHO DIDN'T STUDY BYZANTINE WARFARE? 245 00:09:23,096 --> 00:09:24,331 HE THINKS HAVING NATE ARRESTED 246 00:09:24,364 --> 00:09:27,200 WILL FORCE ME TO GO TO HIM TO MAKE A DEAL. 247 00:09:27,234 --> 00:09:29,136 WELL, IF THAT'S WHAT HE WANTS, DON'T GIVE IN. 248 00:09:29,169 --> 00:09:30,804 I'M NOT ABOUT TO LET NATE ROT IN JAIL. 249 00:09:30,838 --> 00:09:32,940 I HAVE TO GO TO THE APARTMENT AND SEE WHAT HE PROPOSES. 250 00:09:32,973 --> 00:09:35,008 WILL YOU GO WITH HIM? 251 00:09:35,042 --> 00:09:36,376 BART'S LESS LIKELY TO PULL ANYTHING 252 00:09:36,409 --> 00:09:38,078 IF SOMEONE ELSE IS ON THE PREMISES. 253 00:09:38,111 --> 00:09:39,112 OF COURSE. CHUCK? 254 00:09:39,146 --> 00:09:41,682 AFTER YOU. 255 00:09:41,715 --> 00:09:43,150 WELL, THAT'S MY CUE TO LEAVE, TOO. 256 00:09:43,183 --> 00:09:44,852 NOT SO FAST. 257 00:09:44,885 --> 00:09:47,254 YOU ARE NOT GOING ANYWHERE. WE MIGHT NEED YOU AS LEVERAGE. 258 00:09:47,287 --> 00:09:49,389 YOU'RE COMING WITH ME. 259 00:09:49,422 --> 00:09:52,092 SO... WHAT CAN I DO FOR YOU, DANIEL? 260 00:09:52,125 --> 00:09:53,761 WELL, UM... 261 00:09:53,794 --> 00:09:56,964 I HAVE--I'VE FOUND AN APARTMENT THAT I'M INTERESTED IN BUYING. 262 00:09:56,997 --> 00:09:59,733 RECENTLY, I'VE HAD SOME... (sighs) TROUBLE 263 00:09:59,767 --> 00:10:01,301 LENDING MONEY TO MY SON'S FRIENDS. 264 00:10:01,334 --> 00:10:03,170 NO. (chuckles) NO, I'M NOT HERE FOR A LOAN. 265 00:10:03,203 --> 00:10:05,305 FOR THE FIRST TIME EVER, IN FACT, I HAVE PLENTY OF MONEY. 266 00:10:05,338 --> 00:10:07,775 BUT I NEED A SPONSOR TO VOUCH FOR ME FOR THE CO-OP BOARD, 267 00:10:07,808 --> 00:10:09,977 AND I KNOW YOUR NAME CARRIES A LOT OF WEIGHT 268 00:10:10,010 --> 00:10:11,979 IN NEW YORK REAL ESTATE. 269 00:10:12,012 --> 00:10:14,147 WELL, UNLIKE MY SON, IT'S NICE TO SEE 270 00:10:14,181 --> 00:10:16,784 SOMEONE RECOGNIZES MY STATURE IN THIS TOWN. 271 00:10:16,817 --> 00:10:18,285 YOU COULDN'T FIND A BETTER SPONSOR 272 00:10:18,318 --> 00:10:20,654 THAN NEW YORK REAL ESTATE'S MAN OF THE YEAR. 273 00:10:20,688 --> 00:10:23,757 THAT'S RIGHT. I HEAR CONGRATULATIONS ARE IN ORDER. 274 00:10:23,791 --> 00:10:25,258 THANK YOU. 275 00:10:25,292 --> 00:10:28,261 YOU KNOW, I'VE BEEN ASSIGNED A REPORTER TO DO A PROFILE ON ME 276 00:10:28,295 --> 00:10:29,997 IN CONJUNCTION WITH THE EVENT. 277 00:10:30,030 --> 00:10:32,365 MAYBE YOU WOULD LIKE THE OPPORTUNITY INSTEAD? 278 00:10:34,367 --> 00:10:36,269 PROFILES ARE MY SPECIALTY. 279 00:10:36,303 --> 00:10:39,272 GOOD. THEN IT'S SETTLED. 280 00:10:39,306 --> 00:10:41,341 YOU WRITE NICE THINGS ABOUT ME, 281 00:10:41,374 --> 00:10:43,310 I'LL WRITE YOU A GREAT RECOMMENDATION. 282 00:10:46,446 --> 00:10:48,148 IF YOU'LL EXCUSE ME, 283 00:10:48,181 --> 00:10:51,819 I HAVE SOME... FAMILY BUSINESS TO ATTEND TO. 284 00:10:51,852 --> 00:10:53,386 BUT I LOOK FORWARD TO WORKING WITH YOU. 285 00:10:57,190 --> 00:10:58,225 I'M--I'M GLAD TO SEE YOU. 286 00:10:58,258 --> 00:10:59,893 I'VE BEEN TRYING TO REACH YOU SINCE THANKSGIVING. 287 00:10:59,927 --> 00:11:01,228 OH, YEAH, AND I'VE BEEN IGNORING YOUR CALLS, 288 00:11:01,261 --> 00:11:02,763 YOUR E-MAILS, AND YOUR TEXTS. 289 00:11:02,796 --> 00:11:04,431 SERENA, PLEASE. JUST LET ME EXPLAIN. 290 00:11:04,464 --> 00:11:07,434 EXPLAIN WHAT? THAT YOU'RE BEST FRIENDS WITH BART BASS? 291 00:11:07,467 --> 00:11:10,971 CONGRATULATIONS. YOU'VE OFFICIALLY JOINED THE DARK SIDE. 292 00:11:16,209 --> 00:11:19,379 OKAY, I'M HERE. I KNOW THAT'S WHY YOU HAD NATE ARRESTED. 293 00:11:19,412 --> 00:11:22,950 SO TELL ME, WHAT'S IT GONNA TAKE TO GET YOU TO DROP THE CHARGES? 294 00:11:25,285 --> 00:11:27,087 IT'S QUITE SIMPLE, ACTUALLY. 295 00:11:27,120 --> 00:11:29,990 STOP YOUR WITCH HUNT 296 00:11:30,023 --> 00:11:32,325 AND LEAVE NEW YORK FOR MOSCOW TONIGHT... ALONE. 297 00:11:32,359 --> 00:11:34,327 MOSCOW? AS IN RUSSIA? 298 00:11:34,361 --> 00:11:35,495 IT'S A LOVELY PLACE. 299 00:11:35,528 --> 00:11:38,331 REAL ESTATE MARKET IS BOOMING. 300 00:11:38,365 --> 00:11:39,466 LOTS OF OPPORTUNITIES 301 00:11:39,499 --> 00:11:41,268 FOR A YOUNG ENTREPRENEUR LIKE YOURSELF. 302 00:11:41,301 --> 00:11:44,938 AND HOW LONG DO YOU EXPECT ME TO LIVE IN EXILE? 303 00:11:44,972 --> 00:11:46,373 FOREVER. 304 00:11:49,877 --> 00:11:51,378 YOU CAN NEVER COME BACK TO NEW YORK. 305 00:11:52,846 --> 00:11:54,114 THAT'S NOT A DEAL. 306 00:11:54,147 --> 00:11:55,415 THAT'S A DIFFERENT KIND OF PRISON SENTENCE. 307 00:11:55,448 --> 00:11:58,518 I WILL FIND ANOTHER WAY TO GET NATE OUT OF JAIL. 308 00:11:58,551 --> 00:12:02,155 THERE IS NO OTHER WAY. 309 00:12:02,189 --> 00:12:04,892 DON'T YOU GET IT? 310 00:12:04,925 --> 00:12:09,029 I'M VERY CLOSE FRIENDS WITH THE POLICE COMMISSIONER. 311 00:12:09,062 --> 00:12:12,432 THE ONLY PERSON WHO CAN GET NATE OUT OF JAIL 312 00:12:12,465 --> 00:12:14,434 IS ME. 313 00:12:14,467 --> 00:12:17,370 WE'LL SEE HOW POWERFUL YOU ARE 314 00:12:17,404 --> 00:12:21,741 WHEN YOU ARE LOCKED INSIDE WITH HIM. 315 00:12:32,886 --> 00:12:35,322 IF YOU WANT TO GO TO CHUCK, GO. 316 00:12:35,355 --> 00:12:36,857 YOU CAN TRUST ME. 317 00:12:36,890 --> 00:12:39,292 YOU WERE RIGHT. I NEED TO HELP YOU GET RID OF BART 318 00:12:39,326 --> 00:12:40,894 IF I WANNA COME BACK TO NEW YORK 319 00:12:40,928 --> 00:12:43,330 TO BE WITH THE MAN THAT I LOVE. 320 00:12:43,363 --> 00:12:45,465 WE HAVE A PACT, JUST LIKE YOU AND CHUCK. 321 00:12:45,498 --> 00:12:46,633 RUFUS? 322 00:12:46,666 --> 00:12:49,436 WHAT KIND OF COCKAMAMIE LOVE PACT DID YOU MAKE WITH RUFUS? 323 00:12:49,469 --> 00:12:52,205 IT'S NOT RUFUS, 324 00:12:52,239 --> 00:12:54,541 ALTHOUGH I'M NOT AT LIBERTY TO NAME NAMES AT THIS TIME. 325 00:12:54,574 --> 00:12:55,542 (deadpan) REALLY? 326 00:12:55,575 --> 00:12:56,910 (cell phone alert chimes) 327 00:12:56,944 --> 00:12:58,078 'CAUSE I'M JUST DYING TO KNOW. 328 00:12:58,111 --> 00:12:59,279 (beep) 329 00:12:59,312 --> 00:13:01,281 (gasps) OH, NO. 330 00:13:01,314 --> 00:13:03,884 THE SAMPLES JUST CAME IN AND THEY ARE A DISASTER. 331 00:13:03,917 --> 00:13:06,019 I HAVE TO GO BACK TO THE ATELIER. 332 00:13:06,053 --> 00:13:08,188 DON'T ANSWER YOUR PHONE UNLESS IT'S ME, 333 00:13:08,221 --> 00:13:10,457 AND DO NOT MOVE OFF THAT COUCH. 334 00:13:10,490 --> 00:13:11,458 DOROTA WILL BE ABLE TO TELL 335 00:13:11,491 --> 00:13:13,460 IF THERE ARE FRESH FOOTPRINTS ON THE AUBUSSON. 336 00:13:19,499 --> 00:13:21,434 I SAW YOUR PICTURE ALL OVER THE NEWS. 337 00:13:21,468 --> 00:13:23,370 WHAT HAPPENED? 338 00:13:23,403 --> 00:13:25,338 BART FIGURED OUT I WAS PLAYING BOTH SIDES, 339 00:13:25,372 --> 00:13:27,908 AND THIS IS HIS WAY OF RETALIATING. 340 00:13:27,941 --> 00:13:29,910 HOW ARE YOU DOING? 341 00:13:29,943 --> 00:13:32,479 WELL... BETTER NOW THAT YOU'RE HERE. 342 00:13:32,512 --> 00:13:34,181 TMZ LEAKED YOUR MUG SHOT, 343 00:13:34,214 --> 00:13:35,448 AND YOU ACTUALLY LOOK PRETTY CUTE. 344 00:13:35,482 --> 00:13:37,250 WELL, CUTE IS GONNA HELP ME NOW. 345 00:13:37,284 --> 00:13:38,451 I SPOKE WITH CHUCK'S LAWYERS, 346 00:13:38,485 --> 00:13:39,586 AND THEY HAVEN'T MADE ANY PROGRESS 347 00:13:39,619 --> 00:13:41,054 IN GETTING ME OUT ON BAIL. 348 00:13:41,088 --> 00:13:43,490 WELL, I KNOW YOU DON'T TRUST YOUR GRANDFATHER 349 00:13:43,523 --> 00:13:45,358 OR ANYONE FROM THE VAN DER BILT SIDE OF THE FAMILY, 350 00:13:45,392 --> 00:13:46,459 SO I CALLED SOMEONE 351 00:13:46,493 --> 00:13:48,495 WHO HAS SOME EXPERIENCE WITH THIS KIND OF SITUATION. 352 00:13:53,166 --> 00:13:54,501 DAD? 353 00:14:03,443 --> 00:14:05,612 WHY ARE YOU STOPPING? 354 00:14:05,645 --> 00:14:08,215 (singsongy) HELLO?! ARE YOU DEAF? 355 00:14:08,248 --> 00:14:09,482 WILL YOU GIVE ME A HAND SIGNAL? 356 00:14:09,516 --> 00:14:11,851 I-I SPEAK FLUENT SIGN. 357 00:14:13,386 --> 00:14:15,488 WHAT THE HELL ARE YOU DOING?! 358 00:14:15,522 --> 00:14:17,891 TAKING YOU FOR A LITTLE RIDE. 359 00:14:19,326 --> 00:14:20,427 (doors lock) 360 00:14:38,011 --> 00:14:39,112 LOOKING FOR ME? 361 00:14:39,146 --> 00:14:40,413 WHERE'S BLAIR? 362 00:14:40,447 --> 00:14:41,581 SHE TEXTED ME AND SAID SHE'S HERE. 363 00:14:41,614 --> 00:14:42,549 IF YOU'VE DONE SOMETHING... 364 00:14:42,582 --> 00:14:44,117 BLAIR IS FINE, OKAY? 365 00:14:44,151 --> 00:14:46,253 SHE'S UPSTAIRS IN THE ATELIER, UNHARMED. 366 00:14:46,286 --> 00:14:48,188 SHE'S FINE 367 00:14:48,221 --> 00:14:51,391 BECAUSE I DECIDED SHE COULD BE FINE. 368 00:14:51,424 --> 00:14:53,393 MAYBE NEXT TIME I MAKE A DIFFERENT DECISION. 369 00:14:53,426 --> 00:14:56,029 SO PERHAPS YOU'D LIKE TO... 370 00:14:56,063 --> 00:14:58,598 RECONSIDER MY EARLIER OFFER? 371 00:14:58,631 --> 00:15:02,335 ARE YOU THREATENING BLAIR WITH PHYSICAL HARM? 372 00:15:02,369 --> 00:15:03,470 ME? NO. 373 00:15:03,503 --> 00:15:05,672 I WOULDN'T HURT A FLY. 374 00:15:05,705 --> 00:15:07,707 BUT I'M NOT GOD. 375 00:15:07,740 --> 00:15:09,542 I CAN'T HELP IT IF ACCIDENTS HAPPEN. 376 00:15:09,576 --> 00:15:11,945 THIS FIGHT IS BETWEEN ME AND YOU. 377 00:15:11,979 --> 00:15:13,413 LEAVE EVERYONE ELSE OUT OF IT. 378 00:15:13,446 --> 00:15:16,616 IF YOU WANT YOUR BEST FRIEND TO GET OUT OF JAIL, 379 00:15:16,649 --> 00:15:18,718 YOUR STEPMOTHER TO ENJOY HER HAPPY MARRIAGE, 380 00:15:18,751 --> 00:15:20,153 YOUR GIRLFRIEND TO CONTINUE MAKING 381 00:15:20,187 --> 00:15:23,423 HER PRETTY LITTLE DRESSES... 382 00:15:23,456 --> 00:15:25,025 THEN A NEW LIFE ON THE OTHER SIDE OF THE WORLD 383 00:15:25,058 --> 00:15:26,593 IS YOUR ONLY OPTION. 384 00:15:33,666 --> 00:15:37,570 THE BASS JET IS WAITING ON THE TARMAC. 385 00:15:37,604 --> 00:15:40,040 GO TO MOSCOW TONIGHT, 386 00:15:40,073 --> 00:15:41,975 THEN EVERYONE YOU LOVE 387 00:15:42,009 --> 00:15:44,011 WILL BE SAFE. 388 00:15:48,015 --> 00:15:49,449 I SPOKE TO YOUR LAWYERS. 389 00:15:49,482 --> 00:15:51,251 THE JUDGE IS REFUSING TO SET BAIL. 390 00:15:51,284 --> 00:15:52,585 THIS CAN'T BE HAPPENING. 391 00:15:52,619 --> 00:15:54,121 YOU'RE CLEARLY BEING VICTIMIZED 392 00:15:54,154 --> 00:15:55,455 BECAUSE OF THE MISTAKES I'VE MADE IN THE PAST. 393 00:15:55,488 --> 00:15:57,457 NOW DON'T WORRY. IT'LL ALL GET SORTED OUT. 394 00:15:57,490 --> 00:16:01,228 NO, IT WON'T, DAD. 395 00:16:01,261 --> 00:16:03,396 I DID IT. I'M GUILTY. 396 00:16:04,664 --> 00:16:06,599 NATE. 397 00:16:06,633 --> 00:16:09,236 YOU'VE ALWAYS DONE THE RIGHT THING. 398 00:16:09,269 --> 00:16:11,204 I CAN'T BELIEVE YOU'D DO SOMETHING LIKE THIS. 399 00:16:11,238 --> 00:16:14,107 ALTHOUGH, AFTER THE EXAMPLE I SET FOR YA, 400 00:16:14,141 --> 00:16:16,643 I SUPPOSE I ONLY HAVE MYSELF TO BLAME. 401 00:16:16,676 --> 00:16:18,611 THIS WAS ALL ME. 402 00:16:18,645 --> 00:16:20,680 I FUDGED THE NUMBERS TO TRY AND SAVE "THE SPECTATOR." 403 00:16:20,713 --> 00:16:23,616 SO YOU SLIPPED. 404 00:16:23,650 --> 00:16:26,653 YOU'VE ALWAYS STOOD BY ME. IT'S MY TURN TO STAND BY YOU. 405 00:16:26,686 --> 00:16:28,755 WE'LL GO TO THE LENDER, EXPLAIN EVERYTHING TO THEM, 406 00:16:28,788 --> 00:16:30,223 PAY THEM WHATEVER YOU OWE. 407 00:16:30,257 --> 00:16:31,524 THEY'LL DROP THE CHARGES. 408 00:16:31,558 --> 00:16:33,426 NO. 409 00:16:33,460 --> 00:16:36,396 THE ONLY PERSON THAT CAN DROP THE CHARGES IS BART BASS, 410 00:16:36,429 --> 00:16:39,532 AND HE WON'T BUDGE. 411 00:16:41,568 --> 00:16:44,237 DOROTA, THE SAMPLES WERE PRISTINE. 412 00:16:44,271 --> 00:16:45,072 IT WAS A FALSE ALARM-- 413 00:16:45,105 --> 00:16:47,240 MERELY BART BASS FANNING THE FLAMES. 414 00:16:47,274 --> 00:16:49,109 SO MAKE SURE THAT IVY'S ASS STAYS GLUED 415 00:16:49,142 --> 00:16:51,278 TO THAT COUCH CUSHION. 416 00:16:51,311 --> 00:16:52,479 UGH! 417 00:16:55,215 --> 00:16:57,250 YES, THIS IS BLAIR WALDORF. 418 00:16:57,284 --> 00:16:59,119 APPARENTLY, MY TOWN CAR HAS BEEN ABSCONDED 419 00:16:59,152 --> 00:17:01,254 BY A RUTHLESS BILLIONAIRE. 420 00:17:01,288 --> 00:17:02,355 SO IF YOU'D PLEASE SEND ANOTHER-- 421 00:17:02,389 --> 00:17:05,058 PREFERABLY WITH A DIFFERENT, LESS DEVIOUS DRIVER... 422 00:17:06,593 --> 00:17:08,195 NO. NO, WHAT DO YOU MEAN? 423 00:17:08,228 --> 00:17:11,064 I'M NOT STILL IN THE CAR. I'M RIGHT HERE. 424 00:17:11,098 --> 00:17:12,765 WHY? WHERE'D IT GO? 425 00:17:20,740 --> 00:17:22,442 THANK YOU. 426 00:17:25,178 --> 00:17:26,446 YOU SEEM ENGROSSED. 427 00:17:28,181 --> 00:17:30,617 OH, I AM. 428 00:17:30,650 --> 00:17:33,486 NORMALLY, I DON'T GO FOR... 429 00:17:33,520 --> 00:17:36,723 ROMANCE NOVELS, BUT, UH... 430 00:17:36,756 --> 00:17:38,425 THE WAY YOU DESCRIBE SERENA... 431 00:17:38,458 --> 00:17:40,727 WHERE'D YOU GET THAT? 432 00:17:40,760 --> 00:17:41,728 A PACKAGE CAME THIS AFTERNOON. 433 00:17:41,761 --> 00:17:44,697 THINKING IT WAS YOUR PROFILE ON ME, I OPENED IT. 434 00:17:44,731 --> 00:17:46,433 YEAH, WELL, UH, 435 00:17:46,466 --> 00:17:47,767 I WROTE TWO VERSIONS OF THE SERENA CHAPTER, 436 00:17:47,800 --> 00:17:49,569 AND THAT'S-- THAT'S THE NICE ONE. 437 00:17:49,602 --> 00:17:51,638 I PREFER THE NASTY ONE YOU PUBLISHED. 438 00:17:51,671 --> 00:17:55,175 I'M NOT SURE THAT WAS THE BEST DECISION. 439 00:17:55,208 --> 00:17:56,343 WHY NOT? 440 00:17:56,376 --> 00:17:58,445 WHEN I WAS STAYING HERE WITH SERENA, I... 441 00:17:58,478 --> 00:17:59,746 (chuckles) DO YOU WANNA HEAR THIS? 442 00:17:59,779 --> 00:18:01,348 MM-HMM. 443 00:18:03,783 --> 00:18:05,585 I WAS TRYING TO MAKE HER FALL IN LOVE WITH ME 444 00:18:05,618 --> 00:18:07,454 SO I COULD WRITE THE ULTIMATE EXPOSE 445 00:18:07,487 --> 00:18:09,122 BRINGING DOWN THE GOLDEN GIRL. 446 00:18:09,156 --> 00:18:12,759 BUT WHILE I WAS BUSY TRYING TO WIN HER AFFECTIONS, 447 00:18:12,792 --> 00:18:14,494 I REALIZED I WAS STILL IN LOVE WITH HER. 448 00:18:14,527 --> 00:18:16,463 AND WROTE THIS NONSENSE. 449 00:18:16,496 --> 00:18:18,731 I WOULD'VE PUBLISHED IT, TOO, BUT, UH, 450 00:18:18,765 --> 00:18:21,601 BUT ON THANKSGIVING, I REALIZED THAT SERENA WAS... 451 00:18:21,634 --> 00:18:23,736 NEVER GONNA TAKE ME SERIOUSLY 452 00:18:23,770 --> 00:18:25,605 UNLESS I COULD SHOW HER THAT I WASN'T AFRAID OF HER, 453 00:18:25,638 --> 00:18:26,773 THAT I DIDN'T THINK SHE WAS BETTER THAN ME. 454 00:18:26,806 --> 00:18:28,475 BRAVO. 455 00:18:28,508 --> 00:18:30,777 YOU MADE THE RIGHT DECISION. 456 00:18:30,810 --> 00:18:33,646 YEAH, BUT SHE WON'T SPEAK TO ME NOW. 457 00:18:33,680 --> 00:18:36,516 LET YOUR FATHER 458 00:18:36,549 --> 00:18:39,352 SERVE AS A CAUTIONARY TALE, DANIEL. 459 00:18:39,386 --> 00:18:40,620 HE'S SITTING OVER THERE IN BROOKLYN ALONE, 460 00:18:40,653 --> 00:18:42,689 WHILE I'M HERE MARRIED TO LILY. 461 00:18:42,722 --> 00:18:45,658 SERENA RESPECTS YOU NOW, 462 00:18:45,692 --> 00:18:48,628 EVEN IF SHE DOESN'T KNOW IT. 463 00:18:48,661 --> 00:18:51,931 YOU STAY THE COURSE, SHE WILL COME AROUND IN TIME. 464 00:18:51,964 --> 00:18:54,367 THAT WAS THE IDEA, BUT IT'S, UH, 465 00:18:54,401 --> 00:18:55,768 IT'S TAKING A LITTLE LONGER THAN I EXPECTED. 466 00:18:55,802 --> 00:18:57,770 WELL... 467 00:18:57,804 --> 00:18:59,272 HOPEFULLY, YOU HAVE A FEW MORE DAYS 468 00:18:59,306 --> 00:19:01,908 UNTIL SHE MOVES TO LOS ANGELES. 469 00:19:01,941 --> 00:19:04,511 LOS ANGELES? 470 00:19:04,544 --> 00:19:06,879 (chuckles) 471 00:19:13,953 --> 00:19:15,722 CHUCK! 472 00:19:17,590 --> 00:19:19,659 STOP! WHAT ARE YOU DOING? 473 00:19:19,692 --> 00:19:21,694 I COULDN'T LIVE WITH MYSELF IF ANYTHING HAPPENED TO YOU. 474 00:19:21,728 --> 00:19:23,463 BUT I'M FINE. 475 00:19:23,496 --> 00:19:24,664 BECAUSE I'M LEAVING. 476 00:19:24,697 --> 00:19:26,933 IT'S A SMALL PRICE TO PAY FOR YOUR SAFETY. 477 00:19:26,966 --> 00:19:29,302 BUT I DON'T WANT TO BE SAFE. 478 00:19:29,336 --> 00:19:31,938 I WANNA BE WITH YOU. 479 00:19:31,971 --> 00:19:35,208 COME ON. LET'S GO TOGETHER. I'LL HAVE DOROTA SEND MY THINGS. 480 00:19:35,242 --> 00:19:36,709 BLAIR, I CAN'T. 481 00:19:36,743 --> 00:19:38,711 I HAVE TO GO ALONE. 482 00:19:38,745 --> 00:19:42,715 I MADE A DEAL. THOSE WERE MY FATHER'S TERMS. 483 00:19:46,386 --> 00:19:48,555 JUST HAVE FAITH IN ME, 484 00:19:48,588 --> 00:19:50,557 THIS ONE LAST TIME. 485 00:19:50,590 --> 00:19:53,326 BUT I-I'VE WAITED TOO LONG. I NEED TO BE WITH YOU NOW. 486 00:19:53,360 --> 00:19:55,862 BLAIR, TRUST ME. 487 00:19:55,895 --> 00:19:57,830 LETTING ME GO IS THE RIGHT THING TO DO. 488 00:19:57,864 --> 00:20:00,367 NO. 489 00:20:00,400 --> 00:20:01,834 (voice breaks) DON'T GET ON THE PLANE. 490 00:20:01,868 --> 00:20:03,603 BART HAS ALREADY HURT SO MANY PEOPLE. 491 00:20:03,636 --> 00:20:04,904 I KNOW WHAT MY FATHER'S CAPABLE OF, 492 00:20:04,937 --> 00:20:07,274 BUT HE WOULD NEVER TRY TO KILL HIS OWN SON. 493 00:20:12,745 --> 00:20:13,980 THEN... 494 00:20:14,013 --> 00:20:15,648 DO ONE THING BEFORE YOU GO. 495 00:20:19,352 --> 00:20:21,621 KISS ME, CHUCK BASS. 496 00:21:04,096 --> 00:21:06,433 I HAVE CALLED YOU ALL HERE BECAUSE YOU ARE 497 00:21:06,466 --> 00:21:08,901 THE MOST CONNIVING GROUP OF SCAMMERS AND SCHEMERS 498 00:21:08,935 --> 00:21:10,069 THAT I KNOW. 499 00:21:10,102 --> 00:21:11,838 AND, SERENA, YOU'RE MY BEST FRIEND, 500 00:21:11,871 --> 00:21:13,506 THANKS FOR CLARIFYING. 501 00:21:13,540 --> 00:21:14,674 I STILL DON'T UNDERSTAND WHY GEORGINA'S HERE, THOUGH. 502 00:21:14,707 --> 00:21:17,377 YOU CAN'T HAVE AN EVIL CABAL WITHOUT THE QUEEN OF CON. 503 00:21:17,410 --> 00:21:19,446 AND FRANKLY, I SHOULD'VE BEEN GIVEN MORE NOTICE. 504 00:21:19,479 --> 00:21:21,581 YOU LOST YOUR ROYAL STATUS WHEN I TOOK YOUR PHONE AT COTILLION. 505 00:21:21,614 --> 00:21:24,517 HA. PHONE STEALING? SERIOUSLY? 506 00:21:24,551 --> 00:21:25,785 THAT'S THE TRAINING BRA OF TREACHERY. 507 00:21:25,818 --> 00:21:27,520 ENOUGH! 508 00:21:27,554 --> 00:21:30,089 IF I WANTED INFIGHTING, I WOULD'VE CALLED MY MINIONS. 509 00:21:30,122 --> 00:21:32,058 NOW I NEED HER HERE. I NEED YOU ALL HERE 510 00:21:32,091 --> 00:21:34,927 TO USE YOUR DASTARDLY SKILLS TO TAKE DOWN BART BASS. 511 00:21:34,961 --> 00:21:37,464 YEAH, BUT LAST TIME WE DID THAT, NATE ENDED UP IN JAIL. 512 00:21:37,497 --> 00:21:39,466 DO YOU WANT TO GO BACK TO BEING THE GOAT 513 00:21:39,499 --> 00:21:43,536 OR LEND YOUR IMPERSONATION PROWESS TO MY PLAN? 514 00:21:43,570 --> 00:21:45,438 BLAIR, ARE YOU SURE CHUCK WOULD WANT YOU INVOLVED IN HIS WAR? 515 00:21:45,472 --> 00:21:46,806 IT'S NOT HIS CHOICE. 516 00:21:46,839 --> 00:21:49,609 NOW I WANT YOU ALL TO GET BART TALKING. 517 00:21:49,642 --> 00:21:51,678 AND RECORD HIM ON YOUR PHONES. 518 00:21:51,711 --> 00:21:54,113 WE'LL MERGE YOUR MASTER MANIPULATIONS, 519 00:21:54,146 --> 00:21:56,449 YOUR WANTON DISREGARD FOR AUTHORITY, 520 00:21:56,483 --> 00:21:58,751 AND YOUR BRILLIANCE AT PLAYING DUMB. 521 00:21:58,785 --> 00:22:01,488 BART BASS MAY BE ABLE TO FOOL THE FBI, 522 00:22:01,521 --> 00:22:03,356 BUT HE HAS NEVER HAD TO FACE OFF AGAINST 523 00:22:03,390 --> 00:22:05,592 BLAIR WALDORF AND HER BITCHES. 524 00:22:05,625 --> 00:22:08,761 *** 525 00:22:08,795 --> 00:22:10,863 (camera shutter clicks) 526 00:22:20,740 --> 00:22:24,110 (man) * EVERYWHERE I LOOK I SEE YOU * 527 00:22:24,143 --> 00:22:28,581 * IN THE AIR 528 00:22:28,615 --> 00:22:31,150 * GOT IN YOUR SKIN 529 00:22:31,183 --> 00:22:34,987 * AND CURLS OF YOUR HAIR 530 00:22:35,021 --> 00:22:36,889 BART, HEY. 531 00:22:36,923 --> 00:22:39,592 MY MOM WANTED ME TO TELL YOU SHE'S SO SORRY SHE CAN'T BE HERE 532 00:22:39,626 --> 00:22:40,927 TO CELEBRATE YOUR ACCOMPLISHMENTS. 533 00:22:40,960 --> 00:22:42,529 WELL, ALL... 534 00:22:42,562 --> 00:22:44,464 ALL THIS DOES SEEM RATHER IMPRESSIVE, DOESN'T IT? 535 00:22:44,497 --> 00:22:46,466 (chuckles) YEAH. 536 00:22:46,499 --> 00:22:49,001 HEY, MAYBE YOU CAN SHOW HER THE SLIDE SHOW WHEN SHE RETURNS. 537 00:22:49,035 --> 00:22:50,903 I'M SURE SHE'D LOVE TO SEE YOUR TRAVELS. 538 00:22:53,105 --> 00:22:55,542 *** 539 00:22:55,575 --> 00:22:56,743 IS EVERYTHING OKAY? 540 00:22:56,776 --> 00:23:00,880 I DON'T REMEMBER APPROVING THAT SLIDE. 541 00:23:00,913 --> 00:23:02,949 WELL, OBVIOUSLY SOMEONE LIKES IT. (chuckles) 542 00:23:02,982 --> 00:23:05,518 OBVIOUSLY, THERE'S A GLITCH IN THE SYSTEM. 543 00:23:05,552 --> 00:23:07,554 IF YOU'LL EXCUSE ME... 544 00:23:07,587 --> 00:23:10,523 *** 545 00:23:14,126 --> 00:23:16,529 HAVE YOU GOTTEN THIS EVENING'S PROGRAM? 546 00:23:16,563 --> 00:23:18,798 YOU LOOK EVEN MORE DASHING IN IT THAN YOU DO IN PERSON. 547 00:23:18,831 --> 00:23:20,500 WELL, AT LEAST THEY FOLLOWED MY INSTRUCTIONS 548 00:23:20,533 --> 00:23:22,034 REGARDING THIS PART OF THE PRESENTATION. 549 00:23:22,068 --> 00:23:23,302 TELL ME THE TRUTH, 550 00:23:23,335 --> 00:23:26,973 DO YOU TRADE ON YOUR GOOD LOOKS TO GET ALL YOUR ADORING DONORS? 551 00:23:27,006 --> 00:23:29,576 HOW DID YOU GET LADY ALEXANDER TO GIVE SO MUCH, 552 00:23:29,609 --> 00:23:32,044 AND TWICE ON SUNDAYS-- 553 00:23:32,078 --> 00:23:34,647 I BET SHE REALLY PUT YOU THROUGH YOUR PACES. 554 00:23:34,681 --> 00:23:36,182 DID YOU GIVE THIS TO ANYONE ELSE? 555 00:23:36,215 --> 00:23:38,184 NO. 556 00:23:38,217 --> 00:23:39,852 OH. 557 00:23:39,886 --> 00:23:43,055 UNLESS YOU COUNT EVERYBODY HERE. 558 00:23:43,089 --> 00:23:46,058 WHATEVER IT IS YOU'RE TRYING TO PULL, 559 00:23:46,092 --> 00:23:47,560 I'M PUTTING A STOP TO IT. 560 00:23:47,594 --> 00:23:49,662 *** 561 00:23:49,696 --> 00:23:52,532 (cell phone rings) 562 00:23:52,565 --> 00:23:54,233 *** 563 00:23:54,266 --> 00:23:55,568 (beep) 564 00:23:55,602 --> 00:23:59,205 *** 565 00:23:59,238 --> 00:24:01,674 GREAT JOB ON STEALING THE DEAD GUY'S PHONE. 566 00:24:01,708 --> 00:24:04,110 NOW JUST KEEP CALLING BART UNTIL HE CRACKS. 567 00:24:04,143 --> 00:24:06,979 I'M GONNA START PHASE TWO. 568 00:24:07,013 --> 00:24:08,748 (beep) 569 00:24:08,781 --> 00:24:11,117 (Serena) YEAH, I KNOW. 570 00:24:11,150 --> 00:24:12,552 SERENA, THERE YOU ARE. 571 00:24:12,585 --> 00:24:13,620 DAN. WHAT ARE YOU DOING HERE? 572 00:24:13,653 --> 00:24:14,821 OH, WAIT! I FORGOT. 573 00:24:14,854 --> 00:24:17,557 YOU'RE HONORING YOUR NEW MENTOR BART BASS. 574 00:24:17,590 --> 00:24:20,627 IF YOU'LL EXCUSE ME, I NEED TO BE ANYWHERE BUT HERE. 575 00:24:20,660 --> 00:24:22,562 JUST TELL ME IF YOU ARE REALLY LEAVING TOWN. 576 00:24:22,595 --> 00:24:23,763 WHAT DO YOU CARE? YOU CAN JUST AS EASILY 577 00:24:23,796 --> 00:24:26,032 WRITE DESPICABLE THINGS ABOUT ME FROM AFAR. 578 00:24:26,065 --> 00:24:27,333 I KNOW YOU'RE MAD, 579 00:24:27,366 --> 00:24:29,235 BUT THAT CHAPTER'S NOT THE ONLY THING I'VE WRITTEN ABOUT YOU. 580 00:24:29,268 --> 00:24:30,737 THE--THE MOST FLATTERING THINGS I'VE WRITTEN ABOUT ANYONE 581 00:24:30,770 --> 00:24:31,771 HAVE BEEN ABOUT YOU, TOO. 582 00:24:31,804 --> 00:24:33,573 OH, OKAY, THAT WAS FIVE YEARS AGO. 583 00:24:33,606 --> 00:24:34,707 SINCE THEN, I'VE BEEN 584 00:24:34,741 --> 00:24:35,908 THE EMPTY-HEADED BLONDE IN "INSIDE," 585 00:24:35,942 --> 00:24:39,746 AND--AND THE GOLDEN GIRL WITH DADDY ISSUES IN "INSIDE OUT." 586 00:24:39,779 --> 00:24:41,581 YOUR WRITING CHANGED, AND SO DID YOU. 587 00:24:41,614 --> 00:24:43,716 THAT'S NO REASON TO LEAVE YOUR ENTIRE WORLD BEHIND. 588 00:24:43,750 --> 00:24:47,520 MY WORLD TURNED YOU FROM A PERSON WITH INTEGRITY 589 00:24:47,554 --> 00:24:48,721 INTO A CRUEL SATIRIST. 590 00:24:48,755 --> 00:24:50,256 I MEAN, YOU'RE WORSE THAN GOSSIP GIRL. 591 00:24:50,289 --> 00:24:52,592 AT LEAST SHE HAS A CONSCIENCE. 592 00:24:52,625 --> 00:24:54,994 NO MATTER WHAT IT LOOKS LIKE, I'M STILL ON YOUR SIDE, SERENA. 593 00:24:55,027 --> 00:24:56,529 I ALWAYS HAVE BEEN. 594 00:24:56,563 --> 00:24:58,064 YEAH, WELL, EXCUSE ME IF I DON'T WAIT AROUND 595 00:24:58,097 --> 00:25:00,533 TO BE DISAPPOINTED AGAIN. 596 00:25:01,768 --> 00:25:03,603 I'M MOVING TO L.A. 597 00:25:03,636 --> 00:25:06,639 JUST AS SOON AS I'M DONE HELPING BLAIR WITH BART, 598 00:25:06,673 --> 00:25:10,910 WHICH... YOU SHOULD BE DOING, TOO, BUT YOU'RE ON HIS SIDE. 599 00:25:14,113 --> 00:25:16,015 HIRE MORE STAFF IF YOU HAVE TO. 600 00:25:16,048 --> 00:25:18,618 I WILL NOT BE EMBARRASSED AT MY OWN PARTY. 601 00:25:18,651 --> 00:25:20,553 OKAY. 602 00:25:20,587 --> 00:25:22,221 EXCUSE ME, SIR. WOULD YOU LIKE A COCKTAIL? 603 00:25:22,254 --> 00:25:23,923 WE HAVE A LOVELY SUDANESE VODKA. 604 00:25:23,956 --> 00:25:25,625 WHAT THE HELL ARE YOU DOING HERE? 605 00:25:25,658 --> 00:25:27,894 JUST A WAITRESS TRYING TO SERVE YOU A DRINK, 606 00:25:27,927 --> 00:25:29,662 WHICH YOU LOOK LIKE YOU COULD USE. 607 00:25:31,698 --> 00:25:35,768 LILY DESTROYED WHAT WAS INSIDE OF THIS ALREADY. 608 00:25:35,802 --> 00:25:38,638 HMM. OR DID I MAKE COPIES? 609 00:25:38,671 --> 00:25:40,840 YOU NEVER KNOW WHICH ONE OF THESE 610 00:25:40,873 --> 00:25:43,710 HAS WHAT YOU'RE LOOKING FOR. 611 00:25:43,743 --> 00:25:48,314 (I Am in Love's "Buccaneer Mastery/London II") 612 00:25:48,347 --> 00:25:49,682 (glass clatters) 613 00:25:52,018 --> 00:25:53,786 BART? 614 00:25:53,820 --> 00:25:54,754 THERE YOU ARE. 615 00:25:54,787 --> 00:25:57,123 PERHAPS YOU REMEMBER MY VERY SPECIAL GUEST 616 00:25:57,156 --> 00:25:58,324 IMAN HASSAN? 617 00:25:58,357 --> 00:26:00,660 YOU DID SOME OIL DEALINGS WITH HER FATHER. 618 00:26:00,693 --> 00:26:02,795 IT'S LOVELY TO SEE YOU, IMAN. 619 00:26:02,829 --> 00:26:05,598 ALTHOUGH I NEVER DID ANY BUSINESS WITH YOUR FATHER. 620 00:26:05,632 --> 00:26:06,799 WE WERE SIMPLY GOOD FRIENDS. 621 00:26:06,833 --> 00:26:08,801 WHO SHARED A LOVE OF HORSES. 622 00:26:08,835 --> 00:26:10,202 YES, THAT'S RIGHT. 623 00:26:10,236 --> 00:26:11,838 HOW IS HER DEAR LADY ALEXANDER 624 00:26:11,871 --> 00:26:15,341 LIVING OUT HER DAYS AT YOUR HORSE FARM? 625 00:26:15,374 --> 00:26:17,209 GRAZING AWAY HAPPILY, I SHOULD THINK. 626 00:26:17,243 --> 00:26:20,012 I KNOW WHAT YOU DID TO MY HORSE. 627 00:26:20,046 --> 00:26:21,881 DID YOU MURDER MY FATHER, TOO? 628 00:26:21,914 --> 00:26:24,951 *** 629 00:26:24,984 --> 00:26:28,755 I LOVED YOUR FATHER LIKE A BROTHER. 630 00:26:28,788 --> 00:26:30,122 (cell phone rings) 631 00:26:30,156 --> 00:26:31,223 (ring) 632 00:26:31,257 --> 00:26:33,092 *** 633 00:26:33,125 --> 00:26:34,226 IF YOU'LL EXCUSE US, IMAN... 634 00:26:34,260 --> 00:26:35,227 (beep) 635 00:26:35,261 --> 00:26:37,229 WE NEED A MOMENT. 636 00:26:37,263 --> 00:26:39,699 OH. TELL SECURITY WHERE I AM. 637 00:26:39,732 --> 00:26:42,769 I WOULDN'T WANT TO GO MYSTERIOUSLY MISSING. 638 00:26:42,802 --> 00:26:47,740 *** 639 00:26:49,742 --> 00:26:51,744 I KNOW WHAT YOU'RE TRYING TO DOING 640 00:26:51,778 --> 00:26:53,980 WITH THE ENVELOPES AND THE PHONY PHONE CALLS. 641 00:26:54,013 --> 00:26:55,748 I'VE SEEN "A CHRISTMAS CAROL." 642 00:26:55,782 --> 00:26:56,816 THE CLASSIC TALE 643 00:26:56,849 --> 00:26:59,018 OF MISDEEDS HAUNTING A MAN WHO DIDN'T REMEDY THEM. 644 00:26:59,051 --> 00:27:02,655 YOU KNOW, I'VE ALWAYS FELT THAT SCROOGE WAS UNFAIRLY MALIGNED. 645 00:27:02,689 --> 00:27:05,658 HE SIMPLY EXPECTED PEOPLE TO ACT LIKE ADULTS. 646 00:27:05,692 --> 00:27:06,859 (woman) AND IN OTHER NEWS... 647 00:27:06,893 --> 00:27:08,861 THERE IS NO SANTA CLAUS, MS. WALDORF. 648 00:27:08,895 --> 00:27:11,864 ...OWNED AND OPERATED BY BASS INDUSTRIES. 649 00:27:11,898 --> 00:27:14,767 THE G2 WAS REPORTED MISSING OFF THE COAST OF MAINE. 650 00:27:14,801 --> 00:27:15,768 WAIT. TURN THAT UP. 651 00:27:15,802 --> 00:27:17,203 SURE. 652 00:27:17,236 --> 00:27:18,738 THE COAST GUARD IS INVESTIGATING THE AREA 653 00:27:18,771 --> 00:27:20,006 WHERE THE PLANE WENT OFF THE RADAR 654 00:27:20,039 --> 00:27:22,008 AFTER SENDING A MAYDAY SIGNAL. 655 00:27:22,041 --> 00:27:23,209 OH, NO. 656 00:27:23,242 --> 00:27:25,211 I HOPE THAT WASN'T THE ONE CHUCK WAS ON. 657 00:27:25,244 --> 00:27:28,014 AT PRESENT, THERE WAS NO COMMUNICATION FROM THE PLANE. 658 00:27:28,047 --> 00:27:30,416 A SEARCH AND RESCUE OPERATION IS CURRENTLY UNDERWAY 659 00:27:30,449 --> 00:27:31,617 TO IDENTIFY VICTIMS. 660 00:27:31,650 --> 00:27:34,153 (amplified voice) GOOD EVENING. MY NAME IS JASON POMERANC, 661 00:27:34,186 --> 00:27:37,423 AND I'M THE CHAIRMAN AND FOUNDER OF THOMPSON HOTELS. 662 00:27:37,456 --> 00:27:39,759 I'D LIKE TO TAKE THIS OPPORTUNITY TO WELCOME YOU ALL 663 00:27:39,792 --> 00:27:41,894 TO NEW YORK REAL ESTATE'S MAN OF THE YEAR AWARD. 664 00:27:41,928 --> 00:27:44,764 (applause) 665 00:27:44,797 --> 00:27:45,932 THAT'S MY CUE. 666 00:27:47,834 --> 00:27:50,069 THE EXACT NUMBER OF PASSENGERS ABOARD THE PLANE 667 00:27:50,102 --> 00:27:51,771 IS STILL UNCERTAIN. 668 00:27:51,804 --> 00:27:53,239 WE'LL BRING YOU MORE INFORMATION 669 00:27:53,272 --> 00:27:54,907 AS IT BECOMES AVAILABLE. 670 00:27:54,941 --> 00:27:56,108 AND IN OTHER NEWS... 671 00:27:56,142 --> 00:28:00,346 (Jason) BART BASS HAS BEEN A BOON TO MANHATTAN'S SKYLINE. 672 00:28:00,379 --> 00:28:02,815 (camera shutter clicking) 673 00:28:02,849 --> 00:28:05,484 TO TRULY INTRODUCE HIM PROPERLY, 674 00:28:05,517 --> 00:28:07,186 IT'S MY HONOR TO PRESENT 675 00:28:07,219 --> 00:28:10,056 THE NUMBER ONE CHRONICLER OF MANHATTAN'S ELITE-- 676 00:28:10,089 --> 00:28:12,124 MR. DANIEL HUMPHREY. 677 00:28:12,158 --> 00:28:15,962 (applause) 678 00:28:18,965 --> 00:28:20,199 (amplified voice) I WOULD LIKE TO INTRODUCE 679 00:28:20,232 --> 00:28:23,836 AN ICON OF NEW YORK REAL ESTATE AND A PILLAR OF OUR COMMUNITY. 680 00:28:23,870 --> 00:28:26,806 HE IS THE CENTER OF THE BASS FAMILY 681 00:28:26,839 --> 00:28:29,708 AND HE'S A PERSONAL INSPIRATION TO ME. 682 00:28:31,243 --> 00:28:33,345 PLEASE WELCOME 683 00:28:33,379 --> 00:28:36,849 CHARLES BASS. 684 00:28:44,456 --> 00:28:46,158 THANK YOU. THANK YOU. 685 00:28:46,192 --> 00:28:50,496 MY FATHER IS BEING HONORED HERE AS A HUMANITARIAN, 686 00:28:50,529 --> 00:28:52,298 BUT THE LAST TIME I CHECKED, 687 00:28:52,331 --> 00:28:55,001 HUMANITARIANS VALUE HUMAN LIFE... 688 00:28:57,136 --> 00:28:59,839 AND HE JUST TRIED TO HAVE HIS OWN SON KILLED. 689 00:28:59,872 --> 00:29:01,974 (guests murmuring) 690 00:29:02,008 --> 00:29:03,976 ISN'T THAT WHY YOU LOOK SO SURPRISED? 691 00:29:04,010 --> 00:29:05,377 YOU PUT ME ON THAT PLANE TO DIE? 692 00:29:05,411 --> 00:29:09,816 (murmuring continues) 693 00:29:16,288 --> 00:29:18,858 (Gossip Girl) LOOKS LIKE CHUCK FOUND THE EMERGENCY EXIT 694 00:29:18,891 --> 00:29:21,127 AT 10,000 FEET. 695 00:29:21,160 --> 00:29:24,864 LET'S HOPE HE CAN AVOID GOING SIX FEET UNDER... AGAIN. 696 00:29:28,567 --> 00:29:32,304 (murmuring) 697 00:29:36,442 --> 00:29:37,877 (amplified voice) I WOULD LIKE TO APOLOGIZE 698 00:29:37,910 --> 00:29:39,411 FOR MY SON'S OUTBURST. 699 00:29:39,445 --> 00:29:41,881 AS MANY OF YOU HERE KNOW, 700 00:29:41,914 --> 00:29:46,485 HE HAS LONG STRUGGLED WITH SUBSTANCE ABUSE. 701 00:29:46,518 --> 00:29:49,455 I HAVE ALREADY CONTACTED THE PEDOWITZ INSTITUTE, 702 00:29:49,488 --> 00:29:52,224 AND I CAN ONLY HOPE THAT HE WILL ACCEPT 703 00:29:52,258 --> 00:29:54,426 THE HELP THAT HE SO DESPERATELY NEEDS. 704 00:29:54,460 --> 00:29:58,230 PLEASE, LET'S NOT LET HIM RUIN THIS OTHERWISE FESTIVE EVENING. 705 00:29:58,264 --> 00:29:59,598 THANK YOU, EVERYBODY. 706 00:29:59,631 --> 00:30:01,934 *** 707 00:30:01,968 --> 00:30:03,302 (applause) 708 00:30:03,335 --> 00:30:06,873 *** 709 00:30:11,110 --> 00:30:14,180 I OVERESTIMATED YOU. 710 00:30:14,213 --> 00:30:16,082 YOU'RE JUST LUCKY THAT SECURITY IS GETTING CHUCK 711 00:30:16,115 --> 00:30:19,118 HOME TO HIS SUITE BEFORE HE CAN DO ANY MORE DAMAGE. 712 00:30:33,966 --> 00:30:36,002 AT LEAST YOU KNOW CHUCK'S OKAY. 713 00:30:36,035 --> 00:30:37,069 I STILL DESPISE YOU, 714 00:30:37,103 --> 00:30:39,271 BUT THANK YOU FOR DOING THE RIGHT THING FOR ONCE. 715 00:30:39,305 --> 00:30:40,973 WAIT A SECOND. WAIT A SECOND. DO YOU KNOW WHERE SERENA WENT? 716 00:30:41,007 --> 00:30:43,242 WHY WOULD I TELL YOU, EVEN IF I DID? 717 00:30:43,275 --> 00:30:45,011 SO YOU CAN CON HER INTO FALLING IN LOVE WITH YOU 718 00:30:45,044 --> 00:30:46,879 AND HUMILIATE HER AGAIN? 719 00:30:46,913 --> 00:30:48,180 NO, I WAS HOPING AFTER MY SPEECH THAT 720 00:30:48,214 --> 00:30:50,482 MAYBE SHE WOULD CHANGE HER MIND ABOUT ME AND ABOUT LEAVING TOWN. 721 00:30:50,516 --> 00:30:53,953 I REALLY HOPE THAT YOU'RE REFERRING TO A VACATION SPOT 722 00:30:53,986 --> 00:30:55,354 TOO ELITE FOR THE LIKES OF YOU. 723 00:30:55,387 --> 00:31:00,026 NO, I'M TALKING ABOUT L.A., FOR GOOD. 724 00:31:00,059 --> 00:31:02,028 I RETRACT EVERYTHING CIVIL I JUST SAID. 725 00:31:02,061 --> 00:31:04,964 THIS IS ALL YOUR FAULT. 726 00:31:04,997 --> 00:31:06,999 IF SERENA MOVES AWAY, 727 00:31:07,033 --> 00:31:09,468 I WILL NEVER FORGIVE YOU, HUMPHREY. 728 00:31:13,439 --> 00:31:16,008 I THINK IT'S TERRIFIC, AND I THANK YOU SO MUCH. 729 00:31:16,042 --> 00:31:18,544 THANK YOU. THANK YOU. THANK YOU SO MUCH. 730 00:31:19,946 --> 00:31:21,647 LET ME GUESS. 731 00:31:21,680 --> 00:31:22,781 PRISON OVERCROWDING, 732 00:31:22,814 --> 00:31:24,984 OR DID THEY LET THE BOTH OF YOU OUT ON GOOD BEHAVIOR? 733 00:31:25,017 --> 00:31:27,019 MY SON NEVER SHOULD'VE BEEN BEHIND BARS IN THE FIRST PLACE. 734 00:31:27,053 --> 00:31:28,554 BUT LOOK AT HOW THE TWO OF YOU HAVE BONDED OVER IT, 735 00:31:28,587 --> 00:31:29,922 SO YOU'RE WELCOME. 736 00:31:29,956 --> 00:31:31,423 OKAY, YOU'VE HAD YOUR FUN. 737 00:31:31,457 --> 00:31:32,391 NOW WHAT WILL IT TAKE 738 00:31:32,424 --> 00:31:34,126 FOR YOU TO GET YOUR NAME OFF MY LOAN DOCUMENT 739 00:31:34,160 --> 00:31:35,461 SO I CAN OWN MY PAPER AGAIN? 740 00:31:35,494 --> 00:31:38,464 SEE, THAT'S THE PROBLEM WITH THIS GENERATION. 741 00:31:38,497 --> 00:31:40,933 THEY'RE SO ENTITLED. THEY DON'T EVEN SAY "PLEASE." 742 00:31:40,967 --> 00:31:43,402 NATE WORKED HIS ASS OFF TO BUILD THAT PAPER. 743 00:31:43,435 --> 00:31:45,604 HE NEVER ASKED YOU TO COSIGN FOR HIM 744 00:31:45,637 --> 00:31:47,006 AND HE'S NOT ASKING FOR CHARITY NOW. 745 00:31:47,039 --> 00:31:49,175 WE'LL PAY WHATEVER IT'S WORTH. 746 00:31:53,980 --> 00:31:54,713 A MILLION DOLLARS. 747 00:31:54,746 --> 00:31:56,282 DONE. 748 00:31:56,315 --> 00:31:57,549 I'M KIDDING. IT'S NOT FOR SALE. 749 00:31:57,583 --> 00:32:00,686 THE AMOUNT OF ENJOYMENT I PLAN ON GETTING WATCHING NATE SQUIRM? 750 00:32:00,719 --> 00:32:02,054 PRICELESS. 751 00:32:02,088 --> 00:32:03,622 COME ON, BART. 752 00:32:03,655 --> 00:32:05,291 DON'T DO THIS TO MY KID. 753 00:32:05,324 --> 00:32:09,061 ENJOY YOURSELVES TONIGHT, ARCHIBALDS. 754 00:32:09,095 --> 00:32:11,197 DRINKS ARE ON ME. 755 00:32:19,071 --> 00:32:21,040 PLEASE TELL ME THAT YOU ARE HEADING HOME 756 00:32:21,073 --> 00:32:22,975 TO GET A GOOD NIGHT'S SLEEP AFTER A TRYING DAY 757 00:32:23,009 --> 00:32:25,511 AND NOT PICKING UP YOUR BAGS AND GOING TO THE AIRPORT. 758 00:32:25,544 --> 00:32:29,315 I'M SORRY, BLAIR. YOU KNOW I'M TERRIBLE AT GOOD-BYES. 759 00:32:29,348 --> 00:32:32,251 WELL, I WON'T LET YOU SAY ONE NOW. 760 00:32:32,284 --> 00:32:34,486 I KNOW THAT THINGS ARE BAD, 761 00:32:34,520 --> 00:32:36,388 BUT THEY'RE NEVER AS BAD AS YOU THINK. 762 00:32:36,422 --> 00:32:39,058 YOU WERE THE ONE WHO TAUGHT ME THAT. 763 00:32:39,091 --> 00:32:40,659 DO YOU REMEMBER JUNIOR YEAR, 764 00:32:40,692 --> 00:32:42,228 WHEN I WAS STANDING OUT ON THAT HELIPAD, 765 00:32:42,261 --> 00:32:43,595 READY TO FLEE TO EUROPE 766 00:32:43,629 --> 00:32:45,764 AFTER MY "WHO'S THE DADDY?" PREGNANCY SCANDAL? 767 00:32:45,797 --> 00:32:47,233 AND YOU WEREN'T EVEN PREGNANT. 768 00:32:47,266 --> 00:32:48,600 (laughs) 769 00:32:48,634 --> 00:32:51,670 YOU KNOW, WE CAN LAUGH ABOUT IT NOW BECAUSE... 770 00:32:51,703 --> 00:32:52,671 YOU DIDN'T LET ME GO. 771 00:32:52,704 --> 00:32:56,742 YOU TOLD ME THAT THE SCANDAL ALWAYS PASSES, 772 00:32:56,775 --> 00:32:58,510 AND SO WILL DAN'S EXPOSE. 773 00:32:58,544 --> 00:33:00,779 NOT AS LONG AS I LIVE HERE. 774 00:33:00,812 --> 00:33:03,615 IN LOS ANGELES, NO ONE CARES IF I DATE THE WRONG GUY. 775 00:33:03,649 --> 00:33:05,384 I MEAN, THEY DON'T CARE ABOUT ANYTHING I DO. 776 00:33:05,417 --> 00:33:07,353 I HAVE THE CHANCE TO REINVENT MYSELF. 777 00:33:07,386 --> 00:33:09,388 REINVENTION IS FOR STARLETS FROM TRAILER PARKS 778 00:33:09,421 --> 00:33:11,523 WHO WANT TO BE YOU. 779 00:33:11,557 --> 00:33:13,025 SERIOUSLY, DO YOU KNOW 780 00:33:13,059 --> 00:33:15,094 HOW FEW FRIENDSHIPS MAKE IT OUT OF HIGH SCHOOL? 781 00:33:15,127 --> 00:33:18,097 WE FINALLY GOT TO THE GOOD PART. YOU CAN'T LEAVE NOW. 782 00:33:18,130 --> 00:33:19,365 BUT YOU WERE THE ONE THAT SAID 783 00:33:19,398 --> 00:33:20,799 WE'RE BETTER WHEN WE HAVE OUR OWN TERRITORIES. 784 00:33:20,832 --> 00:33:23,102 REMEMBER PARIS? RIGHT BANK, LEFT BANK? 785 00:33:23,135 --> 00:33:25,804 WELL, THEN MOVE TO THE WEST SIDE AND WE'LL MEET IN CENTRAL PARK! 786 00:33:25,837 --> 00:33:26,905 AND WHEN WE DO, 787 00:33:26,938 --> 00:33:30,109 THERE WILL BE ENOUGH LIGHT FOR BOTH OF US TO SHINE. 788 00:33:30,142 --> 00:33:33,679 YEAH, BUT I'D STILL BE LIVING IN MY OWN SHADOW. 789 00:33:33,712 --> 00:33:35,114 I HAVE TO GO. 790 00:33:35,147 --> 00:33:37,716 BUT... 791 00:33:37,749 --> 00:33:41,053 THERE'S NO SARABETH'S IN L.A. 792 00:33:41,087 --> 00:33:42,788 OR SERENDIPITY. 793 00:33:42,821 --> 00:33:44,490 OR ME. 794 00:33:46,092 --> 00:33:48,094 PLEASE JUST THINK ABOUT IT. 795 00:34:07,246 --> 00:34:09,215 (beep) 796 00:34:09,248 --> 00:34:11,283 (Chuck) Leave a message, and I'll listen to it. 797 00:34:11,317 --> 00:34:14,420 HEY, IT'S ME. WHY AREN'T YOU ANSWERING YOUR PHONE? 798 00:34:14,453 --> 00:34:15,721 (beep) 799 00:34:20,726 --> 00:34:22,428 THANK YOU FOR WAITING. 800 00:34:22,461 --> 00:34:25,597 I HAD NO CHOICE. YOUR GUARDS LOCKED ME OUT. 801 00:34:25,631 --> 00:34:29,335 I WANTED FOR US TO HAVE A CHANCE TO TALK PRIVATELY. 802 00:34:34,806 --> 00:34:36,508 (beep) 803 00:34:39,211 --> 00:34:42,248 YOU KNOW, I KNEW YOU WERE COLD AND RUTHLESS, 804 00:34:42,281 --> 00:34:44,316 BUT I NEVER THOUGHT YOU'D TRY TO KILL YOUR OWN SON. 805 00:34:44,350 --> 00:34:46,585 WE HAD A DEAL. 806 00:34:46,618 --> 00:34:49,321 YOUR FRIEND IS OUT OF JAIL. 807 00:34:49,355 --> 00:34:51,523 YOU WERE SUPPOSED TO BE ON A PLANE TO RUSSIA. 808 00:34:51,557 --> 00:34:55,594 YOU NEVER INTENDED FOR ME TO MAKE IT TO MOSCOW. 809 00:34:55,627 --> 00:34:59,665 YOU ARRANGED FOR THE PILOT TO PARACHUTE TO SAFETY 810 00:34:59,698 --> 00:35:02,568 WHILE I WAS LEFT TO DIE ON THE PLANE. 811 00:35:06,438 --> 00:35:08,474 YOU HAVE ALWAYS HAD 812 00:35:08,507 --> 00:35:10,376 A WONDERFULLY VIVID IMAGINATION. 813 00:35:13,912 --> 00:35:16,615 BUT I WARNED YOU EARLIER... 814 00:35:16,648 --> 00:35:19,885 ACCIDENTS CAN HAPPEN. 815 00:35:19,918 --> 00:35:23,155 WE SHOULD WORK TOGETHER MORE OFTEN. 816 00:35:23,189 --> 00:35:25,257 I'M JUST OVER CODDLING CREATIVE TYPES. 817 00:35:25,291 --> 00:35:27,926 THERE'S A WHOLE UNTAPPED NICHE IN SCHEMERS FOR HIRE. 818 00:35:27,959 --> 00:35:29,295 HAVE YOU SEEN CHUCK? 819 00:35:29,328 --> 00:35:30,762 BART SAID THAT SECURITY TOOK HIM HOME, 820 00:35:30,796 --> 00:35:32,498 BUT I CALLED NATE. 821 00:35:32,531 --> 00:35:33,632 CHUCK'S NOT THERE AND HE'S NOT ANSWERING HIS PHONE. 822 00:35:33,665 --> 00:35:35,501 WELL, HE'S HERE SOMEWHERE. HE HASN'T LEFT THE BUILDING. 823 00:35:35,534 --> 00:35:36,768 HOW DO YOU KNOW? 824 00:35:36,802 --> 00:35:38,304 THE SECURITY GUARDS AT THE EXITS ARE UNDER STRICT INSTRUCTIONS 825 00:35:38,337 --> 00:35:41,240 TO INFORM US OF ALL BASS DEPARTURES. 826 00:35:41,273 --> 00:35:43,909 I HAVE MY WAYS OF INSURING THEIR LOYALTY. 827 00:35:43,942 --> 00:35:45,010 WHERE'S BART? 828 00:35:45,043 --> 00:35:48,547 LAST TIME I SAW HIM, HE WAS GETTING ON THE ELEVATOR. 829 00:35:50,449 --> 00:35:52,584 ALL I'VE BEEN TRYING TO DO FOR THE PAST TWO YEARS 830 00:35:52,618 --> 00:35:54,386 IS JUST... 831 00:35:54,420 --> 00:35:57,656 BUILD SOMETHING THAT I CAN BE PROUD OF. 832 00:35:57,689 --> 00:35:59,925 INSTEAD, I LOST IT, 833 00:35:59,958 --> 00:36:03,262 AND MY REPUTATION AND... 834 00:36:03,295 --> 00:36:05,297 MOST OF MY TRUST FUND. 835 00:36:07,599 --> 00:36:11,203 SORRY I WASN'T THERE FOR YOU SOONER, SON. 836 00:36:11,237 --> 00:36:15,741 JUST NEVER WANTED YOU TO END UP LIKE ME. 837 00:36:15,774 --> 00:36:16,942 HEY. 838 00:36:16,975 --> 00:36:18,277 (pats knee) 839 00:36:18,310 --> 00:36:19,578 YOU DIDN'T END UP SO BAD. 840 00:36:23,649 --> 00:36:26,552 WHATEVER YOU DECIDE TO SET YOUR MIND TO NEXT, 841 00:36:26,585 --> 00:36:28,287 I KNOW YOU CAN ACHIEVE IT. 842 00:36:28,320 --> 00:36:29,455 THANKS, DAD. 843 00:36:29,488 --> 00:36:30,656 (glasses clink) 844 00:36:32,658 --> 00:36:34,192 (sets down glass) 845 00:36:46,638 --> 00:36:47,606 HEY. 846 00:36:47,639 --> 00:36:48,807 HI. 847 00:36:51,743 --> 00:36:53,579 YOUR DAD'S RIGHT, YOU KNOW. 848 00:36:53,612 --> 00:36:56,615 YOU C START OVER. 849 00:36:56,648 --> 00:36:57,749 WHEN I FIRST MET YOU, 850 00:36:57,783 --> 00:36:59,385 YOU HAD THE PERFECT STORY TO GET NEW YORK'S ATTENTION. 851 00:36:59,418 --> 00:37:01,487 (scoffs) WHAT, GOSSIP GIRL'S IDENTITY? 852 00:37:02,821 --> 00:37:04,490 I PROMISED HER I'D STOP LOOKING 853 00:37:04,523 --> 00:37:05,757 AFTER SHE HELPED FIND SERENA. 854 00:37:05,791 --> 00:37:07,726 WHO KNEW SHE WAS PERFECTLY FINE. 855 00:37:07,759 --> 00:37:09,995 SHE SET YOU UP TO PROTECT HERSELF. 856 00:37:10,028 --> 00:37:10,929 WHAT DO YOU HAVE TO LOSE 857 00:37:10,962 --> 00:37:13,365 BY GOING THROUGH YOUR RESEARCH ONE MORE TIME? 858 00:37:13,399 --> 00:37:16,368 (Ellie Goulding's "Hanging On" playing) 859 00:37:16,402 --> 00:37:18,670 NOTHING ANYMORE. 860 00:37:18,704 --> 00:37:21,340 IN FACT, I, UH... 861 00:37:21,373 --> 00:37:22,674 I BROUGHT IT HOME 862 00:37:22,708 --> 00:37:25,277 SO THAT NO ONE AT "THE SPECTATOR" WOULD FIND IT. 863 00:37:27,779 --> 00:37:29,281 * OOH, AHH 864 00:37:29,315 --> 00:37:31,517 OH! 865 00:37:31,550 --> 00:37:33,519 GARCON, WHERE ARE THE STAIRS? 866 00:37:33,552 --> 00:37:34,920 THE ELEVATORS ARE TAKING FOREVER. 867 00:37:34,953 --> 00:37:36,388 * OOH, AHH 868 00:37:36,422 --> 00:37:38,724 *** 869 00:37:43,795 --> 00:37:47,499 (scoffs) WHAT ARE YOU DOING HERE? AND WITH A SUITCASE? 870 00:37:47,533 --> 00:37:48,900 I GOT AN APARTMENT IN THE BUILDING. 871 00:37:48,934 --> 00:37:50,068 WHAT? 872 00:37:50,101 --> 00:37:52,804 I FINALLY REALIZED WHERE I WANNA BE, 873 00:37:52,838 --> 00:37:54,573 AND IT'S HERE, WHERE YOU ARE. 874 00:37:54,606 --> 00:37:55,874 WHERE I USED TO BE. 875 00:37:55,907 --> 00:37:58,043 I HAVE NO INTEREST IN BEING ANYWHERE AROUND HERE ANYMORE. 876 00:37:58,076 --> 00:37:59,711 I DON'T BELIEVE THAT. 877 00:37:59,745 --> 00:38:01,680 YOU RUN AWAY TO--TO SPAIN, 878 00:38:01,713 --> 00:38:03,649 UPSTATE, BOARDING SCHOOL, SANTORINI. 879 00:38:03,682 --> 00:38:05,651 YOU ALWAYS COME BACK. 880 00:38:05,684 --> 00:38:06,952 WELL, THAT WAS THEN. 881 00:38:06,985 --> 00:38:08,320 THAT WAS BEFORE I KNEW 882 00:38:08,354 --> 00:38:09,521 WHAT THIS PLACE COULD DO TO PEOPLE, 883 00:38:09,555 --> 00:38:11,523 BEFORE I SAW IT TURN YOU INTO BART BASS. 884 00:38:11,557 --> 00:38:13,792 I'M NOT BART. 885 00:38:13,825 --> 00:38:15,794 BUT WHAT'S WRONG WITH WANTING POWER? YOU HAVE IT. 886 00:38:15,827 --> 00:38:19,331 MAYBE IF YOU STOPPED HATING IT, YOU'D STOP HATING YOURSELF. 887 00:38:19,365 --> 00:38:21,600 THEN YOU CAN FINALLY BE HAPPY WHERE--WHERE YOU BELONG. 888 00:38:21,633 --> 00:38:22,801 OKAY, YOU KNOW WHAT? 889 00:38:22,834 --> 00:38:24,570 I HAVE NO INTEREST IN BEING PSYCHOANALYZED 890 00:38:24,603 --> 00:38:26,972 BY MY EVIL BIOGRAPHER. 891 00:38:27,005 --> 00:38:31,009 SERENA, I KNOW I'VE HURT YOU, BUT I STILL LOVE YOU. 892 00:38:31,042 --> 00:38:32,844 I'VE LOST TRACK OF IT AT TIMES. 893 00:38:32,878 --> 00:38:34,079 I'VE MADE MISTAKES-- 894 00:38:34,112 --> 00:38:37,349 I'VE MADE MASSIVE, HEARTBREAKING MISTAKES-- 895 00:38:37,383 --> 00:38:39,518 BUT I'VE NEVER STOPPED LOVING YOU. 896 00:38:40,986 --> 00:38:43,955 WELL, EXCUSE ME IF I DON'T FALL FOR THAT, OR YOU, EVER AGAIN. 897 00:38:43,989 --> 00:38:45,757 PLEASE, JUST... 898 00:38:45,791 --> 00:38:47,759 IF YOU COME UPSTAIRS FOR A SECOND, 899 00:38:47,793 --> 00:38:49,995 I HAVE SOMETHING I CAN SHOW YOU THAT'LL PROVE IT. 900 00:38:50,028 --> 00:38:52,998 I'VE SEEN ALL I NEED TO SEE. 901 00:38:53,031 --> 00:38:54,500 I HAVE A PLANE WAITING. 902 00:38:55,634 --> 00:39:01,473 * I JUST CAN'T KEEP HANGING ON 903 00:39:04,009 --> 00:39:08,480 * TO YOU AND ME 904 00:39:10,882 --> 00:39:15,387 * YOU AND ME 905 00:39:15,421 --> 00:39:17,756 *** 906 00:39:17,789 --> 00:39:21,660 * YOU AND ME 907 00:39:21,693 --> 00:39:23,895 *** 908 00:39:23,929 --> 00:39:25,897 TELL ME... 909 00:39:27,499 --> 00:39:29,768 DID YOU TRY TO HAVE ME KILLED 910 00:39:29,801 --> 00:39:32,070 BECAUSE YOU HATE ME SO MUCH 911 00:39:32,103 --> 00:39:34,906 OR BECAUSE I KNOW TOO MUCH? 912 00:39:37,042 --> 00:39:39,811 YOU KNOW, NO MATTER HOW HARD I HAVE TRIED 913 00:39:39,845 --> 00:39:41,747 TO TURN YOU INTO A MAN, 914 00:39:41,780 --> 00:39:46,051 IT STILL REMAINS THE ONE BIG FAILURE OF MY LIFE. 915 00:39:46,084 --> 00:39:48,186 YOU'RE NOT A MAN. 916 00:39:48,219 --> 00:39:52,624 A MAN ACCEPTS RESPONSIBILITY FOR HIS ACTIONS. 917 00:39:52,658 --> 00:39:54,926 A MAN TAKES CARE OF HIS FAMILY. 918 00:39:54,960 --> 00:39:59,498 A MAN DOESN'T PAY A MOTHER TO ABANDON HER CHILD 919 00:39:59,531 --> 00:40:03,569 AND THEN TELL THAT CHILD HIS MOTHER IS DEAD. 920 00:40:03,602 --> 00:40:08,707 A MAN DOESN'T TRY TO HAVE HIS OWN SON KILLED! 921 00:40:12,077 --> 00:40:16,815 BUT YOU CAN TELL THE POLICE WHAT KIND OF A MAN YOU ARE. 922 00:40:16,848 --> 00:40:18,817 YOUR NAIVETE IS ADORABLE. 923 00:40:20,151 --> 00:40:21,520 EVEN IF I DIDN'T HAVE 924 00:40:21,553 --> 00:40:22,988 THE POLICE COMMISSIONER IN MY POCKET, 925 00:40:23,021 --> 00:40:24,790 WHO DO YOU THINK THEY'RE GONNA BELIEVE? 926 00:40:24,823 --> 00:40:25,924 HUH? 927 00:40:25,957 --> 00:40:27,593 THE MAN OF THE YEAR 928 00:40:27,626 --> 00:40:28,794 OR SOME SAD, 929 00:40:28,827 --> 00:40:29,961 PATHETIC, 930 00:40:29,995 --> 00:40:31,930 LITTLE BOY?! 931 00:40:31,963 --> 00:40:33,098 UHH! 932 00:40:37,603 --> 00:40:39,004 AAH! (gasps) 933 00:40:39,037 --> 00:40:40,806 AAH! (grunts) 934 00:40:40,839 --> 00:40:42,841 CHUCK... 935 00:40:47,145 --> 00:40:49,147 GIVE ME YOUR HAND! (panting) 936 00:40:49,180 --> 00:40:51,750 YOU KNOW I'M ALL TALK! I WOULD NEVER REALLY HURT YOU! 937 00:40:51,783 --> 00:40:54,486 (panting) EVERYTHING YOU SAY IS A LIE! 938 00:40:54,520 --> 00:40:56,488 CHARLES, 939 00:40:56,522 --> 00:40:58,056 THIS ISN'T WHO YOU ARE. 940 00:41:02,794 --> 00:41:04,896 (grunts) PLEASE, SON! 941 00:41:07,866 --> 00:41:08,900 AAH! 942 00:41:08,934 --> 00:41:10,468 (gasps) 943 00:41:17,643 --> 00:41:19,911 COME ON. WE HAVE TO GET OUT OF HERE. 67811

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