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These are the user uploaded subtitles that are being translated: 1 00:00:02,436 --> 00:00:03,671 GOSSIP GIRL HERE-- YOUR ONE AND ONLY SOURCE 2 00:00:03,704 --> 00:00:06,274 INTO THE SCANDALOUS LIVES OF MANHATTAN'S ELITE. 3 00:00:06,307 --> 00:00:10,644 CAN WE PLEASE TURN IT OFF? 4 00:00:10,678 --> 00:00:11,779 YOU MANIPULATED ME INTO THINKING THAT IT WAS OVER 5 00:00:11,812 --> 00:00:13,447 SO I WOULD CHEAT ON HER, 6 00:00:13,481 --> 00:00:15,616 And I can't marry someone who always has another sex tape 7 00:00:15,649 --> 00:00:17,318 OR SURPRISE SCHEME UP THEIR SLEEVE. 8 00:00:17,351 --> 00:00:18,586 YOU WANNA GRAB A BURGER? 9 00:00:18,619 --> 00:00:21,722 SO BART WAS USING THE HORSES TO HIDE THE MONEY 10 00:00:21,755 --> 00:00:23,224 HE WAS BUYING ILLEGAL OIL WITH? 11 00:00:23,257 --> 00:00:25,626 HE DID IT SO HE COULD AVOID FEDERAL PRISON. 12 00:00:25,659 --> 00:00:27,128 LOLA RETURNED IT TO ME. 13 00:00:27,161 --> 00:00:29,730 THAT'S CAROL'S PORTION OF CeCe's ESTATE. 14 00:00:29,763 --> 00:00:32,333 I NEVER THOUGHT I'D BE GRATEFUL TO CeCe RHODES. 15 00:00:32,366 --> 00:00:35,503 MISS ELEANOR CALL. SHE SAW PHOTOS OF COTILLION. 16 00:00:35,536 --> 00:00:38,572 SHE SAY SHE COME HOME TO FIX DECORUM DISASTER. 17 00:00:40,174 --> 00:00:42,676 AND WHO AM I? 18 00:00:42,710 --> 00:00:45,779 THAT'S A SECRET I'LL NEVER TELL. 19 00:00:45,813 --> 00:00:47,681 YOU KNOW YOU LOVE ME. 20 00:00:47,715 --> 00:00:50,151 X.O.X.O., GOSSIP GIRL. 21 00:00:50,184 --> 00:00:52,286 -- Captions by VITA -- 22 00:00:52,320 --> 00:00:55,089 (Gossip Girl) THEY SAY THE EARLY BIRD GETS THE WORM. 23 00:00:55,123 --> 00:00:58,659 INSPIRING MOTIVATION... IF YOU'RE THE BIRD. 24 00:00:58,692 --> 00:01:00,561 THE WORM, HOWEVER, HAS NO IDEA 25 00:01:00,594 --> 00:01:03,397 WHEN HER FUTURE WILL BE PLUCKED AWAY 26 00:01:03,431 --> 00:01:05,266 BY THE NEXT AIRBORNE ATTACKER. 27 00:01:05,299 --> 00:01:07,535 MY MOTHER'S PLANE LANDED 45 MINUTES AGO. 28 00:01:07,568 --> 00:01:09,570 LOOK, ALIVE, PEOPLE! 29 00:01:09,603 --> 00:01:12,540 SHE WAS SO FURIOUS THAT MY COTILLION DRESS WAS ASSOCIATED 30 00:01:12,573 --> 00:01:14,842 WITH SERENA'S SICKENING SEX TAPE. 31 00:01:14,875 --> 00:01:17,511 EVERYTHING MUST BE PERFECT. 32 00:01:17,545 --> 00:01:20,781 AND "PERFECT" DOES NOT INCLUDE TABLOID CONTRABAND. 33 00:01:20,814 --> 00:01:23,451 HAND IT OVER. 34 00:01:23,484 --> 00:01:27,155 (White Arrows' "Little Birds" playing) 35 00:01:27,188 --> 00:01:28,822 GET THIS OUT OF MY SIGHT. 36 00:01:28,856 --> 00:01:31,259 MY MOTHER CANNOT SEE THAT REVENGE SMUT. 37 00:01:31,292 --> 00:01:35,263 ON SECOND THOUGHT, YOU GO WITH IT. 38 00:01:35,296 --> 00:01:37,865 HOW DARE HUMPHREY WRITE THAT I AM CONNIVING, MANIPULATIVE, 39 00:01:37,898 --> 00:01:39,533 AND STUCK IN HIGH SCHOOL? 40 00:01:39,567 --> 00:01:41,669 I AM NOT ALL SCHEME AND NO SUBSTANCE. 41 00:01:41,702 --> 00:01:44,472 HELL HAVE NO FURY LIKE A LONELY BOY SCORNED. 42 00:01:44,505 --> 00:01:45,606 WELL, HE DOESN'T MATTER. 43 00:01:45,639 --> 00:01:47,341 WHEN MY MOTHER SEES THE DRESS ORDERS, 44 00:01:47,375 --> 00:01:49,343 SHE WILL BE SO BUSY SINGING MY PRAISES 45 00:01:49,377 --> 00:01:50,744 THAT SHE WON'T HAVE TIME TO PAY ATTENTION TO-- 46 00:01:50,778 --> 00:01:52,746 PAY ATTENTION TO WHAT, BLAIR? 47 00:01:52,780 --> 00:01:55,583 WHAT DON'T YOU WANT ME PAYING ATTENTION TO? 48 00:01:55,616 --> 00:01:58,886 MOTHER! WELCOME HOME! 49 00:01:58,919 --> 00:02:01,555 WHAT IS THIS, "DOWNTON ABBEY"? 50 00:02:01,589 --> 00:02:02,823 EVERYONE, BACK TO WORK! 51 00:02:02,856 --> 00:02:04,892 (employees murmuring) 52 00:02:04,925 --> 00:02:08,196 (sighs) DOROTA, WHEN DID YOU BECOME A SEAMSTRESS? 53 00:02:08,229 --> 00:02:09,630 GET MY BAGS, 54 00:02:09,663 --> 00:02:12,266 TAKE THEM BACK TO THE HOUSE AND START KEEPING IT. 55 00:02:13,867 --> 00:02:18,206 THIS IS NOT FOOLING ANYONE. 56 00:02:18,239 --> 00:02:21,342 YOU. OFFICE. NOW. 57 00:02:23,511 --> 00:02:24,812 (door slides closed) 58 00:02:35,656 --> 00:02:37,458 I KNOW YOU'RE UPSET, MOTHER, 59 00:02:37,491 --> 00:02:39,260 BUT MY COTILLION DRESS HAS ALREADY BEEN ORDERED 60 00:02:39,293 --> 00:02:40,728 BY THE THREE B's-- 61 00:02:40,761 --> 00:02:42,530 BARNEYS, BERGDORF'S, 62 00:02:42,563 --> 00:02:45,333 AND THE LESSER BUT STILL RELEVANT BLOOMINGDALE'S. 63 00:02:45,366 --> 00:02:46,534 I ACHIEVED YOUR GOAL. 64 00:02:46,567 --> 00:02:48,269 AT THE COST OF MY COMPANY'S REPUTATION. 65 00:02:48,302 --> 00:02:50,738 A FEW SALES DO NOT MAKE UP 66 00:02:50,771 --> 00:02:53,807 FOR A RUNWAY STRIP SHOW AND SEX TAPES, 67 00:02:53,841 --> 00:02:56,777 AND BANDAGE DRESSES WITHOUT THE--THE BANDAGES. 68 00:02:56,810 --> 00:02:59,780 WELL, I ADMIT A SHIFT IN MARKETING STRATEGY 69 00:02:59,813 --> 00:03:01,615 MAY BE CALLED FOR. 70 00:03:01,649 --> 00:03:04,285 NO, THE--THE ISSUE GOES DEEPER THAN THAT, BLAIR. IT'S YOU. 71 00:03:04,318 --> 00:03:07,555 YOU AND YOUR-- YOUR SPLIT PERSONALITY. 72 00:03:07,588 --> 00:03:10,524 WELL, YOU MUST BE REFERRING TO MY ABILITY TO MULTITASK. 73 00:03:10,558 --> 00:03:14,962 I AM REFERRING TO YOUR DARK AND SCHEMING 74 00:03:14,995 --> 00:03:17,965 AND, FRANKLY, SEXUALLY INAPPROPRIATE SIDE. 75 00:03:17,998 --> 00:03:20,801 I LIKE TO THINK OF MYSELF AS OPEN-MINDED? 76 00:03:20,834 --> 00:03:24,372 FOR AS LONG AS I CAN REMEMBER, 77 00:03:24,405 --> 00:03:27,808 YOU HAVE STRUGGLED BETWEEN YOUR TWO NATURES. 78 00:03:27,841 --> 00:03:31,845 I KNOW THAT YOU ARE A BEAUTIFUL, INTELLIGENT, 79 00:03:31,879 --> 00:03:34,382 AMBITIOUS YOUNG BUSINESSWOMAN. 80 00:03:34,415 --> 00:03:36,250 BUT IF YOU WANT TO CONTINUE TO RUN 81 00:03:36,284 --> 00:03:40,321 MY MULTIMILLION-DOLLAR CORPORATION, 82 00:03:40,354 --> 00:03:43,724 THE DEVIANT HALF HAS TO GO. 83 00:03:43,757 --> 00:03:46,427 FOR GOOD! 84 00:03:46,460 --> 00:03:49,597 I UNDERSTAND. 85 00:03:49,630 --> 00:03:51,732 THERE WON'T BE AN ISSUE. 86 00:03:51,765 --> 00:03:54,868 MY GRACE KELLY CAN DEFEAT MY GRACE JONES, 87 00:03:54,902 --> 00:03:57,338 NO PROBLEM. 88 00:03:57,371 --> 00:03:58,739 UH-HUH. 89 00:04:00,774 --> 00:04:02,610 WELL, HONESTLY, I'VE-- I'VE SLEPT SO MUCH BETTER 90 00:04:02,643 --> 00:04:04,345 SINCE YOU FOUND OUT 91 00:04:04,378 --> 00:04:07,348 THAT LOLA RETURNED THE MONEY FROM CeCe's ESTATE TO ME. 92 00:04:07,381 --> 00:04:10,351 I'M REALLY SORRY I KEPT THAT A SECRET FROM YOU. 93 00:04:10,384 --> 00:04:12,820 I'M JUST GLAD EVERYTHING'S OUT IN THE OPEN 94 00:04:12,853 --> 00:04:14,021 AND YOU HAD THE MONEY TO SAVE THE GALLERY 95 00:04:14,054 --> 00:04:15,489 IN TIME FOR TONIGHT'S OPENING. 96 00:04:15,523 --> 00:04:17,858 I'M SO EXCITED IT'S FINALLY HAPPENING. 97 00:04:17,891 --> 00:04:19,026 ARE THERE ANY LAST-MINUTE DETAILS 98 00:04:19,059 --> 00:04:20,160 YOU WANT ME TO TAKE CARE OF? 99 00:04:20,193 --> 00:04:23,030 WELL, WE NEED TO GIVE THE CATERER A FINAL HEAD COUNT. 100 00:04:23,063 --> 00:04:24,765 (stool scrapes floor) 101 00:04:24,798 --> 00:04:27,435 DO YOU REMEMBER HOW MANY R.S.V.P.s WE HAD? 102 00:04:27,468 --> 00:04:29,770 I NEVER CHECKED, BUT... 103 00:04:29,803 --> 00:04:32,306 I'M SURE EVERYONE'S COMING. 104 00:04:32,340 --> 00:04:34,342 UH... 105 00:04:34,375 --> 00:04:35,376 WHAT'S WRONG? 106 00:04:35,409 --> 00:04:36,977 WELL, THIS CAN'T BE RIGHT. 107 00:04:37,010 --> 00:04:39,046 THEY'RE ALL REGRETS. 108 00:04:39,079 --> 00:04:41,048 WHAT HAPPENED TO YOUR ART WORLD CONNECTIONS? 109 00:04:41,081 --> 00:04:44,618 NO "ART FORUM" EDITOR. 110 00:04:44,652 --> 00:04:45,586 (taps keys) 111 00:04:45,619 --> 00:04:48,055 NO MAJOR COLLECTORS. HEY, EVEN BEX SAID "NO." 112 00:04:48,088 --> 00:04:49,557 WHAT THE HELL HAPPENED? 113 00:04:51,659 --> 00:04:53,894 (elevator bell dings) 114 00:05:01,502 --> 00:05:03,070 YOU SURFING THE EMPIRE CCTV AGAIN? 115 00:05:03,103 --> 00:05:04,505 WHAT, IS OLIVIA MUNN STAYING HERE? 116 00:05:04,538 --> 00:05:05,673 WRONG PLACE. 117 00:05:05,706 --> 00:05:06,874 THIS IS THE SECURITY FOOTAGE 118 00:05:06,907 --> 00:05:08,542 FROM THE VAN DER WOODSEN BUILDING. 119 00:05:08,576 --> 00:05:09,910 HOW'D YOU GET YOUR HANDS ON THAT? 120 00:05:09,943 --> 00:05:12,546 WELL, VANYA CAN'T BE BRIBED, BUT THE NIGHT DOORMAN 121 00:05:12,580 --> 00:05:14,047 WAS REMARKABLY OPEN TO A CASH PAYMENT. 122 00:05:14,081 --> 00:05:15,683 SO WHAT ARE YOU LOOKING FOR? 123 00:05:15,716 --> 00:05:16,650 WHEN IVY WAS IN THE APARTMENT, 124 00:05:16,684 --> 00:05:17,951 SHE SAID BART WALKED IN 125 00:05:17,985 --> 00:05:20,754 WITH AN ENVELOPE HE HELD ON TO RATHER TIGHTLY. 126 00:05:20,788 --> 00:05:21,789 I WAS HOPING TO SEE 127 00:05:21,822 --> 00:05:25,559 A RETURN ADDRESS OR SOME DISTINGUISHING MARKS. 128 00:05:25,593 --> 00:05:26,694 DID YOU FIND ANYTHING? 129 00:05:26,727 --> 00:05:28,896 INDEED. 130 00:05:28,929 --> 00:05:31,365 THE ENVELOPE HAD THE SEAL 131 00:05:31,399 --> 00:05:32,766 OF THE FIRST INTERNATIONAL BANK OF SUDAN. 132 00:05:32,800 --> 00:05:35,102 THE FINANCIAL RECORDS FROM HIS ILLEGAL OIL TRADE? 133 00:05:35,135 --> 00:05:37,971 I ASSUME SO, BUT BART CLOSED ALL THE ACCOUNTS THAT MORNING. 134 00:05:38,005 --> 00:05:40,107 AND HE'S NOT ABOUT TO SHOW YOU WHAT'S IN THE ENVELOPE 135 00:05:40,140 --> 00:05:41,442 OR TELL YOU WHERE IT IS. 136 00:05:41,475 --> 00:05:43,577 HE WON'T, BUT SOMEONE ELSE MIGHT. 137 00:05:43,611 --> 00:05:45,579 BRUCE CAPLAN DROPPED THE ENVELOPE OFF 138 00:05:45,613 --> 00:05:46,947 TO BART THAT MORNING. 139 00:05:46,980 --> 00:05:48,816 THE BASS BUSINESS MANAGER? 140 00:05:48,849 --> 00:05:50,651 HE WON'T SPILL ANY OF BART'S SECRETS TO YOU. 141 00:05:50,684 --> 00:05:52,119 HE WON'T, BUT IF THE HEAD OF "THE SPECTATOR" WERE 142 00:05:52,152 --> 00:05:54,455 TO ASK FOR BUSINESS MANAGEMENT ADVICE... 143 00:05:54,488 --> 00:05:57,858 HE MIGHT ACCIDENTALLY LET SOMETHING SLIP. 144 00:05:57,891 --> 00:06:00,628 ESPECIALLY IF IT'S THE KIND OF MEETING THAT LOOSENS LIPS. 145 00:06:03,764 --> 00:06:05,733 OKAY. 146 00:06:05,766 --> 00:06:07,735 YEAH. THANK YOU. 147 00:06:07,768 --> 00:06:10,538 WELL, I FIGURED OUT WHY NO ONE'S COMING TO OUR OPENING. 148 00:06:10,571 --> 00:06:12,840 TURNS OUT THERE'S A HUGE BENEFIT TONIGHT AT THE CONRAD 149 00:06:12,873 --> 00:06:14,975 FOR THE ART PRODUCTION FUND. GUESS WHO'S HOSTING. 150 00:06:15,008 --> 00:06:16,009 LILY. 151 00:06:17,978 --> 00:06:19,480 SHE MUST'VE FIGURED OUT 152 00:06:19,513 --> 00:06:20,981 WHEN YOU WERE PLANNING ON OPENING YOUR GALLERY, 153 00:06:21,014 --> 00:06:23,984 SCHEDULED HER OWN BENEFIT TO SABOTAGE YOU. 154 00:06:24,017 --> 00:06:25,853 WELL, IT'S NOT JUST ME SHE'S SABOTAGING. 155 00:06:25,886 --> 00:06:27,421 IT'S MY ARTISTS, TOO. 156 00:06:27,455 --> 00:06:29,490 THIS GROUP SHOW WAS A BIG DEAL TO THEM. 157 00:06:29,523 --> 00:06:31,124 HOW AM I GONNA EXPLAIN THAT NO ONE'S COMING 158 00:06:31,158 --> 00:06:32,760 BECAUSE OF MY VINDICTIVE EX-WIFE? 159 00:06:32,793 --> 00:06:36,964 WELL, EVERYONE WOULD STILL COME IF HER EVENT WAS CANCELED. 160 00:06:36,997 --> 00:06:39,032 OH, SHE'S NOT GONNA CANCEL A HUGE BENEFIT FOR ME. 161 00:06:39,066 --> 00:06:40,568 SHE WON'T EVEN TAKE MY CALL. 162 00:06:40,601 --> 00:06:42,169 I'M NOT CALLING HER. 163 00:06:42,202 --> 00:06:44,137 I'M CALLING THE ART PRODUCTION FUND. 164 00:06:44,171 --> 00:06:46,907 I FEEL LIKE DONATING SOME MONEY. 165 00:06:49,810 --> 00:06:51,479 GOOD MORNING, DANIEL. 166 00:06:51,512 --> 00:06:52,780 GOOD MORNING. 167 00:06:52,813 --> 00:06:54,648 THANK YOU FOR LETTING ME STAY IN ERIC'S ROOM. 168 00:06:54,682 --> 00:06:55,916 CAN I MAKE YOU AND BART A CUP? 169 00:06:55,949 --> 00:06:57,985 OH, NO. I'M GOOD, THANKS. AND BART IS OUT OF TOWN. 170 00:06:58,018 --> 00:06:59,920 I'M ON MY WAY TO VIA QUADRONNO TO MEET THE GIRLS 171 00:06:59,953 --> 00:07:01,455 BEFORE MY BENEFIT MEETING. 172 00:07:01,489 --> 00:07:02,656 HOW'S THAT GOING, BY THE WAY? 173 00:07:02,690 --> 00:07:04,725 I FORGOT HOW MUCH I ENJOY THROWING A PARTY 174 00:07:04,758 --> 00:07:06,627 WITHOUT HAVING MY HUSBAND STANDING OVER MY SHOULDER, 175 00:07:06,660 --> 00:07:07,795 JUDGING ME. 176 00:07:07,828 --> 00:07:10,030 I MEAN RUFUS, OF COURSE, 177 00:07:10,063 --> 00:07:11,198 NOT BART. 178 00:07:11,231 --> 00:07:13,066 FORGIVE ME, DANIEL. 179 00:07:13,100 --> 00:07:16,637 YOU CAN NEVER OFFEND ME WITH THE TRUTH. 180 00:07:16,670 --> 00:07:19,172 NONFAT CAPPUCCINO, EXTRA FOAM, NO SUGAR. 181 00:07:19,206 --> 00:07:20,541 YOU REMEMBERED. 182 00:07:20,574 --> 00:07:22,075 YEAH, WELL, IT'S BEEN A WHILE, 183 00:07:22,109 --> 00:07:23,176 ALMOST AS LONG AS SINCE WE WOKE UP 184 00:07:23,210 --> 00:07:24,545 IN THE SAME APARTMENT TOGETHER. 185 00:07:24,578 --> 00:07:29,683 UNLESS YOU COUNT THE WALDORFS'. REMEMBER? 186 00:07:29,717 --> 00:07:30,884 (taps tablet) 187 00:07:30,918 --> 00:07:31,985 I CERTAINLY FORGOT THIS WAS COMING OUT TODAY. 188 00:07:32,019 --> 00:07:35,122 YEAH. WE'VE BOTH BURNED A LOT OF BRIDGES THIS YEAR. 189 00:07:36,957 --> 00:07:39,560 BUT AT LEAST WE HAVE EACH OTHER. 190 00:07:39,593 --> 00:07:42,062 AND I COULDN'T BE MORE GRATEFUL FOR YOU LETTING ME CAMP OUT, 191 00:07:42,095 --> 00:07:43,831 BUT I-I DON'T WANT TO OVERSTAY MY WELCOME. 192 00:07:43,864 --> 00:07:45,966 I FINALLY GOT MY FIRST PAYCHECK FOR "VANITY FAIR," 193 00:07:45,999 --> 00:07:47,501 SO I THINK IT'S TIME FOR ME TO FIND MY OWN PLACE 194 00:07:47,535 --> 00:07:48,969 AND LET YOU GET BACK TO YOUR LIFE. 195 00:07:50,971 --> 00:07:53,240 YEAH. I MEAN, WE CAN'T HIDE OUT HERE FOREVER. (chuckles) 196 00:07:53,273 --> 00:07:54,908 (chuckles) 197 00:07:54,942 --> 00:07:57,177 BUT, HEY, IF YOU--IF YOU NEED TO FIND A NEW PLACE, 198 00:07:57,210 --> 00:08:00,047 I-I KNOW SOMEONE WHO KNOWS EVERYONE, 199 00:08:00,080 --> 00:08:01,849 WHO HAS TERRIFIC INSTINCTS FOR REAL ESTATE, 200 00:08:01,882 --> 00:08:02,983 AND WHO HAPPENS TO HAVE AN AFTERNOON FREE 201 00:08:03,016 --> 00:08:04,985 TO LOOK AT APARTMENTS WITH YOU. 202 00:08:05,018 --> 00:08:06,954 WHO? 203 00:08:06,987 --> 00:08:09,222 OH. RIGHT. YEAH, THAT'S YOU. OKAY. 204 00:08:09,256 --> 00:08:11,792 SO DO YOU HAVE ANY IDEA WHAT NEIGHBORHOOD YOU WANT? 205 00:08:11,825 --> 00:08:13,594 I CAN'T GET FAR ENOUGH AWAY FROM MY DAD RIGHT NOW, 206 00:08:13,627 --> 00:08:14,695 SO BROOKLYN'S OUT. 207 00:08:14,728 --> 00:08:16,664 SO UPPER EAST SIDE? 208 00:08:16,697 --> 00:08:17,865 I WAS--I WAS THINKING LOWER. 209 00:08:17,898 --> 00:08:19,132 (laughs) 210 00:08:19,166 --> 00:08:20,534 WHAT'S FUNNY ABOUT THAT? 211 00:08:20,568 --> 00:08:22,202 OH, I KNOW YOU LIKE THE IDEA 212 00:08:22,235 --> 00:08:23,837 OF SAYING YOU LIVE IN AN L.E.S. WALK-UP, 213 00:08:23,871 --> 00:08:25,673 BUT WE BOTH KNOW YOU WELL ENOUGH TO KNOW 214 00:08:25,706 --> 00:08:27,808 YOU SECRETLY LONG FOR A CONDO IN THE WEST VILLAGE. 215 00:08:27,841 --> 00:08:29,142 FINE. A DOORMAN WOULD BE NICE, 216 00:08:29,176 --> 00:08:31,144 BUT I'LL JUST LIE ABOUT HOW MUCH RENT I PAY. 217 00:08:31,178 --> 00:08:33,213 OKAY, LET'S TAKE A CAB TO WEST FOURTH THEN. 218 00:08:33,246 --> 00:08:34,848 NO, WE GOT A RIDE. 219 00:08:34,882 --> 00:08:36,884 YOU BOUGHT A VESPA? 220 00:08:36,917 --> 00:08:38,018 (chuckles) THAT'S RIGHT. 221 00:08:38,051 --> 00:08:39,152 I FORGOT HOW MUCH YOU LIKE VESPAS. 222 00:08:39,186 --> 00:08:40,954 BUT I GOT SO USED TO DRIVING ONE AROUND ITALY THIS SUMMER 223 00:08:40,988 --> 00:08:42,890 THAT I DECIDED I COULDN'T LIVE WITHOUT. 224 00:08:42,923 --> 00:08:44,625 HERE. HOP ON. 225 00:08:44,658 --> 00:08:46,293 (men) SERENA! SERENA! 226 00:08:46,326 --> 00:08:47,895 (man) HEY, I LOVED THAT SEX TAPE! 227 00:08:47,928 --> 00:08:49,129 SERENA, SERENA, OVER HERE! 228 00:08:49,162 --> 00:08:50,864 NO. 229 00:08:50,898 --> 00:08:52,766 TURN AROUND AND GIVE ME A SMILE, SERENA. 230 00:08:52,800 --> 00:08:54,167 WHEN'S THE SEQUEL? TALK TO US. 231 00:08:54,201 --> 00:08:58,105 SPOTTED-- S. AND D. GETTING COZY AGAIN. 232 00:08:58,138 --> 00:09:02,075 EVEN I HAVE TO ADMIT THEY SURE LOOK CUTE ON THAT SCOOTER. 233 00:09:07,047 --> 00:09:10,083 (engine rumbling) 234 00:09:12,786 --> 00:09:14,922 (turns off engine) 235 00:09:14,955 --> 00:09:16,757 OH, MY GOSH. THAT WAS AMAZING! 236 00:09:16,790 --> 00:09:19,059 YOU WERE-- YOU WERE LIKE JASON BOURNE, 237 00:09:19,092 --> 00:09:20,928 RIDING UP ON THE SIDEWALK. 238 00:09:20,961 --> 00:09:22,630 YOU KNOW, THAT SEX TAPE-- I KNEW IT WENT VIRAL, 239 00:09:22,663 --> 00:09:23,931 BUT I DIDN'T EXPECT THAT. 240 00:09:23,964 --> 00:09:25,666 WELL, GIVEN THE MEDIA CIRCUS, 241 00:09:25,699 --> 00:09:27,300 MAYBE TODAY'S NOT THE DAY TO BE SEARCHING FOR APARTMENTS. 242 00:09:27,334 --> 00:09:30,170 NOBODY WANTS A TENANT TRAILED BY TMZ. 243 00:09:32,105 --> 00:09:34,207 (camera shutter clicks) 244 00:09:34,241 --> 00:09:35,809 THAT'S GREAT. 245 00:09:35,843 --> 00:09:36,777 ALL RIGHT, WE SHOULD PROBABLY GET OFF THE STREETS. 246 00:09:36,810 --> 00:09:38,578 YEAH. I COULD USE A DRINK. 247 00:09:40,814 --> 00:09:41,915 YOU KNOW WHAT? I KNOW A PLACE 248 00:09:41,949 --> 00:09:42,950 WHERE NO ONE WILL THINK TO LOOK FOR US. 249 00:09:42,983 --> 00:09:44,217 PERFECT. 250 00:09:44,251 --> 00:09:46,086 (engine revs) 251 00:09:46,119 --> 00:09:48,088 (cork pops) 252 00:09:48,121 --> 00:09:50,190 THANK YOU. 253 00:09:50,223 --> 00:09:52,092 SO, BRUCE, IS THERE ANYTHING ELSE I CAN GET YOU? 254 00:09:52,125 --> 00:09:57,097 WOW. CRYSTAL AND CRISTAL IS MY FAVORITE COMBINATION. 255 00:09:57,130 --> 00:09:58,331 BUT MAYBE WE'D BETTER GET 256 00:09:58,365 --> 00:10:00,801 TO THAT URGENT BUSINESS MATTER YOU MENTIONED. 257 00:10:00,834 --> 00:10:03,236 WELL, THERE ARE CERTAIN THINGS ABOUT "THE SPECTATOR" FINANCES 258 00:10:03,270 --> 00:10:05,305 I WOULD LIKE TO REMAIN CONFIDENTIAL. 259 00:10:05,338 --> 00:10:06,940 I WONDER IF YOU COULD ADVISE ME 260 00:10:06,974 --> 00:10:09,977 ON THE SAFEST WAY TO KEEP THOSE HIDDEN. 261 00:10:10,010 --> 00:10:14,715 STORING CONFIDENTIAL INFORMATION IS... A SPECIALTY OF MINE. 262 00:10:14,748 --> 00:10:16,717 BUT I LIKE TO WORK ON A CLIENT-BY-CLIENT BASIS. 263 00:10:16,750 --> 00:10:18,852 COULD YOU GIVE ME SOME EXAMPLES? 264 00:10:18,886 --> 00:10:23,724 I'M SORRY. UH, MY CLIENTS DEPEND ON MY DISCRETION. 265 00:10:23,757 --> 00:10:25,258 BESIDES, I DON'T WANT TO TALK ABOUT THAT NOW. 266 00:10:25,292 --> 00:10:26,827 (chuckles) 267 00:10:26,860 --> 00:10:29,730 SEND ME YOUR BOOKS. I'LL MAKE A RECOMMENDATION. 268 00:10:29,763 --> 00:10:31,732 IN THE MEANTIME, 269 00:10:31,765 --> 00:10:35,402 I... WOULD LIKE TO TAKE THE REST OF THIS... MEETING... 270 00:10:35,435 --> 00:10:36,870 ELSEWHERE. 271 00:10:36,904 --> 00:10:41,341 (giggling) 272 00:10:41,374 --> 00:10:43,744 DON'T FORGET YOUR JACKET. 273 00:10:43,777 --> 00:10:44,745 OH. 274 00:10:44,778 --> 00:10:45,746 (elevator bell dings) 275 00:10:45,779 --> 00:10:47,981 THANKS. 276 00:10:48,015 --> 00:10:49,416 (woman giggles) 277 00:10:52,319 --> 00:10:54,221 WHY DID YOU LET HIM LEAVE WITHOUT GETTING THE INFORMATION? 278 00:10:54,254 --> 00:10:56,824 HE WASN'T GONNA GIVE IT TO ME, 279 00:10:56,857 --> 00:10:58,325 SO I FIGURED I'D JUST TAKE IT. 280 00:10:59,893 --> 00:11:01,428 (elevator bell dings, doors open) 281 00:11:01,461 --> 00:11:04,364 I WILL ADMIT YOU HAVE TAKEN STEPS. 282 00:11:04,397 --> 00:11:07,701 LIKE THE--THE PEONIES WERE AN ELEGANT ADDITION 283 00:11:07,735 --> 00:11:09,102 TO THE HANDWRITTEN APOLOGIES YOU SENT 284 00:11:09,136 --> 00:11:11,138 TO EACH OF THE BOARD MEMBERS OF THE COTILLION. 285 00:11:11,171 --> 00:11:13,173 AND POPPY DID SEEM TOUCHED BY MY DONATION 286 00:11:13,206 --> 00:11:15,776 TO HER CHARITY FOR CHILDREN WHO CAN'T SMILE. 287 00:11:15,809 --> 00:11:19,179 SOUND LIKE MISS BLAIR SHOW GREAT GRACE AND DIGNITY. 288 00:11:19,212 --> 00:11:20,848 YES, THAT'S RIGHT, DOROTA. 289 00:11:20,881 --> 00:11:22,415 MY MOTHER HAS SHOWN ME THE ERRORS OF MY WAY. 290 00:11:22,449 --> 00:11:24,384 SO NOW YOU CAN RETURN TO PARIS, 291 00:11:24,417 --> 00:11:26,186 REASSURED THAT YOUR COMPANY'S ON THE STRAIGHT AND NARROW. 292 00:11:26,219 --> 00:11:28,856 LET'S NOT GET AHEAD OF OURSELVES. 293 00:11:28,889 --> 00:11:30,724 I SAID STEPS, 294 00:11:30,758 --> 00:11:33,794 AS IN THE FIRST OF MANY ON THE ROAD TO RECOVERY. 295 00:11:33,827 --> 00:11:35,395 WELL, I HAVE ALREADY ADMITTED 296 00:11:35,428 --> 00:11:37,330 THAT I AM POWERLESS OVER MY SCHEMING 297 00:11:37,364 --> 00:11:39,166 AND THAT MY LIFE HAS BECOME UNMANAGEABLE. 298 00:11:39,199 --> 00:11:40,333 WHAT ELSE IS THERE? 299 00:11:40,367 --> 00:11:43,036 AMENDS TO THE FASHION COMMUNITY 300 00:11:43,070 --> 00:11:46,473 WHICH INFORMS THE MASSES. 301 00:11:49,810 --> 00:11:51,144 HELLO, BLAIR. 302 00:11:51,178 --> 00:11:53,213 I HAD DOROTA PREPARE A LIGHT LUNCH. 303 00:11:53,246 --> 00:11:55,448 I'LL LET YOU GIRLS... CHAT. 304 00:12:02,956 --> 00:12:05,025 HOW COULD SOMEONE WHO HIDES EVERYTHING FOR EVERYONE ELSE 305 00:12:05,058 --> 00:12:07,194 PICK HIS BIRTHDAY FOR HIS PASSWORD? (laughs) 306 00:12:07,227 --> 00:12:09,296 I UNDERESTIMATED YOU, NATHANIEL. 307 00:12:09,329 --> 00:12:10,964 WELL, YOU'RE NOT THE FIRST PERSON TO SAY THAT, 308 00:12:10,998 --> 00:12:13,300 BUT THERE'S NOTHING UNDER THE INTERNATIONAL BANK OF SUDAN. 309 00:12:13,333 --> 00:12:15,468 THEN PULL UP MY FATHER. 310 00:12:15,502 --> 00:12:17,370 BRUCE SAID HE HAD DIFFERENT METHODS 311 00:12:17,404 --> 00:12:19,239 FOR HIDING INFORMATION FOR DIFFERENT CLIENTS. 312 00:12:19,272 --> 00:12:21,374 MAYBE THERE'S A RECORD OF IT. 313 00:12:21,408 --> 00:12:23,777 THERE'S NOTHING HERE BUT ADDRESSES AND PHONE NUMBERS. 314 00:12:23,811 --> 00:12:25,245 THEN LOOK AT THE CALENDAR 315 00:12:25,278 --> 00:12:26,980 THE MORNING HE DROPPED OFF THE ENVELOPE. 316 00:12:27,014 --> 00:12:28,248 MAYBE THERE'S A CLUE TO WHERE HE WENT. 317 00:12:28,281 --> 00:12:29,449 WAIT. THERE'S AN ENTRY HERE FROM THE MORNING. 318 00:12:29,482 --> 00:12:33,120 IT SAYS "BASS TRAFFIC." 319 00:12:36,423 --> 00:12:39,159 (indistinct conversations) 320 00:12:41,261 --> 00:12:42,863 (glasses clatter) 321 00:12:45,265 --> 00:12:48,201 (man) I'M SORRY. WE'RE NOT OPEN TO THE PUBLIC JUST YET. 322 00:12:48,235 --> 00:12:50,103 OH, WE HAVE AN APPOINTMENT. 323 00:12:50,137 --> 00:12:51,872 RUFUS HUMPHREY. HI. 324 00:12:51,905 --> 00:12:53,273 THIS IS IVY DICKENS. 325 00:12:53,306 --> 00:12:54,875 BENEDICT TATE. 326 00:12:54,908 --> 00:12:56,509 I'M DOING P.R. FOR TONIGHT'S EVENT. 327 00:12:56,543 --> 00:12:58,278 SO PLEASE, HOW CAN I BE OF ASSISTANCE? 328 00:12:58,311 --> 00:13:01,849 WE WOULD LIKE TO PURCHASE ALL OF THE ARTWORK. 329 00:13:01,882 --> 00:13:04,284 I APPRECIATE YOUR ENTHUSIASM, 330 00:13:04,317 --> 00:13:06,519 BUT TONIGHT'S SILENT AUCTION IS EXPECTED TO RAISE 331 00:13:06,553 --> 00:13:08,021 HUNDREDS OF THOUSANDS OF DOLLARS. (chuckles) 332 00:13:08,055 --> 00:13:10,157 HOW MANY HUNDREDS? 333 00:13:10,190 --> 00:13:11,959 5? 334 00:13:11,992 --> 00:13:13,560 7? 335 00:13:13,593 --> 00:13:17,430 YOU KNOW, 8 HAS ALWAYS BEEN A LUCKY NUMBER FOR ME. 336 00:13:17,464 --> 00:13:20,267 SO NOW YOU CAN, UH, CANCEL YOUR EXPENSIVE PARTY 337 00:13:20,300 --> 00:13:22,035 AND SEND EVERYONE HOME. 338 00:13:22,069 --> 00:13:22,970 I'M--I'M SORRY. I THINK THERE'S BEEN A MISUNDERSTANDING. 339 00:13:23,003 --> 00:13:25,038 I AM HAPPY TO DELIVER ALL THE ARTWORK TO YOU 340 00:13:25,072 --> 00:13:28,041 AFTER THE EVENT, BUT IT'S TOO LATE AN HOUR TO CANCEL. 341 00:13:28,075 --> 00:13:30,010 AND, WELL... (chuckles) 342 00:13:30,043 --> 00:13:32,545 WE NEED SOMETHING ON THE WALLS. 343 00:13:35,215 --> 00:13:39,219 THEN I HAVE AN IDEA THAT MAY HELP YOU RAISE EVEN MORE MONEY. 344 00:13:39,252 --> 00:13:42,522 (All Wrong and the Plans Change's "Deals" playing) 345 00:13:42,555 --> 00:13:46,326 ** 346 00:13:46,359 --> 00:13:48,061 WHEN WE CAME HERE ON OUR FIRST DATE, 347 00:13:48,095 --> 00:13:49,262 YOU DIDN'T KNOW HOW TO HOLD THE CUE. 348 00:13:49,296 --> 00:13:51,331 DID YOU SPEND THE LAST FIVE YEARS TAKING BILLIARD LESSONS? 349 00:13:51,364 --> 00:13:54,067 I COULD ALWAYS PLAY. 350 00:13:54,101 --> 00:13:55,602 YOU HUSTLED ME. 351 00:13:55,635 --> 00:13:57,871 WELL, NO. I-I JUST WANTED TO MAKE YOU FEEL BETTER 352 00:13:57,905 --> 00:13:59,940 AFTER YOUR EPIC FRENCH ORDERING FAILURE. 353 00:13:59,973 --> 00:14:01,875 OR MAYBE YOU WERE LOOKING FOR AN EXCUSE 354 00:14:01,909 --> 00:14:03,343 FOR ME TO PUT MY ARMS AROUND YOU. 355 00:14:03,376 --> 00:14:06,213 A GIRL NEVER REVEALS HER SECRETS. 356 00:14:06,246 --> 00:14:10,583 (cell phone alert chimes) 357 00:14:10,617 --> 00:14:11,885 UNLESS YOU'RE GOSSIP GIRL. 358 00:14:11,919 --> 00:14:15,355 SPOTTED--TWO OLD FLAMES SLUMMING IT ON MEMORY LANE. 359 00:14:15,388 --> 00:14:17,357 WHO DOESN'T LOVE A SEQUEL? 360 00:14:17,390 --> 00:14:18,625 DID SHE GIVE OUR EXACT LOCATION? 361 00:14:18,658 --> 00:14:20,493 YEAH, WHICH MEANS OUR MOB OF NEW FRIENDS 362 00:14:20,527 --> 00:14:22,595 ARE PROBABLY ALREADY CAMPED OUTSIDE. 363 00:14:22,629 --> 00:14:24,364 WE'RE JUST FUELING THEIR FIRE BY BEING TOGETHER. 364 00:14:24,397 --> 00:14:26,099 WHY DON'T I GO OUT FRONT WITH THE VESPA? 365 00:14:26,133 --> 00:14:28,235 I'LL DISTRACT 'EM, AND YOU JUST SNEAK OUT BACK AND GRAB A TAXI. 366 00:14:28,268 --> 00:14:30,303 WELL, WE DON'T HAVE TO GO RIGHT NOW. 367 00:14:30,337 --> 00:14:31,972 I'M JUST ABOUT TO WIN. 368 00:14:32,005 --> 00:14:35,075 PLEASE. LET'S--LET'S NOT MAKE MY HUMILIATION OFFICIAL. 369 00:14:35,108 --> 00:14:36,576 AND THE SOONER WE GET OUT OF HERE, THE BETTER. 370 00:14:36,609 --> 00:14:40,380 ** 371 00:14:40,413 --> 00:14:42,349 THIS WAS NICE, THOUGH. I'LL MISS IT. 372 00:14:42,382 --> 00:14:43,516 MM. 373 00:14:43,550 --> 00:14:47,154 ** 374 00:14:49,122 --> 00:14:50,323 TRAFFIC. 375 00:14:50,357 --> 00:14:51,658 TRAFFIC JAM. 376 00:14:51,691 --> 00:14:53,660 TRAFFIC LIGHT. MAYBE THEY HAD A MEETING IN A CAR. 377 00:14:53,693 --> 00:14:55,395 OR IT'S BART'S OIL TRAFFICKING 378 00:14:55,428 --> 00:14:57,330 OR SOMETHING ELSE HE'S ILLEGALLY SELLING. 379 00:14:57,364 --> 00:15:00,133 LIKE A NUCLEAR BOMB IN A BRIEFCASE. 380 00:15:00,167 --> 00:15:02,235 YOU WATCH TOO MANY MOVIES. 381 00:15:03,670 --> 00:15:06,906 SO DOES BRUCE. 382 00:15:08,175 --> 00:15:10,677 WAIT. THAT'S IT. 383 00:15:10,710 --> 00:15:12,412 THE MOVIE "TRAFFIC" IS RIGHT HERE. 384 00:15:12,445 --> 00:15:15,415 I REMEMBER IN THAT FILM, THE HEAD OF THE DRUG CARTEL 385 00:15:15,448 --> 00:15:17,650 STORED HIS ILLEGAL ACCOUNT INFORMATION 386 00:15:17,684 --> 00:15:19,953 IN THE BACK OF A PAINTING. 387 00:15:19,987 --> 00:15:20,988 WHAT, YOU THINK THAT'S WHERE BART HID 388 00:15:21,021 --> 00:15:22,289 WHATEVER WAS IN THE ENVELOPE? 389 00:15:22,322 --> 00:15:23,423 WELL, THERE'S A LOT OF PAINTINGS 390 00:15:23,456 --> 00:15:25,158 IN THE VAN DER WOODSEN APARTMENT. 391 00:15:25,192 --> 00:15:27,995 I'M JUST, UNFORTUNATELY, STILL BANNED FROM THE BUILDING. 392 00:15:29,462 --> 00:15:32,032 I GUESS I'LL HAVE TO PAY THEM A VISIT. 393 00:15:32,065 --> 00:15:33,433 SO I CALLED AND I CALLED AND I CALLED AND I CALLED, 394 00:15:33,466 --> 00:15:35,435 AND THEN I JUST NEVER HEARD FROM HIM AGAIN. 395 00:15:40,140 --> 00:15:40,707 IS THAT THE END OF THE STORY? 396 00:15:40,740 --> 00:15:42,709 MM-HMM. 397 00:15:42,742 --> 00:15:46,046 WOW. YOU REALLY ARE SO... ENTERTAINING. 398 00:15:46,079 --> 00:15:47,981 SO WHEN MY MOTHER RETURNS, 399 00:15:48,015 --> 00:15:50,450 TELL HER THAT I APOLOGIZED AND THAT WE'RE BEST FRIENDS. 400 00:15:50,483 --> 00:15:53,386 I'M SORRY, BLAIR. THIS WAS FUN, BUT I WON'T DO THAT 401 00:15:53,420 --> 00:15:55,288 BECAUSE IT'S NOT THE TRUTH. 402 00:15:55,322 --> 00:15:56,456 YES, IT IS. 403 00:15:56,489 --> 00:15:57,324 NO, IT'S NOT. 404 00:15:57,357 --> 00:15:58,458 YES, IT IS. 405 00:15:58,491 --> 00:15:59,726 NO, IT'S NOT. 406 00:15:59,759 --> 00:16:01,061 (whispers) YES, IT IS. 407 00:16:01,094 --> 00:16:02,429 NO, IT'S NOT. 408 00:16:02,462 --> 00:16:05,065 I HAVE BEEN CORDIAL TO YOU FOR THE LAST... 52 MINUTES. 409 00:16:05,098 --> 00:16:06,066 DO YOU HAVE ANY IDEA 410 00:16:06,099 --> 00:16:07,200 THE PSYCHOLOGICAL TORTURE THAT I HAVE ENDURED 411 00:16:07,234 --> 00:16:08,568 BEING NICE TO YOU? 412 00:16:08,601 --> 00:16:10,603 I SHOULD HAVE JUST SKIPPED AHEAD TO THIS FROM THE START. 413 00:16:13,106 --> 00:16:15,075 IT THAT ME AS MRS. MINGOTT IN A FAT SUIT? 414 00:16:16,643 --> 00:16:18,078 THAT WAS EMBARRASSING. 415 00:16:18,111 --> 00:16:20,480 AGREED, WHICH IS WHY YOU DON'T WANT THIS 416 00:16:20,513 --> 00:16:22,215 BOUNCING AROUND THE BLOGOSPHERE. 417 00:16:22,249 --> 00:16:25,185 NO ONE WANTS TO TAKE FASHION ADVICE FROM HER. 418 00:16:26,619 --> 00:16:28,055 MOTHER! 419 00:16:28,088 --> 00:16:30,757 LADIES, HOW ARE WE GETTING ALONG? 420 00:16:30,790 --> 00:16:32,359 FAMOUSLY. 421 00:16:36,396 --> 00:16:38,365 BLAIR JUST TRIED TO BLACKMAIL ME. 422 00:16:38,398 --> 00:16:41,134 I'M SORRY, ELEANOR. I TRIED. 423 00:16:54,814 --> 00:16:56,516 THIS IS ALL NELLY'S FAULT. 424 00:16:56,549 --> 00:16:58,451 SHE WAS CLEARLY LYING BECAUSE SHE'S ALWAYS BEEN JEALOUS OF ME. 425 00:16:58,485 --> 00:17:01,121 THE ONLY THING CLEAR 426 00:17:01,154 --> 00:17:03,656 IS THAT DANIEL HUMPHREY WAS RIGHT ABOUT YOU. 427 00:17:03,690 --> 00:17:05,192 YOU READ THAT DRECK? 428 00:17:05,225 --> 00:17:06,793 ON THE PLANE. 429 00:17:06,826 --> 00:17:09,596 AND HIS--HIS CENTRAL THESIS IS CORRECT. 430 00:17:09,629 --> 00:17:11,398 YOU ARE RUNNING MY BUSINESS 431 00:17:11,431 --> 00:17:13,233 LIKE YOU'RE STILL THE MEANEST GIRL IN HIGH SCHOOL. 432 00:17:13,266 --> 00:17:15,135 I AM TRYING. 433 00:17:15,168 --> 00:17:16,636 RELAPSE IS PART OF RECOVERY. 434 00:17:16,669 --> 00:17:20,073 PLEASE, JUST GIVE ME ONE MORE CHANCE. 435 00:17:20,107 --> 00:17:23,076 I'M SORRY, BLAIR. IT'S OVER. I CAN'T. 436 00:17:23,110 --> 00:17:25,278 I HAVE NO OTHER CHOICE BUT TO DEMOTE YOU 437 00:17:25,312 --> 00:17:28,415 AND TAKE BACK THE PRESIDENCY OF WALDORF DESIGNS, 438 00:17:28,448 --> 00:17:30,283 EFFECTIVE IMMEDIATELY. 439 00:17:30,317 --> 00:17:32,119 WATCH OUT, B. 440 00:17:32,152 --> 00:17:34,687 THEY SAY YOU'RE ONLY AS GOOD AS THE COMPANY YOU KEEP, 441 00:17:34,721 --> 00:17:37,557 AND RIGHT NOW YOU'RE NOT KEEPING ANY. 442 00:17:43,463 --> 00:17:45,698 WHAT'S GOING ON? 443 00:17:45,732 --> 00:17:47,567 WHY ARE YOU TAKING DOWN THE PAINTINGS FOR MY EVENT? 444 00:17:47,600 --> 00:17:49,169 I THINK YOU MEAN OUR EVENT. 445 00:17:49,202 --> 00:17:51,504 SINCE EVERYONE IN THE ART WORLD IS COMING HERE TONIGHT 446 00:17:51,538 --> 00:17:52,505 INSTEAD OF MY GALLERY OPENING, 447 00:17:52,539 --> 00:17:53,773 I DECIDED TO HAVE MY OPENING HERE. 448 00:17:53,806 --> 00:17:56,176 THAT'S OUTRAGEOUS. I'M GONNA TALK TO BENEDICT 449 00:17:56,209 --> 00:17:58,178 AND HAVE HIM REINSTALL MY ART IMMEDIATELY. 450 00:17:58,211 --> 00:18:00,813 WELL, THAT WOULD BE DIFFICULT SINCE WE OWN IT ALL NOW. 451 00:18:00,847 --> 00:18:03,183 LILY, WELCOME. 452 00:18:03,216 --> 00:18:04,717 I SEE YOU'VE MET OUR NEW EVENT CO-SPONSORS. 453 00:18:04,751 --> 00:18:06,453 I HAVE, 454 00:18:06,486 --> 00:18:09,456 AND I'M NOT THRILLED THAT MY CAREFULLY CURATED PIECES 455 00:18:09,489 --> 00:18:11,858 ARE BEING REPLACED WITHOUT EVEN SO MUCH AS A PHONE CALL. 456 00:18:11,891 --> 00:18:13,726 OH. 457 00:18:13,760 --> 00:18:14,861 WELL, I'M SORRY. 458 00:18:14,894 --> 00:18:16,729 I NEVER IMAGINED THAT YOU'D OBJECT 459 00:18:16,763 --> 00:18:20,567 TO RAISING MORE MONEY FOR SUCH A WORTHWHILE CAUSE. 460 00:18:22,369 --> 00:18:25,672 LILY, RUFUS AND IVY HAVE HELPED A.P.F. 461 00:18:25,705 --> 00:18:27,440 BREAK FUND-RAISING RECORDS. 462 00:18:27,474 --> 00:18:29,542 CERTAINLY, SHARING YOUR HOSTING DUTIES 463 00:18:29,576 --> 00:18:31,311 IS A-A SMALL PRICE TO PAY. 464 00:18:35,248 --> 00:18:37,284 OF COURSE, 465 00:18:37,317 --> 00:18:38,751 WHICH IS WHY YOU'VE INSPIRED ME 466 00:18:38,785 --> 00:18:40,887 TO MAKE MY OWN ADDITIONAL DONATION, 467 00:18:40,920 --> 00:18:43,656 WHICH I AM SURE WILL BREAK THEIR RECORD. 468 00:18:48,728 --> 00:18:50,397 (vehicles passing, horn honks) 469 00:19:00,240 --> 00:19:02,742 (door opens) 470 00:19:02,775 --> 00:19:04,777 HOLD IT RIGHT THERE, HUMPH-FREAK! 471 00:19:04,811 --> 00:19:08,581 DO YOU HAVE ANY IDEA WHAT A MESS YOUR ARTICLE HAS MADE? 472 00:19:08,615 --> 00:19:09,916 NO, BUT I'M GUESSING YOU'RE GONNA TELL ME 473 00:19:09,949 --> 00:19:11,751 EVEN IF I KEEP WALKING. 474 00:19:11,784 --> 00:19:14,387 MY MOTHER DEMOTED ME, THANKS TO YOUR DISPARAGING DRIVEL. 475 00:19:14,421 --> 00:19:15,588 RIGHT, AND I'M SURE IT HAD NOTHING TO DO 476 00:19:15,622 --> 00:19:17,224 WITH YOUR WORK-RELATED BEHAVIOR. 477 00:19:17,257 --> 00:19:19,726 FIX THIS, 478 00:19:19,759 --> 00:19:22,229 OR WHEN I'M DONE WITH YOU, YOU WON'T EVEN HAVE 479 00:19:22,262 --> 00:19:23,663 GEORGINA SPARKS' COUCH IN BROOKLYN. 480 00:19:23,696 --> 00:19:25,365 I WILL FLY VANESSA BACK 481 00:19:25,398 --> 00:19:26,799 FROM WHATEVER THIRD-WORLD COUNTRY SHE'S IN IF I HAVE TO. 482 00:19:26,833 --> 00:19:27,934 DO YOU HEAR YOURSELF? 483 00:19:27,967 --> 00:19:29,502 YOU'RE TRYING TO BULLY ME 484 00:19:29,536 --> 00:19:31,404 INTO RETRACTING AN ARTICLE ABOUT YOU BEING A BULLY. 485 00:19:31,438 --> 00:19:33,473 NO. 486 00:19:33,506 --> 00:19:35,242 I'M PROVING TO MY MOTHER THAT I AM 487 00:19:35,275 --> 00:19:37,677 THE MATURE, POLITE, PROFESSIONAL WOMAN 488 00:19:37,710 --> 00:19:39,512 WHO SHOULD BE RUNNING WALDORF DESIGNS. 489 00:19:39,546 --> 00:19:42,415 BLAIR, YOU TRACKED ME DOWN WITH YOUR "SPOTTED" MAP 490 00:19:42,449 --> 00:19:44,551 AND THREATENED ME WITH THE RETURN OF VANESSA. 491 00:19:44,584 --> 00:19:46,686 YOU ARE NOT MATURE, POLITE, OR PROFESSIONAL, 492 00:19:46,719 --> 00:19:48,655 AND EVEN YOUR OWN MOTHER KNOWS IT. 493 00:19:54,994 --> 00:19:56,195 (beep) 494 00:19:57,864 --> 00:20:00,300 NELLY? 495 00:20:00,333 --> 00:20:03,436 DO YOU THINK YOU COULD MEET ME AT LILY'S BENEFIT TONIGHT? 496 00:20:03,470 --> 00:20:05,672 THERE'S SOMETHING I THINK YOU WOULD WANT TO HEAR. 497 00:20:09,476 --> 00:20:12,245 AND YOU'RE SURE THERE'S NOTHING? 498 00:20:12,279 --> 00:20:14,514 THERE'S NOTHING IN ANY OF THIS ART. 499 00:20:14,547 --> 00:20:15,848 It could be subtle. 500 00:20:15,882 --> 00:20:17,984 Tape on the backing or rip in the seam. 501 00:20:18,017 --> 00:20:18,918 NO, THERE'S NOTHING. 502 00:20:18,951 --> 00:20:20,587 AND THE BACK OF ARTWORK IS REALLY BORING. 503 00:20:20,620 --> 00:20:22,322 (door closes) 504 00:20:22,355 --> 00:20:23,523 HOLD ON ONE SECOND. 505 00:20:23,556 --> 00:20:24,891 Someone's coming. 506 00:20:29,296 --> 00:20:30,597 NATE? WHAT ARE YOU DOING HERE? 507 00:20:30,630 --> 00:20:32,599 I AM JUST WRITING A STORY ON LILY'S ARTWORK 508 00:20:32,632 --> 00:20:33,733 FOR "THE SPECTATOR." 509 00:20:33,766 --> 00:20:35,602 Oh, for the A.P.F. benefit tonight? 510 00:20:35,635 --> 00:20:38,471 YEAH. EXACTLY. 511 00:20:38,505 --> 00:20:40,440 WHAT ARE YOU UP TO? 512 00:20:40,473 --> 00:20:42,609 UH, JUST REREADING AN OLD SHORT STORY. 513 00:20:42,642 --> 00:20:43,943 HEY, IS EVERYBODY A WRITER THESE DAYS? 514 00:20:43,976 --> 00:20:46,479 IT--NO, IT'S DAN'S. 515 00:20:46,513 --> 00:20:48,748 WOW. AREN'T YOU GETTING ENOUGH OF HIM IN "VANITY FAIR"? 516 00:20:48,781 --> 00:20:49,782 IT'S THE ONE FROM "THE NEW YORKER." 517 00:20:49,816 --> 00:20:51,017 YOU KNOW, THE STORY ABOUT THE FIRST TIME HE SAW ME 518 00:20:51,050 --> 00:20:52,084 AT THAT PARTY. 519 00:20:52,118 --> 00:20:53,853 DO NOT TELL ME IN SOME TWISTED TURN OF EVENTS THAT 520 00:20:53,886 --> 00:20:55,422 THAT SEX TAPE MADE YOU MISS HIM. 521 00:20:55,455 --> 00:20:56,856 NO, IT'S JUST... 522 00:20:56,889 --> 00:20:58,491 WE SPENT SOME TIME TOGETHER, 523 00:20:58,525 --> 00:21:00,993 AND... I DON'T KNOW. IT-- IT BROUGHT UP SOME OLD MEMORIES. 524 00:21:01,027 --> 00:21:02,562 SERENA, YOU'RE REALLY VULNERABLE RIGHT NOW 525 00:21:02,595 --> 00:21:04,897 AFTER STEVEN BROKE UP WITH YOU. 526 00:21:04,931 --> 00:21:07,767 IT'S TOO SOON TO HAVE REAL FEELINGS FOR DAN. 527 00:21:07,800 --> 00:21:10,002 BUT WHAT IF THOSE FEELINGS NEVER REALLY WENT AWAY? 528 00:21:10,036 --> 00:21:11,438 THAT HIGH SCHOOL KID YOU FELL IN LOVE WITH-- 529 00:21:11,471 --> 00:21:12,839 THAT'S NOT WHO HE IS ANYMORE, OKAY? 530 00:21:12,872 --> 00:21:13,773 HE ALMOST COST ME "THE SPECTATOR" 531 00:21:13,806 --> 00:21:15,041 TO SELL HIS SERIAL. 532 00:21:15,074 --> 00:21:17,477 AND HE EXPLOITED ALL OF US IN THOSE CHAPTERS. 533 00:21:17,510 --> 00:21:18,611 I KNOW. YOU'RE RIGHT. (elevator bell dings) 534 00:21:18,645 --> 00:21:20,347 I MEAN, HE HAS BECOME A SELFISH EGOMANIAC WHO WILL... 535 00:21:20,380 --> 00:21:22,315 SERENA-- 536 00:21:22,349 --> 00:21:24,717 DESTROY HIS FRIENDS FOR--FOR MONEY AND ATTENTION, 537 00:21:24,751 --> 00:21:25,852 FOR FAME AND-- 538 00:21:25,885 --> 00:21:28,388 AHEM. 539 00:21:34,561 --> 00:21:36,295 I KNOW HOW MUCH YOU LIKE CHOCOLATE-COVERED STRAWBERRIES. 540 00:21:39,799 --> 00:21:40,767 DAN, WAIT. 541 00:21:45,505 --> 00:21:46,806 HEY, LISTEN, I BETTER GET GOING. 542 00:21:46,839 --> 00:21:48,775 WAIT. WHAT ABOUT THE AUCTION SERENA MENTIONED? 543 00:21:48,808 --> 00:21:52,379 Look around. Is there anything missing? 544 00:21:55,382 --> 00:21:57,016 THAT PAINTING OF THE RAINBOW WOMAN IS GONE. 545 00:21:57,049 --> 00:21:58,951 OH. 546 00:21:58,985 --> 00:22:00,487 MY RICHARD PHILLIPS HAS ARRIVED. 547 00:22:00,520 --> 00:22:04,023 LILY, ARE YOU SURE? 548 00:22:04,056 --> 00:22:05,792 YOU KNOW, IT'S ONE OF MY FAVORITE PIECES 549 00:22:05,825 --> 00:22:08,661 IN MY COLLECTION, BUT IT IS FOR A GOOD CAUSE. 550 00:22:08,695 --> 00:22:10,397 AND I'VE ALREADY SENT BART AN E-MAIL, 551 00:22:10,430 --> 00:22:11,564 AND I KNOW HE WILL AGREE. 552 00:22:11,598 --> 00:22:14,401 THIS IS INCREDIBLY GENEROUS. 553 00:22:14,434 --> 00:22:17,504 IN FACT, WE'RE GONNA HAVE A LIVE AUCTION 554 00:22:17,537 --> 00:22:19,606 JUST FOR THIS SPECIAL PIECE. 555 00:22:21,073 --> 00:22:24,744 I KNOW SHE WILL BE THE STAR OF THE SHOW. 556 00:22:28,014 --> 00:22:31,851 THIS WORK OF ART APPEARS TO BE A WORK OF BART. 557 00:22:31,884 --> 00:22:33,753 LET THE BIDDING BEGIN. 558 00:22:39,158 --> 00:22:41,428 (My Fiction's "Trophy Kids" playing) 559 00:22:41,461 --> 00:22:44,964 THIS IS SPENCER SWEENEY, PATRICK McMULLAN, 560 00:22:44,997 --> 00:22:46,466 AND FAB FIVE FREDDY. 561 00:22:46,499 --> 00:22:47,867 * GIVE ME SUNSHINE 562 00:22:47,900 --> 00:22:50,837 * AND DANCING 563 00:22:50,870 --> 00:22:51,971 (bangs gavel) 564 00:22:52,004 --> 00:22:52,972 (amplified voice) GOOD EVENING, LADIES AND GENTLEMEN, 565 00:22:53,005 --> 00:22:57,009 AND WELCOME TO THE ART PRODUCTION FUND BENEFIT. 566 00:22:57,043 --> 00:22:58,611 FIRST, I'D LIKE TO SAY A SPECIAL THANKS 567 00:22:58,645 --> 00:23:01,714 TO RUFUS HUMPHREY AND IVY DICKENS 568 00:23:01,748 --> 00:23:04,551 FOR THEIR TREMENDOUS CONTRIBUTION TONIGHT. 569 00:23:04,584 --> 00:23:08,020 (applause) 570 00:23:08,054 --> 00:23:09,756 CAREFUL, LILY. 571 00:23:09,789 --> 00:23:12,091 YOU PAID A LOT OF MONEY TO FILL THOSE WORRY LINES. 572 00:23:12,124 --> 00:23:14,961 LISTEN, YOU VILE LITTLE INTERLOPER, 573 00:23:14,994 --> 00:23:17,597 YOU AND RUFUS MAY HAVE RUBBED YOUR LAST TWO NICKELS TOGETHER 574 00:23:17,630 --> 00:23:18,898 TO REPLACE MY ART, 575 00:23:18,931 --> 00:23:20,833 BUT THE ONLY PEOPLE THAT YOU'RE MAKING FOOLS OF 576 00:23:20,867 --> 00:23:22,001 ARE YOURSELVES. 577 00:23:22,034 --> 00:23:23,436 BUT TONIGHT, FOLKS, 578 00:23:23,470 --> 00:23:25,037 THE CENTERPIECE OF THIS EVENT 579 00:23:25,071 --> 00:23:28,508 WILL BE A SPECIAL LIVE AUCTION 580 00:23:28,541 --> 00:23:30,510 OF RICHARD PHILLIPS' "SPECTRUM"... 581 00:23:30,543 --> 00:23:31,844 (audience murmurs) 582 00:23:31,878 --> 00:23:33,980 COURTESY OF LILIAN BASS' PERSONAL COLLECTION. 583 00:23:34,013 --> 00:23:36,115 BIDDING WILL BEGIN SHORTLY. 584 00:23:36,148 --> 00:23:38,618 AS I WAS SAYING, YOU CAN PRETEND TO BE LOLA, 585 00:23:38,651 --> 00:23:40,186 YOU CAN PRETEND TO BE SERENA, 586 00:23:40,219 --> 00:23:42,522 BUT YOU WILL NEVER BE ME. 587 00:23:42,555 --> 00:23:45,191 I DON'T WANT TO BE YOU. I WANT TO BE BETTER. 588 00:23:45,224 --> 00:23:46,759 RUFUS ALREADY THINKS I AM. 589 00:23:46,793 --> 00:23:51,063 ** 590 00:23:51,097 --> 00:23:53,833 I ALWAYS LIKED THAT PAINTING. 591 00:23:57,970 --> 00:23:59,506 ** 592 00:23:59,539 --> 00:24:00,807 I'M GLAD TO SEE YOU TWO FOUND EACH OTHER. 593 00:24:00,840 --> 00:24:02,875 BLAIR. 594 00:24:02,909 --> 00:24:05,912 NELLY WAS JUST TELLING ME YOU INVITED HER HERE 595 00:24:05,945 --> 00:24:07,013 TO MEET WITH HER. 596 00:24:07,046 --> 00:24:09,782 I HOPE IT IS TO MAKE AN OFFICIAL APOLOGY. 597 00:24:09,816 --> 00:24:11,551 THAT I'D LOVE TO HEAR. 598 00:24:11,584 --> 00:24:15,955 I'M NOT HERE TO APOLOGIZE TO NELLY, MOTHER. 599 00:24:15,988 --> 00:24:18,190 I'M HERE TO APOLOGIZE TO YOU. 600 00:24:18,224 --> 00:24:19,892 THEN WHAT AM I DOING HERE? 601 00:24:19,926 --> 00:24:22,962 SHUTTING UP AND WRITING ABOUT IT SO YOU CAN PUBLICLY RESTORE 602 00:24:22,995 --> 00:24:24,897 WALDORF DESIGNS' PRISTINE REPUTATION. 603 00:24:24,931 --> 00:24:27,934 BLAIR, WHAT IS THIS ABOUT? 604 00:24:27,967 --> 00:24:31,237 UNDOING ALL THE DAMAGE MY DARK SIDE HAS DONE. 605 00:24:31,270 --> 00:24:33,640 I'M A BAD SEED, MOTHER, 606 00:24:33,673 --> 00:24:36,208 SO SEND ME AWAY TO THE VILLAGE OF THE DAMNED. 607 00:24:36,242 --> 00:24:38,978 ** 608 00:24:40,880 --> 00:24:44,250 NO ONE EXPECTS MIRACLES, DARLING. 609 00:24:44,283 --> 00:24:46,819 IT'S BEEN PART OF YOU FOR 20-SOMETHING YEARS. 610 00:24:46,853 --> 00:24:48,688 IT'S NOT GOING TO GO AWAY OVERNIGHT. 611 00:24:48,721 --> 00:24:50,690 JUST MAYBE SOMETIME BEFORE I DIE. 612 00:24:52,759 --> 00:24:53,960 Y-YOU DON'T UNDERSTAND. 613 00:24:53,993 --> 00:24:56,195 THE REAL GRACE KELLY HAD TALENT. 614 00:24:56,228 --> 00:24:57,864 YOU HAVE TALENT. 615 00:24:57,897 --> 00:25:01,067 EVEN THAT GOTH PRINCESS JENNY HUMPHREY HAD TALENT. 616 00:25:01,100 --> 00:25:03,736 BUT I DON'T. IT'S ALL JUST PRETENSE. 617 00:25:03,770 --> 00:25:06,873 WELL, YOUR RECORD OF ACHIEVEMENTS PROVE OTHERWISE. 618 00:25:06,906 --> 00:25:10,710 EVERYTHING I HAVE 619 00:25:10,743 --> 00:25:13,012 WAS FROM SCHEMING AND LYING 620 00:25:13,045 --> 00:25:14,747 AND WORKING THE ANGLES. 621 00:25:14,781 --> 00:25:16,749 I DON'T HAVE WHAT IT TAKES. 622 00:25:16,783 --> 00:25:18,618 YOU ARE MOZART. 623 00:25:18,651 --> 00:25:20,019 I'M SALIERI. 624 00:25:20,052 --> 00:25:22,689 NO MATTER HOW HARD I WORK, I WILL NEVER BE YOU, 625 00:25:22,722 --> 00:25:24,891 AND I THINK IT WAS JUST MY DARK SIDE 626 00:25:24,924 --> 00:25:26,893 TRYING TO HIDE THAT. 627 00:25:26,926 --> 00:25:28,861 SO... 628 00:25:28,895 --> 00:25:30,730 EFFECTIVE IMMEDIATELY, 629 00:25:30,763 --> 00:25:33,065 I RESIGN FROM WALDORF DESIGNS. 630 00:25:38,805 --> 00:25:40,773 (horns honking) 631 00:25:40,807 --> 00:25:43,009 DID YOU REACH ANYONE FROM A.P.F.? 632 00:25:43,042 --> 00:25:44,844 I FINALLY GOT AHOLD OF AN ASSISTANT, 633 00:25:44,877 --> 00:25:46,646 BUT SHE SAID THEY'RE ONLY TAKING BIDS IN PERSON. 634 00:25:46,679 --> 00:25:48,014 How far away are you? 635 00:25:48,047 --> 00:25:49,115 AT LEAST TEN BLOCKS. 636 00:25:49,148 --> 00:25:52,318 IS THERE NO WAY AROUND THIS, LIKE ON THE SIDEWALK? 637 00:25:52,351 --> 00:25:53,753 (horns continue honking) 638 00:25:53,786 --> 00:25:56,322 (My Fiction's "Knives & Bombs" playing) 639 00:25:59,358 --> 00:26:02,895 (indistinct conversations) 640 00:26:04,764 --> 00:26:07,600 I LIKE THAT YOUR ARTISTS REFLECT 641 00:26:07,634 --> 00:26:09,268 THE SAME SOCIALLY RELEVANT PROJECTS 642 00:26:09,301 --> 00:26:11,070 WE COMMISSION AT ART PRODUCTION FUND. 643 00:26:11,103 --> 00:26:13,806 AND I LIKE THAT YOU CAN SEE THE STREET ART INFLUENCE. 644 00:26:13,840 --> 00:26:15,141 I'M NOT TALKING ABOUT THE '80s BUT THE '40s-- 645 00:26:15,174 --> 00:26:17,810 DUBUFFET, POLLACK, RAY JOHNSON. 646 00:26:17,844 --> 00:26:19,178 YEAH, WHEN ARTISTS WERE THE STARS OF NEW YORK 647 00:26:19,211 --> 00:26:20,179 INSTEAD OF CELEBUTANTES. 648 00:26:20,212 --> 00:26:21,748 (laughs) YES. 649 00:26:21,781 --> 00:26:23,215 EXCUSE ME. CAN I SPEAK TO YOU FOR A MOMENT? 650 00:26:23,249 --> 00:26:25,084 WHAT CAN I DO FOR YOU, LILY? 651 00:26:25,117 --> 00:26:26,953 ARE YOU INTERESTED IN ONE OF MY PFAHLER PIECES 652 00:26:26,986 --> 00:26:27,954 TO REPLACE YOUR PHILLIPS? 653 00:26:27,987 --> 00:26:29,822 NO, THANK YOU, 654 00:26:29,856 --> 00:26:30,890 AND I THINK YOU'VE MADE YOUR POINT HERE, RUFUS. 655 00:26:30,923 --> 00:26:33,693 THIS IS A BENEFIT TO RAISE MONEY FOR A GOOD CAUSE, 656 00:26:33,726 --> 00:26:34,961 AND I WON'T HAVE YOUR LITTLE FREELOADER 657 00:26:34,994 --> 00:26:36,328 MAKING A MOCKERY OF IT 658 00:26:36,362 --> 00:26:37,964 BY BIDDING ON THINGS SHE CAN'T AFFORD. 659 00:26:37,997 --> 00:26:40,700 IVY CAN AFFORD ANY PAINTING SHE WANTS. 660 00:26:40,733 --> 00:26:42,835 AND WITH WHAT MONEY? I KNOW IT'S NOT YOURS. 661 00:26:42,869 --> 00:26:45,304 YOU'RE RIGHT. 662 00:26:45,337 --> 00:26:47,339 IT'S CeCe's. 663 00:26:47,373 --> 00:26:50,242 (bangs gavel) 664 00:26:50,276 --> 00:26:50,877 (amplified voice) LADIES AND GENTLEMEN, 665 00:26:50,910 --> 00:26:52,645 IF WE ARE READY TO BEGIN, 666 00:26:52,679 --> 00:26:54,113 I WOULD LIKE TO START THE BIDDING 667 00:26:54,146 --> 00:26:55,347 FOR THE RICHARD PHILLIPS 668 00:26:55,381 --> 00:26:57,984 AT $500,000. 669 00:26:58,017 --> 00:26:59,385 (guests murmuring) 670 00:26:59,418 --> 00:27:00,853 $500,000. 671 00:27:00,887 --> 00:27:02,121 I HAVE $500,000. 672 00:27:02,154 --> 00:27:03,856 LOLA GAVE IT BACK TO HER 673 00:27:03,890 --> 00:27:05,191 WHEN SHE FOUND OUT YOUR MOTHER WANTED IVY TO HAVE IT. 674 00:27:05,224 --> 00:27:07,226 $500,000. GOING ONCE? 675 00:27:07,259 --> 00:27:09,395 $500,000. DO I HAVE $520,000? 676 00:27:09,428 --> 00:27:11,097 $520,000. 677 00:27:11,130 --> 00:27:12,264 SHE MAY HAVE BEEN ABLE TO CON LOLA 678 00:27:12,298 --> 00:27:13,299 OUT OF HALF MY MOTHER'S ESTATE, 679 00:27:13,332 --> 00:27:15,868 BUT SHE'LL NEVER GET ANYTHING OF MINE. 680 00:27:15,902 --> 00:27:16,736 DO I HAVE $540,000? GOING ONCE? 681 00:27:16,769 --> 00:27:17,737 $540,000. 682 00:27:17,770 --> 00:27:19,371 $560,000. 683 00:27:19,405 --> 00:27:20,707 $560,000. DO I HAVE $570,000? 684 00:27:20,740 --> 00:27:21,874 (Ivy) $570,000. 685 00:27:21,908 --> 00:27:23,275 $570,000. $570,000. DO I HAVE $580,000? 686 00:27:23,309 --> 00:27:24,677 $580,000. 687 00:27:24,711 --> 00:27:25,878 $580,000. DO I HAVE $600,000? 688 00:27:25,912 --> 00:27:27,714 $750,000. 689 00:27:27,747 --> 00:27:30,016 $750,000. 690 00:27:30,049 --> 00:27:32,151 (guests murmuring) 691 00:27:32,184 --> 00:27:34,086 (Serena) I KNOW IT SOUNDED BAD, BUT YOU HEARD IT OUT OF CONTEXT. 692 00:27:34,120 --> 00:27:37,023 IN WHAT CONTEXT CAN "SELFISH EGOMANIAC" BE POSITIVE? 693 00:27:37,056 --> 00:27:38,424 I WAS TELLING NATE WHAT A GOOD TIME I HAD WITH YOU, 694 00:27:38,457 --> 00:27:39,826 BUT TH-- 695 00:27:39,859 --> 00:27:40,993 YEAH, I HEARD THE "BUT" PART. 696 00:27:41,027 --> 00:27:42,729 BUT THAT IT'S CONFUSING FOR ME 697 00:27:42,762 --> 00:27:45,097 BECAUSE I HAVE SPENT THE PAST FEW MONTHS HATING YOU. 698 00:27:45,131 --> 00:27:46,298 I TOLD YOU I LOVED YOU, 699 00:27:46,332 --> 00:27:48,034 AND THEN YOU REJECTED ME FOR MY BEST FRIEND. 700 00:27:48,067 --> 00:27:50,169 YOU'VE REJECTED ME FOR NEARLY EVERYONE ON THE UPPER EAST SIDE. 701 00:27:50,202 --> 00:27:51,738 CAN YOU BLAME ME FOR HAVING DOUBTS? 702 00:27:51,771 --> 00:27:52,772 YOU HAD MORE THAN DOUBTS. 703 00:27:52,805 --> 00:27:54,173 YOU TOLD ME YOU NEVER WANTED TO SEE ME AGAIN. 704 00:27:54,206 --> 00:27:55,441 YOU MEAN, AFTER YOU USED ME TO MAKE A SEX TAPE 705 00:27:55,474 --> 00:27:57,309 TO DESTROY ME AND YOUR BEST FRIEND? 706 00:27:57,343 --> 00:27:58,778 I'M NOT THE BAD GUY HERE. 707 00:27:58,811 --> 00:28:00,146 YOU WANT EVERYONE TO BELIEVE 708 00:28:00,179 --> 00:28:01,881 YOU'RE POOR, SWEET DAN HUMPHREY FROM BROOKLYN, 709 00:28:01,914 --> 00:28:04,751 BUT YOU SENT THAT VIDEO OF CHUCK AND BLAIR INTO "GOSSIP GIRL" 710 00:28:04,784 --> 00:28:06,753 TO TRY TO RUIN HER WEDDING, AND THEN YOU PINNED IT ON ME. 711 00:28:06,786 --> 00:28:08,454 YEAH, I DIDN'T WANT BLAIR TO MARRY THE WRONG MAN. 712 00:28:08,487 --> 00:28:09,889 AND IT'S NOT LIKE YOU'VE NEVER USED "GOSSIP GIRL" 713 00:28:09,922 --> 00:28:11,390 TO FURTHER YOUR OWN AGENDA. 714 00:28:11,423 --> 00:28:13,793 OH, WAIT. OH, WAIT. YOU WERE GOSSIP GIRL FOR A SECOND. 715 00:28:13,826 --> 00:28:16,462 ONLY TO RESTORE BALANCE AFTER GEORGINA'S REIGN OF TERROR-- 716 00:28:16,495 --> 00:28:19,766 WHO--WHO IS NOW PARTNERING WITH YOU TO ATTACK AND HUMILIATE 717 00:28:19,799 --> 00:28:21,400 EVERYONE THAT WE CARE ABOUT IN YOUR EXPOSÉS? 718 00:28:21,433 --> 00:28:22,769 WHICH LEADS US BACK TO YOUR REASON 719 00:28:22,802 --> 00:28:24,136 FOR CALLING ME A SELFISH EGOMANIAC. 720 00:28:24,170 --> 00:28:25,304 YOU'RE RIGHT. NOW I--NOW I UNDERSTAND. 721 00:28:25,337 --> 00:28:26,472 GOOD. I'M GLAD. 722 00:28:26,505 --> 00:28:27,439 I WAS BEING SARCASTIC, SERENA. 723 00:28:27,473 --> 00:28:28,808 SO WAS I. 724 00:28:28,841 --> 00:28:29,942 NO, YOU WEREN'T. 725 00:28:29,976 --> 00:28:31,143 YES, I WAS. 726 00:28:31,177 --> 00:28:32,311 LOOK--LOOK, OB-- 727 00:28:32,344 --> 00:28:34,313 OBVIOUSLY, TOO MUCH HAS HAPPENED OVER THE PAST FIVE YEARS. 728 00:28:34,346 --> 00:28:36,182 NO MATTER WHO WE ARE TODAY, 729 00:28:36,215 --> 00:28:38,818 WE CAN'T UNDO THE THINGS WE'VE DONE IN THE PAST, 730 00:28:38,851 --> 00:28:39,685 SO IT'S PROBABLY BEST 731 00:28:39,718 --> 00:28:42,922 WE JUST MOVE ON WITHOUT EACH OTHER. 732 00:28:45,124 --> 00:28:47,093 WHICH I WILL DO THE SECOND WE GET OUT OF THIS ELEVATOR. 733 00:28:47,126 --> 00:28:50,162 (clank, bell rings, elevator powers down) 734 00:28:50,196 --> 00:28:52,198 $880,000. I HAVE $880,000. DO I HEAR $900,000? 735 00:28:52,231 --> 00:28:53,365 $900,000. 736 00:28:53,399 --> 00:28:54,366 $900,000. WHAT DO YOU THINK YOU'RE DOING? 737 00:28:54,400 --> 00:28:55,367 $920,000. 738 00:28:55,401 --> 00:28:57,069 I'D ASK YOU THE SAME THING. 739 00:28:57,103 --> 00:28:58,838 BIDDING ON AN ITEM YOU PUT UP FOR AUCTION? 740 00:28:58,871 --> 00:29:01,974 I CHANGED MY MIND WHEN THIS GYPSY TRASH WANTED IT. 741 00:29:02,008 --> 00:29:04,210 SHE WILL NOT HAVE ANYTHING NEAR AND DEAR TO MY HEART. 742 00:29:04,243 --> 00:29:05,244 (Benedict) $940,000 ONCE? 743 00:29:05,277 --> 00:29:06,245 $940,000. 744 00:29:06,278 --> 00:29:07,947 $960,000. 745 00:29:07,980 --> 00:29:09,081 I ASSURE YOU I WON'T LET HER WIN IF YOU STOP BIDDING. 746 00:29:09,115 --> 00:29:10,516 AND WHY SHOULD I TRUST YOU? 747 00:29:10,549 --> 00:29:13,019 I KNOW YOU TEAMED UP WITH THIS CHARLATAN 748 00:29:13,052 --> 00:29:14,353 TO CAUSE PROBLEMS WITH YOUR FATHER AND ME. 749 00:29:14,386 --> 00:29:16,222 THIS PAINTING MEANS MORE TO ME THAN ANYTHING. 750 00:29:16,255 --> 00:29:17,489 $980,000. 751 00:29:17,523 --> 00:29:18,858 WHAT DO YOU THINK YOU'RE DOING? 752 00:29:18,891 --> 00:29:20,827 WE'RE SUPPOSED TO BE ON THE SAME SIDE. 753 00:29:20,860 --> 00:29:22,328 SO YOU ARE STILL ALIGNED WITH HER? 754 00:29:22,361 --> 00:29:23,329 I'M ON NOBODY'S SIDE BUT MY OWN. 755 00:29:23,362 --> 00:29:24,964 (Benedict) $1 MILLION, LADIES AND GENTLEMEN. 756 00:29:24,997 --> 00:29:26,198 (Chuck, Lily, and Ivy arguing indistinctly) 757 00:29:26,232 --> 00:29:28,267 $1.1 MILLION. 758 00:29:28,300 --> 00:29:30,336 DO I HEAR 1.2? 759 00:29:30,369 --> 00:29:32,271 GOING ONCE. GOING TWICE. 760 00:29:32,304 --> 00:29:33,272 (bangs gavel) 761 00:29:33,305 --> 00:29:36,275 SOLD FOR $1.1 MILLION 762 00:29:36,308 --> 00:29:37,409 TO THE MAN IN FRONT. 763 00:29:37,443 --> 00:29:38,477 CONGRATULATIONS. 764 00:29:38,510 --> 00:29:42,014 (cheers and applause) 765 00:29:42,048 --> 00:29:43,115 REVENGE IS SWEET, 766 00:29:43,149 --> 00:29:46,085 ESPECIALLY WHEN YOU HAVE A SUGAR MAMA. 767 00:29:46,118 --> 00:29:48,220 (cell phone alert chimes) 768 00:29:48,254 --> 00:29:49,956 UNFORTUNATELY, 769 00:29:49,989 --> 00:29:53,860 NOT ALL FAMILIES APPRECIATE JUST DESSERTS. 770 00:29:59,531 --> 00:30:01,133 (Tara Simmons) * SO MUCH BLAME 771 00:30:01,167 --> 00:30:03,002 * WITH OUR HEART 772 00:30:03,035 --> 00:30:06,505 I JUST WANTED TO CONGRATULATE YOU AND APOLOGIZE. 773 00:30:06,538 --> 00:30:09,008 I ADMIT THAT I WAS OUT OF LINE 774 00:30:09,041 --> 00:30:10,376 WITH SOME OF THE THINGS THAT I SAID EARLIER. 775 00:30:10,409 --> 00:30:12,544 AND YOU OBVIOUSLY WANT SOMETHING NOW. 776 00:30:12,578 --> 00:30:14,046 WELL, I KNOW HOW IMPORTANT IT WAS FOR YOU TO PROVE 777 00:30:14,080 --> 00:30:15,547 THAT YOU COULD BEST ME PUBLICLY. 778 00:30:15,581 --> 00:30:17,583 AND NOW THAT YOU'VE ACHIEVED WHAT YOU WANTED, 779 00:30:17,616 --> 00:30:20,119 I WOULD LOVE TO BUY MY PAINTING BACK. 780 00:30:20,152 --> 00:30:22,454 WELL, IF YOU WANTED IT SO MUCH, WHY'D YOU PUT IT UP FOR AUCTION? 781 00:30:22,488 --> 00:30:25,324 I HAD NO IDEA HOW MUCH IT MEANT TO ME TILL IT WAS GONE. 782 00:30:25,357 --> 00:30:27,326 AND LET'S FACE IT, RUFUS. 783 00:30:27,359 --> 00:30:28,460 DO YOU REALLY WANT THAT HANGING IN YOUR LOFT, 784 00:30:28,494 --> 00:30:30,396 REMINDING YOU OF ME? 785 00:30:30,429 --> 00:30:32,198 I DON'T. 786 00:30:32,231 --> 00:30:34,133 WE'LL GIVE IT TO A MUSEUM-- 787 00:30:34,166 --> 00:30:35,467 ONE FAR AWAY FROM MANHATTAN 788 00:30:35,501 --> 00:30:37,403 WHERE YOU WON'T EVEN BE ABLE TO VISIT. 789 00:30:37,436 --> 00:30:39,939 SURELY THERE'S A PRICE THAT WILL CHANGE YOUR MIND. 790 00:30:39,972 --> 00:30:41,473 NO. 791 00:30:41,507 --> 00:30:45,011 YOU CAN'T BUY US OFF THE WAY YOU DO EVERYONE ELSE. 792 00:30:45,044 --> 00:30:46,178 WE DON'T WANT YOUR MONEY. 793 00:30:46,212 --> 00:30:47,947 WHAT IS IT YOU WANT THEN? 794 00:30:47,980 --> 00:30:50,216 TO MAKE YOU FEEL THE WAY YOU'VE MADE US FEEL-- 795 00:30:50,249 --> 00:30:53,085 HUMILIATED AND POWERLESS 796 00:30:53,119 --> 00:30:55,054 AND LIKE YOU'RE WORTH NOTHING. 797 00:30:55,087 --> 00:30:56,555 SO IF YOU'LL EXCUSE ME, 798 00:30:56,588 --> 00:31:00,026 I'M GOING TO MAKE SURE THEY'RE PACKING UP OUR PAINTING. 799 00:31:00,059 --> 00:31:01,961 * NOW PLEASE BE GONE 800 00:31:01,994 --> 00:31:04,396 * OH, OH, OH, OH 801 00:31:06,465 --> 00:31:09,168 I'LL SEE YOU LATER. 802 00:31:09,201 --> 00:31:12,871 ** 803 00:31:17,944 --> 00:31:19,411 AND YOU REMAIN A KEPT MAN. 804 00:31:23,349 --> 00:31:27,453 I NEVER THOUGHT I WOULD SAY THIS, LIL, 805 00:31:27,486 --> 00:31:30,622 BUT I THINK IVY'S RIGHT. 806 00:31:30,656 --> 00:31:33,525 YOU BROUGHT THIS ON YOURSELF. 807 00:31:33,559 --> 00:31:40,399 ** 808 00:31:40,432 --> 00:31:42,001 MAYBE YOU SHOULD TRY VANYA AGAIN. 809 00:31:42,034 --> 00:31:44,403 IT'S BEEN, LIKE, 47 SECONDS SINCE I CALLED. 810 00:31:44,436 --> 00:31:46,405 AND UNLIKE LAST TIME WE WERE STUCK HERE, 811 00:31:46,438 --> 00:31:48,540 I REMEMBERED TO USE YOUR NAME. 812 00:31:48,574 --> 00:31:50,276 OH, IF WE'RE RECREATING THAT, 813 00:31:50,309 --> 00:31:52,411 YOU SHOULD PROBABLY TRY TO CRAWL OUT OF THE CEILING ANY MOMENT. 814 00:31:52,444 --> 00:31:53,379 (chuckles) 815 00:31:53,412 --> 00:31:57,116 I ADMIT THAT WAS NOT ONE OF MY BETTER IDEAS. 816 00:31:57,149 --> 00:31:58,417 WHY--WHY WERE YOU SO MAD ABOUT IT, THEN? 817 00:31:58,450 --> 00:31:59,685 BECAUSE I DIDN'T WANT YOU TO GET HURT. 818 00:32:03,389 --> 00:32:05,557 I'M SURE YOU WANT ME TO HIT THE FLOOR RIGHT NOW. 819 00:32:05,591 --> 00:32:08,160 THROW ME DOWN THE ELEVATOR SHAFT. 820 00:32:08,194 --> 00:32:09,295 (chuckles) 821 00:32:09,328 --> 00:32:11,030 OR, HELL, YOU KNOW, YOU COULD JUST 822 00:32:11,063 --> 00:32:13,565 TRICK ME INTO MAKING ANOTHER SEX TAPE. 823 00:32:13,599 --> 00:32:15,867 IT'S THE PEOPLE YOU KNOW BEST THAT YOU CAN HURT THE MOST. 824 00:32:19,738 --> 00:32:22,641 I'M SORRY... 825 00:32:22,674 --> 00:32:26,078 I DIDN'T SAY ANYTHING WHEN YOU TOLD ME YOU LOVED ME. 826 00:32:29,481 --> 00:32:31,317 IT--IT WAS EASIER TO FOCUS ON MY ANGER AT BLAIR 827 00:32:31,350 --> 00:32:33,419 THAN FACE THE POSSIBILITY OF GETTING WHAT I ALWAYS WANTED 828 00:32:33,452 --> 00:32:34,720 AND... 829 00:32:34,753 --> 00:32:37,056 AND--AND LOSING IT AGAIN. 830 00:32:37,089 --> 00:32:37,956 WHAT YOU ALWAYS WANTED? 831 00:32:43,729 --> 00:32:45,731 YOU KNOW, I HAD... 832 00:32:45,764 --> 00:32:47,733 A REALLY GREAT TIME WITH YOU TODAY. 833 00:32:53,239 --> 00:32:55,674 I HAD TO BELIEVE THAT YOU WERE TERRIBLE 834 00:32:55,707 --> 00:32:57,576 IN ORDER TO PROTECT MYSELF. 835 00:32:57,609 --> 00:33:01,280 WELL, YOU KNOW, I COULD ACTUALLY BE TERRIBLE IF YOU PREFER. 836 00:33:01,313 --> 00:33:03,282 (chuckles) NO. NO, THANK YOU. I'M GOOD. 837 00:33:03,315 --> 00:33:05,117 I-I MUCH PREFER YOU THIS WAY. 838 00:33:07,653 --> 00:33:08,754 YEAH, THE FEELING'S MUTUAL. 839 00:33:15,527 --> 00:33:17,629 I WILL TRY VANYA AGAIN. 840 00:33:21,067 --> 00:33:23,369 (elevator powers up) 841 00:33:23,402 --> 00:33:27,106 WELL... 842 00:33:27,139 --> 00:33:29,308 I GUESS THAT'S MY CUE. 843 00:33:29,341 --> 00:33:31,243 OR YOU COULD COME UP 844 00:33:31,277 --> 00:33:33,179 AND HAVE SOME CHOCOLATE-COVERED STRAWBERRIES 845 00:33:33,212 --> 00:33:36,382 BEFORE YOU FACE THE PAPARAZZI. 846 00:33:36,415 --> 00:33:37,649 YEAH. THAT SOUNDS NICE. 847 00:33:37,683 --> 00:33:39,451 (pushes button) 848 00:33:39,485 --> 00:33:42,421 (elevator whirring) 849 00:33:50,396 --> 00:33:52,798 (siren wailing in distance) 850 00:33:52,831 --> 00:33:54,800 (sighs) 851 00:33:54,833 --> 00:33:57,536 IF YOU'VE COME FOR A FOLLOW-UP INTERVIEW, I HAVE NO COMMENT. 852 00:33:57,569 --> 00:34:01,773 ACTUALLY, I CAME TO SAY THANKS FOR THE EXCLUSIVE... 853 00:34:01,807 --> 00:34:04,210 AND MAYBE TO GLOAT A LITTLE. 854 00:34:04,243 --> 00:34:05,144 HOW DID YOU KNOW WHERE TO FIND ME? 855 00:34:05,177 --> 00:34:07,079 THE MET STEPS? 856 00:34:07,113 --> 00:34:10,282 WHERE ELSE WOULD YOU GO TO MAKE YOURSELF FEEL BETTER? 857 00:34:10,316 --> 00:34:12,284 MY MOTHER ALWAYS SAID YOU'D PEAKED IN HIGH SCHOOL. 858 00:34:12,318 --> 00:34:15,487 YOU MEAN WHEN NO ONE ELSE SPOKE TO YOU BESIDES YOUR MOTHER? 859 00:34:15,521 --> 00:34:19,425 YOU CAN MAKE FUN OF HOW UNPOPULAR I USED TO BE, 860 00:34:19,458 --> 00:34:23,362 BUT THE PERSON NO ONE CARES ABOUT ANYMORE IS YOU. 861 00:34:23,395 --> 00:34:28,534 THEN WHY ARE YOU STILL SITTING BELOW ME ON THE STEPS? 862 00:34:28,567 --> 00:34:30,702 HABIT. LIKE A HEADBAND. 863 00:34:33,139 --> 00:34:35,574 JUST A REMNANT FROM WHEN YOU WERE A TASTEMAKER. 864 00:34:38,210 --> 00:34:41,547 AND ALL EVERY GIRL AT CONSTANCE WANTED WAS TO BE JUST LIKE ME. 865 00:34:41,580 --> 00:34:44,650 LUCKY FOR ALL OF US, LIKE THE ECO-CLOTHING TREND, 866 00:34:44,683 --> 00:34:46,518 THOSE DAYS ARE GONE. 867 00:34:46,552 --> 00:34:48,854 YOU OBVIOUSLY DON'T SHOP IN BROOKLYN. 868 00:34:48,887 --> 00:34:50,389 BUT THANK YOU, NELLY. 869 00:34:50,422 --> 00:34:52,358 YOUR MISINFORMATION HAS BEEN INVALUABLE. 870 00:34:55,727 --> 00:34:58,797 WHERE ARE YOU GOING? YOU WON'T LOOK GOOD IN HEMP. 871 00:34:58,830 --> 00:35:02,134 BUT YOU WILL, WHILE YOU EAT CROW. 872 00:35:02,168 --> 00:35:03,302 I JUST HOPE IT'S NOT TOO LATE. 873 00:35:08,240 --> 00:35:09,575 THANK YOU SO MUCH 874 00:35:09,608 --> 00:35:10,876 FOR LETTING US USE YOUR PAINTING IN THE AUCTION. 875 00:35:10,909 --> 00:35:13,745 UM, TODD DiCIURCIO, 876 00:35:13,779 --> 00:35:15,481 THIS IS CHUCK BASS. 877 00:35:15,514 --> 00:35:19,218 IT'S A BEAUTIFUL PAINTING. EXCUSE US. 878 00:35:19,251 --> 00:35:20,219 GREAT WORK TONIGHT. 879 00:35:20,252 --> 00:35:21,753 NO THANKS TO YOU. 880 00:35:21,787 --> 00:35:23,455 I THOUGHT WE WERE ON THE SAME TEAM. 881 00:35:23,489 --> 00:35:25,457 WE ARE, WHICH IS WHY YOU SHOULD SELL ME THAT PAINTING. 882 00:35:25,491 --> 00:35:27,193 LILY ALREADY TRIED THAT. 883 00:35:27,226 --> 00:35:29,328 I HOPE YOU TURNED HER DOWN. 884 00:35:29,361 --> 00:35:31,497 THAT PIECE IS A CRITICAL COMPONENT 885 00:35:31,530 --> 00:35:33,365 OF MY CAMPAIGN AGAINST BART. 886 00:35:33,399 --> 00:35:35,801 AS YOU KNOW, IF I TOPPLE HIM, LILY WON'T BE FAR BEHIND. 887 00:35:38,804 --> 00:35:41,440 WHAT'S A QUEEN WITHOUT HER KING? 888 00:35:41,473 --> 00:35:43,875 I'LL SELL YOU THE PAINTING... 889 00:35:43,909 --> 00:35:45,711 FOR DOUBLE WHAT I PAID. 890 00:35:45,744 --> 00:35:46,678 THAT'S A PRICE I'M WILLING TO PAY. 891 00:35:48,947 --> 00:35:50,882 (chuckles) ALL RIGHT, I'LL HAVE IT DELIVERED. 892 00:35:50,916 --> 00:35:53,519 PLEASURE DOING BUSINESS WITH YOU. 893 00:35:53,552 --> 00:35:57,789 SPOTTED--IVY MOONLIGHTING AS A GALLERINA. 894 00:35:57,823 --> 00:36:00,892 BETTER HOPE THIS MASTERPIECE ISN'T A FORGERY. 895 00:36:06,932 --> 00:36:08,667 IS IT WEIRD TO SAY I'M-- I'M GLAD WE GOT IN THAT FIGHT? 896 00:36:08,700 --> 00:36:11,270 NO, NO. NO, NOT AT ALL. I AM, TOO. 897 00:36:11,303 --> 00:36:12,771 THAT STORAGE UNIT I KEPT PACKED FULL OF OLD RESENTMENTS 898 00:36:12,804 --> 00:36:14,540 WAS GETTING PRETTY FULL. 899 00:36:14,573 --> 00:36:16,475 (laughs) 900 00:36:16,508 --> 00:36:17,643 YOU KNOW, I-I FEEL LIKE I DID 901 00:36:17,676 --> 00:36:20,246 WHEN I FIRST CAME BACK TO THE CITY FROM BOARDING SCHOOL, 902 00:36:20,279 --> 00:36:22,514 WHEN ALL I WANTED WAS A FRESH START. 903 00:36:22,548 --> 00:36:25,417 WELL, YOU HAVE ONE NOW, AT LEAST WITH ME. 904 00:36:25,451 --> 00:36:27,219 (chuckles) 905 00:36:27,253 --> 00:36:28,954 (Lemonade's "Vivid" playing) 906 00:36:28,987 --> 00:36:32,424 I, UH, SHOULD PROBABLY TAKE OFF. IT'S GETTING PRETTY LATE. 907 00:36:32,458 --> 00:36:33,959 OH, DID YOU EVER FIND A PLACE? 908 00:36:33,992 --> 00:36:35,227 TECHNICALLY, NO. BUT, I MEAN, I GOT THAT CHECK NOW, SO... 909 00:36:35,261 --> 00:36:36,695 MM. 910 00:36:36,728 --> 00:36:39,398 I CAN AFFORD A HOTEL ROOM. I DON'T WANT TO IMPOSE TOO MUCH. 911 00:36:39,431 --> 00:36:41,700 NO, YOU'RE-- YOU'RE NOT IMPOSING AT ALL. 912 00:36:44,803 --> 00:36:47,306 ARE YOU SURE? I MEAN, JUST THIS MORNING, 913 00:36:47,339 --> 00:36:49,508 YOU WERE SAYING YOU THOUGHT IT MIGHT RUIN OUR FRIENDSHIP. 914 00:36:49,541 --> 00:36:52,711 WELL, I THINK IF WE COULD GET THROUGH THE LAST FIVE YEARS, 915 00:36:52,744 --> 00:36:55,347 THEN WE COULD GET THROUGH A FEW MORE NIGHTS. (chuckles) 916 00:36:57,416 --> 00:37:00,452 SO... Y-YOU CAN STAY. 917 00:37:02,754 --> 00:37:04,456 OR YOU DON'T HAVE TO. 918 00:37:04,490 --> 00:37:07,726 YOU CAN GO, TOO. 919 00:37:07,759 --> 00:37:09,695 OR YOU CAN STAY. WHATEVER YOU WANT. 920 00:37:20,739 --> 00:37:23,008 * ALL OF MY LOVE 921 00:37:23,041 --> 00:37:24,943 THAT'S WHAT I WANT. 922 00:37:24,976 --> 00:37:26,912 * ALL OF MY LIFE 923 00:37:29,381 --> 00:37:30,949 (slurps) 924 00:37:30,982 --> 00:37:32,818 (footsteps approach) 925 00:37:32,851 --> 00:37:34,453 I MADE A MISTAKE. 926 00:37:34,486 --> 00:37:37,556 MANY. WHO HASN'T? 927 00:37:37,589 --> 00:37:39,991 YOU'LL HAVE TO BE MORE SPECIFIC, DEAR. 928 00:37:40,025 --> 00:37:43,429 WHEN I QUIT EARLIER. 929 00:37:43,462 --> 00:37:46,031 I THOUGHT THAT I WAS USING MY DARK SIDE 930 00:37:46,064 --> 00:37:48,033 TO HIDE THE FACT THAT I HAVE NO TALENT. 931 00:37:48,066 --> 00:37:50,736 I WASN'T THE ONE WHO SAID YOU DIDN'T HAVE TALENT, BLAIR. 932 00:37:50,769 --> 00:37:54,373 NO, BUT YOU TOLD ME TO SQUASH MY DARK SIDE, 933 00:37:54,406 --> 00:37:56,642 WHICH IS MY TALENT. IT'S MY INSPIRATION. 934 00:37:56,675 --> 00:37:58,910 YOU CAN'T BLACKMAIL YOUR WAY THROUGH BUSINESS. 935 00:37:58,944 --> 00:38:02,314 WELL, I AGREE, BUT... 936 00:38:02,348 --> 00:38:04,883 I'M NOT TALKING ABOUT MY MANAGEMENT STYLE, 937 00:38:04,916 --> 00:38:07,586 WHICH I ADMIT NEEDS HELP TO STAY ON THE STRAIGHT AND NARROW. 938 00:38:07,619 --> 00:38:08,920 I'M TALKING ABOUT MY DESIGNS. 939 00:38:08,954 --> 00:38:10,456 OH, WHERE IS THIS COMING FROM? 940 00:38:10,489 --> 00:38:12,458 HIGH SCHOOL. 941 00:38:12,491 --> 00:38:13,992 MY GRACE KELLY DID HAVE TALENT. 942 00:38:14,025 --> 00:38:16,528 SHE GOT ME STRAIGHT A's AND THE PERFECT BOYFRIEND. 943 00:38:16,562 --> 00:38:18,897 BUT IT WAS MY GRACE JONES 944 00:38:18,930 --> 00:38:20,932 THAT HAD EVERYONE WANTING TO DRESS LIKE ME, 945 00:38:20,966 --> 00:38:22,534 NOT BECAUSE THEY ADMIRED MY HARD WORK 946 00:38:22,568 --> 00:38:25,571 BUT BECAUSE THEY WERE FASCINATED BY MY FEROCITY. 947 00:38:27,806 --> 00:38:30,509 YOU DID INSTILL FEAR IN THE HEARTS OF MANY. 948 00:38:32,511 --> 00:38:36,482 I NEED TO STOP TRYING TO BE YOU AND USE MY POWER 949 00:38:36,515 --> 00:38:39,551 TO FORM THE FASHIONISTAS OF THE FUTURE... 950 00:38:39,585 --> 00:38:41,420 WITH A LINE FOR HIGH SCHOOL GIRLS, 951 00:38:41,453 --> 00:38:43,355 INSPIRED BY MY CONSTANCE UNIFORM. 952 00:38:43,389 --> 00:38:46,392 I'M NOT SURE PEOPLE WANT TO WEAR UNIFORMS 953 00:38:46,425 --> 00:38:48,694 IF THEY'RE NOT IN SCHOOL. 954 00:38:48,727 --> 00:38:50,562 THESE WON'T BE THE UNIFORMS THEY HAVE TO WEAR. 955 00:38:50,596 --> 00:38:52,364 THEY'LL BE THE UNIFORMS THEY BEG TO WEAR-- 956 00:38:52,398 --> 00:38:54,833 ONES THEY SEE ON THE GIRLS THEY WANT TO BE. 957 00:38:54,866 --> 00:38:55,834 THEY OWN THIS TOWN. 958 00:38:57,936 --> 00:38:59,505 UNIFORMS? 959 00:38:59,538 --> 00:39:01,973 WELL, THEY DO REPRESENT POWER AND AUTHORITY 960 00:39:02,007 --> 00:39:03,842 AND INSTILL A SENSE OF BELONGING. 961 00:39:03,875 --> 00:39:05,977 AND THE GIRLS I DRESS WON'T FOLLOW TRENDS. 962 00:39:06,011 --> 00:39:08,046 THEY WILL SET THEM, 963 00:39:08,079 --> 00:39:10,449 JUST LIKE I DID. 964 00:39:10,482 --> 00:39:13,452 YOU ALWAYS WERE VERY INFLUENTIAL. 965 00:39:13,485 --> 00:39:15,921 PLEASE. 966 00:39:15,954 --> 00:39:18,624 GIVE ME ONE MORE CHANCE TO PROVE IT. 967 00:39:20,559 --> 00:39:21,860 (clink) 968 00:39:21,893 --> 00:39:23,462 (men speak indistinctly) 969 00:39:23,495 --> 00:39:24,996 SO WHAT DO YOU EXPECT TO FIND? 970 00:39:25,030 --> 00:39:27,666 THE FINANCIAL RECORDS OF BART'S OIL DEAL. 971 00:39:27,699 --> 00:39:30,469 WHICH, WHEN I FINALLY HAND OVER TO THE FBI, 972 00:39:30,502 --> 00:39:32,404 WILL ENSURE HE SPENDS THE REST OF HIS DAYS 973 00:39:32,438 --> 00:39:36,007 PLAYING PINOCHLE WITH BERNIE MADOFF. 974 00:39:37,843 --> 00:39:38,910 THANK YOU. 975 00:39:46,117 --> 00:39:47,152 WELL, I GUESS IT'S NOT TIME 976 00:39:47,185 --> 00:39:49,955 TO BREAK OUT THE HANDCUFFS JUST YET. 977 00:39:49,988 --> 00:39:51,590 WHERE THE HELL IS THAT ENVELOPE? 978 00:39:51,623 --> 00:39:53,559 MAYBE "TRAFFIC" MEANT SOMETHING ELSE 979 00:39:53,592 --> 00:39:55,727 OR WE GOT THE WRONG PAINTING. 980 00:39:55,761 --> 00:39:59,097 NO. NO. LILY WAS TOO DETERMINED TO GET THIS ONE. 981 00:39:59,130 --> 00:40:01,032 AND THE PHILLIPS IN MY BEDROOM HAS A BACKING ON IT. 982 00:40:01,066 --> 00:40:03,435 THEN SOMEONE TOOK IT OFF. 983 00:40:03,469 --> 00:40:04,870 THEN THEY'VE GOT THE EVIDENCE! 984 00:40:04,903 --> 00:40:08,907 (MNDR's "Stay" playing) 985 00:40:08,940 --> 00:40:11,743 REMEMBER THAT SILVER BULLET WE WERE LOOKING FOR? 986 00:40:11,777 --> 00:40:13,512 I FOUND IT. 987 00:40:13,545 --> 00:40:15,447 (chuckles) 988 00:40:15,481 --> 00:40:17,649 YOU KNOW, I REALLY THINK IT'S TIME FOR YOU TO COME BACK. 989 00:40:17,683 --> 00:40:19,851 THE SOONER, THE BETTER. 990 00:40:19,885 --> 00:40:21,920 I DON'T KNOW HOW MUCH LONGER I CAN KEEP DOING THIS. 991 00:40:21,953 --> 00:40:23,021 (door opens) 992 00:40:23,054 --> 00:40:24,790 (whispers) I GOTTA GO. 993 00:40:24,823 --> 00:40:26,191 (beep) 994 00:40:26,224 --> 00:40:28,660 ONE PEPPERONI PIZZA, EXTRA CHEESE TO GO 995 00:40:28,694 --> 00:40:32,898 WITH A BOTTLE OF DOM PERIGNON-- 996 00:40:32,931 --> 00:40:34,666 AN UNEXPECTED YET BRILLIANT COMBINATION, 997 00:40:34,700 --> 00:40:36,134 JUST LIKE US. 998 00:40:36,167 --> 00:40:37,135 THE BEATLES SANG, 999 00:40:37,168 --> 00:40:41,673 "LIVING IS EASY WITH EYES CLOSED." 1000 00:40:41,707 --> 00:40:44,009 BART, I AM SO SORRY. I HAD NO IDEA 1001 00:40:44,042 --> 00:40:46,878 THAT'S WHERE YOU HID THE RECORDS OF YOUR OIL DEALS. 1002 00:40:46,912 --> 00:40:48,547 BUT EVEN WITH OUR EYES OPEN, 1003 00:40:48,580 --> 00:40:50,916 WE ALL STILL HAVE BLIND SPOTS. 1004 00:40:50,949 --> 00:40:53,619 * BLOOD IS ON MY HANDS 1005 00:40:53,652 --> 00:40:54,753 * ON MY HANDS 1006 00:40:54,786 --> 00:40:57,188 * OH, STAY 1007 00:40:57,222 --> 00:41:01,026 * WISH I COULD STAY IN LOVE WITH YOU * 1008 00:41:01,059 --> 00:41:02,528 ** 1009 00:41:02,561 --> 00:41:04,563 * RIGHT HERE WHEN WE COULD SAY SOMETHING * 1010 00:41:04,596 --> 00:41:06,498 * STAY 1011 00:41:06,532 --> 00:41:10,035 OR MAYBE WE'RE JUST LOOKING IN THE WRONG PLACE. 1012 00:41:10,068 --> 00:41:13,705 SO THIS WILL BE AIMED AT THE 12-TO-25 SET. 1013 00:41:13,739 --> 00:41:15,541 MARC JACOBS HAS "MARC BY"... 1014 00:41:15,574 --> 00:41:16,708 MM-HMM. 1015 00:41:16,742 --> 00:41:19,511 AND WALDORF DESIGNS WILL HAVE "B." 1016 00:41:19,545 --> 00:41:20,646 OH, I JUST LOVE THAT. 1017 00:41:20,679 --> 00:41:21,913 YEAH! 1018 00:41:21,947 --> 00:41:25,584 BUT WHEN WE FINALLY DO SEE THE LIGHT, 1019 00:41:25,617 --> 00:41:28,119 IT'S STRAWBERRY FIELDS FOREVER. 1020 00:41:28,153 --> 00:41:29,855 * STAY 1021 00:41:29,888 --> 00:41:33,725 * WISH I COULD STAY IN LOVE WITH YOU * 1022 00:41:33,759 --> 00:41:34,926 ** 1023 00:41:34,960 --> 00:41:36,127 WAIT A SECOND. 1024 00:41:36,161 --> 00:41:37,729 ARE YOU SURE? 1025 00:41:37,763 --> 00:41:40,265 * WISH I COULD STAY IN LOVE 1026 00:41:40,298 --> 00:41:43,234 X.O.X.O., GOSSIP GIRL. 1027 00:41:43,268 --> 00:41:45,571 * WELL, RIGHT NOW WE CAN STAY FROZEN * 74898

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