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1
00:00:02,436 --> 00:00:03,671
GOSSIP GIRL HERE--
YOUR ONE AND ONLY SOURCE
2
00:00:03,704 --> 00:00:06,274
INTO THE SCANDALOUS LIVES
OF MANHATTAN'S ELITE.
3
00:00:06,307 --> 00:00:10,644
CAN WE PLEASE TURN IT OFF?
4
00:00:10,678 --> 00:00:11,779
YOU MANIPULATED ME
INTO THINKING THAT IT WAS OVER
5
00:00:11,812 --> 00:00:13,447
SO I WOULD CHEAT ON HER,
6
00:00:13,481 --> 00:00:15,616
And I can't marry someone
who always has another sex tape
7
00:00:15,649 --> 00:00:17,318
OR SURPRISE SCHEME UP
THEIR SLEEVE.
8
00:00:17,351 --> 00:00:18,586
YOU WANNA GRAB A BURGER?
9
00:00:18,619 --> 00:00:21,722
SO BART WAS USING THE HORSES
TO HIDE THE MONEY
10
00:00:21,755 --> 00:00:23,224
HE WAS BUYING
ILLEGAL OIL WITH?
11
00:00:23,257 --> 00:00:25,626
HE DID IT SO HE COULD AVOID
FEDERAL PRISON.
12
00:00:25,659 --> 00:00:27,128
LOLA RETURNED IT TO ME.
13
00:00:27,161 --> 00:00:29,730
THAT'S CAROL'S PORTION
OF CeCe's ESTATE.
14
00:00:29,763 --> 00:00:32,333
I NEVER THOUGHT I'D BE GRATEFUL
TO CeCe RHODES.
15
00:00:32,366 --> 00:00:35,503
MISS ELEANOR CALL.
SHE SAW PHOTOS OF COTILLION.
16
00:00:35,536 --> 00:00:38,572
SHE SAY SHE COME HOME
TO FIX DECORUM DISASTER.
17
00:00:40,174 --> 00:00:42,676
AND WHO AM I?
18
00:00:42,710 --> 00:00:45,779
THAT'S A SECRET
I'LL NEVER TELL.
19
00:00:45,813 --> 00:00:47,681
YOU KNOW YOU LOVE ME.
20
00:00:47,715 --> 00:00:50,151
X.O.X.O., GOSSIP GIRL.
21
00:00:50,184 --> 00:00:52,286
-- Captions by VITA --
22
00:00:52,320 --> 00:00:55,089
(Gossip Girl) THEY SAY
THE EARLY BIRD GETS THE WORM.
23
00:00:55,123 --> 00:00:58,659
INSPIRING MOTIVATION...
IF YOU'RE THE BIRD.
24
00:00:58,692 --> 00:01:00,561
THE WORM, HOWEVER, HAS NO IDEA
25
00:01:00,594 --> 00:01:03,397
WHEN HER FUTURE
WILL BE PLUCKED AWAY
26
00:01:03,431 --> 00:01:05,266
BY THE NEXT AIRBORNE ATTACKER.
27
00:01:05,299 --> 00:01:07,535
MY MOTHER'S PLANE LANDED
45 MINUTES AGO.
28
00:01:07,568 --> 00:01:09,570
LOOK, ALIVE, PEOPLE!
29
00:01:09,603 --> 00:01:12,540
SHE WAS SO FURIOUS THAT MY
COTILLION DRESS WAS ASSOCIATED
30
00:01:12,573 --> 00:01:14,842
WITH SERENA'S
SICKENING SEX TAPE.
31
00:01:14,875 --> 00:01:17,511
EVERYTHING MUST BE PERFECT.
32
00:01:17,545 --> 00:01:20,781
AND "PERFECT" DOES NOT INCLUDE
TABLOID CONTRABAND.
33
00:01:20,814 --> 00:01:23,451
HAND IT OVER.
34
00:01:23,484 --> 00:01:27,155
(White Arrows' "Little Birds"
playing)
35
00:01:27,188 --> 00:01:28,822
GET THIS OUT OF MY SIGHT.
36
00:01:28,856 --> 00:01:31,259
MY MOTHER CANNOT SEE
THAT REVENGE SMUT.
37
00:01:31,292 --> 00:01:35,263
ON SECOND THOUGHT,
YOU GO WITH IT.
38
00:01:35,296 --> 00:01:37,865
HOW DARE HUMPHREY WRITE THAT
I AM CONNIVING, MANIPULATIVE,
39
00:01:37,898 --> 00:01:39,533
AND STUCK IN HIGH SCHOOL?
40
00:01:39,567 --> 00:01:41,669
I AM NOT ALL SCHEME
AND NO SUBSTANCE.
41
00:01:41,702 --> 00:01:44,472
HELL HAVE NO FURY
LIKE A LONELY BOY SCORNED.
42
00:01:44,505 --> 00:01:45,606
WELL, HE DOESN'T MATTER.
43
00:01:45,639 --> 00:01:47,341
WHEN MY MOTHER SEES
THE DRESS ORDERS,
44
00:01:47,375 --> 00:01:49,343
SHE WILL BE SO BUSY
SINGING MY PRAISES
45
00:01:49,377 --> 00:01:50,744
THAT SHE WON'T HAVE TIME
TO PAY ATTENTION TO--
46
00:01:50,778 --> 00:01:52,746
PAY ATTENTION TO WHAT,
BLAIR?
47
00:01:52,780 --> 00:01:55,583
WHAT DON'T YOU WANT ME
PAYING ATTENTION TO?
48
00:01:55,616 --> 00:01:58,886
MOTHER! WELCOME HOME!
49
00:01:58,919 --> 00:02:01,555
WHAT IS THIS, "DOWNTON ABBEY"?
50
00:02:01,589 --> 00:02:02,823
EVERYONE, BACK TO WORK!
51
00:02:02,856 --> 00:02:04,892
(employees murmuring)
52
00:02:04,925 --> 00:02:08,196
(sighs) DOROTA, WHEN DID YOU
BECOME A SEAMSTRESS?
53
00:02:08,229 --> 00:02:09,630
GET MY BAGS,
54
00:02:09,663 --> 00:02:12,266
TAKE THEM BACK TO THE HOUSE
AND START KEEPING IT.
55
00:02:13,867 --> 00:02:18,206
THIS IS NOT FOOLING ANYONE.
56
00:02:18,239 --> 00:02:21,342
YOU. OFFICE. NOW.
57
00:02:23,511 --> 00:02:24,812
(door slides closed)
58
00:02:35,656 --> 00:02:37,458
I KNOW YOU'RE UPSET,
MOTHER,
59
00:02:37,491 --> 00:02:39,260
BUT MY COTILLION DRESS
HAS ALREADY BEEN ORDERED
60
00:02:39,293 --> 00:02:40,728
BY THE THREE B's--
61
00:02:40,761 --> 00:02:42,530
BARNEYS, BERGDORF'S,
62
00:02:42,563 --> 00:02:45,333
AND THE LESSER BUT STILL
RELEVANT BLOOMINGDALE'S.
63
00:02:45,366 --> 00:02:46,534
I ACHIEVED YOUR GOAL.
64
00:02:46,567 --> 00:02:48,269
AT THE COST
OF MY COMPANY'S REPUTATION.
65
00:02:48,302 --> 00:02:50,738
A FEW SALES DO NOT MAKE UP
66
00:02:50,771 --> 00:02:53,807
FOR A RUNWAY STRIP SHOW
AND SEX TAPES,
67
00:02:53,841 --> 00:02:56,777
AND BANDAGE DRESSES
WITHOUT THE--THE BANDAGES.
68
00:02:56,810 --> 00:02:59,780
WELL, I ADMIT
A SHIFT IN MARKETING STRATEGY
69
00:02:59,813 --> 00:03:01,615
MAY BE CALLED FOR.
70
00:03:01,649 --> 00:03:04,285
NO, THE--THE ISSUE GOES DEEPER
THAN THAT, BLAIR. IT'S YOU.
71
00:03:04,318 --> 00:03:07,555
YOU AND YOUR--
YOUR SPLIT PERSONALITY.
72
00:03:07,588 --> 00:03:10,524
WELL, YOU MUST BE REFERRING
TO MY ABILITY TO MULTITASK.
73
00:03:10,558 --> 00:03:14,962
I AM REFERRING
TO YOUR DARK AND SCHEMING
74
00:03:14,995 --> 00:03:17,965
AND, FRANKLY,
SEXUALLY INAPPROPRIATE SIDE.
75
00:03:17,998 --> 00:03:20,801
I LIKE TO THINK OF MYSELF
AS OPEN-MINDED?
76
00:03:20,834 --> 00:03:24,372
FOR AS LONG AS
I CAN REMEMBER,
77
00:03:24,405 --> 00:03:27,808
YOU HAVE STRUGGLED
BETWEEN YOUR TWO NATURES.
78
00:03:27,841 --> 00:03:31,845
I KNOW THAT YOU ARE
A BEAUTIFUL, INTELLIGENT,
79
00:03:31,879 --> 00:03:34,382
AMBITIOUS YOUNG BUSINESSWOMAN.
80
00:03:34,415 --> 00:03:36,250
BUT IF YOU WANT
TO CONTINUE TO RUN
81
00:03:36,284 --> 00:03:40,321
MY MULTIMILLION-DOLLAR
CORPORATION,
82
00:03:40,354 --> 00:03:43,724
THE DEVIANT HALF HAS TO GO.
83
00:03:43,757 --> 00:03:46,427
FOR GOOD!
84
00:03:46,460 --> 00:03:49,597
I UNDERSTAND.
85
00:03:49,630 --> 00:03:51,732
THERE WON'T BE AN ISSUE.
86
00:03:51,765 --> 00:03:54,868
MY GRACE KELLY CAN DEFEAT
MY GRACE JONES,
87
00:03:54,902 --> 00:03:57,338
NO PROBLEM.
88
00:03:57,371 --> 00:03:58,739
UH-HUH.
89
00:04:00,774 --> 00:04:02,610
WELL, HONESTLY, I'VE--
I'VE SLEPT SO MUCH BETTER
90
00:04:02,643 --> 00:04:04,345
SINCE YOU FOUND OUT
91
00:04:04,378 --> 00:04:07,348
THAT LOLA RETURNED THE MONEY
FROM CeCe's ESTATE TO ME.
92
00:04:07,381 --> 00:04:10,351
I'M REALLY SORRY I KEPT THAT
A SECRET FROM YOU.
93
00:04:10,384 --> 00:04:12,820
I'M JUST GLAD
EVERYTHING'S OUT IN THE OPEN
94
00:04:12,853 --> 00:04:14,021
AND YOU HAD THE MONEY
TO SAVE THE GALLERY
95
00:04:14,054 --> 00:04:15,489
IN TIME FOR TONIGHT'S OPENING.
96
00:04:15,523 --> 00:04:17,858
I'M SO EXCITED
IT'S FINALLY HAPPENING.
97
00:04:17,891 --> 00:04:19,026
ARE THERE
ANY LAST-MINUTE DETAILS
98
00:04:19,059 --> 00:04:20,160
YOU WANT ME TO TAKE CARE OF?
99
00:04:20,193 --> 00:04:23,030
WELL, WE NEED TO GIVE
THE CATERER A FINAL HEAD COUNT.
100
00:04:23,063 --> 00:04:24,765
(stool scrapes floor)
101
00:04:24,798 --> 00:04:27,435
DO YOU REMEMBER
HOW MANY R.S.V.P.s WE HAD?
102
00:04:27,468 --> 00:04:29,770
I NEVER CHECKED, BUT...
103
00:04:29,803 --> 00:04:32,306
I'M SURE EVERYONE'S COMING.
104
00:04:32,340 --> 00:04:34,342
UH...
105
00:04:34,375 --> 00:04:35,376
WHAT'S WRONG?
106
00:04:35,409 --> 00:04:36,977
WELL, THIS CAN'T BE RIGHT.
107
00:04:37,010 --> 00:04:39,046
THEY'RE ALL REGRETS.
108
00:04:39,079 --> 00:04:41,048
WHAT HAPPENED TO
YOUR ART WORLD CONNECTIONS?
109
00:04:41,081 --> 00:04:44,618
NO "ART FORUM" EDITOR.
110
00:04:44,652 --> 00:04:45,586
(taps keys)
111
00:04:45,619 --> 00:04:48,055
NO MAJOR COLLECTORS.
HEY, EVEN BEX SAID "NO."
112
00:04:48,088 --> 00:04:49,557
WHAT THE HELL HAPPENED?
113
00:04:51,659 --> 00:04:53,894
(elevator bell dings)
114
00:05:01,502 --> 00:05:03,070
YOU SURFING
THE EMPIRE CCTV AGAIN?
115
00:05:03,103 --> 00:05:04,505
WHAT, IS OLIVIA MUNN
STAYING HERE?
116
00:05:04,538 --> 00:05:05,673
WRONG PLACE.
117
00:05:05,706 --> 00:05:06,874
THIS IS THE SECURITY FOOTAGE
118
00:05:06,907 --> 00:05:08,542
FROM THE VAN DER WOODSEN
BUILDING.
119
00:05:08,576 --> 00:05:09,910
HOW'D YOU GET YOUR HANDS
ON THAT?
120
00:05:09,943 --> 00:05:12,546
WELL, VANYA CAN'T BE BRIBED,
BUT THE NIGHT DOORMAN
121
00:05:12,580 --> 00:05:14,047
WAS REMARKABLY OPEN
TO A CASH PAYMENT.
122
00:05:14,081 --> 00:05:15,683
SO WHAT ARE
YOU LOOKING FOR?
123
00:05:15,716 --> 00:05:16,650
WHEN IVY
WAS IN THE APARTMENT,
124
00:05:16,684 --> 00:05:17,951
SHE SAID BART WALKED IN
125
00:05:17,985 --> 00:05:20,754
WITH AN ENVELOPE
HE HELD ON TO RATHER TIGHTLY.
126
00:05:20,788 --> 00:05:21,789
I WAS HOPING TO SEE
127
00:05:21,822 --> 00:05:25,559
A RETURN ADDRESS
OR SOME DISTINGUISHING MARKS.
128
00:05:25,593 --> 00:05:26,694
DID YOU FIND ANYTHING?
129
00:05:26,727 --> 00:05:28,896
INDEED.
130
00:05:28,929 --> 00:05:31,365
THE ENVELOPE HAD THE SEAL
131
00:05:31,399 --> 00:05:32,766
OF THE FIRST INTERNATIONAL BANK
OF SUDAN.
132
00:05:32,800 --> 00:05:35,102
THE FINANCIAL RECORDS
FROM HIS ILLEGAL OIL TRADE?
133
00:05:35,135 --> 00:05:37,971
I ASSUME SO, BUT BART CLOSED
ALL THE ACCOUNTS THAT MORNING.
134
00:05:38,005 --> 00:05:40,107
AND HE'S NOT ABOUT TO SHOW YOU
WHAT'S IN THE ENVELOPE
135
00:05:40,140 --> 00:05:41,442
OR TELL YOU WHERE IT IS.
136
00:05:41,475 --> 00:05:43,577
HE WON'T,
BUT SOMEONE ELSE MIGHT.
137
00:05:43,611 --> 00:05:45,579
BRUCE CAPLAN DROPPED
THE ENVELOPE OFF
138
00:05:45,613 --> 00:05:46,947
TO BART THAT MORNING.
139
00:05:46,980 --> 00:05:48,816
THE BASS BUSINESS MANAGER?
140
00:05:48,849 --> 00:05:50,651
HE WON'T SPILL
ANY OF BART'S SECRETS TO YOU.
141
00:05:50,684 --> 00:05:52,119
HE WON'T, BUT IF THE HEAD
OF "THE SPECTATOR" WERE
142
00:05:52,152 --> 00:05:54,455
TO ASK FOR BUSINESS MANAGEMENT
ADVICE...
143
00:05:54,488 --> 00:05:57,858
HE MIGHT ACCIDENTALLY
LET SOMETHING SLIP.
144
00:05:57,891 --> 00:06:00,628
ESPECIALLY IF IT'S THE KIND
OF MEETING THAT LOOSENS LIPS.
145
00:06:03,764 --> 00:06:05,733
OKAY.
146
00:06:05,766 --> 00:06:07,735
YEAH. THANK YOU.
147
00:06:07,768 --> 00:06:10,538
WELL, I FIGURED OUT WHY
NO ONE'S COMING TO OUR OPENING.
148
00:06:10,571 --> 00:06:12,840
TURNS OUT THERE'S A HUGE BENEFIT
TONIGHT AT THE CONRAD
149
00:06:12,873 --> 00:06:14,975
FOR THE ART PRODUCTION FUND.
GUESS WHO'S HOSTING.
150
00:06:15,008 --> 00:06:16,009
LILY.
151
00:06:17,978 --> 00:06:19,480
SHE MUST'VE FIGURED OUT
152
00:06:19,513 --> 00:06:20,981
WHEN YOU WERE PLANNING ON
OPENING YOUR GALLERY,
153
00:06:21,014 --> 00:06:23,984
SCHEDULED HER OWN BENEFIT
TO SABOTAGE YOU.
154
00:06:24,017 --> 00:06:25,853
WELL, IT'S NOT JUST ME
SHE'S SABOTAGING.
155
00:06:25,886 --> 00:06:27,421
IT'S MY ARTISTS, TOO.
156
00:06:27,455 --> 00:06:29,490
THIS GROUP SHOW
WAS A BIG DEAL TO THEM.
157
00:06:29,523 --> 00:06:31,124
HOW AM I GONNA EXPLAIN
THAT NO ONE'S COMING
158
00:06:31,158 --> 00:06:32,760
BECAUSE OF
MY VINDICTIVE EX-WIFE?
159
00:06:32,793 --> 00:06:36,964
WELL, EVERYONE WOULD STILL COME
IF HER EVENT WAS CANCELED.
160
00:06:36,997 --> 00:06:39,032
OH, SHE'S NOT GONNA CANCEL
A HUGE BENEFIT FOR ME.
161
00:06:39,066 --> 00:06:40,568
SHE WON'T EVEN TAKE MY CALL.
162
00:06:40,601 --> 00:06:42,169
I'M NOT CALLING HER.
163
00:06:42,202 --> 00:06:44,137
I'M CALLING
THE ART PRODUCTION FUND.
164
00:06:44,171 --> 00:06:46,907
I FEEL LIKE DONATING
SOME MONEY.
165
00:06:49,810 --> 00:06:51,479
GOOD MORNING, DANIEL.
166
00:06:51,512 --> 00:06:52,780
GOOD MORNING.
167
00:06:52,813 --> 00:06:54,648
THANK YOU FOR LETTING ME STAY
IN ERIC'S ROOM.
168
00:06:54,682 --> 00:06:55,916
CAN I MAKE YOU AND BART
A CUP?
169
00:06:55,949 --> 00:06:57,985
OH, NO. I'M GOOD, THANKS.
AND BART IS OUT OF TOWN.
170
00:06:58,018 --> 00:06:59,920
I'M ON MY WAY TO VIA QUADRONNO
TO MEET THE GIRLS
171
00:06:59,953 --> 00:07:01,455
BEFORE MY BENEFIT MEETING.
172
00:07:01,489 --> 00:07:02,656
HOW'S THAT GOING,
BY THE WAY?
173
00:07:02,690 --> 00:07:04,725
I FORGOT HOW MUCH
I ENJOY THROWING A PARTY
174
00:07:04,758 --> 00:07:06,627
WITHOUT HAVING MY HUSBAND
STANDING OVER MY SHOULDER,
175
00:07:06,660 --> 00:07:07,795
JUDGING ME.
176
00:07:07,828 --> 00:07:10,030
I MEAN RUFUS, OF COURSE,
177
00:07:10,063 --> 00:07:11,198
NOT BART.
178
00:07:11,231 --> 00:07:13,066
FORGIVE ME, DANIEL.
179
00:07:13,100 --> 00:07:16,637
YOU CAN NEVER OFFEND ME
WITH THE TRUTH.
180
00:07:16,670 --> 00:07:19,172
NONFAT CAPPUCCINO,
EXTRA FOAM, NO SUGAR.
181
00:07:19,206 --> 00:07:20,541
YOU REMEMBERED.
182
00:07:20,574 --> 00:07:22,075
YEAH, WELL,
IT'S BEEN A WHILE,
183
00:07:22,109 --> 00:07:23,176
ALMOST AS LONG
AS SINCE WE WOKE UP
184
00:07:23,210 --> 00:07:24,545
IN THE SAME APARTMENT
TOGETHER.
185
00:07:24,578 --> 00:07:29,683
UNLESS YOU COUNT THE WALDORFS'.
REMEMBER?
186
00:07:29,717 --> 00:07:30,884
(taps tablet)
187
00:07:30,918 --> 00:07:31,985
I CERTAINLY FORGOT
THIS WAS COMING OUT TODAY.
188
00:07:32,019 --> 00:07:35,122
YEAH. WE'VE BOTH BURNED
A LOT OF BRIDGES THIS YEAR.
189
00:07:36,957 --> 00:07:39,560
BUT AT LEAST WE HAVE
EACH OTHER.
190
00:07:39,593 --> 00:07:42,062
AND I COULDN'T BE MORE GRATEFUL
FOR YOU LETTING ME CAMP OUT,
191
00:07:42,095 --> 00:07:43,831
BUT I-I DON'T WANT
TO OVERSTAY MY WELCOME.
192
00:07:43,864 --> 00:07:45,966
I FINALLY GOT MY FIRST PAYCHECK
FOR "VANITY FAIR,"
193
00:07:45,999 --> 00:07:47,501
SO I THINK IT'S TIME FOR ME
TO FIND MY OWN PLACE
194
00:07:47,535 --> 00:07:48,969
AND LET YOU GET BACK
TO YOUR LIFE.
195
00:07:50,971 --> 00:07:53,240
YEAH. I MEAN, WE CAN'T HIDE OUT
HERE FOREVER. (chuckles)
196
00:07:53,273 --> 00:07:54,908
(chuckles)
197
00:07:54,942 --> 00:07:57,177
BUT, HEY, IF YOU--IF YOU NEED
TO FIND A NEW PLACE,
198
00:07:57,210 --> 00:08:00,047
I-I KNOW SOMEONE
WHO KNOWS EVERYONE,
199
00:08:00,080 --> 00:08:01,849
WHO HAS TERRIFIC INSTINCTS
FOR REAL ESTATE,
200
00:08:01,882 --> 00:08:02,983
AND WHO HAPPENS TO HAVE
AN AFTERNOON FREE
201
00:08:03,016 --> 00:08:04,985
TO LOOK AT APARTMENTS
WITH YOU.
202
00:08:05,018 --> 00:08:06,954
WHO?
203
00:08:06,987 --> 00:08:09,222
OH. RIGHT.
YEAH, THAT'S YOU. OKAY.
204
00:08:09,256 --> 00:08:11,792
SO DO YOU HAVE ANY IDEA
WHAT NEIGHBORHOOD YOU WANT?
205
00:08:11,825 --> 00:08:13,594
I CAN'T GET FAR ENOUGH AWAY
FROM MY DAD RIGHT NOW,
206
00:08:13,627 --> 00:08:14,695
SO BROOKLYN'S OUT.
207
00:08:14,728 --> 00:08:16,664
SO UPPER EAST SIDE?
208
00:08:16,697 --> 00:08:17,865
I WAS--I WAS THINKING LOWER.
209
00:08:17,898 --> 00:08:19,132
(laughs)
210
00:08:19,166 --> 00:08:20,534
WHAT'S FUNNY ABOUT THAT?
211
00:08:20,568 --> 00:08:22,202
OH, I KNOW YOU LIKE THE IDEA
212
00:08:22,235 --> 00:08:23,837
OF SAYING YOU LIVE IN
AN L.E.S. WALK-UP,
213
00:08:23,871 --> 00:08:25,673
BUT WE BOTH KNOW YOU
WELL ENOUGH TO KNOW
214
00:08:25,706 --> 00:08:27,808
YOU SECRETLY LONG FOR
A CONDO IN THE WEST VILLAGE.
215
00:08:27,841 --> 00:08:29,142
FINE.
A DOORMAN WOULD BE NICE,
216
00:08:29,176 --> 00:08:31,144
BUT I'LL JUST LIE ABOUT
HOW MUCH RENT I PAY.
217
00:08:31,178 --> 00:08:33,213
OKAY, LET'S TAKE A CAB
TO WEST FOURTH THEN.
218
00:08:33,246 --> 00:08:34,848
NO, WE GOT A RIDE.
219
00:08:34,882 --> 00:08:36,884
YOU BOUGHT A VESPA?
220
00:08:36,917 --> 00:08:38,018
(chuckles) THAT'S RIGHT.
221
00:08:38,051 --> 00:08:39,152
I FORGOT HOW MUCH
YOU LIKE VESPAS.
222
00:08:39,186 --> 00:08:40,954
BUT I GOT SO USED TO DRIVING ONE
AROUND ITALY THIS SUMMER
223
00:08:40,988 --> 00:08:42,890
THAT I DECIDED
I COULDN'T LIVE WITHOUT.
224
00:08:42,923 --> 00:08:44,625
HERE. HOP ON.
225
00:08:44,658 --> 00:08:46,293
(men) SERENA! SERENA!
226
00:08:46,326 --> 00:08:47,895
(man)
HEY, I LOVED THAT SEX TAPE!
227
00:08:47,928 --> 00:08:49,129
SERENA, SERENA, OVER HERE!
228
00:08:49,162 --> 00:08:50,864
NO.
229
00:08:50,898 --> 00:08:52,766
TURN AROUND
AND GIVE ME A SMILE, SERENA.
230
00:08:52,800 --> 00:08:54,167
WHEN'S THE SEQUEL?
TALK TO US.
231
00:08:54,201 --> 00:08:58,105
SPOTTED--
S. AND D. GETTING COZY AGAIN.
232
00:08:58,138 --> 00:09:02,075
EVEN I HAVE TO ADMIT THEY SURE
LOOK CUTE ON THAT SCOOTER.
233
00:09:07,047 --> 00:09:10,083
(engine rumbling)
234
00:09:12,786 --> 00:09:14,922
(turns off engine)
235
00:09:14,955 --> 00:09:16,757
OH, MY GOSH.
THAT WAS AMAZING!
236
00:09:16,790 --> 00:09:19,059
YOU WERE--
YOU WERE LIKE JASON BOURNE,
237
00:09:19,092 --> 00:09:20,928
RIDING UP ON THE SIDEWALK.
238
00:09:20,961 --> 00:09:22,630
YOU KNOW, THAT SEX TAPE--
I KNEW IT WENT VIRAL,
239
00:09:22,663 --> 00:09:23,931
BUT I DIDN'T EXPECT THAT.
240
00:09:23,964 --> 00:09:25,666
WELL, GIVEN THE MEDIA CIRCUS,
241
00:09:25,699 --> 00:09:27,300
MAYBE TODAY'S NOT THE DAY
TO BE SEARCHING FOR APARTMENTS.
242
00:09:27,334 --> 00:09:30,170
NOBODY WANTS A TENANT
TRAILED BY TMZ.
243
00:09:32,105 --> 00:09:34,207
(camera shutter clicks)
244
00:09:34,241 --> 00:09:35,809
THAT'S GREAT.
245
00:09:35,843 --> 00:09:36,777
ALL RIGHT, WE SHOULD PROBABLY
GET OFF THE STREETS.
246
00:09:36,810 --> 00:09:38,578
YEAH. I COULD USE A DRINK.
247
00:09:40,814 --> 00:09:41,915
YOU KNOW WHAT?
I KNOW A PLACE
248
00:09:41,949 --> 00:09:42,950
WHERE NO ONE WILL THINK
TO LOOK FOR US.
249
00:09:42,983 --> 00:09:44,217
PERFECT.
250
00:09:44,251 --> 00:09:46,086
(engine revs)
251
00:09:46,119 --> 00:09:48,088
(cork pops)
252
00:09:48,121 --> 00:09:50,190
THANK YOU.
253
00:09:50,223 --> 00:09:52,092
SO, BRUCE, IS THERE
ANYTHING ELSE I CAN GET YOU?
254
00:09:52,125 --> 00:09:57,097
WOW. CRYSTAL AND CRISTAL
IS MY FAVORITE COMBINATION.
255
00:09:57,130 --> 00:09:58,331
BUT MAYBE WE'D BETTER GET
256
00:09:58,365 --> 00:10:00,801
TO THAT URGENT BUSINESS MATTER
YOU MENTIONED.
257
00:10:00,834 --> 00:10:03,236
WELL, THERE ARE CERTAIN THINGS
ABOUT "THE SPECTATOR" FINANCES
258
00:10:03,270 --> 00:10:05,305
I WOULD LIKE
TO REMAIN CONFIDENTIAL.
259
00:10:05,338 --> 00:10:06,940
I WONDER IF YOU COULD
ADVISE ME
260
00:10:06,974 --> 00:10:09,977
ON THE SAFEST WAY
TO KEEP THOSE HIDDEN.
261
00:10:10,010 --> 00:10:14,715
STORING CONFIDENTIAL INFORMATION
IS... A SPECIALTY OF MINE.
262
00:10:14,748 --> 00:10:16,717
BUT I LIKE TO WORK ON
A CLIENT-BY-CLIENT BASIS.
263
00:10:16,750 --> 00:10:18,852
COULD YOU GIVE ME
SOME EXAMPLES?
264
00:10:18,886 --> 00:10:23,724
I'M SORRY. UH, MY CLIENTS DEPEND
ON MY DISCRETION.
265
00:10:23,757 --> 00:10:25,258
BESIDES, I DON'T WANT
TO TALK ABOUT THAT NOW.
266
00:10:25,292 --> 00:10:26,827
(chuckles)
267
00:10:26,860 --> 00:10:29,730
SEND ME YOUR BOOKS.
I'LL MAKE A RECOMMENDATION.
268
00:10:29,763 --> 00:10:31,732
IN THE MEANTIME,
269
00:10:31,765 --> 00:10:35,402
I... WOULD LIKE TO TAKE
THE REST OF THIS... MEETING...
270
00:10:35,435 --> 00:10:36,870
ELSEWHERE.
271
00:10:36,904 --> 00:10:41,341
(giggling)
272
00:10:41,374 --> 00:10:43,744
DON'T FORGET YOUR JACKET.
273
00:10:43,777 --> 00:10:44,745
OH.
274
00:10:44,778 --> 00:10:45,746
(elevator bell dings)
275
00:10:45,779 --> 00:10:47,981
THANKS.
276
00:10:48,015 --> 00:10:49,416
(woman giggles)
277
00:10:52,319 --> 00:10:54,221
WHY DID YOU LET HIM LEAVE
WITHOUT GETTING THE INFORMATION?
278
00:10:54,254 --> 00:10:56,824
HE WASN'T GONNA
GIVE IT TO ME,
279
00:10:56,857 --> 00:10:58,325
SO I FIGURED
I'D JUST TAKE IT.
280
00:10:59,893 --> 00:11:01,428
(elevator bell dings,
doors open)
281
00:11:01,461 --> 00:11:04,364
I WILL ADMIT
YOU HAVE TAKEN STEPS.
282
00:11:04,397 --> 00:11:07,701
LIKE THE--THE PEONIES
WERE AN ELEGANT ADDITION
283
00:11:07,735 --> 00:11:09,102
TO THE HANDWRITTEN APOLOGIES
YOU SENT
284
00:11:09,136 --> 00:11:11,138
TO EACH OF THE BOARD MEMBERS
OF THE COTILLION.
285
00:11:11,171 --> 00:11:13,173
AND POPPY DID SEEM TOUCHED
BY MY DONATION
286
00:11:13,206 --> 00:11:15,776
TO HER CHARITY
FOR CHILDREN WHO CAN'T SMILE.
287
00:11:15,809 --> 00:11:19,179
SOUND LIKE MISS BLAIR SHOW
GREAT GRACE AND DIGNITY.
288
00:11:19,212 --> 00:11:20,848
YES, THAT'S RIGHT, DOROTA.
289
00:11:20,881 --> 00:11:22,415
MY MOTHER HAS SHOWN ME
THE ERRORS OF MY WAY.
290
00:11:22,449 --> 00:11:24,384
SO NOW YOU CAN
RETURN TO PARIS,
291
00:11:24,417 --> 00:11:26,186
REASSURED THAT YOUR COMPANY'S
ON THE STRAIGHT AND NARROW.
292
00:11:26,219 --> 00:11:28,856
LET'S NOT GET AHEAD
OF OURSELVES.
293
00:11:28,889 --> 00:11:30,724
I SAID STEPS,
294
00:11:30,758 --> 00:11:33,794
AS IN THE FIRST OF MANY
ON THE ROAD TO RECOVERY.
295
00:11:33,827 --> 00:11:35,395
WELL, I HAVE ALREADY ADMITTED
296
00:11:35,428 --> 00:11:37,330
THAT I AM POWERLESS
OVER MY SCHEMING
297
00:11:37,364 --> 00:11:39,166
AND THAT MY LIFE HAS
BECOME UNMANAGEABLE.
298
00:11:39,199 --> 00:11:40,333
WHAT ELSE IS THERE?
299
00:11:40,367 --> 00:11:43,036
AMENDS
TO THE FASHION COMMUNITY
300
00:11:43,070 --> 00:11:46,473
WHICH INFORMS THE MASSES.
301
00:11:49,810 --> 00:11:51,144
HELLO, BLAIR.
302
00:11:51,178 --> 00:11:53,213
I HAD DOROTA PREPARE
A LIGHT LUNCH.
303
00:11:53,246 --> 00:11:55,448
I'LL LET YOU GIRLS... CHAT.
304
00:12:02,956 --> 00:12:05,025
HOW COULD SOMEONE WHO HIDES
EVERYTHING FOR EVERYONE ELSE
305
00:12:05,058 --> 00:12:07,194
PICK HIS BIRTHDAY
FOR HIS PASSWORD? (laughs)
306
00:12:07,227 --> 00:12:09,296
I UNDERESTIMATED YOU,
NATHANIEL.
307
00:12:09,329 --> 00:12:10,964
WELL, YOU'RE NOT
THE FIRST PERSON TO SAY THAT,
308
00:12:10,998 --> 00:12:13,300
BUT THERE'S NOTHING UNDER
THE INTERNATIONAL BANK OF SUDAN.
309
00:12:13,333 --> 00:12:15,468
THEN PULL UP MY FATHER.
310
00:12:15,502 --> 00:12:17,370
BRUCE SAID
HE HAD DIFFERENT METHODS
311
00:12:17,404 --> 00:12:19,239
FOR HIDING INFORMATION
FOR DIFFERENT CLIENTS.
312
00:12:19,272 --> 00:12:21,374
MAYBE THERE'S A RECORD OF IT.
313
00:12:21,408 --> 00:12:23,777
THERE'S NOTHING HERE
BUT ADDRESSES AND PHONE NUMBERS.
314
00:12:23,811 --> 00:12:25,245
THEN LOOK AT THE CALENDAR
315
00:12:25,278 --> 00:12:26,980
THE MORNING HE DROPPED OFF
THE ENVELOPE.
316
00:12:27,014 --> 00:12:28,248
MAYBE THERE'S A CLUE
TO WHERE HE WENT.
317
00:12:28,281 --> 00:12:29,449
WAIT. THERE'S AN ENTRY HERE
FROM THE MORNING.
318
00:12:29,482 --> 00:12:33,120
IT SAYS "BASS TRAFFIC."
319
00:12:36,423 --> 00:12:39,159
(indistinct conversations)
320
00:12:41,261 --> 00:12:42,863
(glasses clatter)
321
00:12:45,265 --> 00:12:48,201
(man) I'M SORRY. WE'RE NOT OPEN
TO THE PUBLIC JUST YET.
322
00:12:48,235 --> 00:12:50,103
OH, WE HAVE AN APPOINTMENT.
323
00:12:50,137 --> 00:12:51,872
RUFUS HUMPHREY. HI.
324
00:12:51,905 --> 00:12:53,273
THIS IS IVY DICKENS.
325
00:12:53,306 --> 00:12:54,875
BENEDICT TATE.
326
00:12:54,908 --> 00:12:56,509
I'M DOING P.R.
FOR TONIGHT'S EVENT.
327
00:12:56,543 --> 00:12:58,278
SO PLEASE, HOW CAN I BE
OF ASSISTANCE?
328
00:12:58,311 --> 00:13:01,849
WE WOULD LIKE TO PURCHASE
ALL OF THE ARTWORK.
329
00:13:01,882 --> 00:13:04,284
I APPRECIATE YOUR ENTHUSIASM,
330
00:13:04,317 --> 00:13:06,519
BUT TONIGHT'S SILENT AUCTION
IS EXPECTED TO RAISE
331
00:13:06,553 --> 00:13:08,021
HUNDREDS OF THOUSANDS
OF DOLLARS. (chuckles)
332
00:13:08,055 --> 00:13:10,157
HOW MANY HUNDREDS?
333
00:13:10,190 --> 00:13:11,959
5?
334
00:13:11,992 --> 00:13:13,560
7?
335
00:13:13,593 --> 00:13:17,430
YOU KNOW, 8 HAS ALWAYS BEEN
A LUCKY NUMBER FOR ME.
336
00:13:17,464 --> 00:13:20,267
SO NOW YOU CAN, UH, CANCEL
YOUR EXPENSIVE PARTY
337
00:13:20,300 --> 00:13:22,035
AND SEND EVERYONE HOME.
338
00:13:22,069 --> 00:13:22,970
I'M--I'M SORRY. I THINK
THERE'S BEEN A MISUNDERSTANDING.
339
00:13:23,003 --> 00:13:25,038
I AM HAPPY TO DELIVER
ALL THE ARTWORK TO YOU
340
00:13:25,072 --> 00:13:28,041
AFTER THE EVENT, BUT IT'S
TOO LATE AN HOUR TO CANCEL.
341
00:13:28,075 --> 00:13:30,010
AND, WELL... (chuckles)
342
00:13:30,043 --> 00:13:32,545
WE NEED SOMETHING
ON THE WALLS.
343
00:13:35,215 --> 00:13:39,219
THEN I HAVE AN IDEA THAT MAY
HELP YOU RAISE EVEN MORE MONEY.
344
00:13:39,252 --> 00:13:42,522
(All Wrong and the Plans
Change's "Deals" playing)
345
00:13:42,555 --> 00:13:46,326
**
346
00:13:46,359 --> 00:13:48,061
WHEN WE CAME HERE
ON OUR FIRST DATE,
347
00:13:48,095 --> 00:13:49,262
YOU DIDN'T KNOW
HOW TO HOLD THE CUE.
348
00:13:49,296 --> 00:13:51,331
DID YOU SPEND THE LAST FIVE
YEARS TAKING BILLIARD LESSONS?
349
00:13:51,364 --> 00:13:54,067
I COULD ALWAYS PLAY.
350
00:13:54,101 --> 00:13:55,602
YOU HUSTLED ME.
351
00:13:55,635 --> 00:13:57,871
WELL, NO. I-I JUST WANTED
TO MAKE YOU FEEL BETTER
352
00:13:57,905 --> 00:13:59,940
AFTER YOUR EPIC
FRENCH ORDERING FAILURE.
353
00:13:59,973 --> 00:14:01,875
OR MAYBE YOU WERE LOOKING
FOR AN EXCUSE
354
00:14:01,909 --> 00:14:03,343
FOR ME TO PUT MY ARMS
AROUND YOU.
355
00:14:03,376 --> 00:14:06,213
A GIRL NEVER REVEALS
HER SECRETS.
356
00:14:06,246 --> 00:14:10,583
(cell phone alert chimes)
357
00:14:10,617 --> 00:14:11,885
UNLESS YOU'RE GOSSIP GIRL.
358
00:14:11,919 --> 00:14:15,355
SPOTTED--TWO OLD FLAMES
SLUMMING IT ON MEMORY LANE.
359
00:14:15,388 --> 00:14:17,357
WHO DOESN'T LOVE A SEQUEL?
360
00:14:17,390 --> 00:14:18,625
DID SHE GIVE
OUR EXACT LOCATION?
361
00:14:18,658 --> 00:14:20,493
YEAH, WHICH MEANS
OUR MOB OF NEW FRIENDS
362
00:14:20,527 --> 00:14:22,595
ARE PROBABLY ALREADY
CAMPED OUTSIDE.
363
00:14:22,629 --> 00:14:24,364
WE'RE JUST FUELING THEIR FIRE
BY BEING TOGETHER.
364
00:14:24,397 --> 00:14:26,099
WHY DON'T I GO OUT FRONT
WITH THE VESPA?
365
00:14:26,133 --> 00:14:28,235
I'LL DISTRACT 'EM, AND YOU JUST
SNEAK OUT BACK AND GRAB A TAXI.
366
00:14:28,268 --> 00:14:30,303
WELL, WE DON'T HAVE TO GO
RIGHT NOW.
367
00:14:30,337 --> 00:14:31,972
I'M JUST ABOUT TO WIN.
368
00:14:32,005 --> 00:14:35,075
PLEASE. LET'S--LET'S NOT MAKE
MY HUMILIATION OFFICIAL.
369
00:14:35,108 --> 00:14:36,576
AND THE SOONER WE GET
OUT OF HERE, THE BETTER.
370
00:14:36,609 --> 00:14:40,380
**
371
00:14:40,413 --> 00:14:42,349
THIS WAS NICE, THOUGH.
I'LL MISS IT.
372
00:14:42,382 --> 00:14:43,516
MM.
373
00:14:43,550 --> 00:14:47,154
**
374
00:14:49,122 --> 00:14:50,323
TRAFFIC.
375
00:14:50,357 --> 00:14:51,658
TRAFFIC JAM.
376
00:14:51,691 --> 00:14:53,660
TRAFFIC LIGHT. MAYBE THEY HAD
A MEETING IN A CAR.
377
00:14:53,693 --> 00:14:55,395
OR IT'S
BART'S OIL TRAFFICKING
378
00:14:55,428 --> 00:14:57,330
OR SOMETHING ELSE
HE'S ILLEGALLY SELLING.
379
00:14:57,364 --> 00:15:00,133
LIKE A NUCLEAR BOMB
IN A BRIEFCASE.
380
00:15:00,167 --> 00:15:02,235
YOU WATCH TOO MANY MOVIES.
381
00:15:03,670 --> 00:15:06,906
SO DOES BRUCE.
382
00:15:08,175 --> 00:15:10,677
WAIT. THAT'S IT.
383
00:15:10,710 --> 00:15:12,412
THE MOVIE "TRAFFIC"
IS RIGHT HERE.
384
00:15:12,445 --> 00:15:15,415
I REMEMBER IN THAT FILM,
THE HEAD OF THE DRUG CARTEL
385
00:15:15,448 --> 00:15:17,650
STORED HIS ILLEGAL
ACCOUNT INFORMATION
386
00:15:17,684 --> 00:15:19,953
IN THE BACK OF A PAINTING.
387
00:15:19,987 --> 00:15:20,988
WHAT, YOU THINK
THAT'S WHERE BART HID
388
00:15:21,021 --> 00:15:22,289
WHATEVER
WAS IN THE ENVELOPE?
389
00:15:22,322 --> 00:15:23,423
WELL,
THERE'S A LOT OF PAINTINGS
390
00:15:23,456 --> 00:15:25,158
IN THE VAN DER WOODSEN
APARTMENT.
391
00:15:25,192 --> 00:15:27,995
I'M JUST, UNFORTUNATELY,
STILL BANNED FROM THE BUILDING.
392
00:15:29,462 --> 00:15:32,032
I GUESS I'LL HAVE TO
PAY THEM A VISIT.
393
00:15:32,065 --> 00:15:33,433
SO I CALLED AND I CALLED
AND I CALLED AND I CALLED,
394
00:15:33,466 --> 00:15:35,435
AND THEN I JUST NEVER
HEARD FROM HIM AGAIN.
395
00:15:40,140 --> 00:15:40,707
IS THAT THE END
OF THE STORY?
396
00:15:40,740 --> 00:15:42,709
MM-HMM.
397
00:15:42,742 --> 00:15:46,046
WOW. YOU REALLY ARE
SO... ENTERTAINING.
398
00:15:46,079 --> 00:15:47,981
SO WHEN MY MOTHER RETURNS,
399
00:15:48,015 --> 00:15:50,450
TELL HER THAT I APOLOGIZED
AND THAT WE'RE BEST FRIENDS.
400
00:15:50,483 --> 00:15:53,386
I'M SORRY, BLAIR. THIS WAS FUN,
BUT I WON'T DO THAT
401
00:15:53,420 --> 00:15:55,288
BECAUSE IT'S NOT THE TRUTH.
402
00:15:55,322 --> 00:15:56,456
YES, IT IS.
403
00:15:56,489 --> 00:15:57,324
NO, IT'S NOT.
404
00:15:57,357 --> 00:15:58,458
YES, IT IS.
405
00:15:58,491 --> 00:15:59,726
NO, IT'S NOT.
406
00:15:59,759 --> 00:16:01,061
(whispers) YES, IT IS.
407
00:16:01,094 --> 00:16:02,429
NO, IT'S NOT.
408
00:16:02,462 --> 00:16:05,065
I HAVE BEEN CORDIAL TO YOU
FOR THE LAST... 52 MINUTES.
409
00:16:05,098 --> 00:16:06,066
DO YOU HAVE ANY IDEA
410
00:16:06,099 --> 00:16:07,200
THE PSYCHOLOGICAL TORTURE
THAT I HAVE ENDURED
411
00:16:07,234 --> 00:16:08,568
BEING NICE TO YOU?
412
00:16:08,601 --> 00:16:10,603
I SHOULD HAVE JUST SKIPPED AHEAD
TO THIS FROM THE START.
413
00:16:13,106 --> 00:16:15,075
IT THAT ME AS MRS. MINGOTT
IN A FAT SUIT?
414
00:16:16,643 --> 00:16:18,078
THAT WAS EMBARRASSING.
415
00:16:18,111 --> 00:16:20,480
AGREED, WHICH IS WHY
YOU DON'T WANT THIS
416
00:16:20,513 --> 00:16:22,215
BOUNCING
AROUND THE BLOGOSPHERE.
417
00:16:22,249 --> 00:16:25,185
NO ONE WANTS TO TAKE
FASHION ADVICE FROM HER.
418
00:16:26,619 --> 00:16:28,055
MOTHER!
419
00:16:28,088 --> 00:16:30,757
LADIES,
HOW ARE WE GETTING ALONG?
420
00:16:30,790 --> 00:16:32,359
FAMOUSLY.
421
00:16:36,396 --> 00:16:38,365
BLAIR JUST TRIED
TO BLACKMAIL ME.
422
00:16:38,398 --> 00:16:41,134
I'M SORRY, ELEANOR. I TRIED.
423
00:16:54,814 --> 00:16:56,516
THIS IS ALL NELLY'S FAULT.
424
00:16:56,549 --> 00:16:58,451
SHE WAS CLEARLY LYING BECAUSE
SHE'S ALWAYS BEEN JEALOUS OF ME.
425
00:16:58,485 --> 00:17:01,121
THE ONLY THING CLEAR
426
00:17:01,154 --> 00:17:03,656
IS THAT DANIEL HUMPHREY
WAS RIGHT ABOUT YOU.
427
00:17:03,690 --> 00:17:05,192
YOU READ THAT DRECK?
428
00:17:05,225 --> 00:17:06,793
ON THE PLANE.
429
00:17:06,826 --> 00:17:09,596
AND HIS--HIS CENTRAL THESIS
IS CORRECT.
430
00:17:09,629 --> 00:17:11,398
YOU ARE RUNNING MY BUSINESS
431
00:17:11,431 --> 00:17:13,233
LIKE YOU'RE STILL
THE MEANEST GIRL IN HIGH SCHOOL.
432
00:17:13,266 --> 00:17:15,135
I AM TRYING.
433
00:17:15,168 --> 00:17:16,636
RELAPSE IS PART
OF RECOVERY.
434
00:17:16,669 --> 00:17:20,073
PLEASE, JUST GIVE ME
ONE MORE CHANCE.
435
00:17:20,107 --> 00:17:23,076
I'M SORRY, BLAIR. IT'S OVER.
I CAN'T.
436
00:17:23,110 --> 00:17:25,278
I HAVE NO OTHER CHOICE
BUT TO DEMOTE YOU
437
00:17:25,312 --> 00:17:28,415
AND TAKE BACK THE PRESIDENCY
OF WALDORF DESIGNS,
438
00:17:28,448 --> 00:17:30,283
EFFECTIVE IMMEDIATELY.
439
00:17:30,317 --> 00:17:32,119
WATCH OUT, B.
440
00:17:32,152 --> 00:17:34,687
THEY SAY YOU'RE ONLY AS GOOD
AS THE COMPANY YOU KEEP,
441
00:17:34,721 --> 00:17:37,557
AND RIGHT NOW
YOU'RE NOT KEEPING ANY.
442
00:17:43,463 --> 00:17:45,698
WHAT'S GOING ON?
443
00:17:45,732 --> 00:17:47,567
WHY ARE YOU TAKING DOWN
THE PAINTINGS FOR MY EVENT?
444
00:17:47,600 --> 00:17:49,169
I THINK YOU MEAN OUR EVENT.
445
00:17:49,202 --> 00:17:51,504
SINCE EVERYONE IN THE ART WORLD
IS COMING HERE TONIGHT
446
00:17:51,538 --> 00:17:52,505
INSTEAD OF MY GALLERY OPENING,
447
00:17:52,539 --> 00:17:53,773
I DECIDED
TO HAVE MY OPENING HERE.
448
00:17:53,806 --> 00:17:56,176
THAT'S OUTRAGEOUS.
I'M GONNA TALK TO BENEDICT
449
00:17:56,209 --> 00:17:58,178
AND HAVE HIM REINSTALL MY ART
IMMEDIATELY.
450
00:17:58,211 --> 00:18:00,813
WELL, THAT WOULD BE DIFFICULT
SINCE WE OWN IT ALL NOW.
451
00:18:00,847 --> 00:18:03,183
LILY, WELCOME.
452
00:18:03,216 --> 00:18:04,717
I SEE YOU'VE MET
OUR NEW EVENT CO-SPONSORS.
453
00:18:04,751 --> 00:18:06,453
I HAVE,
454
00:18:06,486 --> 00:18:09,456
AND I'M NOT THRILLED THAT
MY CAREFULLY CURATED PIECES
455
00:18:09,489 --> 00:18:11,858
ARE BEING REPLACED WITHOUT
EVEN SO MUCH AS A PHONE CALL.
456
00:18:11,891 --> 00:18:13,726
OH.
457
00:18:13,760 --> 00:18:14,861
WELL, I'M SORRY.
458
00:18:14,894 --> 00:18:16,729
I NEVER IMAGINED
THAT YOU'D OBJECT
459
00:18:16,763 --> 00:18:20,567
TO RAISING MORE MONEY
FOR SUCH A WORTHWHILE CAUSE.
460
00:18:22,369 --> 00:18:25,672
LILY, RUFUS AND IVY
HAVE HELPED A.P.F.
461
00:18:25,705 --> 00:18:27,440
BREAK FUND-RAISING RECORDS.
462
00:18:27,474 --> 00:18:29,542
CERTAINLY,
SHARING YOUR HOSTING DUTIES
463
00:18:29,576 --> 00:18:31,311
IS A-A SMALL PRICE TO PAY.
464
00:18:35,248 --> 00:18:37,284
OF COURSE,
465
00:18:37,317 --> 00:18:38,751
WHICH IS WHY YOU'VE INSPIRED ME
466
00:18:38,785 --> 00:18:40,887
TO MAKE MY OWN
ADDITIONAL DONATION,
467
00:18:40,920 --> 00:18:43,656
WHICH I AM SURE WILL BREAK
THEIR RECORD.
468
00:18:48,728 --> 00:18:50,397
(vehicles passing, horn honks)
469
00:19:00,240 --> 00:19:02,742
(door opens)
470
00:19:02,775 --> 00:19:04,777
HOLD IT RIGHT THERE,
HUMPH-FREAK!
471
00:19:04,811 --> 00:19:08,581
DO YOU HAVE ANY IDEA WHAT A MESS
YOUR ARTICLE HAS MADE?
472
00:19:08,615 --> 00:19:09,916
NO, BUT I'M GUESSING
YOU'RE GONNA TELL ME
473
00:19:09,949 --> 00:19:11,751
EVEN IF I KEEP WALKING.
474
00:19:11,784 --> 00:19:14,387
MY MOTHER DEMOTED ME, THANKS TO
YOUR DISPARAGING DRIVEL.
475
00:19:14,421 --> 00:19:15,588
RIGHT, AND I'M SURE IT HAD
NOTHING TO DO
476
00:19:15,622 --> 00:19:17,224
WITH
YOUR WORK-RELATED BEHAVIOR.
477
00:19:17,257 --> 00:19:19,726
FIX THIS,
478
00:19:19,759 --> 00:19:22,229
OR WHEN I'M DONE WITH YOU,
YOU WON'T EVEN HAVE
479
00:19:22,262 --> 00:19:23,663
GEORGINA SPARKS' COUCH
IN BROOKLYN.
480
00:19:23,696 --> 00:19:25,365
I WILL FLY VANESSA BACK
481
00:19:25,398 --> 00:19:26,799
FROM WHATEVER THIRD-WORLD
COUNTRY SHE'S IN IF I HAVE TO.
482
00:19:26,833 --> 00:19:27,934
DO YOU HEAR YOURSELF?
483
00:19:27,967 --> 00:19:29,502
YOU'RE TRYING TO BULLY ME
484
00:19:29,536 --> 00:19:31,404
INTO RETRACTING AN ARTICLE
ABOUT YOU BEING A BULLY.
485
00:19:31,438 --> 00:19:33,473
NO.
486
00:19:33,506 --> 00:19:35,242
I'M PROVING TO MY MOTHER
THAT I AM
487
00:19:35,275 --> 00:19:37,677
THE MATURE, POLITE,
PROFESSIONAL WOMAN
488
00:19:37,710 --> 00:19:39,512
WHO SHOULD BE RUNNING
WALDORF DESIGNS.
489
00:19:39,546 --> 00:19:42,415
BLAIR, YOU TRACKED ME DOWN
WITH YOUR "SPOTTED" MAP
490
00:19:42,449 --> 00:19:44,551
AND THREATENED ME
WITH THE RETURN OF VANESSA.
491
00:19:44,584 --> 00:19:46,686
YOU ARE NOT MATURE, POLITE,
OR PROFESSIONAL,
492
00:19:46,719 --> 00:19:48,655
AND EVEN YOUR OWN MOTHER
KNOWS IT.
493
00:19:54,994 --> 00:19:56,195
(beep)
494
00:19:57,864 --> 00:20:00,300
NELLY?
495
00:20:00,333 --> 00:20:03,436
DO YOU THINK YOU COULD MEET ME
AT LILY'S BENEFIT TONIGHT?
496
00:20:03,470 --> 00:20:05,672
THERE'S SOMETHING I THINK
YOU WOULD WANT TO HEAR.
497
00:20:09,476 --> 00:20:12,245
AND YOU'RE SURE
THERE'S NOTHING?
498
00:20:12,279 --> 00:20:14,514
THERE'S NOTHING
IN ANY OF THIS ART.
499
00:20:14,547 --> 00:20:15,848
It could be subtle.
500
00:20:15,882 --> 00:20:17,984
Tape on the backing
or rip in the seam.
501
00:20:18,017 --> 00:20:18,918
NO, THERE'S NOTHING.
502
00:20:18,951 --> 00:20:20,587
AND THE BACK OF ARTWORK
IS REALLY BORING.
503
00:20:20,620 --> 00:20:22,322
(door closes)
504
00:20:22,355 --> 00:20:23,523
HOLD ON ONE SECOND.
505
00:20:23,556 --> 00:20:24,891
Someone's coming.
506
00:20:29,296 --> 00:20:30,597
NATE? WHAT ARE YOU DOING HERE?
507
00:20:30,630 --> 00:20:32,599
I AM JUST WRITING
A STORY ON LILY'S ARTWORK
508
00:20:32,632 --> 00:20:33,733
FOR "THE SPECTATOR."
509
00:20:33,766 --> 00:20:35,602
Oh, for the A.P.F. benefit
tonight?
510
00:20:35,635 --> 00:20:38,471
YEAH. EXACTLY.
511
00:20:38,505 --> 00:20:40,440
WHAT ARE YOU UP TO?
512
00:20:40,473 --> 00:20:42,609
UH, JUST REREADING
AN OLD SHORT STORY.
513
00:20:42,642 --> 00:20:43,943
HEY, IS EVERYBODY A WRITER
THESE DAYS?
514
00:20:43,976 --> 00:20:46,479
IT--NO, IT'S DAN'S.
515
00:20:46,513 --> 00:20:48,748
WOW. AREN'T YOU GETTING ENOUGH
OF HIM IN "VANITY FAIR"?
516
00:20:48,781 --> 00:20:49,782
IT'S THE ONE
FROM "THE NEW YORKER."
517
00:20:49,816 --> 00:20:51,017
YOU KNOW, THE STORY ABOUT
THE FIRST TIME HE SAW ME
518
00:20:51,050 --> 00:20:52,084
AT THAT PARTY.
519
00:20:52,118 --> 00:20:53,853
DO NOT TELL ME IN SOME
TWISTED TURN OF EVENTS THAT
520
00:20:53,886 --> 00:20:55,422
THAT SEX TAPE
MADE YOU MISS HIM.
521
00:20:55,455 --> 00:20:56,856
NO, IT'S JUST...
522
00:20:56,889 --> 00:20:58,491
WE SPENT SOME TIME TOGETHER,
523
00:20:58,525 --> 00:21:00,993
AND... I DON'T KNOW. IT--
IT BROUGHT UP SOME OLD MEMORIES.
524
00:21:01,027 --> 00:21:02,562
SERENA, YOU'RE
REALLY VULNERABLE RIGHT NOW
525
00:21:02,595 --> 00:21:04,897
AFTER STEVEN BROKE UP
WITH YOU.
526
00:21:04,931 --> 00:21:07,767
IT'S TOO SOON TO HAVE
REAL FEELINGS FOR DAN.
527
00:21:07,800 --> 00:21:10,002
BUT WHAT IF THOSE FEELINGS
NEVER REALLY WENT AWAY?
528
00:21:10,036 --> 00:21:11,438
THAT HIGH SCHOOL KID
YOU FELL IN LOVE WITH--
529
00:21:11,471 --> 00:21:12,839
THAT'S NOT WHO HE IS ANYMORE,
OKAY?
530
00:21:12,872 --> 00:21:13,773
HE ALMOST COST ME
"THE SPECTATOR"
531
00:21:13,806 --> 00:21:15,041
TO SELL HIS SERIAL.
532
00:21:15,074 --> 00:21:17,477
AND HE EXPLOITED ALL OF US
IN THOSE CHAPTERS.
533
00:21:17,510 --> 00:21:18,611
I KNOW. YOU'RE RIGHT.
(elevator bell dings)
534
00:21:18,645 --> 00:21:20,347
I MEAN, HE HAS BECOME
A SELFISH EGOMANIAC WHO WILL...
535
00:21:20,380 --> 00:21:22,315
SERENA--
536
00:21:22,349 --> 00:21:24,717
DESTROY HIS FRIENDS
FOR--FOR MONEY AND ATTENTION,
537
00:21:24,751 --> 00:21:25,852
FOR FAME AND--
538
00:21:25,885 --> 00:21:28,388
AHEM.
539
00:21:34,561 --> 00:21:36,295
I KNOW HOW MUCH YOU LIKE
CHOCOLATE-COVERED STRAWBERRIES.
540
00:21:39,799 --> 00:21:40,767
DAN, WAIT.
541
00:21:45,505 --> 00:21:46,806
HEY, LISTEN,
I BETTER GET GOING.
542
00:21:46,839 --> 00:21:48,775
WAIT. WHAT ABOUT THE AUCTION
SERENA MENTIONED?
543
00:21:48,808 --> 00:21:52,379
Look around.
Is there anything missing?
544
00:21:55,382 --> 00:21:57,016
THAT PAINTING OF
THE RAINBOW WOMAN IS GONE.
545
00:21:57,049 --> 00:21:58,951
OH.
546
00:21:58,985 --> 00:22:00,487
MY RICHARD PHILLIPS
HAS ARRIVED.
547
00:22:00,520 --> 00:22:04,023
LILY, ARE YOU SURE?
548
00:22:04,056 --> 00:22:05,792
YOU KNOW, IT'S ONE
OF MY FAVORITE PIECES
549
00:22:05,825 --> 00:22:08,661
IN MY COLLECTION,
BUT IT IS FOR A GOOD CAUSE.
550
00:22:08,695 --> 00:22:10,397
AND I'VE ALREADY SENT BART
AN E-MAIL,
551
00:22:10,430 --> 00:22:11,564
AND I KNOW HE WILL AGREE.
552
00:22:11,598 --> 00:22:14,401
THIS IS INCREDIBLY GENEROUS.
553
00:22:14,434 --> 00:22:17,504
IN FACT, WE'RE GONNA HAVE
A LIVE AUCTION
554
00:22:17,537 --> 00:22:19,606
JUST FOR THIS SPECIAL PIECE.
555
00:22:21,073 --> 00:22:24,744
I KNOW SHE WILL BE
THE STAR OF THE SHOW.
556
00:22:28,014 --> 00:22:31,851
THIS WORK OF ART
APPEARS TO BE A WORK OF BART.
557
00:22:31,884 --> 00:22:33,753
LET THE BIDDING BEGIN.
558
00:22:39,158 --> 00:22:41,428
(My Fiction's "Trophy Kids"
playing)
559
00:22:41,461 --> 00:22:44,964
THIS IS SPENCER SWEENEY,
PATRICK McMULLAN,
560
00:22:44,997 --> 00:22:46,466
AND FAB FIVE FREDDY.
561
00:22:46,499 --> 00:22:47,867
* GIVE ME SUNSHINE
562
00:22:47,900 --> 00:22:50,837
* AND DANCING
563
00:22:50,870 --> 00:22:51,971
(bangs gavel)
564
00:22:52,004 --> 00:22:52,972
(amplified voice) GOOD EVENING,
LADIES AND GENTLEMEN,
565
00:22:53,005 --> 00:22:57,009
AND WELCOME TO
THE ART PRODUCTION FUND BENEFIT.
566
00:22:57,043 --> 00:22:58,611
FIRST, I'D LIKE TO SAY
A SPECIAL THANKS
567
00:22:58,645 --> 00:23:01,714
TO RUFUS HUMPHREY
AND IVY DICKENS
568
00:23:01,748 --> 00:23:04,551
FOR THEIR TREMENDOUS
CONTRIBUTION TONIGHT.
569
00:23:04,584 --> 00:23:08,020
(applause)
570
00:23:08,054 --> 00:23:09,756
CAREFUL, LILY.
571
00:23:09,789 --> 00:23:12,091
YOU PAID A LOT OF MONEY
TO FILL THOSE WORRY LINES.
572
00:23:12,124 --> 00:23:14,961
LISTEN,
YOU VILE LITTLE INTERLOPER,
573
00:23:14,994 --> 00:23:17,597
YOU AND RUFUS MAY HAVE RUBBED
YOUR LAST TWO NICKELS TOGETHER
574
00:23:17,630 --> 00:23:18,898
TO REPLACE MY ART,
575
00:23:18,931 --> 00:23:20,833
BUT THE ONLY PEOPLE
THAT YOU'RE MAKING FOOLS OF
576
00:23:20,867 --> 00:23:22,001
ARE YOURSELVES.
577
00:23:22,034 --> 00:23:23,436
BUT TONIGHT, FOLKS,
578
00:23:23,470 --> 00:23:25,037
THE CENTERPIECE OF THIS EVENT
579
00:23:25,071 --> 00:23:28,508
WILL BE A SPECIAL LIVE AUCTION
580
00:23:28,541 --> 00:23:30,510
OF RICHARD PHILLIPS'
"SPECTRUM"...
581
00:23:30,543 --> 00:23:31,844
(audience murmurs)
582
00:23:31,878 --> 00:23:33,980
COURTESY OF LILIAN BASS'
PERSONAL COLLECTION.
583
00:23:34,013 --> 00:23:36,115
BIDDING WILL BEGIN SHORTLY.
584
00:23:36,148 --> 00:23:38,618
AS I WAS SAYING,
YOU CAN PRETEND TO BE LOLA,
585
00:23:38,651 --> 00:23:40,186
YOU CAN PRETEND TO BE SERENA,
586
00:23:40,219 --> 00:23:42,522
BUT YOU WILL NEVER BE ME.
587
00:23:42,555 --> 00:23:45,191
I DON'T WANT TO BE YOU.
I WANT TO BE BETTER.
588
00:23:45,224 --> 00:23:46,759
RUFUS ALREADY THINKS I AM.
589
00:23:46,793 --> 00:23:51,063
**
590
00:23:51,097 --> 00:23:53,833
I ALWAYS LIKED
THAT PAINTING.
591
00:23:57,970 --> 00:23:59,506
**
592
00:23:59,539 --> 00:24:00,807
I'M GLAD TO SEE YOU TWO FOUND
EACH OTHER.
593
00:24:00,840 --> 00:24:02,875
BLAIR.
594
00:24:02,909 --> 00:24:05,912
NELLY WAS JUST TELLING ME
YOU INVITED HER HERE
595
00:24:05,945 --> 00:24:07,013
TO MEET WITH HER.
596
00:24:07,046 --> 00:24:09,782
I HOPE IT IS TO MAKE
AN OFFICIAL APOLOGY.
597
00:24:09,816 --> 00:24:11,551
THAT I'D LOVE TO HEAR.
598
00:24:11,584 --> 00:24:15,955
I'M NOT HERE TO APOLOGIZE
TO NELLY, MOTHER.
599
00:24:15,988 --> 00:24:18,190
I'M HERE TO APOLOGIZE
TO YOU.
600
00:24:18,224 --> 00:24:19,892
THEN WHAT AM I DOING HERE?
601
00:24:19,926 --> 00:24:22,962
SHUTTING UP AND WRITING ABOUT IT
SO YOU CAN PUBLICLY RESTORE
602
00:24:22,995 --> 00:24:24,897
WALDORF DESIGNS'
PRISTINE REPUTATION.
603
00:24:24,931 --> 00:24:27,934
BLAIR, WHAT IS THIS ABOUT?
604
00:24:27,967 --> 00:24:31,237
UNDOING ALL THE DAMAGE
MY DARK SIDE HAS DONE.
605
00:24:31,270 --> 00:24:33,640
I'M A BAD SEED, MOTHER,
606
00:24:33,673 --> 00:24:36,208
SO SEND ME AWAY TO
THE VILLAGE OF THE DAMNED.
607
00:24:36,242 --> 00:24:38,978
**
608
00:24:40,880 --> 00:24:44,250
NO ONE EXPECTS MIRACLES,
DARLING.
609
00:24:44,283 --> 00:24:46,819
IT'S BEEN PART OF YOU
FOR 20-SOMETHING YEARS.
610
00:24:46,853 --> 00:24:48,688
IT'S NOT GOING
TO GO AWAY OVERNIGHT.
611
00:24:48,721 --> 00:24:50,690
JUST MAYBE SOMETIME
BEFORE I DIE.
612
00:24:52,759 --> 00:24:53,960
Y-YOU DON'T UNDERSTAND.
613
00:24:53,993 --> 00:24:56,195
THE REAL GRACE KELLY
HAD TALENT.
614
00:24:56,228 --> 00:24:57,864
YOU HAVE TALENT.
615
00:24:57,897 --> 00:25:01,067
EVEN THAT GOTH PRINCESS
JENNY HUMPHREY HAD TALENT.
616
00:25:01,100 --> 00:25:03,736
BUT I DON'T.
IT'S ALL JUST PRETENSE.
617
00:25:03,770 --> 00:25:06,873
WELL, YOUR RECORD
OF ACHIEVEMENTS PROVE OTHERWISE.
618
00:25:06,906 --> 00:25:10,710
EVERYTHING I HAVE
619
00:25:10,743 --> 00:25:13,012
WAS FROM SCHEMING AND LYING
620
00:25:13,045 --> 00:25:14,747
AND WORKING THE ANGLES.
621
00:25:14,781 --> 00:25:16,749
I DON'T HAVE WHAT IT TAKES.
622
00:25:16,783 --> 00:25:18,618
YOU ARE MOZART.
623
00:25:18,651 --> 00:25:20,019
I'M SALIERI.
624
00:25:20,052 --> 00:25:22,689
NO MATTER HOW HARD I WORK,
I WILL NEVER BE YOU,
625
00:25:22,722 --> 00:25:24,891
AND I THINK IT WAS
JUST MY DARK SIDE
626
00:25:24,924 --> 00:25:26,893
TRYING TO HIDE THAT.
627
00:25:26,926 --> 00:25:28,861
SO...
628
00:25:28,895 --> 00:25:30,730
EFFECTIVE IMMEDIATELY,
629
00:25:30,763 --> 00:25:33,065
I RESIGN
FROM WALDORF DESIGNS.
630
00:25:38,805 --> 00:25:40,773
(horns honking)
631
00:25:40,807 --> 00:25:43,009
DID YOU REACH ANYONE
FROM A.P.F.?
632
00:25:43,042 --> 00:25:44,844
I FINALLY GOT AHOLD
OF AN ASSISTANT,
633
00:25:44,877 --> 00:25:46,646
BUT SHE SAID THEY'RE
ONLY TAKING BIDS IN PERSON.
634
00:25:46,679 --> 00:25:48,014
How far away are you?
635
00:25:48,047 --> 00:25:49,115
AT LEAST TEN BLOCKS.
636
00:25:49,148 --> 00:25:52,318
IS THERE NO WAY AROUND THIS,
LIKE ON THE SIDEWALK?
637
00:25:52,351 --> 00:25:53,753
(horns continue honking)
638
00:25:53,786 --> 00:25:56,322
(My Fiction's "Knives & Bombs"
playing)
639
00:25:59,358 --> 00:26:02,895
(indistinct conversations)
640
00:26:04,764 --> 00:26:07,600
I LIKE THAT YOUR ARTISTS REFLECT
641
00:26:07,634 --> 00:26:09,268
THE SAME
SOCIALLY RELEVANT PROJECTS
642
00:26:09,301 --> 00:26:11,070
WE COMMISSION
AT ART PRODUCTION FUND.
643
00:26:11,103 --> 00:26:13,806
AND I LIKE THAT YOU CAN SEE
THE STREET ART INFLUENCE.
644
00:26:13,840 --> 00:26:15,141
I'M NOT TALKING ABOUT THE '80s
BUT THE '40s--
645
00:26:15,174 --> 00:26:17,810
DUBUFFET, POLLACK,
RAY JOHNSON.
646
00:26:17,844 --> 00:26:19,178
YEAH, WHEN ARTISTS WERE
THE STARS OF NEW YORK
647
00:26:19,211 --> 00:26:20,179
INSTEAD OF CELEBUTANTES.
648
00:26:20,212 --> 00:26:21,748
(laughs) YES.
649
00:26:21,781 --> 00:26:23,215
EXCUSE ME. CAN I SPEAK TO YOU
FOR A MOMENT?
650
00:26:23,249 --> 00:26:25,084
WHAT CAN I DO FOR YOU,
LILY?
651
00:26:25,117 --> 00:26:26,953
ARE YOU INTERESTED
IN ONE OF MY PFAHLER PIECES
652
00:26:26,986 --> 00:26:27,954
TO REPLACE YOUR PHILLIPS?
653
00:26:27,987 --> 00:26:29,822
NO, THANK YOU,
654
00:26:29,856 --> 00:26:30,890
AND I THINK YOU'VE MADE
YOUR POINT HERE, RUFUS.
655
00:26:30,923 --> 00:26:33,693
THIS IS A BENEFIT TO RAISE MONEY
FOR A GOOD CAUSE,
656
00:26:33,726 --> 00:26:34,961
AND I WON'T HAVE
YOUR LITTLE FREELOADER
657
00:26:34,994 --> 00:26:36,328
MAKING A MOCKERY OF IT
658
00:26:36,362 --> 00:26:37,964
BY BIDDING ON THINGS
SHE CAN'T AFFORD.
659
00:26:37,997 --> 00:26:40,700
IVY CAN AFFORD
ANY PAINTING SHE WANTS.
660
00:26:40,733 --> 00:26:42,835
AND WITH WHAT MONEY?
I KNOW IT'S NOT YOURS.
661
00:26:42,869 --> 00:26:45,304
YOU'RE RIGHT.
662
00:26:45,337 --> 00:26:47,339
IT'S CeCe's.
663
00:26:47,373 --> 00:26:50,242
(bangs gavel)
664
00:26:50,276 --> 00:26:50,877
(amplified voice)
LADIES AND GENTLEMEN,
665
00:26:50,910 --> 00:26:52,645
IF WE ARE READY TO BEGIN,
666
00:26:52,679 --> 00:26:54,113
I WOULD LIKE TO START
THE BIDDING
667
00:26:54,146 --> 00:26:55,347
FOR THE RICHARD PHILLIPS
668
00:26:55,381 --> 00:26:57,984
AT $500,000.
669
00:26:58,017 --> 00:26:59,385
(guests murmuring)
670
00:26:59,418 --> 00:27:00,853
$500,000.
671
00:27:00,887 --> 00:27:02,121
I HAVE $500,000.
672
00:27:02,154 --> 00:27:03,856
LOLA GAVE IT BACK TO HER
673
00:27:03,890 --> 00:27:05,191
WHEN SHE FOUND OUT YOUR MOTHER
WANTED IVY TO HAVE IT.
674
00:27:05,224 --> 00:27:07,226
$500,000. GOING ONCE?
675
00:27:07,259 --> 00:27:09,395
$500,000.
DO I HAVE $520,000?
676
00:27:09,428 --> 00:27:11,097
$520,000.
677
00:27:11,130 --> 00:27:12,264
SHE MAY HAVE BEEN ABLE
TO CON LOLA
678
00:27:12,298 --> 00:27:13,299
OUT OF HALF
MY MOTHER'S ESTATE,
679
00:27:13,332 --> 00:27:15,868
BUT SHE'LL NEVER GET
ANYTHING OF MINE.
680
00:27:15,902 --> 00:27:16,736
DO I HAVE $540,000?
GOING ONCE?
681
00:27:16,769 --> 00:27:17,737
$540,000.
682
00:27:17,770 --> 00:27:19,371
$560,000.
683
00:27:19,405 --> 00:27:20,707
$560,000. DO I HAVE $570,000?
684
00:27:20,740 --> 00:27:21,874
(Ivy) $570,000.
685
00:27:21,908 --> 00:27:23,275
$570,000. $570,000.
DO I HAVE $580,000?
686
00:27:23,309 --> 00:27:24,677
$580,000.
687
00:27:24,711 --> 00:27:25,878
$580,000. DO I HAVE $600,000?
688
00:27:25,912 --> 00:27:27,714
$750,000.
689
00:27:27,747 --> 00:27:30,016
$750,000.
690
00:27:30,049 --> 00:27:32,151
(guests murmuring)
691
00:27:32,184 --> 00:27:34,086
(Serena) I KNOW IT SOUNDED BAD,
BUT YOU HEARD IT OUT OF CONTEXT.
692
00:27:34,120 --> 00:27:37,023
IN WHAT CONTEXT CAN
"SELFISH EGOMANIAC" BE POSITIVE?
693
00:27:37,056 --> 00:27:38,424
I WAS TELLING NATE WHAT
A GOOD TIME I HAD WITH YOU,
694
00:27:38,457 --> 00:27:39,826
BUT TH--
695
00:27:39,859 --> 00:27:40,993
YEAH, I HEARD
THE "BUT" PART.
696
00:27:41,027 --> 00:27:42,729
BUT THAT IT'S CONFUSING
FOR ME
697
00:27:42,762 --> 00:27:45,097
BECAUSE I HAVE SPENT
THE PAST FEW MONTHS HATING YOU.
698
00:27:45,131 --> 00:27:46,298
I TOLD YOU I LOVED YOU,
699
00:27:46,332 --> 00:27:48,034
AND THEN YOU REJECTED ME
FOR MY BEST FRIEND.
700
00:27:48,067 --> 00:27:50,169
YOU'VE REJECTED ME FOR NEARLY
EVERYONE ON THE UPPER EAST SIDE.
701
00:27:50,202 --> 00:27:51,738
CAN YOU BLAME ME
FOR HAVING DOUBTS?
702
00:27:51,771 --> 00:27:52,772
YOU HAD MORE THAN DOUBTS.
703
00:27:52,805 --> 00:27:54,173
YOU TOLD ME YOU NEVER
WANTED TO SEE ME AGAIN.
704
00:27:54,206 --> 00:27:55,441
YOU MEAN, AFTER YOU USED ME
TO MAKE A SEX TAPE
705
00:27:55,474 --> 00:27:57,309
TO DESTROY ME
AND YOUR BEST FRIEND?
706
00:27:57,343 --> 00:27:58,778
I'M NOT THE BAD GUY HERE.
707
00:27:58,811 --> 00:28:00,146
YOU WANT EVERYONE TO BELIEVE
708
00:28:00,179 --> 00:28:01,881
YOU'RE POOR, SWEET
DAN HUMPHREY FROM BROOKLYN,
709
00:28:01,914 --> 00:28:04,751
BUT YOU SENT THAT VIDEO OF CHUCK
AND BLAIR INTO "GOSSIP GIRL"
710
00:28:04,784 --> 00:28:06,753
TO TRY TO RUIN HER WEDDING,
AND THEN YOU PINNED IT ON ME.
711
00:28:06,786 --> 00:28:08,454
YEAH, I DIDN'T WANT BLAIR
TO MARRY THE WRONG MAN.
712
00:28:08,487 --> 00:28:09,889
AND IT'S NOT LIKE YOU'VE NEVER
USED "GOSSIP GIRL"
713
00:28:09,922 --> 00:28:11,390
TO FURTHER YOUR OWN AGENDA.
714
00:28:11,423 --> 00:28:13,793
OH, WAIT. OH, WAIT. YOU WERE
GOSSIP GIRL FOR A SECOND.
715
00:28:13,826 --> 00:28:16,462
ONLY TO RESTORE BALANCE AFTER
GEORGINA'S REIGN OF TERROR--
716
00:28:16,495 --> 00:28:19,766
WHO--WHO IS NOW PARTNERING WITH
YOU TO ATTACK AND HUMILIATE
717
00:28:19,799 --> 00:28:21,400
EVERYONE THAT WE CARE ABOUT
IN YOUR EXPOSÉS?
718
00:28:21,433 --> 00:28:22,769
WHICH LEADS US
BACK TO YOUR REASON
719
00:28:22,802 --> 00:28:24,136
FOR CALLING ME
A SELFISH EGOMANIAC.
720
00:28:24,170 --> 00:28:25,304
YOU'RE RIGHT.
NOW I--NOW I UNDERSTAND.
721
00:28:25,337 --> 00:28:26,472
GOOD. I'M GLAD.
722
00:28:26,505 --> 00:28:27,439
I WAS BEING SARCASTIC,
SERENA.
723
00:28:27,473 --> 00:28:28,808
SO WAS I.
724
00:28:28,841 --> 00:28:29,942
NO, YOU WEREN'T.
725
00:28:29,976 --> 00:28:31,143
YES, I WAS.
726
00:28:31,177 --> 00:28:32,311
LOOK--LOOK, OB--
727
00:28:32,344 --> 00:28:34,313
OBVIOUSLY, TOO MUCH HAS HAPPENED
OVER THE PAST FIVE YEARS.
728
00:28:34,346 --> 00:28:36,182
NO MATTER WHO WE ARE TODAY,
729
00:28:36,215 --> 00:28:38,818
WE CAN'T UNDO THE THINGS
WE'VE DONE IN THE PAST,
730
00:28:38,851 --> 00:28:39,685
SO IT'S PROBABLY BEST
731
00:28:39,718 --> 00:28:42,922
WE JUST MOVE ON
WITHOUT EACH OTHER.
732
00:28:45,124 --> 00:28:47,093
WHICH I WILL DO THE SECOND
WE GET OUT OF THIS ELEVATOR.
733
00:28:47,126 --> 00:28:50,162
(clank, bell rings,
elevator powers down)
734
00:28:50,196 --> 00:28:52,198
$880,000. I HAVE $880,000.
DO I HEAR $900,000?
735
00:28:52,231 --> 00:28:53,365
$900,000.
736
00:28:53,399 --> 00:28:54,366
$900,000.
WHAT DO YOU THINK YOU'RE DOING?
737
00:28:54,400 --> 00:28:55,367
$920,000.
738
00:28:55,401 --> 00:28:57,069
I'D ASK YOU THE SAME THING.
739
00:28:57,103 --> 00:28:58,838
BIDDING ON AN ITEM
YOU PUT UP FOR AUCTION?
740
00:28:58,871 --> 00:29:01,974
I CHANGED MY MIND WHEN
THIS GYPSY TRASH WANTED IT.
741
00:29:02,008 --> 00:29:04,210
SHE WILL NOT HAVE ANYTHING
NEAR AND DEAR TO MY HEART.
742
00:29:04,243 --> 00:29:05,244
(Benedict) $940,000 ONCE?
743
00:29:05,277 --> 00:29:06,245
$940,000.
744
00:29:06,278 --> 00:29:07,947
$960,000.
745
00:29:07,980 --> 00:29:09,081
I ASSURE YOU I WON'T LET HER WIN
IF YOU STOP BIDDING.
746
00:29:09,115 --> 00:29:10,516
AND WHY SHOULD I TRUST YOU?
747
00:29:10,549 --> 00:29:13,019
I KNOW YOU TEAMED UP
WITH THIS CHARLATAN
748
00:29:13,052 --> 00:29:14,353
TO CAUSE PROBLEMS
WITH YOUR FATHER AND ME.
749
00:29:14,386 --> 00:29:16,222
THIS PAINTING MEANS MORE TO ME
THAN ANYTHING.
750
00:29:16,255 --> 00:29:17,489
$980,000.
751
00:29:17,523 --> 00:29:18,858
WHAT DO YOU THINK
YOU'RE DOING?
752
00:29:18,891 --> 00:29:20,827
WE'RE SUPPOSED TO BE
ON THE SAME SIDE.
753
00:29:20,860 --> 00:29:22,328
SO YOU ARE STILL ALIGNED
WITH HER?
754
00:29:22,361 --> 00:29:23,329
I'M ON NOBODY'S SIDE
BUT MY OWN.
755
00:29:23,362 --> 00:29:24,964
(Benedict) $1 MILLION,
LADIES AND GENTLEMEN.
756
00:29:24,997 --> 00:29:26,198
(Chuck, Lily, and Ivy
arguing indistinctly)
757
00:29:26,232 --> 00:29:28,267
$1.1 MILLION.
758
00:29:28,300 --> 00:29:30,336
DO I HEAR 1.2?
759
00:29:30,369 --> 00:29:32,271
GOING ONCE. GOING TWICE.
760
00:29:32,304 --> 00:29:33,272
(bangs gavel)
761
00:29:33,305 --> 00:29:36,275
SOLD FOR $1.1 MILLION
762
00:29:36,308 --> 00:29:37,409
TO THE MAN IN FRONT.
763
00:29:37,443 --> 00:29:38,477
CONGRATULATIONS.
764
00:29:38,510 --> 00:29:42,014
(cheers and applause)
765
00:29:42,048 --> 00:29:43,115
REVENGE IS SWEET,
766
00:29:43,149 --> 00:29:46,085
ESPECIALLY WHEN YOU HAVE
A SUGAR MAMA.
767
00:29:46,118 --> 00:29:48,220
(cell phone alert chimes)
768
00:29:48,254 --> 00:29:49,956
UNFORTUNATELY,
769
00:29:49,989 --> 00:29:53,860
NOT ALL FAMILIES APPRECIATE
JUST DESSERTS.
770
00:29:59,531 --> 00:30:01,133
(Tara Simmons)
* SO MUCH BLAME
771
00:30:01,167 --> 00:30:03,002
* WITH OUR HEART
772
00:30:03,035 --> 00:30:06,505
I JUST WANTED TO
CONGRATULATE YOU AND APOLOGIZE.
773
00:30:06,538 --> 00:30:09,008
I ADMIT THAT
I WAS OUT OF LINE
774
00:30:09,041 --> 00:30:10,376
WITH SOME OF THE THINGS
THAT I SAID EARLIER.
775
00:30:10,409 --> 00:30:12,544
AND YOU OBVIOUSLY
WANT SOMETHING NOW.
776
00:30:12,578 --> 00:30:14,046
WELL, I KNOW HOW IMPORTANT
IT WAS FOR YOU TO PROVE
777
00:30:14,080 --> 00:30:15,547
THAT YOU COULD
BEST ME PUBLICLY.
778
00:30:15,581 --> 00:30:17,583
AND NOW THAT YOU'VE ACHIEVED
WHAT YOU WANTED,
779
00:30:17,616 --> 00:30:20,119
I WOULD LOVE
TO BUY MY PAINTING BACK.
780
00:30:20,152 --> 00:30:22,454
WELL, IF YOU WANTED IT SO MUCH,
WHY'D YOU PUT IT UP FOR AUCTION?
781
00:30:22,488 --> 00:30:25,324
I HAD NO IDEA HOW MUCH IT MEANT
TO ME TILL IT WAS GONE.
782
00:30:25,357 --> 00:30:27,326
AND LET'S FACE IT, RUFUS.
783
00:30:27,359 --> 00:30:28,460
DO YOU REALLY WANT
THAT HANGING IN YOUR LOFT,
784
00:30:28,494 --> 00:30:30,396
REMINDING YOU OF ME?
785
00:30:30,429 --> 00:30:32,198
I DON'T.
786
00:30:32,231 --> 00:30:34,133
WE'LL GIVE IT TO A MUSEUM--
787
00:30:34,166 --> 00:30:35,467
ONE FAR AWAY FROM MANHATTAN
788
00:30:35,501 --> 00:30:37,403
WHERE YOU WON'T EVEN
BE ABLE TO VISIT.
789
00:30:37,436 --> 00:30:39,939
SURELY THERE'S A PRICE
THAT WILL CHANGE YOUR MIND.
790
00:30:39,972 --> 00:30:41,473
NO.
791
00:30:41,507 --> 00:30:45,011
YOU CAN'T BUY US OFF
THE WAY YOU DO EVERYONE ELSE.
792
00:30:45,044 --> 00:30:46,178
WE DON'T WANT YOUR MONEY.
793
00:30:46,212 --> 00:30:47,947
WHAT IS IT YOU WANT THEN?
794
00:30:47,980 --> 00:30:50,216
TO MAKE YOU FEEL
THE WAY YOU'VE MADE US FEEL--
795
00:30:50,249 --> 00:30:53,085
HUMILIATED AND POWERLESS
796
00:30:53,119 --> 00:30:55,054
AND LIKE YOU'RE WORTH
NOTHING.
797
00:30:55,087 --> 00:30:56,555
SO IF YOU'LL EXCUSE ME,
798
00:30:56,588 --> 00:31:00,026
I'M GOING TO MAKE SURE
THEY'RE PACKING UP OUR PAINTING.
799
00:31:00,059 --> 00:31:01,961
* NOW PLEASE BE GONE
800
00:31:01,994 --> 00:31:04,396
* OH, OH, OH, OH
801
00:31:06,465 --> 00:31:09,168
I'LL SEE YOU LATER.
802
00:31:09,201 --> 00:31:12,871
**
803
00:31:17,944 --> 00:31:19,411
AND YOU REMAIN A KEPT MAN.
804
00:31:23,349 --> 00:31:27,453
I NEVER THOUGHT
I WOULD SAY THIS, LIL,
805
00:31:27,486 --> 00:31:30,622
BUT I THINK IVY'S RIGHT.
806
00:31:30,656 --> 00:31:33,525
YOU BROUGHT THIS ON YOURSELF.
807
00:31:33,559 --> 00:31:40,399
**
808
00:31:40,432 --> 00:31:42,001
MAYBE YOU SHOULD
TRY VANYA AGAIN.
809
00:31:42,034 --> 00:31:44,403
IT'S BEEN, LIKE,
47 SECONDS SINCE I CALLED.
810
00:31:44,436 --> 00:31:46,405
AND UNLIKE LAST TIME
WE WERE STUCK HERE,
811
00:31:46,438 --> 00:31:48,540
I REMEMBERED
TO USE YOUR NAME.
812
00:31:48,574 --> 00:31:50,276
OH, IF WE'RE RECREATING THAT,
813
00:31:50,309 --> 00:31:52,411
YOU SHOULD PROBABLY TRY TO CRAWL
OUT OF THE CEILING ANY MOMENT.
814
00:31:52,444 --> 00:31:53,379
(chuckles)
815
00:31:53,412 --> 00:31:57,116
I ADMIT THAT WAS NOT
ONE OF MY BETTER IDEAS.
816
00:31:57,149 --> 00:31:58,417
WHY--WHY WERE YOU SO MAD
ABOUT IT, THEN?
817
00:31:58,450 --> 00:31:59,685
BECAUSE I DIDN'T WANT YOU
TO GET HURT.
818
00:32:03,389 --> 00:32:05,557
I'M SURE YOU WANT ME TO
HIT THE FLOOR RIGHT NOW.
819
00:32:05,591 --> 00:32:08,160
THROW ME DOWN
THE ELEVATOR SHAFT.
820
00:32:08,194 --> 00:32:09,295
(chuckles)
821
00:32:09,328 --> 00:32:11,030
OR, HELL, YOU KNOW,
YOU COULD JUST
822
00:32:11,063 --> 00:32:13,565
TRICK ME INTO
MAKING ANOTHER SEX TAPE.
823
00:32:13,599 --> 00:32:15,867
IT'S THE PEOPLE YOU KNOW BEST
THAT YOU CAN HURT THE MOST.
824
00:32:19,738 --> 00:32:22,641
I'M SORRY...
825
00:32:22,674 --> 00:32:26,078
I DIDN'T SAY ANYTHING
WHEN YOU TOLD ME YOU LOVED ME.
826
00:32:29,481 --> 00:32:31,317
IT--IT WAS EASIER TO FOCUS
ON MY ANGER AT BLAIR
827
00:32:31,350 --> 00:32:33,419
THAN FACE THE POSSIBILITY
OF GETTING WHAT I ALWAYS WANTED
828
00:32:33,452 --> 00:32:34,720
AND...
829
00:32:34,753 --> 00:32:37,056
AND--AND LOSING IT AGAIN.
830
00:32:37,089 --> 00:32:37,956
WHAT YOU ALWAYS WANTED?
831
00:32:43,729 --> 00:32:45,731
YOU KNOW, I HAD...
832
00:32:45,764 --> 00:32:47,733
A REALLY GREAT TIME
WITH YOU TODAY.
833
00:32:53,239 --> 00:32:55,674
I HAD TO BELIEVE
THAT YOU WERE TERRIBLE
834
00:32:55,707 --> 00:32:57,576
IN ORDER TO PROTECT MYSELF.
835
00:32:57,609 --> 00:33:01,280
WELL, YOU KNOW, I COULD ACTUALLY
BE TERRIBLE IF YOU PREFER.
836
00:33:01,313 --> 00:33:03,282
(chuckles) NO. NO, THANK YOU.
I'M GOOD.
837
00:33:03,315 --> 00:33:05,117
I-I MUCH PREFER YOU THIS WAY.
838
00:33:07,653 --> 00:33:08,754
YEAH, THE FEELING'S MUTUAL.
839
00:33:15,527 --> 00:33:17,629
I WILL TRY VANYA AGAIN.
840
00:33:21,067 --> 00:33:23,369
(elevator powers up)
841
00:33:23,402 --> 00:33:27,106
WELL...
842
00:33:27,139 --> 00:33:29,308
I GUESS THAT'S MY CUE.
843
00:33:29,341 --> 00:33:31,243
OR YOU COULD COME UP
844
00:33:31,277 --> 00:33:33,179
AND HAVE SOME
CHOCOLATE-COVERED STRAWBERRIES
845
00:33:33,212 --> 00:33:36,382
BEFORE YOU FACE
THE PAPARAZZI.
846
00:33:36,415 --> 00:33:37,649
YEAH. THAT SOUNDS NICE.
847
00:33:37,683 --> 00:33:39,451
(pushes button)
848
00:33:39,485 --> 00:33:42,421
(elevator whirring)
849
00:33:50,396 --> 00:33:52,798
(siren wailing in distance)
850
00:33:52,831 --> 00:33:54,800
(sighs)
851
00:33:54,833 --> 00:33:57,536
IF YOU'VE COME FOR A FOLLOW-UP
INTERVIEW, I HAVE NO COMMENT.
852
00:33:57,569 --> 00:34:01,773
ACTUALLY, I CAME TO SAY THANKS
FOR THE EXCLUSIVE...
853
00:34:01,807 --> 00:34:04,210
AND MAYBE TO GLOAT A LITTLE.
854
00:34:04,243 --> 00:34:05,144
HOW DID YOU KNOW
WHERE TO FIND ME?
855
00:34:05,177 --> 00:34:07,079
THE MET STEPS?
856
00:34:07,113 --> 00:34:10,282
WHERE ELSE WOULD YOU GO
TO MAKE YOURSELF FEEL BETTER?
857
00:34:10,316 --> 00:34:12,284
MY MOTHER ALWAYS SAID
YOU'D PEAKED IN HIGH SCHOOL.
858
00:34:12,318 --> 00:34:15,487
YOU MEAN WHEN NO ONE ELSE SPOKE
TO YOU BESIDES YOUR MOTHER?
859
00:34:15,521 --> 00:34:19,425
YOU CAN MAKE FUN
OF HOW UNPOPULAR I USED TO BE,
860
00:34:19,458 --> 00:34:23,362
BUT THE PERSON NO ONE CARES
ABOUT ANYMORE IS YOU.
861
00:34:23,395 --> 00:34:28,534
THEN WHY ARE YOU STILL SITTING
BELOW ME ON THE STEPS?
862
00:34:28,567 --> 00:34:30,702
HABIT. LIKE A HEADBAND.
863
00:34:33,139 --> 00:34:35,574
JUST A REMNANT FROM WHEN
YOU WERE A TASTEMAKER.
864
00:34:38,210 --> 00:34:41,547
AND ALL EVERY GIRL AT CONSTANCE
WANTED WAS TO BE JUST LIKE ME.
865
00:34:41,580 --> 00:34:44,650
LUCKY FOR ALL OF US,
LIKE THE ECO-CLOTHING TREND,
866
00:34:44,683 --> 00:34:46,518
THOSE DAYS ARE GONE.
867
00:34:46,552 --> 00:34:48,854
YOU OBVIOUSLY DON'T SHOP
IN BROOKLYN.
868
00:34:48,887 --> 00:34:50,389
BUT THANK YOU, NELLY.
869
00:34:50,422 --> 00:34:52,358
YOUR MISINFORMATION
HAS BEEN INVALUABLE.
870
00:34:55,727 --> 00:34:58,797
WHERE ARE YOU GOING?
YOU WON'T LOOK GOOD IN HEMP.
871
00:34:58,830 --> 00:35:02,134
BUT YOU WILL,
WHILE YOU EAT CROW.
872
00:35:02,168 --> 00:35:03,302
I JUST HOPE
IT'S NOT TOO LATE.
873
00:35:08,240 --> 00:35:09,575
THANK YOU SO MUCH
874
00:35:09,608 --> 00:35:10,876
FOR LETTING US USE YOUR PAINTING
IN THE AUCTION.
875
00:35:10,909 --> 00:35:13,745
UM, TODD DiCIURCIO,
876
00:35:13,779 --> 00:35:15,481
THIS IS CHUCK BASS.
877
00:35:15,514 --> 00:35:19,218
IT'S A BEAUTIFUL PAINTING.
EXCUSE US.
878
00:35:19,251 --> 00:35:20,219
GREAT WORK TONIGHT.
879
00:35:20,252 --> 00:35:21,753
NO THANKS TO YOU.
880
00:35:21,787 --> 00:35:23,455
I THOUGHT WE WERE ON
THE SAME TEAM.
881
00:35:23,489 --> 00:35:25,457
WE ARE, WHICH IS WHY YOU SHOULD
SELL ME THAT PAINTING.
882
00:35:25,491 --> 00:35:27,193
LILY ALREADY TRIED THAT.
883
00:35:27,226 --> 00:35:29,328
I HOPE YOU TURNED HER DOWN.
884
00:35:29,361 --> 00:35:31,497
THAT PIECE IS
A CRITICAL COMPONENT
885
00:35:31,530 --> 00:35:33,365
OF MY CAMPAIGN AGAINST BART.
886
00:35:33,399 --> 00:35:35,801
AS YOU KNOW, IF I TOPPLE HIM,
LILY WON'T BE FAR BEHIND.
887
00:35:38,804 --> 00:35:41,440
WHAT'S A QUEEN
WITHOUT HER KING?
888
00:35:41,473 --> 00:35:43,875
I'LL SELL YOU
THE PAINTING...
889
00:35:43,909 --> 00:35:45,711
FOR DOUBLE WHAT I PAID.
890
00:35:45,744 --> 00:35:46,678
THAT'S A PRICE
I'M WILLING TO PAY.
891
00:35:48,947 --> 00:35:50,882
(chuckles) ALL RIGHT,
I'LL HAVE IT DELIVERED.
892
00:35:50,916 --> 00:35:53,519
PLEASURE DOING BUSINESS
WITH YOU.
893
00:35:53,552 --> 00:35:57,789
SPOTTED--IVY MOONLIGHTING
AS A GALLERINA.
894
00:35:57,823 --> 00:36:00,892
BETTER HOPE THIS MASTERPIECE
ISN'T A FORGERY.
895
00:36:06,932 --> 00:36:08,667
IS IT WEIRD TO SAY I'M--
I'M GLAD WE GOT IN THAT FIGHT?
896
00:36:08,700 --> 00:36:11,270
NO, NO. NO, NOT AT ALL.
I AM, TOO.
897
00:36:11,303 --> 00:36:12,771
THAT STORAGE UNIT I KEPT
PACKED FULL OF OLD RESENTMENTS
898
00:36:12,804 --> 00:36:14,540
WAS GETTING PRETTY FULL.
899
00:36:14,573 --> 00:36:16,475
(laughs)
900
00:36:16,508 --> 00:36:17,643
YOU KNOW, I-I FEEL LIKE I DID
901
00:36:17,676 --> 00:36:20,246
WHEN I FIRST CAME BACK TO
THE CITY FROM BOARDING SCHOOL,
902
00:36:20,279 --> 00:36:22,514
WHEN ALL I WANTED
WAS A FRESH START.
903
00:36:22,548 --> 00:36:25,417
WELL, YOU HAVE ONE NOW,
AT LEAST WITH ME.
904
00:36:25,451 --> 00:36:27,219
(chuckles)
905
00:36:27,253 --> 00:36:28,954
(Lemonade's "Vivid" playing)
906
00:36:28,987 --> 00:36:32,424
I, UH, SHOULD PROBABLY TAKE OFF.
IT'S GETTING PRETTY LATE.
907
00:36:32,458 --> 00:36:33,959
OH, DID YOU EVER FIND
A PLACE?
908
00:36:33,992 --> 00:36:35,227
TECHNICALLY, NO. BUT, I MEAN,
I GOT THAT CHECK NOW, SO...
909
00:36:35,261 --> 00:36:36,695
MM.
910
00:36:36,728 --> 00:36:39,398
I CAN AFFORD A HOTEL ROOM.
I DON'T WANT TO IMPOSE TOO MUCH.
911
00:36:39,431 --> 00:36:41,700
NO, YOU'RE--
YOU'RE NOT IMPOSING AT ALL.
912
00:36:44,803 --> 00:36:47,306
ARE YOU SURE?
I MEAN, JUST THIS MORNING,
913
00:36:47,339 --> 00:36:49,508
YOU WERE SAYING YOU THOUGHT
IT MIGHT RUIN OUR FRIENDSHIP.
914
00:36:49,541 --> 00:36:52,711
WELL, I THINK IF WE COULD GET
THROUGH THE LAST FIVE YEARS,
915
00:36:52,744 --> 00:36:55,347
THEN WE COULD GET THROUGH
A FEW MORE NIGHTS. (chuckles)
916
00:36:57,416 --> 00:37:00,452
SO... Y-YOU CAN STAY.
917
00:37:02,754 --> 00:37:04,456
OR YOU DON'T HAVE TO.
918
00:37:04,490 --> 00:37:07,726
YOU CAN GO, TOO.
919
00:37:07,759 --> 00:37:09,695
OR YOU CAN STAY.
WHATEVER YOU WANT.
920
00:37:20,739 --> 00:37:23,008
* ALL OF MY LOVE
921
00:37:23,041 --> 00:37:24,943
THAT'S WHAT I WANT.
922
00:37:24,976 --> 00:37:26,912
* ALL OF MY LIFE
923
00:37:29,381 --> 00:37:30,949
(slurps)
924
00:37:30,982 --> 00:37:32,818
(footsteps approach)
925
00:37:32,851 --> 00:37:34,453
I MADE A MISTAKE.
926
00:37:34,486 --> 00:37:37,556
MANY. WHO HASN'T?
927
00:37:37,589 --> 00:37:39,991
YOU'LL HAVE TO BE
MORE SPECIFIC, DEAR.
928
00:37:40,025 --> 00:37:43,429
WHEN I QUIT EARLIER.
929
00:37:43,462 --> 00:37:46,031
I THOUGHT THAT I WAS
USING MY DARK SIDE
930
00:37:46,064 --> 00:37:48,033
TO HIDE THE FACT
THAT I HAVE NO TALENT.
931
00:37:48,066 --> 00:37:50,736
I WASN'T THE ONE WHO SAID
YOU DIDN'T HAVE TALENT, BLAIR.
932
00:37:50,769 --> 00:37:54,373
NO, BUT YOU TOLD ME
TO SQUASH MY DARK SIDE,
933
00:37:54,406 --> 00:37:56,642
WHICH IS MY TALENT.
IT'S MY INSPIRATION.
934
00:37:56,675 --> 00:37:58,910
YOU CAN'T BLACKMAIL YOUR WAY
THROUGH BUSINESS.
935
00:37:58,944 --> 00:38:02,314
WELL, I AGREE, BUT...
936
00:38:02,348 --> 00:38:04,883
I'M NOT TALKING
ABOUT MY MANAGEMENT STYLE,
937
00:38:04,916 --> 00:38:07,586
WHICH I ADMIT NEEDS HELP TO STAY
ON THE STRAIGHT AND NARROW.
938
00:38:07,619 --> 00:38:08,920
I'M TALKING ABOUT MY DESIGNS.
939
00:38:08,954 --> 00:38:10,456
OH,
WHERE IS THIS COMING FROM?
940
00:38:10,489 --> 00:38:12,458
HIGH SCHOOL.
941
00:38:12,491 --> 00:38:13,992
MY GRACE KELLY
DID HAVE TALENT.
942
00:38:14,025 --> 00:38:16,528
SHE GOT ME STRAIGHT A's
AND THE PERFECT BOYFRIEND.
943
00:38:16,562 --> 00:38:18,897
BUT IT WAS MY GRACE JONES
944
00:38:18,930 --> 00:38:20,932
THAT HAD EVERYONE WANTING
TO DRESS LIKE ME,
945
00:38:20,966 --> 00:38:22,534
NOT BECAUSE THEY ADMIRED
MY HARD WORK
946
00:38:22,568 --> 00:38:25,571
BUT BECAUSE THEY WERE
FASCINATED BY MY FEROCITY.
947
00:38:27,806 --> 00:38:30,509
YOU DID INSTILL FEAR
IN THE HEARTS OF MANY.
948
00:38:32,511 --> 00:38:36,482
I NEED TO STOP TRYING
TO BE YOU AND USE MY POWER
949
00:38:36,515 --> 00:38:39,551
TO FORM THE FASHIONISTAS
OF THE FUTURE...
950
00:38:39,585 --> 00:38:41,420
WITH A LINE
FOR HIGH SCHOOL GIRLS,
951
00:38:41,453 --> 00:38:43,355
INSPIRED BY
MY CONSTANCE UNIFORM.
952
00:38:43,389 --> 00:38:46,392
I'M NOT SURE PEOPLE
WANT TO WEAR UNIFORMS
953
00:38:46,425 --> 00:38:48,694
IF THEY'RE NOT IN SCHOOL.
954
00:38:48,727 --> 00:38:50,562
THESE WON'T BE THE UNIFORMS
THEY HAVE TO WEAR.
955
00:38:50,596 --> 00:38:52,364
THEY'LL BE THE UNIFORMS
THEY BEG TO WEAR--
956
00:38:52,398 --> 00:38:54,833
ONES THEY SEE
ON THE GIRLS THEY WANT TO BE.
957
00:38:54,866 --> 00:38:55,834
THEY OWN THIS TOWN.
958
00:38:57,936 --> 00:38:59,505
UNIFORMS?
959
00:38:59,538 --> 00:39:01,973
WELL, THEY DO REPRESENT
POWER AND AUTHORITY
960
00:39:02,007 --> 00:39:03,842
AND INSTILL
A SENSE OF BELONGING.
961
00:39:03,875 --> 00:39:05,977
AND THE GIRLS I DRESS
WON'T FOLLOW TRENDS.
962
00:39:06,011 --> 00:39:08,046
THEY WILL SET THEM,
963
00:39:08,079 --> 00:39:10,449
JUST LIKE I DID.
964
00:39:10,482 --> 00:39:13,452
YOU ALWAYS WERE
VERY INFLUENTIAL.
965
00:39:13,485 --> 00:39:15,921
PLEASE.
966
00:39:15,954 --> 00:39:18,624
GIVE ME ONE MORE CHANCE
TO PROVE IT.
967
00:39:20,559 --> 00:39:21,860
(clink)
968
00:39:21,893 --> 00:39:23,462
(men speak indistinctly)
969
00:39:23,495 --> 00:39:24,996
SO WHAT DO YOU EXPECT
TO FIND?
970
00:39:25,030 --> 00:39:27,666
THE FINANCIAL RECORDS
OF BART'S OIL DEAL.
971
00:39:27,699 --> 00:39:30,469
WHICH, WHEN I FINALLY
HAND OVER TO THE FBI,
972
00:39:30,502 --> 00:39:32,404
WILL ENSURE HE SPENDS
THE REST OF HIS DAYS
973
00:39:32,438 --> 00:39:36,007
PLAYING PINOCHLE
WITH BERNIE MADOFF.
974
00:39:37,843 --> 00:39:38,910
THANK YOU.
975
00:39:46,117 --> 00:39:47,152
WELL, I GUESS IT'S NOT TIME
976
00:39:47,185 --> 00:39:49,955
TO BREAK OUT THE HANDCUFFS
JUST YET.
977
00:39:49,988 --> 00:39:51,590
WHERE THE HELL
IS THAT ENVELOPE?
978
00:39:51,623 --> 00:39:53,559
MAYBE "TRAFFIC" MEANT
SOMETHING ELSE
979
00:39:53,592 --> 00:39:55,727
OR WE GOT
THE WRONG PAINTING.
980
00:39:55,761 --> 00:39:59,097
NO. NO. LILY WAS TOO DETERMINED
TO GET THIS ONE.
981
00:39:59,130 --> 00:40:01,032
AND THE PHILLIPS IN MY BEDROOM
HAS A BACKING ON IT.
982
00:40:01,066 --> 00:40:03,435
THEN SOMEONE TOOK IT OFF.
983
00:40:03,469 --> 00:40:04,870
THEN THEY'VE GOT
THE EVIDENCE!
984
00:40:04,903 --> 00:40:08,907
(MNDR's "Stay" playing)
985
00:40:08,940 --> 00:40:11,743
REMEMBER THAT SILVER BULLET
WE WERE LOOKING FOR?
986
00:40:11,777 --> 00:40:13,512
I FOUND IT.
987
00:40:13,545 --> 00:40:15,447
(chuckles)
988
00:40:15,481 --> 00:40:17,649
YOU KNOW, I REALLY THINK
IT'S TIME FOR YOU TO COME BACK.
989
00:40:17,683 --> 00:40:19,851
THE SOONER, THE BETTER.
990
00:40:19,885 --> 00:40:21,920
I DON'T KNOW HOW MUCH LONGER
I CAN KEEP DOING THIS.
991
00:40:21,953 --> 00:40:23,021
(door opens)
992
00:40:23,054 --> 00:40:24,790
(whispers) I GOTTA GO.
993
00:40:24,823 --> 00:40:26,191
(beep)
994
00:40:26,224 --> 00:40:28,660
ONE PEPPERONI PIZZA,
EXTRA CHEESE TO GO
995
00:40:28,694 --> 00:40:32,898
WITH A BOTTLE
OF DOM PERIGNON--
996
00:40:32,931 --> 00:40:34,666
AN UNEXPECTED
YET BRILLIANT COMBINATION,
997
00:40:34,700 --> 00:40:36,134
JUST LIKE US.
998
00:40:36,167 --> 00:40:37,135
THE BEATLES SANG,
999
00:40:37,168 --> 00:40:41,673
"LIVING IS EASY
WITH EYES CLOSED."
1000
00:40:41,707 --> 00:40:44,009
BART, I AM SO SORRY.
I HAD NO IDEA
1001
00:40:44,042 --> 00:40:46,878
THAT'S WHERE YOU HID THE RECORDS
OF YOUR OIL DEALS.
1002
00:40:46,912 --> 00:40:48,547
BUT EVEN WITH OUR EYES OPEN,
1003
00:40:48,580 --> 00:40:50,916
WE ALL STILL HAVE BLIND SPOTS.
1004
00:40:50,949 --> 00:40:53,619
* BLOOD IS ON MY HANDS
1005
00:40:53,652 --> 00:40:54,753
* ON MY HANDS
1006
00:40:54,786 --> 00:40:57,188
* OH, STAY
1007
00:40:57,222 --> 00:41:01,026
* WISH I COULD STAY IN LOVE
WITH YOU *
1008
00:41:01,059 --> 00:41:02,528
**
1009
00:41:02,561 --> 00:41:04,563
* RIGHT HERE
WHEN WE COULD SAY SOMETHING *
1010
00:41:04,596 --> 00:41:06,498
* STAY
1011
00:41:06,532 --> 00:41:10,035
OR MAYBE WE'RE JUST LOOKING
IN THE WRONG PLACE.
1012
00:41:10,068 --> 00:41:13,705
SO THIS WILL BE AIMED
AT THE 12-TO-25 SET.
1013
00:41:13,739 --> 00:41:15,541
MARC JACOBS HAS "MARC BY"...
1014
00:41:15,574 --> 00:41:16,708
MM-HMM.
1015
00:41:16,742 --> 00:41:19,511
AND WALDORF DESIGNS
WILL HAVE "B."
1016
00:41:19,545 --> 00:41:20,646
OH, I JUST LOVE THAT.
1017
00:41:20,679 --> 00:41:21,913
YEAH!
1018
00:41:21,947 --> 00:41:25,584
BUT WHEN WE FINALLY DO
SEE THE LIGHT,
1019
00:41:25,617 --> 00:41:28,119
IT'S STRAWBERRY FIELDS
FOREVER.
1020
00:41:28,153 --> 00:41:29,855
* STAY
1021
00:41:29,888 --> 00:41:33,725
* WISH I COULD STAY IN LOVE
WITH YOU *
1022
00:41:33,759 --> 00:41:34,926
**
1023
00:41:34,960 --> 00:41:36,127
WAIT A SECOND.
1024
00:41:36,161 --> 00:41:37,729
ARE YOU SURE?
1025
00:41:37,763 --> 00:41:40,265
* WISH I COULD STAY IN LOVE
1026
00:41:40,298 --> 00:41:43,234
X.O.X.O., GOSSIP GIRL.
1027
00:41:43,268 --> 00:41:45,571
* WELL, RIGHT NOW
WE CAN STAY FROZEN *
74898
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