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1
00:00:02,036 --> 00:00:03,271
GOSSIP GIRL HERE--
YOUR ONE AND ONLY SOURCE
2
00:00:03,304 --> 00:00:06,074
INTO THE SCANDALOUS LIVES
OF MANHATTAN'S ELITE.
3
00:00:06,107 --> 00:00:08,176
I NEED YOUR PASSION
FOR SOCIAL UPHEAVAL TO HELP ME
4
00:00:08,209 --> 00:00:09,210
WRITE THE BOOK
ABOUT THE UPPER EAST SIDE.
5
00:00:09,243 --> 00:00:11,112
WOULD YOU PREFER THE KINK
6
00:00:11,145 --> 00:00:11,979
OF WATCHING YOUR FATHER
DO IT WITH FAKE CHARLIE AGAIN?
7
00:00:12,012 --> 00:00:13,547
NO, I DID NOT WATCH.
I GOT THE HELL OUT
8
00:00:13,581 --> 00:00:14,648
BEFORE THEY SAW ME.
9
00:00:14,682 --> 00:00:17,651
AS THE NEW HEAD
OF WALDORF DESIGNS,
10
00:00:17,685 --> 00:00:19,687
I ONLY HAVE ONE CHANCE
TO MAKE MY DEBUT.
11
00:00:19,720 --> 00:00:22,190
AT FASHION SHOW FOR BUYERS
NEXT WEEK.
12
00:00:22,223 --> 00:00:23,224
PLEASE TELL ME THAT MEANS
13
00:00:23,257 --> 00:00:24,258
YOU'RE GIVING YOUR SERIAL
TO "THE SPECTATOR."
14
00:00:24,292 --> 00:00:26,560
I KNOW YOU NEED THIS TO SUCCEED
AS MUCH AS I DO,
15
00:00:26,594 --> 00:00:28,629
BUT IT'S ONLY GONNA DO THAT
IF YOU PRINT IT WORD FOR WORD.
16
00:00:28,662 --> 00:00:29,630
DONE.
17
00:00:29,663 --> 00:00:31,165
WHAT DO YOU WANT ME TO SAY,
18
00:00:31,199 --> 00:00:32,433
"THANK YOU FOR
THE HUMILIATING EXPERIENCE
19
00:00:32,466 --> 00:00:35,103
OF BEING WALKED TO SCHOOL BY MY
DAD AND HIS TROPHY GIRLFRIEND"?
20
00:00:35,136 --> 00:00:37,538
"GOSSIP GIRL" SAYS YOUR DAD IS
DATING SERENA VAN DER WOODSEN.
21
00:00:37,571 --> 00:00:38,639
IS IT TRUE?
22
00:00:38,672 --> 00:00:40,074
NOT FOR LONG.
23
00:00:40,108 --> 00:00:41,242
SHE KNOW YOU CAN DO THIS,
MISS BLAIR.
24
00:00:41,275 --> 00:00:42,510
I HOPE SHE'S RIGHT.
25
00:00:42,543 --> 00:00:46,280
MY ENTIRE FUTURE...
HERE AND WITH CHUCK
26
00:00:46,314 --> 00:00:47,415
DEPENDS ON IT.
27
00:00:48,682 --> 00:00:51,285
AND WHO AM I?
28
00:00:51,319 --> 00:00:54,488
THAT'S A SECRET
I'LL NEVER TELL.
29
00:00:54,522 --> 00:00:56,424
YOU KNOW YOU LOVE ME.
30
00:00:56,457 --> 00:00:57,591
X.O.X.O., GOSSIP GIRL.
31
00:00:57,625 --> 00:01:00,594
-- Captions by VITA --
32
00:01:00,628 --> 00:01:04,365
(Rebecca & Fiona's
"We Are Girls" playing)
33
00:01:04,398 --> 00:01:07,768
(Gossip Girl) MANHATTAN HAS
WEATHERED HER SHARE OF STORMS--
34
00:01:07,801 --> 00:01:11,105
HEAT WAVES, HURRICANES,
EVEN AN EARTHQUAKE.
35
00:01:11,139 --> 00:01:13,441
BUT THESE DAYS, IT LOOKS LIKE
A NEW FORCE OF NATURE
36
00:01:13,474 --> 00:01:16,610
IS TAKING SHAPE
ON THE UPPER EAST SIDE.
37
00:01:16,644 --> 00:01:18,679
(sighs)
THERE'S NOTHING I LOVE MORE
38
00:01:18,712 --> 00:01:21,382
THAN THE SOUND OF A SWEATSHOP
IN THE MORNING.
39
00:01:21,415 --> 00:01:24,185
THAT HEMLINE IS TOO SHORT.
40
00:01:24,218 --> 00:01:25,853
AND THAT ONE IS TOO LONG.
41
00:01:25,886 --> 00:01:28,489
MY DEBUT COLLECTION
MUST BE PERFECT.
42
00:01:28,522 --> 00:01:30,424
(singsongy) WE HAVEN'T BEEN
WORKING DAY AND NIGHT
43
00:01:30,458 --> 00:01:32,860
FOR THE LAST TWO WEEKS
TO MAKE ERRORS.
44
00:01:32,893 --> 00:01:34,395
(normal voice)
THE DEVIL IS IN THE DETAILS,
45
00:01:34,428 --> 00:01:37,398
AND I'M ABOUT TO START
WORSHIPPING SATAN.
46
00:01:37,431 --> 00:01:38,732
BLAIR, HERE IS THE LIST
OF IT GIRLS
47
00:01:38,766 --> 00:01:40,168
WALKING IN TONIGHT'S SHOW.
48
00:01:40,201 --> 00:01:41,435
(gasps)
49
00:01:41,469 --> 00:01:43,871
I AM SO GLAD
CHARLOTTE CASIRAGHI
50
00:01:43,904 --> 00:01:45,739
AGREED TO BE
OUR CENTERPIECE GIRL.
51
00:01:45,773 --> 00:01:47,475
SHE IS
A VERITABLE STYLE ICON
52
00:01:47,508 --> 00:01:50,544
AND THE ONLY MONEGASQUE
WHO DOESN'T HOLD A GRUDGE.
53
00:01:50,578 --> 00:01:53,347
THAT IS THE GENIUS
OF OUR STRATEGY.
54
00:01:53,381 --> 00:01:55,783
SO WHAT,
WE MISSED FASHION WEEK.
55
00:01:55,816 --> 00:01:56,784
PEOPLE ALWAYS TAKE
THEIR STYLE CUES
56
00:01:56,817 --> 00:01:58,886
FROM REAL LIFE IT GIRLS,
ANYWAY.
57
00:01:58,919 --> 00:02:00,621
OUR BUYERS WILL CLAMOR
FOR THE COLLECTION
58
00:02:00,654 --> 00:02:02,490
THE SECOND THEY SEE IT.
59
00:02:02,523 --> 00:02:03,691
OUI, BLAIR,
WHICH REMINDS ME,
60
00:02:03,724 --> 00:02:05,426
I'LL GO CONFIRM
CHARLOTTE'S FLIGHT NOW.
61
00:02:08,862 --> 00:02:13,634
MISS BLAIR, YOU HAVE NO MOMENT
FOR REST IN DAYS.
62
00:02:13,667 --> 00:02:16,237
I BRING YOU HEALTH SHAKE
WITH KALE.
63
00:02:16,270 --> 00:02:18,272
THE ONLY GREEN THAT
I'M CONCERNED WITH RIGHT NOW
64
00:02:18,306 --> 00:02:19,540
IS THE SHADE OF HAREM PANTS
65
00:02:19,573 --> 00:02:21,842
LAUREN BUSH WILL BE DONNING
TONIGHT.
66
00:02:21,875 --> 00:02:22,776
QUEL DÉSASTRE.
67
00:02:22,810 --> 00:02:24,278
CHARLOTTE'S LAWYERS SAY
SHE HAS A CONFLICT
68
00:02:24,312 --> 00:02:25,913
WITH ANOTHER ENDORSEMENT.
69
00:02:25,946 --> 00:02:29,583
THEY'VE MADE HER DROP OUT
OF THE SHOW. WHAT DO WE DO?
70
00:02:29,617 --> 00:02:32,686
NOT TO WORRY, JEAN PIERRE.
I'VE GOT THIS UNDER CONTROL.
71
00:02:32,720 --> 00:02:34,688
WE'LL JUST HAVE TO FIND
SOMEONE EVEN MORE FABULOUS
72
00:02:34,722 --> 00:02:37,425
TO FEATURE AS THE FACE
OF WALDORF DESIGNS.
73
00:02:37,458 --> 00:02:38,859
* WE ARE GIRLS,
WE DON'T CARE WHAT THEY SAY *
74
00:02:38,892 --> 00:02:42,863
* WE ARE GIRLS LIKE YOU
75
00:02:42,896 --> 00:02:45,499
* LIKE ME
76
00:02:45,533 --> 00:02:46,467
THANK YOU.
77
00:02:46,500 --> 00:02:49,437
SO, SWEETIE, WHAT'S ON TAP
AT SCHOOL TODAY?
78
00:02:49,470 --> 00:02:50,571
(cell phone alert chimes)
79
00:02:50,604 --> 00:02:52,240
(chuckles)
80
00:02:54,675 --> 00:02:55,743
DO YOU WANT SOME BERRIES?
81
00:02:55,776 --> 00:02:56,810
I GOT 'EM FRESH
AT THE FARMER'S MARKET.
82
00:02:58,812 --> 00:03:00,581
HEY, IF YOU WANNA BE RUDE
TO ME,
83
00:03:00,614 --> 00:03:03,551
I'LL PUT UP WITH IT
AS PART OF MY PARENTAL DUTY,
84
00:03:03,584 --> 00:03:05,453
BUT THERE IS NO EXCUSE
TO BE IMPOLITE TO SERENA.
85
00:03:05,486 --> 00:03:06,787
AH, IT'S FINE.
86
00:03:06,820 --> 00:03:08,922
NO, IT'S NOT.
87
00:03:08,956 --> 00:03:10,958
SAGE, WHAT'S THE DEAL?
88
00:03:10,991 --> 00:03:13,827
YOU'VE BEEN CUTTING SCHOOL,
89
00:03:13,861 --> 00:03:14,862
AND YOU DROPPED OUT
OUT OF ALL THE ACTIVITIES
90
00:03:14,895 --> 00:03:16,230
THAT USED TO MATTER
TO YOU.
91
00:03:16,264 --> 00:03:17,698
OUR AGREEMENT WAS
THAT YOU COULD DATE NATE
92
00:03:17,731 --> 00:03:19,967
IF HE DIDN'T DISTRACT YOU
FROM WHAT'S IMPORTANT.
93
00:03:20,000 --> 00:03:21,535
PLEASE LEAVE NATE
OUT OF THIS.
94
00:03:21,569 --> 00:03:23,804
HEY. LOOK AT THAT.
95
00:03:23,837 --> 00:03:25,573
SHE ACTUALLY SPEAKS.
96
00:03:25,606 --> 00:03:27,441
(scoffs) YOU WEREN'T AROUND
ALL SUMMER,
97
00:03:27,475 --> 00:03:29,443
AND NOW ALL OF A SUDDEN,
YOU'RE THE WORLD'S AWESOMEST DAD
98
00:03:29,477 --> 00:03:31,712
TRYING TO IMPRESS
YOUR TROPHY GIRLFRIEND?
99
00:03:31,745 --> 00:03:32,846
OKAY. WOW.
100
00:03:32,880 --> 00:03:34,715
I DIDN'T KNOW THAT
YOU FELT THAT WAY,
101
00:03:34,748 --> 00:03:38,286
BUT NOW THAT I DO,
LET'S TALK ABOUT IT.
102
00:03:38,319 --> 00:03:39,953
(cell phone rings, beep)
103
00:03:39,987 --> 00:03:43,257
HI, NATE.
NO, IT'S A GREAT TIME TO TALK.
104
00:03:43,291 --> 00:03:46,827
(sighs)
105
00:03:46,860 --> 00:03:48,762
WELL, THERE WENT
YOUR TEACHABLE MOMENT.
106
00:03:48,796 --> 00:03:50,264
(door closes)
107
00:03:50,298 --> 00:03:51,399
YOU KNOW, I JUST DON'T KNOW
WHAT TO DO WITH HER.
108
00:03:51,432 --> 00:03:53,000
YOU KNOW, HER GRADES
ARE ABYSMAL.
109
00:03:53,033 --> 00:03:55,536
COLLEGE IS RIGHT
AROUND THE CORNER.
110
00:03:55,569 --> 00:03:57,405
YOU KNOW, I HATE TO SAY IT,
111
00:03:57,438 --> 00:03:59,973
BUT MAYBE I INTRODUCED
THE TWO OF YOU TOO SOON.
112
00:04:00,007 --> 00:04:02,610
WELL, SPEAKING AS SOMEONE WHO
HAD A LOT OF STEPPARENT TYPES
113
00:04:02,643 --> 00:04:04,578
WALTZ IN AND OUT OF MY LIFE,
114
00:04:04,612 --> 00:04:06,514
I KNOW IT CAN BE TOUGH,
115
00:04:06,547 --> 00:04:09,550
BUT WE'LL MAKE IT THROUGH IT,
OKAY?
116
00:04:09,583 --> 00:04:12,453
I REALLY, REALLY WANT THAT.
117
00:04:12,486 --> 00:04:15,456
WELL, IT SOUNDS LIKE
THERE'S A "BUT" COMING.
118
00:04:15,489 --> 00:04:18,492
YEAH. I JUST, YOU KNOW,
WONDER IF I...
119
00:04:18,526 --> 00:04:20,494
MOVED A LITTLE TOO FAST
HERE.
120
00:04:20,528 --> 00:04:22,496
I-I MAKE NO EXCUSES
FOR THE WAY SHE'S ACTING,
121
00:04:22,530 --> 00:04:23,931
BUT SHE'S STILL A KID.
122
00:04:23,964 --> 00:04:26,500
YOU KNOW, IF SHE'S THIS UPSET,
I NEED TO DEAL WITH IT.
123
00:04:26,534 --> 00:04:28,569
WELL, YEAH, YOU SHOULD
DEFINITELY TALK TO HER.
124
00:04:30,671 --> 00:04:34,408
YOU KNOW, I WAS--I WAS
THINKING MORE LIKE, UM...
125
00:04:35,776 --> 00:04:40,481
YOU KNOW, MAYBE YOU AND I
SHOULD TAKE A BREAK.
126
00:04:40,514 --> 00:04:43,050
YOU KNOW, IT'S THE LAST THING
IN THE WORLD THAT I WANT,
127
00:04:43,083 --> 00:04:45,353
BUT I SHOULD FOCUS ON SAGE,
YOU KNOW, GET HER--
128
00:04:45,386 --> 00:04:46,887
GET HER BACK ON TRACK.
129
00:04:46,920 --> 00:04:48,789
WELL, WHAT IF I TALK TO HER?
130
00:04:48,822 --> 00:04:52,092
YOU DID HEAR EVERYTHING
SHE JUST SAID ABOUT YOU.
131
00:04:52,125 --> 00:04:54,962
WELL, YEAH, BUT I KNOW HOW
TO RELATE TO GIRLS LIKE SAGE
132
00:04:54,995 --> 00:04:58,466
BECAUSE I WAS A GIRL LIKE SAGE
NOT TOO LONG AGO.
133
00:04:58,499 --> 00:05:02,970
WELL, AT THIS POINT SHE COULD
HARDLY HATE EITHER OF US MORE.
134
00:05:03,003 --> 00:05:05,873
THEREFORE, WE HAVE NOTHING
TO LOSE.
135
00:05:05,906 --> 00:05:07,975
SHE'LL COME AROUND,
I PROMISE. OKAY?
136
00:05:08,008 --> 00:05:10,378
OKAY.
137
00:05:10,411 --> 00:05:14,081
I HEARD YOU ON THE PHONE
EARLIER THIS MORNING.
138
00:05:14,114 --> 00:05:15,649
DIDN'T SOUND LIKE BLAIR.
139
00:05:15,683 --> 00:05:18,386
DEEPER VOICE, DARKER MIND.
MY UNCLE JACK.
140
00:05:18,419 --> 00:05:19,387
AH.
141
00:05:19,420 --> 00:05:20,388
HIS PEOPLE ON THE GROUND
IN DUBAI
142
00:05:20,421 --> 00:05:22,690
ARE HELPING ME TO FIND OUT
WHO THE MYSTERY MAN
143
00:05:22,723 --> 00:05:25,092
WITH BART
IN AMIRA'S PHOTO IS.
144
00:05:25,125 --> 00:05:26,059
DID HE COME UP
WITH ANYTHING?
145
00:05:26,093 --> 00:05:27,995
NOT YET. WE GOT A PARTIAL PLATE
OFF THE CAR,
146
00:05:28,028 --> 00:05:30,564
TRACKED DOWN THE RESTAURANT
IT WAS PARKED OUTSIDE OF.
147
00:05:30,598 --> 00:05:33,100
SO THAT'S A GOOD PLACE
TO START ASKING QUESTIONS.
148
00:05:33,133 --> 00:05:34,668
WELL, THAT'S GOOD NEWS. I MEAN,
MAYBE SOMEONE IN THE AREA
149
00:05:34,702 --> 00:05:36,103
WILL RECOGNIZE HIM, YOU KNOW?
150
00:05:36,136 --> 00:05:37,571
YEAH, LET'S HOPE SO.
151
00:05:37,605 --> 00:05:39,006
(door opens)
152
00:05:41,475 --> 00:05:42,976
(panting)
153
00:05:43,010 --> 00:05:45,413
I MAY BE NEGOTIATING
WITH TERRORISTS,
154
00:05:45,446 --> 00:05:47,381
BUT YOU'RE HARBORING
A FUGITIVE.
155
00:05:47,415 --> 00:05:49,116
(Monkey whimpers)
156
00:05:49,149 --> 00:05:51,051
(panting)
157
00:05:51,084 --> 00:05:52,986
COME ON, MONKEY.
158
00:05:53,020 --> 00:05:55,389
(panting)
159
00:05:55,423 --> 00:05:57,625
I-I'M SORRY ABOUT THAT, MAN.
HE'S, YOU KNOW...
160
00:05:57,658 --> 00:05:59,059
NO, CHUCK'S BARBS
DON'T BOTHER ME.
161
00:05:59,092 --> 00:06:01,462
ANYTHING BEATS HAVING
GEORGINA WATCH ME SLEEP.
162
00:06:01,495 --> 00:06:03,697
I'M JUST GRATEFUL
FOR A PLACE TO CRASH.
163
00:06:03,731 --> 00:06:05,132
WELL, AS YOUR ROOMMATE
AND PUBLISHER,
164
00:06:05,165 --> 00:06:07,000
I AM PLEASED TO REPORT
THAT "THE SPECTATOR"
165
00:06:07,034 --> 00:06:10,471
IS FINALLY READY TO POST ITS
VERY FIRST HUMPHREY ORIGINAL.
166
00:06:10,504 --> 00:06:12,606
(chuckles) HEY, IT'S A GOOD DAY,
AND IT'S ONLY 9:00 A.M.
167
00:06:12,640 --> 00:06:14,608
BEFORE I PUBLISH, WOULD YOU
WANNA WARN THE SUBJECT
168
00:06:14,642 --> 00:06:16,744
OF THIS WEEK'S SERIAL?
YOU KNOW, LET 'EM KNOW
169
00:06:16,777 --> 00:06:17,678
THAT THEY'RE ABOUT TO BE
TOTALLY SKEWERED?
170
00:06:17,711 --> 00:06:20,914
YEAH. UH, YEAH, NO.
NO, I'D RATHER NOT.
171
00:06:20,948 --> 00:06:23,784
ARE YOU SURE?
I MEAN, THIS IS KINDA LIKE
172
00:06:23,817 --> 00:06:24,885
WHEN YOU START SLEEPING
WITH SOMEONE'S EX.
173
00:06:24,918 --> 00:06:27,755
IT'S BETTER--BETTER THAT
THEY HEAR IT FROM YOU FIRST.
174
00:06:27,788 --> 00:06:28,889
YOU SHOULD KNOW.
175
00:06:28,922 --> 00:06:29,890
SO SHOULD YOU.
176
00:06:29,923 --> 00:06:31,024
YOU THINK GRAYDON CARTER
MAKES A COURTESY CALL
177
00:06:31,058 --> 00:06:34,462
TO THE ASTORS BEFORE PUBLISHING
AN EXPOSÉ ON THEM?
178
00:06:34,495 --> 00:06:35,596
YEAH, ACTUALLY.
179
00:06:35,629 --> 00:06:37,665
POST IT.
180
00:06:40,534 --> 00:06:41,802
(exhales deeply)
181
00:06:45,806 --> 00:06:47,541
(key clicks)
182
00:06:50,678 --> 00:06:52,179
HOW'S THE INVITE LIST
FOR THE GALLERY OPENING
183
00:06:52,212 --> 00:06:53,614
COMING ALONG?
184
00:06:53,647 --> 00:06:56,750
SPEAKING OF,
WHO WILL YOU BE ESCORTING?
185
00:06:56,784 --> 00:06:59,753
'CAUSE I HAVE
THE PERFECT SUGGESTION.
186
00:06:59,787 --> 00:07:00,988
ME.
187
00:07:01,021 --> 00:07:03,824
WELL, I WOULD LOVE NOTHING MORE
THAN TO HAVE YOU ON MY ARM,
188
00:07:03,857 --> 00:07:05,459
UH, BUT BEFORE WE ANNOUNCE
OUR RELATIONSHIP STATUS
189
00:07:05,493 --> 00:07:08,195
TO THE WORLD,
I HAVE TO TELL MY KIDS FIRST.
190
00:07:08,228 --> 00:07:10,531
UH, JENNY SENT HER BLESSING
FROM LONDON,
191
00:07:10,564 --> 00:07:12,032
BUT I STILL HAVEN'T
CONNECTED WITH DAN.
192
00:07:12,065 --> 00:07:14,602
WELL, HE'D BETTER HURRY UP
AND GET BACK FROM EUROPE
193
00:07:14,635 --> 00:07:17,204
SO I CAN OFFICIALLY
BE YOUR GIRLFRIEND.
194
00:07:17,237 --> 00:07:18,238
WELL, HE WAS GONNA DO
SOME TRAVELING...
195
00:07:18,271 --> 00:07:19,607
(computer chimes)
196
00:07:19,640 --> 00:07:20,608
AFTER HIS WRITER'S RETREAT,
197
00:07:20,641 --> 00:07:21,742
BUT HE SHOULD BE BACK
ANY DAY NOW,
198
00:07:21,775 --> 00:07:24,812
AND I'M SURE HE'LL REACH OUT
TO US AS SOON AS HE RETURNS.
199
00:07:24,845 --> 00:07:27,948
I WOULDN'T BE TOO SURE
ABOUT THAT.
200
00:07:27,981 --> 00:07:31,952
LOOK AT THIS.
201
00:07:31,985 --> 00:07:35,455
**
202
00:07:41,061 --> 00:07:43,196
SO... WHO IS OUR NEW IT GIRL?
203
00:07:43,230 --> 00:07:44,832
SHE'S IMPOSSIBLE TO FIND.
204
00:07:44,865 --> 00:07:45,999
I'VE CALLED
ALL OF OUR CONTACTS.
205
00:07:46,033 --> 00:07:48,636
THIS IS MANHATTAN. THERE'S
AN IT GIRL ON EVERY CORNER.
206
00:07:51,939 --> 00:07:55,509
EVEN ON THIS CORNER?
207
00:07:55,543 --> 00:07:57,811
I CAN'T WALK IN MY SHOW.
208
00:07:57,845 --> 00:07:59,012
NOT YOU.
209
00:07:59,046 --> 00:08:00,648
SERENA.
210
00:08:03,083 --> 00:08:07,254
WHEN I WAS IN HIGH SCHOOL,
MY MOM WAS REMARRIED A LOT.
211
00:08:07,287 --> 00:08:09,156
THAT MUST HAVE BEEN SO HARD
FOR YOU.
212
00:08:09,189 --> 00:08:11,592
YEAH, IT ACTUALLY WAS,
213
00:08:11,625 --> 00:08:15,796
AND I LEARNED THE HARD WAY
THAT, YOU KNOW,
214
00:08:15,829 --> 00:08:17,631
IF YOU ACT OUT,
YOU'RE ONLY HURTING YOURSELF,
215
00:08:17,665 --> 00:08:19,667
SO PLEASE JUST TRY
TO CARE ABOUT COLLEGE
216
00:08:19,700 --> 00:08:21,735
AND STAY INVOLVED
IN YOUR EXTRACURRICULARS.
217
00:08:21,769 --> 00:08:23,136
YOU'RE SO RIGHT, SERENA.
218
00:08:23,170 --> 00:08:26,206
AND THEY SAY YOU CAN'T BE
PRETTY AND SMART.
219
00:08:26,239 --> 00:08:28,876
AND TRY TO GO EASY
ON YOUR DAD, PLEASE.
220
00:08:28,909 --> 00:08:30,243
HE'S--HE'S A REALLY GOOD MAN.
221
00:08:30,277 --> 00:08:32,012
THAT'S WHY I FELL IN LOVE
WITH HIM.
222
00:08:32,045 --> 00:08:34,047
OKAY, NOW MY EARS
ARE BLEEDING.
223
00:08:34,081 --> 00:08:35,683
BUT IT'S COOL TO TALK
TO SOMEONE MY OWN AGE
224
00:08:35,716 --> 00:08:37,017
WHO ACTUALLY GETS IT.
225
00:08:37,050 --> 00:08:39,119
I PROMISE I'LL TURN OVER
A NEW LEAF.
226
00:08:39,152 --> 00:08:40,588
THANKS, SERENA.
227
00:08:40,621 --> 00:08:42,022
(cell phone rings)
228
00:08:42,055 --> 00:08:43,924
HOLD ON ONE SECOND.
229
00:08:43,957 --> 00:08:45,926
(ring, beep)
230
00:08:45,959 --> 00:08:47,294
WHAT DO YOU WANT?
231
00:08:47,327 --> 00:08:49,029
I'M NOT EVEN GOING TO PRETEND
TO BE CALLING YOU
232
00:08:49,062 --> 00:08:51,599
AS A FRIEND RIGHT NOW BECAUSE
YOU HAVE MADE IT QUITE CLEAR
233
00:08:51,632 --> 00:08:52,733
THAT YOU ARE NOT MINE,
234
00:08:52,766 --> 00:08:57,170
BUT I DO HAVE A MUTUALLY
BENEFICIAL BUSINESS OPPORTUNITY.
235
00:08:57,204 --> 00:08:59,039
I HIGHLY DOUBT THAT.
236
00:08:59,072 --> 00:09:01,975
I NEED A POWER IT GIRL
TO WALK IN MY SHOW.
237
00:09:02,009 --> 00:09:03,176
You made a splash
238
00:09:03,210 --> 00:09:04,978
at the Central Park
Conservancy Gala.
239
00:09:05,012 --> 00:09:07,648
I'M GUESSING THAT YOU NEED
SOMETHING EQUALLY AS EXCITING
240
00:09:07,681 --> 00:09:09,082
TO FOLLOW IT UP.
241
00:09:09,116 --> 00:09:11,251
OH, WELL, YOUR CONCERN
FOR MY SOCIAL STANDING
242
00:09:11,284 --> 00:09:13,186
REALLY TUGS
AT MY HEARTSTRINGS,
243
00:09:13,220 --> 00:09:15,656
BUT A FASHION SHOW
IS HARDLY A LIFE CRISIS.
244
00:09:15,689 --> 00:09:17,190
IT IS TO ME.
245
00:09:17,224 --> 00:09:19,192
MY BACK
IS UP AGAINST THE WALL,
246
00:09:19,226 --> 00:09:22,295
AND NOT IN A HOT CHUCK BASS
KIND OF WAY.
247
00:09:22,329 --> 00:09:23,831
(sighs) YOU AND I HAVE KNOWN
EACH OTHER LONG ENOUGH
248
00:09:23,864 --> 00:09:25,065
THAT WE ARE LIKE FAMILY,
249
00:09:25,098 --> 00:09:27,300
which means that we have earned
the right to hate each other
250
00:09:27,334 --> 00:09:28,736
from time to time,
but that doesn't mean
251
00:09:28,769 --> 00:09:30,103
that there's not still love
252
00:09:30,137 --> 00:09:32,272
UNDERNEATH.
253
00:09:32,305 --> 00:09:34,074
(sighs) COME ON, SERENA.
254
00:09:34,107 --> 00:09:37,144
PLEASE. HOW MANY TIMES
HAVE I SAVED YOU?
255
00:09:37,177 --> 00:09:39,212
IT'S YOUR TURN
TO SAVE ME BACK.
256
00:09:39,246 --> 00:09:44,051
I'M SAVING SOMEONE ELSE NOW--
STEVEN'S DAUGHTER SAGE.
257
00:09:44,084 --> 00:09:47,087
MY ONLY FOCUS IS HER
AND KEEPING HER ON TRACK.
258
00:09:47,120 --> 00:09:48,889
THEY'RE MY NEW FAMILY.
259
00:09:48,922 --> 00:09:50,691
Maybe you should find
a new one, too.
260
00:09:50,724 --> 00:09:51,992
(line disconnects)
261
00:09:55,929 --> 00:09:56,997
(car door closes, tires peal)
262
00:10:00,701 --> 00:10:01,635
(sighs)
263
00:10:04,404 --> 00:10:07,140
YOU KNOW WHAT? IF SERENA
DOESN'T WANNA BE FAMILY,
264
00:10:07,174 --> 00:10:11,178
THEN THAT'S FINE. SHE CAN DIVE
RIGHT FROM THE GENE POOL
265
00:10:11,211 --> 00:10:12,312
TO THE CESSPOOL.
266
00:10:12,345 --> 00:10:14,782
MY MOTHER IS MY FAMILY.
267
00:10:14,815 --> 00:10:18,118
MY MOTHER...
IS ALWAYS WATCHING...
268
00:10:18,151 --> 00:10:19,720
LIKE THE "MONA LISA."
269
00:10:19,753 --> 00:10:22,189
LIKE THE "MONA LISA"
WITH A LOT OF EXPECTATIONS!
270
00:10:25,425 --> 00:10:27,027
YOU LOOK PALE...
271
00:10:27,060 --> 00:10:28,328
(distorted voice)
LIKE "MONA LISA."
272
00:10:28,361 --> 00:10:31,131
(voice echoing)
THIS BUSINESS IS MY NAMESAKE.
273
00:10:31,164 --> 00:10:32,733
IT IS THE FAMILY JEWEL.
274
00:10:32,766 --> 00:10:36,203
IT IS WHAT CHUCK
PAID MY DOWRY TO SAVE!
275
00:10:36,236 --> 00:10:37,437
IF I'M NOT SUCCESSFUL
AT THIS,
276
00:10:37,470 --> 00:10:39,406
WE MIGHT NOT EVEN
END UP TOGETHER!
277
00:10:39,439 --> 00:10:42,743
(slow, distorted voice)
WE ALL ROOT FOR YOU
278
00:10:42,776 --> 00:10:48,882
TO BE...
BLAIR... WALDORF-BASS.
279
00:10:48,916 --> 00:10:51,752
I MUST MATCH
MY MOTHER'S HARD WORK,
280
00:10:51,785 --> 00:10:53,020
DEDICATION, AND SUCCESS.
281
00:10:53,053 --> 00:10:56,423
I CAN'T LET HER DOWN.
I CAN'T LET CHUCK DOWN.
282
00:10:56,456 --> 00:10:58,425
(normal voice)
CAN'T LET MYSELF DOWN.
283
00:10:58,458 --> 00:11:00,327
THEY SAY
HISTORY REPEATS ITSELF,
284
00:11:00,360 --> 00:11:04,031
BUT LOOKS LIKE B.
IS CHARTING A BRAND-NEW COURSE
285
00:11:04,064 --> 00:11:06,666
TO EPIC COLLAPSE.
286
00:11:17,244 --> 00:11:19,346
EXCUSE ME.
HEY, HAVE YOU SEEN THIS GIRL?
287
00:11:21,481 --> 00:11:22,449
ARE YOU SERENA?
288
00:11:22,482 --> 00:11:23,450
YEAH. YEAH. WHERE IS SHE?
289
00:11:23,483 --> 00:11:24,417
UH, YOU JUST MISSED HER,
290
00:11:24,451 --> 00:11:27,054
BUT SHE DID SAY YOU WOULD
TAKE CARE OF THIS.
291
00:11:29,256 --> 00:11:32,125
(cell phone rings)
292
00:11:32,159 --> 00:11:33,193
(beep)
293
00:11:33,226 --> 00:11:34,361
HELLO?
294
00:11:34,394 --> 00:11:37,097
YEAH, YEAH, EVERYTHING WENT
AS WELL AS IT COULD HAVE.
295
00:11:37,130 --> 00:11:39,366
SHE THINKS JUST LIKE I DID
WHEN I WAS 17.
296
00:11:39,399 --> 00:11:43,837
IT'S LIKE LOOKING IN A MIRROR.
297
00:11:46,940 --> 00:11:47,775
IT SEEMS AS IF YOU'RE SUFFERING
298
00:11:47,808 --> 00:11:50,377
FROM SEVERE EXHAUSTION
AND DEHYDRATION.
299
00:11:50,410 --> 00:11:52,079
HAVE YOU BEEN SLEEPING?
EATING?
300
00:11:52,112 --> 00:11:53,080
DO I LOOK LIKE
I'VE BEEN EATING?
301
00:11:53,113 --> 00:11:54,381
DON'T INSULT ME.
302
00:11:54,414 --> 00:11:56,483
MISS BLAIR RUNNING AROUND
LIKE RHESUS MONKEY.
303
00:11:56,516 --> 00:11:58,385
SHE TAKE NO MOMENT FOR SLEEPING
304
00:11:58,418 --> 00:12:00,320
OR EATING OR RESTING
OR STOPPING.
305
00:12:00,353 --> 00:12:02,122
IS EXHAUSTING ME, TOO.
306
00:12:02,155 --> 00:12:03,824
I HAVE BEEN WORKING
HARDER THAN A FARMHAND,
307
00:12:03,857 --> 00:12:07,394
BUT I DO HAVE A MULTIMILLION
DOLLAR BRAND TO BUILD
308
00:12:07,427 --> 00:12:08,762
AND A FASHION SHOW
TO OVERSEE TONIGHT,
309
00:12:08,796 --> 00:12:10,430
SO IF YOU'LL EXCUSE ME.
310
00:12:10,463 --> 00:12:12,966
YOU'RE NOT GOING ANYWHERE.
IF YOU WANNA BE AT THAT SHOW,
311
00:12:13,000 --> 00:12:15,235
YOU NEED TO BE ON BED REST
AND I.V. FLUIDS.
312
00:12:15,268 --> 00:12:17,037
WHERE DID YOU FIND
THIS QUACK?
313
00:12:18,405 --> 00:12:19,506
OH.
314
00:12:19,539 --> 00:12:21,208
OH!
315
00:12:21,241 --> 00:12:24,444
PERHAPS I AM
A WEE BIT TIRED.
316
00:12:24,477 --> 00:12:26,814
I'LL PREPARE THE I.V.
317
00:12:26,847 --> 00:12:27,915
I GUESS I'LL JUST HAVE TO DEAL
WITH RUNNING MY EMPIRE
318
00:12:27,948 --> 00:12:29,749
FROM MY OWN SICKBED.
319
00:12:34,822 --> 00:12:36,256
OH, THE STATE OF YOUR SHIRT
320
00:12:36,289 --> 00:12:37,457
MAKES ME THINK
SAGE MUST BE CLOSE.
321
00:12:37,490 --> 00:12:39,927
YEAH, WELL,
YOU JUST MISSED HER.
322
00:12:39,960 --> 00:12:41,128
WHERE COULD SHE HAVE
DISAPPEARED TO NOW?
323
00:12:41,161 --> 00:12:44,031
I JUST SEARCHED EVERY FLOOR
OF BARNEY'S TWICE.
324
00:12:44,064 --> 00:12:45,165
YOU TRY DOING THAT
WITHOUT STOPPING TO BROWSE
325
00:12:45,198 --> 00:12:46,934
AT EITHER OF
THE SHOE DEPARTMENTS.
326
00:12:46,967 --> 00:12:48,969
I THINK YOU SHOULD JUST
GIVE UP THE CHASE.
327
00:12:49,002 --> 00:12:51,939
(sighs) I CAN'T. I'M SUPPOSED
TO BE MENTORING HER.
328
00:12:51,972 --> 00:12:53,874
(laughs) YOU? MENTOR?
329
00:12:53,907 --> 00:12:55,208
JUST GO WITH IT.
330
00:12:55,242 --> 00:12:58,278
SHE MAY BE 17, BUT SHE IS
WISE BEYOND HER YEARS.
331
00:12:58,311 --> 00:12:59,880
SHE'S HIGH SCHOOL YOU
TIMES TEN, BELIEVE ME.
332
00:12:59,913 --> 00:13:02,082
BUT SAGE'S ENTIRE GOAL
IS TO DESTROY
333
00:13:02,115 --> 00:13:04,351
MINE AND STEVEN'S RELATIONSHIP,
AND SHE'S SUCCEEDING AT IT,
334
00:13:04,384 --> 00:13:05,986
BECAUSE I'VE BEEN
LYING TO HIM ALL DAY.
335
00:13:06,019 --> 00:13:07,420
I'M SUPPOSED TO BE KEEPING HER
ON THE STRAIGHT AND NARROW,
336
00:13:07,454 --> 00:13:09,156
AND I HAVE NO IDEA
WHERE SHE IS.
337
00:13:09,189 --> 00:13:10,858
WELL,
IF YOU FEEL SO GUILTY,
338
00:13:10,891 --> 00:13:12,225
MAYBE YOU SHOULD JUST
COME CLEAN.
339
00:13:12,259 --> 00:13:13,426
I CAN'T. IF HE KNOWS
THAT I MESSED THIS UP,
340
00:13:13,460 --> 00:13:14,962
HE'LL WANNA TAKE A BREAK,
341
00:13:14,995 --> 00:13:16,296
AND THAT'S THE LAST THING
I WANT.
342
00:13:16,329 --> 00:13:18,565
HE'S THE MOST IMPORTANT PERSON
IN MY LIFE RIGHT NOW.
343
00:13:18,598 --> 00:13:20,901
LOOK, IT'S HIS JOB
TO HANDLE HER, NOT YOURS.
344
00:13:20,934 --> 00:13:23,236
OH, YOU'RE RIGHT.
345
00:13:23,270 --> 00:13:25,505
(sighs deeply) OKAY.
AS HARD AS IT'S GONNA BE,
346
00:13:25,538 --> 00:13:28,575
I THINK I JUST HAVE TO
ADMIT DEFEAT.
347
00:13:28,608 --> 00:13:32,880
WELL, GOOD LUCK WITH THAT.
I'M AROUND IF YOU NEED TO TALK.
348
00:13:32,913 --> 00:13:34,447
THANKS.
349
00:13:34,481 --> 00:13:36,183
YOU HERE ON ONE OF
YOUR FAMOUS BLACKMAIL MISSIONS?
350
00:13:36,216 --> 00:13:37,317
I HOPE YOU GOT IT ALL
ON FILM.
351
00:13:37,350 --> 00:13:38,585
SUCK IT, HUMPHREY.
352
00:13:38,618 --> 00:13:40,253
YOU SHOULD PROBABLY
BUTTON UP YOUR SHIRT.
353
00:13:40,287 --> 00:13:42,189
YOU ARE EDITOR-IN-CHIEF NOW.
354
00:13:42,222 --> 00:13:44,191
(sighs)
355
00:13:44,224 --> 00:13:46,459
I JUST CAN'T FIGURE OUT
HOW DAN FOUND OUT ABOUT US.
356
00:13:46,493 --> 00:13:48,295
I SHOULD HAVE CALLED HIM
SO HE HEARD IT FROM ME.
357
00:13:48,328 --> 00:13:50,130
HE MUST BE IN SHOCK.
358
00:13:50,163 --> 00:13:53,333
(sighs) OH, MY GOD.
359
00:13:53,366 --> 00:13:57,270
RUFUS, YOU ARE TOO GOOD
FOR YOUR OWN GOOD.
360
00:13:57,304 --> 00:14:00,540
I MEAN, YOUR SON TRASHES YOU
IN THE PRESS,
361
00:14:00,573 --> 00:14:02,943
AND YOU THINK
YOU'RE TO BLAME.
362
00:14:02,976 --> 00:14:05,345
I MEAN, IT WAS BAD ENOUGH
WHEN DAN FICTIONALIZED YOU
363
00:14:05,378 --> 00:14:08,982
IN HIS LAST BOOK,
BUT THIS IS NEXT LEVEL.
364
00:14:09,016 --> 00:14:10,617
I NEED TO TALK TO HIM
IMMEDIATELY.
365
00:14:10,650 --> 00:14:12,219
TALK?
366
00:14:12,252 --> 00:14:14,054
ISN'T THAT WHAT YOU DID
LAST TIME?
367
00:14:14,087 --> 00:14:16,523
AND LOOK HOW WELL
THAT TURNED OUT.
368
00:14:16,556 --> 00:14:22,129
I MEAN, HE'S USING REAL NAMES
AND DISTORTING THE TRUTH.
369
00:14:22,162 --> 00:14:23,363
IT'S LIBEL.
370
00:14:27,200 --> 00:14:29,069
THESE AD NUMBERS
SEEM PRETTY PROMISING.
371
00:14:29,102 --> 00:14:31,338
I THINK MY SERIAL MIGHT GIVE
"THE SPECTATOR" A REAL BOOST.
372
00:14:31,371 --> 00:14:32,272
YEAH, AND MORE IMPORTANTLY,
373
00:14:32,305 --> 00:14:33,406
JUDGING BY THESE
ONLINE COMMENTS AT LEAST,
374
00:14:33,440 --> 00:14:36,309
THE RUFUS PIECE HAS REACHED
A WHOLE NEW READERSHIP.
375
00:14:36,343 --> 00:14:37,644
I MEAN,
PEOPLE WHO ACTUALLY READ--
376
00:14:37,677 --> 00:14:38,979
OVER 35s WHO LOVE
VINTAGE INDIE ROCK
377
00:14:39,012 --> 00:14:40,380
AND DIRT
ON OTHER PEOPLE'S DIVORCES.
378
00:14:40,413 --> 00:14:43,216
AND SINCE MY DAD ISN'T EXACTLY
IN THE "GOSSIP GIRL" DEMO,
379
00:14:43,250 --> 00:14:45,385
THERE'S NO WAY
SHE CAN UNDERMINE THIS STORY.
380
00:14:45,418 --> 00:14:48,288
(cell phone alerts chime)
381
00:14:48,321 --> 00:14:49,489
OH, COME ON.
382
00:14:49,522 --> 00:14:51,058
(sighs)
383
00:14:53,693 --> 00:14:55,662
THIS SAYS YOUR DAD
IS GONNA SUE YOU,
384
00:14:55,695 --> 00:14:57,965
ME, AND "THE SPECTATOR."
385
00:14:57,998 --> 00:15:00,100
AND "GOSSIP GIRL"
IS BREAKING THE NEWS.
386
00:15:03,270 --> 00:15:04,637
(sighs)
387
00:15:04,671 --> 00:15:07,240
(telephone ringing in distance)
388
00:15:09,042 --> 00:15:11,711
JEAN PIERRE?
YOU ARE RUINING EVERYTHING.
389
00:15:11,744 --> 00:15:13,646
THE RUNWAY
IS THE WRONG COLOR.
390
00:15:13,680 --> 00:15:15,215
AND WHO APPROVED THOSE WIGS?
391
00:15:15,248 --> 00:15:18,318
EVEN NICKI MINAJ
KNOWS BETTER.
392
00:15:18,351 --> 00:15:19,652
We will change it all--
393
00:15:19,686 --> 00:15:21,421
paint the runway,
ditch the wigs.
394
00:15:21,454 --> 00:15:24,691
IS THAT NELLY YUKI
I SEE IN THE BACKGROUND?
395
00:15:24,724 --> 00:15:27,560
SHE'S THERE
FOR HER EXCLUSIVE INTERVIEW.
396
00:15:27,594 --> 00:15:30,230
STALL HER.
TELL HER SHE'S PRETTY.
397
00:15:30,263 --> 00:15:32,532
SHE'S NEVER HEARD THOSE WORDS
STRUNG TOGETHER BEFORE.
398
00:15:32,565 --> 00:15:34,167
(sighs)
399
00:15:34,201 --> 00:15:35,702
IT COULDN'T GET WORSE,
DOROTA.
400
00:15:35,735 --> 00:15:37,237
I STILL HAVEN'T FOUND
MY IT GIRL,
401
00:15:37,270 --> 00:15:39,306
AND NOW NELLY YUKI
IS SNIFFING AROUND
402
00:15:39,339 --> 00:15:41,508
LIKE ONE OF
VALENTINO'S LITTLE DOGS.
403
00:15:41,541 --> 00:15:43,543
JEAN PIERRE SHOULD PUT
A MUZZLE ON HER.
404
00:15:43,576 --> 00:15:46,313
JEAN PIERRE THINKS "MUZZLE"
IS THE NAME OF OUR D.J.
405
00:15:46,346 --> 00:15:48,281
I DON'T KNOW WHO ELSE
TO CALL.
406
00:15:48,315 --> 00:15:50,150
THE MINIONS ARE ON PROBATION
BECAUSE OF POPPY-GATE,
407
00:15:50,183 --> 00:15:51,651
AND DAN IS STILL FURIOUS
WITH ME.
408
00:15:51,684 --> 00:15:53,653
I JUST WANT SOMEONE
WHO CAN READ MY MIND.
409
00:15:53,686 --> 00:15:55,488
IS THAT TOO MUCH TO ASK?
410
00:15:57,657 --> 00:15:58,658
HELLO, BLAIR.
411
00:16:07,100 --> 00:16:09,736
SERENA. YOUR EARS
MUST BE BURNING.
412
00:16:09,769 --> 00:16:11,471
YEAH? WHY?
413
00:16:11,504 --> 00:16:12,405
I WAS JUST TELLING MY DAD
414
00:16:12,439 --> 00:16:14,374
ABOUT THE GREAT OPPORTUNITY
YOU GOT ME.
415
00:16:14,407 --> 00:16:17,510
OF COURSE.
THE GREAT OPPORTUNITY.
416
00:16:17,544 --> 00:16:19,212
YOU SCORED ME A PRIME SPOT
417
00:16:19,246 --> 00:16:21,214
WALKING IN BLAIR WALDORF'S
FASHION SHOW TONIGHT.
418
00:16:21,248 --> 00:16:26,353
(sighs) I DID,
AND IT'S JUST SO EXCITING.
419
00:16:26,386 --> 00:16:27,654
WHO BETTER FOR ME
TO LEARN FROM
420
00:16:27,687 --> 00:16:29,222
THAN A YOUNG BUSINESSWOMAN
LIKE BLAIR,
421
00:16:29,256 --> 00:16:31,124
RUNNING HER OWN COMPANY?
422
00:16:31,158 --> 00:16:32,492
I DO APPLAUD ENTREPRENEURSHIP.
423
00:16:32,525 --> 00:16:33,593
THIS COULD LEAD
TO A SUMMER INTERNSHIP
424
00:16:33,626 --> 00:16:35,228
OR MAYBE A WHOLE CAREER
IN FASHION.
425
00:16:35,262 --> 00:16:37,164
I WAS JUST HAPPY
TO DO ANYTHING
426
00:16:37,197 --> 00:16:40,600
FOR--FOR SWEET SAGE.
(chuckles)
427
00:16:40,633 --> 00:16:42,735
YOU KNOW, THIS IS GREAT NEWS.
428
00:16:42,769 --> 00:16:45,138
MY TWO GIRLS GETTING ALONG.
429
00:16:48,475 --> 00:16:50,210
(kisses) THANK YOU.
430
00:16:50,243 --> 00:16:51,411
THIS MEANS A LOT.
431
00:16:56,183 --> 00:16:58,185
YOU THOUGHT I RATTED YOU OUT,
DIDN'T YOU?
432
00:16:58,218 --> 00:17:00,820
DO YOU REALLY THINK I CARE
ABOUT YOUR CHILDHOOD BAGGAGE?
433
00:17:00,853 --> 00:17:03,390
I GO TO THERAPY.
I HAVE ENOUGH OF MY OWN.
434
00:17:03,423 --> 00:17:05,292
HEY, I WAS JUST
TRYING TO HELP.
435
00:17:05,325 --> 00:17:06,793
HOW'D YOU GET A SPOT
IN BLAIR'S SHOW?
436
00:17:06,826 --> 00:17:09,096
I DIDN'T.
437
00:17:09,129 --> 00:17:10,163
YOU'LL GET ME IN.
438
00:17:10,197 --> 00:17:11,698
UH... IT'S NOT THAT EASY.
439
00:17:11,731 --> 00:17:13,533
NOTHING EVER IS WITH BLAIR.
440
00:17:13,566 --> 00:17:14,634
WELL, THEN I'LL JUST HAVE
TO TELL MY DAD
441
00:17:14,667 --> 00:17:16,236
THAT I FINALLY FOUND
MY TRUE CALLING,
442
00:17:16,269 --> 00:17:17,637
AND YOU SQUASHED IT
443
00:17:17,670 --> 00:17:20,273
BY TELLING YOUR B.F.F.
NOT TO HIRE ME.
444
00:17:20,307 --> 00:17:23,410
THEY SAY DON'T HATE THE PLAYER,
HATE THE GAME.
445
00:17:23,443 --> 00:17:25,312
BUT WHEN YOU INVENTED
THE RULES,
446
00:17:25,345 --> 00:17:28,581
LOSING REALLY STINGS.
447
00:17:33,353 --> 00:17:34,387
(Blair sighs)
448
00:17:34,421 --> 00:17:37,257
I KNEW NOBODY KEEP YOU IN BED
EXCEPT MR. CHUCK.
449
00:17:37,290 --> 00:17:38,425
THAT'S WHY I CALL HIM.
450
00:17:38,458 --> 00:17:42,295
I WOULD LOVE TO SPEND THE DAY
WITH YOU UNDER THE DUVET,
451
00:17:42,329 --> 00:17:43,563
BUT YOU'RE EXHAUSTED.
452
00:17:43,596 --> 00:17:47,734
AND I KNOW FROM MY BRIEF STINT
AS A CANDY STRIPER
453
00:17:47,767 --> 00:17:49,802
THAT AN I.V. CAN BE QUITE
A HINDRANCE.
454
00:17:49,836 --> 00:17:51,371
SO HOW MAY I SERVE?
455
00:17:51,404 --> 00:17:54,407
I CAN'T PULL YOU AWAY
FROM TAKING DOWN BART.
456
00:17:54,441 --> 00:17:56,276
WELL, MY HANDS MAY BE
MOMENTARILY TIED
457
00:17:56,309 --> 00:17:59,246
WHEN IT COMES TO MY MISSION
AGAINST MY FATHER.
458
00:17:59,279 --> 00:18:00,247
TASK ME, BLAIR.
459
00:18:00,280 --> 00:18:05,118
I CAN'T. TASKS ARE
FOR MINIONS OR DAN HUMPHREY.
460
00:18:06,753 --> 00:18:11,458
ON SECOND THOUGHT, I KNOW
EXACTLY WHAT YOU NEED DONE.
461
00:18:11,491 --> 00:18:13,326
AND I KNOW EXACTLY
HOW YOU LIKE IT.
462
00:18:13,360 --> 00:18:17,130
NO INSTRUCTIONS NECESSARY.
463
00:18:22,502 --> 00:18:23,703
(sighs)
464
00:18:23,736 --> 00:18:25,905
DOROTA.
465
00:18:25,938 --> 00:18:29,409
I'M FEVERISH!
466
00:18:29,442 --> 00:18:30,443
(exhales)
467
00:18:32,645 --> 00:18:36,349
ELTON JOHN WON $150,000
FROM "THE SUNDAY MIRROR,"
468
00:18:36,383 --> 00:18:38,351
AND ALL THEY WROTE
WAS HE WAS ON SOME SORT OF DIET
469
00:18:38,385 --> 00:18:40,453
WHERE HE CHEWED HIS FOOD
BUT DIDN'T SWALLOW.
470
00:18:40,487 --> 00:18:42,222
WELL, DON'T WORRY. I'M PRETTY
SURE MY FATHER SWALLOWS.
471
00:18:42,255 --> 00:18:45,425
DAN, THIS ISN'T FUNNY.
THIS IS EXACTLY WHY I WAS SAYING
472
00:18:45,458 --> 00:18:46,893
YOU SHOULD SPEAK TO RUFUS
IN THE FIRST PLACE.
473
00:18:46,926 --> 00:18:48,495
NO, BUT THIS ISN'T LIKE
MY FATHER AT ALL.
474
00:18:48,528 --> 00:18:49,896
I MEAN, GRANTED,
NOTHING HE'S BEEN DOING
475
00:18:49,929 --> 00:18:51,498
HAS REALLY BEEN
IN CHARACTER,
476
00:18:51,531 --> 00:18:53,833
BUT I JUST DON'T BELIEVE
HE WOULD SUE.
477
00:18:53,866 --> 00:18:56,469
THE LAST THING HE WANTS TO DO
IS TELL THE TRUTH,
478
00:18:56,503 --> 00:18:59,706
THE WHOLE TRUTH ABOUT BANGING
IVY DICKENS ON MY SOFA.
479
00:18:59,739 --> 00:19:01,774
THAT DOESN'T MEAN THAT HE ISN'T
GONNA TRY TO MAKE A POINT
480
00:19:01,808 --> 00:19:03,276
OR GET A SETTLEMENT.
481
00:19:03,310 --> 00:19:04,211
NATE, LOOK, IF I--
IF I KNOW MY DAD,
482
00:19:04,244 --> 00:19:06,713
ALL HE WANTS TO DO IS
GIVE ME A LECTURE
483
00:19:06,746 --> 00:19:08,215
FROM HIS PERCH
ON MOUNT-HOLIER-THAN-THOU.
484
00:19:08,248 --> 00:19:10,650
WE'LL BE FINE.
485
00:19:10,683 --> 00:19:12,685
I'LL--I'LL GO TALK TO HIM,
BUT JUST
486
00:19:12,719 --> 00:19:14,921
TRY AND TAKE A DEEP BREATH
AND MAYBE A XANAX OR TWO.
487
00:19:22,962 --> 00:19:24,964
SO THE SHOW WILL OPEN
WITH THIS TRACK.
488
00:19:24,997 --> 00:19:27,234
HERE'S A LIST
OF THE REST OF THE SET HERE
489
00:19:27,267 --> 00:19:28,568
WITH TIME STAMPS.
490
00:19:33,306 --> 00:19:35,342
CHUCK.
491
00:19:36,976 --> 00:19:39,646
WHAT DO YOU THINK?
492
00:19:39,679 --> 00:19:41,948
I'M SPEECHLESS.
493
00:19:41,981 --> 00:19:44,417
IS IT EVERYTHING
YOU DESIRED?
494
00:19:44,451 --> 00:19:48,288
YOU READ ME LIKE TEA LEAVES,
CHUCK BASS.
495
00:19:48,321 --> 00:19:51,824
(cell phone alert chimes)
496
00:19:51,858 --> 00:19:54,261
IT'S JACK. HE HAS A LEAD
ON THE MAN IN THE PHOTO.
497
00:19:54,294 --> 00:19:55,495
I HAVE TO--
498
00:19:55,528 --> 00:19:56,963
GO.
499
00:19:56,996 --> 00:19:58,965
TONIGHT WILL BE...
500
00:19:58,998 --> 00:20:01,668
PERFECT BECAUSE OF YOU.
501
00:20:01,701 --> 00:20:04,537
GO FIND THAT MAN.
502
00:20:04,571 --> 00:20:07,374
IT MEANS WE'RE ONE STEP CLOSER
TO BEING TOGETHER.
503
00:20:10,443 --> 00:20:12,612
(exhales) GO.
504
00:20:24,023 --> 00:20:27,394
OH, THE ICE WOMAN COMETH.
505
00:20:27,427 --> 00:20:32,332
(sighs) I WANTED TO APOLOGIZE
ABOUT OUR CONVERSATION EARLIER.
506
00:20:32,365 --> 00:20:34,367
I-I KNOW THAT I WAS
WAY OUT OF LINE.
507
00:20:34,401 --> 00:20:36,669
SAVE IT, SERENA.
WHAT DO YOU WANT?
508
00:20:36,703 --> 00:20:38,805
I NEED SAGE TO BE
IN YOUR FASHION SHOW.
509
00:20:38,838 --> 00:20:41,574
IRONIC, SINCE I NEED
A FABULOUS IT GIRL
510
00:20:41,608 --> 00:20:42,642
TO WALK IN MY SHOW.
511
00:20:42,675 --> 00:20:46,012
BUT SAGE IS IN HIGH SCHOOL.
SORRY. CAN'T HELP YOU.
512
00:20:46,045 --> 00:20:48,315
THIS IS YOUR OPPORTUNITY
TO DISCOVER SAGE.
513
00:20:48,348 --> 00:20:51,684
LOOK, KARL FOUND NAOMI.
CALVIN INVENTED CHRISTY.
514
00:20:51,718 --> 00:20:53,453
PEOPLE LOVE
A FRESH, NEW FACE.
515
00:20:53,486 --> 00:20:55,455
SO WHAT YOU'RE SAYING IS THAT
YOU WANNA USE ME,
516
00:20:55,488 --> 00:20:57,056
YOUR NON-FAMILY,
517
00:20:57,089 --> 00:20:59,959
TO MAKE A GOOD IMPRESSION
ON YOUR NEW REAL FAMILY.
518
00:20:59,992 --> 00:21:01,828
YEAH. YEAH, HAVING SAGE
IN YOUR SHOW
519
00:21:01,861 --> 00:21:04,364
WILL SAVE MY RELATIONSHIP
WITH STEVEN.
520
00:21:04,397 --> 00:21:07,634
OKAY. I'LL DO IT.
521
00:21:07,667 --> 00:21:08,968
THANK YOU.
522
00:21:09,001 --> 00:21:09,969
ON ONE CONDITION.
523
00:21:10,002 --> 00:21:14,374
FOR SOME REASON,
PEOPLE CARE WHAT YOU THINK.
524
00:21:14,407 --> 00:21:17,510
SO YOU WILL SIT FRONT ROW
IN VINTAGE ELEANOR WALDORF,
525
00:21:17,544 --> 00:21:20,713
APPLAUD WILDLY, AND GUSH
TO ANYONE WHO WILL LISTEN
526
00:21:20,747 --> 00:21:23,750
ABOUT HOW FABULOUS
MY NEW COLLECTION IS.
527
00:21:23,783 --> 00:21:25,385
DONE.
528
00:21:25,418 --> 00:21:26,919
YOU HAVE A DEAL.
529
00:21:26,953 --> 00:21:30,957
IT WAS ALMOST NICE
DOING BUSINESS WITH YOU.
530
00:21:32,859 --> 00:21:36,929
SAGE, COME MEET BLAIR.
YOU'RE IN.
531
00:21:36,963 --> 00:21:39,399
OH, AND STUNNING.
532
00:21:39,432 --> 00:21:40,533
THANK YOU.
533
00:21:40,567 --> 00:21:41,534
TONIGHT'S GONNA BE AMAZING.
534
00:21:41,568 --> 00:21:42,802
SAGE WILL BE WORKING
THE RUNWAY.
535
00:21:42,835 --> 00:21:44,070
STEVEN AND I WILL BE
SITTING IN FRONT ROW.
536
00:21:44,103 --> 00:21:45,605
BUT STARTING TOMORROW,
537
00:21:45,638 --> 00:21:47,840
YOU'RE GONNA START
CARING ABOUT SOME THINGS, OKAY?
538
00:21:47,874 --> 00:21:49,041
I AM?
539
00:21:49,075 --> 00:21:51,878
YEAH, LIKE ATTENDING SCHOOL
AND AFTER SCHOOL ACTIVITIES
540
00:21:51,911 --> 00:21:53,746
AND MAKING IT HOME IN TIME
FOR CURFEW
541
00:21:53,780 --> 00:21:56,449
AND BEING SO, SO KIND
TO YOUR FATHER.
542
00:21:56,483 --> 00:21:57,817
DO WE UNDERSTAND
EACH OTHER?
543
00:21:57,850 --> 00:22:01,888
PERFECTLY. I'M SO HAPPY
WE'RE ALL GETTING ALONG.
544
00:22:01,921 --> 00:22:03,990
I HAVE A FEELING TONIGHT'S
GOING TO BE VERY MEMORABLE.
545
00:22:04,023 --> 00:22:05,958
CAREFUL, LADIES.
546
00:22:05,992 --> 00:22:09,929
TURNS OUT SAGE MIGHT BE
A WOLF IN B.'s CLOTHING.
547
00:22:15,067 --> 00:22:18,104
(The Japanese Popstars)
* LET GO
548
00:22:18,137 --> 00:22:20,573
(indistinct conversations,
camera shutter clicking)
549
00:22:20,607 --> 00:22:25,111
* JUST RELAX AND LET GO
550
00:22:25,144 --> 00:22:26,379
THANK YOU.
551
00:22:26,413 --> 00:22:27,614
CAN'T WAIT TO SEE
YOUR LINE.
552
00:22:27,647 --> 00:22:30,383
ELEANOR WILL NOT BE ATTENDING
TONIGHT'S SHOW
553
00:22:30,417 --> 00:22:33,052
BECAUSE SHE TRUSTS ME
COMPLETELY.
554
00:22:33,085 --> 00:22:35,021
I FEEL HONORED
TO HAVE EARNED THAT TRUST
555
00:22:35,054 --> 00:22:37,056
AND EXCITED ABOUT THE FUTURE
OF WALDORF DESIGNS.
556
00:22:37,089 --> 00:22:38,391
BLAIR? THIS WAY.
557
00:22:38,425 --> 00:22:39,459
EXCUSE ME.
558
00:22:39,492 --> 00:22:40,460
GREAT.
559
00:22:40,493 --> 00:22:41,461
OH, THANK YOU.
560
00:22:41,494 --> 00:22:43,963
HERE YOU GO.
561
00:22:43,996 --> 00:22:45,164
(sighs)
562
00:22:45,197 --> 00:22:48,768
TO SAGE'S BIG NIGHT AND TO YOU
FOR MAKING THIS ALL HAPPEN.
563
00:22:48,801 --> 00:22:50,803
OH, AND TO US
AND NOTHING STANDING IN THE WAY
564
00:22:50,837 --> 00:22:52,138
OF OUR FUTURE.
565
00:22:52,171 --> 00:22:53,139
I'LL DRINK TO THAT.
566
00:22:53,172 --> 00:22:54,674
(clink)
567
00:22:54,707 --> 00:22:56,709
OH, OF COURSE,
568
00:22:56,743 --> 00:22:57,844
WHEN I TOLD YOU
TO SPEAK WITH HER,
569
00:22:57,877 --> 00:23:00,146
I IMAGINE YOU IGNITING
HER INTEREST IN HORSEBACK RIDING
570
00:23:00,179 --> 00:23:04,016
OR, YOU KNOW, MAYBE JOINING
THE VOLLEYBALL TEAM.
571
00:23:04,050 --> 00:23:05,985
YOU KNOW,
MODELING WASN'T EXACTLY
572
00:23:06,018 --> 00:23:09,456
THE... AFTER SCHOOL ACTIVITY
I HAD IN MIND.
573
00:23:09,489 --> 00:23:11,491
WELL, THIS ISN'T JUST
ABOUT MODELING, THOUGH.
574
00:23:11,524 --> 00:23:13,926
I MEAN, BLAIR HAS
AN INCREDIBLE GROUP OF WOMEN
575
00:23:13,960 --> 00:23:14,861
WEARING HER CLOTHES,
576
00:23:14,894 --> 00:23:17,163
FROM ACTIVISTS
TO BUSINESSWOMEN TO ACTRESSES.
577
00:23:17,196 --> 00:23:18,898
SAGE IS IN GREAT COMPANY.
578
00:23:18,931 --> 00:23:20,500
OKAY.
579
00:23:20,533 --> 00:23:22,969
SERENA. STEVEN.
580
00:23:23,002 --> 00:23:26,506
IT IS SUCH A PLEASURE
TO HAVE YOU HERE TONIGHT.
581
00:23:26,539 --> 00:23:29,776
WELCOME. AND I'M SO GLAD
THAT SAGE IS IN THE SHOW.
582
00:23:29,809 --> 00:23:31,444
SHE'S GONNA BE BEAUTIFUL.
583
00:23:31,478 --> 00:23:33,079
CAN'T WAIT. (chuckles)
584
00:23:33,112 --> 00:23:36,616
OH. LOOK, I SEE, UH,
ANDERSON COOPER OVER THERE.
585
00:23:36,649 --> 00:23:38,451
EXCUSE ME. I SHOULD GO
CONGRATULATE HIM
586
00:23:38,485 --> 00:23:40,653
ON HIS OLD NEWS
BECOMING NEW NEWS...
587
00:23:40,687 --> 00:23:41,854
IF THAT MAKES SENSE.
588
00:23:41,888 --> 00:23:43,790
* LET GO, LET GO
589
00:23:43,823 --> 00:23:46,058
LET ME SHOW YOU YOUR SEAT.
590
00:23:46,092 --> 00:23:48,495
OKAY, WELL, I NEED A GOOD VIEW
IF I'M GOING TO APPLAUD.
591
00:23:48,528 --> 00:23:53,032
* LET GO, LET GO
592
00:23:53,065 --> 00:23:55,502
* LET GO, LET GO
593
00:23:55,535 --> 00:23:57,704
WHY ISN'T THERE A SEAT
FOR STEVEN HERE?
594
00:23:57,737 --> 00:23:59,806
SERENA, THIS IS
PRIME FASHION REAL ESTATE.
595
00:23:59,839 --> 00:24:01,508
I HAD TO SAVE ALL
THE BEST SEATS FOR JOURNALISTS
596
00:24:01,541 --> 00:24:04,210
AND INFLUENCERS,
NOT DO-GOODING DADS,
597
00:24:04,243 --> 00:24:06,979
BUT NOT TO WORRY.
STEVEN HAS A VERY NICE SEAT
598
00:24:07,013 --> 00:24:09,682
BEHIND YOU IN THE THIRD ROW
RIGHT THERE.
599
00:24:09,716 --> 00:24:10,950
NO, THAT IS SO DISRESPECTFUL.
600
00:24:10,983 --> 00:24:12,685
DO YOU EVEN CARE
THAT WE'RE HERE?
601
00:24:12,719 --> 00:24:15,187
WELL, OF COURSE I CARE.
602
00:24:15,221 --> 00:24:16,789
* JUST RELAX
603
00:24:16,823 --> 00:24:18,958
YOU ARE SO TRANSPARENT, BLAIR.
604
00:24:18,991 --> 00:24:21,227
YOU COULDN'T HAVE A SEAT
FOR MY BOYFRIEND NEXT TO ME
605
00:24:21,260 --> 00:24:25,031
BECAUSE YOU HAD TO SAVE IT FOR
ONE OF YOUR INDENTURED MINIONS.
606
00:24:25,064 --> 00:24:26,933
WELL, TH-THAT'S NOT TRUE.
607
00:24:26,966 --> 00:24:28,901
WHY EVEN BOTHER
TO MAKE A DEAL WITH ME
608
00:24:28,935 --> 00:24:30,670
TO HAVE ME FAKE-CLAP WHEN YOU'VE
ALREADY GOT ONE OF YOUR SLAVES
609
00:24:30,703 --> 00:24:32,705
WRITING A FAKE STORY ABOUT
HOW WONDERFUL YOUR LINE IS?
610
00:24:32,739 --> 00:24:34,707
FOR YOUR INFORMATION,
611
00:24:34,741 --> 00:24:36,576
I'M A VERY REAL
"WOMEN'S WEAR DAILY" REPORTER.
612
00:24:36,609 --> 00:24:39,646
YES, NELLY YUKI,
A VERY REAL REPORTER
613
00:24:39,679 --> 00:24:43,082
WHO HAPPENS TO LOOK
INCREDIBLY GORGEOUS TONIGHT
614
00:24:43,115 --> 00:24:46,118
AND WHO I AM THRILLED TO HAVE
SITTING IN THE FRONT ROW.
615
00:24:46,152 --> 00:24:49,188
AND... I HAVEN'T
THE SLIGHTEST CLUE
616
00:24:49,221 --> 00:24:51,924
WHAT FAKE DEAL SERENA
IS REFERRING TO.
617
00:24:51,958 --> 00:24:53,926
NOBODY LIKES
A FASHION COUNTERFEIT.
618
00:24:53,960 --> 00:24:55,995
YOU'RE RIGHT. I WOULD NEVER BE
CAUGHT DEAD WEARING A KNOCKOFF,
619
00:24:56,028 --> 00:24:57,797
AND IF TONIGHT REALLY IS
ABOUT HONESTY,
620
00:24:57,830 --> 00:24:59,666
THEN MAYBE I WILL SIT
NEXT TO NELLY,
621
00:24:59,699 --> 00:25:03,603
AND I WILL GIVE HER ALL
OF MY GENUINE OPINIONS.
622
00:25:03,636 --> 00:25:06,138
(sighs)
623
00:25:06,172 --> 00:25:09,208
THAT'S RIGHT. SERENA.
624
00:25:09,241 --> 00:25:12,011
ALL YOUR TRUE, NICE OPINIONS.
625
00:25:12,044 --> 00:25:17,550
NOBODY LIKES A DEBBIE DOWNER
OR A SERENA SABOTAGE.
626
00:25:17,584 --> 00:25:19,185
I'M SORRY THAT I DIDN'T
LET YOU READ IT FIRST.
627
00:25:19,218 --> 00:25:20,753
THAT WOULD'VE BEEN
THE HONEST THING TO DO.
628
00:25:20,787 --> 00:25:22,922
AND I'M SORRY THAT YOU HAD
TO FIND OUT ABOUT IVY
629
00:25:22,955 --> 00:25:27,026
FROM SOMEONE OTHER THAN ME.
BUT...
630
00:25:27,059 --> 00:25:28,561
WE'RE TOGETHER NOW,
631
00:25:28,595 --> 00:25:31,163
AND, UH, ADMITTEDLY,
IT'S--IT'S GETTING SERIOUS.
632
00:25:31,197 --> 00:25:34,634
W--DAD, SHE--
SHE'S A KNOWN CON ARTIST.
633
00:25:34,667 --> 00:25:36,168
SHE SWINDLED LILY
AND HER ENTIRE FAMILY.
634
00:25:36,202 --> 00:25:37,904
AND, YOU MAY REMEMBER
FROM MY ARTICLE,
635
00:25:37,937 --> 00:25:39,906
SHE TRIED TO HAVE SEX WITH ME
636
00:25:39,939 --> 00:25:41,841
AND ASKED ME
TO CALL HER "SERENA."
637
00:25:41,874 --> 00:25:45,044
DAN, YOU'RE MY SON,
638
00:25:45,077 --> 00:25:47,046
AND WE HAVE TO FIND A WAY
TO PUT THIS BEHIND US.
639
00:25:47,079 --> 00:25:50,583
BUT... (sighs) WHEN IT COMES
TO IVY, YOU'RE WAY OUT OF LINE.
640
00:25:50,617 --> 00:25:52,251
I'M AN ADULT,
641
00:25:52,284 --> 00:25:54,787
AND YOU NEED TO RESPECT
MY DECISION TO BE WITH HER.
642
00:25:54,821 --> 00:25:56,623
BEING WITH HER
IS THE ADULT DECISION?
643
00:25:56,656 --> 00:25:57,690
THROUGHOUT MY ENTIRE LIFE,
644
00:25:57,724 --> 00:25:59,225
YOU HAVE PORTRAYED YOURSELF
AS THE MORAL COMPASS,
645
00:25:59,258 --> 00:26:00,927
THE GUY WHO ALWAYS DOES
THE RIGHT THING.
646
00:26:00,960 --> 00:26:02,261
ACCORDING TO RUFUS HUMPHREY,
647
00:26:02,294 --> 00:26:03,195
THERE'S NO ROAD
LIKE THE HIGH ROAD.
648
00:26:03,229 --> 00:26:05,665
YES, I BELIEVE
IN DOING THE RIGHT THING.
649
00:26:05,698 --> 00:26:07,800
SO CAN'T YOU SEE WHAT
YOU'RE DOING WITH YOUR LIFE?
650
00:26:07,834 --> 00:26:10,069
YOUR WHOLE THING IS A LIE.
651
00:26:10,102 --> 00:26:11,203
AT LEAST I WROTE THE TRUTH,
652
00:26:11,237 --> 00:26:12,739
AND THE TRUTH,
WHICH, BY THE WAY,
653
00:26:12,772 --> 00:26:14,707
IS A DEFENSE AGAINST A LIBEL,
SO YOU'VE GOT NO CASE.
654
00:26:14,741 --> 00:26:18,144
CASE? I DON'T WANT A CASE.
655
00:26:18,177 --> 00:26:22,682
I JUST WANNA HAVE
A REAL CONVERSATION WITH MY SON,
656
00:26:22,715 --> 00:26:24,250
SO LET ME KNOW
IF YOU SEE HIM AROUND.
657
00:26:24,283 --> 00:26:25,952
(cell phone alert chimes)
658
00:26:25,985 --> 00:26:28,287
(chimes)
659
00:26:30,890 --> 00:26:32,224
I WILL.
660
00:26:32,258 --> 00:26:33,793
I GOTTA GO.
661
00:26:43,770 --> 00:26:45,805
THAT DIDN'T SOUND LIKE
IT WENT VERY WELL.
662
00:26:45,838 --> 00:26:47,974
DID YOU LEAK NEWS THAT I WAS
THREATENING TO SUE MY SON?
663
00:26:52,712 --> 00:26:55,648
**
664
00:27:01,253 --> 00:27:03,255
(woman) * OOH, OOH
665
00:27:03,289 --> 00:27:05,324
* WE ARE SO ALIVE
666
00:27:05,357 --> 00:27:08,995
* TONIGHT, TONIGHT, TONIGHT
667
00:27:09,028 --> 00:27:11,097
* OOH, OOH
668
00:27:11,130 --> 00:27:13,700
I AM DEFINITELY
THE LUCKIEST GUY IN MANHATTAN.
669
00:27:13,733 --> 00:27:14,834
I LOOK OKAY?
670
00:27:14,867 --> 00:27:16,235
YOU LOOK AMAZING.
671
00:27:16,268 --> 00:27:17,336
AND IF I SPEND ANY MORE TIME
BACK HERE STARING AT YOU,
672
00:27:17,369 --> 00:27:19,105
THAT ROBE'S GONNA END UP
CRUMPLED UP IN THE CORNER.
673
00:27:19,138 --> 00:27:21,007
SO... I'M JUST GONNA
WISH YOU LUCK AND TAKE MY SEAT.
674
00:27:21,040 --> 00:27:22,975
CAN IT END UP
CRUMPLED IN THE CORNER LATER?
675
00:27:23,009 --> 00:27:24,176
ABSOLUTELY.
676
00:27:24,210 --> 00:27:28,180
* BUT LIGHTNING UNITES US
677
00:27:28,214 --> 00:27:31,751
* TONIGHT, TONIGHT, TONIGHT
678
00:27:31,784 --> 00:27:34,453
YOU KNOW,
THIS LOOKS NICE ON YOU,
679
00:27:34,486 --> 00:27:37,456
BUT I THINK I HAVE SOMETHING
SERENA MIGHT LIKE EVEN BETTER.
680
00:27:37,489 --> 00:27:39,325
COME WITH ME.
681
00:27:39,358 --> 00:27:40,893
* OOH, OOH
682
00:27:40,927 --> 00:27:42,995
* WE ARE SO ALIVE
683
00:27:43,029 --> 00:27:46,432
* TONIGHT, TONIGHT, TONIGHT
684
00:27:46,465 --> 00:27:48,300
* OOH, OOH
685
00:27:48,334 --> 00:27:49,501
ERICA WINOGRAD!
686
00:27:49,535 --> 00:27:51,838
IT'S GREAT SEEING ONE OF
MY ADVERTISERS OUT ON THE TOWN.
687
00:27:51,871 --> 00:27:52,772
LIKEWISE, NATE.
688
00:27:52,805 --> 00:27:53,840
LISTEN, I WANTED TO THANK YOU
FOR CHOOSING
689
00:27:53,873 --> 00:27:56,308
TO ADVERTISE WITH US
AT "THE SPECTATOR" THIS WEEK.
690
00:27:56,342 --> 00:27:58,444
IT'S BEEN A REAL PLEASURE DOING
BUSINESS WITH YOU AND YOUR TEAM.
691
00:27:58,477 --> 00:28:01,313
WE WERE VERY EXCITED ABOUT
DAN HUMPHREY'S INAUGURAL SERIAL.
692
00:28:01,347 --> 00:28:03,916
WE KNEW IT WOULD DRAW
A LOT OF EYEBALLS.
693
00:28:03,950 --> 00:28:06,452
AND IT HAS, AND I KNOW DAN'S
PIECE NEXT WEEK WILL GARNER
694
00:28:06,485 --> 00:28:07,720
EVEN MORE ATTENTION.
695
00:28:07,754 --> 00:28:09,822
YOU SHOULD DEFINITELY THINK
ABOUT BUYING UP SOME MORE SPACE
696
00:28:09,856 --> 00:28:11,090
FOR THAT ONE AS WELL.
697
00:28:11,123 --> 00:28:12,925
WE DID, NATE,
IN "VANITY FAIR."
698
00:28:12,959 --> 00:28:14,994
WAIT. I'M--I'M SORRY. WHAT?
699
00:28:15,027 --> 00:28:17,997
DAN'S SERIAL IS CONTINUING
IN "VANITY FAIR."
700
00:28:18,030 --> 00:28:21,100
YEAH, I THOUGHT "THE SPECTATOR"
WAS JUST A ONETIME OCCURRENCE,
701
00:28:21,133 --> 00:28:22,234
WHICH IS TOO BAD FOR ME
702
00:28:22,268 --> 00:28:25,171
BECAUSE GRAYDON IS CHARGING
TEN TIMES AS MUCH AS YOU DID
703
00:28:25,204 --> 00:28:26,372
FOR AD SPACE.
704
00:28:26,405 --> 00:28:30,242
(clears throat) I'M SORRY,
ERICA. I-I HAVE TO GO RIGHT NOW.
705
00:28:30,276 --> 00:28:33,780
(MNDR's "U.C.B.L." playing)
706
00:28:39,251 --> 00:28:40,953
* FAUX FUR ON MY BED
707
00:28:40,987 --> 00:28:42,955
* WE'RE MOVING SLOWLY
708
00:28:42,989 --> 00:28:45,124
* FILL MY GLASS, TAKE IT DOWN
709
00:28:45,157 --> 00:28:47,126
* TURN OFF THAT MOVIE
710
00:28:47,159 --> 00:28:51,197
* PAINT IT GOLD, YOU CAN HAVE
MY SILVER JEWELRY *
711
00:28:51,230 --> 00:28:53,265
* KEEP OUR SUNGLASSES ON
712
00:28:53,299 --> 00:28:56,268
* THOSE COLORS MOVE ME
713
00:28:58,504 --> 00:29:00,439
* AH, AH
714
00:29:03,175 --> 00:29:05,845
* AH, AH, FALLING DOWN
A STRAIGHT LINE *
715
00:29:05,878 --> 00:29:07,914
* ONTO THE DANCE FLOOR
716
00:29:07,947 --> 00:29:11,851
* D.J., LOOP THIS... UP
UNTIL THE BREAK OF DAY *
717
00:29:11,884 --> 00:29:14,320
* WHY DON'T YOU COME ALONG?
718
00:29:14,353 --> 00:29:16,122
* SPINNING BACKWARDS
ALL NIGHT LONG *
719
00:29:16,155 --> 00:29:17,857
* THIS RHYTHM MOVES ALONG
720
00:29:17,890 --> 00:29:20,893
* WHY NOT GET EMOTIONAL?
721
00:29:20,927 --> 00:29:22,394
* YOU CAN COME ALONG
722
00:29:22,428 --> 00:29:24,563
* GRAB MY HAND,
AND WE'LL BOTH GET GONE *
723
00:29:24,596 --> 00:29:26,833
**
724
00:29:26,866 --> 00:29:28,367
* LET'S GET OUR PARTY ON
725
00:29:28,400 --> 00:29:30,837
(camera shutters clicking)
726
00:29:30,870 --> 00:29:34,173
(audience murmuring)
727
00:29:34,206 --> 00:29:35,541
**
728
00:29:35,574 --> 00:29:37,409
(woman) AND DIFFERENT.
729
00:29:37,443 --> 00:29:39,245
(man) YOU KNOW, IT COULD WORK.
730
00:29:39,278 --> 00:29:40,913
(woman speaks indistinctly)
731
00:29:40,947 --> 00:29:42,849
(man speaks indistinctly)
732
00:29:42,882 --> 00:29:43,983
(woman) SHE PULLS IT OFF.
733
00:29:44,016 --> 00:29:46,853
(woman) I LIKE IT.
734
00:29:46,886 --> 00:29:49,288
H-HAVE YOU GUYS LOST YOUR MINDS?
735
00:29:49,321 --> 00:29:53,159
THIS ISN'T FASHION FORWARD
OR PROVOCATIVE OR COUTURE.
736
00:29:53,192 --> 00:29:54,894
IT--IT'S EXPLOITATION,
AND IT'S EMBARRASSING.
737
00:29:54,927 --> 00:29:56,028
* WE'RE BREATHING
738
00:29:56,062 --> 00:29:57,529
* WHY DON'T YOU COME ALONG?
739
00:29:57,563 --> 00:30:00,032
* SPINNING BACKWARDS
ALL NIGHT LONG *
740
00:30:00,066 --> 00:30:01,968
* THIS RHYTHM MOVES ALONG
741
00:30:02,001 --> 00:30:04,536
* WHY NOT GET EMOTIONAL?
742
00:30:04,570 --> 00:30:05,671
* YOU CAN COME ALONG
743
00:30:05,704 --> 00:30:09,041
* GRAB MY HAND,
AND WE'LL BOTH GET GONE *
744
00:30:09,075 --> 00:30:10,309
(gasps)
745
00:30:10,342 --> 00:30:13,179
OKAY, ALEXA, IT'S YOUR TURN.
(chuckles nervously)
746
00:30:13,212 --> 00:30:14,446
(sighs) SHOW MUST GO ON.
747
00:30:14,480 --> 00:30:16,315
NO ONE CARES ABOUT
ONE PERSON'S SILLY OPINION.
748
00:30:16,348 --> 00:30:17,449
SO STRUT!
749
00:30:17,483 --> 00:30:21,020
**
750
00:30:21,053 --> 00:30:22,388
(man) YEP, I'M OUT OF HERE.
751
00:30:24,190 --> 00:30:25,324
THERE'S NO WAY IN HELL
I'M GOING OUT THERE.
752
00:30:25,357 --> 00:30:26,993
OH. DON'T GO.
753
00:30:27,026 --> 00:30:28,027
* AH, AH
754
00:30:28,060 --> 00:30:29,061
W--
755
00:30:29,095 --> 00:30:31,097
(Gossip Girl) IT'S B.'s PARTY,
756
00:30:31,130 --> 00:30:33,032
AND SHE'LL CRY IF SHE WANTS TO,
757
00:30:33,065 --> 00:30:34,867
'CAUSE LOOKS LIKE
THIS BIRTHDAY SUIT
758
00:30:34,901 --> 00:30:38,104
ISN'T EXACTLY
CAUSE FOR CELEBRATION.
759
00:30:43,475 --> 00:30:48,380
I ONLY DID IT BECAUSE
I WANTED TO PROTECT YOU.
760
00:30:48,414 --> 00:30:51,183
NO ONE EVER
STANDS UP FOR YOU.
761
00:30:51,217 --> 00:30:53,085
I THOUGHT IF I... (sighs)
762
00:30:53,119 --> 00:30:54,954
THREATENED A LAWSUIT
ON "GOSSIP GIRL,"
763
00:30:54,987 --> 00:30:58,357
"THE SPECTATOR" WOULD HAVE
TO RETRACT DAN'S PIECE.
764
00:30:58,390 --> 00:31:00,459
STANDING UP FOR ME IS
ONE THING,
765
00:31:00,492 --> 00:31:04,430
BUT YOU SHOULDN'T INTERFERE IN
MATTERS BETWEEN ME AND MY SON.
766
00:31:06,032 --> 00:31:08,500
I-I APOLOGIZE, RUFUS.
767
00:31:08,534 --> 00:31:11,637
I WASN'T THINKING
ABOUT THE CONSEQUENCES,
768
00:31:11,670 --> 00:31:16,943
BUT DAN DID PUBLISH THIS PIECE
TO HURT YOU.
769
00:31:16,976 --> 00:31:19,045
THERE ARE OTHER WAYS
TO FIGHT BACK, IVY.
770
00:31:19,078 --> 00:31:21,480
NO.
771
00:31:21,513 --> 00:31:24,516
THE ONLY WAY TO DEAL WITH
THE WORLD OF THE UPPER EAST SIDE
772
00:31:24,550 --> 00:31:27,519
IS TO FIGHT FIRE WITH FIRE.
773
00:31:27,553 --> 00:31:31,523
DAN MAY HAVE BEEN
AN INNOCENT BROOKLYN BOY ONCE,
774
00:31:31,557 --> 00:31:33,525
BUT WHILE YOU WEREN'T LOOKING,
775
00:31:33,559 --> 00:31:38,965
HE BECAME AS RUTHLESS
AS ANY PARK AVENUE PRINCE.
776
00:31:40,132 --> 00:31:42,168
(sighs) I'M SORRY
777
00:31:42,201 --> 00:31:45,671
I INSERTED MYSELF
IN YOUR BATTLE,
778
00:31:45,704 --> 00:31:47,506
BUT IT BROKE MY HEART
779
00:31:47,539 --> 00:31:49,942
TO SEE YOU TRASHED
SO VICIOUSLY.
780
00:31:49,976 --> 00:31:53,412
WELL, HIS WORDS MAY HAVE
BEEN NASTY,
781
00:31:53,445 --> 00:31:54,580
BUT DAN WROTE THE TRUTH.
782
00:31:56,548 --> 00:31:59,351
WE ARE TOGETHER.
783
00:31:59,385 --> 00:32:02,955
AND I WANT YOU...
784
00:32:02,989 --> 00:32:07,259
BY MY SIDE,
HERE AND AT THE GALLERY OPENING.
785
00:32:07,293 --> 00:32:09,095
MMM.
786
00:32:15,467 --> 00:32:18,604
(indistinct conversations)
787
00:32:18,637 --> 00:32:20,439
WHY THE HELL
DO MY ADVERTISERS THINK
788
00:32:20,472 --> 00:32:22,674
THAT "VANITY FAIR" IS PUBLISHING
THE REST OF YOUR SERIAL?
789
00:32:22,708 --> 00:32:24,710
BECAUSE THEY ARE.
790
00:32:24,743 --> 00:32:27,046
DAN, WE HAD A DEAL.
791
00:32:27,079 --> 00:32:28,580
A HANDSHAKE IS HARDLY
A DEAL.
792
00:32:28,614 --> 00:32:30,416
OH, MY GOD.
I THINK I'M GONNA HIT YOU.
793
00:32:30,449 --> 00:32:31,483
I TOLD YOU LAST WEEK
794
00:32:31,517 --> 00:32:32,618
IT WAS A BAD IDEA
TO MIX BUSINESS AND FRIENDSHIP.
795
00:32:32,651 --> 00:32:35,054
YOU WANTED ME TO GO TO RUFUS
BEFORE PUBLISHING THE PIECE,
796
00:32:35,087 --> 00:32:36,422
AND TODAY WHEN HE--
WHEN HE THREATENED A LAWSUIT,
797
00:32:36,455 --> 00:32:37,556
YOU FREAKED OUT.
798
00:32:37,589 --> 00:32:39,191
I WAS TRYING TO PROTECT
MY NEWSPAPER.
799
00:32:39,225 --> 00:32:41,560
WHAT DO YOU WANT ME TO SAY?
"VANITY FAIR" IS THE BIG-TIME,
800
00:32:41,593 --> 00:32:43,462
AND THE MORE READERS I HAVE,
THE MORE POWER I HAVE.
801
00:32:43,495 --> 00:32:44,596
IT IS THAT SIMPLE.
802
00:32:44,630 --> 00:32:46,232
I THOUGHT WE WERE
IN THIS TOGETHER.
803
00:32:46,265 --> 00:32:48,600
WE WERE, AND THEN
SOMETHING BETTER CAME LONG.
804
00:32:48,634 --> 00:32:50,436
OKAY, NOW I KNOW
I WANNA HIT YOU.
805
00:32:50,469 --> 00:32:52,204
COME ON, NATE. YOU KNOW YOU
AND ALL OF YOUR OTHER FRIENDS
806
00:32:52,238 --> 00:32:54,406
WOULD'VE DONE THE EXACT SAME
THING IN MY POSITION.
807
00:32:54,440 --> 00:32:56,042
YOU KNOW WHAT? DON'T BOTHER
COMING BACK TO THE EMPIRE.
808
00:32:56,075 --> 00:32:57,476
FIND ANOTHER PLACE TO STAY.
809
00:32:57,509 --> 00:32:58,977
I THOUGHT YOU MIGHT SAY THAT.
810
00:33:01,113 --> 00:33:02,981
(scoffs)
811
00:33:15,661 --> 00:33:17,529
DAVE BERGER.
812
00:33:20,066 --> 00:33:22,768
YOU USED TO WORK FOR BART BASS
A WHILE BACK
813
00:33:22,801 --> 00:33:24,236
AS A BODYGUARD.
814
00:33:24,270 --> 00:33:26,738
HE FIRED ME. I GOT NOTHING
TO SAY ABOUT THAT GUY.
815
00:33:26,772 --> 00:33:29,141
I JUST HAVE A FEW QUESTIONS
ABOUT A WEEKEND YOU SPENT
816
00:33:29,175 --> 00:33:31,577
WITH BART IN DUBAI,
ABOUT FOUR YEARS AGO.
817
00:33:31,610 --> 00:33:33,512
LIKE I SAID, I GOT NOTHING.
818
00:33:33,545 --> 00:33:36,115
MR. BASS MAKES EVERYONE SIGN
A NONDISCLOSURE AGREEMENT.
819
00:33:36,148 --> 00:33:37,716
I DON'T KNOW WHO YOU ARE,
820
00:33:37,749 --> 00:33:39,285
BUT I KNOW BETTER
THAN TO CROSS HIM.
821
00:33:42,754 --> 00:33:45,257
THINK OF ME AS A FRIEND,
822
00:33:45,291 --> 00:33:48,060
A COMPADRE, A FELLOW FIGHTER.
823
00:33:48,094 --> 00:33:50,796
THIS GYM IS PRETTY NICE.
824
00:33:50,829 --> 00:33:51,997
IT'S ALL RIGHT.
825
00:33:52,030 --> 00:33:55,534
PERHAPS YOU'D LIKE TO OWN IT
INSTEAD OF JUST WORKING HERE.
826
00:33:55,567 --> 00:33:58,737
PERSONALLY, I'VE ALWAYS
TAKEN GREAT PLEASURE
827
00:33:58,770 --> 00:34:00,506
IN BEING MY OWN BOSS.
828
00:34:00,539 --> 00:34:03,542
(MNDR's "I Go Away" playing)
829
00:34:07,813 --> 00:34:11,783
* IT IS OVER
830
00:34:11,817 --> 00:34:15,254
* DON'T YOU BELIEVE IT'S OVER?
831
00:34:16,588 --> 00:34:18,224
* HOW DID I GET HERE...
832
00:34:18,257 --> 00:34:19,425
HOW COULD YOU DO THIS TO ME?
833
00:34:19,458 --> 00:34:23,162
JUST BECAUSE I DIDN'T GIVE
YOUR GERIATRIC BOYFRIEND A SEAT
834
00:34:23,195 --> 00:34:26,432
DOESN'T MEAN THAT YOU HAD TO
TELL SAGE TO SABOTAGE MY SHOW!
835
00:34:26,465 --> 00:34:27,699
SAVE IT, BLAIR.
836
00:34:27,733 --> 00:34:29,468
YOU WERE SO UPSET THAT I CARE
MORE ABOUT STEVEN THAN YOUR SHOW
837
00:34:29,501 --> 00:34:31,670
THAT YOU HAD TO DESTROY
MY RELATIONSHIP.
838
00:34:31,703 --> 00:34:33,539
I DIDN'T TELL HER TO TAKE OFF
THE DRESS. YOU DID.
839
00:34:33,572 --> 00:34:35,141
NO, I DIDN'T.
840
00:34:35,174 --> 00:34:37,443
I WOULD MUCH RATHER AVOID
THE CHILD PORNOGRAPHY CHARGES.
841
00:34:37,476 --> 00:34:39,478
WELL, IF I DIDN'T TELL HER
TO TAKE OFF THE DRESS,
842
00:34:39,511 --> 00:34:42,314
AND YOU DIDN'T TELL HER TO TAKE
OFF THE DRESS, THEN WHO DID?
843
00:34:43,615 --> 00:34:45,217
I HAPPENED TO LIKE
THE UNDERWEAR MORE.
844
00:34:48,454 --> 00:34:52,458
SAGE, YOU GET IN THIS CAR
RIGHT NOW. WE ARE GOING HOME.
845
00:34:52,491 --> 00:34:54,393
I'LL SEE YOU LATER.
846
00:34:54,426 --> 00:34:58,297
* I'LL GO AWAY, I'LL GO AWAY,
I'LL GO MY OWN WAY *
847
00:34:58,330 --> 00:35:01,433
* I'LL GO AWAY,
I'LL GO AWAY, I'LL GO AWAY *
848
00:35:01,467 --> 00:35:05,371
LOOKS LIKE THESE BESTIES
WERE BESTED BY A NEWBIE.
849
00:35:05,404 --> 00:35:10,176
WHEN SAGE'S DRESS CAME OFF,
THEY BOTH CAME UNDONE.
850
00:35:15,547 --> 00:35:17,783
STEVEN, I'M SO SORRY.
IT'S ALL MY FAULT.
851
00:35:17,816 --> 00:35:20,419
SHE'S RIGHT.
IT IS ALL HER FAULT.
852
00:35:20,452 --> 00:35:21,553
SHE GAVE ME ALL THIS ADVICE
853
00:35:21,587 --> 00:35:23,355
AND TOLD ME TO USE HER
AS A ROLE MODEL.
854
00:35:23,389 --> 00:35:26,925
SAVE IT, SAGE.
I KNOW YOU SET SERENA UP.
855
00:35:26,958 --> 00:35:28,059
I SHOULD'VE KNOWN
856
00:35:28,093 --> 00:35:28,860
AS SOON AS YOU STARTED
TALKING ABOUT THE FASHION SHOW
857
00:35:28,894 --> 00:35:31,763
THAT YOU WERE PLANNING
SOMETHING.
858
00:35:31,797 --> 00:35:33,799
SERENA ISN'T THE ONE
WHO SHOULD BE APOLOGIZING.
859
00:35:33,832 --> 00:35:36,735
IT'S YOU.
860
00:35:36,768 --> 00:35:39,471
(sighs)
861
00:35:39,505 --> 00:35:40,739
I'M WAITING.
862
00:35:40,772 --> 00:35:44,243
(sighs)
863
00:35:44,276 --> 00:35:46,245
SERENA, I'M SORRY THAT
YOU WEREN'T CLEVER ENOUGH
864
00:35:46,278 --> 00:35:47,646
TO FIGURE OUT
WHAT I WAS UP TO.
865
00:35:47,679 --> 00:35:49,415
SAGE, I AM WARNING YOU.
866
00:35:51,717 --> 00:35:53,719
I APOLOGIZE.
867
00:35:53,752 --> 00:35:55,887
I SHOULDN'T HAVE
TAKEN ADVANTAGE OF YOU.
868
00:35:55,921 --> 00:35:57,323
IT WON'T HAPPEN AGAIN.
869
00:35:59,891 --> 00:36:02,394
GOOD.
870
00:36:02,428 --> 00:36:03,895
NOW I'M GONNA CONTEMPLATE
YOUR PUNISHMENT
871
00:36:03,929 --> 00:36:06,665
WHILE I MAKE US ALL SOME TEA.
872
00:36:06,698 --> 00:36:08,567
IT'S BEEN A VERY LONG NIGHT.
873
00:36:12,938 --> 00:36:15,641
FOR THE RECORD,
I DIDN'T MEAN A WORD OF THAT.
874
00:36:15,674 --> 00:36:16,942
I'M NOT SORRY AT ALL.
875
00:36:16,975 --> 00:36:20,312
WELL, FOR THE RECORD,
I DON'T CARE.
876
00:36:20,346 --> 00:36:23,815
WHY DON'T YOU JUST TRY TO WRAP
YOUR LITTLE MACHIAVELLIAN BRAIN
877
00:36:23,849 --> 00:36:26,352
AROUND THE FACT THAT YOUR FATHER
AND I ARE GONNA BE TOGETHER
878
00:36:26,385 --> 00:36:27,486
NO MATTER WHAT YOU DO?
879
00:36:27,519 --> 00:36:30,356
SO YOU'RE GONNA HAVE TO
GET USED TO ME, SWEETHEART.
880
00:36:32,591 --> 00:36:33,859
CHAMOMILE OR MINT?
881
00:36:37,996 --> 00:36:40,299
I JUST GOT OFF THE PHONE
WITH JEAN PIERRE.
882
00:36:40,332 --> 00:36:43,835
IT'S A FASHION PROGNOSIS
OF DISASTROUS PROPORTION.
883
00:36:43,869 --> 00:36:45,337
NOT ONE BUYER
884
00:36:45,371 --> 00:36:47,806
HAS MADE AN APPOINTMENT
TO PLACE AN ORDER.
885
00:36:47,839 --> 00:36:49,241
AND TO MAKE THINGS WORSE,
886
00:36:49,275 --> 00:36:51,910
NELLY YUKI TRASHED ME
IN "WOMEN'S WEAR DAILY."
887
00:36:51,943 --> 00:36:54,446
"CAN BLAIR WALDORF STEP
INTO HER MOTHER'S SHOES,
888
00:36:54,480 --> 00:36:57,849
OR IS HER ACHILLES' HEEL
OF THE STRIPPER VARIETY?"
889
00:36:57,883 --> 00:37:00,452
(scoffs) DOROTA,
I HAVE BEEN RELEGATED
890
00:37:00,486 --> 00:37:02,854
TO CLEAR HEELS
AND KARDASHIAN TASTES!
891
00:37:02,888 --> 00:37:06,858
I ALWAYS KNOW
THIS NELLY A REAL SNAKE.
892
00:37:06,892 --> 00:37:09,027
IT DOESN'T EVEN MATTER
IF THE CLOTHES ARE GOOD.
893
00:37:09,060 --> 00:37:11,430
SERENA WALKED OUT,
AND EVERYONE FOLLOWED.
894
00:37:11,463 --> 00:37:13,732
ONCE AGAIN,
I HAVE BEEN DEFEATED
895
00:37:13,765 --> 00:37:15,567
AT THE HANDS
OF SERENA VAN DER WOODSEN.
896
00:37:15,601 --> 00:37:17,736
SHE'S THE DOUBLE-EDGED SWORD
OF MY VERY EXISTENCE.
897
00:37:17,769 --> 00:37:21,740
MISS BLAIR MUST KEEP CHIN UP,
MUST KEEP COMPANY GOING.
898
00:37:21,773 --> 00:37:22,941
YOU WILL MAKE
MISS ELEANOR PROUD.
899
00:37:22,974 --> 00:37:25,611
I KNOW BECAUSE I PROUD ALREADY.
900
00:37:25,644 --> 00:37:29,047
MY MOTHER. HOW AM I GONNA
EXPLAIN THIS TO HER?
901
00:37:29,080 --> 00:37:31,750
ELEANOR WALDORF DOES NOT
TAKE KINDLY TO THE "F" WORD--
902
00:37:31,783 --> 00:37:33,419
"FAILURE."
903
00:37:36,355 --> 00:37:38,056
(sighs deeply)
904
00:37:38,089 --> 00:37:41,460
SAVE THE DOM, CHUCK.
I WOULD RATHER DIE.
905
00:37:41,493 --> 00:37:43,629
I AM THE LAUGHINGSTOCK
OF THE FASHION PRESS.
906
00:37:43,662 --> 00:37:46,565
THE CLOTHES WERE BEAUTIFUL,
AND YOU ARE BEAUTIFUL,
907
00:37:46,598 --> 00:37:49,034
AND THAT IS SOMETHING
WE NEED TO CELEBRATE.
908
00:37:49,067 --> 00:37:52,338
YOU SAY CELEBRATE.
I SAY DROWN MY SORROWS.
909
00:37:52,371 --> 00:37:53,472
GIVE ME THE BOTTLE.
910
00:37:53,505 --> 00:37:54,473
TOLSTOY WROTE
911
00:37:54,506 --> 00:37:57,443
THAT ALL HAPPY FAMILIES
ARE ALIKE,
912
00:37:57,476 --> 00:38:01,913
BUT EVERY UNHAPPY FAMILY
IS UNHAPPY IN ITS OWN WAY,
913
00:38:01,947 --> 00:38:03,582
ESPECIALLY
ON THE UPPER EAST SIDE.
914
00:38:03,615 --> 00:38:07,853
(Santigold) * I'VE BEEN LOOKING
FOR A FIGHT *
915
00:38:07,886 --> 00:38:12,057
* BUT IT'S GOT NO PLACE TO GO
916
00:38:12,090 --> 00:38:13,692
YOU KNOW,
SAGE CAN BE A HANDFUL,
917
00:38:13,725 --> 00:38:16,562
BUT YOU HANDLED TONIGHT
WITH TRUE GRACE.
918
00:38:16,595 --> 00:38:17,829
I'M IMPRESSED.
919
00:38:17,863 --> 00:38:18,964
MMM.
920
00:38:18,997 --> 00:38:20,666
* MY COMMAND
921
00:38:20,699 --> 00:38:24,736
* I'VE BEEN SEARCHING
FOR AN ANGLE *
922
00:38:24,770 --> 00:38:25,837
* FOR A CAUSE...
923
00:38:25,871 --> 00:38:28,507
SOME ARE ONLY TOO HAPPY
TO BE DISTRACTED
924
00:38:28,540 --> 00:38:29,808
FROM THEIR PAIN.
925
00:38:29,841 --> 00:38:32,778
* OH, OH
926
00:38:32,811 --> 00:38:35,781
* LET ME GO ALL DAY
927
00:38:35,814 --> 00:38:38,750
* JUST BE HERE TILL I KNOW
928
00:38:38,784 --> 00:38:40,452
* TILL I, I KNOW
929
00:38:40,486 --> 00:38:41,587
OH, HI.
930
00:38:41,620 --> 00:38:43,455
HI.
931
00:38:43,489 --> 00:38:45,624
WELL, I HAD...
932
00:38:45,657 --> 00:38:47,526
AN AWFUL DAY
WITH "THE SPECTATOR."
933
00:38:47,559 --> 00:38:49,395
I HAD A REALLY AWFUL DAY
WITH THE SERENA.
934
00:38:49,428 --> 00:38:51,096
I'M NOT WEARING MY ROBE
ANYMORE,
935
00:38:51,129 --> 00:38:52,964
BUT MY CLOTHES CAN STILL END UP
IN THE CORNER.
936
00:38:52,998 --> 00:38:54,700
(inhales deeply)
937
00:38:54,733 --> 00:38:55,634
WELL...
938
00:38:55,667 --> 00:38:58,437
I GUESS I COULD
HELP YOU OUT WITH THAT.
939
00:38:58,470 --> 00:39:02,908
* ON THE BRINK
OF SOMETHING CLOSE *
940
00:39:02,941 --> 00:39:05,611
* PEOPLE KNOW THAT I WRITE
941
00:39:05,644 --> 00:39:08,814
WHILE OTHERS CHOOSE TO
BITE THE HAND THAT FEEDS THEM,
942
00:39:08,847 --> 00:39:09,881
EVEN WHEN THEY HAVE NO IDEA
943
00:39:09,915 --> 00:39:12,751
WHERE THEIR NEXT MEAL
IS COMING FROM.
944
00:39:12,784 --> 00:39:16,722
I HEARD YOU SOLD YOUR SERIAL
TO "VANITY FAIR" THIS MORNING.
945
00:39:16,755 --> 00:39:19,157
I CAN'T BELIEVE THEY BOUGHT IT
TEN MINUTES AFTER IT WAS POSTED.
946
00:39:19,190 --> 00:39:21,593
(chuckles) YOU'RE VERY UP
ON CURRENT EVENTS.
947
00:39:21,627 --> 00:39:24,463
WORD TRAVELS FAST
IN THE PUBLISHING INDUSTRY.
948
00:39:24,496 --> 00:39:25,664
I GUESS YOU TOOK MY ADVICE
949
00:39:25,697 --> 00:39:27,999
AND STARTED PLAYING
BY YOUR OWN RULES.
950
00:39:28,033 --> 00:39:29,968
HOW DOES IT FEEL?
951
00:39:31,670 --> 00:39:32,904
UH, WEIRD.
952
00:39:32,938 --> 00:39:34,573
KINDA DIRTY BUT GOOD.
953
00:39:34,606 --> 00:39:36,708
LIKE YOU SAID, THE TRUTH IS
A VERY POWERFUL THING.
954
00:39:39,711 --> 00:39:43,114
WELL, IF YOU HAVE
NOWHERE TO GO...
955
00:39:43,148 --> 00:39:45,116
YOU CAN ALWAYS STAY WITH ME.
956
00:39:46,618 --> 00:39:48,854
(footsteps approach)
957
00:39:48,887 --> 00:39:50,722
ARE YOU DAN HUMPHREY?
958
00:39:50,756 --> 00:39:52,491
I AM.
959
00:39:52,524 --> 00:39:54,159
I READ YOUR PIECE
IN "THE SPECTATOR" TODAY
960
00:39:54,192 --> 00:39:56,962
AND I LOVED IT.
CAN I BUY YOU A DRINK?
961
00:39:59,064 --> 00:40:00,966
(chuckles) ABSOLUTELY.
962
00:40:11,543 --> 00:40:12,844
SO THERE YOU HAVE IT.
963
00:40:12,878 --> 00:40:15,647
DAVE BERGER WORKED AS
A BODYGUARD FOR MY FATHER.
964
00:40:15,681 --> 00:40:18,183
HE WAS THERE THAT WEEKEND
WITH AMIRA.
965
00:40:18,216 --> 00:40:21,186
DAVE DROVE BART
TO MEET SOMEONE
966
00:40:21,219 --> 00:40:23,655
NAMED LADY ALEXANDER.
967
00:40:23,689 --> 00:40:27,493
DAVE WASN'T IN THE MEETING,
SO THAT'S ALL HE COULD TELL ME.
968
00:40:27,526 --> 00:40:30,061
I DON'T KNOW WHO SHE IS,
969
00:40:30,095 --> 00:40:32,598
WHAT SHE DOES,
970
00:40:32,631 --> 00:40:35,000
OR EVEN WHERE TO START
LOOKING FOR HER.
971
00:40:35,033 --> 00:40:38,670
WE WILL FIND HER.
972
00:40:38,704 --> 00:40:40,205
I'M ALL YOURS,
973
00:40:40,238 --> 00:40:42,974
MIND, BODY, AND SCHEME.
974
00:40:43,008 --> 00:40:44,543
* WAITING FOR THE DAY
975
00:40:44,576 --> 00:40:46,778
YOU HELPED ME
WITH MY SHOW TONIGHT,
976
00:40:46,812 --> 00:40:48,113
AND, AT LEAST
FOR THE FIRST FEW HOURS
977
00:40:48,146 --> 00:40:50,882
BEFORE
THE BIG FASHION FIASCO,
978
00:40:50,916 --> 00:40:53,251
EVERYTHING WAS PERFECT.
979
00:40:53,284 --> 00:40:56,087
AND I CAN HELP YOU, TOO.
980
00:40:56,121 --> 00:40:57,956
* LET ME GO ALL DAY
981
00:40:57,989 --> 00:41:00,091
* JUST BE HERE TILL I KNOW
982
00:41:00,125 --> 00:41:01,993
LET'S FACE IT.
983
00:41:02,027 --> 00:41:05,631
WE... NEED EACH OTHER.
984
00:41:05,664 --> 00:41:09,100
I NEED YOU... RIGHT NOW.
985
00:41:09,134 --> 00:41:11,903
FOR ONE NIGHT,
MAKE AN EXCEPTION.
986
00:41:11,937 --> 00:41:14,139
A GENTLEMAN...
987
00:41:14,172 --> 00:41:17,709
WOULDN'T TAKE ADVANTAGE
OF A LADY WHO'S HAD
988
00:41:17,743 --> 00:41:20,579
MORE THAN HER HALF
OF THE BOTTLE OF DOM.
989
00:41:20,612 --> 00:41:21,847
(sighs)
990
00:41:21,880 --> 00:41:23,549
BUT...
991
00:41:23,582 --> 00:41:26,251
THE EXCEPTION I'LL MAKE
IS THIS--
992
00:41:26,284 --> 00:41:28,520
WE JOIN FORCES,
993
00:41:28,554 --> 00:41:30,622
COMBINE OUR POWER,
994
00:41:30,656 --> 00:41:33,692
AND ACHIEVE OUR GOALS
THAT MUCH SOONER.
995
00:41:33,725 --> 00:41:34,993
* GO ALL DAY
996
00:41:35,026 --> 00:41:38,096
* JUST BE HERE TILL I KNOW
997
00:41:38,129 --> 00:41:39,731
AHEM.
998
00:41:39,765 --> 00:41:41,232
* I KNOW THAT
999
00:41:41,266 --> 00:41:42,934
FINE. (sighs)
1000
00:41:42,968 --> 00:41:45,036
WE'RE IN THIS TOGETHER.
1001
00:41:45,070 --> 00:41:48,840
AND I WILL TRY WITH EVERY FIBER
OF MY BEING...
1002
00:41:48,874 --> 00:41:51,009
(sighs) TO BEHAVE.
1003
00:41:51,042 --> 00:41:53,745
BUT WHETHER YOUR FAMILY IS
HAPPY OR UNHAPPY,
1004
00:41:53,779 --> 00:41:55,914
IT'S ALWAYS BEST
TO STICK TOGETHER
1005
00:41:55,947 --> 00:41:59,651
BECAUSE SOME TIES
ARE SIMPLY UNBREAKABLE.
1006
00:41:59,685 --> 00:42:02,788
X.O.X.O., GOSSIP GIRL.
73808
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