Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:27,161 --> 00:00:28,596
HOW'D YOU DO
IN SCHOOL TODAY?
2
00:00:28,629 --> 00:00:30,298
NOT BAD.
3
00:00:30,331 --> 00:00:32,566
MISS CRUMP SAID I SHOWED
SOME IMPROVEMENT IN MATH.
4
00:00:32,600 --> 00:00:33,734
GOOD. VERY GOOD.
5
00:00:33,767 --> 00:00:34,802
ANDY, I COME IN
THE BACK WAY
6
00:00:34,835 --> 00:00:36,204
SO HE WOULDN'T
SEE ME.
7
00:00:36,237 --> 00:00:37,438
SO WHO
WOULDN'T SEE YOU?
8
00:00:37,471 --> 00:00:39,173
FELLA PULLED INTO
THE GAS STATION
9
00:00:39,207 --> 00:00:40,608
IN A BIG CAR,
FANCY CLOTHES,
10
00:00:40,641 --> 00:00:42,343
WANTING TO KNOW
WHERE THE TAYLORS LIVED.
11
00:00:42,376 --> 00:00:44,178
REAL NOSY.
ASKED A LOT OF QUESTIONS.
12
00:00:44,212 --> 00:00:45,479
WELL,
WHAT'D YOU TELL HIM?
13
00:00:45,513 --> 00:00:46,847
NOTHING.
I JUST PLAYED DUMB.
14
00:00:46,880 --> 00:00:49,150
I KNOW HOW TO DO THAT
REAL GOOD, YOU KNOW.
15
00:00:49,183 --> 00:00:50,418
YEAH, I KNOW.
16
00:00:50,451 --> 00:00:51,552
WHY DIDN'T YOU TELL HIM
WHERE WE LIVED?
17
00:00:51,585 --> 00:00:53,187
HOW DO WE KNOW
WHAT HE'S UP TO?
18
00:00:53,221 --> 00:00:55,156
WELL, WE WON'T FIND OUT
UNLESS WE SEE HIM.
19
00:00:55,189 --> 00:00:56,824
YOU DON'T UNDERSTAND
THESE THINGS, OPE.
20
00:00:58,226 --> 00:00:59,460
HE MUST HAVE FOLLOWED ME
OVER HERE.
21
00:00:59,493 --> 00:01:01,262
YOU'RE NOT GONNA LET HIM IN,
ARE YOU?
22
00:01:01,295 --> 00:01:03,297
WELL, IT SEEMS LIKE
THE SENSIBLE THING TO DO.
23
00:01:03,331 --> 00:01:04,732
WELL,
LET'S ALL THREE OF US GO.
24
00:01:04,765 --> 00:01:07,401
COME ON, OPE.
25
00:01:07,435 --> 00:01:09,203
YOU READY?
26
00:01:09,237 --> 00:01:10,638
YEAH.
27
00:01:16,477 --> 00:01:17,578
HELLO.
28
00:01:17,611 --> 00:01:19,613
THIS IS THE TAYLOR HOME,
ISN'T IT?
29
00:01:19,647 --> 00:01:20,681
THAT'S RIGHT.
30
00:01:20,714 --> 00:01:22,183
WON'T YOU COME IN?
31
00:01:22,216 --> 00:01:23,684
IS MISS BEE TAYLOR IN?
32
00:01:23,717 --> 00:01:24,785
NOT RIGHT NOW.
33
00:01:24,818 --> 00:01:26,754
SHE SHOULD
BE BACK SOON.
34
00:01:26,787 --> 00:01:28,389
SHE JUST WENT DOWN
TO THE STORE.
35
00:01:28,422 --> 00:01:29,423
WATCH IT, OPE.
36
00:01:29,457 --> 00:01:30,658
UH, MAY I WAIT?
37
00:01:30,691 --> 00:01:32,593
OH, SURE.
COME ON IN.
38
00:01:32,626 --> 00:01:34,462
LET ME INTRODUCE MYSELF.
39
00:01:34,495 --> 00:01:35,829
I'M CARL PHILLIPS.
40
00:01:35,863 --> 00:01:37,598
PHILLIPS?
41
00:01:37,631 --> 00:01:41,235
TO FURTHER IDENTIFY MYSELF,
I OWN CHANNEL 12 IN SILER CITY.
42
00:01:41,269 --> 00:01:43,137
YOU MEAN THE TV STATION?
43
00:01:43,171 --> 00:01:44,505
YES, THAT'S RIGHT.
44
00:01:44,538 --> 00:01:46,207
OH, THIS IS GOOBER PYLE.
45
00:01:46,240 --> 00:01:47,541
I BELIEVE WE'VE MET.
46
00:01:47,575 --> 00:01:48,776
YOU KNOW, IF I KNOWED
47
00:01:48,809 --> 00:01:50,511
YOU OWNED
THE TELEVISION STATION,
48
00:01:50,544 --> 00:01:51,912
I'D HAVE TOLD YOU RIGHT OFF
WHERE THE TAYLORS LIVE.
49
00:01:51,945 --> 00:01:53,747
WHAT DO YOU WANT TO SEE
AUNT BEE ABOUT?
50
00:01:53,781 --> 00:01:56,150
GOOBER, DON'T YOU NEED TO
GET BACK TO THE FILLING STATION?
51
00:01:56,184 --> 00:01:57,651
ANDY, ME AND MR. PHILLIPS
WERE TALKING.
52
00:01:57,685 --> 00:01:59,787
I BELIEVE MR. PHILLIPS
WANTS TO TALK TO US.
53
00:01:59,820 --> 00:02:01,255
WELL, I JUST WANT TO KNOW
54
00:02:01,289 --> 00:02:02,923
WHAT CHANNEL 12 WANTS
WITH AUNT BEE.
55
00:02:02,956 --> 00:02:05,293
WHEN I FIND OUT, I'LL TELL YOU.
56
00:02:05,326 --> 00:02:08,429
GEE WHIZ.
57
00:02:09,397 --> 00:02:10,931
THIS IS MY SON, OPIE.
58
00:02:10,964 --> 00:02:12,500
HELLO, OPIE.
HI.
59
00:02:12,533 --> 00:02:13,701
WON'T YOU
SIT DOWN?
60
00:02:13,734 --> 00:02:16,637
THANK YOU.
61
00:02:16,670 --> 00:02:18,672
UH, YOU'VE MET
MY AUNT BEFORE?
62
00:02:18,706 --> 00:02:19,940
NO, I NEVER HAVE.
63
00:02:19,973 --> 00:02:22,676
PERHAPS I'D BETTER EXPLAIN
MY PRESENCE HERE.
64
00:02:22,710 --> 00:02:24,945
WE'RE CONSIDERING FOLLOWING
THE POPULAR VOGUE
65
00:02:24,978 --> 00:02:27,281
OF HAVING A COOKING SHOW
ON OUR STATION.
66
00:02:27,315 --> 00:02:29,250
I'M SURE YOU'VE SEEN
SUCH PROGRAMS.
67
00:02:29,283 --> 00:02:31,252
A WOMAN, USUALLY
A HOUSEWIFE
68
00:02:31,285 --> 00:02:33,587
PREPARING HER FAVORITE
RECIPES FOR THE AUDIENCE.
69
00:02:33,621 --> 00:02:34,588
I'VE SEEN THOSE.
70
00:02:34,622 --> 00:02:35,789
ME, TOO.
71
00:02:35,823 --> 00:02:37,258
HAVE YOU?
WELL, GOOD.
72
00:02:37,291 --> 00:02:39,193
WELL, WE'VE
EXPLORED THE FIELD
73
00:02:39,227 --> 00:02:40,828
VERY CAREFULLY
LOOKING FOR A WOMAN
74
00:02:40,861 --> 00:02:42,563
WHO COULD CONDUCT
SUCH A SHOW.
75
00:02:42,596 --> 00:02:44,198
IN OUR SEARCH,
WE DISCOVERED
76
00:02:44,232 --> 00:02:46,400
THAT MISS TAYLOR HAS HAD
INNUMERABLE RECIPES
77
00:02:46,434 --> 00:02:48,302
OF HER OWN PUBLISHED
IN LOCAL PAPERS
78
00:02:48,336 --> 00:02:50,638
AND HAS CONSISTENTLY
WON PRIZES AT COUNTY FAIRS.
79
00:02:50,671 --> 00:02:52,406
SHE'S BEEN A WINNER,
ALL RIGHT.
80
00:02:52,440 --> 00:02:54,575
I THINK SHE'S
THE BEST COOK IN MAYBERRY.
81
00:02:54,608 --> 00:02:55,743
THAT'S WONDERFUL.
82
00:02:55,776 --> 00:02:58,212
ARE YOU SAYING THAT
YOU'RE INTERESTED
83
00:02:58,246 --> 00:02:59,913
IN HAVING MY AUNT
HEAD UP SUCH A PROGRAM?
84
00:02:59,947 --> 00:03:01,315
YES.
85
00:03:01,349 --> 00:03:03,584
OF COURSE,
THERE IS ONE RESERVATION,
86
00:03:03,617 --> 00:03:04,985
AND THAT'S WHY I'M HERE.
87
00:03:05,018 --> 00:03:05,986
IN TELEVISION
88
00:03:06,019 --> 00:03:07,688
ON PROGRAMS
OF THIS TYPE
89
00:03:07,721 --> 00:03:10,991
IN ADDITION TO ABILITY,
THERE IS THE PERSONALITY FACTOR.
90
00:03:11,024 --> 00:03:12,726
SHE'S GOT
A GREAT PERSONALITY.
91
00:03:12,760 --> 00:03:13,761
DOES SHE?
92
00:03:13,794 --> 00:03:15,629
ALWAYS SMILING,
EASYGOING.
93
00:03:15,663 --> 00:03:16,864
SHE'S REAL PLEASANT.
94
00:03:16,897 --> 00:03:18,832
THAT'S WHAT
I WAS HOPING FOR.
95
00:03:18,866 --> 00:03:21,001
IT'S IMPORTANT
THAT THE PERFORMER
96
00:03:21,034 --> 00:03:22,903
HAVE A PLEASANT
PERSONALITY.
97
00:03:22,936 --> 00:03:24,438
HELPS ATTRACT VIEWERS.
98
00:03:24,472 --> 00:03:25,806
I TELL YOU ONE THING --
99
00:03:25,839 --> 00:03:28,309
I'LL NEVER PUT MY FOOT
IN THAT BUTCHER SHOP AGAIN!
100
00:03:28,342 --> 00:03:29,977
THE GALL!
THE NERVE OF THAT MAN!
101
00:03:30,010 --> 00:03:32,613
I WONDER WHO HE THINKS
HE'S DEALING WITH, SOME CHILD?
102
00:03:32,646 --> 00:03:33,681
AUNT BEE...
103
00:03:33,714 --> 00:03:35,449
WHO EVER HEARD
OF NOT CUTTING OFF
104
00:03:35,483 --> 00:03:37,751
SOME FAT OFF A POT ROAST
BEFORE WEIGHING IT?
105
00:03:37,785 --> 00:03:40,020
I NEVER HAD THAT TROUBLE
WITH MR. HARTINSON.
106
00:03:40,053 --> 00:03:41,289
HE WAS A GENTLEMAN.
107
00:03:41,322 --> 00:03:42,556
THIS IS
MR. PHILLIPS.
108
00:03:42,590 --> 00:03:44,892
I'VE BEEN BUYING
POT ROAST FOR 40 YEARS
109
00:03:44,925 --> 00:03:46,694
AND NOT ONCE
HAS ANY BUTCHER
110
00:03:46,727 --> 00:03:49,497
EVER REFUSED TO CUT OFF
AT LEAST SOME OF THE FAT.
111
00:03:49,530 --> 00:03:50,664
IT'S ROBBERY.
112
00:03:50,698 --> 00:03:52,666
YOU KNOW, I SPENT
NEARLY 20 CENTS MORE
113
00:03:52,700 --> 00:03:53,834
THAN I SHOULD HAVE.
114
00:03:53,867 --> 00:03:56,036
AND YOU KNOW WHAT
I SHOULD HAVE DONE?
115
00:03:56,069 --> 00:03:57,771
WALKED RIGHT OUT OF THAT SHOP,
116
00:03:57,805 --> 00:04:00,374
BUT I WOULDN'T GIVE HIM
THE SATISFACTION.
117
00:04:00,408 --> 00:04:04,378
OF COURSE, SHE DOESN'T
SMILE ALL THE TIME.
118
00:04:04,412 --> 00:04:06,547
BUT I DID TELL HIM,
AND IN NO UNCERTAIN TERMS,
119
00:04:06,580 --> 00:04:08,782
I WOULD NEVER PUT MY FOOT
IN HIS SHOP AGAIN.
120
00:04:08,816 --> 00:04:10,518
AND WHEN HE SAID
HE DIDN'T CARE,
121
00:04:10,551 --> 00:04:12,386
I TOLD HIM HE COULD
GO FLY A KITE.
122
00:04:12,420 --> 00:04:13,787
AUNT BEE, MR. PHILLIPS
IS WITH CHANNEL 12.
123
00:04:13,821 --> 00:04:14,888
HELLO.
124
00:04:14,922 --> 00:04:17,391
WHEN I TELL
THE WOMEN IN THIS TOWN
125
00:04:17,425 --> 00:04:20,060
WHAT I'VE BEEN THROUGH,
HE WON'T HAVE A...
126
00:04:20,093 --> 00:04:22,930
AUNT BEE, MR. PHILLIPS
IS HERE TO SEE YOU.
127
00:04:22,963 --> 00:04:24,565
OH.
128
00:04:24,598 --> 00:04:27,835
WELL, I'M AFRAID
I'VE BEEN VERY RUDE.
129
00:04:27,868 --> 00:04:29,403
BUT I'M SO MAD.
130
00:04:29,437 --> 00:04:31,405
YES, I SORT OF GATHERED THAT.
131
00:04:31,439 --> 00:04:33,707
I'M SORRY.
DID YOU WANT TO SEE ME?
132
00:04:33,741 --> 00:04:34,708
YES, MISS TAYLOR.
133
00:04:34,742 --> 00:04:35,743
YOU ARE PLEASANT
134
00:04:35,776 --> 00:04:37,077
WHEN YOU GET
MAD, AUNT BEE.
135
00:04:37,110 --> 00:04:38,078
OPIE, I AGREE.
136
00:04:38,111 --> 00:04:39,813
EVERYONE HAS TO BOIL OVER
137
00:04:39,847 --> 00:04:40,914
ONCE IN A WHILE.
138
00:04:40,948 --> 00:04:43,651
I FEEL VERY EMBARRASSED.
139
00:04:43,684 --> 00:04:46,387
I DON'T USUALLY MAKE
A SPECTACLE OF MYSELF
140
00:04:46,420 --> 00:04:47,588
IN FRONT OF STRANGERS.
141
00:04:47,621 --> 00:04:48,689
WE ALL DO IT.
142
00:04:48,722 --> 00:04:50,824
I HOPE YOU'RE NOBODY
VERY IMPORTANT
143
00:04:50,858 --> 00:04:52,926
OR I'LL BE
EVEN MORE EMBARRASSED.
144
00:04:52,960 --> 00:04:56,730
MR. PHILLIPS OWNS
CHANNEL 12.
145
00:04:56,764 --> 00:04:59,099
OH, YOU ARE IMPORTANT.
146
00:04:59,132 --> 00:05:01,835
MISS TAYLOR,
I'D LIKE YOU TO CONDUCT
147
00:05:01,869 --> 00:05:03,537
A COOKING SHOW FOR US.
148
00:05:03,571 --> 00:05:05,573
ON TELEVISION?
149
00:05:05,606 --> 00:05:06,574
THAT'S RIGHT.
150
00:05:06,607 --> 00:05:08,075
ME?
MM-HMM.
151
00:05:08,108 --> 00:05:09,710
WHERE EVERYBODY CAN SEE ME?
152
00:05:09,743 --> 00:05:10,944
OF COURSE.
153
00:05:10,978 --> 00:05:12,946
NO, I DON'T THINK
THAT WOULD WORK OUT.
154
00:05:12,980 --> 00:05:14,582
Phillips:
BEFORE YOU SAY NO
155
00:05:14,615 --> 00:05:16,116
LET ME EXPLAIN
THE WHOLE THING.
156
00:05:16,149 --> 00:05:17,785
THE MORE I TALK TO YOU,
157
00:05:17,818 --> 00:05:20,988
THE MORE I'M CONVINCED
YOU'D BE THE PERFECT ONE.
158
00:05:21,021 --> 00:05:22,756
YOU HAVE A CERTAIN, UH...
159
00:05:22,790 --> 00:05:26,794
NATURALNESS THAT WOULD ALMOST
INSURE THE SUCCESS OF THE SHOW.
160
00:05:26,827 --> 00:05:28,796
WELL, WHAT DO YOU THINK,
AUNT BEE?
161
00:05:28,829 --> 00:05:30,631
IT CERTAINLY
SOUNDS ATTRACTIVE
162
00:05:30,664 --> 00:05:32,366
BUT I DON'T KNOW,
I DON'T KNOW.
163
00:05:32,400 --> 00:05:33,767
BUT YOU'D BE PAID
A LOT OF MONEY.
164
00:05:33,801 --> 00:05:34,868
YEAH.
165
00:05:34,902 --> 00:05:37,605
BUT BEING ON A PROGRAM
EVERY NIGHT?
166
00:05:37,638 --> 00:05:38,906
AND IN SILER CITY?
167
00:05:38,939 --> 00:05:41,008
YOU CAN MAKE IT IN 25 MINUTES.
168
00:05:41,041 --> 00:05:42,876
AND THINK OF THE NEST EGG
169
00:05:42,910 --> 00:05:44,044
YOU COULD
BUILD UP.
170
00:05:44,077 --> 00:05:45,613
BUT WHAT ABOUT YOU AND OPIE?
171
00:05:45,646 --> 00:05:47,748
I'D BE GONE FROM
5:00 TO 8:00 EVERY DAY
172
00:05:47,781 --> 00:05:49,750
AND WHO WOULD GET
YOUR EVENING MEAL?
173
00:05:49,783 --> 00:05:51,719
WE'D GET SOMEBODY
TO COME EVERY EVENING
174
00:05:51,752 --> 00:05:53,454
FOR A FEW HOURS
AND FIX SUPPER.
175
00:05:53,487 --> 00:05:54,455
LIKE WHO?
176
00:05:54,488 --> 00:05:55,756
WE'LL FIND SOMEBODY.
177
00:05:55,789 --> 00:05:56,990
THAT WOULDN'T BE A PROBLEM.
178
00:05:57,024 --> 00:05:59,493
WHEN DID YOU SAY THIS
WOULD HAVE TO START?
179
00:05:59,527 --> 00:06:00,894
THE TIME SLOT
OPENS UP
180
00:06:00,928 --> 00:06:01,895
THIS WEDNESDAY.
181
00:06:01,929 --> 00:06:04,832
IT'S KIND
OF A RUSH, I KNOW.
182
00:06:04,865 --> 00:06:08,869
WELL, YOU ALL REALLY THINK
I SHOULD DO IT?
183
00:06:08,902 --> 00:06:10,438
I FEEL YOU'D
BE PERFECT.
184
00:06:10,471 --> 00:06:12,072
THERE'S NO QUESTION
IN MY MIND.
185
00:06:12,105 --> 00:06:13,441
AND YOU'D BE
FAMOUS, TOO.
186
00:06:13,474 --> 00:06:14,442
YEAH.
187
00:06:14,475 --> 00:06:15,476
YOU CERTAINLY
WILL.
188
00:06:15,509 --> 00:06:17,077
EVERY EVENING
YOU'LL HEAR
189
00:06:17,110 --> 00:06:19,913
"AND NOW CHANNEL 12
PRESENTS MISS BEE TAYLOR
190
00:06:19,947 --> 00:06:21,181
THE MAYBERRY CHEF."
191
00:06:21,214 --> 00:06:24,051
DOES SOUND KIND OF EXCITING,
192
00:06:24,084 --> 00:06:25,152
DOESN'T IT?
193
00:06:25,185 --> 00:06:27,788
YEAH.
194
00:06:27,821 --> 00:06:29,923
AUNT BEE ON TV.
195
00:06:29,957 --> 00:06:31,525
YEAH.
THAT'S SOMETHING, ISN'T IT?
196
00:06:31,559 --> 00:06:32,726
I JUST CAN'T BELIEVE IT.
197
00:06:32,760 --> 00:06:34,027
SHE STARTS TONIGHT,
HUH?
AT 6:30.
198
00:06:34,061 --> 00:06:35,496
WELL, GEE WHIZ,
199
00:06:35,529 --> 00:06:36,964
THAT'S RIGHT OPPOSITE
"RUDOLPH RABBIT."
200
00:06:36,997 --> 00:06:39,833
THAT CARTOON SHOW?
201
00:06:39,867 --> 00:06:42,035
YEAH, AND HE'S
ON VENUS NOW.
202
00:06:42,069 --> 00:06:44,738
BUT I'LL WATCH AUNT BEE.
203
00:06:44,772 --> 00:06:45,873
IS SHE NERVOUS?
204
00:06:45,906 --> 00:06:47,575
I THINK SHE'S TOO
BUSY TO BE NERVOUS
205
00:06:47,608 --> 00:06:49,142
GETTING HER RECIPES
READY, AND HER FOOD.
206
00:06:49,176 --> 00:06:50,578
WISH HER
GOOD LUCK FOR ME.
207
00:06:50,611 --> 00:06:51,579
I WILL.
208
00:06:54,482 --> 00:06:55,983
I'LL SEE YOU, GOOB.
209
00:06:56,016 --> 00:06:57,851
I SAID, I'LL SEE YOU.
210
00:06:57,885 --> 00:07:00,120
HELLO.
211
00:07:00,153 --> 00:07:02,656
OH, OH, THANK YOU
FOR CALLING, MISS FELTON.
212
00:07:02,690 --> 00:07:04,858
LISTEN, THE REASON
I CALLED YOU WAS THAT
213
00:07:04,892 --> 00:07:07,661
YOU KNOW AUNT BEE'S DOING
THAT TELEVISION SHOW NOW,
214
00:07:07,695 --> 00:07:10,698
AND WE'D LIKE TO GET SOMEBODY
TO COME OVER IN THE EVENING
215
00:07:10,731 --> 00:07:11,999
AND COOK FOR OPIE AND ME.
216
00:07:12,032 --> 00:07:14,702
OH, YOU'RE ALL BOOKED UP.
217
00:07:14,735 --> 00:07:15,869
I SEE.
218
00:07:15,903 --> 00:07:18,105
WELL, THANK YOU FOR CALLING.
219
00:07:18,138 --> 00:07:19,473
BYE.
220
00:07:20,874 --> 00:07:22,543
HI, PA.
221
00:07:22,576 --> 00:07:24,612
HI, OPE.
222
00:07:24,645 --> 00:07:25,979
WHAT'S THE MATTER, PA?
223
00:07:26,013 --> 00:07:28,582
I STILL HAVEN'T BEEN
ABLE TO GET ANYBODY
224
00:07:28,616 --> 00:07:30,484
TO COME OVER
AND COOK FOR US,
225
00:07:30,518 --> 00:07:32,520
AND I'M STARTING
TO RUN OUT OF PEOPLE.
226
00:07:32,553 --> 00:07:34,121
MAYBE WE BETTER
TELL AUNT BEE.
227
00:07:34,154 --> 00:07:35,122
NO!
228
00:07:35,155 --> 00:07:36,256
NO. IF WE TELL HER,
229
00:07:36,289 --> 00:07:38,158
WHY, SHE'LL
GIVE UP THE SHOW
230
00:07:38,191 --> 00:07:40,127
AND THE MONEY
AND EVERYTHING.
231
00:07:40,160 --> 00:07:41,629
YEAH, SHE'S THAT KIND.
232
00:07:41,662 --> 00:07:43,230
WELL, I GUESS WE
BETTER PLAY IT SAFE
233
00:07:43,263 --> 00:07:44,965
AND TELL AUNT BEE
WE GOT SOMEBODY.
234
00:07:44,998 --> 00:07:46,567
SHE WON'T KNOW
THE DIFFERENCE
235
00:07:46,600 --> 00:07:48,836
BECAUSE SHE'LL BE GONE
EVERY DAY FROM 5:00 TO 8:00.
236
00:07:48,869 --> 00:07:50,203
WE'LL JUST
MAKE DO SOMEHOW
237
00:07:50,237 --> 00:07:51,572
UNTIL WE DO
GET SOMEBODY.
238
00:07:51,605 --> 00:07:52,640
YOU WITH ME?
239
00:07:52,673 --> 00:07:53,841
SURE, PA.
240
00:07:53,874 --> 00:07:55,576
THAT'S IT, NOW.
241
00:07:55,609 --> 00:07:56,977
THIS WAS SUCH A RUSH.
I KNOW.
242
00:07:57,010 --> 00:07:58,078
NO MATTER WHEN I START.
243
00:07:58,111 --> 00:07:59,613
HERE, HERE,
WE'LL GET THESE.
244
00:07:59,647 --> 00:08:00,681
YOU GET IN THE CAR.
245
00:08:00,714 --> 00:08:01,849
YOU SURE YOU'VE
GOT EVERYTHING?
246
00:08:01,882 --> 00:08:02,916
OH, I THINK SO.
247
00:08:02,950 --> 00:08:05,519
OH, DEAR.
248
00:08:05,553 --> 00:08:07,755
ANDY, WHO DID YOU GET
TO COOK FOR YOU?
249
00:08:07,788 --> 00:08:09,623
UH, I GOT A
MRS. PARKINS.
250
00:08:09,657 --> 00:08:10,791
WON'T COST MUCH,
251
00:08:10,824 --> 00:08:13,060
AND SHE'S SUPPOSED
TO BE A GREAT COOK.
252
00:08:13,093 --> 00:08:14,094
DO I KNOW HER?
253
00:08:14,127 --> 00:08:15,228
I DON'T THINK SO.
254
00:08:15,262 --> 00:08:17,030
SHE JUST MOVED
TO TOWN.
255
00:08:17,064 --> 00:08:19,066
SHE'LL DO THE
MARKETING, TOO.
256
00:08:19,099 --> 00:08:21,669
YOU SURE EVERYTHING'S
GOING TO BE ALL RIGHT?
257
00:08:21,702 --> 00:08:22,670
OH, YES.
258
00:08:22,703 --> 00:08:24,572
ALL RIGHT,
THEN HERE I GO.
259
00:08:24,605 --> 00:08:25,573
GOOD LUCK.
260
00:08:25,606 --> 00:08:26,840
WE'LL BE WATCHING.
261
00:08:26,874 --> 00:08:28,075
BE SURE TO LOOK.
262
00:08:28,108 --> 00:08:30,143
WE WILL.
BYE.
263
00:08:32,580 --> 00:08:33,547
OHH.
264
00:08:33,581 --> 00:08:34,682
WELL, HERE IT IS.
265
00:08:34,715 --> 00:08:36,316
OH, MY, IT'S PERFECT.
266
00:08:36,349 --> 00:08:37,951
IT'S SO COMPLETE.
267
00:08:37,985 --> 00:08:41,021
YES, I THINK
YOU'LL FIND EVERYTHING.
268
00:08:41,054 --> 00:08:44,257
WELL, I'D BETTER
START UNPACKING THINGS
269
00:08:44,291 --> 00:08:46,159
AND PUTTING THEM AWAY.
270
00:08:46,193 --> 00:08:47,194
THANK YOU.
271
00:08:47,227 --> 00:08:48,962
THANK YOU VERY MUCH.
272
00:08:48,996 --> 00:08:50,163
THANKS, DICK.
273
00:08:50,197 --> 00:08:53,033
NOW, UH, JUST A FEW WORDS
OF ADVICE.
274
00:08:53,066 --> 00:08:55,569
WHEN YOU'RE PREPARING
THE FOOD
275
00:08:55,603 --> 00:08:57,838
AND GIVING
YOUR INSTRUCTIONS,
276
00:08:57,871 --> 00:09:01,341
IT'S, UH, DESIRABLE
IF YOU CAN SMILE QUITE A LOT.
277
00:09:01,374 --> 00:09:04,344
WE STRESS THIS
IN MOST OF OUR PROGRAMS.
278
00:09:04,377 --> 00:09:07,648
PEOPLE KNOW THAT
AT THE END OF A HARD DAY,
279
00:09:07,681 --> 00:09:10,618
THEY CAN COME HOME,
TURN ON CHANNEL 12,
280
00:09:10,651 --> 00:09:11,852
AND SEE A SMILE.
281
00:09:11,885 --> 00:09:13,186
OF COURSE.
282
00:09:13,220 --> 00:09:15,856
NOW, AS YOU SEE, WE'LL HAVE
TWO CAMERAS ON YOU.
283
00:09:15,889 --> 00:09:18,959
WHICH EVER ONE IS SHOWING
THE LITTLE RED LIGHTS
284
00:09:18,992 --> 00:09:22,730
THAT'S THE ONE YOU'RE SUPPOSED
TO ADDRESS AT THAT MOMENT.
285
00:09:22,763 --> 00:09:24,632
IT GIVES US DIFFERENT ANGLES.
286
00:09:24,665 --> 00:09:27,701
LOOK TOWARD THE ONE
WITH THE LITTLE RED LIGHTS...
287
00:09:27,735 --> 00:09:28,702
EXACTLY.
288
00:09:28,736 --> 00:09:29,737
...AND SMILE.
289
00:09:29,770 --> 00:09:30,804
THAT'S RIGHT.
290
00:09:30,838 --> 00:09:33,607
WELL, I GUESS
THAT'S ABOUT IT.
291
00:09:33,641 --> 00:09:35,175
I'LL BE DOWN LATER.
292
00:09:35,208 --> 00:09:36,644
AND GOOD LUCK.
293
00:09:36,677 --> 00:09:38,311
THANK YOU.
294
00:09:47,688 --> 00:09:48,822
I GOT IT TURNED ON.
295
00:09:48,856 --> 00:09:49,890
GOOD.
296
00:09:49,923 --> 00:09:51,692
WE'LL EAT SUPPER
AFTER THE SHOW.
297
00:09:51,725 --> 00:09:52,760
IT'S ALL COOKED.
298
00:09:52,793 --> 00:09:54,695
I'VE GOT IT WARMING
IN THE OVEN.
299
00:09:54,728 --> 00:09:55,929
WHAT IS IT?
A SURPRISE.
300
00:09:55,963 --> 00:09:58,198
I THINK IT'S STARTING.
301
00:09:58,231 --> 00:10:01,101
Man:
AND NOW WE PRESENT CHANNEL 12'S
NEWEST PROGRAM
302
00:10:01,134 --> 00:10:03,303
"THE MAYBERRY CHEF,"
WITH MISS BEE TAYLOR.
303
00:10:03,336 --> 00:10:06,306
IF YOU'RE NOT ALREADY FAMILIAR
WITH MISS TAYLOR'S ABILITY
304
00:10:06,339 --> 00:10:07,641
AND HER KNOWLEDGE
OF COOKING,
305
00:10:07,675 --> 00:10:09,042
YOU SOON WILL BE.
306
00:10:09,076 --> 00:10:11,712
EACH EVENING AT THIS TIME,
SHE WILL BRING YOU
307
00:10:11,745 --> 00:10:15,649
ONE OF HER FAVORITE RECIPES
AND SHOW YOU HOW TO PREPARE IT.
308
00:10:15,683 --> 00:10:17,317
SO, WITHOUT ANY FURTHER ADO,
309
00:10:17,350 --> 00:10:21,221
"THE MAYBERRY CHEF"
MISS BEE TAYLOR.
310
00:10:21,254 --> 00:10:23,791
THANK YOU, MR. SABLE.
311
00:10:23,824 --> 00:10:25,425
GOOD EVENING...
312
00:10:25,458 --> 00:10:27,795
OH, GOOD EVENING.
313
00:10:27,828 --> 00:10:30,330
NOW, UH, I'M GOING
TO PREPARE A BEEF CASSEROLE
314
00:10:30,363 --> 00:10:32,966
WHICH HAS ALWAYS BEEN
ONE OF MY FAVORITE DISHES.
315
00:10:33,000 --> 00:10:35,803
AND I HOPE, AFTER TONIGHT
IT WILL BE ONE OF YOURS.
316
00:10:35,836 --> 00:10:38,438
NOW, I HAVE ALL THE INGREDIENTS
RIGHT BEFORE ME,
317
00:10:38,471 --> 00:10:40,774
AND I'LL SHOW YOU HOW
TO PREPARE IT.
318
00:10:40,808 --> 00:10:42,042
AND IN ADDITION,
319
00:10:42,075 --> 00:10:44,344
I HAVE A BEEF CASSEROLE
IN THE WARMING OVEN.
320
00:10:44,377 --> 00:10:46,379
THAT WILL SHOW YOU
WHAT IT LOOKS LIKE
321
00:10:46,413 --> 00:10:48,015
WHEN IT'S ALL FINISHED.
322
00:10:48,048 --> 00:10:50,350
WHAT'S SHE SO HAPPY ABOUT?
323
00:10:50,383 --> 00:10:52,820
NOW, TO THE BEEF STOCK
324
00:10:52,853 --> 00:10:56,356
WE ADD
JUST A LITTLE ONION SALT...
325
00:10:59,259 --> 00:11:01,695
JUST A LITTLE BLACK PEPPER...
326
00:11:04,064 --> 00:11:07,735
AND JUST A PINCH, JUST A PINCH
OF BAY LEAF.
327
00:11:07,768 --> 00:11:11,104
NOW, WE STIR ALL THAT UP
UNTIL IT'S MIXED WELL.
328
00:11:11,138 --> 00:11:15,776
AND FOR STIRRING, WE JUST USE
A LARGE, ORDINARY WOODEN SPOON.
329
00:11:18,879 --> 00:11:23,450
WELL, WE CAN'T DO THE STIRRING
TILL WE FIND THE STIRRER.
330
00:11:23,483 --> 00:11:26,854
WELL, I KNOW
I BROUGHT IT FROM HOME.
331
00:11:26,887 --> 00:11:28,756
It's around here someplace.
332
00:11:28,789 --> 00:11:30,758
I DON'T KNOW, CHARLIE,
I DON'T KNOW.
333
00:11:30,791 --> 00:11:34,795
I CAN'T IMAGINE
WHAT I DID WITH IT.
334
00:11:34,828 --> 00:11:36,830
THAT SHOULD BE A LESSON
TO US
335
00:11:36,864 --> 00:11:40,433
TO KEEP OUR UTENSILS
READILY HANDY.
336
00:11:40,467 --> 00:11:42,402
WHY IS SHE TURNING AROUND
LIKE THAT?
337
00:11:42,435 --> 00:11:44,872
MUST BE
A TECHNICAL PROBLEM.
338
00:11:44,905 --> 00:11:46,273
IT'S VERY INCONVENIENT
TO LOOK FOR UTENSILS
339
00:11:46,306 --> 00:11:47,841
WHEN YOU'RE IN THE MIDDLE
340
00:11:47,875 --> 00:11:49,476
OF PREPARING ANY DISH
WHATSOEVER.
341
00:11:49,509 --> 00:11:53,246
NOW, LET'S SEE.
342
00:11:53,280 --> 00:11:54,915
I KNOW IT MUST BE
HERE SOMEPLACE.
343
00:11:54,948 --> 00:11:56,283
OH.
344
00:11:56,316 --> 00:11:58,285
WAIT, WAIT, WAIT.
345
00:11:58,318 --> 00:11:59,987
GET BACK!
GET BACK!
346
00:12:00,020 --> 00:12:01,221
HERE IT IS!
347
00:12:01,254 --> 00:12:02,823
HERE IT IS.
348
00:12:02,856 --> 00:12:04,324
I KNEW IT.
349
00:12:04,357 --> 00:12:06,994
I KNEW I BROUGHT IT FROM HOME.
350
00:12:07,027 --> 00:12:09,329
WOW, THAT WAS A CLOSE ONE.
351
00:12:09,362 --> 00:12:11,131
STIR THIS UP,
352
00:12:11,164 --> 00:12:13,500
AND WHEN WE GET IT
THOROUGHLY MIXED
353
00:12:13,533 --> 00:12:17,304
WE'LL ADD THE CHUNKS OF BEEF
ABOUT AN INCH SQUARE
354
00:12:17,337 --> 00:12:20,073
THAT HAVE BEEN MARINATING
OVERNIGHT.
355
00:12:20,107 --> 00:12:22,475
NOW, THIS HAS TO BE WELL MIXED.
356
00:12:22,509 --> 00:12:26,413
SMOOTH, SMOOTH...
357
00:12:26,446 --> 00:12:29,349
SMOOTH.
358
00:12:29,382 --> 00:12:32,285
AND HERE WE HAVE
THE FINISHED PRODUCT.
359
00:12:32,319 --> 00:12:36,957
AND I THINK THAT WILL SATISFY
THE MOST DEMANDING HUSBAND.
360
00:12:36,990 --> 00:12:40,961
And tomorrow night,
chicken in a pot.
361
00:12:40,994 --> 00:12:42,896
GOOD NIGHT, ALL.
362
00:12:45,465 --> 00:12:48,568
Sable:
AND DON'T FORGET TO TUNE IN
TOMORROW NIGHT...
363
00:12:48,601 --> 00:12:50,904
WELL, OUTSIDE
OF LOSING THE SPOON,
364
00:12:50,938 --> 00:12:52,539
I THOUGHT SHE DID
REAL GOOD.
365
00:12:52,572 --> 00:12:53,874
I DID, TOO.
366
00:12:53,907 --> 00:12:55,809
I THOUGHT SHE
CAME ACROSS REAL FINE.
367
00:12:55,843 --> 00:12:58,111
THAT BEEF CASSEROLE
SURE LOOKED GOOD.
368
00:12:58,145 --> 00:12:59,179
YEAH, DIDN'T IT?
369
00:12:59,212 --> 00:13:00,347
WELL, WANT TO EAT?
370
00:13:00,380 --> 00:13:02,082
YEAH, I'M STARVED.
371
00:13:02,115 --> 00:13:03,450
OKAY, COME ON.
372
00:13:03,483 --> 00:13:05,919
OKAY, SIT
RIGHT DOWN THERE.
373
00:13:05,953 --> 00:13:09,222
I'LL BRING YOUR SUPPER
RIGHT TO YOU.
374
00:13:09,256 --> 00:13:12,792
GOOD OLD SUPPER.
375
00:13:19,967 --> 00:13:21,902
SUPPER, HUH?
376
00:13:21,935 --> 00:13:24,404
YEAH, YEAH.
377
00:13:24,437 --> 00:13:25,605
IT, UH...
378
00:13:27,975 --> 00:13:30,143
GOT BURNT
JUST A LITTLE.
379
00:13:30,177 --> 00:13:31,945
YEAH, IT-IT DID.
380
00:13:31,979 --> 00:13:33,981
A LITTLE.
381
00:13:54,034 --> 00:13:55,368
HOW IS IT?
382
00:13:57,604 --> 00:13:58,605
FINE.
383
00:14:02,976 --> 00:14:04,044
WHAT IS IT?
384
00:14:05,979 --> 00:14:07,447
CORNED BEEF HASH.
385
00:14:07,480 --> 00:14:09,516
THAT'S WHAT I THOUGHT.
386
00:14:17,290 --> 00:14:19,192
HELLO.
387
00:14:19,226 --> 00:14:20,527
HELLO, AUNT BEE.
388
00:14:20,560 --> 00:14:24,164
YEAH, YOU WERE
GREAT, JUST GREAT.
389
00:14:24,197 --> 00:14:25,465
YEAH, PA
LIKED IT, TOO.
390
00:14:25,498 --> 00:14:27,167
WELL, I'M GLAD, OPIE.
391
00:14:27,200 --> 00:14:30,137
WHAT DID MRS. PARKINS FIX YOU
AND YOUR FATHER FOR SUPPER?
392
00:14:30,170 --> 00:14:33,306
WHAT DID SHE FIX US?
393
00:14:33,340 --> 00:14:37,377
UH...WELL, SHE, UH...
394
00:14:38,578 --> 00:14:40,113
IT-IT WAS
REAL DIFFERENT.
395
00:14:48,989 --> 00:14:49,990
HI, PA.
396
00:14:50,023 --> 00:14:51,258
OH, HI, OPE.
397
00:14:51,291 --> 00:14:53,060
AUNT BEE SEND YOU
TO THE POST OFFICE AGAIN?
398
00:14:53,093 --> 00:14:54,962
YEAH. FAN MAIL'S
STILL COMING IN,
399
00:14:54,995 --> 00:14:56,563
AND SHE ANSWERS
EVERY LETTER.
400
00:14:56,596 --> 00:14:57,931
THE SHOW'S GOING GREAT.
401
00:14:57,965 --> 00:14:59,266
IF IT KEEPS UP
LIKE THIS WEEK...
402
00:14:59,299 --> 00:15:00,500
YEAH.
403
00:15:01,634 --> 00:15:03,937
YEAH.
404
00:15:13,246 --> 00:15:14,948
ANYTHING WRONG?
405
00:15:14,982 --> 00:15:16,216
NO. NOTHING'S WRONG.
406
00:15:16,249 --> 00:15:18,085
NOTHING AT ALL.
407
00:15:18,118 --> 00:15:21,321
WELL, WOULD YOU BE INTERESTED
IN TELLING ME WHAT'S NOT WRONG?
408
00:15:22,489 --> 00:15:24,524
WELL...
409
00:15:24,557 --> 00:15:27,360
I'M REAL GLAD
AUNT BEE'S SHOW IS SUCCESSFUL.
410
00:15:27,394 --> 00:15:29,129
I KNOW YOU ARE.
411
00:15:29,162 --> 00:15:30,530
YEAH.
412
00:15:30,563 --> 00:15:32,632
SHE'S...VERY HAPPY WITH IT.
413
00:15:32,665 --> 00:15:33,967
YEAH.
414
00:15:34,001 --> 00:15:35,102
YEAH.
415
00:15:35,135 --> 00:15:36,536
UH...
416
00:15:36,569 --> 00:15:39,472
SHE'S-SHE'S REAL HAPPY WITH IT.
417
00:15:44,511 --> 00:15:47,647
OPIE, WE CAN KEEP GOING
AROUND LIKE THIS,
418
00:15:47,680 --> 00:15:50,183
OR YOU CAN JUST TELL ME
WHAT'S WRONG.
419
00:15:51,318 --> 00:15:54,121
FOOD, PA. FOOD.
420
00:15:54,154 --> 00:15:55,989
WELL, YOU'RE GETTING
PLENTY TO EAT.
421
00:15:56,023 --> 00:15:57,490
YEAH,
422
00:15:57,524 --> 00:16:00,460
AND NOT THAT THERE'S ANYTHING
WRONG WITH YOUR COOKING.
423
00:16:00,493 --> 00:16:02,529
I MEAN, I KNOW
THAT IT'S ALL NUTRITIOUS
424
00:16:02,562 --> 00:16:03,663
AND EVERYTHING.
425
00:16:03,696 --> 00:16:05,098
BUT WHAT?
426
00:16:05,132 --> 00:16:06,666
COULDN'T WE GO OUT
TO THE DINER ONE NIGHT?
427
00:16:06,699 --> 00:16:08,001
I'LL PAY FOR IT.
428
00:16:08,035 --> 00:16:09,402
THAT'S NOT THE POINT.
429
00:16:09,436 --> 00:16:12,605
IF ANYBODY SEES US IN THERE,
THE WORD WILL GET AROUND
430
00:16:12,639 --> 00:16:15,342
THERE IS NO MISS PARKINS
COOKING FOR US,
431
00:16:15,375 --> 00:16:17,110
AND AUNT BEE WILL FIND OUT.
432
00:16:18,311 --> 00:16:19,546
YEAH. I GUESS SO.
433
00:16:19,579 --> 00:16:21,314
YEAH.
434
00:16:21,348 --> 00:16:23,450
WE'LL COME UP
WITH SOMEBODY EVENTUALLY,
435
00:16:23,483 --> 00:16:25,152
BUT TILL WE DO,
WE'LL HAVE TO MANAGE.
436
00:16:25,185 --> 00:16:26,253
OKAY.
437
00:16:26,286 --> 00:16:27,554
OKAY.
438
00:16:27,587 --> 00:16:29,556
I'LL BE HOME EARLY
AND FIX SUPPER,
439
00:16:29,589 --> 00:16:31,691
AND I'LL PICK UP SOMETHING
ON THE WAY.
440
00:16:31,724 --> 00:16:35,062
MAYBE YOU CAN GET SOMETHING
THAT'S ALREADY MADE UP
441
00:16:35,095 --> 00:16:37,297
SO YOU DON'T HAVE TO DO
ANYTHING TO IT.
442
00:16:37,330 --> 00:16:39,332
I'LL SEE.
443
00:17:01,088 --> 00:17:03,323
HEY, ANDY!
444
00:17:03,356 --> 00:17:04,424
OH, HI, GOOB.
445
00:17:04,457 --> 00:17:05,525
MARKETING, HUH?
446
00:17:05,558 --> 00:17:06,659
OH, UH...
447
00:17:06,693 --> 00:17:09,062
STILL GOT THAT WOMAN
COOKING FOR YOU?
448
00:17:09,096 --> 00:17:10,330
OH, YEAH, SHE'S GREAT.
449
00:17:10,363 --> 00:17:12,132
SHE'S REALLY
JUST GREAT.
450
00:17:12,165 --> 00:17:16,069
YOU KNOW, SOMETIMES
IT'S HARD TO TELL
ABOUT TOMATOES.
451
00:17:16,103 --> 00:17:17,337
WHAT DO YOU MEAN?
452
00:17:17,370 --> 00:17:18,738
I MEAN, FROM THE OUTSIDE
453
00:17:18,771 --> 00:17:22,342
IT'S HARD TO TELL
IF THEY'RE RIPE.
454
00:17:22,375 --> 00:17:24,711
THAT ONE'S GOT
A NICE COLOR TO IT.
455
00:17:24,744 --> 00:17:26,079
YEAH.
456
00:17:26,113 --> 00:17:27,347
IT'S GOT A GOOD SHAPE.
457
00:17:27,380 --> 00:17:30,183
YEAH. IT'S NOT EASY
TO JUDGE THESE THINGS.
458
00:17:30,217 --> 00:17:31,718
NO.
459
00:17:31,751 --> 00:17:33,186
WHAT YOU HAVE TO DO
460
00:17:33,220 --> 00:17:36,089
IS JUST PICK OUT SOME
AND HOPE FOR THE BEST.
461
00:17:36,123 --> 00:17:39,092
THAT'S ALL
YOU C DO, ANDY.
462
00:17:39,126 --> 00:17:41,694
I'LL SEE YOU.
463
00:17:46,266 --> 00:17:47,300
OH, HELLO, ANDY.
464
00:17:47,334 --> 00:17:48,635
OH, HI. YOU STILL HERE?
465
00:17:48,668 --> 00:17:50,470
I'LL BE GOING
IN A MINUTE.
466
00:17:50,503 --> 00:17:52,639
ANDY, ARE YOU
DOING THE MARKETING?
467
00:17:52,672 --> 00:17:54,507
OH, WELL,
MISS PARKINS SAID
468
00:17:54,541 --> 00:17:56,476
SHE'D BE A LITTLE
LATE TONIGHT,
469
00:17:56,509 --> 00:17:57,677
SO I SAID I'D DO IT.
470
00:17:57,710 --> 00:18:00,280
YOU KNOW, SHE'S NOT
KEEPING THIS KITCHEN
471
00:18:00,313 --> 00:18:02,149
AS IMMACULATE
AS I LIKE IT.
472
00:18:02,182 --> 00:18:04,884
WELL, BLESS HER HEART,
SHE'S GETTING ON IN YEARS,
473
00:18:04,917 --> 00:18:07,254
BUT I THINK SHE'S
JUST DOING FINE.
474
00:18:07,287 --> 00:18:08,355
OH, WELL, GOOD.
475
00:18:08,388 --> 00:18:10,290
WELL, I GUESS I'D
BETTER BE GOING.
476
00:18:10,323 --> 00:18:11,291
OKAY.
477
00:18:11,324 --> 00:18:12,359
HI, AUNT BEE.
478
00:18:12,392 --> 00:18:13,560
OH, HI, OPIE.
479
00:18:13,593 --> 00:18:15,528
IS EVERYTHING GOING
ALL RIGHT WITH YOU?
480
00:18:15,562 --> 00:18:18,231
GREAT. GREAT.
481
00:18:18,265 --> 00:18:20,767
WELL, GUESS
I'D BETTER GO.
482
00:18:20,800 --> 00:18:22,135
OKAY. BYE.
483
00:18:22,169 --> 00:18:23,236
HAVE A GOOD SHOW.
484
00:18:30,810 --> 00:18:34,247
WHAT KIND OF CAN ARE YOU
GOING TO OPEN TONIGHT, PA?
485
00:18:34,281 --> 00:18:36,783
WHATEVER IT IS,
IT'LL BE GOOD.
486
00:18:36,816 --> 00:18:39,586
I'M TAKING SOME OF THOSE
VITAMINS WE HAD UPSTAIRS
487
00:18:39,619 --> 00:18:41,254
JUST TO BE
ON THE SAFE SIDE.
488
00:18:41,288 --> 00:18:43,256
WELL, THAT CAN'T HURT.
489
00:18:43,290 --> 00:18:44,891
WHEN DO YOU THINK
IT'LL BE READY?
490
00:18:44,924 --> 00:18:46,559
OH, ABOUT AN HOUR
AND A HALF.
491
00:18:46,593 --> 00:18:48,428
MAYBE WE'LL EAT
DURING THE SHOW.
492
00:18:48,461 --> 00:18:50,563
OKAY.
493
00:18:58,971 --> 00:19:02,342
I THINK I'LL GO UP
AND TAKE SOME MORE VITAMINS.
494
00:19:10,350 --> 00:19:12,752
THE SOUP WASN'T
BAD, WAS IT?
495
00:19:12,785 --> 00:19:15,188
NO, IT WAS REAL FILLING.
496
00:19:15,222 --> 00:19:17,224
CUT YOUR FINGER
AGAIN, PA?
497
00:19:17,257 --> 00:19:19,326
SCRATCH.
498
00:19:30,370 --> 00:19:32,772
HOW'S THE TUNA SALAD?
499
00:19:32,805 --> 00:19:36,243
WELL, IT'S NOT BURNED.
500
00:19:36,276 --> 00:19:37,777
FINE.
501
00:19:37,810 --> 00:19:40,947
AND ONCE AGAIN,
YOUR MAYBERRY CHEF --
502
00:19:40,980 --> 00:19:42,782
MISS BEE TAYLOR.
503
00:19:42,815 --> 00:19:45,418
Aunt Bee:
GOOD EVENING.
504
00:19:45,452 --> 00:19:47,420
NOW, I'VE ALWAYS FELT
505
00:19:47,454 --> 00:19:50,790
THAT FOOD THAT LOOKS GOOD
TASTES GOOD,
506
00:19:50,823 --> 00:19:52,792
AND WHEN A MAN
COMES HOME FROM WORK,
507
00:19:52,825 --> 00:19:54,594
HE LIKES TO SEE
AN ATTRACTIVE MEAL
508
00:19:54,627 --> 00:19:55,895
AND A WELL-SET TABLE.
509
00:19:55,928 --> 00:19:59,499
NOW, TONIGHT
WE'RE GOING TO PREPARE
510
00:19:59,532 --> 00:20:02,602
AN OLD-FASHIONED
JUICY RIB ROAST.
511
00:20:02,635 --> 00:20:04,504
AND IF YOU'LL WATCH CAREFULLY,
512
00:20:04,537 --> 00:20:06,873
YOU'LL SEE HOW I START
THE PREPARATIONS.
513
00:20:06,906 --> 00:20:08,475
FIRST WE MAKE LITTLE HOLES
514
00:20:08,508 --> 00:20:10,910
TO PUT IN THE GARLIC
AND THE SPICES.
515
00:20:10,943 --> 00:20:13,580
NOW, JUST WATCH.
516
00:20:15,715 --> 00:20:18,785
WHAT YOU PUT IN THIS?
517
00:20:18,818 --> 00:20:22,722
A FEW ODDS AND ENDS I
THOUGHT MIGHT PICK IT UP.
518
00:20:22,755 --> 00:20:24,257
EAT YOUR TOMATO.
519
00:20:24,291 --> 00:20:25,525
IT'S DRY.
520
00:20:25,558 --> 00:20:29,529
I'LL TAKE SOME MORE
VITAMINS LATER.
521
00:20:29,562 --> 00:20:31,598
AND THAT'S HOW WE DO IT.
522
00:20:31,631 --> 00:20:34,701
THEN WE'LL PUT PEPPER
AND SALT ON IT
523
00:20:34,734 --> 00:20:37,804
AND PUT IT IN THE OVEN
AT 350 DEGREES,
524
00:20:37,837 --> 00:20:39,839
AND THEN WE'LL JUST WAIT
525
00:20:39,872 --> 00:20:42,875
TILL IT TURNS INTO
A TENDER, LUSCIOUS ROAST
526
00:20:42,909 --> 00:20:47,280
THAT'LL JUST MELT
IN YOUR MOUTH.
527
00:20:59,326 --> 00:21:00,827
MMM.
528
00:21:00,860 --> 00:21:03,296
ANOTHER BOWL, OPIE.
529
00:21:03,330 --> 00:21:04,564
THANKS.
530
00:21:04,597 --> 00:21:06,433
OPIE, THIS MRS. PARKINS
531
00:21:06,466 --> 00:21:08,701
WHO COOKS YOUR
SUPPERS FOR YOU --
532
00:21:08,735 --> 00:21:10,837
WHAT KIND OF
A WOMAN IS SHE?
533
00:21:10,870 --> 00:21:14,307
WELL, SHE'S, UH...
SHE'S A REAL HARD WORKER.
534
00:21:14,341 --> 00:21:15,708
SHE'S A GREAT COOK.
535
00:21:15,742 --> 00:21:16,843
SHE'S YOUNG.
536
00:21:16,876 --> 00:21:18,044
YOUNG?
537
00:21:18,077 --> 00:21:20,380
THAT'S FUNNY, I WAS
UNDER THE IMPRESSION
538
00:21:20,413 --> 00:21:21,648
SHE WAS ALONG IN YEARS.
539
00:21:21,681 --> 00:21:23,316
NO, SHE'S YOUNG,
LIKE I SAID.
540
00:21:23,350 --> 00:21:24,451
GOOD MORNING.
541
00:21:24,484 --> 00:21:25,718
OH, GOOD MORNING, ANDY.
542
00:21:25,752 --> 00:21:26,853
SIT DOWN.
543
00:21:26,886 --> 00:21:28,588
I'LL GET YOUR BREAKFAST.
544
00:21:28,621 --> 00:21:29,756
ANDY.
545
00:21:29,789 --> 00:21:30,857
MM
546
00:21:30,890 --> 00:21:32,024
THIS MRS. PARKINS.
547
00:21:32,058 --> 00:21:34,327
YOU KNOW, I'M NOT
AT ALL SATISFIED
548
00:21:34,361 --> 00:21:36,596
WITH THE WAY SHE
KEEPS THIS KITCHEN.
549
00:21:36,629 --> 00:21:37,830
IT'S ALWAYS MESSY.
550
00:21:37,864 --> 00:21:40,500
I WONDER, WOULD IT BE
POSSIBLE TO TELL HER
551
00:21:40,533 --> 00:21:42,869
THAT SHE'S NOT
NEEDED ANYMORE?
552
00:21:42,902 --> 00:21:46,939
UH, WELL, Y...
I-I SUPPOSE.
553
00:21:46,973 --> 00:21:49,008
BECAUSE I HAVE
THIS OTHER WOMAN IN MIND.
554
00:21:49,041 --> 00:21:50,877
I JUST HAPPENED
TO HEAR ABOUT HER,
555
00:21:50,910 --> 00:21:52,479
AND SHE'S A
WONDERFUL COOK.
556
00:21:52,512 --> 00:21:54,381
SHE'LL KEEP THE
KITCHEN IMMACULATE,
557
00:21:54,414 --> 00:21:56,082
AND I'D FEEL MUCH
BETTER ABOUT IT.
558
00:21:56,115 --> 00:21:57,316
I'M FOR HER.
559
00:22:01,588 --> 00:22:03,089
UH, WELL, IF-IF YOU THINK
560
00:22:03,122 --> 00:22:05,592
THAT'S THE THING
TO DO, UH, OKAY.
561
00:22:05,625 --> 00:22:07,594
THEN WE'LL TELL
MRS. PARKINS?
562
00:22:07,627 --> 00:22:08,828
OH, YES.
563
00:22:08,861 --> 00:22:11,364
GOOD. THEN WE'LL HAVE
THIS OTHER LADY HERE
564
00:22:11,398 --> 00:22:13,700
IN TIME FOR YOUR
SUPPER TONIGHT.
565
00:22:15,134 --> 00:22:17,637
NOW THAT WE'RE CHANGING,
I GUESS I CAN SAY IT.
566
00:22:17,670 --> 00:22:20,907
I SURE WILL BE GLAD
TO GET RID OF MRS. PARKINS.
567
00:22:34,754 --> 00:22:37,156
THIS LADY AUNT BEE GOT
IS SUPPOSED TO BE HERE NOW?
568
00:22:37,189 --> 00:22:39,058
YEAH. SUPPOSED TO BE
A GREAT COOK.
569
00:22:39,091 --> 00:22:40,393
GOOD.
570
00:22:40,427 --> 00:22:43,129
LOOKS LIKE
YOUR SUFFERING'S OVER.
571
00:22:54,941 --> 00:22:56,409
HEY, SHE SHOWED UP.
572
00:22:56,443 --> 00:22:57,544
OH, BOY.
573
00:22:57,577 --> 00:22:58,711
YEAH.
574
00:23:00,980 --> 00:23:02,048
HI.
575
00:23:02,081 --> 00:23:03,550
HI.
576
00:23:03,583 --> 00:23:06,953
I'M SHERIFF TAYLOR,
AND THIS IS MY SON, OPIE.
577
00:23:06,986 --> 00:23:08,555
HELLO, SHERIFF TAYLOR.
578
00:23:08,588 --> 00:23:09,956
HELLO, OPIE.
579
00:23:09,989 --> 00:23:11,558
AUNT BEE.
580
00:23:11,591 --> 00:23:12,559
WE THOUGHT YOU WERE
THAT WOMAN
581
00:23:12,592 --> 00:23:13,693
YOU WERE GETTING.
582
00:23:13,726 --> 00:23:16,929
WELL, I AM
THE WOMAN I'M GETTING.
583
00:23:16,963 --> 00:23:18,097
I'M THE NEW COOK.
584
00:23:18,130 --> 00:23:19,532
UH, BUT, UH...
585
00:23:19,566 --> 00:23:21,801
OH, ANDY, THERE ARE
MORE IMPORTANT THINGS
586
00:23:21,834 --> 00:23:23,536
IN MY LIFE
THAN FAME AND FORTUNE,
587
00:23:23,570 --> 00:23:25,738
AND IF I'M GOING TO GO
COMPLETELY GRAY
588
00:23:25,772 --> 00:23:28,207
WORRYING ABOUT WHAT YOU AND OPIE
HAVE FOR SUPPER,
589
00:23:28,240 --> 00:23:29,709
IT'S JUST NOT WORTH IT.
590
00:23:29,742 --> 00:23:31,711
I'LL GET WRINKLES
AND ALL THAT SORT OF THING.
591
00:23:31,744 --> 00:23:33,813
YOU TWO GO ON UP
AND GET WASHED.
592
00:23:33,846 --> 00:23:37,183
IN 20 MINUTES YOU'LL HAVE ONE
OF MY WORLD-FAMOUS RIB ROASTS.
593
00:23:37,216 --> 00:23:39,185
WELL, WHAT
ABOUT YOUR PROGRAM?
594
00:23:39,218 --> 00:23:41,554
WELL, LIKE SARAH BERNHARDT,
595
00:23:41,588 --> 00:23:44,457
I'LL BE RETIRING
AT THE HEIGHT OF MY CAREER.
596
00:23:44,491 --> 00:23:46,493
GO ON, GO ON. WASH UP.
597
00:23:59,539 --> 00:24:01,073
SO, SHE REALLY AIN'T GONNA BE
ON THE PROGRAM NO MORE?
598
00:24:01,107 --> 00:24:02,709
THAT'S RIGHT.
599
00:24:02,742 --> 00:24:05,612
WELL, I CAN GO BACK TO WATCHING
"RUDOLPH RABBIT" THEN.
600
00:24:05,645 --> 00:24:07,880
WHAT MADE HER QUIT THE SHOW,
ANDY?
601
00:24:07,914 --> 00:24:10,517
OH, I DON'T THINK
YOU'D UNDERSTAND, GOOB.
602
00:24:10,550 --> 00:24:11,618
GOT TIRED OF IT?
603
00:24:11,651 --> 00:24:12,685
NOT REALLY.
604
00:24:12,719 --> 00:24:13,720
TOO MUCH WORK?
605
00:24:13,753 --> 00:24:14,887
NOT THAT, EITHER.
606
00:24:14,921 --> 00:24:17,990
WORRIED ABOUT YOU AND OPE?
607
00:24:20,026 --> 00:24:21,828
MISSING THE THINGS
SHE'S USED TO.
608
00:24:21,861 --> 00:24:23,195
YOU KNOW, GOOB,
609
00:24:23,229 --> 00:24:26,198
SOMETIMES YOU REALLY
GET A LINE ON THINGS.
610
00:24:26,232 --> 00:24:29,536
YEAH, SOMETIMES.
40928
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
English
Esperanto
Estonian
Faroese
Finnish
Frisian
Galician
Georgian
German
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof