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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:26,427 --> 00:00:32,766 WE WERE NOW DEEP INTO THE MATO GROSSO JUNGLE... 2 00:00:32,800 --> 00:00:36,704 AN ALMOST IMPENETRABLE MAZE OF VINES AND TREES 3 00:00:36,737 --> 00:00:40,608 BEHIND WHICH LURKED... WE KNEW NOT WHAT. 4 00:00:40,641 --> 00:00:42,343 SAVAGES, WILD BEASTS 5 00:00:42,376 --> 00:00:45,813 JUST WAITING TO HURL THEIR VENGEANCE UPON US. 6 00:00:45,846 --> 00:00:47,381 I AIN'T NEVER GOIN' THERE. 7 00:00:47,415 --> 00:00:49,550 THERE'S OBVIOUSLY AN ELEMENT OF DANGER. 8 00:00:49,583 --> 00:00:55,089 WE HAD...SENT RUNNERS AHEAD TO TRY TO DETERMINE 9 00:00:55,123 --> 00:00:58,526 IF THERE WERE ANY UNFRIENDLY NATIVES IN THE AREA, 10 00:00:58,559 --> 00:01:01,562 BUT DUE TO THE ALMOST TOTAL LACK OF COMMUNICATIONS 11 00:01:01,595 --> 00:01:03,564 WE WERE FORCED TO PROCEED ANYWAY. 12 00:01:03,597 --> 00:01:07,268 WHEN SUDDENLY-- AS IF FROM NOWHERE-- 13 00:01:07,301 --> 00:01:10,804 THIS SPEAR CAME HURTLING OUT OF THE UNDERBRUSH 14 00:01:10,838 --> 00:01:12,573 MISSING MY HEAD BY JUST 15 00:01:12,606 --> 00:01:14,442 A MATTER OF A VERY FEW INCHES. 16 00:01:14,475 --> 00:01:16,444 THIS VERY SPEAR! 17 00:01:17,611 --> 00:01:20,881 MUST HAVE BEEN ONE OF THOSE SAVAGES. 18 00:01:20,914 --> 00:01:22,650 THAT'D BE MY GUESS. 19 00:01:22,683 --> 00:01:24,785 FORTUNATELY, MOST OF THE NATIVES 20 00:01:24,818 --> 00:01:27,855 WE MET IN THE INTERIOR OF BRAZIL WERE FRIENDLIER. 21 00:01:27,888 --> 00:01:30,458 STILL, WHENEVER I WAS INVITED TO DINNER 22 00:01:30,491 --> 00:01:35,463 I NEVER KNEW WHETHER I WAS THE GUEST OR THE ENTRéE. 23 00:01:36,897 --> 00:01:39,300 THAT WAS A GOOD ONE. 24 00:01:39,333 --> 00:01:41,302 WELL, I SEE I'VE BEEN RAMBLING ON HERE 25 00:01:41,335 --> 00:01:42,503 FOR A COUPLE OF HOURS. 26 00:01:42,536 --> 00:01:44,572 YOU'VE BEEN A MOST ATTENTIVE AUDIENCE. 27 00:01:44,605 --> 00:01:45,806 NOW, IF YOU'D LIKE-- 28 00:01:45,839 --> 00:01:47,908 I'M FINISHED WITH THE SPEAR, MISS EDWARDS. 29 00:01:47,941 --> 00:01:49,277 CERTAINLY, PROFESSOR. 30 00:01:49,310 --> 00:01:51,312 I WAS ABOUT TO SAY-- NOW, IF YOU'D LIKE 31 00:01:51,345 --> 00:01:53,581 WE COULD HAVE A QUESTION AND ANSWER PERIOD. 32 00:01:53,614 --> 00:01:55,349 IF THERE ARE ANY QUESTIONS AT ALL 33 00:01:55,383 --> 00:01:56,817 YOU HAVE ABOUT SOUTH AMERICA 34 00:01:56,850 --> 00:01:58,519 I WOULD BE HAPPY TO ANSWER THEM 35 00:01:58,552 --> 00:02:00,288 TO THE VERY BEST OF MY ABILITY. 36 00:02:00,321 --> 00:02:03,157 THERE ARE MANY INTERESTING FACTS ABOUT SOUTH AMERICA 37 00:02:03,191 --> 00:02:05,459 THAT I'VE BEEN ABLE TO, UH...TO...I-I... 38 00:02:05,493 --> 00:02:08,196 THE...THE... THE LIMIT, UH... 39 00:02:08,229 --> 00:02:09,463 OH, ALLOW ME. 40 00:02:09,497 --> 00:02:10,864 OH, THANK YOU, PROFESSOR. 41 00:02:10,898 --> 00:02:12,233 ALLOW ME. 42 00:02:14,502 --> 00:02:16,204 THERE WE ARE. 43 00:02:16,237 --> 00:02:17,738 THANK YOU. 44 00:02:19,873 --> 00:02:23,777 NOW, THEN... ARE THERE ANY QUESTIONS? 45 00:02:23,811 --> 00:02:26,247 OH, YES? 46 00:02:26,280 --> 00:02:29,217 I WAS, UH, VERY INTERESTED IN YOUR EARLY REFERENCE 47 00:02:29,250 --> 00:02:31,752 TO THE FLORA AND FAUNA OF SOUTH AMERICA. 48 00:02:31,785 --> 00:02:33,621 DID I UNDERSTAND YOU TO SAY 49 00:02:33,654 --> 00:02:35,856 THAT ORCHIDS GROW WILD DOWN THERE? 50 00:02:35,889 --> 00:02:37,525 IN PROFUSION. 51 00:02:37,558 --> 00:02:41,862 PINK, BLUE, YELLOW, PURPLE-- ALL COLORS, JUST BEAUTIFUL. 52 00:02:41,895 --> 00:02:44,198 OH, MY, THAT MUST BE GLORIOUS. 53 00:02:44,232 --> 00:02:46,234 AND I'LL BET THAT'S ONE PLACE 54 00:02:46,267 --> 00:02:48,502 THEY DON'T COST $5 APIECE, EITHER. 55 00:02:54,242 --> 00:02:57,778 ARE THERE ANY OTHER QUESTIONS? 56 00:02:57,811 --> 00:02:59,480 OH, YES, MISS EDWARDS? 57 00:02:59,513 --> 00:03:02,650 PROFESSOR, OF ALL THE WILDLIFE YOU'VE EVER ENCOUNTERED 58 00:03:02,683 --> 00:03:05,386 WHICH WOULD YOU SAY WAS THE MOST DANGEROUS? 59 00:03:05,419 --> 00:03:08,356 WELL, MISS EDWARDS, I WOULD SAY THAT WAS A TOSS-UP 60 00:03:08,389 --> 00:03:13,261 BETWEEN A WOUNDED LEOPARD AND A LOVELY GIRL. 61 00:03:13,294 --> 00:03:14,628 OH... 62 00:03:16,330 --> 00:03:19,400 IT LOOKS LIKE CLARA'S GOT QUITE A CASE OF THE PROFESSOR. 63 00:03:19,433 --> 00:03:24,405 WELL, HE'S GOT EVERYTHING SHE LIKES IN A MAN -- HE'S SINGLE. 64 00:03:24,438 --> 00:03:27,341 AND NOW, IF THERE ARE NO FURTHER QUESTIONS 65 00:03:27,375 --> 00:03:31,279 I WILL SIMPLY SAY-- KONGO MOLO, BOLO, 66 00:03:31,312 --> 00:03:33,814 WHICH MEANS "GOOD NIGHT AND THANK YOU." 67 00:03:35,383 --> 00:03:37,918 NOW, FOR THOSE OF YOU WHO WOULD CARE TO PURCHASE 68 00:03:37,951 --> 00:03:40,454 A COPY OF MY BOOK, I KNOW SOUTH AMERICA, 69 00:03:40,488 --> 00:03:42,523 IF YOU'LL JUST STEP RIGHT OVER HERE 70 00:03:42,556 --> 00:03:45,225 I'LL BE VERY HAPPY TO AUTOGRAPH IT FOR YOU. 71 00:03:47,361 --> 00:03:49,330 YOU KNOW, ANDY, I WAS WONDERING... 72 00:03:49,363 --> 00:03:50,831 I UNDERSTAND THE PROFESSOR'S 73 00:03:50,864 --> 00:03:52,700 GOING TO STAY OVER TILL TOMORROW. 74 00:03:52,733 --> 00:03:54,302 DON'T YOU THINK, AS SHERIFF 75 00:03:54,335 --> 00:03:56,036 YOU OUGHT TO INVITE HIM FOR DINNER? 76 00:03:56,069 --> 00:03:57,405 OKAY, I'LL GO ASK HIM. 77 00:03:57,438 --> 00:03:58,706 EXCUSE ME. 78 00:03:58,739 --> 00:04:00,974 OH, THAT SHOULD BE VERY EDUCATIONAL FOR OPIE-- 79 00:04:01,008 --> 00:04:02,443 TO MEET A MAN LIKE THAT. 80 00:04:02,476 --> 00:04:03,977 YES. 81 00:04:04,011 --> 00:04:06,347 FASCINATING EVENING, WASN'T IT? 82 00:04:06,380 --> 00:04:09,417 IT CERTAINLY BROUGHT SOUTH AMERICA TO MAYBERRY. 83 00:04:09,450 --> 00:04:10,518 I JUST WANT TO WAIT 84 00:04:10,551 --> 00:04:12,353 TILL THEY ALL GET THEIR BOOKS. 85 00:04:12,386 --> 00:04:13,754 I THINK IT'S MY DUTY 86 00:04:13,787 --> 00:04:16,457 TO INVITE HIM TO STAY FOR DINNER TOMORROW NIGHT. 87 00:04:16,490 --> 00:04:17,591 OH, CLARA... 88 00:04:17,625 --> 00:04:18,726 WHAT'S THE MATTER? 89 00:04:18,759 --> 00:04:20,328 WELL, ANDY'S OVER THERE NOW 90 00:04:20,361 --> 00:04:22,330 INVITING HIM TO OUR HOUSE FOR DINNER. 91 00:04:22,363 --> 00:04:24,532 WHY, THAT'S A VIOLATION OF PROTOCOL. 92 00:04:24,565 --> 00:04:26,534 ANDY HAPPENS TO BE SHERIFF. 93 00:04:26,567 --> 00:04:29,670 WELL, I'M CHAIRMAN OF THE HOSPITALITY COMMITTEE. 94 00:04:29,703 --> 00:04:32,640 I THINK THAT TAKES CARE OF THE MATTER COMPLETELY. 95 00:04:32,673 --> 00:04:34,575 UH, WELL...I'M SORRY, CLARA. 96 00:04:34,608 --> 00:04:37,311 WELL, IF YOU COME OVER TO OUR HOUSE FOR DINNER 97 00:04:37,345 --> 00:04:39,480 WON'T THAT SOLVE EVERYTHING? 98 00:04:39,513 --> 00:04:41,349 OH...WELL... 99 00:04:41,382 --> 00:04:42,483 ALL RIGHT. 100 00:04:42,516 --> 00:04:43,617 SEVENISH? 101 00:04:43,651 --> 00:04:44,685 FINE. 102 00:04:45,753 --> 00:04:47,455 THAT WAS FAST THINKING. 103 00:04:47,488 --> 00:04:49,890 I NEVER WOULD HAVE HEARD THE END OF IT. 104 00:04:49,923 --> 00:04:52,059 COME ON, LET'S STAND OUTSIDE. 105 00:04:53,994 --> 00:04:54,962 THERE WE ARE. 106 00:04:54,995 --> 00:04:56,364 THANK YOU, SHERIFF. 107 00:04:56,397 --> 00:04:58,399 I WOULD BE VERY HAPPY TO COME TO DINNER. 108 00:04:58,432 --> 00:04:59,600 OH, GOOD, GOOD. 109 00:04:59,633 --> 00:05:03,371 OH...WHO IS THAT LADY IN THE BLUE DRESS? 110 00:05:05,939 --> 00:05:07,808 THAT'S MY AUNT. 111 00:05:12,613 --> 00:05:15,349 NOW, OPIE, ONLY ONE HELPING OF CHICKEN TONIGHT. 112 00:05:15,383 --> 00:05:16,684 I COOKED IT IN WINE. 113 00:05:16,717 --> 00:05:18,752 AND DON'T EITHER OF YOU SLAM ANY DOORS. 114 00:05:18,786 --> 00:05:20,721 I DON'T WANT MY SOUFFLé TO FALL. 115 00:05:20,754 --> 00:05:23,624 IT FELL LAST TIME, AND WE DIDN'T SLAM ANYTHING. 116 00:05:23,657 --> 00:05:25,993 YOU WANT TO TAKE YOUR SWEATER UPSTAIRS? 117 00:05:26,026 --> 00:05:29,363 OH, I DO HOPE THE EVENING PROVES A SUCCESS FOR CLARA. 118 00:05:29,397 --> 00:05:31,665 SHE CERTAINLY IS POINTING FOR THE PROFESSOR. 119 00:05:31,699 --> 00:05:34,702 BETTY SAID SHE SPENT THREE HOURS IN THE BEAUTY PARLOR TODAY. 120 00:05:34,735 --> 00:05:36,470 WELL, I HOPE THEY HIT IT OFF. 121 00:05:36,504 --> 00:05:38,406 I BETTER GET UPSTAIRS AND TIDY UP. 122 00:05:38,439 --> 00:05:40,073 ANSWER THAT, ANDY, WILL YOU? 123 00:05:40,107 --> 00:05:41,909 OH. 124 00:05:45,479 --> 00:05:46,547 ANDY. 125 00:05:46,580 --> 00:05:48,449 WELL, CLARA. 126 00:05:48,482 --> 00:05:50,384 CLARA, HOW NICE YOU LOOK. 127 00:05:50,418 --> 00:05:52,386 OH, WHY, THANK YOU, HELEN. 128 00:05:52,420 --> 00:05:56,023 I JUST REACHED INTO MY CLOSET AND GRABBED THE FIRST THING. 129 00:05:56,056 --> 00:05:58,492 HELLO, OPIE. 130 00:05:58,526 --> 00:05:59,527 HI, MISS EDWARDS. 131 00:05:59,560 --> 00:06:00,961 GEE, THAT'S THE DRESS I SAW 132 00:06:00,994 --> 00:06:03,063 IN MADAM OLGA'S WINDOW THIS MORNING. 133 00:06:03,096 --> 00:06:05,165 UH, SHALL WE SIT DOWN? 134 00:06:05,198 --> 00:06:06,634 WONDERFUL IDEA. 135 00:06:08,035 --> 00:06:10,070 WHOOP, THAT'S BOUND TO BE THE GUEST OF HONOR. 136 00:06:10,103 --> 00:06:12,573 NOW, STAND UP STRAIGHT. 137 00:06:14,007 --> 00:06:16,043 OH, PROFESSOR. COME IN. SHERIFF. 138 00:06:16,076 --> 00:06:18,546 DID YOU HAVE ANY TROUBLE FINDING THE PLACE? 139 00:06:18,579 --> 00:06:21,649 NO, NO. I JUST TOOK A FIX ON THE NORTH STAR, AND HERE I AM. 140 00:06:21,682 --> 00:06:23,050 OH! 141 00:06:23,083 --> 00:06:25,586 OH, MISS EDWARDS, WHAT A PLEASANT SURPRISE. 142 00:06:25,619 --> 00:06:28,689 I THOUGHT WE WERE JUST SHIPS THAT PASSED IN THE NIGHT. 143 00:06:28,722 --> 00:06:30,791 BUT APPARENTLY ON THE SAME COURSE. 144 00:06:30,824 --> 00:06:32,760 UH, THIS IS MISS CRUMP. 145 00:06:32,793 --> 00:06:35,796 AH, TO FURTHER DECORATE THE FESTIVE BOWL. 146 00:06:35,829 --> 00:06:37,631 WELL, HOW DO YOU DO? 147 00:06:37,665 --> 00:06:40,167 AND MY SON, OPIE. PROFESSOR ST. JOHN. 148 00:06:40,200 --> 00:06:41,735 HI. HELLO, OPIE. 149 00:06:41,769 --> 00:06:43,571 WHAT GRADE ARE YOU IN? 150 00:06:43,604 --> 00:06:44,805 EIGHTH. 151 00:06:44,838 --> 00:06:46,774 WE ALREADY FINISHED SOUTH AMERICA. 152 00:06:46,807 --> 00:06:49,877 WE HAVE A LOT IN COMMON. I'M FINISHED WITH IT, TOO. 153 00:06:49,910 --> 00:06:53,981 AND HOW DID YOU SPEND YOUR DAY IN MAYBERRY, PROFESSOR? 154 00:06:54,014 --> 00:06:56,850 WELL, EXPLORING, AS USUAL, MISS EDWARDS. 155 00:06:56,884 --> 00:06:59,920 I CAME ACROSS A MARVELOUSLY QUAINT LITTLE SPOT -- 156 00:06:59,953 --> 00:07:01,154 MYERS' LAKE. 157 00:07:01,188 --> 00:07:05,493 OH, YES, IT'S A VERY POPULAR RENDEZVOUS 158 00:07:05,526 --> 00:07:07,995 WITH THE, UH, PICNICKERS. 159 00:07:08,028 --> 00:07:11,198 OH, WELL, I'LL HAVE TO KEEP THAT IN MIND... 160 00:07:11,231 --> 00:07:13,133 MISS EDWARDS. 161 00:07:13,166 --> 00:07:14,935 OH... 162 00:07:17,705 --> 00:07:19,106 AH, THE LADY OF THE HOUSE. 163 00:07:19,139 --> 00:07:21,842 PROFESSOR, I'D LIKE YOU TO MEET MY AUNT BEE. 164 00:07:21,875 --> 00:07:23,944 MISS TAYLOR, PROFESSOR ST. JOHN. 165 00:07:23,977 --> 00:07:26,246 I'M MOST HAPPY TO MEET YOU, MISS TAYLOR. 166 00:07:26,279 --> 00:07:28,582 SO NICE OF YOU TO COME. 167 00:07:30,117 --> 00:07:31,485 WELL... 168 00:07:31,519 --> 00:07:34,221 OH, CLARA, WHAT A BEAUTIFUL DRESS. 169 00:07:34,254 --> 00:07:35,523 IT'S BRAND-NEW. 170 00:07:35,556 --> 00:07:37,024 SHE JUST GOT IT TODAY. 171 00:07:37,057 --> 00:07:41,128 I'M REALLY...MOST HAPPY TO MEET YOU, MISS TAYLOR. 172 00:07:41,161 --> 00:07:43,631 THANK YOU. UM... 173 00:07:43,664 --> 00:07:45,833 WELL, DINNER'LL BE READY IN JUST A MINUTE. 174 00:07:45,866 --> 00:07:47,935 WHY DON'T WE HAVE SOME ELDERBERRY WINE. 175 00:07:47,968 --> 00:07:49,503 IT'S ANDY'S OWN RECIPE. 176 00:07:49,537 --> 00:07:50,638 EXCUSE ME. 177 00:07:53,040 --> 00:07:54,508 UH, PROFESSOR... 178 00:07:54,542 --> 00:07:57,044 MY PHONE SIMPLY HASN'T STOPPED RINGING ALL DAY. 179 00:07:57,077 --> 00:08:00,548 NOTHING BUT COMPLIMENTS FOR MY HAVING BROUGHT YOU HERE. 180 00:08:00,581 --> 00:08:02,750 OH, WELL, THAT'S VERY NICE TO HEAR. 181 00:08:02,783 --> 00:08:05,986 BEE-- THAT'S THE DIMINUTIVE FOR BEATRICE, ISN'T IT? 182 00:08:06,019 --> 00:08:08,155 OH, WELL, I HAVEN'T BEEN CALLED BEATRICE 183 00:08:08,188 --> 00:08:09,723 SINCE I WAS A LITTLE GIRL. 184 00:08:09,757 --> 00:08:12,726 PITY. IT'S SUCH A CLASSIC NAME. 185 00:08:12,760 --> 00:08:16,564 IN LATIN, IT MEANS "SHE WHO MAKES HAPPY." 186 00:08:16,597 --> 00:08:20,033 OH? HOW NICE. 187 00:08:22,603 --> 00:08:25,105 THERE WE ARE. 188 00:08:25,138 --> 00:08:27,975 WELL, I GUESS I'D BETTER SEE ABOUT DINNER. 189 00:08:32,746 --> 00:08:35,082 I'LL-I'LL GIVE HER A HAND. 190 00:08:37,217 --> 00:08:39,987 IS THERE ANYTHING WRONG WITH THE WAY I LOOK? 191 00:08:40,020 --> 00:08:41,555 YOU LOOK JUST FINE TO ME. 192 00:08:41,589 --> 00:08:44,157 WELL, WHY DOES HE KEEP STARING AT ME LIKE THAT? 193 00:08:44,191 --> 00:08:46,860 WELL, I THINK YOU'VE GOT YOURSELF AN ADMIRER. 194 00:08:46,894 --> 00:08:48,729 NONSENSE. NO. 195 00:08:48,762 --> 00:08:52,165 IT'S THE WAY HE STARES AT ME THAT HAS ME PUZZLED. 196 00:08:52,199 --> 00:08:54,602 LIKE HE'S STARING RIGHT THROUGH ME. 197 00:08:54,635 --> 00:08:56,904 WELL, AUNT BEE, I'M JUST AN INNOCENT BYSTANDER 198 00:08:56,937 --> 00:08:59,339 BUT I THINK HE'S JUST VERY INTERESTED IN YOU. 199 00:08:59,372 --> 00:09:04,211 NO, NO...THERE'S MORE TO IT THAN THAT. 200 00:09:04,244 --> 00:09:06,647 I CAN JUST FEEL IT. 201 00:09:13,921 --> 00:09:16,023 I'M AMAZED AT HOW LONG YOU STAY AWAY 202 00:09:16,056 --> 00:09:18,626 ON THESE JUNGLE TRIPS OF YOURS, PROFESSOR. 203 00:09:18,659 --> 00:09:20,661 IT MUST GET VERY LONELY FOR YOU. 204 00:09:20,694 --> 00:09:22,095 WELL, REALLY... 205 00:09:22,129 --> 00:09:24,097 I SUPPOSE IT WOULD BE DIFFERENT 206 00:09:24,131 --> 00:09:27,768 IF THERE WAS SOMEBODY AT HOME WAITING FOR YOU. 207 00:09:27,801 --> 00:09:29,036 WELL, ACTUALLY, I... 208 00:09:29,069 --> 00:09:31,038 UH, SOME MORE CHICKEN, PROFESSOR? 209 00:09:31,071 --> 00:09:32,305 HUBERT. 210 00:09:32,339 --> 00:09:34,107 HUBERT. 211 00:09:34,141 --> 00:09:35,776 NO, NO, THANK YOU. 212 00:09:35,809 --> 00:09:39,279 I WANT TO SAVE A LITTLE ROOM FOR YOUR...NESSELRODE PIE. 213 00:09:39,312 --> 00:09:40,748 OH. 214 00:09:41,915 --> 00:09:43,383 OPIE... 215 00:09:43,416 --> 00:09:45,953 POOR OPIE HASN'T BEEN ABLE TO GET A WORD IN. 216 00:09:45,986 --> 00:09:49,156 OPIE, DON'T YOU HAVE SOMETHING YOU WANT TO ASK OUR GUEST? 217 00:09:49,189 --> 00:09:51,792 UH...UH... 218 00:09:51,825 --> 00:09:54,795 YEAH. UH, YEAH. 219 00:09:54,828 --> 00:09:58,298 PROFESSOR ST. JOHN, IS IT TRUE THAT BOGOTA 220 00:09:58,331 --> 00:10:00,768 IS STILL THE CAPITAL OF COLUMBIA? 221 00:10:00,801 --> 00:10:02,402 YES, YES, OPIE. 222 00:10:02,435 --> 00:10:05,205 AND QUITO IS STILL THE CAPITAL OF ECUADOR. 223 00:10:05,238 --> 00:10:07,207 OH, WELL, WHAT DO YOU KNOW. 224 00:10:07,240 --> 00:10:10,010 WE LEARN SOMETHING EVERY DAY, DON'T WE? 225 00:10:12,212 --> 00:10:15,749 HOW LONG DO YOU EXPECT TO GRACE OUR FAIR CITY, PROFESSOR? 226 00:10:15,783 --> 00:10:17,951 WELL, I HAD PLANNED TO LEAVE TOMORROW 227 00:10:17,985 --> 00:10:19,653 BUT I MAY CHANGE MY PLANS. 228 00:10:19,687 --> 00:10:21,789 THERE ARE CERTAIN THINGS IN MAYBERRY 229 00:10:21,822 --> 00:10:23,356 THAT I FIND MORE INTERESTING 230 00:10:23,390 --> 00:10:26,927 THAN ANYTHING ELSE I'VE SEEN ANYWHERE ELSE IN THE WORLD. 231 00:10:29,797 --> 00:10:31,231 OH, DEAR... 232 00:10:31,264 --> 00:10:33,366 OH, CLARA, IS THERE SOMETHING WRONG? 233 00:10:33,400 --> 00:10:36,303 I'VE JUST DEVELOPED THE MOST DREADFUL HEADACHE. 234 00:10:36,336 --> 00:10:40,073 I'M SO SORRY, HUBERT, BUT I'LL SIMPLY HAVE TO GO HOME. 235 00:10:40,107 --> 00:10:41,875 HUBERT, YOU DON'T MIND? 236 00:10:41,909 --> 00:10:42,976 OH, NOT AT ALL. 237 00:10:43,010 --> 00:10:44,444 YOU RUN ALONG, MY DEAR. 238 00:10:44,477 --> 00:10:47,314 WELL, I WAS PLANNING TO DROP YOU OFF AT THE HOTEL. 239 00:10:47,347 --> 00:10:49,049 OH, DON'T WORRY ABOUT IT. 240 00:10:49,082 --> 00:10:50,383 I'LL ENJOY THE WALK. 241 00:10:50,417 --> 00:10:52,753 OH...VERY WELL. 242 00:10:52,786 --> 00:10:54,922 OH, CLARA... 243 00:10:54,955 --> 00:10:58,692 CLARA...I'M SORRY YOU DON'T FEEL WELL. 244 00:10:58,726 --> 00:10:59,993 DON'T BE SO NAIVE. 245 00:11:00,027 --> 00:11:02,129 I NEVER MET SUCH A BORE IN MY LIFE. 246 00:11:02,162 --> 00:11:04,431 I DON'T KNOW HOW YOU CAN STAND HIM. 247 00:11:09,302 --> 00:11:11,872 AND THAT BRINGS US UP TO 1959 248 00:11:11,905 --> 00:11:14,441 WHEN I MOVED IN WITH ANDY AND OPIE. 249 00:11:14,474 --> 00:11:16,944 FASCINATING. 250 00:11:16,977 --> 00:11:18,411 YOU'RE STARING AT ME AGAIN. 251 00:11:18,445 --> 00:11:19,980 NO, NO, I'M NOT STARING. 252 00:11:20,013 --> 00:11:22,015 I'M JUST WAITING FOR ANOTHER PLATE. 253 00:11:22,049 --> 00:11:23,884 OH...OH, THIS IS AWFUL-- 254 00:11:23,917 --> 00:11:26,219 A DISTINGUISHED GUEST WASHING DISHES 255 00:11:26,253 --> 00:11:28,121 BUT YOU INSISTED, HUBERT. 256 00:11:28,155 --> 00:11:29,356 CORRECT. BUT TOMORROW 257 00:11:29,389 --> 00:11:31,358 THINGS ARE GOING TO BE DIFFERENT. 258 00:11:31,391 --> 00:11:34,327 TOMORROW WE'RE GOING TO EAT FROM PAPER PLATES. 259 00:11:34,361 --> 00:11:36,496 WE'RE GOING ON A LITTLE PICNIC. 260 00:11:36,529 --> 00:11:38,832 YOU AND I? 261 00:11:38,866 --> 00:11:40,133 IS IT A DATE? 262 00:11:40,167 --> 00:11:41,869 OH... 263 00:11:41,902 --> 00:11:44,137 YES, ALL RIGHT. 264 00:11:44,171 --> 00:11:45,272 GOOD. 265 00:11:45,305 --> 00:11:46,506 WELL... 266 00:11:46,539 --> 00:11:49,743 WELL, I DON'T WANT TO WEAR OUT MY WELCOME. 267 00:11:49,777 --> 00:11:52,512 GUESS I'D BETTER BE RUNNING ALONG, HUH? 268 00:11:52,545 --> 00:11:53,981 VERY WELL. 269 00:11:55,448 --> 00:11:57,017 HELLO, SON. 270 00:11:57,050 --> 00:11:58,318 DID I WAKE YOU? 271 00:11:58,351 --> 00:12:00,353 OH, IT DOESN'T MATTER. 272 00:12:00,387 --> 00:12:04,291 UH, LISTEN, I HAVE TO STAY OVER FOR A LITTLE WHILE IN MAYBERRY. 273 00:12:04,324 --> 00:12:07,427 YES, I HAVE A VERY IMPORTANT PICNIC TOMORROW. 274 00:12:07,460 --> 00:12:08,896 LISTEN, JONATHAN... 275 00:12:08,929 --> 00:12:11,899 SOMETHING VERY STRANGE HAS HAPPENED. 276 00:12:11,932 --> 00:12:14,434 WELL, I MET THE MOST MARVELOUS WOMAN. 277 00:12:14,467 --> 00:12:17,971 HER NAME IS BEATRICE TAYLOR, AND REALLY, IF I... 278 00:12:18,005 --> 00:12:21,241 WELL, I'LL TELL YOU WHAT'S SO MARVELOUS ABOUT HER-- 279 00:12:21,274 --> 00:12:26,379 SHE IS THE CARBON COPY OF YOUR SAINTED MOTHER. 280 00:12:35,856 --> 00:12:36,957 WELL... 281 00:12:36,990 --> 00:12:38,225 ANDY. 282 00:12:38,258 --> 00:12:40,093 HOW WAS THE PICNIC? 283 00:12:40,127 --> 00:12:41,361 I CAN'T REMEMBER 284 00:12:41,394 --> 00:12:43,864 WHEN I'VE HAD A MORE GLORIOUS AFTERNOON. 285 00:12:43,897 --> 00:12:46,499 OH, THAT'S MYERS' LAKE FOR YOU. 286 00:12:46,533 --> 00:12:48,268 WELL, SEE YOU AT 7:00, ANDY. 287 00:12:48,301 --> 00:12:50,370 ARE...ARE YOU COMING TO DINNER? 288 00:12:50,403 --> 00:12:52,105 NO, NO. TAKING HER TO DINNER. 289 00:12:52,139 --> 00:12:53,106 OH. 290 00:12:53,140 --> 00:12:54,141 SEE YOU. 291 00:13:07,154 --> 00:13:08,388 WELL... 292 00:13:10,157 --> 00:13:13,393 I HEAR YOU HAD YOURSELF QUITE AN AFTERNOON. 293 00:13:13,426 --> 00:13:16,129 HMM, QUITE AN AFTERNOON. 294 00:13:16,163 --> 00:13:17,530 WHAT'S THE MATTER? 295 00:13:17,564 --> 00:13:19,532 YOU LOOK LIKE YOU JUST SAW A GHOST. 296 00:13:19,566 --> 00:13:21,001 I DIDN'T SEE A GHOST. 297 00:13:21,034 --> 00:13:22,836 I AM A GHOST. 298 00:13:25,172 --> 00:13:27,374 WELL, WHAT HAPPENED? 299 00:13:27,407 --> 00:13:29,242 WELL... 300 00:13:29,276 --> 00:13:31,845 I DON'T WANT TO TALK ABOUT IT. 301 00:13:31,879 --> 00:13:32,913 OH. 302 00:13:32,946 --> 00:13:34,915 I'M SORRY. I DIDN'T MEAN TO PRY. 303 00:13:34,948 --> 00:13:36,984 WELL, AREN'T YOU GOING TO EVEN ASK ME 304 00:13:37,017 --> 00:13:39,252 WHAT I DON'T WANT TO TALK ABOUT? 305 00:13:39,286 --> 00:13:41,855 OKAY, WHAT DON'T YOU WANT TO TALK ABOUT? 306 00:13:41,889 --> 00:13:46,393 WELL...NO, I JUST CAN'T TALK ABOUT IT. 307 00:13:46,426 --> 00:13:47,861 I'LL TELL YOU. 308 00:13:47,895 --> 00:13:49,129 UH, ANDY... 309 00:13:50,430 --> 00:13:53,266 I DISCOVERED WHAT MY FATAL CHARM IS. 310 00:13:53,300 --> 00:13:56,003 I REMIND HIM OF HIS LATE WIFE, ETHEL. 311 00:13:56,036 --> 00:13:58,105 OH, SO THAT'S IT. 312 00:13:58,138 --> 00:13:59,372 I LOOK LIKE ETHEL. 313 00:13:59,406 --> 00:14:00,607 I TALK LIKE ETHEL. 314 00:14:00,640 --> 00:14:03,276 I CRINKLE MY NOSE WHEN I LAUGH LIKE ETHEL. 315 00:14:03,310 --> 00:14:06,313 I EVEN BAKE NESSELRODE PIE LIKE ETHEL. 316 00:14:06,346 --> 00:14:08,448 WELL, THAT IS A COINCIDENCE. 317 00:14:08,481 --> 00:14:10,383 I'M NOT SO SURE I LIKE IT. 318 00:14:10,417 --> 00:14:14,487 WELL, EVERYBODY REMINDS SOMEBODY OF SOMEBODY. 319 00:14:14,521 --> 00:14:16,623 I KNOW, BUT IT'S VERY ANNOYING. 320 00:14:16,656 --> 00:14:19,526 WELL, LOOK AT IT THIS WAY. 321 00:14:19,559 --> 00:14:22,930 THE FINE QUALITIES HE SAW IN HIS LATE WIFE 322 00:14:22,963 --> 00:14:24,397 HE NOW FINDS IN YOU. 323 00:14:24,431 --> 00:14:27,267 I KNOW, BUT I LIKE TO BE LIKED AS BEE TAYLOR 324 00:14:27,300 --> 00:14:30,270 NOT AS ETHEL MONTGOMERY ST. JOHN. 325 00:14:30,303 --> 00:14:33,506 AUNT BEE, I GUARANTEE YOU THAT BEFORE HE KNOWS IT 326 00:14:33,540 --> 00:14:36,243 THAT UNIQUE PERSONALITY THAT IS BEE TAYLOR 327 00:14:36,276 --> 00:14:38,078 WILL COME SHINING THROUGH. 328 00:14:38,111 --> 00:14:39,980 YOU THINK SO? 329 00:14:40,013 --> 00:14:41,381 I'M SURE OF IT. 330 00:14:41,414 --> 00:14:43,416 NOW WHY DON'T YOU RUN UPSTAIRS 331 00:14:43,450 --> 00:14:45,652 AND REST UP FOR YOUR BIG DATE TONIGHT. 332 00:14:47,354 --> 00:14:49,489 HOW WAS THE PICNIC, AUNT BEE? 333 00:14:49,522 --> 00:14:50,490 FINE. 334 00:14:50,523 --> 00:14:52,225 ARE YOU GOING TO MARRY HIM? 335 00:14:52,259 --> 00:14:54,361 OH, OPIE, WHAT A THING TO ASK. 336 00:14:55,996 --> 00:14:58,966 WAS THAT SUCH A STUPID QUESTION? 337 00:14:58,999 --> 00:15:01,969 WELL, LET'S SAY IT WAS JUST A LITTLE PREMATURE 338 00:15:02,002 --> 00:15:03,503 IF YOU KNOW WHAT I MEAN. 339 00:15:03,536 --> 00:15:06,106 YEAH, WELL, I'LL ASK AGAIN TOMORROW. 340 00:15:17,017 --> 00:15:20,253 WHY DO THEY ALWAYS HAVE SLIPPERY FORKS 341 00:15:20,287 --> 00:15:22,122 IN ITALIAN RESTAURANTS? 342 00:15:22,155 --> 00:15:24,291 ETHEL HAD EXACTLY THE SAME PROBLEM. 343 00:15:24,324 --> 00:15:26,126 I THINK IF WE LIVED IN ITALY 344 00:15:26,159 --> 00:15:27,727 SHE WOULD HAVE STARVED TO DEATH. 345 00:15:27,760 --> 00:15:29,729 HERE, BEATRICE, LET ME SHOW YOU. 346 00:15:29,762 --> 00:15:31,064 MAY I? 347 00:15:31,098 --> 00:15:33,466 SEE, IT IS ALL IN THE WRIST MOVEMENT 348 00:15:33,500 --> 00:15:34,601 LIKE THAT, BEATRICE. 349 00:15:34,634 --> 00:15:35,969 LET ME TRY. 350 00:15:38,238 --> 00:15:40,307 NO, I THINK I'VE HAD ENOUGH. 351 00:15:40,340 --> 00:15:43,310 OH, WELL, AT LEAST HAVE ANOTHER GLASS OF CHIANTI, EH? 352 00:15:43,343 --> 00:15:45,078 NO, NO, NO. ONE IS ENOUGH. 353 00:15:45,112 --> 00:15:46,646 THE SECOND GLASS ALWAYS... 354 00:15:46,679 --> 00:15:48,115 MAKES YOU FEEL GIDDY? 355 00:15:48,148 --> 00:15:50,617 YES. HOW DID YOU KNOW? 356 00:15:50,650 --> 00:15:53,186 ETHEL WAS EXACTLY THE SAME WAY. 357 00:15:53,220 --> 00:15:55,122 YOU KNOW, I COULD REMEMBER ONCE... 358 00:15:55,155 --> 00:15:59,359 HUBERT, WHAT DO YOU THINK ABOUT THE SITUATION IN ASIA? 359 00:15:59,392 --> 00:16:00,627 THE SITUATION... 360 00:16:00,660 --> 00:16:03,630 I'D MUCH RATHER TALK ABOUT YOU. 361 00:16:03,663 --> 00:16:06,233 WELL, I'M VERY FLATTERED 362 00:16:06,266 --> 00:16:09,202 BUT I'M, YOU KNOW, RUNNING OUT OF MATERIAL. 363 00:16:09,236 --> 00:16:12,172 WHEN YOU GET UP IN THE MORNING, ARE YOU GRUMPY 364 00:16:12,205 --> 00:16:15,742 OR DO YOU JUMP OUT OF BED AND START SINGING LIKE A BIRD? 365 00:16:15,775 --> 00:16:18,011 IS THAT INTERESTING TO YOU? 366 00:16:18,045 --> 00:16:20,380 EVERYTHING ABOUT YOU IS INTERESTING TO ME. 367 00:16:20,413 --> 00:16:22,049 OH. 368 00:16:22,082 --> 00:16:24,251 WELL, I, I DON'T SING LIKE A BIRD 369 00:16:24,284 --> 00:16:27,520 BUT I AM DISGUSTINGLY CHEERFUL IN THE MORNING. 370 00:16:27,554 --> 00:16:30,723 YOU KNOW, I WOULD HAVE MADE A BET ON THAT. 371 00:16:32,659 --> 00:16:34,127 ETHEL? 372 00:16:35,195 --> 00:16:36,229 EXACTLY. 373 00:16:56,816 --> 00:16:58,385 OH, HOO. 374 00:16:58,418 --> 00:16:59,519 CLARA. 375 00:16:59,552 --> 00:17:01,188 WELL, HELLO, MISS GADABOUT. 376 00:17:01,221 --> 00:17:03,190 I'M SURPRISED THAT YOU CAN BREAK AWAY 377 00:17:03,223 --> 00:17:05,125 AT THE HEIGHT OF THE PICNIC SEASON. 378 00:17:05,158 --> 00:17:06,559 OH, THIS TOWN HAS BIG EARS. 379 00:17:06,593 --> 00:17:09,129 WELL, BEULAH ALBRIGHT'S SON, HAROLD, 380 00:17:09,162 --> 00:17:11,531 JUST HAPPENED TO BE FISHING AT MYERS' LAKE. 381 00:17:11,564 --> 00:17:12,799 AND DOES BEULAH KNOW 382 00:17:12,832 --> 00:17:14,534 WHERE WE HAD DINNER LAST NIGHT? 383 00:17:14,567 --> 00:17:16,403 WELL, IT'S NO CONCERN OF MINE 384 00:17:16,436 --> 00:17:18,671 BUT FRANKLY, I'VE ALWAYS THOUGHT 385 00:17:18,705 --> 00:17:20,807 ITALIAN COOKING DIDN'T AGREE WITH YOU. 386 00:17:20,840 --> 00:17:23,210 NEITHER DOES IDLE GOSSIP. 387 00:17:23,243 --> 00:17:27,580 WELL, I DO WANT YOU TO KNOW, BEE, HOW HAPPY I AM FOR YOU. 388 00:17:27,614 --> 00:17:31,184 WELL, THERE'S NO NEED TO BE. 389 00:17:31,218 --> 00:17:32,819 OH? 390 00:17:36,356 --> 00:17:38,625 WELL... 391 00:17:38,658 --> 00:17:42,695 CLARA, ARE YOU MY BEST FRIEND OR AREN'T YOU? 392 00:17:42,729 --> 00:17:45,598 WHY, OF COURSE I AM, BEE, AND ANYTHING YOU TELL ME 393 00:17:45,632 --> 00:17:47,734 I'LL TRY TO KEEP FROM GOING ANY FURTHER. 394 00:17:49,536 --> 00:17:51,771 WELL, TO BE PERFECTLY HONEST, CLARA, 395 00:17:51,804 --> 00:17:55,308 THERE'S A BIG STUMBLING BLOCK IN MY RELATIONSHIP WITH HUBERT. 396 00:17:55,342 --> 00:17:56,843 WHAT WHAT? 397 00:17:58,278 --> 00:17:59,546 HIS WIFE. 398 00:17:59,579 --> 00:18:01,881 YOU MEAN HE'S STILL MARRIED? 399 00:18:01,914 --> 00:18:04,717 OH, NO. HE LOST HER TEN YEARS AGO. 400 00:18:04,751 --> 00:18:06,419 AND SHE SHOWED UP AGAIN. 401 00:18:06,453 --> 00:18:08,155 NO. NOT THE WAY YOU THINK. 402 00:18:08,188 --> 00:18:10,690 I'M THE IMAGE OF HIS LATE WIFE. 403 00:18:10,723 --> 00:18:13,660 OH, YOU POOR THING. 404 00:18:13,693 --> 00:18:16,296 YOU POOR, POOR THING. 405 00:18:16,329 --> 00:18:20,133 EVERYTHING ABOUT ME REMINDS HIM OF HIS "DARLING ETHEL." 406 00:18:20,167 --> 00:18:22,135 I'M A HOMEBODY LIKE ETHEL. 407 00:18:22,169 --> 00:18:23,570 I'M QUIET LIKE ETHEL. 408 00:18:23,603 --> 00:18:25,538 I'M EVERYTHING LIKE ETHEL. 409 00:18:25,572 --> 00:18:28,141 DOWN TO HER NESSELRODE PIE. 410 00:18:28,175 --> 00:18:30,243 OH, YOU POOR THING. 411 00:18:30,277 --> 00:18:31,878 YOU POOR, POOR THING. 412 00:18:31,911 --> 00:18:34,581 WELL, ANDY SAYS IT'LL PASS. 413 00:18:34,614 --> 00:18:36,583 WHAT DO MEN KNOW? 414 00:18:36,616 --> 00:18:40,487 DO YOU WANT TO LIVE IN THE SHADOW OF ANOTHER WOMAN? 415 00:18:40,520 --> 00:18:42,655 NO. NO. 416 00:18:42,689 --> 00:18:46,926 THEN BREAK IT OFF BEFORE YOU TORMENT YOURSELF TO DISTRACTION. 417 00:18:46,959 --> 00:18:51,130 I'M YOUR BEST FRIEND, BEE, AND I SAY BREAK IT OFF. 418 00:18:52,432 --> 00:18:53,566 BREAK IT OFF. 419 00:18:57,537 --> 00:19:00,473 WELL, THE WAY I SEE IT, 420 00:19:00,507 --> 00:19:02,342 THERE'S NOTHING TO BREAK OFF. 421 00:19:02,375 --> 00:19:04,344 HE'S LEAVING TOMORROW AFTERNOON 422 00:19:04,377 --> 00:19:05,878 AND HE HASN'T PROPOSED. 423 00:19:05,912 --> 00:19:07,614 THE DAY ISN'T OVER YET 424 00:19:07,647 --> 00:19:09,882 AND I HAVE A FEELING IT'S COMING. 425 00:19:11,651 --> 00:19:14,621 WELL, I'LL JUST HAVE TO TELL HIM 426 00:19:14,654 --> 00:19:16,356 I CAN'T SEE HIM ANYMORE. 427 00:19:16,389 --> 00:19:19,226 HMM, I DON'T THINK THAT WOULD MEAN MUCH 428 00:19:19,259 --> 00:19:20,493 TO THE PROFESSOR. 429 00:19:20,527 --> 00:19:23,363 IT'D JUST MAKE YOU THAT MUCH MORE DESIRABLE. 430 00:19:23,396 --> 00:19:26,333 YES. FORBIDDEN FRUIT. 431 00:19:29,269 --> 00:19:30,770 I WAS JUST THINKING... 432 00:19:30,803 --> 00:19:32,705 MAYBE THERE'S A WAY 433 00:19:32,739 --> 00:19:34,974 WE COULD GET HIM TO TURN YOU DOWN. 434 00:19:35,007 --> 00:19:37,444 BUT TO HIM I'M IRRESISTIBLE. 435 00:19:37,477 --> 00:19:40,347 YEAH, BUT YOU GOT A PRETTY GOOD IDEA 436 00:19:40,380 --> 00:19:42,215 OF THE KIND OF WOMAN ETHEL WAS. 437 00:19:42,249 --> 00:19:43,850 HAVE I. 438 00:19:43,883 --> 00:19:46,753 WELL, SUPPOSE YOU SUDDENLY BECAME 439 00:19:46,786 --> 00:19:49,356 THE KIND OF WOMAN ETHEL WASN'T. 440 00:19:49,389 --> 00:19:53,960 OH, ANDY. 441 00:19:53,993 --> 00:19:56,563 WHAT A WICKED IDEA. 442 00:19:56,596 --> 00:19:58,531 SORRY. 443 00:19:58,565 --> 00:20:00,900 WILL YOU HELP ME? 444 00:20:12,479 --> 00:20:14,581 OH, COME IN, PROFESSOR. COME IN. 445 00:20:14,614 --> 00:20:16,983 MY AUNT WILL BE DOWN IN A FEW MINUTES. 446 00:20:17,016 --> 00:20:18,318 SIT DOWN OVER HERE. 447 00:20:18,351 --> 00:20:19,319 THANK YOU. 448 00:20:19,352 --> 00:20:20,753 THERE WE ARE. 449 00:20:20,787 --> 00:20:23,790 YOU KNOW, I PLAN A RATHER SERIOUS CHAT WITH YOUR AUNT. 450 00:20:23,823 --> 00:20:24,924 IS THAT RIGHT? 451 00:20:24,957 --> 00:20:26,859 YES. I'M VERY FOND OF HER, YOU KNOW? 452 00:20:26,893 --> 00:20:27,994 SHE'S A FINE WOMAN. 453 00:20:28,027 --> 00:20:29,462 AND I MUST ADMIT 454 00:20:29,496 --> 00:20:31,998 THAT NOT THE LEAST IMPORTANT REASON IS 455 00:20:32,031 --> 00:20:34,734 THAT SHE SO CLOSELY RESEMBLES 456 00:20:34,767 --> 00:20:36,469 MY LATE WIFE, ETHEL. 457 00:20:36,503 --> 00:20:37,737 OH, IS THAT RIGHT? 458 00:20:37,770 --> 00:20:40,473 WELL, SHE MUST HAVE BEEN QUITE A SWINGER. 459 00:20:40,507 --> 00:20:41,474 WHAT? 460 00:20:41,508 --> 00:20:42,675 OH, YOU SAID MY AUNT 461 00:20:42,709 --> 00:20:44,010 RESEMBLES YOUR LATE WIFE. 462 00:20:44,043 --> 00:20:45,745 YEAH. UH, UH, SWINGER? 463 00:20:45,778 --> 00:20:48,748 OH, AUNT BEE'S THE KIND OF WOMAN YOU CAN'T HOLD DOWN. 464 00:20:48,781 --> 00:20:50,750 SHE'S JUST ALWAYS ON THE GO. 465 00:20:50,783 --> 00:20:52,985 SO YOUR ETHEL MUST HAVE BEEN QUITE A WOMAN. 466 00:20:53,019 --> 00:20:54,454 WELL, THAT'S STRANGE. 467 00:20:54,487 --> 00:20:55,888 I HAD THE IMPRESSION 468 00:20:55,922 --> 00:20:58,758 THAT, UH, YOUR AUNT WAS MORE OF A HOMEBODY. 469 00:20:58,791 --> 00:21:01,027 WELL, SHE IS WHEN YOU CAN KEEP HER AT HOME 470 00:21:01,060 --> 00:21:02,662 BUT SHE'S ALWAYS ON THE GO. 471 00:21:02,695 --> 00:21:03,963 NEW YORK, FLORIDA. 472 00:21:03,996 --> 00:21:06,366 SHE JUST LOVES THE BRIGHT LIGHTS. 473 00:21:06,399 --> 00:21:08,768 SHE DOESN'T ENJOY HER HOME 474 00:21:08,801 --> 00:21:10,903 AND PUTTERING AROUND THE KITCHEN? 475 00:21:10,937 --> 00:21:12,839 WELL, SHE DOES IT WHEN SHE HAS TO, 476 00:21:12,872 --> 00:21:14,907 LIKE WHEN WE HAVE COMPANY OR SOMETHING 477 00:21:14,941 --> 00:21:17,644 BUT IT'S, IT'S NOTHING THAT REALLY INTERESTS HER. 478 00:21:17,677 --> 00:21:20,046 HI, HUBERT. 479 00:21:20,079 --> 00:21:21,781 I'VE PUT ON SOMETHING DRESSY. 480 00:21:21,814 --> 00:21:24,584 THEY'VE OPENED UP A NEW NIGHTCLUB OVER IN MT. PILOT 481 00:21:24,617 --> 00:21:25,918 CALLED THE BOMBO PILOT. 482 00:21:25,952 --> 00:21:28,054 HOW ABOUT DOING A LITTLE SWINGING? 483 00:21:28,087 --> 00:21:29,055 SWINGING? 484 00:21:29,088 --> 00:21:30,957 YES. WHY NOT? 485 00:21:30,990 --> 00:21:32,892 WELL, YOU KNOW, FRANKLY, UH, BEE, 486 00:21:32,925 --> 00:21:34,994 I HAD PLANNED ON A MORE QUIET EVENING. 487 00:21:35,027 --> 00:21:37,864 OH, COME ON, HUBERT, THAT'S FOR OLD FOLKS. 488 00:21:37,897 --> 00:21:39,866 LIVE A LITTLE. LIVE A LITTLE. 489 00:21:39,899 --> 00:21:41,734 THAT'S MY MOTTO, ISN'T IT, ANDY? 490 00:21:41,768 --> 00:21:43,803 THAT'S WHAT YOU'VE ALWAYS SAID. 491 00:21:43,836 --> 00:21:45,738 AND I'VE GOT TOMORROW ALL PLANNED. 492 00:21:45,772 --> 00:21:47,574 WE'RE GOING TO GO TO THE RACES 493 00:21:47,607 --> 00:21:48,975 AND AFTER THAT, WE'RE GOING 494 00:21:49,008 --> 00:21:50,877 TO THE DELIGHTFUL LITTLE ROADHOUSE 495 00:21:50,910 --> 00:21:54,347 CALLED, UH...FATTY'S PLACE. 496 00:21:56,048 --> 00:21:57,550 I, I HAD NO IDEA 497 00:21:57,584 --> 00:22:00,019 THAT, UH, THOSE THINGS MEANT SO MUCH TO YOU, BEE. 498 00:22:00,052 --> 00:22:03,623 OH, YOU SOUND DISAPPOINTED, HUBERT. 499 00:22:03,656 --> 00:22:06,759 WELL, NO. I, UH... 500 00:22:06,793 --> 00:22:09,362 I SUPPOSE THE TIME HAS COME TO SPEAK FRANKLY. 501 00:22:09,396 --> 00:22:10,763 BEE, I WANT YOU TO KNOW 502 00:22:10,797 --> 00:22:13,633 THAT I STILL HAVE A VERY HIGH REGARD FOR YOU 503 00:22:13,666 --> 00:22:16,836 BUT THE FACT IS THAT WE SEEM TO BE 504 00:22:16,869 --> 00:22:18,838 MILES APART AS FAR AS 505 00:22:18,871 --> 00:22:21,374 OUR PERSONAL INTERESTS ARE CONCERNED. 506 00:22:21,408 --> 00:22:23,109 I MEAN, ETHEL WAS MORE... 507 00:22:25,812 --> 00:22:29,649 THEN I SUPPOSE THERE'S NOTHING MORE TO BE SAID, EH? 508 00:22:29,682 --> 00:22:31,350 BETTER BE RUNNING ALONG. 509 00:22:36,656 --> 00:22:38,625 GOODBYE, HUBERT. 510 00:22:41,528 --> 00:22:42,762 GOODBYE, BEE. 511 00:22:47,667 --> 00:22:49,502 OH... 512 00:22:49,536 --> 00:22:52,038 YOU THINK WE DID THE RIGHT THING? 513 00:22:52,071 --> 00:22:54,574 AW, I FELT KIND OF SORRY FOR HIM. 514 00:22:54,607 --> 00:22:57,043 WELL, LOOK AT IT THIS WAY. 515 00:22:57,076 --> 00:22:59,178 IF HE THOUGHT YOU WERE A SECOND ETHEL 516 00:22:59,211 --> 00:23:01,914 SOMEWHERE OUT THERE THERE'S GOT TO BE A THIRD. 517 00:23:01,948 --> 00:23:03,783 HMM. 518 00:23:05,718 --> 00:23:07,053 PROFESSOR. 519 00:23:07,086 --> 00:23:08,054 HMM? 520 00:23:08,087 --> 00:23:09,789 ARE YOU LEAVING? 521 00:23:09,822 --> 00:23:12,525 YES. I THOUGHT I'D LEAVE ON THE 5:00 TRAIN. 522 00:23:12,559 --> 00:23:15,528 OH. WELL, THAT WOULD GIVE YOU PLENTY OF TIME 523 00:23:15,562 --> 00:23:16,929 TO STOP BY MY HOUSE 524 00:23:16,963 --> 00:23:19,065 FOR A NICE PIECE OF NESSELRODE PIE. 525 00:23:19,098 --> 00:23:21,534 OF COURSE, WE COULD STOP BY THE DINER 526 00:23:21,568 --> 00:23:23,803 BUT I'M JUST A HOMEBODY, YOU KNOW? 527 00:23:25,838 --> 00:23:28,775 WELL, I... OH. 528 00:23:28,808 --> 00:23:31,410 NOW I FEEL BETTER. 529 00:23:40,019 --> 00:23:40,987 HELLO. 530 00:23:41,020 --> 00:23:42,855 OH, HELLO, ANDY. 531 00:23:42,889 --> 00:23:46,058 OH, ANDY, I SAW CLARA TODAY. 532 00:23:46,092 --> 00:23:49,161 OH, DID YOU? MM-HMM. 533 00:23:49,195 --> 00:23:51,498 HOW DID, UH, THAT THING WORK OUT 534 00:23:51,531 --> 00:23:53,666 BETWEEN CLARA AND THE PROFESSOR? 535 00:23:53,700 --> 00:23:55,902 WELL, I GATHER NOTHING CAME OF IT. 536 00:23:55,935 --> 00:23:58,871 THE PROFESSOR LEFT YESTERDAY ON THE 5:00 TRAIN. 537 00:23:58,905 --> 00:24:01,708 AWW. WAS SHE VERY UPSET? 538 00:24:01,741 --> 00:24:04,611 NO. YOU KNOW CLARA. SHE BOUNCES RIGHT BACK. 539 00:24:04,644 --> 00:24:07,079 SHE'S BUSY PLANNING HER NEXT LECTURE. 540 00:24:07,113 --> 00:24:08,715 OH, REALLY? MM-HMM. 541 00:24:08,748 --> 00:24:10,617 WHAT'S IT GONNA BE ABOUT? 542 00:24:10,650 --> 00:24:11,718 OUTER MONGOLIA. 543 00:24:11,751 --> 00:24:13,820 YOU'RE KIDDING. 544 00:24:13,853 --> 00:24:16,523 NO, THAT'S WHAT IT'S GONNA BE ABOUT. 545 00:24:16,556 --> 00:24:19,091 WELL, I CAN UNDERSTAND SOUTH AMERICA, 546 00:24:19,125 --> 00:24:22,161 BUT SOME GUY TALKING ABOUT OUTER MONGOLIA -- 547 00:24:22,194 --> 00:24:25,498 WHY WOULD SHE EVER HIRE A LECTURER LIKE THAT? 548 00:24:25,532 --> 00:24:28,701 WELL, HE'S THE ONLY SHE COULD DIG UP THAT'S NOT ONLY SINGLE, 549 00:24:28,735 --> 00:24:30,737 BUT HE'S NEVER BEEN MARRIED BEFORE. 550 00:24:30,770 --> 00:24:32,739 OH. 38453

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