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1
00:00:25,593 --> 00:00:27,361
HI.
2
00:00:27,395 --> 00:00:28,429
OH, HELLO, ANDY.
3
00:00:28,462 --> 00:00:30,098
BOILED BEEF.
4
00:00:30,131 --> 00:00:32,266
I KNOW, I KNOW.
IT'S NOT ONE OF YOUR FAVORITES,
5
00:00:32,300 --> 00:00:34,635
BUT MR. BRONSON
HAD A SPECIAL ON THEM.
6
00:00:34,668 --> 00:00:36,604
WELL, I'LL EAT IT
WITH THE THOUGHT IN MIND
7
00:00:36,637 --> 00:00:38,239
WE'RE PUTTING MONEY
IN THE BANK.
8
00:00:38,272 --> 00:00:39,340
OPIE HOME?
9
00:00:39,373 --> 00:00:40,608
YES, HE IS.
10
00:00:40,641 --> 00:00:42,643
YOU'RE GOING TO BE
VERY PROUD OF HIM.
11
00:00:42,676 --> 00:00:44,078
WHY?
12
00:00:44,112 --> 00:00:46,080
HE AND THREE OF HIS FRIENDS
CAME HOME,
13
00:00:46,114 --> 00:00:48,149
AND THEY'RE CLEANING OUT
THE GARAGE.
14
00:00:48,182 --> 00:00:50,351
HOW MANY TIMES
YOU HAVE TO ASK HIM, 15?
15
00:00:50,384 --> 00:00:52,353
NEVER EVEN MENTIONED IT.
I'LL BET.
16
00:00:52,386 --> 00:00:54,155
NO, DID IT ALL
ON THEIR OWN.
17
00:00:54,188 --> 00:00:56,857
I THINK OPIE
WANTED TO SURPRISE US.
18
00:00:56,890 --> 00:00:58,592
SO I LEFT THEM ALONE.
19
00:00:58,626 --> 00:01:00,761
THERE'S GOT TO BE
AN ANGLE SOMEWHERE.
20
00:01:00,794 --> 00:01:02,196
OH, ANDY.
21
00:01:02,230 --> 00:01:03,764
NO, HE'S BUTTERING US UP
FOR SOMETHING.
22
00:01:03,797 --> 00:01:05,866
WHY DO YOU HAVE TO BE
SO SKEPTICAL?
23
00:01:05,899 --> 00:01:07,435
NO 13-YEAR-OLD BOY
24
00:01:07,468 --> 00:01:10,271
WILL DO HARD LABOR
ON A SATURDAY AFTERNOON
25
00:01:10,304 --> 00:01:12,706
UNLESS HE'S BUTTERING UP
HIS FOLKS.
26
00:01:12,740 --> 00:01:14,375
IT'S AN UNWRITTEN LAW.
27
00:01:14,408 --> 00:01:16,277
COME ON,
I'LL SHOW YOU.
28
00:01:24,885 --> 00:01:26,854
WELL...
29
00:01:26,887 --> 00:01:28,222
LOOKS LIKE
30
00:01:28,256 --> 00:01:29,623
THEY ARE DOING THE JOB.
31
00:01:29,657 --> 00:01:31,859
WELL, IF YOU JUST
HAD A LITTLE FAITH
32
00:01:31,892 --> 00:01:33,827
IN YOUR FELLOW
HUMAN BEINGS...
33
00:01:33,861 --> 00:01:35,863
WELL...
34
00:01:57,918 --> 00:01:59,220
HI.
35
00:01:59,253 --> 00:02:00,354
HI.
36
00:02:00,388 --> 00:02:02,256
I'M PLAYING
WITH THIS GROUP.
37
00:02:02,290 --> 00:02:03,524
I GATHER.
38
00:02:03,557 --> 00:02:05,226
THIS IS
CLIFFORD JOHNSON.
39
00:02:05,259 --> 00:02:06,760
HE'S IN
HIGH SCHOOL.
40
00:02:06,794 --> 00:02:07,761
NO KIDDING.
41
00:02:07,795 --> 00:02:09,263
AND THIS
IS WILSON BROWN
42
00:02:09,297 --> 00:02:10,364
AND JESSE CLAYTON.
43
00:02:10,398 --> 00:02:11,699
HI.
HI.
44
00:02:11,732 --> 00:02:14,235
I BELIEVE I KNOW
WILSON AND JESSE.
45
00:02:14,268 --> 00:02:15,903
AND THIS
IS MY AUNT BEE.
46
00:02:15,936 --> 00:02:16,904
HI.
HI.
47
00:02:16,937 --> 00:02:18,672
WHEN DID ALL
THIS HAPPEN?
48
00:02:18,706 --> 00:02:20,774
TODAY. THEIR NUMBER
THREE GUITAR PLAYER
49
00:02:20,808 --> 00:02:22,410
IS FAILING
IN THREE SUBJECTS
50
00:02:22,443 --> 00:02:24,412
AND HIS FOLKS WON'T
LET HIM PLAY ANYMORE.
51
00:02:24,445 --> 00:02:25,813
SO I'M STEPPING IN.
52
00:02:25,846 --> 00:02:27,781
HE HAD THE GARAGE
WHERE WE USED TO PRACTICE.
53
00:02:27,815 --> 00:02:29,483
OH, I SEE.
54
00:02:29,517 --> 00:02:30,684
DID YOU HEAR US PLAY?
55
00:02:30,718 --> 00:02:33,921
UH, YEAH, I BELIEVE
YOU COULD SAY THAT.
56
00:02:33,954 --> 00:02:35,489
HOW DID IT SOUND?
57
00:02:35,523 --> 00:02:36,624
FINE.
58
00:02:36,657 --> 00:02:38,392
YOU HAVE
TO PLAY SO LOUD?
59
00:02:38,426 --> 00:02:40,394
WELL, AUNT BEE,
WE'RE ALL AMPLIFIED.
60
00:02:40,428 --> 00:02:41,795
THIS IS MY REGULAR GUITAR.
61
00:02:41,829 --> 00:02:44,265
EMMETT HOOKED UP
AN OLD AMPLIFIER TO IT.
62
00:02:44,298 --> 00:02:45,566
WELL, IT SEEMS
63
00:02:45,599 --> 00:02:48,402
EMMETT MIGHT
HAVE CONSULTED
YOU FIRST, ANDY.
64
00:02:48,436 --> 00:02:51,372
AUNT BEE, YOU HAVE
TO BE AMPLIFIED THESE DAYS.
65
00:02:51,405 --> 00:02:53,374
SURE. OTHERWISE,
WE WOULDN'T GET
66
00:02:53,407 --> 00:02:54,542
ANY GIGS.
67
00:02:54,575 --> 00:02:55,676
HUH?
68
00:02:55,709 --> 00:02:56,810
GIGS.
69
00:02:56,844 --> 00:02:58,946
DATES, YOU KNOW,
PLAY FOR PARTIES...
70
00:02:58,979 --> 00:03:00,514
OH. OH, YES.
71
00:03:00,548 --> 00:03:03,617
WELL, WE WON'T, UH,
KEEP YOU ANY LONGER.
72
00:03:03,651 --> 00:03:04,918
I'LL SEE YOU FELLAS.
73
00:03:04,952 --> 00:03:06,254
Boys:
BYE.
74
00:03:06,287 --> 00:03:07,621
OPIE, WATCH
THAT AMPLIFIER.
75
00:03:07,655 --> 00:03:08,956
ALL THE MUSIC
IN THE WORLD
76
00:03:08,989 --> 00:03:11,259
ISN'T WORTH GETTING
ELECTROCUTED FOR.
77
00:03:11,292 --> 00:03:13,394
I'LL BE CAREFUL.
78
00:03:21,001 --> 00:03:24,738
IS IT SUPPOSED
TO SOUND LIKE THAT?
79
00:03:24,772 --> 00:03:26,674
DON'T ASK ME.
80
00:03:32,846 --> 00:03:34,348
YOU KNOW,
81
00:03:34,382 --> 00:03:37,851
I HOPE OPIE DOESN'T DEVOTE
TOO MUCH TIME TO THIS.
82
00:03:37,885 --> 00:03:40,954
WHY, FORMING
THEIR OWN GROUP
AND PRACTICING,
83
00:03:40,988 --> 00:03:42,656
I THINK THAT'S GREAT.
84
00:03:42,690 --> 00:03:45,593
YES, BUT THEY SEEM
SO SERIOUS ABOUT IT.
85
00:03:45,626 --> 00:03:49,797
SUPPOSING OPIE DECIDED
TO BE A MUSICIAN?
86
00:03:49,830 --> 00:03:51,865
DID YOU EVER
THINK OF THAT?
87
00:03:51,899 --> 00:03:53,434
WELL...
88
00:03:53,467 --> 00:03:54,835
WELL, WHAT
WOULD HAPPEN
89
00:03:54,868 --> 00:03:57,004
TO THE IDEA OF HIS BECOMING
A SUPREME COURT JUDGE?
90
00:03:58,639 --> 00:04:00,908
WELL, HE COULD STILL BE
THE FIRST SUPREME COURT JUDGE
91
00:04:00,941 --> 00:04:02,310
THAT KNOWS HOW TO SWING.
92
00:04:03,777 --> 00:04:05,746
YOU KNOW,
SOMEHOW I DON'T FEEL INCLINED
93
00:04:05,779 --> 00:04:09,583
TO APOLOGIZE
FOR THE BOILED BEEF ANYMORE.
94
00:04:16,990 --> 00:04:19,993
FEEL LIKE GOIN' OUT
AND SHOOTIN' SOME CROWS?
95
00:04:20,027 --> 00:04:22,863
I'D LIKE TO, GOOBER,
BUT OPIE CALLED ME.
96
00:04:22,896 --> 00:04:25,699
HE'S BRINGING OVER HIS GUITAR
AND AMPLIFIER.
97
00:04:25,733 --> 00:04:27,468
NEEDS AN ADJUSTMENT.
98
00:04:27,501 --> 00:04:29,970
YEAH, I HEARD ABOUT THAT GROUP
THEM KIDS HAVE MADE UP.
99
00:04:30,003 --> 00:04:32,440
YEAH, AND THEY'RE WORKIN'
REAL HARD AT IT, TOO.
100
00:04:32,473 --> 00:04:34,007
NO REASON
YOU COULDN'T FIX IT TOMORROW
101
00:04:34,041 --> 00:04:35,509
AND SHOOT CROWS TODAY.
102
00:04:35,543 --> 00:04:38,579
GOOBER, I HAPPEN TO BE
A DEVOTEE OF MUSIC.
103
00:04:38,612 --> 00:04:40,348
I LIKE TO ENCOURAGE IT.
104
00:04:40,381 --> 00:04:41,915
ARE YOU SAYING
I DON'T LIKE MUSIC?
105
00:04:41,949 --> 00:04:43,851
I DIDN'T SAY THAT.
WELL, YOU BETTER NOT.
106
00:04:43,884 --> 00:04:46,487
YOU MAY LIKE MUSIC
AS MUCH AS I DO.
WATCH YOUR STEP.
107
00:04:46,520 --> 00:04:48,989
OH, YEAH? DID YOU EVER HEAR
THE RALEIGH PHILHARMONIC?
108
00:04:49,022 --> 00:04:51,525
I BEEN BUSY.
THERE'S GREAT MUSIC.
109
00:04:51,559 --> 00:04:53,527
BUT IT AIN'T
THE ONLY KIND.
110
00:04:53,561 --> 00:04:57,030
THIS NEW STUFF WITH THE GUITARS
AND THE TAMBOURINES, IT'S...
111
00:04:57,064 --> 00:04:58,466
IT'S PLAINTIVE.
112
00:04:58,499 --> 00:05:01,669
HUH. YOU THINK
I DIDN'T KNOW THAT.
113
00:05:01,702 --> 00:05:03,504
HI, EMMETT. HI, GOOBER.
114
00:05:03,537 --> 00:05:04,772
HI.
HEY, OPE.
115
00:05:04,805 --> 00:05:06,574
I BROUGHT IN
THE WHOLE THING.
116
00:05:06,607 --> 00:05:07,875
I THINK IT'S JUST
THE CONNECTION.
117
00:05:07,908 --> 00:05:09,577
YOU'RE PROBABLY
RIGHT, OPIE.
118
00:05:09,610 --> 00:05:11,579
I KNOW YOU'RE GETTING
PLENTY OF VOLUME.
119
00:05:11,612 --> 00:05:13,013
I'VE HEARD COMPLAINTS
FROM NEIGHBORS
120
00:05:13,046 --> 00:05:14,648
EIGHT HOUSES AWAY.
121
00:05:14,682 --> 00:05:16,116
WE'RE GETTING
VOLUME, ALL RIGHT.
122
00:05:16,149 --> 00:05:18,486
MRS. PERKINS
ISN'T EVEN SPEAKING
TO AUNT BEE ANYMORE.
123
00:05:18,519 --> 00:05:22,456
WELL, JUST LET ME
RUN OVER THE CIRCUITS...
124
00:05:22,490 --> 00:05:24,958
I'LL RUN OVER
THE CIRCUITS.
125
00:05:24,992 --> 00:05:27,828
SO YOU GONNA BE
A REAL MUSICIAN, HUH, OPE?
126
00:05:27,861 --> 00:05:29,096
WELL, I DON'T KNOW.
127
00:05:29,129 --> 00:05:30,898
WHEN YOU GET TO BE LIKE
ONE OF THEM BEAGLES
128
00:05:30,931 --> 00:05:32,900
YOU STILL GONNA
SPEAK TO ME?
129
00:05:32,933 --> 00:05:34,835
BEATLES, GOOB.
130
00:05:34,868 --> 00:05:36,036
WELL, JUST REMEMBER
131
00:05:36,069 --> 00:05:37,371
WHEN YOU GOT
ALL YOUR CLOTHES MONOGRAMMED
132
00:05:37,405 --> 00:05:39,106
AND A LIMOUSINE
WITH A BATHTUB IN IT
133
00:05:39,139 --> 00:05:43,844
DON'T FORGET US SIMPLE FOLKS
HERE IN MAYBERRY.
134
00:05:43,877 --> 00:05:45,078
GEE, GOOB,
I DON'T MEAN
135
00:05:45,112 --> 00:05:46,514
TO BE DISRESPECTFUL
OR ANYTHING
136
00:05:46,547 --> 00:05:48,115
BUT I NEVER MADE FUN
137
00:05:48,148 --> 00:05:49,817
OF YOUR CAREER
AT THE GAS STATION.
138
00:05:49,850 --> 00:05:54,455
I JUST WISH YOU
WOULDN'T JOKE
ABOUT MINE.
139
00:05:54,488 --> 00:05:55,989
YOU WERE RIGHT, OPIE.
140
00:05:56,023 --> 00:05:58,459
JUST A SIMPLE CONNECTION
RIGHT HERE.
141
00:05:58,492 --> 00:05:59,727
IT'S GOOD AS NEW.
142
00:05:59,760 --> 00:06:01,161
GEE, THANKS.
143
00:06:01,194 --> 00:06:03,764
I'LL PAY YOU BACK
AS SOON AS WE GET
OUR FIRST GIG.
144
00:06:03,797 --> 00:06:04,765
FORGET IT.
145
00:06:04,798 --> 00:06:06,467
LET THIS BE
MY CONTRIBUTION
146
00:06:06,500 --> 00:06:07,768
TO THE WORLD OF MUSIC.
147
00:06:07,801 --> 00:06:09,036
GEE, THANKS.
148
00:06:09,069 --> 00:06:10,804
SEE YOU, GOOBER.
149
00:06:13,106 --> 00:06:14,675
WONDERFUL, ISN'T IT?
150
00:06:14,708 --> 00:06:17,778
A KID LIKE THAT GOING OFF
INTO THE WORLD OF MUSIC.
151
00:06:17,811 --> 00:06:19,913
KIND OF GETS YOU, DON'T IT?
152
00:06:19,947 --> 00:06:22,483
YEAH. HOW ABOUT
SHOOTING SOME CROWS?
153
00:06:27,955 --> 00:06:29,757
THANK YOU, OPIE.
154
00:06:29,790 --> 00:06:31,191
DID YOU GUYS
PRACTICE TODAY?
155
00:06:31,224 --> 00:06:32,960
YEAH, WE'RE GETTING
REAL SHARP.
156
00:06:32,993 --> 00:06:34,462
GOOD. ANY SIGN
OF A JOB?
157
00:06:34,495 --> 00:06:36,430
NAH, BUT WE HAVEN'T
BEEN PUSHING THAT
158
00:06:36,464 --> 00:06:37,431
UP UNTIL YESTERDAY.
159
00:06:37,465 --> 00:06:38,799
NOW WE THINK
WE'RE READY.
160
00:06:38,832 --> 00:06:40,568
YOU GOT
A WHOLE REPERTOIRE, HUH?
161
00:06:40,601 --> 00:06:42,636
YEAH, WE GOT SOME GREAT CHARTS.
162
00:06:42,670 --> 00:06:44,137
SONGS.
163
00:06:44,171 --> 00:06:45,706
OH.
164
00:06:45,739 --> 00:06:48,008
THERE'S ONE THING
WE'RE STILL MISSING--
165
00:06:48,041 --> 00:06:49,443
A NAME FOR THE GROUP.
166
00:06:49,477 --> 00:06:51,011
OH. HOW ABOUT, UM...
167
00:06:51,044 --> 00:06:53,514
HOW ABOUT
THE YOUNG SWINGERS?
168
00:06:53,547 --> 00:06:55,048
WELL, UM...
169
00:06:55,082 --> 00:06:57,518
WE'LL COME UP WITH SOMETHING.
170
00:06:57,551 --> 00:06:58,986
CAN YOU THINK OF ANYTHING?
171
00:07:00,488 --> 00:07:02,723
I'LL GET IT.
172
00:07:02,756 --> 00:07:04,992
HELLO.
173
00:07:05,025 --> 00:07:06,860
HELLO, MRS. ROACH.
174
00:07:06,894 --> 00:07:08,529
YES, MA'AM.
175
00:07:08,562 --> 00:07:10,798
YES, MA'AM.
176
00:07:10,831 --> 00:07:12,666
THIS SATURDAY?
177
00:07:12,700 --> 00:07:15,135
YES, MA'AM, WE'RE AVAILABLE.
178
00:07:15,168 --> 00:07:17,204
SEVEN O'CLOCK?
179
00:07:17,237 --> 00:07:18,672
GREAT!
180
00:07:18,706 --> 00:07:20,908
THANK YOU VERY MUCH, MRS. ROACH.
181
00:07:20,941 --> 00:07:22,175
WE GOT A GIG.
182
00:07:22,209 --> 00:07:23,544
YOU HAVE?
183
00:07:23,577 --> 00:07:25,679
BRENDA ROACH'S MOTHER
WANTS US TO PLAY
184
00:07:25,713 --> 00:07:28,148
AT BRENDA'S BIRTHDAY PARTY
SATURDAY NIGHT.
185
00:07:28,181 --> 00:07:29,483
$5.00 A MAN.
186
00:07:29,517 --> 00:07:30,651
CONGRATULATIONS.
187
00:07:30,684 --> 00:07:32,653
I GOT TO TELL
CLIFFORD.
188
00:07:32,686 --> 00:07:33,821
BUT, OPIE...
189
00:07:33,854 --> 00:07:35,222
WELL, JUST LOOK AT THAT.
190
00:07:35,255 --> 00:07:37,224
HE'S LEFT PRACTICALLY
HIS WHOLE DINNER.
191
00:07:37,257 --> 00:07:38,759
WELL, IT'S
HIS FIRST GIG.
192
00:07:38,792 --> 00:07:40,861
MUSICIANS HAVE
TO KEEP UP
THEIR STRENGTH
193
00:07:40,894 --> 00:07:42,262
AS WELL AS ANYBODY ELSE.
194
00:07:42,295 --> 00:07:43,631
OH, STOP WORRYING.
195
00:07:43,664 --> 00:07:45,633
THE BOYS
DID SOMETHING
ON THEIR OWN
196
00:07:45,666 --> 00:07:46,967
AND I THINK IT'S GREAT.
197
00:07:47,000 --> 00:07:48,836
I SUPPOSE
YOU'LL THINK IT'S GREAT
198
00:07:48,869 --> 00:07:51,839
WHEN HE GETS SICK
FROM LACK OF PROPER NUTRITION.
199
00:07:51,872 --> 00:07:52,973
OH, AUNT BEE.
200
00:07:53,006 --> 00:07:54,975
UP ALL HOURS
OF THE NIGHT.
201
00:07:55,008 --> 00:07:57,244
WHO KNOWS HOW LONG
THOSE GIG THINGS LAST?
202
00:07:57,277 --> 00:07:58,846
OPIE'S A TEENAGER NOW.
203
00:07:58,879 --> 00:08:00,614
ALONGSIDE OF
THOSE AMPLIFIERS?
204
00:08:00,648 --> 00:08:02,716
I KNOW WHAT A LOUD
RADIO DOES TO ME.
205
00:08:02,750 --> 00:08:04,852
OPIE ISN'T
THAT...THAT DELICATE.
206
00:08:07,688 --> 00:08:10,858
YOU'VE CERTAINLY GROWN
VERY HARD.
207
00:08:16,930 --> 00:08:19,166
OH, I KNOW
JUST HOW YOU FEEL, BEE.
208
00:08:19,199 --> 00:08:20,734
THEN I'M NOT CRAZY?
209
00:08:20,768 --> 00:08:24,037
I THINK I'VE TOLD YOU
ABOUT MY BROTHER MANY TIMES?
210
00:08:24,071 --> 00:08:25,172
YES.
211
00:08:25,205 --> 00:08:26,640
WELL, AS CHILDREN
212
00:08:26,674 --> 00:08:28,842
WE TOOK PIANO LESSONS
FOR YEARS.
213
00:08:28,876 --> 00:08:32,179
HOWEVER, I KEPT MUSIC
IN ITS PROPER PERSPECTIVE.
214
00:08:32,212 --> 00:08:36,550
CLAUDE, ON THE OTHER HAND,
DECIDED TO MAKE MUSIC HIS LIFE.
215
00:08:36,584 --> 00:08:37,785
YES, I KNOW.
216
00:08:37,818 --> 00:08:39,653
PLAYED WITH SMALL ORCHESTRAS
217
00:08:39,687 --> 00:08:40,921
TRAVELING ALL AROUND.
218
00:08:40,954 --> 00:08:43,123
NO ROOTS,
NO PLACE TO CALL HIS HOME.
219
00:08:43,156 --> 00:08:44,558
THE LAST TIME I HEARD
220
00:08:44,592 --> 00:08:46,126
AND THAT GOES BACK
TEN YEARS
221
00:08:46,159 --> 00:08:49,697
HE WAS PLAYING WITH A GENTLEMAN
CALLED HIPPY HARRISON.
222
00:08:49,730 --> 00:08:51,799
HIPPY HARRISON?
223
00:08:51,832 --> 00:08:53,801
WE CERTAINLY HAVE EVERY REASON
224
00:08:53,834 --> 00:08:57,204
TO SUSPECT THAT HE IS NOT LIVING
A WELL-ROUNDED LIFE.
225
00:08:57,237 --> 00:08:58,839
WELL, HARDLY.
226
00:08:58,872 --> 00:09:00,207
NOW, ALL I'M SAYING
227
00:09:00,240 --> 00:09:03,343
IS THAT IT'S FINE FOR OPIE
TO BE PURSUING HIS MUSIC
228
00:09:03,376 --> 00:09:06,814
AS LONG AS HE KEEPS IT
IN THE PROPER PERSPECTIVE.
229
00:09:06,847 --> 00:09:07,915
HI, MISS EDWARDS.
230
00:09:07,948 --> 00:09:08,916
OH, HELLO, OPIE.
231
00:09:08,949 --> 00:09:09,917
SIT DOWN.
232
00:09:09,950 --> 00:09:10,918
OPIE.
233
00:09:10,951 --> 00:09:11,985
I CAN'T.
I GOT TO RUN.
234
00:09:12,019 --> 00:09:13,654
WE'RE DRESSING
OVER AT CLIFFORD'S
235
00:09:13,687 --> 00:09:15,222
AND THEN WE'RE GOING
TO THE GIG.
236
00:09:15,255 --> 00:09:17,090
WELL, WHAT
ABOUT SUPPER?
237
00:09:17,124 --> 00:09:19,860
I'LL GRAB SOMETHING
AT THE PARTY.
238
00:09:21,895 --> 00:09:23,764
YOU SEE WHAT I MEAN?
239
00:09:23,797 --> 00:09:25,699
JUST LIKE CLAUDE.
240
00:09:25,733 --> 00:09:27,835
WHAT DOES ANDY SAY?
241
00:09:27,868 --> 00:09:30,838
ANDY? HE'S STICKING HIS HEAD
IN THE SAND LIKE AN OSTRICH.
242
00:09:30,871 --> 00:09:32,172
HE HEARS NO EVIL,
SPEAKS NO EVIL
243
00:09:32,205 --> 00:09:33,874
AND SEES NO EVIL.
244
00:09:33,907 --> 00:09:38,011
OH, BEE, IF THERE'S ANYTHING
AT ALL I CAN DO TO HELP YOU...
245
00:09:38,045 --> 00:09:40,681
OH, CLARA, YOU'D BE
THE FIRST PERSON I'D RUN TO.
246
00:11:10,838 --> 00:11:12,205
OPIE, YOU DID GREAT.
247
00:11:12,239 --> 00:11:15,208
CONSIDER YOURSELF
A REGULAR MEMBER
OF THE GROUP.
248
00:11:15,242 --> 00:11:16,343
OH, BOY!
249
00:11:16,376 --> 00:11:17,477
WHEREVER WE PLAY.
250
00:11:17,510 --> 00:11:18,979
NEAT.
251
00:11:19,012 --> 00:11:21,448
UH, LOOK, OPE,
NOW THAT YOU'RE IN THE GROUP
252
00:11:21,481 --> 00:11:24,484
I'D BETTER TELL YOU
A FEW THINGS ABOUT YOUR IMAGE.
253
00:11:24,517 --> 00:11:25,953
OH?
254
00:11:25,986 --> 00:11:28,789
FIRST OF ALL,
YOU TALK TOO MUCH LIKE A KID.
255
00:11:28,822 --> 00:11:30,958
I DIDN'T MEAN TO, CLIFFORD.
256
00:11:30,991 --> 00:11:33,794
THAT "OH, BOY" STUFF AND "NEAT,"
FORGET THAT.
257
00:11:33,827 --> 00:11:35,829
YOU GOT TO TALK GROOVY, COOL.
258
00:11:35,863 --> 00:11:39,299
WELL, I DON'T KNOW
TOO MANY OF THOSE WORDS.
259
00:11:39,332 --> 00:11:40,801
LISTEN TO THE REST OF US.
260
00:11:40,834 --> 00:11:42,803
YOU'RE
A PROFESSIONAL MUSICIAN NOW.
261
00:11:42,836 --> 00:11:44,204
YEAH.
262
00:11:44,237 --> 00:11:46,840
YOU GOT TO REMEMBER,
YOU'RE NOT A KID ANYMORE.
263
00:11:46,874 --> 00:11:48,275
YOU GOT TO MAKE THE SCENE.
264
00:11:49,877 --> 00:11:52,212
I FEEL KIND
OF DIFFERENT ALREADY.
265
00:11:52,245 --> 00:11:53,380
GROOVY.
266
00:11:53,413 --> 00:11:55,448
I THINK I'LL SPLIT OVER THERE
267
00:11:55,482 --> 00:11:58,919
AND GET SOME OF THOSE
COOL-LOOKING POTATO CHIPS.
268
00:11:58,952 --> 00:11:59,953
GROOVY.
269
00:12:01,521 --> 00:12:05,292
GEE, OPE, YOU GUYS
SURE PLAY GOOD.
270
00:12:05,325 --> 00:12:07,895
GLAD YOU
DUG US, ARNOLD.
271
00:12:09,296 --> 00:12:10,764
OH, OPIE.
272
00:12:10,798 --> 00:12:12,900
YOU WERE
JUST WONDERFUL.
273
00:12:12,933 --> 00:12:14,034
GROOVY.
274
00:12:14,067 --> 00:12:16,770
I HAD NO IDEA
YOU PLAYED SO WELL.
275
00:12:16,804 --> 00:12:17,905
COOL.
276
00:12:17,938 --> 00:12:19,539
I WAS REALLY IMPRESSED.
277
00:12:19,572 --> 00:12:21,108
GROOVY.
278
00:12:21,141 --> 00:12:25,445
TO THINK THAT I KNOW
A REAL ROCK-'N'-ROLL MUSICIAN.
279
00:12:25,478 --> 00:12:27,380
PERSONALLY.
280
00:12:27,414 --> 00:12:28,982
COOL.
281
00:12:29,016 --> 00:12:30,918
SEE YOU, PHOEBE.
282
00:12:32,920 --> 00:12:35,555
WELL, OPE,
LET'S GET READY
FOR THE NEXT SET.
283
00:12:35,588 --> 00:12:37,457
I WAS JUST MAKING
THE SCENE.
284
00:12:45,232 --> 00:12:47,200
ANDY, WHY DON'T
YOU GO TO BED
285
00:12:47,234 --> 00:12:48,501
AND GET SOME SLEEP?
286
00:12:48,535 --> 00:12:50,170
I'LL WAIT UP FOR OPIE.
287
00:12:50,203 --> 00:12:53,440
NO. I'M STAYING RIGHT HERE
UNTIL HE COMES HOME.
288
00:12:53,473 --> 00:12:55,943
YOU SAID WHEN YOU
CALLED THE PARTY
289
00:12:55,976 --> 00:12:58,078
THAT HE'D LEFT
A FULL HOUR AGO?
290
00:12:58,111 --> 00:13:00,848
YES, AND THAT MAKES IT
TWO HOURS LATER
291
00:13:00,881 --> 00:13:03,250
THAN HE'S EVER BEEN
OUT IN HIS LIFE.
292
00:13:03,283 --> 00:13:06,053
HI, PA. HI, AUNT BEE.
293
00:13:06,086 --> 00:13:07,387
WHERE HAVE YOU BEEN?
294
00:13:07,420 --> 00:13:08,421
AT THE GIG, PA.
295
00:13:08,455 --> 00:13:10,257
I CALLED THERE
OVER AN HOUR AGO
296
00:13:10,290 --> 00:13:11,258
AND YOU WERE GONE.
297
00:13:11,291 --> 00:13:12,459
WE GOT ANOTHER GIG
298
00:13:12,492 --> 00:13:13,861
AND WE ALL WENT OVER
TO CLIFFORD'S HOUSE
299
00:13:13,894 --> 00:13:15,395
TO DECIDE WHAT
WE'RE GOING TO PLAY.
300
00:13:15,428 --> 00:13:16,897
DID IT EVER OCCUR TO YOU
301
00:13:16,930 --> 00:13:19,399
THAT WE MIGHT BE WORRIED
ABOUT WHERE YOU WERE?
302
00:13:19,432 --> 00:13:21,501
WELL, PA, I'M NOT
A LITTLE KID ANYMORE.
303
00:13:21,534 --> 00:13:23,136
EVEN CLIFFORD SAYS SO.
304
00:13:23,170 --> 00:13:24,604
CLIFFORD?
305
00:13:24,637 --> 00:13:25,472
THAT'S RIGHT.
306
00:13:25,505 --> 00:13:26,974
I SEE.
307
00:13:27,007 --> 00:13:29,209
YOU CAN PROBABLY TELL
HOW I'M A LITTLE OLDER
308
00:13:29,242 --> 00:13:30,844
BY THE WAY I'M NOT ARGUING.
309
00:13:30,878 --> 00:13:33,613
OPIE, THE FACT REMAINS
THAT YOU DID COME IN LATE.
310
00:13:33,646 --> 00:13:36,416
AUNT BEE, LATE FOR A KID
AND LATE FOR AN OLDER PERSON
311
00:13:36,449 --> 00:13:38,151
COMES AT TWO DIFFERENT TIMES.
312
00:13:38,185 --> 00:13:39,286
OPIE!
313
00:13:39,319 --> 00:13:40,287
GO TO BED.
314
00:13:40,320 --> 00:13:42,522
OKAY.
315
00:13:49,897 --> 00:13:53,433
HE LEAVES HERE
AT 5:00 A KID
316
00:13:53,466 --> 00:13:56,436
AND COMES BACK
SEVEN HOURS LATER
317
00:13:56,469 --> 00:13:58,271
AND HE'S GROWN-UP.
318
00:13:58,305 --> 00:14:00,573
I DON'T UNDERSTAND THAT.
319
00:14:08,281 --> 00:14:11,018
I HATE MAKING EXCUSES
TO THE REVEREND
320
00:14:11,051 --> 00:14:13,120
FOR OPIE NOT
BEING IN CHURCH.
321
00:14:13,153 --> 00:14:14,521
DID HE SAY SOMETHING?
322
00:14:14,554 --> 00:14:17,557
NO. HE'S VERY SUBTLE
ABOUT THESE THINGS.
323
00:14:17,590 --> 00:14:20,527
HE JUST SAID IT WAS NICE
TO SEE MOST OF US.
324
00:14:22,029 --> 00:14:23,063
HMM.
325
00:14:26,967 --> 00:14:28,635
HI, AUNT BEE,
HI, PA.
326
00:14:28,668 --> 00:14:30,603
SORRY ABOUT CHURCH.
327
00:14:30,637 --> 00:14:32,405
WELL, ANYBODY
THAT STAYED UP
328
00:14:32,439 --> 00:14:34,207
AS LATE AS YOU DID
LAST NIGHT--
329
00:14:34,241 --> 00:14:35,575
IT'S TO BE EXPECTED.
330
00:14:35,608 --> 00:14:37,610
OPIE, YOU BETTER
START GETTING DRESSED.
331
00:14:37,644 --> 00:14:40,480
YOU KNOW TODAY'S
MRS. PRITCHARD'S
BACKYARD BRUNCH.
332
00:14:40,513 --> 00:14:41,481
I CAN'T GO.
333
00:14:41,514 --> 00:14:42,950
YOU CAN'T GO?
334
00:14:42,983 --> 00:14:45,485
WE ALL GOT TO GO
HANG AROUND THE DRUGSTORE--
335
00:14:45,518 --> 00:14:47,420
KEEP UP OUR IMAGE
WITH THE KIDS.
336
00:14:47,454 --> 00:14:49,456
WHY DO YOU HAVE TO
KEEP UP AN IMAGE?
337
00:14:49,489 --> 00:14:51,391
YOU JUST DON'T
UNDERSTAND, PA.
338
00:14:51,424 --> 00:14:53,126
I GOT TO CALL CLIFFORD.
339
00:15:04,104 --> 00:15:05,138
HMM.
340
00:15:05,172 --> 00:15:07,640
ANDY, WELL, AS YOU
PROBABLY KNOW
341
00:15:07,674 --> 00:15:10,944
CLARA IS VERY FAMILIAR
WITH THE WHOLE FIELD OF MUSIC.
342
00:15:10,978 --> 00:15:12,112
HMM.
343
00:15:12,145 --> 00:15:13,413
SHE PLAYS THE PIANO HERSELF.
344
00:15:13,446 --> 00:15:15,315
SHE HAS A BROTHER
WHO'S A MUSICIAN--
345
00:15:15,348 --> 00:15:17,951
SHE'S EVEN A MEMBER OF
THE ALBUM OF THE MONTH CLUB.
346
00:15:17,985 --> 00:15:19,552
SO?
347
00:15:19,586 --> 00:15:22,222
SHE HAS A BROTHER
WHO'S ALWAYS BEEN
A SORE SPOT WITH HER.
348
00:15:22,255 --> 00:15:23,690
APPARENTLY HE DIDN'T KNOW
349
00:15:23,723 --> 00:15:26,059
HOW TO KEEP MUSIC IN
ITS PROPER PERSPECTIVE.
350
00:15:26,093 --> 00:15:27,260
JUST LIKE OPIE?
351
00:15:27,294 --> 00:15:30,163
EXACTLY. AND I THOUGHT
IF CLARA SPOKE...
352
00:15:30,197 --> 00:15:31,164
NO.
353
00:15:31,198 --> 00:15:33,233
I'LL HANDLE IT
IN MY OWN WAY.
354
00:15:34,301 --> 00:15:35,635
WELL, IT'S JUST
A SUGGESTION.
355
00:15:35,668 --> 00:15:38,972
SAY, I MIGHT BE A LITTLE LATE
FOR DINNER, TOO.
356
00:15:39,006 --> 00:15:41,141
WE GOT TO GO OVER
SOME NEW CHARTS.
357
00:15:41,174 --> 00:15:43,243
DON'T YOU HAVE
A HISTORY TEST
TOMORROW?
358
00:15:43,276 --> 00:15:44,978
I'LL STUDY WHEN I GET HOME.
359
00:15:45,012 --> 00:15:46,479
THERE'S NO PROBLEM.
360
00:15:48,348 --> 00:15:51,518
IT'S THAT BOY CLIFFORD,
YOU KNOW.
361
00:15:51,551 --> 00:15:53,286
NO.
HE MIGHT'VE SPARKED IT,
362
00:15:53,320 --> 00:15:55,455
BUT OPIE'S GOT A MIND
OF HIS OWN.
363
00:15:55,488 --> 00:15:56,990
HE SHOULD KNOW BETTER.
364
00:15:57,024 --> 00:15:58,658
WELL,
HE DOESN'T SEEM TO.
365
00:15:58,691 --> 00:16:01,061
I THINK YOU
SHOULD DISCIPLINE HIM.
366
00:16:01,094 --> 00:16:03,696
I DON'T THINK THAT'S THE
WAY TO HANDLE IT, EITHER.
367
00:16:03,730 --> 00:16:05,565
HE'D JUST THINK
I WAS KEEPING HIM
368
00:16:05,598 --> 00:16:08,268
FROM DOING SOMETHING THAT
WAS IMPORTANT TO HIM.
369
00:16:08,301 --> 00:16:10,237
REMEMBER I SAID
HE'S A TEENAGER NOW?
370
00:16:10,270 --> 00:16:11,371
I'LL JUST LET HIM GO
371
00:16:11,404 --> 00:16:14,007
TILL HE GETS IN
JUST ENOUGH TROUBLE
372
00:16:14,041 --> 00:16:16,676
AND THEN HE'LL
FIND OUT SOMETHING.
373
00:16:16,709 --> 00:16:19,446
WHY, I NEVER HEARD
OF SUCH A THING!
374
00:16:33,493 --> 00:16:36,129
YOU STUDYING?!
375
00:16:36,163 --> 00:16:37,297
YEAH, PA!
376
00:16:41,368 --> 00:16:43,370
DON'T YOU THINK
THAT'S A LITTLE NOISY?
377
00:16:43,403 --> 00:16:46,273
WELL, IT'S A FUNNY THING
ABOUT MUSIC, PA:
378
00:16:46,306 --> 00:16:47,807
IT HELPS YOU STUDY!
379
00:16:47,840 --> 00:16:49,276
I HADN'T HEARD THAT.
380
00:16:49,309 --> 00:16:51,678
YEAH! THE BEAT KEEPS YOU
FROM GETTIN' TIRED!
381
00:16:51,711 --> 00:16:52,779
I SEE.
382
00:16:52,812 --> 00:16:55,448
YOU CAN TELL
I'M NOT TIRED AT ALL.
383
00:16:55,482 --> 00:16:57,050
I CAN TELL THAT.
384
00:16:57,084 --> 00:16:59,486
MY MIND'S JUST MOVIN'
OVER THIS HISTORY LIKE CRAZY!
385
00:16:59,519 --> 00:17:00,820
WE'LL SEE HOW WELL IT MOVED
386
00:17:00,853 --> 00:17:03,323
WHEN YOU GET YOUR GRADE
ON THAT TEST TOMORROW.
387
00:17:03,356 --> 00:17:04,491
I'LL BE COOL.
388
00:17:04,524 --> 00:17:07,294
I'LL TRY AND DO BETTER
NEXT TIME, PA.
389
00:17:07,327 --> 00:17:10,163
YOU CAN'T HELP
BUT DO BETTER NEXT TIME.
390
00:17:10,197 --> 00:17:11,498
AN "F" IN HISTORY!
391
00:17:11,531 --> 00:17:13,433
THAT-THAT'S HITTIN'
ROCK BOTTOM.
392
00:17:13,466 --> 00:17:15,168
YOU USED TO GET
GOOD GRADES!
393
00:17:15,202 --> 00:17:18,371
WELL, I JUST GOT
A LITTLE HUNG UP THIS TIME.
394
00:17:18,405 --> 00:17:21,408
HUNG UP? YOU'RE NOT GONNA
BE PREPARED FOR COLLEGE.
395
00:17:21,441 --> 00:17:24,377
I SAID I'D TRY
AND DO BETTER, PA.
396
00:17:36,756 --> 00:17:38,691
THEN, THIS IS YOURS?
397
00:17:38,725 --> 00:17:40,327
IT'S A NEW
TURTLENECK SWEATER.
398
00:17:40,360 --> 00:17:41,761
WE GOT ANOTHER GIG
COMIN' UP.
399
00:17:41,794 --> 00:17:43,363
WE WANT TO CHANGE THREADS.
400
00:17:43,396 --> 00:17:45,232
WHY'D YOU HAVE IT
SENT C.O.D.?
401
00:17:45,265 --> 00:17:48,668
WELL, WHEN I BOUGHT IT,
I DIDN'T HAVE ANY MONEY
402
00:17:48,701 --> 00:17:51,338
BUT I THOUGHT I'D
HAVE SOME WHEN IT CAME.
403
00:17:51,371 --> 00:17:52,872
I'LL PAY YOU BACK, PA.
404
00:17:52,905 --> 00:17:56,276
WHAT HAPPENED TO
THE FIVE DOLLARS YOU
EARNED ON SATURDAY?
405
00:17:56,309 --> 00:17:59,279
YOU KNOW HOW IT IS
IN THE MUSIC BUSINESS, PA.
406
00:17:59,312 --> 00:18:01,214
YOU'VE BEEN
A MUSICIAN FOUR DAYS
407
00:18:01,248 --> 00:18:02,749
AND YOU'RE ALREADY IN DEBT.
408
00:18:02,782 --> 00:18:05,485
GUITAR STRINGS, MUSIC,
HAVING CARDS PRINTED UP--
409
00:18:05,518 --> 00:18:06,653
THAT ALL COSTS MONEY.
410
00:18:06,686 --> 00:18:08,488
AND YOU HAVE
TO HAVE THAT STUFF!
411
00:18:08,521 --> 00:18:11,158
YOU ALWAYS TOLD ME, IF
I WAS GONNA DO SOMETHING
412
00:18:11,191 --> 00:18:12,792
I SHOULD DO IT RIGHT,
GO ALL OUT.
413
00:18:12,825 --> 00:18:15,162
YOU SAID THAT A LOT,
DIDN'T YOU, PA?
414
00:18:15,195 --> 00:18:16,396
WELL, YEAH...
415
00:18:16,429 --> 00:18:19,266
WELL, THAT'S JUST WHAT
I'M DOING, ISN'T IT?
416
00:18:19,299 --> 00:18:20,400
UH, YEAH...
417
00:18:21,934 --> 00:18:23,670
SEE YOU, PA.
418
00:18:30,277 --> 00:18:32,212
OH, HELLO, BEE.
419
00:18:32,245 --> 00:18:34,247
OH, HELLO, CLARA.
420
00:18:34,281 --> 00:18:36,716
WHY, ANYTHING
WRONG, BEE?
421
00:18:36,749 --> 00:18:38,151
WELL, STILL OPIE.
422
00:18:38,185 --> 00:18:40,853
F's IN ALL OF
HIS SCHOOLWORK.
423
00:18:40,887 --> 00:18:41,854
OH, NO.
424
00:18:41,888 --> 00:18:43,390
SQUANDERING HIS MONEY
425
00:18:43,423 --> 00:18:46,259
AND THE OTHER NIGHT,
HE CAME IN AT MIDNIGHT.
426
00:18:46,293 --> 00:18:47,794
MY OFFER STILL STANDS, BEE.
427
00:18:47,827 --> 00:18:50,263
I'LL BE VERY HAPPY
TO TALK TO HIM.
428
00:18:50,297 --> 00:18:51,831
WELL, I DON'T KNOW, CLARA.
429
00:18:51,864 --> 00:18:54,867
WELL, NOW, VERY OFTEN,
COMING FROM AN OUTSIDER
430
00:18:54,901 --> 00:18:56,636
IT CAN BE MORE EFFECTIVE.
431
00:18:56,669 --> 00:18:58,205
YES...YES!
432
00:18:58,238 --> 00:19:00,940
YOU KNOW, I WANT
YOU TO DO IT.
433
00:19:00,973 --> 00:19:02,742
I THINK HE'S HOME NOW.
434
00:19:02,775 --> 00:19:05,245
I HAVE THE REST OF
THE SHOPPING TO DO
435
00:19:05,278 --> 00:19:06,779
AND I'LL TAKE MY TIME
436
00:19:06,813 --> 00:19:09,816
AND THAT'LL GIVE YOU
A COUPLE OF HOURS
ALONE WITH HIM.
437
00:19:09,849 --> 00:19:11,451
I'LL GO RIGHT OVER.
438
00:19:11,484 --> 00:19:14,554
OH, CLARA, YOU ARE
A GOOD FRIEND.
439
00:19:36,343 --> 00:19:37,844
OH, HI, MISS EDWARDS.
440
00:19:37,877 --> 00:19:38,878
HELLO, OPIE.
441
00:19:40,247 --> 00:19:42,815
WE WERE JUST GOING
OVER SOME MUSIC
442
00:19:42,849 --> 00:19:44,517
BEFORE WE START
PRACTICING.
443
00:19:44,551 --> 00:19:45,652
OH.
444
00:19:45,685 --> 00:19:48,355
THIS IS CLIFFORD,
WILSON AND JESSE.
445
00:19:48,388 --> 00:19:49,589
HELLO, BOYS.
446
00:19:51,023 --> 00:19:53,926
OPIE, I DID WANT TO HAVE
A LITTLE CHAT WITH YOU
447
00:19:53,960 --> 00:19:55,795
BUT MAYBE
IT'S JUST AS WELL
448
00:19:55,828 --> 00:19:57,764
THAT THE OTHER BOYS
ARE HERE, TOO.
449
00:19:57,797 --> 00:19:59,399
OH.
450
00:19:59,432 --> 00:20:00,767
IT'S ABOUT
THE OVEREMPHASIS
451
00:20:00,800 --> 00:20:02,769
YOU BOYS ARE PUTTING
ON YOUR MUSIC.
452
00:20:02,802 --> 00:20:04,604
UH, WELL, WE GOT
TO PRACTICE NOW.
453
00:20:04,637 --> 00:20:06,005
WE HAVE SOME GIGS.
454
00:20:06,038 --> 00:20:07,274
OPIE?
455
00:20:07,307 --> 00:20:08,541
WAIT A MINUTE, GUYS.
456
00:20:09,676 --> 00:20:10,810
THANK YOU.
457
00:20:10,843 --> 00:20:12,479
NOW, THROUGH MY BROTHER
458
00:20:12,512 --> 00:20:15,582
I DO HAVE SOME KNOWLEDGE
OF THE MUSIC BUSINESS
459
00:20:15,615 --> 00:20:18,951
AND THERE ARE MANY
THINGS THAT HAVE
TO BE CONSIDERED...
460
00:20:27,660 --> 00:20:28,695
OH! UH...
461
00:20:28,728 --> 00:20:29,762
HELLO, ANDY!
462
00:20:29,796 --> 00:20:30,863
HI!
463
00:20:30,897 --> 00:20:32,732
YOU'RE BACK
FROM MT. PILOT EARLY.
464
00:20:32,765 --> 00:20:35,502
YEAH! I SEE YOU'VE
BEEN TO THE STORE!
465
00:20:35,535 --> 00:20:36,936
UH, YES...
466
00:20:36,969 --> 00:20:41,841
ANDY, I'D LIKE TO DISCUSS
WITH YOU A DECISION I MADE.
467
00:20:41,874 --> 00:20:43,042
WHAT'S THAT?
468
00:20:43,075 --> 00:20:46,346
I ASKED CLARA TO HAVE
A TALK WITH OPIE.
469
00:20:50,783 --> 00:20:52,685
IS SHE OVER THERE NOW?
470
00:20:52,719 --> 00:20:54,987
I THINK, MAYBE.
471
00:21:00,693 --> 00:21:02,729
GET IN THE CAR.
472
00:21:08,067 --> 00:21:09,536
YOU SEEM TO FORGET
473
00:21:09,569 --> 00:21:12,038
CLARA'S EXPERIENCE
WITH HER BROTHER.
474
00:21:12,071 --> 00:21:14,474
SHE KNOWS EVERY PITFALL.
475
00:21:14,507 --> 00:21:16,709
YEAH, YEAH,
YEAH, YEAH.
476
00:21:16,743 --> 00:21:20,647
[ BOUNCY ROCK 'N' ROLL
WITH PIANO ACCOMPANIMENT ]
477
00:21:38,831 --> 00:21:41,300
JUST ONE MORE CHORUS!
478
00:21:57,984 --> 00:21:59,619
HI, PA.
479
00:21:59,652 --> 00:22:02,422
CLARA, WOULD YOU
LIKE TO COME IN
THE KITCHEN WITH ME
480
00:22:02,455 --> 00:22:03,756
AND HAVE A CUP
OF COFFEE?
481
00:22:03,790 --> 00:22:05,024
IN ONE SECOND, BEE.
482
00:22:05,057 --> 00:22:07,527
I JUST WANT
TO CHECK THIS ARRANGEMENT
483
00:22:07,560 --> 00:22:08,795
WITH OUR LEAD GUITAR.
484
00:22:12,965 --> 00:22:15,368
OH, I'M SO SORRY, ANDY.
485
00:22:15,402 --> 00:22:17,036
I DIDN'T MEAN
TO INTERFERE.
486
00:22:17,069 --> 00:22:19,939
I KNEW SHE'D ONLY
MAKE MATTERS WORSE.
487
00:22:19,972 --> 00:22:21,674
OH, I HAD NO IDEA...
488
00:22:21,708 --> 00:22:23,610
SHE GOES RIGHT
OVER TO THE ENEMY.
489
00:22:23,643 --> 00:22:25,678
THAT'S GOING TO MAKE IT JUST
THAT MUCH MORE DIFFICULT
490
00:22:25,712 --> 00:22:27,680
FOR ME TO MAKE
MY POINT WITH OPIE.
491
00:22:27,714 --> 00:22:29,048
HEY, PA, GUESS WHAT?
492
00:22:29,081 --> 00:22:30,783
I DON'T HAVE
TO GUESS.
493
00:22:30,817 --> 00:22:32,552
MISS EDWARDS IS GONNA BE
494
00:22:32,585 --> 00:22:33,620
OUR MANAGER!
495
00:22:33,653 --> 00:22:34,854
WHAT?
496
00:22:34,887 --> 00:22:37,023
SHE KNOWS A LOT ABOUT
THE MUSIC BUSINESS.
497
00:22:37,056 --> 00:22:38,625
SHE STRAIGHTENED US OUT
ON A LOT OF THINGS.
498
00:22:38,658 --> 00:22:40,927
NOW I KNOW WHAT YOU
WERE DRIVIN' AT, PA.
499
00:22:40,960 --> 00:22:42,061
YOU DO?
500
00:22:42,094 --> 00:22:43,696
YEAH! AND YOU
KNOW WHAT ELSE?
501
00:22:43,730 --> 00:22:45,097
SHE'S GONNA BE
OUR TREASURER
502
00:22:45,131 --> 00:22:46,866
AND MAKE SURE WE
SAVE OUR MONEY!
503
00:22:46,899 --> 00:22:48,501
AND WE'RE ONLY
GONNA PRACTICE
504
00:22:48,535 --> 00:22:50,603
WHEN IT DOESN'T
INTERFERE WITH HOMEWORK!
505
00:22:50,637 --> 00:22:51,938
WELL...GOOD. GOOD.
506
00:22:51,971 --> 00:22:53,940
GOOD, OPE, GOOD.
507
00:22:53,973 --> 00:22:56,443
I GOTTA GET
BACK OUT THERE.
508
00:23:05,518 --> 00:23:06,953
WHAT DO YOU KNOW?
509
00:23:06,986 --> 00:23:08,988
IT'S WONDERFUL!
510
00:23:09,021 --> 00:23:10,923
WELL
511
00:23:10,957 --> 00:23:13,426
I THINK IT'S WONDERFUL!
512
00:23:16,496 --> 00:23:21,768
CLARA, SOMETIMES A, A PARENT
CAN'T SEE WHAT HE SHOULD DO
513
00:23:21,801 --> 00:23:25,938
AND SOMETIMES IT TAKES A PERSON
FROM THE OUTSIDE TO SHOW HIM.
514
00:23:25,972 --> 00:23:28,040
AND I'D LIKE TO THANK YOU.
515
00:23:29,776 --> 00:23:31,644
GROOVY.
516
00:23:41,087 --> 00:23:44,190
MM-HMM.
517
00:23:44,223 --> 00:23:47,126
YOU KNOW, MISS EDWARDS REALLY
KNOWS HOW TO PLAY THE PIANO.
518
00:23:47,159 --> 00:23:50,229
YEAH, SHE WAS REALLY BEATIN' IT
OUT WITH YOU GUYS, WASN'T SHE?
519
00:23:50,262 --> 00:23:51,631
YEAH.
520
00:23:51,664 --> 00:23:52,999
IT'S FUNNY --
I DIDN'T THINK
521
00:23:53,032 --> 00:23:54,734
SHE COULD PLAY ANYTHING
LIKE THAT.
522
00:23:54,767 --> 00:23:56,703
WHEN I WAS TAKING PIANO LESSONS
FROM HER,
523
00:23:56,736 --> 00:23:58,538
THE ONLY THING
I EVER HEARD HER PLAY
524
00:23:58,571 --> 00:24:00,206
WAS "THE DANCE
OF THE LITTLE BUNNIES."
525
00:24:00,239 --> 00:24:03,109
OH, WELL, THAT'S PROBABLY
THE OTHER SIDE OF HER.
526
00:24:03,142 --> 00:24:04,777
MM.
527
00:24:04,811 --> 00:24:07,213
I THINK I GOT THE RIGHT ANGLE
ON MUSIC NOW, PA.
528
00:24:07,246 --> 00:24:09,181
OH, MUSIC'S FUN.
I'M ALL FOR IT.
529
00:24:09,215 --> 00:24:11,784
MUSIC OF ALL KINDS --
ORCHESTRAS, GROUPS --
530
00:24:11,818 --> 00:24:14,587
IT CAN MEAN A LOT OF PLEASURE
TO A LOT OF PEOPLE.
531
00:24:14,621 --> 00:24:15,722
YEAH.
532
00:24:15,755 --> 00:24:16,889
AS LONG AS
IT DOESN'T INTERFERE,
533
00:24:16,923 --> 00:24:18,658
YOU KNOW,
WITH OTHER THINGS.
534
00:24:18,691 --> 00:24:20,026
I KNOW.
GET IN THE WAY.
535
00:24:20,059 --> 00:24:21,628
IT WAS JUST A PHASE
I WAS GOING THROUGH.
536
00:24:21,661 --> 00:24:22,662
OH.
537
00:24:33,072 --> 00:24:35,107
GOOD. GOOD.
36523
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