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1
00:00:25,593 --> 00:00:27,728
I'M SORRY I TOOK
SO LONG, ANDY.
2
00:00:27,761 --> 00:00:30,398
OH, THAT'S OKAY, THERE'S SOME
GOOD STUFF ON TELEVISION.
3
00:00:30,431 --> 00:00:31,832
OH, GOOD.
4
00:00:31,865 --> 00:00:33,667
YEAH, THERE'S A DOCUMENTARY
ON FOREST RANGERS
5
00:00:33,701 --> 00:00:35,469
LISTED UNDER "BEST BETS,"
6
00:00:35,503 --> 00:00:37,438
AND THEN AFTER THAT, AN
EDDIE BRACKEN MOVIE
7
00:00:37,471 --> 00:00:39,373
OH, GOOD. FIRST, I WANT
TO GO DOWN TO THE MAILBOX.
8
00:00:39,407 --> 00:00:41,075
WHAT ARE YOU GONNA MAIL?
9
00:00:41,109 --> 00:00:44,812
I -- OH, YOU'LL THINK
I'M SILLY.
10
00:00:44,845 --> 00:00:46,614
NO, I WON'T THINK
YOU'RE SILLY.
11
00:00:46,647 --> 00:00:48,516
WELL, I JUST WANT
TO MAIL THIS.
12
00:00:48,549 --> 00:00:49,517
WHAT IS IT?
13
00:00:49,550 --> 00:00:50,851
YOU'LL THINK I'M SILLY.
14
00:00:50,884 --> 00:00:52,820
I TOLD YOU, I WON'T
THINK YOU'RE SILLY.
15
00:00:52,853 --> 00:00:54,322
WELL, IT'S THE MANUSCRIPT
16
00:00:54,355 --> 00:00:56,324
FOR A BOOK I WROTE
ABOUT CHILDREN.
17
00:00:56,357 --> 00:00:58,092
IT'S-IT'S NOTHING.
18
00:00:59,627 --> 00:01:00,728
A BOOK!
19
00:01:00,761 --> 00:01:02,630
NO KIDDIN'!
20
00:01:02,663 --> 00:01:05,166
HUH!
WHAT'S IT CALLED?
21
00:01:05,199 --> 00:01:06,600
YOU THINK I'M SILLY!
22
00:01:06,634 --> 00:01:08,736
NO, I DON'T THINK
YOU'RE SILLY.
23
00:01:08,769 --> 00:01:12,640
WELL, IT'S CALLED,
AMUSING TALES OF TINY TOTS.
24
00:01:12,673 --> 00:01:14,108
HUH.
25
00:01:14,142 --> 00:01:15,576
SEE, I TOLD YOU YOU'D
THINK I WAS SILLY.
26
00:01:15,609 --> 00:01:18,146
NO, NO, NO, I DON'T
THINK YOU'RE SILLY.
27
00:01:18,179 --> 00:01:20,614
IT'S JUST, YOU REALLY
WROTE A WHOLE BOOK!
28
00:01:20,648 --> 00:01:23,184
YEAH, IT WAS SOMETHING I
WANTED TO DO, SO I DID IT.
29
00:01:23,217 --> 00:01:24,318
WELL, IT'S JUST GREAT!
30
00:01:24,352 --> 00:01:25,619
WHO ARE YOU SENDING IT TO?
31
00:01:25,653 --> 00:01:27,321
OH, THIS PUBLISHER
UP IN RICHMOND.
32
00:01:27,355 --> 00:01:28,856
I FOUND HIS NAME
IN THE PHONE BOOK.
33
00:01:28,889 --> 00:01:30,291
I THOUGHT I'D SEND IT TO HIM.
34
00:01:30,324 --> 00:01:32,260
NOTHING'S GOING TO HAPPEN,
PROBABLY.
35
00:01:32,293 --> 00:01:34,362
WELL, YOU NEVER CAN TELL.
36
00:01:34,395 --> 00:01:36,197
OH, BUT I'M JUST AN AMATEUR.
37
00:01:36,230 --> 00:01:38,399
SO WAS MARK TWAIN,
TILL HE GOT SOMETHING PUBLISHED.
38
00:01:38,432 --> 00:01:40,501
WOW, WOULDN'T THAT BE SOMETHING
39
00:01:40,534 --> 00:01:42,503
IF IT ACTUALLY GOT PUBLISHED,
40
00:01:42,536 --> 00:01:44,638
AND I'D BE LIKE A-A REAL AUTHOR!
41
00:01:44,672 --> 00:01:45,673
WOULDN'T IT?
42
00:01:45,706 --> 00:01:46,874
OH!
43
00:01:46,907 --> 00:01:48,409
YOU KNOW,
BEFORE YOU CAME HERE,
44
00:01:48,442 --> 00:01:51,145
MAYBERRY WAS
JUST ANOTHER LITTLE TOWN.
45
00:01:51,179 --> 00:01:52,546
AND NOW, WE'RE LIABLE
TO BECOME
46
00:01:52,580 --> 00:01:54,215
THE LITERARY CENTER
OF THE SOUTH.
47
00:01:54,248 --> 00:01:56,184
OH, ANDY!
48
00:02:20,641 --> 00:02:20,941
Helen:
ANDY!
49
00:02:29,850 --> 00:02:32,253
OH! IT JUST CAME
BY SPECIAL DELIVERY.
50
00:02:32,286 --> 00:02:34,688
I'M SO EXCITED,
I THINK I'M GOING TO CRY.
51
00:02:34,722 --> 00:02:35,689
LOOK AT IT.
52
00:02:35,723 --> 00:02:36,957
WHAT IS THIS
ALL ABOUT?
53
00:02:36,990 --> 00:02:39,793
OH, THAT BEATS EVERYTHING.
54
00:02:39,827 --> 00:02:41,595
CAN I MAKE THE
ANNOUNCEMENT?
55
00:02:41,629 --> 00:02:42,963
PLEASE. I'M
TOO NERVOUS.
56
00:02:42,996 --> 00:02:44,565
LISTEN. LISTEN, LISTEN,
LISTEN, LISTEN.
57
00:02:44,598 --> 00:02:47,335
MISS HELEN CRUMP HAS
JUST BEEN INFORMED
58
00:02:47,368 --> 00:02:49,803
THAT HER FIRST BOOK
WILL BE PUBLISHED
59
00:02:49,837 --> 00:02:52,506
AND SHE'S BEEN SENT
AN ADVANCE CHECK
60
00:02:52,540 --> 00:02:53,841
OF $1,000.
61
00:02:53,874 --> 00:02:54,842
$1,000!
62
00:02:54,875 --> 00:02:55,843
$1,000!
63
00:02:55,876 --> 00:02:57,345
BOY.
64
00:02:57,378 --> 00:02:58,979
HELEN, YOU MUST BE A
VERY TALENTED WRITER.
65
00:02:59,012 --> 00:03:00,448
WHAT'S THE NAME
OF THE BOOK?
66
00:03:00,481 --> 00:03:02,883
AMUSING TALES
OF TINY TOTS.
67
00:03:02,916 --> 00:03:03,984
IT'S ABOUT KIDS, HUH?
68
00:03:04,017 --> 00:03:05,419
THEY'RE FUNNY ALL RIGHT.
69
00:03:05,453 --> 00:03:06,487
YEAH.
70
00:03:06,520 --> 00:03:07,755
THIS IS REALLY SOMETHING.
71
00:03:07,788 --> 00:03:09,623
I HAVE TO GO UP
TO RICHMOND TOMORROW
72
00:03:09,657 --> 00:03:10,991
AND MEET
WITH THE PUBLISHER.
73
00:03:11,024 --> 00:03:11,992
IT'S ALL SO NEW.
74
00:03:12,025 --> 00:03:13,327
ANDY CAN GO
WITH YOU.
75
00:03:13,361 --> 00:03:14,862
HE'LL GIVE YOU A
SHOULDER TO LEAN ON.
76
00:03:14,895 --> 00:03:15,863
'COURSE I WILL.
77
00:03:15,896 --> 00:03:16,997
OH, I'LL NEED IT.
78
00:03:17,030 --> 00:03:18,599
WHAT YOU GOING TO DO
WITH THE MONEY?
79
00:03:18,632 --> 00:03:19,767
I DON'T KNOW, OPIE.
80
00:03:19,800 --> 00:03:21,535
GEE, I NEVER HAD A
RICH TEACHER BEFORE.
81
00:03:21,569 --> 00:03:22,803
THIS CALLS FOR
A CELEBRATION.
82
00:03:22,836 --> 00:03:24,004
COME ON, OPIE.
83
00:03:24,037 --> 00:03:25,839
I'M GOING TO FIX
SOMETHING VERY SPECIAL.
84
00:03:25,873 --> 00:03:26,840
COME ON.
85
00:03:26,874 --> 00:03:28,842
OH.
86
00:03:28,876 --> 00:03:30,578
I'M PROUD OF YOU.
87
00:03:30,611 --> 00:03:32,580
OH. OH...
88
00:03:39,620 --> 00:03:40,854
OH, HELLO.
89
00:03:40,888 --> 00:03:42,856
UH, I'M HELEN CRUMP.
90
00:03:42,890 --> 00:03:46,460
OH, YES. OH, MISS CRUMP,
YOU WROTE A DELIGHTFUL BOOK.
91
00:03:46,494 --> 00:03:47,595
THANK YOU.
92
00:03:50,063 --> 00:03:51,532
MISS CRUMP IS HERE.
93
00:03:51,565 --> 00:03:52,800
Send her in.
94
00:03:52,833 --> 00:03:54,802
WON'T YOU COME THIS WAY?
95
00:03:57,305 --> 00:03:59,273
YOU CAN WAIT OUT HERE
IF YOU'D LIKE.
96
00:03:59,307 --> 00:04:00,374
HE'S WITH ME.
97
00:04:00,408 --> 00:04:01,509
WELL...
98
00:04:01,542 --> 00:04:03,377
OH, ANDY,
PLEASE COME IN WITH ME.
99
00:04:03,411 --> 00:04:04,545
WELL.
100
00:04:04,578 --> 00:04:05,546
THANK YOU.
101
00:04:05,579 --> 00:04:06,680
EXCUSE US.
102
00:04:07,681 --> 00:04:09,617
HELLO, MISS CRUMP.
103
00:04:09,650 --> 00:04:10,884
I'M ROGER RYAN.
104
00:04:10,918 --> 00:04:13,421
OH, I'M PLEASED
TO MEET YOU.
105
00:04:13,454 --> 00:04:15,055
THIS IS ANDY TAYLOR.
106
00:04:15,088 --> 00:04:16,457
HI, THERE, SANDY.
107
00:04:16,490 --> 00:04:18,292
MISS CRUMP,
I CAN'T BEGIN
108
00:04:18,326 --> 00:04:20,861
TO COMPLIMENT YOU ENOUGH
ON YOUR BOOK.
109
00:04:20,894 --> 00:04:22,663
YOU KNOW, WE HAVEN'T HAD
110
00:04:22,696 --> 00:04:24,932
A GOOD, SENSITIVE BOOK
ABOUT KIDS
111
00:04:24,965 --> 00:04:26,567
IN A LONG, LONG TIME.
112
00:04:26,600 --> 00:04:28,402
OH, IT'S GOT GREAT STYLE.
113
00:04:28,436 --> 00:04:31,071
AND SHE WROTE EVERY
WORD OF IT HERSELF.
114
00:04:31,104 --> 00:04:32,573
WHAT? OH, YES, YES.
115
00:04:32,606 --> 00:04:34,442
HELEN CRUMP,
MEET ROBLING FLASK
116
00:04:34,475 --> 00:04:36,410
YOUR COVER DESIGNER
AND HAROLD MOSBY
117
00:04:36,444 --> 00:04:38,412
BEST PROMOTION MAN
IN THE BUSINESS.
118
00:04:38,446 --> 00:04:39,547
HOW DO YOU DO?
119
00:04:39,580 --> 00:04:40,614
HI.
120
00:04:40,648 --> 00:04:42,082
YES, AND THIS IS
TAYLOR SANDERS.
121
00:04:42,115 --> 00:04:43,584
EXCUSE US,
WILL YOU?
122
00:04:43,617 --> 00:04:45,753
NOW, LET'S SIT DOWN AND
GET TO WORK, SHALL WE?
123
00:04:45,786 --> 00:04:46,754
HERE WE ARE.
124
00:04:46,787 --> 00:04:48,322
OH. WELL.
125
00:04:48,356 --> 00:04:49,390
THANK YOU.
126
00:04:51,459 --> 00:04:54,695
WE, UH, WE ENJOYED YOUR BOOK
VERY MUCH, MISS CRUMP.
127
00:04:54,728 --> 00:04:56,564
IT SHOWS
CONSIDERABLE TALENT.
128
00:04:56,597 --> 00:04:57,698
OH, WELL,
THANK YOU.
129
00:05:01,001 --> 00:05:03,036
OH, YEAH. GRAB
A CHAIR, HUH?
130
00:05:04,872 --> 00:05:07,708
UH... I'LL, I'LL JUST STAND.
131
00:05:07,741 --> 00:05:08,842
FINE, FINE.
132
00:05:08,876 --> 00:05:10,043
MISS CRUMP,
I TELL YOU
133
00:05:10,077 --> 00:05:11,845
WE SEE A GREAT
FUTURE FOR YOU.
134
00:05:11,879 --> 00:05:14,382
YOU KNOW, WE'RE EVEN
THINKING OF POSSIBLY
135
00:05:14,415 --> 00:05:16,417
A WHOLE SERIES
OF BOOKS LIKE THIS.
136
00:05:16,450 --> 00:05:18,118
AND THE FACT THAT
YOUR CREATIVITY
137
00:05:18,151 --> 00:05:20,521
EMERGED FROM A SMALL TOWN
LIKE MAYBERRY
138
00:05:20,554 --> 00:05:22,956
WELL, IT GIVES US
A GREAT PROMOTIONAL ANGLE.
139
00:05:22,990 --> 00:05:26,059
WELL, IT'S NOT THAT SMALL.
140
00:05:26,093 --> 00:05:29,497
OH, WELL, NOW, LET...
LET'S JUST SAY THAT, UM...
141
00:05:29,530 --> 00:05:33,934
THAT NO MAJOR TALENT HAS EMERGED
FROM MAYBERRY UNTIL HELEN CRUMP.
142
00:05:35,135 --> 00:05:36,570
OH, SAY, THAT BRINGS UP
143
00:05:36,604 --> 00:05:38,939
ANOTHER POINT I WANTED
TO DISCUSS WITH YOU:
144
00:05:38,972 --> 00:05:40,408
YOUR NAME.
145
00:05:40,441 --> 00:05:41,742
YOU KNOW, IF WE LOOK BACK
146
00:05:41,775 --> 00:05:44,111
AT SOME OF THE SUCCESSFUL
WOMEN AUTHORS--
147
00:05:44,144 --> 00:05:46,647
EDNA ST. VINCENT MILLAY...
148
00:05:46,680 --> 00:05:49,483
ELIZABETH BARRETT BROWNING--
149
00:05:51,084 --> 00:05:55,155
"HELEN CRUMP" DOESN'T QUITE
HAVE THE SAME RING.
150
00:05:55,188 --> 00:05:59,527
ARE YOU TALKING
ABOUT POSSIBLY A PEN NAME?
151
00:05:59,560 --> 00:06:00,861
WELL, POSSIBLY. POSSIBLY.
152
00:06:00,894 --> 00:06:02,029
UH... HAROLD--
153
00:06:02,062 --> 00:06:04,498
I THINK IT WAS HAROLD--
HAD A THOUGHT.
154
00:06:05,833 --> 00:06:09,803
HELENE ALEXIAN DUBOIS.
155
00:06:09,837 --> 00:06:12,540
"HELENE ALEXIAN DUBOIS"?
156
00:06:12,573 --> 00:06:14,842
WHAT DO YOU THINK, ANDY?
157
00:06:16,143 --> 00:06:17,411
WELL, UH...
158
00:06:17,445 --> 00:06:18,812
OH. WELL, YOU SEE
159
00:06:18,846 --> 00:06:21,014
WE WANTED SOMETHING
CONTINENTAL...
160
00:06:21,048 --> 00:06:22,916
SOMETHING WITH CLASS.
161
00:06:22,950 --> 00:06:24,718
WELL, UH...
162
00:06:24,752 --> 00:06:26,954
HELEN, HERE, COMES FROM KANSAS
163
00:06:26,987 --> 00:06:28,789
AND I THINK YOU'LL FIND
164
00:06:28,822 --> 00:06:32,125
OVER THERE, THE NAME CRUMP
HAS A LOT OF CLASS.
165
00:06:32,159 --> 00:06:33,694
YES.
166
00:06:33,727 --> 00:06:36,730
WELL, OUR CIRCULATION
DOES GO FAR BEYOND KANSAS.
167
00:06:36,764 --> 00:06:38,799
SO, IF YOU HAVE
NO OBJECTION...
168
00:06:38,832 --> 00:06:40,067
OH, WELL...
169
00:06:40,100 --> 00:06:42,135
NO, NOT-NOT REALLY.
170
00:06:42,169 --> 00:06:43,804
OH, FINE. FINE.
171
00:06:43,837 --> 00:06:46,807
NOW, ABOUT YOUR
COVER DESIGN--
172
00:06:46,840 --> 00:06:47,975
ROBLING.
173
00:06:48,008 --> 00:06:49,577
YOUR COVER LAYOUT PRESENTED
174
00:06:49,610 --> 00:06:50,978
A MARVELOUS CHALLENGE
175
00:06:51,011 --> 00:06:53,781
BUT I BELIEVE I WORKED OUT
SOMETHING QUITE THRILLING.
176
00:06:56,984 --> 00:06:58,786
OH, THAT'S NICE.
177
00:06:58,819 --> 00:07:02,055
YES, I LET MY
PASTELS RUN WILD.
178
00:07:02,089 --> 00:07:05,225
IT WILL BE AN EFFECTIVE
COVER AT A DISTANCE, TOO.
179
00:07:05,258 --> 00:07:08,061
YES. HAVE YOU AN EASEL
AROUND HERE, ROGER?
180
00:07:08,095 --> 00:07:09,196
N-N-NO.
181
00:07:09,229 --> 00:07:11,198
NO. OH. I SAY.
182
00:07:11,231 --> 00:07:14,535
WOULD YOU MIND HOLDING THIS UP
FOR A MINUTE, OLD CHAP?
183
00:07:14,568 --> 00:07:16,203
OH, NO.
184
00:07:16,236 --> 00:07:17,838
BACK A LITTLE, HUH?
185
00:07:17,871 --> 00:07:19,106
BACK?
186
00:07:22,175 --> 00:07:24,612
YOU SEE, IT PROJECTS
JUST RIGHT.
187
00:07:24,645 --> 00:07:26,179
IT HAS IMPACT, TOO, I THINK.
188
00:07:26,213 --> 00:07:29,149
I SAY, WOULD YOU MIND PUTTING IT
BEHIND YOUR BACK
189
00:07:29,182 --> 00:07:30,718
AND THEN WHISK IT OUT?
190
00:07:31,852 --> 00:07:32,986
SURE.
191
00:07:35,523 --> 00:07:38,025
YOU'LL SEE.
IT'S AN IMMEDIATE EYE-CATCHER.
192
00:07:39,860 --> 00:07:41,161
NOW, WHISK.
193
00:07:44,264 --> 00:07:45,599
SEE WHAT I MEAN?
194
00:07:45,633 --> 00:07:47,000
ONCE MORE, WOULD YOU?
195
00:07:49,703 --> 00:07:52,840
WHISK!
196
00:07:52,873 --> 00:07:56,577
WELL? WHAT DO YOU THINK,
MISS... DUBOIS?
197
00:07:56,610 --> 00:07:59,079
I THINK IT'S
JUST WONDERFUL.
198
00:07:59,112 --> 00:08:01,915
WHAT DO YOU THINK
OF IT, ANDY?
199
00:08:03,116 --> 00:08:04,251
UH...
200
00:08:05,619 --> 00:08:07,555
WELL, UH...
201
00:08:07,588 --> 00:08:11,191
ARE YOU AN ILLUSTRATOR,
TOO, SIR?
202
00:08:11,224 --> 00:08:14,061
OH, NO. NO,
I'M WITH HER.
203
00:08:20,133 --> 00:08:21,702
FLOYD, YOU KNOW
HELEN AND ANDY
204
00:08:21,735 --> 00:08:24,004
ARE BACK FROM RICHMOND?
205
00:08:24,037 --> 00:08:25,906
OLD NEWS IS BORING
NEWS, GOOBER.
206
00:08:25,939 --> 00:08:27,908
WELL, THEY JUST
GOT IN LAST NIGHT.
207
00:08:27,941 --> 00:08:29,276
I DIDN'T FIGURE
YOU KNEW.
208
00:08:29,309 --> 00:08:31,645
IT'S ALL RIGHT HERE
IN THE PAPER.
209
00:08:31,679 --> 00:08:34,615
YOU YOUNG FELLOWS REALLY
OUGHT TO READ MORE.
210
00:08:34,648 --> 00:08:36,016
WELL, LET ME SEE.
211
00:08:36,049 --> 00:08:39,653
YOU DON'T APPRECIATE THE
PRESS LIKE MY GENERATION.
212
00:08:39,687 --> 00:08:42,990
NO TIME TO INFORM YOURSELF
ON CURRENT EVENTS.
213
00:08:43,023 --> 00:08:45,025
LOOK, FLOYD,
I JUST DROPPED IN HERE
214
00:08:45,058 --> 00:08:46,760
TO MAKE A SIMPLE STATEMENT.
215
00:08:46,794 --> 00:08:50,030
IF I WANT TO HEAR A LECTURE
I CAN TURN ON MY RADIO.
216
00:08:50,063 --> 00:08:52,700
ALL RIGHT, ALL RIGHT.
217
00:08:52,733 --> 00:08:55,569
THAT'S REALLY SOMETHING ABOUT
HELEN AND HER BOOK, AIN'T IT?
218
00:08:55,603 --> 00:08:56,770
$1,000.
219
00:08:56,804 --> 00:08:59,172
THAT'S PROBABLY
ONLY THE BEGINNING.
220
00:08:59,206 --> 00:09:01,909
YOU KNOW,
WHEN AN AUTHOR GETS FAMOUS
221
00:09:01,942 --> 00:09:04,311
THEY START PAYING THEM
BY THE WORD--
222
00:09:04,344 --> 00:09:06,914
10 CENTS A WORD,
20 CENTS A WORD.
223
00:09:06,947 --> 00:09:08,181
YEAH, THAT CAN MOUNT UP.
224
00:09:08,215 --> 00:09:09,650
YEAH.
225
00:09:09,683 --> 00:09:11,685
IN ONE OF HER LITTLE STORIES
226
00:09:11,719 --> 00:09:14,655
SHE COULD STICK IN SOMETHING
ABOUT A SUNSET.
227
00:09:14,688 --> 00:09:15,856
YOU KNOW, LIKE,
228
00:09:15,889 --> 00:09:19,760
"THE SUN IS DROPPING LAZILY DOWN
229
00:09:19,793 --> 00:09:24,097
BEHIND THE PURPLE HILL
IN THE WESTERN SKY."
230
00:09:24,131 --> 00:09:27,901
A THING LIKE THAT
COULD RUN $10 OR $12.
231
00:09:27,935 --> 00:09:29,803
EASY. WHY, I'LL BET THAT...
232
00:09:29,837 --> 00:09:30,804
HI, GUYS.
233
00:09:30,838 --> 00:09:31,805
HEY, ANDY.
234
00:09:31,839 --> 00:09:32,940
HOW ABOUT A HAIRCUT?
235
00:09:32,973 --> 00:09:34,675
YEAH. TELL US ABOUT
RICHMOND, ANDY.
236
00:09:34,708 --> 00:09:36,910
YOU MUST BE AWFUL PROUD
HAVING YOUR FIANCEE
237
00:09:36,944 --> 00:09:38,345
COME UP
A LITERARY SENSATION.
238
00:09:38,378 --> 00:09:39,680
YEAH.
239
00:09:39,713 --> 00:09:41,181
YOU WON'T HAVE A THING
TO WORRY ABOUT
240
00:09:41,214 --> 00:09:42,783
AFTER YOU AND HELEN
ARE MARRIED.
241
00:09:42,816 --> 00:09:43,917
WHAT ARE YOU
TALKING ABOUT?
242
00:09:43,951 --> 00:09:45,218
WITH ALL THE MONEY
SHE'LL BE MAKING.
243
00:09:45,252 --> 00:09:46,353
GOOBER'S RIGHT.
244
00:09:46,386 --> 00:09:48,922
YOUR ADDRESS WILL
BE ON EASY STREET.
245
00:09:48,956 --> 00:09:51,892
COULD I GET A HAIRCUT,
FLOYD?
246
00:09:51,925 --> 00:09:54,227
AND THINK OF EVERYBODY
YOU'LL MEET, TOO.
247
00:09:54,261 --> 00:09:56,363
YEAH, MOVIE STARS,
QUEENS, MAHARAJAS.
248
00:09:56,396 --> 00:09:57,698
WRITERS HANG AROUND
249
00:09:57,731 --> 00:09:59,800
WITH THOSE KIND
OF PEOPLE, YOU KNOW.
250
00:09:59,833 --> 00:10:02,803
YOU'LL HAVE PLENTY OF TIME
FOR FISHING, WITH HELEN
251
00:10:02,836 --> 00:10:04,071
BRINGING IN
THE BACON.
252
00:10:04,104 --> 00:10:06,073
OH, YOU'RE GOING
TO LIVE IT UP.
253
00:10:06,106 --> 00:10:09,242
CHAMPAGNE, CAVIAR,
FLAMINGO EGGS.
254
00:10:09,276 --> 00:10:12,079
FLOYD, COULD I GET A HAIRCUT?
255
00:10:12,112 --> 00:10:13,681
WHY DON'T YOU
GET HELEN TO BUY YOU
256
00:10:13,714 --> 00:10:15,683
ONE OF THEM GOLD RINGS
WITH YOUR INITIALS ON IT
257
00:10:15,716 --> 00:10:16,717
FOR YOUR LITTLE FINGER?
258
00:10:16,750 --> 00:10:18,185
NOW, THAT'S CLASS.
259
00:10:18,218 --> 00:10:20,854
INVEST HER MONEY
WISELY, ANDY.
260
00:10:20,888 --> 00:10:23,724
IT COULD BE THE
START OF AN EMPIRE.
261
00:10:26,794 --> 00:10:28,295
HEY, WHERE
YOU GOING?
262
00:10:36,169 --> 00:10:37,671
Howard:
HEY, ANDY!
263
00:10:37,705 --> 00:10:38,872
HOWDY, ANDY.
264
00:10:38,906 --> 00:10:40,040
OH. HI, HOWARD.
265
00:10:40,073 --> 00:10:41,675
SAY, I HAVEN'T
HAD A CHANCE
266
00:10:41,709 --> 00:10:43,043
TO CONGRATULATE YOU YET.
267
00:10:43,076 --> 00:10:44,211
CONGRATULATE ME?
268
00:10:44,244 --> 00:10:45,779
YEAH, ON HELEN'S BOOK.
269
00:10:45,813 --> 00:10:48,115
WELL, AFTER ALL,
SHE'S YOUR FIANCEE.
270
00:10:48,148 --> 00:10:50,250
SO I GUESS
I'M CONGRATULATING YOU
271
00:10:50,283 --> 00:10:51,885
ON BEING A GOOD PICKER.
272
00:10:51,919 --> 00:10:53,053
OH. OH.
273
00:10:53,086 --> 00:10:54,988
YOU MUST FEEL
EIGHT FEET TALL, HUH?
274
00:10:55,022 --> 00:10:57,190
OH, SURE, I FEEL
EIGHT FEET TALL, BOY.
275
00:10:57,224 --> 00:10:58,391
THAT'S GOOD. THAT'S GOOD.
276
00:10:58,425 --> 00:11:00,027
BECAUSE, YOU KNOW,
A LOT OF TIMES
277
00:11:00,060 --> 00:11:01,361
WHEN THE WIFE OR THE FIANCEE
278
00:11:01,394 --> 00:11:03,764
ACHIEVES MORE FAME AND FORTUNE
THAN THE FELLOW
279
00:11:03,797 --> 00:11:04,898
IT CAN CAUSE
A BREACH.
280
00:11:04,932 --> 00:11:05,899
HUH.
281
00:11:05,933 --> 00:11:07,000
BUT NOT
282
00:11:07,034 --> 00:11:08,435
GOOD OLD ANDY, HUH?
283
00:11:08,468 --> 00:11:11,905
NO, NOT GOOD,
OLD ANDY.
284
00:11:11,939 --> 00:11:14,174
NO, SIR, YOU AREN'T GOING
TO CHANGE ONE BIT.
285
00:11:14,207 --> 00:11:15,408
NO, NO.
286
00:11:15,442 --> 00:11:18,445
GUESS YOU'LL KEEP
RIGHT ON WORKING, HUH?
287
00:11:18,478 --> 00:11:20,213
UH... YEAH, YEAH.
288
00:11:20,247 --> 00:11:24,451
I THINK I'LL PROBABLY
KEEP ON WORKING AND...
289
00:11:24,484 --> 00:11:27,988
I EXPECT ABOUT THE ONLY
TIME THAT I'LL TAKE OFF
290
00:11:28,021 --> 00:11:30,457
WILL BE FOR A LITTLE
POLO OR TENNIS.
291
00:11:34,227 --> 00:11:36,196
OH.
292
00:11:36,229 --> 00:11:38,932
OH, BOY.
293
00:11:38,966 --> 00:11:41,301
I BELIEVE THAT
THAT IS THE FINEST DINNER
294
00:11:41,334 --> 00:11:42,469
THAT I'VE EVER HAD
295
00:11:42,502 --> 00:11:44,337
CELEBRATING ONE
OF YOUR BOOKS.
296
00:11:44,371 --> 00:11:46,206
I'VE NEVER SOLD
A BOOK BEFORE.
297
00:11:46,239 --> 00:11:48,341
KEEP IT UP--
IT HELPS YOUR COOKING.
298
00:11:48,375 --> 00:11:49,476
HEY, A TOAST.
299
00:11:49,509 --> 00:11:51,011
I'M FOR THAT.
300
00:11:51,044 --> 00:11:54,114
MAY THIS BE THE FIRST
IN A LONG LINE OF DINNERS
301
00:11:54,147 --> 00:11:56,216
CELEBRATING
THE ACCOMPLISHMENTS
302
00:11:56,249 --> 00:11:58,185
THAT POUR
FROM THE TYPEWRITER
303
00:11:58,218 --> 00:12:00,020
OF HELENE ALEXIAN DUBOIS.
304
00:12:00,053 --> 00:12:01,188
THANK YOU.
305
00:12:01,221 --> 00:12:02,455
THERE YOU ARE.
306
00:12:02,489 --> 00:12:03,857
MMM.
307
00:12:03,891 --> 00:12:06,193
WELL, WHAT WOULD YOU
LIKE TO DO LATER?
308
00:12:06,226 --> 00:12:07,327
OH, ANDY, I'M SORRY.
309
00:12:07,360 --> 00:12:08,796
I SHOULD HAVE TOLD YOU BEFORE
310
00:12:08,829 --> 00:12:10,430
BUT ROGER BRYANT'S
COMING DOWN TOMORROW
311
00:12:10,463 --> 00:12:11,865
TO LOOK OVER THOSE REWRITES
312
00:12:11,899 --> 00:12:13,366
AND I'M AFRAID
IT'S GOING TO TAKE ME
313
00:12:13,400 --> 00:12:15,268
THE REST OF THIS EVENING
TO FINISH THEM.
314
00:12:15,302 --> 00:12:18,972
OH. WELL, WE CAN'T LET ANYTHING
INTERFERE WITH THAT, CAN WE?
315
00:12:19,006 --> 00:12:20,540
OH.
316
00:12:20,573 --> 00:12:23,343
YOU KNOW, I'M SOMETHING,
I REALLY AM.
317
00:12:23,376 --> 00:12:25,445
I'M THE ONLY MAN IN MAYBERRY
318
00:12:25,478 --> 00:12:28,248
OR MT. PILOT,
OR ANYWHERE AROUND HERE
319
00:12:28,281 --> 00:12:31,919
WHO IS GOING WITH A LADY
WHO IS RICH AND FAMOUS.
320
00:12:31,952 --> 00:12:34,121
I'M NOT RICH AND FAMOUS... YET.
321
00:12:34,154 --> 00:12:37,390
I-I'M JUST ENJOYING
AN INTERESTING SIDE CAREER.
322
00:12:37,424 --> 00:12:38,525
THAT'S RIGHT
323
00:12:38,558 --> 00:12:40,994
AND EVERYTHING
BETWEEN YOU AND ME
324
00:12:41,028 --> 00:12:44,431
IS GOING TO REMAIN
EXACTLY AS IT'S ALWAYS BEEN.
325
00:12:48,035 --> 00:12:50,370
OH, ANDY, YOU'RE
SO SWEET TO HELP LIKE THIS.
326
00:12:50,403 --> 00:12:52,005
IF YOU'VE GOT
TO DO REWRITES
327
00:12:52,039 --> 00:12:53,440
YOU'VE GOT TO DO REWRITES.
328
00:12:55,008 --> 00:12:56,109
OH, WOULD YOU MIND?
329
00:12:56,143 --> 00:12:57,444
OH. OH, OF COURSE.
330
00:13:02,049 --> 00:13:03,350
HEY, ANDY.
NICE-LOOKING APRON.
331
00:13:03,383 --> 00:13:05,552
I WAS WORKING LATE
OVER AT THE FILLING STATION.
332
00:13:05,585 --> 00:13:08,555
THESE FOLKS WERE JUST PASSING
THROUGH FIRST TIME IN MAYBERRY.
333
00:13:08,588 --> 00:13:11,424
THEY WANTED TO KNOW IF THERE'S
ANYTHING INTERESTING TO SEE.
334
00:13:11,458 --> 00:13:13,126
SO I TOLD 'EM
ABOUT POTTER'S CAVE
335
00:13:13,160 --> 00:13:15,228
AND HOW THEY'RE
SANDBLASTING THE HIGH SCHOOL
336
00:13:15,262 --> 00:13:16,396
AND THEN I REMEMBERED
337
00:13:16,429 --> 00:13:18,165
ABOUT HELEN
BEING A LITERARY SENSATION
338
00:13:18,198 --> 00:13:20,300
AND THEY JUST HAD
TO MEET A FAMOUS CELEBRITY.
339
00:13:20,333 --> 00:13:22,002
HELEN, I HOPE
I'M NOT OUT OF LINE.
340
00:13:22,035 --> 00:13:23,436
IT'S ALL
RIGHT, GOOBER.
341
00:13:23,470 --> 00:13:25,138
I'M NOT REALLY
A CELEBRITY.
342
00:13:25,172 --> 00:13:27,407
I'M JUST WRITING A
BOOK ABOUT CHILDREN.
343
00:13:27,440 --> 00:13:29,910
WE'VE NEVER SEEN A WRITER
CLOSE-UP BEFORE.
344
00:13:29,943 --> 00:13:32,045
IT'S REAL EXCITING.
345
00:13:32,079 --> 00:13:34,948
AND, UH, WHO'S
THIS GENTLEMAN?
346
00:13:36,049 --> 00:13:39,052
I'M WITH HER.
347
00:13:45,192 --> 00:13:47,160
NOW, THERE'S YOUR TOAST.
348
00:13:47,194 --> 00:13:51,431
AND IT'S NOT BURNT,
SO DON'T PICK AT IT.
349
00:13:51,464 --> 00:13:53,166
OH, AND BY THE WAY
350
00:13:53,200 --> 00:13:55,168
TRY NOT TO CROSS
YOUR FATHER.
351
00:13:55,202 --> 00:13:57,170
HE'S ACTING A LITTLE
PEEVISH LATELY.
352
00:13:57,204 --> 00:13:58,471
WHAT'S WRONG WITH HIM?
353
00:13:58,505 --> 00:14:00,040
WELL, I DON'T KNOW.
354
00:14:00,073 --> 00:14:01,474
I THINK HE'S
OVERWORKING.
355
00:14:01,508 --> 00:14:03,076
MAYBE WE'D BETTER
NOT MENTION
356
00:14:03,110 --> 00:14:04,444
ANYTHING ABOUT
HIS JOB, HMM?
357
00:14:04,477 --> 00:14:05,445
OKAY.
358
00:14:05,478 --> 00:14:06,914
OH, GOOD MORNING, ANDY.
359
00:14:06,947 --> 00:14:08,181
MORNING.
MORNING, PA.
360
00:14:09,950 --> 00:14:11,919
TOAST, ANDY?
361
00:14:11,952 --> 00:14:14,454
NOT BURNT LIKE THAT.
362
00:14:22,329 --> 00:14:23,463
HOW'S HELEN?
363
00:14:23,496 --> 00:14:24,597
FINE.
364
00:14:24,631 --> 00:14:26,099
SHE SURE CAN WRITE GOOD.
365
00:14:26,133 --> 00:14:27,434
Bee:
ISN'T IT
WONDERFUL
366
00:14:27,467 --> 00:14:29,669
HOW SHE'S PUT
MAYBERRY ON THE MAP?
367
00:14:29,702 --> 00:14:30,971
YEAH.
368
00:14:31,004 --> 00:14:32,973
THEY RAN A FULL-
PAGE AD ON HER
369
00:14:33,006 --> 00:14:34,674
IN THE MT. PILOT
BUGLE AND SUN.
370
00:14:34,707 --> 00:14:36,176
MT. PILOT'S
PROBABLY JEALOUS
371
00:14:36,209 --> 00:14:38,045
'CAUSE THEY DON'T HAVE
ANYBODY FAMOUS.
372
00:14:38,078 --> 00:14:39,346
WHY DON'T YOU EAT?
373
00:14:39,379 --> 00:14:41,548
OH, ANDY, YOU'VE
MADE ME VERY PROUD.
374
00:14:41,581 --> 00:14:43,183
TO BE THE AUNT OF A MAN
375
00:14:43,216 --> 00:14:45,552
WHO'S GOING TO MARRY
A FAMOUS AUTHORESS.
376
00:14:50,357 --> 00:14:52,492
I'D SAY
HE'S STILL PEEVISH.
377
00:14:52,525 --> 00:14:54,227
SO HE IS.
378
00:14:54,261 --> 00:14:55,628
AND WE DIDN'T SAY ANYTHING
379
00:14:55,662 --> 00:14:57,965
ABOUT HIS JOB
OR THE COURTHOUSE OR ANYTHING.
380
00:14:59,967 --> 00:15:01,401
A... ANDY?
381
00:15:01,434 --> 00:15:02,970
ANDY, ARE YOU THERE?
382
00:15:03,003 --> 00:15:04,371
OH, HI, ANDY.
OH, HI, HELEN.
383
00:15:04,404 --> 00:15:06,006
ANDY, ROGER BRYANT'S
IN TOWN.
384
00:15:06,039 --> 00:15:08,041
I SPENT A FEW MINUTES
WITH HIM THIS MORNING
385
00:15:08,075 --> 00:15:10,210
AND YOU JUST HAVE NO IDEA
HOW MUCH WORK'S INVOLVED
386
00:15:10,243 --> 00:15:11,478
IN GETTING A BOOK OUT.
387
00:15:11,511 --> 00:15:13,480
ROGER WANTS ME TO DO
SOME MORE REWRITES.
388
00:15:13,513 --> 00:15:15,648
AND HE WANTS ME TO DO
A BIOGRAPHY OF MYSELF
389
00:15:15,682 --> 00:15:17,350
FOR THE FLYLEAF.
390
00:15:17,384 --> 00:15:19,186
OH, ANDY, THE REASON
I CAME BY IS
391
00:15:19,219 --> 00:15:21,188
ROGER AND I ARE GOING
TO HAVE TO WORK
392
00:15:21,221 --> 00:15:22,389
EVERY NIGHT THIS WEEK.
393
00:15:22,422 --> 00:15:24,124
TONIGHT?
394
00:15:24,157 --> 00:15:25,458
WELL, YES, TONIGHT, TOO.
395
00:15:25,492 --> 00:15:26,726
WE WERE SUPPOSED TO GO
396
00:15:26,759 --> 00:15:28,528
TO MORELLI'S TO DINNER TONIGHT.
397
00:15:28,561 --> 00:15:30,563
YEAH, I KNOW, ANDY.
I'M SORRY.
398
00:15:30,597 --> 00:15:32,399
THE REASON
WE WERE GOING TONIGHT
399
00:15:32,432 --> 00:15:34,634
IS BECAUSE WE COULDN'T GO
LAST TUESDAY NIGHT
400
00:15:34,667 --> 00:15:37,004
BECAUSE YOU WERE DOING
REWRITES THEN, TOO.
401
00:15:37,037 --> 00:15:38,271
I WOUND UP TAKING GOOBER.
402
00:15:38,305 --> 00:15:40,373
IT'S OKAY,
BUT HE'S NOT MUCH OF A DANCER.
403
00:15:40,407 --> 00:15:42,409
I KNOW, ANDY, BUT...
WELL, I HAVE TO WORK.
404
00:15:42,442 --> 00:15:44,978
NOW, THERE HAVE BEEN NIGHTS
WHEN YOU HAD TO WORK, TOO.
405
00:15:45,012 --> 00:15:46,113
THAT'S DIFFERENT.
406
00:15:46,146 --> 00:15:47,247
HOW'S THAT DIFFERENT?
407
00:15:47,280 --> 00:15:48,648
IT'S JUST DIFFERENT.
408
00:15:48,681 --> 00:15:51,118
WELL, ANDY, I HAVE
TO DO THE REWRITES.
409
00:15:51,151 --> 00:15:52,652
NOW I DON'T KNOW
WHAT TO SAY.
410
00:15:52,685 --> 00:15:54,988
I DON'T KNOW WHY I JUST
DON'T GO OVER TO GOOBER'S
411
00:15:55,022 --> 00:15:56,123
AND READ
HIS COMIC BOOKS.
412
00:15:56,156 --> 00:15:57,557
YOU'RE MAKING IT
VERY DIFFICULT.
413
00:15:57,590 --> 00:15:58,992
I'M MAKING IT
DIFFICULT?
414
00:15:59,026 --> 00:16:01,194
I DON'T SEE HOW...
I'M FREE. I CAN GO.
415
00:16:01,228 --> 00:16:03,263
I DON'T KNOW WHY
YOU'RE MAKING SUCH A FUSS
416
00:16:03,296 --> 00:16:05,465
BECAUSE YOU HAVE TO SIT HOME
A COUPLE NIGHTS.
417
00:16:05,498 --> 00:16:07,667
I DON'T HAVE TO SIT HOME.
418
00:16:07,700 --> 00:16:09,069
WHAT'S THAT SUPPOSED TO MEAN?
419
00:16:09,102 --> 00:16:10,670
YOU KNOW WHAT
THAT'S SUPPOSED TO MEAN.
420
00:16:10,703 --> 00:16:12,672
I DON'T KNOW WHAT
THAT'S SUPPOSED TO MEAN.
421
00:16:12,705 --> 00:16:15,008
YOU KN WHAT
THAT'S SUPPOSED TO MEAN.
422
00:16:15,042 --> 00:16:16,409
OH... OH!
423
00:16:16,443 --> 00:16:18,111
OH, FINE! THAT'S JUST FINE.
424
00:16:18,145 --> 00:16:19,612
GET YOURSELF ANOTHER DATE.
425
00:16:19,646 --> 00:16:22,582
OUTSTANDING IDEA.
WHAT?
426
00:16:22,615 --> 00:16:23,616
YOUR SUGGESTION
427
00:16:23,650 --> 00:16:25,685
AND IT'S AN OUTSTANDING IDEA.
428
00:16:25,718 --> 00:16:30,457
WELL, IT MAY JUST BE THE MOST
OUTSTANDING IDEA I EVER HAD.
429
00:16:44,404 --> 00:16:48,708
SARAH, GET ME MAVIS NEFF
430
00:16:48,741 --> 00:16:49,776
AT THE DRUGSTORE.
431
00:16:52,412 --> 00:16:55,115
THAT'S NONE OF YOUR BUSINESS.
432
00:16:55,148 --> 00:16:57,250
YES, IT'S GREAT
ABOUT HELEN'S BOOK.
433
00:16:57,284 --> 00:16:58,685
GET ME MAVIS NEFF.
434
00:16:59,686 --> 00:17:01,388
MAVIS NEFF?!
435
00:17:01,421 --> 00:17:02,789
I DON'T BELIEVE IT.
436
00:17:02,822 --> 00:17:04,391
NOT FOR ONE MINUTE.
437
00:17:04,424 --> 00:17:05,658
FLOYD, IT'S TRUE.
438
00:17:05,692 --> 00:17:07,127
I WAS IN THE DRUGSTORE.
439
00:17:07,160 --> 00:17:09,129
I JUST ORDERED A MALTED
WITH AN EGG IN IT
440
00:17:09,162 --> 00:17:10,663
THE PHONE RANG,
MAVIS ANSWERED
441
00:17:10,697 --> 00:17:11,664
AND IT WAS ANDY.
442
00:17:11,698 --> 00:17:13,200
WELL, HOW COULD YOU TELL?
443
00:17:13,233 --> 00:17:14,534
HOW COULD YOU TELL?
444
00:17:14,567 --> 00:17:16,536
WELL, FOR ONE THING,
SHE SAID "ANDY."
445
00:17:16,569 --> 00:17:19,439
AND THEN SHE ASKED HOW THINGS
WERE AT THE COURTHOUSE.
446
00:17:19,472 --> 00:17:23,276
AND HOW MANY ANDYS
AT THE COURTHOUSE DO WE HAVE?
447
00:17:23,310 --> 00:17:27,847
ARE YOU SURE YOU HEARD HIM
ASK HER FOR A DATE?
448
00:17:27,880 --> 00:17:31,851
WELL, I HEARD HER SAY,
"TONIGHT WOULD BE JUST DREAMY."
449
00:17:31,884 --> 00:17:34,254
AND THEN SHE SEEMED
ALL EXCITED ABOUT IT.
450
00:17:34,287 --> 00:17:37,624
AS A MATTER OF FACT, SHE FORGOT
TO PUT AN EGG IN MY MALTED.
451
00:17:37,657 --> 00:17:42,095
I'LL BET THIS WHOLE THING
HAS SOMETHING TO DO
452
00:17:42,129 --> 00:17:44,697
WITH HELEN WRITING THAT BOOK.
453
00:17:44,731 --> 00:17:48,468
ANDY AND HELEN SPLIT UP.
454
00:17:48,501 --> 00:17:49,769
IT'S HARD TO BELIEVE.
455
00:17:49,802 --> 00:17:54,507
I'M WORRIED ABOUT ANDY
GOING WITH THIS MAVIS.
456
00:17:54,541 --> 00:17:57,210
YES. I UNDERSTAND
SHE'S RATHER FORWARD.
457
00:17:57,244 --> 00:17:59,879
YEAH. YOU REMEMBER
WHAT HAPPENED TO HARVEY BUNKER
458
00:17:59,912 --> 00:18:01,748
WHEN HE STARTED
GOING WITH HER?
459
00:18:03,150 --> 00:18:04,617
THEY MADE HIM GIVE UP
460
00:18:04,651 --> 00:18:08,255
HIS JOB AS SCOUTMASTER.
461
00:18:08,288 --> 00:18:11,858
WELL, LET'S JUST HOPE
ANDY'S MADE OF STERNER STUFF.
462
00:18:14,527 --> 00:18:17,430
ANDY, YOU HAVE THE CUTEST
463
00:18:17,464 --> 00:18:19,899
LITTLE LAUGH WRINKLES
WHEN YOU SMILE!
464
00:18:19,932 --> 00:18:22,669
YEAH, WELL...
465
00:18:22,702 --> 00:18:26,273
ARE YOU STILL
GOING WITH HELEN?
466
00:18:26,306 --> 00:18:28,275
WELL, YOU KNOW...
467
00:18:28,308 --> 00:18:32,879
THERE'S THAT
CUTE LITTLE LAUGH WRINKLE.
468
00:18:32,912 --> 00:18:34,881
OH, YOU HAVE
A LITTLE ONE THERE
469
00:18:34,914 --> 00:18:37,417
AND, OH, A LITTLE ONE HERE
470
00:18:37,450 --> 00:18:39,719
AND, OH, LOOK
AT THAT ONE OVER THERE!
471
00:18:39,752 --> 00:18:41,654
HEY, HEY, MAVIS.
472
00:18:41,688 --> 00:18:42,722
HUH?
473
00:18:42,755 --> 00:18:44,691
HEY, YOU KNOW
WHAT WE MIGHT DO?
474
00:18:44,724 --> 00:18:46,193
HUH?
475
00:18:46,226 --> 00:18:50,163
GO DOWN TO THE DINER
AND GET A BITE TO EAT.
476
00:18:50,197 --> 00:18:52,832
BUT, ANDY,
IT'S SO BEAUTIFUL OUT HERE.
477
00:18:52,865 --> 00:18:54,167
OH, I KNOW IT IS.
478
00:18:54,201 --> 00:18:56,503
OH, I KNOW THAT,
BUT I'M SO HUNGRY.
479
00:18:56,536 --> 00:18:57,637
AREN'T YOU HUNGRY?
480
00:18:57,670 --> 00:18:59,239
NO.
481
00:18:59,272 --> 00:19:01,374
WELL, I TELL YOU
SOMETHING, I'M JUST...
482
00:19:01,408 --> 00:19:03,376
BOY, I'M JUST
STARVING TO DEATH.
483
00:19:03,410 --> 00:19:04,377
YOU ARE?
484
00:19:04,411 --> 00:19:05,378
MM-HMM.
485
00:19:05,412 --> 00:19:06,379
OH.
486
00:19:06,413 --> 00:19:07,380
LET'S GO DOWN, HUH?
487
00:19:07,414 --> 00:19:11,251
WELL... WELL, ALL RIGHT.
488
00:19:11,284 --> 00:19:12,552
ALL RIGHT.
489
00:19:12,585 --> 00:19:13,886
ANDY, IF-IF YOU WANT.
490
00:19:13,920 --> 00:19:15,888
OKAY, I'LL JUST GET
THE CAR STARTED.
491
00:19:24,297 --> 00:19:25,698
WHY, AT THE RATE
YOU'RE GOING,
492
00:19:25,732 --> 00:19:27,967
YOU'LL HAVE THOSE REWRITES
LICKED IN NO TIME.
493
00:19:28,000 --> 00:19:30,870
OH, I... GUESS SO.
494
00:19:30,903 --> 00:19:32,872
WHAT'S THE MATTER, HELENE?
495
00:19:32,905 --> 00:19:35,842
THE BOOK DOESN'T SEEM
TO BE EXCITING YOU ANYMORE.
496
00:19:35,875 --> 00:19:38,311
OH, UH...
497
00:19:38,345 --> 00:19:39,712
I-I DON'T KNOW.
498
00:19:39,746 --> 00:19:41,748
MAYBE I'M COMING DOWN
WITH SOMETHING.
499
00:19:43,316 --> 00:19:44,917
I KNOW ALL THE SIGNS.
500
00:19:44,951 --> 00:19:48,555
A WRITER ALWAYS FEELS BLUE JUST
BEFORE HIS BOOK IS PUBLISHED.
501
00:19:48,588 --> 00:19:49,722
VERY NORMAL.
502
00:20:01,668 --> 00:20:03,370
OH, HELLO. HI.
503
00:20:03,403 --> 00:20:04,371
HI.
504
00:20:04,404 --> 00:20:05,638
HI, MR. BRYANT.
505
00:20:05,672 --> 00:20:07,374
HI, SANDY.
506
00:20:07,407 --> 00:20:09,642
OH, THIS IS, UH,
MAVIS NEFF.
507
00:20:09,676 --> 00:20:10,777
HOW DO YOU DO,
MISS NEFF?
508
00:20:10,810 --> 00:20:11,778
HI.
509
00:20:11,811 --> 00:20:13,246
HELLO, MAVIS.
510
00:20:13,280 --> 00:20:14,381
HELLO, HELEN.
511
00:20:14,414 --> 00:20:16,516
WELL, WE'D BETTER
SIT DOWN.
512
00:20:16,549 --> 00:20:18,418
OH, RIGHT HERE,
RIGHT HERE.
513
00:20:22,289 --> 00:20:26,693
THAT MEYER'S LAKE
WAS SO BEAUTIFUL.
514
00:20:26,726 --> 00:20:29,729
WE SHOULD GO UP THERE AGAIN
SOME EVENING.
515
00:20:29,762 --> 00:20:33,800
TH-TH-THERE'S, THERE'S A LOT
OF GOOD FISH IN THAT LAKE.
516
00:20:35,302 --> 00:20:36,803
WHAT WERE WE TALKING ABOUT?
517
00:20:36,836 --> 00:20:39,806
OH, UH, UH, MY BOOK.
518
00:20:39,839 --> 00:20:41,374
OH, YES, YES. I WAS SAYING
519
00:20:41,408 --> 00:20:43,443
IT'S PERFECTLY NORMAL
TO HAVE A LETDOWN
520
00:20:43,476 --> 00:20:45,345
JUST BEFORE
THE BOOK IS PUBLISHED.
521
00:20:45,378 --> 00:20:47,714
WOULD YOU
LIKE TO ORDER?
522
00:20:47,747 --> 00:20:50,483
OH, MAYBE JUST
SOMETHING TO DRINK.
523
00:20:50,517 --> 00:20:52,819
UH... I KNOW.
524
00:20:52,852 --> 00:20:55,322
A ROOT BEER FLOAT.
525
00:20:55,355 --> 00:20:59,592
THEY MAKE ME
BUBBLY ALL OVER.
526
00:20:59,626 --> 00:21:01,328
GOOD, GOOD, GOOD.
527
00:21:01,361 --> 00:21:02,695
BUBBLY, WUBBLY.
528
00:21:04,664 --> 00:21:08,301
OH, ANDY, YOUR
LAUGH WRINKLES
529
00:21:08,335 --> 00:21:12,505
JUST DRIVE ME CRAZY.
530
00:22:02,489 --> 00:22:04,457
I'VE COME TO APOLOGIZE.
531
00:22:06,759 --> 00:22:09,596
I'VE THOUGHT ABOUT IT
532
00:22:09,629 --> 00:22:12,031
AND I-I KNOW I WAS WRONG.
533
00:22:12,064 --> 00:22:15,402
SEE, WHEN THIS-THIS
BOOK BUSINESS
534
00:22:15,435 --> 00:22:16,736
FIRST STARTED-- YOURS--
535
00:22:16,769 --> 00:22:20,106
IT DIDN'T BOTHER ME,
NOT ONE BIT.
536
00:22:20,139 --> 00:22:22,542
BUT THEN EVERYBODY
STARTED TALKING
537
00:22:22,575 --> 00:22:25,044
ABOUT HOW WEALTHY
YOU WERE GOING TO BE
538
00:22:25,077 --> 00:22:27,380
AND HOW FAMOUS
YOU WERE GOING TO BE
539
00:22:27,414 --> 00:22:31,584
AND I GOT WORRIED THAT I WAS
GOING TO TAKE A BACKSEAT.
540
00:22:33,686 --> 00:22:36,723
BUT NOW I THINK I SEE THINGS
541
00:22:36,756 --> 00:22:39,759
THE WAY THEY OUGHT TO BE.
542
00:22:39,792 --> 00:22:42,395
SEE, YOU'VE GOT THIS
TALENT FOR WRITING.
543
00:22:42,429 --> 00:22:44,631
TALENT'S A VERY RARE THING
544
00:22:44,664 --> 00:22:47,500
AND YOU SHOULD USE IT
AND BE PROUD OF IT.
545
00:22:48,701 --> 00:22:53,172
AND I'VE JUST REALIZED
THAT I HAVE A JOB
546
00:22:53,205 --> 00:22:56,976
AND IT REQUIRES A CERTAIN
AMOUNT OF TALENT
547
00:22:57,009 --> 00:22:59,045
AND I'M PROUD OF IT.
548
00:22:59,078 --> 00:23:02,882
AND I SEE NO REASON
549
00:23:02,915 --> 00:23:06,486
WHY A SHERIFF
AND A LADY AUTHOR
550
00:23:06,519 --> 00:23:10,022
SHOULDN'T GET
ALONG JUST FINE.
551
00:23:10,056 --> 00:23:13,593
THAT IS, IF YOU WANT TO.
552
00:23:17,530 --> 00:23:19,499
HEY.
553
00:23:19,532 --> 00:23:23,470
YOU WANT TO TAKE A-A DRIVE
UP TO MEYER'S LAKE?
554
00:23:29,175 --> 00:23:31,210
WELL, I GUESS ROGER'S
BACK IN RICHMOND,
555
00:23:31,243 --> 00:23:33,780
TRYING TO PUT YOUR BOOK
ON THE BEST-SELLER LIST.
556
00:23:33,813 --> 00:23:35,114
LET'S NOT TALK ABOUT IT
ANYMORE.
557
00:23:35,147 --> 00:23:36,783
I'M SO EXHAUSTED
FROM WORKING ON IT.
558
00:23:36,816 --> 00:23:37,817
HELLO, HELEN.
559
00:23:37,850 --> 00:23:39,018
HELLO, AUNT BEE.
560
00:23:39,051 --> 00:23:40,520
JUST GOING DOWN
TO THE MAILBOX.
561
00:23:40,553 --> 00:23:41,621
WHAT YOU GOT?
562
00:23:41,654 --> 00:23:42,789
HMM?
563
00:23:42,822 --> 00:23:44,591
OH, OH, IT'S
REALLY NOTHING,
564
00:23:44,624 --> 00:23:46,526
NOTHING, REALLY.
565
00:23:46,559 --> 00:23:47,860
AUNT BEE, DID, UH,
566
00:23:47,894 --> 00:23:50,597
DID YOU, BY ANY CHANCE,
WRITE A BOOK?
567
00:23:50,630 --> 00:23:54,534
A BOOK?
OH, NO!
568
00:23:54,567 --> 00:23:58,638
IT-IT'S JUST A COLLECTION
OF MY FAVORITE RECIPES.
569
00:23:58,671 --> 00:24:01,974
I DON'T EXPECT ANYTHING
TO COME OF IT.
570
00:24:02,008 --> 00:24:03,209
YES.
571
00:24:06,913 --> 00:24:08,214
PA?
YEAH?
572
00:24:08,247 --> 00:24:10,249
IS "BLOODTHIRSTY" ONE WORD
OR TWO?
573
00:24:10,282 --> 00:24:11,618
"BLOODTHIRSTY"?
574
00:24:11,651 --> 00:24:13,152
YEAH, I'M WRITING A BOOK.
575
00:24:13,185 --> 00:24:15,655
WHAT IT'S LIKE TO BE THE SON
OF A SHERIFF.
576
00:24:15,688 --> 00:24:18,024
WELL, WHERE DOES
"BLOODTHIRSTY" FIT IN?
577
00:24:18,057 --> 00:24:19,826
WELL, I GOT TO MAKE IT
EXCITIN', DON'T I?
578
00:24:19,859 --> 00:24:21,628
IT'S ONE WORD.
579
00:24:21,661 --> 00:24:23,162
THANKS.
580
00:24:24,296 --> 00:24:26,833
ANDY, IT LOOKS
LIKE YOU'RE GONNA
581
00:24:26,866 --> 00:24:29,702
HAVE TO GET YOURSELF
A TYPEWRITER, TOO.
39418
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