Original subtitles

HEY, ANDY.

HEY, ANDY.

WHAT'S UP, HOWARD?

BOY, HAVE I GOT A SURPRISE FOR YOU.

YEAH?

BRACE YOURSELF.

OOP, I'M BRACED.

AN OLD FRIEND OF YOURS IS BACK IN TOWN.

NO KIDDING.

GET SET.

WHO? I'M SET.

ALICE HARPER.

ALICE HARPER?

YEAH.

NO KIDDING.

YEAH. I RAN INTO HER.

SHE SAID SHE CAME BY HERE TO SEE YOU

BUT YOU WERE OUT.

OH.

GEE, ALICE HARPER.

THAT'S BEEN A LONG TIME.

YEAH.

ALMOST TEN YEARS SINCE SHE LEFT TOWN.

SHE'S PRETTY AS EVER.

PUT ON A POUND OR TWO, TOO.

IN THE RIGHT PLACES?

OH, WELL...

GEE, IT'LL BE GOOD TO SEE ALICE AGAIN.

YEAH, SHE WAS GOING BY YOUR HOUSE.

SHE WANTED TO SAY HELLO TO AUNT BEE.

OH.

HEY, ANDY, YOU KNOW WHO'S BACK IN TOWN?

YOU'LL NEVER GUESS.

ALICE HARPER.

ALICE HARPER.

OH, YOU KNOW.

YEAH.

I JUST TOLD HIM.

BET I KNOW WHY SHE'S BACK.

IT'S A FREE COUNTRY.

SHE WAS BORN HERE.

SHE CAN COME BACK IF SHE WANTS TO.

THAT AIN'T THE REASON.

YOU OLD DOG, YOU.

I REMEMBER HOW FRIENDLY YOU TWO USED TO BE.

NEVER SEEN ONE WITHOUT THE OTHER.

ANDY AND ALICE.

THEY USED TO SAY THE TWO LOVEBIRDS.

RIGHT, HOWARD?

WELL, THERE DID SEEM TO BE A BOND THERE.

HEY... HEY, HOWARD.

HOWARD...

COME TO THINK OF IT

I REMEMBER YOU USED TO HAVE A CRUSH ON HER, TOO.

WELL, I ALWAYS HAD THE UTMOST RESPECT FOR HER.

YOU HAD A CRUSH.

AW, COME ON, GOOBER.

YES, YOU DID.

WELL, I GOT TO GO NOW.

I'LL, UH, I'LL SEE YOU LATER.

I'LL SEE YOU, HOWARD.

CRUSH.

YOU KNOW, HE WAS CRAZY ABOUT HER

BUT HE ALWAYS KNEW SHE WAS YOUR GIRL.

GOOB, DID ANYBODY EVER TELL YOU

YOU GOT A BIG MOUTH?

YEAH, BUT I DON'T PAY NO ATTENTION TO 'EM.

HEY, ANDY

DO YOU THINK THIS MIGHT CAUSE ANY TROUBLE

BETWEEN, UH, YOU AND HELEN?

WHY SHOULD IT CAUSE ANY TROUBLE

BETWEEN ME AND HELEN?

WELL, WITH ALICE BEING BACK IN TOWN

IT'S ONE OF THEM RECTANGLES.

TRIANGLES. YEAH.

YOU BEEN READING THOSE STORIES AGAIN, HAVEN'T YOU?

WELL, I READ THIS ONE WHERE THIS WIFE WAS JEALOUS

OVER HER HUSBAND'S OLD GIRLFRIEND.

GOOB, ALICE AND I DON'T MEAN ANYTHING

TO ONE ANOTHER ANYMORE.

I KNOW THAT, YOU KNOW THAT,

BUT WHAT ABOUT HELEN?

BOY, I BET IT'S FUN LIVING IN NEW YORK.

OH, IT IS FOR A WHILE, OPIE.

BUT I DON'T THINK YOU'D LIKE IT AS MUCH AS MAYBERRY.

HEY, ALICE!

ANDY!

WELL... ALICE.

LET ME LOOK.

HOWARD WAS RIGHT.

YOU'RE AS PRETTY AS EVER.

AUNT BEE HAD TO GO TO THE MARKET.

I WAS SUPPOSED TO ENTERTAIN MISS HARPER.

HE'S BEEN DOING A FINE JOB OF IT.

MISS HARPER'S GOING TO STAY IN MAYBERRY FOR GOOD.

UH-HUH. I'M HAVING THE OLD HOUSE CLEANED AND PAINTED.

WELL, HOW ABOUT THAT?

IN THREE OR FOUR DAYS, I'LL BE ABLE TO MOVE IN

AND SETTLE DOWN AND BECOME A REAL MAYBERRYITE AGAIN.

WELL, COME OVER HERE AND SIT DOWN

AND TELL ME ABOUT IT.

WHAT MADE YOU DECIDE

TO COME BACK TO MAYBERRY?

OH, I DON'T KNOW, ANDY.

WELL, I'VE GOT THE HOUSE.

I'VE GOT ENOUGH TO HOLD ME FOR A WHILE.

SO I THOUGHT I'D COME BACK AND TRY IT.

WELL, WHY NOT?

WHERE ARE YOU STAYING

UNTIL THE HOUSE IS READY?

AT THE HOTEL.

AUNT BEE SAID YOU'RE STAYING HERE.

HERE?

I DON'T REALLY THINK SO, OPIE.

AUNT BEE SAID FOR YOU TO GO GET MISS HARPER'S BAGS

AND NOT LET HER GIVE YOU ANY ARGUMENTS.

WELL, YOU HEARD WHAT AUNT BEE SAID.

WE BETTER GO.

AND AUNT BEE SAID TO BE SURE

THEY DON'T CHARGE HER ANYTHING FOR THE ROOM

BECAUSE SHE HASN'T EVEN TAKEN A NAP ON THE BED.

WELL, EVERYTHING'S ALL SET.

YOU CAN STAY AS LONG AS YOU LIKE.

OH, THANK YOU, ANDY.

OH, THE HOUSE IS JUST THE WAY I REMEMBER IT.

WELL, I GUESS THINGS DON'T CHANGE MUCH

IN A LITTLE TOWN LIKE THIS.

I GUESS SO.

THERE YOU ARE.

NO, NOT MUCH.

NO, NO.

YOU KNOW, IT'S AWFULLY NICE OF YOU, ANDY

LETTING ME BARGE IN LIKE THIS.

OH, COME ON, YOU'RE NOT BARGING IN.

YOU'RE JUST MORE THAN WELCOME.

WELL, IT'S BEEN A LONG TIME.

WELL, IT HASN'T BEEN THAT LONG.

NO, IT HASN'T BEEN THAT LONG.

ANDY...

WE DID HAVE SOME GOOD TIMES TOGETHER, DIDN'T WE?

YES, WE DID.

WE HAD SOME FINE TIMES TOGETHER.

REMEMBER... REMEMBER...

REMEMBER THE FIRST TIME I EVER TOOK YOU TO THE FAIR?

UH-HUH. AND WE WERE UP IN THE FERRIS WHEEL

AND IT GOT STUCK AT THE VERY TOP

AND YOU STARTED SCREAMING YOUR HEAD OFF.

OH, YEAH. OH, YEAH.

WELL, I DIDN'T LIKE TO BE UP THAT HIGH.

REMEMBER THE TIME THAT I RENTED THAT CANOE

AND TOOK YOU RIGHT OUT IN THE MIDDLE OF THE LAKE?

AND YOU STOOD UP IN IT.

SEEMED LIKE THE THING TO DO.

DINGDONG. ANYBODY...?

OH! HI, HELEN!

I'M SORRY, ANDY.

I DIDN'T KNOW YOU HAD COMPANY.

NO, NO, COME ON IN.

COME ON IN.

HELEN, I'D LIKE YOU TO MEET ALICE HARPER.

SHE'S AN OLD FRIEND OF MINE.

HI. HOW DO YOU DO, ALICE?

THIS IS HELEN CRUMP.

UH-HUH.

SHE'S OPIE'S SCHOOLTEACHER.

Alice: OH!

OH, IF ALL YOUR STUDENTS ARE LIKE OPIE

YOU REALLY MUST ENJOY TEACHING.

OH, I DO.

YOU'RE HERE FOR A VACATION, ALICE?

NO. NO, I'VE COME BACK HERE TO LIVE.

ALICE IS STAYING HERE WITH US.

TILL HER PLACE IS READY.

ANDY WAS KIND ENOUGH

TO INSIST THAT I USE THE GUEST ROOM.

ALICE IS AN OLD FRIEND.

YES, YOU MENTIONED THAT.

UH, I WONDERED

IF THERE WASN'T SOMETHING ELSE YOU'D LIKE TO MENTION.

UH... WE...

WE WERE JUST REMINISCING BECAUSE SHE IS AN OLD FRIEND

AND I HOPE YOU TWO WILL GET TO KNOW EACH OTHER.

I'M SURE WE WILL.

IT LOOKS LIKE WE ALREADY HAVE SOMETHING IN COMMON.

YEAH, WELL...

PLEASE TELL YOUR AUNT BEE

THAT OPIE'S SCHOOLTEACHER

RETURNED HER MUFFIN TIN.

UH-OH.

YOU BETTER KNOW, UH-OH.

HELEN, HELEN, HELEN, YOU'VE GOT TO LISTEN TO ME.

THE WHOLE THING WAS JUST A MISUNDERSTANDING.

ON WHOSE PART?

WELL, ON EVERYBODY'S PART.

OH, YOU MEAN I WAS JUST IMAGINING THE WHOLE THING?

OF COURSE YOU WERE.

OH, THEN THERE REALLY IS NO ALICE HARPER.

OH, NO, NO, NO.

THERE IS... THERE IS AN ALICE HARPER.

IT'S JUST THAT ALICE IS JUST AN OLD FRIEND OF MINE

THAT'S ALL.

OH, AND I'M JUST OPIE'S OLD SCHOOLTEACHER

THAT'S ALL.

THAT'S NOT WHAT I MEANT.

IS THAT REALLY THE WAY YOU THINK OF ME?

OH, NO, NO.

IT'S JUST... WHEN... I MEAN... NO!

HEY, I HAVE...

I HAVE AN I...

WELL, I DO HAVE AN IDEA.

I HAVE AN IDEA.

I'LL GET ALICE A DATE

AND THEN ALL FOUR OF US WILL GO OUT

AND YOU'LL SEE THAT EVERYTHING IS ALL RIGHT.

AND I KNOW JUST WHO I'LL GET, TOO-- HOWARD SPRAGUE

BECAUSE HOWARD HAS ALWAYS HAD A CRUSH ON ALICE.

AND SHE IS PRETTY AND GOT A FINE FIGURE

AND A GOOD SENSE OF HUMOR AND SHE'S INTELLIGENT.

WELL, YOU TAKE HER, AND I'LL GO WITH HOWARD.

OH, NO, NO. NO. NO.

NO. HOWARD AND ALICE.

HOWARD AND ALICE.

THEY'LL GET ALONG FINE.

SEE? I TOLD YOU THEY'D GET ALONG.

MM-HMM.

I KNEW THEY WOULD

BECAUSE HOWARD'S ALWAYS HAD A CRUSH ON HER.

EVER SINCE I TOLD HIM WE WERE COMING TO MORELLI'S,

HE GOT A BOOK AND STARTED PRACTICING UP ON HIS DANCING.

WOULDN'T IT BE NICE

IF HOWARD AND ALICE REALLY DID GET TO LIKE ONE ANOTHER?

YES, IT REALLY WOULD.

HEY! YOU TWO WERE REALLY DOING ALL RIGHT OUT THERE.

OH, INDEED.

THAT WAS REALLY SOMETHING.

WELL, ALICE IS AN EXCELLENT DANCER.

THANK YOU, HOWARD.

YOU'RE PRETTY GOOD YOURSELF.

WELL, I DO ENJOY THOSE LATIN RHYTHMS.

THIS HAS REALLY BEEN FUN TONIGHT.

HASN'T IT?

WE OUGHT TO GET TOGETHER

AND HAVE A PICNIC OR SOMETHING.

SOUNDS MARVELOUS.

LET'S DO THAT.

YEAH, THAT'S A FINE IDEA.

I'VE GOT A BETTER IDEA.

ANDY, YOU REMEMBER THAT CABIN

THAT MY FAMILY HAD NEAR THE LAKE?

YEAH, YEAH.

WELL, NOBODY'S USING IT.

WHY DON'T WE GO UP THERE FOR THE WEEKEND?

THERE'S ONE BEDROOM BIG ENOUGH

FOR YOU AND HOWARD

AND HELEN AND I CAN USE THE OTHER ONE.

THAT'S A WONDERFUL IDEA.

WELL, LET'S DO THAT THEN.

I GOT JUST A LITTLE SOMETHING TO DO

BUT I CAN LEAVE AROUND NOON.

IS THAT OKAY?

FINE. FINE.

TO OUR WEEKEND.

TO OUR WEEKEND.

THERE WE ARE.

* THERE'S NOTHING YOU CAN TAKE *

* TO RELIEVE THAT PLEASANT ACHE *

* YOU'RE NOT SICK, YOU'RE JUST IN LOVE *

Andy: * I HEAR SINGING AND THERE'S NO ONE THERE *

* YOU DON'T NEED ANALYZING, IT'S NOT SO SURPRISING *

* THAT YOU FEEL VERY STRANGE, BUT NICE *

* I SMELL BLOSSOMS AND THE TREES ARE BARE *

* YOUR HEART GOES PITTER-PATTER *

* ALL DAY LONG, I SEEM TO WALK ON AIR *

* I KNOW JUST WHAT'S THE MATTER *

* BECAUSE I'VE BEEN THERE ONCE OR TWICE *

* I WONDER WHY

* PUT YOUR HEAD ON MY SHOULDER *

* I KEEP TOSSING IN MY SLEEP AT NIGHT *

* I NEED SOMEONE WHO'S OLDER *

* A RUBDOWN WITH A VELVET GLOVE *

* AND ONCE MORE, I'VE LOST MY APPETITE *

* STARS THAT USED TO TWINKLE IN THE SKIES *

* ARE TWINKLING IN MY EYES *

* YOU'RE NOT SICK, YOU'RE JUST IN LOVE *

* I WONDER WHY.

YOU WAS REALLY BEATING IT OUT THERE, HOWARD.

OH, YEAH, WELL.

WE OUGHT TO GO ON THE ROAD, YOU KNOW?

MARVELOUS!

LET'S DO ANOTHER ONE.

OH, WHAT WE OUGHT TO BE SINGING IS

"GOODNIGHT, LADIES."

YEAH, WE GOT A PRETTY BIG DAY AHEAD OF US TOMORROW.

YEAH, LET'S GET A GOOD NIGHT'S SLEEP AND,

TOMORROW, WE'LL CLIMB UP CHIMNEY ROCK.

THERE'S A PLACE UP THERE I WANT TO SHOW YOU.

THAT SOUNDS NICE.

MMM!

GOODNIGHT, ANDY.

GOODNIGHT, HOWARD.

NIGHT.

WELL, GOODNIGHT.

GOODNIGHT, HOWARD.

HOWARD, HOW LONG DO YOU GENERALLY BRUSH YOUR TEETH?

WELL, I USUALLY GIVE IT

15 MINUTES IN THE MORNING AND 15 AT NIGHT.

ANY CHANCE OF CUTTING IT A LITTLE SHORT TONIGHT?

WELL, I WAS JUST FINISHING.

OH, I KNOW THERE ARE

LOTS OF TOOTHPASTES THAT PREVENT CAVITIES

BUT I LIKE TO WAGE MY OWN BATTLE.

GOOD.

SOMETIMES MY THROAT HAS A TENDENCY

TO DRY UP IN THE MIDDLE OF THE NIGHT.

OH, THAT CAN HAPPEN, YEAH.

WELL...

HIT THE OLD SACK.

YEAH.

I USUALLY SLEEP ON MY STOMACH.

GOOD.

NIGHT.

NIGHT.

ALICE...

ANDY... WELL, YOU SCARED THE HECK OUT OF ME.

WHAT ARE YOU DOING OUT HERE IN THE MIDDLE OF THE NIGHT?

OH, I COULDN'T SLEEP.

THE QUIET KEPT WAKING ME UP.

OH... WELL, THAT WASN'T MY PROBLEM.

ISN'T IT A BEAUTIFUL NIGHT?

YEAH, IT REALLY IS.

WELL...

I GUESS WE BETTER BE GETTING BACK

AND GET SOME SLEEP.

GOT A BIG DAY TOMORROW.

ANDY TAYLOR, YOU'RE ACTUALLY AFRAID HELEN MIGHT CATCH US.

OH, NO, NO, NO.

THAT'S-THAT'S NOT... THAT'S NOT IT, NO.

OH, YES, IT IS.

NO, NO, IT'S NOT.

YES, IT IS.

NO, YOU... YOU ALWAYS DID LIKE TO MAKE JOKES, DIDN'T YOU?

COME ON, WE BETTER GET BACK.

OKAY.

WHICH WAY?

DON'T YOU KNOW?

NO.

WELL, YOU CAME...

AND I CAME IN OVER...

THIS... NO, IT'S THIS WAY.

IT'S THIS WAY.

I'M SURE IT'S THIS WAY.

YEAH, I'M SURE IT'S THIS WAY.

GO THIS WAY.

HUH?

ANDY?

HI, HOWARD.

I THOUGHT I'D FIND ALICE HERE.

GEE, I THOUGHT I'D FIND AN...

YOU MEAN ANDY ISN'T IN HIS ROOM, EITHER?

UH... W-W-WELL, WHAT PROBABLY HAPPENED WAS

HE PROBABLY COULDN'T SLEEP AND WENT FOR A WALK... PROBABLY.

OH.

OF COURSE.

THAT MIGHT BE WHAT HAPPENED TO ALICE...

PROBABLY COULDN'T SLEEP AND TOOK A WALK.

UH, PROBABLY.

WELL...

NO SENSE IN OUR LOSING SLEEP JUST BECAUSE THEY'RE AWAKE.

MIGHT AS WELL GO BACK TO BED.

YEAH, JUST BECAUSE THEY'LL BE TIRED IN THE MORNING

IS NO REASON FOR O NOT BEING RESTED.

THAT'S RIGHT.

OH, WELL...

I AM SLEEPY.

ME, TOO.

MIGHT AS WELL JUST GO ON BACK TO BED.

NO USE WAITING UP FOR THEM.

NO. NO. NO.

WELL... GOODNIGHT, HOWARD.

GOODNIGHT.

PHEW!

ANDY, I'M SURE THE CABIN MUST BE IN THAT DIRECTION.

IT CAN'T BE IN THAT DIRECTION.

WE TRIED THAT DIRECTION TWO TIMES.

DO YOU KNOW WHAT TIME IT IS? 4:30.

4:30, FANCY THAT.

THAT'S NOT FUNNY. THAT'S JUST NOT FUNNY.

COME ON.

GOOD. GOOD. GOOD. GOOD.

GOOD. GOOD. GOOD. GOOD. GOOD. GOOD.

WHAT TIME IS IT, ANDY?

Oh, I don't know what time it is.

It's, uh, ooh, 6:30.

OH, BOY.

You better know, oh, boy.

Now, listen, we both know how innocent that was

and that nothing happened,

but it might be a little difficult to explain.

What do you want me to say?

Stop that.

Just stop that. Stop that.

Okay.

Okay, now, stop that. Now, here's what we'll say.

Um... Uh, yeah, W-we'll-We'll say...

We'll say...

Stop it.

We'll say that we both woke up early

and wanted to surprise them

and-and have breakfast ready for them.

OH, F...

OH, GOOD MORNING, HELEN.

MORNING, ALICE...

ANDY.

OH, HI THERE, SLEEPYHEAD.

WE THOUGHT YOU WERE GOING TO SPEND ALL DAY IN BED.

WELL, YOU TWO ARE CERTAINLY UP EARLY.

WELL...

ALICE IS THE EARLY BIRD.

SHE WAS FIXING BREAKFAST WHEN I CAME IN.

WEREN'T YOU, ALICE?

YES. SEE?

HOW DID YOU SLEEP?

GOOD, HUH?

OH, FINE.

AND YOU?

GREAT.

GREAT, GREAT, GREAT.

SLEPT JUST LIKE A BABY.

NEVER HEARD A SOUND.

DON'T THINK I TURNED OVER ONE TIME.

HOW'D YOU SLEEP?

FINE.

SEE IT'S THE AIR.

I DON'T BELIEVE I'VE EVER SLEPT QUITE AS SOUND.

DID NOT MOVE A MUSCLE.

HOW ABOUT YOU, ALICE?

YOU ASKED HER THAT.

OH.

EXCUSE ME.

WELL...

GOOD MORNING, HOWARD.

HOWARD...

HOW'D YOU SLEEP? GREAT, HUH?

WHAT'D I TELL YOU ABOUT IT?

IT'S THE AIR.

AIR.

WE GOT UP EARLY

AND STARTED FIXING BREAKFAST.

WE DIDN'T WANT TO DISTURB YOU

AND, SO, THAT'S WHAT WE WERE DOING

FIXING BREAKFAST.

MAY I SEE YOU FOR A MINUTE, ANDY?

WELL, SURE.

EX-EXCUSE US... ALICE.

EXCUSE US, ALICE.

OH, BOY, DID I SLEEP, DID I EVER SLEEP.

I DON'T BELIEVE I MOVED A MUSCLE ALL NIGHT.

ANDY, YOU DID MOVE A MUSCLE.

I WOKE UP LAST NIGHT, AND YOU WERE GONE.

IT NEVER PAYS TO LIE.

HOWARD, I COULDN'T SLEEP AND I-I WENT OUTSIDE

AND NOTHING HAPPENED.

I JUST RAN INTO HER IN THE WOODS AND...

WE GOT LOST.

OH, SURE, SURE.

IT'S THE TRUTH, HOWARD.

IT'S-IT'S THE TRUTH.

I... NOTHING. NOTHING.

IT'S-IT'S THE TRUTH...

AND-AND, BOY...

JUST AS LONG AS HELEN DOESN'T KNOW...

HELEN KNOWS.

WHAT?

SHE WOKE UP LAST NIGHT, TOO, AND FOUND YOU AND ALICE GONE.

OH, BOY.

HELEN...

YOU HAVE TO LISTEN TO ME.

HOWARD, WILL YOU DRIVE ME INTO TOWN?

I-I CAN EXPLAIN EVERYTHING.

I'LL BE WAITING IN THE CAR.

I'M INNOCENT!

MAYBE I CAN TALK TO HER, ANDY.

YOU BETTER TALK TO HOWARD.

NOW, HELEN, HELEN, YOU... HELEN, HELEN...

HELEN, YOU'VE GOT TO BELIEVE ME.

ALL WE DID WAS WE GOT LOST, THAT'S ALL.

IF HOWARD WON'T DRIVE ME HOME, I'LL DRIVE MYSELF.

NOT WITHOUT THE KEYS, YOU WON'T.

ALL RIGHT, ALL RIGHT...

LET GO OF ME!

NOW, THIS IS ONE ARGUMENT YOU'RE NOT GONNA WIN.

NOW, HELEN, YOU'VE GOT TO LISTEN TO ME.

NOTHING YOU HAVE TO SAY COULD INTEREST ME.

WELL... NOW, HELEN...

HELEN.

HELEN.

HEL...

WAIT A MINUTE.

HELEN, WHERE ARE YOU?

OH, I'M OVER HERE.

OH, THERE YOU ARE.

ARE YOU ALL RIGHT?

OH, Y... WELL, Y-YEAH.

OH, GOOD, GOOD.

GOOD. UH, WELL

I-I-I JUST WANTED TO BE SURE YOU WERE SAFE

AND FINE, SO I BELIEVE I'LL SEE

IF I CAN FIND MY WAY BACK TO THE CABIN.

I'LL SEE YOU.

ANDY TAYLOR, DON'T YOU DARE LEAVE ME OUT HERE IN THESE WOODS!

WELL, IF YOU DON'T BELIEVE

IT'S POSSIBLE TO GET LOST OUT HERE

WELL, LAND SAKES ALIVE,

YOU OUGHT TO BE ABLE TO FIND YOUR WAY BACK.

ANDY!

WELL, WHAT'S THE MATTER?

ARE YOU TRYING TO TELL ME THAT IT IS POSSIBLE

TO COME OUT IN THESE WOODS AND GET LOST

AND THAT IT IS BARELY POSSIBLE THAT SOME FELLA AND SOME GIRL

MIGHT NOT BE ABLE TO SLEEP AND THAT THEY ACCIDENTALLY

RAN INTO ONE ANOTHER IN THE WOODS AND GOT LOST?

IS THAT WHAT YOU'RE TRYING TO TELL ME?

YES, SIR, THAT'S WHAT I'M TRYING TO TELL YOU.

YEAH...

IN THAT CASE, MISS CRUMP, IT'LL BE MY PLEASURE.

THANK YOU, SHERIFF TAYLOR.

SO YOU HAD A GOOD TRIP, HUH, ANDY?

YEAH, GREAT.

EVERYTHING GO ALL RIGHT?

I MEAN, BETWEEN THE TWO GIRLS.

EVERYTHING WENT FINE. SO, YOU SEE, GOOB?

ALL THOSE SPICY STORIES YOU WERE READING

ARE JUST FICTION.

IN A NICE GROUP OF PEOPLE, THOSE THINGS DON'T HAPPEN.

WELL, I GUESS NOT.

WELL, I'M NOT READING THAT KIND OF STORY ANYMORE.

I'M READING A DIFFERENT KIND.

OH, WELL, THAT'S GOOD.

ANDY.

MM

HOW LONG HAVE YOU KNOWN HELEN?

ABOUT FIVE YEARS.

DID YOU KNOW HER BEFORE SHE COME TO MAYBERRY?

NO, WHY?

WHERE DOES SHE SAY SHE COMES FROM?

SHE COMES FROM KANSAS.

WELL, I WAS READING THIS STORY --

NOW, THIS IS TRUE, ANDY --

IT'S ABOUT THIS REAL NORMAL WOMAN

AND SHE WAS A SCHOOLTEACHER, TOO,

AND THEY FOUND OUT SHE COMES FROM ANOTHER PLANET.

NOW, NOW, I'M NOT SAYING HELEN DOES,

BUT IT MIGHT BE SOMETHING TO LOOK INTO,

JUST TO BE ON THE SAFE SIDE.