Original subtitles

AH, THANK YOU.

WELL, I SURE AM LOOKING FORWARD TO TOMORROW NIGHT.

OH, SO AM I.

YEAH, WHY DON'T YOU PICK THE RESTAURANT THIS TIME?

OH, NO, YOU PICK IT.

YOU PICK IT, WE'LL GO ANYWHERE YOU SAY.

OH, ANYPLACE YOU SAY IS FINE.

WELL, I HEAR THEY HAVE A LOVELY NEW

CHINESE RESTAURANT IN MT. PILOT.

DAVE'S HONG KONG.

THAT SOUNDS GOOD. YOU WANT TO GO THERE?

FINE! BUT --

YEAH

WELL, JUST THAT IT'S A LOT MORE FUN

GOING TO A CHINESE RESTAURANT WITH MORE THAN TWO PEOPLE.

THAT'S RIGHT, ANDY, YOU GET TO TRY A LOT MORE THINGS.

WITH THREE, YOU GET EGG FOO YUNG

AND WITH FOUR, THEY ADD SWEET AND SOUR SHRIMP.

OH, I KNOW A VERY NICE GIRL IF WE COULD GET HER A DATE.

SUE ANN McGRATH.

SHE WORKS OVER AT THE DIME STORE.

OH, THAT SWEET LITTLE GIRL, YES,

WE HAD A NICE CHAT TOGETHER.

SHE SOLD ME SOME MOTH BALLS.

SHE'S ONLY BEEN IN TOWN A FEW WEEKS.

I KNOW SHE'D JUST LOVE IT IF WE COULD GET HER A DATE.

WELL, I'LL TELL YOU THE TRUTH, I'M NOT TOO CRAZY

ABOUT FIXING PEOPLE UP WITH BLIND DATES.

WHAT ABOUT WARREN?

YOU KNOW, I DON'T THINK HE'S HAD A DATE

SINCE HE'S BEEN IN TOWN.

WELL, MAYBE HE'S SHY.

I'LL NEVER FORGET MY FIRST BLIND DATE.

ORVILLE BUCK.

WE WENT ICE SKATING.

HE HAD THE WEAKEST ANKLES.

I HAD TO HOLD HIM UP ALL NIGHT.

BESIDES THAT, WE DISLIKED EACH OTHER

RIGHT FROM THE START.

WE FOUGHT ABOUT EVERYTHING.

SEE? THAT PROVES WHAT I SAY ABOUT BLIND DATES.

HE WAS KILLED LATER, IN AN EXPLOSION.

HMM.

LISTEN, ANDY, WHY DON'T YOU JUST

MENTION IT TO WARREN AND SEE WHAT HE SAYS?

OKAY, I'LL SOUND HIM OUT.

HI, WARREN. HOW YOU DOING, ANDY?

WHAT'S ALL THIS?

MY LANDLADY'S BROTHER'S IN TOWN, AND THE HOTEL'S FULL

SO I TOLD HIM TO STAY AT MY PLACE. YOU KNOW HOW I AM.

OH, YEAH.

I THOUGHT I'D STAY IN THE BACK ROOM JUST FOR THE NIGHT.

SURE. I SEE YOU BROUGHT ENTERTAINMENT.

SOMETHING TO DO.

YEAH.

HEY, WARREN.

YES, ANDY?

UH, HOW'S, UH, HOW'S YOUR SOCIAL LIFE?

YOU BEEN, UM, GOING OUT MUCH?

WELL, NO, NOT TOO MUCH.

ACTUALLY, I'VE BEEN PRETTY BUSY.

I GUESS BACK HOME

YOU WENT OUT RIGHT MUCH, THOUGH, HUH?

ARE YOU KIDDING?

ANDY, THAT WAS ONE OF THE REASONS

WHY I HAD TO LEAVE TOWN.

YEAH?

IT WAS TOO MUCH. NO KIDDING?

THEY WERE ALL OVER ME, ANDY.

REALLY?

WELL, YOU KNOW HOW IT IS--

A GUY IN UNIFORM, YOU KNOW, SINGLE, BIG FUTURE

A LITTLE CHARM, SAVOIR FAIRE.

YOU KNOW WHAT I MEAN?

HUH? YEAH.

YEAH. HUH?

YOU SAID IT. YEAH.

BUT YOU HAVEN'T FOUND ANYBODY HERE YET.

NO. OH, I MEAN, THEY'VE BEEN GIVING ME

THE BIG EYE, YOU KNOW?

I HAVEN'T HAD TIME.

YOU KNOW HOW THAT IS.

YEAH.

WELL, THAT'S THE REASON I BROUGHT IT UP.

HELEN AND I ARE GOING

TO A CHINESE RESTAURANT UP IN MT. PILOT TONIGHT

AND WE WAS WONDERING IF YOU'D LIKE TO COME ALONG.

HEY, ANDY, THAT'S GREAT.

CHINESE RESTAURANT-- I LOVE IT.

I LOVE CHINESE FOOD.

WELL, GOOD.

I'LL TELL HELEN YOU'LL COME.

SURE, I'LL GO.

GOOD.

SHE'S GOT A LITTLE GIRL

SHE CAN GET FOR YOU.

GIRL?

WELL, YEAH, A GIRL.

YOU MEAN A DATE?

WELL, CERTAINLY.

I JUST REMEMBERED SOMETHING, ANDY.

WHAT?

UM, MY BLUE SUIT, IT'S IN THE CLEANERS.

I SPILLED TAPIOCA ON IT, AND... MAYBE SOME OTHER TIME.

WHY DON'T YOU WEAR YOUR SPORT COAT AND SLACKS?

THAT'S WHAT I'M GOING TO WEAR.

NOT ON A DATE, ANDY.

I JUST WOULDN'T FEEL COMFORTABLE.

OH.

BELIEVE ME, I'D LOVE TO GO

BUT IF I'M NOT DRESSED PROPERLY

I JUST COULDN'T ENJOY THE EVENING.

THAT'S HOW I AM. THAT'S THE WAY I AM.

YOU UNDERSTAND.

SURE, I UNDERSTAND.

I'LL BE OUT IN A MINUTE.

WARREN, WE'RE LEAVING.

YEAH. THERE WE ARE.

NOW, IF YOU GO ANYWHERE

LET SARAH KNOW WHERE YOU ARE

SO IF ANYTHING HAPPENS

SHE CAN GET IN TOUCH WITH YOU.

I'LL BE RIGHT HERE ALL NIGHT, ANDY.

OKAY.

HELLO. I'LL GET IT.

HELLO.

OH, HELLO, SHERIFF MITCHELL.

REALLY?

ANYBODY HURT?

OH, THAT'S GOOD.

RIGHT. OKAY. RIGHT.

WHAT IS IT, ANDY?

A WRECK OUT ON THE HIGHWAY.

TRAFFIC'S ALL SNARLED UP FOR MILES.

SHERIFF MITCHELL WANTS ME TO COME OUT THERE

AND HELP HIM CLEAR IT UP.

WELL, ANDY, YOU'VE GOT A DATE.

I CAN HANDLE THAT.

I BETTER GO OUT THERE.

I'LL SEE YOU.

ANDY, WE'D BETTER HURRY

OR WE'LL LOSE OUR RESERVATION.

THERE'S BEEN AN ACCIDENT ON THE HIGHWAY.

I GOT TO GO OUT AND HELP CLEAR IT UP.

OH, DARN. WELL, HOW LONG WILL YOU BE?

A COUPLE HOURS, I GUESS.

WELL, LOOK, I'LL FIND SOMETHING ELSE TO DO

AND MEET YOU BACK HERE ABOUT 10:00?

OKAY. I'LL COME BACK AS QUICK AS I CAN.

WELL, WHAT TO DO NOW?

WARREN, ARE YOU GOING TO EAT?

NO.

WELL, NOT AT ALL?

WELL, MAYBE LATER.

WELL, I GUESS I'LL GO AHEAD

AND GET A BITE TO EAT THEN.

I DON'T KNOW THEN

WHETHER TO COME BACK HERE AND BRUSH UP ON MY TYPING

OR GO TO A MOVIE OR...

WELL, OUR TYPEWRITER'S IN PRETTY BAD SHAPE.

IT NEEDS WHAT YOU CALL AN OVERHAUL.

THE "S" KEEPS STICKING.

OH.

I GUESS I'LL GO TO A MOVIE THEN.

IT'S A GOOD IDEA.

IT'S A GOOD MOVIE.

WELL, LISTEN, I'LL SEE YOU LATER THEN, WARREN.

BYE-BYE.

HEY, WARREN.

OH, HEY, GOOBER.

SAW YOUR LIGHT. DOIN' ANYTHING TONIGHT?

JUST GONNA SIT HERE FOR A WHILE AND WATCH TV.

ANY GOOD PROGRAMS ON?

ARE YOU KIDDIN'?

"INTERNATIONAL SECRET AGENT F-45," THAT'S ALL.

BOY, I'VE WANTED TO SEE THAT.

YEAH, TONIGHT IT'S CALLED "MISSION: ISTANBUL."

ISTANBUL, HUH?

I LOVE SHOWS ABOUT ISTANBUL, ALWAYS FULL OF ACTION.

IT'S STARTED ALREADY.

SEE, THAT'S ISTANBUL. YOU CAN TELL--

THEY HAVE THEM ROUND ROOFS OVER THERE.

HEY, THERE HE IS-- INTERNATIONAL SECRET AGENT F-45.

THAT'S MICHAEL GLENVILLE.

HE'S A GREAT ACTOR; EVEN THE WAY HE WALKS.

REAL HIGH-CLASS.

HE'S SUAVE. THAT'S WHAT HE IS, SUAVE.

HERE COMES A GIRL.

OH, NATURALLY.

THAT'S ANOTHER THING ABOUT ISTANBUL--

90% WOMEN AND THEY'RE ALL BEAUTIFUL.

THE WAY HE SMILES AT HER.

HE'S SUAVE. HE'S SUAVE.

Woman: Hello, Brent.

Brent: Hello, Iliana.

Don't move.

Don't move?

The light shimmering through your hair.

I want to remember you that way.

Just stand there and let me look at you.

THAT BOY'S GOT IT.

HE'S GOT IT.

Darling, you're not leaving?

Orders.

Where this time?

Dubrovnik.

Oh, no.

C'est la vie, mon amour.

THAT'S FRENCH.

YEAH. THAT'S SUAVE.

Will you come back?

Yes.

When, Brent, when?

Tomorrow, a year from tomorrow.

Oh, why must it always be this way with us?

I know.

If ever two people were meant for each other.

HE'S GOING TO KISS HER.

HE'S GOING TO MAKE HIS PLAY NOW.

SHE'S LIKE PUTTY IN HIS HANDS.

SUAVITY-- THAT'S WHAT DOES IT.

SHEER SUAVITY.

WELL, THERE HE GOES.

HE'S LEAVING FOR DUBROVNIK.

YEAH.

HELLO, SARAH?

HAVE YOU HEARD WHETHER THAT TRAFFIC JAM

OUT ON THE HIGHWAY'S BEEN CLEARED UP YET?

NO, NO. IT'S NOT IMPORTANT.

THANKS, ANYWAY.

DON'T MOVE.

OH, HI, WARREN.

DON'T MOVE.

WHY NOT?

THE LIGHT SHIMMERING THROUGH YOUR HAIR.

WELL, WHAT ABOUT IT?

JUST STAND THERE.

IT'S KIND OF BREEZY OUT.

IT MIGHT HAVE GOTTEN MESSY.

I WANT TO REMEMBER YOU THAT WAY.

WARREN, WHAT IS THIS?

C'EST LA VIE, MON AMOUR.

C'EST LA VIE.

WHAT?

IF EVER TWO PEOPLE WERE MEANT

FOR EACH OTHER...

OH, WARREN.

I'LL SEE YOU TOMORROW.

TOMORROW... A YEAR FROM TOMORROW?

WARREN.

WARREN?

NOW...

WARREN...

WARREN!

Helen: ANDY.

YOU'RE ALWAYS UP TO SOMETHING, AREN'T YOU?

OH, GET ME OUT OF HERE!

OH, OKAY.

WHAT ARE YOU DOING IN THERE ANYWAY?

WELL, JUST ASK THE MONSTER!

"ASK THE MONSTER"?

WARREN!

WARREN'S A MONSTER?

HE CHASED ME, ANDY!

HE WAS CHASING ME!

HE CHASED YOU?

I SAID SO!

WARREN CHASED YOU?

YES, WARREN CHASED ME.

YOUR SHY LITTLE DEPUTY, WARREN CHASED ME!

OH, COME ON.

WELL, ASK HIM, ANDY, JUST ASK HIM!

HE'S RIGHT BACK THERE!

GO AHEAD!

WARREN, WAKE UP!

WAKE UP!

WHAT IS IT, ANDY?!

WHAT IS IT?!

OH.

HOW'S EVERYTHING OUT ON THE HIGHWAY, ANDY?

NEVER MIND ABOUT THE HIGHWAY.

WHAT'S THIS ABOUT YOU CHASING HELEN?

ME CHASING HELEN?

I DON'T KNOW WHAT YOU'RE TALKING ABOUT.

I WANT AN EXPLANATION AND I WANT IT RIGHT NOW.

I WAS ASLEEP TILL YOU WOKE ME UP.

HE CHASED ME!

YOU DON'T THINK I LOCKED MYSELF

IN THE CELL FOR MY HEALTH?

I NEVER CHASED A WOMAN IN MY LIFE. I SWEAR!

YOU DID, TOO!

I'M A GENTLEMAN.

I'M FROM BOSTON.

I'M TELLING YOU HE CHASED ME, ANDY.

HE CHASED ME AND HE TRIED TO KISS ME

AND IF YOU'RE NOT GOING TO DO ANYTHING ABOUT IT

I'M GOING HOME!

WAIT A MINUTE, HELEN.

I DON'T UNDERSTAND!

WELL, C'EST LA VIE, MON AMOUR.

WAIT A MINUTE!

[ MOUTHING "C'EST LA VIE, MON AMOUR" ]

GOOBER...

GOOBER...

TAKE A GOOD LOOK AT ME.

WHAT DO I LOOK LIKE TO YOU?

I LOOK LIKE AN ORDINARY GUY, RIGHT?

WELL, UH...

THE TRUTH OF THE MATTER IS, GOOBER

I'M A SLEEPWALKER.

YOU'RE A WHAT?

A SLEEPWALKER.

A MAN...

WHO WALKS IN HIS SLEEP.

YEAH, YEAH.

THAT'S NOT ALL.

THERE'S MORE.

I MIGHT AS WELL TELL YOU THE REST OF IT.

LAST NIGHT I CHASED HELEN CRUMP

ALL AROUND THE COURTHOUSE,

ALL AROUND IT.

SHE FINALLY HAD TO LOCK HERSELF IN THE CELL.

YOU CHASED HELEN...

THAT'S RIGHT.

IN YOUR SLEEP.

IN MY SLEEP.

YOU DO THIS A LOT, WARREN?

WELL, IT'S HAPPENED BEFORE.

IT USUALLY TAKES SOMETHING TO TRIGGER IT.

LIKE LAST NIGHT.

ANDY ASKED ME OUT FOR A DATE AND I SAID NO.

I DON'T KNOW. I JUST GET NERVOUS WITH GIRLS.

I DON'T KNOW.

I DO, TOO-- ESPECIALLY THE PRETTY ONES.

WELL...

I SEE SOMETHING LIKE SECRET AGENT F-45

AND... SUDDENLY I'M HIM.

SEEMS THERE OUGHT TO BE SOMETHING YOU CAN DO ABOUT IT.

OH, YEAH, SURE. SURE THERE IS.

I CAN STAY AWAKE ALL NIGHT LIKE I DID LAST NIGHT

AND WORRY.

I HAVEN'T SHUT MY EYES

SINCE ANDY CAME IN AND WOKE ME UP.

WARREN...

IF I WAS YOU, I'D TELL ANDY ABOUT THIS.

NOW, ANDY'S A UNDERSTANDING FELLER.

I CAN'T DO THAT, GOOBER.

DON'T YOU SEE THAT...

WELL, DO YOU THINK ANDY WANTS A DEPUTY, A MAN WITH TRUST

THAT... THAT WALKS IN HIS SLEEP?

UH-UH. NO, NO.

NO, I'M JUST GOING TO WAIT

AND HOPE THE WHOLE THING BLOWS OVER.

WHAT ARE YOU DOING, WARREN?

TRYING TO STAY AWAKE SO IT CAN'T HAPPEN AGAIN.

HELEN, THERE'S NO POINT, NO POINT IN THE WORLD

IN OUR FIGHTING ABOUT THIS THING.

I PROMISE YOU

I'M GOING TO FIND WARREN AND ONE WAY OR ANOTHER

I'M GOING TO STRAIGHTEN THIS THING OUT.

OKAY?

OKAY.

HOW LONG YOU THINK YOU'LL BE HERE THIS AFTERNOON?

WELL, I HAVE A P.T.A. MEETING AT 4:00.

YOU WANT TO STOP BY THE OFFICE ON YOUR WAY HOME?

MAYBE I'LL HAVE SOMETHING TO REPORT.

OH, ALL RIGHT.

FRIENDS?

FRIENDS.

OKAY.

HELLO. HELLO!

OH, ANDY. WELL, I'VE BEEN OUT.

OUT!

RIGHT NOW?

OKAY. I'LL BE RIGHT OVER.

Andy: WARREN!

YOU WANTED TO SEE ME, ANDY?

YES, I DO. SIT DOWN.

NOW, I WANT THE TRUTH ABOUT WHAT HAPPENED LAST NIGHT.

I DON'T BLAME YOU.

I KNOW YOU AND HELEN MUST BE BOTHERED.

YOU BETTER KNOW HELEN AND I ARE BOTHERED.

NOW, I WANT THE PLAIN, UNVARNISHED TRUTH.

I WISH I COULD HELP YOU.

NOW, LOOK, WARREN!

I KNOW HELEN DOESN'T LIE.

NO, SHE'S A WONDERFUL PERSON.

DO YOU HAVE TO KEEP YAWNING LIKE THAT?

SORRY.

NOW, I WANT TO TELL YOU SOMETHING, WARREN.

ONE WAY OR ANOTHER

I'M GOING TO FIND OUT WHAT HAPPENED LAST NIGHT.

OH, ANDY, I'M WITH YOU A HUNDRED PERCENT.

I WANT YOU TO TELL ME

EVERY MOVE YOU MADE FROM THE TIME I LEFT HERE.

WELL...

I WENT IN THE BACK ROOM...

ALL RIGHT.

LET'S GO.

YOU WERE IN THE BACK ROOM...

YEAH.

WELL?

WELL, UH, ME AND GOOBER, WE WATCHED TV FOR A WHILE.

YOU WATCHED TV.

THEN I GOT TIRED; DECIDED TO TURN IN.

YEAH.

AND I TOOK OFF MY SHOES...

TOOK OFF YOUR SHOES.

AND, UH... LAY DOWN ON THE COUCH.

ALL RIGHT. YOU LAID DOWN ON THE COUCH.

NOW...

YOU STAY RIGHT THERE.

HELLO?

OH, YES, MISS PURVIS.

UP IN THE TREE AGAIN, IS HE?

WELL, DID YOU TRY POKING HIM?

YOU DID.

WELL, LOOK, MIZ PURVIS, I CAN'T COME OVER THERE

EVERY TIME YOU AND MR. PURVIS HAVE A FIGHT

AND GET HIM DOWN OUT OF THE TREE.

ALL RIGHT. I'LL COME OVER.

ALL RIGHT.

ALL RIGHT, WARREN.

WARREN!

FOR PETE'S SAKE.

ANDY?

ANDY!

Warren: DON'T MOVE.

DON'T MOVE.

WARREN.

C'EST LA VIE, MON AMOUR.

WARREN, NOW-- NOW, WARREN.

THE LIGHT SHIMMERING THROUGH YOUR HAIR...

WARREN, I'M WARNING YOU.

ALL RIGHT, WARREN, WAKE UP. WAKE UP.

LET'S GO. LET'S GO.

OKAY.

I GOT SOME MORE QUESTIONS

I WANT TO ASK YOU.

OKAY. NOW SIT DOWN.

NOW, YOU SAY YOU DID NOT SEE HELEN

FROM THE TIME SHE LEFT

UNTIL THE TIME I WOKE YOU UP.

THAT'S CORRECT. YEAH.

I DON'T UNDERSTAND IT.

YOU SOUND LIKE YOU'RE TELLING THE TRUTH.

OH, YEAH?

HELEN!

ANDY, YOU GET ME OUT OF HERE.

WARREN!

BELIEVE ME, THIS IS AS MUCH

A MYSTERY TO ME AS IT IS TO YOU.

IF YOU'D DONE SOMETHING IN THE FIRST PLACE

THIS NEVER WOULD'VE HAPPENED. GOODBYE!

WELL, WARREN, I GUESS THAT ABOUT WRAPS IT UP.

I KNOW HELEN ISN'T JUMPING IN THAT CELL ALL THE TIME

BECAUSE SHE WANTS TO BE NEAR MY WORK.

I'M SORRY, WARREN.

YOU'RE FIRED.

YOU OUGHT NOT TO LEAVE TOWN, WARREN.

NO OTHER CHOICE.

THAT'S... THE REASON I CALLED YOU.

THERE ARE A FEW THINGS I WON'T BE TAKING WITH ME.

I THOUGHT MAYBE YOU'D LIKE TO HAVE THEM.

WELL, YEAH. I GUESS SO.

AN ORANGE JUICE SQUEEZER.

HEY, THAT'S BEAUTIFUL.

YOU LIKE TO READ?

I DON'T MIND.

IT'S CALLED THE MOON MEN INVADE VENUS ON GIANT BATS.

SCIENCE FICTION.

OH.

HOW ABOUT A BRICK?

JUST ONE?

UH-HUH.

OKAY.

MY TELEVISION SET, I...

WELL, I CAN'T GIVE THAT AWAY

BUT WOULD YOU BE INTERESTED IN BUYING IT?

OVER AT THE COURTHOUSE IT DIDN'T GET TOO GOOD A RECEPTION.

THAT WAS LOCATION.

WORKS FINE HERE.

LOOK. I'LL SHOW YOU.

SEE. IT COMES RIGHT IN THERE.

BOY, THAT FRED ASTAIRE SURE CAN DANCE, CAN'T HE?

CAN'T HE? HE'S ONE OF MY FAVORITE ACTORS.

I NEVER MISS A FRED ASTAIRE MOVIE.

UM... WHAT DO YOU SAY, 50 BUCKS?

WARREN, I STILL THINK YOU'RE DOING THE WRONG THING

BY NOT TELLING ANDY ABOUT THIS.

IT WOULDN'T MAKE ANY DIFFERENCE.

I'D STILL BE FIRED, GOOBER.

WELL, YOU CAN'T HELP IT

'CAUSE YOU'RE A SLEEPWALKER.

ANDY'LL UNDERSTAND THAT.

WELL...

AND YOU'RE FIRED ANYWAY.

YEAH. YOU GOT A POINT.

I WOULDN'T HAVE ANYTHING TO LOSE, WOULD I?

NOT A THING.

I'M GOING TO MAKE A CLEAN BREAST OF THIS WHOLE THING.

THIS MAY SHOCK YOU, BUT...

NOTHING'S GOING TO SHOCK ME, WARREN.

JUST TELL ME THE TRUTH.

EXCUSE ME.

NO, PLEASE DON'T GO.

YOU MIGHT AS WELL HEAR THIS, TOO.

THERE'S HELEN. I TOLD HER TO COME OVER.

HI.

OH, HELLO, ANDY... AND GOODBYE.

YOU COULD HAVE TOLD ME HE'D BE HERE.

I KNEW YOU WOULDN'T COME OVER.

I WILL NOT STAY IN THE SAME ROOM WITH HIM.

HE SAYS HE'S GOING TO TELL US THE TRUTH.

LET HIM TELL YOU THE TRUTH.

COME ON, COME ON.

SIT DOWN.

I WON'T STAY IN THE SAME ROOM WITH HIM.

HE CAME HERE OF HIS OWN FREE WILL.

OH, WELL, HOW NOBLE.

YOU WANT TO GET THE CHIP OFF YOUR SHOULDER?

I DON'T HAVE A CHIP.

IF IT'S ALL RIGHT WITH YOU, I'D LIKE TO GO HOME!

WAIT A MINUTE.

I SEE NO REASON TO STAY HERE

WHILE YOU ENTERTAIN THAT WOLF OUT THERE.

THE LEAST WE CAN DO IS LISTEN TO HIM.

THAT'S ALL WE'VE BEEN DOING IS LISTENING TO HIM.

SEEMS TO ME THAT IF A MAN IS GOING WITH A WOMAN

AND ANOTHER MAN MAKES ADVANCES TO THAT WOMAN

THE MAN INVOLVED-- MAN "A"-- THE MAN SHE'S GOING OUT WITH

WOULD TAKE SOME ACTION.

I TOOK SOME ACTION. I FIRED HIM.

NOW, EVEN A CRIMINAL GETS A TRIAL.

I KNOW HE DID IT. I KNOW HE DID IT!

BUT I ALSO KNOW SOMETHING VERY STRANGE IS GOING ON.

I'D LIKE TO KNOW WHY HE DID IT

BECAUSE BASICALLY, WARREN IS A VERY SHY PERSON.

Aunt Bee: ANDY! ANDY!

THANKS FOR BRINGIN' ME HOME, ANDY.

THAT'S OKAY. YOU ALL RIGHT NOW?

OH, SURE. FINE.

YOU KNOW, IF YOU'D TOLD US ABOUT IT

RIGHT AT THE BEGINNING, WARREN, WE'D HAVE UNDERSTOOD.

WELL, HELEN, BEIN' A SLEEPWALKER, IT ISN'T EXACTLY

THE TYPE OF THING YOU GO AROUND BOASTING ABOUT.

BUT, YOU KNOW, I GOT A FEELIN' IT MAY NEVER HAPPEN AGAIN.

I MEAN, THESE THINGS, WELL, ONCE THEY'RE OUT,

THAT'S IT, THING OF THE PAST.

I SUPPOSE.

YOU BETTER GET SOME SLEEP.

GUESS I'D BETTER.

GOOD NIGHT, WARREN.

GOOD NIGHT, HELEN.

Andy: I'LL SEE YOU IN THE MORNING.

THANKS AGAIN, ANDY.