Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:09,743 --> 00:00:12,480
STARRING ANDY GRIFFITH...
2
00:00:12,513 --> 00:00:14,782
WITH RONNY HOWARD...
3
00:00:14,815 --> 00:00:18,352
ALSO STARRING DON KNOTTS.
4
00:00:22,523 --> 00:00:23,824
CEN...TEN-A-LY.
5
00:00:23,857 --> 00:00:25,626
MNH-MNH.
CENTENNIAL.
6
00:00:25,659 --> 00:00:27,761
CEN-TEN-NIAL.
7
00:00:27,795 --> 00:00:29,697
SURE IS A LONG WORD,
HUH, PAW?
8
00:00:29,730 --> 00:00:32,200
YES. IT'S A MIGHTY
GOOD WORD, THOUGH.
9
00:00:32,233 --> 00:00:35,669
IT MEANS MAYBERRY
IS CELEBRATING ITS
100th ANNIVERSARY.
10
00:00:35,703 --> 00:00:37,805
YOU SEE, OPE,
THE WORD "CENTENNIAL"
11
00:00:37,838 --> 00:00:40,108
COMES FROM THE LATIN WORD
"CENTUS,"
12
00:00:40,141 --> 00:00:42,710
WHICH MEANS A HUNDRED
IN THE LATIN LANGUAGE.
13
00:00:42,743 --> 00:00:45,179
NOW, THAT WAS A LANGUAGE
THAT WAS USED
14
00:00:45,213 --> 00:00:48,549
BY VERY INTELLIGENT PEOPLE
A LONG TIME AGO.
15
00:00:48,582 --> 00:00:50,684
AND WHEN THEY WANTED
TO SAY A HUNDRED,
16
00:00:50,718 --> 00:00:53,487
WHY, THEY JUST SAID "CENTUS"
INSTEAD, YOU SEE?
17
00:00:53,521 --> 00:00:56,324
WHY DIDN'T THEY JUST SAY
A HUNDRED?
18
00:00:56,357 --> 00:00:58,659
WELL, THEY DIDN'T KNOW
ABOUT THAT WORD YET.
19
00:00:58,692 --> 00:01:00,261
THEY DIDN'T KNOW
ABOUT A HUNDRED?
20
00:01:00,294 --> 00:01:02,396
THEY DON'T SOUND LIKE THEY
WERE VERY INTELLIGENT.
21
00:01:02,430 --> 00:01:04,698
BARNEY'S RIGHT, THOUGH.
THAT'S RIGHT.
22
00:01:04,732 --> 00:01:06,467
WHENEVER "CENT"
IS A PART OF A WORD,
23
00:01:06,500 --> 00:01:08,736
IT USUALLY MEANS A HUNDRED
OF SOMETHING OR OTHER.
24
00:01:08,769 --> 00:01:10,138
THAT'S RIGHT.
25
00:01:10,171 --> 00:01:11,572
LIKE, UH..."CENTURY."
26
00:01:11,605 --> 00:01:14,475
NOW, THAT MEANS
A HUNDRED YEARS, YOU SEE.
27
00:01:14,508 --> 00:01:16,110
THAT'S RIGHT.
28
00:01:16,144 --> 00:01:18,212
"CENTIPEDE," THAT'S A BUG
WITH A HUNDRED LEGS.
29
00:01:18,246 --> 00:01:19,780
COME ON, ANGE,
DON'T MAKE UP JOKES
30
00:01:19,813 --> 00:01:22,316
NOT WHILE I'M TRYING
TO TEACH THE BOY SOMETHING.
31
00:01:22,350 --> 00:01:24,518
"CENTIPEDE" DOES MEAN
A BUG WITH A HUNDRED LEGS.
32
00:01:24,552 --> 00:01:26,687
WELL, IT'S NOT LATIN.
IT COULDN'T BE.
33
00:01:26,720 --> 00:01:29,857
YOU KNOW THEM SCHOLARS AND
ROMANS WITH ALL THEIR UPBRINGIN'
34
00:01:29,890 --> 00:01:31,892
AIN'T GOING TO BE
GOING AROUND TALKIN'
35
00:01:31,925 --> 00:01:34,828
ABOUT CRAWLY LITTLE BUGS --
NOT IN THE LATIN LANGUAGE.
36
00:01:34,862 --> 00:01:38,699
ANYWAY, "CENTENNIAL" MEANS
A HUNDRED YEAR ANNIVERSARY
37
00:01:38,732 --> 00:01:40,834
AND THAT'S WHAT WE'RE HAVING.
38
00:01:40,868 --> 00:01:44,838
MR. MASTERS IS PUTTIN' ON
A BIG PAGEANT AND EVERYTHING.
39
00:01:44,872 --> 00:01:46,707
YOU GOING TO TRY OUT, BARN?
40
00:01:46,740 --> 00:01:48,176
OH, WELL,
I GUESS SO.
41
00:01:48,209 --> 00:01:50,344
I MEAN, IT'S MORE OR LESS
EXPECTED OF ME.
42
00:01:50,378 --> 00:01:52,313
A THING LIKE THIS --
A COMMUNITY PROJECT
43
00:01:52,346 --> 00:01:54,448
FOR THE WHOLE COMMUNITY
AND EVERYTHING.
44
00:01:54,482 --> 00:01:56,617
THOSE OF US WHO HAVE
HAD SPEECH TRAINING
45
00:01:56,650 --> 00:01:59,453
I THINK IT'S UP TO US TO
HANDLE THE SPEAKING PARTS
46
00:01:59,487 --> 00:02:00,788
AND PUT THIS THING OVER.
47
00:02:00,821 --> 00:02:02,190
YOU'VE HAD
SPEECH TRAINING?
48
00:02:02,223 --> 00:02:03,457
WELL, YOU REMEMBER --
49
00:02:03,491 --> 00:02:06,227
FROM ELEANORA POULTICE,
MY VOICE TEACHER.
50
00:02:06,260 --> 00:02:07,728
OH, YEAH, YEAH, YEAH.
51
00:02:07,761 --> 00:02:10,531
SHE'S THE ONE I REALLY
GIVE ALL THE CREDIT TO TODAY
52
00:02:10,564 --> 00:02:12,300
FOR MY DICTION.
53
00:02:12,333 --> 00:02:15,569
PETER PIPER PICKED
A PECK OF PICKLED PEPPERS.
54
00:02:15,603 --> 00:02:17,638
MISS POULTICE?
55
00:02:17,671 --> 00:02:19,340
YEAH.
56
00:02:19,373 --> 00:02:21,642
MUST BE HARD TO WORK
INTO CONVERSATION, THOUGH.
57
00:02:21,675 --> 00:02:24,478
SHE SELLS SEASHELLS
BY THE SEASHORE.
58
00:02:24,512 --> 00:02:26,747
NOW, THERE'S A LITTLE TWISTER
59
00:02:26,780 --> 00:02:29,450
THAT TAKES MONTHS
TO GET STRAIGHT.
60
00:02:29,483 --> 00:02:31,352
SHE SELLS SEASHELLS
BY THE SEASHORE.
61
00:02:40,461 --> 00:02:42,530
HOW MUCH WOOD
WOULD A WOODCHUCK CHUCK
62
00:02:42,563 --> 00:02:44,465
IF A WOODCHUCK COULD CHUCK WOOD?
63
00:02:44,498 --> 00:02:46,367
HOW MUCH WOOD
WOULD A WOODCHUCK CHUCK
64
00:02:46,400 --> 00:02:48,336
IF A WOODCHUCK COULD CHUCK WOOD?
65
00:02:50,671 --> 00:02:52,773
WITH STURDY THREATS
AND LOUDEST BOASTS
66
00:02:52,806 --> 00:02:54,908
HE THRUSTS HIS WRISTS
AGAINST THE POST
67
00:02:54,942 --> 00:02:56,877
AND STILL INSISTS
HE SEES A GHOST.
68
00:02:56,910 --> 00:02:58,279
GOSH.
69
00:02:58,312 --> 00:03:00,214
BARNEY SURE IS GOOD,
AIN'T HE, PAW?
70
00:03:00,248 --> 00:03:01,615
HE SURE IS.
71
00:03:01,649 --> 00:03:04,218
I BETCHA HE CAN EVEN SAY
"RUBBER BABY BUGGY BUMPERS"
72
00:03:04,252 --> 00:03:05,419
FOUR TIMES REAL FAST.
73
00:03:05,453 --> 00:03:06,754
BUT THAT'S
AN OLD ONE, PAW.
74
00:03:06,787 --> 00:03:08,856
HE CAN PROBABLY SAY
THAT ONE EASY, HUH, BARNEY?
75
00:03:08,889 --> 00:03:10,924
OH, YEAH.
76
00:03:17,030 --> 00:03:18,399
HELLO, EVERYBODY.
77
00:03:18,432 --> 00:03:19,600
Opie:
HI, AUNT BEE.
78
00:03:19,633 --> 00:03:20,801
Andy:
HI, AUNT BEE.
79
00:03:20,834 --> 00:03:22,803
WELL, HOW'D YOU LIKE
YOUR LUNCH, HUH?
80
00:03:22,836 --> 00:03:24,838
OH, IT WAS GOOD.
GOOD.
81
00:03:24,872 --> 00:03:26,240
OPIE, DID YOU GET
MY BAKING POWDER?
82
00:03:26,274 --> 00:03:27,441
OH, YES, MA'AM.
83
00:03:27,475 --> 00:03:28,642
GOOD. WE'LL GO HOME
84
00:03:28,676 --> 00:03:29,843
AND TRY IT OUT
ON A PAN OF BROWNIES.
85
00:03:29,877 --> 00:03:31,245
OH, BOY.
86
00:03:31,279 --> 00:03:32,580
DON'T FORGET
TRYOUTS TONIGHT.
87
00:03:32,613 --> 00:03:33,981
NO, I'LL BE THERE.
88
00:03:34,014 --> 00:03:36,484
GOSH, AUNT BEE,
YOU GOING TO TRY
OUT FOR A PART?
89
00:03:36,517 --> 00:03:38,652
NO, I DO THE SEWING WORK
ON THE COSTUMES.
90
00:03:38,686 --> 00:03:40,388
WELL, MAYBE
OPIE'S GOT AN IDEA.
91
00:03:40,421 --> 00:03:42,656
WHY DON'T YOU TRY OUT?
ME AND BARNEY'S GOING TO.
92
00:03:42,690 --> 00:03:44,525
THERE'S A GOOD WOMAN'S PART --
LADY MAYBERRY
93
00:03:44,558 --> 00:03:45,793
FOUNDING MOTHER
OF THE TOWN.
94
00:03:45,826 --> 00:03:47,528
BE A WASTE OF TIME.
95
00:03:47,561 --> 00:03:49,630
I'M CERTAIN MR. MASTERS
HAS DECIDED ON CLARA EDWARDS
96
00:03:49,663 --> 00:03:51,432
FOR THE PART.
97
00:03:51,465 --> 00:03:53,401
BESIDES, SOMEBODY HAS TO DO
THE SEWING.
98
00:03:53,434 --> 00:03:54,668
COME ON, OPIE.
SEE YOU LATER.
99
00:03:54,702 --> 00:03:56,837
BYE, PAW.
BYE.
100
00:03:56,870 --> 00:04:01,942
MUST GET TIRESOME JUST DOING
ALL THAT SEWING.
101
00:04:01,975 --> 00:04:04,445
RABBER BUBBY
GUPPY GUMPERS...
102
00:04:04,478 --> 00:04:06,514
RUB-BER...
103
00:04:10,551 --> 00:04:12,953
NOT THAT I COULDN'T
DO A SPEAKING PART.
104
00:04:12,986 --> 00:04:15,523
IT'S NOT THAT AT ALL,
BECAUSE I COULD.
105
00:04:15,556 --> 00:04:16,790
YES, MA'AM.
106
00:04:16,824 --> 00:04:19,059
HOW LONG DOES IT TAKE
FOR BROWNIES TO COOK?
107
00:04:19,092 --> 00:04:20,528
30 MINUTES.
108
00:04:20,561 --> 00:04:22,663
YEARS AGO, I WAS IN
ONE OF OUR CHURCH PLAYS,
109
00:04:22,696 --> 00:04:24,765
AND I REMEMBER MY MOTHER
AND FATHER BOTH
110
00:04:24,798 --> 00:04:26,534
SAYING I WAS
THE BEST ONE IN IT.
111
00:04:26,567 --> 00:04:28,469
AFTER THEY COME OUT,
DO THEY HAVE TO COOL OFF
112
00:04:28,502 --> 00:04:29,670
BEFORE WE CAN EAT THEM?
113
00:04:29,703 --> 00:04:30,971
I LIKE
TO EAT THEM HOT.
114
00:04:31,004 --> 00:04:32,740
I EVEN HAD MY NAME IN
THE CHURCH PUBLICATIONS.
115
00:04:32,773 --> 00:04:34,074
DID I EVER SHOW
THAT TO YOU?
116
00:04:34,107 --> 00:04:35,543
OPIE, COME ON.
117
00:04:35,576 --> 00:04:37,311
COME ON, I'LL SHOW YOU.
118
00:04:40,614 --> 00:04:43,551
YOU GOING TO PUT SOME
CONVENTIONEER'S SUGAR ON 'EM?
119
00:04:43,584 --> 00:04:44,918
CONFECTIONERS' SUGAR.
120
00:04:44,952 --> 00:04:46,354
THAT'S WHAT I MEANT.
121
00:04:49,990 --> 00:04:53,060
GEE, I HOPE THEY COME
OUT NICE AND CHEWY.
122
00:04:53,093 --> 00:04:55,463
NOW, LET'S SEE.
HERE WE ARE.
123
00:04:55,496 --> 00:04:56,997
"NEWS FROM THE ALTAR."
124
00:04:57,030 --> 00:04:58,532
WHOSE NAME IS THAT
125
00:04:58,566 --> 00:05:01,469
PLAYING ALICE
IN THE LITTLE PRINCESS?
126
00:05:01,502 --> 00:05:02,670
THAT'S YOUR NAME.
127
00:05:02,703 --> 00:05:04,905
SO, YOU SEE, I HAVE BEEN
ON THE STAGE.
128
00:05:04,938 --> 00:05:06,374
UH-HUH.
129
00:05:06,407 --> 00:05:08,108
DON'T YOU THINK WE OUGHT
TO BE IN THE KITCHEN
130
00:05:08,141 --> 00:05:09,577
IN CASE THEY GET
READY EARLY?
131
00:05:09,610 --> 00:05:11,912
I'M CERTAIN I COULD PLAY
LADY MAYBERRY.
132
00:05:11,945 --> 00:05:15,115
AFTER ALL, ONCE YOU'VE
PLAYED A PRINCESS,
WOULDN'T YOU SAY?
133
00:05:15,148 --> 00:05:16,917
HUH?
134
00:05:16,950 --> 00:05:18,786
OH, YES, MA'AM.
135
00:05:18,819 --> 00:05:20,354
I THINK THEY'RE DONE.
136
00:05:20,388 --> 00:05:23,391
THEY'RE PROBABLY COUNTING
ON ME TO DO THE SEWING.
137
00:05:23,424 --> 00:05:24,625
I'LL GET
A PLATE READY.
138
00:05:29,129 --> 00:05:30,764
THIS IS GOOD SOIL,
MARY.
139
00:05:30,798 --> 00:05:32,566
IT'S BOTTOMLAND.
140
00:05:32,600 --> 00:05:35,503
WE CAN STOP HERE AND BUILD
OUR HOME AND TILL THE FIELDS.
141
00:05:35,536 --> 00:05:38,138
BUT WILL THE INDIANS
LET US LIVE IN PEACE?
142
00:05:38,171 --> 00:05:40,874
HERE COMES THE GREAT CHIEF.
LET US SEE.
143
00:05:40,908 --> 00:05:42,510
OH, JAMES, I FEAR HIM.
144
00:05:42,543 --> 00:05:45,546
HE LOOKS SO WARLIKE
IN HIS PAINT AND FEATHERS.
145
00:05:45,579 --> 00:05:48,015
NOW, MARY,
WE MUST NOT SHOW HIM FEAR.
146
00:05:48,048 --> 00:05:51,118
WE MUST HAVE STRENGTH IF WE ARE
TO CONQUER THE WILDERNESS.
147
00:05:51,151 --> 00:05:52,853
I WILL TALK TO HIM.
148
00:05:52,886 --> 00:05:55,689
GREETINGS TO YOU,
GREAT CHIEF.
149
00:06:00,060 --> 00:06:01,529
GREETINGS TO YOU,
GREAT CHIEF.
150
00:06:01,562 --> 00:06:03,464
HUH?
IT'S YOUR TURN, BARNEY.
151
00:06:03,497 --> 00:06:05,365
WHERE ARE WE?
152
00:06:10,003 --> 00:06:12,440
SAY THAT LINE THAT COMES
RIGHT BEFORE MINE AGAIN.
OKAY.
153
00:06:12,473 --> 00:06:16,109
GREETINGS TO YOU,
GREAT CHIEF.
HOW!
154
00:06:18,045 --> 00:06:19,413
ALL RIGHT, PEOPLE.
155
00:06:19,447 --> 00:06:20,848
LET'S RELAX
FOR A WHILE.
156
00:06:20,881 --> 00:06:22,082
THANK YOU.
157
00:06:22,115 --> 00:06:23,684
I WANT TO HEAR MORE OF YOU
IN A MINUTE.
158
00:06:23,717 --> 00:06:25,486
THANK YOU, JOHN.
159
00:06:25,519 --> 00:06:28,155
HEY, BARN, I KNOW HOW YOU CAN
LEARN YOUR PART REAL GOOD.
160
00:06:28,188 --> 00:06:29,757
HOW?
SEE?
161
00:06:33,561 --> 00:06:34,728
MR. MASTERS...
162
00:06:34,762 --> 00:06:35,929
OH, HELLO,
MISS BEE.
163
00:06:35,963 --> 00:06:37,631
MAY I SPEAK TO YOU
FOR A MOMENT?
164
00:06:37,665 --> 00:06:39,500
YES, OF COURSE.
EXCUSE ME.
165
00:06:39,533 --> 00:06:41,034
YEAH?
166
00:06:41,068 --> 00:06:43,471
I'D LIKE TO TALK TO
YOU ABOUT THE PART
OF LADY MAYBERRY.
167
00:06:43,504 --> 00:06:45,172
OH, YES, OF COURSE.
VERY IMPORTANT PART.
168
00:06:45,205 --> 00:06:46,674
SHE'S
THE LEADING CHARACTER
169
00:06:46,707 --> 00:06:48,909
WHO ACTUALLY TELLS OUR
STORY ABOUT THE FOUNDING
170
00:06:48,942 --> 00:06:50,110
OF THIS COMMUNITY.
171
00:06:50,143 --> 00:06:51,579
YES, I KNOW.
172
00:06:51,612 --> 00:06:53,180
SO, NATURALLY,
EVERYTHING ABOUT IT
173
00:06:53,213 --> 00:06:55,115
MUST BE JUST RIGHT,
YOU UNDERSTAND.
174
00:06:55,148 --> 00:06:57,050
YES, OF COURSE.
175
00:06:57,084 --> 00:06:59,853
AH, MISS BEE,
THE COSTUME YOU MAKE FOR HER
176
00:06:59,887 --> 00:07:01,622
WILL BE ALMOST
AS IMPORTANT
177
00:07:01,655 --> 00:07:03,491
AS THE WORDS
SHE SPEAKS.
HMM?
178
00:07:03,524 --> 00:07:06,093
THE COSTUME...
FOR CLARA EDWARDS.
179
00:07:06,126 --> 00:07:07,695
SHE'LL BE PLAYING
THE ROLE.
180
00:07:07,728 --> 00:07:09,196
OH, BUT I KNOW
YOU CAN DO IT.
181
00:07:09,229 --> 00:07:10,864
AFTER ALL
THE WONDERFUL SEWING JOBS
182
00:07:10,898 --> 00:07:12,199
YOU'VE DONE FOR US
IN THE PAST.
183
00:07:13,567 --> 00:07:14,968
YES, MM-HMM.
184
00:07:15,002 --> 00:07:16,670
THANK YOU.
185
00:07:26,246 --> 00:07:27,615
HI, AUNT BEE.
186
00:07:27,648 --> 00:07:29,917
OH, WELL, NOW,
HOW'D IT GO TONIGHT?
187
00:07:29,950 --> 00:07:31,919
OH, BOY.
188
00:07:31,952 --> 00:07:34,855
WHY?
WHAT'S THE MATTER?
189
00:07:34,888 --> 00:07:36,557
MISS BEE,
WE'RE IN TROUBLE.
190
00:07:36,590 --> 00:07:37,791
BIG TROUBLE.
191
00:07:37,825 --> 00:07:40,494
CLARA EDWARDS HAD
TO DROP OUT OF THE PLAY.
192
00:07:40,528 --> 00:07:41,895
OH?
193
00:07:41,929 --> 00:07:43,897
YEAH, HER SISTER OVER
IN SABERTON TOOK SICK,
194
00:07:43,931 --> 00:07:46,199
AND SHE HAD TO GO OVER
THERE TO BE WITH HER.
195
00:07:46,233 --> 00:07:48,068
OPENING NIGHT
A SCANT TWO WEEKS AWAY
196
00:07:48,101 --> 00:07:49,903
AND OUR LEADING LADY
IS LOST TO US.
197
00:07:49,937 --> 00:07:52,506
WELL, WE'LL JUST HAVE
TO FIND SOMEBODY ELSE, JOHN.
198
00:07:52,540 --> 00:07:54,975
AH, YES, BUT HOW
199
00:07:55,008 --> 00:07:56,677
IT'S NOT A SIMPLE PART.
200
00:07:56,710 --> 00:07:59,780
IT REQUIRES SOMEONE
OF GREAT WARMTH AND SYMPATHY.
201
00:07:59,813 --> 00:08:01,081
OH, YOU'RE SO RIGHT.
202
00:08:01,114 --> 00:08:03,517
THE LEADING LADY
MUST HAVE WARMTH AND SYMPATHY.
203
00:08:03,551 --> 00:08:06,019
REVEREND DARGOOD TOLD ME THAT
IN MY DRESSING ROOM
204
00:08:06,053 --> 00:08:08,121
WHEN I WAS DOING
THE LITTLE PRINCESS.
205
00:08:08,155 --> 00:08:10,924
HOW ABOUT MRS. AMBRISTER
OVER AT THE LIBRARY?
206
00:08:10,958 --> 00:08:13,527
OH, NO, SHE'S
A LITTLE BITTY WOMAN.
WELL...
207
00:08:13,561 --> 00:08:15,195
NO, AND SHE DOESN'T HAVE
THE VOLUME.
208
00:08:15,228 --> 00:08:18,632
WE NEED SOMEONE WITH A VOICE
STRONG ENOUGH TO FILL THAT HALL.
209
00:08:18,666 --> 00:08:21,034
YES, THAT WAS ANOTHER THING
HE INSISTED UPON.
210
00:08:21,068 --> 00:08:23,003
WE ALL HAD TO BE HEARD
211
00:08:23,036 --> 00:08:24,738
THROUGHOUT THE ENTIRE RECTORY.
212
00:08:24,772 --> 00:08:27,207
Masters: THERE'S NOBODY AROUND
WHO CAN REALLY SPEAK UP.
213
00:08:27,240 --> 00:08:29,076
WELL, THE MOST
IMPORTANT THING IS
214
00:08:29,109 --> 00:08:30,744
TO FIND SOMEBODY WITH
THEATRICAL EXPERIENCE
215
00:08:30,778 --> 00:08:32,145
AND KNOW-HOW.
216
00:08:32,179 --> 00:08:34,948
MOST IMPORTANT
IS A WOMAN WHO IS GRACEFUL --
217
00:08:34,982 --> 00:08:37,785
WHO CAN MOVE ABOUT
FLUIDLY.
218
00:08:40,888 --> 00:08:42,956
CARE FOR SOME COFFEE?
219
00:08:42,990 --> 00:08:44,958
I'LL CLEAR THE TABLE.
220
00:08:47,160 --> 00:08:49,029
Andy:
AUNT BEE...
221
00:08:49,062 --> 00:08:50,230
YES?
222
00:08:50,263 --> 00:08:51,865
WHY DON'T YOU DO IT?
223
00:08:51,899 --> 00:08:53,767
DO WHAT?
DO THE PART.
224
00:08:53,801 --> 00:08:55,135
THE PART?
YEAH.
225
00:08:55,168 --> 00:08:56,704
ME, LADY MAYBERRY?
226
00:08:56,737 --> 00:08:59,773
OH, WHATEVER GAVE YOU
A NOTION LIKE THAT?
227
00:08:59,807 --> 00:09:01,008
I'LL GET THE COFFEE.
228
00:09:02,175 --> 00:09:03,577
JOHN, WHAT DO YOU THINK?
229
00:09:03,611 --> 00:09:04,978
IT MIGHT JUST
BE THE ANSWER.
230
00:09:05,012 --> 00:09:06,814
WELL, I SUPPOSE
SHE MIGHT DO
231
00:09:06,847 --> 00:09:09,783
BUT...I'D HOPED FOR SOMEBODY
WITH A LITTLE MORE EXPERIENCE.
232
00:09:09,817 --> 00:09:11,218
WELL, I'LL TELL YOU
THE TRUTH.
233
00:09:11,251 --> 00:09:12,920
SHE'LL GIVE YOU
ALL SHE'S GOT.
234
00:09:12,953 --> 00:09:15,623
YEAH. IS IT ENOUGH, THOUGH?
IS IT ENOUGH?
235
00:09:18,626 --> 00:09:20,360
MISS BEE, IT'S A
VERY DEMANDING ROLE.
236
00:09:20,393 --> 00:09:22,062
IT MUST ENCOMPASS
THE DYNAMIC
237
00:09:22,095 --> 00:09:24,364
AS WELL AS THE TENDER QUALITIES
OF LADY MAYBERRY.
238
00:09:24,397 --> 00:09:25,766
CAN YOU DO IT?
239
00:09:25,799 --> 00:09:28,101
YES! YES, I CAN.
240
00:09:28,135 --> 00:09:32,039
GENTLEMEN...I GIVE YOU
THE NEW LADY MAYBERRY.
241
00:09:32,072 --> 00:09:33,807
WELL, CONGRATULATIONS,
AUNT BEE.
242
00:09:33,841 --> 00:09:35,375
SAKES, I DON'T KNOW
WHAT TO SAY.
243
00:09:35,408 --> 00:09:37,244
THIS HAS ALL HAPPENED
SO SUDDENLY.
244
00:09:37,277 --> 00:09:39,847
I HAD NO IDEA
I'D BE CALLED UPON.
245
00:09:39,880 --> 00:09:41,715
WELL,
IT'S GOODBYE, KITCHEN
246
00:09:41,749 --> 00:09:42,950
HELLO, BROADWAY.
247
00:09:48,288 --> 00:09:49,823
HI, JOHN.
ANDY.
248
00:09:49,857 --> 00:09:51,825
HEY, AUNT BEE, DID YOU
SEE THIS IN THE GAZETTE?
249
00:09:51,859 --> 00:09:53,026
NO. WHAT?
250
00:09:53,060 --> 00:09:54,628
THERE'S OUR NAMES, BARN.
251
00:09:54,662 --> 00:09:57,898
SAYS...SAYS, UH, "ASSUMING
THE ROLE OF LADY MAYBERRY
252
00:09:57,931 --> 00:09:59,199
IS MISS BEE TAYLOR."
253
00:10:00,668 --> 00:10:02,770
"ALTHOUGH A NEWCOMER
TO THE MAYBERRY STAGE,
254
00:10:02,803 --> 00:10:05,639
"MISS TAYLOR IS REMEMBERED
BY MANY WEST VIRGINIANS
255
00:10:05,673 --> 00:10:07,340
"FOR HER
OUTSTANDING PERFORMANCE
256
00:10:07,374 --> 00:10:09,943
IN THE LITTLE PRINCESS
IN THE EARLY '20s."
257
00:10:09,977 --> 00:10:12,713
BUT HE DOESN'T SAY
IT WAS A CHILD'S PART.
258
00:10:12,746 --> 00:10:16,717
OH, I THINK EVERYBODY'LL
JUST ASSUME THAT, AUNT BEE.
259
00:10:16,750 --> 00:10:18,351
ALL RIGHT, PEOPLE.
260
00:10:18,385 --> 00:10:21,922
EVERYBODY'S HERE NOW,
SO LET'S GET STARTED, SHALL WE?
261
00:10:21,955 --> 00:10:26,226
NOOGATUCK KNOWS THAT JAMES
MERRIWEATHER WANTS PEACE.
262
00:10:28,862 --> 00:10:30,397
WE WISH TO LIVE
SIDE BY SIDE
263
00:10:30,430 --> 00:10:33,867
WITH YOU, OUR BROTHERS,
IN THIS BEAUTIFUL VALLEY.
264
00:10:33,901 --> 00:10:35,368
FOR MANY MOONS
265
00:10:35,402 --> 00:10:38,906
NOOGATUCK HAS SMOKED THE PEACE
PIPE WITH YOU, MY FRIEND,
266
00:10:38,939 --> 00:10:43,443
BUT NOW MANY PALEFACE COME,
AND THEY BRING GUNS.
267
00:10:43,476 --> 00:10:46,379
NOOGATUCK'S VALLEY
GROWS SMALLER.
268
00:10:56,256 --> 00:10:57,891
UH, CAN WE DO
WITHOUT THE COUGHING?
269
00:10:57,925 --> 00:11:00,894
TAKE SMALLER PUFFS.
270
00:11:00,928 --> 00:11:03,363
CAN WE CONTINUE?
JAMES, PLEASE.
271
00:11:03,396 --> 00:11:06,366
MY FOLLOWERS COME
ONLY IN FRIENDSHIP.
272
00:11:06,399 --> 00:11:07,768
THEY BRING GIFTS.
273
00:11:07,801 --> 00:11:09,336
THEY HELP YOU PLANT CORN.
274
00:11:09,369 --> 00:11:12,172
OUR WOMEN GIVE CALICO
TO YOUR SQUAWS.
275
00:11:12,205 --> 00:11:14,808
IS ALL THIS NOT TRUE,
NOOGATUCK?
276
00:11:14,842 --> 00:11:17,911
EVERYTHING THAT
LAUGHING FACE SAYS IS TRUE.
277
00:11:17,945 --> 00:11:20,380
BUT TREATIES SAY
THAT HE WILL NOT USE
278
00:11:20,413 --> 00:11:23,016
THE LAND
BEYOND RUNNING STREAM
279
00:11:23,050 --> 00:11:26,720
WHERE THE BIG OAK...
REACHES TO THE SKY. LOOK.
280
00:11:26,754 --> 00:11:29,990
EVEN -- EVEN NOW
YOU'VE BUILT YOUR LODGES.
281
00:11:30,023 --> 00:11:33,193
THE PALEFACE IS NOT A MAN
OF HIS WORD.
282
00:11:33,226 --> 00:11:34,895
JOHN?
HMM?
283
00:11:34,928 --> 00:11:36,429
COULD WE CHANGE
THAT LAST LINE?
284
00:11:36,463 --> 00:11:38,231
IT JUST
ISN'T COMFORTABLE.
285
00:11:38,265 --> 00:11:40,500
I MEAN,
IT'S JUST NOT NOOGATUCK.
286
00:11:40,533 --> 00:11:41,969
POSSIBLY.
287
00:11:42,002 --> 00:11:44,437
UH, WE'LL SEE
WHAT THE AUTHOR SAYS.
288
00:11:44,471 --> 00:11:45,973
DUANE?
289
00:11:46,006 --> 00:11:49,042
CHANGE "PALEFACE IS NOT A MAN
OF HIS WORD"?
290
00:11:49,076 --> 00:11:51,478
WELL, I KIND OF AGREE
WITH BARNEY.
291
00:11:51,511 --> 00:11:53,213
IT FELT SO RIGHT
TO ME.
292
00:11:53,246 --> 00:11:55,448
IT'S A BEAUTIFUL LINE,
DUANE.
293
00:11:55,482 --> 00:11:57,951
IT'S JUST NOT
INDIANISH ENOUGH.
294
00:11:57,985 --> 00:11:59,753
HOW ABOUT...
295
00:12:01,154 --> 00:12:04,024
..."PALEFACE SPEAKS
WITH A FORKED TONGUE"?
296
00:12:04,057 --> 00:12:05,225
OH, MARVELOUS!
297
00:12:05,258 --> 00:12:07,094
THAT'S IT.
OH, IT SINGS!
298
00:12:07,127 --> 00:12:08,295
TRY THAT, BARNEY.
299
00:12:09,830 --> 00:12:12,265
ALREADY YOU'VE BUILT
YOUR LODGES.
300
00:12:12,299 --> 00:12:15,035
PALEFACE SPEAK
WITH FORKED TONGUE.
301
00:12:16,436 --> 00:12:19,907
ALL RIGHT,
NOW YOU BOTH SLOWLY RISE
302
00:12:19,940 --> 00:12:23,877
BRINGING THE SCENE
TO ITS CLIMAX.
303
00:12:23,911 --> 00:12:25,078
JAMES?
304
00:12:25,112 --> 00:12:28,281
NOOGATUCK,
YOU HAVE MY PLEDGE.
305
00:12:28,315 --> 00:12:31,251
WE WILL MOVE BACK
ACROSS THE RUNNING WATER
306
00:12:31,284 --> 00:12:33,887
WHERE THE BIG OAK
REACHES TO THE SKY
307
00:12:33,921 --> 00:12:36,223
AND WE WILL LIVE
IN PEACE.
308
00:12:36,256 --> 00:12:37,958
WE WILL LIVE IN PEACE,
309
00:12:37,991 --> 00:12:41,294
AND THIS WILL BE CALLED...
HAPPY VALLEY.
310
00:12:46,233 --> 00:12:48,535
ALL RIGHT, NOW,
THERE ARE A FEW SPOTS
311
00:12:48,568 --> 00:12:51,038
I'LL GO OVER WITH YOU
A LITTLE LATER.
312
00:12:51,071 --> 00:12:52,472
LADY MAYBERRY,
PLEASE.
313
00:12:52,505 --> 00:12:54,374
OPENING THE
SECOND ACT, NOW.
314
00:12:54,407 --> 00:12:56,009
YOUR SOLILOQUY.
YES.
315
00:12:56,043 --> 00:12:58,445
AND YOU'LL MAKE YOUR ENTRANCE
FROM THE WINGS.
316
00:13:01,181 --> 00:13:02,582
NO, NO, NO.
317
00:13:02,615 --> 00:13:04,484
THE OTHER SIDE.
318
00:13:06,053 --> 00:13:07,220
THAT NEW LINE
319
00:13:07,254 --> 00:13:08,421
FELT MORE COMFORTABLE?
320
00:13:08,455 --> 00:13:10,057
OH, YEAH, MUCH.
THANKS, DUANE.
321
00:13:10,090 --> 00:13:12,392
I'D LIKE TO SEE YOU
PROJECT A LITTLE MORE.
322
00:13:12,425 --> 00:13:14,895
OH, OKAY.
OH, AND, ANDY,
323
00:13:14,928 --> 00:13:16,263
WHEN HE CALLS YOU
"LAUGHING FACE,"
324
00:13:16,296 --> 00:13:18,065
I'D LIKE TO SEE
JUST THE FAINTEST SMILE.
325
00:13:18,098 --> 00:13:19,466
OH, OKAY.
326
00:13:19,499 --> 00:13:21,434
YEAH, THAT'S IT, THAT'S IT.
JUST A TRACE. YEAH.
327
00:13:24,604 --> 00:13:26,439
YOU DON'T HAVE TO WEAR THAT
ALL THE TIME.
328
00:13:26,473 --> 00:13:28,075
IT'S ALL RIGHT.
329
00:13:28,108 --> 00:13:29,476
ALL RIGHT,
LADY MAYBERRY
330
00:13:29,509 --> 00:13:30,878
YOUR ENTRANCE.
331
00:13:30,911 --> 00:13:32,612
UH, LADY MAYBERRY,
332
00:13:32,645 --> 00:13:34,081
YOU WENT PAST THE WINGS.
333
00:13:35,348 --> 00:13:37,050
COME BACK.
334
00:13:47,995 --> 00:13:49,462
DO I MAKE MY ENTRANCE NOW?
335
00:13:49,496 --> 00:13:51,364
YES, IF YOU PLEASE.
336
00:13:51,398 --> 00:13:52,900
IN, IN...
337
00:13:56,669 --> 00:13:58,338
NOW, WHENEVER YOU'RE
READY, MISS TAYLOR.
338
00:14:02,075 --> 00:14:03,944
EVENTIDE.
339
00:14:03,977 --> 00:14:06,346
THE GENTLE RUSTLING
OF THE LEAVES.
340
00:14:06,379 --> 00:14:08,648
THE BIRDS SEEKING THEIR NESTS.
341
00:14:08,681 --> 00:14:11,384
OH, MY HAPPY VALLEY.
342
00:14:11,418 --> 00:14:14,087
ENGLAND, YOU'RE SO FAR AWAY.
343
00:14:14,121 --> 00:14:18,258
BUT, HARK! DO I HEAR
THE DISTANT DRUMS OF WAR?
344
00:14:18,291 --> 00:14:22,095
WILL THE NOBLE RED MAN RISE...
345
00:14:22,129 --> 00:14:23,463
AGAIN...
346
00:14:23,496 --> 00:14:26,366
IN ALL HIS FURY?
347
00:14:26,399 --> 00:14:29,136
THERE LIES
THE COURSE OF HISTORY.
348
00:14:29,169 --> 00:14:32,906
ON THE ONE HAND,
WE HAVE THE FOLLOWERS OF...
349
00:14:32,940 --> 00:14:34,307
I FORGET HIS NAME.
350
00:14:34,341 --> 00:14:36,109
JAMES MERRIWEATHER.
351
00:14:36,143 --> 00:14:38,011
...JAMES MERRIWEATHER
352
00:14:38,045 --> 00:14:41,214
WHO COME
IN EVER-INCREASING NUMBERS.
353
00:14:41,248 --> 00:14:43,316
AND ON THE OTHER HAND...
354
00:14:44,584 --> 00:14:47,287
...WE HAVE NAUGATOOCK.
355
00:14:47,320 --> 00:14:49,156
NOOGATUCK!
356
00:14:49,189 --> 00:14:54,394
NOOGATUCK! WHOSE FAMILY
HAVE ROAMED THESE LANDS
357
00:14:54,427 --> 00:14:56,896
FOR GENERATIONS.
358
00:15:08,341 --> 00:15:11,044
ANDY,
SHE'S TERRIBLE.
359
00:15:11,078 --> 00:15:14,081
YEAH. WHO WAS IT SUGGESTED
SHE BE IN THE PAGEANT?
360
00:15:14,114 --> 00:15:16,149
YOU WAS THE ONE
THAT SAID IT.
361
00:15:16,183 --> 00:15:17,450
I WAS AFRAID IT WAS.
362
00:15:21,454 --> 00:15:25,192
WELL, JOHN, MAYBE
IF YOU WORKED WITH
HER A LITTLE BIT.
363
00:15:25,225 --> 00:15:26,493
OH, NO! NO!
364
00:15:26,526 --> 00:15:28,495
I WORKED WITH HER
FOR THREE HOURS LAST NIGHT.
365
00:15:28,528 --> 00:15:30,697
AS YOU MAY KNOW, I HAVE
SOMETHING OF A REPUTATION
366
00:15:30,730 --> 00:15:32,432
HERE IN THE NORTHERN PART
OF THE STATE.
367
00:15:32,465 --> 00:15:33,633
I KNOW, JOHN.
368
00:15:33,666 --> 00:15:35,502
OH! BUT I CAN SEE IT
CRUMBLING.
369
00:15:35,535 --> 00:15:37,337
CRUMBLING
BEFORE MY VERY EYES.
370
00:15:37,370 --> 00:15:39,739
WELL, JOHN,
YOU GOT TO GIVE HER A CHANCE.
371
00:15:39,772 --> 00:15:42,409
I'LL BET EVEN TEX RITTER
DIDN'T HIT IT RIGHT
372
00:15:42,442 --> 00:15:43,610
THE FIRST TIME OUT.
373
00:15:43,643 --> 00:15:45,045
OH!
374
00:15:46,679 --> 00:15:49,349
OH, I JUST HATE TO
SEE IT HAPPEN TO HER.
375
00:15:49,382 --> 00:15:51,384
AUNT BEE'S SUCH
A SWEET PERSON.
376
00:15:51,418 --> 00:15:52,719
A DELIGHTFUL PERSON.
377
00:15:52,752 --> 00:15:54,221
I ADORE HER...
378
00:15:54,254 --> 00:15:56,389
BUT SHE CAN'T ACT.
379
00:15:56,423 --> 00:15:58,758
NOW, THEN, WILL YOU TELL HER,
OR WILL I?
380
00:15:58,791 --> 00:16:01,194
WELL, I GUESS IT'D
BE A LITTLE EASIER
381
00:16:01,228 --> 00:16:02,495
COMING FROM ME.
382
00:16:02,529 --> 00:16:04,131
THEN I'LL COUNT
ON THAT.
383
00:16:04,164 --> 00:16:05,732
MMM...YEAH.
384
00:16:05,765 --> 00:16:07,200
GOOD.
385
00:16:13,106 --> 00:16:14,774
WELL, THE THEATER...
386
00:16:14,807 --> 00:16:16,309
HEARTBREAK ALLEY.
387
00:16:16,343 --> 00:16:17,577
MMM.
388
00:16:19,046 --> 00:16:22,615
EVENTIDE. THE GENTLE RUSTLING
OF THE LEAVES.
389
00:16:22,649 --> 00:16:25,152
THE BIRDS
SEEKING THEIR NEST.
390
00:16:25,185 --> 00:16:26,786
OH, MY HAPPY VALLEY.
391
00:16:26,819 --> 00:16:28,455
ENGLAND, FAR AWAY.
392
00:16:28,488 --> 00:16:30,023
SO FAR.
393
00:16:30,057 --> 00:16:31,524
SO FAR?
UH-HUH.
394
00:16:31,558 --> 00:16:34,494
EVENTIDE. THE GENTLE RUSTLING
OF THE LEAVES. THE BIRDS...
395
00:16:35,728 --> 00:16:37,297
HI, PAW.
396
00:16:37,330 --> 00:16:38,731
OH, HELLO, ANDY.
397
00:16:38,765 --> 00:16:40,467
I WAS PRACTICING.
398
00:16:40,500 --> 00:16:44,037
OH, HI. IT WAS SOUNDING
PRETTY GOOD.
399
00:16:44,071 --> 00:16:47,174
YEAH. ME AND JOHN MASTERS
WAS JUST TALKING
400
00:16:47,207 --> 00:16:50,043
ABOUT HOW HARD
THAT OPENING SPEECH IS.
401
00:16:50,077 --> 00:16:52,279
I DON'T THINK
JOHN UNDERSTANDS
402
00:16:52,312 --> 00:16:53,746
LADY MAYBERRY.
403
00:16:53,780 --> 00:16:55,148
YOU DON'T?
404
00:16:55,182 --> 00:16:57,350
NO.
405
00:16:57,384 --> 00:16:59,619
OH, YOU MEAN YOU DON'T,
406
00:16:59,652 --> 00:17:02,589
UH, CARE FOR HIM MUCH
AS A DIRECTOR.
407
00:17:02,622 --> 00:17:05,058
WELL, HE'S ALL RIGHT,
BUT HE'S NO REVEREND DARGOOD.
408
00:17:05,092 --> 00:17:06,826
OH. WELL, WELL, LISTEN,
409
00:17:06,859 --> 00:17:10,397
IF -- IF YOU DON'T SEE
EYE TO EYE WITH HIM,
410
00:17:10,430 --> 00:17:13,200
WHY DON'T YOU JUST...
FORGET IT?
411
00:17:13,233 --> 00:17:14,634
FORGET IT?
412
00:17:14,667 --> 00:17:16,403
WELL, YOU KNOW
WHAT I MEAN.
413
00:17:16,436 --> 00:17:19,472
I KNOW THAT YOU WOULDN'T WANT
TO DO ANYTHING ON THE STAGE
414
00:17:19,506 --> 00:17:21,208
THAT YOU DIDN'T FEEL
WAS RIGHT
415
00:17:21,241 --> 00:17:23,343
AND SO IF YOU CAN'T
WORK IT OUT WITH HIM,
416
00:17:23,376 --> 00:17:25,245
WELL, JUST LET HIM
WORRY ABOUT IT.
417
00:17:25,278 --> 00:17:26,679
LET HIM GET SOMEBODY ELSE.
418
00:17:26,713 --> 00:17:28,781
I WOULDN'T GIVE UP THIS PART
FOR ANYTHING IN THE WORLD.
419
00:17:28,815 --> 00:17:30,850
IT'S GOING TO BE
A THRILLING EXPERIENCE.
420
00:17:30,883 --> 00:17:32,252
OH, YEAH.
421
00:17:32,285 --> 00:17:33,586
OH, GOOD HEAVENS,
LOOK AT THE TIME.
422
00:17:33,620 --> 00:17:35,088
I'M GOING TO BE LATE
FOR PRACTICE.
423
00:17:35,122 --> 00:17:36,289
THANK YOU, OPIE.
424
00:17:36,323 --> 00:17:38,558
WE'LL TALK ABOUT
THIS LATER.
425
00:17:38,591 --> 00:17:41,194
OH. OH, ABOUT SUPPER.
426
00:17:41,228 --> 00:17:45,432
OH, WELL, WE'LL PICK UP
SOMETHING AT THE DINER.
427
00:17:45,465 --> 00:17:47,600
OH, I KNOW
I'M NEGLECTING YOU BOTH,
428
00:17:47,634 --> 00:17:50,137
BUT I JUST DON'T
SEEM TO FIND THE TIME.
429
00:17:50,170 --> 00:17:52,539
DON'T WORRY ABOUT IT.
WE'LL BE FINE.
430
00:17:52,572 --> 00:17:54,341
I'M AFRAID
IT'S GOING TO BE LIKE THIS
431
00:17:54,374 --> 00:17:55,742
FOR THE NEXT TWO WEEKS,
BUT...
432
00:17:55,775 --> 00:17:57,610
THE PAGEANT IS
THE MOST IMPORTANT THING,
433
00:17:57,644 --> 00:17:59,812
ISN'T IT, ANDY?
OH, YEAH.
434
00:18:01,781 --> 00:18:04,117
OH, OH, ANSWER THAT FOR ME,
WILL YOU, ANDY?
435
00:18:04,151 --> 00:18:06,353
IF IT'S FOR ME,
TELL HIM I'M ON MY WAY, HMM?
436
00:18:06,386 --> 00:18:07,620
RIGHT.
437
00:18:10,890 --> 00:18:12,892
OH, BOY, OH, BOY.
438
00:18:12,925 --> 00:18:14,661
YEAH?
439
00:18:14,694 --> 00:18:16,363
ANDY, WONDERFUL NEWS!
440
00:18:16,396 --> 00:18:18,498
I'VE JUST HEARD THAT
CLARA EDWARDS IS BACK IN TOWN.
441
00:18:18,531 --> 00:18:20,433
THE ROLE OF LADY MAYBERRY
IS SOLVED.
442
00:18:20,467 --> 00:18:22,369
I ASSUME YOU'VE SPOKEN
TO YOUR AUNT.
443
00:18:22,402 --> 00:18:26,606
NO, JOHN, I DIDN'T GET AROUND
TO TELLING HER.
444
00:18:27,507 --> 00:18:28,675
I KNOW.
445
00:18:28,708 --> 00:18:30,377
YEAH, I KNOW,
I KNOW, I KNOW.
446
00:18:30,410 --> 00:18:34,281
ANDY, I'M NOT UNSYMPATHETIC,
BUT SHE MUST BE TOLD.
447
00:18:34,314 --> 00:18:38,851
WELL, JOHN, I'LL FIGURE OUT
SOME WAY OF TELLING HER.
448
00:18:38,885 --> 00:18:41,288
BUT DO ME A FAVOR, JOHN.
449
00:18:41,321 --> 00:18:46,193
DON'T SAY ANYTHING TO MISS
EDWARDS RIGHT NOW, WILL YA?
450
00:18:47,427 --> 00:18:48,928
WELL, YEAH.
451
00:18:48,961 --> 00:18:52,299
WELL, YEAH, I KNOW.
I-I WILL.
452
00:18:52,332 --> 00:18:54,734
ALL RIGHT. THANKS.
453
00:18:54,767 --> 00:18:56,303
GOODBYE.
454
00:18:58,971 --> 00:19:00,607
WELL, I DON'T KNOW
WHAT TO DO.
455
00:19:00,640 --> 00:19:02,642
I'LL BE GLAD WHEN
THAT PAGEANT'S OVER.
456
00:19:02,675 --> 00:19:04,577
I'M GETTING TIRED OF
EATING AT THE DINER.
457
00:19:04,611 --> 00:19:05,812
YEAH.
458
00:19:14,754 --> 00:19:16,489
YOU KNOW, I AM, TOO.
459
00:19:18,758 --> 00:19:20,593
OH, GOOD HEAVENS.
I'VE GOT A LIST A MILE LONG.
460
00:19:20,627 --> 00:19:21,894
NOW, LET'S SEE.
461
00:19:21,928 --> 00:19:26,199
I NEED LACE FOR MY COSTUME,
PRACTICE AT 10:00.
462
00:19:26,233 --> 00:19:28,868
THEN I HAVE TO PICK UP MY SHOES,
I NEED THREAD,
463
00:19:28,901 --> 00:19:30,470
THEN I BETTER GO
TO THE GROCERY.
464
00:19:30,503 --> 00:19:32,205
WE NEED BREAD AND
BUTTER AND EGGS.
465
00:19:32,239 --> 00:19:33,873
OH, THEN I HAVE TO
GO TO THE LAUNDRY.
466
00:19:33,906 --> 00:19:35,875
HOW AM I EVER GOING
TO GET ALL THIS DONE?
467
00:19:35,908 --> 00:19:37,410
WELL, THAT'S SHOW BIZ,
AUNT BEE.
468
00:19:37,444 --> 00:19:38,611
THAT'S SHOW BIZ.
469
00:19:39,979 --> 00:19:41,981
OH, THAT MUST BE
CLARA EDWARDS.
470
00:19:42,014 --> 00:19:43,516
WANT TO GET THE DOOR, OPE?
471
00:19:43,550 --> 00:19:44,717
SURE, PAW.
472
00:19:44,751 --> 00:19:45,918
IS CLARA EDWARDS BACK?
473
00:19:45,952 --> 00:19:47,887
MM-HMM. CAME IN
YESTERDAY AFTERNOON.
474
00:19:47,920 --> 00:19:50,257
I CALLED HER AND ASKED HER
IF SHE'D MIND COMING OVER
475
00:19:50,290 --> 00:19:52,459
AND HELPING OUT WHILE
YOU'RE BUSY WITH THE PAGEANT.
476
00:19:52,492 --> 00:19:53,926
SAID SHE'D BE GLAD TO.
OH?
477
00:19:53,960 --> 00:19:55,662
ISN'T THAT NICE OF HER?
478
00:19:58,931 --> 00:20:01,234
MISS EDWARDS,
IT CERTAINLY IS NICE OF YOU
479
00:20:01,268 --> 00:20:02,435
TO HELP OUT LIKE THIS.
480
00:20:02,469 --> 00:20:03,770
I'M GLAD TO DO IT,
ANDY.
481
00:20:03,803 --> 00:20:06,406
OH, BEE, I HEARD YOU WERE
PLAYING LADY MAYBERRY.
482
00:20:06,439 --> 00:20:07,674
I'M SO HAPPY
FOR YOU.
483
00:20:07,707 --> 00:20:10,277
NOW, DON'T YOU WORRY
ABOUT OUR TWO MEN HERE.
484
00:20:10,310 --> 00:20:13,346
I'M GOING TO TREAT THEM
JUST LIKE THEY WERE MY OWN.
485
00:20:13,380 --> 00:20:15,482
WELL, THAT'S VERY SWEET
OF YOU, CLARA.
486
00:20:15,515 --> 00:20:18,318
OH, IT'LL BE SO NICE
TO HAVE SOMEONE TO COOK FOR.
487
00:20:18,351 --> 00:20:20,920
WELL, WE'RE LOOKING FORWARD
TO IT, HUH, OPE?
488
00:20:20,953 --> 00:20:22,322
YEAH, BOY!
489
00:20:22,355 --> 00:20:23,523
BOY, I CAN'T WAIT
TO GET AHOLD
490
00:20:23,556 --> 00:20:25,358
OF SOME OF THAT FINE
APPLE PIE YOU MAKE.
491
00:20:25,392 --> 00:20:27,794
WHY, WE'LL HAVE SOME
EVERY NIGHT IF YOU LIKE.
492
00:20:27,827 --> 00:20:30,863
PIE EVERY NIGHT?!
WOW!
493
00:20:32,432 --> 00:20:34,501
CLARA, YOU DON'T HAVE TO GO
TO ALL THAT TROUBLE.
494
00:20:34,534 --> 00:20:36,803
TROUBLE? WHY, I'LL ENJOY
IT MORE THAN THEY WILL.
495
00:20:38,471 --> 00:20:40,507
WELL, AUNT BEE,
YOU BETTER RUN ALONG
496
00:20:40,540 --> 00:20:42,909
IF YOU EVER EXPECT TO
GET THAT STUFF DONE.
497
00:20:42,942 --> 00:20:44,444
YES, I SUPPOSE SO,
498
00:20:44,477 --> 00:20:47,947
AND I STILL HAVE TO WORK
ON THAT OPENING SPEECH.
499
00:20:47,980 --> 00:20:50,450
OH, THAT LOVELY
OPENING SPEECH.
500
00:20:50,483 --> 00:20:55,455
EVENTIDE. THE GENTLE
RUSTLING OF THE LEAVES.
501
00:20:55,488 --> 00:20:57,957
THE BIRDS SEEKING
OUT THEIR NESTS.
502
00:20:57,990 --> 00:21:00,993
OH, MY HAPPY VALLEY!
503
00:21:01,027 --> 00:21:04,030
ENGLAND, YOU'RE
SO FAR AWAY.
504
00:21:05,565 --> 00:21:06,999
I DID REMEMBER.
505
00:21:08,835 --> 00:21:11,871
WELL, I SUPPOSE
I'D BETTER BE GOING.
506
00:21:11,904 --> 00:21:15,575
YES, AND I'D
BETTER GET INTO
THAT KITCHEN.
507
00:21:15,608 --> 00:21:19,579
WELL, NOW, NOW, DON'T WORRY
WHEN YOU COME BACK.
508
00:21:19,612 --> 00:21:21,414
WE'RE IN GOOD HANDS.
509
00:21:21,448 --> 00:21:22,615
BYE, AUNT BEE.
510
00:21:33,826 --> 00:21:35,928
GUESS IT DIDN'T WORK,
HUH, PAW?
511
00:21:37,063 --> 00:21:38,631
UH...
512
00:21:38,665 --> 00:21:39,866
I GUESS NOT.
513
00:21:48,841 --> 00:21:50,042
CLARA?
514
00:21:50,076 --> 00:21:51,711
WHY, BEE!
515
00:21:51,744 --> 00:21:54,481
I THOUGHT YOU WERE ON
YOUR WAY TO PLAY PRACTICE.
516
00:21:54,514 --> 00:21:55,682
UH, CLARA...
517
00:21:55,715 --> 00:21:57,584
IS ANYTHING WRONG?
518
00:21:57,617 --> 00:22:01,854
NO, NO, IT WAS, UM,
JUST THAT SPEECH A MOMENT AGO.
519
00:22:01,888 --> 00:22:04,791
YOU SAID IT
SO BEAUTIFULLY.
520
00:22:04,824 --> 00:22:07,093
IT SET ME TO THINKING.
521
00:22:07,126 --> 00:22:08,595
WHAT ABOUT?
522
00:22:08,628 --> 00:22:11,130
CLARA, YOU WERE
THEIR FIRST CHOICE
523
00:22:11,163 --> 00:22:12,565
AND RIGHTFULLY SO.
524
00:22:12,599 --> 00:22:14,834
OH, BEE, YOU'LL BE
SIMPLY WONDERFUL IN IT!
525
00:22:14,867 --> 00:22:16,436
AND YOU'D
BE MUCH BETTER.
526
00:22:16,469 --> 00:22:17,937
CLARA, PLEASE
TAKE BACK THE PART.
527
00:22:17,970 --> 00:22:19,372
BUT YOU'VE WORKED
SO HARD, BEE.
528
00:22:19,406 --> 00:22:20,573
I COULDN'T
TAKE IT AWAY.
529
00:22:20,607 --> 00:22:21,908
I DON'T CARE!
530
00:22:21,941 --> 00:22:23,910
I DON'T CARE ONE LITTLE BIT.
I REALLY DON'T.
531
00:22:23,943 --> 00:22:25,144
YOU MEAN IT?
532
00:22:25,177 --> 00:22:26,679
YES, I MEAN IT.
533
00:22:26,713 --> 00:22:28,748
Y
I'M SURE.
534
00:22:28,781 --> 00:22:30,149
OH, BEE!
535
00:22:30,182 --> 00:22:33,019
HURRY. THEY'VE STARTED
PLAY PRACTICE.
536
00:22:33,052 --> 00:22:34,421
OH, BEE!
537
00:22:34,454 --> 00:22:35,922
OH!
OH!
538
00:22:35,955 --> 00:22:37,790
THANK YOU, BEE!
539
00:22:40,827 --> 00:22:43,630
HOW WOULD YOU BOYS
LIKE A NICE APPLE PIE
FOR DESSERT TONIGHT?
540
00:22:43,663 --> 00:22:44,864
WHAT ARE YOU
DOING HERE?
541
00:22:44,897 --> 00:22:46,733
I THOUGHT YOU WAS GOING
TO GO TO PRACTICE.
542
00:22:46,766 --> 00:22:48,801
NO, CLARA EDWARDS IS
GOING TO PLAY THE PART.
543
00:22:48,835 --> 00:22:51,738
WELL, WHY AREN'T YOU
GOING TO PLAY IT?
544
00:22:51,771 --> 00:22:54,106
WELL, I HAVE MY REASONS.
545
00:22:55,642 --> 00:22:56,809
O
546
00:22:56,843 --> 00:22:58,010
I DON'T WANT ANYBODY
547
00:22:58,044 --> 00:22:59,712
FUSSING AROUND
IN MY KITCHEN.
548
00:22:59,746 --> 00:23:01,614
I SEE.
549
00:23:01,648 --> 00:23:03,716
AND YOU KNOW SOMETHING?
550
00:23:03,750 --> 00:23:07,520
I THINK SHE'S A BETTER
ACTRESS THAN I AM.
551
00:23:12,024 --> 00:23:14,694
YOU'RE REALLY SOMETHING,
YOU KNOW THAT, AUNT BEE?
552
00:23:14,727 --> 00:23:16,929
COME ON, OPIE.
553
00:23:16,963 --> 00:23:18,898
WE'LL START
THE APPLE PIE.
554
00:23:25,137 --> 00:23:28,708
AND I HEREWITH
DEED THESE LANDS JOINTLY
555
00:23:28,741 --> 00:23:32,512
TO JAMES MERRIWEATHER
AND CHIEF NOOGATUCK,
556
00:23:32,545 --> 00:23:35,047
KNOWING
THAT THEY WILL RULE WISELY
557
00:23:35,081 --> 00:23:37,817
AND THAT THEY WILL SHARE
THE BOUNTY
558
00:23:37,850 --> 00:23:39,986
OF THIS GREEN AND HAPPY VALLEY,
559
00:23:40,019 --> 00:23:44,691
WHICH SHALL HEREIN AFTER
BE CALLED MAYBERRY.
560
00:23:51,197 --> 00:23:53,833
BOY, THAT'S THE DIFFERENCE
BETWEEN NIGHT AND DAY,
561
00:23:53,866 --> 00:23:55,201
ISN'T IT?
562
00:23:55,234 --> 00:23:56,969
YEAH, BOY. THAT MISS EDWARDS
IS A FINE ACTRESS.
563
00:23:57,003 --> 00:23:59,772
WELL, AUNT BEE TRIED, BUT IT'S
JUST ONE OF THEM THINGS.
564
00:23:59,806 --> 00:24:01,608
EITHER YOU GOT IT
OR YOU DON'T.
I GUESS.
565
00:24:01,641 --> 00:24:04,877
I MEAN, YOU GOT TO HAVE THE RAW
TALENT TO START WITH.
566
00:24:04,911 --> 00:24:06,546
OF COURSE, THAT CAN BE REFINED,
THAT'S TRUE.
567
00:24:06,579 --> 00:24:07,914
BUT -- HEY.
568
00:24:07,947 --> 00:24:09,882
WHAT'S THAT FELLA DOING WEARING
MY HEADDRESS?
569
00:24:09,916 --> 00:24:13,019
HEY, FELLA!
HEY!
570
00:24:13,052 --> 00:24:14,220
BARNEY, COULD I SPEAK TO YOU
PRIVATELY?
571
00:24:14,253 --> 00:24:15,955
WAIT A MINUTE.
572
00:24:15,988 --> 00:24:17,490
I WANT TO KNOW WHAT HE'S DOING
WEARING MY HEADDRESS.
573
00:24:17,524 --> 00:24:18,691
BARNEY, COULD WE TALK
OVER IN THE CORNER?
574
00:24:18,725 --> 00:24:19,959
THAT'S MY HEADDRESS!
575
00:24:19,992 --> 00:24:21,561
BARNEY, I MEANT TO SPEAK TO YOU
BEFORE THIS.
576
00:24:21,594 --> 00:24:23,129
THERE'S A FEW ROUGH EDGES
IN MY PERFORMANCE.
577
00:24:23,162 --> 00:24:24,997
WE GOT TWO WEEKS.
I KNOW I CAN DO THIS PART.
578
00:24:25,031 --> 00:24:26,799
I MEAN, I FEEL NOOGATUCK.
NOOGATUCK IS ME!
579
00:24:26,833 --> 00:24:28,200
HEY, FELLA!
580
00:24:28,234 --> 00:24:30,169
BARNEY! BARNEY!
40988
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bengali
Bosnian
Bulgarian
Catalan
Cebuano
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Esperanto
Estonian
Finnish
French
Frisian
Galician
Georgian
German
Greek
Gujarati
Haitian Creole
Hawaiian
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Khmer
Korean
Kurdish (Kurmanji)
Kyrgyz
Lao
Latvian
Lithuanian
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mongolian
Myanmar (Burmese)
Nepali
Norwegian
Pashto
Polish
Portuguese
Romanian
Russian
Samoan
Serbian
Sesotho
Shona
Sinhala
Slovak
Slovenian
Somali
Spanish
Swahili
Swedish
Tajik
Thai
Turkish
Ukrainian
Urdu
Uzbek
Vietnamese
