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1
00:00:09,843 --> 00:00:12,380
STARRING ANDY GRIFFITH...
2
00:00:12,413 --> 00:00:14,682
WITH RONNY HOWARD...
3
00:00:14,715 --> 00:00:19,587
ALSO STARRING DON KNOTTS.
4
00:00:22,090 --> 00:00:24,492
* HERE BALMY BREEZES BLOW
5
00:00:24,525 --> 00:00:28,162
* PURE JOYS INVITE US
6
00:00:28,196 --> 00:00:31,799
* AND AS WE GENTLY ROW
7
00:00:31,832 --> 00:00:35,569
* ALL THINGS DELIGHT US
8
00:00:35,603 --> 00:00:39,373
* HARK, HOW THE SAILORS CRY
9
00:00:39,407 --> 00:00:43,177
* JOYOUSLY ECHOES NIGH
10
00:00:43,211 --> 00:00:46,614
* SANTA LUCIA
11
00:00:46,647 --> 00:00:51,152
* SANTA LUCIA
12
00:00:51,185 --> 00:00:55,089
Together:
* HOME OF FAIR POESY
13
00:00:55,123 --> 00:00:58,659
* REALM OF PURE HARMONY
14
00:00:58,692 --> 00:01:02,096
Barney:
* SANTA LUCIA
15
00:01:02,130 --> 00:01:07,268
* SANTA LUCIA
16
00:01:07,301 --> 00:01:11,172
Together:
* SANTA LUCIA
17
00:01:11,205 --> 00:01:19,480
* SANTA-A LUCIA-A
18
00:01:19,513 --> 00:01:21,249
GOOD, GOOD.
WE'RE COMING ALONG JUST FINE.
19
00:01:22,783 --> 00:01:26,287
OH, UH, BARNEY, YOU WENT
JUST THE LEAST BIT FLAT THERE
20
00:01:26,320 --> 00:01:28,256
AT, UH, 14.
21
00:01:28,289 --> 00:01:29,790
NOW, THERE'S A PAUSE
BACK THERE AT 12.
22
00:01:29,823 --> 00:01:32,193
A BIG BREATH THERE
WILL HELP.
CHECK.
23
00:01:32,226 --> 00:01:34,862
AND, SHARON, YOU CAME IN
JUST A LITTLE BIT TOO SOON.
24
00:01:34,895 --> 00:01:37,565
YOU'RE OVERANXIOUS.
I'M SORRY, MR. MASTERS.
25
00:01:37,598 --> 00:01:40,168
ALL RIGHT, FINE. NOW,
I'D LIKE EVERYBODY BACK
HERE AT 5:00, PLEASE.
26
00:01:40,201 --> 00:01:41,769
5:00.
OKAY.
27
00:01:43,737 --> 00:01:46,374
OH, UH, ANDY, ANDY.
28
00:01:47,641 --> 00:01:50,778
UH, ANDY,
WE'RE IN TROUBLE.
29
00:01:50,811 --> 00:01:52,846
BARNEY'S TERRIBLE.
30
00:01:52,880 --> 00:01:55,283
WELL, I THOUGHT HE DID
PRETTY GOOD, CONSIDERING.
31
00:01:55,316 --> 00:01:56,617
HE ENUNCIATED EVERY WORD.
32
00:01:56,650 --> 00:01:58,652
OH, I KNOW, BUT THERE'S
NO VOICE QUALITY THERE.
33
00:01:58,686 --> 00:02:01,322
IT JUST COMES FROM HIS LUNGS,
RIGHT UP THROUGH HIS NOSE,
34
00:02:01,355 --> 00:02:03,224
WITHOUT EVER STOPPING
FOR MODULATION.
35
00:02:03,257 --> 00:02:04,792
JOHN, HE'S THE ONLY TENOR
YOU GOT.
36
00:02:04,825 --> 00:02:07,495
WELL, WE'VE STILL GOT FIVE DAYS
UNTIL CONCERT TIME.
37
00:02:07,528 --> 00:02:08,929
I'M GONNA
KEEP ON LOOKING.
38
00:02:08,962 --> 00:02:11,165
THERE'S GOT TO BE
A DECENT TENOR SOMEPLACE
39
00:02:11,199 --> 00:02:12,633
IN A TOWN OF 2,000 PEOPLE.
40
00:02:12,666 --> 00:02:15,636
LAST TENOR I REMEMBER AROUND
HERE WAS BRUCE FLOWERS.
41
00:02:15,669 --> 00:02:18,706
HE COULD ONLY SING HIGH
AFTER A FIGHT WITH HIS MOTHER.
42
00:02:18,739 --> 00:02:21,575
BESIDES, IF YOU REPLACE BARNEY
AT THIS LATE DATE,
43
00:02:21,609 --> 00:02:23,211
IT'S GONNA KILL HIM.
HE'S BEEN TAKING
44
00:02:23,244 --> 00:02:24,912
VOICE LESSONS FROM MISS POULTICE
AND EVERYTHING.
45
00:02:24,945 --> 00:02:26,547
I'M SORRY, ANDY,
46
00:02:26,580 --> 00:02:28,549
BUT IT'S MY DUTY TO TRY AND
FIND THE BEST TENOR I CAN.
47
00:02:28,582 --> 00:02:29,883
Barney:
Y'ALL SET, ANGE?
48
00:02:29,917 --> 00:02:31,852
UH, RIGHT.
49
00:02:33,421 --> 00:02:35,389
I WANT TO GET OVER
TO MY VOICE LESSON
50
00:02:35,423 --> 00:02:37,858
WHILE MY VOICE BOX
AND MY MUSCLES ARE STILL LOOSE.
51
00:02:37,891 --> 00:02:39,627
[ VOCALIZING
SCALE EXERCISES ]
52
00:02:39,660 --> 00:02:42,430
Andy: UH, YOU SOUND
PRETTY LOOSE, ALL RIGHT.
53
00:02:42,463 --> 00:02:44,332
YEAH, WELL.
54
00:02:44,365 --> 00:02:46,900
SEE YOU AT 5:00, JOHN.
SEE YA, JOHNNY.
55
00:02:46,934 --> 00:02:49,837
YOU KNOW, ANDY,
56
00:02:49,870 --> 00:02:52,773
THERE'S NO GREATER FEELING
THAN KNOWING YOU WERE PERFECT.
57
00:02:54,575 --> 00:02:56,777
WHAT DO YOU MEAN?
WHAT DO I MEAN?
58
00:02:56,810 --> 00:02:58,712
YOU BIG LUG,
YOU KNOW WHAT I MEAN.
59
00:02:58,746 --> 00:03:01,482
I WAS REALLY ON IN THERE.
OH.
60
00:03:01,515 --> 00:03:03,551
MY VOICE WAS SURGING OUT
OF MY BODY
61
00:03:03,584 --> 00:03:05,853
LIKE NIAGARA FALLS
COMING OVER THAT CLIFF
62
00:03:05,886 --> 00:03:08,689
IN ROCHESTER, NEW YORK.
63
00:03:08,722 --> 00:03:09,957
BUFFALO.
HUH?
64
00:03:09,990 --> 00:03:11,459
NOTHING.
65
00:03:11,492 --> 00:03:13,661
YEAH, MY VOICE
WAS SO STRONG AND FULL,
66
00:03:13,694 --> 00:03:15,296
I COULD FEEL THE VIBRATIONS
IN MY HEAD.
67
00:03:16,797 --> 00:03:19,633
I THINK THAT'S PROBABLY
'CAUSE YOU'RE STRAINING SO HARD.
68
00:03:19,667 --> 00:03:21,735
NO, I WASN'T PUSHING,
HONEST.
69
00:03:21,769 --> 00:03:23,971
LET'S FACE IT, ANGE,
I WAS SONIC.
70
00:03:24,004 --> 00:03:25,539
I OUGHT TO KNOW.
71
00:03:25,573 --> 00:03:27,275
I WAS LISTENING
TO MYSELF.
72
00:03:28,776 --> 00:03:30,578
I NOTICED
YOU HAD YOUR EYES CLOSED.
73
00:03:30,611 --> 00:03:32,446
OH, WELL,
THAT'S JUST TECHNIQUE.
74
00:03:33,847 --> 00:03:35,449
YOU KNOW HOW I KNEW
I WAS REALLY CLICKING?
75
00:03:35,483 --> 00:03:36,750
NO IDEA.
76
00:03:36,784 --> 00:03:38,786
I ENJOYED IT.
GOOD.
77
00:03:38,819 --> 00:03:41,289
WHAT MORE REWARD
CAN AN ARTIST ASK?
78
00:03:48,929 --> 00:03:50,931
GOOD AFTERNOON,
BARNEY.
79
00:03:50,964 --> 00:03:52,766
ELEANORA.
COME IN.
80
00:03:52,800 --> 00:03:55,002
LEAVE YOUR HAT
RIGHT THERE.
OKAY.
81
00:03:55,035 --> 00:03:56,437
WE'LL START WITH YOUR LESSON
RIGHT AWAY.
82
00:03:56,470 --> 00:03:57,638
ALL RIGHT.
83
00:03:57,671 --> 00:03:59,940
BEAUTIFUL DAY OUTSIDE.
BEAUTIFUL.
84
00:03:59,973 --> 00:04:02,610
ELEANORA?
YES?
85
00:04:02,643 --> 00:04:06,046
I DID THE SOLO TODAY.
86
00:04:06,079 --> 00:04:08,649
NO.
YEAH.
87
00:04:08,682 --> 00:04:10,684
OH, TELL ME, TELL ME.
88
00:04:10,718 --> 00:04:13,020
I KNOCKED 'EM DEAD.
89
00:04:13,053 --> 00:04:15,055
OH, BARNEY,
HOW WONDERFUL.
90
00:04:15,088 --> 00:04:17,525
ALL THE WAY THROUGH,
I DIDN'T MISS ONE WORD.
91
00:04:17,558 --> 00:04:20,461
I FEEL IT.
I CAN JUST FEEL IT.
92
00:04:20,494 --> 00:04:23,397
YOU'RE GOING TO BE
ANOTHER LEONARD BLUSH.
93
00:04:23,431 --> 00:04:25,899
OH, NO, NO.
THAT'S TOO MUCH TO ASK.
94
00:04:25,933 --> 00:04:27,535
WELL, WHY NOT?
95
00:04:27,568 --> 00:04:30,538
HE JUST WALKED IN HERE
OFF THE STREET ONE DAY.
96
00:04:30,571 --> 00:04:33,741
TWO YEARS LATER, HE SANG
"THE STAR-SPANGLED BANNER"
97
00:04:33,774 --> 00:04:36,977
AT THE OPENING OF THE COUNTY
INSECTICIDE CONVENTION.
98
00:04:37,010 --> 00:04:38,579
THE REST IS HISTORY.
99
00:04:38,612 --> 00:04:41,882
AND HE STILL HAS
THAT RADIO PROGRAM, DOESN'T HE?
100
00:04:41,915 --> 00:04:43,984
THIRD TUESDAY,
EVERY MONTH,
101
00:04:44,017 --> 00:04:46,019
STATION YLRB,
MOUNT PILOT.
102
00:04:46,053 --> 00:04:47,788
THE BIG TIME.
103
00:04:47,821 --> 00:04:50,858
DOES HE STILL WEAR THAT BLACK
MASK WHEN HE SINGS ON THE RADIO?
104
00:04:50,891 --> 00:04:52,826
NO, NO, HE JUST WORE THAT
FOR A YEAR
105
00:04:52,860 --> 00:04:54,662
WHEN HE HAD
THAT SKIN CONDITION.
106
00:04:54,695 --> 00:04:57,665
PROBABLY EMOTIONAL.
HE WENT TO THE TOP SO FAST.
107
00:04:57,698 --> 00:04:58,966
VERY METEORIC, VERY.
108
00:04:58,999 --> 00:05:00,868
WELL, NOW,
ENOUGH ABOUT LEONARD BLUSH.
109
00:05:00,901 --> 00:05:02,936
LET'S GET YOUR FUTURE SETTLED.
110
00:05:02,970 --> 00:05:04,405
OKAY.
111
00:05:04,438 --> 00:05:05,973
HAVE YOU BEEN PRACTICING
YOUR BREATHING?
112
00:05:06,006 --> 00:05:07,941
EVERY CHANCE I GET.
113
00:05:10,511 --> 00:05:14,815
GOOD. IN THROUGH THE NOSE,
OUT THROUGH THE MOUTH.
114
00:05:20,053 --> 00:05:22,456
I'VE JUST GIVEN YOU AN "A"
IN BREATHING.
115
00:05:22,490 --> 00:05:23,824
OH.
116
00:05:23,857 --> 00:05:26,093
NOW, THEN.
117
00:05:26,126 --> 00:05:29,497
* ME, THEY,
ME, THEY, ME, THEY *
118
00:05:29,530 --> 00:05:32,666
* ME, THEY,
ME, THEY, ME, THEY *
119
00:05:32,700 --> 00:05:35,569
* I-O-U, I-O-U,
I-O-U *
120
00:05:35,603 --> 00:05:38,071
* I-O-U, I-O-U,
I-O-U *
121
00:05:38,105 --> 00:05:40,874
* "U"
* "U"
122
00:05:40,908 --> 00:05:42,376
* HOLD IT
123
00:05:42,410 --> 00:05:44,412
* "U"
* "U"
124
00:05:44,445 --> 00:05:46,780
* ROUND
* ROUND
125
00:05:46,814 --> 00:05:48,482
* NO, "U"
126
00:05:48,516 --> 00:05:50,518
* ME
127
00:05:50,551 --> 00:05:51,785
EXCELLENT, EXCELLENT.
128
00:05:51,819 --> 00:05:53,821
I WAS GETTING A CRAMP
IN MY JAW, THERE.
129
00:05:53,854 --> 00:05:55,923
OH, THAT'S NATURAL.
IT'S VERY NATURAL.
130
00:05:55,956 --> 00:05:58,959
YOU'RE DISCOVERING MOUTH MUSCLES
YOU'VE NEVER USED BEFORE.
131
00:05:58,992 --> 00:06:00,928
NOW, THEN,
SHALL WE TRY YOUR SONG?
132
00:06:00,961 --> 00:06:02,463
OKAY, I'M READY.
133
00:06:02,496 --> 00:06:03,864
"NOW IS THE MONTH
OF MAYING."
134
00:06:05,633 --> 00:06:11,104
[ PIANO PLAYS INTRO TO
"NOW IN THE MONTH OF MAYING" ]
135
00:06:11,138 --> 00:06:14,475
* NOW IS THE MONTH
OF MAYING *
136
00:06:14,508 --> 00:06:16,977
* WHEN MERRY LADS
ARE PLAYING *
137
00:06:17,010 --> 00:06:19,680
* FA-LA LA LA LA,
LA LA LA LA *
138
00:06:19,713 --> 00:06:22,149
* FA-LA-LA
LA-LA-LA LA LA *
139
00:06:22,182 --> 00:06:25,085
* EACH WITH HIS BONNY LASS
140
00:06:25,118 --> 00:06:27,888
* UPON THE GREENY GRASS
141
00:06:27,921 --> 00:06:30,491
* FA-LA LA LA LA,
LA LA LA LA *
142
00:06:30,524 --> 00:06:34,628
* FA-LA-LA
LA-LA-LA LA LA-A *
143
00:06:34,662 --> 00:06:37,765
GOOD.
GOOD, BARNEY. GOOD.
144
00:06:37,798 --> 00:06:39,132
* THEY, ME
145
00:06:39,166 --> 00:06:41,569
* THEY-EY
146
00:06:41,602 --> 00:06:43,437
* ME-E
147
00:06:43,471 --> 00:06:45,639
* THEY-EY, ME-E
148
00:06:45,673 --> 00:06:47,908
* THEY-EY
149
00:06:47,941 --> 00:06:49,743
* HI, ANGE
150
00:06:49,777 --> 00:06:53,046
* ME, THEY, ME, THEY, ME, THEY,
ME, THEY, ME, THEY *
151
00:06:53,080 --> 00:06:55,616
[ CLEARS THROAT,
EXHALES HEAVILY ]
152
00:06:55,649 --> 00:06:57,818
MISS POULTICE TEACH YOU
A NEW SONG?
153
00:06:57,851 --> 00:06:59,453
OH, NO.
154
00:06:59,487 --> 00:07:01,955
NO, THAT'S A LARYNX
AND VOICE-BOX CALISTHENIC.
155
00:07:01,989 --> 00:07:03,791
OH.
EXERCISING, HUH?
156
00:07:03,824 --> 00:07:06,627
WELL, OF A MORE EXOTIC NATURE,
YEAH.
157
00:07:07,995 --> 00:07:10,030
ANDY?
158
00:07:10,063 --> 00:07:12,733
WHAT'S ON YOUR MIND?
159
00:07:12,766 --> 00:07:17,237
WELL, ANDY, IT, UH --
IT LOOKS LIKE I'VE GOT IT.
160
00:07:18,672 --> 00:07:21,074
WELL, DON'T GET
TOO CLOSE TO ME.
161
00:07:21,108 --> 00:07:23,577
OH, NO.
I DON'T MEAN A DISEASE.
162
00:07:23,611 --> 00:07:24,812
WELL, WHAT HAVE YOU GOT?
163
00:07:24,845 --> 00:07:27,648
WELL...
164
00:07:27,681 --> 00:07:29,517
BRACE YOURSELF, ANDY,
BUT...
165
00:07:29,550 --> 00:07:32,653
ACCORDING
TO MISS POULTICE...
166
00:07:32,686 --> 00:07:35,856
WELL, I'M A BIG BUNDLE
OF SINGING TALENT.
167
00:07:35,889 --> 00:07:39,026
OH, MISS POULTICE
TOLD YOU THAT, DID SHE?
168
00:07:39,059 --> 00:07:41,929
WELL, SHE COMPARED ME
TO LEONARD BLUSH.
169
00:07:41,962 --> 00:07:43,697
WHO?
170
00:07:43,731 --> 00:07:45,132
LEONARD BLUSH.
171
00:07:45,165 --> 00:07:48,902
YLRB, MOUNT PILOT.
172
00:07:48,936 --> 00:07:51,038
BOY, DO YOU LIVE
IN A WORLD OF YOUR OWN.
173
00:07:51,071 --> 00:07:53,941
HE DOES ALL THE VOCALS ON
THE ETHEL PAGE ORGAN RECITALS.
174
00:07:53,974 --> 00:07:56,109
I NEVER HEARD
ANY HUMAN WORDS ON THAT,
175
00:07:56,143 --> 00:07:58,579
JUST A CANARY SINGING
IN THE BACKGROUND.
176
00:07:58,612 --> 00:08:00,981
OH, ANDY, YOU'RE 10 YEARS
BEHIND THE TIMES.
177
00:08:01,014 --> 00:08:02,816
THAT CANARY HASN'T
BEEN WITH HER
178
00:08:02,850 --> 00:08:06,219
SINCE SHE SANG SUNDAY AFTERNOONS
AT THE POT O' HONEY RESTAURANT.
179
00:08:06,253 --> 00:08:08,288
OH.
180
00:08:08,321 --> 00:08:10,023
WELL, WHAT IS IT
YOU'RE TRYING TO TELL ME?
181
00:08:10,057 --> 00:08:12,793
WELL,
WHAT I'M TRYING TO TELL YOU
182
00:08:12,826 --> 00:08:15,663
IS THAT IT'S JUST
ENTIRELY POSSIBLE
183
00:08:15,696 --> 00:08:18,198
THAT THE SHOW-BUSINESS
LIGHTNING
184
00:08:18,231 --> 00:08:20,634
MAY STRIKE ME
ANY DAY NOW.
185
00:08:20,668 --> 00:08:23,604
NOW, THAT'S
JUST ENTIRELY POSSIBLE.
186
00:08:25,205 --> 00:08:27,240
UH...
187
00:08:27,274 --> 00:08:29,242
BARN...
188
00:08:29,276 --> 00:08:30,844
UH, SIT DOWN.
189
00:08:30,878 --> 00:08:33,113
HUH?
JUST SIT DOWN.
190
00:08:35,282 --> 00:08:39,319
NOW I'M GONNA TELL YOU
WHAT I'M GONNA TELL YOU
191
00:08:39,352 --> 00:08:41,254
FOR YOUR OWN GOOD.
192
00:08:41,288 --> 00:08:43,757
ARE YOU READY?
YEAH.
193
00:08:43,791 --> 00:08:46,560
YOU'RE PUMPING UP YOUR HEELS
TOO FAST.
194
00:08:46,594 --> 00:08:47,795
WHAT DO YOU MEAN?
195
00:08:47,828 --> 00:08:51,632
WELL, I KNOW YOU'VE SUNG
THE TENOR SOLO
196
00:08:51,665 --> 00:08:53,867
TWICE IN REHEARSALS NOW.
197
00:08:53,901 --> 00:08:55,202
YEAH.
198
00:08:55,235 --> 00:08:57,571
BUT THERE'S SOMETHING ELSE
YOU OUGHT TO KNOW.
199
00:08:57,605 --> 00:08:58,772
WHAT?
200
00:08:58,806 --> 00:09:00,841
IF JOHN MASTERS
FINDS ANOTHER TENOR,
201
00:09:00,874 --> 00:09:02,943
HE JUST MIGHT LET HIM
SING THE SOLO.
202
00:09:02,976 --> 00:09:04,978
WELL, WHY,
FOR PETE'S SAKE?
203
00:09:05,012 --> 00:09:07,648
WELL, HE MIGHT LIKE THE WAY
THE OTHER FELLA DOES IT.
204
00:09:07,681 --> 00:09:10,183
AND JUST WHO WOULD
THIS OTHER FELLA BE?
205
00:09:10,217 --> 00:09:12,653
WELL, THAT'S WHAT
HE DON'T KNOW YET.
206
00:09:12,686 --> 00:09:15,956
BUT I'M JUST WARNING YOU,
IF HE DOES FIND ANOTHER TENOR,
207
00:09:15,989 --> 00:09:18,225
HE JUST MIGHT LET HIM
SING THE SOLO.
208
00:09:18,258 --> 00:09:20,861
MM-HMM.
209
00:09:20,894 --> 00:09:23,296
WELL...
210
00:09:23,330 --> 00:09:27,200
YOU JUST LET JOHN MASTERS
TROT 'EM OUT,
211
00:09:27,234 --> 00:09:30,671
AND I'LL TAKE 'EM
ONE AT A TIME.
212
00:09:32,405 --> 00:09:36,009
[ VOCALIZING
SCALE EXERCISES ]
213
00:09:47,821 --> 00:09:51,258
[ VOCALIZING
SCALE EXERCISES ]
214
00:09:51,291 --> 00:09:52,926
HOWDY, GOMER.
HI, GOME.
215
00:09:52,960 --> 00:09:54,394
HEY, ANDY!
HEY, BARNEY!
216
00:09:54,427 --> 00:09:57,030
I'M CHANGING THE TIRE
ON MR. MASTERS' CAR.
217
00:09:57,064 --> 00:09:58,732
YEAH,
I CAN SEE YOU ARE.
218
00:09:58,766 --> 00:10:00,067
PEOPLE SURE ARE ODD.
219
00:10:00,100 --> 00:10:01,769
THEY SEE A FOREIGN OBJECT
IN THEIR TIRE,
220
00:10:01,802 --> 00:10:03,370
AND THEY JUST GOT TO
PULL IT OUT.
221
00:10:03,403 --> 00:10:05,806
AND WHEN THEY DO THAT,
THE AIR'S JUST NATURALLY
222
00:10:05,839 --> 00:10:07,641
GONNA HISS RIGHT OUT
IN THE STREET.
223
00:10:07,675 --> 00:10:10,210
LEAVE IT IN, AND THEY COULD
DRIVE TO THE SERVICE STATION.
224
00:10:10,243 --> 00:10:11,779
YEAH.
PEOPLE SURE ARE ODD.
225
00:10:11,812 --> 00:10:14,147
THAT'S A GOOD'UN, ANDY.
226
00:10:17,217 --> 00:10:20,954
Together:
* NOW 'NEATH THE SILVER MOON
227
00:10:20,988 --> 00:10:24,925
* OCEAN IS GLOWING
228
00:10:24,958 --> 00:10:28,361
* O'ER THE CALM BILLOW
229
00:10:28,395 --> 00:10:32,766
* SOFT WINDS ARE BLOWING
* SOFT WINDS ARE BLOWING
230
00:10:32,800 --> 00:10:36,403
* HERE,
BALMY BREEZES BLOW *
231
00:10:36,436 --> 00:10:40,440
* PURE JOYS INVITE US
232
00:10:40,473 --> 00:10:44,211
* AND AS WE GENTLY ROW
233
00:10:44,244 --> 00:10:47,948
* ALL THINGS DELIGHT US
234
00:10:47,981 --> 00:10:52,886
* HARK, HOW THE SAILORS CRY
* HARK, HOW THE SAILORS...
235
00:10:52,920 --> 00:10:56,423
* JOYOUSLY ECHOES NIGH
236
00:10:56,456 --> 00:11:00,260
* SANTA LUCIA
237
00:11:00,293 --> 00:11:04,464
* SANTA LUCIA
238
00:11:04,497 --> 00:11:08,435
* HOME OF FAIR POESY
239
00:11:08,468 --> 00:11:12,706
* REALM OF PURE HARMONY
240
00:11:12,740 --> 00:11:16,777
* SANTA LUCIA
241
00:11:16,810 --> 00:11:22,783
* SANTA LUCIA
242
00:11:22,816 --> 00:11:24,451
WOW. WONDERFUL.
CAN YOU
BELIEVE THAT?
243
00:11:24,484 --> 00:11:26,920
JUST WONDERFUL.
GOMER WITH A VOICE
LIKE THAT.
244
00:11:26,954 --> 00:11:28,355
DID YOU HEAR THAT VOICE,
ANDY?
245
00:11:28,388 --> 00:11:30,824
DID YOU HEAR THAT BEAUTIFUL
INSTRUMENT OUT THERE?
246
00:11:30,858 --> 00:11:32,893
I SURE DID.
Woman:
OF ALL PEOPLE.
247
00:11:32,926 --> 00:11:34,795
WHAT DID YOU THINK,
BARNEY?
248
00:11:34,828 --> 00:11:37,230
WELL, NOT BAD, NOT BAD.
CERTAINLY A POTENTIAL THERE.
249
00:11:37,264 --> 00:11:39,733
IT'S CRUDE, BUT IT'S ABOUT,
OH, I'D SAY,
250
00:11:39,767 --> 00:11:41,234
FIVE YEARS AWAY
FROM PERFORMING LEVEL.
251
00:11:41,268 --> 00:11:43,070
BUT I WAS THINKING --
252
00:11:43,103 --> 00:11:45,372
LOOK, IF YOU WANT TO
PUT GOMER IN THE CHORUS,
IT'S OKAY WITH ME.
253
00:11:45,405 --> 00:11:47,474
PUT HIM BEHIND SOME GIRLS.
HE WON'T OBTRUDE.
254
00:11:49,076 --> 00:11:50,844
ALL RIGHT, THANK YOU, PEOPLE.
THAT'LL BE ALL.
255
00:11:50,878 --> 00:11:52,746
I'LL SEE YOU
AT LUNCHTIME TOMORROW.
256
00:11:55,115 --> 00:11:56,984
ANDY, GET GOMER IN HERE.
257
00:11:57,017 --> 00:12:00,153
OH, WELL --
JUST GET GOMER IN HERE, ANDY.
258
00:12:00,187 --> 00:12:02,389
WELL...
259
00:12:02,422 --> 00:12:09,229
* WITH A GENTLE,
UNKNOWN WOE *
260
00:12:09,262 --> 00:12:14,101
* WILL YOU THINK OF ME
261
00:12:14,134 --> 00:12:16,870
* AND LOVE ME
262
00:12:16,904 --> 00:12:21,041
* AS YOU DID ONCE
263
00:12:21,074 --> 00:12:27,848
* LO
264
00:12:31,351 --> 00:12:33,520
GOMER,
THAT WAS JUST BEAUTIFUL.
265
00:12:33,553 --> 00:12:35,789
AH, I WAS JUST
CATERWAULING.
266
00:12:35,823 --> 00:12:37,390
ANDY?
267
00:12:37,424 --> 00:12:39,927
GOMER, YOU CERTAINLY HAVE GOT
A HIGH ROOF TO YOUR MOUTH.
268
00:12:39,960 --> 00:12:41,228
AW.
269
00:12:41,261 --> 00:12:43,530
NO, I KNEW YOU HAD
A STRONG SPEAKING VOICE,
270
00:12:43,563 --> 00:12:46,099
BUT I HAD NO IDEA
YOU COULD SING LIKE THAT.
271
00:12:46,133 --> 00:12:47,434
WELL...
272
00:12:47,467 --> 00:12:49,102
IT WAS JUST WONDERFUL, GOMER.
THANK YOU.
273
00:12:49,136 --> 00:12:52,239
Y'ALL GOT TO EXCUSE ME.
I GOT TO GET BACK TO THE GARAGE.
274
00:12:52,272 --> 00:12:54,207
YOUR INNER TUBE
NEEDS PATCHING.
275
00:12:54,241 --> 00:12:56,944
I'LL SEE YA, HEAR?
OKAY, GOMER.
276
00:12:59,112 --> 00:13:01,014
WELL, ANDY,
THAT SETTLES IT.
277
00:13:01,048 --> 00:13:03,383
AS OF TODAY,
GOMER PYLE IS MY SOLOIST.
278
00:13:03,416 --> 00:13:05,919
YOU'RE SURE?
WELL, ANDY,
YOU HEARD HIM SING.
279
00:13:05,953 --> 00:13:07,855
HE'S THE BEST I'VE HEARD
AROUND HERE.
280
00:13:07,888 --> 00:13:10,323
YEAH.
GONNA KILL BARNEY.
281
00:13:10,357 --> 00:13:12,459
I'M SORRY, BUT I HAVE TO THINK
OF THE GROUP.
282
00:13:12,492 --> 00:13:15,028
AFTER ALL, WE SENT TO NEW YORK
FOR THAT ARRANGEMENT.
283
00:13:15,062 --> 00:13:16,329
I KNOW.
284
00:13:16,363 --> 00:13:18,098
OH, AND, ANDY,
285
00:13:18,131 --> 00:13:19,967
UH, WOULD YOU MIND
TELLING BARNEY?
286
00:13:20,000 --> 00:13:22,035
WELL, AFTER ALL,
YOU'RE HIS BEST FRIEND.
287
00:13:22,069 --> 00:13:24,104
I THINK HE'LL ACCEPT IT
BETTER FROM YOU.
288
00:13:24,137 --> 00:13:25,505
MM.
289
00:13:25,538 --> 00:13:27,174
IT AIN'T GONNA BE EASY.
290
00:13:27,207 --> 00:13:30,243
WHO'LL KNOW THE DIFFERENCE
100 YEARS FROM NOW?
291
00:13:30,277 --> 00:13:33,881
WELL, BARNEY'S
NOT THE KIND TO FORGET.
292
00:13:39,152 --> 00:13:43,090
Barney: * ME, THEY,
ME, THEY, I-O-U *
293
00:13:43,123 --> 00:13:47,460
* I-O-U, ME, THEY,
ME, THEY *
294
00:13:47,494 --> 00:13:50,563
* ME, THEY, ME, THEY,
ME, THEY, ME -- *
295
00:13:50,597 --> 00:13:53,233
HEY, BARN?
[ VOCALIZING
SCALE EXERCISES ]
296
00:13:53,266 --> 00:13:55,135
HEY, BARN!
YEAH?
WHAT DO YOU WANT?
297
00:13:55,168 --> 00:13:56,970
YOU WANT TO STEP OUT HERE
A MINUTE.
298
00:13:57,004 --> 00:13:59,072
I GOT SOMETHING
I WANT TO TALK TO YOU ABOUT.
299
00:13:59,106 --> 00:14:00,273
OKAY.
300
00:14:00,307 --> 00:14:02,242
* AH, AH, AH
301
00:14:02,275 --> 00:14:04,945
WHAT DO YOU WANT?
302
00:14:04,978 --> 00:14:07,180
UH...
303
00:14:07,214 --> 00:14:09,549
BARN, UH...
304
00:14:09,582 --> 00:14:13,153
YOU REMEMBER, UH,
A FEW MONTHS AGO,
305
00:14:13,186 --> 00:14:16,256
YOU WAS TALKING ABOUT HOW --
HOW LIFE IS KIND OF LIKE A ROAD?
306
00:14:16,289 --> 00:14:18,892
AND SOMETIMES
THERE ARE SMOOTH PLACES
307
00:14:18,926 --> 00:14:22,062
WHERE THE GOING'S NICE AND EASY
AND OTHER TIMES,
308
00:14:22,095 --> 00:14:25,132
THERE ARE PLACES
WHERE YOU MIGHT RUN INTO A RUT
309
00:14:25,165 --> 00:14:28,668
OR A DETOUR
OR A WASHED
310
00:14:28,701 --> 00:14:30,403
YEAH,
I REMEMBER SAYING THAT.
311
00:14:30,437 --> 00:14:32,605
PHILOSOPHICAL MEANDERINGS,
YOU CALL THAT.
312
00:14:32,639 --> 00:14:35,008
A LOT OF TRUTH TO IT, THOUGH.
313
00:14:35,042 --> 00:14:36,309
I AGREE. I AGREE. I AGREE.
314
00:14:36,343 --> 00:14:38,178
WELL,
YOU SURE WERE RIGHT
315
00:14:38,211 --> 00:14:41,048
WHEN YOU SAID THAT LIFE
HAS ITS ROUGH SPOTS.
316
00:14:41,081 --> 00:14:43,016
THEY'RE JUST PART
OF LIVING.
317
00:14:43,050 --> 00:14:46,086
WELL, NOW, NOBODY KNOWS THAT
BETTER THAN I DO.
318
00:14:46,119 --> 00:14:48,388
HEAVENS KNOWS,
I'VE HAD MY SHARE.
319
00:14:48,421 --> 00:14:50,057
BUT YOU KNOW SOMETHING?
320
00:14:50,090 --> 00:14:52,392
I WOULDN'T TRADE
THOSE ROUGH SPOTS
321
00:14:52,425 --> 00:14:54,594
FOR ALL THE MONEY
IN THE WORLD.
322
00:14:54,627 --> 00:14:57,030
AND YOU KNOW WHY?
I'LL TELL YOU.
323
00:14:57,064 --> 00:14:59,366
EVERY ROUGH SPOT
I'VE GONE THROUGH
324
00:14:59,399 --> 00:15:02,369
HAS ADDED A MUSCLE
TO MY EMOTIONAL CONSTITUTION.
325
00:15:02,402 --> 00:15:03,971
I CAN TAKE ANYTHING NOW.
326
00:15:04,004 --> 00:15:06,339
WELL, I'M GLAD
TO HEAR YOU SAY THAT.
327
00:15:06,373 --> 00:15:08,141
CAST IRON.
328
00:15:08,175 --> 00:15:10,978
'CAUSE SOMEBODY ELSE
IS GONNA SING THE SOLO
329
00:15:11,011 --> 00:15:12,445
AT THE CHORALE CONCERT.
330
00:15:15,582 --> 00:15:17,117
OH?
331
00:15:17,150 --> 00:15:19,953
WELL, NOW, REMEMBER
YOU -- YOU KIND OF OFFERED
332
00:15:19,987 --> 00:15:21,989
TO STEP ASIDE
FOR A BETTER MAN.
333
00:15:22,022 --> 00:15:23,991
WELL, YEAH.
334
00:15:26,293 --> 00:15:27,727
WELL, W
335
00:15:27,760 --> 00:15:30,363
MORTON DOWNEY
OR KENNY BAKER
336
00:15:30,397 --> 00:15:32,732
GOMER.
337
00:15:32,765 --> 00:15:34,201
HUH?
338
00:15:34,234 --> 00:15:36,069
GOMER PYLE.
339
00:15:36,103 --> 00:15:38,205
GOMER?
340
00:15:38,238 --> 00:15:40,240
YEAH.
341
00:15:45,445 --> 00:15:47,747
ARE YOU ALL RIGHT?
342
00:15:47,780 --> 00:15:50,650
WELL, YEAH.
I'M -- I'M FINE.
343
00:15:50,683 --> 00:15:54,321
IS, UH --
IS THERE ANYTHING I CAN DO?
344
00:15:54,354 --> 00:15:57,390
NO, I'M FINE.
345
00:15:57,424 --> 00:16:00,327
NOW -- NOW, REMEMBER WHAT
YOU SAID ABOUT THE ROAD, BARN.
346
00:16:00,360 --> 00:16:02,395
YOU'RE ON THE WORST PART
RIGHT NOW.
347
00:16:11,704 --> 00:16:15,775
Gomer:
* HOME OF FAIR POESY
348
00:16:15,808 --> 00:16:20,013
* REALM OF PURE HARMONY
349
00:16:20,047 --> 00:16:24,051
* SANTA LUCIA
350
00:16:24,084 --> 00:16:30,190
* SANTA LUCIA-A
351
00:16:30,223 --> 00:16:33,126
OH, THAT'S FINE,
GOMER.
352
00:16:33,160 --> 00:16:35,362
THAT'S ALL FOR TONIGHT, HAZEL.
THANK YOU.
353
00:16:35,395 --> 00:16:37,397
NIGHT, MA'AM.
354
00:16:37,430 --> 00:16:40,067
SURE WISH THIS WAS TOMORROW
NIGHT AND IT WAS ALL OVER WITH.
355
00:16:40,100 --> 00:16:41,701
I THINK I'M STARTING TO GET
THE HIVES.
356
00:16:41,734 --> 00:16:43,303
OH, NO,
YOU'LL DO FINE, GOMER.
357
00:16:43,336 --> 00:16:45,172
WELL, I HOPE SO.
358
00:16:45,205 --> 00:16:46,706
SURE.
359
00:16:46,739 --> 00:16:48,408
NOW, IF YOU CAN GET TOGETHER
WITH ME TOMORROW AFTERNOON,
360
00:16:48,441 --> 00:16:50,343
WE'LL GO OVER IT
A FEW MORE TIMES.
361
00:16:50,377 --> 00:16:53,180
OKAY, I'LL TRY, BUT I GOT
A CLOGGED RADIATOR AT 10:00,
362
00:16:53,213 --> 00:16:55,282
AND I GOT TO PACK A WATER PUMP
AT 11:00.
363
00:16:55,315 --> 00:16:58,085
I CAN SEE YOU AFTER MISS DRUM'S
BATTERY CHARGE, OKAY?
364
00:16:58,118 --> 00:16:59,486
ALL RIGHT, FINE.
365
00:17:38,358 --> 00:17:39,726
DOGGONE,
I FORGOT MY MUSIC.
366
00:17:39,759 --> 00:17:41,494
I BETTER DUCK BACK IN
AND GET IT.
367
00:17:41,528 --> 00:17:43,496
ALL RIGHT, I'LL SEE YOU
TOMORROW, GOMER.
368
00:17:54,741 --> 00:17:58,245
* HERE, BALMY BREEZES BLOW *
369
00:17:58,278 --> 00:18:01,881
* PURE JOYS INVITE US *
370
00:18:01,914 --> 00:18:05,685
* AND AS WE GENTLY ROW *
371
00:18:05,718 --> 00:18:11,191
* ALL THINGS DELIGHT US *
372
00:18:11,224 --> 00:18:16,296
* HARK, HOW THE SAILORS CRY
373
00:18:16,329 --> 00:18:21,168
* JOYOUSLY ECHOES NIGH
374
00:18:39,719 --> 00:18:41,788
[ INDISTINCT TALKING
AND SINGING ]
375
00:18:41,821 --> 00:18:44,257
* ME ME-ME-ME-ME
ME-ME-ME-ME ME *
OH, ANDY,
ARE YOU NERVOUS?
376
00:18:44,291 --> 00:18:46,659
OH, SAME OLD CLAMMY FEET
GRINDING IN THE STOMACH.
377
00:18:46,693 --> 00:18:48,161
John: GOMER?
378
00:18:48,195 --> 00:18:49,429
GOMER? GO--
379
00:18:49,462 --> 00:18:50,763
ANDY, WHERE'S GOMER?
380
00:18:50,797 --> 00:18:52,865
WELL, IT TAKES A FEW MINUTES
FOR A GARAGE MAN
381
00:18:52,899 --> 00:18:54,267
TO WASH HIS HANDS, JOHN.
382
00:18:54,301 --> 00:18:55,635
I KNOW, BUT --
HERE HE IS.
383
00:18:55,668 --> 00:18:57,904
OH, GOMER. GOMER,
THANK GOODNESS YOU'RE HERE.
384
00:18:57,937 --> 00:19:00,507
YOU BETTER
COUNT ME OUT, MR. MASTERS.
385
00:19:00,540 --> 00:19:02,242
WHAT HAPPENED TO YOU?
386
00:19:02,275 --> 00:19:04,277
YOU REMEMBER THAT CLOGGED
RADIATOR I TOLD YOU ABOUT?
387
00:19:04,311 --> 00:19:05,778
FLUSHED OUT
ALL OVER MY FEET.
388
00:19:05,812 --> 00:19:07,847
YOU MEAN, YOU'RE --
YOU MEAN, YOU CAN'T?
389
00:19:07,880 --> 00:19:09,482
CAN'T SING A NOTE.
SEE?
390
00:19:09,516 --> 00:19:10,783
OHH.
391
00:19:10,817 --> 00:19:12,319
OH, NO.
WHAT ARE WE GONNA DO?
392
00:19:12,352 --> 00:19:13,853
THIS IS TERRIBLE.
WE'LL THINK OF SOMETHING.
393
00:19:13,886 --> 00:19:16,223
WELL, ANDY, YOU CAN'T HAVE
A CONCERT WITHOUT A SOLOIST.
394
00:19:16,256 --> 00:19:18,291
WHAT ABOUT BARNEY?
NO.
395
00:19:18,325 --> 00:19:20,260
YOU GOT NO CHOICE, JOHN.
HE KNOWS THE SONG.
396
00:19:20,293 --> 00:19:22,195
HE'S BEEN SINGING
WITH THE GROUP ALL WEEK.
397
00:19:22,229 --> 00:19:24,264
HE'S PROMPT AND HONEST.
NOTHING ELSE YOU CAN DO.
398
00:19:24,297 --> 00:19:27,534
YOU -- OH, ALL RIGHT, ALL RIGHT,
BUT WHERE IS HE?
399
00:19:27,567 --> 00:19:29,269
AIN'T HE HERE?
400
00:19:29,302 --> 00:19:31,571
COME ON, GOMER, I THINK I KNOW
WHERE HE PROBABLY IS.
401
00:19:31,604 --> 00:19:33,940
I'M SORRY TO INTERRUPT,
MISS POULTICE,
402
00:19:33,973 --> 00:19:35,542
BUT WE NEED BARNEY
RIGHT AWAY.
403
00:19:35,575 --> 00:19:37,577
BIG EMERGENCY.
I CAN'T
SING A NOTE, BARN.
404
00:19:37,610 --> 00:19:39,779
COME ON, BARNEY, THE SHOW STARTS
IN A FEW MINUTES.
405
00:19:39,812 --> 00:19:41,681
YOU SHOULD HAVE BEEN THERE
TO BEGIN WITH.
406
00:19:41,714 --> 00:19:43,250
YOU SEE, BARNEY?
FATE.
407
00:19:43,283 --> 00:19:44,784
FATE WILL OUT IN THE END.
NOW, GET GOING.
408
00:19:46,686 --> 00:19:48,288
I DON'T WANT TO.
409
00:19:48,321 --> 00:19:50,257
UH...
WHAT?!
410
00:19:50,290 --> 00:19:52,992
AND YOU CALL YOURSELF
A TROUPER.
411
00:19:53,025 --> 00:19:56,229
YOU GET OVER TO THAT HALL
AND GIVE THEM WHAT-FOR!
412
00:19:56,263 --> 00:19:57,997
YOU ALL DON'T SEEM
TO UNDERSTAND!
413
00:19:58,030 --> 00:20:00,667
I'M NOT A PLAYTHING
THAT YOU CAN JUST PLAY WITH
414
00:20:00,700 --> 00:20:03,336
AND THEN TOSS TO ONE SIDE!
I'VE GOT SOME PRIDE!
415
00:20:03,370 --> 00:20:05,805
I KNOW YOU'VE GOTTEN
A RAW DEAL, BARN,
416
00:20:05,838 --> 00:20:07,740
BUT THINK OF YOUR FELLOW
MAYBERRIANS.
417
00:20:07,774 --> 00:20:10,310
THE CHORUS NEEDS YOU.
YOU GOT TO PULL US THROUGH.
418
00:20:10,343 --> 00:20:11,678
THAT'S RIGHT.
419
00:20:11,711 --> 00:20:14,947
I CAN'T.
I JUST CAN'T.
420
00:20:16,416 --> 00:20:19,018
WELL, I GUESS WE CAN RETURN
ALL THE MONEY
421
00:20:19,051 --> 00:20:21,354
AND CALL OFF
THE CONCERT.
422
00:20:21,388 --> 00:20:24,824
BERNARD FIFE, YOU GET
ON YOUR FEET THIS MOMENT!
423
00:20:24,857 --> 00:20:28,428
AS YOUR MENTOR, I INSIST
YOU SING AT THIS CONCERT!
424
00:20:28,461 --> 00:20:31,731
A MAN WITH YOUR TALENT!
425
00:20:31,764 --> 00:20:34,634
NEVER LET IT BE SAID
426
00:20:34,667 --> 00:20:38,638
THAT BERNARD FIFE
LET DOWN ELEANORA POULTICE.
427
00:20:43,009 --> 00:20:44,911
I'M GOING ON.
428
00:20:44,944 --> 00:20:46,646
MY MUSIC, ELEANORA.
429
00:20:54,954 --> 00:20:57,657
PLACES, EVERYBODY. PLACES.
CURTAIN GOING UP.
430
00:20:57,690 --> 00:20:59,692
ONE MINUTE.
431
00:20:59,726 --> 00:21:01,561
OH, 30 SECONDS,
30 SECONDS.
432
00:21:01,594 --> 00:21:02,762
GOOD LUCK, ALL!
433
00:21:02,795 --> 00:21:04,631
SING IT GOOD, BARNEY.
434
00:21:04,664 --> 00:21:07,300
GOMER, YOUR VOICE,
IT'S ALL RIGHT!
435
00:21:07,334 --> 00:21:08,901
HERE.
WELL, I WAS JUST --
I WAS JUST TRYING TO --
436
00:21:08,935 --> 00:21:10,637
WHAT ARE YOU PULLING HERE?!
YOU WERE FAKING!
437
00:21:10,670 --> 00:21:12,605
WELL, I KNEW HOW MUCH
IT MEANT TO YOU.
438
00:21:12,639 --> 00:21:14,006
Shh!
CURTAIN GOING UP.
WELL, I DON'T WANT
YOUR CHARITY.
439
00:21:14,040 --> 00:21:15,975
I'M NOT TRYING
TO GIVE YOU CHARITY, BARN.
440
00:21:16,008 --> 00:21:17,910
BARNEY, GOMER!
BARNEY, GOMER, BE QUIET!
441
00:21:29,522 --> 00:21:32,625
Together:
* SANTA LUCIA
442
00:21:32,659 --> 00:21:35,428
* SANTA LUCIA
443
00:21:35,462 --> 00:21:40,633
* SANTA LUCIA-A-A
444
00:21:40,667 --> 00:21:44,671
* NOW 'NEATH THE SILVER MOON
445
00:21:44,704 --> 00:21:48,375
* OCEAN IS GLOWING
446
00:21:48,408 --> 00:21:51,911
* O'ER THE CALM BILLOW
447
00:21:51,944 --> 00:21:55,782
* SOFT WINDS ARE BLOWING
448
00:21:55,815 --> 00:21:59,919
* HERE, BALMY BREEZES BLOW
449
00:21:59,952 --> 00:22:03,122
* PURE JOYS INVITE US
450
00:22:03,155 --> 00:22:07,694
* AND AS WE GENTLY ROW
451
00:22:07,727 --> 00:22:16,703
* ALL THESE DELIGHT
U-U-U-U-U-U-U-U-U-U-U-U-U-U-US *
452
00:22:16,736 --> 00:22:27,013
* ALL THESE DELIGHT
U-U-U-U-U-U-U-U-U-U-U-U-U-U-US *
453
00:22:27,046 --> 00:22:37,824
* ALL THESE DELIGHT
U-U-U-U-U-U-U-U-U-U-U-U-U-U-US *
454
00:22:37,857 --> 00:22:41,661
* HARK, HOW THE SAILORS CRY
455
00:22:41,694 --> 00:22:45,465
* JOYOUSLY ECHOES NIGH
456
00:22:45,498 --> 00:22:49,001
* SANTA LUCIA
457
00:22:49,035 --> 00:22:52,872
* SANTA LUCIA
458
00:22:52,905 --> 00:22:57,109
Together:
* SANTA LUCIA
459
00:22:57,143 --> 00:23:04,717
* SANTA-A LUCIA-A-A
460
00:23:15,928 --> 00:23:18,164
REALLY -- REALLY,
YOU WERE JUST MARVELOUS.
461
00:23:18,197 --> 00:23:19,732
THANK YOU.
SIMPLY MARVELOUS.
462
00:23:19,766 --> 00:23:21,067
THANKS.
463
00:23:21,100 --> 00:23:24,036
NOW, IF YOU'RE WILLING
TO STICK TOGETHER
464
00:23:24,070 --> 00:23:26,005
AND TAKE A LITTLE COACHING,
465
00:23:26,038 --> 00:23:30,042
I PREDICT YOUR FUTURES CAN BE
AS BRIGHT AS THE NORTH STAR.
466
00:23:30,076 --> 00:23:31,978
OH, WELL, MISS POULTICE,
467
00:23:32,011 --> 00:23:33,980
WE HAVE NO AMBITIONS
IN THAT DIRECTION.
468
00:23:34,013 --> 00:23:36,182
OH, NOW, NOW, NOW, ANDY,
LET ME FINISH.
469
00:23:36,215 --> 00:23:38,851
WE'LL FIND A CLASSY,
CATCHY NAME FOR YOU,
470
00:23:38,885 --> 00:23:41,988
LIKE, UH, UH,
THE THREE BELLS.
471
00:23:42,021 --> 00:23:44,824
WELL, I...
NO, NO.
THAT'S MORE FOR GIRLS.
472
00:23:44,857 --> 00:23:46,092
YES.
473
00:23:46,125 --> 00:23:47,960
HOW ABOUT, UH,
THE ARISTOCRATS?
474
00:23:47,994 --> 00:23:49,562
WELL...
475
00:23:49,596 --> 00:23:52,599
OH, OH, I TELL YOU,
TAYLOR, PYLE, AND FIFE.
476
00:23:52,632 --> 00:23:56,135
NO, NO, THAT'S TOO MUCH LIKE
PETER, PYLE, AND MARY, ISN'T IT?
477
00:23:56,168 --> 00:23:58,104
I'LL THINK OF SOMETHING.
478
00:23:58,137 --> 00:24:01,107
WELL, A-ACTUALLY, WHAT WE ARE
IS TWO SHERIFFS AND A MECHANIC,
479
00:24:01,140 --> 00:24:02,675
AND WE'D JUST LIKE
TO KEEP IT THAT WAY.
480
00:24:02,709 --> 00:24:03,976
THAT'S RIGHT.
481
00:24:04,010 --> 00:24:05,745
WELL, NOW,
YOU'RE SURE?
WELL, YEAH.
482
00:24:05,778 --> 00:24:07,780
HOW ABOUT
THE BROTHERS THREE?
483
00:24:07,814 --> 00:24:09,816
NO, EXCUSE US,
MISS POULTICE.
484
00:24:09,849 --> 00:24:11,718
OR THE NEW MAYBERRY MINSTRELS.
485
00:24:11,751 --> 00:24:13,953
WELL, NO.
OR TWO LADS
AND A SHERIFF?
486
00:24:13,986 --> 00:24:15,722
WELL.
487
00:24:18,290 --> 00:24:20,760
WELL, LIKE I WAS
TRYING TO TELL YOU,
488
00:24:20,793 --> 00:24:23,162
SHOW BUSINESS
IS FULL OF UPS AND DOWN.
489
00:24:23,195 --> 00:24:24,597
YEAH.
34479
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