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These are the user uploaded subtitles that are being translated: 1 00:00:09,843 --> 00:00:12,380 STARRING ANDY GRIFFITH... 2 00:00:12,413 --> 00:00:14,682 WITH RONNY HOWARD... 3 00:00:14,715 --> 00:00:19,587 ALSO STARRING DON KNOTTS. 4 00:00:22,090 --> 00:00:24,492 * HERE BALMY BREEZES BLOW 5 00:00:24,525 --> 00:00:28,162 * PURE JOYS INVITE US 6 00:00:28,196 --> 00:00:31,799 * AND AS WE GENTLY ROW 7 00:00:31,832 --> 00:00:35,569 * ALL THINGS DELIGHT US 8 00:00:35,603 --> 00:00:39,373 * HARK, HOW THE SAILORS CRY 9 00:00:39,407 --> 00:00:43,177 * JOYOUSLY ECHOES NIGH 10 00:00:43,211 --> 00:00:46,614 * SANTA LUCIA 11 00:00:46,647 --> 00:00:51,152 * SANTA LUCIA 12 00:00:51,185 --> 00:00:55,089 Together: * HOME OF FAIR POESY 13 00:00:55,123 --> 00:00:58,659 * REALM OF PURE HARMONY 14 00:00:58,692 --> 00:01:02,096 Barney: * SANTA LUCIA 15 00:01:02,130 --> 00:01:07,268 * SANTA LUCIA 16 00:01:07,301 --> 00:01:11,172 Together: * SANTA LUCIA 17 00:01:11,205 --> 00:01:19,480 * SANTA-A LUCIA-A 18 00:01:19,513 --> 00:01:21,249 GOOD, GOOD. WE'RE COMING ALONG JUST FINE. 19 00:01:22,783 --> 00:01:26,287 OH, UH, BARNEY, YOU WENT JUST THE LEAST BIT FLAT THERE 20 00:01:26,320 --> 00:01:28,256 AT, UH, 14. 21 00:01:28,289 --> 00:01:29,790 NOW, THERE'S A PAUSE BACK THERE AT 12. 22 00:01:29,823 --> 00:01:32,193 A BIG BREATH THERE WILL HELP. CHECK. 23 00:01:32,226 --> 00:01:34,862 AND, SHARON, YOU CAME IN JUST A LITTLE BIT TOO SOON. 24 00:01:34,895 --> 00:01:37,565 YOU'RE OVERANXIOUS. I'M SORRY, MR. MASTERS. 25 00:01:37,598 --> 00:01:40,168 ALL RIGHT, FINE. NOW, I'D LIKE EVERYBODY BACK HERE AT 5:00, PLEASE. 26 00:01:40,201 --> 00:01:41,769 5:00. OKAY. 27 00:01:43,737 --> 00:01:46,374 OH, UH, ANDY, ANDY. 28 00:01:47,641 --> 00:01:50,778 UH, ANDY, WE'RE IN TROUBLE. 29 00:01:50,811 --> 00:01:52,846 BARNEY'S TERRIBLE. 30 00:01:52,880 --> 00:01:55,283 WELL, I THOUGHT HE DID PRETTY GOOD, CONSIDERING. 31 00:01:55,316 --> 00:01:56,617 HE ENUNCIATED EVERY WORD. 32 00:01:56,650 --> 00:01:58,652 OH, I KNOW, BUT THERE'S NO VOICE QUALITY THERE. 33 00:01:58,686 --> 00:02:01,322 IT JUST COMES FROM HIS LUNGS, RIGHT UP THROUGH HIS NOSE, 34 00:02:01,355 --> 00:02:03,224 WITHOUT EVER STOPPING FOR MODULATION. 35 00:02:03,257 --> 00:02:04,792 JOHN, HE'S THE ONLY TENOR YOU GOT. 36 00:02:04,825 --> 00:02:07,495 WELL, WE'VE STILL GOT FIVE DAYS UNTIL CONCERT TIME. 37 00:02:07,528 --> 00:02:08,929 I'M GONNA KEEP ON LOOKING. 38 00:02:08,962 --> 00:02:11,165 THERE'S GOT TO BE A DECENT TENOR SOMEPLACE 39 00:02:11,199 --> 00:02:12,633 IN A TOWN OF 2,000 PEOPLE. 40 00:02:12,666 --> 00:02:15,636 LAST TENOR I REMEMBER AROUND HERE WAS BRUCE FLOWERS. 41 00:02:15,669 --> 00:02:18,706 HE COULD ONLY SING HIGH AFTER A FIGHT WITH HIS MOTHER. 42 00:02:18,739 --> 00:02:21,575 BESIDES, IF YOU REPLACE BARNEY AT THIS LATE DATE, 43 00:02:21,609 --> 00:02:23,211 IT'S GONNA KILL HIM. HE'S BEEN TAKING 44 00:02:23,244 --> 00:02:24,912 VOICE LESSONS FROM MISS POULTICE AND EVERYTHING. 45 00:02:24,945 --> 00:02:26,547 I'M SORRY, ANDY, 46 00:02:26,580 --> 00:02:28,549 BUT IT'S MY DUTY TO TRY AND FIND THE BEST TENOR I CAN. 47 00:02:28,582 --> 00:02:29,883 Barney: Y'ALL SET, ANGE? 48 00:02:29,917 --> 00:02:31,852 UH, RIGHT. 49 00:02:33,421 --> 00:02:35,389 I WANT TO GET OVER TO MY VOICE LESSON 50 00:02:35,423 --> 00:02:37,858 WHILE MY VOICE BOX AND MY MUSCLES ARE STILL LOOSE. 51 00:02:37,891 --> 00:02:39,627 [ VOCALIZING SCALE EXERCISES ] 52 00:02:39,660 --> 00:02:42,430 Andy: UH, YOU SOUND PRETTY LOOSE, ALL RIGHT. 53 00:02:42,463 --> 00:02:44,332 YEAH, WELL. 54 00:02:44,365 --> 00:02:46,900 SEE YOU AT 5:00, JOHN. SEE YA, JOHNNY. 55 00:02:46,934 --> 00:02:49,837 YOU KNOW, ANDY, 56 00:02:49,870 --> 00:02:52,773 THERE'S NO GREATER FEELING THAN KNOWING YOU WERE PERFECT. 57 00:02:54,575 --> 00:02:56,777 WHAT DO YOU MEAN? WHAT DO I MEAN? 58 00:02:56,810 --> 00:02:58,712 YOU BIG LUG, YOU KNOW WHAT I MEAN. 59 00:02:58,746 --> 00:03:01,482 I WAS REALLY ON IN THERE. OH. 60 00:03:01,515 --> 00:03:03,551 MY VOICE WAS SURGING OUT OF MY BODY 61 00:03:03,584 --> 00:03:05,853 LIKE NIAGARA FALLS COMING OVER THAT CLIFF 62 00:03:05,886 --> 00:03:08,689 IN ROCHESTER, NEW YORK. 63 00:03:08,722 --> 00:03:09,957 BUFFALO. HUH? 64 00:03:09,990 --> 00:03:11,459 NOTHING. 65 00:03:11,492 --> 00:03:13,661 YEAH, MY VOICE WAS SO STRONG AND FULL, 66 00:03:13,694 --> 00:03:15,296 I COULD FEEL THE VIBRATIONS IN MY HEAD. 67 00:03:16,797 --> 00:03:19,633 I THINK THAT'S PROBABLY 'CAUSE YOU'RE STRAINING SO HARD. 68 00:03:19,667 --> 00:03:21,735 NO, I WASN'T PUSHING, HONEST. 69 00:03:21,769 --> 00:03:23,971 LET'S FACE IT, ANGE, I WAS SONIC. 70 00:03:24,004 --> 00:03:25,539 I OUGHT TO KNOW. 71 00:03:25,573 --> 00:03:27,275 I WAS LISTENING TO MYSELF. 72 00:03:28,776 --> 00:03:30,578 I NOTICED YOU HAD YOUR EYES CLOSED. 73 00:03:30,611 --> 00:03:32,446 OH, WELL, THAT'S JUST TECHNIQUE. 74 00:03:33,847 --> 00:03:35,449 YOU KNOW HOW I KNEW I WAS REALLY CLICKING? 75 00:03:35,483 --> 00:03:36,750 NO IDEA. 76 00:03:36,784 --> 00:03:38,786 I ENJOYED IT. GOOD. 77 00:03:38,819 --> 00:03:41,289 WHAT MORE REWARD CAN AN ARTIST ASK? 78 00:03:48,929 --> 00:03:50,931 GOOD AFTERNOON, BARNEY. 79 00:03:50,964 --> 00:03:52,766 ELEANORA. COME IN. 80 00:03:52,800 --> 00:03:55,002 LEAVE YOUR HAT RIGHT THERE. OKAY. 81 00:03:55,035 --> 00:03:56,437 WE'LL START WITH YOUR LESSON RIGHT AWAY. 82 00:03:56,470 --> 00:03:57,638 ALL RIGHT. 83 00:03:57,671 --> 00:03:59,940 BEAUTIFUL DAY OUTSIDE. BEAUTIFUL. 84 00:03:59,973 --> 00:04:02,610 ELEANORA? YES? 85 00:04:02,643 --> 00:04:06,046 I DID THE SOLO TODAY. 86 00:04:06,079 --> 00:04:08,649 NO. YEAH. 87 00:04:08,682 --> 00:04:10,684 OH, TELL ME, TELL ME. 88 00:04:10,718 --> 00:04:13,020 I KNOCKED 'EM DEAD. 89 00:04:13,053 --> 00:04:15,055 OH, BARNEY, HOW WONDERFUL. 90 00:04:15,088 --> 00:04:17,525 ALL THE WAY THROUGH, I DIDN'T MISS ONE WORD. 91 00:04:17,558 --> 00:04:20,461 I FEEL IT. I CAN JUST FEEL IT. 92 00:04:20,494 --> 00:04:23,397 YOU'RE GOING TO BE ANOTHER LEONARD BLUSH. 93 00:04:23,431 --> 00:04:25,899 OH, NO, NO. THAT'S TOO MUCH TO ASK. 94 00:04:25,933 --> 00:04:27,535 WELL, WHY NOT? 95 00:04:27,568 --> 00:04:30,538 HE JUST WALKED IN HERE OFF THE STREET ONE DAY. 96 00:04:30,571 --> 00:04:33,741 TWO YEARS LATER, HE SANG "THE STAR-SPANGLED BANNER" 97 00:04:33,774 --> 00:04:36,977 AT THE OPENING OF THE COUNTY INSECTICIDE CONVENTION. 98 00:04:37,010 --> 00:04:38,579 THE REST IS HISTORY. 99 00:04:38,612 --> 00:04:41,882 AND HE STILL HAS THAT RADIO PROGRAM, DOESN'T HE? 100 00:04:41,915 --> 00:04:43,984 THIRD TUESDAY, EVERY MONTH, 101 00:04:44,017 --> 00:04:46,019 STATION YLRB, MOUNT PILOT. 102 00:04:46,053 --> 00:04:47,788 THE BIG TIME. 103 00:04:47,821 --> 00:04:50,858 DOES HE STILL WEAR THAT BLACK MASK WHEN HE SINGS ON THE RADIO? 104 00:04:50,891 --> 00:04:52,826 NO, NO, HE JUST WORE THAT FOR A YEAR 105 00:04:52,860 --> 00:04:54,662 WHEN HE HAD THAT SKIN CONDITION. 106 00:04:54,695 --> 00:04:57,665 PROBABLY EMOTIONAL. HE WENT TO THE TOP SO FAST. 107 00:04:57,698 --> 00:04:58,966 VERY METEORIC, VERY. 108 00:04:58,999 --> 00:05:00,868 WELL, NOW, ENOUGH ABOUT LEONARD BLUSH. 109 00:05:00,901 --> 00:05:02,936 LET'S GET YOUR FUTURE SETTLED. 110 00:05:02,970 --> 00:05:04,405 OKAY. 111 00:05:04,438 --> 00:05:05,973 HAVE YOU BEEN PRACTICING YOUR BREATHING? 112 00:05:06,006 --> 00:05:07,941 EVERY CHANCE I GET. 113 00:05:10,511 --> 00:05:14,815 GOOD. IN THROUGH THE NOSE, OUT THROUGH THE MOUTH. 114 00:05:20,053 --> 00:05:22,456 I'VE JUST GIVEN YOU AN "A" IN BREATHING. 115 00:05:22,490 --> 00:05:23,824 OH. 116 00:05:23,857 --> 00:05:26,093 NOW, THEN. 117 00:05:26,126 --> 00:05:29,497 * ME, THEY, ME, THEY, ME, THEY * 118 00:05:29,530 --> 00:05:32,666 * ME, THEY, ME, THEY, ME, THEY * 119 00:05:32,700 --> 00:05:35,569 * I-O-U, I-O-U, I-O-U * 120 00:05:35,603 --> 00:05:38,071 * I-O-U, I-O-U, I-O-U * 121 00:05:38,105 --> 00:05:40,874 * "U" * "U" 122 00:05:40,908 --> 00:05:42,376 * HOLD IT 123 00:05:42,410 --> 00:05:44,412 * "U" * "U" 124 00:05:44,445 --> 00:05:46,780 * ROUND * ROUND 125 00:05:46,814 --> 00:05:48,482 * NO, "U" 126 00:05:48,516 --> 00:05:50,518 * ME 127 00:05:50,551 --> 00:05:51,785 EXCELLENT, EXCELLENT. 128 00:05:51,819 --> 00:05:53,821 I WAS GETTING A CRAMP IN MY JAW, THERE. 129 00:05:53,854 --> 00:05:55,923 OH, THAT'S NATURAL. IT'S VERY NATURAL. 130 00:05:55,956 --> 00:05:58,959 YOU'RE DISCOVERING MOUTH MUSCLES YOU'VE NEVER USED BEFORE. 131 00:05:58,992 --> 00:06:00,928 NOW, THEN, SHALL WE TRY YOUR SONG? 132 00:06:00,961 --> 00:06:02,463 OKAY, I'M READY. 133 00:06:02,496 --> 00:06:03,864 "NOW IS THE MONTH OF MAYING." 134 00:06:05,633 --> 00:06:11,104 [ PIANO PLAYS INTRO TO "NOW IN THE MONTH OF MAYING" ] 135 00:06:11,138 --> 00:06:14,475 * NOW IS THE MONTH OF MAYING * 136 00:06:14,508 --> 00:06:16,977 * WHEN MERRY LADS ARE PLAYING * 137 00:06:17,010 --> 00:06:19,680 * FA-LA LA LA LA, LA LA LA LA * 138 00:06:19,713 --> 00:06:22,149 * FA-LA-LA LA-LA-LA LA LA * 139 00:06:22,182 --> 00:06:25,085 * EACH WITH HIS BONNY LASS 140 00:06:25,118 --> 00:06:27,888 * UPON THE GREENY GRASS 141 00:06:27,921 --> 00:06:30,491 * FA-LA LA LA LA, LA LA LA LA * 142 00:06:30,524 --> 00:06:34,628 * FA-LA-LA LA-LA-LA LA LA-A * 143 00:06:34,662 --> 00:06:37,765 GOOD. GOOD, BARNEY. GOOD. 144 00:06:37,798 --> 00:06:39,132 * THEY, ME 145 00:06:39,166 --> 00:06:41,569 * THEY-EY 146 00:06:41,602 --> 00:06:43,437 * ME-E 147 00:06:43,471 --> 00:06:45,639 * THEY-EY, ME-E 148 00:06:45,673 --> 00:06:47,908 * THEY-EY 149 00:06:47,941 --> 00:06:49,743 * HI, ANGE 150 00:06:49,777 --> 00:06:53,046 * ME, THEY, ME, THEY, ME, THEY, ME, THEY, ME, THEY * 151 00:06:53,080 --> 00:06:55,616 [ CLEARS THROAT, EXHALES HEAVILY ] 152 00:06:55,649 --> 00:06:57,818 MISS POULTICE TEACH YOU A NEW SONG? 153 00:06:57,851 --> 00:06:59,453 OH, NO. 154 00:06:59,487 --> 00:07:01,955 NO, THAT'S A LARYNX AND VOICE-BOX CALISTHENIC. 155 00:07:01,989 --> 00:07:03,791 OH. EXERCISING, HUH? 156 00:07:03,824 --> 00:07:06,627 WELL, OF A MORE EXOTIC NATURE, YEAH. 157 00:07:07,995 --> 00:07:10,030 ANDY? 158 00:07:10,063 --> 00:07:12,733 WHAT'S ON YOUR MIND? 159 00:07:12,766 --> 00:07:17,237 WELL, ANDY, IT, UH -- IT LOOKS LIKE I'VE GOT IT. 160 00:07:18,672 --> 00:07:21,074 WELL, DON'T GET TOO CLOSE TO ME. 161 00:07:21,108 --> 00:07:23,577 OH, NO. I DON'T MEAN A DISEASE. 162 00:07:23,611 --> 00:07:24,812 WELL, WHAT HAVE YOU GOT? 163 00:07:24,845 --> 00:07:27,648 WELL... 164 00:07:27,681 --> 00:07:29,517 BRACE YOURSELF, ANDY, BUT... 165 00:07:29,550 --> 00:07:32,653 ACCORDING TO MISS POULTICE... 166 00:07:32,686 --> 00:07:35,856 WELL, I'M A BIG BUNDLE OF SINGING TALENT. 167 00:07:35,889 --> 00:07:39,026 OH, MISS POULTICE TOLD YOU THAT, DID SHE? 168 00:07:39,059 --> 00:07:41,929 WELL, SHE COMPARED ME TO LEONARD BLUSH. 169 00:07:41,962 --> 00:07:43,697 WHO? 170 00:07:43,731 --> 00:07:45,132 LEONARD BLUSH. 171 00:07:45,165 --> 00:07:48,902 YLRB, MOUNT PILOT. 172 00:07:48,936 --> 00:07:51,038 BOY, DO YOU LIVE IN A WORLD OF YOUR OWN. 173 00:07:51,071 --> 00:07:53,941 HE DOES ALL THE VOCALS ON THE ETHEL PAGE ORGAN RECITALS. 174 00:07:53,974 --> 00:07:56,109 I NEVER HEARD ANY HUMAN WORDS ON THAT, 175 00:07:56,143 --> 00:07:58,579 JUST A CANARY SINGING IN THE BACKGROUND. 176 00:07:58,612 --> 00:08:00,981 OH, ANDY, YOU'RE 10 YEARS BEHIND THE TIMES. 177 00:08:01,014 --> 00:08:02,816 THAT CANARY HASN'T BEEN WITH HER 178 00:08:02,850 --> 00:08:06,219 SINCE SHE SANG SUNDAY AFTERNOONS AT THE POT O' HONEY RESTAURANT. 179 00:08:06,253 --> 00:08:08,288 OH. 180 00:08:08,321 --> 00:08:10,023 WELL, WHAT IS IT YOU'RE TRYING TO TELL ME? 181 00:08:10,057 --> 00:08:12,793 WELL, WHAT I'M TRYING TO TELL YOU 182 00:08:12,826 --> 00:08:15,663 IS THAT IT'S JUST ENTIRELY POSSIBLE 183 00:08:15,696 --> 00:08:18,198 THAT THE SHOW-BUSINESS LIGHTNING 184 00:08:18,231 --> 00:08:20,634 MAY STRIKE ME ANY DAY NOW. 185 00:08:20,668 --> 00:08:23,604 NOW, THAT'S JUST ENTIRELY POSSIBLE. 186 00:08:25,205 --> 00:08:27,240 UH... 187 00:08:27,274 --> 00:08:29,242 BARN... 188 00:08:29,276 --> 00:08:30,844 UH, SIT DOWN. 189 00:08:30,878 --> 00:08:33,113 HUH? JUST SIT DOWN. 190 00:08:35,282 --> 00:08:39,319 NOW I'M GONNA TELL YOU WHAT I'M GONNA TELL YOU 191 00:08:39,352 --> 00:08:41,254 FOR YOUR OWN GOOD. 192 00:08:41,288 --> 00:08:43,757 ARE YOU READY? YEAH. 193 00:08:43,791 --> 00:08:46,560 YOU'RE PUMPING UP YOUR HEELS TOO FAST. 194 00:08:46,594 --> 00:08:47,795 WHAT DO YOU MEAN? 195 00:08:47,828 --> 00:08:51,632 WELL, I KNOW YOU'VE SUNG THE TENOR SOLO 196 00:08:51,665 --> 00:08:53,867 TWICE IN REHEARSALS NOW. 197 00:08:53,901 --> 00:08:55,202 YEAH. 198 00:08:55,235 --> 00:08:57,571 BUT THERE'S SOMETHING ELSE YOU OUGHT TO KNOW. 199 00:08:57,605 --> 00:08:58,772 WHAT? 200 00:08:58,806 --> 00:09:00,841 IF JOHN MASTERS FINDS ANOTHER TENOR, 201 00:09:00,874 --> 00:09:02,943 HE JUST MIGHT LET HIM SING THE SOLO. 202 00:09:02,976 --> 00:09:04,978 WELL, WHY, FOR PETE'S SAKE? 203 00:09:05,012 --> 00:09:07,648 WELL, HE MIGHT LIKE THE WAY THE OTHER FELLA DOES IT. 204 00:09:07,681 --> 00:09:10,183 AND JUST WHO WOULD THIS OTHER FELLA BE? 205 00:09:10,217 --> 00:09:12,653 WELL, THAT'S WHAT HE DON'T KNOW YET. 206 00:09:12,686 --> 00:09:15,956 BUT I'M JUST WARNING YOU, IF HE DOES FIND ANOTHER TENOR, 207 00:09:15,989 --> 00:09:18,225 HE JUST MIGHT LET HIM SING THE SOLO. 208 00:09:18,258 --> 00:09:20,861 MM-HMM. 209 00:09:20,894 --> 00:09:23,296 WELL... 210 00:09:23,330 --> 00:09:27,200 YOU JUST LET JOHN MASTERS TROT 'EM OUT, 211 00:09:27,234 --> 00:09:30,671 AND I'LL TAKE 'EM ONE AT A TIME. 212 00:09:32,405 --> 00:09:36,009 [ VOCALIZING SCALE EXERCISES ] 213 00:09:47,821 --> 00:09:51,258 [ VOCALIZING SCALE EXERCISES ] 214 00:09:51,291 --> 00:09:52,926 HOWDY, GOMER. HI, GOME. 215 00:09:52,960 --> 00:09:54,394 HEY, ANDY! HEY, BARNEY! 216 00:09:54,427 --> 00:09:57,030 I'M CHANGING THE TIRE ON MR. MASTERS' CAR. 217 00:09:57,064 --> 00:09:58,732 YEAH, I CAN SEE YOU ARE. 218 00:09:58,766 --> 00:10:00,067 PEOPLE SURE ARE ODD. 219 00:10:00,100 --> 00:10:01,769 THEY SEE A FOREIGN OBJECT IN THEIR TIRE, 220 00:10:01,802 --> 00:10:03,370 AND THEY JUST GOT TO PULL IT OUT. 221 00:10:03,403 --> 00:10:05,806 AND WHEN THEY DO THAT, THE AIR'S JUST NATURALLY 222 00:10:05,839 --> 00:10:07,641 GONNA HISS RIGHT OUT IN THE STREET. 223 00:10:07,675 --> 00:10:10,210 LEAVE IT IN, AND THEY COULD DRIVE TO THE SERVICE STATION. 224 00:10:10,243 --> 00:10:11,779 YEAH. PEOPLE SURE ARE ODD. 225 00:10:11,812 --> 00:10:14,147 THAT'S A GOOD'UN, ANDY. 226 00:10:17,217 --> 00:10:20,954 Together: * NOW 'NEATH THE SILVER MOON 227 00:10:20,988 --> 00:10:24,925 * OCEAN IS GLOWING 228 00:10:24,958 --> 00:10:28,361 * O'ER THE CALM BILLOW 229 00:10:28,395 --> 00:10:32,766 * SOFT WINDS ARE BLOWING * SOFT WINDS ARE BLOWING 230 00:10:32,800 --> 00:10:36,403 * HERE, BALMY BREEZES BLOW * 231 00:10:36,436 --> 00:10:40,440 * PURE JOYS INVITE US 232 00:10:40,473 --> 00:10:44,211 * AND AS WE GENTLY ROW 233 00:10:44,244 --> 00:10:47,948 * ALL THINGS DELIGHT US 234 00:10:47,981 --> 00:10:52,886 * HARK, HOW THE SAILORS CRY * HARK, HOW THE SAILORS... 235 00:10:52,920 --> 00:10:56,423 * JOYOUSLY ECHOES NIGH 236 00:10:56,456 --> 00:11:00,260 * SANTA LUCIA 237 00:11:00,293 --> 00:11:04,464 * SANTA LUCIA 238 00:11:04,497 --> 00:11:08,435 * HOME OF FAIR POESY 239 00:11:08,468 --> 00:11:12,706 * REALM OF PURE HARMONY 240 00:11:12,740 --> 00:11:16,777 * SANTA LUCIA 241 00:11:16,810 --> 00:11:22,783 * SANTA LUCIA 242 00:11:22,816 --> 00:11:24,451 WOW. WONDERFUL. CAN YOU BELIEVE THAT? 243 00:11:24,484 --> 00:11:26,920 JUST WONDERFUL. GOMER WITH A VOICE LIKE THAT. 244 00:11:26,954 --> 00:11:28,355 DID YOU HEAR THAT VOICE, ANDY? 245 00:11:28,388 --> 00:11:30,824 DID YOU HEAR THAT BEAUTIFUL INSTRUMENT OUT THERE? 246 00:11:30,858 --> 00:11:32,893 I SURE DID. Woman: OF ALL PEOPLE. 247 00:11:32,926 --> 00:11:34,795 WHAT DID YOU THINK, BARNEY? 248 00:11:34,828 --> 00:11:37,230 WELL, NOT BAD, NOT BAD. CERTAINLY A POTENTIAL THERE. 249 00:11:37,264 --> 00:11:39,733 IT'S CRUDE, BUT IT'S ABOUT, OH, I'D SAY, 250 00:11:39,767 --> 00:11:41,234 FIVE YEARS AWAY FROM PERFORMING LEVEL. 251 00:11:41,268 --> 00:11:43,070 BUT I WAS THINKING -- 252 00:11:43,103 --> 00:11:45,372 LOOK, IF YOU WANT TO PUT GOMER IN THE CHORUS, IT'S OKAY WITH ME. 253 00:11:45,405 --> 00:11:47,474 PUT HIM BEHIND SOME GIRLS. HE WON'T OBTRUDE. 254 00:11:49,076 --> 00:11:50,844 ALL RIGHT, THANK YOU, PEOPLE. THAT'LL BE ALL. 255 00:11:50,878 --> 00:11:52,746 I'LL SEE YOU AT LUNCHTIME TOMORROW. 256 00:11:55,115 --> 00:11:56,984 ANDY, GET GOMER IN HERE. 257 00:11:57,017 --> 00:12:00,153 OH, WELL -- JUST GET GOMER IN HERE, ANDY. 258 00:12:00,187 --> 00:12:02,389 WELL... 259 00:12:02,422 --> 00:12:09,229 * WITH A GENTLE, UNKNOWN WOE * 260 00:12:09,262 --> 00:12:14,101 * WILL YOU THINK OF ME 261 00:12:14,134 --> 00:12:16,870 * AND LOVE ME 262 00:12:16,904 --> 00:12:21,041 * AS YOU DID ONCE 263 00:12:21,074 --> 00:12:27,848 * LO 264 00:12:31,351 --> 00:12:33,520 GOMER, THAT WAS JUST BEAUTIFUL. 265 00:12:33,553 --> 00:12:35,789 AH, I WAS JUST CATERWAULING. 266 00:12:35,823 --> 00:12:37,390 ANDY? 267 00:12:37,424 --> 00:12:39,927 GOMER, YOU CERTAINLY HAVE GOT A HIGH ROOF TO YOUR MOUTH. 268 00:12:39,960 --> 00:12:41,228 AW. 269 00:12:41,261 --> 00:12:43,530 NO, I KNEW YOU HAD A STRONG SPEAKING VOICE, 270 00:12:43,563 --> 00:12:46,099 BUT I HAD NO IDEA YOU COULD SING LIKE THAT. 271 00:12:46,133 --> 00:12:47,434 WELL... 272 00:12:47,467 --> 00:12:49,102 IT WAS JUST WONDERFUL, GOMER. THANK YOU. 273 00:12:49,136 --> 00:12:52,239 Y'ALL GOT TO EXCUSE ME. I GOT TO GET BACK TO THE GARAGE. 274 00:12:52,272 --> 00:12:54,207 YOUR INNER TUBE NEEDS PATCHING. 275 00:12:54,241 --> 00:12:56,944 I'LL SEE YA, HEAR? OKAY, GOMER. 276 00:12:59,112 --> 00:13:01,014 WELL, ANDY, THAT SETTLES IT. 277 00:13:01,048 --> 00:13:03,383 AS OF TODAY, GOMER PYLE IS MY SOLOIST. 278 00:13:03,416 --> 00:13:05,919 YOU'RE SURE? WELL, ANDY, YOU HEARD HIM SING. 279 00:13:05,953 --> 00:13:07,855 HE'S THE BEST I'VE HEARD AROUND HERE. 280 00:13:07,888 --> 00:13:10,323 YEAH. GONNA KILL BARNEY. 281 00:13:10,357 --> 00:13:12,459 I'M SORRY, BUT I HAVE TO THINK OF THE GROUP. 282 00:13:12,492 --> 00:13:15,028 AFTER ALL, WE SENT TO NEW YORK FOR THAT ARRANGEMENT. 283 00:13:15,062 --> 00:13:16,329 I KNOW. 284 00:13:16,363 --> 00:13:18,098 OH, AND, ANDY, 285 00:13:18,131 --> 00:13:19,967 UH, WOULD YOU MIND TELLING BARNEY? 286 00:13:20,000 --> 00:13:22,035 WELL, AFTER ALL, YOU'RE HIS BEST FRIEND. 287 00:13:22,069 --> 00:13:24,104 I THINK HE'LL ACCEPT IT BETTER FROM YOU. 288 00:13:24,137 --> 00:13:25,505 MM. 289 00:13:25,538 --> 00:13:27,174 IT AIN'T GONNA BE EASY. 290 00:13:27,207 --> 00:13:30,243 WHO'LL KNOW THE DIFFERENCE 100 YEARS FROM NOW? 291 00:13:30,277 --> 00:13:33,881 WELL, BARNEY'S NOT THE KIND TO FORGET. 292 00:13:39,152 --> 00:13:43,090 Barney: * ME, THEY, ME, THEY, I-O-U * 293 00:13:43,123 --> 00:13:47,460 * I-O-U, ME, THEY, ME, THEY * 294 00:13:47,494 --> 00:13:50,563 * ME, THEY, ME, THEY, ME, THEY, ME -- * 295 00:13:50,597 --> 00:13:53,233 HEY, BARN? [ VOCALIZING SCALE EXERCISES ] 296 00:13:53,266 --> 00:13:55,135 HEY, BARN! YEAH? WHAT DO YOU WANT? 297 00:13:55,168 --> 00:13:56,970 YOU WANT TO STEP OUT HERE A MINUTE. 298 00:13:57,004 --> 00:13:59,072 I GOT SOMETHING I WANT TO TALK TO YOU ABOUT. 299 00:13:59,106 --> 00:14:00,273 OKAY. 300 00:14:00,307 --> 00:14:02,242 * AH, AH, AH 301 00:14:02,275 --> 00:14:04,945 WHAT DO YOU WANT? 302 00:14:04,978 --> 00:14:07,180 UH... 303 00:14:07,214 --> 00:14:09,549 BARN, UH... 304 00:14:09,582 --> 00:14:13,153 YOU REMEMBER, UH, A FEW MONTHS AGO, 305 00:14:13,186 --> 00:14:16,256 YOU WAS TALKING ABOUT HOW -- HOW LIFE IS KIND OF LIKE A ROAD? 306 00:14:16,289 --> 00:14:18,892 AND SOMETIMES THERE ARE SMOOTH PLACES 307 00:14:18,926 --> 00:14:22,062 WHERE THE GOING'S NICE AND EASY AND OTHER TIMES, 308 00:14:22,095 --> 00:14:25,132 THERE ARE PLACES WHERE YOU MIGHT RUN INTO A RUT 309 00:14:25,165 --> 00:14:28,668 OR A DETOUR OR A WASHED 310 00:14:28,701 --> 00:14:30,403 YEAH, I REMEMBER SAYING THAT. 311 00:14:30,437 --> 00:14:32,605 PHILOSOPHICAL MEANDERINGS, YOU CALL THAT. 312 00:14:32,639 --> 00:14:35,008 A LOT OF TRUTH TO IT, THOUGH. 313 00:14:35,042 --> 00:14:36,309 I AGREE. I AGREE. I AGREE. 314 00:14:36,343 --> 00:14:38,178 WELL, YOU SURE WERE RIGHT 315 00:14:38,211 --> 00:14:41,048 WHEN YOU SAID THAT LIFE HAS ITS ROUGH SPOTS. 316 00:14:41,081 --> 00:14:43,016 THEY'RE JUST PART OF LIVING. 317 00:14:43,050 --> 00:14:46,086 WELL, NOW, NOBODY KNOWS THAT BETTER THAN I DO. 318 00:14:46,119 --> 00:14:48,388 HEAVENS KNOWS, I'VE HAD MY SHARE. 319 00:14:48,421 --> 00:14:50,057 BUT YOU KNOW SOMETHING? 320 00:14:50,090 --> 00:14:52,392 I WOULDN'T TRADE THOSE ROUGH SPOTS 321 00:14:52,425 --> 00:14:54,594 FOR ALL THE MONEY IN THE WORLD. 322 00:14:54,627 --> 00:14:57,030 AND YOU KNOW WHY? I'LL TELL YOU. 323 00:14:57,064 --> 00:14:59,366 EVERY ROUGH SPOT I'VE GONE THROUGH 324 00:14:59,399 --> 00:15:02,369 HAS ADDED A MUSCLE TO MY EMOTIONAL CONSTITUTION. 325 00:15:02,402 --> 00:15:03,971 I CAN TAKE ANYTHING NOW. 326 00:15:04,004 --> 00:15:06,339 WELL, I'M GLAD TO HEAR YOU SAY THAT. 327 00:15:06,373 --> 00:15:08,141 CAST IRON. 328 00:15:08,175 --> 00:15:10,978 'CAUSE SOMEBODY ELSE IS GONNA SING THE SOLO 329 00:15:11,011 --> 00:15:12,445 AT THE CHORALE CONCERT. 330 00:15:15,582 --> 00:15:17,117 OH? 331 00:15:17,150 --> 00:15:19,953 WELL, NOW, REMEMBER YOU -- YOU KIND OF OFFERED 332 00:15:19,987 --> 00:15:21,989 TO STEP ASIDE FOR A BETTER MAN. 333 00:15:22,022 --> 00:15:23,991 WELL, YEAH. 334 00:15:26,293 --> 00:15:27,727 WELL, W 335 00:15:27,760 --> 00:15:30,363 MORTON DOWNEY OR KENNY BAKER 336 00:15:30,397 --> 00:15:32,732 GOMER. 337 00:15:32,765 --> 00:15:34,201 HUH? 338 00:15:34,234 --> 00:15:36,069 GOMER PYLE. 339 00:15:36,103 --> 00:15:38,205 GOMER? 340 00:15:38,238 --> 00:15:40,240 YEAH. 341 00:15:45,445 --> 00:15:47,747 ARE YOU ALL RIGHT? 342 00:15:47,780 --> 00:15:50,650 WELL, YEAH. I'M -- I'M FINE. 343 00:15:50,683 --> 00:15:54,321 IS, UH -- IS THERE ANYTHING I CAN DO? 344 00:15:54,354 --> 00:15:57,390 NO, I'M FINE. 345 00:15:57,424 --> 00:16:00,327 NOW -- NOW, REMEMBER WHAT YOU SAID ABOUT THE ROAD, BARN. 346 00:16:00,360 --> 00:16:02,395 YOU'RE ON THE WORST PART RIGHT NOW. 347 00:16:11,704 --> 00:16:15,775 Gomer: * HOME OF FAIR POESY 348 00:16:15,808 --> 00:16:20,013 * REALM OF PURE HARMONY 349 00:16:20,047 --> 00:16:24,051 * SANTA LUCIA 350 00:16:24,084 --> 00:16:30,190 * SANTA LUCIA-A 351 00:16:30,223 --> 00:16:33,126 OH, THAT'S FINE, GOMER. 352 00:16:33,160 --> 00:16:35,362 THAT'S ALL FOR TONIGHT, HAZEL. THANK YOU. 353 00:16:35,395 --> 00:16:37,397 NIGHT, MA'AM. 354 00:16:37,430 --> 00:16:40,067 SURE WISH THIS WAS TOMORROW NIGHT AND IT WAS ALL OVER WITH. 355 00:16:40,100 --> 00:16:41,701 I THINK I'M STARTING TO GET THE HIVES. 356 00:16:41,734 --> 00:16:43,303 OH, NO, YOU'LL DO FINE, GOMER. 357 00:16:43,336 --> 00:16:45,172 WELL, I HOPE SO. 358 00:16:45,205 --> 00:16:46,706 SURE. 359 00:16:46,739 --> 00:16:48,408 NOW, IF YOU CAN GET TOGETHER WITH ME TOMORROW AFTERNOON, 360 00:16:48,441 --> 00:16:50,343 WE'LL GO OVER IT A FEW MORE TIMES. 361 00:16:50,377 --> 00:16:53,180 OKAY, I'LL TRY, BUT I GOT A CLOGGED RADIATOR AT 10:00, 362 00:16:53,213 --> 00:16:55,282 AND I GOT TO PACK A WATER PUMP AT 11:00. 363 00:16:55,315 --> 00:16:58,085 I CAN SEE YOU AFTER MISS DRUM'S BATTERY CHARGE, OKAY? 364 00:16:58,118 --> 00:16:59,486 ALL RIGHT, FINE. 365 00:17:38,358 --> 00:17:39,726 DOGGONE, I FORGOT MY MUSIC. 366 00:17:39,759 --> 00:17:41,494 I BETTER DUCK BACK IN AND GET IT. 367 00:17:41,528 --> 00:17:43,496 ALL RIGHT, I'LL SEE YOU TOMORROW, GOMER. 368 00:17:54,741 --> 00:17:58,245 * HERE, BALMY BREEZES BLOW * 369 00:17:58,278 --> 00:18:01,881 * PURE JOYS INVITE US * 370 00:18:01,914 --> 00:18:05,685 * AND AS WE GENTLY ROW * 371 00:18:05,718 --> 00:18:11,191 * ALL THINGS DELIGHT US * 372 00:18:11,224 --> 00:18:16,296 * HARK, HOW THE SAILORS CRY 373 00:18:16,329 --> 00:18:21,168 * JOYOUSLY ECHOES NIGH 374 00:18:39,719 --> 00:18:41,788 [ INDISTINCT TALKING AND SINGING ] 375 00:18:41,821 --> 00:18:44,257 * ME ME-ME-ME-ME ME-ME-ME-ME ME * OH, ANDY, ARE YOU NERVOUS? 376 00:18:44,291 --> 00:18:46,659 OH, SAME OLD CLAMMY FEET GRINDING IN THE STOMACH. 377 00:18:46,693 --> 00:18:48,161 John: GOMER? 378 00:18:48,195 --> 00:18:49,429 GOMER? GO-- 379 00:18:49,462 --> 00:18:50,763 ANDY, WHERE'S GOMER? 380 00:18:50,797 --> 00:18:52,865 WELL, IT TAKES A FEW MINUTES FOR A GARAGE MAN 381 00:18:52,899 --> 00:18:54,267 TO WASH HIS HANDS, JOHN. 382 00:18:54,301 --> 00:18:55,635 I KNOW, BUT -- HERE HE IS. 383 00:18:55,668 --> 00:18:57,904 OH, GOMER. GOMER, THANK GOODNESS YOU'RE HERE. 384 00:18:57,937 --> 00:19:00,507 YOU BETTER COUNT ME OUT, MR. MASTERS. 385 00:19:00,540 --> 00:19:02,242 WHAT HAPPENED TO YOU? 386 00:19:02,275 --> 00:19:04,277 YOU REMEMBER THAT CLOGGED RADIATOR I TOLD YOU ABOUT? 387 00:19:04,311 --> 00:19:05,778 FLUSHED OUT ALL OVER MY FEET. 388 00:19:05,812 --> 00:19:07,847 YOU MEAN, YOU'RE -- YOU MEAN, YOU CAN'T? 389 00:19:07,880 --> 00:19:09,482 CAN'T SING A NOTE. SEE? 390 00:19:09,516 --> 00:19:10,783 OHH. 391 00:19:10,817 --> 00:19:12,319 OH, NO. WHAT ARE WE GONNA DO? 392 00:19:12,352 --> 00:19:13,853 THIS IS TERRIBLE. WE'LL THINK OF SOMETHING. 393 00:19:13,886 --> 00:19:16,223 WELL, ANDY, YOU CAN'T HAVE A CONCERT WITHOUT A SOLOIST. 394 00:19:16,256 --> 00:19:18,291 WHAT ABOUT BARNEY? NO. 395 00:19:18,325 --> 00:19:20,260 YOU GOT NO CHOICE, JOHN. HE KNOWS THE SONG. 396 00:19:20,293 --> 00:19:22,195 HE'S BEEN SINGING WITH THE GROUP ALL WEEK. 397 00:19:22,229 --> 00:19:24,264 HE'S PROMPT AND HONEST. NOTHING ELSE YOU CAN DO. 398 00:19:24,297 --> 00:19:27,534 YOU -- OH, ALL RIGHT, ALL RIGHT, BUT WHERE IS HE? 399 00:19:27,567 --> 00:19:29,269 AIN'T HE HERE? 400 00:19:29,302 --> 00:19:31,571 COME ON, GOMER, I THINK I KNOW WHERE HE PROBABLY IS. 401 00:19:31,604 --> 00:19:33,940 I'M SORRY TO INTERRUPT, MISS POULTICE, 402 00:19:33,973 --> 00:19:35,542 BUT WE NEED BARNEY RIGHT AWAY. 403 00:19:35,575 --> 00:19:37,577 BIG EMERGENCY. I CAN'T SING A NOTE, BARN. 404 00:19:37,610 --> 00:19:39,779 COME ON, BARNEY, THE SHOW STARTS IN A FEW MINUTES. 405 00:19:39,812 --> 00:19:41,681 YOU SHOULD HAVE BEEN THERE TO BEGIN WITH. 406 00:19:41,714 --> 00:19:43,250 YOU SEE, BARNEY? FATE. 407 00:19:43,283 --> 00:19:44,784 FATE WILL OUT IN THE END. NOW, GET GOING. 408 00:19:46,686 --> 00:19:48,288 I DON'T WANT TO. 409 00:19:48,321 --> 00:19:50,257 UH... WHAT?! 410 00:19:50,290 --> 00:19:52,992 AND YOU CALL YOURSELF A TROUPER. 411 00:19:53,025 --> 00:19:56,229 YOU GET OVER TO THAT HALL AND GIVE THEM WHAT-FOR! 412 00:19:56,263 --> 00:19:57,997 YOU ALL DON'T SEEM TO UNDERSTAND! 413 00:19:58,030 --> 00:20:00,667 I'M NOT A PLAYTHING THAT YOU CAN JUST PLAY WITH 414 00:20:00,700 --> 00:20:03,336 AND THEN TOSS TO ONE SIDE! I'VE GOT SOME PRIDE! 415 00:20:03,370 --> 00:20:05,805 I KNOW YOU'VE GOTTEN A RAW DEAL, BARN, 416 00:20:05,838 --> 00:20:07,740 BUT THINK OF YOUR FELLOW MAYBERRIANS. 417 00:20:07,774 --> 00:20:10,310 THE CHORUS NEEDS YOU. YOU GOT TO PULL US THROUGH. 418 00:20:10,343 --> 00:20:11,678 THAT'S RIGHT. 419 00:20:11,711 --> 00:20:14,947 I CAN'T. I JUST CAN'T. 420 00:20:16,416 --> 00:20:19,018 WELL, I GUESS WE CAN RETURN ALL THE MONEY 421 00:20:19,051 --> 00:20:21,354 AND CALL OFF THE CONCERT. 422 00:20:21,388 --> 00:20:24,824 BERNARD FIFE, YOU GET ON YOUR FEET THIS MOMENT! 423 00:20:24,857 --> 00:20:28,428 AS YOUR MENTOR, I INSIST YOU SING AT THIS CONCERT! 424 00:20:28,461 --> 00:20:31,731 A MAN WITH YOUR TALENT! 425 00:20:31,764 --> 00:20:34,634 NEVER LET IT BE SAID 426 00:20:34,667 --> 00:20:38,638 THAT BERNARD FIFE LET DOWN ELEANORA POULTICE. 427 00:20:43,009 --> 00:20:44,911 I'M GOING ON. 428 00:20:44,944 --> 00:20:46,646 MY MUSIC, ELEANORA. 429 00:20:54,954 --> 00:20:57,657 PLACES, EVERYBODY. PLACES. CURTAIN GOING UP. 430 00:20:57,690 --> 00:20:59,692 ONE MINUTE. 431 00:20:59,726 --> 00:21:01,561 OH, 30 SECONDS, 30 SECONDS. 432 00:21:01,594 --> 00:21:02,762 GOOD LUCK, ALL! 433 00:21:02,795 --> 00:21:04,631 SING IT GOOD, BARNEY. 434 00:21:04,664 --> 00:21:07,300 GOMER, YOUR VOICE, IT'S ALL RIGHT! 435 00:21:07,334 --> 00:21:08,901 HERE. WELL, I WAS JUST -- I WAS JUST TRYING TO -- 436 00:21:08,935 --> 00:21:10,637 WHAT ARE YOU PULLING HERE?! YOU WERE FAKING! 437 00:21:10,670 --> 00:21:12,605 WELL, I KNEW HOW MUCH IT MEANT TO YOU. 438 00:21:12,639 --> 00:21:14,006 Shh! CURTAIN GOING UP. WELL, I DON'T WANT YOUR CHARITY. 439 00:21:14,040 --> 00:21:15,975 I'M NOT TRYING TO GIVE YOU CHARITY, BARN. 440 00:21:16,008 --> 00:21:17,910 BARNEY, GOMER! BARNEY, GOMER, BE QUIET! 441 00:21:29,522 --> 00:21:32,625 Together: * SANTA LUCIA 442 00:21:32,659 --> 00:21:35,428 * SANTA LUCIA 443 00:21:35,462 --> 00:21:40,633 * SANTA LUCIA-A-A 444 00:21:40,667 --> 00:21:44,671 * NOW 'NEATH THE SILVER MOON 445 00:21:44,704 --> 00:21:48,375 * OCEAN IS GLOWING 446 00:21:48,408 --> 00:21:51,911 * O'ER THE CALM BILLOW 447 00:21:51,944 --> 00:21:55,782 * SOFT WINDS ARE BLOWING 448 00:21:55,815 --> 00:21:59,919 * HERE, BALMY BREEZES BLOW 449 00:21:59,952 --> 00:22:03,122 * PURE JOYS INVITE US 450 00:22:03,155 --> 00:22:07,694 * AND AS WE GENTLY ROW 451 00:22:07,727 --> 00:22:16,703 * ALL THESE DELIGHT U-U-U-U-U-U-U-U-U-U-U-U-U-U-US * 452 00:22:16,736 --> 00:22:27,013 * ALL THESE DELIGHT U-U-U-U-U-U-U-U-U-U-U-U-U-U-US * 453 00:22:27,046 --> 00:22:37,824 * ALL THESE DELIGHT U-U-U-U-U-U-U-U-U-U-U-U-U-U-US * 454 00:22:37,857 --> 00:22:41,661 * HARK, HOW THE SAILORS CRY 455 00:22:41,694 --> 00:22:45,465 * JOYOUSLY ECHOES NIGH 456 00:22:45,498 --> 00:22:49,001 * SANTA LUCIA 457 00:22:49,035 --> 00:22:52,872 * SANTA LUCIA 458 00:22:52,905 --> 00:22:57,109 Together: * SANTA LUCIA 459 00:22:57,143 --> 00:23:04,717 * SANTA-A LUCIA-A-A 460 00:23:15,928 --> 00:23:18,164 REALLY -- REALLY, YOU WERE JUST MARVELOUS. 461 00:23:18,197 --> 00:23:19,732 THANK YOU. SIMPLY MARVELOUS. 462 00:23:19,766 --> 00:23:21,067 THANKS. 463 00:23:21,100 --> 00:23:24,036 NOW, IF YOU'RE WILLING TO STICK TOGETHER 464 00:23:24,070 --> 00:23:26,005 AND TAKE A LITTLE COACHING, 465 00:23:26,038 --> 00:23:30,042 I PREDICT YOUR FUTURES CAN BE AS BRIGHT AS THE NORTH STAR. 466 00:23:30,076 --> 00:23:31,978 OH, WELL, MISS POULTICE, 467 00:23:32,011 --> 00:23:33,980 WE HAVE NO AMBITIONS IN THAT DIRECTION. 468 00:23:34,013 --> 00:23:36,182 OH, NOW, NOW, NOW, ANDY, LET ME FINISH. 469 00:23:36,215 --> 00:23:38,851 WE'LL FIND A CLASSY, CATCHY NAME FOR YOU, 470 00:23:38,885 --> 00:23:41,988 LIKE, UH, UH, THE THREE BELLS. 471 00:23:42,021 --> 00:23:44,824 WELL, I... NO, NO. THAT'S MORE FOR GIRLS. 472 00:23:44,857 --> 00:23:46,092 YES. 473 00:23:46,125 --> 00:23:47,960 HOW ABOUT, UH, THE ARISTOCRATS? 474 00:23:47,994 --> 00:23:49,562 WELL... 475 00:23:49,596 --> 00:23:52,599 OH, OH, I TELL YOU, TAYLOR, PYLE, AND FIFE. 476 00:23:52,632 --> 00:23:56,135 NO, NO, THAT'S TOO MUCH LIKE PETER, PYLE, AND MARY, ISN'T IT? 477 00:23:56,168 --> 00:23:58,104 I'LL THINK OF SOMETHING. 478 00:23:58,137 --> 00:24:01,107 WELL, A-ACTUALLY, WHAT WE ARE IS TWO SHERIFFS AND A MECHANIC, 479 00:24:01,140 --> 00:24:02,675 AND WE'D JUST LIKE TO KEEP IT THAT WAY. 480 00:24:02,709 --> 00:24:03,976 THAT'S RIGHT. 481 00:24:04,010 --> 00:24:05,745 WELL, NOW, YOU'RE SURE? WELL, YEAH. 482 00:24:05,778 --> 00:24:07,780 HOW ABOUT THE BROTHERS THREE? 483 00:24:07,814 --> 00:24:09,816 NO, EXCUSE US, MISS POULTICE. 484 00:24:09,849 --> 00:24:11,718 OR THE NEW MAYBERRY MINSTRELS. 485 00:24:11,751 --> 00:24:13,953 WELL, NO. OR TWO LADS AND A SHERIFF? 486 00:24:13,986 --> 00:24:15,722 WELL. 487 00:24:18,290 --> 00:24:20,760 WELL, LIKE I WAS TRYING TO TELL YOU, 488 00:24:20,793 --> 00:24:23,162 SHOW BUSINESS IS FULL OF UPS AND DOWN. 489 00:24:23,195 --> 00:24:24,597 YEAH. 34479

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