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1
00:00:09,677 --> 00:00:13,214
STARRING ANDY GRIFFITH...
2
00:00:13,247 --> 00:00:15,283
WITH RONNY HOWARD...
3
00:00:15,316 --> 00:00:18,452
ALSO STARRING DON KNOTTS.
4
00:00:27,828 --> 00:00:29,530
WHY FLOYD ALWAYS
HAS TO GET
5
00:00:29,563 --> 00:00:31,599
THAT LITTLE BIT OF
HAIR DOWN YOUR BACK.
6
00:00:31,632 --> 00:00:33,334
CAN YOU REACH
DOWN IN THERE
7
00:00:33,367 --> 00:00:35,803
AND SEE IF YOU CAN
GET SOME OF THAT
OUT OF THERE?
8
00:00:35,836 --> 00:00:37,405
YEAH. SURE, PA.
9
00:00:37,438 --> 00:00:39,673
SCRATCH A LITTLE WHILE
YOU'RE DOWN THERE.
10
00:00:39,707 --> 00:00:41,409
PA, CAN I ASK YOU
A QUESTION?
11
00:00:41,442 --> 00:00:42,676
YEAH.
12
00:00:42,710 --> 00:00:45,313
YOU SAID TO FLOYD,
"FLOYD, I WANT A HAIRCUT
13
00:00:45,346 --> 00:00:47,715
BUT I DON'T WANT IT
TO LOOK LIKE A HAIRCUT."
14
00:00:47,748 --> 00:00:49,183
THAT'S RIGHT.
15
00:00:49,217 --> 00:00:50,451
WHY?
16
00:00:50,484 --> 00:00:53,421
WELL, SON, THAT HAS
TO DO WITH VANITY.
17
00:00:53,454 --> 00:00:55,623
AUNT BEE'S DRESSING TABLE?
18
00:00:55,656 --> 00:00:59,093
NO. IT'S THE SAME WORD,
BUT THE MEANING IS DIFFERENT.
19
00:00:59,127 --> 00:01:00,294
IT MEANS YOU'RE
CONCERNED
20
00:01:00,328 --> 00:01:02,463
WITH THE OVERALL
LOOKS OF YOURSELF.
21
00:01:02,496 --> 00:01:05,166
I'M GOING TO THE BIG ANNUAL
CHAMBER OF COMMERCE DANCE
SATURDAY NIGHT.
22
00:01:05,199 --> 00:01:06,534
I NEEDED A HAIRCUT
23
00:01:06,567 --> 00:01:08,802
BUT I DIDN'T WANT IT TO LOOK
LIKE I JUST GOT ONE.
24
00:01:08,836 --> 00:01:10,438
WHY, PA?
25
00:01:10,471 --> 00:01:12,706
WELL, IN MY WORK,
I'M OUTDOORS A LOT
26
00:01:12,740 --> 00:01:15,143
AND I GET BROWN FROM THE SUN.
27
00:01:15,176 --> 00:01:18,279
NOW, THE SKIN UNDERNEATH
THE HAIR DON'T GET BROWN.
28
00:01:18,312 --> 00:01:20,181
IT'S IN THE SHADE.
THAT'S RIGHT.
29
00:01:20,214 --> 00:01:23,217
AND IF FLOYD CUTS IT TOO CLOSE,
THAT WHITE SKIN SHOWS A LINE
30
00:01:23,251 --> 00:01:25,186
BETWEEN MY HAIR
AND WHERE I'M BROWN
31
00:01:25,219 --> 00:01:27,255
AND IT LOOKS LIKE
I'M WEARING A WIG.
32
00:01:27,288 --> 00:01:28,589
AND THAT'S A VANITY?
33
00:01:28,622 --> 00:01:30,791
FOR NOW, I'D SAY, YEAH.
34
00:01:30,824 --> 00:01:32,360
CAN YOU GIVE ME
A RIDE HOME?
35
00:01:32,393 --> 00:01:33,527
OH, I CAN'T, SON.
36
00:01:33,561 --> 00:01:34,795
BARNEY'S GOT
THE SQUAD CAR
37
00:01:34,828 --> 00:01:37,331
AND HE'S OFF ON
A VERY IMPORTANT MISSION.
38
00:01:59,520 --> 00:02:00,754
ICE CREAM DELIVERY
39
00:02:00,788 --> 00:02:03,157
FROM MURPHY'S HOUSE
OF THE NINE FLAVORS.
40
00:02:03,191 --> 00:02:04,758
BARNEY, YOU MADE
A SPECIAL TRIP.
41
00:02:04,792 --> 00:02:06,494
I TOLD YOU TO
PICK UP ICE CREAM
42
00:02:06,527 --> 00:02:08,562
IF YOU HAPPENED TO
BE COMING THIS WAY.
43
00:02:08,596 --> 00:02:10,364
WELL, CRIME WAS AT
A STANDSTILL.
44
00:02:10,398 --> 00:02:12,200
I HAD A LITTLE TIME
ON MY HANDS.
45
00:02:12,233 --> 00:02:13,667
YOU'RE VERY SWEET.
46
00:02:13,701 --> 00:02:16,304
I'M ALSO A PUBLIC SERVANT
AND YOU'RE A VERY CUTE PUBLIC.
47
00:02:16,337 --> 00:02:17,571
COME ON IN, BARNEY.
48
00:02:17,605 --> 00:02:20,274
WHAT FLAVOR DID YOU GET?
49
00:02:20,308 --> 00:02:23,444
WEST INDIAN LICORICE
MOCHA DELIGHT.
50
00:02:23,477 --> 00:02:26,380
THAT WAS, UH,
40 CENTS.
51
00:02:26,414 --> 00:02:28,716
I THINK I HAVE
A 50-CENT PIECE HERE.
52
00:02:28,749 --> 00:02:29,950
YOU HAVE A DIME?
53
00:02:29,983 --> 00:02:32,386
A GOOD DELIVERY BOY
ALWAYS CARRIES CHANGE.
54
00:02:32,420 --> 00:02:33,521
THERE YOU ARE.
55
00:02:33,554 --> 00:02:34,822
YOU BETTER PUT THAT
56
00:02:34,855 --> 00:02:36,824
IN THE ICEBOX BEFORE
IT STARTS TO DRIP.
57
00:02:36,857 --> 00:02:37,958
I WILL.
58
00:02:39,460 --> 00:02:40,794
GET THAT, WILL YOU, BARNEY?
59
00:02:40,828 --> 00:02:42,663
TELL THEM I'LL BE RIGHT THERE.
60
00:02:42,696 --> 00:02:43,664
OKAY.
61
00:02:46,934 --> 00:02:48,502
HELLO. YES, SHE IS.
62
00:02:48,536 --> 00:02:49,770
JUST A MINUTE.
63
00:02:49,803 --> 00:02:51,439
IT'S FOR YOU, THELMA LOU.
64
00:02:52,773 --> 00:02:54,342
THANKS.
65
00:02:54,375 --> 00:02:55,743
HELLO.
66
00:02:55,776 --> 00:02:57,345
MARY GRACE?
67
00:02:57,378 --> 00:02:59,313
WHERE ARE YOU?
68
00:02:59,347 --> 00:03:02,450
WHAT?! OH, YOU'RE NOT.
69
00:03:02,483 --> 00:03:04,285
OF COURSE.
70
00:03:04,318 --> 00:03:05,986
OH, WHAT A THRILL.
71
00:03:06,019 --> 00:03:08,456
YES. YES, I'LL BE HERE ALL DAY.
72
00:03:08,489 --> 00:03:09,857
OH, WAIT, WAIT.
73
00:03:09,890 --> 00:03:11,825
DON'T PUT ANOTHER COIN IN.
74
00:03:11,859 --> 00:03:13,461
I'LL SEE YOU AT 4:00.
75
00:03:13,494 --> 00:03:15,429
MY COUSIN MARY GRACE
IS IN MT. PILOT.
76
00:03:15,463 --> 00:03:16,564
OH, YEAH?
77
00:03:16,597 --> 00:03:17,965
SHE'S ON HER WAY
TO RALEIGH
78
00:03:17,998 --> 00:03:20,668
AND SHE'S GOING TO STAY HERE
FOR THREE OR FOUR DAYS.
79
00:03:20,701 --> 00:03:21,935
GREAT.
80
00:03:23,437 --> 00:03:24,672
OH, BARNEY...
81
00:03:24,705 --> 00:03:25,973
WHAT'S THE MATTER?
82
00:03:26,006 --> 00:03:28,008
THE CHAMBER OF COMMERCE DANCE
SATURDAY NIGHT.
83
00:03:28,041 --> 00:03:29,610
WELL, WHAT ABOUT IT?
84
00:03:29,643 --> 00:03:31,845
I CAN'T GO WITH YOU
85
00:03:31,879 --> 00:03:34,248
AND LEAVE MARY GRACE
HERE ALL ALONE.
86
00:03:34,282 --> 00:03:36,584
WE'LL HAVE TO
GET HER A DATE
OR I CAN'T GO.
87
00:03:36,617 --> 00:03:37,851
WAIT A MINUTE.
88
00:03:37,885 --> 00:03:40,321
DIDN'T I MEET HER ONCE
ABOUT THREE YEARS AGO?
89
00:03:40,354 --> 00:03:41,422
MM-HMM.
90
00:03:41,455 --> 00:03:43,491
SHE CAME THROUGH
WITH HER FOLKS.
91
00:03:43,524 --> 00:03:44,758
NOW I REMEMBER.
92
00:03:44,792 --> 00:03:46,360
OH, BROTHER.
93
00:03:46,394 --> 00:03:47,695
SHE'S A DOG!
94
00:03:47,728 --> 00:03:49,863
BARNEY FIFE,
HOW CAN YOU BE SO CRUEL?
95
00:03:49,897 --> 00:03:52,433
I'M NOT BEING CRUEL,
I'M BEING HONEST.
96
00:03:52,466 --> 00:03:54,835
THELMA LOU,
I CAN'T GET A DATE FOR HER.
97
00:03:54,868 --> 00:03:57,971
ALL RIGHT.
THEN I DON'T GO TO THE DANCE.
98
00:03:58,005 --> 00:04:00,841
WAIT A MINUTE. THIS IS
THE BIGGEST DANCE OF THE YEAR.
99
00:04:00,874 --> 00:04:02,576
WE WAIT ALL YEAR FOR IT.
100
00:04:02,610 --> 00:04:03,911
YOU GOTTA GO.
101
00:04:03,944 --> 00:04:06,514
ONLY IF YOU GET A DATE
FOR MARY GRACE.
102
00:04:06,547 --> 00:04:08,482
WHAT ABOUT ANDY?
103
00:04:08,516 --> 00:04:09,850
OH, COME ON.
104
00:04:09,883 --> 00:04:11,485
YOU CAN AT LEAST ASK HIM.
105
00:04:11,519 --> 00:04:13,787
I'M NOT GONNA STICK ANDY
WITH SOME...
106
00:04:13,821 --> 00:04:16,757
IF YOU CALL HER A DOG AGAIN,
I'LL NEVER SPEAK TO YOU.
107
00:04:16,790 --> 00:04:18,826
I WASN'T GONNA
CALL HER ANYTHING!
108
00:04:18,859 --> 00:04:20,594
WELL, ASK HIM.
109
00:04:20,628 --> 00:04:22,630
I JUST CAN'T
DO THAT TO ANDY.
110
00:04:22,663 --> 00:04:25,333
WELL, GET YOURSELF
ANOTHER DATE THEN!
111
00:04:25,366 --> 00:04:27,335
WELL, YOU KNOW
HE'LL SAY NO.
112
00:04:27,368 --> 00:04:29,036
I DON'T THINK SO.
YOU KNOW WHY?
113
00:04:29,069 --> 00:04:31,071
BECAUSE ANDY IS SWEET...
114
00:04:31,104 --> 00:04:35,609
AND KIND AND REASONABLE
AND-AND UNDERSTANDING.
115
00:04:35,643 --> 00:04:36,744
NO!
116
00:04:36,777 --> 00:04:38,011
NOW, WAIT A MINUTE.
117
00:04:38,045 --> 00:04:39,813
DON'T SAY NO
TILL YOU HEAR ME OUT.
118
00:04:39,847 --> 00:04:41,382
BARNEY, I
KEEP TRYING...
119
00:04:41,415 --> 00:04:42,650
ALL RIGHT. I KNOW.
120
00:04:42,683 --> 00:04:43,917
SHE'S A DOG, RIGHT?
121
00:04:43,951 --> 00:04:45,786
THAT'S GOT NOTHING
TO DO WITH IT.
122
00:04:45,819 --> 00:04:47,521
I'M TAKING HELEN CRUMP.
123
00:04:47,555 --> 00:04:49,690
I ASKED HER MORE
THAN TWO WEEKS AGO.
124
00:04:52,693 --> 00:04:55,062
I SHOULD'VE KNOWN.
125
00:04:55,095 --> 00:04:57,898
ALL YEAR LONG
I WAIT FOR THIS DANCE
126
00:04:57,931 --> 00:05:00,000
AND THEN AT
THE LA MINUTE...
127
00:05:01,635 --> 00:05:03,404
WELL, DON'T GIVE
UP SO EASY.
128
00:05:03,437 --> 00:05:05,373
I'M THE ONLY ONE
YOU ASKED SO FAR.
129
00:05:05,406 --> 00:05:07,775
WHAT ABOUT SOME OF THE
OTHER BACHELORS IN TOWN?
130
00:05:07,808 --> 00:05:09,042
WHAT ABOUT NATE BUSHY?
131
00:05:09,076 --> 00:05:11,111
OH, NO. HE'LL BE TAKING
HIS MOTHER AGAIN.
132
00:05:11,144 --> 00:05:12,446
HE ALWAYS DOES.
133
00:05:12,480 --> 00:05:13,581
OH, YEAH.
134
00:05:15,115 --> 00:05:17,050
HEY, HEY, HEY.
135
00:05:17,084 --> 00:05:18,586
LUKE TAFT.
136
00:05:20,087 --> 00:05:22,055
LUKE TAFT?
137
00:05:22,089 --> 00:05:25,125
BLACK AND WHITE TWO-TONED SHOES,
PERFORATED TOPS, WING-TIPS,
138
00:05:25,158 --> 00:05:26,594
WHITE SHOELACES.
139
00:05:26,627 --> 00:05:28,396
OH, YEAH.
140
00:05:28,429 --> 00:05:29,797
NO.
141
00:05:29,830 --> 00:05:31,399
WHY?
142
00:05:31,432 --> 00:05:32,800
HE HITS THE SAUCE.
143
00:05:32,833 --> 00:05:34,402
HE WHAT?
144
00:05:35,836 --> 00:05:37,405
NO KIDDIN'.
145
00:05:37,438 --> 00:05:38,806
I DIDN'T KNOW THAT.
146
00:05:38,839 --> 00:05:40,408
YEARS.
147
00:05:40,441 --> 00:05:41,809
I'LL BE DOGGED.
148
00:05:41,842 --> 00:05:43,744
HEY, MAYBE HE'D
BE JUST THE ONE
149
00:05:43,777 --> 00:05:45,513
TO BRING HER
OUT OF HERSELF.
150
00:05:46,680 --> 00:05:47,648
NO.
151
00:05:47,681 --> 00:05:49,417
NO, NO, NO.
152
00:05:49,450 --> 00:05:52,553
NO, NO. WE GOT TO GET SOME GUY
THAT'S NOT BEEN AROUND TOO MUCH.
153
00:05:52,586 --> 00:05:53,954
YOU KNOW, REALLY NAY-EVE.
154
00:05:53,987 --> 00:05:56,089
SOME GUY WITH
NOT TOO MUCH UPSTAIRS.
155
00:05:56,123 --> 00:05:57,458
YEAH.
156
00:05:57,491 --> 00:05:58,826
IN OTHER WORDS,
A REAL DOPE.
157
00:05:58,859 --> 00:06:00,628
Gomer:
HEY, ANDY,
HEY, BARNEY.
158
00:06:03,897 --> 00:06:04,998
HEY, GOME.
159
00:06:05,032 --> 00:06:06,166
HEY, GOME.
160
00:06:06,199 --> 00:06:07,801
I LUBED THE SQUAD CAR,
161
00:06:07,835 --> 00:06:10,037
GREASED YOUR
TRANSMISSION,
YOUR DIFFERENTIAL.
162
00:06:10,070 --> 00:06:11,772
GIVE HER A
GOOD WASH, TOO.
163
00:06:11,805 --> 00:06:13,741
NOT THE TRANSMISSION
AND DIFFERENTIAL.
164
00:06:13,774 --> 00:06:15,142
THAT DON'T GET WASHED.
165
00:06:15,175 --> 00:06:16,744
THAT JUST GETS GREASED.
166
00:06:19,680 --> 00:06:21,048
GOMER?
167
00:06:21,081 --> 00:06:22,883
HAVE YOU GIVEN
MUCH THOUGHT
168
00:06:22,916 --> 00:06:25,653
TO THE CHAMBER OF
COMMERCE DANCE
SATURDAY NIGHT?
169
00:06:27,555 --> 00:06:29,189
NO. CAN'T SAY THAT I HAVE.
170
00:06:29,222 --> 00:06:32,693
WELL, HOW WOULD YOU LIKE
TO COME ALONG WITH US
171
00:06:32,726 --> 00:06:34,928
IN THE COMPANY
OF A YOUNG LADY?
172
00:06:36,229 --> 00:06:37,531
WELL...
173
00:06:37,565 --> 00:06:38,832
WE'VE GOT
ONE FOR YOU.
174
00:06:38,866 --> 00:06:40,601
JUST DYING
TO GO TO THE DANCE
175
00:06:40,634 --> 00:06:42,135
BUT DON'T KNOW
ANYBODY HERE.
176
00:06:42,169 --> 00:06:43,437
A STRANGER IN TOWN.
THAT'S RIGHT.
177
00:06:43,471 --> 00:06:44,938
WELL, I DON'T KNOW.
178
00:06:44,972 --> 00:06:46,206
WHAT'S SHE LIKE?
179
00:06:46,239 --> 00:06:48,208
AS NIC A GIRL AS
YOU'LL EVER MEET.
180
00:06:48,241 --> 00:06:49,543
NICE. NICE GIRL.
181
00:06:49,577 --> 00:06:50,711
PURTY?
182
00:06:50,744 --> 00:06:52,212
NICE.
183
00:06:52,245 --> 00:06:54,948
YEAH, AND SHE'S
SO SWEET AND KIND;
AS SMART AS A WHIP.
184
00:06:54,982 --> 00:06:56,517
Barney:
OH, SHE'S SMART.
185
00:06:56,550 --> 00:06:57,685
IS SHE PURTY?
186
00:06:57,718 --> 00:07:00,120
SHE'S SO NICE.
187
00:07:00,153 --> 00:07:02,222
WELL, WHAT DOES SHE LOOK LIKE?
188
00:07:02,255 --> 00:07:05,593
OH, WELL, UH...
189
00:07:07,861 --> 00:07:09,997
YOU KNOW BARNEY'S
GIRL THELMA LOU?
190
00:07:10,030 --> 00:07:11,098
OH, SURE.
191
00:07:11,131 --> 00:07:12,966
Barney:
DO WE HAVE
TO SAY MORE?
192
00:07:13,000 --> 00:07:14,167
WHAT DO YOU MEAN?
193
00:07:14,201 --> 00:07:16,837
SHE'S THELMA LOU'S
COUSIN.
194
00:07:16,870 --> 00:07:18,238
OH.
195
00:07:18,271 --> 00:07:19,873
Andy:
AND SHE'S SO NICE.
196
00:07:19,907 --> 00:07:20,974
WELL...
197
00:07:21,008 --> 00:07:22,776
WE'LL HAVE A LOT
OF FUN, GOMER.
198
00:07:22,810 --> 00:07:24,211
WHAT DO YOU SAY, GOME?
199
00:07:25,879 --> 00:07:27,047
OKAY.
200
00:07:27,080 --> 00:07:28,549
THAT A BOY.
201
00:07:28,582 --> 00:07:30,551
WELL, THANK YOU
ALL FOR ASKING ME.
202
00:07:30,584 --> 00:07:31,819
OH, DON'T MENTION IT.
203
00:07:31,852 --> 00:07:33,086
FORGET IT.
204
00:07:33,120 --> 00:07:35,188
I GUESS I BEST BE
GETTIN' BACK TO WORK.
205
00:07:35,222 --> 00:07:36,657
OKAY.
206
00:07:36,690 --> 00:07:38,191
SEE YOU SATURDAY.
SATURDAY.
207
00:07:38,225 --> 00:07:40,794
AND YOU SAY SHE'S...
208
00:07:40,828 --> 00:07:41,929
NICE.
209
00:07:41,962 --> 00:07:43,030
NICE.
210
00:07:47,868 --> 00:07:50,671
WHAT'S THE MATTER
WITH GOMER PYLE?
211
00:07:50,704 --> 00:07:52,239
OH, HE'S...
212
00:07:52,272 --> 00:07:54,908
IT JUST ISN'T RIGHT,
BARNEY?
213
00:07:54,942 --> 00:07:58,278
ARE YOU KIDDING?
HE'S 6 FEET TALL.
214
00:07:58,311 --> 00:08:01,048
LOOK, NOBODY EXPECTS THEM
TO GET MARRIED.
215
00:08:01,081 --> 00:08:03,250
IT'S JUST A DATE
FOR ONE EVENING.
216
00:08:03,283 --> 00:08:05,218
IT JUST HURTS ME
TO FIND OUT
217
00:08:05,252 --> 00:08:07,220
WHAT YOU THINK
OF MARY GRACE.
218
00:08:07,254 --> 00:08:10,123
SHE'S A WONDERFUL GIRL,
BARNEY.
219
00:08:10,157 --> 00:08:12,826
SHE'S SWEET
AND KIND, NICE.
220
00:08:12,860 --> 00:08:15,529
WELL, SO'S GOMER.
221
00:08:15,563 --> 00:08:17,631
YOU DON'T REALLY KNOW HIM,
THELMA LOU.
222
00:08:17,665 --> 00:08:19,132
IF YOU EVER
TOOK THE TROUBLE
223
00:08:19,166 --> 00:08:21,869
TO GET UNDERNEATH ALL THAT
OIL AND GASOLINE SMELL,
224
00:08:21,902 --> 00:08:23,837
YOU'D FIND A HECK
OF A HUMAN BEING.
225
00:08:23,871 --> 00:08:25,072
OH, I DON'T KNOW.
226
00:08:25,105 --> 00:08:27,608
LOOK, WE'RE ALL
GONNA BE TOGETHER.
227
00:08:27,641 --> 00:08:30,578
AND YOU KNOW HOW MUCH FUN
ME AND ANDY ARE.
228
00:08:31,612 --> 00:08:33,013
WILL YOU AND ANDY DANCE
229
00:08:33,046 --> 00:08:35,749
AT LEAST ONE DANCE EACH
WITH MARY GRACE?
230
00:08:35,783 --> 00:08:37,585
WELL...
231
00:08:37,618 --> 00:08:40,187
THAT MEANS YOU'LL HAVE TO
DANCE WITH GOMER.
232
00:08:40,220 --> 00:08:42,690
WELL...
233
00:08:42,723 --> 00:08:45,292
AT LEAST TALK TO HER
ONCE IN A WHILE?
234
00:08:45,325 --> 00:08:47,160
SURE.
235
00:08:50,230 --> 00:08:52,265
OH, PLEASE DO COME WITH US,
MARY GRACE.
236
00:08:52,299 --> 00:08:53,967
YOU'LL HAVE
A WONDERFUL TIME.
237
00:08:54,001 --> 00:08:55,836
WELL, I DON'T KNOW.
238
00:08:55,869 --> 00:08:57,638
BUT YOU'LL BE
WITH GOMER PYLE.
239
00:08:57,671 --> 00:08:59,673
HE'LL DANCE
EVERY DANCE WITH YOU.
240
00:08:59,707 --> 00:09:00,941
DON'T YOU SEE?
241
00:09:00,974 --> 00:09:02,610
PLEASE COME,
MARY GRACE.
242
00:09:02,643 --> 00:09:04,945
WHAT'S THIS, UH...
243
00:09:04,978 --> 00:09:05,979
GOMER PYLE LIKE?
244
00:09:06,013 --> 00:09:08,315
WELL, HE'S TALL...
245
00:09:08,348 --> 00:09:10,050
AND HE'S QUIET.
246
00:09:10,083 --> 00:09:11,752
BUT I QUIET.
247
00:09:11,785 --> 00:09:14,021
IF WE'RE BOTH QUIET,
WHAT ARE WE GONNA TALK ABOUT?
248
00:09:14,054 --> 00:09:15,989
WELL, YOU CAN
DANCE SOME MORE.
249
00:09:16,023 --> 00:09:17,625
WELL, I DON'T KNOW.
250
00:09:17,658 --> 00:09:20,193
WH
251
00:09:20,227 --> 00:09:21,662
WELL, HE'S TALL...
252
00:09:21,695 --> 00:09:22,796
AND...?
253
00:09:22,830 --> 00:09:23,931
AND DARK.
254
00:09:23,964 --> 00:09:25,198
HANDSOME?
255
00:09:25,232 --> 00:09:27,167
HE'S NICE, VERY NICE.
256
00:09:27,200 --> 00:09:29,369
THE IMPORTANT THING IS,
YOU'LL BE WITH US.
257
00:09:29,402 --> 00:09:31,138
OH, SAY YOU'LL GO,
MARY GRACE.
258
00:09:31,171 --> 00:09:32,940
YOU'LL HAVE
A WONDERFUL TIME.
259
00:09:32,973 --> 00:09:35,042
FREDDIE FLEET
AND HIS BAND WITH THE BEAT
260
00:09:35,075 --> 00:09:37,611
WILL BE THERE, AND THEY'LL HAVE
JAPANESE LANTERNS
261
00:09:37,645 --> 00:09:38,812
AND A BUFFET SUPPER
262
00:09:38,846 --> 00:09:40,247
AND A DOOR PRIZE.
263
00:09:40,280 --> 00:09:42,149
AND I'LL BE WITH YOU?
264
00:09:42,182 --> 00:09:43,784
WITH ALL OF US.
265
00:09:45,018 --> 00:09:46,720
ALL RIGHT. I'LL GO.
266
00:09:46,754 --> 00:09:48,355
OH, GOOD.
267
00:09:48,388 --> 00:09:50,924
TALL...DARK...
268
00:09:50,958 --> 00:09:53,861
AND A DOOR PRIZE.
AND A DOOR PRIZE.
269
00:09:54,862 --> 00:09:56,363
GREAT...
270
00:09:56,396 --> 00:09:58,999
OH, GREAT. WE'LL HAVE
A WONDERFUL TIME.
271
00:09:59,032 --> 00:10:00,868
OKAY. I'LL SEE
YOU LATER.
272
00:10:00,901 --> 00:10:02,269
IT'S ALL SET, AND.
273
00:10:02,302 --> 00:10:04,204
MARY GRACE COMIN'
WITH GOMER?
274
00:10:04,237 --> 00:10:05,939
YEP.
275
00:10:05,973 --> 00:10:08,942
* IT'S DANCE TIME
IN MAYBERRY TONIGHT *
276
00:10:08,976 --> 00:10:10,110
YEAH.
277
00:10:10,143 --> 00:10:11,812
* OOM-PAH-PAH
278
00:10:11,845 --> 00:10:15,282
* FREDDIE FLEET AND HIS BAND
WITH THE BEAT... *
279
00:10:16,349 --> 00:10:17,350
* PAH
280
00:10:17,384 --> 00:10:18,886
HEY. THAT'S GOOD.
281
00:10:18,919 --> 00:10:20,020
YEAH, WELL...
282
00:10:21,221 --> 00:10:24,057
YOU GOT A LOT OF RHYTHM
FOR A DEPUTY.
283
00:10:24,091 --> 00:10:25,659
HOW'D YOU DO THAT?
284
00:10:26,760 --> 00:10:28,962
WELL, THAT'S NOT
QUITE IT.
285
00:10:28,996 --> 00:10:30,898
YOU GOT TO HAVE
THE RHYTHM.
286
00:10:30,931 --> 00:10:33,200
WELL, SOME FOLKS GOT IT
AND SOME AIN'T, HUH?
287
00:10:33,233 --> 00:10:34,668
THAT'S RIGHT.
288
00:10:34,702 --> 00:10:36,203
SOME GOT IT
AND SOME AIN'T.
289
00:10:36,236 --> 00:10:37,337
SOME AIN'T.
290
00:10:41,274 --> 00:10:42,843
HEY, ANDY.
291
00:10:42,876 --> 00:10:43,911
OH, HEY, GOMER.
292
00:10:43,944 --> 00:10:45,378
HEY, BARNEY.
HEY, GOMER.
293
00:10:45,412 --> 00:10:47,715
WELL, I'M ALL SET.
I WENT ON A BUYING SPREE
294
00:10:47,748 --> 00:10:50,050
AND BOUGHT MYSELF
A WHOLE NEW SET OF ACCESSORIES.
295
00:10:50,083 --> 00:10:51,084
ACCESSORIES?
296
00:10:51,118 --> 00:10:52,886
YOU KNOW-- MATCHIN' THINGS.
297
00:10:52,920 --> 00:10:54,955
I BOUGHT A NECKTIE
AND SOME SOCKS--
298
00:10:54,988 --> 00:10:57,825
YOU KNOW, THE KIND WITH
ELASTIC 'ROUND THE TOP--
299
00:10:57,858 --> 00:10:59,192
AND A BELT
300
00:10:59,226 --> 00:11:01,294
AND SOME SHOES
AND EVERYTHING.
301
00:11:01,328 --> 00:11:02,930
OH...YELLOW SOCKS?
302
00:11:02,963 --> 00:11:04,965
YOU DON'T THINK
THEY'RE TOO POROUS, DO YOU?
303
00:11:04,998 --> 00:11:06,099
WHAT DO YOU MEAN?
304
00:11:06,133 --> 00:11:07,367
I'D HATE FOR THE HAIR
305
00:11:07,400 --> 00:11:09,036
ON MY LEGS TO POP THROUGH.
306
00:11:09,069 --> 00:11:11,939
OH, NO, THEY'LL BE FINE, GOMER.
307
00:11:11,972 --> 00:11:13,440
YELLOW SOCKS...
308
00:11:13,473 --> 00:11:16,343
A BROWN BELT WITH
A HORSESHOE BUCKLE ON IT...
309
00:11:16,376 --> 00:11:18,045
IMITATION
MOTHER-OF-PEARL.
310
00:11:18,078 --> 00:11:19,179
LOOK AT THAT.
311
00:11:19,212 --> 00:11:20,848
YOU SAY YOU GOT
A NECKTIE?
312
00:11:20,881 --> 00:11:21,982
MM-HMM.
313
00:11:22,015 --> 00:11:23,984
WOW...
314
00:11:24,017 --> 00:11:27,354
A PURPLE TIE WITH ACORNS ON IT
315
00:11:27,387 --> 00:11:29,289
AND LOOK AT
THE SHOES HERE.
316
00:11:29,322 --> 00:11:31,291
LOOKY THERE.
317
00:11:31,324 --> 00:11:33,126
A BRASS BUCKLE
ON THE SIDE.
318
00:11:33,160 --> 00:11:34,995
EIGHT DOLLARS.
319
00:11:35,028 --> 00:11:36,396
EIGHT DOLLARS?
320
00:11:36,429 --> 00:11:38,999
BOY, YOU SURE DID
SPEND SOME MONEY, GOMER.
321
00:11:39,032 --> 00:11:40,233
OH, IT'S WORTH IT.
322
00:11:40,267 --> 00:11:42,369
THIS MARY GRACE
COULD BE "MISS RIGHT."
323
00:11:42,402 --> 00:11:43,737
OH, BOY.
324
00:11:45,072 --> 00:11:46,206
UH...
325
00:11:46,239 --> 00:11:48,075
GOMER...
326
00:11:48,108 --> 00:11:49,509
COULD, UH...
327
00:11:49,542 --> 00:11:52,045
COULD I GIVE YOU SOME ADVICE?
328
00:11:52,079 --> 00:11:53,981
DON'T, UH...
329
00:11:54,014 --> 00:11:56,917
DON'T OVER-EXPECT.
330
00:11:56,950 --> 00:11:58,518
WHAT DO YOU MEAN?
331
00:11:58,551 --> 00:12:00,520
WELL...
332
00:12:00,553 --> 00:12:05,058
WHAT ANDY'S TRYIN'
TO SAY, GOMER, IS
333
00:12:05,092 --> 00:12:08,528
DURING OUR LIFETIME,
WE TRAVEL MANY ROADS.
334
00:12:08,561 --> 00:12:11,264
THERE ARE BIG ROADS
AND LITTLE ROADS
335
00:12:11,298 --> 00:12:12,966
AND ROCKY ROADS
336
00:12:13,000 --> 00:12:14,802
AND SMOOTH ROADS
337
00:12:14,835 --> 00:12:17,270
DIRT HIGHWAYS
AND IMPROVED ROADS.
338
00:12:17,304 --> 00:12:19,139
NOW, LET'S TAKE YOU
339
00:12:19,172 --> 00:12:21,875
AND THAT NEW OUTFIT
YOU GOT YOURSELF THERE.
340
00:12:21,909 --> 00:12:23,777
I'M GOING DOWN A ROAD...
341
00:12:23,811 --> 00:12:25,378
NO, NO, I DIDN'T
MEAN THAT.
342
00:12:25,412 --> 00:12:26,980
WHAT I MEANT WAS...
343
00:12:27,014 --> 00:12:28,348
CAN I PUT IT ANOTHER WAY?
344
00:12:28,381 --> 00:12:30,117
I ALMOST HAD IT.
345
00:12:30,150 --> 00:12:31,518
THIS IS BETTER.
346
00:12:31,551 --> 00:12:33,486
IT'S ABOUT MARY GRACE, GOMER.
347
00:12:33,520 --> 00:12:35,388
SHE TOO PRETTY FOR ME?
348
00:12:35,422 --> 00:12:37,390
UH, NO. SHE'S NICE.
349
00:12:37,424 --> 00:12:38,959
BUT SHE'S NICE.
350
00:12:38,992 --> 00:12:40,794
YOU DON'T HAVE TO WORRY
ABOUT ME GETTIN' FRESH...
351
00:12:40,828 --> 00:12:42,195
THAT AIN'T WHAT
ANDY MEANT.
352
00:12:42,229 --> 00:12:44,331
THAT'S NOT WHAT I MEANT
AT ALL, GOMER.
353
00:12:44,364 --> 00:12:47,200
WELL, I'M TRYIN'
TO FOLLOW YOU.
354
00:12:47,234 --> 00:12:50,971
DURING OUR LIFETIME,
WE TRAVEL MANY ROADS...
355
00:12:51,004 --> 00:12:53,807
GOMER, DO ME A FAVOR.
356
00:12:53,841 --> 00:12:55,275
JUST, UH...
357
00:12:55,308 --> 00:12:56,977
JUST DON'T OVER-EXPECT.
358
00:12:57,010 --> 00:12:58,111
OKAY?
359
00:13:02,282 --> 00:13:04,151
IT'LL ONLY TAKE
A MINUTE.
360
00:13:04,184 --> 00:13:06,019
AUNT BEE,
MY BRITCHES LOOK FINE.
361
00:13:06,053 --> 00:13:08,956
NO NEPHEW OF MINE'S GOING TO
A DANCE WITH WRINKLED KNEES.
362
00:13:08,989 --> 00:13:10,223
LOOK.
WILL YOU LOOK AT THESE?
363
00:13:10,257 --> 00:13:11,224
THEY'RE FINE.
364
00:13:11,258 --> 00:13:12,492
THEY DO LOOK
PRETTY BAGGY.
365
00:13:12,525 --> 00:13:13,927
NOW, YOU SEE?
366
00:13:13,961 --> 00:13:15,195
WELL, I RECKON
A LITTLE FELLA LIKE YOU
367
00:13:15,228 --> 00:13:16,563
SEES KNEES BETTER
THAN MOST PEOPLE.
368
00:13:16,596 --> 00:13:18,065
I'LL GO AND PRESS THEM
IN ONE MINUTE.
369
00:13:18,098 --> 00:13:19,399
ALL RIGHT.
370
00:13:19,432 --> 00:13:21,601
GOMER, YOU MIND
IF I MAKE A SUGGESTION?
371
00:13:21,634 --> 00:13:24,104
ABOUT GOING DOWN
SOME ROADS AGAIN?
372
00:13:24,137 --> 00:13:26,339
NO, NO, NO.
IT'S ABOUT YOUR HAIR.
373
00:13:26,373 --> 00:13:27,540
YOU GOT IT PLASTERED DOWN
TOO MUCH.
374
00:13:27,574 --> 00:13:29,076
BARNEY'S RIGHT, GOMER.
375
00:13:29,109 --> 00:13:31,478
YOU'VE LOST THE NATURALNESS
OF YOUR CONTOUR.
376
00:13:31,511 --> 00:13:34,247
JUST GET SOME KIND OF A WAVE
OR SOMETHING.
377
00:13:34,281 --> 00:13:37,617
SEE IF YOU CAN MAKE A LITTLE
RABBIT RIDGE UP IN THE FRONT.
378
00:13:37,650 --> 00:13:38,952
NO, NO, NO, NO.
379
00:13:38,986 --> 00:13:41,321
PUSH FROM THE BACK
TO THE FRONT.
380
00:13:41,354 --> 00:13:43,423
YOU'VE SEEN
RALPH BELLAMY.
381
00:13:43,456 --> 00:13:45,292
NO.
SIT DOWN, GOMER.
382
00:13:45,325 --> 00:13:47,494
WELL,
I'M TOO DANG NERVOUS.
383
00:13:47,527 --> 00:13:49,229
HOLD STILL, NOW.
384
00:13:49,262 --> 00:13:50,497
IS THIS THE FIRST TIME
385
00:13:50,530 --> 00:13:51,899
YOU'VE BEEN OUT
WITH A GIRL, GOMER?
386
00:13:51,932 --> 00:13:52,966
DO COUSINS COUNT?
387
00:13:53,000 --> 00:13:54,467
Opie:
I DON'T THINK SO.
388
00:13:54,501 --> 00:13:56,603
THEN IT'S
THE FIRST TIME.
389
00:13:56,636 --> 00:13:57,971
YOU'LL DO FINE.
390
00:13:58,005 --> 00:13:58,972
I HOPE SO.
391
00:13:59,006 --> 00:14:01,975
NOW, LET'S SEE.
392
00:14:02,009 --> 00:14:03,543
YEAH, WELL...
393
00:14:03,576 --> 00:14:05,045
YEAH.
394
00:14:05,078 --> 00:14:07,447
AUNT BEE, HOW YOU COMIN'
WITH MY BRITCHES?
395
00:14:07,480 --> 00:14:08,982
IN A MINUTE.
396
00:14:09,016 --> 00:14:10,617
HURRY. WE OUGHT TO BE LEAVIN'
RIGHT NOW.
397
00:14:10,650 --> 00:14:13,553
THE GIRLS ARE PROBABLY WAITIN'
FOR US.
398
00:14:13,586 --> 00:14:16,289
GOSH, WHAT'LL WE
TALK ABOUT?
399
00:14:16,323 --> 00:14:18,491
A MILLION THINGS'LL
POP INTO YOUR MIND.
400
00:14:18,525 --> 00:14:19,960
YOU'LL SEE.
401
00:14:19,993 --> 00:14:21,361
NAME ONE.
402
00:14:21,394 --> 00:14:23,130
IT'S EASY FOR YOU,
BARNEY.
403
00:14:23,163 --> 00:14:25,165
YOU'RE SO SWAVE
AND WORLDLY...
404
00:14:25,198 --> 00:14:28,368
YOU'VE BEEN OUT WITH WAITRESSES
AND EVEN A REGISTERED NURSE
405
00:14:28,401 --> 00:14:30,971
AND YOU'VE BEEN
ALL OVER THE STATE
406
00:14:31,004 --> 00:14:33,540
AND YOU KNOW JUST ABOUT
EVERYTHING THERE IS TO KNOW.
407
00:14:33,573 --> 00:14:35,909
I'LL BE RIGHT IN THERE
WITH YOU, DADDY,
408
00:14:35,943 --> 00:14:38,111
IN CASE THE EVENING
STARTS TO LAG, HUH?
409
00:14:38,145 --> 00:14:39,246
HERE WE ARE.
410
00:14:39,279 --> 00:14:40,380
OH, THANK YOU.
411
00:14:40,413 --> 00:14:41,648
HAVE TO HURRY.
412
00:14:41,681 --> 00:14:42,983
OW.
413
00:14:43,016 --> 00:14:44,117
WHAT'S WRONG, PA?
414
00:14:44,151 --> 00:14:45,452
THESE BRITCHES
ARE HOT.
415
00:14:45,485 --> 00:14:47,120
THEY'RE BURNIN'
MY KNEES.
416
00:14:47,154 --> 00:14:48,555
YOU'LL COOL OFF
IN A MINUTE.
417
00:14:48,588 --> 00:14:51,124
GIVE ME SOME KINDA
SENTENCE TO SAY.
418
00:14:51,158 --> 00:14:53,326
WILL YOU STOP
WORRYIN' ABOUT IT?
419
00:14:53,360 --> 00:14:56,129
MARY GRACE IS A VERY BRIGHT,
WELL-EDUCATED GIRL.
420
00:14:56,163 --> 00:14:57,530
SHE'LL DO THE TALKIN'.
421
00:14:57,564 --> 00:14:59,166
ALL YOU GOT TO DO IS BE
A GOOD LISTENER.
422
00:14:59,199 --> 00:15:00,433
YOU SAY SHE'S...
423
00:15:00,467 --> 00:15:02,135
NICE. AIN'T SHE
NICE, BARN?
424
00:15:02,169 --> 00:15:03,270
REAL NICE.
425
00:15:03,303 --> 00:15:04,404
VERY NICE.
426
00:15:04,437 --> 00:15:05,672
SHE'S THE NICEST GIRL.
427
00:15:05,705 --> 00:15:07,007
BYE, PA.
428
00:15:07,040 --> 00:15:08,141
BYE.
429
00:15:08,175 --> 00:15:09,409
BYE, OPE.
430
00:15:09,442 --> 00:15:10,577
HAVE A NICE TIME.
431
00:15:12,745 --> 00:15:14,047
HI, THERE.
432
00:15:14,081 --> 00:15:15,348
HELLO.
GOOD EVENING.
433
00:15:15,382 --> 00:15:16,616
SORRY WE'RE LATE.
434
00:15:16,649 --> 00:15:18,618
OH, THEL, YOU ARE
A RAVISHIN' SIGHT
435
00:15:18,651 --> 00:15:20,187
FOR THESE TIRED
OLD EYES.
436
00:15:20,220 --> 00:15:21,321
OH...
437
00:15:21,354 --> 00:15:22,722
YOU LOOK
LOVELY, HELEN.
438
00:15:22,755 --> 00:15:24,457
ANDY, YOU LOOK
AWFUL NICE.
439
00:15:24,491 --> 00:15:26,326
ANDY'S GOT
HOT KNEES.
440
00:15:26,359 --> 00:15:29,096
BARNEY. YOU'RE ALL MOUTH
TONIGHT, AIN'T YOU?
441
00:15:29,129 --> 00:15:30,998
AUNT BEE PRESSED
MY BRITCHES
442
00:15:31,031 --> 00:15:32,365
BEFORE I LEFT HOME.
443
00:15:33,700 --> 00:15:35,602
COME ON IN
HERE, GOMER.
444
00:15:35,635 --> 00:15:37,337
Y'ALL KNOW GOMER.
445
00:15:37,370 --> 00:15:38,638
YES. HELLO,
GOMER.
446
00:15:38,671 --> 00:15:40,107
GOOD EVENING,
GOMER.
447
00:15:40,140 --> 00:15:42,075
HEY, THELMA LOU.
HEY, MISS CRUMP.
448
00:15:42,109 --> 00:15:43,343
SIT DOWN, BOYS.
449
00:15:43,376 --> 00:15:45,012
OKAY.
450
00:15:47,114 --> 00:15:48,348
NICE DRESS.
451
00:15:48,381 --> 00:15:50,450
YOU SIT RIGHT
HERE ON THE SOFA.
452
00:15:50,483 --> 00:15:52,619
MARY GRACE'LL BE
IN IN A MINUTE.
453
00:15:52,652 --> 00:15:54,221
MARY GRACE.
454
00:15:54,254 --> 00:15:56,623
MARY GRACE,
THE BOYS ARE HERE.
455
00:15:59,159 --> 00:16:01,761
ANDY, BARNEY,
YOU KNOW MARY GRACE.
456
00:16:01,794 --> 00:16:03,063
HELLO, ANDY.
457
00:16:03,096 --> 00:16:04,664
NICE TO SEE YOU
AGAIN, MARY GRACE.
458
00:16:04,697 --> 00:16:05,999
BARNEY.
459
00:16:06,033 --> 00:16:07,167
MARY GRACE.
460
00:16:09,702 --> 00:16:11,138
THIS IS
GOMER PYLE.
461
00:16:11,171 --> 00:16:13,006
GOMER, THIS
IS MY COUSIN
462
00:16:13,040 --> 00:16:14,474
MARY GRACE
GOSSAGE.
463
00:16:14,507 --> 00:16:16,076
HOW DO YOU DO?
464
00:16:16,109 --> 00:16:17,710
HEY, MARY GRACE.
465
00:16:17,744 --> 00:16:20,013
YOU GO SIT RIGHT
THERE BY GOMER.
466
00:16:20,047 --> 00:16:21,681
COME RIGHT ON IN HERE,
MARY GRACE.
467
00:16:21,714 --> 00:16:25,318
SIT RIGHT DOWN THERE
AND TAKE A LOAD OFF YOUR FEET.
468
00:16:34,061 --> 00:16:36,163
SAY...
469
00:16:36,196 --> 00:16:38,431
THE WEATHERMAN SURE
WAS GOOD TO US
470
00:16:38,465 --> 00:16:40,167
THIS EVENIN',
WASN'T HE?
471
00:16:41,768 --> 00:16:43,636
YOU COULDN'T HAVE GOTTEN
A BETTER EVENING
472
00:16:43,670 --> 00:16:45,638
IF YOU PUT AN ORDER IN FOR IT.
473
00:16:45,672 --> 00:16:47,307
I SHOULD SAY SO.
474
00:16:47,340 --> 00:16:48,675
IT'S LOVELY OUT.
475
00:16:48,708 --> 00:16:50,577
IT'S A GREAT
EVENING.
476
00:16:50,610 --> 00:16:52,045
IT REALLY IS.
477
00:16:52,079 --> 00:16:54,181
WELL, IT'S PERFECT,
IS WHAT IT IS.
478
00:16:54,214 --> 00:16:55,548
Andy:
IT I PERFECT.
479
00:16:55,582 --> 00:16:57,150
JUST PERFECT.
480
00:17:01,854 --> 00:17:03,390
OH, SAY...
481
00:17:03,423 --> 00:17:06,593
YOU'LL GET A KICK
OUT OF THIS.
482
00:17:08,761 --> 00:17:12,132
I WAS OVER AT NORMAN'S
GROCETERIA THIS MORNING.
483
00:17:12,165 --> 00:17:14,701
WELL, THIS BIG COLLIE DOG
COME WALKIN' IN
484
00:17:14,734 --> 00:17:17,770
AND HE HAD JUST BEEN
SHAVED FOR THE SUMMER.
485
00:17:17,804 --> 00:17:19,406
OH.
486
00:17:21,408 --> 00:17:23,776
WELL, THE DOG WALKED
RIGHT UP TO MISS PIERCE
487
00:17:23,810 --> 00:17:25,645
BEHIND THE COUNTER...
488
00:17:27,647 --> 00:17:30,517
WELL, AL BECKER HAPPENED
TO BE STANDIN' THERE
489
00:17:30,550 --> 00:17:32,385
RIGHT AT THAT MINUTE...
490
00:17:32,419 --> 00:17:33,786
Y'ALL KNOW AL BECKER.
491
00:17:33,820 --> 00:17:35,355
OH, I DON'T.
492
00:17:35,388 --> 00:17:37,224
I DON'T KNOW HIM, EITHER.
493
00:17:37,257 --> 00:17:39,259
WELL, I KNOW
YOU KNOW HIM.
494
00:17:39,292 --> 00:17:41,228
AL BECKER...
495
00:17:41,261 --> 00:17:42,629
NO, I CAN'T SAY I DO
496
00:17:42,662 --> 00:17:46,299
BUT THAT AIN'T IMPORTANT, AND.
YOU GO RIGHT AHEAD.
497
00:17:46,333 --> 00:17:50,837
NO. IT DON'T MEAN ANYTHING
IF YOU DON'T KNOW HIM.
498
00:17:50,870 --> 00:17:54,574
AL BECKER...
499
00:17:54,607 --> 00:17:56,609
NAH...I CAN'T PLACE HIM.
500
00:17:57,677 --> 00:17:59,546
WOULD YOU FOLKS EXCUSE ME?
501
00:17:59,579 --> 00:18:01,681
THERE'S SOMETHIN' I GOTTA DO.
502
00:18:04,351 --> 00:18:06,119
WELL.
503
00:18:06,153 --> 00:18:08,688
THELMA LOU, DO YOU
HAVE ANY ASPIRIN?
504
00:18:08,721 --> 00:18:11,691
I'VE HAD THIS TERRIBLE
HEADACHE ALL DAY.
505
00:18:11,724 --> 00:18:14,227
I-I THINK I OUGHT
TO GO TO BED.
506
00:18:14,261 --> 00:18:16,763
YOU ALL GO TO THE DANCE
WITHOUT ME.
507
00:18:16,796 --> 00:18:17,797
NO!
508
00:18:17,830 --> 00:18:18,865
NO, PLEASE, I...
509
00:18:18,898 --> 00:18:20,600
WE'RE NOT GOING
WITHOUT YOU.
510
00:18:20,633 --> 00:18:21,901
IF YOU DON'T GO
511
00:18:21,934 --> 00:18:23,303
WE'RE GONNA STAY
HERE AND KEEP
YOU COMPANY.
512
00:18:23,336 --> 00:18:25,405
YOU'VE BEEN PLANNING
THIS DANCE ALL YEAR.
513
00:18:25,438 --> 00:18:27,507
I DON'T WANT YOU TO RUIN YOUR
EVENING ON ACCOUNT OF ME.
514
00:18:27,540 --> 00:18:28,908
WE'LL STAY HERE.
515
00:18:28,941 --> 00:18:31,344
HONESTLY, I'D MUCH
RATHER BE ALONE.
516
00:18:31,378 --> 00:18:32,879
ANDY, YOU MAKE THEM GO.
517
00:18:32,912 --> 00:18:34,914
WELL, IT...
518
00:18:34,947 --> 00:18:36,883
IT SEEMS LIKE THE
LOGICAL THING TO DO.
519
00:18:36,916 --> 00:18:39,286
MARY GRACE DON'T FEEL
LIKE GOIN' WITH US.
520
00:18:39,319 --> 00:18:41,521
NO SENSE IN US FORCIN'
OUR COMPANY ON HER.
521
00:18:41,554 --> 00:18:43,456
BUT TOMORROW EVENIN',
MARY GRACE,
522
00:18:43,490 --> 00:18:44,857
YOU AND HELEN AND I
523
00:18:44,891 --> 00:18:47,527
WILL HAVE A NICE SUPPER
AND TAKE IN A MOVIE.
524
00:18:47,560 --> 00:18:49,329
OH, YOU'RE
VERY SWEET.
525
00:18:49,362 --> 00:18:51,431
WELL, UH...
I GUESS WE BETTER GO.
526
00:18:51,464 --> 00:18:53,500
Andy:
YEAH.
527
00:18:53,533 --> 00:18:56,569
WELL...H-HAVE
A GOOD TIME.
528
00:18:56,603 --> 00:18:58,305
WELL...
529
00:18:58,338 --> 00:19:01,341
THAT WAS THE RUDEST THING
I'VE EVER SEEN IN MY LIFE.
530
00:19:01,374 --> 00:19:03,543
HOW COULD GOMER DO
A THING LIKE THAT?
531
00:19:03,576 --> 00:19:05,345
I TOLD YOU NOT
TO BRING GOMER.
532
00:19:05,378 --> 00:19:07,380
WELL, MAYBE HE HAD
SOMEPLACE TO GO.
533
00:19:07,414 --> 00:19:08,515
OH, SURE.
534
00:19:08,548 --> 00:19:10,450
WAIT, WAIT, WAIT,
WAIT A MINUTE.
535
00:19:10,483 --> 00:19:12,485
IF WE'RE GONNA FIGHT
536
00:19:12,519 --> 00:19:15,288
LET'S DO IT IN
THE CAR ON THE
WAY TO THE DANCE.
537
00:19:15,322 --> 00:19:16,423
HELEN...
538
00:19:16,456 --> 00:19:17,690
WELL...
539
00:19:26,899 --> 00:19:29,569
YOU SURE KNOW HOW TO PLAN
AN EVENING, DON'T YOU, FELLA?
540
00:19:39,279 --> 00:19:41,248
COME ON, NOW, HELEN.
NONE OF THAT.
541
00:19:41,281 --> 00:19:42,682
YOU GET UP FRONT
WITH ANDY.
542
00:19:42,715 --> 00:19:43,816
DON'T, HELEN.
543
00:19:43,850 --> 00:19:44,951
COME ON, HELEN.
544
00:19:44,984 --> 00:19:46,286
MAYBE I'D
BETTER.
545
00:19:46,319 --> 00:19:47,420
COME ON, THELMA LOU.
546
00:19:48,988 --> 00:19:50,690
COME ON, THELMA LOU.
547
00:19:50,723 --> 00:19:52,359
LET'S HAVE
A LITTLE FUN.
548
00:19:54,294 --> 00:19:55,662
ALL SET?
549
00:19:58,831 --> 00:20:00,400
YOU ALL RIGHT, BARN?
550
00:20:00,433 --> 00:20:02,402
IT'S ALL RIGHT. JUST DRIVE.
551
00:20:18,451 --> 00:20:19,819
OH.
552
00:20:19,852 --> 00:20:22,255
DID THE OTHERS LEAVE?
I DON'T SEE THE CAR.
553
00:20:22,289 --> 00:20:23,623
YES. THEY WENT
TO THE DANCE.
554
00:20:23,656 --> 00:20:24,991
I'M SORRY IT TOOK SO LONG
555
00:20:25,024 --> 00:20:26,859
BUT I HAD TO GO
TO A COUPLE PLACES
556
00:20:26,893 --> 00:20:29,496
TO FIND SOMETHIN' WITH
A LITTLE BIT OF PINK IN IT.
557
00:20:29,529 --> 00:20:31,364
I-I DON'T UNDERSTAND.
558
00:20:31,398 --> 00:20:32,832
YOUR FLOWERS.
559
00:20:32,865 --> 00:20:34,401
YOUR CORE-SAIGE.
560
00:20:34,434 --> 00:20:36,869
WHEN I COME IN, I NOTICED
THE OTHER GIRLS HAD ONE
561
00:20:36,903 --> 00:20:37,904
AND YOU DIDN'T.
562
00:20:38,905 --> 00:20:41,274
AND THAT'S WHY YOU LEFT?
563
00:20:41,308 --> 00:20:43,510
IT WOULDN'T BE RIGHT
FOR YOU, MARY GRACE,
564
00:20:43,543 --> 00:20:45,044
TO GO TO THE DANCE
UNADORNED.
565
00:20:45,077 --> 00:20:46,646
HERE.
566
00:20:46,679 --> 00:20:48,915
OH.
567
00:20:48,948 --> 00:20:50,950
COME IN, WON'T YOU?
568
00:20:52,719 --> 00:20:55,922
OH, GOMER...
569
00:20:55,955 --> 00:20:57,690
THEY'RE BEAUTIFUL.
570
00:20:57,724 --> 00:20:59,559
I'M SORRY I
MISSED THE OTHERS.
571
00:20:59,592 --> 00:21:01,994
I DON'T KNOW HOW WE
CAN GET TO THE DANCE.
572
00:21:02,028 --> 00:21:03,930
YOU SEE, I DON'T
HAVE A CAR
573
00:21:03,963 --> 00:21:06,499
AND IT'S A GOOD
THREE MILES FROM HERE.
574
00:21:06,533 --> 00:21:09,436
I DON'T REALLY CARE
ABOUT GOING, IF YOU DON'T.
575
00:21:09,469 --> 00:21:11,904
FOR HECK'S SAKE,
I'D JUST AS SOON
576
00:21:11,938 --> 00:21:14,841
STAY HERE WITH YOU,
FOR THAT MATTER.
577
00:21:14,874 --> 00:21:16,309
REALLY?
578
00:21:16,343 --> 00:21:17,777
REALLY.
579
00:21:19,479 --> 00:21:21,714
THERE WE GO.
580
00:21:24,451 --> 00:21:26,353
COME ON, THELMA LOU.
581
00:21:26,386 --> 00:21:27,787
NO, THANK YOU.
582
00:21:27,820 --> 00:21:30,089
YOU MEAN YOU DON'T EVEN
WANT TO GO IN?
583
00:21:30,122 --> 00:21:31,691
THELMA LOU...
584
00:21:31,724 --> 00:21:33,993
WE'VE GOTTEN
ALL DRESSED UP AND EVERYTHING
585
00:21:34,026 --> 00:21:35,628
AND WE'VE COME THIS FAR.
586
00:21:35,662 --> 00:21:38,331
WE CAN AT LEAST GO IN
AND HAVE A COUPLE OF DANCES.
587
00:21:38,365 --> 00:21:39,766
I'D RATHER NOT.
588
00:21:39,799 --> 00:21:41,834
I HAVE A HEADACHE.
589
00:21:41,868 --> 00:21:44,103
YOU TWO GO ON IN,
IF YOU WANT TO.
590
00:21:44,136 --> 00:21:46,739
I-I'D BETTER STAY
WITH THELMA LOU.
591
00:21:49,141 --> 00:21:50,710
WELL, HOW YOU FEEL?
592
00:21:50,743 --> 00:21:52,645
YOU WANNA LET'S
ME AND YOU GO?
593
00:21:52,679 --> 00:21:54,581
I'M NOT GONNA STAND
IN NO STAG LINE
594
00:21:54,614 --> 00:21:55,948
WITH OLD MR. PERKINS
595
00:21:55,982 --> 00:21:58,385
AND A BUNCH OF
SLUMPED-OVER
TEENAGE BOYS.
596
00:21:58,418 --> 00:21:59,819
WELL, LET'S JUST
GO HOME THEN.
597
00:21:59,852 --> 00:22:01,488
IT'S BEEN
A WONDERFUL EVENING.
598
00:22:01,521 --> 00:22:03,089
THAT'S RIGHT-- HOME.
599
00:22:03,122 --> 00:22:04,924
A MAN SPENDS MONEY GETTIN'
HIS SUIT SPOTTED AND PRESSED,
600
00:22:04,957 --> 00:22:07,360
TAKES TWO HOURS POLISHIN'
HIS HAT, AND FOR WHAT?
601
00:22:07,394 --> 00:22:08,495
HEARTACHES.
602
00:22:20,039 --> 00:22:24,043
[ BIG BAND MUSIC
PLAYING FAINTLY ]
603
00:23:02,915 --> 00:23:04,517
HEY, FOLKS.
604
00:23:04,551 --> 00:23:06,453
YOU BACK ALREADY?
605
00:23:06,486 --> 00:23:08,154
EXCUSE ME, MARY GRACE.
606
00:23:09,922 --> 00:23:11,658
YOU KNOW SOMETHIN'?
607
00:23:11,691 --> 00:23:13,593
SHE'S JUST LIKE YOU SAID:
608
00:23:13,626 --> 00:23:15,061
SHE'S NICE.
609
00:23:15,094 --> 00:23:17,129
SHE'S REAL NICE.
610
00:23:38,985 --> 00:23:41,554
WELL, ANYWAYS,
I WAS DOWN ON THIS ONE KNEE,
611
00:23:41,588 --> 00:23:44,023
LOOKIN' INTO THIS HOLLOW LOG
AT THIS MUSKRAT.
612
00:23:44,056 --> 00:23:45,958
AND SKINNY GRIFFIN
WAS WITH ME.
613
00:23:45,992 --> 00:23:48,828
AND HE WAS AS EXCITED AS
A CANARY BIRD WITH A NEW BABY.
614
00:23:48,861 --> 00:23:51,864
AND HE KEPT HOLLERING AT ME,
"THAT MUSKRAT'S GONNA BITE YOU.
615
00:23:51,898 --> 00:23:53,666
THAT MUSKRAT'S
GONNA BITE YOU."
616
00:23:53,700 --> 00:23:54,967
YOU KNOW HOW HE TALKS.
617
00:23:55,001 --> 00:23:56,636
WELL, ANYWAY,
I STUCK THIS STUCK IN THERE
618
00:23:56,669 --> 00:23:58,871
AND STARTED PRODDING AROUND,
TRYING TO STIR HIM OUT.
619
00:23:58,905 --> 00:24:00,740
WELL, HE WEREN'T
ABOUT TO MOVE.
620
00:24:00,773 --> 00:24:03,910
INSTEAD HE JUST KEPT NIBBLING
AT THAT STICK.
621
00:24:03,943 --> 00:24:06,946
SHOOT, IT'S JUST LIKE
DESSERT TO HIM.
622
00:24:08,648 --> 00:24:10,016
THIS OTHER TIME,
623
00:24:10,049 --> 00:24:11,718
ME AND OLD SKINNY GRIFFIN
WENT BIRD HUNTING.
624
00:24:11,751 --> 00:24:13,820
WELL, HE TOOK HIS BEST BIRD DOG
WITH HIM.
625
00:24:13,853 --> 00:24:16,022
NEVER KNOW A FELLA
TO HAVE MORE TROUBLE
626
00:24:16,055 --> 00:24:18,090
TRYING TO THINK
OF SOMETHING TO SAY.
627
00:24:18,124 --> 00:24:19,959
SKINNY GOT DOWN THERE
ON THE GROUND
628
00:24:19,992 --> 00:24:22,128
AND WAS TRYING TO SHOW THAT DOG
HOW TO POINT.
629
00:24:23,830 --> 00:24:25,598
WELL, HE WAS...
41376
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