Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:10,644 --> 00:00:13,181
STARRING ANDY GRIFFITH...
2
00:00:13,214 --> 00:00:16,184
WITH RONNY HOWARD...
3
00:00:16,217 --> 00:00:19,220
ALSO STARRING DON KNOTTS.
4
00:00:26,260 --> 00:00:28,662
WHAT IN THE WORLD
YOU GOT IN THERE, ANYHOW?
5
00:00:28,696 --> 00:00:30,231
JUST PERSONAL EFFECTS.
6
00:00:30,264 --> 00:00:32,766
I HOPE YOU GOT ROOM
FOR HER IN THIS GARAGE.
7
00:00:32,800 --> 00:00:35,803
WE'LL FIND A SPOT.
READY
8
00:00:35,836 --> 00:00:37,171
YEAH. LET'S HIT IT.
9
00:00:37,205 --> 00:00:38,606
OVER TO THESE SHELVES
ON THE LEFT.
10
00:00:38,639 --> 00:00:39,607
ALL RIGHT.
11
00:00:43,111 --> 00:00:44,745
SET HER DOWN.
SET HER DOWN.
12
00:00:44,778 --> 00:00:46,447
I HEARD SOMETHING RIP.
13
00:00:46,480 --> 00:00:47,481
YEAH. SO DID I.
14
00:00:47,515 --> 00:00:48,782
TURN AROUND.
15
00:00:48,816 --> 00:00:51,719
YOU'RE ALL CLEAR.
HOW ABOUT ME?
16
00:00:51,752 --> 00:00:54,322
10-4.
17
00:00:54,355 --> 00:00:57,391
THIS SHELF HERE
WILL DO IT.
18
00:00:57,425 --> 00:01:00,394
LISTEN, THIS AIN'T GONNA BE
IN YOUR WAY, NOW, IS IT?
19
00:01:00,428 --> 00:01:01,395
OH, NO.
20
00:01:01,429 --> 00:01:02,663
MY LANDLADY
JUST INSISTED
21
00:01:02,696 --> 00:01:05,399
I GET THE DARN TRUNK
OUT OF THE CELLAR.
22
00:01:05,433 --> 00:01:07,635
WHAT'S SHE GONNA USE
THE CELLAR FOR --
23
00:01:07,668 --> 00:01:09,103
SPARE ROOM OR SOMETHING?
24
00:01:09,137 --> 00:01:10,138
NO. MUSHROOMS.
25
00:01:10,171 --> 00:01:11,439
MUSHROOMS?
26
00:01:11,472 --> 00:01:13,674
SHE'S GONNA GROW
'EM IN HER CELLAR.
27
00:01:13,707 --> 00:01:16,277
SHE SEEN THIS AD IN
THE BACK OF A MAGAZINE --
28
00:01:16,310 --> 00:01:18,679
"GROW MUSHROOMS AT HOME
FOR FUN AND PROFIT."
29
00:01:18,712 --> 00:01:20,381
OH. I'VE SEEN THOSE ADS.
30
00:01:20,414 --> 00:01:22,116
"V.J. OF CINCINNATI
31
00:01:22,150 --> 00:01:24,218
REPORTS EARNINGS
UP TO $600 A MONTH."
32
00:01:24,252 --> 00:01:26,454
"S.D. OF TEXARKANA SAYS
'MY SPARE TIME
33
00:01:26,487 --> 00:01:28,356
IS NOW A MONEY-MAKING
PROPOSITION.'"
34
00:01:28,389 --> 00:01:31,159
YEAH. THEM'S THE ONES.
YEAH.
35
00:01:31,192 --> 00:01:33,894
MRS. MENDELBRIGHT SURE IS
FULL OF AMBITION, AIN'T SHE?
36
00:01:33,927 --> 00:01:36,697
YES. LAST YEAR, SHE
SENT AWAY FOR A MACHINE
37
00:01:36,730 --> 00:01:39,433
THAT TORE CAR TIRES
INTO LONG SHREDS OF RUBBER.
38
00:01:39,467 --> 00:01:40,868
WHAT IN THE WORLD FOR?
39
00:01:40,901 --> 00:01:42,670
OH, SHE WEAVED 'EM
INTO FLOOR MATS
40
00:01:42,703 --> 00:01:45,573
AND PURSES AND SEAT COVERS
AND OTHER ATTRACTIVE ITEMS.
41
00:01:45,606 --> 00:01:47,508
UM, I'VE SEEN
THOSE ADS TOO.
42
00:01:47,541 --> 00:01:49,710
"R.A. SAYS, 'OLD TIRES SENT
MY DAUGHTER
43
00:01:49,743 --> 00:01:52,513
THROUGH
BEAUTICIAN'S COLLEGE.'"
44
00:01:52,546 --> 00:01:55,749
WELL, I'M SURE GLAD
SHE'S TAKING UP MUSHROOMS.
45
00:01:55,783 --> 00:01:57,318
FOR A SOLID YEAR,
46
00:01:57,351 --> 00:01:59,720
I SLEPT WITH A TIRE SHREDDER
IN THE NEXT ROOM.
47
00:01:59,753 --> 00:02:01,489
MUSHROOMS
ARE PRETTY QUIET.
48
00:02:01,522 --> 00:02:03,424
I HOPE SO.
49
00:02:03,457 --> 00:02:06,194
GUESS WE GOT HER
ALL CLEANED OFF.
50
00:02:06,227 --> 00:02:07,495
YOU READY?
51
00:02:07,528 --> 00:02:08,762
OH. ALL RIGHT.
OKAY.
52
00:02:08,796 --> 00:02:09,897
ON THREE, OKAY?
53
00:02:09,930 --> 00:02:11,432
ALL RIGHT.
54
00:02:11,465 --> 00:02:12,566
ONE... TWO...
55
00:02:12,600 --> 00:02:13,934
THREE!
THREE!
56
00:02:13,967 --> 00:02:16,404
THERE WE GO!
57
00:02:16,437 --> 00:02:18,706
SEE HOW LIGHT THAT WAS?
IT'S THE COUNTING.
58
00:02:20,241 --> 00:02:23,844
OH, DURN HER MUSHROOMS!
59
00:02:23,877 --> 00:02:25,746
HEY, I KNOW, I KNOW.
HERE.
60
00:02:25,779 --> 00:02:26,780
GET AHOLD.
61
00:02:26,814 --> 00:02:28,616
NOW, WE TURN HER OVER
62
00:02:28,649 --> 00:02:31,285
AND USE THE TOP
FOR THE BOTTOM.
63
00:02:31,319 --> 00:02:32,453
OKAY.
64
00:02:32,486 --> 00:02:34,622
OKAY
65
00:02:34,655 --> 00:02:36,724
WELL, THAT'S WHY
YOU'RE THE SHERIFF
66
00:02:36,757 --> 00:02:38,259
AND I'M THE DEPUTY.
67
00:02:39,293 --> 00:02:40,294
OKAY.
68
00:02:40,328 --> 00:02:41,529
NOW, LET'S SEE --
69
00:02:41,562 --> 00:02:43,797
TENNIS RACKET.
70
00:02:43,831 --> 00:02:45,899
WHAT IN THE WORLD'S THAT?
71
00:02:45,933 --> 00:02:47,268
UH.
72
00:02:49,670 --> 00:02:52,306
WHAT YOU SAVING
THIS OLD ROCK FOR?
73
00:02:52,340 --> 00:02:53,541
IS IT WORTH ANYTHING?
74
00:02:53,574 --> 00:02:54,808
WELL, NOT MONEY-WISE.
75
00:02:54,842 --> 00:02:56,910
GOT A LOT OF
SENTIMENTAL VALUE, THOUGH.
76
00:02:56,944 --> 00:02:57,911
OH?
77
00:02:57,945 --> 00:02:59,380
IT WAS MY DADDY'S ROCK.
78
00:02:59,413 --> 00:03:01,215
OH, I'M SORRY, BARN.
79
00:03:01,249 --> 00:03:02,616
OH, LISTEN, DON'T FEEL SAD.
80
00:03:02,650 --> 00:03:05,386
THERE'S A LOT OF HAPPINESS
CONNECTED WITH THAT ROCK.
81
00:03:05,419 --> 00:03:06,587
THERE IS?
82
00:03:06,620 --> 00:03:08,256
YEAH. IT USED TO SIT
ON MY DADDY'S DESK.
83
00:03:08,289 --> 00:03:10,324
I USED TO STRIKE
KITCHEN MATCHES ON IT
84
00:03:10,358 --> 00:03:11,892
AND HOLD 'EM
TO DADDY'S PIPE.
85
00:03:11,925 --> 00:03:14,828
FOR A LITTLE FELLA, IT WAS
A BIG KICK TO STRIKE A MATCH
86
00:03:14,862 --> 00:03:16,930
AND HOLD IT
TO YOUR DAD'S PIPE.
87
00:03:16,964 --> 00:03:18,732
YEAH, I REMEMBER.
88
00:03:18,766 --> 00:03:21,735
I USED TO STRIKE MATCHES ON THE
BOTTOM OF MY DADDY'S BOOTS.
89
00:03:21,769 --> 00:03:24,338
OH, THAT WOULDN'T WORK
ON MY DAD'S SOLES.
90
00:03:24,372 --> 00:03:25,573
TOO SOFT.
91
00:03:25,606 --> 00:03:27,375
PROBABLY MADE
OUT OF OLD TIRES.
92
00:03:32,045 --> 00:03:33,314
HEY, YOUR CUTLASS!
93
00:03:33,347 --> 00:03:34,448
HUH?
94
00:03:34,482 --> 00:03:36,750
OLD HIGH SCHOOL YEARBOOK.
95
00:03:36,784 --> 00:03:38,986
I AIN'T SEEN ONE OF THESE
FOR YEARS.
96
00:03:39,019 --> 00:03:40,721
AUNT BEE GAVE MINE AWAY
TO A DISEASE DRIVE.
97
00:03:49,062 --> 00:03:50,664
OH, NO.
98
00:03:50,698 --> 00:03:51,865
OH, NO!
99
00:03:51,899 --> 00:03:53,033
LET ME SEE.
100
00:03:53,066 --> 00:03:54,535
LOOKY THERE.
101
00:03:54,568 --> 00:03:57,605
Barney:
"ANDREW JACKSON TAYLOR,
102
00:03:57,638 --> 00:03:59,740
"SECOND VICE-PRESIDENT 4-H,
103
00:03:59,773 --> 00:04:03,043
SECRETARY, PHILOMATHIAN
LITERARY SOCIETY."
104
00:04:03,076 --> 00:04:04,412
YEAH.
105
00:04:04,445 --> 00:04:07,448
WHAT WAS THAT
PHILOMATHIAN, ANGE?
106
00:04:07,481 --> 00:04:09,450
IT WAS A GROUP
THAT GOT TOGETHER
107
00:04:09,483 --> 00:04:10,984
AND CUT OUT
CURRENT EVENTS
108
00:04:11,018 --> 00:04:12,586
AND PASTED 'EM
IN A BOOK.
109
00:04:12,620 --> 00:04:14,455
SORRY I DIDN'T
GET IN ON THAT.
110
00:04:14,488 --> 00:04:15,556
SOUNDS LIKE FUN.
111
00:04:15,589 --> 00:04:17,591
WELL, YOU WAS UP
FOR IT...
112
00:04:17,625 --> 00:04:19,527
BUT WE WON'T GET INTO THAT.
113
00:04:19,560 --> 00:04:21,662
WOULD YOU LOOK
AT THAT HEAD OF HAIR?
114
00:04:21,695 --> 00:04:23,831
THERE MUST BE
TEN POUNDS OF IT.
115
00:04:23,864 --> 00:04:26,567
DID SOMEBODY
BLACKBALL ME OR SOMETHING?
116
00:04:26,600 --> 00:04:29,337
JACK EGBERT DIDN'T LIKE YOU.
117
00:04:29,370 --> 00:04:31,572
DON'T YOU REMEMBER I TOLD YOU
ABOUT IT AND YOU CRIED?
118
00:04:31,605 --> 00:04:33,741
OH, YEAH.
119
00:04:33,774 --> 00:04:35,776
JACK EGBERT.
120
00:04:37,044 --> 00:04:39,647
HEY. HEY, LOOK AT YOU, BARN.
121
00:04:39,680 --> 00:04:41,482
OH!
122
00:04:41,515 --> 00:04:44,051
YEAH. I WAS PAINFULLY
THIN THEN.
123
00:04:44,084 --> 00:04:46,954
YEAH. YOU WAS MIGHTY SLOW
IN FILLING OUT.
124
00:04:46,987 --> 00:04:49,022
WELL, I GOT
MY MOTHER'S FAMILY'S FRAME.
125
00:04:49,056 --> 00:04:51,925
WHEN I WAS 17, I COULD REACH
INTO A MILK BOTTLE
126
00:04:51,959 --> 00:04:53,394
AND TAKE OUT AN EGG.
127
00:04:53,427 --> 00:04:54,862
YOU CAN'T DO THAT
ANYMORE.
128
00:04:54,895 --> 00:04:56,029
NO!
129
00:04:56,063 --> 00:04:57,831
THAT PROVES YOU
FILLED OUT SOME.
130
00:04:57,865 --> 00:04:59,367
YEAH.
131
00:04:59,400 --> 00:05:01,034
YOU WANT TO KNOW SOMETHING?
132
00:05:01,068 --> 00:05:02,035
HMM?
133
00:05:02,069 --> 00:05:04,304
JACK EGBERT WAS NO PRIZE.
134
00:05:09,810 --> 00:05:11,912
"BERNARD MILTON FIFE,
135
00:05:11,945 --> 00:05:14,047
"BOARD OF DIRECTORS,
TIN-FOIL DRIVE,
136
00:05:14,081 --> 00:05:17,385
"HALL MONITOR, VOLLEYBALL
COURT MAINTENANCE CREW,
137
00:05:17,418 --> 00:05:18,786
SPANISH CLUB."
138
00:05:18,819 --> 00:05:20,954
I DIDN'T KNOW
YOU WAS IN SPANISH CLUB.
139
00:05:20,988 --> 00:05:22,423
Sí.
140
00:05:25,593 --> 00:05:28,396
HEY! RAMONA WILEY!
141
00:05:28,429 --> 00:05:29,830
"ALWAYS, RAMONA."
142
00:05:29,863 --> 00:05:31,365
THAT SOUNDS
PRETTY SERIOUS.
143
00:05:31,399 --> 00:05:34,034
DON'T YOU REMEMBER
HOW CRAZY SHE WAS ABOUT ME?
144
00:05:34,067 --> 00:05:35,703
IT WAS A BIG THING, HUH?
145
00:05:35,736 --> 00:05:36,904
AH! OH, WELL...
146
00:05:36,937 --> 00:05:38,772
WELL, IT WAS ALL ONE-SIDED.
147
00:05:38,806 --> 00:05:40,774
I MEAN, I WASN'T INTERESTED,
148
00:05:40,808 --> 00:05:43,544
BUT, BOY, SHE REALLY HAD
A CASE ON ME.
149
00:05:43,577 --> 00:05:47,080
I'LL NEVER FORGET
ONE NOTE SHE WROTE --
150
00:05:47,114 --> 00:05:48,816
"BARNEY, BELOVED,
151
00:05:48,849 --> 00:05:53,654
THE TEARS ON MY PILLOW BESPEAK
THE PAIN THAT IS IN MY HEART."
152
00:05:53,687 --> 00:05:55,756
I CAN'T REMEMBER ANY OF THAT.
153
00:05:55,789 --> 00:05:57,791
NO WONDER --
YOU AND SHARON DeSPAIN
154
00:05:57,825 --> 00:05:59,026
WERE SO MUCH IN LOVE,
155
00:05:59,059 --> 00:06:00,961
YOU DIDN'T KNOW
WHAT WAS GOING ON.
156
00:06:00,994 --> 00:06:02,930
SHARON DeSPAIN,
SHARON DeSPAIN...
157
00:06:02,963 --> 00:06:04,565
AH! THERE SHE IS.
158
00:06:04,598 --> 00:06:05,599
AH.
159
00:06:05,633 --> 00:06:07,000
WHAT A KNOCKOUT, HUH?
160
00:06:07,034 --> 00:06:09,036
BOY, YOU TWO
SURE WERE THICK.
161
00:06:09,069 --> 00:06:11,405
WEREN'T YOU VOTED
COUPLE OF THE YEAR
162
00:06:11,439 --> 00:06:12,473
TWO YEARS RUNNING?
163
00:06:12,506 --> 00:06:14,174
YEAH. JUNIOR
AND SENIOR YEARS.
164
00:06:14,207 --> 00:06:15,443
YEAH.
165
00:06:15,476 --> 00:06:16,410
HUH.
166
00:06:18,446 --> 00:06:21,882
A LITTLE, UH... PUMPING
IN THE CHEST, HUH, ANDY?
167
00:06:21,915 --> 00:06:23,417
HMM?
168
00:06:23,451 --> 00:06:24,718
A LITTLE, YEAH.
169
00:06:24,752 --> 00:06:26,186
YOU KNOW WHAT THEY SAY --
170
00:06:26,219 --> 00:06:28,589
YOUR FIRST FLAME
NEVER QUITE BURNS OUT.
171
00:06:28,622 --> 00:06:30,858
WE EVEN TALKED
ABOUT GETTING MARRIED ONE TIME.
172
00:06:30,891 --> 00:06:32,025
HOW COME YOU DIDN'T?
173
00:06:32,059 --> 00:06:34,628
HMM... I DON'T KNOW.
174
00:06:34,662 --> 00:06:37,130
WONDER WHERE
SHE IS NOW.
175
00:06:37,164 --> 00:06:38,999
LAST I HEARD, SHE WAS DOING
176
00:06:39,032 --> 00:06:41,101
SOME KIND OF DESIGNING WORK
IN CHICAGO.
177
00:06:41,134 --> 00:06:42,470
OH, YEAH?
178
00:06:42,503 --> 00:06:44,004
I WONDER WHERE THEY ALL ARE NOW.
179
00:06:44,037 --> 00:06:45,172
YEAH.
180
00:06:45,205 --> 00:06:47,441
BE NICE TO SEE 'EM
AGAIN, WOULDN'T IT?
181
00:06:47,475 --> 00:06:48,509
YEAH.
182
00:06:48,542 --> 00:06:51,144
JARVIS ELDRIDGE.
LILLIANE BECKER.
183
00:06:51,178 --> 00:06:52,145
YEAH.
184
00:06:52,179 --> 00:06:53,547
PEARLY MAY DuBOIS.
185
00:06:53,581 --> 00:06:55,182
WOW! YEAH.
186
00:06:58,085 --> 00:06:59,887
HEY, BARN?
HUH?
187
00:06:59,920 --> 00:07:01,522
WHAT YOU THINK
OUR CHANCES WOULD BE
188
00:07:01,555 --> 00:07:03,090
OF GETTING 'EM
ALL TOGETHER?
189
00:07:03,123 --> 00:07:04,558
WHAT DO YOU MEAN?
190
00:07:04,592 --> 00:07:06,827
A REUNION. SOME SCHOOLS
HAVE 'EM EVERY YEAR.
191
00:07:06,860 --> 00:07:08,228
HEY, THAT'S
A GREAT IDEA!
192
00:07:08,261 --> 00:07:10,531
I WOULDN'T KNOW
WHERE TO START, THOUGH.
193
00:07:10,564 --> 00:07:12,199
WE START RIGHT HERE
IN MAYBERRY.
194
00:07:12,232 --> 00:07:14,502
THERE'S EIGHT OR NINE
OF US STILL HERE.
195
00:07:14,535 --> 00:07:16,670
WE GET A COMMITTEE
TOGETHER. LET'S DO IT!
196
00:07:16,704 --> 00:07:18,105
IT'S KIND OF
SCARY, AIN'T IT?
197
00:07:18,138 --> 00:07:19,473
WHAT DO YOU MEAN?
198
00:07:19,507 --> 00:07:20,941
WELL, YOU KNOW,
THE IDEA OF SEEING
199
00:07:20,974 --> 00:07:22,209
HOW OLD
EVERYBODY'S GOTTEN.
200
00:07:22,242 --> 00:07:23,744
YEAH. THEY'LL
SURE BE SHOCKED
201
00:07:23,777 --> 00:07:25,546
TO FIND WE HAVEN'T
CHANGED A BIT, HUH?
202
00:07:27,247 --> 00:07:29,817
COME ON.
203
00:07:29,850 --> 00:07:31,952
HI, MARY LEE.
204
00:07:31,985 --> 00:07:35,188
ANDY, BARNEY...
205
00:07:35,222 --> 00:07:37,124
YOU'LL NEVER BELIEVE
WHAT HAPPENED.
206
00:07:37,157 --> 00:07:38,692
WE SENT OUT 35 INVITATIONS
207
00:07:38,726 --> 00:07:40,661
AND SO FAR,
WE GOT 20 ACCEPTANCES.
208
00:07:40,694 --> 00:07:42,029
OH, GREAT!
209
00:07:42,062 --> 00:07:44,732
THE ONES I'VE CHECKED
ARE COMING.
210
00:07:44,765 --> 00:07:46,967
THERE SHE IS, ANDY --
SHARON DeSPAIN.
211
00:07:47,000 --> 00:07:48,802
WE HAVEN'T HEARD
FROM SHARON YET.
212
00:07:48,836 --> 00:07:50,103
I SENT AN INVITATION
213
00:07:50,137 --> 00:07:52,205
TO HER LAST ADDRESS --
IT WAS IN PHILADELPHIA.
214
00:07:52,239 --> 00:07:53,574
WHAT ABOUT
RAMONA WILEY?
215
00:07:53,607 --> 00:07:55,709
SHE'S COMING.
SHE'S THIRD ON THE LIST.
216
00:07:55,743 --> 00:07:57,678
SEE?
"MRS. HARRY BEKTORIS."
217
00:07:57,711 --> 00:07:59,747
"HARRY BEKTORIS," HUH?
218
00:07:59,780 --> 00:08:04,151
WELL, LET'S JUST HOPE THAT
MR. BEKTORIS, WHOEVER HE MAY BE,
219
00:08:04,184 --> 00:08:07,254
DON'T HAVE ANY JEALOUS BONES
IN HIS BODY.
220
00:08:07,287 --> 00:08:10,591
BOY, I HOPE RAMONA EXERCISES
A LITTLE SELF-CONTROL
221
00:08:10,624 --> 00:08:11,925
AND DON'T HORSE AROUND.
222
00:08:14,695 --> 00:08:16,597
CHEER UP, ANDY.
WE'LL HEAR FROM SHARON.
223
00:08:16,630 --> 00:08:18,265
THEY'RE AWFUL GOOD
224
00:08:18,298 --> 00:08:19,867
ABOUT FORWARDING
MAIL, ANDY.
225
00:08:19,900 --> 00:08:21,034
EVEN IF SHE
DON'T COME,
226
00:08:21,068 --> 00:08:22,803
WE'RE IN FOR THE TIME
OF OUR LIVES.
227
00:08:22,836 --> 00:08:24,271
YEAH.
IT'S GONNA BE GREAT.
228
00:08:24,304 --> 00:08:27,007
YEAH, THE OLD
ORANGE AND BLUE.
229
00:08:27,040 --> 00:08:28,942
YEAH.
230
00:08:28,976 --> 00:08:33,881
* MAYBERRY UNION HIGH
231
00:08:33,914 --> 00:08:38,318
All:
* VICTORY IS YOURS WELL NIGH
232
00:08:38,351 --> 00:08:42,956
* WE'LL HIT THE LINE
FOR POINTS EVERY TIME *
233
00:08:42,990 --> 00:08:49,329
* THE ORANGE AND BLUE
WILL TRY, TRY, TRY, TRY *
234
00:08:49,362 --> 00:08:53,867
* AND WHEN THE VICTORY'S WON
235
00:08:53,901 --> 00:08:58,071
* YOU'LL BE OUR FAVORITE SON
236
00:08:58,105 --> 00:09:04,612
* PROUD WAVES YOUR BANNER
IN THE SKY *
237
00:09:04,645 --> 00:09:11,785
* MAYBERRY UNION HIGH
238
00:09:14,988 --> 00:09:17,591
[ "CHATTANOOGA CHOO-CHOO"
PLAYS ]
239
00:09:35,242 --> 00:09:37,845
EXCUSE ME.
240
00:09:37,878 --> 00:09:39,847
THANK YOU.
241
00:09:41,949 --> 00:09:43,116
ANDY TAYLOR.
242
00:09:43,150 --> 00:09:44,718
THAT'S RIGHT, THERE.
243
00:09:44,752 --> 00:09:47,354
I THOUGHT
YOU'D FORGOTTEN ME
THERE FOR A MINUTE.
244
00:09:47,387 --> 00:09:49,256
YOU SURE ARE
LOOKING GOOD.
245
00:09:49,289 --> 00:09:51,258
AND THIS IS
THE MISSUS, HUH?
246
00:09:51,291 --> 00:09:52,760
THAT'S RIGHT, ANDY.
247
00:09:52,793 --> 00:09:54,695
YOU SURE
HAVEN'T
CHANGED.
248
00:09:54,728 --> 00:09:56,764
YOU WAS
IN DEBATE,
WASN'T YOU?
249
00:09:56,797 --> 00:09:58,265
YES, SHE WAS.
250
00:09:58,298 --> 00:10:03,070
YES, SIR, YOU SURE DID DO
SOME FINE DEBATING IN YOUR TIME.
251
00:10:03,103 --> 00:10:05,138
SHE SURE DID--
PAUL REVERE HIGH SCHOOL
252
00:10:05,172 --> 00:10:06,239
CHICAGO, ILLINOIS.
253
00:10:06,273 --> 00:10:07,340
OH.
254
00:10:07,374 --> 00:10:08,809
JACK SWEET.
255
00:10:08,842 --> 00:10:10,644
OH, YOU REMIND ME
A LOT OF A GIRL
256
00:10:10,678 --> 00:10:13,180
THAT WAS IN DEBATE HERE
WITH US-- EDNA THOKE.
257
00:10:13,213 --> 00:10:14,347
JACK SWEET.
258
00:10:14,381 --> 00:10:16,650
DO MY BLOODSHOT EYES
DECEIVE ME,
259
00:10:16,684 --> 00:10:19,052
OR IS THAT BARNEY FIFE
LURKING THERE?
260
00:10:19,086 --> 00:10:22,122
WELL, WELL, WELL,
IF IT AIN'T OLD JACK SWEET.
261
00:10:22,155 --> 00:10:24,057
AND THIS IS MIZ
SWEET, BARN.
262
00:10:24,091 --> 00:10:27,995
WE ARE MR. AND MRS.
RALPH HAYNES.
263
00:10:29,963 --> 00:10:32,265
HOW COULD YOU MAKE A
MISTAKE LIKE THAT, BARN?
264
00:10:32,299 --> 00:10:33,934
IS THAT HIM
OR AIN'T IT?
265
00:10:33,967 --> 00:10:35,302
IT'S THE RIGHT PICTURE,
266
00:10:35,335 --> 00:10:38,038
BUT IT BELONGS TO
THE NAME ON THE LEFT.
267
00:10:38,071 --> 00:10:40,273
"RALPH HAYNES," YEAH.
268
00:10:40,307 --> 00:10:42,676
"WRESTLING, BOXING,
FOOTBALL, BASKETBALL,
269
00:10:42,710 --> 00:10:45,813
POLE VAULTING,
WEIGHT LIFTING, MILE RUN."
270
00:10:45,846 --> 00:10:48,816
OH, I REMEMBER HIM.
HE WAS ALWAYS SWEATING.
271
00:10:48,849 --> 00:10:50,684
YOU KNOW THIS FELLA?
272
00:10:50,718 --> 00:10:52,319
WELL, HERE THEY ARE.
273
00:10:52,352 --> 00:10:54,321
WHY,
YOU TWO CHICKEN THIEVES.
274
00:10:54,354 --> 00:10:56,189
WHY, HOW THE HECK
ARE YOU?
275
00:10:56,223 --> 00:10:57,357
YOU SON OF A GUN.
276
00:10:57,390 --> 00:10:59,192
YOU SURE ARE
LOOKING GOOD.
277
00:10:59,226 --> 00:11:00,794
WELL, SO ARE YOU,
ANDY.
278
00:11:00,828 --> 00:11:02,195
WELL...
279
00:11:02,229 --> 00:11:03,196
NATE BRACEY.
280
00:11:03,230 --> 00:11:04,164
NATE BRACEY.
281
00:11:04,197 --> 00:11:05,465
NATE BRACEY
282
00:11:05,498 --> 00:11:07,935
NATE BRACEY, NATE BRACEY.
283
00:11:07,968 --> 00:11:08,836
NATE BRACEY!
284
00:11:08,869 --> 00:11:09,970
NATE BRACEY.
285
00:11:10,003 --> 00:11:11,238
I ALWAYS SAID YOU HAD
286
00:11:11,271 --> 00:11:13,841
ONE OF THE MOST MUSICAL NAMES
I EVER HEARD.
287
00:11:13,874 --> 00:11:14,975
OH, THANKS.
288
00:11:15,008 --> 00:11:16,777
HOW ABOUT
SOME PUNCH, NATE?
289
00:11:16,810 --> 00:11:17,745
WELL, UH... UM...
290
00:11:17,778 --> 00:11:19,012
IS IT SPIKED?
291
00:11:19,046 --> 00:11:21,314
IF IT IS, I'M NOT
SUPPOSED TO KNOW ABOUT IT.
292
00:11:21,348 --> 00:11:22,449
I'M THE SHERIFF HERE.
293
00:11:22,482 --> 00:11:24,084
SAY, I KNOW YOU'RE SHERIFF.
294
00:11:24,117 --> 00:11:25,452
THE WHOLE GANG IS TALKING
295
00:11:25,485 --> 00:11:28,188
ABOUT WHAT A NICE JOB
YOU'VE DONE WITH THE LAW.
296
00:11:28,221 --> 00:11:29,356
WELL...
297
00:11:29,389 --> 00:11:31,124
WHERE YOU LIVING NOW, NATE?
298
00:11:31,158 --> 00:11:32,292
NATE, NATE.
299
00:11:32,325 --> 00:11:33,761
OH. YES, SUGAR.
300
00:11:33,794 --> 00:11:36,463
THEY'RE PLAYING
A CHA-CHA-CHA.
301
00:11:36,496 --> 00:11:39,933
OH... YOU'LL HAVE TO
EXCUSE ME, FELLAS.
302
00:11:39,967 --> 00:11:41,935
WE TOOK LESSONS.
303
00:11:45,438 --> 00:11:46,740
BOY, THIS STRUGGLING
304
00:11:46,774 --> 00:11:48,175
TO REMEMBER
NAMES AND FACES
305
00:11:48,208 --> 00:11:49,743
IS ABOUT TO WEAR ME OUT.
306
00:11:49,777 --> 00:11:50,911
YEAH. ME, TOO.
307
00:11:50,944 --> 00:11:52,746
UH-OH. HERE
COMES ANOTHER ONE.
308
00:11:52,780 --> 00:11:54,782
LET'S JUST BE HONEST
AND TELL THEM
309
00:11:54,815 --> 00:11:56,449
WE DON'T REMEMBER
THEIR NAMES.
310
00:11:56,483 --> 00:11:58,518
THEY CAN'T PUT YOU
IN JAIL, RIGHT?
311
00:11:58,551 --> 00:11:59,820
RIGHT.
312
00:11:59,853 --> 00:12:01,254
HOWDY.
I'M ANDY TAYLOR.
313
00:12:01,288 --> 00:12:02,890
THIS HERE'S
BARNEY FIFE.
314
00:12:02,923 --> 00:12:06,393
YOU'LL HAVE TO EXCUSE ME,
BUT I CAN'T QUITE PLACE YOU.
315
00:12:06,426 --> 00:12:09,062
WELL, IT WOULD BE
PRETTY FUNNY IF YOU DID.
316
00:12:09,096 --> 00:12:10,530
I'M JUST HERE
BY MARRIAGE.
317
00:12:10,563 --> 00:12:11,865
HARRY BEKTORIS.
318
00:12:11,899 --> 00:12:13,066
OH. BEKTORIS.
319
00:12:13,100 --> 00:12:14,768
I'M RAMONA WILEY'S HUSBAND.
320
00:12:15,836 --> 00:12:17,070
RAMONA WILEY?
321
00:12:17,104 --> 00:12:19,506
YOU FELLAS
REMEMBER HER?
322
00:12:19,539 --> 00:12:20,841
UH, WELL...
323
00:12:20,874 --> 00:12:21,842
I'LL GO GET HER.
324
00:12:21,875 --> 00:12:22,810
DON'T DO THAT.
325
00:12:22,843 --> 00:12:24,211
NO. I'LL BE RIGHT BACK.
326
00:12:25,512 --> 00:12:27,314
WHAT AM I GOING
TO DO, ANDY?
327
00:12:27,347 --> 00:12:28,448
WHAT DO YOU MEAN?
328
00:12:28,481 --> 00:12:30,283
I DON'T WANT TO
WRECK A MARRIAGE.
329
00:12:30,317 --> 00:12:32,119
DON'T GIVE HER
ANY ENCOURAGEMENT.
330
00:12:32,152 --> 00:12:33,220
HERE THEY COME.
331
00:12:33,253 --> 00:12:35,222
UH... I'LL WASH
THESE GLASSES.
332
00:12:36,523 --> 00:12:39,192
WELL, ANDY TAYLOR,
IT'S DELIGHTFUL TO SEE YOU.
333
00:12:39,226 --> 00:12:41,094
IT'S WONDERFUL
SEEING YOU, RAMONA.
334
00:12:41,128 --> 00:12:43,063
YOU CERTAINLY HAVEN'T
CHANGED MUCH.
335
00:12:43,096 --> 00:12:45,198
MARY LEE TELLS ME
YOU HAVE A LITTLE BOY.
336
00:12:45,232 --> 00:12:46,433
THAT'S RIGHT.
337
00:12:46,466 --> 00:12:49,970
HARRY AND I HAVE
A BOY AND A GIRL.
338
00:12:50,003 --> 00:12:51,204
THAT'S
WONDERFUL.
339
00:12:51,238 --> 00:12:54,307
YOU ARE JUST THE MAN
I'VE BEEN LOOKING FOR.
340
00:12:54,341 --> 00:12:55,943
WOULD YOU GIVE US
TWO GLASSES
341
00:12:55,976 --> 00:12:57,477
OF PUNCH, BARTENDER?
342
00:12:59,079 --> 00:13:00,313
BARTENDER?
343
00:13:00,347 --> 00:13:02,449
THIS IS BARNEY FIFE.
344
00:13:02,482 --> 00:13:05,252
OH, WELL, DELIGHTED
TO MEET YOU, MR. FIFE.
345
00:13:05,285 --> 00:13:07,454
OH, COME OFF IT, RAMONA.
346
00:13:07,487 --> 00:13:10,123
I BEG YOUR PARDON?
347
00:13:10,157 --> 00:13:11,258
BARNEY.
348
00:13:11,291 --> 00:13:12,359
BARNEY FIFE.
349
00:13:12,392 --> 00:13:13,827
SOCIAL STUDIES 1-A.
350
00:13:15,228 --> 00:13:16,363
"TWEAKY."
351
00:13:17,430 --> 00:13:19,266
I-I-I'M SORRY.
352
00:13:19,299 --> 00:13:23,570
I-I'M TRYING TO PLACE YOU,
BUT I'M AFRAID I CAN'T.
353
00:13:23,603 --> 00:13:25,839
IT HAS BEEN A LONG
TIME, MR. FIFE.
354
00:13:25,873 --> 00:13:27,207
WHAT DO YOU KNOW ABOUT IT?
355
00:13:27,240 --> 00:13:28,475
UH... EASY, BARN.
356
00:13:28,508 --> 00:13:31,111
WHAT DO YOU SAY
WE DANCE, HONEY?
357
00:13:31,144 --> 00:13:34,181
UH, YES... YES,
I-I GUESS WE'D BETTER.
358
00:13:34,214 --> 00:13:37,084
IT-IT WAS NICE
SEEING YOU BOTH AGAIN.
359
00:13:38,585 --> 00:13:41,922
THE TEARS ON MY PILLOW BESPEAK
THE PAIN THAT'S IN MY HEART!
360
00:13:46,393 --> 00:13:48,228
YOU KNOW WHAT
SHE'S DOING, BARN?
361
00:13:48,261 --> 00:13:50,097
SHE'S-SHE'S COVERING UP.
362
00:13:50,130 --> 00:13:51,932
SHE'S-SHE'S FIGHTING IT.
363
00:14:05,312 --> 00:14:07,580
YOU KNOW, I AIN'T HAD A CHANCE
TO EAT ALL EVENING.
364
00:14:07,614 --> 00:14:09,316
HOW ABOUT A LITTLE
TURKEY ON RYE?
365
00:14:09,349 --> 00:14:10,918
NO, YOU GO AHEAD.
366
00:14:10,951 --> 00:14:12,485
TURKEY SANDWICH?
367
00:14:12,519 --> 00:14:16,089
NO, THANK YOU.
I'M NOT HUNGRY.
368
00:14:16,123 --> 00:14:17,590
YOU AIN'T
FEELING SAD
369
00:14:17,624 --> 00:14:19,392
'CAUSE SHARON
DIDN'T SHOW UP, ARE YOU?
370
00:14:19,426 --> 00:14:21,428
HMM. I'M A LITTLE
DISAPPOINTED.
371
00:14:21,461 --> 00:14:24,031
YOU DIDN'T ACTUALLY
EXPECT HER TO COME, DID YOU?
372
00:14:24,064 --> 00:14:26,533
NO. I KNEW IT WAS
A LONG SHOT, BUT...
373
00:14:26,566 --> 00:14:28,268
I WAS HOPING.
374
00:14:28,301 --> 00:14:29,369
YEAH. TOUGH BREAK.
375
00:14:29,402 --> 00:14:30,971
UH-UH. ANDY.
376
00:14:32,005 --> 00:14:34,007
WHAT WAS THAT
ALL ABOUT?
377
00:14:34,041 --> 00:14:35,042
HUH?
378
00:14:36,276 --> 00:14:39,079
DO I GOT SOMETHING
ON MY BACK?
379
00:14:49,957 --> 00:14:52,559
WELL, I'LL BE DOGGED.
380
00:15:11,244 --> 00:15:12,412
HI, SHARON.
381
00:15:13,480 --> 00:15:16,016
ANDY.
382
00:15:19,619 --> 00:15:20,954
DANCE?
383
00:15:22,055 --> 00:15:23,290
WHY NOT?
384
00:15:33,166 --> 00:15:34,701
LOOK AT THAT.
385
00:15:34,734 --> 00:15:38,071
IT WAS ONE OF
THE GREAT NATURAL
ROMANCES OF ALL TIME,
386
00:15:38,105 --> 00:15:39,639
AND IT'S STILL
GOING ON.
387
00:15:48,715 --> 00:15:52,519
THE ORIGINAL
CARL BENSON'S WILDCATS?
388
00:15:52,552 --> 00:15:54,554
ALL BUT THE
LADY UP FRONT.
389
00:15:54,587 --> 00:15:56,523
THAT'S CARL'S MOTHER.
390
00:16:14,274 --> 00:16:17,510
MAYBERRY HASN'T
CHANGED A BIT.
391
00:16:17,544 --> 00:16:19,246
NO, NOT MUCH.
392
00:16:22,282 --> 00:16:24,251
YOU HAVEN'T, EITHER,
YOU KNOW.
393
00:16:24,284 --> 00:16:26,353
OH, YES, I HAVE.
394
00:16:26,386 --> 00:16:28,088
CROW'S FEET.
395
00:16:28,121 --> 00:16:29,522
AND A LITTLE
MORE HERE.
396
00:16:31,291 --> 00:16:33,093
YOU'RE THE ONE
HASN'T CHANGED.
397
00:16:33,126 --> 00:16:34,261
OH...
398
00:16:34,294 --> 00:16:36,263
YOU STILL HAVE
ALL YOUR HAIR.
399
00:16:36,296 --> 00:16:39,532
WELL, I'VE LOST A FEW GROSS
AROUND THE EDGES.
400
00:16:39,566 --> 00:16:41,268
PUT ON A FEW GROSS.
401
00:17:12,632 --> 00:17:14,267
I SURE AM GLAD
TO SEE YOU.
402
00:17:14,301 --> 00:17:16,603
IT'S WONDERFUL
SEEING YOU, ANDY.
403
00:17:18,305 --> 00:17:19,639
YOU KNOW, THIS IS
404
00:17:19,672 --> 00:17:22,275
A LOT LIKE
GRADUATION NIGHT.
405
00:17:22,309 --> 00:17:24,277
YES.
406
00:17:24,311 --> 00:17:25,678
I REMEMBER,
AT ONE POINT
407
00:17:25,712 --> 00:17:28,448
WE DECIDED WE'D TAKE
A WALK IN THE GARDEN.
408
00:17:28,481 --> 00:17:31,284
YOU WANTED TO TAKE YOUR
SHOES OFF, I THINK.
409
00:17:31,318 --> 00:17:33,553
I DID NOT.
410
00:17:33,586 --> 00:17:37,690
MAYBE I WANTED TO TAKE MY
SHOES OFF. I DON'T KNOW.
411
00:17:37,724 --> 00:17:41,328
I KNOW WE WANTED TO
GET OFF BY OURSELVES.
412
00:17:41,361 --> 00:17:42,295
AND THEN?
413
00:17:42,329 --> 00:17:43,863
WELL, THEN I, UH...
414
00:17:43,896 --> 00:17:46,666
I SAID SOMETHING
PRETTY CLEVER
415
00:17:46,699 --> 00:17:49,602
LIKE, UH, LIKE,
"IT MUST BE
416
00:17:49,636 --> 00:17:51,838
AWFUL CHILLY OUT
HERE FOR YOU."
417
00:17:51,871 --> 00:17:54,574
I SAID THAT SO
THAT I COULD, UH...
418
00:18:01,381 --> 00:18:04,351
AND... THEN?
419
00:18:06,786 --> 00:18:10,290
WELL, UH... THEN...
420
00:18:26,839 --> 00:18:28,275
I BELIEVE THAT'S...
421
00:18:28,308 --> 00:18:30,710
ABOUT THE WAY IT
HAPPENED, WASN'T IT?
422
00:18:30,743 --> 00:18:32,179
YES.
423
00:18:36,949 --> 00:18:41,654
WELL, WITH A
START LIKE THAT,
424
00:18:41,688 --> 00:18:44,391
HOW COME WE NEVER...?
425
00:18:44,424 --> 00:18:47,394
I MEAN, WHAT EVER
HAPPENED TO US?
426
00:18:47,427 --> 00:18:49,829
DON'T YOU REMEMBER LATER?
427
00:18:49,862 --> 00:18:51,931
WE HAD A PRETTY BIG FIGHT
THAT NIGHT.
428
00:18:51,964 --> 00:18:53,933
YEAH. I REMEMBER
THE FIGHT, YEAH.
429
00:18:53,966 --> 00:18:55,935
I DON'T REMEMBER
WHAT IT WAS ABOUT.
430
00:18:55,968 --> 00:18:58,171
I DON'T, EITHER.
431
00:18:59,972 --> 00:19:02,242
FUNNY, AIN'T IT?
432
00:19:02,275 --> 00:19:04,344
HERE WE ARE PICKING UP
433
00:19:04,377 --> 00:19:07,514
RIGHT WHERE WE LEFT
OFF THAT NIGHT,
434
00:19:07,547 --> 00:19:11,918
STILL ABLE TO BE AS
CLOSE AS WE WERE.
435
00:19:11,951 --> 00:19:14,387
MAKES YOU WONDER
HOW COME.
436
00:19:14,421 --> 00:19:16,656
HOW COME WHAT?
437
00:19:16,689 --> 00:19:20,393
HOW COME WE NEVER...
438
00:19:20,427 --> 00:19:22,395
YOU KNOW.
439
00:19:22,429 --> 00:19:23,663
I DON'T KNOW, EITHER.
440
00:19:23,696 --> 00:19:25,398
HMM.
441
00:19:25,432 --> 00:19:27,934
IT'S A SHAME.
442
00:19:27,967 --> 00:19:30,270
IT IS.
443
00:19:32,372 --> 00:19:35,308
YOU KNOW WHAT
WE SOUND LIKE?
444
00:19:35,342 --> 00:19:36,976
A COUPLE OF OLD FOLKS
445
00:19:37,009 --> 00:19:41,548
ACTING LIKE IT'S TOO LATE
TO DO ANYTHING ABOUT IT.
446
00:19:41,581 --> 00:19:44,251
WELL, MAYBE IT'S, UM...
447
00:19:44,284 --> 00:19:46,253
MAYBE IT'S NOT.
448
00:19:46,286 --> 00:19:48,688
MAYBE NOT.
449
00:19:54,627 --> 00:19:56,929
I'M GLAD YOU CAME.
450
00:19:56,963 --> 00:19:58,531
OH, YES.
451
00:19:58,565 --> 00:20:01,000
I WOULDN'T HAVE MISSED IT
FOR THE WORLD.
452
00:20:01,033 --> 00:20:03,703
I WOULDN'T, EITHER.
453
00:20:03,736 --> 00:20:05,572
CAN YOU, UH...
454
00:20:05,605 --> 00:20:07,240
CAN YOU STAY AWHILE?
455
00:20:07,274 --> 00:20:08,375
HMM...
456
00:20:08,408 --> 00:20:10,677
I'D LOVE TO, ANDY.
457
00:20:10,710 --> 00:20:12,412
I CAN'T.
458
00:20:12,445 --> 00:20:13,813
WHY NOT?
459
00:20:13,846 --> 00:20:16,249
MAYBERRY'S MIGHTY NICE
THIS TIME OF THE YEAR.
460
00:20:16,283 --> 00:20:17,684
I JUST CAN'T, REALLY.
461
00:20:17,717 --> 00:20:19,419
I HAVE TO GET BACK
TO CHICAGO.
462
00:20:19,452 --> 00:20:20,887
WHY?
463
00:20:22,589 --> 00:20:25,392
WHAT'S SO SPECIAL
ABOUT CHICAGO?
464
00:20:25,425 --> 00:20:27,460
WELL, THERE'S MY WORK.
465
00:20:27,494 --> 00:20:30,563
WELL, THERE'S A LOT
NEEDS DOING HERE.
466
00:20:31,631 --> 00:20:33,500
I KNOW.
467
00:20:33,533 --> 00:20:35,635
I ENJOYED GROWING UP HERE.
468
00:20:35,668 --> 00:20:38,305
OH, IT'S A MIGHTY
NICE PLACE.
469
00:20:38,338 --> 00:20:40,307
LOT OF FRIENDS.
470
00:20:40,340 --> 00:20:42,309
I KNOW...
471
00:20:42,342 --> 00:20:45,778
BUT YOU CAN'T LIVE UP
TO YOUR POTENTIAL HERE.
472
00:20:45,812 --> 00:20:46,979
IN A BIG CITY,
473
00:20:47,013 --> 00:20:50,383
YOU HAVE ROOM
TO GROW, EXPAND.
474
00:20:50,417 --> 00:20:52,919
YOU LIVE
A DIFFERENT KIND OF LIFE.
475
00:20:52,952 --> 00:20:54,721
WELL...
476
00:20:54,754 --> 00:20:57,457
HOW CAN LIFE
BE THAT MUCH DIFFERENT
477
00:20:57,490 --> 00:20:58,625
IF YOU'RE HAPPY?
478
00:20:58,658 --> 00:21:00,727
AND THAT'S THE MAIN THING,
AIN'T IT?
479
00:21:00,760 --> 00:21:04,431
THAT'S-THAT'S THE GOAL THAT
EVERY INDIVIDUAL AS A PERSON
480
00:21:04,464 --> 00:21:05,998
IS SHOOTING FOR, AIN'T IT?
481
00:21:06,032 --> 00:21:08,735
I MEAN, IT'S KIND OF THE PRIZE
OF THE GAME--
482
00:21:08,768 --> 00:21:10,603
TO... BE HAPPY?
483
00:21:10,637 --> 00:21:11,771
YES.
484
00:21:11,804 --> 00:21:14,407
HOW CAN YOU FIND THAT HERE?
485
00:21:14,441 --> 00:21:17,944
I LIKE TRYING TO BE A BIG FISH
IN A BIG POND,
486
00:21:17,977 --> 00:21:20,813
NOT A BIG FISH
IN A LITTLE POND.
487
00:21:20,847 --> 00:21:22,482
WHAT'S WRONG WITH THAT?
488
00:21:22,515 --> 00:21:25,752
WELL, WHAT'S WRONG WITH IT
IS I DON'T CARE FOR THAT.
489
00:21:25,785 --> 00:21:28,955
WELL, I DO.
490
00:21:28,988 --> 00:21:30,957
I REALLY DO.
491
00:21:30,990 --> 00:21:32,825
I'VE FOUND WHAT I WANT.
492
00:21:32,859 --> 00:21:33,993
HOW DO YOU KNOW?
493
00:21:34,026 --> 00:21:36,429
YOU'VE NEVER TRIED
ANYTHING ELSE.
494
00:21:36,463 --> 00:21:39,699
I DON'T HAVE TO.
495
00:21:39,732 --> 00:21:41,100
I DON'T HAVE TO.
496
00:21:41,133 --> 00:21:44,637
EVEN IF I DID TRY, I'D FIND OUT
I ALREADY FOUND IT.
497
00:21:54,614 --> 00:21:56,749
UH, YOU KNOW
SOMETHING?
498
00:21:58,785 --> 00:22:01,754
IT'S UH... IT'S
COMING BACK TO ME.
499
00:22:01,788 --> 00:22:04,023
IT'S COMING
BACK TO ME
500
00:22:04,056 --> 00:22:08,027
WHY YOU AND ME
NEVER GOT TOGETHER.
501
00:22:08,060 --> 00:22:12,031
'CAUSE OF WHAT WE'RE
TALKING ABOUT RIGHT NOW.
502
00:22:12,064 --> 00:22:14,434
YOUR WANTING
TO GO YOUR WAY.
503
00:22:14,467 --> 00:22:17,970
ME WANTING
TO GO MY WAY.
504
00:22:18,004 --> 00:22:20,707
YOU RECKON?
505
00:22:20,740 --> 00:22:22,709
I RECKON.
506
00:22:31,684 --> 00:22:35,154
HOW ABOUT A COUPLE OF OLD
FRIENDS HAVING THAT LAST DANCE?
507
00:22:35,187 --> 00:22:37,123
I'D LOVE IT.
508
00:22:48,901 --> 00:22:50,570
YEAH.
509
00:22:50,603 --> 00:22:54,741
ONE OF THE GREAT NATURAL
ROMANCES OF ALL TIME.
510
00:23:05,652 --> 00:23:08,154
ALTOGETHER, I'D SAY IT WAS
AN EMOTION-PACKED EVENING,
511
00:23:08,187 --> 00:23:09,522
WOULDN'T YOU?
512
00:23:09,556 --> 00:23:10,823
I'D SAY THAT.
513
00:23:15,227 --> 00:23:19,699
* MAYBERRY UNION HIGH
514
00:23:19,732 --> 00:23:24,170
Both:
* VICTORY IS YOURS WELL NIGH
515
00:23:24,203 --> 00:23:28,808
* WE'LL HIT THE LINE
FOR POINTS EVERY TIME *
516
00:23:28,841 --> 00:23:36,048
* THE ORANGE AND BLUE WILL
TRY, TRY, TRY, TRY *
517
00:23:36,082 --> 00:23:40,219
* AND WHEN THE VICTORY'S WON
518
00:23:40,252 --> 00:23:44,891
* YOU'LL BE OUR FAVORITE SON
519
00:23:44,924 --> 00:23:51,731
* PROUD WAVES YOUR BANNER
IN THE SKY *
520
00:23:51,764 --> 00:23:59,672
* MAYBERRY UNION HIGH
521
00:24:04,176 --> 00:24:06,679
KIND OF GETS TO YOU
A LITTLE BIT, DOESN'T IT?
522
00:24:06,713 --> 00:24:07,947
OH, NO.
523
00:24:07,980 --> 00:24:09,982
WELL, YEAH.
524
00:24:10,016 --> 00:24:12,084
YOU KNOW, SEEING
ALL THOSE PEOPLE
525
00:24:12,118 --> 00:24:14,521
YOU KNEW AS KIDS
GROWING OLDER --
526
00:24:14,554 --> 00:24:16,556
KIND OF MAKES YOU SAD.
527
00:24:16,589 --> 00:24:17,924
YEAH, I KNOW.
528
00:24:20,292 --> 00:24:22,194
DO THE TEARS
ON YOUR PILLOW
529
00:24:22,228 --> 00:24:24,797
BESPEAK THE PAIN
THAT'S IN YOUR HEART?
530
00:24:27,133 --> 00:24:29,135
YEAH.
531
00:24:29,168 --> 00:24:32,171
ME TOO.
35026
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bengali
Bosnian
Bulgarian
Catalan
Cebuano
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
English
Esperanto
Estonian
Finnish
French
Frisian
Galician
Georgian
German
Greek
Gujarati
Haitian Creole
Hawaiian
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Khmer
Korean
Kurdish (Kurmanji)
Kyrgyz
Lao
Latvian
Lithuanian
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mongolian
Myanmar (Burmese)
Nepali
Norwegian
Pashto
Polish
Portuguese
Romanian
Russian
Samoan
Serbian
Sesotho
Shona
Sinhala
Slovak
Slovenian
Somali
Spanish
Swahili
Swedish
Tajik
Thai
Turkish
Ukrainian
Urdu
Uzbek
Vietnamese
