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1
00:00:09,677 --> 00:00:12,046
STARRING ANDY GRIFFITH...
2
00:00:12,080 --> 00:00:15,283
WITH RONNIE HOWARD.
3
00:00:15,316 --> 00:00:18,119
ALSO STARRING DON KNOTTS.
4
00:00:21,722 --> 00:00:24,558
* NITA
5
00:00:24,592 --> 00:00:27,361
* JUANITA
6
00:00:27,395 --> 00:00:33,601
* LA DA DEE DEE DEE
7
00:00:33,634 --> 00:00:37,271
* NITA
8
00:00:37,305 --> 00:00:40,841
* JUANITA
9
00:00:40,874 --> 00:00:46,847
* DA DA DEE DA DA
10
00:00:46,880 --> 00:00:48,749
* NITA
11
00:00:48,782 --> 00:00:50,118
UH, HEY
12
00:00:50,151 --> 00:00:51,452
YEAH?
13
00:00:51,485 --> 00:00:53,354
ARE THEY THE NEW WANTED FLYERS
14
00:00:53,387 --> 00:00:55,089
THAT COME IN FROM RALEIGH?
15
00:00:55,123 --> 00:00:57,358
YEAH.
16
00:00:57,391 --> 00:00:58,659
* NITA
17
00:00:58,692 --> 00:01:00,828
UH, BARN?
18
00:01:00,861 --> 00:01:02,763
ANYTHING INTERESTING IN 'EM,
19
00:01:02,796 --> 00:01:06,234
LIKE, MAYBE, A SUSPECT
WE MIGHT FIND IN THE AREA?
20
00:01:06,267 --> 00:01:09,370
NO.
21
00:01:09,403 --> 00:01:12,773
* NITA
22
00:01:12,806 --> 00:01:16,877
* DEE DEE DEE DA DA DA DA
23
00:01:16,910 --> 00:01:18,779
Bee: LUNCH, EVERYBODY!
24
00:01:18,812 --> 00:01:21,349
Andy: OH, HI, AUNT BEE!
25
00:01:21,382 --> 00:01:23,551
HI, BOYS --
OH, I HOPE IT'S GOOD!
26
00:01:23,584 --> 00:01:24,785
OH, IT'LL BE FINE.
27
00:01:24,818 --> 00:01:26,454
I'LL GET WASHED UP.
28
00:01:26,487 --> 00:01:28,589
AUNT BEE, BARNEY'S
BEEN SINGING AGAIN.
29
00:01:28,622 --> 00:01:30,591
I DON'T KNOW
HOW HE DOES IT
30
00:01:30,624 --> 00:01:32,760
BUT HE'S GOT A KNACK
OF HITTIN' A NOTE
31
00:01:32,793 --> 00:01:35,629
JUST ENOUGH OFF
TO MAKE YOUR SKIN CRAWL.
32
00:01:35,663 --> 00:01:37,731
OH, ANDY,
EVERYBODY CAN'T SING.
33
00:01:37,765 --> 00:01:39,900
YOU'VE GOT TO BE
TOLERANT OF HIM.
34
00:01:39,933 --> 00:01:46,274
Barney:
* NITA, JUANITA
35
00:01:46,307 --> 00:01:49,643
* AH-DAH-DAH-DEE
DAH-DA-DA-DA *
36
00:01:49,677 --> 00:01:51,512
HAVE A SANDWICH, BARNEY.
37
00:01:51,545 --> 00:01:54,382
YEAH, FILL UP YOUR
MOUTH THERE, BARN.
38
00:01:54,415 --> 00:01:55,649
EAT SLOW.
39
00:01:55,683 --> 00:01:57,918
EAT A WHOLE LOT
AND EAT REAL SLOW.
40
00:01:57,951 --> 00:01:59,587
ALL RIGHT.
41
00:01:59,620 --> 00:02:01,155
WELL, HOWDY, JOHN.
42
00:02:01,189 --> 00:02:02,290
Bee:
HELLO, JOHN.
43
00:02:02,323 --> 00:02:03,524
HELLO, BEE.
44
00:02:03,557 --> 00:02:05,559
Andy:
WELL, WHAT'S
THE TROUBLE?
45
00:02:05,593 --> 00:02:08,496
ANDY, I'VE GOT
TO TALK TO YOU.
46
00:02:08,529 --> 00:02:10,298
WELL, WON'T YOU
HAVE A SANDWICH?
47
00:02:10,331 --> 00:02:11,632
NO. NO, THANK YOU.
48
00:02:11,665 --> 00:02:14,168
ANDY, WE'VE GOT
A BIG PROBLEM WITH THE CHOIR.
49
00:02:14,202 --> 00:02:15,169
WE HAVE?
50
00:02:15,203 --> 00:02:16,737
RALPH PRITCHARD IS DROPPING OUT.
51
00:02:16,770 --> 00:02:18,672
OH, NO.
NO, HE'S NOT.
52
00:02:18,706 --> 00:02:20,874
YES, SIR --
WITH HIS NEW JOB OF HIS,
53
00:02:20,908 --> 00:02:23,444
HE'S ON THE ROAD
TWO WEEKS OUT OF THREE
54
00:02:23,477 --> 00:02:24,845
SO HE HAS TO STEP OUT.
55
00:02:24,878 --> 00:02:27,848
WHAT IN THE WORLD ARE WE GOING
TO DO ABOUT A FIRST TENOR?
56
00:02:27,881 --> 00:02:30,918
I JUST DON'T KNOW, ANDY.
57
00:02:30,951 --> 00:02:32,886
Bee:
WHAT ABOUT FRED MASON?
58
00:02:32,920 --> 00:02:34,955
WORKS NIGHTS,
CAN'T EVER MAKE PRACTICE.
59
00:02:34,988 --> 00:02:36,757
AND WITH THAT CONCERT
COMING UP
60
00:02:36,790 --> 00:02:38,259
WE NEED PLENTY
OF PRACTICE.
61
00:02:38,292 --> 00:02:39,327
WE SURE DO THAT.
62
00:02:39,360 --> 00:02:40,694
HOW ABOUT
RICK JACKSON?
63
00:02:40,728 --> 00:02:43,331
MAYBE HE'S A TENOR
NOW THAT HE'S HAD
HIS TONSILS AND...
64
00:02:43,364 --> 00:02:44,465
NO.
NO?
65
00:02:44,498 --> 00:02:46,467
HE'S GOT THAT FOGHORN VOICE
66
00:02:46,500 --> 00:02:48,469
EVEN WITH HIS PASSAGES
CLEARED OUT.
67
00:02:48,502 --> 00:02:50,204
ORDINARILY,
IT WOULDN'T BE SO BAD.
68
00:02:50,238 --> 00:02:51,805
I MEAN,
WE COULD GET BY
69
00:02:51,839 --> 00:02:53,907
BUT YOU KNOW THE JUDGES OF THE
STATE CONTEST WILL BE THERE.
70
00:02:53,941 --> 00:02:55,609
Andy:
THAT'S RIGHT.
71
00:02:55,643 --> 00:02:57,811
YES, THEY WILL -- AND IF WE
DON'T MAKE A GOOD SHOWING
72
00:02:57,845 --> 00:02:59,580
FOR THEM,
WE WON'T EVEN BE CONSIDERED
73
00:02:59,613 --> 00:03:00,681
FOR THE FINALS AT ROANOKE.
74
00:03:00,714 --> 00:03:02,450
Bee:
AFTER US WORKING
SO HARD ALL YEAR.
75
00:03:02,483 --> 00:03:04,452
YEAH, IT'S TOUGH,
ALL RIGHT.
76
00:03:04,485 --> 00:03:06,887
AS MY OLD VOICE TEACHER
USED TO SAY
77
00:03:06,920 --> 00:03:08,756
A CHOIR
WITHOUT ITS TENOR
78
00:03:08,789 --> 00:03:11,325
IS LIKE A STAR
WITHOUT ITS GLIMMER.
79
00:03:15,596 --> 00:03:18,499
YOU KNOW WHO
USED TO SAY THAT?
80
00:03:18,532 --> 00:03:20,501
MY OLD VOICE TEACHER.
81
00:03:20,534 --> 00:03:24,805
THAT'S THE TEACHER I HAD
WHEN I STUDIED VOICE.
82
00:03:24,838 --> 00:03:26,774
BARNEY, YOU HAVE
A TRAINED VOICE?
83
00:03:26,807 --> 00:03:29,510
I DIDN'T KNOW
YOU STUDIED SINGING.
84
00:03:29,543 --> 00:03:31,445
OH, WELL,
JUST A LITTLE.
85
00:03:31,479 --> 00:03:32,646
UH, JOHN...
86
00:03:32,680 --> 00:03:34,682
ANDY, THIS COULD SOLVE
EVERYTHING FOR US!
87
00:03:34,715 --> 00:03:35,916
BARNEY, WHAT PART DID YOU SING?
88
00:03:35,949 --> 00:03:38,452
OH, FIRST TENOR.
89
00:03:38,486 --> 00:03:40,488
OH, TENOR.
JOHN...
90
00:03:40,521 --> 00:03:42,990
WELL, BARNEY, HOW ABOUT
YOU JOINING THE CHOIR?
91
00:03:43,023 --> 00:03:43,991
ME?
92
00:03:44,024 --> 00:03:45,359
SURE! WITH ALL
YOUR TRAINING
93
00:03:45,393 --> 00:03:47,661
YOU'RE JUST WHAT
WE'VE BEEN LOOKING FOR.
94
00:03:47,695 --> 00:03:49,363
WELL, GOSH... GEE...
95
00:03:49,397 --> 00:03:52,500
GOLLY,
I NEVER GAVE THAT MUCH THOUGHT.
96
00:03:52,533 --> 00:03:53,901
DID YOU, ANDY?
97
00:03:53,934 --> 00:03:56,637
NO, I SURE NEVER DID.
98
00:03:56,670 --> 00:03:58,406
YOU NEED A TENOR, HUH?
99
00:03:58,439 --> 00:03:59,940
OH, WITH THAT
CONCERT COMING UP
100
00:03:59,973 --> 00:04:02,009
IN LESS THAN TWO WEEKS,
WE'RE DESPERATE.
101
00:04:02,042 --> 00:04:04,412
OH, WELL...
I GUESS I WOULDN'T BE
102
00:04:04,445 --> 00:04:07,014
A VERY CIVIC-MINDED CITIZEN
IF I REFUSED, WOULD I?
103
00:04:07,047 --> 00:04:08,982
YOU CAN COUNT
ON OLD BARN, JOHN.
104
00:04:09,016 --> 00:04:11,885
I'LL STEP IN AND HELP YOU OUT --
WHEN'S PRACTICE?
105
00:04:11,919 --> 00:04:13,020
PRACTICE IS TONIGHT
AT THE TOWN HALL.
106
00:04:13,053 --> 00:04:14,788
AND YOU CAN COME
RIGHT ALONG WITH ANDY.
107
00:04:14,822 --> 00:04:15,789
RIGHT, SHERIFF?
108
00:04:15,823 --> 00:04:16,957
OH, YEAH, YEAH.
109
00:04:16,990 --> 00:04:18,292
I'LL BRING HIM.
110
00:04:18,326 --> 00:04:20,428
BARNEY, THAT'S
JUST WONDERFUL.
111
00:04:20,461 --> 00:04:22,596
ISN'T THAT JUST
WONDERFUL, BEE?
112
00:04:22,630 --> 00:04:24,298
YES.
113
00:04:24,332 --> 00:04:28,569
BARNEY, SPEAKING
FOR THE WHOLE CHOIR,
WELCOME ABOARD.
114
00:04:28,602 --> 00:04:31,972
WELL, THANK YOU, JOHN.
115
00:04:32,005 --> 00:04:33,607
WAIT TILL THELMA LOU
HEARS ABOUT THIS.
116
00:04:33,641 --> 00:04:35,075
SHE'LL BE THRILLED.
117
00:04:35,108 --> 00:04:39,046
BARNEY'S GOING TO BE IN
THE CHOIR
118
00:04:39,079 --> 00:04:40,314
THAT'S RIGHT.
119
00:04:40,348 --> 00:04:41,449
BUT BARNEY CAN'T SING.
120
00:04:41,482 --> 00:04:42,616
I KNOW.
121
00:04:42,650 --> 00:04:44,352
HE'S A WARM, WONDERFUL PERSON
122
00:04:44,385 --> 00:04:46,487
AND I LOVE HIM DEARLY,
BUT HE CAN'T SING.
123
00:04:46,520 --> 00:04:47,521
THAT'S TRUE.
124
00:04:47,555 --> 00:04:48,689
HE'S KIND,
CONSIDERATE
125
00:04:48,722 --> 00:04:51,492
THE MOST GENTLE PERSON
I'VE EVER KNOWN
126
00:04:51,525 --> 00:04:52,560
BUT HE CAN'T SING.
127
00:04:52,593 --> 00:04:54,061
YOU'RE RIGHT.
128
00:04:54,094 --> 00:04:55,128
HE'S THE MAN I WANT TO MARRY,
129
00:04:55,162 --> 00:04:56,930
THE MAN I WANT TO BE THE FATHER
OF MY CHILDREN...
130
00:04:56,964 --> 00:04:57,931
BUT HE CAN'T SING.
131
00:04:57,965 --> 00:04:58,832
NOT A LICK.
132
00:04:58,866 --> 00:05:00,834
WELL, I'M AFRAID HE'S GONNA SING
133
00:05:00,868 --> 00:05:02,970
AND THERE'S NOTHING
WE CAN DO ABOUT IT.
134
00:05:03,003 --> 00:05:05,406
JOHN MASTERS ALREADY
WELCOMED HIM ABOARD.
135
00:05:05,439 --> 00:05:08,609
WHAT'S GOING TO HAPPEN
AT CHOIR PRACTICE TONIGHT?
136
00:05:08,642 --> 00:05:12,446
WELL, I EXPECT EVERYBODY
WILL FIND OUT BARNEY CAN'T SING.
137
00:05:12,480 --> 00:05:14,748
NOT A LICK.
138
00:05:16,450 --> 00:05:19,019
PLEASE TURN TO NUMBER 14-A
FOR OUR FIRST SELECTION.
139
00:05:19,052 --> 00:05:21,655
READY
140
00:05:24,392 --> 00:05:27,027
:
* WELCOME, SWEET SPRINGTIME
141
00:05:27,060 --> 00:05:30,631
* WE GREET THEE IN SONG...
142
00:05:30,664 --> 00:05:32,466
OH, OH... SHH.
143
00:05:32,500 --> 00:05:37,505
FOLKS, I THINK I DETECTED
A LITTLE FLAT NOTE THERE.
144
00:05:37,538 --> 00:05:39,773
WELL, PERHAPS
I'M MISTAKEN.
145
00:05:39,807 --> 00:05:42,776
BUT LET'S JUST TRY IT
AGAIN, SHALL WE?
146
00:05:42,810 --> 00:05:44,778
HAZEL...
147
00:05:47,681 --> 00:05:50,150
* WELCOME, SWEET SPRINGTIME
148
00:05:50,183 --> 00:05:52,553
* WE GREET THEE IN SONG...
149
00:05:52,586 --> 00:05:54,655
NO, NO, NO, NO.
150
00:05:54,688 --> 00:05:55,856
SHH. FOLKS...
151
00:05:55,889 --> 00:05:57,658
I DEFINITELY HEARD IT
THIS TIME.
152
00:05:57,691 --> 00:06:00,761
SOMEONE IS DEFINITELY
SINGING OFF-KEY.
153
00:06:00,794 --> 00:06:02,696
NOW, LET'S JUST WATCH IT,
SHALL WE?
154
00:06:02,730 --> 00:06:04,732
HAZEL...
155
00:06:04,765 --> 00:06:06,534
:
EXCUSE ME.
156
00:06:06,567 --> 00:06:07,535
WHAT?
157
00:06:07,568 --> 00:06:09,002
MAYBE I CAN HELP YOU OUT.
158
00:06:09,036 --> 00:06:12,506
I'LL SORT OF MOVE AROUND,
SEE IF I CAN SPOT WHO IT IS.
159
00:06:12,540 --> 00:06:13,807
VERY GOOD, BARNEY.
160
00:06:18,078 --> 00:06:19,780
HAZEL...
161
00:06:19,813 --> 00:06:24,184
* WELCOME, SWEET SPRINGTIME
162
00:06:24,217 --> 00:06:27,421
* WE GREET THEE IN SONG
163
00:06:27,455 --> 00:06:30,824
* MURMURS OF GLADNESS
164
00:06:30,858 --> 00:06:34,061
* FALL ON THE EAR
165
00:06:34,094 --> 00:06:39,433
* VOICES LONG HUSHED
NOW THEIR FULL NOTES PROLONG *
166
00:06:41,769 --> 00:06:45,773
* ECHOING FAR AND NEAR...
167
00:06:47,775 --> 00:06:50,143
I THINK YOU CUT OUT
A LITTLE TOO SOON.
168
00:06:50,177 --> 00:06:52,780
I DIDN'T HAVE A CHANCE
TO SPOT WHO IT WAS.
169
00:06:52,813 --> 00:06:53,814
KEEP IT GOING.
170
00:06:57,885 --> 00:07:00,654
YOU SURE HE DIDN'T
FOLLOW YOU?
171
00:07:00,688 --> 00:07:01,655
OH, NO.
172
00:07:01,689 --> 00:07:04,592
AFTER HE TOOK ME HOME,
I WAITED TILL HE DROVE OFF
173
00:07:04,625 --> 00:07:07,661
AND THEN JUST TO MAKE SURE,
I SLIPPED OUT THE BACK WAY.
174
00:07:07,695 --> 00:07:08,929
GOOD.
175
00:07:08,962 --> 00:07:10,864
WELL, THELMA LOU,
I GUESS YOU KNOW
176
00:07:10,898 --> 00:07:12,866
WHY I CALLED THIS
EMERGENCY MEETING.
177
00:07:12,900 --> 00:07:15,035
I'M GOING TO TELL BARNEY FIFE
TO GET OUT OF THE CHOIR.
178
00:07:15,068 --> 00:07:16,870
NOW, JOHN, YOU CAN'T
KICK HIM OUT
179
00:07:16,904 --> 00:07:18,706
THE VERY DAY
YOU ASKED HIM TO JOIN.
180
00:07:18,739 --> 00:07:20,874
I'VE GOT TO, ANDY,
OR HE'LL RUIN THE CHOIR.
181
00:07:20,908 --> 00:07:23,577
WELL, THERE'S BOUND
TO BE ANOTHER WAY.
182
00:07:25,913 --> 00:07:29,950
UH, THELMA LOU,
YOU'RE HIS GIRL...
183
00:07:29,983 --> 00:07:33,687
OH, NO, I-I COULDN'T.
184
00:07:33,721 --> 00:07:36,624
AUNT BEE, HE LIKES YOU.
185
00:07:36,657 --> 00:07:39,059
WELL, WHY ME?
186
00:07:39,092 --> 00:07:40,994
ANDY, YOU'RE HIS FRIEND.
187
00:07:41,028 --> 00:07:43,263
OH, NO.
NO, NO, NO, NO.
188
00:07:43,296 --> 00:07:44,898
THEN I'LL TELL HIM.
189
00:07:44,932 --> 00:07:46,500
NO. YOU CAN'T DO THAT, JOHN.
190
00:07:46,534 --> 00:07:47,801
WELL, WHAT DO YOU SUGGEST?
191
00:07:47,835 --> 00:07:52,005
MAYBE HE'LL FALL DOWN
AND BREAK HIS MOUTH.
192
00:08:00,013 --> 00:08:00,981
Andy:
HI, JOHN.
193
00:08:01,014 --> 00:08:01,982
HI. COME ON IN.
194
00:08:02,015 --> 00:08:02,983
HOW ARE YOU?
195
00:08:03,016 --> 00:08:03,984
HI, GANG.
196
00:08:04,017 --> 00:08:04,885
All:
HI.
197
00:08:04,918 --> 00:08:07,054
BOY, YOU SURE DID WAIT
TILL THE LAST MINUTE
198
00:08:07,087 --> 00:08:09,089
TO CHANGE THE MEETING
PLACE. HOW COME?
199
00:08:09,122 --> 00:08:11,892
WE FIGURED WE HAD
TO HAVE ONE PRACTICE
WITHOUT BARNEY
200
00:08:11,925 --> 00:08:14,027
SO'S WE GET AN IDEA
OF WHERE WE'RE GOING.
201
00:08:14,061 --> 00:08:15,228
THE POOR BOY.
202
00:08:15,262 --> 00:08:17,731
HE'LL BE EXPECTING US
ALL OVER AT TOWN HALL.
203
00:08:17,765 --> 00:08:18,799
THAT'S THE TRUTH.
204
00:08:18,832 --> 00:08:20,534
WELL, I HAD
TO DO SOMETHING.
205
00:08:20,568 --> 00:08:22,235
DO YOU REALIZE THAT CONCERT
IS A WEEK FROM TONIGHT
206
00:08:22,269 --> 00:08:24,672
AND WE HAVEN'T SUNG
ONE NUMBER THROUGH ON KEY.
207
00:08:26,674 --> 00:08:29,610
WELL, OF COURSE,
THERE'S ALWAYS
THE ALTERNATIVE.
208
00:08:29,643 --> 00:08:31,178
I COULD TELL HIM
TO HIS FACE.
209
00:08:31,211 --> 00:08:32,179
NO...
OH, NO.
210
00:08:32,212 --> 00:08:34,014
DON'T DO THAT.
WE'LL DO IT.
211
00:08:34,047 --> 00:08:35,783
THEN LET'S BEGIN,
SHALL WE?
212
00:08:35,816 --> 00:08:37,050
BEE...
213
00:08:37,084 --> 00:08:38,586
THELMA LOU...
214
00:08:38,619 --> 00:08:39,587
ANDY...
215
00:08:39,620 --> 00:08:40,588
THANK YOU.
216
00:08:40,621 --> 00:08:41,521
ALL RIGHT NOW.
217
00:08:41,555 --> 00:08:43,857
NOW, EVERYBODY -- 14-A,
FROM THE BEGINNING.
218
00:08:43,891 --> 00:08:44,958
EVERYBODY READY?
219
00:08:44,992 --> 00:08:47,060
NOW A NICE GROUP, PLEASE...
NICE GROUP.
220
00:08:47,094 --> 00:08:48,061
READY?
221
00:08:48,095 --> 00:08:50,163
HAZEL...
222
00:08:54,602 --> 00:08:57,805
* WELCOME, SWEET SPRINGTIME
223
00:08:57,838 --> 00:09:01,642
* WE GREET THEE IN SONG
224
00:09:01,675 --> 00:09:09,650
* MURMURS OF GLADNESS
FALL ON THE EAR *
225
00:09:09,683 --> 00:09:12,720
* VOICES LONG HUSHED
226
00:09:12,753 --> 00:09:16,356
* NOW THEIR FULL NOTES
PROLONG... *
227
00:09:31,004 --> 00:09:32,005
HI, JOHN.
228
00:09:32,039 --> 00:09:33,373
HI, EVERYBODY.
229
00:09:33,406 --> 00:09:34,708
HI, BARN.
230
00:09:34,742 --> 00:09:36,810
GEE, YOU CHANGED THE
MEETIN' PLACE, HUH?
231
00:09:36,844 --> 00:09:38,145
GOLLY, IT'S A LUCKY THING
232
00:09:38,178 --> 00:09:40,714
I TURNED DOWN ELM STREET
AND HEARD THE SINGING.
233
00:09:40,748 --> 00:09:42,750
NEXT TIME YOU CHANGE
THE MEETING PLACE
234
00:09:42,783 --> 00:09:44,184
YOU OUGHT TO LET
A FELLA KNOW.
235
00:09:44,217 --> 00:09:46,920
WHO'S THE PHONE COMMITTEE?
236
00:09:46,954 --> 00:09:50,791
OH, UH, DIDN'T ANYBODY
CALL YOU, BARN?
237
00:09:50,824 --> 00:09:51,892
NO, THEY DIDN'T.
238
00:09:51,925 --> 00:09:53,093
I'M SORRY, BARNEY.
239
00:09:53,126 --> 00:09:55,395
I DON'T KNOW HOW
THAT OVERSIGHT CAME ABOUT.
240
00:09:55,428 --> 00:09:56,797
WELL, NO HARM DONE.
241
00:09:56,830 --> 00:09:58,198
ALL'S WELL
THAT ENDS WELL.
242
00:09:58,231 --> 00:09:59,800
HERE I AM.
243
00:09:59,833 --> 00:10:00,801
LET'S GET STARTED.
244
00:10:00,834 --> 00:10:02,736
OH, GOOD OLD 14-A.
245
00:10:04,938 --> 00:10:05,973
* ME-ME-ME-ME
246
00:10:06,006 --> 00:10:07,875
* ME-ME-ME-ME, AAAH...
247
00:10:07,908 --> 00:10:09,376
OKAY.
248
00:10:10,844 --> 00:10:12,079
HAZEL...
249
00:10:17,084 --> 00:10:20,420
* WELCOME, SWEET SPRINGTIME
250
00:10:20,453 --> 00:10:23,657
* WE GREET THEE IN SONG
251
00:10:23,691 --> 00:10:27,360
* MURMURS OF GLADNESS...
252
00:10:27,394 --> 00:10:30,430
I'M SORRY, ANDY,
BUT MY MIND IS MADE UP.
253
00:10:30,463 --> 00:10:31,832
THIS CANNOT GO ON.
254
00:10:31,865 --> 00:10:33,967
THE CONCERT IS
DAY AFTER TOMORROW
255
00:10:34,001 --> 00:10:35,769
AND I WILL NOT
HAVE IT RUINED
256
00:10:35,803 --> 00:10:37,304
BY THAT
CATERWAULING TENOR.
257
00:10:37,337 --> 00:10:38,338
WELL?
258
00:10:38,371 --> 00:10:40,708
WHAT'S IT TO BE?
259
00:10:40,741 --> 00:10:42,009
YOU OR ME?
260
00:10:42,042 --> 00:10:44,144
ALL RIGHT, JOHN,
IF IT'S GOT TO BE DONE
261
00:10:44,177 --> 00:10:45,979
I GUESS IT'S
OUR PLACE TO DO IT.
262
00:10:46,013 --> 00:10:47,280
THELMA LOU, YOU AND BARNEY
263
00:10:47,314 --> 00:10:49,249
COME ON OVER
TO THE HOUSE TONIGHT
264
00:10:49,282 --> 00:10:51,251
AND WE'LL TRY TO THINK
OF SOME WAY
265
00:10:51,284 --> 00:10:53,120
TO KEEP HIM FROM SHOWING UP
266
00:10:53,153 --> 00:10:54,387
AT THAT CONCERT.
267
00:10:54,421 --> 00:10:56,089
WELL, ALL RIGHT, BUT HOW?
268
00:10:56,123 --> 00:10:59,259
WELL, AFTER SUPPER,
WE'LL, WE'LL TAKE HIM IN
269
00:10:59,292 --> 00:11:01,929
AND SET HIM DOWN,
AND TALK TO HIM --
270
00:11:01,962 --> 00:11:04,898
REASON WITH HIM,
EXPLAIN IT ALL TO HIM --
271
00:11:04,932 --> 00:11:08,902
THEN WE'LL TIE HIM UP
AND PUT HIM IN THE CLOSET.
272
00:11:13,741 --> 00:11:15,943
YEAH, THAT WAS REALLY,
REALLY GOOD TO EAT, YEAH.
273
00:11:15,976 --> 00:11:19,713
I BELIEVE I'LL HAVE
SOME MORE OF THAT COFFEE.
274
00:11:25,853 --> 00:11:28,889
UH, HEY, BARN?
275
00:11:28,922 --> 00:11:30,057
HUH?
276
00:11:30,090 --> 00:11:31,058
THERE'S, UH...
277
00:11:31,091 --> 00:11:32,192
THERE'S SOMETHING
278
00:11:32,225 --> 00:11:34,327
WE'VE BEEN WANTING
TO TALK WITH YOU ABOUT.
279
00:11:34,361 --> 00:11:37,898
SOMETHING WE'VE BEEN THINKING
ABOUT THE CHOIR.
280
00:11:37,931 --> 00:11:39,800
AND I BET I KNOW
JUST WHAT IT IS.
281
00:11:39,833 --> 00:11:41,902
THE WAY WE BEEN
SINGING GOOD OLD 14-A
282
00:11:41,935 --> 00:11:43,403
LEAVES A LOT
TO BE DESIRED.
283
00:11:43,436 --> 00:11:45,072
LISTEN, WHILE
WE'RE ALL HERE
284
00:11:45,105 --> 00:11:47,808
WHY DON'T WE JUST GET IN
A LITTLE EXTRA PRACTICE?
285
00:11:47,841 --> 00:11:48,909
WELL, THAT'S...
286
00:11:48,942 --> 00:11:50,944
WELL, IT WOULDN'T
HURT NONE, YOU KNOW?
287
00:11:50,978 --> 00:11:52,212
I MEAN,
NO MATTER HOW GOOD WE ARE
288
00:11:52,245 --> 00:11:54,247
THERE'S ALWAYS ROOM
FOR IMPROVEMENT.
289
00:11:54,281 --> 00:11:55,482
NONE OF US IS PERFECT.
290
00:11:55,515 --> 00:11:56,784
COME ON, THELMA LOU
291
00:11:56,817 --> 00:11:58,018
YOU CAN TICKLE
THE OLD IVORIES.
292
00:11:58,051 --> 00:11:59,152
SET RIGHT DOWN
HERE NOW.
293
00:11:59,186 --> 00:12:02,890
ONE THING ABOUT SINGING,
YOU NEVER GET TOO MUCH PRACTICE.
294
00:12:02,923 --> 00:12:05,192
THAT'S WHAT MY VOICE TEACHER
USED TO SAY.
295
00:12:05,225 --> 00:12:06,026
HERE IT IS.
296
00:12:06,059 --> 00:12:07,861
ALL RIGHT, COME ON.
COME ON, COME ON!
297
00:12:07,895 --> 00:12:09,963
THAT'S THE PLACE,
I BELIEVE.
298
00:12:09,997 --> 00:12:10,964
ALL RIGHT.
299
00:12:10,998 --> 00:12:12,232
* ME...ME...ME.
300
00:12:12,265 --> 00:12:14,067
OKAY, EVERYBODY READY?
301
00:12:14,101 --> 00:12:16,003
ALL RIGHT.
302
00:12:16,036 --> 00:12:20,507
:
* WELCOME, SWEET SPRINGTIME
303
00:12:20,540 --> 00:12:22,843
* WE GREET THEE IN SONG
304
00:12:22,876 --> 00:12:25,078
SOMEBODY
SOUNDS TERRIBLE.
305
00:12:25,112 --> 00:12:31,852
* MURMURS OF GLADNESS
FALL ON THE EAR *
306
00:12:31,885 --> 00:12:33,353
IT'S BARNEY!
307
00:12:33,386 --> 00:12:39,126
* VOICES LONG HUSHED
NOW THEIR FULL NOTES PROLONG *
308
00:12:39,159 --> 00:12:40,293
HEY, HOLD IT.
HOLD IT!
309
00:12:40,327 --> 00:12:41,895
DID SOMEBODY
HIT A SOUR NOTE?
310
00:12:41,929 --> 00:12:43,797
WORSE THAN THAT.
OPEN UP YOUR MOUTH.
311
00:12:43,831 --> 00:12:44,832
HUH?
312
00:12:44,865 --> 00:12:45,833
OPEN YOUR MOUTH.
313
00:12:45,866 --> 00:12:47,334
I WANT TO SEE SOMETHING.
314
00:12:47,367 --> 00:12:49,069
AH...
AH...
315
00:12:49,102 --> 00:12:50,070
AH...
316
00:12:50,103 --> 00:12:51,071
AH...
317
00:12:51,104 --> 00:12:52,205
OH-OH.
318
00:12:52,239 --> 00:12:53,206
OH
319
00:12:53,240 --> 00:12:54,107
AUNT BEE
320
00:12:54,141 --> 00:12:56,810
YOU AND THELMA LOU LOOK,
SEE IF YOU SEE IT.
321
00:12:56,844 --> 00:12:57,811
OPEN UP. AH.
322
00:12:57,845 --> 00:12:59,813
OH, IT'S ALL RED!
323
00:12:59,847 --> 00:13:00,914
IT'S RED AS CAN BE.
324
00:13:00,948 --> 00:13:01,915
IT IS?
325
00:13:01,949 --> 00:13:02,983
YES. AND SWELLED UP.
326
00:13:03,016 --> 00:13:05,052
OH, THERE'S A LUMP
IN THERE THAT BIG.
327
00:13:05,085 --> 00:13:06,553
WELL, ANDY,
I DON'T FEEL SICK.
328
00:13:06,586 --> 00:13:07,587
I MEAN, NOT VERY.
329
00:13:07,620 --> 00:13:09,222
IT'S LIKELY
IT JUST STARTED.
330
00:13:09,256 --> 00:13:10,490
YOU'LL BE FEELING
IT IN A FEW HOURS.
331
00:13:10,523 --> 00:13:11,859
I THINK YOU BETTER GET TO BED.
332
00:13:11,892 --> 00:13:13,927
GET TO BED?!
FOR HOW LONG?
333
00:13:13,961 --> 00:13:15,996
I MEAN, THERE'S THE CONCERT
AND EVERYTHING!
334
00:13:16,029 --> 00:13:17,164
OH, WELL, YOU'LL HAVE TO
FORGET ABOUT THAT.
335
00:13:17,197 --> 00:13:19,366
HUH
NOT BE IN IT?
336
00:13:19,399 --> 00:13:21,101
LEAVE YOU WITHOUT
A FIRST TENOR?
337
00:13:21,134 --> 00:13:23,904
WELL, IT'LL BE
A BLOW TO THE GROUP.
338
00:13:23,937 --> 00:13:26,039
BLOW TO THE GROUP,
THERE'S NO DOUBT ABOUT THAT
339
00:13:26,073 --> 00:13:28,341
BUT, WELL, IT
CAN'T BE HELPED.
340
00:13:28,375 --> 00:13:30,243
BUT, ANDY, I THINK
I CAN MAKE IT.
341
00:13:30,277 --> 00:13:32,245
BARNEY, YOU
HAVE TO THINK
OF THE OTHERS.
342
00:13:32,279 --> 00:13:33,246
I MEAN, THEIR HEALTH --
THEIR HEALTH.
343
00:13:33,280 --> 00:13:35,048
YOU HAVE TO THINK
OF THEIR HEALTH.
344
00:13:35,082 --> 00:13:36,249
EVEN IF YOU
COULD MAKE IT
345
00:13:36,283 --> 00:13:38,185
YOU WOULDN'T WANT
TO SPREAD YOUR GERMS
346
00:13:38,218 --> 00:13:39,987
ALL OVER EVERYBODY ELSE,
WOULD YOU?
347
00:13:40,020 --> 00:13:41,254
HONEY, I'LL
TAKE YOU HOME.
348
00:13:41,288 --> 00:13:42,856
NOW GO ALONG
WITH HER, BARNEY.
349
00:13:42,890 --> 00:13:44,624
AND DON'T YOU THINK
ABOUT THE CONCERT.
350
00:13:44,657 --> 00:13:46,393
YOU JUST THINK
ABOUT GETTING WELL.
351
00:13:46,426 --> 00:13:47,560
BUT TO BE
THIS CLOSE...
352
00:13:47,594 --> 00:13:48,896
REST, BARNEY, REST.
353
00:13:58,271 --> 00:14:01,541
WHO COULD THAT BE
AT THIS HOUR?
354
00:14:01,574 --> 00:14:02,642
I DON'T KNOW.
355
00:14:02,675 --> 00:14:05,212
I RECKON I BETTER SEE,
HADN'T I?
356
00:14:09,282 --> 00:14:11,018
BARNEY, WHAT ARE YOU
DOING HERE?
357
00:14:11,051 --> 00:14:12,285
ANDY, I GOT GREAT NEWS!
358
00:14:12,319 --> 00:14:14,021
MY THROAT AIN'T
SORE AFTER ALL.
359
00:14:14,054 --> 00:14:15,155
HOW'D YOU FIND OUT?
360
00:14:15,188 --> 00:14:17,224
HE INSISTED ON
STOPPING BY
DOC KRAVITS.
361
00:14:17,257 --> 00:14:18,291
THIS WAS IMPORTANT.
362
00:14:18,325 --> 00:14:20,260
I DIDN'T WANT TO LET
THE GROUP DOWN.
363
00:14:20,293 --> 00:14:21,962
I FIGURED MAYBE
HE COULD GIVE ME
364
00:14:21,995 --> 00:14:23,663
ONE OF THEM MIRACLE
DRUGS OR SOMETHING.
365
00:14:23,696 --> 00:14:25,265
YOU KNOW WHAT
THE MIRACLE WAS?
366
00:14:25,298 --> 00:14:27,267
THERE AIN'T NOTHING
WRONG WITH MY THROAT.
367
00:14:27,300 --> 00:14:29,369
MY THROAT AIN'T
NO DIFFERENT THAN
ANYBODY ELSE'S.
368
00:14:29,402 --> 00:14:30,603
THAT'S WHAT
THE DOC SAID.
369
00:14:30,637 --> 00:14:31,604
GOOD OLD DOC.
370
00:14:31,638 --> 00:14:33,473
YOU KNOW THAT
LUMP YOU SEEN?
371
00:14:33,506 --> 00:14:34,541
THAT'S THE UVULA.
372
00:14:34,574 --> 00:14:35,976
EVERYBODY'S GOT ONE.
373
00:14:36,009 --> 00:14:37,677
DID YOU KNOW
YOU HAD A UVULA, ANDY?
374
00:14:37,710 --> 00:14:38,678
OPEN YOUR MOUTH.
GO ON, OPEN IT!
375
00:14:38,711 --> 00:14:40,513
THERE'S THE
OLD UVULA.
376
00:14:40,547 --> 00:14:41,514
SEE, YOU GOT A UVULA.
377
00:14:41,548 --> 00:14:43,050
THEY GOT A UVULA.
378
00:14:43,083 --> 00:14:44,251
I GOT A UVULA.
379
00:14:44,284 --> 00:14:46,920
ALL GOD'S CHILDREN
GOT A UVULA.
380
00:14:46,954 --> 00:14:48,055
HALLELUJAH.
381
00:14:51,024 --> 00:14:52,292
IT'S JUST INCREDIBLE
382
00:14:52,325 --> 00:14:55,295
HOW A MAN CAN SING SO FLAT
AND TALK SO NORMAL.
383
00:14:55,328 --> 00:14:56,429
YUP.
384
00:14:56,463 --> 00:14:59,566
SHAME BARNEY CAN'T
TALK HIS PART.
385
00:14:59,599 --> 00:15:00,600
YEAH.
386
00:15:02,435 --> 00:15:03,403
HI, EVERYBODY.
387
00:15:03,436 --> 00:15:04,471
GEE, I'M SORRY I'M LATE.
388
00:15:04,504 --> 00:15:06,306
HOPE I DIDN'T
HOLD YOU UP.
389
00:15:06,339 --> 00:15:07,407
WHY, NO, BARN.
390
00:15:07,440 --> 00:15:10,143
MATTER OF FACT, WE
WAS JUST DISCUSSING
391
00:15:10,177 --> 00:15:12,145
A NEW IDEA
THAT INVOLVES YOU.
392
00:15:12,179 --> 00:15:15,048
OH, YEAH? SOMETHING
TO DO WITH THE GROUP?
393
00:15:15,082 --> 00:15:16,549
YOU BETTER KNOW
IT HAS.
394
00:15:16,583 --> 00:15:18,685
UH, WE'RE GOING
TO MAKE YOU SOLOIST.
395
00:15:18,718 --> 00:15:19,686
RIGHT, JOHN?
396
00:15:19,719 --> 00:15:21,188
SOLOIST?
YEAH.
397
00:15:21,221 --> 00:15:22,189
SOLOIST
398
00:15:22,222 --> 00:15:24,024
YEAH, AND YOU'RE
GOING TO HAVE
399
00:15:24,057 --> 00:15:26,126
YOUR OWN MICROPHONE
AND EVERYTHING!
400
00:15:26,159 --> 00:15:27,460
I AM?
OH, YEAH.
401
00:15:27,494 --> 00:15:28,528
WE HAVE TO KEEP YOU
402
00:15:28,561 --> 00:15:30,363
WAY SEPARATE
FROM THE GROUP.
403
00:15:30,397 --> 00:15:31,698
YOU DO?
404
00:15:31,731 --> 00:15:32,966
YEAH. THAT'S SO
405
00:15:33,000 --> 00:15:35,202
YOUR RECITATIONS
WILL STAND OUT.
406
00:15:35,235 --> 00:15:36,169
MY RECITATIONS?
407
00:15:36,203 --> 00:15:39,406
YEAH. THERE'S GOING
TO BE ONE IN EVERY NUMBER.
408
00:15:39,439 --> 00:15:41,208
AND YOU'RE GOING
TO DO 'EM.
409
00:15:41,241 --> 00:15:43,143
YOU MEAN I DON'T
GET TO SING?
410
00:15:43,176 --> 00:15:44,144
I JUST TALK?
411
00:15:44,177 --> 00:15:45,512
OH, IT WILL BE
SO EFFECTIVE.
412
00:15:45,545 --> 00:15:46,513
WON'T IT?
413
00:15:47,614 --> 00:15:49,082
EFFECTIVE!
414
00:15:49,116 --> 00:15:51,218
RIGHT IN THE MIDDLE
OF ALL THIS SINGING
415
00:15:51,251 --> 00:15:53,220
WILL COME
YOUR DRAMATIC VOICE...
416
00:15:53,253 --> 00:15:54,454
SPEAKING YOUR PART.
417
00:15:54,487 --> 00:15:56,089
WON'T THAT BE EFFECTIVE?
418
00:15:57,324 --> 00:15:59,226
WELL, IF YOU'RE
ALL AGREED
419
00:15:59,259 --> 00:16:01,194
I GUESS THE
LEAST I CAN DO
420
00:16:01,228 --> 00:16:02,495
IS GIVE HER A TRY.
421
00:16:02,529 --> 00:16:03,696
OH, GOOD, GOOD.
422
00:16:03,730 --> 00:16:06,633
YOU STAND OVER HERE
KIND OF BY YOURSELF
423
00:16:06,666 --> 00:16:08,101
AND WE'LL DO 14-A.
424
00:16:08,135 --> 00:16:10,637
AND WHEN WE GET
TO THE SECOND VERSE
425
00:16:10,670 --> 00:16:12,205
YOU TALK IT, RIGHT?
426
00:16:12,239 --> 00:16:13,606
OKAY, GOOD OLD 14
427
00:16:13,640 --> 00:16:16,376
LET'S START AT
"VOICES LONG HUSHED."
428
00:16:16,409 --> 00:16:17,377
ALL RIGHT, ANDY.
429
00:16:17,410 --> 00:16:18,378
NOW, TALK.
430
00:16:18,411 --> 00:16:20,313
HAZEL.
431
00:16:20,347 --> 00:16:26,686
* VOICES LONG HUSHED
NOW THEIR FULL NOTES PROLONG *
432
00:16:26,719 --> 00:16:32,592
* ECHOING FAR AND NEAR
433
00:16:34,727 --> 00:16:39,566
"BALMY AND LIFE-BREATHING
BREEZES ARE BLOWING.
434
00:16:39,599 --> 00:16:45,505
SWIFTLY TO NATURE,
NEW VIGOR BESTOWING."
435
00:16:45,538 --> 00:16:47,540
* OH, HOW MY HEART
436
00:16:47,574 --> 00:16:50,643
* BEATS WITH RAPTURE ANEW
437
00:16:50,677 --> 00:16:52,412
HOLD IT!
438
00:16:52,445 --> 00:16:54,214
YOU'RE SUPPOSED
TO BE TALKING.
439
00:16:54,247 --> 00:16:55,548
OH, IT'S NO USE, ANDY.
440
00:16:55,582 --> 00:16:57,284
CAN YOU TELL
A BIRD TO TALK?
441
00:16:57,317 --> 00:16:58,418
CAN YOU TELL A BIRD
442
00:16:58,451 --> 00:17:00,220
TO JUST GO CHIRP,
CHIRP, CHIRP?
443
00:17:00,253 --> 00:17:01,521
NO, ANDY, I'M
LIKE A BIRD.
444
00:17:01,554 --> 00:17:02,555
I WAS BORN TO SING.
445
00:17:02,589 --> 00:17:03,823
BARNEY, BARNEY, BARNEY.
446
00:17:03,856 --> 00:17:05,158
IF YOU'LL EXCUSE ME
447
00:17:05,192 --> 00:17:07,094
I GOT SOME THROAT SPRAY
IN THE CAR.
448
00:17:07,127 --> 00:17:08,295
IF I'M DOING SOLOS
449
00:17:08,328 --> 00:17:10,230
I BETTER GIVE MYSELF
A COUPLE SQUIRTS.
450
00:17:12,465 --> 00:17:15,368
YOU STILL WANT TO
GO THROUGH WITH IT?
451
00:17:15,402 --> 00:17:16,503
LET HIM SING SOLO?
452
00:17:16,536 --> 00:17:17,504
NO, ANDY, NO.
453
00:17:17,537 --> 00:17:18,705
WAIT A MINUTE,
JOHN.
454
00:17:18,738 --> 00:17:19,739
IT'LL WORK.
455
00:17:19,772 --> 00:17:21,308
IT COME TO ME YESTERDAY
456
00:17:21,341 --> 00:17:24,811
WHEN I SAW BARNEY LISTENING
TO A PHONOGRAPH RECORD.
457
00:17:24,844 --> 00:17:25,812
NOW, LISTEN.
458
00:17:25,845 --> 00:17:27,847
BARNEY'LL DO THE SOLOS
ALL RIGHT.
459
00:17:27,880 --> 00:17:29,816
BUT IT WON'T BE
WITH HIS VOICE.
460
00:17:29,849 --> 00:17:32,085
YOU SEE, BARNEY,
HE'LL BE ON STAGE
461
00:17:32,119 --> 00:17:34,187
SINGING INTO A DEAD MICROPHONE.
462
00:17:34,221 --> 00:17:36,356
THE LIVE MICROPHONE
WILL BE BACKSTAGE
463
00:17:36,389 --> 00:17:38,391
WITH GLEN CRIPE
SINGING INTO IT.
464
00:17:38,425 --> 00:17:39,759
IT'S AS SIMPLE AS THAT.
465
00:17:39,792 --> 00:17:42,395
BUT GLEN CRIPE
IS NOT A TENOR.
466
00:17:42,429 --> 00:17:43,263
IT'LL WORK, JOHN.
467
00:17:43,296 --> 00:17:45,732
HOW ARE YOU GOING
TO KEEP BARNEY QUIET?
468
00:17:45,765 --> 00:17:47,300
EVEN THOUGH
HIS MICROPHONE IS DEAD
469
00:17:47,334 --> 00:17:48,868
PEOPLE CAN
STILL HEAR HIM.
470
00:17:48,901 --> 00:17:50,237
I ALREADY GOT THAT
WORKED OUT.
471
00:17:50,270 --> 00:17:51,238
JUST LEAVE IT TO ME
472
00:17:51,271 --> 00:17:55,242
AND DON'T WORRY.
473
00:17:55,275 --> 00:17:57,710
THIS HERE IS A SOLO MICROPHONE.
474
00:17:57,744 --> 00:17:59,679
VERY, VERY, SENSITIVE.
475
00:17:59,712 --> 00:18:04,217
THIS THING WILL AMPLIFY
YOUR VOICE A THOUSAND TIMES.
476
00:18:04,251 --> 00:18:05,852
REALLY STRONG, HUH?
477
00:18:05,885 --> 00:18:07,320
STRONG
478
00:18:07,354 --> 00:18:08,788
YOU BLAST AWAY
AT THIS THING
479
00:18:08,821 --> 00:18:10,623
AND YOU'LL BUST
EVERY EARDRUM
480
00:18:10,657 --> 00:18:11,824
IN THE AUDITORIUM.
481
00:18:11,858 --> 00:18:13,126
WHAT DO I DO?
482
00:18:13,160 --> 00:18:15,428
YOU HAVE TO SING
REAL LOW, REAL LOW.
483
00:18:15,462 --> 00:18:16,763
NOW TRY IT.
484
00:18:16,796 --> 00:18:18,231
OKAY.
485
00:18:19,299 --> 00:18:21,268
* BALMY AND LIFE...
486
00:18:21,301 --> 00:18:22,869
HOLD IT.
HOLD IT.
487
00:18:22,902 --> 00:18:26,306
TOO LOUD. LOW.
488
00:18:26,339 --> 00:18:27,807
* BALMY AND LIFE...
489
00:18:27,840 --> 00:18:30,377
THAT'S STILL TOO LOUD,
BARNEY.
490
00:18:30,410 --> 00:18:32,912
WHEN I MEAN LOW,
I MEAN REAL LOW.
491
00:18:32,945 --> 00:18:35,515
IT DON'T TAKE MUCH
TO BE HEARD.
492
00:18:35,548 --> 00:18:36,616
TRY IT AGAIN.
493
00:18:36,649 --> 00:18:38,385
TRY IT AGAIN, OKAY.
494
00:18:38,418 --> 00:18:44,724
* BALMY AND LIFE-BREATHING
BREEZES ARE BLOWING *
495
00:18:44,757 --> 00:18:46,226
WAS THAT ALL RIGHT?
496
00:18:46,259 --> 00:18:47,727
THAT'S STILL
TOO LOUD, BARNEY.
497
00:18:47,760 --> 00:18:49,329
STILL WAY YONDER
TOO LOUD.
498
00:18:49,362 --> 00:18:50,463
BELIEVE ME, NOW
499
00:18:50,497 --> 00:18:52,865
TOMORROW NIGHT,
WHEN THIS MICROPHONE'S HOT
500
00:18:52,899 --> 00:18:54,701
AND THE AMPLIFIERS
ARE AMPLIFYING
501
00:18:54,734 --> 00:18:56,703
AND THE ACOUSTICS AND ALL...
502
00:18:56,736 --> 00:18:57,904
WHY, I TELL YOU WHAT.
503
00:18:57,937 --> 00:19:00,273
YOU JUST KEEP SINGING
SOFTER AND SOFTER
504
00:19:00,307 --> 00:19:01,874
AND WHEN YOU GOT IT
ABOUT RIGHT
505
00:19:01,908 --> 00:19:03,610
I'LL TELL YOU.
506
00:19:03,643 --> 00:19:04,644
OKAY.
507
00:19:04,677 --> 00:19:08,948
* BALMY AND LIFE...
508
00:19:08,981 --> 00:19:12,585
* BALMY AND LIFE...
509
00:19:12,619 --> 00:19:15,822
* BALMY AND...
510
00:19:15,855 --> 00:19:18,358
* BALMY AND...
511
00:19:19,492 --> 00:19:21,194
THAT'S IT!
512
00:19:21,228 --> 00:19:24,331
THAT'S IT!
THAT'S IT! YOU GOT IT!
513
00:19:24,364 --> 00:19:25,698
NOW YOU DO IT
JUST LIKE THAT
514
00:19:25,732 --> 00:19:27,567
AND YOU'LL COME
THROUGH FINE.
515
00:19:27,600 --> 00:19:30,337
ANDY, I WAS BARELY
MAKING A SOUND.
516
00:19:30,370 --> 00:19:32,472
YOU THINK YOU WAS
BARELY MAKING A SOUND
517
00:19:32,505 --> 00:19:33,473
BUT TOMORROW NIGHT
518
00:19:33,506 --> 00:19:37,344
WHEN THIS MICROPHONE'S ON
AND YOU SING LIKE THAT
519
00:19:37,377 --> 00:19:38,845
YOUR GLORIOUS VOICE
520
00:19:38,878 --> 00:19:41,281
WILL REVERBERATE
ALL THROUGH THIS HALL.
521
00:19:41,314 --> 00:19:43,283
WON'T IT, GANG?
522
00:19:46,253 --> 00:19:52,492
* WELCOME, SWEET SPRINGTIME,
WE GREET THEE IN SONG *
523
00:19:52,525 --> 00:20:00,767
* MURMURS OF GLADNESS
FALL ON THE EAR *
524
00:20:00,800 --> 00:20:08,275
* VOICES LONG HUSHED,
NOW THEIR FULL NOTES PROLONG *
525
00:20:08,308 --> 00:20:15,915
* ECHOING FAR AND NEAR
526
00:20:15,948 --> 00:20:19,419
* OOH
527
00:20:19,452 --> 00:20:26,926
* SUNSHINE NOW WAKES
ALL THE FLOWERS FROM SLEEP *
528
00:20:26,959 --> 00:20:36,403
* JOY-GIVING INCENSE
FLOATS ON THE AIR *
529
00:20:36,436 --> 00:20:44,544
* SNOWDROPS AND PRIMROSE
BOTH TIMIDLY PEEP *
530
00:20:44,577 --> 00:20:53,520
* PALING THE GLAD NEW YEAR
531
00:20:53,553 --> 00:21:02,562
:
* BALMY AND LIFE-BREATHING
BREEZES ARE BLOWING *
532
00:21:02,595 --> 00:21:10,937
* SWIFTLY TO NATURE,
NEW VIGOR BESTOWING *
533
00:21:10,970 --> 00:21:17,344
* OH, HOW MY HEART BEATS
WITH RAPTURE ANEW *
534
00:21:17,377 --> 00:21:27,987
* EARTH'S FAIREST BEAUTY
AGAIN MEETS MY VIEW *
535
00:21:28,020 --> 00:21:35,495
* SUNSHINE NOW WAKES
ALL THE FLOWERS FROM SLEEP *
536
00:21:35,528 --> 00:21:42,902
* JOY-GIVING INCENSE
FLOATS ON THE AIR *
537
00:21:42,935 --> 00:21:52,379
* SNOWDROPS AND PRIMROSE
BOTH TIMIDLY PEEP *
538
00:21:52,412 --> 00:22:00,987
* PALING THE GLAD NEW YEAR
539
00:22:01,020 --> 00:22:06,693
* NEW YEAR *
540
00:22:33,920 --> 00:22:34,987
YOU KNOW, ANDY...
541
00:22:35,021 --> 00:22:36,456
I JUST CAN'T GET OVER
542
00:22:36,489 --> 00:22:38,891
THAT STRANGE FEELING
I HAD LAST NIGHT --
543
00:22:38,925 --> 00:22:40,660
WHEN I HEARD MY LITTLE VOICE
544
00:22:40,693 --> 00:22:43,430
COMING OVER THE LOUDSPEAKER
BACK AT ME, I...
545
00:22:43,463 --> 00:22:45,632
WELL, IT JUST DIDN'T
SOUND LIKE ME.
546
00:22:45,665 --> 00:22:47,667
THAT'S COMMON.
IT IS?
547
00:22:47,700 --> 00:22:50,837
SURE! EVER HEAR YOURSELF
ON TELEPHONE?
548
00:22:50,870 --> 00:22:52,572
YOU WOULDN'T HARDLY
BELIEVE IT'S YOU.
549
00:22:52,605 --> 00:22:54,807
YEAH, YEAH, THAT'S RIGHT.
550
00:22:54,841 --> 00:22:57,410
WELL, IT SURE WAS A LUCKY DAY
ALL AROUND
551
00:22:57,444 --> 00:22:59,712
WHEN THEY ASKED ME
TO JOIN THAT CHOIR.
552
00:22:59,746 --> 00:23:02,081
I SURE AM GOING TO ENJOY
SINGING WITH THEM
553
00:23:02,114 --> 00:23:04,517
DOWN THROUGH THE YEARS.
554
00:23:04,551 --> 00:23:08,555
OH, UH, ABOUT THAT,
BARNEY, UH...
555
00:23:08,588 --> 00:23:11,858
I'M AFRAID THAT
WON'T BE POSSIBLE.
556
00:23:11,891 --> 00:23:13,025
HUH?
557
00:23:13,059 --> 00:23:14,761
WELL, YOU KNOW THAT AWARD
THEY GIVE YOU
558
00:23:14,794 --> 00:23:16,429
FOR BEING THE OUTSTANDING
PERFORMER?
559
00:23:16,463 --> 00:23:19,031
YOU MEAN, THE $10
MERCHANDISE CERTIFICATE?
560
00:23:19,065 --> 00:23:22,201
YEAH -- YOU KNOW WHAT
THAT MEANS, DON'T YOU?
561
00:23:22,234 --> 00:23:25,071
THAT MEANS YOU ARE
A PROFESSIONAL SINGER.
562
00:23:25,104 --> 00:23:26,473
WHAT?
563
00:23:26,506 --> 00:23:27,974
THAT'S RIGHT,
THAT'S RIGHT.
564
00:23:28,007 --> 00:23:30,610
THEY GIVE YOU REMUNERATION
FOR YOUR TALENT,
565
00:23:30,643 --> 00:23:32,979
AND THAT MAKES YOU
A PROFESSIONAL SINGER,
566
00:23:33,012 --> 00:23:36,583
AND YOU ARE NO LONGER ELIGIBLE
TO SING WITH THE AMATEUR RANKS.
567
00:23:36,616 --> 00:23:40,787
NOT SING WITH THE CHOIR?
EVER
568
00:23:40,820 --> 00:23:43,456
WELL, YOU WOULDN'T WANT
THE MAYBERRY CHOIR TO BE
569
00:23:43,490 --> 00:23:45,858
DISQUALIFIED FROM STATE
COMPETITION, WOULD YOU?
570
00:23:45,892 --> 00:23:48,027
WELL, NO! BUT...
571
00:23:48,060 --> 00:23:50,830
WELL, THEN...
572
00:23:50,863 --> 00:23:55,001
OH, GEE, ANDY, THIS COMES AS
DISAPPOINTING NEWS.
573
00:23:55,034 --> 00:23:57,203
IN ONE WAY.
574
00:23:57,236 --> 00:24:00,106
COURSE, IN ANOTHER WAY, IT COULD
BE A BLESSING IN DISGUISE.
575
00:24:00,139 --> 00:24:02,542
I MEAN, IF THE DEPUTY SHERIFF
BUSINESS
576
00:24:02,575 --> 00:24:05,678
EVER FALTERS, I'VE GOT
AN ACE IN THE HOLE.
577
00:24:05,712 --> 00:24:09,015
YOU KNOW, I COULD MOVE RIGHT
OVER INTO THE SHOWBUSINESS.
578
00:24:09,048 --> 00:24:11,217
YOU KNOW, SINGING AT WEDDINGS
AND FUNERALS.
579
00:24:11,250 --> 00:24:13,986
OH, ABSOLUTELY, YEAH.
580
00:24:14,020 --> 00:24:15,755
OF COURSE, IN CASE
THAT EVER HAPPENS,
581
00:24:15,788 --> 00:24:17,524
I BETTER KEEP
THE OLD VOICE IN SHAPE!
582
00:24:17,557 --> 00:24:21,260
* NITA
583
00:24:21,293 --> 00:24:25,264
* JUANITA
584
00:24:25,297 --> 00:24:31,470
* DA DA DA DA DA
DA DA *
39311
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