All language subtitles for a.gray.state.2017.720p.hdtv.x264-w4f

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German Download
el Greek
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: Eߣ�B��B��B�B�B��matroskaB��B��S�gv6M�t�M��S��I�fS��M��S��T�kS���M��S��S�kS���M��S��T�gS��t��O�I�f@�*ױ�B@M��libebml v1.3.5 + libmatroska v1.4.7WA�mkvmerge v15.0.0 ('Duel with the Devil') 64-bitD��ASh�Da� kY�"s��L _� 3�^� �!Τ�DT�k���ׁsň�RT�w�����������S_TEXT/UTF8�D%C�u������� [insects buzzing]�� I����� � ♪��>LC�u@���4����� Thank you for coming out.��m������ As you know, this is an independent project.�������� � We have a quadcopter drone, we're gonna be�� �C�u@�������� doing aerials, we're gonna have you guys��?������ busting up these houses,�������� � siccing attack dogs on children..�� �C�u���蠴��� it's gonna get nasty.��4������ And, uh, thank you guys for being a part of it,�� �C�u@�� u����� I hope you have the presence of mind��J������ to remain professional and not take it too far.�� �C�u@�������� It's just I don't know what "too far"�������z really is at this point.������� � [laughter]�������� So just impress me, make it real.���C�u@��8������ You're here for a reason, right?��Р����6 You're part of the Gray State Team.��Ѡ���� m Big Family.��������w Show it to me.��������` Big family.���C�u@��Nנ���� Anything else?�� �ʡāo I think we're covered.��K����� [drone buzzing]��(C�u@��h������ Squad leaders, I wanna hear you��V������ yelling to your guys.��砱��� Give a command.��*������ If they're doing something wrong,��VC�u@��|ڠ���� get them into play.��V������ That's your target house.��*����� L High value individual in there.�������� Very dangerous, he's armed.���C�u@����ʡā Get there! Get your squad up there!�� 校��� L Oh, "get there".��򠻡��� So David had a saying all the time.���C�u@��������� He'd scream, "get there! Get there!"��������� And David only showed you one time��ܠ���� * how to do something and he hated if you��VC�u��������� had to go back and ask questions about it.�� ������ a Action!��C�u@���e����� Man: SWAT team! Hit it!��Р����6 Go, go, go, go!�� )������ David: Okay, cut, cut cut!�� 4C�u���Ġ���� [dog barking]��w������ Wow.���C�u@�������� Hey, guys, how's it going?�������� I'm losing my voice so I'll make this quick.��K�����5 Right now we're getting to the fun stuff.��wC�u@��.������ This is the actual "Gray State".��������c You guys have seen the trailer,��۠����� obviously you know this is just�� �C�u@��HO����� a quick jump into the future.�� a����� � Rani: Watch this, Daddy!��栱��� Watch this, Daddy!�� )C�u@��c񠥡��David: Okay, I'm watching.��l������ Watch this, Daddy.�������� �I'm right here, I'm watching.��V������ Rani: Do, do do do do..���C�u@��{ˠ���� Even in the midst of it, David always took time��w������ to acknowledge his daughter.��栵���* David: You're a goofball.���C�u���X����� Say "Gray State" -Gray State!��������� [laughing]��C�u@��������� It's interesting being here on this set because��򠼡��X this set here where we're shooting this��񠻡��� interview is where we did a lot of the���C�u@��������� shooting for Gray State.��۠����A Action!��m�����  If you are receiving this message,��J������ then you've been recruited.��kC�u@���)����� Welcome to the fight, Patriot.�� 3����� � David: Okay, a little bit less on the happy.���C�u��������� Danny: Less, okay.��۠����A Interviewer: What is "Gray State"?���C�u�� ������ [ominous music and helicopter whirring]���C�u@��$��ơ�� ..Every enemy of the State!��)������ Gray State is less a movie��񠴡��� than it is a warning.���C�u��=������ We do not live in a dictatorship�� U����� � but we do live in a police state.�� �C�u@��T������ What we're gonna see is the unveiling��������� of this Gray State foisted upon America.��C�u@��y ����� The thing that you have to begin to understand�� ������ � about conspiracy theory is that at some points��TC�u��������� it's no longer a theory.��)C�u@��������� You talk about Peak Oil.��5������ You talk about FEMA camps.��w�����x You talk about global warming.��)C�u@��������� You talk about the UN. You talk about the NWO.�� (����� � They're prepping for megadeath.��C�u@��� ����� Once the red carpet gets rolled out��������� for this New World Order program..�������� K everything is free game.��lC�u���)����� The bastard of it all��������� is that you've heard of everything.���C�u@��"8����� Americans believe that they can't do anything��5������ and day by day,������� they're becoming correct.���C�u@�G������ It's a game of numbers and, uh, we're losing.��S������ [helicopters and gunfire]��=C�u��� ���� Protesters: End the Fed!�� Ġ���� * End the Fed! End the Fed!���C�u@��� ����� I want to salute everybody that came out��������c to address the real elite, the robber barons�� Š����� that have taken over our society.���C�u@���٠���� These are cowardly scum!��������! Alright, get down there, folks.������� � March down there and get 'em!��Ѡ����� Come on! I'm gonna get the other people.��wC�u@��ч����� [sirens]�� 𠡡�� W Sean: Hey, Alex.��Р����� Can we lock in a time with you tomorrow for..?���C�u@���a����� I'll be out here like 9:00 in the morning-�������� what are you guys doing at 10:00?��x����� � David: You know that dystopian movie�������k you're always talking about on air?���C�u@��$����� -Yeah.��A������ David: We're the only ones doing it.��V����� c So it's what happens if these guys win.��������x And it's the dystopian near-future reality��kC�u@��n����� we're looking at if we don't embrace liberty.��������� Oh, that's what's called "Gray State".�������� -Yeah.��C�u@��.��¡�� David didn't want to be the leader for anything.��������� He didn't want the glamour, the glory,�������� the millions of dollars.���C�u@��Cՠ���� He saw a vision, he wanted to make it work,��砸���M and he wanted to get it out.�������� b The Gray State movie,��򠵡��� go to Graystatemovie.com.��aC�u@��\V����� We're on Facebook, we're on Youtube.��x������ The word is getting out and the war is coming.��Р���� David Crowley was a voice for a movement��VC�u@��p&����� that believed that a government shutdown��۠����A was imminent..������� � that the oligarchy and these corporate powers,���C�u@���ݠ���� the Corporatocracy,��5������ could overtake our civilization,�� `�����a our society, and intern our citizens�� vC�u�������� and take away all of our civil liberties�� ڠ���� @ and human rights.���C�u@��Ŧ����� If you look around, this reminds me of Iraq.�� ������ You've got the gradual decline��������� of freedom and liberty.��KC�u���I����� Uh, that's the Gray State.��������! He's a genius. He was a genius.��^C�u@���.����� Um, I had never met anybody so analytical,�������� uh, so decisive and so strategic.��jC�u@�������� Thanks for coming.��@������ It's important to note that without������� * the volunteered participation of��������K people like you to give the project scale,���C�u@��/������ all the best ideas and loftiest ambitions�������n would never be realized.�������� � This is not just a movie.��5�����) Today we are all part of something much bigger.���C�u@��J����� [applause]�� ������ A lot of people, when they look at David��5������ they could think why does he make���C�u@��_������ everything so difficult, so challenging,�������� and so tough?��x����� b And probably the easiest answer is��4C�u@��t������ because he was a perfectionist.�� ����� m Mitch: What the f k is this wall��򠴡��� and how does it work?��4C�u�������� So, um, the wall is just a writing tool.��IC�u@��������� The wall is something that��������c every writer probably does.�������� � I don't know how extensive they get.��۠���� Maybe they're better at synthesizing story���C�u@���*����� than I am. So, I mean,��)������ if you want to look at it physically,��?�����5 you have the story here, beginning to end.���C�u@���^����� Also top to bottom.��������� So uh, in constructing a story you'll find out�� ������� that it works on several levels..���C�u@���z����� there's mythological storytelling,�������z so it's the hero's journey��V����� 6 as described by Joseph Campbell.�������� David: Well, this whole thing has sort of�� �C�u@�������� taken on a mind of its own.��Р����6 We're still pretty new to this whole gig but,�� Р����l you know, it is developing.��4C�u@��"������ This project has developed momentum�������� that I can't even describe.�������� � It has run away from us.��aC�u@��7J����� Action!��������� [grunting and shouting]�� Р����* Okay, so head in your crotch?���C�u@��L̠���� Bloody head in your crotch?��根���L Hi, Chris Peck. Nice to meet you.�� ������` Danny: Slate.��mC�u��c������ Action!��a������ [loud grunt]�� Р����� [laughter]�� kC�u@���͠���� I think what made David a good leader�������n was probably what he picked up, uh,��a�����5 through his experience at the Army.���C�u@��������� David: Cameras are rolling.��������� Chris: He would lead his crew like�� ������� we were going into war and, you know,�� �C�u���à���� we might not come out alive.��Р����7 [crowd noise]�� ������ Cut!���C�u@���f����� Chris: Who else could walk up to��������� a group of 20 people and say��x����� � "Hey, you wanna be actors in this scene?"���C�u@�������� People who had no experience at all,��������� David would make them into actors.��������K You gotta be leaning forward more,���C�u@��������� shoot this arm back.��4������ Just start there. Okay, cool.�� (�����( Here we go! Here we go!��xC�u@�������� If you guys want to be in a scene,��������c Chief Weinzel told me I can do whatever I want�� 񠿡��� with you guys as long as you're cool with it.���C�u@��)v����� So if you want to jump out and join the squads�� ������ � and make a show of it�������� I'm cool with that if you are.���C�u@��Cʠ���� I wanna get away with as much as I can,��)������ so if I can have a snarling dog��������� attack a family, safely, I'm gonna do that.�� 3C�u��]������ And you guys have to tell me "no".�� 񠶡�� W David very much had a vision���C�u@��rR����� when it came to making Gray State.�� 3����� � Action!��������� Chris: He knew how to be a businessman;��KC�u@��������� he knew how to get people together.��񠵡��W They were not filmmakers.�������� David: All right, cut.��C�u@���𠾡�� Komel: But what's- David: Kelly, I can't.��4������ You might die. Like, we talked about this.��������� Yeah.. which is good 'cause it's like repeating��UC�u@��������� a conversation we would have had before.��J������ What's Kelly's motivation��ܠ���� � to get taken out, because she knows��?C�u@���A����� that Josh kept her off the radar, right?��?������ David and Komel were always one unit.��l�����w I mean, they were.. they were incredible.���C�u@�������� They were a relationship you wished for.����¡�� b You could have a bear in there, a bear figurine.�� ��ʡāk -Doesn't have to be figurines.�� ?C�u@�� +����� Cherub figurines. [laughing]�������� They always had their own interesting way������� to express how much they loved each other.�� C�u@�� ������ Yeah, that's better.��@������ You're fidgeting over there.��񠹡��� No, I'm not. I'm just laughing-��C�u@�� -����� I'm glad this isn't being narrated.�������� "Daniel feels a lump in his pocket��@����� � from the expo" could mean a lot of things.��wC�u�� B������ [laughing]�� k����� � So I'm glad no one's narrating it.���C�u�� \h����� "Expo".���C�u�� s������ Interviewer: Tell me about Komel��?������ a little bit.���C�u�� �Ġ���� Um..���C�u�� �E����� sorry.��C�u@�� �@����� Judy Prochnow: Well, you can't help but think�������n about it every time you drive past it��)������ or just coming out in the backyard��4C�u�� נ���� and looking over.�������� And, um, the people I have talked to,���C�u@�� %Ƞ���� we would all just be happy if someone came�� (����� � and tore it down and built something new.�� �C�u@�� Ks����� We had my sister-in-law living with us for the�� ������ � month of December and, um, we took her home��3C�u@�� d������ in the first part of January and as we were��>������ driving to the airport that morning, I, um,�� �C�u@�� ������� looked at the steps and I noticed there��>������ were still Christmas gifts out there,�� C�u@�� �ޠ���� and we had assumed that they went to Texas.�� >����� � Collin Prochnow: I went over to pick up the�� �C�u@�� �٠���� presents and then I heard the dog bark,�������� and I hadn't heard the dog bark for a long time��������@ so I thought they, uh, they must be home.�� �C�u@�� �N����� And since I was in the front��)������ I went to ring the doorbell.��格���� Well, then the dog came and jumped up��4C�u@�� �Ġ���� by the, uh, front window and was barking,�� ������ � and I thought, well, they're not home.�� kC�u@�� ������ I hadn't seen the dog or heard the dog before,�� ����� � maybe there might be something wrong.�� �C�u�� ����� And that's when I stepped off the stoop�� ������ � and went over to the window��lC�u�� 1㠴��� and I looked inside.�� ������ � I saw one body that was probably..�� �C�u@�� JȠ���� oh, maybe about six to eight feet away�� >����� � from the window.��������� And then I noticed that there was another body�� kC�u@�� h^�¡�� maybe six to seven feet away from the first one.��T������ And I noticed that there was a little body�� `C�u�� �ޠ���� that looked like it was almost��������� in the second body's arms.�� 3C�u@�� ������ 1055 Ramsdell Drive.��۠ʡāA House reporting suspicious behavior��������� next door.��C�u@�� �!�Сʁ Went over to the home, to the right of the RP,�� �Сʁ L sees dead bodies inside the house, dog inside,�� 4C�u�� ��ˡŁ sees a gun in the house on the floor.���C�u@�� �g����� Reporter: To look at the three of them��ܠ����B through the Instagram filter of life,��l����� it's hard to imagine how it all went so wrong.�� �C�u@�� ������ David Crowley, a talented, promising��4������ young filmmaker; his smart and��������� beautiful wife, Komel, a dietician; and their�� 3C�u@�� !������ adorable five-year-old daughter, Raniya.�� ������ � The reality is the truth of what happened��wC�u@�� 6Ӡ���� to David Crowley and his family�������� is stranger and sadder than anyone imagined.�� IC�u�� j-����� So this is the home in Apple Valley..�� ?����� � I mean, this is a total�� `C�u�� ������� middle class neighborhood.�������� c And this was mid-January���C�u@�� �[����� when police, uh, made the discovery.�� Р���� 6 You can still see the Christmas presents��)������ on the front porch.���C�u@�� ������� But what a horrific crime to walk into��@������ and try to piece together.��Š���� � Physical evidence scattered all over���C�u�� ⽠���� by the dog.��L������ I mean, horrific.���C�u@�� 䠽��� Investigators found about 22 terabytes of�� `����� � information all strung together on hard drives��l������ kind of daisy-chained all together.���C�u�� ������ And you had to think that�� Ġ���� * when they're looking at all this���C�u@�� 2Š���� they're like, okay, maybe the answer��������� is in one of these hard drives..�������� K we find the "why".���C�u@�� ^,����� Tom Lyden: So I took the case file.�������y It was about 1,200-1,500 pages,�������� � and I went through it and��?C�u@�� r`����� all of a sudden I came to a picture..��?������ a picture that they did not have in the��������� crime scene photos that they provided.��kC�u�� �֠���� And I said, "Oh, my god, what is this?"��C�u@�� ������� And there on the wall, above the bodies,�� ����� � scrawled in blood, the words "Allah Akbar",��C�u�� ������� God is the greatest.�� ������ � Between their bodies,�� �C�u�� Ԧ����� a Quran with pages torn out�� ������  opened to a traditional forgiveness prayer.��C�u�� �2����� In the home office on a notepad,�� Ϡ���� 5 "Submit to Allah now".�� �C�u�������� Cory Zurowski: How do you try to explain�� Ϡ����5 three deaths, you know,���C�u@��$𠿡�� a husband and a wife and their little girl?�� ������  And you can't come up with the answers, right?��UC�u@��9ˠ���� I mean, talk about the various parts of it,�� ڠ���� @ you just can't come up with answers.�� C�u@��O������ There's something about it that just kind of��Р����6 gets on you and you just can't wash it off.��_C�u@��q/����� There's a Quran laying amongst the bodies,��򠶡��X there's blood on the wall..��栻���� David Crowley's right on the verge of���C�u@��������� making it big, shall we say, or at least��)������ taking a really big step in getting beyond�� ������� YouTube and actually getting to a movie,�� C�u�������� to theaters everywhere.��l������ No wonder it was catnip���C�u@���!����� for conspiracy theorists.��w������ Hello, this is Dan Hennan along with��w������ Greg Fernandez Jr for another installment��4C�u@���u����� of the Crowley case updates.��������! Today is June 4, 2016 and we got some updates�� �C�u@���ʠ���� on the case.��m������ So how are you doing today, Greg?��ܠ����  I'm doing good.�������� It's hot, but that's okay.��lC�u@���������Good. Good.��������� I don't give a crap about credibility at all.�� ������ Credibility means nothing to me.�� vC�u@�������� What I care about is truth.��砷���M I'm not in law enforcement.��K����� � I don't have a background��Ѡ����5 in detective work, but how it happened��5C�u@��4o����� I would say it's undetermined.�������y You've got no suicide note, there's no motive,��������� and they went out of their way to that the���C�u@��L'����� blood test on the wall written "Allah Akbar"��Š����, was the blood of Komel Crowley.�������� -Right.��������� Well, who wrote the blood?��C�u@��dD����� Once you get into this wrong territory,�������y once you start treading into these waters..��Р����� um, there is a backlash against you�� �C�u@�������� by some shadow entity - who knows what it is -�� k����� � but you start pushing the wrong buttons�� aC�u��������� to the elite, so to say, and there is payback.��C�u@���ڠ���� And I think one of the big problems with the��l������ people who think that David Crowley is guilty��V�¡��� is they don't even want us asking questions now.��C�u@���࠸��� They don't decide when we get to�� 栳��� L stop asking questions.��@������ We get to decide that.�� C�u@���?����� Youtuber #1: Did the government want to�������� silence him and his film?��������� Youtuber #2: Guys out here��wC�u@�������� going after the truth get knocked off.�� ������ Youtuber #3: This particular video�������w really shows why the criminal establishment�� C�u@��#������ murdered not only him but his family as well.�������� Dan Hennan: As the admin and creator of the�� �C�u@��=��� justice pages on the Facebook accounts,�� ����� x I allow all theories to come into play.�� `C�u@��S-����� I don't want to censor narratives.��砼���M There are certain people out there that�������� � certainly believe that these things did happen.�� �C�u@��k)����� They ruled it a double murder followed by�� ����� x a suicide at the hands of David��@����� without any real investigation.���C�u@���Q����� There was no signs of domestic violence.�� ����� � There was no evidence of a violent household.�� kC�u��������� There was no evidence of PTSD.��v������ There was no evidence of mental illness.�� �C�u��������� No depression, nothing.��lC�u@�����¡�� There are certain points in every story that you��U������ can recognize that this is what happens��������� to the character at this point in the story.���C�u@��2����� For example, um, after act 2 begins�� ?����� � eventually the midpoint is created,�� �C�u@��࠶��� which is the metaphorical��l������ "inmost cave".������� L So the hero enters the labyrinth��w�����) to fight the Minotaur.��@C�u@�������� And he emerges with the secret��򠵡��X but the fight isn't over.��?����� � And that applies to other stories like�������� the character doesn't have the right idea yet���C�u@��5r����� and is still kinda struggling��۠����A but he achieves progress through��������5 proactivity and all these things.���C�u@��M ����� And eventually there's the supreme ordeal�������� which, uh, is like the ultimate�� ?������ fight to the death.��5C�u��h̠���� ♪���C�u��� ����� ♪��#/C�u��������� ♪ Time stays slow.. ♪���C�u@���頺��� ♪ it's been six months ♪�������y ♪ and we've still got thousands to go ♪�� JC�u�������� ♪ ... years I will spend on this earth ♪��������� ♪ but today marks.. ♪�� C�u@���q����� You know, he had a whole album for her..�������x that he made while he was in Afghanistan.�� ������ He's, like, pickin' away here, you know,�� 4C�u@�� ����� like he's played guitar his whole life, so...�� Ġ���� * ♪ I count down the hours and wait ♪��RC�u��1頨��� ♪ there's still time ♪��à����* ♪���C�u��n ����� Well, David was good at whatever he decided��>������ was worth being good at.���C�u��������� [laughs]��������� He was good at being a father,�� C�u���P����� he was good at being a husband.�� ������ He was good at school.�� �C�u@��������� You know, he did things differently,�� ������  he thought differently and he worked harder�� �C�u@��� ���� and he.. was more driven.���ȡJ This is Crowley testing out the�� ?C�u@��㱠���� Spartan 8 footer.��������� It's not quite 8 feet.����ʡā � Oh, it's a little 6 footer, kinda.��5C�u���>����� Yeah, maybe like 5'10".�������x Yeah, whatever.���C�u��ꠦ��� Ahh.. weak!�������� I need the tape.���C�u��9����� Yes!��������� Huh! Again.�� U������ Finish him!�� �C�u��T ����� Give me my second spear.��l�����V Awesome.���C�u��k������ Everything he did, he did it..�� ?����� � um, to his utmost ability.�� �C�u@���:����� He never, uh, half-assed anything.�� ������ b He saw what he wanted��������� and he went and he took it.�� �C�u���>����� ♪��-�C�u���@����� Bang.�������� Bang, bang.�� �C�u@���R����� We never needed to join the military but, like,�� ����� � we were, uh, playing Airsoft,��)C�u@��e����� kind of like paintball or whatever.��J������ We tried to make it as realistic as possible,�� k������ I guess, so we were trying to wear accurate���C�u@��(����� uniforms and trying to do, you know,��Р����6 military type movements and military type things.�� k����� And for me, and I think for him too,�� C�u@��;������ it was just a natural progression of��J������ I like the military, I like guns,��Ơ����� I like, you know, that type of thing.��C�u��Q����� So, like, I would like to progress from��U������ playing it to being it.�� �C�u@��f̠���� David: I can't ever remember deciding�� J����� � to join the army..��Ѡ����� but of course we were all inundated��UC�u@��o����� with the whole glory aspect of it,��񠿡��W having seen Black Hawk Down which came out��4������ around the time that we were in tenth grade.��VC�u@�������� And so at some point it became obvious to us�� J����� � that we were joining the military.�� ?C�u���q����� [helicopter whirring]��T������ This is fun.���C�u�������� [gunfire]��0C�u@��޶����� I served in Ramadi, Iraq in 2006�� `����� � and, um, I witnessed directly��������� what we're doing there -���C�u@��������� the good and the bad.�������� This.. put it in the water.��������� Dude, you drank it all, you drank it all.��C�u@�� ������ Give it to the boy right there.��a������ Put this in the water, dude.�� �����K 9/11 obviously generated a lot of emotion.�� �C�u@�(����� You see 3,000 of your fellow Americans�� >����� � incinerated and you think "that sucks"�� >C�u@��A`����� so when they say we need to go to Iraq��Š����+ because of this..��K����� � you're going to Iraq, buddy.��C�u@��cɠ���� I've seen people shot in the head.�������� I've seen people killed.������� � I've seen people blown up.��Ѡ����� Um, I've been in combat. I've shot people.���C�u@��|Ϡ���� I know how combat goes.��������� You die like animals. We die like animals.��4������ You bleed out and then you leave a corpse��VC�u���$����� that looks surprised.�������n And that's just how it is.��5C�u@�����¡�� And I witnessed directly how the mentality of the�� 4����� � American soldier is being used and directly�� �C�u���S����� how the mentality of the American public�� J����� � is being used.���C�u@���@����� I mean, when you follow a flag��l������ you're gonna be manipulated.��5����� m It's not like following a person�� �C�u@�������� or following an idea.�������� You're following a country and whatever��Р���� L that country says to follow you're gonna do.�� (C�u@��)����� It is morally reprehensible��栺���M what we're doing in the Middle East.��������@ And if you don't f king understand that yet,���C�u@��A\����� you need to open your eyes because��Š����+ you are a slave to the most insidious��w����� global agenda mankind has ever known��C�u@��Yݠ���� and you are directly responsible for that.�� ۠���� A At some point you've got to realize that��C�u��n������ you're just a dog jumping through hoops��*������ for the government.��C�u��������� [gunshots]�������� Ow.�������x [gunshots]���C�u���,����� ♪��& C�u@������ David called me and said "Hey, I met this girl�� `����� � and, um, we're getting married".�� �C�u�� X����� I'm like "What?" He goes "Yeah,�� ������  we're getting married in two weeks".�� `C�u@��2����� I said "I heard you were seeing somebody��V������ for a couple of months, but wow".�� (�����K David, would you have this woman, Komel,��C�u@��9꠸��� to be your lawfully wedded wife?��*������ David: I do.��栺���� Will you love, honor and keep her��5C�u@��Na����� in sickness and in health and forsaking all others��a�š��� keep you only unto her so long as you both shall live?�� �����? I will.���C�u��g������ ♪�� Whatcha looking at?��C�u@��WT����� Um, this one.���¡��y Are you gonna kill?��w�����V No, I'm not.��m�š��) You're not gonna kill? Why?��)C�u@��r ����� 'Cause I'm not gonna kill him.��w�ǡ��� Well, that's nice, that's good.��?������ He's a baby.���C�u@��������� Ugly baby.��5�Ρȁ� And we definitely don't kill babies, do we?�������� � No.��Ơ����� When I was a baby did anybody-��C�u@���ᠽ��� when I was a baby, we don't kill my baby?�� 4�ɡÁ � Nope. That's why you're still alive�� �C�u@���ҠˡŁ and it's your fourth birthday tomorrow.��Р����6 When I was a baby.. we don't kill my-��Р����l when I was a baby..��aC�u@�������� and then you don't kill me when I was a baby?�� ?�á�� � Nope. No one killed you.���á�� We couldn't pull it off.��C�u��� ����� ♪���C�u@�������� If a character has a desire that means��格���L he often has a competing internal desire�� ?������ which often comes from a past trauma that�� �C�u@��5Ѡ���� usually is explained at the midpoint.�������n It becomes very scientific and very��۠���� � methodical but that doesn't mean�������) it's any easier to create.��aC�u@��O������ So I'll have certain colors that represent��a������ when the character will acknowledge��w������ his inner trauma.��aC�u��f,����� ♪��>KC�u@���٠���� David: Gray State is shot everywhere��Š����+ but mostly it's shot in a studio.�������� K But you'd never know looking at the footage.��C�u@��ݐ����� All this buzz that people have��栺���L for Gray State.. we didn't start it.��Š����w This story is- I mean, the farther down you go,���C�u@��������� this story becomes bigger�������� and it involves more people.��۠���� � It involves generations and generations of��VC�u@��o����� Americans and everyone else playing their part��U������ leading up to this moment.��砹��� So, yes, I mean, once you begin to��aC�u@��+>����� connect these dots there's no way�������y you can't tell a story about it.�� Š����� He was introduced to the idea.�� �C�u@��E ����� It started out as a fun little fantasy,�� Ϡ���� 5 and then I think it kind of snowballed��������J and got bigger than he had imagined it would.�� C�u@��eĠ���� David: Okay, Mitch.�������� -Yeah.��)����� David: Go to mark down?��򠵡�� l Mitch Heil: He had a very��C�u@��y������ "take control" personality.���¡��n And I think I almost got like, submissive of it.�� 栽���� After I had seen the results I'm like,��)C�u@�����š�� "Well, I didn't agree with you, but holy [bleep],��񠾡��W this looks good so I'm gonna go with it."�� wC�u@���2����� Okay, I'm gonna be frank.��砶���M This is a public execution.�������� � Gunshot to the back of the head: who wants it?��������� Woman: Gunshot to the back of the head.���C�u@���N����� Going once.. going twice..��V������ [laughter] three times - sold!�������@ Yes, I want to get killed.��JC�u@���2����� So this was, um..�������n in the trailer this would have been��?����� preparing for one of the execution scenes where��C�u��������� one of the militia people basically��򠹡��X executes four people in a row.�� C�u@�� ������ So we were prepping for that spot.��������� Interviewer: Didn't it strike you��@������ as kind of creepy?���C�u��#%����� Yeah. Very creepy.������� It's like this. Yeah.��lC�u@��=����� You could even give a little bit of a��ܠ����B ..cock it if you want.��@����� � Just bang, bang, bang, and even like-���C�u@��Q(����� don't even walk up to the fourth guy,��������c just kind of do it from a distance. Bang.��格��� � Okay, just listen for the pop, guys,��@C�u@��e}����� and it's gotta be instant.�������� And guys, this is the grossest thing��V������ about this movie, is that it..��aC�u��{ ����� it comes home like this, all right?��������� Here we go. Here we go.���C�u���2����� Adam, first mark.��Р����7 Cameras rolling...�� J������ Action.��wC�u@��������� Here it comes, guys. Breathing.. breathing.��������� Here it comes.�������� � [pop, pop, pop, pop]�� �C�u�������� Good. Cut.�� w����� � [clapping]�� �C�u@�������� That's gross..��A������ that's just gross, you guys.��۠���� � Adam Shambour: We'd spent days and hours�� �C�u@���B����� with each other.�������� That's kind of how we became the little�������� band of brothers, or the "Crowlean Knights"�� JC�u@�������� as I would call it.�������� Adam, do you know what's going on?��������  Absolutely not. I just listen to you.��lC�u@��젺��� We only hire the finest people here.��񠸡��X David: Hey, Adam, you ready?��?������ I never felt like David was���C�u@��.ݠ���� necessarily the alpha dog.��?�¡��� It was more of David was the type of person that�� ������� would literally give his shirt for you,���C�u@��H������ right off his back for you.��K������ Anyone who's not packing should be.��l������ He turned into a pitbull when he was directing�� >C�u@��dҠ���� but set that aside..��a������ I mean, he's a sweetheart.��۠���� David: Awesome.��KC�u@��y������ Adam: What do we do next?�������� Oh, yeah. You're my AD, okay?��񠜡��� -Okay.��C�u@����¡�� So if it's gonna be down to a situation where we��������� get the cameras over here and-��򠽡��V I think Komel's role with Gray State is�� ?C�u@���ܠ���� she was literally David's cheerleader.�� 4����� � Like just always there at his beck and call,�� kC�u@���G����� night and day, to get this project pushed�� (����� � and done, you know, because David's success�� C�u@���C����� would ultimately mean their success.�������� David: We have to like him,�������� otherwise we do not care.��l�����l And when he comes in at the end, like,���C�u@��������� "oh, that guy again".�������N Komel: I don't think you're supposed to care.��`�����  It's not about him.��Š����@ Tried to save Kelly and then he throws this��)C�u@��}����� beautiful funeral for this girl��w������ which I like. And, you know,�� `������ there's just something mysterious about him��4C�u@�������� and I'd like to leave it there.��5������ I don't want to know him yet��砽��� � 'cause I'm trying to figure Daniel out.�������� Cory Zurowski: Komel still is a mystery.���C�u��3����� I mean, the vibe that I always got��T������ was free thinking, independent woman.�� lC�u��O������ [gunshots]��J������ So the idea that she somehow becomes a puppet���C�u��f������ of her husband just.. that's the question�� ?����� � that's still there, right?���C�u���o����� Komel was definitely intelligent.��������� She was definitely very good at anything�� �C�u@��������� that she put her mind to.�������y But I think what made her so good was that she�� �C�u@���r����� was intelligent but also extremely passionate.�� ������V David: Come on, baby. Get it.���C�u��� ����� I'm gonna run with you.��������� She was easy to talk to and was a quick thinker�� �C�u@��啠���� when you would ask her questions.�������L She was intellectually curious and jumped on�� w�����) whatever she thought she should be pursuing.��iC�u@�� ������ If it was the Paleo diet,��Ơ����, she was all on board with that.��a����� � They named their dog "Paleo".��C�u�� !����� You know, I think she was trying to��w������ find her place.���C�u@�� Cm����� I just wish I could watch it�������� b rather than read.�������� That's what I hated about it.�� �C�u@�� ];����� And I hope you make it better than��K������ what I'm imagining.������� You will.��?������ Cory Zurowski: So David Crowley��5C�u@�� u������ bucks all convention.��l������ He self-funds a trailer for a movie�� k������ that doesn't exist.���C�u@�� �3����� He's gonna use that trailer as a��������� marketing tool to get money to pay himself�� l������ in order so he can write the script.���C�u@�� �.����� Then he's gonna take that script,��������� take it to Hollywood, get 30 million bucks�� Ġ����) to make the movie that he wants to make.�� �C�u@�� �a����� It's an improbable dream.��񠻡��W I mean, it's a guy in Apple Valley.��Р����� He's unemployed, he's got a young family�� kC�u@�� ������� and he's doing it in reverse order.��ڠ���� A I don't believe that even he could have�� ?������ foresaw how successful that was gonna be.�� �C�u�� �Ġ���� ♪���C�u@��!Ԡ���� Rani: Watch this, Daddy.�������� David: Okay, uh, parents, parents..��l������ Once we get everyone together...���C�u��!0砢��� [kids laughing]�������� You know how the police typically��VC�u��!H������ view us "peasants" in situations where�� Ϡ����5 they get to use their weapons.��C�u@��!_o����� They have no regard for your rights, okay?��w������ So what's going to happen,���¡��V this is a 3:00 AM raid, okay, you're all asleep,�� �C�u@��!w������ so you're all in your pajamas.��5������ If you feel like you're warm enough,�������� � I want you barefoot.�������� You're getting pulled out of your bed in the���C�u@��!�렾��� middle of the night by these armed goons.��������� They're gonna take you up,��)����� x gonna force you to the ground-�������� He's basically telling all these little kids���C�u@��!������ that we're essentially going to, uh, you know,�� ڠ���� @ rip you out of this house, and..��wC�u@��!�0����� David: Okay, so listen up.��������! I'm gonna instruct my squad leaders�������� if it gets too scary, too intense..�������� the safety word is "banana", okay?���C�u@��!�B����� [laughter]��)������ So you can scream "don't hurt me",��)�����  "stop hurting me", and stuff�������� and they're not going to listen.���C�u��!������ Say "banana".. they'll stop.�� Š���� Funny...��5C�u��"������ he could even get kids to do what he wanted.��堠���K And action.��)C�u��"bΠ���� Cut.��ܠ����B That was it. Great job.��K����� � [applause]���C�u@��"������� Komel: Hey, what does "dangerous" mean?��a������ Danger means scary monster,�� ������� that's what dangerous means.���C�u@��"������� When you push the red one then the monster's�� Ġ���� * gonna get you and they're bloody.���C�u��"������� [Komel laughing]�� ?����� � No, no, when you're a little girl and then,�� ?C�u��"� ����� and then you get a owie right here.�� ����� x David: Bloody monster's coming.���C�u@�"� ���� It's gonna get mommy Komel.�� 𠿡��V And then, and then when she's a little girl�� �C�u��"�C����� and then she got blood on her face��v������ and then monster's gonna get her�� �C�u@��#4����� when she's a little girl.�� ����� � [whispering: and then she got blood��砼���� on her ears and now on her earrings.�� �C�u@��#)������ And then she-�� Ġ���� * Komel: Look at all her dramatic effects.��w����� And then.. and then you got bloody.�� `C�u@��#IĠ���� Komel: She really thinks about these things.�� ����� n And then she got blood everywhere��������l and then this room.. and this room is bloody.���C�u@��#n!�¡�� And then this room was a floor and lots of bloody��堺���K and then the red man's gonna get you�� �C�u@��#������� and where are you..�������n and he's gonna get [whispering]:�� ������� everyone when you're a little girl.�� ?C�u@��#�*����� Yeah, I mean, okay. Let's face it.��V������ You can.. I mean, you know there's a��)�����K "redrum, redrum" quality to it��aC�u@��#�<����� that's like The Shining, right?��Š����+ A premonition, that the girl is prescient.�� U������ I mean, the way she's talking about this stuff���C�u��#�,����� is scary, but she has been exposed�� k����� � enough to some very dark things��C�u@��#�v����� that this is what she knows and this is what�� ������ b a little girl is now talking about.��wC�u��$������ I mean, [bleep]. She's five years old.�������� b [ominous music]��C�u��$a������ Male voice: Oh! that was great.�� 𠷡�� V David: Oh, ho, ho.. very nice.���C�u��$������� Who wants to watch?��m������ -We all do.��C�u@��$������� You know, we're morally adrift.�������� We have no common goals.��V����� � We're just a bunch of individuals��������� in a collective state��*C�u@��$�ՠ���� and we don't support each other.�������� So once I identified that�������� � I'm like "that's my villain".��������� And so a person watching this film���C�u@��$₠���� could be like..��砼���M they subconsciously recognize that this�� ������V scene is where there's supposed to be a meeting��C�u��$�Q����� between the hero and the villain.�� )C�u��%5F����� [ominous music]���C�u@��%_������ [applause]�� k����� � David: Thank you very much.��������� This is a marketing promotional tool.�� lC�u@��%{D����� Now that the gates have been lifted,�� ������ � the veil has been breached, as it were..�� �C�u��%������� um, we are ready to go.��������� [applause and cheering]��~C�u@��%�p����� I think, for us, shooting the concept�������y trailer, raising the money that we did,��������� setting the goal and crushing the goal���C�u@��%�?����� that we set for it.. um,��������c back then we thought it was totally feasible��a����� * to do what we were going to do.��lC�u@�%�;����� We're very, very fortunate to have the�� ����� � crew from "Gray State" here today.�� UC�u@��%�z����� [cheering]�������� I think the fans had a great expectation��������* of David.��KC�u��& U����� I think they saw The Gray State as��)������ the potential voice for this message�� kC�u@��&!������ and this story to be told.��Р����6 This is David Crowley,��Ѡ���� m the brains behind the madness.��lC�u@��&6������ These guys are working very hard��)������ to put out this incredible film.��l�����a Big time stuff.��KC�u@��&K����� So to hold David to that standard of excellence��u������ - that he set himself up for -��VC�u@��&e������ this amazing concept trailer that he�������n put together and this movement of videos��Š����� and social media and press attention...�� kC�u��&����� they expected an incredible movie.�������� David: Obviously the things that we're���C�u@��&�|����� showing, the things that we're saying��Š����+ are appealing to people and������� � it's making it a very popular idea.���C�u@��&������ So this project started as sort of,��������� like, what am I gonna do this spring?�������a But it's developed into this beast�� �C�u@��&͠����� that we can't even keep up with.��Š����+ Cory Zurowski: So in the fall of 2012�� J������ the trailer comes out��5C�u@��&������ and it very quickly just explodes online.�� k����� � He becomes a YouTube sensation;�������U it's shared everywhere on social media -�� �C�u@��'t����� Facebook, Twitter, whatever it may be -��@������ and conspiracy theorists believe that�������� � this guy is perhaps the messenger.��C�u@��'������ David: it's a near collapse of society��۠����B under Marshall Law.������� � Cory: They've ordained him in some special way��������� and they're wanting him to deliver.��VC�u@��'S������ [voice of Alex Jones]����Ρȁ Google, Yahoo.. they all admit for three years�� l�ˡŁ� they are censoring for Communist China.�� �C�u@��'o������ You understand?��V�ɡÁ� Now they're doing it on a mass scale��Р̡Ɓ � in the US, England, Canada and Europe.���C�u@��'���ʡā Are we gonna put up with Communist����á��� Chinese style, or worse,���š��@ censorship of the sites?�� ?C�u@��'������� It's happening!�� �����o No! Not gonna do it!����͡ǁ � ComCast, Time-Warner, others are doing it��Р���� right here in Texas;���C�u@��'���ǡ�� ComCast is doing it in New York.��ܠǡ��B Other major, uh, the two major-��w�����  That's what I've been saying!���C�u@��'�(����� Hey, Alex, good to talk to you again.��������� I'm David Crowley, I'm the writer and director�������� L of Gray State.�������� Ah, what will happen in the film is-���C�u@��'�/����� the reason we call it "Gray State",�������� one of the reasons is that��򠶡�� x it's a division of reality.��K�����) So we have people who are living in the���C�u@��(x����� Alex Jones world who know what's going on,�������� and the people who simply don't.��������x My role in this whole thing was not just���C�u@��(1נ���� be there and assist David with whatever he wanted,��Р����6 because he knew he already had��V����� � my commitment, but I was of course�������k David's personal Rolodex.���C�u@��(K������ I'd been doing the work in the trenches��������� with the revolution for years�������� and I so I knew everybody already.���C�u@��(b������ What camera do you want me to look at?��򠼡��X David: Look at- you're talking to Sean.������� � Talk to Sean.��������� Okay. I got it, guys.���C�u@��(�Ѡ���� We see a giant arms race�� ����� n against the American people.��������V But not just here in the United States,���C�u@��(�<����� worldwide.��Ơ����, We see the globalists building��Ѡ���� c a giant police state control grid��������m and calling themselves technocrats.�� �C�u@��(������� A technocrat is a group of dictators�� ������ � who use technology to control people.�� UC�u@��(�_����� We are already beginning to fall��栱���M to the gray state.��v�����) We will not bow! We will not bow!�� �C�u@��(򜠼��� Alex Jones: This fight is for the future�� k����� � of humanity and we are in the fight��l������ and it's now time for humanity to���C�u@��) (����� restore the republic and restore freedom�������� b and the Bill of Rights and Constitution.��4������ It's just that simple.��C�u@��)$������ David: I don't want to take up��l������ too much of your time but can we have������� L verbal consent to use this footage?��V����� Yeah, you can use this, go ahead.��aC�u��);x����� David: Your name?�������z I'm Alex Jones.��C�u@��)O͠���� Sean Wright: There was already this movement�������� that was right at its peak when David was�� `������ coming along with the Gray State project.���C�u@��)k������ So it wasn't corralling.�������� There was already a big audience.��a����� � And then the rest of the audience came���C�u��)�k����� once they saw what was being put out.�� k����� � Has anyone heard of Gray State?��VC�u@��)������� Crowd: Yeah!�� ����� m The film explores trends like RFID,��砶���� VIO and nano technology.��?C�u@��)�X����� These represent the fusion of�������� authoritarian control and human flesh.��U����� � And these trends are no longer science fiction.�� JC�u@��)�ؠ���� Cory Zurowski: David Crowley is the warrior,��۠���� B right... he's the warrior, though,��������* that is the artist.���C�u@��)�D����� And, in that, they see a guy who can be�� J����� � a leader of this movement.��������� He's the guy that's going to take it beyond���C�u@��)�4����� just chat rooms to a bigger discussion.�� ������ And while I make no claim that my efforts��)������ as an artist best exemplify the thoughts���C�u@��* 젽��� and feelings of every person in this room,��Š����+ I do assert that, as far as expressions of��V������ freedom go, this is one we can all get behind.�� �C�u@��*(Ѡ���� And through our united effort we can�������� keep this film in the fiction section.�������� Thank you.���C�u@��*=��� [applause]�� a����� � Once you get into this information��J�����w there really is no end to it.���C�u@��*T{����� It just leads into the next conspiracy..��������� the next conspiracy.��w����� � For example, you wanna ask why��������( veterans are on the watch list.��VC�u@��*m`����� Now this is coming out - police agencies�������m are being trained to watch veterans.��5����� So, uh, veterans, gun owners, patriots,��_C�u@��*�-����� these sort of people who are independent��V������ of the system, or can be..����¡��� are they really a threat to the new world order?�� C�u@��*�k����� You're f king right they are;��������c that's why they're being targeted.��������a I guess I'm rambling, I got nothing.���C�u��*�ᠳ��� What's the next thing?���C�u@��*�󠻡�� Joe Seaton: I think he had an element��������c of paranoia to him.��x����� A Like, whatever you told him��������� it's just he wasn't trusting it.��kC�u@��*������� He had gone through this transformation�� ������ on that deployment.��4������ You know, it shocks the system and you start���C�u��+������ looking at the world differently.�� vC�u@��+:������ Hey, guys, David Crowley from the�������y Gray State project.��򠿡�� � Tonight I'm going to be shooting a little bit��������4 for the documentary "Gray State: The Rise".���C�u@��+S񠼡�� It's something that I've been picturing��������c for the awakening moment - that is,��4������ the eyes opening to appreciate the truth��IC�u@��+v������ about our surroundings and our reality.��������� [Rani murmuring]��)������ Shh.. Shh..�� lC�u@��+������� So I'm using my wife Komel�� v����� � as the main subject.��砾���) She ends up being in most of my projects.�� UC�u@��+�࠻��� Should I look at her at all, like..�������x -No.�� ����� � Oh, I'm so concerned..�������U fear for your life.���C�u��+�l����� Joe Seaton: He always had to be in control�� 𠷡��V of everything, every variable.�� �C�u@��+������� Uh, and there was no..�������� there was no collaborating with him.��?����� � That was the problem, so..���C�u@��+�頹��� I think I should lean into her.��������� Moms do that -��Ѡ����  like, holding their child closer.��������? David: It looks a bit clichéd and stupid.�� �C�u��,&����� Do you want to hit "play"?��������� [Rani crying]���C�u@��,6����� I never saw them argue.��Ѡ����7 I never saw anything like that.��栿��� � Um, they had a bad spell back, uh, in 2013.��&C�u@��,V%����� I think David was on the road so much��������� in doing this Gray State stuff,��@������ I think Komel felt she was holding�� C�u@��,nA����� the family together financially and��K������ filling in while David was gone so much that,�� ������� um, they had a rough spot for a while.�� �C�u@��,�נ���� Did you guys have a surprise at school?�� ?����� � 'Cause that's what the paper said.���C�u@��,������� Komel and I both worked in a clinic��)������ where we saw clients with eating disorders.�� ?�����5 The business that we created together���C�u@��,������� was for nutrition around people with�� ����� x autoimmune diseases.�������� I would say Komel and David were definitely�� wC�u@��,�d����� both at a point in their life that��U������ I think they both had pretty strong passions��۠����� for separate things.���C�u@��,�_����� Komel the nutrition, David more the film.�� ������ � She did not have many other friends�� �C�u��-������ outside of myself.�� 񠽡�� W She made a lot of comments that she would�� lC�u@��-%Ơ���� have loved to have more friends and that�� ����� � she was looking for ways to do so.��V�����? It was just kind of,���C�u@��-=<����� "Oh, David is a little different, so, you know,�� ����� � it just doesn't work out".��?�����) But I could tell she was always very disappointed.�� �C�u@��-\Ơ���� Susan Houghton: Komel's behavior didn't add up.��Р����7 He was involved in everything��������� and she always made it seem like�� �C�u@��-xh����� it's exactly what she wanted.��4������ Alright, Rani. Say "hi, mommy".�� ?�����? -Hi mommy.���C�u@�-������� Okay, now we're gonna do this spin, okay?��������� Okay, let's spin. Ready, set, go!���C�u��-������� Ahh! So spinny!�������� [Rani babbling]��C�u@��-�9����� I think you don't like it��4������ as much as last time, huh?��򠣡�� � -It's fun, Daddy.��x������ You like it? Is it fun?�� JC�u��-޹����� -Whoa!�� `����� � [screaming and laughing]���C�u��-�}����� ♪���C�u@��.𠻡�� Cory Zurowski: So less than two years��Р����6 after the trailer comes out he's made his way�������� to Hollywood, he has script in hand,��VC�u@��.3P����� he makes contacts with legitimate��Р����6 Hollywood insiders who believe��������) and tell David that they're going to�� UC�u��.O4����� go out there and raise the money��@������ for a 30 million dollar movie.�� �C�u@��.�'����� The way I would pitch this thing is�������� America's finally had enough.��J������ It's the population of this country has had�� �C�u@��.������ enough of the corrupt government��a������ and they make a stand.��a����� � I think to this day there's still a built-in��@C�u��.�K����� audience for a film like this.�� ������  David did a phenomenal job�� �C�u@��.�]����� grass rooting this project.�� ������  You know, we see all that from our aspect��J������ and everything that David put into this��C�u@��.������� was phenomenal in our eyes��������� just because of how this thing grew.�� ������� It took on its own legs and��5C�u��/ ����� grew and grew and grew and grew.��Р����6 ♪��~C�u@��/46����� Mike Boggio: So this is our June 29th meeting.��������  We're sitting at a pub on Sunset Blvd�������� in Hollywood.���C�u@��/J=����� We all did a celebratory shot�������n to conduct new business.��J����� David was very laid back, very, very calm,�� ?C�u@��/c����� uh, in that meeting.��a������ It was just very, very, very professional.��۠���� Interviewer: No sense of just, you know,���C�u@��/|(����� he was hitting his lines, or..?��������� No, I never got that impression at all.��@����� � If he was acting, he was one of the best actors�������� I've ever seen.��C�u@��/������� Yeah, I was just going to say the same thing.�� )����� � David: [bleep] pen.��Р����� [bleep], pen, pen, we hate you.�� 3C�u��/������ Uh, Mikes meeting two: the outline.��C�u@��/�}����� Projecting power, confidence.��������� Talk fast. Talk fast, easy and project.�� ?������ [sigh]���C�u@��/�y����� Komel's right. Komel's right.��a������ You're wearing something black.��۠���� You gotta show some arm veins.�������� A watch on the left wrist,�� C�u@��/���� bracelets on the right.�������� Uh, a necklace that's long enough�������� x to be tucked in.���¡��� Nothing too flashy, just enough to indicate that���C�u@��0������ you're confident with your personality.�������� I'm not a fleece, you know.�� ������ I'm not just a quick fleece.�� ?C�u@��0.������ You're talking to me because�� ?����� � this is my project.��򠶡��� That transition's weak. Um..���C�u@��0H렾��� I had 4,000- first of all, I had 4,000 fans�� ����� m before there was even a concept trailer��V�����) and I dropped it to those people and it���C�u@��0c?����� ballooned to 32,000 that you see today.�� )����� � These are the proverbial��K�����@ fish in a barrel that every time you say��KC�u@��0z0����� "new world order" they get out their wallets.�� Ġ���� * So, uh, how are the rewrites?��jC�u@��0�+����� This will probably start it.�������� How are the rewrites?�������� First thing you're going to do is��JC�u@��0�t����� see what they do to each other.��)������ Do they look at each other?��4����� * Are they measuring me right now?���C�u��0�ɠ���� Mike, I see one producer,��v������ just one producer credit on your IMBd.��lC�u@��0�w����� This tells me that this is either��4������ MEG's first production or��l�����l you guys have something else in mind.��C�u@��0�\����� Remember, you're achieving a dominant��������� position by matching their..��)������ matching their experience���C�u��1+����� with your enthusiasm.��*������ So let them answer, but you're..�� �C�u��1����� wrap up now.��a������ Here's the sunset on your beautiful day with�� _C�u��1-������ your partnership with the Mikes.�� C�u@��1Hb����� Ha!�������� It's hard to- it's hard to express it.��w������ I'm.. I'm.. I got chills, actually.��tC�u@��1l:����� It's the most divisive bull[bleep]�������y I've ever heard in my life.������� � That's not the David who I met.�� (C�u@��1������� -Not at all.��Š����+ This is manipulative and this is psychotic.��l������ -Yeah.��砿���J I'm very.. I'm very insulted by it because���C�u@��1�E����� what he's doing, he's taking an��Š����+ adversarial position towards us�������� and playing us for chumps from day one.���C�u@��1�K����� And yet from day one it was a collaboration�� U����� � and a collaborative effort for the project.���C�u@��1�&����� This is the complete opposite of that.�� Ġ¡�� * This is "I am, you know, controlling the project.���C�u@��1賠���� I'm going to work out exactly what words��������  to say to elicit what response".�� ������ This is.. craziness.���C�u@��2ᠻ��� David: I don't even have to write it.��򠸡��X I just have to have the idea��򠺡�� � and people will start to do things.���C�u@��2.������ And I will make money off of it [laughs].��2������ Because this thing exists in my head.�� ?C�u@��2I��� Whatever comes out of this-��������! this, this first deal..�������� I don't know what'll happen afterwards��@C�u@��2]������ 'cause we're creating this thing�������� that exists outside of all of us.��������� Komel: You're given this thing and told, like,���C�u@��2������ "you're David, you have a- you have a task.�� ������ � You're.. you're a God".�������� David: We've worked so hard and stuck together in-���C�u@��2������� Komel: Everything.��K������ We've stuck together through everything.�������� � David: I'm so happy I understand you better.���C�u��2������� I love.. I love the bitch in you.�� ����� m [Komel laughing]�� �C�u��2������ Passion, intensity.. you know,�� ������ � love is a lot of things and love can be-�� `C�u@��2﹠���� it can turn into hatred too.��U������ It can turn into something negative��@�����a if you put too much passion into it.�� `C�u��3!������ Adam: I just was concerned for him��堺���K because you go from hanging out with��C�u��39]����� a person religiously to getting cut off.���C�u@��3Uc�¡�� I mean, he withdrew from all of us so hard, like,�� ������ � I'd text him and it would take a couple of��wC�u@��3k'����� days for him to get back to us and it's like�������� "what's going on, man?" He's like "I'm writing.��)������ I promise I'll - dah, dah, dah, dah".��JC�u@��3�|����� And when he emerged from that,����¡�� that's when he said to all of us, like, you know,�� �C�u@��3������� "if you ever see me doing that again��V������ say something. Tell me.�� ������� 'Cause I went to a dark place.���C�u��3�r����� So if I ever go back to my dark place,��5������ please tell me".���C�u@��3�~����� Um.. this is a journal entry.��w������ "It's been a busy week writing Gray State,��������� polishing it up.��@C�u��4������ By the time you read this again��a������ this whole nightmare will be over".�� ?C�u@��4! ���� David started journaling in Day One.�� k����� � It's a program for journaling, um,��4�����k where he'd put pictures in every entry.�� aC�u@�4>������ They were random pictures, I think,�� ������ � but then he'd just journal what was���C�u��4T����� going on in his life at the time mostly.�� aC�u��4k����� He liked his dog a lot.��V������ I think his dog was one of his best friends.�� vC�u@��4�`����� May 31st of 2014 journal entry.�� (����� � "He will perform a ritual.��5�����) A prayer for wisdom, love, empathy.���C�u@��4������� These are the keys to unlock your ideal future�� )����� � and you don't have an hour to waste".�� C�u@��4������ Cory Zurowski: So he's searching, right?��ܠ����B He's a guy that is trying to bring�������� a greater truth or truths���C�u��4�֠���� or things that are hidden from us.�� J����� � He brings the spotlight to himself.�� �C�u@��4�x����� David starts to feel pressure.��Р����6 I mean, it's not just about him anymore,�� a�¡��� it's not just about what he's bringing to the table.�� �C�u��5������ He's got all these other people at the buffet��������� and they want his product.�� IC�u��5)M����� They want what he said he was going to do.���C�u@��5F�¡�� Chris Peck: David got to a point where he got so�� k�¡�� � upset with his fans that if they wrote something�� ?C�u@��5]������ negative he would ban them from the page.��w������ He didn't want to hear the negative anymore.�� �C�u@��5s������ he was like, "I'm making a movie,��򠼡��X it's gonna take time. It's not easy.��۠����� You can take it or leave it.��C�u@��5�נ���� I don't have to listen to your [bleep]".�� ������ Mitch Heil: And I think when you have�� vC�u@��5������� a target audience of that nature,�� ��¡�� they're going to respond the way they always do.��C�u@��5�H����� They're going to not believe anything.��Р����6 They're gonna dig.��������W You know, kind of like comic book movies:��vC�u@��5�|����� if you get something wrong��������b the diehard comic book fans are going to��l�����4 attack you for this or attack you for that.��KC�u@��5�a����� These people are just actually��K������ legitimately insane, though.������� That's the difference.���C�u@��6;����� Cory Zurowski: I mean, the guy's more��?������ libertarian than anything but he realizes������� that suspicions of wanting less government���C�u@��6W����� or questioning your government's motives��������� or why there's wars or why are we, you know,��U������ in Afghanistan or Iraq, like that..�� ?C�u��62������ um, it's way different than��v������ these other people who.. hate.��UC�u��6JC����� And he wasn't talking about hate.��HC�u@��6m������ August 5th, 2014.��@������ David and Komel are preparing for Raniya's�� U�����a birthday party. His quote was:���C�u@��6������� "Unveiling from the distance��������c everyone has perceived in us.�������� m Ridding ourselves of dysfunctional��lC�u��6�3����� relationships: friends, family".�� �C�u��6������ [kids laughing]��&�C�u��6�T����� Komel: Can you say "thank you?"��lC�u@��6�E����� Susan Houghton: At the birthday party�������� the only thing that stood out to me��w������ was that they weren't talking at all.�� `C�u��7 ������ She had nothing bad to say about him,�� Ġ���� * they had the closest relationship���C�u@��7t����� and I just expected that they would flirt�� ?����� � or kid around a little bit. But no,�� �C�u@��73O����� she was just really tense the whole time.�� 堺��� K Adam Shambour: I'd say it was during�� )C�u@��7K)����� Raniya's birthday party where I noticed such a�� ������ � disconnect between him and Komel��C�u��7e}����� and it was just really weird.�� ������  It wasn't like any other time��C�u@��7z����� I've ever been in that household.��������� It was stale, stagnant air.��Р����) It just was bad.��)C�u��7������ [Rani crying]��>KC�u��7������� [crying louder]��>KC�u@��8R������ This is where you see the occult influence�������n in the story.�������� b You'll see almost nothing until it spikes.�� ?C�u@��8h������ But then a hint, a hint starts to rise.�� 4����� � But if the hint is rising,��w�����w where does the hint come from?��VC�u@��8��� And have I planted it appropriately�������� in the past?������� � Am I able to see, like,��V�����@ when the bad guy's introduced,��xC�u@��8� ����� is there enough of the occult hint?��栿���L Has it been properly set up in the inciting�� (C�u��8�栻��� incident so I can ultimately bring it��򠶡��X from nowhere and create this�� �C�u@��8�h����� emotionally charged climax that's�� ������ � loaded with meaning that you didn't see coming.�� �C�u@��8������ Joe Seaton: I moved back to Minneapolis in 2014��Ϡ����5 and linked back up with David.��JC�u@��8������� He was talking to me a lot about spiritualism.��V������ At this point him and Komel had converted,�� �C�u@��9 ������ in a sense. They were no longer�������� talking about Christianity.�������� � They were talking about "om"���C�u@��9"������ and the resonance of the universe��������� and transcendental philosophy and�� �����V connecting to higher levels of consciousness�� �C�u@��9@O����� and.. whatever that was,��������� David tapped into it.��J������ David: This is just for us.���C�u@��9X����� It's August 29th.��򠺡��X Rani came home with a fever and, uh,��Š���� � you were connecting and playing...��lC�u@��9l]����� Yeah, we were painting nails��5������ and the door is right here to her room.�� J�����K I was sitting on the floor���C�u@��9������� and she was facing me.��Š����+ And I had my back towards her bed.�� J������ And then we're painting and then we both felt�� �C�u@��9�䠸��� something come through the door.��4������ David never really got into a lot of details��K�����K what was going on with Komel spiritually���C�u@��9�e����� or what would actually take place.��������� He would more propose questions of,��������� so if, um, some kind of..�� vC�u@��9������ spiritual attack - what would that look like?�� ������ � And then, "okay, cool" and as I'm going back to�� �C�u@��9�[����� painting my nails I know where her voice is�� ������ � because I've been talking to her..�������� so a voice higher than that.���C�u@��:K����� I just feel like the height was higher than��۠���� A where she was at on the bed.��ܠ����� "Do you.. do you like the song?"���C�u��:����� I just froze.�� _����� � I'm like "Rani, did you say something?"���C�u��:0꠺��� And she's quiet and I looked to see��������� if she's awake, or where it came from,���C�u@��:G۠���� she's like "What? No, I didn't say anything".�� Ġ���� * I'm like, "Did you hear that?"�������w She's like "No, mom. I didn't hear anything".���C�u��:b������ And I came out and told you.��KC�u@��:�ؠ���� Want to know what I really think?��V������ Interviewer: Yeah, absolutely.��۠���� � Okay. I think people lean on��vC�u@��:������� the supernatural when they can't understand�� 堿��� L things that they're experiencing and feeling.�� �C�u@��:�ˠ���� And it's easier to believe that they're�� 栶��� L being chased by some kind of��K������ metaphysical spirit than they're being���C�u@��:�ܠ���� chased by their own problems.����¡��� [bleep] blue helmets!���C�u@��;��ơ�� Blue helmets, easy targets.�� ����� � Cory Zurowski: After his daughter's birthday��KC�u@��;Ԡ���� party he starts just shutting down.����ġ�� The only way out.. is in.�� ��¡�� The only way out..�� C�u@��;:j�¡�� A guy who was on social media all the time, stops..�������x stops returning phone calls of the��������l very important people who he needs���C�u@��;T࠻��� in order for his dream to be realized.��Š����+ [bleep] the U.N!�������� @ And nobody really knows why.�� vC�u@��;l������ Danny Mason: So after the birthday party,�� ?����� � me and David's communication�������� became very sporadic.���C�u��;�:����� He was looking much more to be�� a����� � the sole controller of Gray State.�� �C�u@��;������ He was looking for me to sign away my rights�� ��¡�� � as being the creator and one of the actors in it,���C�u��;������ and I wouldn't budge on it.��J�����l Dan Crowley, Sr: September 8th, 2014��wC�u@��;�O����� there's a journal entry.�������n "The universe may want me to destroy������� � Danny Mason since he has given indication�� �C�u@��;⍠���� that he wants to stand in my way.�������� What a fool.��l����� � Convert him to my cause or destroy him..��VC�u@��;�;����� his next actions will decide".�� v����� � Sounds worse than it was.��������� It was just David being.. creative.��TC�u��<������ I think.�������z ♪��2,C�u@�� Go get it!��Š����, After that it was..��Р����b I would send him a text here and there,�� ?C�u@��=�j����� offhandedly, and nothing, you know,�� ������ � just didn't hear anything back.�������l And that wasn't out of the ordinary, you know,�� )C�u@��=�e����� he gets busy, he does his writing, he gets�� ?����� � buried in his work so I wasn't concerned.���C�u@�=������ I did, um, notice that he wasn't responding.��à����) Then it became more of..���C�u@��>q����� I don't want to say "pleading" but then�������n I began to think something was wrong.���C�u@��>BR����� Cory Zurowski: According to the police report,�������� Komel's sister drives 17 hours from Texas,��_C�u@��>[7����� pretty much as a desperate intervention.�� ������  Her sister's not returning phone calls,�� vC�u@��>s2����� they can't get in contact with David,��5������ and so she takes it upon herself�� ����� to drive seventeen hours from Texas��VC�u��>� ����� and show up in Apple Valley.��������� She gets to the door, rings the doorbell,�� C�u@��>������� and Komel is home and who appears in the door?��'������ It's David, who ends up telling her,��4C�u��>������� no, you can't see your sister.�� ������ � And she never does.���C�u��>ۻ����� She came in late October?��������a That's insane.��C�u@��>󕠻��� Why wouldn't you let her in the house?��4������ I mean, what possible motivation,�� `�����` what possible reason could you have���C�u��? B����� to explain that?��������� Oh, my god.��4C�u��?*t����� ♪���C�u��?X������ David: And so..��m������ the third plot twist, the third act twist.���C�u��?z{����� There has to be a little bit of��򠼡��X willingness to be killed at the end.��_C�u��?�I����� She's basically becoming a martyr.�� ������� Don't resist by taking out a gun;���C�u��?�#����� resist by letting 'em do it.��栻���U But when she dies, he lets her go,�� �C�u��?�k����� spiritually understanding that�� ����� x she got out and that he will, too.�� 4C�u@��?�M����� I remember saying to her�������� in her office one day "Komel,������� � I feel like I'm speaking to David, not you;��vC�u@��@ à���� I want to speak to Komel".��ܠ����B And her response was "Why?�� ?������ Do you think I'm not intelligent enough��UC�u@��@)e����� to come up with these things?"�� a����� � October 30th, 2014�������@ there was a journal entry.��C�u@��@D����� It said "Komel got raptured today".�� ?����� � Period.��V�����b "She's still here".���C�u��@}U����� It's, um..��*�¡��� it was hard to hear when I first listened because�� �C�u@��@������ there's some background noise in the room.��)������ I didn't realize there was anything on here.�� vC�u��@������� David: 2:48 p.m. 30-October, 2014.���C�u@��@������� I was just getting back from Home Depot with a�� ������ bunch of wood to build a compost bin,�������� had lunch with Komel and suddenly she began to�� �C�u��@�ߠ���� shake and weep and, um, howl..�� >����� � like someone had died.�� kC�u��@�T����� And, um, she sat down.�� Ġ���� * She said "This is what rapture is."��C�u@��A"������ You gotta give me some time.��Р����6 Komel: Can I just lay here?�� )������ David: Yeah.���C�u@��A:������ I was just trying to remember everything.��۠���� A Do you want to contribute��������4 and help me remember?���C�u��AQ"����� -Okay.��K����� You said you've come very far to find me..���C�u@��Ajk����� and Rani and I need to come with you��������� and there's not much time. Time is not,��������V uh.. time is not of our world and on some level�� �C�u@��A������� your soul has committed to mine and we're gonna�� `����� � go somewhere and Rani's coming with.�� C�u@��A�砾��� Komel: I was kind of skeptical, you know,��)������ trying to make sure of the source from��a�����V whence it came was real. I don't know.�� ?C�u@��A�⠻��� I-I.. my skeptical side right now,�� Š���� + my scientific side,��栿���w my brain's questioning where it came from.���C�u��A�n����� Was it something to confuse us?��l������ Am I crazy?��4C�u@��A�|����� Sid and Nancy.�������� I think what happened was Sid and Nancy.��l����� � Um, I don't mean this to speak ill of Komel,�� C�u@��B򠠡�� rest her soul.��������� I don't mean this to speak ill of David,�������� � rest his soul, and their daughter..��)������ but something was planned.��lC�u@��B=Ԡ���� Susan Houghton: I think Komel was in�������X a hopeless situation and was just pretty much��2C�u@��BTŠ���� isolated with him. No friends, no family,��j������ and I think that she was hopeless.�� �C�u@��B������� Mason Hendricks: The last time I was at his�������� house I went and brought him some lenses back,��)������ and that was in early November��C�u@��B�.����� and I remember looking at David��x������ and thinking "Wow, you look like [bleep]".�� Ġ���� Dan Crowley, Sr: November 2nd of 2014.�� �C�u@��Bɍ����� A journal entry.�������M "The world is an inverse perversion of light.�� Ϡ����� We are made of it and its weakness..���C�u��B�/����� a flashlight in the mind of Satan.�� ����� � But I am darkness".�� �C�u@��B� ����� I mean, hindsight's 20/20 but at the same���¡��l time when you're locked off from this person for�� �C�u@��Cs����� months at a time and they're not letting-�� )����� � literally cut himself off from everyone,�� �C�u@��C-C����� like deactivated his Facebook,��񠸡��W wasn't answering phone calls,��򠵡�� � wasn't doing anything,��V�����k wasn't seeing his family..��C�u@��CI'����� what do you do?��������� Sean Wright: The last time I saw him�������� K was late November.��������l I'd been over there a few times where���C�u@��Cc������ he's in the middle of something he's working on��?������ and just "whoop! Don't talk,��򠺡�� � I'll be present in a little bit.��������a Just don't disturb me, you know,��?C�u@��C|Ġ���� I need my time.��5������ Don't really need anybody unannounced".�������� � It was more of kind of putting up a wall.���C�u��C�r����� But..�� ������  Interviewer: But what?�� C�u@��C������ Just.. emotions, man.�� ������ � So.. [laughs]��l������ F k off for a second.��aC�u��C�#����� December 7th of 2014..�� ?����� � the last pictures David took on his cell phone�� �C�u��C�ܠ���� were of Komel.�� `����� � She seemed happy in the pictures���C�u��C������� and David used one of those pictures��񠸡��W on his phone as the background.�� C�u��D������ Komel was on edge, he was on edge.�� ������ He was thin, eyes were sunken in.��TC�u@��D3_����� I mean..��w������ and that's when I approached him.��砷��� * I said "You know what, David?��������J You told me to speak up whenever I noticed�� C�u@��DQ����� you start going into your dark place again".�� 3����� � I said "Danny's worried about you,������� I'm worried about you".���C�u@��Dj>����� You know, "What's going on, man?"�������� And he literally looked at me and said��K������ "You and Danny have nothing to���C�u@��D�/����� f king worry about. I'm fine".�� Ġ���� * Susan Houghton: When Komel met me��w����� around Thanksgiving she looked.. sad.���C�u@��D�T����� She looked uncomfortable.�� ����� � I didn't know what to ask her.��������� I was just trying to keep her there.���C�u��DȽ����� So..��j������ I don't want to start crying right now, though.�� @C�u��D�3����� So I don't want to talk about that anymore.�� (C�u@��D�젼��� Dan Crowley, Sr: December 19th, 2014.�� ������ � David and Komel pick up their daughter Raniya��������� from their last day of school��wC�u@��E������ before the Christmas holidays.��۠����A That was the last time they were seen by anyone�� U������ that we know.��5C�u@��E="����� Driving to his house on Christmas Eve��4������ there was a voice in my head..��U�����U I don't know if I want to talk about this.��>C�u@��E^����� So when I was driving to his house�������� on Christmas Eve I had a feeling like..�� (C�u��Etɠ���� that I needed to go to his house and..�� v����� � and just tell him that I loved him.��'C�u@��E�3����� [laughs]��������� And by the time I got close enough�������� I had talked myself out of it��KC�u��E�젽��� and I said I'll just stop by another time.�� J����� � Um.. so, yeah. I wonder.��'C�u@��E�Ӡ���� December 25th, 2014.��������� David's up early in the morning as usual�� Š���� and was planning his Gray State future.��HC�u@��F������ And he writes, uh,��������� "Christmas: 6 day countdown.�� 񠷡��J Meme: It will be a new year".�� C�u��F8m����� And he proceeded to make a plan��������� for every day until the New Year.��C�u@��FNؠ���� And he also made a plan that went�������� way beyond that.��a����� � Later that morning David kills his family��1C�u��FsV����� and then himself.��V������ [flips page]�� >C�u��F������ That's it.��aC�u��F������� David: It's an idea going throughout..��)������ like, how can life keep emerging,���C�u@��F������ how can it keep cropping up in new forms,��۠���� A especially with the way things are?��J������ But life has that sort of, uh,���C�u��F�B����� nature of resilience and persistence.��1C�u@��F�٠���� It's always popping up, even though our��Ġ����* circumstances- and it's through that,��wC�u��G࠶��� that changes are inevitable.�� 3C�u��G-������ ♪���C�u@��GJ#����� I got a call from my dad.�� ������ He asked if I was sitting down.��U������ He says "David.."�� �C�u@�GfϠ���� and I was like "oh", and then he goes "Komel",��v������ and I was like "augh".��@C�u��G|Q����� "And Rani" and I just..��tC�u@��G�+�¡�� it was, I've never been stabbed but it felt like�������� something was going into my stomach���C�u��G������� with each name and I couldn't breathe,��������� and I just thought..��C�u��G������ this is like scripted almost.��񠽡��4 Apple Valley Police recently closed their��)C�u@��G�٠���� exhaustive year-long investigation and for�� ����� n the first time we're sharing their findings��?����� with the Fox 9 Investigators.�� �C�u@��H!����� It looks like David, uh, snapped and�� `����� � took the lives of his wife and daughter�� �C�u@��H����� and then ultimately himself.��Р����6 Who wrote "Allah Akbar" on the wall?��������K He did.��C�u@��H/젡��� In her blood.��Ѡ����7 -Yes.��a������ Why did he do that?����¡��� We believe that was just kind of a parting shot.��1C�u@��Hg��¡�� Tom Lyden: David Crowley seemed like he was very�� ����� � specific in how he wanted to be perceived��������� to the outside world.��aC�u@��H�k�¡�� It was almost like David gave us this plot twist�� ����� � at the end of "Allah Akbar",�� kC�u@��H������� you know, this plot twist that��Р����7 wasn't gonna have any resolution,��J������ but that people would continue talking about.���C�u@��Hϖ����� Who walks into a house and sees "Allah Akbar"��4������ written on a wall and goes, oh, yeah..��������� David Crowley's someone who is not a Muslim;���C�u@��H������� all of a sudden now he's writing it�������� and that somehow proves that he's guilty?���C�u@�I3����� David Crowley would not write "Allah Akbar"�� ?����� � in his wife's blood on the wall���C�u��I/����� and leave a Quran open.��ܠ����B He never brought up that issue once.���C�u@��I75����� So what does it mean?�� k����� � To me it was..�������J my thinking is that it was throwing off the���C�u@��IZ������ chains of pressure - pressure from�������� c delivering this movie, pressure from��C�u@��Is������ people telling him he had to make this movie,�� ��ġ�� � pressure as a man who has to provide for his family,��>C�u��I�$����� and I think he was..��T������ emancipating himself from all of it.�� ?C�u��I������� Joe Seaton: David planned ahead.�������w David was ten steps ahead,���C�u@��I������ twelve steps ahead.��Ѡ����7 And his military training..��a����� � if it taught me the same thing��?������ I guarantee it taught him the same thing.��`C�u��I�z����� You have alternate courses of action��۠����A for every event that occurs.�� ?C�u��I������ Komel: Are you excited?��۠���� A We're up here!��������5 -Yeah.���C�u��J ������ David: You guys say "whoo!"��V������ Whoooo!��C�u@��J2������ I don't think you're missing anything.�� ������ I mean, you're coming up with a��������� good, solid time line for everything.��UC�u@��JLN����� You're interviewing all of us.��4������ The only thing you're missing is.. why?�� ������� And you're never gonna know why.��wC�u@��Jg������ I'm not, you're not..��������� Danny, everybody, family..��������K nobody's gonna know why.��4C�u��J������� That's the only thing that you're�������� not gonna have there.��lC�u@��J������� Tom Lyden: And this is the strange thing.��������� It's almost like he created a soundtrack�������l to the murder-suicide.���C�u��J������ You know, something called "Ascent".�� Ġ���� * This music probably played for hours,���C�u��J˄����� maybe days after they were dead.�� ������ Was he imagining these 53 songs��C�u��J������ as the songs that he would play�� ������ � while he's committing a murder-suicide?���C�u@��J�D����� It's hard to know.��)������ I mean, this was on a loop.��������w Who plans a soundtrack���C�u��K����� for the murder of their family?�� �C�u��K$������ I don't know... I don't know.�� 񠝡��W ♪��)�C�u@��K]<����� ♪ creeping 'round the bend ♪�� �á�� x ♪ death illuminates the lines we live within ♪��FC�u@�K�`����� ♪ like a black sunrise ♪�� ����� � ♪ reality takes shape and form ♪�� JC�u��K������� ♪ and fills the skies ♪��tC�u��K�n�ġ�� ♪ Some questions will fade, these will remain ♪��*�C�u��K�q����� ♪ are you, are you gonna fall behind? ♪��+�C�u��L ��á�� ♪ I know you lay tired in pools of tears ♪���C�u��L%������ ♪ don't fade out, it's almost here ♪��'C�u��L9������ ♪ the final hour ♪���C�u��LW������ ♪ are you, are you... ♪�� ������ � [dog barking]�� JC�u@��LnK�¡�� David: Oh, Paleo, do you need some encouragement?�� Р���� 6 What? Need a free bite?��l����� You can't even have it.���C�u@��L������� Komel: One minute in.��J������ David: One minute?�������� � Komel: Mm hm.��۠����� David: I'm gonna show this to you���C�u@��L������� at your graduation. You'll see.��������� Danny: He liked the dog more than most people.�� ������� Except for his family, he probably���C�u@��L�ؠ���� liked the dog more than every person.��w������ David: I told you, buddy. I told you.��������� Danny: Yeah, this is cute.���C�u��L� ����� I want the dog now, back.���C�u��L������� ♪ are you, are you gonna fall behind? ♪��(C�u��Md����� ♪ do you, do you feel these holes ♪���C�u��M.������ ♪ in your life? ♪��v������ ♪ do you, do you feel these holes ♪��GC�u��MW����� ♪ in your life? ♪��3������ ♪ oh-oh-oh ♪��+C�u��M������ ♪ these holes ♪��+�C�u��M�e����� ♪ are you, are you gonna fall behind? ♪��US�k � �������������� I����,���������)��>L�����4�����1����m����������1��;�������������1��{�� ����������������?����婷�������D�������꾷�������z�� Ļ����跎��������4�������������:�� ����� u�����.����J����&�����.��A�� ��������������������%��������B������+���������z�������1�����������������8�����������л���=ķ�������A��ѻ���B���������~�������G����������������J������˲������N׷��������� ����SF��������'��K����W���������s��(����h������,����V����nA�����,��@��绕��r������,��v��*����w�����,�����V����|ڷ��������V�������������:��*�����&�������q������������������򻕳����������� 滕���N�������Q��򻕳����������t����������������������������������C��ܻ����ڷ�������~��V�����������z���� ������������z��D�������e����������л���ۛ��������;�� )�����*��������_�� 4�����ķ��������w�������������(������������������������������<��K����%ŷ�������~��w����.����������������5��������A��ۻ���>F��������{�� �����HO����� G���� a����R����� G��?��滕��Yb����� G��w�� )����c���� �����l����hķ���� ���,�������n·���� ���P��V����t����� ���z��滕��{˷����!�����w�����������!���H��滕���������!������������X�����"m����������V�����"m��?�������������"�����򻕳��������"���H��񻕳��P�����"������ܻ����������#�����ۻ����ӷ����#���=��m����ʦ�����#���]��J�����W�����#������k�����)�����$r���� 3�����·����$r��>��������������$�����ۻ���������$���8������� ������%p���������$������%�����)����,F�����%���M��񻕳�4������%�����������=������&y���� U����Ix�����&y��?�� �����T������&����������c������&���C������y �����'����� ������������'���F��T�����������( ����)�����������(O����5�����������(O��=��w�����m�����(O��v��)�����������)���� (����ы�����)��F������� �����)�����������������)���A��������W�����)���~��l�����)�����*E���������(�����*E��:�������"8�����*�����5����*ӷ����*���G������1W�����*���y�������G������+w����S����Y[�����+w��G��=�����·����+����� Ļ����췎���+���=�������� �����,v����������m�����,v��C�� Ż����������,v�����ۻ����ٷ����-<����������������-<��=�������s�����-<��x��ѻ���Ȫ�����-<�����w����ч�����.2���� 𻕳��޷����.2��$��л���������.2��G��绕���a�����.�����������u�����.���D��x�����S�����.����������̷����.������򻕳�$�����/�����A����˷����/���#��V���� ������/���_�������������/������k����n�����0����������#a�����0���G�������)������0����������.������1P���������7������1P��I������>}�����1P�����򻕳�Cշ����2����绕��K"�����2��E�������P7�����2����򻕳�U������2�����a����\V�����3����x����b4�����3��C��л���jj�����3�����V����p&�����3�����ۻ���vg�����3���E������|췎���3���g��������ݷ����4~����5�����x�����4~��9�� `�����>�����4~��s�� v����������53���� ڻ����[�����53��E��滕��Ŧ�����5����� �����ϰ�����5���G�������֘�����5������K�����I�����6_����������j�����6_��<��^�����.�����6���������������6���F��j����������7h����@����'�����7h��:������!������7h��v�������'̷����7h����������/������8_��������7-�����8_��E�������=M�����8_��}��5����B跎���8_�����Ż���J�����9\���� �����T�����9\��%��5����Y������9\��c�������_������:��������f:�����:��E��x����l�����:��h��4����t������:����� ���������:���@��򻕳��w�����:���z��4����������;`����I�����������;�����������#�����;���>��������������;���w��ۻ����Ƿ����;������������*�����<�����)�����������<���:��?�����_�����<���w��������^�����=^����������F�����=^��:�� ������9�����=^��{��ۻ����z�����>���������������>��B��V�����������>��{�������4�����>����� 񻕳�������?����л���������?��>�� л���������?�����4����"������?����������)������?���B�������0������?���{��a����7J�����@����������<>�����@���%�� л���Gt�����@���[��򻕳�L̷����A'����滕��T�����A'��>�� �����_,�����A'��y��m����c������A�����a����jƷ����A���%�� л���u������A���F�� k�����ͷ����B4���������;�����B4��B��a����������B4��~��������������B�����������鷎���B���>�� ������ܷ����B���{�� ������÷����C�����л����������C���=�� �����}�����C���`��������f�����D6����������N�����D6��A��x�����,�����D6��{�������������D����������������D���C��������j�����D���~��л����������E�����4�����;�����E���;�� (���� ɷ����E���t��x����������Fh��������� �����Fh��@�� 񻕳�!a�����Fh����������)v�����G2���� �����6]�����G2��F�������<}�����G2��|��绕��Cʷ����G�����)����KY�����G���C�������Rc�����G���~�� 3����]������H����� 񻕳�iS�����H���@�������rR�����I1���� 3����}뷎���I1��B��������귎���I1��b��K�����������I�����񻕳������I���B�������v�����I���y�����������J�����4�����������J���E��������������J������U�����������KY����J�����Y�����KY��E��ܻ���ś�����KY��}��?�����A�����L����?�����淎���L��C��l����ڸ�����L����������������L�����������}�����L���E�� ������������L������ ?���� +�����M��������� ������M���=������ 4�����M���|�� ���� ������N{����@���� G�����N{��;��񻕳� '������N{��u������ -�����O1��������� 38�����O1��A��@���� 9޷����O1��~��w���� B������O����� k���� M������O���%������� \h�����PY��������� s������P�����?���� zb�����P���?��򻕳� �ķ����P�����л��� �E�����Q�������� �@�����Q9�������� �������Q9��G��)���� =�����Q9�����4���� ׷����R��������� ᷎���R��*������� %ȷ����Rl���� (���� 0V�����Rl��D�� ����� Ks�����R����� ����� Ve�����R���F��3���� d������S�����>���� t������S���F�� ����� �������T����>���� �e�����T��C�� ���� �޷����T����� >���� �������T���F�� 񻕳� �ٷ����U$��������� �������U$��C������� ������U$����� λ��� �N�����U�����)���� �ݷ����U���?��滕�� �)�����U���y��4���� �ķ����V����� ����� �������V���D�� k���� ������W6���� ����  �����W6��H�� ����� �����W����� ����� *�����W���C��l���� 1㷎���XA���� ����� =᷎���XA��;�� ����� Jȷ����X����� >���� Wl�����X���B������� ]������X���e�� k���� h^�����Yh����T���� z�����Yh��I�� `���� �޷����Y���������� �ҷ����Y���@�� 3���� ������Zr����ۻ��� �P�����Zr��3������� �������Zr�������� �!�����[ ���� 滕�� �m�����[ ��W�� 4���� ������[�����л��� �g�����\&����ܻ��� 勺����\&��D��l���� �{�����\&����� Ļ��� ������\�����4���� ?�����\���A������� _�����\���|�� 3���� !������]����� ����� -������]���E��w���� 6ӷ����^?��������� <����^?��@�� I���� j-�����^����� ?���� sҷ����^���B�� `���� �������_D��������� �������_D��<������� �[�����_����� л��� �������_���A��)���� � �����_�����ܻ��� �������`w����@���� �g�����`w��B��Ż��� ے�����`w��y��Ż��� ⽷����a4����L���� �o�����a4��'��Ż��� ䷎���a����� `���� ������a���D��l���� |�����a����������� ������bL���� Ļ��� +������bL��<������� 2ŷ����b���������� 9������b���A������� @�����b���}������� ^,�����c�������� c������c��A������� k������c��|��?���� r`�����d9����?���� y�����d9��B������� ������d9�����k���� �ַ����d��������� �������eD���� ���� ������eD��C������ �������e����� ����� ɒ�����e���;�� ����� Ԧ�����fC���� ����� ߺ�����fC��>������ �2�����f����� ϻ��� �g�����f���A�� �����������gA���� ϻ���۷����gA��C�������$����g����� �����1�����g���F��U����9˷����hN���� ڻ���F �����hN��F�� ����O������h�����л���Wŷ����h���E��_����q/�����ia����򻕳�y������ia��F��滕���ӷ����ia��~��Ż����������j"����)�����������j"��E�� ������������j"����� ����������j�����l�����뷎���j���;��л����!�����kd����w�����������kd��=��w�����۷����kd��{��4�����u�����l$���������ܖ�����l$��?�� λ����ʷ����l�����m��������l���&��ܻ����߷����l���b��������鷎���l������l�����������mm���������������mm���� �����÷����mm��]�� v����������n ����绕��$췎���n ��=��K����)������n ��v��ѻ���.Է����n �����5����4o�����n���������9跎���n���@�������C�����n�����������L'�����o�����Ż���SS�����o���G������[˷����o�����������^˷����o����������dD�����p���������l������p���C��л���t����p������ �����������qj���� k�����㷎���qj��H�� a�����������q����������ڷ����rC����l����Ƭ�����rC��G��V�����h�����rC����������෎���s���� 滕���,�����s��?��@�����ҷ����s��t�� �����?�����s����������ķ����s���D�������·����s���{��w����������t~���� �����������t~��B�����������t~��}�� ����#������uB���������3������uB��F�� 廕��=﷎���u����� ����Ig�����u���D�� `����S-�����vX����绕��Zz�����vX��B�������`ݷ����vX����� 滕��k)�����w!���� ����v������w!��E��@����}G�����w!�����������Q�����w����� �����Է����w���C�� k�����������xk����v�����������xk��>�� Ļ����������x�����l�����������y-����U����ݺ�����y-��I��������Ϸ����y-�����������2�����y����� ?�����׷����y���B�� �����෎���z�����l����������z���=������ ,�����z���_��w���� �����z������@����������{X����򻕳������{X��>��?����%������{X��u������,1�����{X�����ۻ���5r�����|Q����ۻ���;������|Q��?�������C������|Q��{�������M �����} ���������U�����} ��E�� ?����^÷����} ����5����h̷����}�����廕��� �����}�����#/�����������~����λ����鷎���~N���������b�����~N��A�� J����������~����������������~���G�� �����q�����N���������鷎���N��C�� �����m�����N����� 4���� ��������� Ļ���1�������F��R����1鷎��񂀣����û���B����񂀣��/��㻕��n ����������>����}ķ�������F��л����������y����������㷎���y��$�� �����P���������� ������Y��������@�� 滕���������U���� ������ķ����U��A�� ������·���������仕��� ��������=�� ?����㱷����j���������ꚷ����j��0�������񣷎���j��e��5�����>�����!��������������!��;�������귎��񂄋��������������񂄋��-�������9���������������>��������+�� U����I���������M�� 滕��T �����Z����l����ea�����Z��;�������k����������� ?����u&��������@�� ������:�����>���� ������������>��B��������������>��w�� Ż����>����������-������@���������������U�������$�� ������R�����g���� �����ַ����g��G��)����e����������J���� ��������B�� k����緎���������ۻ���(����񂈸����л���%^����񂈸��A�� k����00����񂈸����� ����;�����񂉀����J����CX����񂉀��A��ƻ���J�����񂉀��}������Q�����@����U����Yķ����@��C�� �����f̷���񂊿���� J����q|����񂊿��B��ѻ���v�����񂊿��w��U����o�����y����񻕳��Ʒ����y��@��4�����`�����y�����V����������@���� J�����̷����@��E�� ?�����q����������T�����+��������,�����������������0����޶�����C���� `�����|�����C��?��������d�����C��y������������������������ ��������;���������������s������ �����񂎱����a����S����񂎱��@�� ����׷���񂎱��z�� ڻ���(�����r���� >����4������r��B�� >����A`����������Ż���H���������B��K����M<��������g������cɷ���񂐜���������k޷���񂐜��@������pL����񂐜��x��ѻ���u�����񂐜�����滕��|Ϸ���񂑔����������η���񂑔��<��4�����h����񂑔��{��V�����$�����U���������������U��,��5����������񂒽���� 4�����J����񂒽��I�� ������S�����L���� J����������L��E��绕���@����񂓸����l���������񂓸��>��5����������񂓸��v�� �����������p���������̷����p��;��л��������p��z�� (����)�����0����滕��0k�����0��=�������8^�����0��y�������A\����������Ż���H���������@��w����Qd��������~������Yݷ���񂖯���� ۻ���f����񂖯��D������n������9����*����v&�����9��C������������񂗧���������������񂗧��%�����������񂗧��C��ػ����,���������& ��������8���� `�����e�����8��H�� ����� X���������� �����l��������@�� `����2�����A����V����'���A��E�� (����2}�����A���������9귎�������*����Az�������?��滕��HƷ������`��5����Na����񂚧����a����U(����񂚧��H�� ����`�����񂚧�����绕��g������\������ܻ����s����񂡮��w��V�����/�����d����������O�����d��?��4�����鷎���d�����򻕳��A���������5�����3�����9��������������9��G������� �����񂣺����3����M����񂣺��F��ﻕ��-������E���� l����8t�����E��C�������>s�����E��~�������Mp��������������U��������E��x����[b�������c��a����b)����񂥪����ܻ���hk����񂥪��<��񻕳�p·���񂥪��{�� (����~P�����i����������������i��D��V�����o�����i��y��������b�����#����V����������#��$��������?�����#��Z�� ������&����������V�����뷎������&��������)�����2���������������2��A�� �����������2��e�� Ļ����/���������� �������������@�� v����������Z��������������Z��C�������%�����Z����������,���������l����3෎�����D��V����9��������}������B����������T����PϷ�������D������WT�����p��������_ͷ����p��(��w����e������p��l��m����j}�����p�����)����r �����J����w����z鷎���J��>��?�����������J����������������������5�����(��������.��������=��������~��ƻ����i����������������᷎�������� 4�����{��������D�� 񻕳��ҷ����h����л���������h��R��л����>�����h�����a����������#���� ?����٪�����#��F�������$�����#���������� ���������������������"����滕��෎���"��B�� ?����(������"����� 滕��5ѷ�������������=?��������C��ۻ���C���������������H������������a����O�����������a����V���������D��w����_e�����������a����f,����񂲊����>K�����ٷ���񂲳����Ż��������񂲳��C��������$����񂲳��~������ݐ�����w����滕���ܷ����w��@��Ż���������w��|��������������<��������r�����<��=��ۻ��� ������<��u��V����o����������U����*��������F��绕��$w��������}��a����+>����񂵴��������0�����񂵴��A�� Ż���:ⷎ��񂵴��}�� Ż���E �����p���� ϻ���PB�����p��C�������XW�����p����� ����eķ����8��������iI�����8��:��)����mط����8��X��򻕳�s0�����8���������y���������������#�������>�� 滕���o����������)����������������񻕳��U��������L�� w�����2�����]����绕��������]��<��������ⷎ���]��t��������������]�����񻕳��N�����V����V����� �����V��<������ю�����V��u��J�����2����� ��������蠷���� ��8��?�����F����� ��u������������������򻕳���������B�� ���� ������J���������������J��@��@����'�����J��|�������#%�������������5C�������)��l����=�����d����ܻ���CW�����d��C��@����I������d��z��Ż���Q(�����"���������W������"��C��滕��^׷����"�����@����e}���������������k���������>��V����tY��������|��a����{ ����񂿤��������������񂿤��B��������2������!����л����i������!��*�� J�����������!��N��w���������������������������������F��������跎�������h�� ������������'���� w�����䷎����'��%�� Ļ����������q����A����۵������q��'��ۻ�����������q��a�� 滕���B����������������X��������(��������K��������g�� J��������������������� ���������:����������������u��l����췎����~����񻕳� D������~��A��?����&鷎����~��{�������.ݷ�����8����?����5�������8��>�� �����?�������8����������H������������K����P\���������=��l����X.���������z�� >����dҷ����������a����k����������;��ۻ���t۷��������r��K����y�������^���������������^��=��񻕳��h������^��w�������᷎���������������߷��������I��򻕳��7������������ ?�����ܷ���������� 4�����v���������D�� k�����G������L���� (�����ַ�����L��D�� �����C�����������������c���������A�������ܷ��������z��l����篷�����������������������������绕�������������:��`�����·��������|��Ż�����������������)����}�����������w���� Z���������?�� `����!���������y��4����������˄����5����V�����˄��?��绕��#������˄��w�������)÷����˄�����ۻ���3�����̀����T����D������̀��@�� l����O�����������J����W@��������%�������f�������o���� ?����pG������o��D��񻕳��o�����������������b���������@�� ڻ�����������r���������������r��=�� 񻕳��r����������� ������ȷ��������H��ۻ���� ���������������ף��������;�� �����啷���������滕���᷎������A�� w�����������������i���� ������������ƻ��� ����������<��a���� ����������w������ !�����с����w���� )᷎���с��A��ۻ��� Cm���������������� LϷ��������?������ ST���������d�� ����� ];�����Ҏ����K���� d췎���Ҏ��@������ i[�����Ҏ��u��?���� p�����Ҏ�����5���� u�������e����l���� zn������e��:�� k���� �?������e��v������� �3��������������� �&��������?�� l���� ����������~��л��� �.���������������� �-���������@�� Ļ��� �W����������� ����� �a�����Վ����񻕳� Ǹ�����Վ��<��л��� ����Վ��y�� k���� ��������K����ڻ��� �������K��A�� ?���� ��������K����� ����� �ķ��������������!Է�����:���������!#޷�����:��=��l����!+�������:��z��ѻ���!0緎��������������!C���������)��V����!H�������`���� ϻ���!V�������`��B������!_o�����������w����!hL���������F������!mŷ���������� �����!w������٩����5����!}H�����٩��@�������!�h�����٩��|�������!�˷����٩����������!�뷎���ڣ���������!�Է����ڣ��E��)����!�c�����ڣ��|������!�跎���ڣ�����Ż���!������۠���� ڻ���!�S�����۠��F��w����!�0������&���������!�Q������&��<�������!�:������&��y�������!�C������&����������!�B����������)����!�ҷ�������%��)����!�a��������`������!�淎���������л���!������������ Ż���!�$���������?��5����"�������]����廕��" ������]��G��)����"bη����������ܻ���"i���������"��K����"p����������Y�������"��������I����a����"��������I��D�� �����"��������I��}�������"������������ Ļ���"����������G�������"������������� ?����"�d���������(�� ?����"� ����������� ����"Ձ���������B��ۻ���"�·�����|���� 𻕳�"�������|��>�� Ļ���"�C����������v����#��������@�� �����#4���������� ����#���������=��绕��#��������z�� �����#)�������@���� Ļ���#4!������@��(��w����#<�������@��f�� `����#Iķ���������� ����#T2���������G�������#]0�����������������#n!����������廕��#�l��������I�� 滕��#��������?��������#�&������?��9�� �����#�:������?��u�� ?����#�*�����������V����#�淎�������@��)����#�u���������~��a����#�<����������Ż���#�g��������?�� U����#�"����������������#�,������~���� k����#��������~��@������#�v����������� �����$ط��������G��w����$����������������$��������B������$a������������ 𻕳�$mU���������?�������$��������p����m����$�|������p��9������$������������������$�����������?��V����$�F���������u�������$�E������������*����$�շ�������������$�Y��������?�������$�n��������v�������$�W�����������Ż���$₷���������绕��$�Ϸ�������)�� �����$�ط�������g������$�Q������`���� )����%5F����������ﻕ��%_������������ k����%jR���������%�������%pr���������^�� l����%{D������u���� �����%�7������u��C�� �����%������������������%�����������<��~����%�p������u��������%�鷎����u��C�������%������u�����滕��%�?������<���������%Ӣ������<��=��a����%�i������<��}��l����%�;����������� ����%뿷��������B�� U����%�z������~���������%��������~��%�������&�������~��e��K����& U������ ����)����&䷎���� ��@�� k����&!�����������л���&)뷎������>��ѻ���&/"��������u��l����&6�������?����)����&>�������?��?��l����&FU������?��{��K����&K�����������u����&\᷎�������H��V����&e�������m��������&m ������m��C��Ż���&t6������m����� k����&������3���������&�������3��@�������&�|�����������Ż���&�����������B������&� ���������z�������&�������r���������&��������r��A������&�u������r��~�� Ż���&͠������3����Ż���&�˷�����3��A�� J����&�{������3��~��5����&������������ k����&�緎�������D������&�k����������� �����'t�����������@����' ���������D�������':����������������'�������t����ۻ���'귎����t��B������'"X������t��h�������')@������t�����V����'S�������_���������'Z�������_��:�� l����'ex������_����� Ļ���'o�������<����V����'u_������<��/��л���'}�������<��z�������'�������� ���������'�������� ��Q��滕��'�鷎���� ����� ?����'������������� ����'�����������/�������'�`���������e��л���'�������������������'�������������ܻ���'�����������N��w����'�շ�����������л���'�(����������������'����������C�������'�t����������������'�ⷎ����������绕��'�/����������������(O���������B��򻕳�(����������y��K����( X�����������������(x����������������(����������D�������(!��������~�������(1׷����a����л���(: �����a��H��V����(?ɷ����a���������(EB�����a����������(K������Z���������(S������Z��D�������([������Z��~�������(b����������򻖳�(g�����B������(mg���������������(r[����������л���(�ѷ��������� ����(�?��������=�������(�'��������w�������(�<����������ƻ���(�h��������%��ѻ���(����������^�������(������������� �����(������������ �����(Ȥ��������C�� U����(�_���������滖��(۬�������?��v����(䈷������r�� �����(򜷏�������� k����(�m��������C��l����)?���������������) (���������������)���������E��4����)%���������������)$������N����l����)){�����N��>������).������N��{��V����)4������N�����a����);x�����F��������)=����F��*������)Oͷ��������������)X���������G�� `����)b�����������������)k������ d���������)r������ d��=��a����)y������ d��x�������)�k����� !���� k����)�<����� !��C��V����)������� ����� ����)�e����� ���&��绖��)������� ���b��?����)�X����� D���������)�m����� D��>��U����)�(����� D��{�� J����)�ط���� ����ۻ���)������ ��E�������)������ �����ۻ���)�D����� ����� J����)������� ���D�������)������� ���}��л���)�4����� v���� �����)�=����� v��D��)����*̷���� v����������* 췏���?����Ż���*�����?��D��V����*ӷ����?����� �����*(ѷ���� ���������*/۷���� ��C�������*7﷏��� ����������*=�������� a����*G���������%��J����*Oe��������`�������*T{�����P���������*[c�����P��C��w����*a@�����P��h�������*g������P�����V����*m`�����1��������*tͷ����1��C��5����*}h�����1�����_����*�-����������V����*�鷏������E�������*��������~�� ����*�k���������������*�η�������>�������*�̷�������{�������*�᷏���{����Ż���*���������������*�V��������B��x����*�4��������v�������*旷����������k����*������������ �����+���������C��4����+ L��������w��ϻ���+������h���� v����+:���������������+@!��������A��򻖳�+Ez��������g�������+Kܷ���������������+S��������������+ZT��������C��4����+b��������I����+v������a���������+������a��D��)����+�*�����a��g�� l����+������������ v����+�ط�������<��绖��+�%��������p�� U����+�ා������������+�X��������B�� ����+�Ƿ�������_������+�5�����������ѻ���+�l�����u���� 𻖳�+�·����u��D�� Ż���+�����������������+����������:��?����+흷�������v��滖��+�鷏�������������+�ѷ�������@��ѻ���,��������b�������,(����������� �����,&���������������,��������>�������,6����������ѻ���,;K��������;��滖��,B���������u��&����,V%���������������,^��������B��@����,d���������|�� ����,nA�����n����K����,u����n��A�� �����,�巏���n����� �����,�׷����6���� ?����,�|�����6��C�������,������������)����,���������B�� ?����,������������������,������������ ����,���������C������,Ӈ��������y�� w����,�d����� A����U����,������ A��B��ۻ���,�`����� A����������,�_����� ����� �����-R����� ���E�� 廖��-������!x���� 񻖳�-������!x��)�� l����-%Ʒ����!����� ����-/I�����!���C��V����-8�����!������ѻ���-=<�����"����� ����-I������"���H��?����-Pe�����"����� �����-\Ʒ����#g����л���-d������#g��G�������-k_�����#g����� �����-xh�����$'����4����-������$'��?�� ?����-�������$'��z�������-�������$����������-�������$���D�������-�������%L���������-�������%L��)������-�9�����%�����4����-�ӷ����%���<��򻖳�-�+�����%���s��x����-� �����%������ J����-޹�����&s���� `����-������&s��#�������-�}�����&�����Ļ���.����&�����л���.&&�����&���B������.-������&������V����.3P�����'�����л���.;������'���@�������.Cy�����'���{�� U����.O4�����(|����@����.Uڷ����(|��A�� л���.�'�����(����������.�<�����(���A��J����.�췏���(���z�� Ż���.������)�����a����.�޷����)���A��a����.�������)���v��@����.�K�����*|���� �����.�S�����*|��>�� �����.�]�����*����� �����.�q�����*���=��J����.�!�����*���}������.�������+����������.�x�����+���>�� �����/������+���|��5����/ �����,t����л���/R�����,t��?��~����/46�����,����������/=U�����,���F�������/D>�����,�����������/J=�����-���������/Q������-���?��J����/Y[�����-���u�� ?����/c�����.@����a����/iǷ����.@��9��ۻ���/s�����.@��z�������/|(�����.����������/�'�����.���@��@����/�ͷ����.����������/�0�����.���²�����/�������/����� )����/�8�����/���G��л���/�n�����/���l�� 3����/������0���������/�}�����0����������/�|�����0���?�� ?����/�!�����0���}��򻖳�/�y�����1{����a����/�@�����1{��?��ۻ���/����1{��z�������/�������1{����� ����/�﷏���2k��������0s�����2k��;�������0g�����2k��w������0 뷏���2k����������0������3O��������0z�����3O��D�� ����0$����3O��|�� ?����0.������4 ���� ?����08<�����4 ��?��򻖳�0@������4 ��s��񻖳�0H뷏���4����� ����0SX�����4���E��V����0\�����4������Ż���0c?�����5����� )����0mη����5���C��K����0r�����5���{��K����0z0�����6C���� Ļ���0�Z�����6C��G��j����0�+�����6����������0�?�����6���?������0�ķ����6���t��J����0�t�����7����)����0������7��@��4����0�������7��y��Ż���0�ɷ����8:����v����0Υ�����8:��<��l����0�w�����8�����4����0������8���@��l����0�㷏���8���w������0�\�����9t���������0�[�����9t��C��)����0�귏���9t��}��ۻ���1+�����:/����*����1 ������:/��:�� �����1�����:�����a����1 ䷏���:���&�� _����1-������;���� ����1Hb�����;[���������1N������;[��#��w����1W_�����;[��`��t����1l:�����;���������1q������;���D������1y!�����;���|�� (����1�������<�����Ż���1�۷����<���&��l����1�������<���g��绖��1�������<������廖��1�E�����=�����Ż���1�p�����=���@������1�鷏���=���{�������1�K�����>F���� U����1������>F��F�������1�&�����>����� Ļ���1�P�����>���D�������1賷����?`���������1�ҷ����?`��C�� ����1�V�����?`����򻖳�2᷏���@����򻖳�2 9�����@��B��򻖳�2%������@��|�������2.������@�����2����2@I�����@���D�� ?����2I���Aa���������2P�����Aa��>�������2V������Aa��u��@����2]������B��������2d!�����B��?�������2mA�����B��z�������2������B����� �����2�������B���F�������2�������B���}�������2�������C�����K����2�`�����C���)�������2�T�����C���i��ۻ���2�������DU���� ����2������DU��@�� �����2������D����� �����2�����D���@�� `����2ﹷ����E@����U����2�t�����E@��?��@����2������E@��|�� `����3!������E�����廖��31﷏���E���@������39]�����F���������3Uc�����F����� �����3bJ�����F���I��w����3k'�����GY���������3s<�����GY��G��)����3z˷����GY�����J����3�|�����H&���������3�������H&��@�� �����3�������H�����V����3�k�����H���A�� �����3�t�����H���x�������3�r�����Ii����5����3� �����Ii��D�������3�~�����I�����w����3�[�����I���?�������3�Y�����I������@����4������J~����a����4 Ʒ����J~��?�� ?����4!·����J����� k����4,������J���C��4����45-�����J������ a����4>������K����� �����4K۷����K���B��л���4T�����LI���� a����4k�����L�����V����4p������L���<�� v����4�`�����M���� (����4����M��@��5����4�������M��w��л���4�������M����� )����4�N�����M���H�� ����4������N\����ܻ���4�S�����N\��E������4�̷����N\����������4�ַ����O���� J����4膷����O��B�� �����4�x�����O�����л���4�������O���>�� a����5u�����O���|�� Ļ���5������Pd���������5������Pd��G�� I����5)M�����P����������5F�����Q2���� k����5TP�����Q2��I�� ?����5]������Q�����w����5fҷ����Q���D�� �����5s������RQ����򻖳�5y�����RQ��@��ۻ���5�R�����RQ��~������5�׷����S ���� �����5�ා���S ��G�� v����5�������S����� �����5�Ʒ����S���@������5�H�����T!����л���5�~�����T!��B�������5Ɵ�����T!��f��v����5�|�����T����������5�޷����T���<��l����5ݰ�����T���|��K����5�a�����U�����K����5������U���>������5􀷏���U���v�������6;�����VA����?����6ා���VA��C������6Y�����VA����������6W�����W ���������6 K�����W ��E��U����6)�����W ����� ?����62������W�����v����6;������W���>��U����6JC�����XP����H����6m������X�����@����6t;�����X���*�� U����6������X���k�������6�������Y?���������6�W�����Y?��=�������6�a�����Y?��w��l����6�3�����Y����� �����6������Z;����&ջ���6�T�����Zi����l����6�E�����Z����������6�Z�����Z���C��w����77�����Z����� `����7 ������[p���� Ļ���7'�����[p��B��绖��7t�����[����� ?����7(�����[���D�� ϻ���73O�����\y���� 廖��7@������\y��D�� )����7K)�����\����� �����7U�����\���F������7e}�����]����� �����7q������]���>������7z�����^���������7������^��@��л���7�>�����^��x��)����7������^�����>K����7�������^�����>K����8R������_��������8Z"�����_��D�������8_�����_��g�� ?����8h������_����� 4����8tU�����_���D��w����8z2�����_���{��V����8���`y���������8������`y��B������8�r�����`y��c��V����8�.�����`y�����x����8� �����aR����滖��8�X�����aR��A�� (����8�淏���a�����򻖳�8�>�����a���B�� Ļ���8�h�����bY���� �����8�f�����bY��@�� �����8������b�����ϻ���8�=�����b���H��J����8�������ci����V����9������ci��F�� �����9 ������c���������9 �����c���@�������9������c���x��л���9"������d����������9)������d���@�� ����94�����d���|�� ڻ���9@O�����en���������9IN�����en��=��J����9P������en��s�������9X�����f ����򻖳�9]`�����f ��*��Ż���9d������f ��f��l����9l]�����f�����5����9q������f���?�� J����9������f���}��绖��9�������g�����Ż���9� �����g���:�� J����9�з����g���u�� �����9�䷏���h=����4����9�~�����h=��?��K����9�/�����h=�����л���9�e�����i���������9�N�����i��B�������9�A�����i��~�� v����9������i����� �����9������i���F�� ڻ���9�[�����jO���� �����9�C�����jO��E�������9�c�����jO����������:K�����k ����ۻ���:������k ��F��ܻ���:η����k �����ܻ���:�����k����� _����:(ַ����k���(�������:0귏���l:���������:?総���l:��A�������:G۷����l����� Ļ���:R�����l���F��绖��:YR�����l����������:b������m�����K����:�ط����m�����V����:�������m���@��ۻ���:�շ����m���y��v����:�������n����� 廖��:�������n���E�� �����:�˷����o ���� 滖��:������o ��D��K����:�ȷ����o ��|�������:�ܷ����o����������:�۷����o���>�������;������pT���� ����;#�����pT��M��K����;Է����p����������;#޷����p���A�� �����;-総���p������ ����;:j�����q���������;H⷏���q���I�������;Mַ����q�����������;Tා���r����Ż���;\ �����r��B�������;a �����r��g�� v����;l������s$���� ?����;y������s$��D�������;������s$��~��л���;�:�����s����� a����;������s���>�� �����;�跏���t[���� �����;�淏���t[��G�������;������t�����J����;�r�����t���>��w����;�O�����uk��������;ѽ�����uk��=������;�A�����uk��{�� 滖��;⍷����v,���������;뭷����v,��A��l����;������v,��b��V����;�;�����v����� v����<�����v���>�������< �����v���v��T����<������w���������< 4�����w���$��2,���������w���D������� ���������G��򻖳�>q��������������>߷�������C�������>BR����������������>Kr���������H��_����>[7������+���� �����>gV������+��C�� v����>s2�����������5����>{ͷ��������B�� ����>�P���������~��V����>� ������t���������>� ������t��?�� ����>�������������'����>����������H��4����>������������� �����>Ȓ���������@��滖��>ۻ����������������>����������<������>󕷏����_����4����>�/������_��B�� `����?�������_��~��绖��? B������ ���������?6������ ��(��4����?*t������o���������?X������������m����?]����������)�������?z{����������򻖳�?ӷ�������?��_����?�I����������� �����?����������B�������?�#������ ����滖��?�x������ ��=�� �����?�k����������� ����?�㷏�������@�� 4����?�M������ ���������?�b������ ��;������@総���� ��t��v����@ ÷����������ܻ���@���������>�� ?����@ ����������w��U����@)e����������� a����@3,���������>������@;����������s������@D������3���� ?����@M÷�����3��B��V����@S������3��b�������@}U�����������*����@�巏�������%�� Ļ���@�������/����)����@��������/��D�� v����@������������������@������������ �����@ɶ��������F�������@ҵ����������� û���@�߷���������� >����@샷��������>�� k����@�T������G���� Ļ���A~������G��:������A"������������л���A+4���������?�� )����A5÷��������x��ѻ���A:�������a����ۻ���AD;������a��E�������AL.������a��|�������AQ"����������K����A[+��������#��ڻ���Ajk���������������Ar_��������A�������A{������������ �����A��������G���� `����A�y������G��G�� ����A�総���������)����A�v���������E��a����A�=������������ ?����A�⷏��������� Ż���A� ���������B��滖��A�Y���������h�������A�n������D����l����A�@������D��@��4����A�|����������������B����������'��l����B n���������e�� ����B�����X���������B淏����X��'�������B 巏����X��g��)����B(t������X�����l����B=Է�����9����񻖳�BF,������9��C��2����BTŷ����������j����Be����������E�� �����B��������J���������B�������J��F��)����B��������J���������B�.����������x����B� ��������@�� Ļ���B�6����������� 񻖳�Bɍ�����������绖��B�ڷ��������(�� ϻ���B����������j�������B�/����������� ����B��������B�� 𻖳�B� ��������������C v��������D�� �����Cs����������� )����C!���������C�� ۻ���C-C����������񻖳�C5���������@��򻖳�C:�������z��V����C@����������������CI'���������������CP��������)�������CVr��������e�������C\������������Ż���Cc������������?����Cjd���������G��򻖳�Co������������������Cv������������?����C|ķ����������5����C�_���������)�������C�R���������g�������C�r������|���� �����C��������|��$�� ����C������������ �����C����������;��l����C�ٷ��������^��a����C�#������u���� ?����C�ɷ�����u��<�� �����C�ܷ���������� `����C�����������'�������C��������_����񻖳�D������_��C�� ����D������������ �����D$����������B��T����D3_������c����w����D9<������c��$��绖��D@�������c��_�������DF�������c����� ����DQ������@���� 3����D\�������@��E������Dd������@����������Dj>����������������DrS���������@��K����Dz���������}��Ż���D�/����������� Ļ���D�Y���������>��w����D�6���������y�������D�T������v���� ����D�ط�����v��=�������D�׷�����v��x�������DȽ������2����j����Dٍ������2��"�� @����D�3����������� (����D�췏��������� �����E߷��������C�������E ҷ�����������w����E������������ۻ���E��������>�� U����E"�������������5����E="������S����4����EE�������S��C��U����ENw������S��|��>����E^���������������Eg;��������B�� (����Etɷ���������� v����E�����������B��'����E�3������ ���������E�&������ ��$�������E�;������ ��_��K����E�췏��������� J����E�����������D��'����E�ӷ�����@���������E�Ʒ�����@��9�� Ż���F�����@��y��H����F�����������������F ����������8�� 񻖳�F+鷏�������r�� ����F8m����������������F@`���������@������FNط�����/���������FT�������/��A��a����F[�������/��d��1����FsV�����������V����F|���������*�� >����F�������)����a����F��������S����)����F�������S��B�������F������������ۻ���F�Q���������E��J����F�������������ۻ���F�B�����������1����F�ٷ����������Ļ���G���������C��w����Gා����e���� 3����G-�����������������GJ#����������� �����GT,���������=��U����G\総�������w�� �����GfϷ�����r����v����Gu�������r��H��@����G|Q�����������t����G�+������8��������G��������8��I�������G������������������G�����������B������G�������@����񻖳�G�J������@��?��)����G�ٷ���������� ����G�G���������D��?����G�췏���������� ϻ���H!����������� `����H 総�������C�� л���H����������л���H!S��������=�������H)h��������y������H/췏���������ѻ���H5#���������(��a����H8귏�������G�������H>鷏�������|��1����Hg�������t���� ����Hq������t��I�������Hwz������t�����a����H�k������9���� ����H�����9��I�� k����H�������������л���H�����������>��J����H�����������y�������Hϖ�����������4����H�0���������G�������Hᓷ����������������H��������N���������H�������N��A�������I3����������� ?����Iط��������E��񻖳�I/������Z����ܻ���Iq������Z��;�������I75����������� k����IB���������;������IJ���������]��û���IZ�������z���������Id ������z��B������Is����������� �����I~���������F��>����I�$�����������T����I�޷��������9�� ?����I����������������I����������A�������I������������ѻ���I�F���������+��a����I� ���������d��?����Iճ������������`����I�z������m����ۻ���I⻷�����m��C�� ?����I������������ۻ���JQ���������<�������JE���������^��绖��J �������n����V����JN������n��>������J2������������ �����J<����������D�������JC������������U����JLN�����������4����JT跏�������>�� �����J^з��������|��w����Jg�������R���������Jn�������R��;�������Jw�������R��r��4����J�����������������J����������@��l����J��������|���������J��������|��D������J��������|����������J�������;���� Ļ���J�.������;��A��𻖳�J˄����������� �����J٘���������A������J�������?���� �����J�������?��?��ۻ���J�D�����������)����Kӷ��������8�������K����������q�������K������o���� Ż���K$������ô���� 񻖳�K2ා���ô��>��)�����K]<���������� ����Kh���������A��F����K�`�����Ģ���� ����K�䷏���Ģ��?�� J����K��������'����t����K�n������k����*�����K�q�����Ż����+ɻ���L �������������L%�������W����'����L9������ƣ���������LW������������ �����Lc����������@�� J����LnK������=���� л���Ly�������=��I��l����L�S������=����������L�������������J����L�f���������;�������L�q���������n��ۻ���L�������������������L������������������L�����������?�� �����L��������������񻖳�L�ط����ɜ����w����Lĵ�����ɜ��C�������Lʹ�����ɜ�����񻖳�L� ������Z���������L�������ʜ����(����Md����������������M.�������4����v����M=g������4��.��G����MW�����˨����3����Me������˨��.��+����M�����������+뻖��M�e������2����UT�gA�ssA�c��hʁ2cň�RT�w���cʅMOVIEgȖE��BPSDz�engD��D��130gȪE��DURATIONDz�engD��D��01:24:48.180000000gȤE��NUMBER_OF_FRAMESDz�engD��D��1834gȤE��NUMBER_OF_BYTESDz�engD��D��82882g��E��_STATISTICS_WRITING_APPDz�engD��D��mkvmerge v15.0.0 ('Duel with the Devil') 64-bitgȿE��_STATISTICS_WRITING_DATE_UTCDz�engD��D��2024-10-15 19:02:21g��E��_STATISTICS_TAGSDz�engD��D��BPS DURATION NUMBER_OF_FRAMES NUMBER_OF_BYTES243346

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.