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CAPTIONING MADE POSSIBLE BYLIONS GATE ENTERTAINMENT

Narrating:I WAS HITCHING A RIDE.

I WAS LOOKING FORMY GIRLFRIEND, MICHELLE,

WHO'D JUST RUN OFF WITHA MAN CALLED JOHN SMITH.

NO, REALLY,THAT WAS HIS NAME.

I KNEW HIM.IT WAS JOHN SMITH.

ONCE AT A PARTY HE TRIEDTO SELL ME A GUN.

AND THEN LATER,AT THE VINE,

HE MADE EVERYONE QUIET DOWNFOR A FEW MINUTES

BECAUSE I WAS SINGING ALONGWITH THE STEREO.

WHOO!

AND HE LIKED MY VOICE.

THE TRAVELING SALESMANHAD FED ME PILLS

THAT MADE THE LINING OFMY VEINS FEEL SCRAPED OUT,

MY JAW ACHED.

I KNEW EVERY RAINDROPBY ITS NAME.

I S...SENSED EVERYTHINGBEFORE IT HAPPENED.

I KNEW A CERTAIN OLDSMOBILEWOULD STOP FOR ME

EVEN BEFORE IT SLOWED.

AND BY THE SWEET VOICESOF THE FAMILY INSIDE IT,

I KNEW WE'D HAVE AN ACCIDENTIN THE STORM.

I DIDN'T CARE.

THEY SAID THEY'D TAKE MEALL THE WAY.

PRETTY WET OUT THERE,ISN'T IT?

WE HAVE KIDS SO WE'RE NOTGONNA GO VERY FAST.

Child: COME AND PLAY.

PEEK-A-BOO.

PEEK-A-BOO,I SEE YOU.

[GLASS BREAKS]

[WOMAN WAILING]

WHAT A PAIR OF LUNGS.

SHE SHRIEKED AS I IMAGINEDAN EAGLE WOULD SHRIEK.

IT FELT WONDERFULTO BE ALIVE TO HEAR IT.

I'VE GONE LOOKINGFOR THAT FEELING EVERYWHERE.

BUT I GOT AHEAD OF MYSELF.

UM...

LET ME STARTAT THE BEGINNING.

THERE WERE 2 MEN WHO GOT MEMIXED UP WITH MICHELLE.

I MET THE FIRST MAN WITHMY FRIENDS TOM AND RICHARD.

I FORGOT MY FRIENDSWERE EVEN WITH ME,BUT THERE THEY WERE.

AND, ONCE AGAINI HAVE TO TELL YOUI HATED THE TWO OF THEM.

YOU SEE, THE 3 OF USHAD FORMED A GROUP

BASED ONSOMETHING ERRONEOUS.

SOME BASIC MISUNDERSTANDINGTHAT HADN'T YETCOME TO LIGHT,

AND SO WE KEPT ONIN ONE ANOTHER'S COMPANY.

YEAH, ANYWAY, WE FOUNDTHE FIRST MAN, STAN,

THE ONE I STARTED TO TELLYOU ABOUT, ASLEEP IN MY CAR.

WHO'S THIS?

GET OUT OFMY CAR, MAN.

GET OUT OF MY CAR, MAN.

WHAT DO YOU DO INA SITUATION LIKE THIS?

USING SIGN LANGUAGE,STAN LED US TO A PLACE

THAT STOOD ALL BY ITSELFOUT ON THE OLD HIGHWAY.

I'VE BEEN OUT ON THIS ROADMORE THAN ONCE,

AND I NEVER FOUND ANYTHINGTHAT MADE ME HAPPY.

IF YOU CALLED AHEAD

WE WOULD HAVEENCOURAGED YOUNOT TO BRING HIM.

ANYWAY, HE CAN'T STAY.

TAMMY DOESN'TWANT HIM HERE.

OK, WHOEVERTAMMY IS.

NOW WOULD BE A GOOD TIMETO TAKE HIM OUT OF HERE.

YOU SHOULDLET HIM STAY.

NOPE.

IS HE REALLY DEAF?

THAT'S A GOOD ONE.

* OH, SWEET PEA

* COME ONAND DANCE WITH ME *

* COME ON, COME ON,COME ON *

* AND DANCE WITH ME

* OH, SWEET PEA

* WON'T YOU BE MY GIRL?

* WON'T YA, WON'T YA,WON'T YA *

* BE MY GIRL?

* I WENT TO A DANCEJUST THE OTHER NIGHT *

* I SAW A GIRL THERE, SHE WAS OUT OF SIGHT *

* I ASKED A FRIEND OF MINEWHO SHE COULD BE *

* HE SAID THAT HER FRIENDSJUST CALL HER SWEET PEA *

SHE LIKES YOU GUYS.

HEY, YOU'REA DANCER.

* COME ONAND DANCE WITH ME *

* COME ON, COME ON,COME ON *

* AND DANCE WITH ME

* OH, SWEET PEA,WON'T YOU BE MY GIRL? *

* WON'T YA, WON'T YA,WON'T YA *

* BE MY GIRL?

* I WALKED ON OVERAND I ASKED HER TO DANCE *

* THINKING MAYBE LATERWE'LL BE MAKING ROMANCE *

* BUT EVERY GUY THEREWAS THINKING LIKE ME *

* I HAD TO STAND IN LINETO GET A-- *

[COW MOOS]

[MOOS LIKEA COW]

[MOOS]

[LAUGHS] WAIT.

COME HERE. COME HERE.COME HERE. SORRY.

COME ON.

MICHELLE.

WOULD YOUGET IN THE CAR?

McINNES.

FUCKHEAD.

FH, narrating:I WAS CARRYING A GUN,

BUT I NEVERWOULD HAVE USED IT.

IT WAS SO CHEAP I WAS SUREIT WOULD EXPLODE IN MY HANDS

IF I EVERPULLED THE TRIGGER,

SO IT COULD ONLYADD TO MY HUMILIATION.

HEY, WHERE'SMcINNES?

HOW THE HELLSHOULD I KNOW?

WHAT'S WRONG?

COME ON.

HEY, WE GOIN'?

[ENGINE STARTS]

GO. GO. LOSE HIM.

SEE YA.AH, SHIT.

UH-OH.GO. GO. GO.

HEY, MAN...LOSE HIM!

GET OFF MY CAR.

GO! LOSE HIM!LOSE HIM!

DO YOU THINKHE'S ALL RIGHT?

YEAH. YEAH.

HE'S FINE.HE'S JUST GONNA GOBACK TO THE PARTY.

DON'T WORRYABOUT IT.

IT'S McINNESI'M WORRIED ABOUT.

McINNES?

HE CAUGHT MEKISSING MICHELLE.

WHICH ONE WAS MICHELLE?

...ALL OUR LIVES CLEAN,WITH THE SLATE.

WE JUST WANT YOUTO BE READY.

IF HE WANTED TO END IT,HE'D HAVE ENDED ITBY NOW.

YEAH, WELL, IT ISHARD TO KNOW WHATHE'S THINKING SOMETIMES.

YEAH.I AGREE.

BUT PATIENCE ISA PART OF BELIEVING,

IT'S A PART OF THIS.

AND, IN THE MEANTIME,YOU PREPARE.

YOU WAIT FOR THE DAY--

HEY, CANI KEEP THIS?

UH...

I'VE MOVED AROUNDMY WHOLE LIFE.

THIS IS THE LONGESTTHAT I'VE LIVED ANYWHERE,

18 MONTHS.

I DON'THAVE A JOB.

NO KIDDING.

I SMOKE CIGARETTES.

AND YOUTALK NONSTOP.

NO, I DON'T.

NO, USUALLY,I DON'T.

EXCEPT WHENI'M NERVOUS.

DO I MAKEYOU NERVOUS?

NO. NO.

YEAH, MAYBE A LITTLE.

I HEARD ABOUT...

I HEARD ABOUTYOUR BOYFRIEND McINNES.

I MEAN...

I WAS THERE.

I KNOW.

I HEARD YOUTRIED TO HELP HIM.

THAT YOU WERETHE ONLY ONE.

IS THAT TRUE?

HE...HE ALMOST MADE IT.

WHAT WERE YOUSAYING BEFORE

TO THOSE JEHOVAH'SWITNESS GUYS?

OH. LOOK WHATTHEY GAVE ME.

I WAS ASKING THEMIF WHEN WE DIE,

IF THERE'S AN ENDINGTO EVERYTHING WE KNOW,

AND IF THERE IS, THENWHY DON'T WE JUST DIE NOW?

YOU KNOW, DIETO EVERYTHING WE KNOW.

I MEAN, MAYBELIVING AND DYINGARE THE SAME THING,

AND MAYBE THE FACTTHAT WE'VE TURNED THEMINTO 2 DIFFERENT THINGS

IS WHY WE FEEL SO LOST.

MAN.

WOW.

I'M NOT PLANNING ONDYING ANYTIME SOON,

BUT IF I DO,I'LL SURETO COME BACK

AND TELL YOUALL ABOUT IT.

NO, DON'T DO THAT.DO US BOTH A FAVOR.

REST IN PEACE.

CAN I KISS YOU NOW?

NO.

SORRY, IT STICKS.

OOPS, SORRY.

THE, UH...KITCHEN AREA.

THIS WAY.

THIS ISTHE BATHROOM.

AND...YEAH,DON'T LOOK TOO CLOSE.

WAIT. WHOA, HANG ON.

WHOA. WHOA.WAIT. WAIT. WAIT.

JUST SLOW DOWN.

UH...SORRY.

CAN WE TAKE A SECOND?I JUST...

UH...

IT SEEMS KINDA FAST.

WELL, I LIKEIT SLOW.

HI.

YOU EVER SEEN ANYONESHOOT UP BEFORE?

NO.

FH, narrating: I'VE BEENSTAYING AT THE HOLIDAY INN

WITH MICHELLE.

HONESTLY, THE MOSTBEAUTIFUL WOMANI'D EVER KNOWN.

BUT WAIT A MINUTE.

I NEVER FINISHED TELLING YOUABOUT WHAT HAPPENEDTO McINNES, DID I?

OR ABOUT THE 2 MENWHO LED ME TO MICHELLE.

I NEVER EVENSTARTED DESCRIBINGTHE SECOND MAN DUNDUN.

HEY.

McINNES ISN'TFEELING TOOGOOD TODAY.

McINNESIS HERE?YEAH.

OH, MAYBEI'LL COME BACK LATER.

DON'T WORRY.I JUST SHOT HIM.

Y-YOU MEANYOU KILLED HIM?

I DIDN'T MEAN TO.

IS HE REALLY DEAD?

NO, HE'SSITTING DOWN NOWIN THE FRONT ROOM.

DUNDUN SHOTHIM, HUH?

SOMEBODY SHOT SOMEBODY.

HERE.

I DON'T WANT IT.

OK.

WELL, HERE, THEN.

NO, THANK YOU.

AREN'T YOU TAKING HIMTO THE HOSPITALOR ANYTHING?

WE STARTED TO.

HOW YOU DOING?

I CAN FEEL ITRIGHT HERE.

IT'S JUST STUCKIN THE MUSCLE.

IT'S NOT BAD.

OH! [LAUGHS]

THE CAP DIDN'TEXPLODE RIGHT, I THINK.

MISFIRE.

IT MISFIREDA LITTLE BIT, YEAH.

WELL, HOW ABOUTI TAKE HIM TOTHE HOSPITAL?

I DON'T KNOW.

DO YOU PROMISE NOTTO TELL THEM ANYTHING?

I DON'T THINKHE HEARS YOU.

TELL THEM IT WASAN ACCIDENT, OK?!

PROMISE?

WHAT DO YOU SAY?

W-WHAT DO YOU MEAN,WHAT DO I SAY?

YOU THINK I'M HEREBECAUSE I KNOW ALLABOUT THIS STUFF?

HE'S DEAD.

ALL RIGHT!I KNOW HE'S DEAD!

THROW HIMOUT OF THE CAR?

DAMN RIGHT!THROW HIM OUTOF THE CAR!

DO YOU THINK--

I'M GLAD HE'S DEAD.

HE'S THE ONE WHOSTARTED EVERYBODYCALLING ME FUCKHEAD.

DON'T LET ITGET YOU DOWN.

WHAT A LOUSY BIRTHDAY.

FH, narrating:I DON'T KNOW,

MAYBE HE THOUGHTI MIGHT SAY SOMETHING,

BUT WILL YOU BELIEVE MEWHEN I TELL YA

THAT THERE WAS KINDNESSIN HIS HEART?

HIS LEFT HANDDIDN'T KNOW WHATHIS RIGHT HAND WAS DOIN'.

IT'S JUST THAT CERTAINIMPORTANT CONNECTIONS

HAVE BEEN BURNED THROUGH.

IF I OPENED UP YOUR HEAD

AND RAN A HOT SOLDERING IRONAROUND IN YOUR BRAIN,

I MIGHT TURN YOUINTO SOMEONE LIKE THAT.

SO, THERE I WAS,STAYING AT THE HOLIDAY INN

WITH MICHELLE FOR3 DAYS UNDER A PHONY NAME,

SPENDING THE LASTOF HER MONEY.

MICHELLE LOVEDTO STAY IN HOTELS.

* YES, I'M READY

* I DON'T EVENKNOW HOW TO LOVE YOU *

* JUST THE WAYYOU WANT ME TO *

* BUT I'M READYTO LEARN ** TO LEARN

* YES, I'M READY * READY

* TO LEARN * TO LEARN

* TO FALL IN LOVE

* TO FALL IN LOVE

* TO FALL IN LOVE

* WITH YOU

* OOH OOH OOHOOH OOH *

[VOMITS]

[TOILET FLUSHES]

CHRIST, YOU'VE GOTA BEAUTIFUL ASS.

[CHUCKLING]

I LIKE THIS RIDE.

MM-HMM.

HOW LONGHAVE WE BEEN HERE?

WE'VE GOTSOME DOPE LEFT, TOO.

I DON'T CARE.

I DON'T CARE,EITHER.

FH, narrating: AND THENCAME ONE OF THOSE MOMENTS.

HOW DO YOU THINKTHAT MAKES ME FEEL?!

HUH?!

HEY, YOU--YOUKICKED ME OUT.

SHE SAIDI COULD CRASH--ALL RIGHT.

SHE SAID I COULDCRASH THERE,

AND TAMMY'S NOT EVENYOUR BEST FRIEND.

I'D SAY YOU HARDLYEVEN KNOW HER.

LOOK, I WAS GETTINGREADY FOR BED.

I WAS TAKINGMY CLOTHES OFF SOI COULD GO TO SLEEP.

I--I WASN'T GONNATAKE ADVANTAGEOF ANYONE.

OW!

YOU CAN KISS MY ASS!

SHE AND YOU AND HERAND EVERYBODY ELSE!

RIGHT!

GET OUT!I WILL--

GET OUT!

GET OUT! GET OUT!

GET OUT!

CAN IHAVE MY SHIRT?

WAIT.

MAYBE MY JACKET, TOO?

[DOOR OPENS]

HEY!

WHERE'S MY MONEY?!

I NEED CAB FARE.

WE'RE BROKE.

ARE YOU JUST GONNALEAVE ME HIGH AND DRY?

GOD, YOU'RE SO FUCKED!

DO YOU EVENUNDERSTAND ANYTHING?

NO WONDER EVERYBODYCALLS YOU FUCKHEAD.

FUCKHEAD.

FUCKHEAD.

YOU DON'T NEEDTO CALL ME THAT.

FUCKHEAD.

FUCKHEAD, FUCKHEAD, FUCKHEAD, FUCKHEAD.

ALL RIGHT.FUCKHEAD, FUCKHEAD,FUCKHEAD, FUCKHEAD!

FUCKHEAD, FUCKHEAD!

[GASPS] OW.

OH, NO.

OH, GOD, COME HERE.ARE YOU OK?

HEY, WHAT'S UP, BUDDY?

ALL RIGHT, SHE'S JUSTFEELING A LITTLE SICK.

BULLSHIT. YOU PUNCHEDHER IN THE GUT.

HE DID.HE DID. HE DID.

SOMEBODY'S GOINGTO GET HURT OVER THIS.

[CAR DOOR SLAMS]

HEY!

STOP, YOU STUPID FUCKIN'DICK-SUCKIN' BITCH!

Michelle: WHOO! FUCKHEAD!

WHOO!

WHOO.

* CHEROKEE PEOPLE

* CHEROKEE TRIBE

* SO PROUD TO LIVE...

YOU...

I'M FINE.

YOU'RE THE ONE.

WHAT?

LAST TIMEYOU WERE IN HERE,

YOU STIFFED ME.

NO, I DIDN'T.

YES, YOU DID.

YOU WERE WITH YOUR FRIENDS.

THEY'RE NOTMY FRIENDS ANYMORE.

YOU OWE ME 8 BUCKSPLUS A TIP.

YOU LOOK VERY NICEIN YOUR UNIFORM.

HOW OLD ARE YOU,ABOUT 19?

MICHELLE DIDN'T APPEAR TO BECOMING BACK ANYTIME SOON,

SO I SHOTTHE LAST OF OUR DOPE

AND I WENT TO THE VINETO FIND...

WAYNE.

FUCKIN' WAYNE.

OHH, GODDAMN IT.

[SLURPS]

AHH.

WHOO.

WAH.

AHH.

HEY, UH, HOW WOULDYOU FEEL ABOUTMAKING SOME MONEY?

AW, WHO KNOWS?

I WAS JUST GOING TO,UH, GO OVER INTHE CORNER THERE

AND NOD OUT.

[GRUNTS]

WELL...

I HAVE DECIDED IN MY MIND

THAT WE'RE GOINGTO MAKE SOME MONEY.

[WOMAN LAUGHS]

THAT'S THE ONLYPLACE YOU'RE GONNAMAKE SOME MONEY.

SO WHAT?

I WANT YOU TO COME WITH ME.

WHAT, YOU MEAN,YOU NEED A RIDE?

I GOT THE TOOLS,

I JUST NEEDYOUR SORRY-ASS CARTO GET AROUND IN.

YOU KNOW YOU'REBLEEDIN' FROM THE NOSE?

[SNIFFS]

WE DOIN' A, UM, BURGU--A BURGLARY?

CAN'T BURGULATE IF YOUGOT AN EMPTY HOUSE.

OH.

THIS IS A SALVAGE JOB.

THIS HOUSE HASA TERRIBLE FEELINGABOUT IT.

DON'T DO THAT.

WHY NOT?

IT'S STUPID, THAT'S WHY.

SELL THE COPPERFOR SCRAP.

OHH.

ALL RIGHT.

HEY, HOW MUCH MONEYDO YOU THINK WE CANMAKE ON THIS?

ENOUGHTO GO TO BEDDRUNK TONIGHT.

PIPES ARE DRY.

* HANG ON, SLOOPY

* SLOOPY, HANG ON

* HANG ON, SLOOPY

* SLOOPY, HANG ON

* YEAH, YEAH * YEAH, YEAH

* FEELS SO GOOD

* COME ON, COME ON

* YOU KNOWIT FEELS SO GOOD *

* COME ON, COME ON

* WELL, SHAKE IT, SHAKE IT,SHAKE IT, SLOOPY *

* COME ON, COME ON

* WELL, SHAKE IT, SHAKE IT,SHAKE IT, YEAH *

* COME ON, COME ON

* AAH!

* HANG ON, SLOOPY

* SLOOPY, HANG ON

HEY!

WHO OWNED THESE HOUSES,DO YOU THINK?

THIS IS MY HOUSE.

IT IS?

WAS.

[INHALES]

[GAGS]

[VOMITS]

ALL THIS WORKIS MESSING WITH MY HIGH.

CAN'T YOU FINDSOME EASIER WAY

TO MAKE YOUR DOLLAR?

MOVE.

WHAT IS THAT?

THAT IS ONEBEAUTIFUL SIGHT.

YEP.

THAT WAS MY WIFE.

[ENGINE STARTS]

FH, narrating: AS NEARLYAS I COULD TELL,

I'D WANDERED INTOSOME SORT OF DREAM

THAT WAYNE WAS HAVINGABOUT HIS WIFE AND HIS HOUSE,

BUT I DIDN'T SAY ANYTHINGMORE ABOUT IT

BECAUSE, WELL, AFTER ALL,IN SMALL WAYS,

IT WAS TURNING OUT TO BE ONEOF THE BEST DAYS OF MY LIFE,

WHETHER IT WAS SOMEBODYELSE'S DREAM OR NOT.

WE TURNED IN THE SCRAP WIREFOR OVER $40...

EACH!

WHO'D YOU MENPULL OFF?!

NO ONE. WE WORKED.

BUY ME A DRINK,YOU LITTLE CROOKS.

NURSE?!

Wayne: JACK DANIELS.

AND WE'LL DRINKTO MY VERY FAVORITEPERSON WHO TENDS BAR.

AHH.

WHEN YOU POUR,DARLIN',

IT'S LIKE HITTIN'THE JACKPOT.

* BUT I AIN'T NEVERIN MY LIFE BEFORE *

* SEEN SO MANY LOVE AFFAIRSGO WRONG AS I DO TODAY *

* I WANT YOU TO STOP

* FIND OUT WHAT'S WRONG

* AND GET IT RIGHT

* OR JUST LEAVE LOVE ALONE

* BECAUSE THE LOVE...

HONEY, YOU GOTA GOOD FACE,

BUT YOU CAN'T SINGFOR SHIT.

* MAYBE WHEN...

Wayne: WHATTHE GODDAMN FUCKINGPISS-HELL

IS THATSUPPOSED TO MEAN?

Man: THIS AIN'T SCHOOL.

* LISTEN TO ME

* I'VE BEEN PUSHED AROUND

* AND I'VE BEENTHROUGH THE LAST *

* AND I HAD TO ALWAYSBE THE ONE TO SMILE *

* AND APOLOGIZE...

SIT DOWN NOW...

BUY YOU A DRINK.

FUCK YOU.

ASSHOLE.

HEY, NURSE.

ALL THE REALLY GOOD TIMESHAPPEN WHEN WAYNE'S AROUND.

[LAUGHS]

BUT THIS AFTERNOON

WAS SOMEHOW THE BESTOF ALL THOSE TIMES.

WE HAD MONEY.

WE WERE GRIMY AND TIRED.

USUALLY, WE FELTGUILTY AND FRIGHTENED

BECAUSE THERE WAS SOMETHINGWRONG WITH US

AND WE DIDN'T KNOWWHAT IT WAS,

BUT TODAY WE HAD THE FEELINGOF MEN WHO HAD WORKED.

OH, YES.

AAH!

ALL RIGHT,SO, GREAT, OK.

SO WE BOUGHT SOME DOPEAND SPLIT IT DOWN THE MIDDLE

AND THEN I WENT LOOKINGFOR MICHELLE...

KNOWING THAT WHENTHERE WERE DRUGS AROUND,

SHE SURRENDERED.

MICHELLE?!

BABY?!

BABY, BABY?

[COUNTRY MUSICPLAYING]

[CLATTER]

[GAGS]

[DOOR SLAMS]

Michelle:HONEY?

HONEY?

HONEY!

HONEY!

HONEY!

FUCK!

[GASPING]OH! HONEY!

HONEY!

HONEY!

HONEY?!

YOU FUCKER!

WAKE UP!

WAKE UP!

BABY!

BABY!

BABY!

BABY,SIT UP!

HONEY, BABY.

THAT'S IT. HONEY, COME ON.

COME ON.

[WEAKLY] I THINKHE PASSED THE ROSESAND GARBAGE

AND PURPLE LIGHTAND THE SORROWFULMYSTERY BULLSHIT

TO WHATEVER'S PASTTHAT.

MICHELLE...MICHELLE...

I MEAN IT, BABY.

THROUGH THE RAINAND THE DESERT.

WHO ARE YOU?

I'M THE SOULFOR YOUR SOUL.

I AM YOUR MAN.

FH, narrating:AS FOR WAYNE...

HE DIED.

I AM STILL ALIVE.

I'VE BEEN WORKINGIN THE EMERGENCY WARD

FOR ABOUT 3 WEEKS, I GUESS.

I'D TAKEN THE JOB BECAUSEMICHELLE WAS PREGNANT

AND I WAS TRYINGTO BE RESPONSIBLE.

I HAD NOTHING TO DOON THE OVERNIGHT SHIFT,

SO I WENT LOOKINGFOR GEORGIE, THE ORDERLY.

HE OFTEN STOLE PILLSFROM THE CABINET.

WHAT AM I GONNA DO ABOUTTHESE FUCKIN' SHOES, MAN?

UH...

WHATEVER YOU STOLE,

I GUESS YOU ATE ITALREADY, RIGHT?

LISTEN TO HOW THEY SQUISH.

UM...

UH-UH.

HMM?

UH, LET ME JUSTCHECK YOUR POCKETS, OK?

ALL RIGHT.

[LAUGHS]YEAH.

EH?

NO.

OH.

OH, YEAH,I HEAR SOMETHING.

RIGHT?

[CHUCKLES]

YEAH.

I HOPE YOU DIDN'T DO THIS TO HIM.

ME? NO, HE WAS LIKE THIS.

MY WIFE DID IT.

WHO BROUGHT YOU IN?

Man: NOBODY.

I JUST WALKED DOWN.

IT'S ONLY 3 BLOCKS.

OK, WE--WE BETTERGET YOU LYING DOWN.

OK.

I FEEL READY FORSOMETHING LIKE THAT.

Georgie: NAME?

TERRANCE WEBER.

YOUR FACE IS DARK.

I CAN'T SEEWHAT YOU'RE SAYING.

GEORGIE?

WHAT ARE YOU SAYING, MAN?I CAN'T SEE.

WHAT'S GOING ON,GEORGIE?

HIS FACE IS DARK.

Nurse: HOW LONG AGODID THIS HAPPEN?

JUST A WHILE AGO.

MY WIFE DID IT.

I WAS, UH, PEEPINGON THE LADY NEXT DOOR

WHILE SHE WAS BATHING.

MY WIFE WAITEDTILL I FELL ASLEEP

AND THEN SHE DECIDEDSHE'D BLIND ME.

DO YOU WANT METO CALL THE POLICE?

UH...

NOT UNLESS I DIE.

HERE'S THE SITUATION:

WE NEED TO GETA TEAM HERE.

UH, AN ENTIRE TEAM.

I WANT, UH--UH,A GOOD EYE MAN,

UH--UH,THE BEST EYE MAN,

A GREAT EYE MAN.

I WANT A BRAIN SURGEON,

AND I WANTA REALLY GOOD GAS MAN.

GET ME A GENIUS.

I-I'M NOTTOUCHING THAT HEAD.

W-WE'LL PREP HIM,WE'LL PREP THIS GUY

AND WE'LL JUST SIT BACKAND SIT TIGHT, ALL RIGHT?

ORDERLY?

ORDERLY?

DO YOU MEAN ME?

SHOULD IGET HIM PREPPED?

IS THIS A HOSPITAL?

IS THIS THE EMERGENCY ROOM?

IS THAT THE PATIENT?

ARE YOU THE ORDERLY?

OH, HEY.

HEY, UH, WE GOTA GUY DOWN HERE

IN THE E.R.WITH A KNIFE ST--

UH, HUNTING KNIFESTICKING INTOHIS BRAIN.

YEAH, IT'S STICKINGINTO HIS BRAIN.

YEAH.

YEAH, THE FAMILYSERVICE DOCTORIS HERE,

BUT HE IS,UH, LIMITED,

AND HE SAYSHE'S NOT GOINGTO TOUCH THE HEAD,

SO WE NEEDA GREAT EYE MAN,

REALLY QUICK,

LIKE THE BESTTHAT YOU'VE GOT,

AND A BRAIN SURGEON,

AND A GENIUSGAS MAN.

YEAH,A REAL GOOD ONE...

OK.

OK, YEAH,THANKS A LOT.

Georgie: * YOU GOTTO GET IT OUT TONIGHT *

THAT PERSON IS NOT RIGHT,NOT AT ALL. NOT ONE BIT.

YOU KNOW, AS LONGAS MY INSTRUCTIONSARE AUDIBLE TO HIM,

IT DOES NOT CONCERN ME.

WELL, OK, OK. DON'T--DON'T CHEW MY HEAD OFF.

OK.

ALL RIGHT,THE EYE MAN

IS ON VACATIONOR SOMETHING,

BUT THE OPERATORIS CALLING AROUND

TO SEE IF SHECAN FIND SOMEONE

JUST AS GOOD.

ALL OF THE OTHERSPECIALISTS

ARE HURRYINGTHROUGH THE NIGHT

TO JOIN US.

P.A.: DR. SHANIS,IF YOU'RE IN THE BUILDING,

PLEASE CALLTHE NURSING STATION.

WHAT DO YOU GOT?

Dr. Shanis:A GUY WITH A KNIFEIN HIS BRAIN.

OH, BOY.

PATIENT COMPLAINSOF KNIFE IN THE HEAD.

STABBING HEADACHE?

Nurse: HA HA HA HA!

[ALL LAUGH]

WHERE DID YOU GET THAT?

YOUR SHOELACE IS UNTIED.

OH.

HOW'S THE GUY DOIN'?

WHO?

Nurse:WELL, IT'S JUST A MIRACLE

HE DIDN'T END UP SIGHTLESSOR AT LEAST DEAD.

HE'S NOT DEAD?

NO. HIS VITALS ARE NORMAL

AND HE STILLHAS EXCELLENT VISION

IN HIS ONE GOOD EYE.

SO HE'S ALIVE?

THERE'S NOTHIN' WRONGWITH THE GUY.

IT'S JUST ONEOF THOSE THINGS.

WHAT DO YOU DOAROUND HERE, ANYWAY?

I SAVE LIVES.

I THINK IT'S MORNING.

DO YOU WANT METO TAKE YOU HOME?

NO, NO WAY.

I FEEL LIKEA GIANT HELIUM BALLOON.

GOT TO, UH...

DOCTOR.

I GOTTA COME DOWNBEFORE MICHELLE SEES ME.

COME DOWN? THEN WHATARE YOU DOIN' WITHMY STASH, MAN?

HAND IT OVER.

ALL RIGHT.HAND IT OVER.

IT WASJUST TO STAY AWAKE.

TRY NESCAFÉ,

DAD.

OH, DEAR.

* SHE'S A JARWITH A HEAVY LID *

* MY POP QUIZ KID

* A SLEEPY KISSER

* A PRETTY WARWITH FEELINGS HID *

* SHE BEGS MENOT TO MISS HER *

* SHE SAYS FOREVERTO LIGHT A FUSE... *

PRETENDIT'S THE FIRST TIME.

LIKE WE'RE NEW.

HEH! UM...

ALL RIGHT.

UM...

I KNOW IT'SKIND OF FAST...

I REALLY LIKE YOU.

UM, CAN WE JUSTWAIT ONE SECOND?

RIGHT.

IT SEEMSKIND OF FAST.

I LIKE IT SLOW.

I DON'T CARE IF ITTAKES ONE SECOND

OR IT TAKESA MILLION YEARS.

I WANT TO KNOWEVERYTHING ABOUT YOU.

ALL OF IT.

ASK ME.

LIKE, LIKE WHATDO YOU LIKE?

LIKE WHAT?

WELL, LIKEWHAT KIND OF MUSIC?

JAMES BROWN.

YOU IN LOVEWITH ME YET?

SHIT.

SHIT.

SAY IT.

SHIT, WE'RE IN TROUBLE.

SAY IT.

I LOVE YOU.

I LOVE YOU.

I LOVE YOU.

I LOVE YOU.

I LOVE YOU.

I LOVE YOU.

LOVE YOU.

WE'RE WRECKINGLIKE TRAINS.

I HAVE TOHOLD ON TO THIS JOB.

I HAVE RESPONSIBILITIES NOW.

WE'RE ON THE 7-MONTHCOUNTDOWN TO THE BABY.

YOU SHOULD CLEAN OUTTHE HOSPITAL'SSPEED STASH.

THAT WAY YOU COULD DODOUBLE SHIFTS.

ME AND MICHELLEARE TRYINGTO STAY CLEAN.

I WANT TO GOTO CHURCH.

YOU SHOULD GOTO THE COUNTY FAIR.

I'D LIKE TO WORSHIP.I WOULD.

THEY HAVE THESEINJURED HAWKSAND EAGLES THERE

FROM THE HUMANESOCIETY.

I NEED A QUIET CHAPELABOUT NOW.

WHOO!

THAT WAS THE WORSTFAIR I'VE BEEN TO.

WHERE WERETHE RIDES?

WELL, THERE WERERIDES.

I DIDN'T SEEONE RIDE.

THERE WAS THE, UH,MERRY-GO-ROUND,

THERE WAS A FERRIS WHEEL,

AND THERE WAS A THINGTHEY CALLED THE HAMMER

THAT PEOPLE WEREBENT OVER VOMITING FROMAFTER THEY GOT OFF--

[THUD]

ARE YOUCOMPLETELY BLIND?!

WHAT WAS THAT?A RABBIT!

SOMETHING THUMPED.

YOU HIT HIM.HE THUMPED.

RABBIT STEW.

Georgie: WHERE'SMY HUNTING KNIFE?

WHERE'S MY HUNTING KNIFE?

GEORGIE...

WE'LL CAMP IN THE WILDERNESS.

IN THE MORNING,WE'LL BREAKFASTON ITS HAUNCHES.

* FIGHTING SOLDIERSFROM THE SKY *

* FEARLESS MEN WHO JUMPAND DIE *

* MEN WHO MEANJUST WHAT THEY SAY *

* THE GREAT MENOF THE GREEN BERETS *

* SILVER WINGS...

MAN, I SHOULD'VEBEEN A DOCTOR.

OH, NO WAYI'M EATINGTHOSE THINGS.

TAKE 'EM. TAKE 'EM,I GOTTA DRIVE, TAKE 'EM!

* A HUNDRED MENWILL TEST TODAY *

* BUT ONLY 3WIN THE GREEN BERET *

YEAH! HA HA HA!

WE KILLED THE MOTHERAND SAVEDTHE CHILDREN.

THESE RABBITSBETTER BE KEPT WARM.

OH, YEAH!

OOH.

OH, NO, THEY'REHARDLY MOVING.

YOU KNOWWHAT WE'LL DO?

WE'LL GET SOMEMILK AND SUGARAND ALL THAT.

WE'LL RAISE 'EM UPOURSELVES.

THEY'LL GET AS BIGAS GORILLAS.

HEY, YOU THINKTHE BLUE ONESARE DOWNERS?

YEAH,THE BLUES ONE'LLMAKE YOU NOD OUT,

AND THE YELLOWS'LLKEEP YOU GOINGFOR THE DURATION.

WHICH ONEDO YOU WANT?I'LL TAKE BOTH.

[WHISTLING]

WHOO!

WHOO-HOO-HOO!

DO YOU REALIZEIT'S GOING TO SNOW?

OH, THISBEAUTIFUL CHILL!

THIS--THIS--THISSUDDEN CHRISTMAS!

THE TANGOF EVERYTHINGSTABBING ME!

WHOO-HOO-HOO!

WHAT'S THAT SMELL?

[BOTH LAUGHING]

HEY, BE CAREFULABOUT THE BUNNIES.

I GOT 'EM, I GOT 'EM.

AHEAD, YONDER!

I'VE NEVER SEENTHIS CEMETERYBEFORE.

WHAT CEMETERY?

GEORGIE,CAN'T YOU SEE?

SEE WHAT?

GOD, CAN'T YOU SEE?

SEE WHAT?

Georgie: IT'STHE DRIVE-IN, MAN.

[VOICES MUTTERINGINDISTINCTLY]

DRIVE-IN?

THEY'RE SHOWINGMOVIES, AND NOBODY'SEVEN HERE.

I SEE.

I, UH, I THOUGHTIT WAS SOMETHING ELSE.

I HAVE TO GET BACK.

HOW FARARE WE FROM HOME?

WE'RE RIGHTOUTSIDE TOWN.

WE'VE JUST BEENDRIVING AROUNDAND AROUND.

THIS IS NO PLACETO CAMP.

I CAN HEARTHE INTERSTATE.

RIGHT OVER THERE.

WE BETTER GETSOME MILKFOR THE BUNNIES.

NO, WE DON'T...

WE DON'T HAVE MILK.

WE'LL MIXSUGAR UP WITH IT.

UH...

JUST, UH, FORGET IT.

FORGET--FORGET ABOUTTHE MILK ALL OF A SUDDEN.

THEY'RE MAMMALS,MAN.

NO, FORGET ABOUTTHE RABBITS.

WHERE ARE THEY,ANYWAY?

YOU'RE NOTLISTENING TO ME.

FORGET...ABOUT...THE RABBITS.

WHERE ARE THEY?

THEY...THEY...

THEY, UM...

THEY, UM, THEY SLIDAROUND BEHIND MEAND GOT SQUASHED.

THEY SLIDAROUND BEHIND?

OH, MAN.

OH, MY...

GOD!

EVERYTHING IS HERE.

LITTLE FEET, EYELIDS,EVEN WHISKERS.

DECEASED!

DOES EVERYTHINGYOU TOUCHTURN TO SHIT?

DOES THIS HAPPENTO YOU EVERY TIME?

NO WONDER EVERYBODYCALLS ME FUCKHEAD.

IT'S A NAME THAT'SGOING TO STICK.

I REALIZE THAT.

FUCKHEADIS GONNA RIDE YOUTO YOUR GRAVE.

I ALREADY SAID SO.

I AGREED WITH YOUIN ADVANCE.

FH, narrating: OH, MAYBETHAT WASN'T THE NIGHT

I ROLLED OVER ON THE BUNNIESAND FLATTENED THEM.

YEAH, MAYBE THAT WASANOTHER--ANOTHER TIME--

EITHER WAY,IT DOESN'T MATTER.

WH-WHAT'S IMPORTANTFOR ME TO REMEMBER NOW

IS THAT--THAT EARLYTHE NEXT MORNING

THE SNOW WAS MELTING OFF THE--THE WINDSHIELD,

AND THE DAYLIGHTWOKE ME UP, AND...

I WAS GONNA BE A FATHER.

[THE FAMILY WHO PRAYS PLAYING]

I WAS 24, 25,SOMETHING LIKE THAT.

MY FINGERTIPS WEREALL YELLOW FROM SMOKING.

WE'D COME TO CHICAGO BECAUSEMICHELLE WAS WITH CHILD.

Protestors: HAIL MARY,FULL OF GRACE,

THE LORD IS WITH THEE.

BLESSED ART THOUAMONG WOMEN

AND BLESSED IS THE FRUITOF THY WOMB--JESUS.

HOLY MARY,MOTHER OF GOD,

PRAY FOR US SINNERS

NOW AND AT THE HOUROF OUR DEATH, AMEN.

FH, narrating: THERE WAS NOTHINGSTOPPING MICHELLE AND ME

FROM HAVING A BABY,

EXCEPT OURSELVES.

NAME?

SORRY I'M LATE.

MICHELLE.MICHELLE.

MY APPOINTMENTWAS AT 3:30.

SOMEWHEREAROUND THERE.

HERE YOU ARE.COME WITH ME,HON.

LET'S GETYOU SETTLED.

YOU CAN'TJUST STAND THERE.

THEN I'LL GOSIT DOWN OVER THERE.

MM,THAT'LL BE FINE.

I KNOW THAT'LL BE FINE.

OR YOU CANWATCH THE FILM.

WHAT'S THE FILM?

Man: VASECTOMY ISA VERY SIMPLE PROCEDURE.

IT'S PERFORMEDRIGHT HERE IN THE OFFICESETTING AS A RULE.

IT, UH, IS INTENDED

TO BE A PERMANENT TYPEOF A STERILIZATION,

AND I WOULD HOPETHAT THAT'S WHATYOU HAD IN MIND.

IF YOU ARE NOT SATISFIEDTHAT THIS IS--

[SOUND TURNS OFF]

I'M NOT EVER GETTINGANYBODY PREGNANT AGAIN.

I KNOW THAT MUCH.

WOULD YOU LIKE TOMAKE AN APPOINTMENT?

WOULD YOU LIKETO GIVE ME THE MONEY?

IT WON'T TAKE LONGTO SAVE THE MONEY.

IT WOULD TAKE ME

FOREVERTO SAVE THE MONEY.

Nurse: MICHELLE ISCOMFORTABLE NOW.

IS SHE DEAD?

HOW YOU FEELING?

I DON'T KNOW.

WHAT DIDTHEY STICK UP YOU?

WHAT?

WHAT?

HEY, OK, OUT OF HERE.

LOOK, JUST--JUSTGIVE ME A MINUTE.

I'M SORRY.

MAYBE WE COULD--MAYBE WE COULD TRY AGAIN.

SOMETHING IS WRONGWITH YOU.

I DON'T THINK THIS MANREALLY NEEDS TO BEIN THE BUILDING.

I JUST, UM...

WAIT OUTSIDE,PLEASE, SIR.

THERE JUST WASN'TENOUGH TIME--

IF YOU WANT TO GOWAIT OUTSIDEFOR HER, SIR.

YEAH, YEAH, YEAH,YEAH, YEAH,

YEAH, YEAH, YEAH, YEAH, YEAH.

YEAH, YEAH, YEAH,YEAH, YEAH, YEAH, YEAH.

[SCREAMING]

FH, narrating:THE CATHOLICS SPLASHEDHOLY WATER ON MY CHEEK

AND THE BACK OF MY NECK,AND I DIDN'T FEEL A THING.

NOT FOR MANY YEARS.

THINK OF BEING CURLED UP

AND FLOATING IN A DARKNESS.

EVEN IF YOU COULD THINK,

EVEN IF YOU HADAN IMAGINATION,

WOULD YOU EVER IMAGINEITS OPPOSITE?

THIS MIRACULOUS WORLD?

THE ASIAN TAOISTSCALL IT 10,000 THINGS.

AND IF THE DARKNESSJUST GOT DARKER...

AND THEN YOU WERE DEAD...

WHAT WOULD YOU CARE?

HOW WOULD YOU EVEN KNOWTHE DIFFERENCE?

[RADIO PLAYING LOUDLY]

YOU'RE GONNA BE SO HAPPYWHEN YOU GET THERE.

FH, narrating:THE NEXT MORNING I GOTBACK TO THE REBEL MOTEL,

AND THERE WAS JOHN SMITH.

YOU DRIVE AROUNDIN THIS STRIPED,PINK CAR-THING.

IT'S LIKE A REAL CAR,EXCEPT SMALLER.

EVERYWHEREYOU WANT TO GO.

* LIKE A MANIN A TRANCE *

* LIKE A MANIN A TRANCE *

* YOU KNOW DARN WELL

* I KNOW DARN WELL

* THAT I DON'TSTAND A CHANCE *

[TURNS RADIO OFF]

GET OUT OF MY HOUSE.

IF THIS ISYOUR HOUSE, PAL,

IT'S NO WONDERYOUR WOMAN'SHITTING THE ROAD.

WHAT? WAIT.HEY, WHERE YOU GOING?

MICHELLE?

MEXICO.

JOHN'S GOTSOME WORK FOR ME.

OH! [SCOFFS]

John:AND THERE'S THESE BIRDS.

YOU KNOW THOSE HUGE,WHITE BIRDS

THAT FLOATAROUND ON LAKESAND STUFF LIKE THAT?

THEY'RE CALLED SWANS.

WHATEVER THEY'RE CALLED.

THEY'RE CALLED SWANS.THEY MATE FOR LIFE.

I DON'T REALLYGIVE A FUCKWHO THEY MATE FOR.

ANYWAY, THEY'RE ALL OVERTHE PLACE DOWN THERE.

IT'S LIKE A PARADISE.MICHELLE?

ARE YOU HIGH?

NO.

YEAH, BUT...

I NEED TO TALK TO YOU.

SHE'S GOT HER FUTURETO THINK OF.

JOHN, JUST KEEPOUT OF IT.

WHAT IF YOU JUST TRIEDA LITTLE HARDER, HUH?

WHAT IF YOU JUST TRY TO MAKE IT WORK?

WHAT IF YOU JUST PRETENDTHAT YOU WERE THE ONE?

DON'T DO THIS, BABY.

ARE YOU GONNA ANSWERMY QUESTION OR NOT?

WHAT QUESTION?

FH, narrating:THERE WAS A GUY DOWNNEAR THE FRONT OF THE CAR,

AND THERE WASSOMETHING ABOUT HIM.

I DON'T KNOWWHAT IT WAS.

[AIR BRAKES HISSING]

I FOLLOWED HIM BECAUSE--

I DON'T KNOW WHY.I GUESS HE LOOKED LUCKY.

* SATAN IS REAL

* WORKING IN SPIRIT

* YOU CAN SEE HIMAND DARE HIM *

* IN THIS WORLD EVERY DAY

* SATAN IS REAL

* WORKING WITH POWER

* HE CAN TEMPT YOUAND LEAD YOU ASTRAY *

* I ATTENDED SERVICEAT A LITTLE CHURCHNOT LONG AGO *

* THE PRAYER WAS LEDBY AN OLD COUNTRY PREACHER *

* WHO THEN RAISEDHIS HANDS *

* AS EVERYONE STOODAND SANG *

* MY GOD IS HERE *

* BUT THEN A LITTLE OLD MANSTOOD UP AND SAID *

* "PREACHER, TELL THEMTHAT SATAN IS REAL, TOO." *

HE HAD A HOOD ON.

THEY'RE LOOKINGFOR A GUY WITH A HOOD ON.

WHAT HE DO?

OH, NOTHING.SOME GUY GOT MURDEREDLAST NIGHT.

* YOU CAN SEE HIMIN THE DESTRUCTIONOF HOMES TORN APART *

* I KNOWTHAT SATAN IS REAL *

* FOR ONCEI HAD A HAPPY HOME *

* I WAS LOVEDAND RESPECTEDBY MY FAMILY *

* I WAS LOOKED UPONAS A LEADER *

* IN MY COMMUNITY

* AND THEN SATAN CAMEINTO MY LIFE *

Man: HEY.

* I GREW SELFISH

* MY FRIENDS TURNEDAGAINST ME *

YOU WERE ON THE EL.

YOU FOLLOWING ME?

* YES, PREACHER...

HEY!

FH, narrating:I TOOK OFF

BECAUSE MY THROATWAS CLOSING UP

AND, SUDDENLY,I HAD AN ERECTION.

I KNEW MEN GOTTHAT WAY ABOUT MEN,

BUT I DIDN'T KNOW I DID.

HIS CHEST WASLIKE CHRIST'S.

THAT'S PROBABLYWHO HE WAS.

I COULD HAVE FOLLOWEDANYBODY OFF THAT TRAIN,

IT WOULD HAVEBEEN THE SAME.

OH, MICHELLE.

MICHELLE, MICHELLE,MICHELLE, MICHELLE.

YEAH, FOR SOME REASON,

MEXICO STANDS OUTIN MY MIND.

[TELEPHONE RINGS]

HELLO?

WAIT. IOWA CITY?

FH, narrating:ANYWAY, LIKE I STARTEDTO TELL YOU BEFORE,

I WAS HITCHING A RIDELOOKING FOR MICHELLE.

I'M GIFTED WITH LOVE.I LOVE MY KIDS.

I LOVEALL MY RELATIVES.

FH, narrating: THE PILLSTHE TRAVELING SALESMANHAD FED ME

MADE THE LINING OF MY VEINSFEEL SCRAPED OUT.

MY JAW ACHED...

SHE'S CUTE.

I KNEW EVERY RAINDROPBY ITS NAME.

I SENSED EVERYTHING BEFORE IT HAPPENED.

[OWL HOOTING]

I KNEW A CERTAIN OLDSMOBILEWOULD STOP FOR ME

EVEN BEFORE IT SLOWED.

AND BY THE SWEET VOICESOF THE FAMILY INSIDE IT,

I KNEW WE'D HAVEAN ACCIDENT IN THE STORM.

[SCREECHING]

[GASPING]

IT'S ALL RIGHT.

YOU'RE GONNA BE OK.

[TRUCK ACCELERATING]

THERE'S BEENAN ACCIDENT!

GO FOR HELP!

[DOOR UNLOCKING]

YOU SMELL.

UM...

SO HOW WAS MEXICO?

HOT.

BUT I MADE GOOD MONEY.

I WAS GONNAGO DOWN THEREAND FIND YOU,

BUT THEN I HEARDYOU WERE HERE.

I WASIN A BAD CAR WRECK.

WHAT?

WERE YOU DRIVING?

WHAT DIFFERENCEDOES IT MAKE?

PEOPLE DIED.

I SAVED THE BABY.

WHAT ARE YOUTALKING ABOUT?

NOTHING.

FORGET ABOUT IT.

UH...

I SHOULDN'THAVE COME HERE.

I'M GOING.

NO. WAIT FOR ME.

REALLY?

NO. JUST WAIT.

I'M CLEAN.

LOOK,I CAN HELP YOU.

FH, narrating:WE STAYED IN THAT PLACEFOR A WEEK.

WE MADE LOVE IN THE BED,

ATE STEAKSAT THE RESTAURANT,

WE FOUGHT, CRIED,

BEGGED OF ONE ANOTHER,

FORGAVE, PROMISED...

AND...

CARRIED ONE ANOTHERTO HEAVEN.

[WHISPERING]All the time, see?

You're back.

FH, narrating:THEN ONE NIGHT,AFTER ONE OF OUR FIGHTS,

I LEFT AND WALKEDTHE STREETS.

I'M SORRY...

MY SWEET ANGEL.

I'M SORRY.

[MUMBLES]WHAT?

MM, BABY...

MICHELLE, WAKE UP.WAKE UP.

BABY?

BABY!

BABY!

UHH! UHH!

WAKE UP!

MY GOD!

WAKE UP!WAKE UP!

[SHOWER RUNNING]COME ON!

[SNIFFS]

HEY, WAKE UP.

HEY, DO YOU WANTTO TRY A PILL?

WHAT KIND OF PILL?

UM...

PSYCHEDELIC MUSHROOMS,

ALL GROUND UP.

THAT'S THE BIGGEST PILLI'VE EVER SEEN.

LOOK AT IT.

IT'S LIKE AN EGG.

IT'S LIKEAN EASTER-THING.

ARE YOU HEARINGANY UNUSUAL SOUNDSOR VOICES?

HA HA!

[CHILDREN'S VOICESCHATTERING]

NOT EXACTLY.

NOT EXACTLY.NOW WHAT DOES THAT MEAN?

I'M NOT READYTO GO INTO THAT.

IT'S OK.

YOU'LL BE OK.

Doctor: GAUZE.

OHH!

Doctor: OK, CONVULSING.

WE NEED AN ORDERLYIN HERE, QUICK!

Nurse's voice, echoing:QUICK, QUICK, QUICK...

DON'T GET TRICKYWITH THE MUSTACHE.

OK, SO FAR?

YEAH, SO FAR.

[CHUCKLES]

I'LL DO THE OTHER SIDE.

THAT WOULD MAKESENSE, PARTNER.

THERE ARE SOME PEOPLEOUT THERE

WHO WOULD LIKE TO KNOWA THING OR 2 ABOUT YOU.

WOULD YOU DESCRIBE YOURSELFFOR THOSE PEOPLE?

I DON'T KNOW.

I'M LIKE A FATPIECE OF SHIT,I GUESS.

HE'S OVERWEIGHT.

I'VE BEEN SHOTTWICE, THOUGH.

TWICE?

YEAH,ONCE BY EACH WIFE.

TOTAL OF 3 BULLETS

MAKING 4 HOLES.

3 IN, ONE OUT.

AND YOU'RE STILL ALIVE?

ARE YOU KIDDING?[CHUCKLES]

NO.

WELL, THAT IS TOO BAD

BECAUSE IT MAKES YOUSOUND AWFUL STUPID

ASKING IF I'M ALIVE'CAUSE OBVIOUSLY I AM.

WELL...

MAYBE I MEAN ALIVE...

CAREFUL.

IN A DEEPER SENSE.

YOU COULD BE TALKINGAND STILL NOT BE ALIVE

IN A DEEPER SENSE.

WELL, THERE'SNO DEEPER SHIT

THAN THE KINDWE'RE IN RIGHT NOW,

I'LL TELL YOU THAT.

WHAT ARE YOUTALKING ABOUT?

IT'S GREAT HERE.

THEY EVEN GIVE YOUCIGARETTES.

WELL, THEY DIDN'TGIVE ME ANY YET.

OH.

HERE YOU GO.

THANKS.

PAY ME BACKWHEN YOU GET YOURS?

MAYBE.

YOU GOT A WIFE?

NO.I MEAN...NO.

I--BUT I JUST CAN'T TALKABOUT THAT RIGHT NOW.

LOOK, THERE'SNO PROBLEM.

YOU DON'T HAVETO TALK ABOUT IT.

SO, WHAT DID YOU SAYWHEN SHE SHOT YOU?

I SAID,"YOU SHOT ME."

BOTH TIMES?BOTH WIVES?

WELL, THE FIRST TIMEI DIDN'T SAY ANYTHING

'CAUSE SHE SHOT MEIN THE MOUTH.

OH, SO YOUCOULDN'T TALK?

NO, WELL, I MEAN,I WAS KNOCKED OUT COLD

IS THE REASONTHAT I COULDN'T TALK.

AND I STILL REMEMBER THE DREAM THAT I HAD

WHEN I WAS KNOCKED OUTTHAT TIME.

WHAT WAS THE DREAM?

WELL, NOW,HOW CAN I EXPLAINTHAT TO YOU?

I MEAN,IT WAS A DREAM.

IT DIDN'T MEANA FUCKING THING,MAN.

ANYTHING.ANYTHING AT ALL.

WELL, THERE ISONE THING.

HMM?

THE DREAM THAT I HADKEEPS COMING BACKOVER AND OVER.

AND I MEANWHEN I'M AWAKE.

EVERY TIME I THINKABOUT MY FIRST WIFE,

I REMEMBERTHAT SHE PULLEDTHE TRIGGER ON ME,

THEN HERE COMESTHE DREAM.

[LAUGHS]

DID YOU EVER SEE THAT ELVIS PRESLEY MOVIE FOLLOW THAT DREAM?

FOLLOW THAT DREAM, I DID SEE THAT,

AND I WAS JUST GONNAMENTION THAT.

YOU SAW THAT?

NO.OK, YOU'RE ALL DONE.

[SIGHS]

THERE WAS A SONG, FOLLOW THAT DREAM, TOO.

LOOK IN THE MIRROR.

RIGHT.

WHAT DO YOU SEE?

HOW DID I GET SO FATWHEN I HARDLY EAT?

IS THAT ALL?

WRECKED CARS.

ANY PEOPLE IN THEM?

YEAH.

WHO?

THE PEOPLE AREJUST DEAD MEATNOW, MAN.

IS THAT REALLYHOW IT IS?

HOW WOULD I KNOWHOW IT IS?

I JUST GOT HEREAND IT STINKS.

ARE YOU KIDDING?

HEY, THEY'RE PUMPINGHALIDOL BY THE QUART.

IT'S A PLAYPEN.

YEAH, WELL,I'M OLDER THAN YOU ARE.

YOU CAN STILL GOON THE WHEEL

A COUPLE MORE TIMES,YOU KNOW, AND GET OFF

WITH ALL YOUR ARMSAND LEGS STUCK ON RIGHT.

NOT ME.

HEY,YOU'RE DOING FINE.

HEY, TALK INTO HERE.

TALK INTOYOUR BULLET HOLE?

YEAH.

TALK INTOMY BULLET HOLE,

AND TELL METHAT I'M FINE.

FH, narrating: SO, THAT--THAT BRINGS ME UP TO--

TO PHOENIX.

I WAS A WHIMPERINGDOG INSIDE,

NOTHING MORE THAN THAT.

WHEN I FOUND A JOB WRITINGTHE BEVERLY HOME NEWSLETTER,

I BELIEVEDI WAS HAPPY ABOUT IT

BECAUSE PEOPLE--

COUNSELORS,NARCOTICS ANONYMOUSMEMBERS AND SUCH--

SEEMED TO THINK A JOBWAS A HAPPY THING.

NOT ALL OF THE PEOPLE LIVINGAT THE BEVERLY HOME WERE OLD.

SOME WERE YOUNG,BUT PARALYZED...

SOME WEREN'T PAST MIDDLE AGE,BUT WERE ALREADY DEMENTED...

OTHERS WERE FINE,EXCEPT THEY COULDN'T

BE ALLOWED OUTON THE STREETS

WITH THEIRIMPOSSIBLE DEFORMITIES.

THEY MADE GOD LOOKLIKE A SENSELESS MANIAC.

THERE'S A PRICETO BE PAID

FOR DREAMING.

FH, narrating:YOU AND I DON'T KNOWABOUT THESE DISEASES

UNTIL WE GET THEM,

IN WHICH CASE WE WILLALSO BE PUT OUT OF SIGHT.

WELL, HERE HE IS.GOTTA GO.

HOW'S IT GOING?

HI.

HERE'S THE, UH...

THERE'S THE NEXT ISSUE.

YOU KNOW, IT'S PARTOF YOUR JOB TO TOUCHTHE RESIDENTS HERE.

THESE PEOPLE,MORE THAN ANYTHING,THEY NEED TO BE TOUCHED.

OH...OK.

SO, WHEN YOU SAYHELLO TO THEM,

BE SURE TO PUTYOUR HANDS ON THEM.

OK. OK.

OK.OK.

OK.

FH, narrating: EACH DAY,ON MY WAY TO BEVERLY HOME,

I'D WALK BY A ROW OF HOUSESON THE WAY TO THE BUS STOP.

AND ONE DAY I HEARD THESOUND OF A WOMAN SINGING.

SHE MUST NOTHAVE UNDERSTOOD

THAT SOMEBODY MIGHTBE ABLE TO HEAR HER.

Woman:* FARTHER ALONG

I THOUGHT OF MERMAIDS.

* CHEER UP, MY BROTHER

* LIVE IN THE SUNSHINE

* WE'LL UNDERSTAND ITALL BY AND BY *

* OFTEN I WONDER

* WHY I MUST JOURNEY

* OVER AND OVER...

Chris: I USEDTO WALK AROUNDAT NIGHT ALL ALONE,

AND, YOU KNOW,ALL SCREWED UP.

YOU KNOW?

YOU EVER DO THAT?

YOU KNOW,WALK PAST THE HOUSES

WITH THE CURTAINSIN THE WINDOWS

AND YOU FEELLIKE YOU'RE TOTING

A BIG CART OF SINSBEHIND YOU?

[MAN COUGHS]

AND DID YOU EVER THINKTHAT BEHIND THOSE WINDOWS,

BEHIND THOSE CURTAINS,

THAT PEOPLE ARE LEADINGNORMAL, HAPPY LIVES?

HUH?

WELL, THAT'S MY GOAL NOW

IS TO BE ONEOF THOSE PEOPLE

ON THE OTHER SIDEOF THOSE CURTAINS.

HAVE MY OWN WINDOW,YOU KNOW?

HI.

Man: THANKS, CHRIS.THANKS A LOTFOR YOUR STORY, MAN.

DON'T FORGET,EVERYBODY...

I'LL DRIVE.

IS ANYONE GOINGDOWNTOWN?

NO, SORRY, I'M NOT.ARE YOU GOING HOME?

UM, YEAH,BUT I'M STOPPINGBY MY MOTHER'S.

WHERE YOU HEADED?

UH, LAS COLINASBOULEVARD?

OH, I'LL TAKE YOU THERE.COME ON.

SO WHAT BROUGHTYOU HERE?

YOU MEAN TO A.A.?

NO, TO PHOENIX.

OH, UH,I DON'T KNOW.I THOUGHT MY--

A COUPLE OF REASONS.

FOR ONE, I THOUGHTMY BROTHER WAS HERE.

WELL, IS HE?

UH, NO.

IT'S RIGHT HERE.

I MEAN, I DON'T KNOW.I DON'T KNOW WHERE HE IS.

WHAT WASTHE OTHER REASON?

UH, MY, UH--MY GIRL--

MY GIRLFRIEND'S NOT HERE--AROUND ANYMORE.

I MEAN, SHE ODed.

OH, GOD.

I KNOW WHATTHAT'S LIKE.

IT'S OPEN.OH.

CAN YOUHOLD THIS?

YEAH.THANKS.

NURSE!

HERE YOU ARE.LET ME HELP YOU.

GET OFF THE CHAIR!

OFF THE CHAIR!GET YOUR HANDS OFF!

OK. OK. OK.

HELP ME.

I'M STUCK.

ALL RIGHT,THERE YOU GO.

OFF THE CHAIR!

I KNOW WHERE I'M GOING.

[KNOCK ON WINDOW]

[LOW VOICES]

FH: SOMETIMES HER HUSBANDCAME HOME BEFORE I LEFT.

SEEING THEM IN THEIR GETUP,I UNDERSTOOD.

THEY WERE AMISH.

OR MORE LIKELY MENNONITES.

[GRUNTING]

WHAT?

[GARBLED SPEECH]

I CAN'T--I'M SORRY, BUT--

I--I CAN'T UNDERSTAND.

IT'S ALL RIGHT, MAX.IT'S ALL RIGHT.

HERE, LET GO.

[GRUNTING]

ALL RIGHT, FINE.

MAX GOT A LETTER TODAY.

HIS WIFE'S DIVORCING HIM.

SHE DROPPED HIM OFF HERE2 YEARS AGOAND NEVER CAME BACK.

HERE. I THINKYOU'D BETTER WAIT OUTSIDE.

COME ON NOW.LET'S GO INSIDE.

[GARBLED SHOUTING]

FH: NO MORE PRETENDINGFOR HIM.

HE WAS COMPLETELYAND OPENLY A MESS.

MEANWHILE THE REST OF US GO ONTRYING TO FOOL EACH OTHER.

Woman: * FARTHER ALONG...

[SHOWER RUNNING]

* WE'LL KNOWALL ABOUT IT *

* FARTHER ALONG,WE'LL UNDERSTAND WHY *

[CONTINUES INDISTINCT]

* FAITHFUL TILL DEATH,SAYS OUR LOVING MASTER *

* ONLY A WHILE TO LABORAND WAIT *

* THEN WILL OUR TOILSALL SOON BE FORGOTTEN *

* AS WE SWEEP THROUGHTHE BEAUTIFUL GATE *

* FARTHER ALONG,WE'LL KNOW ALL ABOUT IT *

TAKE WHAT YOU NEED.

* FARTHER ALONG,WE'LL UNDERSTAND WHY *

* CHEER UP, MY BROTHER

* LIVE IN THE SUNSHINE

* WE'LL UNDERSTAND ITALL BY AND BY *

SHIT!

Woman: I HAD ONE BOYFRIENDWHO GOT KILLED BY A TRAIN.

HIS CAR STALLEDON THE TRACKS.

AND HE THOUGHT HECOULD GET HIS MOTOR FIRING

BEFORE THE ENGINECAUGHT HIM,BUT HE WAS WRONG.

MY FIRST HUSBANDFELL THROUGH A THOUSANDEVERGREEN BRANCHES

IN THE MOUNTAINSUP AROUND CHOLLO.

HE WAS A TREE SURGEON,AND HE CRUSHED HIS HEAD.

I HAD A BOYFRIENDIN THE MARINES WHOGOT IT IN VIET NAM.

WELL, 2 BOYFRIENDSWHO DIED IN THE MARINES.

ANOTHER ONE NAMED ZACKGOT KILLED INA ONE-CAR ACCIDENT...

RIGHT OUT OFBASIC TRAINING.

ALMOST...EVERY MANI'VE EVER LOVED ENDEDUP GETTING KILLED.

I TOLD YOU ABOUTMY THIRD HUSBAND,DIDN'T I?

THE ONE WHO ALMOSTBOUGHT THE PET SHOP?

[CRIES]

HE WAS THE ONEWHO WROTE TO MEHE WAS GOING TO O.D.

YOU KNOW, IF IT WASN'TFOR HIM DYING YOUNG,

I PROBABLY'DSTILL BE OUT THEREWITH THAT OLD MAN.

I WAS MARRIED TOA BLACK GUY ONCE,

BUT...

HE GOT SHANKEDIN PRISON.

THAT MEANS STABBED.STABBED TO DEATH.

DOESN'T IT MAKE YOUGRATEFUL

BECAUSE THEY WEREPEOPLE JUST LIKE US?

ONLY UNLUCKIER.

UH, I HAVE ANANNOUNCEMENT TO MAKE...

AND AN APOLOGY.

UH, IT SEEMSTHAT I FORGOT,

UH, LEFT OUT,

UM, SOMEBODY'S BIRTHDAYLAST MONTH.

UH, ISAACCHRISTOPHERSON...

TURNED AN IMPRESSIVE 70.

HOO.

WHOO!

WHOO!WHOO-HOO!

MANY HAPPY RETURNSTO YOU, ISAAC.

UH, THERE WILL BE...

UH, 6 BIRTHDAY PEOPLENEXT MONTH.

6?6?

AND WATCH FOR THE NOVEMBER BEVERLY HOME NEWS

TO FIND OUTWHO THEY ARE.

WHOO!WHOO-HOO! WAY TO GO!

WHOO-HOO.

* SWEET DESIRECAN LEAD THE WAY *

* SWEET DESIRECAN LEAD THE WAY... *

HEY, OLD FRIEND.

OH, HEY!

* THAT I SHOULD GO,BUT YOU'RE HOLDING ME LIKE *

* MY LOVER WOULD DOAND THAT *

* SWEET DESIRECAN LEAD THE WAY... *

HI.

OH, HI.

HOW ARE YOU?

I'M FINE.WHAT ABOUT YOU?

I WAS--I WAS HOPING MAYBEI'D SEE YOU HERE.

WANT THIS?

OH. OK, THANKS.

YEAH?

YOU WEREN'T ATTHE LAST COUPLEOF MEETINGS.

OH, YEAH. WELL, I DON'TCOME TO ALL THE MEETINGS.

IT WAS REALLY MY HUSBAND'S--

MY LAST HUSBAND--

I JUST COMEFOR THE SUPPORT.

OH. OH. I DIDN'T KNOW.

SO HOW 'BOUT YOU?

HOW'S IT GOING?

I'M, UH...IT'S ALL RIGHT.

I'M TAKING A NEWAPPROACH TO LIFE.

UM, I'M NOT STEALING.

I'M TRYING TO SEE EACH TASKTHROUGH TO ITS END,

THAT KIND OF THING,YOU KNOW, SIMPLE?

THAT'S GOOD.

[CLAPPING AND CHEERS]

[NEW SONG]

OH...

DO YOU DANCE?

I MEAN, DO Y--WOULD YOU--

DO YOU THINKYOU'D LIKE TO DANCE?

WELL, USUALLY,I JUST WATCH.

OH, YEAH. YEAH.

YEAH.BUT OK.

REALLY?SURE.

IT'S NO BIG THING.

* BEEN SUCH A LONG,LONG TIME *

* LOOK LIKE I GOT YOU

HERE THE, UH...

* OFF OF MY MIND

OH, NO.THAT'S OK.

* BUT I CAN'T

* JUST THE THOUGHT OF YOU

* JUST THE THOUGHT OF YOU

* TURNS MY WHOLE WORLDMISTY BLUE *

* MISTY BLUE

* OH, HONEY

* JUST THE MENTIONOF YOUR NAME *

* JUST YOUR NAME

* TURNS THE FLICKERTO A FLAME *

* LISTEN TO ME GOOD, BABY

* I THINK OF THE THINGSWE USED TO DO *

* AND MY WHOLE WORLDTURNS MISTY BLUE *

THAT'S NICE.JUST LIKE THAT.

[INDISTINCT MURMURS]

DAMN.

GOD.

FUCK IT.

[MOANING LOUDER]

OH, AS FOR THE MENNONITE COUPLEAFTER ABOUT A MONTH,

YOU COULD ALMOST SAYOUR SCHEDULES WERE COORDINATED.

I JUST GOT SO IENJOYED SEEING THEM

SITTING IN THEIRLIVING ROOM TALKING...

OR SAYING GRACEOR EATING THEIR SUPPER.

[CHAIR SCREECHES]

[INDISTINCT CHATTER]

Woman: YOU'RE NOT BEING FAIR.

[MAN INDISTINCT]

Woman: I DON'T WANNA TALK NOW.

FH: I WAS STILL LEARNINGTO LIVE SOBER.

AND IN FACT,I WAS OFTEN CONFUSED.

BUT I WAS IN A LITTLEBETTER SHAPE EVERY DAY.

I WAS GETTING MY LOOKS BACK.

AND THIS WAS, ALL IN ALL,A HAPPY TIME FOR ME.

I DIDN'T SPENDA LOT OF TIME THERE,

BUT I FELT ABOUT THE CIRCULARHALLWAY OF THE BEVERLY HOME

AS I FELT ABOUTTHE PLACE WHERE...

BETWEEN OUR LIVESON THIS EARTH WE GO BACK

TO MINGLE WITH OTHER SOULSWAITING TO BE BORN.

ALL THESE...WEIRDOS

AND ME GETTINGA LITTLE BETTER EVERY DAY

RIGHT IN THE MIDDLE OF 'EM.

I HAD NEVER KNOWN...

I HAD NEVER EVEN IMAGINEDFOR A HEARTBEAT...

THAT THERE MIGHT BE A PLACE INTHE WORLD FOR PEOPLE LIKE US.

* FARTHER ALONG,WE'LL KNOW ALL ABOUT IT *

* FARTHER ALONG,WE'LL UNDERSTAND WHY *

* CHEER UP, MY BROTHER

* LIVE IN THE SUNSHINE

* WE'LL UNDERSTAND ITALL BY AND BY *

* WE'LL UNDERSTAND IT

* ALL BY AND BY

CAPTIONING MADE POSSIBLE BYLIONS GATE ENTERTAINMENT

CAPTIONED BY THE NATIONALCAPTIONING INSTITUTE--www.ncicap.org--

* LISTEN, HEAR THAT PLANE

* FLIES TO HEAVEN EVERY DAY

* PASSING THROUGH THE GATES

* IF YOU WANNA RIDETHIS TRAIN *

* HAVE YOUR TICKETIN YOUR HAND *

* BEFORE IT IS TOO LATE

* IF THE WORLD LOOKS WRONG

* AND YOUR MONEY'SSPENT AND GONE *

* YOUR FRIEND HAS TURNED AWAY

* YOU CAN GET AWAYTO HEAVEN *

* ON THIS AIRPLANE

* JUST BOW YOUR HEAD AND PRAY

* WHO'S GOT EARSTHAT DON'T HEAR? *

* WHO'S GOT EYESTHAT DON'T SEE? *

* TURN YOUR EYESTO THE LORD OF THE SKIES *

* TAKE THAT AIRLINE PLANE

* IT'LL TAKE YOU HOME AGAIN

* YEAH, TO YOUR HOMEBEYOND THE SKIES *

* WELL, A LOT OF PEOPLE GUESS

* SOME SAY NOAND SOME SAY YES *

* TAKE SOMEAND LEAVE SOME BEHIND *

* THEN YOU WOULD SURELY KNOW

* TURN TO THE AIRPORT, GO

* TO LEAVE THIS WORLD BEHIND

* JUST LEAVE THIS WORLDBEHIND *

* WHO'S GOT EARSTHAT DON'T HEAR? *

* WHO'S GOT EYESTHAT DON'T SEE? *

* TURN YOUR EYESTO THE LORD OF THE SKIES *

* TAKE THAT AIRLINE PLANE

* IT'LL TAKE YOU HOME AGAIN

* YEAH, TO YOUR HOMEBEYOND THE SKIES *

* OH, WELL, A LOTOF SPEAKERS SPEAK *

* AND A LOTOF PREACHERS PREACH *

* AND YOU LAY THEIR SALARYON THE LINE *

* JUST BOW YOUR HEADAND PRAY *

* IT'S THE ONLYEARTHLY WAY *

* YOU CAN FLY TO HEAVENON TIME *

* YOU CAN REACH HEAVEN ON TIME

* YOUR TICKET YOU OBTAINED

* FROM THIS HEAVENLYAIRLINE PLANE *

* YOU CAN LEAVEYOUR SINS BEHIND *

* YOU'VE GOT TO TAKETHIS FLIGHT *

* IN THE DAYTIME AFTER NIGHT

* YOU CAN'T SEE YOUR WAYIF YOU'RE BLIND *

* YOU CAN'T SEE YOUR WAYIF YOU'RE BLIND *

* WHO'S GOT EARSTHAT DON'T HEAR? *

* WHO'S GOT EYESTHAT DON'T SEE? *

* TURN YOUR EYES TOTHE LORD OF THE SKIES *

* TAKE THAT AIRLINE PLANE

* IT'LL TAKE YOU HOME AGAIN

* YEAH, TO YOUR HOMEBEYOND THE SKIES *

[NEW SONG]