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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,602 --> 00:00:06,140 ** 2 00:00:17,718 --> 00:00:21,055 (singsongy) HAPPY MONDAY, PROFESSIONALS. 3 00:00:21,055 --> 00:00:23,457 IT'S THURSDAY, AND SO IT BEGINS. 4 00:00:23,457 --> 00:00:27,027 HELLO, BOSS. RIGHT. WE HAVE A LOT GOING ON TODAY. 5 00:00:27,027 --> 00:00:28,596 YOU KNOW IT, GIRLFRIEND. 6 00:00:28,596 --> 00:00:31,232 OH, I AM OBSESSED WITH THIS NEW PHONE THAT YOU SET ME UP WITH. 7 00:00:31,232 --> 00:00:33,301 IF I COULD JUST GET YOUR FOCUS FOR A MOMENT, 8 00:00:33,301 --> 00:00:34,735 THIS IS TODAY'S SCHEDULE-- 9 00:00:34,735 --> 00:00:36,337 (Auto-tune voice) IT'S EVEN GOT AUTO-TUNE, 10 00:00:36,337 --> 00:00:37,738 SO EVERYTHING YOU SAY SOUNDS LIKE A RAP SONG, 11 00:00:37,738 --> 00:00:39,740 EVEN WORDS LIKE... 12 00:00:39,740 --> 00:00:40,741 * PENIS 13 00:00:40,741 --> 00:00:41,775 * PENIS 14 00:00:41,775 --> 00:00:45,846 * PENIS 15 00:00:45,846 --> 00:00:47,381 YOU HAVE-- * PE-- 16 00:00:47,381 --> 00:00:48,382 YOU'VE GOT-- * PENIS 17 00:00:48,382 --> 00:00:49,783 YOU HAVE A MEETING IN FIVE. 18 00:00:49,783 --> 00:00:52,052 ALSO, COULD YOU SIGN THIS BIRTHDAY CARD? 19 00:00:52,052 --> 00:00:53,887 BIRTHDAY? WHOSE IS IT? 20 00:00:53,887 --> 00:00:55,223 MINE, NEXT WEEK. 21 00:00:55,223 --> 00:00:56,790 I'VE PREPURCHASED A CARD FOR MYSELF 22 00:00:56,790 --> 00:00:59,660 TO AVOID THE USUAL AWKWARDNESS WHEN YOU INEVITABLY FORGET. 23 00:00:59,660 --> 00:01:01,295 I THOUGHT IT MIGHT BE TO YOUR TASTE. 24 00:01:01,295 --> 00:01:02,796 "HAPPY BIRTHDAY, HOTTIE! 25 00:01:02,796 --> 00:01:07,000 YOU BRING THE FIRE, I'LL BRING THE HOSE!" (gasps) 26 00:01:07,000 --> 00:01:08,702 OH, MY GOSH. I LOVE FIREMEN. 27 00:01:08,702 --> 00:01:10,871 THIS IS GONNA BE MY BEST BIRTHDAY EV. 28 00:01:10,871 --> 00:01:12,706 OH, NO, ACTUALLY, IT'S MY BIRTHDAY. 29 00:01:12,706 --> 00:01:13,707 * PENIS 30 00:01:13,707 --> 00:01:14,708 NEVER MIND. 31 00:01:14,708 --> 00:01:15,876 * PE-- 32 00:01:15,876 --> 00:01:17,711 * I'M MOVING TO PENIS TOWN * 33 00:01:20,281 --> 00:01:21,549 MOLLY! INCOMING! 34 00:01:21,549 --> 00:01:23,817 HEY, ROBBIE'S GOT RECEIPTS. 35 00:01:23,817 --> 00:01:26,754 (whirring) 36 00:01:28,055 --> 00:01:29,957 DUDE, DUDE, CASH IS MAKING A MOVE. 37 00:01:29,957 --> 00:01:33,093 (whirring continues) 38 00:01:33,093 --> 00:01:34,395 ROBBIE! HEEL! 39 00:01:34,395 --> 00:01:35,963 CASH! YEAH. 40 00:01:35,963 --> 00:01:38,499 IT'S 14 FEET. COULD YOU NOT HAVE JUST WALKED THEM OVER? 41 00:01:38,499 --> 00:01:40,301 SINCE WHEN ARE YOU GUYS HITTING ON MOLLY? 42 00:01:40,301 --> 00:01:41,869 SHE MAY HAVE A STICK UP HER BUTT, 43 00:01:41,869 --> 00:01:43,704 BUT IT'S THE HOTTEST ONE IN THIS OFFICE. 44 00:01:43,704 --> 00:01:46,840 YEAH. I'D CRACK ME OFF A PIECE OF THAT. 45 00:01:48,876 --> 00:01:50,611 (sighs) 46 00:01:51,779 --> 00:01:53,247 (blows air) 47 00:01:57,318 --> 00:02:01,655 (packaging rustling) 48 00:02:01,655 --> 00:02:03,624 STAY CALM, OZ. 49 00:02:03,624 --> 00:02:04,892 STAY CALM. 50 00:02:04,892 --> 00:02:06,760 STAY CALM. 51 00:02:08,962 --> 00:02:10,731 WE GOT A CODE BLUE! 52 00:02:10,731 --> 00:02:12,533 (alarm blaring) EVERYBODY STOP WHAT YOU'RE DOING AND LISTEN UP! 53 00:02:12,533 --> 00:02:14,602 CONTRA HAS BEEN COMPROMISED! 54 00:02:14,602 --> 00:02:16,270 LOOK AT WHAT I JUST FOUND IN THE TRASH. 55 00:02:16,270 --> 00:02:18,806 SOMEONE HAS PILFERED MY PUDDING. 56 00:02:18,806 --> 00:02:21,409 NOW, CAM, I WANT YOU TO HACK INTO THE NASA MAINFRAME. 57 00:02:21,409 --> 00:02:22,710 I WANT SATELLITE RECON. 58 00:02:22,710 --> 00:02:23,944 COPY THAT. 59 00:02:23,944 --> 00:02:26,314 CASH, I WANT A HARD-TARGET SEARCH OF EVERY OFFICE, 60 00:02:26,314 --> 00:02:29,450 WAREHOUSE, HENHOUSE, FARMHOUSE, CATHOUSE, WAFFLE HOUSE, OUTH-- 61 00:02:29,450 --> 00:02:33,621 EXCUSE ME, AM I MISTAKEN, OR ARE YOU SHUTTING DOWN 62 00:02:33,621 --> 00:02:37,425 THE ENTIRE OFFICE OVER A GROSS, 89-CENT PUDDING CUP? 63 00:02:37,425 --> 00:02:41,061 IT'S NOT ABOUT THE PUDDING. IT'S ABOUT WHAT IT REPRESENTS-- 64 00:02:41,061 --> 00:02:45,599 RESPECT, BOUNDARIES, CREAMY DELICIOUSNESS... 65 00:02:45,599 --> 00:02:47,235 UH-HUH. 66 00:02:47,235 --> 00:02:49,237 I THINK I'M FIGURING THIS OUT. 67 00:02:49,237 --> 00:02:51,572 WHEN WAS THE LAST TIME YOU GOT SOME? 68 00:02:51,572 --> 00:02:52,506 PARDON? 69 00:02:52,506 --> 00:02:54,141 YOU KNOW. SPELUNKED MOUNT BALDY? 70 00:02:54,141 --> 00:02:57,411 RODE THE PINK TWINKLER? SHANGHAIED THE PUMPKIN PATCH? 71 00:02:57,411 --> 00:02:59,880 PARKED THE PLUNGER? VACUUMED THE VOLCANO? 72 00:02:59,880 --> 00:03:01,915 SCRAMBLED A VAJ-OMELET? 73 00:03:01,915 --> 00:03:04,452 WAIT A SECOND. 74 00:03:04,452 --> 00:03:05,453 YOU. 75 00:03:05,453 --> 00:03:08,722 YOU ATE MY PUDDING. 76 00:03:08,722 --> 00:03:09,857 WHAT? 77 00:03:09,857 --> 00:03:11,191 GIVE ME THE ROOM. 78 00:03:11,191 --> 00:03:12,260 (sighs) 79 00:03:12,260 --> 00:03:13,627 WE'RE NOT REALLY IN A ROOM. 80 00:03:13,627 --> 00:03:15,296 IT'S MORE OF A COMMUNAL WORK AREA. 81 00:03:15,296 --> 00:03:18,266 GIVE... ME... THE... ROOM! 82 00:03:18,266 --> 00:03:21,335 (employees murmuring) 83 00:03:21,335 --> 00:03:24,372 I'M GONNA GIVE YOU ONE MORE CHANCE. 84 00:03:24,372 --> 00:03:25,973 DID YOU... 85 00:03:25,973 --> 00:03:27,441 OR DID YOU NOT... 86 00:03:27,441 --> 00:03:29,009 EAT MY PUDDING? 87 00:03:29,009 --> 00:03:33,281 PERHAPS, TO KEEP BOTH THE PEACE AND VERONICA ON SCHEDULE, 88 00:03:33,281 --> 00:03:35,916 MAY I NIP OUT AND JUST GET OZ ANOTHER PUDDING? 89 00:03:35,916 --> 00:03:38,786 NO. NO NIPPING OUT TO GET OZ SOMETHING. 90 00:03:38,786 --> 00:03:40,921 YOU'RE MY GIRL, YOU WORK FOR ME, 91 00:03:40,921 --> 00:03:44,091 AND IT JUST SO HAPPENS THAT I HAVE A VERY IMPORTANT MEETING 92 00:03:44,091 --> 00:03:46,093 THAT CONSISTS OF--OH. 93 00:03:46,093 --> 00:03:48,596 WE'RE PUTTING THAT ON THE SCHEDULE NOW? 94 00:03:48,596 --> 00:03:49,430 MM-HMM. 95 00:03:49,430 --> 00:03:51,299 I DON'T REALLY HAVE TO GO. 96 00:03:51,299 --> 00:03:53,166 WAIT. 97 00:03:53,166 --> 00:03:55,603 OH, YEAH, MAYBE. 98 00:04:00,240 --> 00:04:03,844 VERONICA STOLE MY PUDDING. I'M GOING TO STEAL HERS. 99 00:04:03,844 --> 00:04:06,680 MOLLY MARIE HUGHES-- THAT IS OUR TARGET, GENTLEMEN. 100 00:04:06,680 --> 00:04:08,616 DON'T YOU THINK YOU'RE OVERREACTING? 101 00:04:08,616 --> 00:04:11,285 EVEN IF V. DID STEAL YOUR PUDDING, WHO CARES? 102 00:04:12,185 --> 00:04:13,721 NO-- I CARE! 103 00:04:13,721 --> 00:04:16,156 DAMN IT, I WAS GOING TO COURT TO FIGHT A TICKET. 104 00:04:16,156 --> 00:04:19,627 VERONICA'S ALREADY TAKEN MY OFFICE, MY COMPANY... 105 00:04:19,627 --> 00:04:21,362 THAT'S JUST THE BEGINNING. 106 00:04:21,362 --> 00:04:22,796 (Oz) HEY, UH... 107 00:04:22,796 --> 00:04:25,733 VERONICA. READ THE SIGN. YOU'RE IN MY SPOT. 108 00:04:25,733 --> 00:04:27,100 OH, SHOOT. 109 00:04:27,100 --> 00:04:29,637 I ALREADY PUT IT IN PARK, AND I ALREADY TOOK THE KEY OUT, 110 00:04:29,637 --> 00:04:31,905 AND I ALREADY PUT 'EM IN MY PURSE, AND-- 111 00:04:31,905 --> 00:04:36,710 OH, NO. I CLOSED THE DOOR, AND NOW I'M GOING INSIDE. 112 00:04:36,710 --> 00:04:40,648 ALL THAT WOMAN DOES IS TAKE-Y, TAKE-Y. 113 00:04:40,648 --> 00:04:42,783 WELL, NOW IT'S MY TURN. WE'RE GONNA TAKE MOLLY 114 00:04:42,783 --> 00:04:45,152 WITH A LITTLE HIGH-LEVEL C.I.A. DEPROGRAMMING. 115 00:04:45,152 --> 00:04:46,620 WERE YOU IN THE C.I.A.? 116 00:04:46,620 --> 00:04:49,256 NOPE, AND AS SOON AS WE'RE DONE WITH MOLLY, 117 00:04:49,256 --> 00:04:52,626 SHE'LL FORGET VERONICA MANN EVER EXISTED... 118 00:04:54,995 --> 00:04:58,632 (whirring) 119 00:05:09,710 --> 00:05:11,812 SO IT'S--IT'S BEEP-- 120 00:05:16,049 --> 00:05:17,585 (Cash, British accent) WOULD YOU LIKE A SPOT OF TEA? 121 00:05:17,585 --> 00:05:20,988 BIG BEN? PARLIAMENT? GUV'NOR? 122 00:05:31,965 --> 00:05:34,602 YOU KNOW, THERE ARE SOME PEOPLE IN THIS OFFICE 123 00:05:34,602 --> 00:05:36,103 WHO DO APPRECIATE YOU. 124 00:05:36,103 --> 00:05:39,840 WHY DON'T YOU TAKE A LITTLE BREAK? HMM? 125 00:05:39,840 --> 00:05:41,842 COME ON. 126 00:05:41,842 --> 00:05:44,845 TO MOLLY HUGHES, THE NEWEST MEMBER OF THE CONTRA CLUB. 127 00:05:44,845 --> 00:05:45,879 (glasses clink) 128 00:05:45,879 --> 00:05:47,915 (Cash) WHOO. THERE YOU GO, GAL. 129 00:05:47,915 --> 00:05:48,982 AW. 130 00:05:48,982 --> 00:05:52,152 MOLLY! WHERE IS SHE? 131 00:05:52,152 --> 00:05:53,987 COME ON. 132 00:05:53,987 --> 00:05:56,089 PHONE. ACTIVATE. 133 00:05:56,089 --> 00:05:57,691 (beep) 134 00:05:57,691 --> 00:05:59,560 I HAVE A MEETING, AND I DON'T KNOW WHO IT'S WITH 135 00:05:59,560 --> 00:06:01,662 OR WHERE IT IS OR WHAT IT'S ABOUT. 136 00:06:01,662 --> 00:06:05,232 MOLLY! OH, MY GOD. THIS IS AN EMERGENCY! 137 00:06:05,232 --> 00:06:08,569 (female automated voice) EMERGENCY. NOW DIALING POLICE. 138 00:06:08,569 --> 00:06:12,406 NO! DON'T CALL THE PO-PO! MOLLY! 139 00:06:14,007 --> 00:06:16,710 (Oz) AIN'T IT A DRAG WHEN YOU'RE LOOKING FOR SOMETHING, 140 00:06:16,710 --> 00:06:19,112 AND IT'S JUST NOT THERE? 141 00:06:19,112 --> 00:06:22,149 KIND OF LIKE MY PUDDING. MM? 142 00:06:22,149 --> 00:06:24,384 MMM. 143 00:06:24,384 --> 00:06:27,354 CREAMY DELICIOUSNESS. 144 00:06:27,354 --> 00:06:28,989 WHERE... 145 00:06:28,989 --> 00:06:31,892 IS SHE? 146 00:06:31,892 --> 00:06:35,028 (Michael Wandmacher's "We Got Your Back" playing) 147 00:06:48,041 --> 00:06:49,877 * WE GOT YOUR BACK 148 00:06:55,348 --> 00:06:59,119 (Tchaikovsky's "Dance of the Little Swans" playing) 149 00:07:03,691 --> 00:07:06,660 OH, COME ON, MAN. MOLLY! OH. (music warps and stops) 150 00:07:06,660 --> 00:07:10,130 MOLLY'S MINE NOW, BUT GOOD NEWS FOR YOU IS, 151 00:07:10,130 --> 00:07:11,465 CONFESS TO THE PUD-NAPPING, 152 00:07:11,465 --> 00:07:13,200 AND EVERYTHING GOES BACK TO NORMAL. 153 00:07:13,200 --> 00:07:15,636 OH, YOU WOULD LOVE THAT, WOULDN'T YOU? 154 00:07:15,636 --> 00:07:17,938 WELL, LET ME TELL YOU SOMETHING. 155 00:07:17,938 --> 00:07:21,441 I CAN GET MOLLY BACK ANYTIME I WANT. 156 00:07:22,943 --> 00:07:24,912 YOU'RE SUPPOSED TO ADD WATER. 157 00:07:28,882 --> 00:07:31,819 (crunches) MMM. 158 00:07:31,819 --> 00:07:34,021 (mouth full) I LIKE IT THIS WAY. 159 00:07:34,021 --> 00:07:35,823 IT'S HEART SMART. 160 00:07:35,823 --> 00:07:37,558 WELL, THAT'S GOOD, 161 00:07:37,558 --> 00:07:40,027 'CAUSE I JUST SAW MOLLY HEADING TO H.R. 162 00:07:40,027 --> 00:07:41,995 SO GOOD. 163 00:07:41,995 --> 00:07:44,565 PROBABLY REQUESTING A TRANSFER. 164 00:07:46,567 --> 00:07:48,836 (mouth full) I'M GONNA KICK YOU IN THE BALLS. 165 00:07:50,337 --> 00:07:52,005 OKAY. 166 00:07:52,005 --> 00:07:54,307 THEY'RE VAMPIRES. THAT MAKES SO MUCH MORE SENSE. 167 00:07:54,307 --> 00:07:55,308 (knock on door) 168 00:07:55,308 --> 00:07:56,343 (Molly) CAROL. 169 00:07:56,343 --> 00:07:57,978 (thud, clatter) 170 00:07:57,978 --> 00:08:01,549 UM, I HAVE A RATHER DELICATE H.R. MATTER TO DISCUSS WITH YOU. 171 00:08:01,549 --> 00:08:03,684 IT HAS, UH, ROMANTIC IMPLICATIONS. 172 00:08:03,684 --> 00:08:05,619 HMM. PLEASE. BE SEATED. 173 00:08:05,619 --> 00:08:07,755 O.C.P. POLICY DISALLOWS 174 00:08:07,755 --> 00:08:10,591 INTEROFFICE RELATIONSHIPS THAT OCCUR BETWEEN TWO EMPLOYEES, 175 00:08:10,591 --> 00:08:12,259 AND THESE GUIDELINES APPLY TO ALL WORKERS, 176 00:08:12,259 --> 00:08:13,827 REGARDLESS OF SENIORITY. 177 00:08:13,827 --> 00:08:15,863 OH. YOU'RE ALL BUSINESS. 178 00:08:15,863 --> 00:08:18,098 THAT'S--THAT'S QUITE A PLEASANT SURPRISE. 179 00:08:18,098 --> 00:08:19,066 DID YOU BANG HIM? 180 00:08:19,066 --> 00:08:20,901 AH, YES. THAT'S MORE LIKE IT. 181 00:08:20,901 --> 00:08:23,737 IS HE SOME PALE, BROODING EMO THAT HANGS OUT AT HIGH SCHOOL... 182 00:08:23,737 --> 00:08:26,406 (whispers) EVEN THOUGH HE'S, LIKE, 110 YEARS OLD? 183 00:08:26,406 --> 00:08:28,508 NO, BUT... 184 00:08:28,508 --> 00:08:30,678 WELL, HE GIVES ME THE TINGLES. 185 00:08:30,678 --> 00:08:32,145 SO HE'S A WEREWOLF. 186 00:08:32,145 --> 00:08:33,647 RIGHT. 187 00:08:33,647 --> 00:08:36,717 UM, I TRUST, IF I TELL YOU WHO IT IS, 188 00:08:36,717 --> 00:08:39,620 YOU WILL KEEP IT IN THE STRICTEST OF CONFIDENCE. 189 00:08:39,620 --> 00:08:42,289 SO MOLLY IS TOTALLY IN LOVE WITH SOMEONE IN THE OFFICE. 190 00:08:42,289 --> 00:08:44,558 OH, MAN. I PITY THAT UNLUCKY BASTARD. WHO IS IT? 191 00:08:44,558 --> 00:08:46,059 EXCUSE ME, CAMERON. 192 00:08:46,059 --> 00:08:48,629 I'M AN H.R. PROFESSIONAL, AND MY WORD IS SACRED... 193 00:08:48,629 --> 00:08:50,564 (singsongy) BUT LET'S JUST SAY, 194 00:08:50,564 --> 00:08:53,033 IF SOMEBODY PLAYS HIS CARDS RIGHT... 195 00:08:53,033 --> 00:08:55,869 (grunts, imitates horse's whinny) 196 00:08:55,869 --> 00:08:58,639 THAT'S SO DISGUSTING. 197 00:08:58,639 --> 00:09:00,407 OH, MY GOD. 198 00:09:00,407 --> 00:09:01,809 MM. 199 00:09:01,809 --> 00:09:04,612 SO MOLLY'S BRIDGET JONESING FOR SOME BOOTY? 200 00:09:04,612 --> 00:09:06,914 OH, PLEASE LET IT BE MINE. 201 00:09:06,914 --> 00:09:07,915 HERE COMES MY GIRL NOW. 202 00:09:07,915 --> 00:09:08,849 YOU MEAN MY GIRL. 203 00:09:08,849 --> 00:09:10,951 OH, YEAH. SHE'S HOOKED. 204 00:09:10,951 --> 00:09:12,820 YOU? SHE WAS WAVING AT ME. LOOK. 205 00:09:12,820 --> 00:09:14,755 UH, DUDE, QUIT WAVE-BLOCKING. 206 00:09:14,755 --> 00:09:15,823 QUIT HITTING ON HER. 207 00:09:15,823 --> 00:09:16,890 YOU QUIT HITTING ON HER. 208 00:09:16,890 --> 00:09:18,425 OKAY, FINE. NOBODY HITS ON HER. 209 00:09:18,425 --> 00:09:20,393 YEAH, BEING A PROFESSIONAL HACKER IS CRAZY DANGEROUS, 210 00:09:20,393 --> 00:09:23,330 SO I LIKE TO UNWIND BY PLAYING A LITTLE B-BALL. 211 00:09:23,330 --> 00:09:25,332 AND ONE, SON! 212 00:09:25,332 --> 00:09:27,200 (buzzer) 213 00:09:27,200 --> 00:09:28,769 OH. 28-3? 214 00:09:28,769 --> 00:09:30,270 YOU LET ME WIN. 215 00:09:30,270 --> 00:09:33,306 BUSTED. YEAH. THAT'S ME-- A BADASS GENTLEMAN. 216 00:09:33,306 --> 00:09:35,008 (giggles) 217 00:09:35,008 --> 00:09:37,144 (deep voice) WHAT HAVE WE HERE? 218 00:09:37,144 --> 00:09:39,680 CAN I--CAN I TALK TO YOU A SECOND, PLEASE? 219 00:09:39,680 --> 00:09:40,981 (Cash) HUH? 220 00:09:40,981 --> 00:09:44,384 (sighs) LANDO CALRISSIAN? ARE YOU SERIOUS? 221 00:09:44,384 --> 00:09:45,418 LOOK, I THREW THIS ON. 222 00:09:45,418 --> 00:09:46,887 I MEAN, I CAN'T HELP THAT 223 00:09:46,887 --> 00:09:49,322 THIS STYLISH CAPE BRINGS OUT THE SPARKLE IN MY EYES. 224 00:09:49,322 --> 00:09:51,224 DUDE, NO GIRL'S GONNA GO FOR THAT. 225 00:09:51,224 --> 00:09:53,861 WELL, LET'S LET HER BE THE JUDGE OF THAT, YOU OLD PIRATE. 226 00:09:53,861 --> 00:09:55,328 WAIT. I KNEW IT. YOU'RE HERE TO HIT ON HER. 227 00:09:55,328 --> 00:09:56,697 YOU'RE HERE TO HIT ON HER. JUST ADMIT IT. 228 00:09:56,697 --> 00:09:57,698 ADMIT THIS. 229 00:09:57,698 --> 00:09:59,299 (rip) OW! OHH. 230 00:09:59,299 --> 00:10:00,901 THAT'S A COLLECTOR'S 'STACHE. 231 00:10:00,901 --> 00:10:04,504 YOU DICK! I GOT THIS AT ROSS! 232 00:10:04,504 --> 00:10:05,505 (glass clatters) 233 00:10:05,505 --> 00:10:07,340 (sputters) 234 00:10:07,340 --> 00:10:10,177 (rock music playing) 235 00:10:10,177 --> 00:10:11,111 HEY, GIRL! 236 00:10:11,111 --> 00:10:13,513 VERONICA. WHAT ARE YOU DOING HERE? 237 00:10:13,513 --> 00:10:15,816 OKAY, HERE'S THE PLAN-- START WITH A SHOT OF TEQUILA, 238 00:10:15,816 --> 00:10:18,285 END UP UNDERNEATH THOSE TWO BARTENDERS. (clicks tongue) 239 00:10:18,285 --> 00:10:20,587 UM, I-I'M SORRY. IS THIS WORK-RELATED? 240 00:10:20,587 --> 00:10:22,723 NO! IT'S FRIEND-RELATED, BESTIE! 241 00:10:22,723 --> 00:10:26,894 (cackles) YEAH! SOME MIDORI FOR MY WHORE-Y. 242 00:10:26,894 --> 00:10:30,430 I-I'VE ALREADY HAD FAR TOO M-- DRINK IT! DRINK IT. COME ON. LITTLE DAB'LL DO YA. 243 00:10:30,430 --> 00:10:32,632 HEY, MOL, CAN YOU SETTLE A DISPUTE FOR US? 244 00:10:32,632 --> 00:10:34,868 OH, MY GOD. HERE. YOU WORK ON THESE. 245 00:10:34,868 --> 00:10:36,403 I'M GONNA TAKE CARE OF THESE BOZOS. 246 00:10:36,403 --> 00:10:37,671 OKAY. GIRLS' NIGHT! 247 00:10:37,671 --> 00:10:39,072 WHOO-HOO. 248 00:10:39,072 --> 00:10:40,073 (lowered voice) WHAT IS THE DEAL, DUDES? 249 00:10:40,073 --> 00:10:41,308 YOU'RE SALTING MY GAME. 250 00:10:41,308 --> 00:10:42,810 YOU'RE SALTING MY GAME. 251 00:10:42,810 --> 00:10:44,144 YOU BOTH ARE SALTING MY GAME. 252 00:10:44,144 --> 00:10:46,379 YEAH? WELL, TOO BAD. THIS IS IMPORTANT. 253 00:10:46,379 --> 00:10:49,683 I'M GETTING MOLLY BACK, AND SHE... 254 00:10:49,683 --> 00:10:51,651 (Cash) NICE JOB. NOW SHE'S GONE. 255 00:10:51,651 --> 00:10:53,687 (sighs) 256 00:10:53,687 --> 00:10:55,122 (keys jangle) 257 00:10:56,556 --> 00:10:57,891 (keys clink) 258 00:11:00,894 --> 00:11:02,996 YOU LOOK LIKE YOU'VE HAD ABOUT A DOZEN TOO MANY. 259 00:11:02,996 --> 00:11:04,965 WHY DON'T YOU LET ME TAKE YOU HOME? HUH? 260 00:11:04,965 --> 00:11:07,434 UM, OH, OKAY. THANK YOU. 261 00:11:07,434 --> 00:11:08,435 TO BE SAFE. 262 00:11:08,435 --> 00:11:09,436 WHOOP. 263 00:11:09,436 --> 00:11:10,437 WATCH YOUR HEAD. 264 00:11:10,437 --> 00:11:12,039 (giggles) 265 00:11:12,039 --> 00:11:13,707 (sighs) 266 00:11:15,475 --> 00:11:19,312 SO... (sighs) MY DEAR, WHERE AM I GOING? 267 00:11:19,312 --> 00:11:20,981 UH, LOS SANTOS. 268 00:11:20,981 --> 00:11:22,783 IT'S BEEN QUITE A NIGHT. (engine starts) 269 00:11:22,783 --> 00:11:24,985 EVERYONE WAS ACTING A LITTLE LOONY. 270 00:11:24,985 --> 00:11:26,653 YEAH, NOTHING WRONG WITH LOONY. 271 00:11:26,653 --> 00:11:28,889 YOU DON'T WANT TO PLAY IT SAFE YOUR ENTIRE LIFE, DO YOU? 272 00:11:28,889 --> 00:11:31,024 NO. I DON'T. 273 00:11:31,024 --> 00:11:32,525 (kisses) 274 00:11:32,525 --> 00:11:34,661 UH... (chuckles) WHAT WAS THAT? 275 00:11:34,661 --> 00:11:36,163 WHAT WAS WHAT? 276 00:11:36,163 --> 00:11:38,732 I THINK YOU JUST KISSED MY EYE. 277 00:11:38,732 --> 00:11:40,801 NO--NO--NO--I D-- I'M GONNA GET A CAB. 278 00:11:40,801 --> 00:11:42,069 I'M SO SORRY. 279 00:11:42,069 --> 00:11:43,703 (singsongy) UM, SEE YOU-- SEE YOU TOMORROW! 280 00:11:43,703 --> 00:11:45,305 (car door closes) 281 00:11:51,945 --> 00:11:53,546 OZ, WHAT HAPPENED LAST NIGHT? 282 00:11:53,546 --> 00:11:55,983 YEAH, WE SAW THE WHOLE THING. YOU LAID ONE ON MOLLY. 283 00:11:55,983 --> 00:11:57,717 LOOK, I DON'T KISS AND TELL, 284 00:11:57,717 --> 00:12:00,353 BUT I'M TELLING YOU, THE GIRL KISSED ME. 285 00:12:00,353 --> 00:12:02,522 (whispers) FORBIDDEN LOVE. OH! AH! 286 00:12:02,522 --> 00:12:04,624 MM? YEAH. 287 00:12:04,624 --> 00:12:06,459 TAKE THAT OFF! 288 00:12:06,459 --> 00:12:08,295 LATER! NOT NOW! 289 00:12:08,295 --> 00:12:11,298 AND YOU GUYS, DROP IT. ALL RIGHT? SHE WAS DRUNK. 290 00:12:11,298 --> 00:12:12,900 I GUARANTEE YOU SHE WAKES UP THIS MORNING, 291 00:12:12,900 --> 00:12:14,167 WISHING LAST NIGHT NEVER HAPPENED. 292 00:12:14,167 --> 00:12:15,568 (cell phone alert chimes) 293 00:12:15,568 --> 00:12:17,504 AH. 294 00:12:17,504 --> 00:12:18,839 SEE? 295 00:12:20,173 --> 00:12:22,242 "SORRY ABOUT LAST NIGHT." 296 00:12:22,242 --> 00:12:23,243 (chime) 297 00:12:23,243 --> 00:12:24,077 OH. 298 00:12:24,077 --> 00:12:25,678 "I SHOULDN'T HAVE RUN OFF 299 00:12:25,678 --> 00:12:28,481 RIGHT WHEN THINGS WERE GETTING GOOD. DOUBLE WINKY FACE." 300 00:12:28,481 --> 00:12:29,649 "DOUBLE WINKY FACE"? 301 00:12:29,649 --> 00:12:30,918 "DOUBLE WINKY"? 302 00:12:30,918 --> 00:12:33,253 "DOUBLE WINKY FACE." OH, DEAR GOD. 303 00:12:38,458 --> 00:12:42,062 I'M SORRY. I JUST WANTED SOME SWEET PUDDING REVENGE. 304 00:12:42,062 --> 00:12:44,064 MOLLY'S CRUSH WAS MERELY COLLATERAL DAMAGE. 305 00:12:44,064 --> 00:12:46,166 WHAT DID YOU EXPECT? YOU'RE VERY TAPPABLE. 306 00:12:46,166 --> 00:12:48,501 ALL RIGHT. KEEP IT IN YOUR PANTS, V. 307 00:12:48,501 --> 00:12:50,437 LISTEN, I WANT MOLLY BACK, 308 00:12:50,437 --> 00:12:53,340 SO PULL HER ASIDE AND SET HER STRAIGHT RIGHT NOW. 309 00:12:53,340 --> 00:12:55,075 (sighs) IT'S NOT GONNA BE EASY. 310 00:12:55,075 --> 00:12:56,743 I MEAN, HISTORICALLY, PEOPLE DON'T RESPOND WELL 311 00:12:56,743 --> 00:12:58,846 WHEN THE OLD OZ-MAN GIVES 'EM THE HEAVE-HO. 312 00:12:58,846 --> 00:13:00,213 (amplified voice) DON'T JUMP! 313 00:13:00,213 --> 00:13:03,283 BUT I'LL NEVER MEET ANYONE AS GREAT AS OZ! 314 00:13:03,283 --> 00:13:04,451 YOU DATED OZ? 315 00:13:04,451 --> 00:13:06,553 (normal voice) WE'RE GONNA NEED A NET. 316 00:13:06,553 --> 00:13:09,356 TRUST ME, IT'S BETTER IF SHE'S THE ONE WHO BREAKS IT OFF. 317 00:13:09,356 --> 00:13:10,824 I'M GONNA CALL IN THE EXPERTS. 318 00:13:10,824 --> 00:13:13,293 (whispers) EXPERTS AT WHAT? 319 00:13:13,293 --> 00:13:14,661 REPELLING WOMEN. 320 00:13:14,661 --> 00:13:15,963 YOU WANTED TO SEE US, OZ? 321 00:13:15,963 --> 00:13:17,931 EBONY. IVORY. YES. 322 00:13:17,931 --> 00:13:19,566 OPERATION CYRANO IS IN FULL EFFECT. 323 00:13:19,566 --> 00:13:21,601 CASH, YOU'RE GONNA BE MY LEAD ON THIS MISSION. 324 00:13:21,601 --> 00:13:22,903 OH! SUCK IT! 325 00:13:22,903 --> 00:13:26,173 OUR TARGET IS ONE MOLLY HUGHES. 326 00:13:26,173 --> 00:13:28,241 UH, YOU KNOW, SHE'S RIGHT OVER THERE. 327 00:13:28,241 --> 00:13:29,442 I DON'T THINK WE NEED THE PHOTO. 328 00:13:29,442 --> 00:13:30,443 ZIP IT. YEAH. 329 00:13:30,443 --> 00:13:31,879 GOT IT. 330 00:13:31,879 --> 00:13:33,881 YOU ARE GOING TO BE MY EYES AND EARS ON THIS ONE. 331 00:13:33,881 --> 00:13:35,949 YOU'RE GONNA TELL ME WHAT TO DO, WHAT TO SAY, AND WHAT TO WEAR. 332 00:13:35,949 --> 00:13:37,584 NICE! THEN WHAT? 333 00:13:37,584 --> 00:13:39,652 WELL, IF YOUR TRACK RECORD IS ANY INDICATION, 334 00:13:39,652 --> 00:13:41,788 SHE'LL BE COMPLETELY REPULSED AND WANT NOTHING TO DO WITH ME. 335 00:13:41,788 --> 00:13:42,822 PROBLEM SOLVED. 336 00:13:42,822 --> 00:13:44,457 THAT JUST--THAT CUTS ME DEEP. 337 00:13:44,457 --> 00:13:46,860 I MEAN, YEAH, SURE, I'M ON AN ALL-MALE QUIDDITCH TEAM, 338 00:13:46,860 --> 00:13:50,463 AND YEAH, MY WARDROBE IS MOSTLY CAPES, AND YEAH, IT'S TRUE, 339 00:13:50,463 --> 00:13:52,832 I WRITE EROTIC "QUANTUM LEAP" FAN FICTION, BUT YOU KNOW WHAT? 340 00:13:52,832 --> 00:13:54,134 ONE DAY I'M GONNA FIND A GIRL, 341 00:13:54,134 --> 00:13:56,103 AND SHE'S GONNA APPRECIATE ME FOR ME. 342 00:13:56,103 --> 00:13:58,405 YOU'RE CYRANO DE NERDGERAC. YOU SUCK IT. 343 00:13:58,405 --> 00:14:01,741 HEY. EASY, CHAMP. YOU HAVE A MUCH MORE IMPORTANT JOB. 344 00:14:01,741 --> 00:14:05,212 YOU HAVE TO BABYSIT VERONICA. 345 00:14:05,212 --> 00:14:06,813 OH, MY GOD. IT'S SO CUTE IN HERE, YOU GUYS. 346 00:14:06,813 --> 00:14:09,849 LOOK AT ALL THESE LITTLE BUTTONS AND SWITCHES AND TOGGLES. 347 00:14:09,849 --> 00:14:10,850 WHAT'S THIS ONE? 348 00:14:10,850 --> 00:14:11,919 NO. (sighs) 349 00:14:11,919 --> 00:14:13,053 (beep) OOPS. (giggles) 350 00:14:13,053 --> 00:14:15,155 DUDE, REALLY? YOU HAVE ONE JOB. 351 00:14:15,155 --> 00:14:17,024 (computer whirs) VERONICA, DON'T YOU WANT YOUR ASSISTANT BACK? 352 00:14:17,024 --> 00:14:18,425 YES. OKAY. 353 00:14:18,425 --> 00:14:20,427 (electronic beeping and whirring) WOW. 354 00:14:20,427 --> 00:14:24,197 NOT QUITE WHAT I EXPECTED, BUT... IT'S QUAINT. 355 00:14:24,197 --> 00:14:28,201 GAMER CAFE-- MY HOME AWAY FROM THE OFFICE. 356 00:14:28,201 --> 00:14:30,703 I WANTED TO SHARE THIS MAGICAL PLACE WITH YOU. 357 00:14:30,703 --> 00:14:32,805 OH. WELL, THANK YOU. 358 00:14:32,805 --> 00:14:34,507 OKAY. HERE WE GO. 359 00:14:34,507 --> 00:14:36,609 ORDER SOME JALAPEÑO POPPERS AND A DRINK. 360 00:14:36,609 --> 00:14:39,512 GARCON? CAN I ORDER SOME, UH, JALAPEÑO POPPERS? 361 00:14:39,512 --> 00:14:41,781 AND, UH, I'D LOVE TO SEE THE WINE LIST, IF I MAY. 362 00:14:41,781 --> 00:14:43,483 NO, NO, NO, NO. DO NOT IMPROVISE. 363 00:14:43,483 --> 00:14:45,385 No wine list. Order a suicide. 364 00:14:45,385 --> 00:14:47,921 UH, YOU KNOW WHAT? MAKE THAT JUST A COUPLE OF SUICIDES. 365 00:14:47,921 --> 00:14:48,989 THANK YOU. 366 00:14:48,989 --> 00:14:50,290 (whispers) WHAT'S A SUICIDE? 367 00:14:50,290 --> 00:14:51,724 A COMBINATION OF EVERY SODA IN ONE CUP. 368 00:14:51,724 --> 00:14:53,693 OHH. IT'S THE NECTAR OF THE GEEKS. 369 00:14:53,693 --> 00:14:55,295 (normal voice) GNARLY. YEAH. 370 00:14:56,729 --> 00:14:57,830 (coughs) 371 00:14:57,830 --> 00:14:59,299 Conversation starter. 372 00:14:59,299 --> 00:15:02,569 REPEAT WORD FOR WORD WHAT I SAY, EXACTLY. (gasps) 373 00:15:02,569 --> 00:15:04,037 IF SUPERMAN... 374 00:15:04,037 --> 00:15:07,540 AND WONDER WOMAN HAD A BABY, W-WHAT WOULD ITS SUPERPOWER BE? 375 00:15:07,540 --> 00:15:09,676 WELL, UM... THAT'S A FUN QUESTION. 376 00:15:09,676 --> 00:15:11,744 (chuckles) UM... 377 00:15:11,744 --> 00:15:12,912 I GUESS... 378 00:15:12,912 --> 00:15:14,381 INVISIBILITY? 379 00:15:14,381 --> 00:15:15,448 INVISIBILITY? THAT MAKES NO SENSE. 380 00:15:15,448 --> 00:15:17,250 NEITHER ONE OF THEM HAD THAT... 381 00:15:17,250 --> 00:15:20,420 SUPERPOWER. I MEAN, MAYBE IF SUPERMAN MADE LOVE TO HER JET... 382 00:15:20,420 --> 00:15:22,255 (Veronica) GUYS. SHE'S NOT BUYING THAT. 383 00:15:22,255 --> 00:15:24,391 VERONICA, PLEASE. JUST LET THE MAN WORK HIS MAGIC. 384 00:15:24,391 --> 00:15:26,493 OOH. THAT'S A GREAT CALL. MAGIC. 385 00:15:26,493 --> 00:15:29,062 OZ, DO SOME MAGIC. CHICKS HATE IT. 386 00:15:29,062 --> 00:15:30,863 HEY, UH, YOU GOT SOMETHING BEHIND YOUR EAR THERE. 387 00:15:30,863 --> 00:15:33,066 SEE? OHH. 388 00:15:33,066 --> 00:15:34,434 A ROSE FOR THE LADY. OH. 389 00:15:34,434 --> 00:15:36,936 NO! NOT A ROSE! DO A CARD TRICK INVOLVING MATH. 390 00:15:36,936 --> 00:15:38,638 HOW DID HE EVEN DO THAT? 391 00:15:38,638 --> 00:15:42,442 YOU GUYS, I AM GETTING REALLY WORRIED. THE MAN IS TOO SMOOTH. 392 00:15:42,442 --> 00:15:44,177 NO, NO, NO, NO. CASH CAN DO THIS. 393 00:15:44,177 --> 00:15:46,413 HE'S BEEN TURNING OFF WOMEN HIS WHOLE LIFE. 394 00:15:46,413 --> 00:15:48,781 THANKS FOR BELIEVING IN ME, BRO. 395 00:15:48,781 --> 00:15:50,550 HERE WE GO. STRAP IN, OZ. 396 00:15:50,550 --> 00:15:53,987 I HAVE A, UH, DOPE COLLECTION OF "GARBAGE PAIL KIDS." 397 00:15:53,987 --> 00:15:56,389 THEN I HIT HIM WITH A LEFT AND AN UPPERCUT AND A BODY BLOW, 398 00:15:56,389 --> 00:16:00,127 AND THAT'S HOW YOU BEAT "MIKE TYSON'S PUNCH-OUT!!" 399 00:16:00,127 --> 00:16:02,095 FIRST BONER--JESSICA RABBIT. 400 00:16:02,095 --> 00:16:05,432 I'M BUILDING A BUNKER IN THE EVENT OF AN APE ROBOT WAR. 401 00:16:05,432 --> 00:16:10,270 THREE WORDS-- "CHRONICLES OF RIDDICK." 402 00:16:12,572 --> 00:16:13,840 (whispers) YES. 403 00:16:13,840 --> 00:16:15,775 THIS MAKES NO SENSE. 404 00:16:15,775 --> 00:16:18,945 I MEAN, THIS IS MY "A" GAME, AND IT'S LIKE SHE LIKES... ME. 405 00:16:18,945 --> 00:16:19,946 YOU HAVE AN... 406 00:16:19,946 --> 00:16:21,048 WHAT'S THAT? 407 00:16:21,048 --> 00:16:22,615 WHAT? SHE'S MOVING IN! QUICK! 408 00:16:22,615 --> 00:16:24,651 UH, TELL HER YOU'RE GAY! TELL HER YOU PUNCHED A BABY! 409 00:16:24,651 --> 00:16:26,919 TELL HER SHE'S GOT A MUFFIN TOP. THAT'LL WORK. THAT'LL WORK! 410 00:16:26,919 --> 00:16:28,721 NO! NO, NO, NO. SHE LIKES ME. 411 00:16:28,721 --> 00:16:30,323 THIS IS THE BEST DATE I'VE EVER HAD. 412 00:16:30,323 --> 00:16:32,159 IT'S NOT A DATE. IT'S A MISSION. 413 00:16:32,159 --> 00:16:33,893 OKAY. CHANGE OF PLANS. GO! GO! GO! GO! 414 00:16:33,893 --> 00:16:36,163 NO. WAIT. SHE'S GOING ROGUE! SHE'S GOING ROGUE! 415 00:16:36,163 --> 00:16:38,165 I'VE NEVER MET ANYONE LIKE YOU BEFORE. 416 00:16:38,165 --> 00:16:40,533 (doors open) YOU'RE JUST SO FULL OF... 417 00:16:40,533 --> 00:16:42,335 SURPRISES. 418 00:16:42,335 --> 00:16:44,971 WHAT?! CAMERON! WHY, LOOK WHO'S HERE. 419 00:16:44,971 --> 00:16:48,641 IT IS TWO OF OUR FELLOW CO-WORKERS--OSWALD AND MOLLY. 420 00:16:48,641 --> 00:16:53,046 CAM, DID I NOT GIVE YOU A VERY, VERY IMPORTANT JOB TO DO? 421 00:16:53,046 --> 00:16:54,581 W-WHAT'S GOING ON HERE? 422 00:16:54,581 --> 00:16:56,516 OH, NOTHIN'. 423 00:16:56,516 --> 00:17:00,287 YOU KNOW, JUST TAKING MY NEW ASSISTANT HERE OUT. YEAH. 424 00:17:00,287 --> 00:17:01,921 HE'S THE GREATEST. (pats back) 425 00:17:01,921 --> 00:17:03,556 RIGHT? THANK YOU. YEP. 426 00:17:03,556 --> 00:17:05,925 WHY--WHY IS EVERYONE CRASHING OUR DATE? 427 00:17:05,925 --> 00:17:08,428 I GOTTA BE HONEST WITH YOU. 428 00:17:09,796 --> 00:17:11,898 IT'S NOT A DATE. 429 00:17:11,898 --> 00:17:13,133 PARDON ME? 430 00:17:13,133 --> 00:17:15,168 OR IS IT? 431 00:17:15,168 --> 00:17:16,836 PICK A CARD. 432 00:17:16,836 --> 00:17:20,907 MOLLY, PLEASE DON'T SHOOT THE MESSENGER, BUT THE REASON 433 00:17:20,907 --> 00:17:25,412 THAT THESE ABJECT MORONS HAVE BEEN BEING SO NICE TO YOU LATELY 434 00:17:25,412 --> 00:17:27,647 IS TO MAKE ME LOOK BAD. 435 00:17:28,781 --> 00:17:30,117 REALLY? 436 00:17:33,553 --> 00:17:36,623 (whispers) WELL... 437 00:17:36,623 --> 00:17:37,890 I QUIT. 438 00:17:37,890 --> 00:17:39,058 WAIT. 439 00:17:39,058 --> 00:17:41,361 (sighs) 440 00:17:41,361 --> 00:17:45,532 OH, AND BY THE WAY, OZ, VERONICA ATE YOUR PUDDING. 441 00:17:45,532 --> 00:17:48,235 HA HA! 442 00:17:51,338 --> 00:17:54,241 SO I GOT WORD THAT YOU'RE QUITTING. 443 00:17:54,241 --> 00:17:58,111 I'M AFRAID I'M GONNA HAVE TO CONDUCT AN EXIT INTERVIEW. 444 00:17:58,111 --> 00:17:59,246 (whispers) HOW WAS YOUR DATE? 445 00:17:59,246 --> 00:18:01,248 HOW WAS MY DATE? 446 00:18:02,749 --> 00:18:05,818 I WAS COMPLETELY AND UTTERLY HUMILIATED. 447 00:18:05,818 --> 00:18:07,654 (whispers) SO YOU GOT LAID. 448 00:18:07,654 --> 00:18:08,855 NICE. 449 00:18:08,855 --> 00:18:10,523 NO, I DIDN'T GET LAID. 450 00:18:10,523 --> 00:18:13,092 YOU KNOW, I AM REALLY STARTING TO REGRET 451 00:18:13,092 --> 00:18:15,162 THAT I STOLE YOUR PUDDING. 452 00:18:16,196 --> 00:18:17,964 I MIGHT HAVE OVERREACTED A LITTLE. 453 00:18:17,964 --> 00:18:22,135 I MEAN, I DID SORT OF BRING A CHAIN SAW TO A PILLOW FIGHT. 454 00:18:22,135 --> 00:18:23,736 WELL... (sighs) 455 00:18:23,736 --> 00:18:25,572 THERE GOES THE BEST DARN ASSISTANT I'LL EVER HAVE. 456 00:18:25,572 --> 00:18:27,039 EH, DON'T WORRY ABOUT IT. 457 00:18:27,039 --> 00:18:29,008 YOU'LL FIND SOMEBODY ELSE TO RUN YOUR LIFE. 458 00:18:29,008 --> 00:18:33,780 YOU KNOW, SHE WASN'T JUST MY ASSISTANT, OSWALD. 459 00:18:33,780 --> 00:18:35,848 SHE WAS MY FRIEND. 460 00:18:35,848 --> 00:18:37,517 REALLY? YEAH. 461 00:18:37,517 --> 00:18:39,051 I MEAN, THE WHOLE REASON I'M SO HARD ON HER 462 00:18:39,051 --> 00:18:40,320 IS TO TOUGHEN HER UP. 463 00:18:40,320 --> 00:18:42,755 (sighs) YOU KNOW, MY FONDEST WISH 464 00:18:42,755 --> 00:18:45,625 WAS THAT ONE DAY SHE'D STAB ME IN THE BACK 465 00:18:45,625 --> 00:18:50,230 AND RIP THIS JOB FROM MY COLD, DEAD HANDS. 466 00:18:50,230 --> 00:18:52,165 (sighs) 467 00:18:52,165 --> 00:18:55,968 YOU WANT TO KNOW THE REAL REASON SHE TOOK A SHINE TO ME? 468 00:18:55,968 --> 00:18:59,739 I SHOWED HER JUST A LITTLE BIT OF KINDNESS. 469 00:18:59,739 --> 00:19:01,974 YOU GOT ABOUT 30 SECONDS TO DO THE SAME. 470 00:19:01,974 --> 00:19:03,710 (sighs) 471 00:19:05,378 --> 00:19:08,348 MOLLY, STOP PACKING. YOU'RE NOT QUITTING! 472 00:19:08,348 --> 00:19:09,716 ACTUALLY, I ALREADY HAVE, 473 00:19:09,716 --> 00:19:11,184 AND SINCE YOU'RE NOT MY BOSS ANYMORE, 474 00:19:11,184 --> 00:19:13,520 I'D LIKE TO GIVE YOU A PIECE OF MY MIND. 475 00:19:13,520 --> 00:19:17,257 YOU... ARE... A POOP HEAD! 476 00:19:18,991 --> 00:19:22,662 AND PLEASE, MAY I USE YOUR NAME AS A REFERENCE? 477 00:19:22,662 --> 00:19:24,531 ALL RIGHT. 478 00:19:26,199 --> 00:19:29,068 (Auto-tune voice) * I'M SAYING THIS TO YOU LIKE T-PAIN * 479 00:19:29,068 --> 00:19:31,671 * BECAUSE IF I SAY IT NORMALLY, I'LL CRY * 480 00:19:31,671 --> 00:19:33,406 * MOLLY 481 00:19:33,406 --> 00:19:36,243 * YOU'RE SO SMART AND TALENTED * 482 00:19:36,243 --> 00:19:38,445 VERONICA, THOSE ARE JUST WORDS. 483 00:19:38,445 --> 00:19:40,247 PERFECTLY PITCHED WORDS, BUT... 484 00:19:40,247 --> 00:19:43,650 * I'D BE LOST WITHOUT YOU * 485 00:19:43,650 --> 00:19:46,919 DO YOU EVEN KNOW WHAT TODAY IS? 486 00:19:49,856 --> 00:19:51,958 * I'M GUESSING * 487 00:19:51,958 --> 00:19:53,593 * IT'S KWANZAA * 488 00:19:54,694 --> 00:19:58,064 (employees, singsongy) HAPPY BIRTHDAY! 489 00:19:58,064 --> 00:19:59,532 (cheering) 490 00:19:59,532 --> 00:20:02,335 (singsongy) HAPPY BIRTHDAY! (normal voice) YEP! 491 00:20:02,335 --> 00:20:04,136 JUST THIS MORNING, V. WAS SAYING, "I MAY BE 492 00:20:04,136 --> 00:20:06,939 "A NEEDY, SCATTERBRAINED, SELF-ABSORBED CRAZY LADY, 493 00:20:06,939 --> 00:20:10,577 "BUT THIS YEAR, I'M GONNA GET MY DEAR MOLLY 494 00:20:10,577 --> 00:20:13,145 A CAKE FOR EVERY BIRTHDAY THAT I HAVE MISSED." 495 00:20:13,145 --> 00:20:15,415 YAY! I DID IT. (laughs) 496 00:20:16,349 --> 00:20:18,351 YOU REMEMBERED? YES. 497 00:20:18,351 --> 00:20:20,953 (Damien Rice) * STONES 498 00:20:20,953 --> 00:20:23,556 * TAUGHT ME TO FLY (mouths words) 499 00:20:25,258 --> 00:20:26,593 * LOVE 500 00:20:26,593 --> 00:20:29,429 * IT TAUGHT ME TO LIE 501 00:20:30,730 --> 00:20:32,131 * LIFE 502 00:20:32,131 --> 00:20:33,533 * IT TAUGHT ME TO DIE 503 00:20:33,533 --> 00:20:34,801 OZ. 504 00:20:34,801 --> 00:20:37,537 UM, IF I MAY, I THINK, FROM HERE ON OUT, IT WOULD BE 505 00:20:37,537 --> 00:20:40,773 BEST TO KEEP OUR RELATIONSHIP STRICTLY PROFESSIONAL. 506 00:20:40,773 --> 00:20:43,476 AND ALSO, I WANTED TO SAY "THANK YOU." 507 00:20:43,476 --> 00:20:46,245 I WAS FILING RECEIPTS AND FOUND THIS. 508 00:20:46,245 --> 00:20:48,147 YOU BOUGHT THE CAKES. 509 00:20:48,147 --> 00:20:49,982 * TAUGHT ME TO DIE 510 00:20:49,982 --> 00:20:51,451 (whoosh) 511 00:20:51,451 --> 00:20:54,421 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 512 00:20:54,421 --> 00:20:57,757 * WHEN YOU FLOAT LIKE A CANNON 513 00:20:57,757 --> 00:20:59,225 * STONES 514 00:20:59,225 --> 00:21:03,229 * TAUGHT ME TO FLY 515 00:21:03,229 --> 00:21:04,631 * LOVE 516 00:21:04,631 --> 00:21:08,368 * JUST TAUGHT ME TO CRY 517 00:21:08,368 --> 00:21:10,269 * JUST COME ON, COURAGE 518 00:21:10,269 --> 00:21:13,540 * TEACH ME TO BE SHY 519 00:21:13,540 --> 00:21:16,909 * 'CAUSE IT'S NOT HARD TO FALL * 520 00:21:16,909 --> 00:21:18,978 * WHEN YOU FLOAT LIKE A CANNONBALL * 521 00:21:18,978 --> 00:21:20,313 (hiss) 522 00:21:20,313 --> 00:21:21,714 (sighs) 523 00:21:21,714 --> 00:21:24,984 GOOD. THE DYE PACK WORKS. ENJOY THE WEEKEND. 524 00:21:24,984 --> 00:21:27,587 (spits) 37010

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