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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,235 --> 00:00:02,836 YEAH, I HAVE A STAMP FROM, LIKE, EVERY STATE-- 2 00:00:02,836 --> 00:00:04,838 ALABAMA, ALASKA, ARIZONA, ARKANSAS, CALIFORNIA, 3 00:00:04,838 --> 00:00:06,974 COLORADO, CONNECTICUT-- RICKY, CAN YOU MAIL THIS OR NOT? 4 00:00:06,974 --> 00:00:08,476 DELAWARE, FLORIDA, GEORGIA-- 5 00:00:08,476 --> 00:00:10,611 SORRY, BORTEN. WE'VE GOT A SERIOUS SITUATION. 6 00:00:10,611 --> 00:00:11,445 OH. INDIANA... 7 00:00:11,445 --> 00:00:13,181 AND NOW YOU'RE OUT OF IT. 8 00:00:13,181 --> 00:00:16,050 CAMERON WITH THE RESCUE. SAVED ME FROM THE BORTEX. 9 00:00:16,050 --> 00:00:18,052 OH, THE BUMPING OF FISTS-- 10 00:00:18,052 --> 00:00:19,453 UNIVERSAL SIGN OF NOT GETTING ANY. 11 00:00:19,453 --> 00:00:20,854 HOW'D SHE FEEL? WAS SHE GENTLE? 12 00:00:20,854 --> 00:00:21,855 SHUT UP. I HAVE-- 13 00:00:21,855 --> 00:00:22,856 NO CLUE WHAT YOU'RE DOING. 14 00:00:22,856 --> 00:00:23,857 OH, THIS FROM THE GUY-- 15 00:00:23,857 --> 00:00:24,992 WHO THINKS YOU HAVE NO GAME. 16 00:00:24,992 --> 00:00:26,627 YES, I-- SUCK. 17 00:00:26,627 --> 00:00:28,762 LOOK, I'VE TOLD YOU BEFORE-- MELANIE'S AN ICE ROAD TRUCKER 18 00:00:28,762 --> 00:00:30,898 TRAPPED INSIDE THE BODY OF A TELEMUNDO WEATHER GIRL. 19 00:00:30,898 --> 00:00:33,167 WITH A WOMAN LIKE THAT, YOU GOTTA GO BIG-- 20 00:00:33,167 --> 00:00:34,368 EPIC GESTURE BIG. 21 00:00:34,368 --> 00:00:36,036 AND I'VE TOLD YOU BEFORE-- 22 00:00:36,036 --> 00:00:39,073 I'M NOT PROJECTING HER FACE ON THE MOON LIKE THE BAT SIGNAL. 23 00:00:39,073 --> 00:00:41,075 (click) 24 00:00:43,211 --> 00:00:44,845 (clatter) (scoffs) 25 00:00:44,845 --> 00:00:47,948 TERRIBLE IDEA. THE CRATERS MADE HER FACE LOOK LIKE MACHETE. 26 00:00:47,948 --> 00:00:49,683 JUST STAY OUT OF IT. 27 00:00:49,683 --> 00:00:52,453 (Veronica, singsongy) HOLA. HIDE THE BONG. MOTHER'S HOME. 28 00:00:52,453 --> 00:00:53,987 VERONICA. HOW ARE YOU? 29 00:00:53,987 --> 00:00:55,689 OOH. HOW WAS BOSTON? 30 00:00:55,689 --> 00:00:58,226 OOH. HOW--HOW'S, UH, HOW'S YOUR DAUGHTER? 31 00:00:58,226 --> 00:01:00,094 MY KID? ARE YOU KIDDING ME? 32 00:01:00,094 --> 00:01:02,363 FANTASTIC. CHIP OFF THE OLD BLOCK. 33 00:01:02,363 --> 00:01:04,765 I, ON THE OTHER HAND, WON'T BE PICKING MY OWN LOBSTER 34 00:01:04,765 --> 00:01:07,735 OUT OF THE TANK AGAIN ANYTIME SOON. OW. (chuckles) 35 00:01:07,735 --> 00:01:11,038 BUT I DIDN'T FORGET ABOUT MY OFFICE FAM. NO, I DID NOT. 36 00:01:11,038 --> 00:01:12,473 HEY, WHO'S IN THE MOOD 37 00:01:12,473 --> 00:01:14,742 FOR A LITTLE AUTHENTIC NEW ENGLAND CLAM CHO-- 38 00:01:14,742 --> 00:01:17,077 (sniffs) OKAY, THAT DID NOT TRAVEL WELL. 39 00:01:17,077 --> 00:01:18,479 DIBS. 40 00:01:18,479 --> 00:01:20,013 (sniffs) 41 00:01:20,013 --> 00:01:22,783 (sighs, whispers indistinctly) 42 00:01:22,783 --> 00:01:25,153 ALL RIGHT, KIDDIES. LACE UP YOUR GLOVES. 43 00:01:25,153 --> 00:01:26,854 IT IS CLOBBERIN' TIME. 44 00:01:26,854 --> 00:01:29,257 YEAH! CLOBBERIN' TIME! WHOO! I DON'T KNOW WHAT THAT IS. 45 00:01:29,257 --> 00:01:30,724 MOVING RIGHT ALONG, 46 00:01:30,724 --> 00:01:32,826 I JUST GOT OFF THE PHONE WITH BILLY LUMBERG FROM INITECH. 47 00:01:32,826 --> 00:01:36,364 THEY'RE TAKING SOME HEAT IN THE FORM OF A HACK ATTACK. 48 00:01:36,364 --> 00:01:38,832 THE HACKER REMBRANDT TURNED THEIR OFFICE LIGHTS 49 00:01:38,832 --> 00:01:41,034 INTO A VIDEO GAME. 50 00:01:41,034 --> 00:01:42,636 OH, MY EYES JUST HAD SEX. 51 00:01:42,636 --> 00:01:44,104 WAIT, HIS CALL SIGN IS "REMBRANDT"? 52 00:01:44,104 --> 00:01:45,273 I THINK I'VE HEARD OF THIS GUY. 53 00:01:45,273 --> 00:01:47,040 WHO ARE THESE "HACKERS," ANYWAY? 54 00:01:47,040 --> 00:01:48,742 SAD, LONELY, PATHETIC VIRGINS 55 00:01:48,742 --> 00:01:50,878 WHO DON'T HAVE ANYTHING BETTER TO DO WITH THEIR TIME? (laughs) 56 00:01:50,878 --> 00:01:54,448 WHAT? NO. THAT'S JUST A CRUEL STEREOTYPE. 57 00:01:54,448 --> 00:01:55,883 THERE'S NO EVIDENCE THAT SUPPORTS THAT. 58 00:01:55,883 --> 00:01:57,585 I MEAN, SURE, ANECDOTAL EVIDENCE, BUT... 59 00:01:57,585 --> 00:02:00,921 UH-OH. MY CRUSH-O-METER HAS BEEN ACTIVATED. 60 00:02:00,921 --> 00:02:02,956 (imitates rhythmic beeping) 61 00:02:02,956 --> 00:02:03,957 WHAT? 62 00:02:03,957 --> 00:02:06,059 BOOP, BOOP! (laughs) 63 00:02:06,059 --> 00:02:08,462 IT'S SUCH A TREAT TO HAVE YOU BACK. THANK YOU. 64 00:02:08,462 --> 00:02:10,764 ALL RIGHT, SO LET'S GO CATCH A HACKER. WHAT DO YOU SAY? HUH? 65 00:02:10,764 --> 00:02:13,133 CAMMY, THIS JOB HAS YOUR NAME WRITTEN IN ITS UNDIES. 66 00:02:13,133 --> 00:02:14,268 DO WHATEVER IT TAKES. 67 00:02:14,268 --> 00:02:15,903 IF I MAY INTERJECT, 68 00:02:15,903 --> 00:02:19,573 DO CATCH THE HACKER, BUT NOT DO "WHATEVER IT TAKES." 69 00:02:19,573 --> 00:02:21,242 AND THE BAD NEWS IN THREE, TWO... 70 00:02:21,242 --> 00:02:24,978 O.C.P. HAS MANDATED THAT EACH NEW JOB WILL NOW BE MONITORED 71 00:02:24,978 --> 00:02:26,747 BY A PROTOCOL OFFICER. 72 00:02:26,747 --> 00:02:29,383 "A PROTOCOL OFFICER"? THAT'S BULL. 73 00:02:29,383 --> 00:02:31,852 I DON'T NEED A BABYSITTER. I'M A GROWN-ASS MAN. 74 00:02:33,254 --> 00:02:35,589 (makes beeping noise) (whirring) 75 00:02:35,589 --> 00:02:36,790 (sighs) 76 00:02:36,790 --> 00:02:37,791 (whirring stops) 77 00:02:37,791 --> 00:02:39,059 WHO--WHO'S THE OFFICER? 78 00:02:39,059 --> 00:02:40,461 (Cameron) OH, WHAT? 79 00:02:40,461 --> 00:02:42,029 (cackles) OH, COME ON. 80 00:02:42,029 --> 00:02:43,163 WHY? 81 00:02:43,163 --> 00:02:45,533 THIS... IS A COMPLETE LIST 82 00:02:45,533 --> 00:02:47,535 OF ALL THE LAWSUITS BROUGHT AGAINST CONTRA 83 00:02:47,535 --> 00:02:49,737 IN THE PAST YEAR. IT'S QUITE A HEFTY FILE. 84 00:02:49,737 --> 00:02:52,072 YEAH. I LET HER CARRY IT AROUND. 85 00:02:52,072 --> 00:02:54,642 OTHERWISE, I MIGHT GET THOSE GREAT, BIG, CRAZY MADONNA ARMS. (Oz) HEY, HEY, HEY. 86 00:02:54,642 --> 00:02:57,411 HALF OF THESE LAWSUITS ARE COMPLETELY FRIVOLOUS. 87 00:02:57,411 --> 00:03:00,180 YES. AND THE OTHER HALF? I MEAN, LOOK AT THIS. 88 00:03:00,180 --> 00:03:02,182 WE HAVE "DESTRUCTION OF PROPERTY," 89 00:03:02,182 --> 00:03:05,553 "INVASION OF PRIVACY"-- OH, AND MY PERSONAL FAVORITE, 90 00:03:05,553 --> 00:03:08,556 "TRADING WITH THE ENEMY." MM. 91 00:03:08,556 --> 00:03:11,392 HEY. FIDEL. COMO ESTAS, YOU WILD MAN? 92 00:03:11,392 --> 00:03:13,394 REALLY APPRECIATE THE FINE CUBANS YOU SENT, 93 00:03:13,394 --> 00:03:15,963 BUT I WAS SORT OF TALKING ABOUT CIGARS. (chuckles) 94 00:03:15,963 --> 00:03:19,700 IN SUMMARY, LET'S GO GET THAT HOOLIGAN REMBRANDT 95 00:03:19,700 --> 00:03:21,535 WHILST STAYING WITHIN THE LAW. 96 00:03:23,837 --> 00:03:25,873 I'LL ALLOW IT. 97 00:03:25,873 --> 00:03:27,641 *** 98 00:03:27,641 --> 00:03:30,778 Captioned by Closed Captioning Services, Inc. 99 00:03:33,747 --> 00:03:35,449 (Cameron) "HE'LL ALLOW IT"? (whirs) 100 00:03:35,449 --> 00:03:37,217 HE'S NOT THE ONE DRIVING AROUND BLIND ALL NIGHT, 101 00:03:37,217 --> 00:03:38,886 LOOKING FOR A WIRELESS SIGNAL. 102 00:03:38,886 --> 00:03:42,022 BLIND? SON, THIS IS THE CASH I-G-88 ANTENNA. 103 00:03:42,022 --> 00:03:44,258 THIS BAD BOY'LL PICK UP REMBRANDT'S SIGNAL 104 00:03:44,258 --> 00:03:47,595 FROM ANYWHERE IN THE CITY AND STEER YOU RIGHT TO HIM. 105 00:03:47,595 --> 00:03:48,996 ALL RIGHT, I GUESS I OWE YOU ONE. 106 00:03:48,996 --> 00:03:51,131 NOW ACTUALLY, YOU OWE ME TWO. SO FOLLOW ME, 107 00:03:51,131 --> 00:03:52,700 (monotone voice) 'CAUSE THE SECOND ONE IS MUCH MORE EPIC THAN THE... 108 00:03:52,700 --> 00:03:54,268 (high-pitched singsong voice) FIRST ONE. 109 00:03:54,268 --> 00:03:55,736 (monotone voice) WHEN YOU SING LIKE THAT, IT MAKES ME VERY... 110 00:03:55,736 --> 00:03:56,970 (high-pitched singsong voice) NERVOUS. 111 00:03:56,970 --> 00:03:59,172 BEHOLD... 112 00:03:59,172 --> 00:04:00,741 YOUR NEW EPIC GESTURE FOR MELANIE. 113 00:04:00,741 --> 00:04:04,345 CASH! I SAID NO! HOW DID YOU EVEN DO THIS? 114 00:04:04,345 --> 00:04:06,947 AND WHY IS SHE GIVING THE THUMBS UP? 115 00:04:06,947 --> 00:04:10,217 HEY, MEL. STILL UP FOR TEACHING ME HOW TO DRIVE STICK? 116 00:04:10,217 --> 00:04:11,619 ANYTIME. (computer keys click, beeping) 117 00:04:11,619 --> 00:04:14,021 (Cash) COMMENCE BODY SCAN NOW. 118 00:04:14,021 --> 00:04:15,055 (whispers) YES. 119 00:04:15,055 --> 00:04:17,291 THAT'S VERY THOROUGH. 120 00:04:17,291 --> 00:04:21,028 IT'S QUITE SIMPLY... MY ASS-TERPIECE. 121 00:04:21,028 --> 00:04:22,430 (Melanie) 'SUP, GUYS? 122 00:04:22,430 --> 00:04:26,099 WHAT THE HELL? IS THAT... IS THAT SUPPOSED TO BE ME? 123 00:04:26,099 --> 00:04:29,002 MELANIE, MEET METALNIE. 124 00:04:29,002 --> 00:04:30,738 CAMERON'S BEEN WORKING ON IT FOR WEEKS. 125 00:04:30,738 --> 00:04:33,974 "METALNIE"? YOU MADE A METAL ME? 126 00:04:33,974 --> 00:04:35,909 NO, CASH MADE IT FOR ME. 127 00:04:35,909 --> 00:04:37,711 I MEAN, HE MADE IT FOR ME TO GIVE TO-- 128 00:04:37,711 --> 00:04:39,747 NO, THAT DIDN'T COME OUT RIGHT. OKAY, HE MADE IT-- 129 00:04:39,747 --> 00:04:42,115 WHY DID ANYONE MAKE IT? CAM, WHAT DID YOU THINK, 130 00:04:42,115 --> 00:04:45,353 YOU'D SAVE ME FROM THE BORTEX OR DETAIL MY BIKE 131 00:04:45,353 --> 00:04:47,254 OR--OR--OR--OR THIS, 132 00:04:47,254 --> 00:04:50,391 AND THEN SUDDENLY WE HAVE BABIES AND A CHOCOLATE LAB? I MEAN-- 133 00:04:50,391 --> 00:04:52,292 NO, I ALWAYS PICTURED A LABRADOODLE. 134 00:04:52,292 --> 00:04:55,329 COME ON. IT'S NOT GONNA HAPPEN. 135 00:04:55,329 --> 00:04:56,964 (Oz) LISTEN UP, PEOPLE. 136 00:04:56,964 --> 00:05:00,133 GOODY McTwoShoes HAS SPRUNG SOME NEW PROTOCOLS ON US. 137 00:05:00,133 --> 00:05:03,303 YES, FROM NOW ON, THERE'LL BE NO MORE SOLO OPS AT NIGHT. 138 00:05:03,303 --> 00:05:05,373 2-PERSON DEPLOYMENT AT MINIMUM. 139 00:05:05,373 --> 00:05:06,974 SAFETY AND LIABILITY REASONS. 140 00:05:06,974 --> 00:05:09,677 AND SINCE CAM IS GONNA HAVE HIS FACE PLANTED IN A LAPTOP 141 00:05:09,677 --> 00:05:12,045 ALL WEEKEND, HE'S GONNA NEED A WINGMAN. 142 00:05:12,045 --> 00:05:16,584 THAT'S GONNA BE EENIE, MEENIE, MINEY... MELANIE! YOU ARE IT! 143 00:05:16,584 --> 00:05:18,519 (whispers) OH, GOD. (scoffs) 144 00:05:18,519 --> 00:05:19,853 IS THAT A PROBLEM? 145 00:05:19,853 --> 00:05:21,655 NO, NO. IT'S GREAT. NO, WE'RE GOOD. 146 00:05:21,655 --> 00:05:25,158 GOOD! WELL, THEN GO OUT THERE AND CATCH ME A HACKER. 147 00:05:25,158 --> 00:05:29,363 HOLY MOLY! I SHOULD GET ONE MADE OF ME FOR MY DECK! HEH. 148 00:05:36,236 --> 00:05:39,039 YOU KNOW, ARIEL WAS 11 POUNDS WHEN SHE WAS BORN. 149 00:05:39,039 --> 00:05:40,040 WOW. 150 00:05:40,040 --> 00:05:41,875 YEAH, MY VAGINA JUST SNAPPED RIGHT BACK. 151 00:05:41,875 --> 00:05:43,043 GOOD FOR YOU. 152 00:05:43,043 --> 00:05:44,978 UH-OH. HERE SHE IS, IN THE GOTH PHASE. 153 00:05:44,978 --> 00:05:47,448 OOH. LOOK AT THAT. SHE'S 12 YEARS OLD. 154 00:05:47,448 --> 00:05:48,749 DON'T YOU JUST WANT TO KISS 155 00:05:48,749 --> 00:05:50,851 THAT DEATHLY PALE, LITTLE, PIERCED FACE? 156 00:05:50,851 --> 00:05:53,020 OOH. YEAH. YOU WANT TO SEE THE LOVE OF MY LIFE? 157 00:05:53,020 --> 00:05:54,488 YES, I DO. 158 00:05:54,488 --> 00:05:56,557 MY DOG SAMMY. PEOPLE EVEN SAY WE LOOK ALIKE. 159 00:05:56,557 --> 00:05:58,692 OH, MY GOD. YEAH. HE'S A STRAY. 160 00:05:58,692 --> 00:06:01,429 I FOUND HIM IN THE WOODS ONE NIGHT, DRINKING. (laps) 161 00:06:01,429 --> 00:06:03,997 SO ADORABLE. LOOK AT THAT. MM-HMM. 162 00:06:03,997 --> 00:06:06,967 YOU KNOW YOUR DOG IS A POSSUM, RIGHT? YEAH. 163 00:06:06,967 --> 00:06:09,102 I CAN TELL BECAUSE THIS IS A POSSUM. 164 00:06:09,102 --> 00:06:10,638 LADIES. 165 00:06:10,638 --> 00:06:13,040 AS MUCH AS I LOVE HEARING ABOUT HER FREAKY PET RODENT, 166 00:06:13,040 --> 00:06:14,875 I'VE GOT OPERATIVES IN THE FIELD. 167 00:06:14,875 --> 00:06:17,110 (Cameron) HERE WE GO. THIS IS IT. (beep) 168 00:06:17,110 --> 00:06:19,079 Dude, Cash's antenna actually worked. 169 00:06:19,079 --> 00:06:20,948 We just pulled up in front of Rembrandt's house. 170 00:06:20,948 --> 00:06:22,883 CUT MY LEGS OFF AND CALL ME "SHORTY." 171 00:06:22,883 --> 00:06:24,685 Now stake out the house until we get on to the hacker. 172 00:06:24,685 --> 00:06:26,286 Then I want you to come back here, 173 00:06:26,286 --> 00:06:28,088 I'm gonna put my head under the tire of the car, 174 00:06:28,088 --> 00:06:30,491 and I want you to back it up. Okay? 175 00:06:30,491 --> 00:06:32,926 OKAY, WE'RE-- WE'RE GONNA GO NOW. 176 00:06:32,926 --> 00:06:33,927 (click) 177 00:06:33,927 --> 00:06:35,463 (sighs) 178 00:06:36,363 --> 00:06:38,632 SO... JUST YOU AND ME... 179 00:06:38,632 --> 00:06:41,268 BUT NOT IN THAT WAY. 180 00:06:41,268 --> 00:06:43,203 DIDN'T MEAN IT LIKE THAT. 181 00:06:43,203 --> 00:06:44,371 ("Belleza De Bano" playing) 182 00:06:44,371 --> 00:06:46,173 OH, MY GOD. WOW, WOW. 183 00:06:46,173 --> 00:06:47,841 HOW DO YOU--WHERE IS-- WHERE'S THE BUTTON? 184 00:06:47,841 --> 00:06:49,376 WHERE'S THE BUTTON? HOW DO YOU CHANGE THAT? 185 00:06:49,376 --> 00:06:51,111 YOU DON'T. THE KNOB'S MISSING, AND... 186 00:06:51,111 --> 00:06:52,680 (click, music stops playing) I CAN'T FIND A NEW ONE. 187 00:06:52,680 --> 00:06:53,981 FOR THE LAST YEAR, IT'S BEEN STUCK ON... 188 00:06:53,981 --> 00:06:56,917 (imitates announcer) "LA MOVIDITA 101.3!" 189 00:06:56,917 --> 00:06:58,018 (chuckles) 190 00:06:58,018 --> 00:06:59,352 HERE. 191 00:06:59,352 --> 00:07:02,790 OH, NO. SEE? RIGHT THERE. THIS. 192 00:07:02,790 --> 00:07:05,158 IT'S LIKE YOU'RE LIVING IN A KATHERINE HEIGL MOVIE, 193 00:07:05,158 --> 00:07:06,494 AND SHE SUCKS. 194 00:07:06,494 --> 00:07:08,028 I WAS--I WAS JUST BEING NICE. 195 00:07:08,028 --> 00:07:10,731 NO, YOU WERE BEING CHIVALROUS, GOING ALL HEIGL-- 196 00:07:10,731 --> 00:07:14,167 JACKETS OVER PUDDLES, MAKING OUT IN THE RAIN--PUKE. 197 00:07:14,167 --> 00:07:16,837 I WOULD NEVER PUT A JACKET ON A PUDDLE, 198 00:07:16,837 --> 00:07:18,506 ESPECIALLY IF IT'S SUEDE. 199 00:07:18,506 --> 00:07:22,009 CAM, I'M SORRY. YOU'RE A GREAT GUY... 200 00:07:22,009 --> 00:07:24,778 BUT YOU NEED A ROMANTIC COMEDY GIRL, 201 00:07:24,778 --> 00:07:26,880 AND THAT'S JUST NOT ME. DUDE... 202 00:07:26,880 --> 00:07:31,051 I DON'T EVEN LIKE TO CUDDLE. HOW MANY CHICKS CAN SAY THAT? 203 00:07:31,051 --> 00:07:33,353 YEAH, I... I GET IT. WE'RE JUST FRIENDS. 204 00:07:33,353 --> 00:07:37,457 (slaps hands) DAMN RIGHT. WE'RE JUST FRIENDS. 205 00:07:39,593 --> 00:07:42,496 OH. OH, WHAT ARE YOU DOING? 206 00:07:42,496 --> 00:07:43,597 WHA-- 207 00:07:43,597 --> 00:07:45,432 WHAT ARE YOU--OHH, NO, NO. 208 00:07:45,432 --> 00:07:46,600 NOTHING. WHAT? OHH. 209 00:07:46,600 --> 00:07:48,135 (knock on window) (stammers) UHH! 210 00:07:50,137 --> 00:07:52,072 HEY. HOW YOU DOING? 211 00:07:52,072 --> 00:07:53,574 Y'ALL STAKING OUT MY HOUSE, RIGHT? 212 00:07:53,574 --> 00:07:55,142 WHAT? NO, WE'RE JUST FRIENDS. 213 00:07:55,142 --> 00:07:56,577 WHAT? WHAT? 214 00:07:56,577 --> 00:07:57,645 MADE YOU POP-TARTS. 215 00:07:57,645 --> 00:07:59,680 HUH? AND YOU ARE WHO? 216 00:07:59,680 --> 00:08:02,850 YOU SLOW? I'M REMBRANDT, FOOL. THE HACKER? 217 00:08:02,850 --> 00:08:04,417 Y'ALL BEEN SITTING OUT HERE ALL NIGHT. 218 00:08:04,417 --> 00:08:06,219 I MEAN, ANY MORE OBVIOUS, 219 00:08:06,219 --> 00:08:08,321 YOU'D BE IN A DAMN VAN MARKED "SURVEILLANCE." 220 00:08:08,321 --> 00:08:09,690 HOW OLD ARE YOU? 221 00:08:09,690 --> 00:08:11,124 I'M 14, YOUR FINENESS, 222 00:08:11,124 --> 00:08:12,893 IF YOU EVER WANT TO TRADE UP FROM THAT. 223 00:08:12,893 --> 00:08:16,897 INAPPROPRIATE. THIS IS NOT A GAME. YOU ARE IN DEEP TROUBLE. 224 00:08:16,897 --> 00:08:18,699 LOOK, MAN, I'M LATE FOR SKIPPING SCHOOL, BUT, UM, 225 00:08:18,699 --> 00:08:20,400 CATCH ME IF YOU CAN, CHUMPS. ALL RIGHT? 226 00:08:20,400 --> 00:08:22,102 ALL RIGHT. LOOKING GOOD. 227 00:08:26,073 --> 00:08:28,809 ALL RIGHT. HERE'S WHAT WE GOT SO FAR. 228 00:08:28,809 --> 00:08:31,779 THIS IS REMBRANDT, A.K.A. JAMAL JENKINS. 229 00:08:31,779 --> 00:08:33,681 NOT SINCE CAMERON PRICE HAVE WE SEEN A HACKER 230 00:08:33,681 --> 00:08:36,316 WITH THIS KIND OF SKILL. THIS KID'S ONLY 14. 231 00:08:36,316 --> 00:08:39,486 14. WHATEVER HAPPENED TO KIDS JUST BEING KIDS? 232 00:08:39,486 --> 00:08:41,689 PLAYING HIDE-AND-GO-SEEK, 233 00:08:41,689 --> 00:08:44,792 REVERSE COWGIRL, TRAMP STAMPS--I MEAN, 234 00:08:44,792 --> 00:08:46,960 KIDS DESERVE A CHILDHOOD. IT'S SAD. 235 00:08:46,960 --> 00:08:48,829 I GUESS THE ONLY THING WE CAN DO IS CALL THE COPS. 236 00:08:48,829 --> 00:08:51,632 THEY'LL HAVE LIL' BOW WOW IN JAIL BEFORE STUDY HALL. 237 00:08:51,632 --> 00:08:54,702 OH. I'M GETTING CALL WAITING. SORRY. IT'S MY CONSCIENCE. 238 00:08:54,702 --> 00:08:56,970 HI, RENEE. YEAH. OH, SORRY. 239 00:08:56,970 --> 00:09:00,908 CAN YOU HEAR ME NOW? YES. YES, I WILL. THANK YOU. 240 00:09:00,908 --> 00:09:02,910 RENEE THINKS YOU'RE A DOUCHE. 241 00:09:02,910 --> 00:09:04,244 I'M NOT PAID TO HAVE A CONSCIENCE. 242 00:09:04,244 --> 00:09:06,513 THAT'S WHY WE GOTTA SHAWSHANK THIS KID. 243 00:09:06,513 --> 00:09:08,081 WELL, I'M SORRY, OSWALD, BUT AS A MOTHER, 244 00:09:08,081 --> 00:09:10,250 I SIMPLY CANNOT ALLOW THIS TO HAPPEN. 245 00:09:10,250 --> 00:09:12,552 AS A GUY WHO'S BEEN IN THE SECURITY BUSINESS 246 00:09:12,552 --> 00:09:17,725 FOR THE LAST 20 YEARS, I'M TELLING YOU, STAY OUT OF IT. 247 00:09:17,725 --> 00:09:19,092 (giggles) 248 00:09:19,092 --> 00:09:21,829 (woman) DO NOT LIE TO ME, JAMAL. 249 00:09:21,829 --> 00:09:22,996 NOW IF WHAT SHE'S SAYING IS TRUE, 250 00:09:22,996 --> 00:09:24,397 YOU WON'T BE GOING TO M.I.T. 251 00:09:24,397 --> 00:09:25,833 YOU'RE GONNA GO STRAIGHT TO THE PENITENTIARY, 252 00:09:25,833 --> 00:09:27,668 JUST LIKE YOUR UNCLE FLOYD. 253 00:09:27,668 --> 00:09:30,704 UNCLE FLOYD WAS MAKING UP-SKIRT VIDEOS. I DIDN'T DO NOTHIN'. 254 00:09:30,704 --> 00:09:33,506 YOU NEVER "DO NOTHIN'," DO YOU, JAMAL? 255 00:09:33,506 --> 00:09:35,042 KNOW WHAT? I'VE HAD ENOUGH. 256 00:09:35,042 --> 00:09:37,177 THREE WOMEN GANGING UP ON ME-- I'M NOT WITH THIS. 257 00:09:37,177 --> 00:09:38,912 I DON'T LIKE IT AT ALL. I'M OUTTA HERE. 258 00:09:38,912 --> 00:09:42,650 HEY, GIRL. I'D DRINK YOUR BATHWATER. 259 00:09:42,650 --> 00:09:46,019 HONESTLY, I DON'T KNOW WHAT'S HAPPENED TO HIM... (door opens and closes) 260 00:09:46,019 --> 00:09:48,355 BUT HE USED TO BE SUCH A GREAT KID. 261 00:09:48,355 --> 00:09:52,259 HE WAS AN HONOR STUDENT, DID SCHOOL PLAYS, BUT NOW... 262 00:09:52,259 --> 00:09:54,361 (sighs) I JUST DON'T KNOW WHAT ELSE TO DO. 263 00:09:54,361 --> 00:09:58,565 J'NEY, MAY I ASK YOU A QUESTION, JUST MOTHER TO MOTHER? 264 00:09:58,565 --> 00:10:00,033 ACTUALLY, IT'S JANET. 265 00:10:00,033 --> 00:10:01,401 OH, "JANET." YES, OF COURSE. 266 00:10:01,401 --> 00:10:03,336 JANET, UH, IT MIGHT HAVE BEEN OBVIOUS, 267 00:10:03,336 --> 00:10:05,739 BUT I FEEL LIKE I REALLY GET JAMAL... 268 00:10:05,739 --> 00:10:07,074 EXCUSE ME? 269 00:10:07,074 --> 00:10:09,009 UM, I DON'T THINK WE SHOULD BE HERE. 270 00:10:09,009 --> 00:10:12,212 AND I WAS WONDERING IF YOU WOULD LET ME TAKE HIM UNDER MY WING, 271 00:10:12,212 --> 00:10:13,513 JUST FOR A LITTLE WHILE, 272 00:10:13,513 --> 00:10:16,216 TO SEE IF I COULD HELP HIM GET BACK ON TRACK. 273 00:10:18,652 --> 00:10:22,222 (sighs) OKAY. OKAY. 274 00:10:22,222 --> 00:10:25,058 I REALLY APPRECIATE THE INTEREST THAT YOU'RE TAKING IN JAMAL. 275 00:10:25,058 --> 00:10:28,528 OH, COME ON, GIRLFRIEND. IT AIN'T NO THANG. 276 00:10:28,528 --> 00:10:30,798 OKAY. NOW YOU HAVE REACHED YOUR LIMIT. 277 00:10:30,798 --> 00:10:32,465 THANK YOU FOR COMING BY. 278 00:10:32,465 --> 00:10:33,600 WELL, THANK YOU, J'NEY. 279 00:10:33,600 --> 00:10:35,535 IT'S "JANET." 280 00:10:35,535 --> 00:10:37,037 (whispers) SORRY. 281 00:10:38,105 --> 00:10:40,173 (Jamal) YOU WANT TICKETS TO THE GUN SHOW? 282 00:10:40,173 --> 00:10:41,809 I'M NOT A-- I'M NOT A FAN OF GUNS. 283 00:10:41,809 --> 00:10:43,343 I'M TALKING ABOUT THESE GUNS, BABY. 284 00:10:43,343 --> 00:10:44,945 VERONICA, ARE YOU CRAZY? 285 00:10:44,945 --> 00:10:46,646 I TELL YOU TO STAY OUT OF IT, AND THIS IS WHAT YOU DO? 286 00:10:46,646 --> 00:10:49,149 I'M SORRY, OSWALD, BUT THAT BOY OUT THERE IS IN TROUBLE, 287 00:10:49,149 --> 00:10:52,485 AND I'M GOING TO SAVE HIM. THIS IS MY "THE BLIND SIDE." 288 00:10:52,485 --> 00:10:53,987 OH, DEAR GOD, NO. 289 00:10:53,987 --> 00:10:56,790 OH, YES. OH, THAT'S A DARLING LITTLE MOVIE. 290 00:10:56,790 --> 00:10:58,358 THE GIRL FROM "SPEED," 291 00:10:58,358 --> 00:11:01,962 AND SHE TAKES IN A GENTLE GIANT OF A BOY. I'VE SEEN IT. 292 00:11:01,962 --> 00:11:06,133 (gasps) YOU CAN BE THE HUSBAND, AND JAMAL IS OUR BIG MIKE. 293 00:11:06,133 --> 00:11:10,370 LISTEN, OZ, EVERYONE ELSE HAS GIVEN UP ON THAT KID OUT THERE, 294 00:11:10,370 --> 00:11:14,541 BUT NOT ME, AND THAT IS WHY I HAVE MADE HIM... 295 00:11:14,541 --> 00:11:17,878 OUR NEW OFFICE INTERN. 296 00:11:17,878 --> 00:11:19,980 NO, NO. VERONICA, YOU'VE GOT IT BACKWARDS. 297 00:11:19,980 --> 00:11:21,882 THIS IS NOT A BOY THAT YOU MAKE AN INTERN. 298 00:11:21,882 --> 00:11:24,484 THIS IS A BOY THAT YOU TURN IN. 299 00:11:24,484 --> 00:11:25,953 MARK MY WORDS-- 300 00:11:25,953 --> 00:11:28,722 JAMAL ALPHONSO JENKINS WILL SURPRISE US ALL. 301 00:11:28,722 --> 00:11:32,893 (sighs) WELL, HE'S CERTAINLY OFF TO A WONDERFUL START. 302 00:11:32,893 --> 00:11:34,694 GO AHEAD. TOUCH IT. I-I DON'T THINK I SHOULD-- 303 00:11:34,694 --> 00:11:36,429 GO AHEAD. TOUCH IT. RIGHT NOW. GO AHEAD. 304 00:11:36,429 --> 00:11:38,866 NICE AND HARD, RIGHT? UH-HUH. THAT'S RIGHT. 305 00:11:40,200 --> 00:11:41,068 I KNEW IT. 306 00:11:41,068 --> 00:11:42,936 FROM FIST BUMP TO CUDDLE, 307 00:11:42,936 --> 00:11:45,238 THAT'S THE POWER OF THE EPIC GESTURE, BABY. 308 00:11:45,238 --> 00:11:47,440 NEXT STOP... (singsongy) THE BONE ZONE. 309 00:11:47,440 --> 00:11:50,143 (lowered voice) OKAY, JUST KEEP IT DOWN. SHE'S RIGHT THERE. 310 00:11:50,143 --> 00:11:52,445 UH, HEY, MEL? YOU HAVE A QUICK SECOND? 311 00:11:52,445 --> 00:11:54,047 TIME'S UP. 312 00:11:54,047 --> 00:11:57,284 (laughs) YOU'RE LIKE THE BEEPER KIOSK AT THE MALL-- 313 00:11:57,284 --> 00:11:58,685 SHUT DOWN. 314 00:11:58,685 --> 00:12:00,453 OH, DUDE, SHUT UP. SERIOUSLY? 315 00:12:00,453 --> 00:12:02,823 THAT WAS BOTH A BURN AND A SOCIAL COMMENTARY. RESPECT. 316 00:12:02,823 --> 00:12:05,492 HEY. WHAT'S THE DEAL WITH YOU AND MELANIE? 317 00:12:05,492 --> 00:12:07,160 WHY IS SHE GIVING YOU THE COLD SHOULDER? 318 00:12:07,160 --> 00:12:09,362 (sighs) SOMETHING MIGHT HAVE HAPPENED LAST NIGHT 319 00:12:09,362 --> 00:12:10,798 AT THE STAKEOUT. 320 00:12:10,798 --> 00:12:12,900 REALLY? YOU TWO? CAR BOOTY? 321 00:12:12,900 --> 00:12:14,667 THEY CUDDLED. 322 00:12:14,667 --> 00:12:16,369 CUDDLES?! 323 00:12:16,369 --> 00:12:18,171 BAT CAVE NOW. 324 00:12:18,171 --> 00:12:19,439 (whoosh) 325 00:12:19,439 --> 00:12:20,808 OKAY. NOW WHO CUDDLED WHO? 326 00:12:20,808 --> 00:12:22,943 DID YOU CUDDLE HER, OR DID SHE CUDDLE YOU? 327 00:12:22,943 --> 00:12:25,445 UH, I THINK SHE CUDDLED ME. 328 00:12:25,445 --> 00:12:26,847 NO! (whoosh) 329 00:12:26,847 --> 00:12:28,949 YOU CUDDLED HER. YOU UNDERSTAND? 330 00:12:28,949 --> 00:12:32,019 YOU CUDDLED HER. SAY IT! 331 00:12:32,019 --> 00:12:34,321 I... CUDDLED HER? 332 00:12:34,321 --> 00:12:36,589 (whoosh) THE THING YOU GOTTA UNDERSTAND ABOUT MELANIE 333 00:12:36,589 --> 00:12:39,226 IS THAT FEELINGS ARE LIKE KRYPTONITE TO HER. 334 00:12:39,226 --> 00:12:42,830 THE ONLY WAY SHE CAN HANDLE 'EM IS TO FLY AWAY FROM 'EM. 335 00:12:42,830 --> 00:12:46,967 UM, MELANIE? WILL YOU BE MY VALENTINE? 336 00:12:48,368 --> 00:12:51,004 CLASS? WE HAVE A NEW TRANSFER STUDENT TODAY. 337 00:12:51,004 --> 00:12:53,573 SAY "HELLO" TO MELANIE. 338 00:12:53,573 --> 00:12:55,308 SO YOU BETTER UNDO THAT CUDDLE WITH MELANIE 339 00:12:55,308 --> 00:12:58,278 BEFORE SHE TRANSFERS TO ANOTHER SCHOOL. 340 00:12:58,278 --> 00:13:00,147 OKAY? BOOP. 341 00:13:00,147 --> 00:13:04,217 SO, JAMAL, AS OUR BELOVED AND RESPECTED INTERN, 342 00:13:04,217 --> 00:13:07,754 YOUR JOB WILL BE FILING, FAXING, COLOR-CODING-- 343 00:13:07,754 --> 00:13:10,790 ALL THE THINGS THAT TEENAGE BOYS LOVE THE MOST. 344 00:13:10,790 --> 00:13:12,392 (clears throat) 345 00:13:12,392 --> 00:13:13,193 OH. 346 00:13:13,193 --> 00:13:15,062 BUT MOST IMPORTANTLY, JAMAL, 347 00:13:15,062 --> 00:13:17,297 I WOULD LIKE YOU TO MAKE YOURSELF AT HOME. 348 00:13:17,297 --> 00:13:18,866 OH, MISS MANN, 349 00:13:18,866 --> 00:13:22,002 YOU DO NOT KNOW HOW MUCH I APPRECIATE THIS OPPORTUNITY. 350 00:13:22,002 --> 00:13:24,872 OH, COME ON. CALL ME "MOMS." 351 00:13:24,872 --> 00:13:26,439 "MOMS." 352 00:13:26,439 --> 00:13:27,740 OH! 353 00:13:27,740 --> 00:13:30,043 YEAH, I'M-A GET TO KNOW YOU PEOPLE REAL QUICK. 354 00:13:31,879 --> 00:13:33,480 (beeping) 355 00:13:37,717 --> 00:13:39,552 (engine turns off) 356 00:13:43,056 --> 00:13:45,993 MEL, WAIT. WE NEED TO TALK. 357 00:13:45,993 --> 00:13:47,660 I'VE GOT NOTHING TO SAY. 358 00:13:47,660 --> 00:13:49,329 JUST... 359 00:13:49,329 --> 00:13:52,065 I'M SORRY ABOUT THIS MORNING. I SHOPLIFTED THE CUDDLE. 360 00:13:52,065 --> 00:13:54,868 IT WAS MY FAULT. IT'LL NEVER HAPPEN AGAIN. 361 00:13:54,868 --> 00:13:56,503 OKAY. ARE YOU DONE NOW? 362 00:13:56,503 --> 00:13:58,038 YOU KNOW WHAT? NO, NO. 363 00:13:58,038 --> 00:13:59,672 LOOK, I DIDN'T SHOPLIFT THE CUDDLE! ALL RIGHT? 364 00:13:59,672 --> 00:14:02,275 I WOKE UP, AND WE WERE SPOONING. AND GUESS WHAT? 365 00:14:02,275 --> 00:14:05,378 YOU WERE THE BIG SPOON. YEAH. 366 00:14:05,378 --> 00:14:10,050 A BIG SOUP LADLE, AND I WAS JUST A LITTLE BABY FOOD SPOON. 367 00:14:10,050 --> 00:14:11,418 WHAT ARE YOU TALKING ABOUT? 368 00:14:11,418 --> 00:14:13,853 DUDE, YOU CUDDLED ME, 369 00:14:13,853 --> 00:14:15,755 AND I DON'T CARE ANYMORE. I GET IT. 370 00:14:15,755 --> 00:14:18,791 YOU'RE NOT INTO ME, AND FRANKLY, SEEING THIS SIDE OF YOU... I AM. 371 00:14:18,791 --> 00:14:21,661 I'M NOT INTO YOU, EITHER, SO YOU CAN JUST GO-- 372 00:14:21,661 --> 00:14:24,597 *** 373 00:14:26,499 --> 00:14:29,769 YOU THINK THAT WEAK EXCUSE FOR A KISS MAKES UP FOR-- 374 00:14:29,769 --> 00:14:32,906 *** 375 00:14:39,346 --> 00:14:40,447 (sighs) 376 00:14:40,447 --> 00:14:41,949 I CAN'T BELIEVE THIS FINALLY HAPPENED. 377 00:14:41,949 --> 00:14:44,584 I KNOW. ME, TOO. 378 00:14:44,584 --> 00:14:47,087 BECAUSE RIGHT NOW... 379 00:14:48,121 --> 00:14:50,323 KIND OF IN THE PERFECT MOMENT. 380 00:14:50,323 --> 00:14:53,493 OH. SO YOU'RE A HEIGL AFTER ALL. 381 00:14:53,493 --> 00:14:54,494 (sighs) 382 00:14:54,494 --> 00:14:55,495 (chuckles) 383 00:14:55,495 --> 00:14:57,264 (chuckles) 384 00:14:57,264 --> 00:15:00,333 RIGHT NOW I AM. (sighs) 385 00:15:00,333 --> 00:15:02,735 (pants) READY FOR ROUND THREE? 386 00:15:02,735 --> 00:15:04,137 ABSOLUTELY. 387 00:15:04,137 --> 00:15:05,572 JUST GIVE ME 20 MINUTES AND SOME COCONUT WATER, 388 00:15:05,572 --> 00:15:07,574 I'LL BE GOOD TO GO. OH, GOD. SHUT UP. 389 00:15:07,574 --> 00:15:10,343 (both moaning) 390 00:15:10,343 --> 00:15:12,845 VERONICA. GOT OURSELVES A LITTLE BIT OF A SITUATION HERE. 391 00:15:12,845 --> 00:15:14,647 OH, YEAH? WELL, MAKE IT SNAPPY. 392 00:15:14,647 --> 00:15:17,317 I'M TAKING JAMAL OUT FOR ICE CREAM AND A NEW LAPTOP. 393 00:15:17,317 --> 00:15:19,219 THE SITUATION IS ABOUT JAMAL. 394 00:15:19,219 --> 00:15:21,821 YEAH, HE'S, LIKE, YOU KNOW, A DICK. 395 00:15:21,821 --> 00:15:24,391 TOTAL DICK. YEAH, YOU SHOULD CHANGE HIS NAME TO "RICHARD." 396 00:15:24,391 --> 00:15:27,527 ALL HE EVER DOES IS COME ON TO US FOXY BABES IN THE OFFICE. 397 00:15:27,527 --> 00:15:31,131 OOH, HEY, LITTLE MISS MUFFET, LET ME SLAP THAT TUFFET. 398 00:15:31,131 --> 00:15:34,334 OOH. I'LL GET YOU DOUBLE PREGNANT. YEAH. 399 00:15:34,334 --> 00:15:35,135 OH, NO. 400 00:15:35,135 --> 00:15:36,603 (clatter) 401 00:15:36,603 --> 00:15:38,471 WHAT'S HAPPENED THERE? 402 00:15:42,209 --> 00:15:44,877 HE'S ALSO STOLEN SOME LAPTOPS, ALL OF OUR FILES, 403 00:15:44,877 --> 00:15:46,379 EVERYBODY'S SOCIAL SECURITY NUMBER-- 404 00:15:46,379 --> 00:15:48,548 THE KID'S A KLEPTO. HE'S GOTTA GO. 405 00:15:48,548 --> 00:15:52,852 OH, OKAY. THE NAME ON THE CARD IS "BUDDY R--" I-IS IT "REVELL"? 406 00:15:52,852 --> 00:15:56,489 YEAH, "B-BUDDY REVELL." UH-HUH. I'LL TAKE 20 OF 'EM. 407 00:15:56,489 --> 00:15:58,091 THAT'S RIGHT. (crack) 408 00:15:58,091 --> 00:16:00,527 WOULD YOU CALLOUS PEOPLE BE INTERESTED TO KNOW 409 00:16:00,527 --> 00:16:03,663 WHY JAMAL MIGHT BE ACTING OUT LIKE THIS? 410 00:16:03,663 --> 00:16:05,365 MNH-MNH. NEGATIVE. 411 00:16:05,365 --> 00:16:07,734 (sentimental music playing) JAMAL'S FATHER PUSHED A BROOM 412 00:16:07,734 --> 00:16:09,336 FOR INITECH FOR 30 YEARS, 413 00:16:09,336 --> 00:16:13,106 AND ONE DAY BEFORE HE WAS SUPPOSED TO RECEIVE HIS PENSION, 414 00:16:13,106 --> 00:16:16,876 THEY FIRED HIM. HOW DO YOU FEEL ABOUT IT NOW? 415 00:16:16,876 --> 00:16:18,411 I DON'T CARE AT ALL. 416 00:16:18,411 --> 00:16:20,547 VERONICA, JAMAL'S FATHER IS 417 00:16:20,547 --> 00:16:22,315 A VERY SUCCESSFUL CHIROPRACTOR. (music warps abruptly) 418 00:16:22,315 --> 00:16:24,851 YOU'VE BEEN PLAYED BY A CHILD, MY DEAR. 419 00:16:24,851 --> 00:16:26,286 VERONICA. WHAT? 420 00:16:26,286 --> 00:16:29,356 JAMAL HAS JUST HACKED INTO O.C.P.'s BANK ACCOUNTS. 421 00:16:29,356 --> 00:16:30,157 OH. 422 00:16:30,157 --> 00:16:31,724 AND HE PINCHED MY BOTTOM. 423 00:16:31,724 --> 00:16:32,992 MM. 424 00:16:35,295 --> 00:16:38,365 (Molly) UM, OZ, COULD I HAVE A MOMENT, PLEASE? 425 00:16:38,365 --> 00:16:40,167 IT'S--IT'S RATHER URGENT. 426 00:16:40,167 --> 00:16:42,269 REALLY NOT IN THE MOOD TO HEAR ABOUT YOUR PROTOCOL. 427 00:16:42,269 --> 00:16:44,237 WELL, ACTUALLY, I'M ABOUT TO BREAK PROTOCOL 428 00:16:44,237 --> 00:16:47,307 AND SHARE SOME RATHER SENSITIVE INFORMATION WITH YOU. MM. 429 00:16:47,307 --> 00:16:49,309 I THINK VERONICA'S "BLIND SIDE" THING IS 430 00:16:49,309 --> 00:16:51,578 REALLY ABOUT HER RELATIONSHIP WITH HER DAUGHTER. 431 00:16:51,578 --> 00:16:53,246 YEAH, I'VE SEEN THE PHOTOS-- PICNICS, PUZZLES-- 432 00:16:53,246 --> 00:16:54,647 THEY'RE BESTIES. 433 00:16:54,647 --> 00:16:56,749 YES, WHEN SHE WAS 10, BUT SINCE THEN, 434 00:16:56,749 --> 00:16:59,086 SHE'S BECOME A BIT OF A... MONSTER. 435 00:16:59,086 --> 00:17:00,787 HUH. THAT'S WHY VERONICA WAS IN BOSTON. 436 00:17:00,787 --> 00:17:03,723 SHE WAS TAKING ARIEL TO A SCHOOL FOR TROUBLED TEENS. 437 00:17:03,723 --> 00:17:05,892 YOU SEE, ARIEL HAD HER... EVERYTHING PIERCED. 438 00:17:05,892 --> 00:17:08,161 AND SHE STARTED SMOKING HIP-HOP CIGARETTES. 439 00:17:08,161 --> 00:17:11,598 OHH. NOW YOU GOT ME FEELING FEELINGS... 440 00:17:11,598 --> 00:17:13,533 FOR HER! OHH. 441 00:17:14,634 --> 00:17:16,403 S-SORRY. 442 00:17:16,403 --> 00:17:18,505 (Oz) SO YOU JUST SKIP SCHOOL WHEN YOUR PARENTS ARE AT WORK? 443 00:17:18,505 --> 00:17:20,773 I MEAN, WHAT ARE YOU DOING HERE, HUH? I MEAN... (sighs) 444 00:17:20,773 --> 00:17:22,709 YOU COULD BE THE NEXT JOBS OR ZUCKERBERG. 445 00:17:22,709 --> 00:17:24,711 YOU'RE THROWING YOUR LIFE AWAY. WHY? 446 00:17:24,711 --> 00:17:27,714 WHAT? YOU THINK SOCIAL NETWORK CAN BRING PEOPLE TOGETHER? 447 00:17:27,714 --> 00:17:30,917 (scoffs) WHAT I GOT IS A REAL PEOPLE-PLEASER-- 448 00:17:30,917 --> 00:17:33,186 X-RATED HOLOGRAMS. 449 00:17:33,186 --> 00:17:35,622 OOH. (whispers) TOP SECRET. 450 00:17:35,622 --> 00:17:37,257 ALL RIGHT, LOOK, LOOK, YOU'RE STILL-- 451 00:17:37,257 --> 00:17:39,025 YOU'RE GONNA RETURN ALL THE STOLEN MERCHANDISE, 452 00:17:39,025 --> 00:17:42,595 AND YOU ARE GONNA GIVE VERONICA HER "BLIND SIDE" MOMENT. 453 00:17:42,595 --> 00:17:45,732 "BLIND SIDE"? HEY! THAT'S RACIST. 454 00:17:45,732 --> 00:17:50,303 YES. YES, IT IS, BUT YOU'RE GONNA DO IT ANYWAY, OR ELSE. 455 00:17:50,303 --> 00:17:53,140 "OR ELSE" WHAT? I'M REMBRANDT, FOOL. 456 00:17:53,140 --> 00:17:56,576 (sighs) I'M GONNA HARD-KNOCK YOUR LIFE. 457 00:17:56,576 --> 00:17:58,311 GEE WHISKERS AND LEAPING LIZARDS! 458 00:17:58,311 --> 00:17:59,679 I LOVE YOU, TOO, DADDY WARBUCKS! 459 00:17:59,679 --> 00:18:02,014 OKAY, LOOK, I WAS 12. I WAS JUST A LITTLE KID. 460 00:18:02,014 --> 00:18:03,082 THANK YOU... 461 00:18:03,082 --> 00:18:04,417 THAT WAS AN ALL-BOYS SCHOOL. 462 00:18:04,417 --> 00:18:06,052 WHAT KIND OF SICK, TWISTED DRAMA TEACHER 463 00:18:06,052 --> 00:18:08,721 THINKS "ANNIE" IS A GOOD IDEA AT AN ALL-BOYS SCHOOL? 464 00:18:08,721 --> 00:18:10,190 I SAID THE SAME THING. 465 00:18:10,190 --> 00:18:12,192 WELL, REGARDLESS, IF THIS WERE TO LEAK OUT ON THE INTERNET, 466 00:18:12,192 --> 00:18:14,594 IT WOULD PRETTY MUCH DESTROY YOUR STREET CRED, WOULDN'T IT? 467 00:18:14,594 --> 00:18:17,830 IT WOULD. ONLY ONE PROBLEM THERE. 468 00:18:17,830 --> 00:18:21,368 NO ONE KNOWS WHAT REMBRANDT LOOKS LIKE. HA HA! 469 00:18:23,069 --> 00:18:24,737 I'M REMBRANDT, FOOL. 470 00:18:27,274 --> 00:18:29,876 SO--SO YOU SAID, "BLIND SIDE"? THAT'S--THAT'S-- 471 00:18:29,876 --> 00:18:31,678 THAT'S THE ONE WITH THE CHICK FROM "SPEED," RIGHT? 472 00:18:31,678 --> 00:18:32,745 BINGO. 473 00:18:32,745 --> 00:18:34,847 OKAY. (laughs) ALL RIGHT. 474 00:18:34,847 --> 00:18:37,350 ALL RIGHT. NOW I GOT ONE OTHER KID TO HELP OUT. 475 00:18:37,350 --> 00:18:39,286 WHERE WERE YOU LAST NIGHT? 476 00:18:39,286 --> 00:18:42,422 "LOVE AND OTHER DRUGS" CAME ON. ANNE HATHAWAY GETS TOPLESS. 477 00:18:42,422 --> 00:18:44,090 I WANTED TO WATCH IT ON THE PHONE WITH YOU. 478 00:18:44,090 --> 00:18:46,926 OOH, BUMMER TO MISS THAT, BUT I WAS KIND OF WITH MEL ALL NIGHT. 479 00:18:46,926 --> 00:18:48,861 NO! WE DID IT? 480 00:18:48,861 --> 00:18:53,099 LIKE, WE DID IT? DID WE LIKE IT? WERE WE GOOD? 481 00:18:53,099 --> 00:18:54,967 DUDE, THERE IS NO "WE." 482 00:18:54,967 --> 00:18:56,803 YES, THERE IS. I NEED TO FEEL WHAT YOU FELT, 483 00:18:56,803 --> 00:18:58,405 EXPERIENCE WHAT YOU'VE EXPERIENCED. 484 00:18:58,405 --> 00:19:00,072 WE NEED TO MIND MELD. 485 00:19:00,072 --> 00:19:03,510 ALL RIGHT, CASH? CHILL. VIRGINITY'S MAKING YOU CRAZY. 486 00:19:03,510 --> 00:19:05,945 FALSEHOOD. I HAD SEX WITH A LADY TWICE. 487 00:19:05,945 --> 00:19:11,418 COMIC-CON '08 AND '09. IT WAS SHE-HULK AND LADY YODA. 488 00:19:13,353 --> 00:19:15,154 HEY, HAVE YOU SEEN MEL? 489 00:19:15,154 --> 00:19:16,923 (Cash) AIN'T SEEN HER. 490 00:19:18,758 --> 00:19:20,693 (Oz, echoing voice) THE THING YOU GOTTA UNDERSTAND 491 00:19:20,693 --> 00:19:23,496 ABOUT MELANIE IS THAT FEELINGS ARE LIKE KRYPTONITE TO HER. 492 00:19:23,496 --> 00:19:26,766 THE ONLY WAY SHE CAN HANDLE 'EM IS TO FLY AWAY FROM 'EM. 493 00:19:27,934 --> 00:19:29,669 (sighs) 494 00:19:29,669 --> 00:19:32,171 I'M SORRY, KID. SHE'S GONE. 495 00:19:32,171 --> 00:19:34,507 JUST TELL CAMERON I... 496 00:19:34,507 --> 00:19:37,076 (sighs) JUST EXPLAIN IT TO HIM. 497 00:19:37,076 --> 00:19:38,778 I WILL. 498 00:19:38,778 --> 00:19:41,914 YOU'LL--YOU'LL ALWAYS HAVE A PLACE HERE. NEVER FORGET THAT. 499 00:19:41,914 --> 00:19:43,950 I NEVER WILL. 500 00:19:50,156 --> 00:19:52,692 (sighs) BYE, OZ. 501 00:19:52,692 --> 00:19:53,926 BE SAFE. 502 00:19:56,529 --> 00:19:58,931 (engine starts, revs) 503 00:20:03,236 --> 00:20:05,938 SHE WANTED ME TO GIVE THIS TO YOU. 504 00:20:22,689 --> 00:20:24,591 (static) 505 00:20:24,591 --> 00:20:26,759 (We Are Serenades' "Walking Home" playing) 506 00:20:31,698 --> 00:20:34,867 IF IT MAKES YOU FEEL ANY BETTER, SHE DOES LOVE YOU. 507 00:20:36,235 --> 00:20:38,170 JUST HATES LOVE. 508 00:20:38,170 --> 00:20:40,340 LET'S DO THIS. 509 00:20:42,141 --> 00:20:43,710 HASTA LA VISTA, BABY. 510 00:20:43,710 --> 00:20:46,713 * EVEN IF THE FLOWERS ARE GONE * (clink) 511 00:20:46,713 --> 00:20:50,783 * EVEN WHEN THE SUN IS DOWN AND THINGS ARE UNDONE * 512 00:20:50,783 --> 00:20:53,586 * EVEN WHEN THE LAKES ARE DRY * 513 00:20:53,586 --> 00:20:57,957 * EVEN WHEN THE LAST LEAVES ARE FALLING DOWN * 514 00:20:57,957 --> 00:21:01,394 * LOVE WILL BE AROUND * 515 00:21:01,394 --> 00:21:05,164 * LOVE WILL BE AROUND * 516 00:21:05,164 --> 00:21:07,166 * EVEN IF THE FLOWERS ARE GONE * 517 00:21:07,166 --> 00:21:11,738 * EVEN WHEN THE SUN IS DOWN AND THINGS ARE UNDONE * 518 00:21:11,738 --> 00:21:14,173 * EVEN WHEN THE LAKES ARE DRY * 519 00:21:14,173 --> 00:21:18,711 * EVEN WHEN THE LAST LEAVES ARE FALLING DOWN * 520 00:21:18,711 --> 00:21:21,247 * LOVE WILL BE AROUND * 521 00:21:21,247 --> 00:21:23,316 * LOVE WILL BE AROUND * 522 00:21:23,316 --> 00:21:25,352 AH... (laughs) 523 00:21:25,352 --> 00:21:27,253 WE FINISHED. 524 00:21:27,253 --> 00:21:28,955 WHOO! 39404

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