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1
00:00:01,235 --> 00:00:02,836
YEAH, I HAVE A STAMP
FROM, LIKE, EVERY STATE--
2
00:00:02,836 --> 00:00:04,838
ALABAMA, ALASKA, ARIZONA,
ARKANSAS, CALIFORNIA,
3
00:00:04,838 --> 00:00:06,974
COLORADO, CONNECTICUT--
RICKY, CAN YOU
MAIL THIS OR NOT?
4
00:00:06,974 --> 00:00:08,476
DELAWARE, FLORIDA,
GEORGIA--
5
00:00:08,476 --> 00:00:10,611
SORRY, BORTEN.
WE'VE GOT A SERIOUS SITUATION.
6
00:00:10,611 --> 00:00:11,445
OH. INDIANA...
7
00:00:11,445 --> 00:00:13,181
AND NOW YOU'RE OUT OF IT.
8
00:00:13,181 --> 00:00:16,050
CAMERON WITH THE RESCUE.
SAVED ME FROM THE BORTEX.
9
00:00:16,050 --> 00:00:18,052
OH, THE BUMPING OF FISTS--
10
00:00:18,052 --> 00:00:19,453
UNIVERSAL SIGN
OF NOT GETTING ANY.
11
00:00:19,453 --> 00:00:20,854
HOW'D SHE FEEL?
WAS SHE GENTLE?
12
00:00:20,854 --> 00:00:21,855
SHUT UP. I HAVE--
13
00:00:21,855 --> 00:00:22,856
NO CLUE WHAT YOU'RE DOING.
14
00:00:22,856 --> 00:00:23,857
OH, THIS FROM THE GUY--
15
00:00:23,857 --> 00:00:24,992
WHO THINKS YOU HAVE NO GAME.
16
00:00:24,992 --> 00:00:26,627
YES, I--
SUCK.
17
00:00:26,627 --> 00:00:28,762
LOOK, I'VE TOLD YOU BEFORE--
MELANIE'S AN ICE ROAD TRUCKER
18
00:00:28,762 --> 00:00:30,898
TRAPPED INSIDE THE BODY
OF A TELEMUNDO WEATHER GIRL.
19
00:00:30,898 --> 00:00:33,167
WITH A WOMAN LIKE THAT,
YOU GOTTA GO BIG--
20
00:00:33,167 --> 00:00:34,368
EPIC GESTURE BIG.
21
00:00:34,368 --> 00:00:36,036
AND I'VE TOLD YOU BEFORE--
22
00:00:36,036 --> 00:00:39,073
I'M NOT PROJECTING HER FACE
ON THE MOON LIKE THE BAT SIGNAL.
23
00:00:39,073 --> 00:00:41,075
(click)
24
00:00:43,211 --> 00:00:44,845
(clatter)
(scoffs)
25
00:00:44,845 --> 00:00:47,948
TERRIBLE IDEA. THE CRATERS
MADE HER FACE LOOK LIKE MACHETE.
26
00:00:47,948 --> 00:00:49,683
JUST STAY OUT OF IT.
27
00:00:49,683 --> 00:00:52,453
(Veronica, singsongy) HOLA.
HIDE THE BONG. MOTHER'S HOME.
28
00:00:52,453 --> 00:00:53,987
VERONICA. HOW ARE YOU?
29
00:00:53,987 --> 00:00:55,689
OOH. HOW WAS BOSTON?
30
00:00:55,689 --> 00:00:58,226
OOH. HOW--HOW'S, UH,
HOW'S YOUR DAUGHTER?
31
00:00:58,226 --> 00:01:00,094
MY KID? ARE YOU KIDDING ME?
32
00:01:00,094 --> 00:01:02,363
FANTASTIC.
CHIP OFF THE OLD BLOCK.
33
00:01:02,363 --> 00:01:04,765
I, ON THE OTHER HAND,
WON'T BE PICKING MY OWN LOBSTER
34
00:01:04,765 --> 00:01:07,735
OUT OF THE TANK AGAIN
ANYTIME SOON. OW. (chuckles)
35
00:01:07,735 --> 00:01:11,038
BUT I DIDN'T FORGET ABOUT
MY OFFICE FAM. NO, I DID NOT.
36
00:01:11,038 --> 00:01:12,473
HEY, WHO'S IN THE MOOD
37
00:01:12,473 --> 00:01:14,742
FOR A LITTLE AUTHENTIC
NEW ENGLAND CLAM CHO--
38
00:01:14,742 --> 00:01:17,077
(sniffs) OKAY,
THAT DID NOT TRAVEL WELL.
39
00:01:17,077 --> 00:01:18,479
DIBS.
40
00:01:18,479 --> 00:01:20,013
(sniffs)
41
00:01:20,013 --> 00:01:22,783
(sighs,
whispers indistinctly)
42
00:01:22,783 --> 00:01:25,153
ALL RIGHT, KIDDIES.
LACE UP YOUR GLOVES.
43
00:01:25,153 --> 00:01:26,854
IT IS CLOBBERIN' TIME.
44
00:01:26,854 --> 00:01:29,257
YEAH! CLOBBERIN' TIME! WHOO!
I DON'T KNOW WHAT THAT IS.
45
00:01:29,257 --> 00:01:30,724
MOVING RIGHT ALONG,
46
00:01:30,724 --> 00:01:32,826
I JUST GOT OFF THE PHONE
WITH BILLY LUMBERG FROM INITECH.
47
00:01:32,826 --> 00:01:36,364
THEY'RE TAKING SOME HEAT
IN THE FORM OF A HACK ATTACK.
48
00:01:36,364 --> 00:01:38,832
THE HACKER REMBRANDT
TURNED THEIR OFFICE LIGHTS
49
00:01:38,832 --> 00:01:41,034
INTO A VIDEO GAME.
50
00:01:41,034 --> 00:01:42,636
OH, MY EYES JUST HAD SEX.
51
00:01:42,636 --> 00:01:44,104
WAIT, HIS CALL SIGN
IS "REMBRANDT"?
52
00:01:44,104 --> 00:01:45,273
I THINK I'VE HEARD
OF THIS GUY.
53
00:01:45,273 --> 00:01:47,040
WHO ARE THESE "HACKERS," ANYWAY?
54
00:01:47,040 --> 00:01:48,742
SAD, LONELY, PATHETIC VIRGINS
55
00:01:48,742 --> 00:01:50,878
WHO DON'T HAVE ANYTHING BETTER
TO DO WITH THEIR TIME? (laughs)
56
00:01:50,878 --> 00:01:54,448
WHAT? NO. THAT'S JUST
A CRUEL STEREOTYPE.
57
00:01:54,448 --> 00:01:55,883
THERE'S NO EVIDENCE
THAT SUPPORTS THAT.
58
00:01:55,883 --> 00:01:57,585
I MEAN, SURE,
ANECDOTAL EVIDENCE, BUT...
59
00:01:57,585 --> 00:02:00,921
UH-OH. MY CRUSH-O-METER
HAS BEEN ACTIVATED.
60
00:02:00,921 --> 00:02:02,956
(imitates rhythmic beeping)
61
00:02:02,956 --> 00:02:03,957
WHAT?
62
00:02:03,957 --> 00:02:06,059
BOOP, BOOP! (laughs)
63
00:02:06,059 --> 00:02:08,462
IT'S SUCH A TREAT
TO HAVE YOU BACK.
THANK YOU.
64
00:02:08,462 --> 00:02:10,764
ALL RIGHT, SO LET'S GO CATCH
A HACKER. WHAT DO YOU SAY? HUH?
65
00:02:10,764 --> 00:02:13,133
CAMMY, THIS JOB HAS YOUR NAME
WRITTEN IN ITS UNDIES.
66
00:02:13,133 --> 00:02:14,268
DO WHATEVER IT TAKES.
67
00:02:14,268 --> 00:02:15,903
IF I MAY INTERJECT,
68
00:02:15,903 --> 00:02:19,573
DO CATCH THE HACKER,
BUT NOT DO "WHATEVER IT TAKES."
69
00:02:19,573 --> 00:02:21,242
AND THE BAD NEWS
IN THREE, TWO...
70
00:02:21,242 --> 00:02:24,978
O.C.P. HAS MANDATED THAT EACH
NEW JOB WILL NOW BE MONITORED
71
00:02:24,978 --> 00:02:26,747
BY A PROTOCOL OFFICER.
72
00:02:26,747 --> 00:02:29,383
"A PROTOCOL OFFICER"?
THAT'S BULL.
73
00:02:29,383 --> 00:02:31,852
I DON'T NEED A BABYSITTER.
I'M A GROWN-ASS MAN.
74
00:02:33,254 --> 00:02:35,589
(makes beeping noise)
(whirring)
75
00:02:35,589 --> 00:02:36,790
(sighs)
76
00:02:36,790 --> 00:02:37,791
(whirring stops)
77
00:02:37,791 --> 00:02:39,059
WHO--WHO'S THE OFFICER?
78
00:02:39,059 --> 00:02:40,461
(Cameron) OH, WHAT?
79
00:02:40,461 --> 00:02:42,029
(cackles)
OH, COME ON.
80
00:02:42,029 --> 00:02:43,163
WHY?
81
00:02:43,163 --> 00:02:45,533
THIS... IS A COMPLETE LIST
82
00:02:45,533 --> 00:02:47,535
OF ALL THE LAWSUITS
BROUGHT AGAINST CONTRA
83
00:02:47,535 --> 00:02:49,737
IN THE PAST YEAR.
IT'S QUITE A HEFTY FILE.
84
00:02:49,737 --> 00:02:52,072
YEAH. I LET HER
CARRY IT AROUND.
85
00:02:52,072 --> 00:02:54,642
OTHERWISE, I MIGHT GET THOSE
GREAT, BIG, CRAZY MADONNA ARMS.
(Oz) HEY, HEY, HEY.
86
00:02:54,642 --> 00:02:57,411
HALF OF THESE LAWSUITS
ARE COMPLETELY FRIVOLOUS.
87
00:02:57,411 --> 00:03:00,180
YES. AND THE OTHER HALF?
I MEAN, LOOK AT THIS.
88
00:03:00,180 --> 00:03:02,182
WE HAVE
"DESTRUCTION OF PROPERTY,"
89
00:03:02,182 --> 00:03:05,553
"INVASION OF PRIVACY"--
OH, AND MY PERSONAL FAVORITE,
90
00:03:05,553 --> 00:03:08,556
"TRADING WITH THE ENEMY."
MM.
91
00:03:08,556 --> 00:03:11,392
HEY. FIDEL.
COMO ESTAS, YOU WILD MAN?
92
00:03:11,392 --> 00:03:13,394
REALLY APPRECIATE
THE FINE CUBANS YOU SENT,
93
00:03:13,394 --> 00:03:15,963
BUT I WAS SORT OF TALKING
ABOUT CIGARS. (chuckles)
94
00:03:15,963 --> 00:03:19,700
IN SUMMARY, LET'S GO GET
THAT HOOLIGAN REMBRANDT
95
00:03:19,700 --> 00:03:21,535
WHILST STAYING WITHIN THE LAW.
96
00:03:23,837 --> 00:03:25,873
I'LL ALLOW IT.
97
00:03:25,873 --> 00:03:27,641
***
98
00:03:27,641 --> 00:03:30,778
Captioned by
Closed Captioning Services, Inc.
99
00:03:33,747 --> 00:03:35,449
(Cameron) "HE'LL ALLOW IT"?
(whirs)
100
00:03:35,449 --> 00:03:37,217
HE'S NOT THE ONE
DRIVING AROUND BLIND ALL NIGHT,
101
00:03:37,217 --> 00:03:38,886
LOOKING FOR A WIRELESS SIGNAL.
102
00:03:38,886 --> 00:03:42,022
BLIND? SON, THIS IS
THE CASH I-G-88 ANTENNA.
103
00:03:42,022 --> 00:03:44,258
THIS BAD BOY'LL
PICK UP REMBRANDT'S SIGNAL
104
00:03:44,258 --> 00:03:47,595
FROM ANYWHERE IN THE CITY
AND STEER YOU RIGHT TO HIM.
105
00:03:47,595 --> 00:03:48,996
ALL RIGHT,
I GUESS I OWE YOU ONE.
106
00:03:48,996 --> 00:03:51,131
NOW ACTUALLY, YOU OWE ME TWO.
SO FOLLOW ME,
107
00:03:51,131 --> 00:03:52,700
(monotone voice)
'CAUSE THE SECOND ONE IS MUCH
MORE EPIC THAN THE...
108
00:03:52,700 --> 00:03:54,268
(high-pitched singsong voice)
FIRST ONE.
109
00:03:54,268 --> 00:03:55,736
(monotone voice) WHEN YOU SING
LIKE THAT, IT MAKES ME VERY...
110
00:03:55,736 --> 00:03:56,970
(high-pitched singsong voice)
NERVOUS.
111
00:03:56,970 --> 00:03:59,172
BEHOLD...
112
00:03:59,172 --> 00:04:00,741
YOUR NEW EPIC GESTURE
FOR MELANIE.
113
00:04:00,741 --> 00:04:04,345
CASH! I SAID NO!
HOW DID YOU EVEN DO THIS?
114
00:04:04,345 --> 00:04:06,947
AND WHY IS SHE GIVING
THE THUMBS UP?
115
00:04:06,947 --> 00:04:10,217
HEY, MEL. STILL UP FOR
TEACHING ME HOW TO DRIVE STICK?
116
00:04:10,217 --> 00:04:11,619
ANYTIME.
(computer keys click, beeping)
117
00:04:11,619 --> 00:04:14,021
(Cash)
COMMENCE BODY SCAN NOW.
118
00:04:14,021 --> 00:04:15,055
(whispers) YES.
119
00:04:15,055 --> 00:04:17,291
THAT'S VERY THOROUGH.
120
00:04:17,291 --> 00:04:21,028
IT'S QUITE SIMPLY...
MY ASS-TERPIECE.
121
00:04:21,028 --> 00:04:22,430
(Melanie) 'SUP, GUYS?
122
00:04:22,430 --> 00:04:26,099
WHAT THE HELL? IS THAT...
IS THAT SUPPOSED TO BE ME?
123
00:04:26,099 --> 00:04:29,002
MELANIE, MEET METALNIE.
124
00:04:29,002 --> 00:04:30,738
CAMERON'S BEEN
WORKING ON IT FOR WEEKS.
125
00:04:30,738 --> 00:04:33,974
"METALNIE"?
YOU MADE A METAL ME?
126
00:04:33,974 --> 00:04:35,909
NO, CASH MADE IT FOR ME.
127
00:04:35,909 --> 00:04:37,711
I MEAN, HE MADE IT
FOR ME TO GIVE TO--
128
00:04:37,711 --> 00:04:39,747
NO, THAT DIDN'T COME OUT RIGHT.
OKAY, HE MADE IT--
129
00:04:39,747 --> 00:04:42,115
WHY DID ANYONE MAKE IT?
CAM, WHAT DID YOU THINK,
130
00:04:42,115 --> 00:04:45,353
YOU'D SAVE ME FROM THE BORTEX
OR DETAIL MY BIKE
131
00:04:45,353 --> 00:04:47,254
OR--OR--OR--OR THIS,
132
00:04:47,254 --> 00:04:50,391
AND THEN SUDDENLY WE HAVE BABIES
AND A CHOCOLATE LAB? I MEAN--
133
00:04:50,391 --> 00:04:52,292
NO, I ALWAYS PICTURED
A LABRADOODLE.
134
00:04:52,292 --> 00:04:55,329
COME ON.
IT'S NOT GONNA HAPPEN.
135
00:04:55,329 --> 00:04:56,964
(Oz) LISTEN UP, PEOPLE.
136
00:04:56,964 --> 00:05:00,133
GOODY McTwoShoes HAS SPRUNG
SOME NEW PROTOCOLS ON US.
137
00:05:00,133 --> 00:05:03,303
YES, FROM NOW ON, THERE'LL BE
NO MORE SOLO OPS AT NIGHT.
138
00:05:03,303 --> 00:05:05,373
2-PERSON DEPLOYMENT
AT MINIMUM.
139
00:05:05,373 --> 00:05:06,974
SAFETY AND LIABILITY REASONS.
140
00:05:06,974 --> 00:05:09,677
AND SINCE CAM IS GONNA HAVE
HIS FACE PLANTED IN A LAPTOP
141
00:05:09,677 --> 00:05:12,045
ALL WEEKEND,
HE'S GONNA NEED A WINGMAN.
142
00:05:12,045 --> 00:05:16,584
THAT'S GONNA BE EENIE, MEENIE,
MINEY... MELANIE! YOU ARE IT!
143
00:05:16,584 --> 00:05:18,519
(whispers) OH, GOD.
(scoffs)
144
00:05:18,519 --> 00:05:19,853
IS THAT A PROBLEM?
145
00:05:19,853 --> 00:05:21,655
NO, NO. IT'S GREAT.
NO, WE'RE GOOD.
146
00:05:21,655 --> 00:05:25,158
GOOD! WELL, THEN GO OUT THERE
AND CATCH ME A HACKER.
147
00:05:25,158 --> 00:05:29,363
HOLY MOLY! I SHOULD GET ONE
MADE OF ME FOR MY DECK! HEH.
148
00:05:36,236 --> 00:05:39,039
YOU KNOW, ARIEL WAS 11 POUNDS
WHEN SHE WAS BORN.
149
00:05:39,039 --> 00:05:40,040
WOW.
150
00:05:40,040 --> 00:05:41,875
YEAH, MY VAGINA
JUST SNAPPED RIGHT BACK.
151
00:05:41,875 --> 00:05:43,043
GOOD FOR YOU.
152
00:05:43,043 --> 00:05:44,978
UH-OH. HERE SHE IS,
IN THE GOTH PHASE.
153
00:05:44,978 --> 00:05:47,448
OOH.
LOOK AT THAT.
SHE'S 12 YEARS OLD.
154
00:05:47,448 --> 00:05:48,749
DON'T YOU JUST WANT TO KISS
155
00:05:48,749 --> 00:05:50,851
THAT DEATHLY PALE,
LITTLE, PIERCED FACE?
156
00:05:50,851 --> 00:05:53,020
OOH.
YEAH. YOU WANT TO SEE
THE LOVE OF MY LIFE?
157
00:05:53,020 --> 00:05:54,488
YES, I DO.
158
00:05:54,488 --> 00:05:56,557
MY DOG SAMMY.
PEOPLE EVEN SAY WE LOOK ALIKE.
159
00:05:56,557 --> 00:05:58,692
OH, MY GOD.
YEAH. HE'S A STRAY.
160
00:05:58,692 --> 00:06:01,429
I FOUND HIM IN THE WOODS
ONE NIGHT, DRINKING. (laps)
161
00:06:01,429 --> 00:06:03,997
SO ADORABLE. LOOK AT THAT.
MM-HMM.
162
00:06:03,997 --> 00:06:06,967
YOU KNOW YOUR DOG
IS A POSSUM, RIGHT? YEAH.
163
00:06:06,967 --> 00:06:09,102
I CAN TELL BECAUSE
THIS IS A POSSUM.
164
00:06:09,102 --> 00:06:10,638
LADIES.
165
00:06:10,638 --> 00:06:13,040
AS MUCH AS I LOVE HEARING
ABOUT HER FREAKY PET RODENT,
166
00:06:13,040 --> 00:06:14,875
I'VE GOT OPERATIVES
IN THE FIELD.
167
00:06:14,875 --> 00:06:17,110
(Cameron)
HERE WE GO. THIS IS IT.
(beep)
168
00:06:17,110 --> 00:06:19,079
Dude, Cash's antenna
actually worked.
169
00:06:19,079 --> 00:06:20,948
We just pulled up
in front of Rembrandt's house.
170
00:06:20,948 --> 00:06:22,883
CUT MY LEGS OFF
AND CALL ME "SHORTY."
171
00:06:22,883 --> 00:06:24,685
Now stake out the house
until we get on to the hacker.
172
00:06:24,685 --> 00:06:26,286
Then I want you
to come back here,
173
00:06:26,286 --> 00:06:28,088
I'm gonna put my head
under the tire of the car,
174
00:06:28,088 --> 00:06:30,491
and I want you
to back it up. Okay?
175
00:06:30,491 --> 00:06:32,926
OKAY, WE'RE--
WE'RE GONNA GO NOW.
176
00:06:32,926 --> 00:06:33,927
(click)
177
00:06:33,927 --> 00:06:35,463
(sighs)
178
00:06:36,363 --> 00:06:38,632
SO... JUST YOU AND ME...
179
00:06:38,632 --> 00:06:41,268
BUT NOT IN THAT WAY.
180
00:06:41,268 --> 00:06:43,203
DIDN'T MEAN IT LIKE THAT.
181
00:06:43,203 --> 00:06:44,371
("Belleza De Bano" playing)
182
00:06:44,371 --> 00:06:46,173
OH, MY GOD. WOW, WOW.
183
00:06:46,173 --> 00:06:47,841
HOW DO YOU--WHERE IS--
WHERE'S THE BUTTON?
184
00:06:47,841 --> 00:06:49,376
WHERE'S THE BUTTON?
HOW DO YOU CHANGE THAT?
185
00:06:49,376 --> 00:06:51,111
YOU DON'T.
THE KNOB'S MISSING, AND...
186
00:06:51,111 --> 00:06:52,680
(click, music stops playing)
I CAN'T FIND A NEW ONE.
187
00:06:52,680 --> 00:06:53,981
FOR THE LAST YEAR,
IT'S BEEN STUCK ON...
188
00:06:53,981 --> 00:06:56,917
(imitates announcer)
"LA MOVIDITA 101.3!"
189
00:06:56,917 --> 00:06:58,018
(chuckles)
190
00:06:58,018 --> 00:06:59,352
HERE.
191
00:06:59,352 --> 00:07:02,790
OH, NO. SEE?
RIGHT THERE. THIS.
192
00:07:02,790 --> 00:07:05,158
IT'S LIKE YOU'RE LIVING
IN A KATHERINE HEIGL MOVIE,
193
00:07:05,158 --> 00:07:06,494
AND SHE SUCKS.
194
00:07:06,494 --> 00:07:08,028
I WAS--I WAS JUST BEING NICE.
195
00:07:08,028 --> 00:07:10,731
NO, YOU WERE BEING CHIVALROUS,
GOING ALL HEIGL--
196
00:07:10,731 --> 00:07:14,167
JACKETS OVER PUDDLES,
MAKING OUT IN THE RAIN--PUKE.
197
00:07:14,167 --> 00:07:16,837
I WOULD NEVER
PUT A JACKET ON A PUDDLE,
198
00:07:16,837 --> 00:07:18,506
ESPECIALLY IF IT'S SUEDE.
199
00:07:18,506 --> 00:07:22,009
CAM, I'M SORRY.
YOU'RE A GREAT GUY...
200
00:07:22,009 --> 00:07:24,778
BUT YOU NEED
A ROMANTIC COMEDY GIRL,
201
00:07:24,778 --> 00:07:26,880
AND THAT'S JUST NOT ME.
DUDE...
202
00:07:26,880 --> 00:07:31,051
I DON'T EVEN LIKE TO CUDDLE.
HOW MANY CHICKS CAN SAY THAT?
203
00:07:31,051 --> 00:07:33,353
YEAH, I... I GET IT.
WE'RE JUST FRIENDS.
204
00:07:33,353 --> 00:07:37,457
(slaps hands)
DAMN RIGHT.
WE'RE JUST FRIENDS.
205
00:07:39,593 --> 00:07:42,496
OH. OH, WHAT ARE YOU DOING?
206
00:07:42,496 --> 00:07:43,597
WHA--
207
00:07:43,597 --> 00:07:45,432
WHAT ARE YOU--OHH, NO, NO.
208
00:07:45,432 --> 00:07:46,600
NOTHING. WHAT?
OHH.
209
00:07:46,600 --> 00:07:48,135
(knock on window)
(stammers) UHH!
210
00:07:50,137 --> 00:07:52,072
HEY. HOW YOU DOING?
211
00:07:52,072 --> 00:07:53,574
Y'ALL STAKING OUT
MY HOUSE, RIGHT?
212
00:07:53,574 --> 00:07:55,142
WHAT? NO, WE'RE JUST FRIENDS.
213
00:07:55,142 --> 00:07:56,577
WHAT?
WHAT?
214
00:07:56,577 --> 00:07:57,645
MADE YOU POP-TARTS.
215
00:07:57,645 --> 00:07:59,680
HUH? AND YOU ARE WHO?
216
00:07:59,680 --> 00:08:02,850
YOU SLOW? I'M REMBRANDT, FOOL.
THE HACKER?
217
00:08:02,850 --> 00:08:04,417
Y'ALL BEEN SITTING
OUT HERE ALL NIGHT.
218
00:08:04,417 --> 00:08:06,219
I MEAN, ANY MORE OBVIOUS,
219
00:08:06,219 --> 00:08:08,321
YOU'D BE IN A DAMN VAN
MARKED "SURVEILLANCE."
220
00:08:08,321 --> 00:08:09,690
HOW OLD ARE YOU?
221
00:08:09,690 --> 00:08:11,124
I'M 14, YOUR FINENESS,
222
00:08:11,124 --> 00:08:12,893
IF YOU EVER WANT
TO TRADE UP FROM THAT.
223
00:08:12,893 --> 00:08:16,897
INAPPROPRIATE. THIS IS NOT
A GAME. YOU ARE IN DEEP TROUBLE.
224
00:08:16,897 --> 00:08:18,699
LOOK, MAN, I'M LATE
FOR SKIPPING SCHOOL, BUT, UM,
225
00:08:18,699 --> 00:08:20,400
CATCH ME IF YOU CAN, CHUMPS.
ALL RIGHT?
226
00:08:20,400 --> 00:08:22,102
ALL RIGHT. LOOKING GOOD.
227
00:08:26,073 --> 00:08:28,809
ALL RIGHT.
HERE'S WHAT WE GOT SO FAR.
228
00:08:28,809 --> 00:08:31,779
THIS IS REMBRANDT,
A.K.A. JAMAL JENKINS.
229
00:08:31,779 --> 00:08:33,681
NOT SINCE CAMERON PRICE
HAVE WE SEEN A HACKER
230
00:08:33,681 --> 00:08:36,316
WITH THIS KIND OF SKILL.
THIS KID'S ONLY 14.
231
00:08:36,316 --> 00:08:39,486
14. WHATEVER HAPPENED
TO KIDS JUST BEING KIDS?
232
00:08:39,486 --> 00:08:41,689
PLAYING HIDE-AND-GO-SEEK,
233
00:08:41,689 --> 00:08:44,792
REVERSE COWGIRL,
TRAMP STAMPS--I MEAN,
234
00:08:44,792 --> 00:08:46,960
KIDS DESERVE A CHILDHOOD.
IT'S SAD.
235
00:08:46,960 --> 00:08:48,829
I GUESS THE ONLY THING
WE CAN DO IS CALL THE COPS.
236
00:08:48,829 --> 00:08:51,632
THEY'LL HAVE LIL' BOW WOW
IN JAIL BEFORE STUDY HALL.
237
00:08:51,632 --> 00:08:54,702
OH. I'M GETTING CALL WAITING.
SORRY. IT'S MY CONSCIENCE.
238
00:08:54,702 --> 00:08:56,970
HI, RENEE. YEAH.
OH, SORRY.
239
00:08:56,970 --> 00:09:00,908
CAN YOU HEAR ME NOW? YES.
YES, I WILL. THANK YOU.
240
00:09:00,908 --> 00:09:02,910
RENEE THINKS YOU'RE A DOUCHE.
241
00:09:02,910 --> 00:09:04,244
I'M NOT PAID
TO HAVE A CONSCIENCE.
242
00:09:04,244 --> 00:09:06,513
THAT'S WHY WE GOTTA
SHAWSHANK THIS KID.
243
00:09:06,513 --> 00:09:08,081
WELL, I'M SORRY, OSWALD,
BUT AS A MOTHER,
244
00:09:08,081 --> 00:09:10,250
I SIMPLY CANNOT
ALLOW THIS TO HAPPEN.
245
00:09:10,250 --> 00:09:12,552
AS A GUY WHO'S BEEN
IN THE SECURITY BUSINESS
246
00:09:12,552 --> 00:09:17,725
FOR THE LAST 20 YEARS,
I'M TELLING YOU, STAY OUT OF IT.
247
00:09:17,725 --> 00:09:19,092
(giggles)
248
00:09:19,092 --> 00:09:21,829
(woman)
DO NOT LIE TO ME, JAMAL.
249
00:09:21,829 --> 00:09:22,996
NOW IF WHAT SHE'S SAYING
IS TRUE,
250
00:09:22,996 --> 00:09:24,397
YOU WON'T BE
GOING TO M.I.T.
251
00:09:24,397 --> 00:09:25,833
YOU'RE GONNA GO STRAIGHT
TO THE PENITENTIARY,
252
00:09:25,833 --> 00:09:27,668
JUST LIKE
YOUR UNCLE FLOYD.
253
00:09:27,668 --> 00:09:30,704
UNCLE FLOYD WAS MAKING UP-SKIRT
VIDEOS. I DIDN'T DO NOTHIN'.
254
00:09:30,704 --> 00:09:33,506
YOU NEVER "DO NOTHIN',"
DO YOU, JAMAL?
255
00:09:33,506 --> 00:09:35,042
KNOW WHAT? I'VE HAD ENOUGH.
256
00:09:35,042 --> 00:09:37,177
THREE WOMEN GANGING UP ON ME--
I'M NOT WITH THIS.
257
00:09:37,177 --> 00:09:38,912
I DON'T LIKE IT AT ALL.
I'M OUTTA HERE.
258
00:09:38,912 --> 00:09:42,650
HEY, GIRL.
I'D DRINK YOUR BATHWATER.
259
00:09:42,650 --> 00:09:46,019
HONESTLY, I DON'T KNOW
WHAT'S HAPPENED TO HIM...
(door opens and closes)
260
00:09:46,019 --> 00:09:48,355
BUT HE USED TO BE
SUCH A GREAT KID.
261
00:09:48,355 --> 00:09:52,259
HE WAS AN HONOR STUDENT,
DID SCHOOL PLAYS, BUT NOW...
262
00:09:52,259 --> 00:09:54,361
(sighs) I JUST DON'T KNOW
WHAT ELSE TO DO.
263
00:09:54,361 --> 00:09:58,565
J'NEY, MAY I ASK YOU A QUESTION,
JUST MOTHER TO MOTHER?
264
00:09:58,565 --> 00:10:00,033
ACTUALLY, IT'S JANET.
265
00:10:00,033 --> 00:10:01,401
OH, "JANET." YES, OF COURSE.
266
00:10:01,401 --> 00:10:03,336
JANET, UH,
IT MIGHT HAVE BEEN OBVIOUS,
267
00:10:03,336 --> 00:10:05,739
BUT I FEEL LIKE
I REALLY GET JAMAL...
268
00:10:05,739 --> 00:10:07,074
EXCUSE ME?
269
00:10:07,074 --> 00:10:09,009
UM, I DON'T THINK
WE SHOULD BE HERE.
270
00:10:09,009 --> 00:10:12,212
AND I WAS WONDERING IF YOU WOULD
LET ME TAKE HIM UNDER MY WING,
271
00:10:12,212 --> 00:10:13,513
JUST FOR A LITTLE WHILE,
272
00:10:13,513 --> 00:10:16,216
TO SEE IF I COULD
HELP HIM GET BACK ON TRACK.
273
00:10:18,652 --> 00:10:22,222
(sighs) OKAY. OKAY.
274
00:10:22,222 --> 00:10:25,058
I REALLY APPRECIATE THE INTEREST
THAT YOU'RE TAKING IN JAMAL.
275
00:10:25,058 --> 00:10:28,528
OH, COME ON, GIRLFRIEND.
IT AIN'T NO THANG.
276
00:10:28,528 --> 00:10:30,798
OKAY. NOW YOU HAVE
REACHED YOUR LIMIT.
277
00:10:30,798 --> 00:10:32,465
THANK YOU FOR COMING BY.
278
00:10:32,465 --> 00:10:33,600
WELL, THANK YOU, J'NEY.
279
00:10:33,600 --> 00:10:35,535
IT'S "JANET."
280
00:10:35,535 --> 00:10:37,037
(whispers) SORRY.
281
00:10:38,105 --> 00:10:40,173
(Jamal) YOU WANT TICKETS
TO THE GUN SHOW?
282
00:10:40,173 --> 00:10:41,809
I'M NOT A--
I'M NOT A FAN OF GUNS.
283
00:10:41,809 --> 00:10:43,343
I'M TALKING ABOUT
THESE GUNS, BABY.
284
00:10:43,343 --> 00:10:44,945
VERONICA, ARE YOU CRAZY?
285
00:10:44,945 --> 00:10:46,646
I TELL YOU TO STAY OUT OF IT,
AND THIS IS WHAT YOU DO?
286
00:10:46,646 --> 00:10:49,149
I'M SORRY, OSWALD, BUT THAT BOY
OUT THERE IS IN TROUBLE,
287
00:10:49,149 --> 00:10:52,485
AND I'M GOING TO SAVE HIM.
THIS IS MY "THE BLIND SIDE."
288
00:10:52,485 --> 00:10:53,987
OH, DEAR GOD, NO.
289
00:10:53,987 --> 00:10:56,790
OH, YES. OH, THAT'S
A DARLING LITTLE MOVIE.
290
00:10:56,790 --> 00:10:58,358
THE GIRL FROM "SPEED,"
291
00:10:58,358 --> 00:11:01,962
AND SHE TAKES IN
A GENTLE GIANT OF A BOY.
I'VE SEEN IT.
292
00:11:01,962 --> 00:11:06,133
(gasps) YOU CAN BE THE HUSBAND,
AND JAMAL IS OUR BIG MIKE.
293
00:11:06,133 --> 00:11:10,370
LISTEN, OZ, EVERYONE ELSE HAS
GIVEN UP ON THAT KID OUT THERE,
294
00:11:10,370 --> 00:11:14,541
BUT NOT ME, AND THAT IS WHY
I HAVE MADE HIM...
295
00:11:14,541 --> 00:11:17,878
OUR NEW OFFICE INTERN.
296
00:11:17,878 --> 00:11:19,980
NO, NO. VERONICA,
YOU'VE GOT IT BACKWARDS.
297
00:11:19,980 --> 00:11:21,882
THIS IS NOT A BOY
THAT YOU MAKE AN INTERN.
298
00:11:21,882 --> 00:11:24,484
THIS IS A BOY
THAT YOU TURN IN.
299
00:11:24,484 --> 00:11:25,953
MARK MY WORDS--
300
00:11:25,953 --> 00:11:28,722
JAMAL ALPHONSO JENKINS
WILL SURPRISE US ALL.
301
00:11:28,722 --> 00:11:32,893
(sighs) WELL, HE'S CERTAINLY
OFF TO A WONDERFUL START.
302
00:11:32,893 --> 00:11:34,694
GO AHEAD. TOUCH IT.
I-I DON'T THINK I SHOULD--
303
00:11:34,694 --> 00:11:36,429
GO AHEAD. TOUCH IT.
RIGHT NOW. GO AHEAD.
304
00:11:36,429 --> 00:11:38,866
NICE AND HARD, RIGHT?
UH-HUH. THAT'S RIGHT.
305
00:11:40,200 --> 00:11:41,068
I KNEW IT.
306
00:11:41,068 --> 00:11:42,936
FROM FIST BUMP TO CUDDLE,
307
00:11:42,936 --> 00:11:45,238
THAT'S THE POWER
OF THE EPIC GESTURE, BABY.
308
00:11:45,238 --> 00:11:47,440
NEXT STOP...
(singsongy) THE BONE ZONE.
309
00:11:47,440 --> 00:11:50,143
(lowered voice) OKAY, JUST
KEEP IT DOWN. SHE'S RIGHT THERE.
310
00:11:50,143 --> 00:11:52,445
UH, HEY, MEL?
YOU HAVE A QUICK SECOND?
311
00:11:52,445 --> 00:11:54,047
TIME'S UP.
312
00:11:54,047 --> 00:11:57,284
(laughs) YOU'RE LIKE
THE BEEPER KIOSK AT THE MALL--
313
00:11:57,284 --> 00:11:58,685
SHUT DOWN.
314
00:11:58,685 --> 00:12:00,453
OH, DUDE, SHUT UP.
SERIOUSLY?
315
00:12:00,453 --> 00:12:02,823
THAT WAS BOTH A BURN AND A
SOCIAL COMMENTARY. RESPECT.
316
00:12:02,823 --> 00:12:05,492
HEY. WHAT'S THE DEAL
WITH YOU AND MELANIE?
317
00:12:05,492 --> 00:12:07,160
WHY IS SHE GIVING YOU
THE COLD SHOULDER?
318
00:12:07,160 --> 00:12:09,362
(sighs) SOMETHING MIGHT
HAVE HAPPENED LAST NIGHT
319
00:12:09,362 --> 00:12:10,798
AT THE STAKEOUT.
320
00:12:10,798 --> 00:12:12,900
REALLY? YOU TWO? CAR BOOTY?
321
00:12:12,900 --> 00:12:14,667
THEY CUDDLED.
322
00:12:14,667 --> 00:12:16,369
CUDDLES?!
323
00:12:16,369 --> 00:12:18,171
BAT CAVE NOW.
324
00:12:18,171 --> 00:12:19,439
(whoosh)
325
00:12:19,439 --> 00:12:20,808
OKAY. NOW WHO CUDDLED WHO?
326
00:12:20,808 --> 00:12:22,943
DID YOU CUDDLE HER,
OR DID SHE CUDDLE YOU?
327
00:12:22,943 --> 00:12:25,445
UH, I THINK SHE CUDDLED ME.
328
00:12:25,445 --> 00:12:26,847
NO!
(whoosh)
329
00:12:26,847 --> 00:12:28,949
YOU CUDDLED HER.
YOU UNDERSTAND?
330
00:12:28,949 --> 00:12:32,019
YOU CUDDLED HER. SAY IT!
331
00:12:32,019 --> 00:12:34,321
I... CUDDLED HER?
332
00:12:34,321 --> 00:12:36,589
(whoosh)
THE THING YOU GOTTA
UNDERSTAND ABOUT MELANIE
333
00:12:36,589 --> 00:12:39,226
IS THAT FEELINGS ARE
LIKE KRYPTONITE TO HER.
334
00:12:39,226 --> 00:12:42,830
THE ONLY WAY SHE CAN HANDLE 'EM
IS TO FLY AWAY FROM 'EM.
335
00:12:42,830 --> 00:12:46,967
UM, MELANIE?
WILL YOU BE MY VALENTINE?
336
00:12:48,368 --> 00:12:51,004
CLASS? WE HAVE
A NEW TRANSFER STUDENT TODAY.
337
00:12:51,004 --> 00:12:53,573
SAY "HELLO" TO MELANIE.
338
00:12:53,573 --> 00:12:55,308
SO YOU BETTER UNDO
THAT CUDDLE WITH MELANIE
339
00:12:55,308 --> 00:12:58,278
BEFORE SHE TRANSFERS
TO ANOTHER SCHOOL.
340
00:12:58,278 --> 00:13:00,147
OKAY? BOOP.
341
00:13:00,147 --> 00:13:04,217
SO, JAMAL, AS OUR BELOVED
AND RESPECTED INTERN,
342
00:13:04,217 --> 00:13:07,754
YOUR JOB WILL BE FILING,
FAXING, COLOR-CODING--
343
00:13:07,754 --> 00:13:10,790
ALL THE THINGS THAT
TEENAGE BOYS LOVE THE MOST.
344
00:13:10,790 --> 00:13:12,392
(clears throat)
345
00:13:12,392 --> 00:13:13,193
OH.
346
00:13:13,193 --> 00:13:15,062
BUT MOST IMPORTANTLY, JAMAL,
347
00:13:15,062 --> 00:13:17,297
I WOULD LIKE YOU
TO MAKE YOURSELF AT HOME.
348
00:13:17,297 --> 00:13:18,866
OH, MISS MANN,
349
00:13:18,866 --> 00:13:22,002
YOU DO NOT KNOW HOW MUCH
I APPRECIATE THIS OPPORTUNITY.
350
00:13:22,002 --> 00:13:24,872
OH, COME ON. CALL ME "MOMS."
351
00:13:24,872 --> 00:13:26,439
"MOMS."
352
00:13:26,439 --> 00:13:27,740
OH!
353
00:13:27,740 --> 00:13:30,043
YEAH, I'M-A GET TO KNOW
YOU PEOPLE REAL QUICK.
354
00:13:31,879 --> 00:13:33,480
(beeping)
355
00:13:37,717 --> 00:13:39,552
(engine turns off)
356
00:13:43,056 --> 00:13:45,993
MEL, WAIT. WE NEED TO TALK.
357
00:13:45,993 --> 00:13:47,660
I'VE GOT NOTHING TO SAY.
358
00:13:47,660 --> 00:13:49,329
JUST...
359
00:13:49,329 --> 00:13:52,065
I'M SORRY ABOUT THIS MORNING.
I SHOPLIFTED THE CUDDLE.
360
00:13:52,065 --> 00:13:54,868
IT WAS MY FAULT.
IT'LL NEVER HAPPEN AGAIN.
361
00:13:54,868 --> 00:13:56,503
OKAY. ARE YOU DONE NOW?
362
00:13:56,503 --> 00:13:58,038
YOU KNOW WHAT? NO, NO.
363
00:13:58,038 --> 00:13:59,672
LOOK, I DIDN'T SHOPLIFT
THE CUDDLE! ALL RIGHT?
364
00:13:59,672 --> 00:14:02,275
I WOKE UP, AND WE WERE SPOONING.
AND GUESS WHAT?
365
00:14:02,275 --> 00:14:05,378
YOU WERE THE BIG SPOON. YEAH.
366
00:14:05,378 --> 00:14:10,050
A BIG SOUP LADLE, AND I WAS
JUST A LITTLE BABY FOOD SPOON.
367
00:14:10,050 --> 00:14:11,418
WHAT ARE YOU TALKING ABOUT?
368
00:14:11,418 --> 00:14:13,853
DUDE, YOU CUDDLED ME,
369
00:14:13,853 --> 00:14:15,755
AND I DON'T CARE ANYMORE.
I GET IT.
370
00:14:15,755 --> 00:14:18,791
YOU'RE NOT INTO ME, AND FRANKLY,
SEEING THIS SIDE OF YOU...
I AM.
371
00:14:18,791 --> 00:14:21,661
I'M NOT INTO YOU, EITHER,
SO YOU CAN JUST GO--
372
00:14:21,661 --> 00:14:24,597
***
373
00:14:26,499 --> 00:14:29,769
YOU THINK THAT WEAK EXCUSE
FOR A KISS MAKES UP FOR--
374
00:14:29,769 --> 00:14:32,906
***
375
00:14:39,346 --> 00:14:40,447
(sighs)
376
00:14:40,447 --> 00:14:41,949
I CAN'T BELIEVE
THIS FINALLY HAPPENED.
377
00:14:41,949 --> 00:14:44,584
I KNOW. ME, TOO.
378
00:14:44,584 --> 00:14:47,087
BECAUSE RIGHT NOW...
379
00:14:48,121 --> 00:14:50,323
KIND OF
IN THE PERFECT MOMENT.
380
00:14:50,323 --> 00:14:53,493
OH. SO YOU'RE
A HEIGL AFTER ALL.
381
00:14:53,493 --> 00:14:54,494
(sighs)
382
00:14:54,494 --> 00:14:55,495
(chuckles)
383
00:14:55,495 --> 00:14:57,264
(chuckles)
384
00:14:57,264 --> 00:15:00,333
RIGHT NOW I AM. (sighs)
385
00:15:00,333 --> 00:15:02,735
(pants) READY FOR ROUND THREE?
386
00:15:02,735 --> 00:15:04,137
ABSOLUTELY.
387
00:15:04,137 --> 00:15:05,572
JUST GIVE ME 20 MINUTES
AND SOME COCONUT WATER,
388
00:15:05,572 --> 00:15:07,574
I'LL BE GOOD TO GO.
OH, GOD. SHUT UP.
389
00:15:07,574 --> 00:15:10,343
(both moaning)
390
00:15:10,343 --> 00:15:12,845
VERONICA. GOT OURSELVES A LITTLE
BIT OF A SITUATION HERE.
391
00:15:12,845 --> 00:15:14,647
OH, YEAH?
WELL, MAKE IT SNAPPY.
392
00:15:14,647 --> 00:15:17,317
I'M TAKING JAMAL OUT
FOR ICE CREAM AND A NEW LAPTOP.
393
00:15:17,317 --> 00:15:19,219
THE SITUATION
IS ABOUT JAMAL.
394
00:15:19,219 --> 00:15:21,821
YEAH, HE'S, LIKE,
YOU KNOW, A DICK.
395
00:15:21,821 --> 00:15:24,391
TOTAL DICK.
YEAH, YOU SHOULD
CHANGE HIS NAME TO "RICHARD."
396
00:15:24,391 --> 00:15:27,527
ALL HE EVER DOES IS COME ON
TO US FOXY BABES IN THE OFFICE.
397
00:15:27,527 --> 00:15:31,131
OOH, HEY, LITTLE MISS MUFFET,
LET ME SLAP THAT TUFFET.
398
00:15:31,131 --> 00:15:34,334
OOH. I'LL GET YOU
DOUBLE PREGNANT. YEAH.
399
00:15:34,334 --> 00:15:35,135
OH, NO.
400
00:15:35,135 --> 00:15:36,603
(clatter)
401
00:15:36,603 --> 00:15:38,471
WHAT'S HAPPENED THERE?
402
00:15:42,209 --> 00:15:44,877
HE'S ALSO STOLEN SOME LAPTOPS,
ALL OF OUR FILES,
403
00:15:44,877 --> 00:15:46,379
EVERYBODY'S
SOCIAL SECURITY NUMBER--
404
00:15:46,379 --> 00:15:48,548
THE KID'S A KLEPTO.
HE'S GOTTA GO.
405
00:15:48,548 --> 00:15:52,852
OH, OKAY. THE NAME ON THE CARD
IS "BUDDY R--" I-IS IT "REVELL"?
406
00:15:52,852 --> 00:15:56,489
YEAH, "B-BUDDY REVELL."
UH-HUH. I'LL TAKE 20 OF 'EM.
407
00:15:56,489 --> 00:15:58,091
THAT'S RIGHT.
(crack)
408
00:15:58,091 --> 00:16:00,527
WOULD YOU CALLOUS PEOPLE
BE INTERESTED TO KNOW
409
00:16:00,527 --> 00:16:03,663
WHY JAMAL MIGHT BE
ACTING OUT LIKE THIS?
410
00:16:03,663 --> 00:16:05,365
MNH-MNH.
NEGATIVE.
411
00:16:05,365 --> 00:16:07,734
(sentimental music playing)
JAMAL'S FATHER PUSHED A BROOM
412
00:16:07,734 --> 00:16:09,336
FOR INITECH FOR 30 YEARS,
413
00:16:09,336 --> 00:16:13,106
AND ONE DAY BEFORE HE WAS
SUPPOSED TO RECEIVE HIS PENSION,
414
00:16:13,106 --> 00:16:16,876
THEY FIRED HIM.
HOW DO YOU FEEL ABOUT IT NOW?
415
00:16:16,876 --> 00:16:18,411
I DON'T CARE AT ALL.
416
00:16:18,411 --> 00:16:20,547
VERONICA, JAMAL'S FATHER IS
417
00:16:20,547 --> 00:16:22,315
A VERY SUCCESSFUL CHIROPRACTOR.
(music warps abruptly)
418
00:16:22,315 --> 00:16:24,851
YOU'VE BEEN PLAYED
BY A CHILD, MY DEAR.
419
00:16:24,851 --> 00:16:26,286
VERONICA.
WHAT?
420
00:16:26,286 --> 00:16:29,356
JAMAL HAS JUST HACKED
INTO O.C.P.'s BANK ACCOUNTS.
421
00:16:29,356 --> 00:16:30,157
OH.
422
00:16:30,157 --> 00:16:31,724
AND HE PINCHED MY BOTTOM.
423
00:16:31,724 --> 00:16:32,992
MM.
424
00:16:35,295 --> 00:16:38,365
(Molly) UM, OZ, COULD I
HAVE A MOMENT, PLEASE?
425
00:16:38,365 --> 00:16:40,167
IT'S--IT'S RATHER URGENT.
426
00:16:40,167 --> 00:16:42,269
REALLY NOT IN THE MOOD
TO HEAR ABOUT YOUR PROTOCOL.
427
00:16:42,269 --> 00:16:44,237
WELL, ACTUALLY,
I'M ABOUT TO BREAK PROTOCOL
428
00:16:44,237 --> 00:16:47,307
AND SHARE SOME RATHER SENSITIVE
INFORMATION WITH YOU.
MM.
429
00:16:47,307 --> 00:16:49,309
I THINK VERONICA'S
"BLIND SIDE" THING IS
430
00:16:49,309 --> 00:16:51,578
REALLY ABOUT HER RELATIONSHIP
WITH HER DAUGHTER.
431
00:16:51,578 --> 00:16:53,246
YEAH, I'VE SEEN THE PHOTOS--
PICNICS, PUZZLES--
432
00:16:53,246 --> 00:16:54,647
THEY'RE BESTIES.
433
00:16:54,647 --> 00:16:56,749
YES, WHEN SHE WAS 10,
BUT SINCE THEN,
434
00:16:56,749 --> 00:16:59,086
SHE'S BECOME
A BIT OF A... MONSTER.
435
00:16:59,086 --> 00:17:00,787
HUH.
THAT'S WHY
VERONICA WAS IN BOSTON.
436
00:17:00,787 --> 00:17:03,723
SHE WAS TAKING ARIEL
TO A SCHOOL FOR TROUBLED TEENS.
437
00:17:03,723 --> 00:17:05,892
YOU SEE, ARIEL HAD HER...
EVERYTHING PIERCED.
438
00:17:05,892 --> 00:17:08,161
AND SHE STARTED SMOKING
HIP-HOP CIGARETTES.
439
00:17:08,161 --> 00:17:11,598
OHH. NOW YOU GOT ME
FEELING FEELINGS...
440
00:17:11,598 --> 00:17:13,533
FOR HER! OHH.
441
00:17:14,634 --> 00:17:16,403
S-SORRY.
442
00:17:16,403 --> 00:17:18,505
(Oz) SO YOU JUST SKIP SCHOOL
WHEN YOUR PARENTS ARE AT WORK?
443
00:17:18,505 --> 00:17:20,773
I MEAN, WHAT ARE YOU DOING HERE,
HUH? I MEAN... (sighs)
444
00:17:20,773 --> 00:17:22,709
YOU COULD BE THE NEXT
JOBS OR ZUCKERBERG.
445
00:17:22,709 --> 00:17:24,711
YOU'RE THROWING
YOUR LIFE AWAY. WHY?
446
00:17:24,711 --> 00:17:27,714
WHAT? YOU THINK SOCIAL NETWORK
CAN BRING PEOPLE TOGETHER?
447
00:17:27,714 --> 00:17:30,917
(scoffs) WHAT I GOT
IS A REAL PEOPLE-PLEASER--
448
00:17:30,917 --> 00:17:33,186
X-RATED HOLOGRAMS.
449
00:17:33,186 --> 00:17:35,622
OOH.
(whispers) TOP SECRET.
450
00:17:35,622 --> 00:17:37,257
ALL RIGHT, LOOK, LOOK,
YOU'RE STILL--
451
00:17:37,257 --> 00:17:39,025
YOU'RE GONNA RETURN
ALL THE STOLEN MERCHANDISE,
452
00:17:39,025 --> 00:17:42,595
AND YOU ARE GONNA GIVE VERONICA
HER "BLIND SIDE" MOMENT.
453
00:17:42,595 --> 00:17:45,732
"BLIND SIDE"?
HEY! THAT'S RACIST.
454
00:17:45,732 --> 00:17:50,303
YES. YES, IT IS, BUT YOU'RE
GONNA DO IT ANYWAY, OR ELSE.
455
00:17:50,303 --> 00:17:53,140
"OR ELSE" WHAT?
I'M REMBRANDT, FOOL.
456
00:17:53,140 --> 00:17:56,576
(sighs) I'M GONNA
HARD-KNOCK YOUR LIFE.
457
00:17:56,576 --> 00:17:58,311
GEE WHISKERS
AND LEAPING LIZARDS!
458
00:17:58,311 --> 00:17:59,679
I LOVE YOU, TOO,
DADDY WARBUCKS!
459
00:17:59,679 --> 00:18:02,014
OKAY, LOOK, I WAS 12.
I WAS JUST A LITTLE KID.
460
00:18:02,014 --> 00:18:03,082
THANK YOU...
461
00:18:03,082 --> 00:18:04,417
THAT WAS AN ALL-BOYS SCHOOL.
462
00:18:04,417 --> 00:18:06,052
WHAT KIND OF SICK,
TWISTED DRAMA TEACHER
463
00:18:06,052 --> 00:18:08,721
THINKS "ANNIE" IS A GOOD IDEA
AT AN ALL-BOYS SCHOOL?
464
00:18:08,721 --> 00:18:10,190
I SAID THE SAME THING.
465
00:18:10,190 --> 00:18:12,192
WELL, REGARDLESS, IF THIS WERE
TO LEAK OUT ON THE INTERNET,
466
00:18:12,192 --> 00:18:14,594
IT WOULD PRETTY MUCH DESTROY
YOUR STREET CRED, WOULDN'T IT?
467
00:18:14,594 --> 00:18:17,830
IT WOULD.
ONLY ONE PROBLEM THERE.
468
00:18:17,830 --> 00:18:21,368
NO ONE KNOWS WHAT REMBRANDT
LOOKS LIKE. HA HA!
469
00:18:23,069 --> 00:18:24,737
I'M REMBRANDT, FOOL.
470
00:18:27,274 --> 00:18:29,876
SO--SO YOU SAID, "BLIND SIDE"?
THAT'S--THAT'S--
471
00:18:29,876 --> 00:18:31,678
THAT'S THE ONE WITH
THE CHICK FROM "SPEED," RIGHT?
472
00:18:31,678 --> 00:18:32,745
BINGO.
473
00:18:32,745 --> 00:18:34,847
OKAY. (laughs) ALL RIGHT.
474
00:18:34,847 --> 00:18:37,350
ALL RIGHT. NOW I GOT
ONE OTHER KID TO HELP OUT.
475
00:18:37,350 --> 00:18:39,286
WHERE WERE YOU LAST NIGHT?
476
00:18:39,286 --> 00:18:42,422
"LOVE AND OTHER DRUGS" CAME ON.
ANNE HATHAWAY GETS TOPLESS.
477
00:18:42,422 --> 00:18:44,090
I WANTED TO WATCH IT
ON THE PHONE WITH YOU.
478
00:18:44,090 --> 00:18:46,926
OOH, BUMMER TO MISS THAT, BUT I
WAS KIND OF WITH MEL ALL NIGHT.
479
00:18:46,926 --> 00:18:48,861
NO! WE DID IT?
480
00:18:48,861 --> 00:18:53,099
LIKE, WE DID IT?
DID WE LIKE IT? WERE WE GOOD?
481
00:18:53,099 --> 00:18:54,967
DUDE, THERE IS NO "WE."
482
00:18:54,967 --> 00:18:56,803
YES, THERE IS.
I NEED TO FEEL WHAT YOU FELT,
483
00:18:56,803 --> 00:18:58,405
EXPERIENCE
WHAT YOU'VE EXPERIENCED.
484
00:18:58,405 --> 00:19:00,072
WE NEED TO MIND MELD.
485
00:19:00,072 --> 00:19:03,510
ALL RIGHT, CASH? CHILL.
VIRGINITY'S MAKING YOU CRAZY.
486
00:19:03,510 --> 00:19:05,945
FALSEHOOD.
I HAD SEX WITH A LADY TWICE.
487
00:19:05,945 --> 00:19:11,418
COMIC-CON '08 AND '09.
IT WAS SHE-HULK AND LADY YODA.
488
00:19:13,353 --> 00:19:15,154
HEY, HAVE YOU SEEN MEL?
489
00:19:15,154 --> 00:19:16,923
(Cash) AIN'T SEEN HER.
490
00:19:18,758 --> 00:19:20,693
(Oz, echoing voice)
THE THING YOU GOTTA UNDERSTAND
491
00:19:20,693 --> 00:19:23,496
ABOUT MELANIE IS THAT FEELINGS
ARE LIKE KRYPTONITE TO HER.
492
00:19:23,496 --> 00:19:26,766
THE ONLY WAY SHE CAN HANDLE 'EM
IS TO FLY AWAY FROM 'EM.
493
00:19:27,934 --> 00:19:29,669
(sighs)
494
00:19:29,669 --> 00:19:32,171
I'M SORRY, KID. SHE'S GONE.
495
00:19:32,171 --> 00:19:34,507
JUST TELL CAMERON I...
496
00:19:34,507 --> 00:19:37,076
(sighs)
JUST EXPLAIN IT TO HIM.
497
00:19:37,076 --> 00:19:38,778
I WILL.
498
00:19:38,778 --> 00:19:41,914
YOU'LL--YOU'LL ALWAYS HAVE
A PLACE HERE. NEVER FORGET THAT.
499
00:19:41,914 --> 00:19:43,950
I NEVER WILL.
500
00:19:50,156 --> 00:19:52,692
(sighs) BYE, OZ.
501
00:19:52,692 --> 00:19:53,926
BE SAFE.
502
00:19:56,529 --> 00:19:58,931
(engine starts, revs)
503
00:20:03,236 --> 00:20:05,938
SHE WANTED ME
TO GIVE THIS TO YOU.
504
00:20:22,689 --> 00:20:24,591
(static)
505
00:20:24,591 --> 00:20:26,759
(We Are Serenades'
"Walking Home" playing)
506
00:20:31,698 --> 00:20:34,867
IF IT MAKES YOU FEEL ANY BETTER,
SHE DOES LOVE YOU.
507
00:20:36,235 --> 00:20:38,170
JUST HATES LOVE.
508
00:20:38,170 --> 00:20:40,340
LET'S DO THIS.
509
00:20:42,141 --> 00:20:43,710
HASTA LA VISTA, BABY.
510
00:20:43,710 --> 00:20:46,713
* EVEN IF THE FLOWERS ARE GONE *
(clink)
511
00:20:46,713 --> 00:20:50,783
* EVEN WHEN THE SUN IS DOWN
AND THINGS ARE UNDONE *
512
00:20:50,783 --> 00:20:53,586
* EVEN WHEN THE LAKES ARE DRY *
513
00:20:53,586 --> 00:20:57,957
* EVEN WHEN THE LAST LEAVES
ARE FALLING DOWN *
514
00:20:57,957 --> 00:21:01,394
* LOVE WILL BE AROUND *
515
00:21:01,394 --> 00:21:05,164
* LOVE WILL BE AROUND *
516
00:21:05,164 --> 00:21:07,166
* EVEN IF THE FLOWERS ARE GONE *
517
00:21:07,166 --> 00:21:11,738
* EVEN WHEN THE SUN IS DOWN
AND THINGS ARE UNDONE *
518
00:21:11,738 --> 00:21:14,173
* EVEN WHEN THE LAKES ARE DRY *
519
00:21:14,173 --> 00:21:18,711
* EVEN WHEN THE LAST LEAVES
ARE FALLING DOWN *
520
00:21:18,711 --> 00:21:21,247
* LOVE WILL BE AROUND *
521
00:21:21,247 --> 00:21:23,316
* LOVE WILL BE AROUND *
522
00:21:23,316 --> 00:21:25,352
AH... (laughs)
523
00:21:25,352 --> 00:21:27,253
WE FINISHED.
524
00:21:27,253 --> 00:21:28,955
WHOO!
39404
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