All language subtitles for Breaking.In.S02E02.Whos.the.Boss.1080p.WEB-DL.DD+.5.1.x264-TrollHD_track3_[und]

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,235 --> 00:00:05,073 (Georges Bizet's "Habanera" from "Carmen" playing) 2 00:00:05,073 --> 00:00:06,674 (brake sets) 3 00:00:21,122 --> 00:00:24,492 (music warps) (Molly) JUST FOUR HOURS OF MY TIME GONE IN A GOBBLE? 4 00:00:24,492 --> 00:00:28,162 HEY, HEY. WHAT'S UP? HEY. (chuckles) 5 00:00:28,162 --> 00:00:31,065 HEY. (chuckles) WHAT UP? 6 00:00:31,065 --> 00:00:33,334 OH. WELL, LOOK AT THAT. 7 00:00:33,334 --> 00:00:35,669 5 PAST 9:00. OFF TO WORK. 8 00:00:38,506 --> 00:00:39,307 MMM. 9 00:00:39,307 --> 00:00:40,808 MMM. MMM, MMM! 10 00:00:40,808 --> 00:00:43,344 (mouth full) MY GOD. I'M HAVING A MOUTHGASM. 11 00:00:43,344 --> 00:00:45,913 ACTUALLY, THE CHOCOLATE IS FLOODING YOUR BRAIN 12 00:00:45,913 --> 00:00:47,415 WITH SEROTONIN, WHICH GIVES YOU 13 00:00:47,415 --> 00:00:49,717 THE SAME SENSATION AS A SEXUAL RELEASE-- 14 00:00:49,717 --> 00:00:52,420 RICKY, YOU'RE RUINING THIS FOR ME. 15 00:00:52,420 --> 00:00:54,788 HOW CAN KNOWLEDGE RUIN ANYTHING? 16 00:00:54,788 --> 00:00:57,225 WAIT. WHAT? EVERYBODY GOT ONE OF MOLLY'S CUPCAKES? 17 00:00:57,225 --> 00:00:59,127 (mouth full) THESE ARE MOLLY'S? 18 00:00:59,127 --> 00:01:00,328 (thud) WHOA! 19 00:01:00,328 --> 00:01:01,795 OHH. I WOULD HAVE EATEN THAT. 20 00:01:01,795 --> 00:01:03,197 ARE YOU GONNA LET THAT STUFFY CORPORATE COG 21 00:01:03,197 --> 00:01:04,432 BUTTERCREAM YOU UP? 22 00:01:04,432 --> 00:01:06,967 OH. I SEE WHAT THIS IS-- A LITTLE... 23 00:01:06,967 --> 00:01:08,402 (singsong voice) JEALOUSY. 24 00:01:08,402 --> 00:01:09,970 (rapping) * SOMEONE DOESN'T LIKE THAT * 25 00:01:09,970 --> 00:01:11,205 * THERE'S ANOTHER OFFICE HOTTIE * 26 00:01:11,205 --> 00:01:13,307 I'M NOT JEALOUS, OKAY? 27 00:01:13,307 --> 00:01:14,742 I JUST DON'T BUY THAT WHOLE NICE BRITISH ACT. 28 00:01:14,742 --> 00:01:18,279 SHE'S CONNING YOU GUYS WITH CUPCAKES. WAIT. 29 00:01:18,279 --> 00:01:20,548 YOU THINK SHE'S HOT? 30 00:01:20,548 --> 00:01:23,884 SHE'S VERY... (exhales) SYMMETRICAL? 31 00:01:23,884 --> 00:01:24,952 SHE'S SLAVE LEIA HOT, 32 00:01:24,952 --> 00:01:26,520 CHAINED TO JABBA FOR HIS DELIGHT. 33 00:01:26,520 --> 00:01:29,056 (growls) (deep voice) MY HOOCHIE! 34 00:01:29,056 --> 00:01:31,225 YEAH, I'D TAP IT. 35 00:01:31,225 --> 00:01:33,627 UH, OKAY. MEL, JUST CUT HER SOME SLACK. 36 00:01:33,627 --> 00:01:36,096 TRUST ME. IT SUCKS BEING THE NEW KID IN THIS OFFICE. 37 00:01:36,096 --> 00:01:38,966 I HAVE BEEN NICE TO THE GIRL SINCE THE MOMENT SHE WALKED IN. 38 00:01:38,966 --> 00:01:42,603 SO SORRY. UH, VERONICA'S CALLING A BIT OF AN IMPROMPTU MEETING. 39 00:01:42,603 --> 00:01:43,671 IF YOU... 40 00:01:43,671 --> 00:01:45,273 (imitates British accent) "UH, SO SORRY. 41 00:01:45,273 --> 00:01:47,241 "IMPROMPTU MEETING. PIP-PIP. 42 00:01:47,241 --> 00:01:51,312 CHEERIO. DAVID BECKHAM." (sighs) 43 00:01:51,312 --> 00:01:55,015 UH, HELLO. JEALOUSY? 44 00:01:55,015 --> 00:01:56,817 *** 45 00:01:56,817 --> 00:01:59,820 Captioned by Closed Captioning Services, Inc. 46 00:01:59,820 --> 00:02:03,257 IN MY HANDS, I HOLD A STACK OF BEAUTIFUL, BEAUTIFUL MONEY, 47 00:02:03,257 --> 00:02:04,458 AND... UH-OH... 48 00:02:04,458 --> 00:02:05,493 I'M MAKING IT RAIN. 49 00:02:05,493 --> 00:02:07,461 OH. OH, LOOK AT THAT. 50 00:02:07,461 --> 00:02:09,363 UM... MOLLY, SHOULD I BE DOING THIS? 51 00:02:09,363 --> 00:02:10,998 UM, NO. AND WHY IS THAT? 52 00:02:10,998 --> 00:02:13,367 UH, BECAUSE WE'RE--WE'RE ACTUALLY QUITE BROKE. (chuckles) 53 00:02:13,367 --> 00:02:14,602 AH, THAT IS CORRECT. 54 00:02:14,602 --> 00:02:17,238 WE ARE FLATLINING. WHOA. OH. 55 00:02:17,238 --> 00:02:18,872 (imitates monitor emitting continuous tone) 56 00:02:18,872 --> 00:02:21,409 BUT I AM HERE TO... "CLEAR!" (imitates defibrillator thunk) 57 00:02:21,409 --> 00:02:22,910 OOH. (imitates heart beating) 58 00:02:22,910 --> 00:02:25,413 WE GOT A HEARTBEAT. YAY! THE COMPANY IS ALIVE! 59 00:02:25,413 --> 00:02:27,948 OKAY, AND HOW WILL WE DO IT, YOU SAY? MOLLY? 60 00:02:27,948 --> 00:02:31,752 NEW CLIENTS, AND CONTRA IS IN DESPERATE NEED OF SOME. 61 00:02:31,752 --> 00:02:32,953 GREAT NEWS ON THAT FRONT, LADIES. 62 00:02:32,953 --> 00:02:34,588 I JUST LANDED US A DOOZY. 63 00:02:34,588 --> 00:02:36,757 AND HOW MUCH MONEY DOES IT PAY, DARE I ASK? 64 00:02:36,757 --> 00:02:39,159 WELL, TO BE PERFECTLY HONEST WITH YOU, IT IS A PRO BONO GIG, 65 00:02:39,159 --> 00:02:40,160 BUT THERE ARE CERTAIN HIDDEN BENEFITS. 66 00:02:40,160 --> 00:02:41,462 (whispers) I'LL PASS. 67 00:02:41,462 --> 00:02:42,863 HEAR ME OUT. (normal voice) PASS. 68 00:02:42,863 --> 00:02:44,232 THERE'S SOMEBODY THERE I WOULD LOVE FOR YOU-- 69 00:02:44,232 --> 00:02:45,833 PASO DOBLE. MM. 70 00:02:45,833 --> 00:02:48,869 NOW I DO HAVE A VERY LONG LIST OF RICH POTENTIAL CLIENTS, 71 00:02:48,869 --> 00:02:51,439 BUT I'M NOT GONNA BORE YOU WITH THAT RIGHT NOW. 72 00:02:51,439 --> 00:02:52,440 MOLLY'S GOING TO. 73 00:02:52,440 --> 00:02:53,874 (singsongy) CIAO, LOVERS. 74 00:02:53,874 --> 00:02:56,544 WHO HERE LIKES GOING TO LAS VEGAS?! 75 00:02:56,544 --> 00:02:57,778 OH, DUDE. YEAH! 76 00:02:57,778 --> 00:02:59,146 (speaks indistinctly) VEGAS, WHAT? 77 00:02:59,146 --> 00:03:00,348 EXCELLENT, BECAUSE... (beep) 78 00:03:00,348 --> 00:03:02,250 HALFWAY TO VEGAS IS... (whirs) 79 00:03:02,250 --> 00:03:06,654 THE CRAZY HORSE INDIAN CASINO AND LEATHER BOOT EMPORIUM. 80 00:03:06,654 --> 00:03:07,721 (whispers) OHH! 81 00:03:07,721 --> 00:03:09,590 THEY ARE HAVING MAJOR SECURITY ISSUES 82 00:03:09,590 --> 00:03:11,992 AND NEED OUR MAGIC TOUCH. 83 00:03:11,992 --> 00:03:13,461 (chuckles) 84 00:03:13,461 --> 00:03:16,464 WELL, WE ARE GONNA KICK THE BUTT OUT OF THIS JOB! 85 00:03:16,464 --> 00:03:19,733 I'M GONNA PUT SOME OF MY BEST MEN ON IT. 86 00:03:24,405 --> 00:03:25,639 OH, LOOK. THERE'S SOME CHI OVER THERE. 87 00:03:25,639 --> 00:03:28,276 LET ME PULL IT BACK WITH MY BIG ROPE. 88 00:03:28,276 --> 00:03:30,511 OH, NO. OH, WHAT'S HAPPENING? 89 00:03:30,511 --> 00:03:31,979 MEI WEI, I'M STUCK IN A BOX! 90 00:03:31,979 --> 00:03:33,481 (knocks on door) 91 00:03:33,481 --> 00:03:35,516 TERRIBLY SORRY TO INTERRUPT YOUR TAI CHI LESSON. 92 00:03:35,516 --> 00:03:37,251 I'VE NOTICED THAT EVERYONE IN THE OFFICE 93 00:03:37,251 --> 00:03:39,387 IS NOW LOOKING TO OZ FOR DIRECTIONS 94 00:03:39,387 --> 00:03:41,455 INSTEAD OF YOU, AND HE'S DEVELOPED THIS-- 95 00:03:41,455 --> 00:03:43,491 THIS SECRET CODE OF SORTS. 96 00:03:43,491 --> 00:03:44,858 EXCUSE ME, CHAPS. 97 00:03:44,858 --> 00:03:46,527 UH, VERONICA'S REQUESTED THAT YOU HAVE 98 00:03:46,527 --> 00:03:48,195 A STAGGERED FEEDING SCHEDULE. 99 00:03:48,195 --> 00:03:50,964 THAT MEANS YOU BOTH CAN'T GO TO LUNCH AT THE SAME TIME. 100 00:03:50,964 --> 00:03:52,700 (camera shutter clicks) 101 00:03:52,700 --> 00:03:54,635 THIS MEANS IGNORE WHAT YOU'RE SAYING. 102 00:03:54,635 --> 00:03:57,137 PER VERONICA, NO MORE PORNOGRAPHY 103 00:03:57,137 --> 00:03:59,006 ON YOUR WORK COMPUTERS. 104 00:03:59,006 --> 00:04:00,374 (click) 105 00:04:00,374 --> 00:04:02,676 THIS MEANS HE AGREES WITH YOU. 106 00:04:02,676 --> 00:04:04,945 I'D LIKE YOU TO ALPHABETIZE ALL OF YOUR RECEIPTS. 107 00:04:04,945 --> 00:04:06,179 (click) 108 00:04:06,179 --> 00:04:08,916 AND WHEN HE TAPS HIS CHIN, IT MEANS "MOLLY SUCKS." 109 00:04:08,916 --> 00:04:10,884 YOU KNOW, I MAY NOT LOOK LIKE IT RIGHT NOW 110 00:04:10,884 --> 00:04:13,421 BECAUSE I'M IN MY SPECIAL CHI PLACE, 111 00:04:13,421 --> 00:04:16,156 BUT I'M ACTUALLY UBER PISSED OFF. 112 00:04:16,156 --> 00:04:18,426 WELL, I THOUGHT MAYBE I COULD ARRANGE A MEETING, 113 00:04:18,426 --> 00:04:20,260 UM, SO YOU COULD NIP THIS WHOLE THING 114 00:04:20,260 --> 00:04:21,329 IN THE BUD. (chuckles) 115 00:04:21,329 --> 00:04:22,963 I HAVE AN EVEN BETTER IDEA. 116 00:04:22,963 --> 00:04:27,335 HOW ABOUT A FUN LITTLE GAME OF GOOD COP, BAD COP? 117 00:04:27,335 --> 00:04:29,670 AND UNLESS YOU WANT TO LOSE YOUR JOBS, 118 00:04:29,670 --> 00:04:33,173 THERE WILL BE AN IMMEDIATE STOP TO ALL TAPS, RUBS, AND TUGS. 119 00:04:33,173 --> 00:04:34,908 (chuckles) (chuckles) 120 00:04:34,908 --> 00:04:38,646 AND NO MORE OF THAT. I DO NOT SUCK. 121 00:04:38,646 --> 00:04:40,080 PERSONALLY, I AM VERY IMPRESSED THAT YOU FIGURED OUT 122 00:04:40,080 --> 00:04:41,749 MY LITTLE DA VINCI CODE. I MEAN, HOW DID YOU DO IT? 123 00:04:41,749 --> 00:04:43,817 OH, WELL, I-I HAVE THIS, UM, 124 00:04:43,817 --> 00:04:46,954 THIS WHOLE HYPERATTENTIVE BRAIN THINGY. 125 00:04:46,954 --> 00:04:50,391 COME ON, WALDO. WHERE ARE YOU, BROTHA? 126 00:04:50,391 --> 00:04:51,792 OH. HE'S THERE. 127 00:04:52,893 --> 00:04:54,595 AND THERE. 128 00:04:54,595 --> 00:04:55,863 AND THERE AND THERE. 129 00:04:55,863 --> 00:04:58,265 AND I BOUGHT THIS FOR ME! (clatters) 130 00:04:58,265 --> 00:05:00,233 ANYWAY, THE POINT IS, VERONICA IS NOW 131 00:05:00,233 --> 00:05:02,370 THE ONLY AUTHORITY IN THIS OFFICE. 132 00:05:02,370 --> 00:05:04,505 OH, MY GOD. IS BAD COP ALMOST DONE? 133 00:05:04,505 --> 00:05:06,474 V., I JUST WANT TO SAY, FROM THE BOTTOM OF MY HEART, 134 00:05:06,474 --> 00:05:08,308 THAT I AM VERY, VERY SORRY 135 00:05:08,308 --> 00:05:09,777 THAT WE GOT CAUGHT. (sighs) 136 00:05:09,777 --> 00:05:11,812 FROM THIS POINT FORWARD, ANYTHING THAT HAPPENS 137 00:05:11,812 --> 00:05:15,215 IN THIS OFFICE I AM GOING TO RUN RIGHT THROUGH YOU. (backup alert beeping) 138 00:05:15,215 --> 00:05:17,418 IT'S HERE. IT'S HERE. IT'S HERE! 139 00:05:17,418 --> 00:05:19,887 (angelic choir vocalizing) 220 BRILLIANT-CUT DIAMONDS, 140 00:05:19,887 --> 00:05:23,924 HAND-SEWN ONTO A BUXOMY 32C DRAMATIC-LIFT DEMI BRASSIERE. 141 00:05:23,924 --> 00:05:25,426 (whispers) OHH. 142 00:05:25,426 --> 00:05:28,796 HE'S A REGULAR BRA-FFICIANADO. ASK HIM ANYTHING. 143 00:05:28,796 --> 00:05:31,899 UH, HAVE YOU EVER SEEN ONE ON AN ACTUAL WOMAN? 144 00:05:31,899 --> 00:05:33,734 THIS IS THE PRO BONO CASE I WAS TELLING YOU ABOUT. 145 00:05:33,734 --> 00:05:35,803 EVERY YEAR, "MAXIM" MAGAZINE HIRES US 146 00:05:35,803 --> 00:05:38,406 TO PROTECT THEIR MILLION-DOLLAR DIAMOND BOOB SLING 147 00:05:38,406 --> 00:05:39,673 AT THEIR ANNUAL EVENT. 148 00:05:39,673 --> 00:05:41,041 JUST SOUNDS LIKE GOBS OF FUN. 149 00:05:41,041 --> 00:05:42,175 (Oz) YEAH? BAD COP. 150 00:05:42,175 --> 00:05:45,613 UH, YES, AS WE COVERED EARLIER IN THE MEETING... 151 00:05:45,613 --> 00:05:46,847 (mouths words) IF WE'RE NOT GETTING PAID, 152 00:05:46,847 --> 00:05:48,949 THEN WE'RE NOT TAKING THE JOB. 153 00:05:48,949 --> 00:05:51,151 OH, WHO CARES? WE'RE GONNA HAVE THE BREAST TIME. (chuckles) 154 00:05:51,151 --> 00:05:56,223 (laughs) "THE BREAST TIME"! OH, MY GOD. SO, SO HILARIOUS. 155 00:05:56,223 --> 00:05:58,392 BAD COP. WE STILL CAN'T TAKE THE JOB. 156 00:05:58,392 --> 00:06:00,060 (sighs) 157 00:06:00,060 --> 00:06:02,029 YEAH. CAPTAIN BUMMER OVER HERE, RIGHT? (chuckles) SHE'S... 158 00:06:02,029 --> 00:06:05,433 THE TOP RUNG OF THE LADDER HAS SPOKEN. 159 00:06:05,433 --> 00:06:07,267 WE ARE NOT GOING TO DO THIS JOB. 160 00:06:07,267 --> 00:06:09,102 YOU KNOW WHAT? COME ON, OZ. WE NEED THIS! COME ON, MAN. 161 00:06:09,102 --> 00:06:11,439 NO, NO! NO SECRET SIGNALS. I AM NOT TOUCHING MY NOSE. 162 00:06:11,439 --> 00:06:15,676 I AM NO LONGER IN CHARGE. 163 00:06:18,245 --> 00:06:19,613 (beeps) 164 00:06:19,613 --> 00:06:21,381 (cell phone alerts chime) 165 00:06:25,318 --> 00:06:26,887 HMM-HMM. 166 00:06:28,989 --> 00:06:31,459 OH, I CAN'T WAIT TO GO TO THIS PARTY TONIGHT. 167 00:06:31,459 --> 00:06:33,260 THERE'S GONNA BE SO MANY MODELS THERE! 168 00:06:33,260 --> 00:06:34,428 I NEED ANOTHER SLICE. 169 00:06:34,428 --> 00:06:35,929 I WOULDN'T DO THAT IF I WERE YOU. 170 00:06:35,929 --> 00:06:39,099 RICKEY BORTEN'S OVER THERE, AND DUDE IS A TALKER. 171 00:06:39,099 --> 00:06:41,201 THE LAST THING YOU WANT TO GET CAUGHT UP IN IS THE BORTEX. 172 00:06:41,201 --> 00:06:43,136 BUT IT'S THE LATTICE CRUST THAT MAKES THIS 173 00:06:43,136 --> 00:06:44,772 A CLASSIC DUTCH-STYLE APPLE PIE. 174 00:06:44,772 --> 00:06:46,306 IT'S GOT NOTHING TO DO WITH THE APPLES. 175 00:06:46,306 --> 00:06:48,141 I MEAN, DUTCH APPLES... (chuckles) THEY DON'T EXIST. 176 00:06:48,141 --> 00:06:50,844 IT'S A TOTAL FALLACY. JUST LET ME ENJOY THIS, PLEASE. 177 00:06:50,844 --> 00:06:52,212 YOU SHOULD BE ENJOYING IT, BECAUSE THIS IS A REALLY... 178 00:06:52,212 --> 00:06:54,548 WHAT'S UP, BOYS? (sighs) 179 00:06:54,548 --> 00:06:56,784 I SEE YOU'RE DIGGIN' MY HANDIWORK. 180 00:06:56,784 --> 00:06:58,819 YOU MADE THIS? YEP. 181 00:06:58,819 --> 00:07:02,456 WOW. IT'S SO FLAKY AND COMPETENT. 182 00:07:02,456 --> 00:07:03,457 WHY DO YOU SOUND SO SURPRISED? 183 00:07:03,457 --> 00:07:04,692 BECAUSE YOU CAN'T COOK. 184 00:07:04,692 --> 00:07:06,193 YOU USE YOUR STOVE TO LIGHT CIGARETTES. 185 00:07:06,193 --> 00:07:10,197 YOU, MISSY, HAVE BROKEN INTO MY CAR 186 00:07:10,197 --> 00:07:14,502 AND BURGLED THOSE PIES, YOU--YOU PIE BURGLAR. 187 00:07:14,502 --> 00:07:16,737 AND THERE IT IS. SLOW YOUR ROLL, PIPPA. 188 00:07:16,737 --> 00:07:18,405 NO ONE HERE KNOWS WHAT YOU'RE TALKING ABOUT. 189 00:07:18,405 --> 00:07:20,373 I HAVE READ YOUR FILE. 190 00:07:20,373 --> 00:07:22,009 I KNOW YOU COME FROM THIEF BLOOD. 191 00:07:22,009 --> 00:07:24,612 SAID THE NARK WHO RATTED US OUT 192 00:07:24,612 --> 00:07:26,279 AND TOLD VERONICA ABOUT OUR SECRET CODE. 193 00:07:26,279 --> 00:07:29,583 I AM JUST TRYING TO DO MY JOB, 194 00:07:29,583 --> 00:07:32,052 BUT IF YOU ALL BLATANTLY BREAK THE RULES, 195 00:07:32,052 --> 00:07:33,954 THEN I HAVE TO LET VERONICA KNOW. 196 00:07:33,954 --> 00:07:36,690 WELL... (chuckles) THEN I GUESS WE WON'T BE 197 00:07:36,690 --> 00:07:38,792 SO BLATANT ABOUT IT, HUH? 198 00:07:38,792 --> 00:07:42,630 (gasps) MY MUMMY'S TIMEX! 199 00:07:42,630 --> 00:07:43,964 (imitates British accent) PIP-PIP. CHEERIO. 200 00:07:43,964 --> 00:07:46,066 GOD SAVE THE QUEEN. UNBELIEVABLE. 201 00:07:46,066 --> 00:07:48,268 I ONLY BAKED THOSE PIES AS A--AS A NICE GESTURE 202 00:07:48,268 --> 00:07:50,704 BECAUSE YOU ALL HAVE TO WORK SO LATE TONIGHT. 203 00:07:50,704 --> 00:07:52,873 WHOA, WHOA, WHOA, WHOA! WHO--WHO'S WORKING LATE TONIGHT? 204 00:07:52,873 --> 00:07:54,207 YEAH, HOW LATE ARE WE TALKING-- 205 00:07:54,207 --> 00:07:55,843 LIKE, DINNERTIME LATE, 5:00, 5:30 LATE? 206 00:07:55,843 --> 00:07:58,478 LIKE, WE CAN LEAVE AND GO SOMEWHERE ELSE LATE? 207 00:07:58,478 --> 00:07:59,747 DIDN'T VERONICA TELL YOU? 208 00:07:59,747 --> 00:08:01,348 SHE'S BOOKED THE INDIAN CASINO JOB, 209 00:08:01,348 --> 00:08:06,053 SO WE HAVE 900 HOURS OF SECURITY FOOTAGE TO GO THROUGH. 210 00:08:06,053 --> 00:08:07,688 THEY THINK THEY MIGHT HAVE A CARD COUNTER, 211 00:08:07,688 --> 00:08:10,423 AND YOUR JOB IS TO CATCH THEM POSTHASTE. 212 00:08:10,423 --> 00:08:12,459 SORRY CRUELLA HERE IS BRINGING THE HAMMER DOWN. 213 00:08:12,459 --> 00:08:15,195 I-I CAN'T CONTROL HER. SHE'S A BEAST. (chuckles) 214 00:08:15,195 --> 00:08:17,430 BUT THE GOOD NEWS IS, SLUMBER PARTY! YAY! 215 00:08:17,430 --> 00:08:18,431 OH. NO. 216 00:08:18,431 --> 00:08:19,600 SOUNDS GOOD. WH-- 217 00:08:19,600 --> 00:08:21,368 QUESTION, THOUGH. COULD WE MAYBE, 218 00:08:21,368 --> 00:08:22,836 I DON'T KNOW, DO IT TOMORROW? 219 00:08:22,836 --> 00:08:25,138 OH, MY GOSH. THAT IS SUCH A GOOD IDEA. 220 00:08:25,138 --> 00:08:26,707 LET ME JUST CALL CHIEF RUNNING BEAR 221 00:08:26,707 --> 00:08:28,542 AND TELL HIM, "SORRY. THE WHITE MAN HAS BROKEN 222 00:08:28,542 --> 00:08:30,077 "YET ANOTHER PROMISE. HERE. 223 00:08:30,077 --> 00:08:31,779 "LET ME GIVE YOU THIS BLANKET RIDDLED WITH SMALLPOX. 224 00:08:31,779 --> 00:08:32,780 THAT WILL MAKE YOU FEEL BETTER." 225 00:08:32,780 --> 00:08:33,814 (laughing) RIGHT? 226 00:08:33,814 --> 00:08:35,248 THIS GUY RIGHT HERE... 227 00:08:35,248 --> 00:08:37,017 HE'S GOT A MILLION OF 'EM. 228 00:08:37,017 --> 00:08:38,185 YES. COME ON. 229 00:08:38,185 --> 00:08:39,953 (chuckles) 230 00:08:39,953 --> 00:08:42,690 (whispers) THE PARTY'S TONIGHT. MAN, WHAT ARE WE GONNA DO? 231 00:08:42,690 --> 00:08:45,525 I DON'T KNOW. (sighs) CALL OZ? 232 00:08:45,525 --> 00:08:46,960 OKAY. 233 00:08:46,960 --> 00:08:49,162 TIME TO COMMENCE SECRET MEETING OF CONTRA CLASSIC. 234 00:08:49,162 --> 00:08:50,831 NOW, AS YOU KNOW, WE HAVE TWO JOBS TO DO 235 00:08:50,831 --> 00:08:52,600 IN THE EXACT TIME ON THE EXACT SAME NIGHT, 236 00:08:52,600 --> 00:08:54,134 WHICH MEANS ONLY ONE THING. 237 00:08:54,134 --> 00:08:56,604 YES! HUMAN CLONING. WE MAKE DOUBLES OF OURSELVES, 238 00:08:56,604 --> 00:08:58,238 AND WE MAKE THEM DO THE CASINO JOB. 239 00:08:58,238 --> 00:08:59,539 WHY DO YOU ALWAYS GO TO HUMAN CLONING? 240 00:08:59,539 --> 00:09:00,674 IT'S NOT GONNA HAPPEN. 241 00:09:00,674 --> 00:09:01,742 NOT WITH THAT ATTITUDE. 242 00:09:01,742 --> 00:09:03,176 OZ, WE CAN'T DO BOTH JOBS. 243 00:09:03,176 --> 00:09:04,612 WE'D NEED A WHOLE TEAM OF PEOPLE 244 00:09:04,612 --> 00:09:06,113 TO GET THROUGH ALL THAT CASINO FOOTAGE. 245 00:09:06,113 --> 00:09:09,082 OR ONE HYPERFOCUSED, EAGER-TO-PLEASE HUMAN COMPUTER 246 00:09:09,082 --> 00:09:12,786 WITH NOTHING TO DO ON A FRIDAY NIGHT--MOLLY. 247 00:09:12,786 --> 00:09:16,256 WE WANT TO SEE BOOBY, WE GOTTA CHARM THE NEWBIE. 248 00:09:16,256 --> 00:09:17,958 HEY, MOLLY! HEY. 249 00:09:17,958 --> 00:09:20,427 THAT IS A NICE BLOUSE. 250 00:09:20,427 --> 00:09:24,632 OH, THANK YOU. (chuckles) UM, I-I LIKE YOUR KERMIE. 251 00:09:24,632 --> 00:09:26,233 (inhales deeply) 252 00:09:26,233 --> 00:09:28,335 CASH, TAKE A BREATH. LET IT GO. 253 00:09:28,335 --> 00:09:31,672 THIS AIN'T NO SOCK PUPPET! IT'S YODA! 254 00:09:31,672 --> 00:09:34,407 I'M SORRY. I-I DON'T OWN A TELLY. 255 00:09:34,407 --> 00:09:35,976 BITCH IS CRAZY. 256 00:09:35,976 --> 00:09:38,545 (sighs) SWING AND A MISS. ALL RIGHT, DIMPLES. 257 00:09:38,545 --> 00:09:39,813 COMMENCE WOO. (sighs) 258 00:09:39,813 --> 00:09:41,048 YEAH, GREAT. OHH. 259 00:09:41,048 --> 00:09:42,249 WOO HER UP. 260 00:09:42,249 --> 00:09:44,351 TAKE HER TO DINNER, GO-CARTING. 261 00:09:44,351 --> 00:09:46,286 FALL IN LOVE. GOOD STUFF. 262 00:09:46,286 --> 00:09:48,021 WHAT IS YOUR PROBLEM? (chuckles) 263 00:09:48,021 --> 00:09:49,022 HEY, IT'S LIKE I'VE BEEN SINGIN' ALL DAY. 264 00:09:49,022 --> 00:09:50,257 * THE GIRL IS CRAZY * 265 00:09:50,257 --> 00:09:51,792 * JEALOUS * 266 00:09:51,792 --> 00:09:54,094 I DON'T GET JEALOUS, OKAY? BUT YOU'RE CRAZY 267 00:09:54,094 --> 00:09:56,596 IF YOU THINK MOLLY POPPINS IS GONNA FALL FOR THIS. 268 00:09:56,596 --> 00:09:58,198 I'M OUT. 269 00:09:58,198 --> 00:10:00,167 (sighs) UH, WAIT. 270 00:10:00,167 --> 00:10:02,402 HAVE FUN AT THE PARTY. 271 00:10:02,402 --> 00:10:03,603 (door slams) (whispers) JEEZ. 272 00:10:03,603 --> 00:10:05,005 WHOA. WHAT IS HER PROBLEM? (hisses) 273 00:10:05,005 --> 00:10:06,740 AH, DON'T WORRY. SHE'LL BE BACK. 274 00:10:06,740 --> 00:10:08,375 (knock on door) SEE? 275 00:10:09,743 --> 00:10:11,645 HEY. WE HEARD YOU GUYS ARE GOING 276 00:10:11,645 --> 00:10:13,580 TO THE HOT LADY PARTY. WE WANT IN. 277 00:10:13,580 --> 00:10:16,183 I'M A FOODIE. THERE'S GONNA BE SMALL PLATES, MAN. 278 00:10:16,183 --> 00:10:19,753 BACON-WRAPPED FIGS PAIRED WITH WINES. NEED I GO ON? 279 00:10:19,753 --> 00:10:21,989 I'M ALREADY NOT WEARING ANY UNDERWEAR. 280 00:10:21,989 --> 00:10:24,758 THE PEOPLE HAVE SPOKEN. YOU'RE UP, CAMERON MANHEIM. 281 00:10:24,758 --> 00:10:26,727 COMMENCE JOHN WOO. 282 00:10:26,727 --> 00:10:27,895 ME? (chuckles) REALLY? 283 00:10:27,895 --> 00:10:29,462 YEAH. YOU WANT ME? 284 00:10:29,462 --> 00:10:31,031 WE THINK YOU'D BE A GREAT ADDITION TO THE TEAM. 285 00:10:31,031 --> 00:10:32,599 OH, THIS IS SO UNEXPECTED. 286 00:10:32,599 --> 00:10:35,769 I WAS BEGINNING TO FEAR PERHAPS YOU WEREN'T FOND OF ME. 287 00:10:35,769 --> 00:10:36,937 HEY, THERE'S THE NEW RECRUIT! 288 00:10:36,937 --> 00:10:39,172 GOT YOUR PEPPER SPRAY, YOUR BILLY CLUB, 289 00:10:39,172 --> 00:10:40,841 AND HERE'S YOUR 9-MILLIMETER BOBCAT... 290 00:10:40,841 --> 00:10:42,442 WITH LASER SCOPE. 291 00:10:42,442 --> 00:10:45,178 UM, I THOUGHT WE WERE ALL LOOKING AT BLACKJACK FOOTAGE. 292 00:10:45,178 --> 00:10:47,114 WE GOTTA GO IN. WE GOTTA GET THE LAY OF THE LAND, 293 00:10:47,114 --> 00:10:49,016 BUT DON'T WORRY ABOUT IT. YOU WON'T NEED THIS HAND CANNON, 294 00:10:49,016 --> 00:10:51,985 BUT JUST IN CASE YOU DO, DON'T HIT ANY CIVVIES. THEY SUE. 295 00:10:51,985 --> 00:10:55,055 OH. AND DON'T FORGET YOUR PROTON PACK. 296 00:10:55,055 --> 00:10:57,925 OH. THIS-- THIS LOOKS UNSAFE. 297 00:10:57,925 --> 00:11:01,294 NO, YOU'RE FINE! JUST DON'T CROSS THE STREAMS. 298 00:11:01,294 --> 00:11:02,796 WHAT HAPPENS IF YOU CROSS THE STREAMS? 299 00:11:02,796 --> 00:11:03,997 ALL RIGHT, EASY DOES IT, ERNIE HUDSON. 300 00:11:03,997 --> 00:11:05,398 ALL RIGHT. WELL, YOU GUYS HAVE FUN. 301 00:11:05,398 --> 00:11:06,934 HIT ME ON THE WALKIE-TALKIE IF YOU NEED ME. 302 00:11:06,934 --> 00:11:09,369 WAIT! YOU'RE NOT COMING WITH US? 303 00:11:09,369 --> 00:11:11,504 NO. I'LL BE HANGING HERE, POURING THROUGH 304 00:11:11,504 --> 00:11:14,341 THE BORING OLD CASINO FOOTAGE, SO... (clicks tongue) 305 00:11:14,341 --> 00:11:16,009 SOMEONE'S GOTTA DO IT. 306 00:11:16,009 --> 00:11:17,344 ME! 307 00:11:17,344 --> 00:11:18,779 ME. OH. 308 00:11:18,779 --> 00:11:20,247 I'LL STAY HERE... WELL-- 309 00:11:20,247 --> 00:11:22,115 IN THE OFFICE, WHERE IT'S SAFE. 310 00:11:22,115 --> 00:11:23,683 YOU SEE, I-I'M JUST, UH, A LITTLE BIT 311 00:11:23,683 --> 00:11:25,685 OF A--OF A SAFETY FREAK. (chuckles) 312 00:11:25,685 --> 00:11:26,686 YOU SURE? 313 00:11:26,686 --> 00:11:27,687 (bell dings) QUITE. 314 00:11:27,687 --> 00:11:29,656 (chuckles) 315 00:11:29,656 --> 00:11:30,758 GOOD LUCK, THOUGH. 316 00:11:30,758 --> 00:11:31,759 (imitates British accent) CHEERIO! 317 00:11:31,759 --> 00:11:33,060 (doors close) 318 00:11:33,060 --> 00:11:34,895 YOU HEARD THE LADY. TIME FOR WORK. 319 00:11:34,895 --> 00:11:36,429 (Velcro rips) IT'S GO TIME. 320 00:11:36,429 --> 00:11:37,765 (rips) 321 00:11:37,765 --> 00:11:38,766 HA HA! (rips) 322 00:11:38,766 --> 00:11:41,134 OH! 323 00:11:41,134 --> 00:11:44,204 NO ONE TOLD ME WE WERE WEARING OUR TUXES. 324 00:11:44,204 --> 00:11:46,874 I'M NOT EVEN GONNA LOOK DOWN. (bell dings) 325 00:11:48,175 --> 00:11:51,044 (Joy Enriquez' "Boom Chicka Boom" playing) 326 00:11:51,044 --> 00:11:52,980 * WELL, READ THE SIGNS OF MY BODY * 327 00:11:52,980 --> 00:11:54,948 * CAN'T YOU FEEL ME GETTING NAUGHTY? * 328 00:11:54,948 --> 00:11:58,685 *** 329 00:11:58,685 --> 00:12:02,756 THE ICE HAS ARRIVED. I REPEAT, THE ICE HAS ARRIVED. 330 00:12:02,756 --> 00:12:04,157 *** 331 00:12:04,157 --> 00:12:05,959 ALL RIGHT, LET'S BLEND IN, TRY NOT TO DRAW 332 00:12:05,959 --> 00:12:07,660 ANY ATTENTION TO OURSELVES. 333 00:12:07,660 --> 00:12:09,897 OH, MY GOD. OPEN BAR. BODY SHOTS! 334 00:12:09,897 --> 00:12:11,264 (indistinct conversations) 335 00:12:11,264 --> 00:12:13,533 YOU'RE LATE. LET'S GET THE BRA BACKSTAGE. 336 00:12:13,533 --> 00:12:15,002 OZ, YOU SAID IT COULD BE ME. 337 00:12:15,002 --> 00:12:17,070 YOU PROMISED! (singsongy) NO TAKE-BACKSIES! 338 00:12:17,070 --> 00:12:20,340 JUST TRY TO ACT LIKE YOU'VE BEEN THERE, KID. 339 00:12:20,340 --> 00:12:21,341 (bell dings) 340 00:12:21,341 --> 00:12:23,210 WHOO! I'M READY! 341 00:12:23,210 --> 00:12:28,882 (singsongy) CHILDREN, MOMMY'S GOT SOME LATE-NIGHT SNACKIES... 342 00:12:28,882 --> 00:12:30,450 JUST ME, I'M AFRAID. THE OTHERS HAVE GONE 343 00:12:30,450 --> 00:12:33,320 ON A DANGEROUS RECON MISSION TO THE CASINO. 344 00:12:33,320 --> 00:12:35,655 I THOUGHT IT WOULD BE BEST TO STAY HERE, 345 00:12:35,655 --> 00:12:37,024 AWAY FROM THE PROTON PACKS 346 00:12:37,024 --> 00:12:39,459 AND THE CROSSING OF THE STREAMS, ET CETERA. 347 00:12:39,459 --> 00:12:40,994 (chuckles) (laughs) DID YOU NOW? 348 00:12:40,994 --> 00:12:42,529 APPARENTLY, THEY'RE MAKING HEADWAY. 349 00:12:42,529 --> 00:12:44,497 CASH JUST CALLED AND SAID THEY'VE GOT A LEAD 350 00:12:44,497 --> 00:12:46,733 ON SOMEONE CALLED "GOZER THE GOZERIAN." 351 00:12:46,733 --> 00:12:48,869 (can hisses) SOUNDS LIKE QUITE AN UNSAVORY FELLOW, 352 00:12:48,869 --> 00:12:52,005 IF YOU ASK ME. (laughs) (gulping) 353 00:12:54,674 --> 00:12:57,444 (crinkle) AHH. 354 00:12:57,444 --> 00:12:58,778 (clatters) 355 00:12:58,778 --> 00:13:00,047 OH. 356 00:13:00,047 --> 00:13:03,650 ALL RIGHT. TIME FOR THE REAL BAD COP. 357 00:13:03,650 --> 00:13:05,252 (man) * COME AND GET SOME OF MY BASS DRUM * 358 00:13:05,252 --> 00:13:06,753 * COME AND GET SOME OF MY BASS DRUM * 359 00:13:06,753 --> 00:13:08,188 * COME AND GET SOME OF MY BASS DRUM * 360 00:13:08,188 --> 00:13:10,858 HEY, NUMBER SEVEN ON THE HOT LIST. 361 00:13:10,858 --> 00:13:11,859 (high-pitched voice) DAMN! 362 00:13:11,859 --> 00:13:12,893 (normal voice) NUMBER 14? 363 00:13:12,893 --> 00:13:14,161 YOU'RE NUMBER ONE IN MY BOOK. 364 00:13:14,161 --> 00:13:15,562 (whispers) OH, DAMN! 365 00:13:15,562 --> 00:13:18,165 AHEM. OKAY. WE ARE FIVE AWAY FROM THE FINALE. 366 00:13:18,165 --> 00:13:19,499 LET'S GET IT ON THE MODEL. 367 00:13:19,499 --> 00:13:20,767 NO PROBLEM. 368 00:13:20,767 --> 00:13:23,636 (gasps) DAMN! DOUBLE DAMN! 369 00:13:23,636 --> 00:13:27,040 *** 370 00:13:27,040 --> 00:13:29,742 WHAT'S THE MATTER, CAMBO? YOU SEEM A LITTLE DOWN. 371 00:13:29,742 --> 00:13:30,844 NO, I KNOW. IT'S JUST... 372 00:13:30,844 --> 00:13:32,345 MELANIE SHOULD BE HERE WITH US. 373 00:13:32,345 --> 00:13:34,414 I DON'T KNOW WHY SHE JUST BAILED LIKE THAT. OHH. 374 00:13:34,414 --> 00:13:37,117 LOOK AROUND YOU. YOU'RE SWIMMING IN A SEA OF BEAUTY. 375 00:13:37,117 --> 00:13:38,618 GIVE ME YOUR MONEY. 376 00:13:38,618 --> 00:13:40,220 (laughs) (laughs) 377 00:13:40,220 --> 00:13:41,955 CAM, LET ME INTRODUCE YOU TO THE REASON WE ARE ALL HERE. 378 00:13:41,955 --> 00:13:44,291 YEAH, ABE FROHMAN, THE APP KING OF THE INTERNET. 379 00:13:44,291 --> 00:13:45,192 YEAH. HUGE FAN. 380 00:13:45,192 --> 00:13:46,927 YOUR CODING IS ELEGANT. OKAY. 381 00:13:46,927 --> 00:13:49,496 JUST GO EASY WITH THE GEEK TALK. THERE ARE SOME CHICKS AROUND. 382 00:13:49,496 --> 00:13:50,830 YEAH, SORRY. I JUST--I'VE NEVER MET... 383 00:13:50,830 --> 00:13:51,831 (whispers) A BILLIONAIRE BEFORE. 384 00:13:51,831 --> 00:13:53,166 THAT HE WHISPERS? 385 00:13:53,166 --> 00:13:54,367 SAY IT LOUDER SO THE GIRLS CAN HEAR. 386 00:13:54,367 --> 00:13:55,735 (whispering) OH, MY GOD. OH, MY GOD. 387 00:13:55,735 --> 00:13:57,270 WE'RE DEAD! WE ARE DEAD! 388 00:13:57,270 --> 00:13:59,339 (normal voice) ABE FROHMAN. 389 00:13:59,339 --> 00:14:01,741 (clenches teeth) OH, MY GOD. WE ARE SO DEAD. 390 00:14:01,741 --> 00:14:02,910 EXCUSE ME. WE'RE DEAD! 391 00:14:02,910 --> 00:14:03,977 WE'RE DEAD! (sobs) 392 00:14:03,977 --> 00:14:05,378 TELL ME YOU DID NOT LOSE THE BRA. 393 00:14:05,378 --> 00:14:06,779 WHAT ARE WE GONNA DO? WHAT ARE WE GONNA DO? 394 00:14:06,779 --> 00:14:08,081 WHAT ARE WE GONNA DO? 395 00:14:08,081 --> 00:14:09,917 WHY DON'T WE ASK ABE FOR A MILLION? NO. 396 00:14:09,917 --> 00:14:11,384 FIRST OF ALL, DON'T PANIC. 397 00:14:11,384 --> 00:14:13,954 A DIAMOND BRA DOESN'T GET UP AND JUST WALK AWAY. 398 00:14:13,954 --> 00:14:16,323 (man) * DAMN, WHAT I GOTTA SAY TO GET A PIECE OF THAT? * 399 00:14:16,323 --> 00:14:18,758 * DAMN, WHAT I GOTTA SAY TO GET A PIECE OF THAT? * 400 00:14:18,758 --> 00:14:21,428 * DAMN, LET ME SEE YOUR RUNWAY WALK * 401 00:14:21,428 --> 00:14:23,696 * MAKE YOUR HEELS CLICK, MAKE THE RUNWAY TALK * 402 00:14:23,696 --> 00:14:25,265 * COME ON * 403 00:14:25,265 --> 00:14:26,967 * PRETTY-ASS WOMEN TAKIN' PICTURES * 404 00:14:26,967 --> 00:14:28,101 * THEY NEVER COME OUTSIDE * 405 00:14:28,101 --> 00:14:29,769 (crowd cheering) OH, MY GOODNESS. 406 00:14:29,769 --> 00:14:31,838 * DAMN, WHAT I GOTTA SAY TO GET A PIECE OF THAT? * 407 00:14:31,838 --> 00:14:34,975 * DAMN, WHAT I GOTTA SAY TO GET A PIECE OF THAT? * 408 00:14:34,975 --> 00:14:36,743 WHAT IS SHE DOING UP THERE? 409 00:14:36,743 --> 00:14:39,046 * DAMN, WHAT I GOTTA SAY TO GET A PIECE OF THAT? * 410 00:14:39,046 --> 00:14:40,413 LIKE THAT, HUH? 411 00:14:40,413 --> 00:14:42,049 I BELIEVE SHE'S TEACHING ME A LESSON 412 00:14:42,049 --> 00:14:44,417 ABOUT WHO'S IN CHARGE. 413 00:14:44,417 --> 00:14:47,587 AND... UPLOADED. 414 00:14:47,587 --> 00:14:49,822 * DAMN, WHAT I GOTTA SAY TO GET A PIECE OF THAT? * 415 00:14:49,822 --> 00:14:52,359 * DAMN, WHAT I GOTTA SAY TO GET A PIECE OF THAT? * 416 00:14:52,359 --> 00:14:53,793 CHEERS. 417 00:14:53,793 --> 00:14:55,495 * WHAT I GOTTA SAY TO GET A PIECE OF THAT? * 418 00:14:55,495 --> 00:14:58,765 * NA-NA, NA-NA, NA-NA, NA-NA * 419 00:14:58,765 --> 00:15:00,300 *** 420 00:15:00,300 --> 00:15:02,902 WHEW! OHH. I HAVEN'T DONE THAT SINCE SPRING BREAK. 421 00:15:02,902 --> 00:15:04,404 WHY DID I WAIT SO LONG? 422 00:15:04,404 --> 00:15:05,905 AS DELICIOUS AS YOU LOOKED UP THERE, 423 00:15:05,905 --> 00:15:07,140 I DON'T THINK THAT WAS REALLY THE BEST WAY 424 00:15:07,140 --> 00:15:08,708 TO PROVE YOUR POINT. I HAD TO DO SOMETHING 425 00:15:08,708 --> 00:15:09,876 AFTER I TOLD YOU NOT TO COME HERE 426 00:15:09,876 --> 00:15:11,511 AND THEN YOU BRING HALF THE OFFICE. 427 00:15:11,511 --> 00:15:13,313 YOUR LITTLE DANCE ROUTINE MAY HAVE JUST COST US 428 00:15:13,313 --> 00:15:15,248 A VERY, VERY LARGE JOB. 429 00:15:15,248 --> 00:15:16,749 OH, OKAY. WELL, THE FUNNY THING IS, 430 00:15:16,749 --> 00:15:18,351 I DON'T CARE ABOUT THIS JOB, 431 00:15:18,351 --> 00:15:20,920 BECAUSE IT DOESN'T PAY ANY MUN-OH. 432 00:15:20,920 --> 00:15:23,323 I'M NOT TALKING ABOUT THIS JOB. 433 00:15:23,323 --> 00:15:25,525 (chuckles) HEY! DANCING QUEEN. 434 00:15:25,525 --> 00:15:27,294 WELL, HELLO. (singsongy) MM. VERONICA! 435 00:15:27,294 --> 00:15:28,895 THIS IS A GENTLEMAN I'D VERY MUCH LIKE YOU 436 00:15:28,895 --> 00:15:30,130 TO MEET... OH. 437 00:15:30,130 --> 00:15:32,632 ABE FROHMAN, INTERNET BILLIONAIRE. 438 00:15:32,632 --> 00:15:34,267 OOH. ABE... 439 00:15:34,267 --> 00:15:36,236 MM. THIS IS SOMEBODY I WOULD EQUALLY LIKE YOU TO MEET. 440 00:15:36,236 --> 00:15:37,870 SHE'S-- I'M HIS BOSS. 441 00:15:37,870 --> 00:15:41,074 (chuckles) WOW. GOOD STUFF. 442 00:15:42,309 --> 00:15:44,511 THAT MAN WAS THIS CLOSE TO HIRING US 443 00:15:44,511 --> 00:15:46,879 TO SECURING HIS ENTIRE ORGANIZATION... (sighs) 444 00:15:46,879 --> 00:15:49,282 AND YOU HAD TO GO AND FLASH YOUR ROCKS. WHAT? 445 00:15:49,282 --> 00:15:50,483 OH. 446 00:15:50,483 --> 00:15:51,951 OHH. THAT WAS THE BIGGEST JOB OF THE YEAR. 447 00:15:51,951 --> 00:15:52,952 (chuckles) 448 00:15:52,952 --> 00:15:53,953 HMM. 449 00:15:53,953 --> 00:15:54,988 ENJOY YOUR NIGHT. 450 00:15:54,988 --> 00:15:56,723 UH... 451 00:16:01,728 --> 00:16:02,929 (can crinkles) 452 00:16:02,929 --> 00:16:05,065 (grunts) (clatters) 453 00:16:05,065 --> 00:16:08,001 MM! HI. HOW WAS RECON? 454 00:16:08,001 --> 00:16:10,203 ANYONE WANT TO PULL THE BULL... OR BULLS? 455 00:16:10,203 --> 00:16:11,704 I'VE HAD DOZENS OF THEM. 456 00:16:11,704 --> 00:16:13,240 I FEEL LIKE I'VE BEEN RUNNING WITH THE THINGS. 457 00:16:13,240 --> 00:16:14,874 OOH! (laughs) 458 00:16:14,874 --> 00:16:16,109 YOU WERE HERE ALL NIGHT? 459 00:16:16,109 --> 00:16:19,046 YEAH! I'VE CAUGHT THE CULPRIT. 460 00:16:20,347 --> 00:16:21,548 (beeps) 461 00:16:21,548 --> 00:16:24,851 (beeps) 462 00:16:24,851 --> 00:16:28,555 (gasps) MARCO POLO. 463 00:16:28,555 --> 00:16:31,791 THE WAITRESS WAS SIGNALING WHEN THE DEALER HAD A BUST CARD. 464 00:16:31,791 --> 00:16:33,260 I FOUND DOZENS OF INSTANCES. 465 00:16:33,260 --> 00:16:34,727 WELL, YOU NEVER CEASE TO IMPRESS, DO YA? 466 00:16:34,727 --> 00:16:35,995 THANK YOU. MM-HMM. 467 00:16:35,995 --> 00:16:38,131 SO I GUESS CHASING GOZER THE GOZERIAN WAS 468 00:16:38,131 --> 00:16:40,100 A WASTE OF TIME, EH? 469 00:16:40,100 --> 00:16:42,269 GOZER THE GOZERIAN? 470 00:16:42,269 --> 00:16:44,737 THE ALL-POWERFUL DEMIGOD FROM "GHOSTBUSTERS" 471 00:16:44,737 --> 00:16:47,140 THAT ASSUMED THE FORM OF THE STAY-- AHEM. AHEM. 472 00:16:47,140 --> 00:16:50,410 NOT THE TIME FOR FUN FACTS, RICKY. 473 00:16:50,410 --> 00:16:53,380 UH, YOU DID... (chuckles) 474 00:16:53,380 --> 00:16:58,451 YOU DID GO TO THE CASINO LAST NIGHT, CORRECT? 475 00:17:02,055 --> 00:17:03,756 WE, UH-- (pats back) 476 00:17:03,756 --> 00:17:07,360 UH... OK--UH... 477 00:17:07,360 --> 00:17:11,698 WE... SORTA... WENT TO THE PRETTY LADY PARTY. 478 00:17:11,698 --> 00:17:14,367 IT SUCKED, THOUGH. THE PARKING WAS A NIGHTMARE. 479 00:17:14,367 --> 00:17:17,036 (chuckles) SO YOU--YOU USED ME 480 00:17:17,036 --> 00:17:18,338 FOR BREASTS. 481 00:17:18,338 --> 00:17:19,606 UH, NOT JUST ANY BREASTS. 482 00:17:19,606 --> 00:17:21,841 THEY WERE PROFESSIONAL TIGGLE BIDDIES. 483 00:17:21,841 --> 00:17:24,777 RIGHT. WELL... 484 00:17:24,777 --> 00:17:27,046 SCORE ONE FOR THE COOL KIDS. 485 00:17:27,046 --> 00:17:30,217 YOU PRETENDED YOU LIKED ME 486 00:17:30,217 --> 00:17:33,720 AND TRICKED ME INTO FEELING LIKE PART OF THE TEAM. 487 00:17:35,188 --> 00:17:36,689 WELL DONE. 488 00:17:38,225 --> 00:17:39,826 (footsteps depart rapidly) 489 00:17:39,826 --> 00:17:43,163 (door opens and closes) 490 00:17:43,163 --> 00:17:45,165 I'M ONE OF THE COOL KIDS NOW? 491 00:17:45,165 --> 00:17:46,766 (chuckles) 492 00:17:48,135 --> 00:17:49,702 KNOCK, KNOCK. 493 00:17:49,702 --> 00:17:54,407 OH, HEY. JUST CHILLING OUT WITH MY "KAMA SUTRA." 494 00:17:54,407 --> 00:17:56,042 I DON'T KNOW ABOUT YOU, BUT SEEING PEOPLE 495 00:17:56,042 --> 00:17:58,511 TWIST THEMSELVES INTO UNLIKELY SEXUAL POSITIONS 496 00:17:58,511 --> 00:18:01,148 JUST... (sighs) REALLY RELAXES ME. 497 00:18:01,148 --> 00:18:05,051 SO YOU'RE NOT STILL ANGRY ABOUT THE LITTLE PANTY PARTY, ARE YA? 498 00:18:05,051 --> 00:18:06,753 NOT ABOUT THE PARTY. 499 00:18:06,753 --> 00:18:09,856 I'M UPSET BECAUSE I HAVE TO APOLOGIZE TO YOU 500 00:18:09,856 --> 00:18:15,495 FOR SCREWING EVERYTHING UP WITH THAT STUPID APP KING. 501 00:18:15,495 --> 00:18:18,131 WELL, I DID JUST GET OFF THE PHONE WITH SAID APP KING, 502 00:18:18,131 --> 00:18:20,167 AND HE HAS HIRED US. 503 00:18:20,167 --> 00:18:21,768 APPARENTLY, YOUR LITTLE DANCE ROUTINE 504 00:18:21,768 --> 00:18:24,204 HAS GONE VIRAL AND MADE HIM A FORTUNE. 505 00:18:24,204 --> 00:18:25,605 OH, MY GOD. 506 00:18:25,605 --> 00:18:29,075 PLEASE TELL ME MY BOOBS LOOK FANTASTIC. 507 00:18:29,075 --> 00:18:31,978 YOUR BOOBS LOOK LIKE A MILLION BUCKS. 508 00:18:31,978 --> 00:18:33,946 HMM. WHY AM I NOT SURPRISED? 509 00:18:33,946 --> 00:18:36,816 MM. LOOK, YOU KNOW... (sighs) 510 00:18:36,816 --> 00:18:39,152 YOU ARE NOT THE ONLY ONE AROUND HERE WHO NEEDS TO APOLOGIZE. 511 00:18:39,152 --> 00:18:42,722 I MEAN... (inhales deeply) YOU ARE THE BOSS, 512 00:18:42,722 --> 00:18:45,592 AND, UH... (whispering) I NEED TO GET USED TO THAT, 513 00:18:45,592 --> 00:18:48,228 SO I AM SORRY. 514 00:18:48,228 --> 00:18:49,696 (sighs) 515 00:18:49,696 --> 00:18:53,566 OH, MY GOD. ARE WE HAVING A MO-MO? 516 00:18:53,566 --> 00:18:55,902 (chuckles) WELL, WE WERE UNTIL YOU SAID "MO-MO." 517 00:18:55,902 --> 00:18:57,337 (chuckles) 518 00:18:59,772 --> 00:19:02,709 (Molly sobbing) 519 00:19:09,816 --> 00:19:12,252 ARE YOU OKAY? 520 00:19:12,252 --> 00:19:13,686 (mouth full) I'M FINE. THANK YOU. 521 00:19:13,686 --> 00:19:16,323 I'M JUST HAVING A SNACK BREAK. (chuckles) 522 00:19:16,323 --> 00:19:18,691 I'M GONNA... (grunts) PLEASE DON'T. 523 00:19:18,691 --> 00:19:21,060 (voice breaking) I JUST WANT TO BE LEFT ALONE. 524 00:19:21,060 --> 00:19:22,229 (grunts and sniffles) (grunts) 525 00:19:22,229 --> 00:19:24,197 I'M A MESS! (sobs) (grunts) 526 00:19:24,197 --> 00:19:26,566 (squeals) OHH. (sighs) 527 00:19:26,566 --> 00:19:28,701 LOOK, LOOK, IT'S TRUE, OKAY? 528 00:19:28,701 --> 00:19:30,870 WE USED YOU TO GO TO THE PARTY. 529 00:19:30,870 --> 00:19:33,072 IT WAS A... STUPID THING TO DO. 530 00:19:33,072 --> 00:19:35,475 IT'S FINE. (chuckles) 531 00:19:35,475 --> 00:19:37,777 I'M USED TO BEING TREATED LIKE AN OUTCAST. 532 00:19:37,777 --> 00:19:40,447 I GREW UP THE WEIRD HOMESCHOOLED GIRL, 533 00:19:40,447 --> 00:19:43,216 AND THEN I WAS FAST-TRACKED TO UNIVERSITY AT 14, 534 00:19:43,216 --> 00:19:44,384 BUT NOBODY WANTED TO BE FRIENDS 535 00:19:44,384 --> 00:19:47,254 WITH A PINT-SIZE SWOT. (chuckles) 536 00:19:47,254 --> 00:19:49,021 I THOUGHT MAYBE THINGS WOULD BE BETTER 537 00:19:49,021 --> 00:19:51,458 NOW THAT I'VE GRADUATED, YOU KNOW... (chuckles) 538 00:19:51,458 --> 00:19:53,860 BUT HERE WE ARE AGAIN. (chuckles) 539 00:19:53,860 --> 00:19:56,496 YOU KNOW, UH... (sighs) I DIDN'T FIT IN AT FIRST EITHER. 540 00:19:56,496 --> 00:20:01,200 (chuckles) PLEASE. YOU ARE MR. COOL FIST-BUMP GUY. 541 00:20:01,200 --> 00:20:04,337 NOW, BUT IT TOOK TIME. 542 00:20:04,337 --> 00:20:06,939 I MEAN... (sighs) IF YOU FEEL LIKE A FREAK, 543 00:20:06,939 --> 00:20:09,208 THEN THIS OFFICE IS PERFECT FOR YOU. 544 00:20:09,208 --> 00:20:12,779 I DO FEEL LIKE A FREAK. 545 00:20:12,779 --> 00:20:15,982 COME ON. YOU KNOW YOU WANT TO. 546 00:20:15,982 --> 00:20:19,952 (Free Energy's "Something In Common" playing) 547 00:20:19,952 --> 00:20:21,421 (chuckles) 548 00:20:21,421 --> 00:20:23,323 (chuckles) THAT WAS MY FIRST TIME. 549 00:20:23,323 --> 00:20:26,659 YOU'D NEVER KNOW. 550 00:20:26,659 --> 00:20:28,461 I'M GONNA TRY AND GET OUTTA HERE. 551 00:20:28,461 --> 00:20:29,662 OH. (opens door) 552 00:20:29,662 --> 00:20:30,463 MAYBE JUST W-- 553 00:20:30,463 --> 00:20:31,798 WHOA! OH! 554 00:20:31,798 --> 00:20:34,133 OHH! 555 00:20:34,133 --> 00:20:36,369 * MAYBE * 556 00:20:36,369 --> 00:20:40,607 * WE GOT SOMETHING IN COMMON * 557 00:20:42,342 --> 00:20:45,111 * SO COME ON * 558 00:20:45,111 --> 00:20:46,779 * WE CAN TRUST * 559 00:20:46,779 --> 00:20:50,116 * THERE'S SOMETHING IN COMMON * 560 00:20:50,116 --> 00:20:52,251 * BETWEEN US * 561 00:20:52,251 --> 00:20:54,487 * OH, COME ON * 562 00:20:54,487 --> 00:20:56,255 * WE CAN FIND * 563 00:20:56,255 --> 00:20:58,525 * THERE'S SOMETHING IN COMMON * 564 00:20:58,525 --> 00:21:01,594 * BETWEEN OUR LIVES * 565 00:21:03,730 --> 00:21:06,666 IT'S TIME YOU FINALLY WATCH THIS. 566 00:21:06,666 --> 00:21:08,335 IT'S AN AMERICAN CLASSIC. 567 00:21:08,335 --> 00:21:14,374 OH! UM, BILL MURRAY, RIGHT, FROM--FROM THE ART HOUSE FILMS? 568 00:21:14,374 --> 00:21:16,609 WE'LL GET THERE. 569 00:21:16,609 --> 00:21:20,713 I THINK SOMEONE'S... (singsongy) JEALOUS. 570 00:21:21,681 --> 00:21:24,150 * WHOA, OH, OH, ALL RIGHT * 571 00:21:24,150 --> 00:21:26,419 * WHOA, OH, OH * 572 00:21:26,419 --> 00:21:28,555 * WHOA, OH, OH, ALL RIGHT * 573 00:21:28,555 --> 00:21:31,123 * WHOA, OH, OH * 574 00:21:31,123 --> 00:21:33,460 * WHOA, OH, OH * 41923

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