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These are the user uploaded subtitles that are being translated: 1 00:00:12,330 --> 00:00:16,620 John Paul and i were talking about that sort of the crisis at the beginning of a 2 00:00:16,650 --> 00:00:18,210 movie when we don't know what to do 3 00:00:18,720 --> 00:00:19,260 and just 4 00:00:19,770 --> 00:00:22,860 you know the couple of weeks of sitting in front of a blank screen and Greg 5 00:00:23,160 --> 00:00:28,290 oh my god i have no idea how to do this i'm not a composer i'm not worthy i 6 00:00:28,680 --> 00:00:30,760 you know it's it's all over. 7 00:00:31,110 --> 00:00:31,440 Because 8 00:00:31,890 --> 00:00:35,308 part of the problem with music as you don't really know where it comes from 9 00:00:35,760 --> 00:00:37,530 so what if they turn off the top 10 00:00:37,860 --> 00:00:38,190 you know 11 00:00:38,493 --> 00:00:38,670 like. 12 00:00:39,330 --> 00:00:39,808 So there are no 13 00:00:40,105 --> 00:00:42,180 are no guarantees that you're going to go and 14 00:00:42,420 --> 00:00:44,110 write the next score. 15 00:00:44,190 --> 00:00:46,290 When he and and he very simply said 16 00:00:46,860 --> 00:00:48,499 well you know sometimes it takes a little bit 17 00:00:48,499 --> 00:00:51,130 of time to get a movie under your fingers. 18 00:00:51,960 --> 00:00:53,140 I think. 19 00:00:53,370 --> 00:00:55,600 This this is what happens to me. 20 00:00:56,157 --> 00:00:58,950 I have to start on a new movie and i haven't worked in a while 21 00:00:59,130 --> 00:01:00,330 which is rare 22 00:01:00,630 --> 00:01:02,640 because i never take holidays out of 23 00:01:02,789 --> 00:01:04,330 the following reason. 24 00:01:04,710 --> 00:01:05,160 It's like. 25 00:01:05,790 --> 00:01:09,420 I have no idea where to start i cannot write nothing comes 26 00:01:09,870 --> 00:01:10,410 it's just. 27 00:01:11,040 --> 00:01:14,910 A terrifying blank sheet with a terrifying desert in my brain 28 00:01:15,390 --> 00:01:15,900 and 29 00:01:16,080 --> 00:01:16,440 you know 30 00:01:16,740 --> 00:01:18,689 the screen looks like a blizzard with 31 00:01:19,110 --> 00:01:20,010 just white on it 32 00:01:20,730 --> 00:01:24,300 but if you write every day and it doesn't matter what it tissue right 33 00:01:24,720 --> 00:01:26,200 just write something. 34 00:01:26,430 --> 00:01:26,910 It's like 35 00:01:27,240 --> 00:01:28,620 it's like i supposed to run us 36 00:01:28,890 --> 00:01:30,091 not that i'm a runner not 37 00:01:30,282 --> 00:01:31,680 even know what about eyes 38 00:01:32,070 --> 00:01:32,370 but 39 00:01:32,520 --> 00:01:33,900 pretend i would know what 40 00:01:34,050 --> 00:01:36,073 what it means to work out or two spots something 41 00:01:36,073 --> 00:01:39,070 like this i think you just develop a muscle 42 00:01:39,390 --> 00:01:43,420 and i think if you write every day you just get into the flow of writing. 43 00:01:49,590 --> 00:01:54,370 Way a movie supposed to work and used to work like this in the old days 44 00:01:54,660 --> 00:01:57,858 and in the old days when we had film and we 45 00:01:58,020 --> 00:02:00,600 when people were catching on cams and 46 00:02:00,720 --> 00:02:02,710 steamed Beck's and flatbeds 47 00:02:03,030 --> 00:02:04,750 and they were cutting films. 48 00:02:06,150 --> 00:02:06,990 They used to be 49 00:02:07,230 --> 00:02:08,320 a system 50 00:02:08,760 --> 00:02:10,020 in place where 51 00:02:10,350 --> 00:02:13,093 you'd command film would be sort of cut and you'd sit 52 00:02:13,093 --> 00:02:16,080 that was the director and the editor your music editor 53 00:02:16,410 --> 00:02:17,790 and you'd spot the movie 54 00:02:18,210 --> 00:02:21,210 everything has changed because of technology and the effort 55 00:02:21,570 --> 00:02:22,570 because. 56 00:02:23,550 --> 00:02:26,365 They used to be a certain other part to the system which 57 00:02:26,365 --> 00:02:29,260 was at a certain point they would lock the picture otherwise 58 00:02:29,371 --> 00:02:30,930 would make no picture changes 59 00:02:31,350 --> 00:02:33,900 and they would now give the compose twelve weeks 60 00:02:34,170 --> 00:02:35,310 with a locked picture 61 00:02:35,550 --> 00:02:36,690 to write the score 62 00:02:36,840 --> 00:02:38,610 well that went out of the window as 63 00:02:38,761 --> 00:02:40,300 as soon as. 64 00:02:40,950 --> 00:02:42,300 Digital editing came in. 65 00:02:43,170 --> 00:02:44,410 So now. 66 00:02:45,660 --> 00:02:48,300 Anything can change at any moment in time 67 00:02:48,720 --> 00:02:49,170 with 68 00:02:49,320 --> 00:02:51,040 one other thing. 69 00:02:52,290 --> 00:02:52,770 That 70 00:02:53,190 --> 00:02:54,510 changed everything which is 71 00:02:54,720 --> 00:02:54,960 of 72 00:02:55,109 --> 00:03:00,040 visual effects it used to be the compose the who was late on things. 73 00:03:00,180 --> 00:03:01,920 I was holding everything up 74 00:03:02,460 --> 00:03:02,970 well 75 00:03:03,390 --> 00:03:04,559 the reason i love 76 00:03:04,710 --> 00:03:08,820 computer graphics as is because those other guys who are holding up everything 77 00:03:09,210 --> 00:03:09,720 so 78 00:03:10,110 --> 00:03:11,880 they actually buying me time 79 00:03:12,000 --> 00:03:14,010 if i just turn the process around 80 00:03:14,340 --> 00:03:15,150 so now 81 00:03:15,300 --> 00:03:16,680 the way i work as 82 00:03:17,160 --> 00:03:18,630 forget the spotting session 83 00:03:18,870 --> 00:03:20,260 let's just start 84 00:03:20,370 --> 00:03:20,670 if i 85 00:03:20,880 --> 00:03:21,990 if i can if i have 86 00:03:22,410 --> 00:03:25,090 if if i have the space on the time available i stopped 87 00:03:25,090 --> 00:03:28,050 when they start shooting and i stopped of that conversation 88 00:03:28,350 --> 00:03:31,890 i start collecting sounds and i stopped making sounds and i start 89 00:03:32,370 --> 00:03:35,715 coming up with ideas and i start coming up as tunes. 90 00:03:36,061 --> 00:03:36,510 Once it's 91 00:03:36,690 --> 00:03:38,080 finished shooting. 92 00:03:38,267 --> 00:03:42,730 Himself to working in parallel with the cutting room and. 93 00:03:43,110 --> 00:03:46,950 All that happens this those twelve weeks of the locked picture which don't exist 94 00:03:46,950 --> 00:03:49,660 anymore i just put them at the beginning now. 95 00:03:55,290 --> 00:03:56,820 I write anything between 96 00:03:56,940 --> 00:03:57,510 two 97 00:03:57,630 --> 00:03:58,590 to five sort of 98 00:03:58,800 --> 00:04:00,990 fully fleshed out diaries and then the 99 00:04:01,320 --> 00:04:04,620 then they're just fits you know where you go oh hang on a certain i have an idea 100 00:04:04,890 --> 00:04:07,840 i have an idea for loves the might have an idea of far. 101 00:04:08,403 --> 00:04:08,786 I 102 00:04:09,363 --> 00:04:09,544 like 103 00:04:09,779 --> 00:04:10,140 that was a 104 00:04:10,380 --> 00:04:11,559 wedding march out to do 105 00:04:11,670 --> 00:04:11,940 this 106 00:04:12,150 --> 00:04:15,400 movie so so you know that that doesn't require 107 00:04:15,720 --> 00:04:17,050 more than. 108 00:04:17,130 --> 00:04:20,170 Just the specificity of writing that seat 109 00:04:20,340 --> 00:04:21,580 but again. 110 00:04:21,750 --> 00:04:23,890 Just just to figure out. 111 00:04:25,650 --> 00:04:27,180 What the best version of it 112 00:04:27,390 --> 00:04:28,234 as you know 113 00:04:28,430 --> 00:04:30,560 i wrote a long-form version and then just cut 114 00:04:30,560 --> 00:04:32,970 it out you know it's it's actually quite simple 115 00:04:33,480 --> 00:04:33,930 get up 116 00:04:34,350 --> 00:04:34,770 do 117 00:04:34,950 --> 00:04:36,810 you have two types of notes in these 118 00:04:37,230 --> 00:04:41,010 diaries you have the good notes and you have to bat notes and after a while you just 119 00:04:41,010 --> 00:04:42,840 go and yanked the bad notes and you just 120 00:04:43,110 --> 00:04:43,890 you just have to be 121 00:04:44,100 --> 00:04:45,840 ruthless about the stuff as well 122 00:04:46,110 --> 00:04:49,530 this isn't the tone of the movie and this isn't in la turn off the movie 123 00:04:49,950 --> 00:04:50,490 and you fit 124 00:04:50,612 --> 00:04:50,910 and 125 00:04:51,030 --> 00:04:52,360 and it's partly. 126 00:04:52,590 --> 00:04:53,850 That part you know the 127 00:04:54,360 --> 00:04:56,610 as i said in of getting it under your fingers as 128 00:04:56,730 --> 00:04:57,360 actually 129 00:04:57,660 --> 00:04:58,770 finding the tone 130 00:04:59,100 --> 00:05:00,940 and once you find the tone. 131 00:05:02,341 --> 00:05:02,670 You know 132 00:05:02,790 --> 00:05:08,150 you're not suddenly going to go into you know jazz odyssey improvisation you know 133 00:05:08,319 --> 00:05:10,290 as as is going to be very specific 134 00:05:10,680 --> 00:05:11,250 to within 135 00:05:11,730 --> 00:05:14,370 you know the the style you've created for that movie 136 00:05:15,000 --> 00:05:17,825 and you know that there are many different about says that there's a 137 00:05:17,927 --> 00:05:19,500 the Sherlock one are so 138 00:05:19,620 --> 00:05:19,980 you know 139 00:05:20,340 --> 00:05:22,559 that was and Irene of adler one which was 140 00:05:22,770 --> 00:05:23,640 endless 141 00:05:23,790 --> 00:05:24,790 and. 142 00:05:25,080 --> 00:05:26,760 Because i could never quite 143 00:05:26,910 --> 00:05:29,400 pin that relationship daughter and i don't think we ever 144 00:05:29,550 --> 00:05:31,500 managed to pin that relationship dog 145 00:05:31,890 --> 00:05:33,580 so i was writing. 146 00:05:34,470 --> 00:05:36,070 Music for. 147 00:05:36,360 --> 00:05:39,030 A love story that never developed the way i wanted to 148 00:05:39,195 --> 00:05:39,399 start 149 00:05:39,625 --> 00:05:40,350 which is okay 150 00:05:40,710 --> 00:05:40,980 you know 151 00:05:41,130 --> 00:05:42,130 sometimes. 152 00:05:42,660 --> 00:05:45,529 What you do with these suites as well as the you give 153 00:05:45,529 --> 00:05:50,050 them to your director and it gives himself mean idea of. 154 00:05:51,027 --> 00:05:52,650 How to approach a seen are 155 00:05:52,920 --> 00:05:55,140 you know our are sometimes it's just about you know 156 00:05:55,500 --> 00:05:57,450 wouldn't it have been nice if we had 157 00:05:57,780 --> 00:05:59,970 been able to develop a more complete 158 00:06:00,210 --> 00:06:01,210 relationship 159 00:06:01,650 --> 00:06:06,010 and sometimes it's just nice for myself that i actually go and. 160 00:06:06,720 --> 00:06:08,725 I need to you know to figure out the character i 161 00:06:08,725 --> 00:06:10,980 figured out somewhere in the middle of the peace 162 00:06:11,280 --> 00:06:13,060 but i need to go and. 163 00:06:13,470 --> 00:06:17,940 Do you to do the autobiography so i know what that character as about and i might 164 00:06:17,940 --> 00:06:20,067 write scenes that don't exist but 165 00:06:20,277 --> 00:06:21,990 that i just imagining my head 166 00:06:22,410 --> 00:06:23,010 just to 167 00:06:23,580 --> 00:06:24,185 get to the 168 00:06:24,334 --> 00:06:25,470 the heart of the matter 169 00:06:26,130 --> 00:06:30,000 but this material then becomes you know and i can give it 170 00:06:30,600 --> 00:06:32,163 to arrange rangers and orchestrators i can 171 00:06:32,164 --> 00:06:34,110 give it to other people on my team him and say 172 00:06:34,572 --> 00:06:36,420 how's it can get our can you just do me 173 00:06:36,570 --> 00:06:40,860 the string quartet version of this i think this tune a solid i think 174 00:06:41,280 --> 00:06:41,580 you not 175 00:06:41,909 --> 00:06:44,980 go off and go off and have a play with it. 176 00:06:45,600 --> 00:06:46,170 So 177 00:06:46,290 --> 00:06:49,270 the diary throws of a lot of. 178 00:06:49,590 --> 00:06:51,960 Other bits and pieces you know sometimes it's just like 179 00:06:52,260 --> 00:06:53,429 during the remix where you 180 00:06:53,666 --> 00:06:55,893 you know you may mute a bunch of tracks and 181 00:06:56,026 --> 00:06:58,650 some really interesting stuff going on in the background 182 00:06:58,770 --> 00:06:59,100 and 183 00:06:59,490 --> 00:07:01,840 that in itself can become a cute 184 00:07:02,280 --> 00:07:02,550 and 185 00:07:02,880 --> 00:07:05,519 again i mean that the the the the biggest helping 186 00:07:05,679 --> 00:07:06,088 and 187 00:07:06,300 --> 00:07:07,260 my process 188 00:07:07,470 --> 00:07:09,490 to me as my music editor. 189 00:07:09,780 --> 00:07:10,410 Who sort of 190 00:07:10,890 --> 00:07:14,340 not only the Leah saw between the cutting room in the film and me 191 00:07:14,820 --> 00:07:15,820 but. 192 00:07:18,240 --> 00:07:21,030 Who is a very creative thinker himself and 193 00:07:21,390 --> 00:07:24,284 something that i knew was going to be only a 194 00:07:24,284 --> 00:07:26,971 love theme he suddenly figures out how to do 195 00:07:27,240 --> 00:07:29,250 you know if you suffered of an action scene 196 00:07:29,640 --> 00:07:31,720 that it has an interesting effect. 197 00:07:32,400 --> 00:07:37,380 If 198 00:07:37,650 --> 00:07:38,940 you know the way i write as 199 00:07:39,075 --> 00:07:39,360 just 200 00:07:39,690 --> 00:07:43,620 a second i'm a computer i'm just spinning out the ram you know i just need to know 201 00:07:43,620 --> 00:07:45,240 what i need to know for this project 202 00:07:45,600 --> 00:07:46,050 and then it 203 00:07:46,170 --> 00:07:46,950 it's all gone 204 00:07:47,520 --> 00:07:49,290 so it makes room for for 205 00:07:49,440 --> 00:07:50,800 something new. 206 00:07:51,150 --> 00:07:52,260 So sometimes i go and 207 00:07:52,620 --> 00:07:55,870 look at these movies and a second i'm seeing them for the first time. 208 00:07:56,250 --> 00:07:58,540 You know i i learned a lot from. 209 00:07:59,970 --> 00:08:01,300 Dark night. 210 00:08:01,590 --> 00:08:03,400 You know it's it's. 211 00:08:04,140 --> 00:08:04,830 The amount of 212 00:08:04,950 --> 00:08:06,480 recalling the amount of trucks 213 00:08:06,930 --> 00:08:07,797 at one probably be read 214 00:08:08,082 --> 00:08:10,751 at twelve hundred trucks of just music 215 00:08:11,130 --> 00:08:12,130 and. 216 00:08:12,480 --> 00:08:12,929 We're supposed to 217 00:08:13,170 --> 00:08:14,410 of insane. 218 00:08:14,640 --> 00:08:16,169 No wonder i was feeling a bit wobbly 219 00:08:16,315 --> 00:08:16,770 last 220 00:08:17,040 --> 00:08:18,000 scoring date. 221 00:08:18,647 --> 00:08:19,647 Do. 222 00:08:20,100 --> 00:08:22,107 So by the time of keep to 223 00:08:22,440 --> 00:08:23,920 dark knight rises. 224 00:08:24,420 --> 00:08:25,169 I was actually 225 00:08:25,350 --> 00:08:27,610 during a lot of the mixing just. 226 00:08:28,739 --> 00:08:30,581 On my laptop basic. 227 00:08:30,848 --> 00:08:31,170 I would 228 00:08:31,560 --> 00:08:35,400 give farmer efficient tracks over to the dubbing engineer but really 229 00:08:35,730 --> 00:08:36,000 you know 230 00:08:36,150 --> 00:08:37,380 the person who managed to 231 00:08:37,620 --> 00:08:39,100 my music editor 232 00:08:39,780 --> 00:08:41,140 to one degree. 233 00:08:41,400 --> 00:08:42,450 Or another and then 234 00:08:42,570 --> 00:08:43,110 and then 235 00:08:43,620 --> 00:08:46,230 one of the things you learn really pretty quickly as you 236 00:08:46,380 --> 00:08:50,320 gotta be really good about your know numbering bring systems your organization 237 00:08:50,790 --> 00:08:51,090 that is 238 00:08:51,390 --> 00:08:51,690 you know. 239 00:08:52,350 --> 00:08:57,544 When i started out you know i i lost so many pieces which never ever appear to get i 240 00:08:57,544 --> 00:08:59,250 mean i i remember the black hawk down 241 00:08:59,520 --> 00:09:00,389 because we are working in a 242 00:09:00,840 --> 00:09:02,760 and in in a serious hurry and 243 00:09:03,270 --> 00:09:07,500 and the age of hottest recording hadn't quite self caught up with us 244 00:09:07,890 --> 00:09:10,500 so we have this pro tools system but it took forever to load 245 00:09:10,980 --> 00:09:11,490 so 246 00:09:11,700 --> 00:09:14,438 whenever somebody had an idea we would just shoot it 247 00:09:14,468 --> 00:09:16,950 on a handheld video camera everybody had a handheld 248 00:09:17,070 --> 00:09:17,700 video camera 249 00:09:18,240 --> 00:09:20,534 and so that became the sort of. 250 00:09:20,610 --> 00:09:21,570 Away of you know 251 00:09:21,931 --> 00:09:24,915 how quick i got a tune just shoot it. 252 00:09:25,410 --> 00:09:28,950 And as one tune which we could never find a gun and of course is 253 00:09:29,070 --> 00:09:30,870 in the making of and so 254 00:09:31,410 --> 00:09:32,490 every time i you know 255 00:09:32,610 --> 00:09:33,720 somebody has made me watch 256 00:09:33,930 --> 00:09:36,330 the making of the music of black hawk down on 257 00:09:36,660 --> 00:09:36,752 you. 258 00:09:37,440 --> 00:09:37,680 Up 259 00:09:38,250 --> 00:09:38,678 because there 260 00:09:38,947 --> 00:09:39,060 was a 261 00:09:39,390 --> 00:09:41,910 really good tune and it sort of feet in the movie so 262 00:09:42,148 --> 00:09:46,230 so you learned up you know your you've got to be organized you have to have people 263 00:09:46,560 --> 00:09:47,730 who forced you to 264 00:09:48,055 --> 00:09:49,529 and i am not organized 265 00:09:49,680 --> 00:09:50,100 so 266 00:09:50,310 --> 00:09:50,790 so 267 00:09:51,120 --> 00:09:54,480 just by admitting that you know that i have people around me 268 00:09:54,930 --> 00:09:56,350 who are. 269 00:09:57,240 --> 00:09:57,660 You know. 270 00:09:58,320 --> 00:09:59,250 Who celebrate 271 00:09:59,426 --> 00:10:00,600 c cd like 272 00:10:00,960 --> 00:10:02,440 nobody's business. 273 00:10:08,522 --> 00:10:10,487 For me i mean folks. 274 00:10:10,862 --> 00:10:12,312 Literally personally. 275 00:10:13,562 --> 00:10:16,692 A for me an unsuccessful Scott as something. 276 00:10:17,312 --> 00:10:19,572 Web i'm just repeating myself. 277 00:10:20,433 --> 00:10:21,972 Which doesn't mean. 278 00:10:22,112 --> 00:10:25,393 That i don't repeat myself there are certain questions. 279 00:10:26,102 --> 00:10:29,252 You know i i think we all have that the certain questions 280 00:10:29,372 --> 00:10:30,002 which we've 281 00:10:30,152 --> 00:10:33,392 had all our lives which were trying to find an answer to 282 00:10:33,812 --> 00:10:34,412 and we just 283 00:10:35,037 --> 00:10:36,342 and the opportunity 284 00:10:36,604 --> 00:10:37,232 of working in 285 00:10:37,832 --> 00:10:40,032 the film for instance that your habits. 286 00:10:41,492 --> 00:10:42,092 Ultimately 287 00:10:42,212 --> 00:10:45,572 you're just of writing from your point of view and your writing about yourself 288 00:10:45,962 --> 00:10:47,341 and you keep us as 289 00:10:47,462 --> 00:10:50,852 getting the same questions i mean why are there so many love songs you know 290 00:10:51,062 --> 00:10:55,052 what people try to figure out you know so so 291 00:10:55,412 --> 00:10:57,161 if i come up with the same arms 292 00:10:57,302 --> 00:10:59,852 then I've failed but if i 293 00:11:00,332 --> 00:11:01,052 if a if 294 00:11:01,592 --> 00:11:04,531 if i figure out how to just shift the answer 295 00:11:04,772 --> 00:11:08,202 a bit further forward if i can ask a new question 296 00:11:08,852 --> 00:11:10,262 and and 297 00:11:10,772 --> 00:11:12,632 i'm always more interested in that 298 00:11:12,842 --> 00:11:17,382 every school should actually throw up questions as opposed to answer them. 299 00:11:18,091 --> 00:11:19,409 I think the question is always 300 00:11:19,862 --> 00:11:22,062 more compelling than the answer. 301 00:11:22,502 --> 00:11:22,892 You know 302 00:11:23,102 --> 00:11:23,462 oh 303 00:11:23,702 --> 00:11:25,472 turns out the earth isn't flat 304 00:11:25,592 --> 00:11:26,522 so it's round 305 00:11:26,972 --> 00:11:27,972 okay. 306 00:11:28,082 --> 00:11:28,532 You know 307 00:11:29,042 --> 00:11:31,652 now that i know that what am i going to do with it you know 308 00:11:31,922 --> 00:11:32,922 i'm. 309 00:11:32,972 --> 00:11:33,122 A 310 00:11:33,397 --> 00:11:35,802 block if you just start with the character 311 00:11:36,092 --> 00:11:37,092 and. 312 00:11:40,022 --> 00:11:42,850 And let me stay specifically with stronach. 313 00:11:44,102 --> 00:11:44,672 Let's say you 314 00:11:44,973 --> 00:11:48,932 didn't see the trailer or anything like this let's say you just going to the theater 315 00:11:48,932 --> 00:11:50,972 and you're going to go and see a Sherlock Holmes film 316 00:11:51,332 --> 00:11:54,093 you're coming with a certain amount of. 317 00:11:54,782 --> 00:11:55,294 Baggage 318 00:11:55,594 --> 00:11:56,603 you 319 00:11:56,732 --> 00:12:00,692 think you already know the answers and the first thing i'm doing as 320 00:12:00,872 --> 00:12:02,982 i'm throwing you off kilter. 321 00:12:03,272 --> 00:12:03,752 I'm going. 322 00:12:04,442 --> 00:12:06,332 It's got banjos and it 323 00:12:06,662 --> 00:12:07,862 i didn't expect that 324 00:12:08,072 --> 00:12:08,822 sucks so 325 00:12:09,182 --> 00:12:10,050 do that you know 326 00:12:10,228 --> 00:12:10,910 just just 327 00:12:11,027 --> 00:12:12,842 put potato an appropriate way 328 00:12:13,052 --> 00:12:15,272 it's not random it's not allow key 329 00:12:15,782 --> 00:12:16,082 as 330 00:12:16,442 --> 00:12:16,742 it's 331 00:12:16,862 --> 00:12:19,812 it's figure out how to make the. 332 00:12:20,552 --> 00:12:21,182 Character of 333 00:12:21,392 --> 00:12:26,232 compiling by you questioning everything about him all the time. 334 00:12:26,312 --> 00:12:26,672 You know. 335 00:12:27,422 --> 00:12:27,991 Enter the 336 00:12:28,142 --> 00:12:31,082 oh he he did that i didn't expect him to do that 337 00:12:31,532 --> 00:12:33,452 oh the joker did that 338 00:12:33,662 --> 00:12:34,812 i didn't. 339 00:12:34,892 --> 00:12:36,002 I didn't expect that 340 00:12:36,302 --> 00:12:36,812 serps 341 00:12:36,993 --> 00:12:37,862 so that i mean 342 00:12:38,132 --> 00:12:38,642 part of the 343 00:12:38,852 --> 00:12:41,342 part of for how to ask the call question as 344 00:12:41,612 --> 00:12:44,562 you supposed to do something slightly unexpected. 345 00:12:46,232 --> 00:12:46,622 That's 346 00:12:46,770 --> 00:12:48,612 a in itself as a question. 347 00:12:48,902 --> 00:12:49,232 You know 348 00:12:49,472 --> 00:12:52,142 and i think he has opposed to 349 00:12:52,472 --> 00:12:53,952 give an audience 350 00:12:54,632 --> 00:12:55,752 and experience 351 00:12:55,994 --> 00:12:58,002 the i think that's our job 352 00:12:58,142 --> 00:13:02,612 and i think the experience isn't to answer a question i think the experience as 353 00:13:03,092 --> 00:13:04,862 to go away and the next day go. 354 00:13:05,582 --> 00:13:09,902 Back get you know that bit where it all explodes and that was that crazy violent 355 00:13:10,202 --> 00:13:11,402 why did he do that 356 00:13:11,642 --> 00:13:12,230 but you know 357 00:13:12,572 --> 00:13:14,432 why am i still remembering this 358 00:13:14,972 --> 00:13:15,872 you know that if 359 00:13:16,022 --> 00:13:17,972 you watch just want to throw a pebble in 360 00:13:18,302 --> 00:13:21,732 and the circles get bigger until the question becomes 361 00:13:21,962 --> 00:13:23,232 a real question. 362 00:13:26,432 --> 00:13:27,432 You. 363 00:13:29,882 --> 00:13:32,811 We humans seem to like the idea of symmetrical 364 00:13:32,811 --> 00:13:36,092 phrase or so you know yes your your to pass for us 365 00:13:36,572 --> 00:13:39,062 it boss sixteen boss you know 366 00:13:39,243 --> 00:13:43,262 works for Mozart works for disco bucks for funk works for folk songs 367 00:13:43,749 --> 00:13:44,012 you know 368 00:13:44,162 --> 00:13:44,732 and then you'll 369 00:13:45,093 --> 00:13:48,992 everybody survived you get the occasional one that steps out of it like 370 00:13:49,427 --> 00:13:51,034 i think yesterday yeah the 371 00:13:51,183 --> 00:13:55,292 McCartney song i think that's the saffron paraphrase it just works like that 372 00:13:55,952 --> 00:13:58,631 and it feels symmetrical and feels complete 373 00:13:58,862 --> 00:13:59,862 and 374 00:14:00,032 --> 00:14:01,022 and that's when you go 375 00:14:01,352 --> 00:14:01,742 hmm 376 00:14:02,072 --> 00:14:03,072 genius. 377 00:14:03,722 --> 00:14:07,255 You know when the rules are broken without you noticing the Bruce that's when 378 00:14:07,412 --> 00:14:11,082 again that that's when some some somebody adds a new. 379 00:14:11,553 --> 00:14:11,701 The 380 00:14:12,152 --> 00:14:12,812 piece to 381 00:14:12,992 --> 00:14:14,492 to the cavalry in a way 382 00:14:15,002 --> 00:14:15,362 i mean 383 00:14:15,512 --> 00:14:16,512 that. 384 00:14:17,222 --> 00:14:18,923 And i should try to just played a slightly 385 00:14:18,930 --> 00:14:22,273 slower and a little bit little property but that. 386 00:14:25,022 --> 00:14:27,497 Red lion journey to the line peace 387 00:14:28,112 --> 00:14:32,612 and. 388 00:14:33,872 --> 00:14:38,114 It breaks every rule you're not supposed to do this parallel movement. 389 00:14:39,152 --> 00:14:41,982 If i'm just moving everything is moving in parallel. 390 00:14:42,962 --> 00:14:46,872 It's and eleven ba phrase therefore it's. 391 00:14:47,252 --> 00:14:48,404 Are symmetrical 392 00:14:49,082 --> 00:14:50,082 and. 393 00:14:50,702 --> 00:14:55,502 For for the longest time it doesn't quite know which kids and and it keeps 394 00:14:55,712 --> 00:14:58,426 repeating over and over and and eventually the 395 00:14:58,592 --> 00:14:59,822 level bar phrase 396 00:15:00,212 --> 00:15:03,001 sharpness down to ten buff race and it just suddenly 397 00:15:03,542 --> 00:15:05,142 gives you this of. 398 00:15:05,342 --> 00:15:05,822 Jolt 399 00:15:06,062 --> 00:15:06,572 so 400 00:15:07,052 --> 00:15:09,402 if you put that in front of. 401 00:15:10,892 --> 00:15:14,582 A music teacher before it was in the movie 402 00:15:14,852 --> 00:15:17,952 before people went oh that's a pretty good piece 403 00:15:18,452 --> 00:15:19,632 and academic. 404 00:15:20,792 --> 00:15:22,262 Mind would have told you 405 00:15:22,862 --> 00:15:24,152 everything wrong about it. 406 00:15:24,842 --> 00:15:27,822 So that the the trick as as. 407 00:15:28,502 --> 00:15:29,642 It's not a trick that 408 00:15:30,002 --> 00:15:30,542 but it's 409 00:15:30,700 --> 00:15:33,782 the the mission all just you know part of the mission is 410 00:15:34,352 --> 00:15:35,892 to find out 411 00:15:36,362 --> 00:15:37,202 and maybe that's just 412 00:15:37,412 --> 00:15:39,642 how i grew up you know where. 413 00:15:39,842 --> 00:15:42,612 If somebody tells you that there's a rule. 414 00:15:43,114 --> 00:15:43,802 You have to 415 00:15:44,072 --> 00:15:45,662 figure out how to break it 416 00:15:45,932 --> 00:15:48,512 because that's the only thing that move things forward 417 00:15:48,992 --> 00:15:51,612 to i have certain rules i go to. 418 00:15:52,532 --> 00:15:55,382 Yes because i want to go and figure out how to 419 00:15:55,892 --> 00:16:01,182 how to break them in the most elegant way how to how to do it in a way that you. 420 00:16:02,852 --> 00:16:03,992 Sometimes you don't even 421 00:16:04,292 --> 00:16:05,642 you don't even know 422 00:16:05,792 --> 00:16:08,222 and that that's very important to me that 423 00:16:08,552 --> 00:16:10,213 you know the the don't see the hand of the 424 00:16:10,213 --> 00:16:13,092 artist at work all the time i think that's. 425 00:16:13,183 --> 00:16:13,682 You just 426 00:16:14,102 --> 00:16:17,322 do you just feel that something new or something fresh. 427 00:16:17,522 --> 00:16:18,702 As occurring 428 00:16:18,812 --> 00:16:19,812 and. 429 00:16:21,369 --> 00:16:23,370 Without seeing you know without seeing the 430 00:16:23,552 --> 00:16:25,752 without seeing the horrible surgery. 29935

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