All language subtitles for Underdog.The.Andy.Swallow.Story.2024.720p.WEBRip.x264.AAC-[YTS.MX]

Downloaded from
YTS.MX

Official YIFY movies site:
YTS.MX

Andy Swallow, born in
1960, Stratford - East London.

Had no option but to
be a West Ham fan.

You was a West Ham fan.

It was the East End thing,
you know what I mean?

The ICF was pretty unique.

We are talking about one of the
most important firms in England.

Andy had that kind
of general mentality,

like a lot of the top boys do,
every firm needs its generals.

We don't care what the
government thinks about us.

We was driving through,

town to town,
picking up a few goods.

But we didn't fancy it,
and as we was walking out,

we was arrested.

Danny was in the prison
and I was in the tower.

Roll on to the acid house scene.

We're going to set up
a radio station,

and that's when it started,
24 hour, Centreforce began.

We were the first 24 hour
house music station.

What about making a record?
We could do this.

We went off to a studio,
and we made a record.

I had Craig David, I'd put out
Ms. Dynamite, Artful Dodger.

It was only inevitable,
even though decades later

that we came back.

This is everybody's
story, this is my story,

it's Danny's story and
Centreforce is the family.

Yeah.
Nobody wanted them to succeed,

there was nobody
giving them handouts.

There was nobody helping
them along their way.

There's only one
real, true underdog...

If you grow up kind of working
class, tenement, council house

in the '60s or '70s, there's
not really a lot going for you,

even more so in London
than in Edinburgh.

You're in a place where
there's a lot of poverty,

but amidst plenty.

You can look basically
around the corner

and see there's
all this stuff around,

there's all this money,
you're in kind of a low status,

low paid employment.

So I think there's a culture.

The whole dockland culture
is about chorie.

It's about, if we can't make it,
we take it type of thing

and the idea that nicking
something from your employer,

you know, the docks
or wherever it is,

it's not really theft,
it's a kind of tax

a redistribution of wealth,

a justified
redistribution of wealth.

I think that kind of hustling
culture permeates dock areas,

it permeates all
working class culture.

Andy's from this area, from
across the road there basically

and worked in that
market over there.

And you look even now, everything
has changed in this area,

the ethnicity's changed

but the hustle and bustle
is just the very same,

there's no way
you can be different,

you're shaped by the
environment you live in

and there is no way
anybody can grow up

differently from that
environment basically,

that makes you the person
that you are.

No fencing here, this was where
we used to put all the barrows.

So, from 7, 8, 9 years old,
we've come around here

through the, you
can still see the doors

even though the doors weren't
there, but it's a path down.

We used to pull the barrows
out here into the market,

around about 6-7 in the
morning, and then we'd pull 'em

5-6 o'clock after the
game back into there.

And it's funny enough, I
just looked through there

and there's still barrows.

I lived here literally Waghorn
Road, and used to cut through,

my little cut through
to my school was there.

And this is where I spent my life
as my first job was a barrow boy,

pulling out barrows
from this actual place,

which is quite amazing, really.

My mum, bless us, you know
my dad left when I was 8,

so my family behind there,
they were all fruit & veg

and then my cousin and that,
they were broken biscuits.

And then on the corner shop,
Mr. Candies or Candies,

whichever one most I say,
possibly the other.

We were broken biscuits, sweets,

and my mum used to box
the sweets for Appleton's.

And this is where I
started my trade of...

I was doing fruit & veg
and then I ended up

working on the food stall,
cheap food,

cheap & nice - as the price

'Don't walk past these,
walk past your own mother.'

I ended up doing market trading.

When I left school, I ended up...

I was a trainee accountant,

but later years
I was a market trader.

And then from that,
I was doing T-shirts.

I was doing the printed
T-shirts at football.

I did the Inter City ones.

So, sort of like, from that,

you was always ducking
and diving, hustling.

If you look at Dickens who
kind of wrote about the East End

and his characters
are based in the East End.

Whether Dickens actually
knew an Oliver Twist

or a Fagin or an Artful
Dodger or a Bill Sykes

is kind of beside the
point in some ways

because they are archetypes
and they are recognisable

to a greater or lesser extent,

not just in every community,
but in every one of us.

Maybe Andy has a bit of
all these characters in him.

You can have the sticky
fingers of the Artful Dodger,

the organisational
skills of Fagin,

the aggro of Bill Sykes and
maybe even that plaintive,

romantic kind of urge of the
Oliver Twist character himself.

I moved here when I was round
about 18 months, two years old.

This is 30 Waghorn
Road. This is my home.

I spent it here until
I was nearly 17.

My mates were here, this
is where I always say that

the Inter City Firm
sort of was born out of,

and the original Essex
East London Firm,

we all lived,
we all stayed in here.

My sister was born here.

She was eight years
younger than me, Mandy.

Me, my mum, and
my sister lived here.

Don't know if you
remember back in the days

that you always was in the
kitchen or in the smaller room.

That front room there
was the sweet shop.

That's where all the
sweets were made.

Later on, down the line, my mum
didn't... it was our posh room.

You had your blue
carpet where I'd laugh,

and the back room
was where we sat,

and we all had food
and watched telly.

I remember when the first colour
telly was delivered around '71.

This was where I was
born and brought up till '76.

Yeah. Fond memories.

It's really weird.
It seems so small.

From when I was
here, it seemed so big.

This was a cricket pitch. Yeah.

Yeah. Good memories.
Good memories.

Even though I think
things have changed. Yeah.

Good memories. Yeah,
I'm glad we came here.

My name's Gardner. Bill Gardner.

Cass Pennant.

Carlton Leach.

I first started going
to West Ham in 19...

the last two games
of the 1957-58 season.

I went with my dad
who was a Spurs fan.

He used to take me to Spurs
one week, and West Ham another

for a while and then I drifted
off and done my own thing.

First game at West Ham,
I was eight years old.

The year the World Cup
winners, Hurst, Moore, Peters,

just magical years once you've
gone to your first ground.

For me, you know, I've
got a different background.

I was a Dr Barnardo's kid
from Barkingside

but ended up on the other side.

So going to West Ham and
the only colour that mattered

was claret and blue,
you know what I mean?

I was always going to
come back to West Ham.

West Ham was my home,
more than my home was.

I was born five minutes
from where we are now,

East End Maternity.

So, I'm on my own
stomping ground.

What made me decide to go,
was my dad was born in Dagenham,

West Ham fan and being
on his shoulders in 1964

when we won the FA Cup
and the bus going past

and the wooden rattle
with the scarf

and I drove him insane in 1965,

'Dad, dad, dad, I wanna go
West Ham, I wanna go West Ham!'

And I remember going to
the old fruit and veg shop

getting a wooden crate
and then we walk in

the whole length of Green
Street up to Upton Park,

he'd slip me in
through the turnstiles,

give the geezer a drink

or whatever, two bob or
whatever it was in them days

and him putting me down
the front of the west side

standing on the box.

So, 1965, I was six years old,

and it was in me
from that day on.

I lived in Upton Park.

A stone's throw from
West Ham football ground,

had no option but to
be a West Ham fan.

You was a West Ham fan.

So, I was brought up
in the area.

If you said to me, your
first memories of West Ham,

it's the brick wall
at the North bank.

Because I come up the
stairs at the brick wall

and I used to
sit on that brick...

I used to balance
on the wall and then I got,

from about 9-10

and then for me
the biggest memory

is doing the Knees Up
Mother Brown

in the middle of the North bank

and ending up behind the goal

and they'd all back up
again, they'd all surge up,

and the old songs of, they
weren't really football songs,

Maybe It's Because I'm A
Londoner, Knees Up Mother Brown,

Drove A Wheelbarrow,

they're all traditional
cockney songs

and you took that with you
wherever you went.

And you know, when
I talk about football,

my smells of football
are totally different.

Do you know what I smell?

I smell standing on
Mile End station at 14:15

and the smell of the
underground train coming in

that you could never
smell anything like.

It's like burning rubber, wind
of the old Metropolitan Line

coming through that
used to whistle through

before the train came in.

I remember that
smell more than...

probably anything
else at football.

If you said to me,
football, Mile End station,

500 of you and that
smell of that train,

and trying to get those
black knob things off.

Tried to smuggle them but
just couldn't get them.

My mates used to come out and go,
you want one of them?

I used to swing on 'em.

But yeah, and being...

wanting to be a part of it.

Wanting to be
part of that culture.

It was always going
to be West Ham for me.

The people, I loved the people
and I still do now.

Real people like these
two here, real people.

Everything about
West Ham was different.

Football, when you're working
class and it was Great Britain

then before it was UK
so it's a different nation,

you know what I mean?

And West Ham was
different to all the others.

Fans were different, the ground,
everything about West Ham,

I felt like I was stepping in
a new world where basically

everyone was different
instead of just me.

You know what I
mean? I can't explain it.

You've got to look at the times.

We was kicking off
when we was 13, 14.

It was skinhead boot boy era.

We wear boots and
braces to school back then,

but we've known each
other since we're 14.

And then Bill,
I've come across in '72

and the kind of older guy
took me under his wing.

I was abused as a kid, and
I left home when I was 14

and lived in a church,
in a graveyard,

and I used to love football.

My dad used to love football.

He played for London
Schoolboys when he was a kid,

and he knew loads of people
that played for Tottenham,

that's why he used
to take me there.

I was looking for a family,

I was looking for people
that I can look after.

That's how I would describe it.

I dunno how it sounds
to anyone listening,

but I took myself as
I've never had nothing.

I would never have nothing,

but I want to give something,
and that was loyalty.

So, I wanted to give loyalty
to the people that stood by me.

And I think that there's
not a man on this planet

that can say I
haven't done that.

If Bill, I say Bill because he's
one of the most well-known,

if he said we was doing
this, we was doing that.

But by the time
we got to sort of 18,

we was doing our
own thing and I think Bill

and all of them were
quite confident in...

we was quite good at
doing what we was doing,

if that makes sense.

So... But if we got a message
that you ain't going there,

we weren't going there.
That was a fact.

But we started to push boundaries
and do it our own way.

I went to my first away
game when I was 11.

I travelled the country.

Some of my friends are
still friends and still talk to now.

Moose. I've known
him since I was 9.

Grant Fleming, I've
known Grant since I was 15.

Grant Fleming was a
very good friend of mine.

Very, very clever person.

I'm actually going to just
sum him up as I would sum it.

He's strange in a nice way.

He's the one that's
travelled the world.

He's the one that's been
up and took pictures.

He's the one that if he
could go live with people

up in the mountains, he'd do it.

He's the ultimate character.

He'll always be one of
my best friends

but we don't see each other purely
based because you move apart.

But he's a big, big character

and a massive character
in football,

massive character
in the music industry.

All the boys pretty much lived
at my house every weekend.

My house was like,
my mum looked after...

she pretty much started
the Inter City Firm.

She looked after all of us.

This is number 30 and I
can remember coming here

as a kid and dropping off
shopping for Auntie Pam

as we used to call her,
Mrs. Swallow

and I think only on
one or two occasions

I actually went in the house,

but generally through
the market,

if I did ever help her
with the shopping,

I'd sort of leave it here
and she used to take it in.

Came out with a little
bag of sweets for you.

Give me a couple of
sweets from... as Andy says,

from the front room,
but because she...

I remember she used
to carry a lot of sweets

in her coat, a long coat.

My house became the hub,
so we're 15, 16,

we'd end up in the Boleyn and
if we wasn't home by half 11,

my mum would be marching
up that road, whacking us.

Now, don't forget,
we'd become later on

to be the most feared gang in
the field as we would say.

She would get on and
whack us all the way home.

We must have had, if I said
there was 15, 20 of us,

there was 30.

My front room, it was
covered with people.

Everyone would stay every game.

We used to go from
here and this was our hub.

This was our Boleyn, Chinese,

make sure we was in by 11:30
because she would whack us.

My parents did not
want me to go football,

they didn't want
me to play football,

they didn't want
me to go West Ham,

they didn't want me
involved in anything.

So, I used to have
to lie the whole time

to actually go to West Ham.

And even when I was
17, 18 and old enough,

I still couldn't face my dad and
tell him I was going West Ham.

He knew where I was
going, and he knew

I was going to go in
the pubs and whatever.

It's quite weird. It's all like
a crossing period, this,

because '76, '77 is a
massive period for music.

Punk. Punk rock
kicks in, we're rebelling.

It's another rebel isn't
it? Football is rebellion.

All of a sudden
something else kicked off.

So, we was punks and I
quickly come out of that.

Everyone was sort of switching.

There was Madness and
all that was coming through.

The Two-Tone was coming
through, and I became a mod.

My ears were too big
to be a skinhead.

I looked at it and I thought,
I can't have big ears.

We used to laugh, we
used to go down the Brit,

you'd have a Gabicci,
a gold chain,

a pair of Farahs or
Waxmans and a round glass.

We started to drink
out of round glasses,

not the jug,
round glass, a bowl.

So, it was all fashion
consciousness.

So then that was
a big part for us.

The music, then Oi came in.

Massive, yeah, one of the best
bands around, Cockney Rejects.

Andy: London's finest...

Hello, Micky.

How we doing, Ed?
All good.

Well basically, it was
a bit of the East End.

There wasn't a lot music
wise from around there.

We had the Small Faces from
Leytonstone and Bethnal Green.

Couple of other bits and
pieces, but, you know,

we decided we'd
take our love of football

and our love of rock and roll
and meld them together

and become what we
thought was the world's

first terrace band because
we love West Ham.

My grandad played for
West Ham, you know what I mean?

So, we had a vested interest,
lived a mile from the ground,

and basically, we all just met up
and we all moved as one.

It was our firm and
that was what we did.

We all moved as one.
We went to all the gigs.

We caused chaos, we had
chaos, you know what I mean?

We lived in the fast lane,
and I don't regret any of it.

It was mad, but it was great.

You've got to remember
as well though,

if you look at the
history of the bands,

I don't think there's many
bands that would actually take

full football songs on the road
and not even alter 'em.

Running Through
The Back Streets,

War On The Terraces,
Bubbles.

And I know Jimmy Percy
and them got

sort of hoodwinked into
putting the West Ham thing,

but these boys actually went into
Liverpool and played Bubbles,

War On The Terraces, Running
Through The Back Streets.

You can name them, you know,
really hardcore football songs.

If you imagine a band
from Liverpool or Leeds

or something like coming
to London and doing that,

then there'd be consequences.

When you look at it though, Mick

you took the hardcore of songs

that were football
related to other...

And the hardcore
of West Ham as well.

I'm a lot older so... we used
to go on the train in them days

and we'd get off the train and
you'd look around with people.

You always know the people
that ain't going to be there

and I've got nothing
against them people at all

because it takes all
types to make the world.

They'd be the ones that'd be
laying back a bit, you know?

They'd be hanging back
and then the ones at the front

you used to look
around and it'd be these;

Cass, Carlton, Andy, myself,
Ted, my mate, Big Ted,

loyal people that
are loyal to this day.

I met Andy when
he was at school.

He went to school with me
sister at Brampton Manor.

He was a young Andy

and obviously he knew
my mum and dad.

He grew up within that environment
and Cass, everybody did.

Our house was open house,
wasn't it, for the football fans!

But yeah, so I've known Andy
all these years and like I said

he's always been there,
at the front, with everything.

If you look back at us
going to away games,

it was the year of
the football special.

So, you used to get
the football special

and what you're finding
with a football special,

they were slow trains home,

they were the worst
trains you could get on

and they were slow trains home.

So, what we used to
note is that we could get...

Let's just say Saturday,
going to Manchester

and we pulled in part way home,

we see the Inter City
trains on the opposite.

We'd all jump off,
get on the Inter City train

and we'd be back home probably
an hour and a half quicker.

So that led us to
think we might as well

try going on these trains.

I'm just remembering
you get the label off

the Persil soap packet,
right?

And it worked out
for us to go

cheaper that way than going
on these shuttle trains.

I think it was, if I'm right,
it was two kids

could travel free with
one adult over 16.

So that's how we was all
travelling in groups of three.

Get someone who's over 16,
they'd buy a ticket, and we go,

I think it went for
£1, I think it was £1.

I'm pretty certain
that's how it started.

And then me and Grant,
and that became a big thing.

I don't think there's not
many people didn't get on that.

Hooliganism was
just very haphazard

in the '60s or '70s,
it was all about

it all took place inside
the ground basically,

it was all about charging,
British Bulldogs and all that

and it was great fun and you
could be a mug like myself,

and you could get involved
in all that and spill around

and flip around in the terraces.

But then it moved outside.

When it moved outside
the grounds

it needed a bit
more organisation,

you needed someone to
kind of... to basically...

you needed generals to emerge,
people who could actually

give it a bit of thought and
how you got to these places,

how you got to stadiums is
important and who you met

and how you organised
and all that sort of stuff

and it was all based that Andy
had that general mentality,

like a lot of the top boys do.

Every firm needs its
generals,

needed it at the time.

There's three of us that
came up with a name.

There's me, Grant, and there's
Mick Morgan, Ramsgate,

and we've got three
different stories.

I could tell my story.
Grant would tell his story

and I've heard recently
Micky tell his story.

And it's funny because we was
involved in something that we

I suppose we set up, but
we didn't realise we set up,

we never had no history
of how we set it up.

You know what I mean?
If that makes sense,

I didn't turn up and say we're
going to sign a bit of paper,

and our first bit was
signing that paper.

We all have our recollections of

how we became
the Inter City Firm.

My recollection of being
the Inter City Firm

is standing in the corner of
the south bank, 20 or 30 of us,

singing ICF all game.
All game for a year.

That was the inter-city
days when it was...

And obviously
because Inter City Firm,

I dunno, it just caught on,
Inter City travel.

We would've been
called the Inter City Jibbers.

That's what our first name was,
because what we used to do,

we used to jump off the train
halfway home and jib home.

So then from that
there was a little rail sign

and we used to call ourselves
the Inter City Jibbers.

Now people in the know will
know, before we was the ICF,

it was the Beret Boys.

All West Ham had the
bomber jacket and the beret,

which is all the Brit lot, which
is a little bit older than me.

The Gary Dickles, the Vince
Riordans, Johnny Butlers,

they were all the Beret Boys.

So, they're the Beret Boys.

I've come from the EELF.

And then all of a sudden, we've
now got the Inter City Jibbers.

Now we've got, this is
where my side of it comes.

Grant nicks this bag

and it's got British Rail,
Inter-City on it.

And then we said come on,
we'll be the Inter City Firm

and from there we
become the ICF.

The Beret Boys became
the Good-Looking Firm.

They used to put these
notes in and batter us,

because we were
the younger ones.

Then we had a little, few
younger ones come in with us,

which would be the
Abrahams, the Rogers,

Lee Downers, Parker, Bacon,
and they were the Under-Fives.

So, they never had a name and
they become the Under-Fives.

So, we would fight them.

We would, not you know,
coming home on trains,

we would have a fight with them.

We would then get beat up
by the Good-Looking Firm

and then all of a sudden, we
just evolved to be one big firm,

which was the ICF.

And then the
Under-Fives had their own,

which become a little bit
more unique down the line.

But I'd say when we stepped into
the game, we was all one firm.

You can go anywhere in
the country, any small town,

anywhere, and you'll find people
there that are game for it.

I used to enjoy going,
I used to enjoy going to Millwall

because one thing I thought was

they were very much
like us in those times.

There wasn't no stabbings
and none of that nonsense

that goes on, now, we'd go
there and we'd have a fight

and it'd be all over and
nobody innocent would get hit,

it'd only be the people that
wanted to fight would fight,

but that don't sell
newspapers so people put it out

that all these people,
innocent people are getting hurt

absolute nonsense.

There might've been one
or two that got in the way.

I don't know that, but
all I know is what I saw

and what I experienced.

The only people I used to fight

were the ones who
used to want to fight me.

The first of it stems
from Villa away.

We had this thing
about taking ends.

This is why we say
about the Under-Fives.

That's why we're coming into it.

This is pre-ICF.

When we travelled away,

we had such a reputation
by then, it was getting harder.

So we didn't want kids with us.

You went up north and
you know what I mean,

monsters, some of em.

So we'd always try
and lose the kids.

We felt it weakened the firm
and we got in Villa one day

and there's one end
we've not taken

and Chelsea had done a
little go of it so we thought

we've got to have a part here,

but we got thwarted and it's
kicking off in the Villa end,

I remember everyone was
looking around, what firm is it?

And we looked around,
every firm was in away that day

and we were baffled why is
it kicking off in the Villa end

and all of a sudden they
were marched out by the police

and frog-marched along the pitch
and it was the Under-Fives.

We'd be at Euston,
Kings Cross, wherever it was

and then you'd have all
the older lot go to the front,

get the money and two
young ones would be with you.

So it looked like you had the
two adults and two young ones.

And so we started
travelling Inter-City.

That's the way we
got to travel now.

And that's when Persil
came out because

how can you get the whole
firm on an Inter-City train?

It's first class, different price.
Persil was a godsend.

We found something
a little bit different.

By around about 17, my mum
moved me out of East London

to get me out of trouble.

So, she moved me to Southend,

which got me in
probably more trouble.

So, and Grant was
only two stops away.

So, I used to get on at Southend,
all Chelsea, quite lively for me.

One day we got
into the ticket inspector's box.

They used to have their own
little box, we rummaged through.

We found his ticket, his thing.

So, we worked out
how to write 'em out.

So, we used to write a ticket.

When you look at it now, our
crew, we used to write a ticket,

Benfleet in pen to
Newcastle and it's like £11.60

and we used to tear it and
when we used to get pulled,

we used to show that,
and it worked,

and we just started
writing tickets.

We used to write our
own book every game.

There was no stamp,
there was nothing.

The ticket inspector
didn't know what they was,

no one knew what they was.

And we travelled probably
two or three seasons.

And then we
started selling them.

We took on a new role as a job.

I can actually talk about it
now because my mum

can't tell me off because I'm
sure she would've told me off.

I think even to the day
she wouldn't have

believed what we was doing.

So basically, what we did,
fashion had come in

and jumpers and that
were through the roof.

He was supplying me t-shirts.

He was a bit of a market
boy, a bit of a barrow boy,

but he was always
on the next move.

And I remember
the funniest thing

looking at the older guard, we
was picking up on this early,

the casual thing
really started late '70s

with the Scousers and the Mancs.

But the London boys, they
take it a little bit further.

You're a size 8,
so we know we need an 8,

we know we need a 10.

We know that we need
an extra-large track suit.

Lacoste, didn't matter what
it was, they were buying it.

So the Lacoste thing,
'What's all this with the crocodile?'

You know what I mean?

West Ham still had
that hard man image

because the Krays of the
'60s going into the late '70s.

So they're still wearing the
old DMs and maybe swapped

for the trainers and
sort of mako look

and all of a sudden these
boys looking like pop stars

with the polo tops

and Andy was already on that

because he's flogging me
these double crocs

and suddenly at Green Street,
walking down Green Street,

the older guard are wearing
them in their 70s, quite proud.

And I think, I see them,
and Andy, I said 'What's these?'

And he's always on
the next move like,

'No Cass, this is the next thing,

everyone's wearing the
one croc, we're West Ham,

we've got the two crocs,
double croc.'

I bought a shirt off him,
it had 6 legs.

Snide. Know what I mean,
snide.

Like I said,
he was a funny man.

He was having a chuckle
because the older crew,

everyone's kind of looking up to

thought they were like
bang top boys

all wearing double crocs
without even realising.

It's one of
Andy's moves again.

You know what I mean?
It's sell anybody anything.

I didn't know till
I went to the zoo

that a crocodile
only had four legs.

He was always funny.

I used to call him,
'my naughty big boy',

because he were a
wolf in sheep's clothing.

That's how I regarded him.

We found a unique
way of doing it.

We started leaving...
We get a train,

we go Clacton on a
Saturday, Sunday night.

We spend the night
in a caravan at Clacton.

We then go to Harwich;
we'd get the boat across

to Hook of Holland
and then we'd get trains.

We'd all split up.

There'd be say three
or four of us, we'd go off

and we'd go around
thieving from shops.

So, everybody would go off
Monday and Tuesday, Wednesday,

thieving, and we'd all
meet at Wendy's in Cologne

8 o'clock and then we'd all
come back together on Thursday.

Back to the pub on Friday
to the Brit with all your gear,

sell it all,
football on the Saturday,

you didn't have Friday night games,
you didn't have Sunday,

you'd have a midweek
game every now and then.

It was predominantly
Saturday, 3 o'clock.

So, all back for the football,
back off on the Sunday.

That's what I did for
a job until one day,

me, Danny, and Dave,
we decided to take a car.

It seems strange,

a lot different to when I was here
around about '84.

Well we know '84, I had
my old Mark 4 Red Cortina,

me, Danny and the Lud
and we was driving through,

town to town
picking up a few goods

and we didn't come home.

We used to go around
mainly on trains and boats.

We used to... it was in
the highlight of if you like,

when all the fashion of the
clothes came up and about.

So basically we would go from
town to town through Germany,

up to Switzerland, Austria,
going in, looking at shops,

looking for Ellesse,
Fila, Sergio Tacchini.

And we used to have
a list of people's sizes.

And on this particular
three day excursion,

we came over and
we was making our way

up to the Swiss ski resorts, trying
to pick off some Ellesse jackets.

When we got a bit further up,
they wanted to put chains

on our wheels, but on route
we'd already found a place.

We were reading it as 'Bad-un'
and it's actually 'Bar-den'.

So we thought let's
have a look around.

We see some
lovely leather jackets.

So we sort of sized them up,

said we'd get 'em
on the way back.

We came back to Baden
quicker than we thought.

We were looking at the
leathers and whatever.

We didn't fancy it and as we
was walking out, we was arrested.

The Lud was in a police station.

Danny was in a prison
and I was in the tower,

which is famous,
which I've read up...

witches, robbers and murderers.

So I'm not sure what
category I fell into.

Hopefully not the witches.

So we're going
to drive to Baden.

We're going to go and have a
look at my cell, I believe,

that I stayed in.

Wow. There she is.
Wow, look at that.

I'm not sure if I was
1, 2, 3, 4...

1 below the bell and 1 down.

That's mad. That's unbelievable.

It actually looks a lovely
place. It's a lovely place.

I must have been taken up
them back stairs there.

Look, wow, 40 years ago, eh?

How mad is that?

We going to look for
somewhere to park?

I want to go and have a look.

It's quite strange
pulling up here today,

looking at this lovely
tower behind me.

I was here around
about April '84.

I was led up these
stairs to something that

thinking back now, when I look
at it, it looks daunting now,

but coming back in '84,
where probably

things look a little bleaker.

And I spent three months,
three and a half months,

solitary confinement
in this tower.

This courtyard, as you
can see, this is dated,

well, back to the...

what's it, 1445 century?

There's the bells used to
wake me up, bang on time,

that was above my cell.

Every day, every hour
I'd get these bells.

What's it? 11 o'clock,
12 o'clock now?

I think they put me in there
to come out like Quasimodo!

Look at that! Imagine that
every day for four months.

Every hour, you got that.

I think they put me in here

to teach me a lesson,
not to come back to Baden.

Wow, look at that.

So I finally get to go in
on my own accord.

Wow, unbelievable!

Mate, look at that.

As I said, my light
was on my wall.

This light was on
four in the morning.

I had my table, my chair
here, my bed was here.

And this is where I used to
put my chair just by this window

and I could open that window.

I'm not sure if
I could now, but,

so I could possibly open
that window with my arm.

Little locks...

Look. Lock these,
open it and then

we used to get the bucket,
boom it against here

and you get it out there.

Yeah, look at these.

Look at this. Wow.

Four months in here.
Where's my little sign of...

is that gone now?

I had my chart on there
somewhere of my...

how many days I was here.

I wonder if many people
came here after me.

Forget that.

I reckon someone else done that.
It was a fake.

And as I said,
I've got that on my arm.

Look at that.

Taken from my arm.

To a picture
on the wall, wow.

Daunting.

Yeah. Look at that.

Ah, here. This would be
where I start to do my days.

Someone did theirs.
This is mine here.

'Andy Swallow, April.'

It's soaking wet innit?

Yeah. Here somewhere
would be my chart

because here's my,
'Andy Swallow, March-April 84.'

Look at that. Wow.

I don't remember this one.

Don't remember this.

Just still can remember my bed.

So I used to do my walk.
I said 20 steps.

I used to do my steps.

So I used to do
1, 2, 3... It's 12 isn't it?

7, 8, 9, 10, Turn.

And then one, two...

That was my exercise for the day
was walking up and down here

about a hundred times.

In the end, I said,
'Just try and do it like that.'

To see if I can work out how
many it was, I think it was 12.

6, 7, 8, 9, 10.
Oh, 10, 11, 12.

It's got bigger. 14 steps.
Yeah.

As I say, that would be
my exercise path

would be up and down here.

My press ups and sit ups.
I might have to do a few.

Wow.

I don't know what to say.

Takes me back.

Good evening,
the headlines at 6 o'clock.

Britain's football hooligans
have started their season early

with a riot on a
North Sea ferry.

Knives were used, bottles
and glasses thrown,

behaviour which could
prolong the ban

on English teams playing abroad.

We decided to meet in
the Brit and get the last ferry

to the Hook of Holland,
we was going to Den Haag.

That was it.

So, we get to the station,
to Liverpool Street, walked in.

Looked around and thought,
'Who are all these?'

There was loads,
I'm talking a lot.

Especially I think,
these ain't West Ham

because all our lot are
gone, we know they're gone.

All of a sudden, I'm looking
and thinking, 'Who's this lot?'

Man United, came to London,

you've got a lot of cockney red,
they've come to London,

they're on the same train
as us at Liverpool Street,

they're going to
the Hook of Holland,

they're going... to
somewhere like Rotterdam.

Somewhere like that.
They was off.

So, I think, 'Oh no,
what we going to do?'

So, we go up, spoke
to the fellow and he said,

'You get this boat,
or you don't.'

So, there was an
upper-class ticket and, mad,

the actual room
we bought the ticket for,

was called the Inter City suite,
how mad is that?

So, we bought first
class tickets, 14 of us,

we go upstairs on the ferry now.

The ferry goes out and a
few drinks, there's got to be...

in my estimation I'd say
it's a good 300+, maybe 400,

their estimation of the story,
whether it makes much difference,

there was 200 of them,
didn't make a lot of difference.

We were still
really outnumbered.

BBC News: "The Dutch-owned
Koningin Beatrix

packed with 2,000 holidaymakers
left Harwich on schedule

late last night but two hours
into her journey,

the ferry, the pride
of Sealink's fleet,

was turned into
a battle ground."

And then had a few
beers, ferry's gone off.

I said, 'Oh come on, let's
go down and have a chat.'

So, me and three of my
mates went downstairs

but they ended up
getting big lumps of bird.

We was talking to
'em alright at first,

but there'd been a major
incident where one of theirs

had been stabbed at Plaistow

and someone had sent him a
get well card from all the West Ham,

and they took in some flowers
and didn't go down too well.

So, as I'm talking to them,
they're all getting around me

and I was saying to them,

'Any of you from Manchester?

You're from Wolves, you're from...
any Manchester here?'

A geezer's gone,
'I'm from Manchester.'

And all of a sudden, I could see
he was coming up with a bottle.

So, I said, 'Well it's time to go.'

'They're here, they're here.'

Next minute it was carnage.
It was...

Joe, bless his soul, he saved us
really because he got the hose

from the seat and
blocked off one staircase.

They were trying to get up,
but he was hosing them down

and then we held off the others.

There was me, Taffy, Danny,
it went on 30, 40 minutes.

It went on that long,
they turned the boat round

and took us back.
I thought we was there.

But anyway, I was lucky.

We've all sort of made out
it's nothing to do with us.

For some reason I took my
shoes off for some reason.

Changed my shoes,
changed my coat, sat down,

went up and got
my jacket, sat there

and the thing they was doing
was coming up testing your feet,

where they were wet.

BBC Reporter: Fans arriving
back in London

gave a grim catalogue
of the running battle.

There's a lot
of slashing and things.

BBC Reporter: What, knives?

Yeah, blades and bottles
and things.

When the boat pulled in,
they started pulling...

first of all they started
taking off the casualties,

I think it was something like
22 taken off, went to hospital,

they were taking people off in
chairs and it's all documented.

So, we still ain't really
thought about what's gone on.

It's just been a fight.

So, I'm off, I'm the only one
who's off, I can't see no one.

I only walk onto a platform,
don't I?

It's full of Man United on the train.

'Oi, oi, get him on here.'
And someone said, 'No mate',

'No, officer, he's with us.
He's Man U!'

They go, 'You Man United?'
'No, I'm not!'

He's going,
'Get on that train, come on.'

They're trying to
pull me on the train.

I'm thinking no way
am I getting on that train.

So, I went across the road and
I bumped into a few of the boys,

and we worked out,
there was only eight of us left.

I think, no six of us left,
eight got nicked.

Massive court trial.

A lot of them all got 8's and
10's, yeah, got done for piracy.

I didn't get done on that one,
but I got done on the next one.

I think they probably
didn't do me on that one

because they'd already
built a case for me,

and I think it would've
jeopardised what they was

trying to get me for which
was the bigger... I say the bigger,

but they got 10 years, how much
bigger do you want it to be?

But them boys who got the 10
ended up on my trial, as well.

Yeah. So yeah, that
was the old famous ferry.

It was the January,
around about January '87.

I remember going to Arsenal

and I remember
getting to the station,

there was all the Arsenal around
and the coppers singled...

they don't usually
single me out, they do,

but not the away old bill,
if that makes sense.

The local old bill used
to whack us every week,

I didn't mind that.

And they've got hold of me
and the copper said something

to me,
really always stuck in my mind.

He went to me;
'We'll see you on Monday.'

Always stuck in my mind,
'See you on Monday.'

Didn't think nothing of it,
went off home.

Monday morning, boom,
door went through,

6 in the morning.

Operation Full Time
was the result of detailed

surveillance by special cameras,

undercover and uniformed
officers on so-called ringleaders.

There'd been a big clamp down

and by then, everyone knew

the football situation and
names and ICF and all that

and to show they'd got the
right people, certain people,

me, Bill, Andy ended up in court

and we knew we was in shit

because the year before,
they'd done the Chelsea lot

and gave 'em 10 years and
they wanted the same for us.

We'd had an
infiltration by police.

We was the next big trot.

So, they done us and at
the same day they done us,

they done Millwall.

It's quite funny,
say they done Millwall,

it was six clowns.

And I say six clowns because
they were proper clowns,

they weren't Millwall...
They might be Millwall.

But they weren't Millwall.

It's quite mad because
we go... we get put up;

we get banged up in prison.

I was with Cass. I was banged
up with Cass. Bill was there.

Those arrested
are being charged tonight

with conspiracy
to cause affrays.

For such offences, there
are no limits to the penalties.

I don't have a
police record as an adult.

Done a few naughty things
when I was a kid,

but I've got no
police record as an adult.

And that's what comes
as the biggest shock

for me when I was arrested.

I mean, I don't mind saying
I had a nervous breakdown

because it shocked me.

I had my dad dying.

I had a broken leg, my second
one in a year playing football

and it just all come on top of me
and I couldn't handle it.

You know what I mean?
And don't mind admitting it.

I knew how
serious the trial was,

1) because the Chelsea
fan had already got 10 years,

2) my name for football violence
was well known to the old bill.

In fact, it's gone on record
that I was the first football fan

to be given a lengthy jail
sentence way back in the '70s.

So I knew how
serious it was for me,

but my one saving grace
was I'd been long retired then

and stopped going to football.

And when I did, it was
only used to use the pubs

to play cards and then
wouldn't go in the match.

We ended up on trial six and
a half months, I think it was,

six and a half months.
It was a complete fit-up.

And to prove how
political it was,

Andy was down as a market trader

and he was on £100,000 bail.
Right?

The only people on £100,000
bail was the highest criminals

in the land at the time,
was Brink's-Mat.

They were on the same.

So going to football,
you know what I mean?

Football fans?
Tell me it's not political.

I think that we'd
found out down the line

that a lot of the officers had
been involved in grassing

and cutting up someone in...

Bethnal Green way,
Stepney Green,

and we got the information of it

and then we kept asking
for testing.

We could see it was a fit up.

You could see that he would
wrote yours and you wrote yours

and it was a complete fit-up.

Somebody comes up;

'I wasn't even there.
I wasn't even in the country.'

So everyone knew
I was never involved.

I couldn't see how...
I knew it was a fit up,

but I couldn't see
how they was doing it.

I knew why I was in the frame
because I knew it's political

and they wanted to show
they could nick any fans,

but they wanted names to
show to the press and the media,

they're getting
their house in order.

I was 14, Cass was 14,

coming down the line,
it would've been 10s.

There was... probably the
lowest sentence on that day

would've been 14 years for
football, for things I ain't done?

Crikey! Anyway, they did this
thing called enzyme testing.

They put this charcoal
in it and they shake it

a million miles an hour.

And if somebody's written into
something on the page above it,

it comes through.

So they'd added it.

There was no
evidence that to add it,

to make it look
like we was guilty.

What I didn't realise with
enzyme testing,

it's the form of lead
pencil I suppose,

in a way it's like tracing
and you get it and you shake.

What we noticed with the
evidence, there was gaps,

and the writing was different.

So, if I was writing,
me or you would write,

if you was writing your scripts,
you'd have a free flow

of how you'd write,
you wouldn't write, gap,

write and then come back

and then let's say November,
imprinted in November

would've been, it's got
to be the right way round.

So, November would have
December, printed in November.

Well, November should be filed.

Yeah? So how can you have
December's notes

across your recollection,

it's physically impossible.
Yeah?

So, they found that they'd been
falsifying, putting the words

in the names who was there.

And when they was coming
back from late games,

one was doing it and
they was doctoring all of them.

We come in one day,
because we had to get locked up

every morning and
every night before...

we had to let the jury go
before they let us out.

And went in the morning,

didn't lock us up,
didn't lock us up.

I said, 'Something's
not right here,

they must have the
results of the enzyme.'

They said, 'Would you come out?'

We come out,
they said, 'You're free.'

Police were lying.
Case collapsed.

After our trial, which
we was the pioneers of it,

all the miscarriage of
justice cases over that decade

were all back on.

Every famous case
you can think of

you knew didn't
sit right with you,

they'd all had the
retrials and the appeals,

all the appeals are exhausted

because you can't find
new evidence as time goes on,

evidence gets worse, don't it?

People's memories, everything.
So they're not going nowhere.

Through the ESDA, these
cases got a conclusion,

they could reopen them
because they examined evidence

that was there and proved
it had been tampered with

and fitted up in
like they did in our case.

Tonight the men
were out celebrating

in their local pub, toasting
the end of a 14 month ordeal.

What do they think
of the court's decision

that some evidence
had been falsified?

Falsify? It's total lies
because what had happened,

right, they sent out thugs

to get thugs

and when they find
there's no thugs performing

over football matches,
they decided anybody would do.

As far as the police,
I'd like to see them prosecuted.

If not, take it further
as far as we can take it

to prove our innocence
so that everybody knows

and hopefully
compensation our way.

And it'll take many, many
years to restore the police

like we've got going on
there today with the Met

to restore their reputation.

So they held their
hands up and these cases

over the next five years
after our trial collapsed

all happened on the
back of the football thing.

But they never
talk about our case.

The football case is a result of
that because it's a taboo word.

You can't mention
football hooligans.

No one ever really
sees about...

when they interview
people like us

it's how we're perceived is

we don't care what the
government thinks about us,

society, politicians,
whoever you are, laws,

whether you are the
monarchy, whoever.

We care about what we
think about each other,

that is from the heart.

What we think about each other,
that's what makes us tick.

And if the rest of the world
don't like us, well so be it.

Well as you know, West Ham's
firm probably had an influence

on lots of other firms
in different countries

around the world over the years.

But, probably,
our only friendship

that is worth talking
about is with Lazio.

They're very close to us,
similar sort of people

and they've become
very good friends.

So as I say, there's
only really for us,

other people might say they've
been to Milan and whatever,

but for us as a firm
and West Ham, Lazio.

So I get to travel abroad and
meet other fans by invitation

to see what it is for them,
particularly the Ultras.

We did Spain and Italy, yeah,

and I always find it
interesting because

there is political influence.

The ICF is pretty unique
because it started off

this whole organised
mob culture basically.

The one name that
you always think of that

when it comes to the ICF

is Andy Swallow

because he was kind of
the figurehead for this

and he was the one who was...

whose name was so well
known, not just in London

but in England and beyond,
into the rest of the UK,

and into Europe as well.

1, 2, 3.

Hey, you!

How you been?

Yeah, not bad.

Yeah, I'm really good, you?

Good.

That's good!

All the new places, now.

The new places, yeah.

Fuckin' brilliant,
that looks brilliant, don't it?

If someone like...

people, members of Inter-City
Firm come to you, to...

to talk about friendship,
a relationship

is going to be proud

because we are not
talking about a normal firm.

We are talking about one of the
most important firm in England.

Probably...

In the world, also.

In this world.

I mean...

So first of all,

I mean, it's not the first
firm came and say,

'Okay, we can be friends.'

It was Inter-City Firm.

So of course it's normal

that you want to talk with them.

You want to understand if
you have something

in common.

And then we knew each other,
we had a great time together.

Yes!

The English style in our group?

Yeah, very.

Because, when in the stadium
during the years, 80 years,

many fans in the stadium
were folkloristic.

We decide to take the English
style, Lazio, and Verona too.

Inter start too
with the English style.

Yeah.

And it's one of the reasons
that we are very close now.

And I think in your mindset,
and the way you are,

you're very...

very West Ham, very English.

Lazio and Verona.

Yeah.

The first was Verona.

Verona the first, yeah.

Was Verona.

And then Lazio.

So it's very early.

The English style.

In the 80 years,

many Ultras also are very
folkloristic in many stadiums

above all in the south
of Italy, but not only.

I would like just to talk,
just also...

to another point

because this is just
because we want to say

how good and how beautiful
is this friendship.

So this relationship grow up

and now is going to

be a real friendship.

I mean, we are really friends.

We are not just friends
for Lazio or West Ham.

And I said that before,
we're not just football friends,

I've said that before
because I've probably not

been for two years,

but if I see you and you,
it's like I'm not...

'I saw you last week.'

You know,
and to see them all getting...

Like this one, getting older.

I'm getting older!

He's always young, this one.

That's brilliant.

In East London, we are pretty
much in our side of London.

We're lucky in London

as such
as East London is West Ham.

North London, there's two.

So, we can be proud to be of us.

But in London
we're not the biggest,

well I'm going to say,

I'll get slaughtered in fact,
we are the biggest!

We're massive.

Gotta watch what I say!

We're massive.

You are massive!

You understand what we're saying.
Don't wanna get in trouble.

We'll move on from that one.

You know why, because
many people make mistake

that Rome,
because the name of the other

is Rome, Roma.

So...

They automatically think Rome.

Is the first team of Rome,
but it's not like that.

No, it's not.

So, because also for
the colours, Lazio choose.

That's why they start
with many sports.

The colour of Greece, because...

The Olympic games.

Where they started,
Olympic games.

So, the colours from there.

The eagle is the symbol of Rome.

The colours are from Greece.

And this is why Lazio
have this kind of

component on the symbol.

In our story, we like
to go against whole.

We are less, because
it's easy to be...

'I'm fan of Roma
because every immigrants.'

Anyone can be Roma.

'Every people arrive here,
we name Roma, Roma.'

It's easier, okay?

For us, it's a sense of proud
to go against whole.

And this thing made us stronger
than the other part of Rome.

OK? It's in our...

It's the same as West Ham,
we were always the underdogs.

And made it,
and now Lazio firm

is known in all the world.

Yeah, everybody.

Because we made...

we made troubles everywhere!

In Rome and everywhere,
because we have

a political way of mind,
way of living.

And all the people
that are part of...

all right people in Europe

want to be close with us,
for our way of living,

for our way of fighting,

for our mind,
and for us is a sense of pride.

Of course. No...

The best thing with...

If this happen,
we made the good things.

I've seen it.

Andy, it's simple.

I think... we think,
that it's very simple

that to be a supporter of Lazio
is a choice.

Yes.

It's a choice. You have to make
your choice in your life.

Because when you grow up
in school, you are alone.

It's strange, when...
like, I'm 63.

And I come from East London,

and I know you say
you have a choice,

but your choice is
made for you from birth.

My family were West Ham.
So, I had no choice.

I had no Man United
shirt put on me.

I would've been slapped.

So, from us... your
children will be Lazio,

my children are West Ham.

So, I know what
you say as a choice,

but the choice is - no choice.

You are West Ham!

That's the choice,
the choice is no choice.

No choice.

You have no choice. My Danny?
West Ham.

Beau? West Ham.

Your family? West Ham.

The choice was made for us.

The choice is easy for...

My daughter, is there, she said,
'I like a guy.

He is a Roma fan.' No!

Not in my house,
not in my house,

No!

We prefer Lazio.

Choose another...

Choose again!

I like that!

I've come back now for...
probably been two years maybe

since I've been to Rome maybe.

And I now notice, and if
you don't mind me saying,

there's a lovely sign up there
that says Ultras Lazio.

And I've seen from the
picture coming in, now

you have the banner with
Ultras Lazio, a name change.

A few things have
changed over a period,

which you know we know.

And why have you changed?

We are forever Irriducibili.

Irriducibili is...

Is in your heart, I understand.

It's in our mind.
It's in our soul.

Yes, I understand.

But for this time,
in these times,

we decided to give to the story

the name 'Irriducibili'.

Irriducibili now is the legend.

Okay?
And we started, we restarted.

We decide to give to the
legend the name Irriducibili.

But all of us are Irriducibili.

Irriducibili never die.

But if you see, everything
is about Irriducibili.

This is part of the stadium,
the banner inside the stadium.

When we have the name
Irriducibili,

when we have the name
Irriducibili.

Irriducibili never die.

But now we are Ultras Lazio.

Yes. Okay, that's brilliant.

And it's like, in England,

when we was going,
we was hooligans,

we was West Ham
hooligans and Ultras...

lots of people don't understand
the word Ultra is a way of life.

Yeah.

And is that the meaning
of the word of Ultra?

Because a lot of people in
England don't understand

what an Ultra is.

It's...
Is it a way of life? Is it...

It's a way of life. It's not
just in the stadium atmosphere.

In the way you live the life
extremely - in everything.

And to be...

with a lot of courage, you know?

And you beat life like that.

Yeah, yeah.

And it is strange because
if we went around in England

and said we was hooligans,

people look at us and they think
we want to fight.

But Ultras is not
necessarily mean the fighting.

It means togetherness.

Roll onto the acid house scene.

I suppose I'd come
out the football trial.

I'd spent quite a few years
out of football on trial

and acid house
had arrived, '87, '88.

So here we are,
1988 I went to...

it was one of our
mate's stag-dos

just before that for
about two or three months

I see a few of our lot Gus,
Chrissy, Danny come back

and I see a change
in them, a smiley face.

I know it seems mad,
you know, the little bandanas

or a smiley face t-shirt.

I was thinking 'Oh, what are
these idiots? What are these?'

And 'Come on,
we're all going to Future'

on a Tuesday night
and then we go in the club

and someone said, 'Oh,
you've got to have one of these'

and the next minute,
I took an ecstasy tablet

and I see music and clubbing
in a totally different world,

and I never looked back,
I suppose

and been involved in the scene.

And he said,
this is a new scene

and he's trying to tell me
about this rave scene.

And the lads amongst us
were kind of dismissive with it,

you know what I mean? It sounded
like the firm's going soft

and people actually
said that behind his back,

you know what I mean?
I was doing security for Andy,

and it was just me

and it was over at
East Ham, and he said

him and his mate said,
'Cass, need a word with you.'

I said, 'Yeah, what's happening?
What do you want?'

He said, 'We've got maybe
50 to 100 Millwall coming over.'

I said 'What? East Ham?'
he said, No.'

He said 'During the week we
was over the Dunham Tavern,

about 20 of us and they
treated us with utmost respect.'

And they said we've
got to return the favour.

He said, 'So we've
invited them to our rave.'

'Are you sure? You're telling
me Millwall's coming here,

East Ham and you ain't told
me earlier, we ain't prepared?

Let me get on the phone
and call a few people.'

He said, 'No, no Cass,
we knew you'd go like that.

This is what we're
trying to tell you.'

Basically he's telling me
I'm old guard,

he's the new kid on the
block in tune with everything.

I'm old hat. I'm just
there for security.

Don't say nothing,
don't do nothing.

So, we had a little bit of a
disagreement over it,

in the end, I said,
'Well it's your show, alright.'

And I said, 'You're telling
me don't put in a call,

alright, it's down to
you two if anything...'

'Trust me, Cass,
nothing will happen.'

I thought, alright, we're on.

We've got a personal bet here.

And they come in and
give me a little look,

walk past me one by one.

Yeah, they give a little
look like... you know?

All walked in, and I thought

'This is going to go tits up.'
And it's on you.

They kept coming up to me,
having a good time

and they weren't no trouble.

I looked, I said,
'What's going on here, Andy?'

I said 'You're onto
something here ain't ya?'

I've never seen this.
That was their firm.

He said, 'Cass, liven up,
liven up. It's all changed now.'

He's already on the next move.

It broke a lot of barriers.

The rave scene broke
a lot of barriers racially

and especially
the football terraces

where you now could
put Millwall and West Ham

in the same room,
or Arsenal, Chelsea,

everybody was there for
the music and the drugs

and everything else
and what was going on.

You know, the rave scene and
the fact that you could have

20,000 kids dancing in a field
somewhere in the home counties

and there's not a lot that
the police or the military

or anything the establishment
can do about that.

If you can do that
within an hour basically,

if you have that reach,

I think the whole power

of that house music scene,
that whole collective power

was very worrying
to the establishment.

And I dunno if that has sort of
added appeal or added bonus,

but I think that the
worthwhile things to do in life

are things that involve
upsetting the establishment.

By '89 I was
working in Stratford

on the Stratford &
Newham Express.

During '88 and '89,
I got kind of embroiled

in the acid house
scenario, shall we say,

and had started going clubbing
a lot, mainly kind of West End,

every now and then,
some kind of moody rave

somewhere in the East End.

It's almost become
cliché to say that

acid house ended
football hooliganism,

but it kind of felt
like that at the time.

And yeah, there were
probably more complex reasons

than that for what was happening
at the time,

but it's hard to explain

how things seemed
to change almost overnight.

And it grew so quick.

It was so quick and
there was no boundaries,

it was like there was
no football.

For the first time,
it was party, music,

it broke down the football.

Eventually it kicked back
when the house scene

sort of evolved to clubs
and the football thing came back.

I'm not saying that the
football rivalry didn't happen,

just I wasn't involved in it.
I was at parties.

My name's Terry Stone. I'm
an actor and a film producer.

Lots of people will know me
with a dodgy syrup

playing Tony Tucker in
Rise Of The Footsoldier

or Jack Spot in Once
Upon A Time In London.

But I've been in obviously
a host of crime films.

I've produced a
host of crime films

and before I become
Terry Stone,

I was called Terry Turbo

and, you know, I sort of run most
of the big dance music events

back in the day from the
early nineties with One Nation,

which was a drum and bass event,
jungle event, to Garage Nation,

which was obviously a UK garage
that then went into grime event.

We lived on a council
estate in Camberley in Surrey,

and we'd all go down
into the High Street,

there was a pub
called the Brown Jug,

and the landlord of that pub

was friends
with Andy Swallow.

Andy was doing,
I think it was in Bow,

there was like a flyover,

so it was some sort of weird
club that was under the flyover

and he said we're going
to Bow in East London,

my mate Andy Swallow,
and he obviously mentioned

the Inter-City Firm and so on,
and they're doing raves.

And we went to this rave,

I met Jimmy Labello,
as he's called

on the night,

and that was my first sort of
taste of the rave scene.

Echoes was kind of right
next to the Bow flyover,

tucked away almost.

We still drive past it
every now and then

just for old time's sake

and it was very much...

it was a nice venue,

but it was what I'd call
at the time an ultra-disco.

It was very flash

and in 1988,
what essentially had happened

is those clubs almost
became redundant overnight

because no one wanted to
go somewhere

that was flash-looking.

There was a lovely club built,

you've got to think now,
acid house has taken over.

The discos, dancing,
the girls dancing around

with their white handbags
and their white shoes are gone.

Girls dancing, looking... that
had gone in the club scene.

You've got all these lovely clubs
with these lovely disco lights

empty, didn't know what to do.

So, Echoes up the road, they
started doing a Friday night.

I think we shut at two o'clock
I believe, which is late for...

And they smashed it.

It was packed.

My name's Keith Mac.
I'm a DJ, record producer

and all-round fun guy.

I started off DJing at a pub in
Dagenham called the Fiddlers.

I was only like...
Well I was 15.

We used to be able to get
in there, it was like the only pub.

My mates used to hassle
the manager, 'Let Keith...'

Because I always
had a pack of records,

they used to have a Friday night
thing there and it was rubbish.

So, all my mates
bullied the manager,

and they gave me
a Wednesday night.

Obviously, Andy was doing
all the warehouse parties,

I didn't know Andy at the time,
and then he come down

one Wednesday and said,
'Look, we've got this new club,

do you want to jump on board?'

And that was Echoes
on the first night.

So that Friday he picked
me up and that was it.

30 odd years later,
I'm still here.

We started going to
Echoes on a Friday night

because there was
one DJ, Tony Wilson,

who we were all...

me and a couple of mates,
were fans of

and we started going
there regularly and kind of

so pretty much
every Friday really,

we knocked the West End
on the head for a while

and we're doing that every Friday.

And then I did a Saturday
night, Pasha's House

about 800-900 because not
many people went on a Saturday,

because there'd be raves
but they'd come to us,

so Echoes on a Friday
night was the one.

Echoes would be
absolutely rammed.

There'd be dry ice everywhere.

You could hardly
see in front of you,

there'd be sweat on the walls.

The place would be
absolutely heaving.

Right where I'm sitting
now was my first party.

I'd say if I had to pinpoint it,
I reckon I would've been

about 200 yards
over that way there.

Broke into a warehouse,
got a bit of paper,

and I still see this flyer now.

You know the Bow flyover,
we drew a line, a bridge,

a line, little people in cars,
and a man with a stick

with like a little smiley face
and that was our flyer.

Acid house party this way.

We had someone on
the corner guiding them in.

We put something like 3000,
4000 in a warehouse down there

from 10 o'clock at night till
11, 12 o'clock the next day.

The acid house scene
was brilliant because

you'd just have two lights,
a strobe and a smoke machine

and a set of decks
and that was it.

I think at the time,
that was the Wild West era

of the rave scene,
where anything went.

And I'm sure there was
probably some fisticuffs between

promoters and aggravation,
but I sort of looked at

what they were
doing and I loved it.

People hang around
people and they go,

'I'm going to do this.'
And people go,

'Yeah, you should have a go.'

And most people don't.
But I was the one that did.

Couple of fellas
come up to us and said

'Do you fancy doing
a radio station?'

He said, 'Do you
know much about it?'

I said, 'I know you
turn it on and off.'

And it's on a bandwidth.
That's about it.

Started explaining, I said,
'Look...

Don't explain.
How much is it going to cost?'

I think it was about
£1,000, £1,500 quid.

And we set it up and we
had an all-dayer in Echoes,

and this was on the 7th
or 8th of May '89 and I said,

'Tell you what we'll do,
we'll do the all-dayer,

we'll go off.'

Which was now... while I'm
looking around me would be

Stoke Newington just there.

We had a flat and I said we'll
go and announce at the party

at 8 o'clock,
we are coming on live

and as you leave the party,
the all-dayer,

which was at 10
I believe, tune your cars in.

And from that it started,

and that's how
Centreforce was launched.

Centreforce? From day one.

Day one, we was doing
an all-dayer at Echoes.

I'd finished and
Andy said to me,

'Come on, we're going to go,

we're going to set up
a radio station.'

I was like, 'I ain't got a clue.'

He said,
'Come and jump in the car.'

So, we drove to Shoreditch
behind the fire station.

He said, 'Come, we'll go down.'
So, we went down there.

'Bring some records.'
So, I brought some records

and at the time,
it was in a little flat,

little radio thing like that,
which would be monitors

and it was just like,
alright, go on.

I was like, 'I don't know, we're
testing it, just testing it.'

And it literally was that,
and then that night

after the party, that's more or less
when Centreforce began,

you know, and that's when it
started - 24 hour.

My name's Eric. Psychedelic Eric,
and I MC and host on the radio.

I'd met Andy, well,
I didn't actually meet him.

He knocked on my door
when I was about eight,

up to mischief
like he always was

and sort of saw him
for the first time then.

But he did go football
with my brother

and all that West Ham
stuff a little later on.

And I think that's where
I probably got the link

to get into Centreforce
from my brother Roger.

Centreforce just sprung up
out of nowhere one morning

and I was listening
and I was like,

'What is this?'

I made a couple of phone calls

and the next thing I was talking
to that guy over there.

My name's Wayne Seaton,

better known as DJ Seeker or Seeker.

And I'm a DJ.

I used to work for an
estate agents called Seekers

and yeah, that's
how I got my name.

I just thought I'd be a little
bit different, and I went out

and bought, instead of everybody
was using two turntables,

went and bought three,
just a bit different

and just a bedroom DJ.

And then there was
a couple of contacts

in terms of how we ended
up going on Centreforce.

I was with a little syndicate.

'Corporation'.

We was known as the Corporation
Boys or the Corporation.

Corporation Dave, DJ Hugs,
MC Scotty, and myself,

and we went to the station.

I just thought to myself, wow,

I've got an opportunity here.

Went up and done a show,
never done anything like it.

I thought, 'I love this.'

And then I had the
opportunity and unfortunately

the estate agents found out
because there was somebody

who kind of grassed me up
in the office and told them

what I'd done, and they gave me
the ultimatum: station or job?

I didn't tell my mum at
first, but now she knows,

but I chose the station.

I started music and that was it.

There was no turning back.

We actually started
out where I just told you.

Dennison Point always
comes up as Dennison Point.

We're literally facing
Dennison Point behind us.

We were on a
six-month observation.

So we thought we'd cracked it,
we thought we're untouchable

24 hours,
and that's what we become.

No, we were on
a police observation.

They wanted to see who
was coming in and out

and observated us for 24

and what they wanted
to do every now and then,

they broke... because we know
because the court case.

They raided our station to see
where we moved the equipment

so they got us actually
moving the equipment.

Hence the story of where
Seeker and them was with us.

We was given an address
to go and put up for a new,

basically to set up
a new studio.

So, we was given an address
and we went up to the door

and listen, kind of thing,

thought, right, okay,
then this must be it.

And we've kicked the door,
kicked the door off,

and there's a
family eating dinner,

and they were none too
pleased, but we were sort of...

just looked at each other
and we was on our toes.

She threw everything at us.

She chased us down
front the gallery, she chased us...

you know you're talking about
a typical East London woman;

she wasn't having it,
we'd ruined her Sunday lunch,

she threw crockery at us
and everything chasing us

all the way down,
that was in Dennison Point.

My name's Danielle Montana.

I'm a DJ producer and an
original DJ from Centreforce.

I'd heard of Andy, yeah.

At the time, who didn't?

He was quite a
known individual. Yeah.

My memory's got a bit
wavy as time has gone on,

but we met because someone
saw me and my sister playing,

and they invited us to the
radio station in its early days,

early weeks, they took us up to
the radio station, that was it.

We got a slot on the radio,
and we've been there ever since

so yeah, that's Centreforce.

It's quite difficult to explain
how big Centreforce was.

How it was going all the way
down to North West Kent,

South East London and beyond,

it seemed like
to the wilds of Essex,

kind of everyone
seemed to be

tuned in to Centreforce.

Initially, there was
a certain amount of,

we didn't really know where it
was coming from, who it was,

but suddenly during '89,

it seemed to be
absolutely everywhere

and if it went off the air,

even briefly,
even for a few hours,

people would be phoning
each other up saying,

'What happened to Centreforce,
what are you listening to now?'

And it had a massive
impact and it was the way

people would find out
what was going on,

even if something
was on or off that night

and various elements like
that so it was absolutely huge.

Woodstock 30,000.

We did three days in a field,
30-odd thousand people.

We hit so many people's
lives in that short period

that we didn't realise that
people were coming to London

taking cassette tapes
up to Scotland.

And if I talk to everybody now,
they listened to Centreforce Radio.

I must've been the most
listened to radio station.

We couldn't get no more
than five miles.

But it's a cult thing that
everybody at some point

in that scene was
touched by Centreforce.

Those days were great,
I have to say,

even though we were
inflicted by the law,

but we had a massive
following at the time.

For at the time that we
were in the birth of house

in this country, Centreforce
was definitely at the forefront.

We were the first 24-hour
house music station,

and it was pirate, so you
always looked over your shoulder

it's not like carrying two sticks
and running from the old bill.

It's carrying cases
of vinyl. You know?

So yeah, I have to give
them a props for what they did.

Can you remember
when we was doing a show

and we got a call again
saying that

someone's going to
come to the studio.

We packed up all the gear,
put it in the lift,

got it all in the car.

We got an address
for a new studio.

We've gone to the new studio,
before we left the old one,

we said, 'London, we'll be back
in about 10 minutes' didn't we?

And within 15 minutes the studio
was packed away in the car.

We was gone off
to the next address,

we got to the next
address, set all the music up.

'Hello, London, how you doing?'
What did we do?

We went downstairs, to get
the last few bits out the car.

There was a bobby on
the beat standing there,

'Hello.'

'So, this is where
Centreforce is then.'

Like that. We looked at
each other, didn't we?

Yeah, so...

Yeah, they got to know us.
The thing is they got to know...

Especially I used to
drive a distinctive vehicle

because it was a Q Reg Fiesta.

So, I used to get pulled up
and they used to be like,

'Hello, Seeker.' sort of thing.

And I used to be like, my name's
not Seeker, my name's Seaton.

And they'd be like,
'Well, your name's Seeker,

and what's the
records in the back for?'

Turned around, 'Told you
I'd gone round my mates.

I was playing music.'
'No, no, no, no.'

But they never ever,
caught or arrested

in terms of that side.

Near misses.

Yeah, no it was good times,
good times there.

And then obviously
when the police...

shut it down, it was shut down.

The government wanted
to clamp down again, so...

our boys had to... so all of
a sudden Seeker was the one,

Seeker was the next DJ on,
as he's gone to go to the studio,

he's listening in the car,
that's how you...

and Hill Street Blues come on
and the DTI come on,

and said, 'All you
Centreforce listeners,

this is the last time...

This is the last record
from Centreforce,'

and they played
Hill Street Blues, cheeky gits,

and they played that
and they shut us down,

took all our equipment
and then we all got arrested.

I was arrested at
the Pink Toothbrush.

I come out three days later,
I went to a block of flats

and came on and put the
Dixon of Dock Green on

and said we're back.

And that didn't go down well.

And then they just
come down again,

they ripped our
station down again

and after about the 5th
attempt we just thought,

we can't go nowhere.

So, all that hard work
to be kicked back

and now, which is weird
when I do this...

It's quite sentimental
because when I look at it,

I think we left such an impact.

What could we have done
if they'd left us alone?

We might have been dead now,

we might not have
been a radio station.

But we had the same
again, which is sad.

I might just say it;
They can't do me anymore.

The government,
the bodies above

just never wanted us
to do anything. That's it.

You know, the funny thing
about the Tory government

of the time
being so anti-acid house

is that in some respects

it was kind of quite Thatcherite

in its celebration of
entrepreneurial characters

and individuals who managed
to essentially do

what Thatcher
had been telling them,

and the Tories had
been telling them to do,

which was to get off their
arse, go and do something,

go set up your own business
and make a success of it

and that's what
these people did.

Yeah, I think when you come
from a working class background,

you move into any
kind of activity,

any industry like
the music industry,

they are businesses and
they have a kind of hierarchy

and expectation of how you
behave and how you negotiate.

They don't really like
people making their own rules

and doing it in their terms.

So it is a very difficult
environment to break into.

I think Britain's a very
class dominated society

and it is run by a certain
class of people who

went to certain schools and
have these connections

and have the wealth and
money behind them

that makes the
consequences of their failure

less drastic than it
does for someone

from a working class background.

So it is a whole different
thing to break into that

when you don't come from
that kind of elite background.

'What about making a
record? We could do this.'

And we went off to a studio
and we made a record.

And from that I ended up

meeting Jimmy Low
and we ended up...

they a massive track
called Made In Two Minutes.

I had a group which was with
Danny's mum and Keith Mac,

and we was New Class A.

We PA'd with The Prodigy,
Shades Of Rhythm, M People.

We was all on the scene together
and I set up a record label.

Put out 56 records
in the first year,

which just over one a week.

We're one of the top
dance labels out there.

The name in the square,
Labello Blanco Recordings.

The reason we've got the name:

Labello meaning label,
Blanco: white.

It was supposed to be
Italian meaning white label,

that's what we are, we're a
white label independent company

and we put the
square to box it off

and it's been really
effective for us.

My name's David Low.

I'm a DJ producer for Artful
Dodger and Platinum Breaks.

I met Andy through my brother.

My brother was a rapper Jimmy
with Bug Kann & The Plastic Jam.

Andy was New Class A.

They used to do
the gigs together

and they started the
record label, Labello Blanco.

And I thought I was a bit
of a rapper, 12 years old.

So I met Andy back then
as long ago as that.

Jimmy used to take me to his
house and stuff in Dagenham

back in the day.

They was doing all the big
raves, illegal raves together.

They met getting
the studio together

and then I think
they started the label.

Andy started Labello
Blanco and Jimmy joined.

Andy at the time, he would
obviously do his records,

white labels, or dub plates,

and then people would
play them out

and then obviously people would
record them, they'd put them out

and then people would
go into record shops

with a tape or the CD
and go, what is that track?

Oh, it's Labello Blanco.

And then Andy would
be like, 'Fucking hell,

we just released that, we've
sold 50,000 fucking records.'

Me and Andy, we had a band
called New Class A back in '91

then we started setting up
the record label Labello.

Labello Dance...
I had Labello Dance,

which was more
house sort of stuff.

And then we had
the 'Public Demand.'

And then I found
the real crooks.

Oh mate.

If I have to lie, I'm not
going to call him a crook

because I'm going to tell you
about the industry's crooked.

But if you want to
meet someone who is so...

how can I say it?
I'm not going to say...

I actually like him,

so I don't want to
make him sound bad.

Let's just say that someone
who took your business

quite quickly was Pete Waterman.

I did two and a half years
with Pete.

He taught me everything.

I did work experience at the
label when they was at PWL.

A good two weeks
of my life, that was.

Eventful, then when I was
17, left school, Andy and Jimmy

gave me a job at the label at
Labello Blanco - Public Demand.

Keith Mac will say I was
tea-boy at the record label

when I first started.

But yeah, Andy and Jimmy
gave me the chance

at the record label

and I've been in the music game
ever since.

Yeah, I just learned the
business as I was there.

I mean, I started there
when I was 17

all the way up to 24, 25, 26.

So, a good 10 years, 11, 12
years at the record company.

You just learn how
the business works,

what better people to learn
from than Andy and my brother?

Love to hate him.

He's brilliant and I
learned from the best.

I did a few months
with Simon Cowell,

but I did two and a half years
me, Keith and him.

Unbelievable at
what he did and done.

So he kicked his managing
director out of his office.

Gave us that, gave us recording
studios, gave us free rent,

he gave us advanced
money to do music.

He gave us free studio...
Well, he gave us studio time,

nothing's free with Pete,
which we work out down the line

and he guided us a lot.

Yeah, I had a lot of
arguments with him

but what a character,
what a person to learn off of.

Well, we signed
Artful Dodger's first record,

What You Going To Do
with Craig David,

which was a big UK... it was
a big underground hit.

Then they brought us Rewind,
but no DJs would play it.

You have these things cut
called dub plates

and we got 'em cut for DJs
and was giving 'em out

to DJs and Mikey B from the
Dream Team come back and said,

there's too many
Rewind parts in the track.

So we took the middle one out

and then Rewind then
become a massive underground

and then obviously a
massive chart success,

went number two in the national
charts and it was amazing

to be around that and
a part of that at the time,

we'd never obviously had...

the record label never had
a number two record before.

We'd had a couple of tunes that
had charted back in the day,

but nothing of this magnitude.

I had Craig David, and put out
Ms Dynamite 'Booo!'

Artful Dodger
is still mine, well,

I say mine it's still under
our umbrella as such.

At the time, because
I loved music,

obviously I was hearing
about this garage movement,

and that's obviously when
Andy and Jimmy was obviously

building up their record label

and they were doing some

big things with Artful
Dodger and people like that.

And I think at that time
when you...

I just remember people saying,
'Have you heard this garage?'

Yeah we had some...
it was some good times.

Went to some good events,
had some good parties from it.

And then we had some
other successful hits after that

from Woman Trouble to
Miss Dynamite - Booo!

and then the whole
Artful Dodger album came,

I think there was seven
top 10 hits from the one album.

Done 1.5 million, and
then we did Artful Dodger.

We done three of Craig's
tracks, Jungle Massive albums.

Yeah, and become
a force within...

become one of the
biggest drum & bass labels,

which is Labello Blanco.

And we've become one of
the biggest in the top five

of big garage labels,
which was Public Demand.

I did the music from 1992,

'91, '92,

right through to the 2000s,

2002, 2003,

lost my love for the music.

Just become too political,
too dark,

too moody, too many fights.

I could do that at football
let alone going to a nightclub.

I'm Danny Swallow,

Master Pasha, some people
might know me as

I'm one of the owners
of Centreforce Radio,

I'm Andy's son, Mr Pasha's son,

the original,
the founder of Centreforce,

and I'm the one that's
in control today.

December '17,
we'd been running...

a friend of mine's daughter,

she has cancer so we was
trying to raise money for her,

we thought we'd do a party.

Bring back all the...
How that came about,

I don't know, but we had the
Centreforce Facebook page

so we was like let's run
a Facebook live video'

and Majestic, another
good friend of ours,

he was like, 'Look, I know how
to set it up on Facebook live.'

So, we ran it every day
for a week

and in that week,
we did over a million views.

And I was like, 'Wow!'

There are still people my age
and older going out

and doing the same thing they
were doing in 1988, '89, '90,

maybe not as late or as heavily,
but they're still doing it.

And it's never really left people,
it's always stayed there.

That feeling, the idea
of the joyous nature

of an uplifting nature
of house music,

bringing people together,

that's had a real impact
on people,

and they've never
forgotten that.

So, when it came back,

it just felt as if,

yeah, everyone would
say Centreforce, 88.3.

There was this idea

and I think
that's never left people.

So, we were like,
'Look, let's keep the ball rolling

and keep the momentum
flowing,'

and when we did that

it just became, slowly but
surely, the interaction was mad,

we had 32,000 likes,
12,000 shares and comments.

It was ridiculous, it was
like pirate on Facebook.

That's exactly
what it was like.

Like with the old pager days.

And when...

I remember, we was
doing it for a long time,

a good couple of months,
and when we did it,

we never got cut off,
never got any interruptions,

never got any copyright issues

it was almost like
we was ahead of the game.

When Facebook came knocking,

I don't think he would've
been shy about that one

because it's just like...

you have to have the good
sense to realise what's there.

You don't want
to be some sort of

curator of your own existence.

You can't be kind of mired
in that kind of nostalgia.

Things do move on
irrespective of what you believe

or how you want them to.

And I think that you have
to try to be sort of conversant

with opportunities
as they actually exist.

We were streaming via
Facebook, it was video,

it was just us with music playing,

don't get me wrong,
we had good sound quality,

we always have, always will.

And we were just
interacting with the people

because the messages
would come up live,

so we were just shouting
them out and it was great,

my dad said it was as close
to pirate as we will ever get,

as close to the good old days
as we'll ever get.

And that led to something
crazy happening,

my dad was out in Tenerife,

we'd just finished a
live stream with Keith Mac

funnily enough, we did
our one millionth view show.

It blew up. We broke a million
in the first 10 minutes

and it was just incredible.

He's roped me back
into it after I left it all.

I was like, 'No, no!'

And he started doing
the Facebook thing again.

'Oh come on.' I'm like,
'No, I don't want to do it.'

'I've done my thing with you.'

And then he slowly gets
hold of ya and then bang,

you're back into it all.
The chaos again.

Centreforce finished,
you saw all this emergence

of all these other radio stations,
pirate stations popping up.

So, they did lead the way.

They were the forerunners.

So, it was only inevitable,
even though decades later,

that we came back.

Daniel Bunter and them, they
do his thing where you go down

and you do a talk, do a seminar,
so I'm sitting on stage

and there was someone
who's got a real frequency FM,

they've done really well, and
they started talking about DAB.

I was like, 'What's that?'

So, I turned around to him,
'What's DAB?'

'Digital Auto Band.'
It's a new form of FM

but it ain't so hard
to get on it.

I come out and I said, so I've
answered all these questions,

everybody wants to
know about Centreforce,

they want to know
about Centreforce,

so I came out and
I said to Danny,

'DAB, what's DAB?
Have a look at it.'

Not many people
knew about it so,

we applied for a license...

We applied for a space
first of all with the DAB body.

And we got in touch with the
people who run Essex Multiplex.

We got in touch and got
chatting and we was ready to go.

They were like,
'One final thing,

you need to get your
license from Ofcom.'

I was like, 'Oh here we go.'

So, I literally spent 3 months
filling out the application

getting everything set,
getting it right, making sure

I was on point as a person
applying for a license

because at the end of the
day, I'm the license holder,

Centreforce has the license
but I'm the license holder.

I'm the one responsible.

You swear on air?

Comes down to me.

Or you break the rules,
it's my fault

because I'm the license holder,
I'm the person responsible.

So I made sure
everything was right,

but during that 3 month period,

it was like
I was sitting there one day

with my dad and I was like,

'Why don't we try and get
on the London one, let's see.'

Probably one of the best
things that happened is

I went to Tenerife,

and I said,

'You go and get a licence
and we'll do it.' And he did.

And people say to me,
'Oh, you know...'

You got to remember,
he's 27...

26, 27.

And he's got the whole of a
radio station on his shoulders.

That's some achievement.

People do look at me and go,
it's your radio station.

Historically, it's my
radio station. Not today.

No.

Yeah, it's a big thing to do.
Yeah.

I'll let you off
on that one, Dan.

It was the wait
that felt like 3 years

but it was like 6 weeks really,

for Ofcom to come
back with their decision

regarding our license

and the day
they gave me my license

I remember crying
for about an hour.

It was five years ago,
he went off and got a licence.

I don't know how
he done it. He did.

And I remember
meeting the DAB people

and they looked at me and
went, 'You can't have one.'

They were laughing, he went,
'You can't have one, you can.'

And they took a chance
with us, and it just flew.

I was like,
'We got our DAB license!'

And literally from that day

I said, 'I can't believe
what we've done.'

He was like, 'You can't
believe what you've done?'

'You ain't done nothing yet,
you've got a license,

now the real work starts.'

I was like - yeah, you're right.

I've got 24 hours a day,
7 days a week,

equipment, I've got shows
to fill, DJs, presenters.

Every single thing,
I had to go and get,

and I had a go live
date in 6 months.

They called me and said,

'Do you want to
go live in 2 weeks?'

And I was like,
'Yeah go on then.'

And then phoned my dad, I said,
'We're going live in 2 weeks.'

He was like, 'I'm on holiday,
I'm in Tenerife for 6 weeks.

What are you talking about?'

I was like, 'No you got to
come back, we're going live.'

Just as Centreforce
was about to come back,

I'd realised I couldn't really
earn any money here anymore.

You're ducking
and diving for so...

you can only duck
and dive for so long.

I come out of the music
industry that I didn't like.

I've done the Craig David
stuff and that

and I just, I've always
had affiliation with Tenerife.

I've always had businesses there,
and we already had a bar there.

I'm Donna and I'm
from London, Chingford.

Me and Andy met
at The Academy

in Langston Road in Loughton.

He started hitting on me
straight away.

Oh it was a few years before
I turned to Mrs. Swallow.

We got married in 2016.
I met him in 2007.

So marriage wasn't
really on the cards,

but then when we had Amelia,
kind of changed things

and I thought - I wanted her
to be the same name as me.

So just one family.

She's 12 now, Amelia.
Yes, going on 21.

It's all pros coming out here.
It's great for Amelia.

She can go to the
beach every day.

She's horse-riding.

We're in the sun constantly,

you wake up happy when
you're in the sun, don't you?

With us, we've boomed.

We started off with one
business, now we've got four.

So yeah, we just keep
going and see how we get.

He started from what most
people start with, not a lot

and he's worked his way up,
but he's struggled to do that.

He's been knocked
down quite a few times,

but he's always
come back up on top.

So he's come a long way
and he's done well.

I went there to retire.

As soon as I arrived,
I got an opportunity

to open up another bar with
some backers from the UK,

which was Joyce, which we did.

And then we got
the radio station there

and we've now opened up Rejoyce

and we've now opened up
Centreforce FM on the Canaries.

So, we've got Centreforce
out there as well,

which plays the music
from here and from Canaries.

To get the licence
was one thing,

but then to open the
doors and broadcast

and still be on now

six years later,
it's nothing short of incredible.

And the way that we did it
in such a destructive manner,

I mean we never even
did a marketing campaign.

We was like, we're here.

And I think the way that the
brand's grown so naturally

through word of mouth and
through people just getting

back in touch, that was
out raving back in the day,

I think that it's a real positive
story and it's a real story

that you can't help
but fall in love with.

That was the major thing for
me was grounding the business

and making sure that
we stay true to our roots.

I mean we say it all the time -
from the streets of East London,

we don't get much more real
than that. You know what I mean?

They always had
shoutouts back in the day

and it was via a pager
and I can't imagine.

So, I think now the fact that
modern technology's evolved,

we're able to access
the messaging system

anywhere in the world.

When we're broadcasting
from Australia or New York

or Chicago or right here
in Tenerife.

Being able to take that Centreforce
family around the world with me

is the most important thing.

This is all fantastic,
but if we couldn't

bring the Centreforce
family here

and couldn't have
the messages live,

we wouldn't be doing
the shows from here.

I think that's why Centreforce
will stay and will forever be

the biggest station

is because we are
by the people

and we are for the people.
That's it.

Like everything we do,
I'm always

my first concern is
our Centreforce family.

Before making money
and before making

the business successful, the
family have got to be happy,

if they're not happy
then we've got nothing.

I've got an extremely
talented roster of DJs,

some of the biggest
names in the industry,

and without those guys,
we wouldn't be what it is.

I'm Micky Moore. Tenerife
and Essex, London originally.

My name's Benno, I'm
from Manchester originally,

but lived in Tenerife
most my life.

I was a product of the care
system, I was in care in Essex,

so in the '60s, been
in schools and all that.

And then '75, a friend of mine,
Andy's friend Grant,

moved to Essex and
we had a little gang

used to muck around,
football, causing havoc.

So about 1976,
Grant introduced us to Andy.

Andy moved to Southend.

So we ended up going to
Southend, meet up with Andy.

I found a family in my
football club, my mates,

we're like companions.

It was always there.

Know what I mean, doing things
together, weren't just football.

We'd go youth clubs, we'd go
parties and we'd be in music.

I hadn't seen Andy for a
few years, you know what I mean?

Not since Echoes days.

He said, 'The radio's back on
again, we're doing the radio.

Got this studio, got this...'
He was selling me it.

You know? And I'm like, what?

It was pirate before,
you know what I mean?

Used to listen to this and...

'No, no, we've got this,
we've got this, we've got that.'

He said, 'Come down.'
I'm always welcome.

So I'll give a mooch, I'll have
a look, see what's going on.

And then after that
we just met again for the party.

Went to that, started
going to the studio.

We used to go down
just to see Andy

go and see him, everyone
come down to his show.

So we used to go down there,
muck around, 20 of us.

And then one day he was like,
'Just help us out, Micky.'

I went, 'What?'

He went, 'Just write this down,
these messages.'

Done it once, got the job.

I met Andy through my old man
who introduced me to him.

And at the time I was only
DJing in another club over here

one or two days a week,
trying to get my break.

It was more a bit of fun
to be honest.

And then Andy gave me a
few shifts early on in Joyce's,

his club on the
Las Americas Strip.

As time went on, he slowly
started giving me more nights

and then eventually he
made me the resident DJ

and I've been
there now two years.

And obviously you meet all
the Centreforce lot in there.

They come in a lot.

And I've done a few shows
with the likes of Max Fernandez.

They are like a family.

You can't call 'em a
community. Everyone's so nice.

I've not met anyone that's like...
yeah, it's good, it's great.

Shout outs is all what
he's about on Centreforce.

It's never going to change.
That's how we started.

Shout outs is how it is.

No playlist, play what we want.

And that's how it is.

It just makes people feel part
of, it's like a family thing.

It's not like mainstream radio.
We interact with the people.

There's so many people just
sending in every two seconds.

So it's massive and I think
to them as a community

as well, it's such a big thing.

They listen to it, some people
like 12, 13 hours a day.

So to hear their names
shouted out I think

is such a big thing from them,
from their favourite DJs.

See some of the DJs on
there were massive in the '90s,

like the biggest names
you could.

So to them I think it's a
really big thing and important.

And I think me leaving the
country and coming here,

he had to flourish because
with me being there,

it probably wouldn't have grown
as big as it would've been because

it's either my way or no way.

Yeah? And they ignored me.

He's taken some convincing.

We nearly had fights.
Don't worry about that.

We've nearly had stand up
fights with each other.

The thing is that we're father
and son, but we're best mates.

So we argue, we fight,
but at the end of the day,

we do it for the right reasons.

We're not just standing there
and arguing for no reason.

It's both because
we care so much.

Seeing what I've done
with his legacy

and it's now being able to
pass our legacy to my son.

And then if we can,
like you said, if Centreforce

is still around in 60 years' time
and he's still popping in

and doing his Monday show,

then nothing would make me
happier than to have my son,

me and my dad all on
a radio station together.

I mean, who wouldn't want that?

The radio brings everybody
together and I think

as long as we can
always keep that passion,

keep that - we are
the same as you.

If you do feel down and a little
bit lonely, talk to somebody,

talk to the radio,
send a message in.

We'll always get back to you.

That's the difference
with Centreforce is that

we set up with a mission
to become the station,

to provide
information to people.

We took that one step
beyond them, when now

that voice in the room
where that little person

that when you're feeling low,
you flick on the radio

and you get greeted
with a welcoming voice,

a load of good music...

And Justin Childs.

And sometimes Justin Childs
and Micky Moore, sometimes!

Forgot about him too!

Yeah, definitely having
a family and having that.

That's the reason why
we're doing this now.

And Centreforce is the family.

Yeah, that's it.

You're our family.

Welcome to the family.

That's it.

Last year we took
the brand to Liverpool,

we took the brand to
Stoke, all around the UK,

to get as much love when
you go to a new city, new town,

it's just mad, I mean, this year,
by the time this comes out,

we'll have
announced all the plans

taking the brand
to Dubai this year,

we're taking the brand
to Ibiza, around the world.

And when we go to these places,

the reception is no different.

You get welcomed with open arms

and everybody's just
buzzing to have a bit of time.

But how about here? We've
set up Centreforce Canarias.

We've been on something like
four months and we're now

going to be playing
main stage 100,000+.

There'll be about
400,000 people there,

but the main stage about
100,000 Centreforce takeover,

that's never happened.

We've now come to a point
where we feel we are ready

to come back into the record
label in a different format

and Danny and them have
now set up a whole way of

doing music, record labels,
and we will be back.

Dan. You've got it.

This year, launching in May.

So by the time this is out,
all going to be ready.

883 Records,
Centreforce Records.

We've got five subdivisions
underneath that.

One of 'em, which taking
heritage, taking inspiration

from something that my
dad created, 883 Rewind.

It's going to be taking you on
a journey through everything

house, garage,
and really reviving

giving that scene the kick
up the arse like it needs.

If you look at a lot
of the people that

around my dad's generation
and look at 'em now,

they was all underdogs
in their own right.

Nobody wanted them to succeed.

There was nobody
giving them handouts.

There was nobody
helping them along their way

or showing them a
direction like I've had.

Him, for me, he's
the biggest inspiration,

the biggest reason
that I do what I do,

it's because of him.

There's only one
real true underdog.

That's my old man.

We're just happy here in
the sun, pop down to the beach,

pop to the bars,
have a couple of drinks,

have some nice dinner, tapas,
and it's just a nice life.

I think the interesting
thing about, as opposed to

most of the top guys
from all kinds of clubs

from that era

is that he made it
about what he did

rather than about who he was,
he kept himself away

from the limelight
basically, as an individual,

but publicised everything that
he was involved in that he did.

He was probably one of the
last great analogue influencers.

There's a great organisational
intelligence at work

because he basically
changed football hooliganism

and the way it was organised.

He was certainly one of
the main guys that did that.

But he also took
these kind of skills,

these organisational skills,
into setting up the radio station

into organising raves.

And it always seemed to me that

he was more than about football.

One of the things that I really
love in working class people

is a sense of entitlement.

Anybody that's working class,

you've got to have a
massive sense of entitlement.

If you've not got that,
you're going to be shat on.

For people like Andy,
it was never an option

not to have that
sense of entitlement.

And I think it's important.

I think it's absolutely
crucial that you have,

if you're working class,

you have the biggest sense
of entitlement possible.

Well, Andy was like us.

He would stay with you,
he would be your friend

and he would be loyal
and he would help you

if you was in trouble.

We have always been
underdogs in every way

as West Ham supporters,
West Ham as a club,

and us as kids,
we was always underdogs.

We was the forgotten class,
and still are in many respects

and we wanted
our day in the sun.

And Andy's gone on to do
what he's done with Centreforce

and built this wonderful
thing out of nothing.

I don't think for two old
East End Boys,

we've done bad between us.

He's old school, he's old
school East End, ain't he?

So he's got them morals,
them old school morals

so he'd always help people out.

He's got to somewhere in his
life and he's helping people up.

If it wasn't for him,

then I wouldn't be doing
what I'm doing now.

And he does that
throughout his life

I've seen him take
people under his wing

and give them an opportunity
to do something

with their life or make
something of themselves.

He's got a reputation because
of the football, basically.

As I said, if you work
for someone for that long,

you're going to have rows,
you know what I mean?

But he's alright.
I call him 'The old man.'

He's such a kind
person, he's so caring

and anybody that
really knows him

and anybody that
is friends with him

and is lucky enough
to call him a friend,

I think they'll tell you
as much as I do,

he's not this big scary monster,
deep down he's a big softie,

but he's a product of his
environment ultimately.

And now I really see

he actually ain't a
product of his environment.

His environment's
now a product of him

because he has set the mould
and he's set the way of life,

I think for anybody from
that background

because he ain't ever let it
hold him back.

And I think his personality
and the fight and desire

that he really has
is unmatchable.

This is everybody's
story, this is my story,

this is Danny's story,
this will be Beau's story

Danny's boy too.

But to do the music, the DJing

and then to pass
that down to Beau,

which is the next generation,
that's massively important.

And for Amelia as well.

I know she laughs,
Amelia, at 12,

but she has a little look at
the music that we do,

and in her little sense,
she's always up there with me.

She said to me yesterday,
I'm having my birthday party

but I'm not having
your old music, Dan.

I'm having some new stuff.

And I was like, 'I play new music,
Amelia. That's what I do.'

It is for the generations,
it's for Danny,

it's for Beau and
it is for Amelia.

And I think that's
the thing as well.

It is a family thing.

It's a family business and I
want to pass it down to my boy

and I hope that he
passes it down to his,

if we can keep it going for
another 40, 50, 60 years

then Centreforce really
did stand the test of time.

Yeah. Especially
if I'm still DJing.

I'll tell you what, mate,
stranger things have happened.

Watch this space!

You never know.