Original subtitles

I GOT A 10-33, REPEAT, 10-33.

63 EDGEHILL ROAD,

CORNER, ROYAL PARK.

GO!

PLEASE DON'T DO THIS.

'TIL DEATH DO US PART.

32, BACK UP'S BEEN DISPATCHED.

JENNIFER HUXLEY, DAILY HERALD.

GET OUTTA HERE, NOW!

OLIN,

JEREMY OLIN.

LET THE WOMAN GO, NOW!

TOSS OUT THE GUN, NO ONE GETS HURT.

HEAR ME?

EASY, CHAMP.

DON'T COME ANY CLOSER.

WE'RE NOT GONNA HURT YOU, JUST LET HER WALK OVER TO ME.

EVERYTHING'S GONNA BE OKAY.

WHAT'S YOUR NAME?

GAIL.

OKAY, GAIL, IT'LL BE OKAY.

JEREMY,

IT'S GONNA BE VERY SIMPLE.

JUST PUT THE GUN DOWN.

COME ON, JUST A LITTLE.

THAT'S IT.

THAT'S IT.

GOOD.

HEY, OLIN.

HE WAS GOING FOR IT.

RIGHT, BOBBY?

YEAH,

SURE HE WAS.

YOU SAW IT CARLA.

SEND FORENSICS, BRING THE MEAT WAGON.

*

WHAT'S UP?

BESIDES THE KID'S LUNCH?

TAKE A LOOK, YOU TELL ME.

IT'S A COP.

HIS NAME'S COLE.

* ELEOA, WE7LA3AoS

MANY OF US BELIEVE THAT OUR LIVES SEEM TO BE CONNECTED

IN SOME SUPERIOR COSMIC PLAN.

THE GRID, THE FABRIC, CALL IT WHAT YOU WILL,

IT'S WHAT BINDS US TOGETHER AS HUMAN BEINGS.

IN LIFE, NO ONE EXISTS IN ISOLATION.

THE SAME IS TRUE IN DEATH.

NICE THREADS.

TAKE IT UP WITH MY DAUGHTER.

ANYTHING OBVIOUS?

WELL,

I'VE GOT GARBAGE THAT COULD BE SAMPLES

AND GARBAGE THAT'S DEFINITELY GARBAGE.

HEY, KNOCK IT OFF.

THIS A PRIVATE PARTY OR WHAT?

I'M SORRY, I CAN'T HELP YOU.

THERE'LL BE A STATEMENT ISSUED LATER.

COME ON, GIVE A GUY A BREAK, ALRIGHT?

THE COPS WILL ISSUE A STATEMENT LATER.

I THOUGHT YOU WERE A COP.

YOU THOUGHT WRONG.

FRED?

WELL, WELL,

MISS PENCIL PRESS.

HEY, HOLD IT, HUXLEY; WHERE YOU GOING?

I STAY, WE ALL STAY.

SORRY FRED, I GOT AN IN.

IT'S ALRIGHT.

MATT!

JENNY, HEY.

HI!

HOW LONG HAS IT BEEN?

I DON'T KNOW, A COUPLE OF YEARS, ANYWAY.

RIGHT, WELL, UM--

IT'S GREAT TO SEE YOU.

GOOD TO SEE YOU.

HEY, I READ YOUR BYLINE.

WHO THE HECK ARE THESE GUYS?

GET A CLOSE-UP ON THAT GUY TALKING TO JENNIFER.

NATHAN COLE.

MALE, CAUCASIAN, 180 POUNDS.

ORGANS HAVE SHRIVELED TO APPROXIMATELY

15 PERCENT OF NORMAL SIZE.

SEVERELY CONTORTED.

EXTREME COMPRESSION OF THE VERTEBRAE.

EYES APPEAR TO HAVE COLLAPSED.

IT APPEARS THAT--

YES, THE SUBJECT'S TONGUE HAS BEEN SEVERED.

LET'S HAVE A LOOK.

UMM.

YOU DONE WITH THAT?

YES.

LOOK AT THOSE NOTCHES.

BIT THE TONGUE RIGHT OFF.

YEAH, BUT IT'S SEVERED RIGHT AT THE BASE.

I MEAN, HE COULDN'T POSSIBLY HAVE DONE THAT.

YOU'RE RIGHT.

IT WAS BITTEN OFF BY SOMEONE ELSE.

SEE THE CYNOSIS, THE BLUISH TINGE...

THANK YOU.

GOD, OTHER PEOPLE RUN INTO EACH OTHER AT STARBUCKS.

THE COFFEE'S CHEAPER HERE.

IT'S NOT AS CROWDED.

HOW'D YOU GET IN HERE?

THEY KNOW ME.

AHEM.

OH, UM--

LINDSAY DONNER, O.S.I.R.

JENNIFER HUXLEY, DAILY HERALD.

NICE TO MEET YOU; YOU TOO.

I'M A MEMBER

OF THE CLUB.

MATT'S EX.

OH.

WHY DON'T I MEET YOU BACK AT THE LAB?

OKAY; YEAH, OKAY.

SEE YOU THERE, NICE TO MEET YOU.

YOU TOO.

SO?

SO, WHAT HAS THE O.S.I.R. FOUND OUT?

I MEAN, RUMOUR HAS IT IT'S A COP,

SUCKED DRY LIKE HE WAS FRENCH KISSED BY A GIANT HOOVER.

YOU KNOW BETTER THAN TO ASK.

YEAH, I DO DON'T I.

WELL, YOU'VE CHANGED.

A LITTLE THINNER...

ON TOP, THERE.

THANK YOU.

I SEE YOU HAVEN'T CHANGED.

AH--

DO YOU WANNA MAYBE, HAVE DINNER, SOMETIME?

WHO'S ASKING?

HUXLEY OF THE HERALD

OR JENNIFER?

OH.

I GUESS IT WAS SOMETIMES HARD TO TELL.

YEAH, UM--

JUST JENNY.

OKAY.

WORKING ON THE TAN, RAY?

I'VE BEEN DOING SOME DIGGING INTO OUR DEAD COP.

TURNS OUT COLE HAS A HISTORY OF EXCESSIVE FORCE.

I GUESS HE WAS ON THE RECEIVING END THIS TIME, HUH?

I.A.B. GOT INVOLVED A COUPLE OF TIMES.

HE WAS ALWAYS CLEARED.

BUT HE GOT SOME PRESS ON A RECENT CASE.

HOSTAGE INCIDENT.

JEREMY OLIN.

ESCAPED FROM DON VALLEY CORRECTIONAL.

COLE SHOT HIM DEAD.

HIM AND 2 OTHER COPS RECEIVED COMMENDATIONS.

YEAH, FOSSETT AND BAINES, LOCAL HEROES, HUH?

HEROES BRING EVERYONE OUT ALIVE.

SO, HOW ARE THINGS?

FINE.

REALLY?

DON'T.

A LITTLE SHOW AND SHARE FOR YOU.

THIS PRINT WAS LIFTED FROM COLE'S POLICE BADGE.

IT'S NOT HIS AND IT DOESN'T MATCH ANYTHING IN THE DATABASE.

TAKE A CLOSE LOOK.

IT'S A RIGHT THUMBPRINT WITH A PLAIN WHORL PATTERN.

A DOT HERE; RIDGES HERE AND HERE.

WHAT'S IT MEAN?

NOTHING.

ONLY IT'S A FAIRLY SMALL PRINT, IT LIKELY BELONGS TO A WOMAN.

MOST VICTIMS KNOW THEIR ATTACKERS,

I WOULDN'T BE SURPRISED IF COLE KNEW HIS.

THE KILLER WIFE?

BITTER DIVORCE, WAS IT?

OH, BOY.

UNLIKE YOU,

COLE WAS NEVER MARRIED.

ALRIGHT, LET'S CHECK OUT HIS OTHER FRIENDS AND RELATIONS,

SHALL WE?

OLIN WAS ABOUT TO FIRE.

SO, COLE PUT ONE IN HIS CHEST.

THE HOSTAGE'S LIFE WAS IN DANGER.

I TALKED TO HER.

SHE THOUGHT OLIN WAS ABOUT TO GIVE UP.

NO; SHE WAS PRETTY SHOOK UP AND THAT IS NOT RELIABLE TESTIMONY.

COLE PUT HIS LIFE ON THE LINE.

IS THAT RIGHT? YES.

WAS THERE ANYTHING STRANGE ABOUT HIS BEHAVIOR AFTER THAT?

NO, WE WERE ALL GIVEN TIME OFF TO RECOUP.

EVER NOTICE ANY DISTURBANCES WHEN HE WAS AROUND?

YOU MEAN, WAS HE A TROUBLE MAKER?

NO; WAS THERE ANYTHING OUT OF THE ORDINARY--

ODD NOISES, COLD SPOTS, THAT SORT OF THING?

COLD SPOTS?

WHAT, ARE YOU ASKING ME IF THIS PLACE IS HAUNTED?

YOU'RE KIDDING ME, RIGHT?

OKAY, WHAT CAN YOU TELL ME ABOUT HIS CHARACTER?

HE WAS TOUGH BUT FAIR.

WAS HE SEEING ANYONE?

SOMEONE AT WORK,

OFFICE ROMANCE?

NO, WE'D HAVE KNOWN.

YOU CAN'T KEEP THAT LOCKER-ROOM STUFF QUIET.

NATHAN WASN'T SEEING ANYONE.

THE ACTUAL CAUSE OF DEATH?

CLAIRE SAYS SUFFOCATION.

BUT WHAT'S STRANGE ABOUT THIS IS THE HEAVY BRUISING

AROUND THE MOUTH AND NOSE.

LIKE THE LIFE WAS SUCKED RIGHT OUT OF HIM.

WHAT ABOUT THE TONGUE THING?

IF THE KILLER BIT IT OFF, YOU THINK HE...

THAT, OR KEPT IT AS A SOUVENIR.

YIKES.

UNFORTUNATELY, CRIMINALS WHO

KEEP TROPHIES USUALLY LIKE MORE THAN ONE.

WE SHOULD LOOK INTO OTHER CASES, IF THERE'S ANYTHING LIKE THIS.

SO, DRAW ME A PICTURE, PICASSO.

MALE,

SEXUAL SADIST,

DEFINITELY NARCISSISTIC.

SEEMS TO THINK OTHERS IN THIS WORLD

ARE THERE FOR HIS OWN CONSUMPTION.

THE TROPHY, THAT MIGHT ACT AS

AN EROTIC TRIGGER, LATER ON.

BUT THE PRINT WAS PROBABLY FEMALE.

I HEAR YOU BUT THE TED BUNDY'S OF THIS WORLD ARE MALE.

AND THEY LIKE TO WORK ALONE.

WHOEVER DID THIS,

I STILL CAN'T EXPLAIN

HOW A MAN LIKE COLE COULD BE RUNG DRY LIKE THAT.

IT'S NOT PHYSICALLY POSSIBLE.

I DON'T LIKE "NO"; I'M NOT USED TO "NO".

HOW ABOUT NYET.

OR NEIN.

PROBLEM? NAH.

WAIT TILL YOU SEE THIS.

I'M FRED Di GENOVA, YOU MIGHT HAVE SEEN MY TELEVISION SHOW,

"THE TRUTH BE TOLD".

REALLY?

WELL, I'LL SEND YOU A TAPE.

LOOK, CAN I COME IN; I WANT TO ASK A FEW QUESTIONS.

I'M SORRY, MR. DEGENERATE.

Di GENOVA.

LOOK, I KNOW YOU'RE WITH THE O.S.I.R.

I KNOW WHAT YOU DO; SO WHY DON'T YOU TELL ME, HUH,

WHAT DO GHOSTS AND GOBLINS GOT TO DO WITH A DEAD COP?

ABOUT AS MUCH AS YOUR SHOW HAS TO DO WITH IT'S TITLE.

ANOTHER FAN.

FRED, THIS INTERVIEW'S OVER.

CAN'T KEEP THE LID ON THIS FOREVER, PAL.

TONGUES ARE BEGINNING TO WAG.

AH--

EXCEPT FOR ONE, THAT IS.

*

BOBBY, SPECIAL DELIVERY.

OOH, SPECIAL DELIVERY.

*

OH MY GOD.

*

YOU WOULD NOT BELIEVE THE KIND OF DAY I HAD.

*

BUT IT'S DEFINITELY LOOKING UP.

* Move in closer *

* Kiss my body *

* Touch all over *

* Touch all over *

* Make me feel *

BOBBY FOSSETT.

HIS COMMENDATION.

HE WAS ONE OF THE COPS ON THE OLIN CASE.

MIND IF I QUOTE YOU ON THAT?

WHAT IS IT WITH YOU?

THE SICKER THE CASE THE FASTER YOU GET HERE.

FIND ANY VAMPIRES NEARBY?

DAMN, NOT A PRETTY SIGHT.

OKAY, OUT.

WAIT A SECOND; HOW'D YOU FIND OUT ABOUT THIS?

THIS WAS KEPT OFF THE POLICE BAND.

SORRY, I PROTECT MY SOURCES.

YEAH, I BET YOU DO.

LET'S GO, ALRIGHT.

WATCH MY SHOW.

LET'S GO.

DONNER.

FOUND BOBBY FOSSETT.

CARBON COPY, DRAINED THE BLOOD; IT'S DISGUSTING AS HELL.

THAT'S 2 DETECTIVES DEAD, BOTH ON THE JEREMY OLIN CASE.

I'M THINKING REVENGE.

YEAH, ME TOO.

WHAT ABOUT THE 3rd COP?

I'M WITH HER NOW; THEY'VE ASSIGNED HER A GUARD.

HOW'S SHE HOLDING UP?

GOOD, CONSIDERING THE PACKAGE SHE GOT THIS MORNING.

JEEZ.

FOSSETT'S ROOM HAD MORE PRINTS THAN A PLAYBOY CENTERFOLD.

OKAY, IF WE ASSUME THAT THOSE ARE THE KILLER'S PRINTS,

TELL ME WHY HE MADE NO ATTEMPT TO CONCEAL THEM.

PETER, ISOLATE THAT ONE.

OKAY, ENLARGE IT.

RIGHT THUMBPRINT, AGAIN.

SAME PLAIN WHORL PATTERN, ONLY IT SLOPES OFF TO THE LEFT

THIS TIME.

IT'S LARGER THAN THE 1st ONE, TOO.

THE KILLER WAS MALE.

BUT FROM THE LINGERIE LEFT BEHIND,

HE WAS DOING THE NASTY WITH A FEMALE.

IT STILL COULD HAVE BEEN A GUY.

IN A SIZE 2; PLEASE.

NAH.

I'M THINKING 2 KILLERS ARE AT WORK HERE.

WHATCHA GOT?

BACKGROUND ON FRED MILTON Di GENOVA.

MILTON?

JOURNALIST.

THAT'S DEBATABLE.

DEGREE IN ECONOMICS.

RHODES SCHOLAR.

LAWYER.

PLAYED PRO BALL, 3 SEASONS IN THE MAJORS.

LOUSY BATTING AVERAGE.

HIS TALK SHOW'S A HIT.

HIS MOTHER MUST BE VERY PROUD.

ANY ARRESTS?

NO.

NO PARKING TICKETS,

MOVING VIOLATIONS.

HE'S BEEN MARRIED 25 YEARS; HE'S GOT 5 KIDS.

SO WHAT'S THIS RENAISSANCE MAN DOING ON TRASH T.V.?

ASK HIM.

THAT'D MEAN HAVING A CONVERSATION WITH HIM.

*

*

PRAEGER.

HI, MATT.

THAT DINNER WE TALKED ABOUT; HOW'S TONIGHT?

JEN, I'D LOVE TO BUT...

THIS CASE IS TAKING UP ALL MY TIME.

HOW ABOUT COFFEE THEN; I COULD MEET YOU SOMEWHERE CLOSE.

I JUST NEED TO TALK FOR A MINUTE.

JUST FOR A SEC.

JEN, YOU OKAY?

YES, YES, I'M FINE.

IT'S JUST--

NEVER MIND.

JEN?

IS EVERYTHING OKAY?

OH YEAH.

SHE--

SHE JUST GETS ME,

UM--

NOTHING.

WELL MATT, MAYBE YOU SHOULD TALK TO HER.

AT LEAST ABOUT THE OLIN CASE.

SHE WAS THERE, MAYBE SHE PICKED UP ON SOMETHING THAT WE DIDN'T.

WHAT AM I SUPPOSED TO SAY?

HI HONEY, LET'S HAVE DINNER

AND BY THE WAY, TELL ME ABOUT JEREMY OLIN.

SO, TELL ME ABOUT JEREMY OLIN.

THERE'S A ROMANTIC TOPIC.

WELL, THE DAY HE WAS SHOT, YOU WERE THERE.

CAN WE NOT TALK ABOUT WORK?

HEY, YESTERDAY YOU WERE THE ONE TALKING SHOP.

SORRY.

I'M REALLY GLAD YOU CALLED ME BACK.

ME TOO.

SO WHEN ARE YOU AND KATHERINE

COMING FOR DINNER? SOON.

IT'S NONE OF MY BUSINESS

BUT--

DON'T LET THAT STOP YOU.

EVERYTHING ALRIGHT AT HOME?

OF COURSE IT IS.

ALRIGHT.

WELL, THIS ISN'T YOUR AVERAGE

DESICCATED CORPSE.

AS I SEE.

THERE ARE NO APPARENT DEFENSIVE WOUNDS.

AS IF HE KNEW HIS KILLER.

AND THERE IS EVIDENCE OF PRELIMINARY SEXUAL ACTIVITY.

OUR MR. FOSSETT

WAS JUST ABOUT TO GET LUCKY.

CLAIRE'S AUTOPSY REPORT ON FOSSETT.

OUR KILLER IS GETTING MORE IMPATIENT, ANGRIER.

CRUSHED SPINE, BROKEN RIBS.

WHERE'S HE GET THE STRENGTH?

THE SUCCUBUS.

THE WHAT?

A SUCCUBUS IS--

LINDSAY, ALLOW ME.

IT'S A WINGED DEMON.

SUCCUBUS IS A WORD THAT COMES FROM THE LATIN,

IT GOES BACK TO ABOUT 500 A.D.

IT'S ALSO THE NAME OF A PHANTOM PROSTITUTE

WHO WOULD RIDE HER VICTIMS WHILE THEY WERE SLEEPING.

SHE WOULD SINK HER CLAWS INTO THEIR FLESH

AND PRESSING HER MOUTH TO THEIRS SUCK OUT THEIR VITAL JUICES.

POSSESSION BY INTERCOURSE.

THIS IS NICE.

DANA TOOK ME SHOPPING LAST WEEK.

TOLD ME I GOT TO START DRESSING LIKE A REAL DAD.

WELL, SHE HAS TASTE.

SINCE WHEN DO 16-YEAR-OLDS HAVE TASTE?

SHE'S 16 ALREADY?

YEAH.

WHY DIDN'T WE EVER HAVE KIDS, MATT?

AH, NO TIME FOR P.T.A. MEETINGS.

HEY!

I MADE SANDWICHES.

BALONEY AND KETCHUP?

NO, I'VE LEARNED A FEW THINGS SINCE WE BROKE UP.

SALAMI AND KETCHUP.

SORRY.

PRAEGER.

MATT, WE JUST MATCHED THE PRINTS FROM THE FOSSETT SCENE.

ALRIGHT, GO AHEAD.

YOU WON'T BELIEVE WHO THE NEAREST MATCH IS.

JEREMY OLIN.

OLIN'S DEAD, HE CAN'T BE ONE OF THE KILLERS.

ALRIGHT, I'M ON MY WAY.

JEN!

JENNIFER!

SALAMI AND KETCHUP AND THE KILLER'S A DEAD GUY.

NOW THAT'S A WINNING COMBO.

WHEN I CALLED YOU WE HAD A CLOSE MATCH

BETWEEN OLIN'S PRINTS AND THE ONES WE FOUND

AT THE MURDER SCENE.

THE DIFFERENCES APPEAR TO BE RANDOM.

BUT WHEN YOU LINE THEM UP.

PETER SET UP A COMPUTER PROGRAM TO FIND A PATTERN TO THE PRINTS.

THEY WERE BASED ON THEIR DOTS, WHORLS, RIDGES AND SO ON.

WHAT WE'RE ACTUALLY LOOKING AT IS ONE PERSON'S PRINTS

TRANSFORMING, CHANGING OVER TIME.

BIT BY BIT,

FROM PRINTS "A" TO "F"

IT'S AS IF THEY'RE UNDERGOING A TOTAL METAMORPHOSIS.

ONE PERSON IS LITERALLY BECOMING ANOTHER.

PHYSICALLY CHANGING.

HOW'S THAT POSSIBLE?

SOMETHING SIMILAR OCCURS IN NATURE EVERYDAY.

A VIRUS INVADES CERTAIN CELLS

AND CHANGES THEM TO RESEMBLE ITSELF.

BUT THIS--

BUT THIS SCALE--

THIS IS EXTRAORDINARY.

IT ALSO MEANS THAT HIS D.N.A. IS CHANGING.

IF YOU'RE RIGHT,

THEN SOMEONE'S BEING POSSESSED

CELL BY CELL.

HI, I'M LOOKING FOR DETECTIVE BAINES.

SHE'S RIGHT IN THERE. THANKS.

CAN I COME IN?

HUXLEY, RIGHT?

YEAH.

I CAN'T TALK ABOUT DETECTIVE FOSSETT.

CONTACT PUBLIC AFFAIRS.

I'M NOT HERE ABOUT THAT.

I WANT TO TALK ABOUT THE OLIN CASE.

LOOK, WE--

WE BOTH

SAW SOMETHING HORRIBLE.

BUT IT'S LIKE,

IT'S LIKE I'M MISSING SOMETHING.

YOU'VE READ THE REPORT.

NO, I WANT TO TALK ABOUT WHAT HAPPENED AFTER THE SHOOTING.

HE'S DEAD, THERE'S NOTHING ELSE TO TALK ABOUT.

NO, DON'T.

DON'T DO THIS.

YOU WERE THERE, YOU SAW IT, I REALLY NEED TO KNOW.

TALK TO PUBLIC AFFAIRS.

GET OUT.

*

LINDSAY, WOULD YOU MIND FOLLOWING UP WITH JENNIFER.

I DON'T THINK I SHOULD GO DOWN THAT ROAD.

SURE, BUT WE'VE GOT A PROBLEM.

WHAT'S UP?

*

WELCOME LADIES AND GENTLEMEN, THANK YOU FOR JOINING ME.

AS WE ALL KNOW, A KILLER IS STALKING OUR STREETS.

BUT AN ORGANIZATION KNOWN AS

THE OFFICE OF SCIENTIFIC INVESTIGATION AND RESEARCH--

CALLED IN, I MIGHT ADD,

BY OUR ELECTED OFFICIALS, HAS CONCLUDED

THAT THESE GRIZZLY MURDERS ARE THE WORK OF JEREMY OLIN.

THE ONLY PROBLEM WITH THAT IS

JEREMY OLIN IS DEAD.

NOW, WE SHOULD BE ANGRY, LADIES AND GENTLEMEN.

ANGRY THAT OUR TAX DOLLAR ARE PAYING FOR THIS--

I WISH.

FOR THIS GROUP

OF PSUEDOSCIENTISTS WHO'S PLAYGROUND IS THE PARANORMAL.

JOIN ME THIS AFTERNOON,

WHEN WE WILL BROADCAST LIVE

FROM THE HOME OF GAIL O'BRIEN.

WHERE JEREMY OLIN WAS LAST SEEN ALIVE.

WHEN WAS THIS ON?

AN HOUR AGO.

PRAEGER,

YOU READY FOR YOUR INTERVIEW?

LIVE FROM THE DEATH SCENE, NO THANKS.

MAKE SURE YOU GET A NICE, JUICY CLOSE-UP

OF THE BLOOD STAINS ON THE CARPET, THOUGH.

A TASTEFUL ONE, OF COURSE.

WHAT IS THIS?

GHOST BUSTERS SPECIAL?

SOMETHING TO WARD OFF THE EVIL SPIRITS?

HOW DO YOU FIND YOUR VERSION OF THE TRUTH, FRED?

A FEW PAYOFFS?

SOME ILLEGAL WIRETAPS?

WHAT?

IT'S CALLED A RELIABLE SOURCE.

COME ON, PRAEGER, WHAT IS IT?

SPIT IT OUT, WHAT'S TICKING YOU OFF?

YOU ARE, FRED, YOU AND YOUR LITTLE SHOW.

I'M BEGINNING TO THINK YOUR RELIABLE SOURCE IS THE KILLER.

NO, I'M MY OWN BEST RELIABLE SOURCE.

WELL, LET ME GIVE YOU A LITTLE HEALTH TIP.

HAND OVER THE JACKET.

YOU WANT A LEAD?

I SUGGEST YOU TALK TO JENNIFER HUXLEY.

SHE WAS THERE FOR THE OLIN TAKE-DOWN.

FUNNY SHE HASN'T WRITTEN ANYTHING ABOUT IT YET.

SHE HASN'T TOLD YOU ANYTHING, HAS SHE?

ROLL CAMERA.

MAYBE I SHOULD BUY HER DINNER AND LET HER MAKE MY BREAKFAST.

*

YOU JUST BOUGHT YOURSELF A LAWSUIT, PAL.

GOT THAT?

HEY, CAT.

I SEE YOU'VE MET QUITS.

QUITS?

I KNOW, WEIRD NAME.

EVERYONE WAS ASKING, WHAT'RE YOU GONNA CALL IT?

THIS WAY.

I LIKE THIS ONE OF YOU AND MATT.

THAT WAS YEARS AGO.

HAWAII.

MAGIC PLACE.

WE THREW LEIS IN THE WATER WHEN WE LEFT, SWORE WE'D GO BACK.

YOU BOTH LOOK SO--

YOUNG.

NO, HAPPY.

I DON'T THINK I'VE EVER SEEN HIM SMILE, LIKE THAT,

I MEAN EVER.

HE ASKED YOU TO COME AND SEE ME, DIDN'T HE?

JEREMY OLIN, RIGHT?

THAT DAY AT GAIL O'BRIEN'S HOUSE--

I GOT THERE AFTER THE SHOOTING, BUT...

I DON'T KNOW, IT FELT MORE LIKE AN EXECUTION TO ME.

WHAT, YOU THINK ALL 3 COPS ARE LYING?

CAN'T PROVE IT; CAN'T PUBLISH IT.

BUT OLIN WAS LYING THERE ON THE FLOOR

AND THEY WERE JUST STANDING AROUND,

LIKE THEY WERE WAITING FOR HIM TO DIE.

THEN HE DID.

OH.

LINDSAY, I'M GONNA HAVE TO CALL IT QUITS.

SURE.

I'M SORRY, THIS THING'S JUST KILLING ME.

IT'S NO PROBLEM.

YOU REALLY DO TAKE YOUR WORK HOME WITH YOU.

CURSE OF THE SINGLE OVERACHIEVER.

TELL ME ABOUT IT.

NEVER DID MAKE IT BACK TO HAWAII.

MAYBE SOMEDAY YOU WILL.

WE GOT IT.

WE CAN SHOW GRAPHICALLY

THE TRANSMUTATION OF AN ENTIRE HUMAN ORGANISM.

FROM THE FINGERPRINTS?

ACTUALLY I RAN A GEL FROM THE D.N.A. OF A HAIR SAMPLE

WE FOUND AT THE FOSSETT MURDER SCENE.

WE'LL CALL THIS PERSON JOHN DOE.

WHO'S D.N.A. IS THAT?

JEREMY OLIN'S.

IN EVERY RESPECT:

COLOUR, TEXTURE, CURL, THIS HAIR MATCHED THE 1st.

BUT THE D.N.A. WAS DIFFERENT.

HAVE A LOOK AT THIS.

SEE HOW THE 1st BECAME THE 2nd?

IT'S THE SAME PERSON'S HAIR.

I THINK WE'RE LOOKING AT STAGES OF A MUTATION PROCESS.

IT'S OLIN'S D.N.A. POSSESSING SOMEONE ELSE.

THAT'S AMAZING.

NOW THE QUESTION IS, WHO?

FRED Di GENOVA.

I DON'T KNOW, MATT.

NOTHING ELSE FITS.

HOW'D HE MEET OLIN?

I'M WORKING ON THAT.

HOW ELSE COULD HE KNOW SO MUCH?

HOW'D HE GET TO EVERY CRIME SCENE SO FAST?

I'M SURE WE'LL GET A FEW GOOD HAIR SAMPLES ON THIS.

WELL, THIS ISN'T Di GENOVA'S, IT'S BLOND.

BUT WE'LL HAVE A LOOK.

THIS IS IDENTICAL TO THE HAIR FROM THE FOSSETT MURDER SCENE.

ANY IDEA HOW THIS GOT ON YOUR JACKET?

*

CARLA, I'M GOING FOR A SMOKE; MEET YOU OUT FRONT.

SURE, I'LL BE THERE IN A MINUTE.

*

WHAT DO YOU WANT?

HEY!

*

I DON'T LIKE LIARS, CARLA.

*

JENNIFER.

NO.

NO, DON'T.

PLEASE DON'T.

NO, NO, NO!

*

WE'LL ALWAYS BE TOGETHER.

*

JENNIFER!

JEN!

JENNIFER.

JEN.

*

PETER JUST FOUND CARLA BAINES AT THE STATION.

HORRIBLY CRUSHED, DISFIGURED, MISSING HER TONGUE.

ANOTHER TROPHY.

RAY'S COORDINATING A SEARCH FOR JENNIFER.

NOTHING HAPPENS TO HER.

MATT, SHE MAY HAVE KILLED 3 PEOPLE.

NO, JEREMY OLIN DID, WE FIND HIM.

YOU'RE SAYING THAT HE TRANSFERRED HIS BODY AND SOUL

TO ANOTHER PERSON?

WE'RE BLAMING 3 MURDERS ON A DEAD MAN.

HE MAY NOT BE DEAD; HE MAY BE LIVING IN JENNIFER.

IF THAT'S THE CASE, WHAT DO WE KNOW ABOUT HIM?

PATTERNS OF BEHAVIOR,

ANYTHING THAT'LL LEAD TO HIM.

YOU SAID OLIN IS NARCISSISTIC, RIGHT?

YES.

HE LOVES HIMSELF.

IF YOU LOVE SOMEONE, YOU WANT TO BE WITH THEM.

DID ANYONE CLAIM OLIN'S BODY?

NOT THAT I KNOW OF.

I'LL GO WITH YOU. NO, I'LL HANDLE THIS.

IT'S NOT SAFE.

WE'RE TALKING ABOUT MY WIFE.

*

AH!

THERE YOU ARE.

THERE I AM.

OH!

IT'S OKAY.

IT'S OKAY, HONEY.

I'M HERE NOW.

I AM HE

AND WE ARE ONE.

WE WILL ALWAYS BE TOGETHER.

FOR BETTER OR FOR WORSE,

IN SICKNESS AND IN HEALTH,

'TIL DEATH DO US PART.

JENNIFER.

STAY AWAY!

JENNIFER,

LET ME HELP YOU.

I ASKED FOR YOUR HELP BEFORE, WHERE WERE YOU THEN?

I'M HERE NOW.

IT'S NOT TOO LATE.

JENNY,

HELP ME UNDERSTAND,

HOW IT HAPPENED.

HELP ME!

HE'S DYING!

LEAVE HIM FOR THE MEDICS!

HE WON'T LAST.

WASTE OF TIME.

*

I BREATHED LIFE

INTO HIM,

AND THEN HE BREATHED DEATH INTO ME.

SO YOU SEE, IT REALLY IS TOO LATE.

NO; BLOOD TRANSFUSIONS,

DRUGS,

WE CAN REVERSE IT!

NO!

SHE'S MINE!

'TIL DEATH DO US PART.

SHE'S ME!

MATT, HELP ME.

FIGHT HIM, JEN, FIGHT HIM!

I CAN'T.

SHE CAN'T.

MATT,

I'M SORRY.

NO.

I HAD TO STOP HIM.

MATT,

PLEASE, KISS ME.