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1
00:00:01,120 --> 00:00:02,760
HAMISH: Previously,
on Lego Masters...
2
00:00:02,800 --> 00:00:05,040
(LAUGHTER AND APPLAUSE)
3
00:00:05,080 --> 00:00:07,200
..we assembled the final five...
4
00:00:07,240 --> 00:00:08,280
(ROAR)
5
00:00:08,320 --> 00:00:09,440
(FLEUR LAUGHS)
6
00:00:09,520 --> 00:00:11,880
..for the ultimate battle
for immunity.
7
00:00:11,920 --> 00:00:13,280
(ROAR)
8
00:00:13,320 --> 00:00:14,320
(LAUGHS)
9
00:00:15,480 --> 00:00:16,520
HAMISH: Then...
10
00:00:16,560 --> 00:00:17,840
(LASER SOUND)
11
00:00:17,920 --> 00:00:20,360
..Scott and Owen
took us to a whole new realm...
12
00:00:20,440 --> 00:00:22,480
BRICKMAN: Today,
you showed me something
13
00:00:22,560 --> 00:00:25,040
that's been locked away inside you.
It's amazing.
14
00:00:25,120 --> 00:00:28,880
You really demonstrated
so many different skills
15
00:00:28,960 --> 00:00:32,480
and if you can do that every week,
we're all winners.
16
00:00:32,520 --> 00:00:33,720
..claiming immunity...
17
00:00:33,760 --> 00:00:34,880
Scott and Owen.
18
00:00:34,920 --> 00:00:36,200
(APPLAUSE AND CHEERING)
19
00:00:36,280 --> 00:00:38,280
..with Doctor Strange's
Sanctum Sanctorum.
20
00:00:38,320 --> 00:00:39,640
We got to finals!
21
00:00:39,680 --> 00:00:40,840
(APPLAUSE)
22
00:00:40,880 --> 00:00:42,280
Yeah, we got to finals, man.
23
00:00:43,360 --> 00:00:44,880
HAMISH: Tonight,
in the elimination...
24
00:00:44,960 --> 00:00:46,320
(CONTESTANTS REACT)
Oh!
25
00:00:48,640 --> 00:00:52,520
..your challenge is to introduce
colour to your world...
26
00:00:52,560 --> 00:00:54,640
This is the best day of my life.
27
00:00:54,720 --> 00:00:57,880
HAMISH: It's the final build
before finals week...
28
00:00:57,960 --> 00:01:00,160
FLEUR: This is going to be
our moment, Sarah.
29
00:01:00,200 --> 00:01:01,320
Finals week, baby.
30
00:01:01,400 --> 00:01:04,280
..and in the most artistic
build yet.
31
00:01:04,360 --> 00:01:05,880
GABBY: We want it to be magic
rainbow paint,
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00:01:05,960 --> 00:01:08,040
so everything it drops on
becomes coloured.
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00:01:08,120 --> 00:01:10,840
HAMISH: Everyone will be pushed
to their limits.
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00:01:10,880 --> 00:01:12,640
GABBY: Oh!
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00:01:12,720 --> 00:01:15,320
GUS: We're the only team that still
hasn't actually got an idea.
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00:01:15,400 --> 00:01:17,480
We really don't want to go home
at this stage.
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00:01:25,040 --> 00:01:27,400
(APPLAUSE AND CHEERING)
38
00:01:31,160 --> 00:01:32,840
Oh, man.
39
00:01:32,880 --> 00:01:34,400
(GASPS)
40
00:01:34,440 --> 00:01:37,160
(LAUGHTER)
41
00:01:37,200 --> 00:01:39,040
(APPLAUSE)
42
00:01:39,080 --> 00:01:40,160
Thanks very much.
43
00:01:40,200 --> 00:01:42,560
Oh, my god! Brickman in costume.
44
00:01:42,600 --> 00:01:44,560
This is the best day of my life.
45
00:01:44,640 --> 00:01:48,040
Welcome to Lego Masters episode one
and to the '50s.
46
00:01:48,080 --> 00:01:49,520
(LAUGHTER)
47
00:01:49,600 --> 00:01:52,400
Today, you'll be playing with some
nifty Danish wooden blocks.
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00:01:52,480 --> 00:01:53,640
They're called Lego.
Wow!
49
00:01:53,680 --> 00:01:55,320
No, we're still in 2021.
50
00:01:55,360 --> 00:01:56,560
Everything's OK.
51
00:01:56,600 --> 00:01:58,960
Fleur, I mean, you just yelled,
52
00:01:59,040 --> 00:02:00,760
"This is the best thing
that's ever happened to me."
53
00:02:00,840 --> 00:02:02,280
I mean, that is huge.
(LAUGHTER)
54
00:02:02,360 --> 00:02:06,080
I just - I wanted to see Brickman
dressed up forever...
55
00:02:06,160 --> 00:02:07,440
Oh, OK.
(LAUGHTER)
56
00:02:07,520 --> 00:02:11,720
..and it's like walking onto like
a 1930s film set or something.
57
00:02:11,760 --> 00:02:13,160
You know, I'm so excited.
58
00:02:13,200 --> 00:02:15,440
(LAUGHTER)
59
00:02:15,480 --> 00:02:17,160
There is excitement in the room.
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00:02:17,240 --> 00:02:20,040
There might be a lot of colour
on our side of things.
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00:02:20,080 --> 00:02:21,680
We've gone greyscale
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00:02:21,720 --> 00:02:23,000
but there is excitement
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00:02:23,080 --> 00:02:25,880
because today is one of the builds
it all comes down to.
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00:02:25,960 --> 00:02:29,880
Today is an elimination build.
We will lose someone
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00:02:29,960 --> 00:02:33,520
but the teams that make it through
today will go into finals week,
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00:02:33,600 --> 00:02:39,400
next week and then they are within
a sniff of the finale
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00:02:39,480 --> 00:02:42,000
and possibly walking away
with the grand prize
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00:02:42,080 --> 00:02:44,840
of being Lego Masters Australia
and 100 grand.
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00:02:44,920 --> 00:02:46,760
Scotty and Owen, you're
already there.
70
00:02:46,840 --> 00:02:49,000
You're already in finals week.
Whoo! Congrats.
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00:02:49,040 --> 00:02:51,200
(APPLAUSE)
72
00:02:52,680 --> 00:02:54,360
You won the Marvel Avengers
challenge.
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00:02:54,400 --> 00:02:55,960
It was an incredible build.
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00:02:56,040 --> 00:02:57,440
Fellas, good luck.
We'll see you at the end.
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00:02:57,520 --> 00:02:58,960
Thank you very much.
Thank you.
76
00:02:59,040 --> 00:03:00,160
Bye, guys.
See you, guys.
77
00:03:00,200 --> 00:03:01,400
(APPLAUSE)
78
00:03:01,440 --> 00:03:02,760
See you round. Good luck.
79
00:03:05,920 --> 00:03:08,480
Well, I suppose there are
some thoughts
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00:03:08,560 --> 00:03:10,880
flying around your heads
as to what today's build is.
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00:03:10,920 --> 00:03:12,080
CONTESTANTS: Yes, yes.
82
00:03:12,120 --> 00:03:13,360
OK.
83
00:03:13,400 --> 00:03:15,000
Why don't you come this way?
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00:03:18,160 --> 00:03:21,080
(WONDROUS MUSIC)
85
00:03:22,200 --> 00:03:24,280
(GASPS)
86
00:03:25,240 --> 00:03:26,760
I can already feel Fleur going.
87
00:03:28,320 --> 00:03:29,760
FLEUR: It's Pleasantville!
88
00:03:29,840 --> 00:03:32,160
(LAUGHTER)
Wow!
89
00:03:32,240 --> 00:03:34,800
Can I interest you
in a house and land package at all?
90
00:03:34,880 --> 00:03:37,520
Take a little look
at your suburban dream.
91
00:03:38,240 --> 00:03:40,160
SARAH: Hang on, they're all
the same.
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00:03:40,240 --> 00:03:44,160
HAMISH: The four houses
on this street, like Brickman and I,
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00:03:44,200 --> 00:03:45,480
they're monochrome.
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00:03:45,560 --> 00:03:48,560
They're greyscale,
they've lost their colour.
95
00:03:48,640 --> 00:03:52,800
Your challenge today
is to introduce colour to your world
96
00:03:52,840 --> 00:03:54,880
through a story.
97
00:03:54,960 --> 00:03:59,840
Something is happening in your build
that is creating the colour.
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00:03:59,920 --> 00:04:02,080
So, we're going to end up
with four builds
99
00:04:02,120 --> 00:04:03,840
that have a lot of greyscale on them
100
00:04:03,920 --> 00:04:07,640
but a very clear reason
why part of the build
101
00:04:07,680 --> 00:04:09,680
has started to become colourful.
102
00:04:09,720 --> 00:04:11,160
Wow.
103
00:04:11,200 --> 00:04:13,560
It's a very artistic build today.
104
00:04:14,320 --> 00:04:17,320
So, over Lego Masters,
we have of course really teased out
105
00:04:17,400 --> 00:04:20,720
a technical, storytelling
and aesthetic component
106
00:04:20,760 --> 00:04:22,400
of your Lego skills.
107
00:04:22,480 --> 00:04:25,160
Today, it's time to park
your technical skills
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00:04:25,200 --> 00:04:27,640
and to really focus on storytelling,
109
00:04:27,720 --> 00:04:29,760
the 'why' there colour
in this world,
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00:04:29,840 --> 00:04:33,320
and of course once you've realised
that, your aesthetics.
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00:04:33,400 --> 00:04:38,280
It's about bringing beautiful colour
for a reason into these builds.
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00:04:38,360 --> 00:04:42,280
They're all the same, so it makes
comparing them even easier.
113
00:04:43,960 --> 00:04:48,120
To bring colour to your monochrome
house and land packages,
114
00:04:48,160 --> 00:04:51,320
you have got 12 hours.
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00:04:51,360 --> 00:04:52,480
FLEUR: Oh, wow.
116
00:04:52,520 --> 00:04:54,640
I guess it's not so black and white.
117
00:04:54,680 --> 00:04:56,280
(LAUGHTER)
118
00:04:56,360 --> 00:04:59,040
In all seriousness,
this is to get to finals week.
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00:05:00,240 --> 00:05:02,520
Good luck. Time starts now.
Go for it.
120
00:05:04,240 --> 00:05:06,480
Good general free-for-all.
121
00:05:06,560 --> 00:05:09,080
Everyone happy with their selection?
(LAUGHTER)
122
00:05:09,160 --> 00:05:10,880
I mean, there's no mechanism
to redo it
123
00:05:10,960 --> 00:05:13,760
but I'm glad everyone seems
to be happy with their house.
124
00:05:13,840 --> 00:05:15,920
This might be one for the iPad
'cause we can take a photo
125
00:05:16,000 --> 00:05:17,720
of the existing...
Yeah, true.
126
00:05:19,960 --> 00:05:21,560
It's all about the story, right?
127
00:05:21,640 --> 00:05:23,240
It's all about the story
and the colour.
128
00:05:24,120 --> 00:05:26,480
Let's just throw lots
of random ideas out there.
129
00:05:26,520 --> 00:05:28,800
Yeah? Like aliens attacking?
130
00:05:28,880 --> 00:05:30,800
(LAUGHS)
Like...
131
00:05:30,840 --> 00:05:32,120
Unicorns attacking?
132
00:05:32,160 --> 00:05:34,080
Unicorn aliens attacking?
133
00:05:34,960 --> 00:05:37,760
What if the paint truck
has like it's hit it
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00:05:37,840 --> 00:05:41,040
and then gone and landed
in the side of the house,
135
00:05:41,120 --> 00:05:43,200
so it's literally spilling out
of the house?
136
00:05:44,040 --> 00:05:45,040
I like it.
137
00:05:45,120 --> 00:05:48,440
We need something that's going
to make our build stand out
138
00:05:48,480 --> 00:05:49,560
and looks really different.
139
00:05:49,640 --> 00:05:51,240
Just the other day,
my son actually asked me,
140
00:05:51,320 --> 00:05:53,720
"Mum, where do we keep
the rainbow paint?"
141
00:05:53,760 --> 00:05:56,480
RYAN: And that is just inspired.
142
00:05:56,560 --> 00:05:58,080
So, I'm just trying to think
of things
143
00:05:58,160 --> 00:06:00,240
that would be the funniest thing
for a rainbow truck to hit.
144
00:06:00,280 --> 00:06:01,920
Like, what if they hit ducks?
145
00:06:02,000 --> 00:06:03,360
A row of ducks?
A row of ducks!
146
00:06:03,440 --> 00:06:04,600
Of course.
(LAUGHS)
147
00:06:05,320 --> 00:06:08,000
So, we've decided that we're going
to have a rainbow paint truck
148
00:06:08,080 --> 00:06:11,160
that avoids a row of ducks
that are crossing the road,
149
00:06:11,240 --> 00:06:14,360
so it's just smashed
into this house,
150
00:06:14,440 --> 00:06:16,600
sort of launched itself
into the house
151
00:06:16,640 --> 00:06:18,320
so therefore...
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00:06:18,400 --> 00:06:19,960
Sprayed the house...
Massive spray paint.
153
00:06:20,000 --> 00:06:21,320
..and the neighbourhood with colour.
154
00:06:21,400 --> 00:06:23,160
We want it to be magic rainbow
paint
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00:06:23,240 --> 00:06:24,680
so everything it drops on
becomes coloured,
156
00:06:24,720 --> 00:06:26,440
not just splashed with paint.
157
00:06:26,520 --> 00:06:29,680
The challenge is going to be
making it big, making the idea big,
158
00:06:29,760 --> 00:06:33,040
so getting height
and getting sort of presence.
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00:06:33,120 --> 00:06:36,000
To be able to say that you've been
in finals week of Lego Masters.
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00:06:36,080 --> 00:06:39,120
That's pretty crazy, isn't it?
(LAUGHS)
161
00:06:39,200 --> 00:06:41,400
Is going to be cool
if we can get it to work.
162
00:06:41,480 --> 00:06:44,200
If we can look through the eyes
of a four-year-old,
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00:06:44,240 --> 00:06:45,560
maybe that's our win here.
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00:06:54,080 --> 00:06:56,840
Alrighty, Brickman, 12 hours,
165
00:06:56,920 --> 00:06:59,120
everyone's starting
with the same, identical house,
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00:06:59,200 --> 00:07:00,720
which I kind of love.
But would you say
167
00:07:00,800 --> 00:07:04,800
this is our most aesthetically
challenging build of all?
168
00:07:04,880 --> 00:07:06,800
It certainly relies on aesthetics
the most.
169
00:07:06,880 --> 00:07:09,240
It needs that great idea
at the core, doesn't it,
170
00:07:09,280 --> 00:07:10,480
for the winning build.
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00:07:10,520 --> 00:07:11,680
It definitely does
172
00:07:11,760 --> 00:07:14,000
and then it's being quite,
almost strategic
173
00:07:14,040 --> 00:07:15,400
in how you use colour.
174
00:07:15,480 --> 00:07:17,400
Not so much having the biggest
of the grandest
175
00:07:17,480 --> 00:07:19,520
but more how you are using
the colour
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00:07:19,600 --> 00:07:21,040
as opposed to having
a lot of colour.
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00:07:24,920 --> 00:07:26,280
Oh, man.
178
00:07:26,360 --> 00:07:28,760
This challenge is definitely
in our wheelhouse,
179
00:07:28,800 --> 00:07:30,080
we're really excited about it.
180
00:07:30,160 --> 00:07:33,320
I don't want to think of the house
as a house to begin with.
181
00:07:33,360 --> 00:07:35,040
It needs to be something off-kilter.
182
00:07:35,120 --> 00:07:38,440
What if we made this a planter box
with plants growing out of it
183
00:07:38,480 --> 00:07:40,000
and a watering can?
184
00:07:40,040 --> 00:07:41,040
Yeah, I like it.
185
00:07:41,120 --> 00:07:45,560
So, we're going to turn our house
into a greyscale planter box
186
00:07:45,640 --> 00:07:50,760
with a water ring can pouring water
or colour into it.
187
00:07:50,800 --> 00:07:52,840
So, we have a huge contrast
188
00:07:52,920 --> 00:07:54,520
with much more greyscale
than colour.
189
00:07:54,560 --> 00:07:55,600
It's such an amazing idea.
190
00:07:55,640 --> 00:07:57,920
Where it's pouring colour,
191
00:07:58,000 --> 00:08:00,320
we're going to have beautiful
flowers all coloured
192
00:08:00,400 --> 00:08:02,600
and the rest are going to be
all in greyscale.
193
00:08:03,800 --> 00:08:06,720
This is the opportunity
to get through to finals week.
194
00:08:06,800 --> 00:08:09,960
The final four,
the final, final four.
195
00:08:10,040 --> 00:08:13,640
So, we're just going to back
ourselves today and take the risk.
196
00:08:13,720 --> 00:08:15,320
Hi, guys.
Hi. How are you?
197
00:08:15,400 --> 00:08:16,400
Hamish.
You're looking fine.
198
00:08:16,440 --> 00:08:17,600
Thank you so much.
199
00:08:17,680 --> 00:08:21,040
Do you feel like you've got over
seeing Brickman in his outfit
200
00:08:21,120 --> 00:08:23,200
or do we need to talk
any more about that?
201
00:08:23,240 --> 00:08:24,520
She's compartmentalising in it.
202
00:08:24,600 --> 00:08:26,760
I'm married, so we don't need
to talk about it.
203
00:08:26,840 --> 00:08:29,240
Gotcha. But I mean, there's no harm
in enjoying...
204
00:08:29,280 --> 00:08:31,000
He looks so dapper.
205
00:08:31,080 --> 00:08:33,480
You both do really do look
fantastic.
206
00:08:33,560 --> 00:08:35,040
Sure. Thank you.
And it's kind of like...
207
00:08:35,120 --> 00:08:37,240
But I mean, I feel like you're
just adding that in now
208
00:08:37,320 --> 00:08:39,960
'cause all the initial hype
was about Brickman and you just...
209
00:08:40,040 --> 00:08:41,400
I've told her to pull down
the poster
210
00:08:41,480 --> 00:08:43,040
off the back of the bedroom door
of Brickman
211
00:08:43,080 --> 00:08:44,200
but she doesn't do it.
212
00:08:44,280 --> 00:08:46,040
You're going to make me blush.
(LAUGHS)
213
00:08:46,120 --> 00:08:47,680
We do talk a lot
about aesthetics today.
214
00:08:47,760 --> 00:08:49,360
I mean, usually it's just
the aesthetics of Lego
215
00:08:49,440 --> 00:08:52,480
but if you are a huge fan
of the aesthetics of Brickman today
216
00:08:52,560 --> 00:08:54,320
then...
In the black and white.
217
00:08:54,360 --> 00:08:55,440
You just looked at me and went,
218
00:08:55,520 --> 00:08:57,920
"I don't care what your technical
ability or storytelling is, mate."
219
00:08:57,960 --> 00:08:59,080
"I'm all about aesthetics."
220
00:08:59,160 --> 00:09:00,480
Good luck, guys.
Alright, thank you.
221
00:09:00,520 --> 00:09:01,800
Thank you.
222
00:09:01,880 --> 00:09:03,520
Oh, my god.
If I was in black and white,
223
00:09:03,600 --> 00:09:05,920
you wouldn't see how red
I am at the moment.
224
00:09:07,800 --> 00:09:09,240
Keeping it up there?
225
00:09:10,080 --> 00:09:11,520
Nice. Yeah.
226
00:09:11,600 --> 00:09:13,760
Is that big enough?
I think so.
227
00:09:14,600 --> 00:09:16,080
Hello, chaps.
Hi.
228
00:09:16,120 --> 00:09:17,120
How are we going?
229
00:09:17,200 --> 00:09:19,080
Good. How are you going?
We're going.
230
00:09:19,160 --> 00:09:23,360
We've got an unfinished, I hope,
big figure here.
231
00:09:23,440 --> 00:09:26,440
Yeah, so essentially
what we're going to try and do
232
00:09:26,520 --> 00:09:28,880
is have our representation
of Mother Nature
233
00:09:28,920 --> 00:09:30,800
rolling through our dark scene.
234
00:09:31,800 --> 00:09:33,880
For today's build, our idea
is to have Mother Nature
235
00:09:33,960 --> 00:09:36,560
bringing new life and colour
into the black and white world,
236
00:09:36,640 --> 00:09:39,400
creating the nice bright, happy,
you know, exciting world
237
00:09:39,440 --> 00:09:40,880
she's passed through.
238
00:09:40,960 --> 00:09:44,160
Do you have in your head yet
a vision of what she looks like?
239
00:09:44,200 --> 00:09:45,480
A little bit.
240
00:09:45,520 --> 00:09:47,120
What a celebrity does she look like?
241
00:09:47,160 --> 00:09:48,640
Um...
242
00:09:48,680 --> 00:09:49,880
I want to say Paul Rudd but...
243
00:09:49,960 --> 00:09:52,000
(LAUGHS)
Jeez, alright. So...
244
00:09:52,040 --> 00:09:53,200
He's a handsome man.
245
00:09:53,280 --> 00:09:55,440
Yeah, so she's sort of got like
that delicate facial structure
246
00:09:55,520 --> 00:09:56,840
of a Paul Rudd.
Yeah.
247
00:09:56,920 --> 00:09:58,840
But also she is Mother Nature
as well.
248
00:09:58,880 --> 00:10:00,480
A bit of Beyonce maybe.
249
00:10:00,560 --> 00:10:02,480
Wow, OK.
Yeah, a bit of Queen B.
250
00:10:02,560 --> 00:10:05,280
Two interesting people
to put together.
251
00:10:05,360 --> 00:10:07,240
Good luck.
(LAUGHS)
252
00:10:07,320 --> 00:10:09,280
No, I can't wait to see him
as Mother Nature.
253
00:10:09,320 --> 00:10:10,760
Thanks very much.
254
00:10:10,800 --> 00:10:12,200
I knew you'd say Paul Rudd.
255
00:10:12,240 --> 00:10:13,240
He's just a beautiful man.
256
00:10:13,320 --> 00:10:15,360
We love this idea.
Yeah, we both love being outdoors,
257
00:10:15,440 --> 00:10:17,320
love going for a hike
and doing some camping.
258
00:10:17,400 --> 00:10:19,000
I'm confident enough
to do the frame.
259
00:10:19,040 --> 00:10:20,240
A lot of what we want
260
00:10:20,320 --> 00:10:22,000
is going to come
from the facial expression
261
00:10:22,040 --> 00:10:23,360
which I think's the hardest part.
262
00:10:23,440 --> 00:10:25,080
We want it to look serene
and graceful.
263
00:10:25,160 --> 00:10:27,840
Like the eyes have to be soft
and it's kind of like a warm smile.
264
00:10:27,880 --> 00:10:29,240
We don't want Mother Nature
265
00:10:29,320 --> 00:10:30,840
to just be like this kind of
blocky person.
266
00:10:30,920 --> 00:10:33,040
We want that with the delicate
facial feature.
267
00:10:33,080 --> 00:10:34,800
Just like a... "Hmm, that's nice."
268
00:10:34,880 --> 00:10:36,600
Just giving a bit of a boop here.
A flower here.
269
00:10:36,680 --> 00:10:39,640
She has to be flowing, we have
to have nature combined with her,
270
00:10:39,720 --> 00:10:41,680
so it's going to be
a really technical character,
271
00:10:41,720 --> 00:10:43,360
so hopefully, there will be no doubt
272
00:10:43,440 --> 00:10:44,880
that it's Mother Nature
walking through.
273
00:10:46,680 --> 00:10:49,160
Alright, guys,
you are one hour down.
274
00:10:49,800 --> 00:10:51,120
One hour in.
275
00:10:51,200 --> 00:10:52,960
Jeepers.
Or as we say in the old days,
276
00:10:53,040 --> 00:10:58,000
60 time shillings have been spent
to Old Father Time.
277
00:10:58,040 --> 00:10:59,720
(LAUGHTER)
278
00:11:01,600 --> 00:11:02,600
Oh, man.
279
00:11:02,640 --> 00:11:04,240
There's never a dull moment
280
00:11:04,320 --> 00:11:08,160
in the Lego Masters universe,
is there?
281
00:11:13,280 --> 00:11:16,000
GUS: We're the only team that still
hasn't actually got an idea.
282
00:11:17,640 --> 00:11:19,800
Today's build is the ticket
to finals week,
283
00:11:19,840 --> 00:11:21,920
so we have to get this right.
284
00:11:22,000 --> 00:11:24,920
We can have like
a big (INDISTINCT) in here.
285
00:11:25,720 --> 00:11:26,960
Or a plane arriving.
286
00:11:28,080 --> 00:11:31,720
I was thinking a giant hand
and a paintbrush,
287
00:11:31,800 --> 00:11:35,320
so it's like this is a playhouse
that they're actually painting.
288
00:11:36,320 --> 00:11:38,280
We're thinking we're going to go
with a giant hand
289
00:11:38,360 --> 00:11:40,760
just painting the house, literally
adding colour to the house.
290
00:11:40,840 --> 00:11:43,880
We also want to add three paint tins
of primary colours
291
00:11:43,960 --> 00:11:45,440
because you can make any colour
you want
292
00:11:45,480 --> 00:11:46,840
from the three primary colours.
293
00:11:46,920 --> 00:11:49,120
We always talk about having a simple
idea and execute it properly
294
00:11:49,160 --> 00:11:51,760
and this is a good way to do it.
295
00:11:51,840 --> 00:11:53,480
The story of our build
is going to be quite simple
296
00:11:53,560 --> 00:11:55,040
but we think it plays
to our strengths.
297
00:11:55,120 --> 00:11:57,360
It's a large sculptural piece
that we think we can pull off
298
00:11:57,440 --> 00:11:59,560
and it's going to be big, bright
and eye-catching.
299
00:11:59,640 --> 00:12:01,840
Gus and David, hello.
Brickman, how's it going?
300
00:12:01,920 --> 00:12:03,640
I feel like I'm interrupting
a moment.
301
00:12:03,720 --> 00:12:06,080
You're always welcome
at our table, Brickman.
302
00:12:06,120 --> 00:12:07,520
Thank you very much. Appreciate it.
303
00:12:07,560 --> 00:12:08,920
So, what's your idea?
304
00:12:09,000 --> 00:12:12,200
We're thinking of having
a large-scale hand,
305
00:12:12,280 --> 00:12:14,560
probably a little bit bigger
than a regular human hand,
306
00:12:14,600 --> 00:12:16,040
painting the roof.
307
00:12:16,080 --> 00:12:17,080
So, this is like a model?
308
00:12:17,160 --> 00:12:18,960
Yeah, it's like it's a little
model, someone's model
309
00:12:19,000 --> 00:12:20,000
that they've built.
310
00:12:20,080 --> 00:12:21,720
There's a whole bunch
of paint jars around,
311
00:12:21,800 --> 00:12:24,160
you know, some of it has spilled,
there's, you know, stuff everywhere.
312
00:12:24,240 --> 00:12:27,240
I love the idea of the big hand
and the painting.
313
00:12:27,320 --> 00:12:29,880
It just seems a bit obvious
from you guys.
314
00:12:31,720 --> 00:12:33,480
That's a very obvious
'colour your world', isn't it?
315
00:12:33,560 --> 00:12:34,960
Yeah. It is.
It is.
316
00:12:35,040 --> 00:12:36,640
It's very,
"This is our first thought."
317
00:12:36,720 --> 00:12:38,480
It's literal, it's, you know,
verbatim almost.
318
00:12:38,560 --> 00:12:39,800
Yep.
Yep.
319
00:12:39,880 --> 00:12:41,480
I'm sorry to put the pressure
on you this way.
320
00:12:41,560 --> 00:12:44,320
But I actually have higher
expectations from you guys.
321
00:12:54,680 --> 00:12:55,920
What's your idea?
322
00:12:56,000 --> 00:13:00,080
So, we're thinking of having
a large-scale hand
323
00:13:00,120 --> 00:13:01,800
painting the roof.
324
00:13:01,840 --> 00:13:03,200
So, this is like a model?
325
00:13:03,280 --> 00:13:08,320
Today's build, we have two inject
colour into black and white houses.
326
00:13:08,400 --> 00:13:11,240
I love the idea of the big hand
and the painting.
327
00:13:11,320 --> 00:13:13,960
It just seems a bit obvious
from you guys.
328
00:13:15,040 --> 00:13:16,800
That's a very obvious
'colour your world', isn't it?
329
00:13:16,880 --> 00:13:17,920
Yeah. It is.
It is.
330
00:13:18,000 --> 00:13:19,480
It's a verbatim almost.
Yep.
331
00:13:19,560 --> 00:13:21,960
I'm sorry to put the pressure
on you this way.
332
00:13:22,040 --> 00:13:25,120
But I actually have higher
expectations from you guys.
333
00:13:26,760 --> 00:13:28,280
I just feel like
334
00:13:28,360 --> 00:13:31,360
maybe there's something
a bit more creative you can do
335
00:13:31,440 --> 00:13:34,360
with your level of skill
that you've brought so far.
336
00:13:34,440 --> 00:13:36,360
Open your mind to being
a little bit grander.
337
00:13:36,440 --> 00:13:37,440
OK.
Yeah.
338
00:13:37,520 --> 00:13:38,680
Good luck.
Thank you.
339
00:13:38,720 --> 00:13:40,400
Thank you, Brickman. Thanks.
340
00:13:41,320 --> 00:13:42,720
Right.
341
00:13:42,800 --> 00:13:44,600
Food for thought, isn't it?
Yeah, it is.
342
00:13:44,680 --> 00:13:47,120
This is the last chance
to get into finals week.
343
00:13:48,000 --> 00:13:50,200
We have to be more imaginative.
344
00:13:50,280 --> 00:13:51,960
So...
OK.
345
00:13:52,000 --> 00:13:53,240
What else can we do?
346
00:13:53,280 --> 00:13:54,680
Another thing that I was thinking,
347
00:13:54,760 --> 00:13:59,440
like a big colourful meteorite
hitting the ground
348
00:13:59,520 --> 00:14:01,360
and it causes an explosion
of colour.
349
00:14:04,840 --> 00:14:07,000
Or a creature adding colour.
350
00:14:07,080 --> 00:14:09,360
I don't want to say dragon
because it's too obvious
351
00:14:09,440 --> 00:14:13,200
but it could be like a kind of
beautiful, colourful...
352
00:14:13,280 --> 00:14:15,960
Unicorn? Unicorns are pretty
rainbowy and bright.
353
00:14:16,040 --> 00:14:19,960
Like flying through and leaving
a trail of colour behind.
354
00:14:20,040 --> 00:14:22,960
In my head, the creature
that I most associate with colour
355
00:14:23,000 --> 00:14:24,040
is a unicorn.
356
00:14:24,120 --> 00:14:26,440
So, we're going to go down
the road of building unicorns
357
00:14:26,520 --> 00:14:28,720
running through our build,
bringing colour to our world.
358
00:14:28,760 --> 00:14:31,440
There was a cartoon of a little...
359
00:14:31,480 --> 00:14:33,480
'My Little Unicorn' is it called?
360
00:14:33,520 --> 00:14:34,840
'My Little Pony'?
361
00:14:34,920 --> 00:14:36,240
Is it 'My Little Pony'?
Yeah.
362
00:14:36,280 --> 00:14:38,800
I'm really liking this idea, man.
363
00:14:39,640 --> 00:14:40,760
Yeah.
364
00:14:40,800 --> 00:14:41,920
Is that the face?
365
00:14:41,960 --> 00:14:43,280
(LAUGHS)
366
00:14:43,320 --> 00:14:44,360
It's getting there.
367
00:14:44,440 --> 00:14:45,800
We've had a lot of success
with creatures,
368
00:14:45,840 --> 00:14:47,320
so we really like this idea.
369
00:14:47,400 --> 00:14:49,480
There's a lot of colour to be added.
The story's really clear,
370
00:14:49,560 --> 00:14:51,600
so we both ready want to build
something incredible.
371
00:14:51,640 --> 00:14:52,720
Yep.
372
00:14:52,760 --> 00:14:54,120
Hopefully, this will be enough.
373
00:14:54,200 --> 00:14:56,040
Because we with the don't want
to go home at this stage.
374
00:14:56,080 --> 00:14:57,080
Yeah.
375
00:14:57,160 --> 00:14:58,680
Or ever. Yeah.
Or any stage.
376
00:15:00,720 --> 00:15:03,720
(UPBEAT '80S STYLE MUSIC)
377
00:15:07,040 --> 00:15:09,360
GABBY: I just... I thought
that was my stool.
378
00:15:09,440 --> 00:15:11,280
(LAUGHS)
RYAN: Sorry!
379
00:15:11,360 --> 00:15:13,400
It's alright. You can have it now.
Lucky you're on my team.
380
00:15:13,440 --> 00:15:14,600
(LAUGHS)
381
00:15:14,680 --> 00:15:16,400
SARAH: We may need to take up
gardening after this.
382
00:15:16,440 --> 00:15:17,520
I am so not a gardener.
383
00:15:17,600 --> 00:15:21,440
I love flowers but more like having
them bought for me.
384
00:15:23,120 --> 00:15:25,240
So, right now, I'm working
on Mother Nature.
385
00:15:25,320 --> 00:15:27,280
I've just really got to work
on her eyes,
386
00:15:27,360 --> 00:15:29,520
work on her mouth, work on that
expression that we want from her,
387
00:15:29,600 --> 00:15:32,000
so it looks like she's got a bit
of grace to her.
388
00:15:35,280 --> 00:15:36,600
It looks a bit like a moustache.
389
00:15:36,680 --> 00:15:37,760
The lips?
Yeah.
390
00:15:39,720 --> 00:15:41,040
I'm going to keep working on it.
391
00:15:43,600 --> 00:15:45,520
Good to be back.
392
00:15:45,600 --> 00:15:47,680
It's just a bit freer.
Yeah, more colour.
393
00:15:47,760 --> 00:15:49,840
I mean, it was great.
I think it was a good effect.
394
00:15:49,880 --> 00:15:50,960
Worthwhile.
395
00:15:51,040 --> 00:15:52,520
My pants were a bit scratchy.
Were they?
396
00:15:52,560 --> 00:15:53,960
It's nice to be back in jeans.
397
00:15:54,000 --> 00:15:56,360
Alright, guys, eight hours!
398
00:15:56,400 --> 00:15:58,120
You have got eight hours to go.
399
00:15:58,200 --> 00:16:00,600
You are four hours down,
one third of the way through,
400
00:16:00,640 --> 00:16:01,880
two thirds to go.
401
00:16:01,920 --> 00:16:03,160
You guys all know about numbers.
402
00:16:04,320 --> 00:16:05,640
They are looking good.
403
00:16:05,680 --> 00:16:06,880
Keep it up.
404
00:16:06,920 --> 00:16:10,360
This is for a spot in finals week.
405
00:16:10,400 --> 00:16:12,000
Having been there before myself,
406
00:16:12,080 --> 00:16:13,680
it is a week you want
to be involved in.
407
00:16:13,720 --> 00:16:14,720
FLEUR: Hell, yes.
408
00:16:14,760 --> 00:16:16,200
Don't forget the 100,000.
409
00:16:16,240 --> 00:16:17,400
And 100,000. Yes.
410
00:16:17,440 --> 00:16:18,640
Ultimately.
411
00:16:22,280 --> 00:16:24,560
Oh, no. Ah, we've already done that.
412
00:16:25,400 --> 00:16:27,040
We've already done it.
You've already done that?
413
00:16:27,120 --> 00:16:28,840
Yeah, yeah. We've already done it.
We already did it.
414
00:16:28,920 --> 00:16:30,560
We did it, we finished.
We changed.
415
00:16:30,640 --> 00:16:32,800
No, it's good. OK.
You go back to the brick pit. Yeah.
416
00:16:32,840 --> 00:16:33,920
People have got it.
417
00:16:33,960 --> 00:16:35,280
(LAUGHTER)
418
00:16:35,360 --> 00:16:38,320
It's sort of already played out.
OK, eight hours to go! Good stuff!
419
00:16:38,360 --> 00:16:40,040
Every time!
420
00:16:40,080 --> 00:16:41,080
Alrighty, Brickman.
421
00:16:41,120 --> 00:16:42,880
This is all about colouring a world.
422
00:16:42,960 --> 00:16:45,880
The world is provided greyscale,
black and white,
423
00:16:45,920 --> 00:16:47,760
beautiful '50s home
424
00:16:47,840 --> 00:16:49,320
and the now it's about bringing
colour to it.
425
00:16:49,400 --> 00:16:52,880
As we have seen, there is so much
interpretation
426
00:16:52,920 --> 00:16:54,120
about how the colour comes in
427
00:16:54,200 --> 00:16:56,520
and about what happens
when it gets there.
428
00:16:56,560 --> 00:16:58,320
The why. It's about the why
429
00:16:58,400 --> 00:17:01,480
and we've got four incredibly
different whys
430
00:17:01,560 --> 00:17:04,520
straight from various parts
of imagination. It's fantastic.
431
00:17:04,560 --> 00:17:06,000
Fleur, that looks really amazing.
432
00:17:06,080 --> 00:17:08,080
So, you're happy?
It really does.
433
00:17:08,160 --> 00:17:10,480
Yeah, it looks great.
Oh, cool. OK.
434
00:17:10,560 --> 00:17:12,240
HAMISH: Sarah and Fleur,
the watering can
435
00:17:12,320 --> 00:17:15,520
spreading colour and light
through the world of the flowerpots.
436
00:17:15,600 --> 00:17:18,200
I love the idea probably the most
out of the four ideas.
437
00:17:18,280 --> 00:17:21,040
Turning it into a planter box,
I think's fantastic.
438
00:17:21,080 --> 00:17:22,760
The trickiest part is of course
439
00:17:22,840 --> 00:17:25,080
how are they introducing
the colour out of that?
440
00:17:25,160 --> 00:17:27,440
How does it flow
throughout the rest of the model?
441
00:17:27,480 --> 00:17:29,000
That's the difficulty.
442
00:17:29,080 --> 00:17:31,160
GABBY: These tree bits
are so fiddly.
443
00:17:31,200 --> 00:17:32,600
HAMISH: Gabby and Ryan,
444
00:17:32,680 --> 00:17:34,560
what's your favourite thing
about the build?
445
00:17:34,640 --> 00:17:36,760
I love the fun elements to it.
There's lots of little jokes.
446
00:17:36,800 --> 00:17:39,160
It really captures the Lego elements
447
00:17:39,240 --> 00:17:41,240
about not taking themselves
too seriously.
448
00:17:42,360 --> 00:17:44,080
Nice.
449
00:17:44,160 --> 00:17:45,720
What's possibly their missed
opportunity?
450
00:17:45,760 --> 00:17:47,120
They've been incredibly literal
451
00:17:47,200 --> 00:17:49,400
and they're trying
to simulate movement,
452
00:17:49,480 --> 00:17:51,120
so I just think it needs
something else
453
00:17:51,200 --> 00:17:53,360
to show that
captured-a-point-in-time moment.
454
00:17:54,200 --> 00:17:55,400
HAMISH: David and Gus.
455
00:17:55,440 --> 00:17:56,640
Our unicorn stampede?
456
00:17:57,520 --> 00:17:59,080
Flip. Flippity flip.
457
00:17:59,160 --> 00:18:01,120
It's taking shape,
it's looking phenomenal.
458
00:18:01,200 --> 00:18:03,040
The big thing
that I can't picture yet
459
00:18:03,120 --> 00:18:04,840
but that's OK
'cause I'm not building it
460
00:18:04,920 --> 00:18:07,360
is this sort of - the frontier
of where they're running
461
00:18:07,440 --> 00:18:09,200
and the effect
they're going for there.
462
00:18:09,280 --> 00:18:12,440
I'd like to see the objects
that the unicorns have gone past,
463
00:18:12,520 --> 00:18:14,200
whether it's a car or a tree
or whatever,
464
00:18:14,280 --> 00:18:17,160
have been coloured because that's
not an easy thing to do.
465
00:18:18,760 --> 00:18:20,720
These big dark patches.
I'm like, "What the hell is that?"
466
00:18:20,800 --> 00:18:23,440
It's like, it's just your head
creating a shadow.
467
00:18:23,520 --> 00:18:26,440
HAMISH: Harrison and Michael.
Where do you sit on Mother Nature?
468
00:18:26,520 --> 00:18:28,560
Well, first off, I picture her
being very graceful.
469
00:18:28,640 --> 00:18:29,800
Yeah, right.
Very -
470
00:18:29,880 --> 00:18:31,760
She has a real presence
about her,
471
00:18:31,840 --> 00:18:33,920
and so, it's all about the pose,
the look on her face...
472
00:18:34,000 --> 00:18:36,080
Facial expression.
..and even things like, you know,
473
00:18:36,120 --> 00:18:37,360
is her hair flowing?
474
00:18:37,440 --> 00:18:39,200
But I mean, we're working
with Lego bricks.
475
00:18:39,280 --> 00:18:41,200
It's all about right angles
and joints and square lines
476
00:18:41,240 --> 00:18:42,680
and that's tricky.
477
00:18:42,760 --> 00:18:45,000
HAMISH: And also, when you're doing
nature,
478
00:18:45,080 --> 00:18:47,160
you've already bought
into a lot of green.
479
00:18:47,200 --> 00:18:48,320
Green and brown.
480
00:18:48,400 --> 00:18:51,640
Now, it's not the least poppiest
colour but is it the most poppiest?
481
00:18:51,720 --> 00:18:54,840
It's not and that's very difficult
to make a statement with,
482
00:18:54,880 --> 00:18:57,400
it's very difficult to go, "Pow!"
483
00:18:57,440 --> 00:18:58,760
FLEUR: Do you need to be in here?
484
00:18:58,840 --> 00:19:00,120
Yeah, 'cause I need to grab
the foliage.
485
00:19:00,200 --> 00:19:01,680
OK.
If that's OK?
486
00:19:01,720 --> 00:19:03,440
Yeah, let's share the foliage.
487
00:19:03,480 --> 00:19:05,320
No. (LAUGHS)
488
00:19:05,360 --> 00:19:06,720
You're so rude.
489
00:19:06,800 --> 00:19:08,440
(LAUGHS)
Where's your manners?
490
00:19:08,480 --> 00:19:10,240
Respect your elders.
491
00:19:10,320 --> 00:19:12,480
For the scene today, we really want
to have Mother Nature
492
00:19:12,520 --> 00:19:13,720
as our big centrepiece
493
00:19:13,800 --> 00:19:16,040
and we wanted to make it look
like she's flowing gracefully
494
00:19:16,080 --> 00:19:17,120
through the scene.
495
00:19:17,200 --> 00:19:19,440
Blending nature and colour
together behind her.
496
00:19:19,520 --> 00:19:22,160
So, Mike has been working
on Mother Nature's face,
497
00:19:22,200 --> 00:19:23,840
I'm finishing up the body,
498
00:19:23,920 --> 00:19:25,720
and then the scenery behind her
has to be coloured in
499
00:19:25,800 --> 00:19:28,080
and bringing life, so I'm putting
down green, earthy colour.
500
00:19:28,840 --> 00:19:30,240
Michael and Harrison, hello.
501
00:19:30,320 --> 00:19:31,800
Brickman.
How are we doing?
502
00:19:31,840 --> 00:19:33,240
We're going OK, I think.
503
00:19:33,320 --> 00:19:35,080
Touch wood.
Touch wood. Yeah.
504
00:19:35,160 --> 00:19:36,880
Well, there we go.
Very cool, very cool.
505
00:19:36,960 --> 00:19:39,360
Currently, you're working
on our Mother Nature?
506
00:19:39,440 --> 00:19:40,960
Yes.
How's she going?
507
00:19:41,000 --> 00:19:42,360
Apart from being cross-eyed.
508
00:19:42,440 --> 00:19:44,240
She's growing - I guess she's
cross eyed a bit. Yeah.
509
00:19:44,280 --> 00:19:46,160
(LAUGHS) Can I have a look?
510
00:19:50,480 --> 00:19:52,160
I'm not happy with the mouth
as well.
511
00:19:52,200 --> 00:19:53,560
There's just something about it.
512
00:19:53,600 --> 00:19:54,800
Yeah.
513
00:19:56,080 --> 00:19:58,760
Faces are hard. They are super hard.
514
00:19:59,480 --> 00:20:01,960
Given she's the centrepiece
of your whole build,
515
00:20:02,040 --> 00:20:04,840
I think you probably need
to invest some time in that space.
516
00:20:04,920 --> 00:20:06,040
Yes.
Good luck.
517
00:20:06,080 --> 00:20:07,400
Thanks very much.
518
00:20:07,440 --> 00:20:08,960
How's that coming along?
519
00:20:09,040 --> 00:20:10,800
I've just got to work
on the face, I guess.
520
00:20:18,960 --> 00:20:20,680
FLEUR: Ryan, yours
is looking amazing.
521
00:20:20,720 --> 00:20:22,200
Oh, thank you.
522
00:20:22,240 --> 00:20:23,560
Oh, you mean the build?
523
00:20:23,600 --> 00:20:26,240
Yeah. Well, you too. Love you too.
524
00:20:26,320 --> 00:20:29,760
RYAN: Today, I'm just having a ball
with this. Like, it's ridiculous.
525
00:20:29,840 --> 00:20:32,080
This massive accident
caused by a row of ducks...
526
00:20:32,160 --> 00:20:33,800
(DUCKS QUACK)
..crossing the road.
527
00:20:33,880 --> 00:20:35,880
Hey, Gabby and Ryan.
Hi, Hamish.
528
00:20:35,920 --> 00:20:37,000
Hi, Hamish.
529
00:20:37,040 --> 00:20:38,720
Alright, we've got our paint truck.
530
00:20:38,760 --> 00:20:39,880
Oh, my god. Is that...
531
00:20:39,920 --> 00:20:41,680
The rest of the paint truck.
532
00:20:41,720 --> 00:20:42,960
That is a heck of an accident.
533
00:20:43,040 --> 00:20:44,840
Is that all from swerving
from ducks?
534
00:20:44,880 --> 00:20:46,120
Yeah.
535
00:20:46,160 --> 00:20:48,080
You know, that's a twitchy driver.
536
00:20:48,120 --> 00:20:49,160
(LAUGHTER)
537
00:20:49,240 --> 00:20:51,240
He's managed to put the cabin
of his truck
538
00:20:51,320 --> 00:20:54,400
through the second story
as he swerved for a duck.
539
00:20:54,440 --> 00:20:55,760
What are you doing, Gab?
540
00:20:55,840 --> 00:21:00,720
This is going to be
a massive explosion of paint.
541
00:21:00,760 --> 00:21:02,240
Like a geyser.
542
00:21:02,320 --> 00:21:03,920
A geyser of paint.
Is that a geyser or a geyser?
543
00:21:04,000 --> 00:21:05,840
I think it's a geyser.
A geyser. Geyser.
544
00:21:05,920 --> 00:21:07,160
Geyser?
Like an oil well.
545
00:21:07,240 --> 00:21:09,440
Yeah, exactly like an oil well.
Yeah, or like a geisha. A geyser.
546
00:21:09,520 --> 00:21:11,040
A geyser.
A geyser, a geyser.
547
00:21:11,120 --> 00:21:13,040
Like when you're digging
for rainbows in the desert,
548
00:21:13,120 --> 00:21:15,680
you hit a rainbow well
and all the rainbow colours come up.
549
00:21:15,760 --> 00:21:17,880
(LAUGHTER)
Right. I'm out. Well done.
550
00:21:18,760 --> 00:21:20,120
GABBY: I think we've met the brief.
551
00:21:20,200 --> 00:21:22,560
We've definitely added a splash
of colour to this world.
552
00:21:22,640 --> 00:21:24,400
So, that element of the story
is down
553
00:21:24,480 --> 00:21:26,600
but if we win today,
we're in finals week
554
00:21:26,680 --> 00:21:29,320
and there's an opportunity
in this build to go bigger.
555
00:21:29,400 --> 00:21:31,600
We want to show the movement
of paint,
556
00:21:31,680 --> 00:21:35,000
so we've decided to add
a kind of paint geyser,
557
00:21:35,040 --> 00:21:37,320
so the magic rainbow paint,
558
00:21:37,400 --> 00:21:39,520
it's splurting as high
as we can possibly go.
559
00:21:39,600 --> 00:21:43,160
We might want it to have hit
a low flying sort of biplane.
560
00:21:43,200 --> 00:21:44,640
Go big or go home.
561
00:21:44,680 --> 00:21:46,360
(LAUGHTER)
562
00:21:47,600 --> 00:21:48,960
You want a tilt.
Yeah, of course I do.
563
00:21:49,040 --> 00:21:50,240
I knew you wanted to that.
You know.
564
00:21:50,280 --> 00:21:51,280
Of course I know.
565
00:21:51,360 --> 00:21:55,880
Alrighty, guys. You are six down,
six to go.
566
00:21:55,920 --> 00:21:57,640
This is the halfway mark.
567
00:21:58,640 --> 00:21:59,640
Coming in!
568
00:22:04,000 --> 00:22:05,440
So many flowers.
569
00:22:05,520 --> 00:22:08,120
Yes, there are so many
more still to go.
570
00:22:08,160 --> 00:22:10,000
Really happy about this challenge.
571
00:22:10,080 --> 00:22:13,160
It's an artistic challenge
which is right up our alley
572
00:22:13,240 --> 00:22:15,960
and I'm just working
on the greyscale side
573
00:22:16,040 --> 00:22:18,840
of the flowerbed, so it's been
nice and creative
574
00:22:18,880 --> 00:22:20,240
and I'm really enjoying it.
575
00:22:20,280 --> 00:22:21,800
Happy day. (LAUGHS)
576
00:22:21,840 --> 00:22:23,520
(LAUGHS)
577
00:22:23,600 --> 00:22:29,520
It's an interesting challenge
to do flora and fauna in greyscale.
578
00:22:29,600 --> 00:22:33,600
In Lego elements,
there are not greyscale leaves,
579
00:22:33,640 --> 00:22:35,240
they are not greyscale flowers.
580
00:22:35,280 --> 00:22:36,440
There's nothing.
581
00:22:36,480 --> 00:22:37,760
So, the challenge here
582
00:22:37,840 --> 00:22:40,760
is to take pieces
that are not designed for flowers
583
00:22:40,840 --> 00:22:44,320
and turn them into flowers,
which is NPU, nice part usage.
584
00:22:44,360 --> 00:22:45,560
Yeah.
585
00:22:45,600 --> 00:22:46,840
I'm going to try and use these.
586
00:22:48,040 --> 00:22:49,320
And it's something I love
587
00:22:49,400 --> 00:22:54,440
and this is my chance to be able
to NPU all over the place!
588
00:22:54,480 --> 00:22:56,480
I love that flower.
589
00:22:56,560 --> 00:22:58,360
It's amazing.
Yeah, they're mini fig skirts.
590
00:22:58,400 --> 00:22:59,400
They're brilliant.
591
00:22:59,440 --> 00:23:01,160
Go, Team Mum! (LAUGHS)
592
00:23:01,200 --> 00:23:02,520
Go, Team Mothership.
593
00:23:02,560 --> 00:23:03,960
Sarah and Fleur, hello.
594
00:23:04,040 --> 00:23:05,000
Hi, Brickman.
How are you?
595
00:23:05,080 --> 00:23:07,680
I'm... It's not about me,
it's about you. How are you going?
596
00:23:07,760 --> 00:23:09,160
Good.
Good, we think.
597
00:23:09,240 --> 00:23:11,320
These flowers look amazing.
Thank you.
598
00:23:11,360 --> 00:23:13,040
Lots of NPU happening there.
599
00:23:13,120 --> 00:23:15,920
We had to because there's not a lot
of grey foliage.
600
00:23:16,000 --> 00:23:19,160
We've got upside-down
mini figure skirts...
601
00:23:19,240 --> 00:23:21,480
Yep, yep.
..we've got knights' armour...
602
00:23:21,560 --> 00:23:22,680
Yep.
..teeth...
603
00:23:22,760 --> 00:23:24,760
Yep.
..a mini figure's whisk.
604
00:23:24,840 --> 00:23:27,040
We've got car bonnets,
steering wheels.
605
00:23:27,080 --> 00:23:28,120
Yep, yep.
606
00:23:28,200 --> 00:23:29,800
I reckon you've probably gone
in there and said,
607
00:23:29,840 --> 00:23:31,120
"Give me every grey piece there is."
608
00:23:31,160 --> 00:23:32,720
I pretty much did.
609
00:23:32,800 --> 00:23:34,960
But it does leave us
with a bit of a problem.
610
00:23:36,200 --> 00:23:39,280
You've got a lot of baseplate
but there's nothing happening here.
611
00:23:39,320 --> 00:23:41,080
There is no colour.
612
00:23:42,320 --> 00:23:45,680
Haven't even started
on the colour flowers.
613
00:23:45,760 --> 00:23:50,040
'Cause for the effect, we need
much more grey than there is colour.
614
00:23:51,000 --> 00:23:53,920
But the entire point of this build,
what we are judged on,
615
00:23:53,960 --> 00:23:56,320
is why is there colour in the world?
616
00:23:57,160 --> 00:23:59,160
Without it, we're going home.
617
00:23:59,240 --> 00:24:01,680
I think there's a lot of work to do.
Yeah.
618
00:24:01,760 --> 00:24:05,520
At this stage of the competition
with things being so tight,
619
00:24:05,600 --> 00:24:08,400
I'm a little bit worried.
Time's just going to tick away.
620
00:24:15,760 --> 00:24:17,640
It does leave us
with a bit of a problem.
621
00:24:18,960 --> 00:24:22,240
You've got a lot of baseplate
but there's nothing happening here.
622
00:24:22,320 --> 00:24:24,640
There is no colour.
Yep.
623
00:24:24,720 --> 00:24:27,040
But hopefully, you can surpass that
and get motoring. Good luck.
624
00:24:27,120 --> 00:24:28,080
Cool.
OK.
625
00:24:28,120 --> 00:24:29,200
Thank you, Brickman.
626
00:24:29,240 --> 00:24:30,400
OK.
627
00:24:30,440 --> 00:24:32,400
Let's actually write down that plan
628
00:24:32,480 --> 00:24:35,880
because I can get like totally
geeked out on what I'm doing
629
00:24:35,920 --> 00:24:37,600
and spend too much time on it.
630
00:24:37,640 --> 00:24:39,440
So, we are seven hours in.
631
00:24:39,480 --> 00:24:40,640
There's a lot of grey.
632
00:24:41,440 --> 00:24:43,240
There's probably almost no colour.
633
00:24:43,280 --> 00:24:44,440
(LAUGHS)
634
00:24:44,520 --> 00:24:47,880
So, we need to really get started
on the colour.
635
00:24:47,920 --> 00:24:49,840
I'll just go as fast as I can
636
00:24:49,920 --> 00:24:51,800
getting these brightly coloured
flowers.
637
00:24:51,840 --> 00:24:52,840
Sounds good.
638
00:24:52,920 --> 00:24:57,440
But we also need a watering can
because without that watering can,
639
00:24:57,520 --> 00:25:00,800
there is no reason that the colour
is in the world.
640
00:25:00,880 --> 00:25:03,920
Alright, so I'll get onto this
and hopefully make one.
641
00:25:03,960 --> 00:25:05,200
Yep.
642
00:25:05,280 --> 00:25:07,320
In my entire existence
on the planet...
643
00:25:07,360 --> 00:25:08,640
OK.
644
00:25:08,720 --> 00:25:11,680
..I've never actually built
a suspended watering can
645
00:25:11,760 --> 00:25:13,800
that looks like it's floating
in the air.
646
00:25:13,880 --> 00:25:16,280
No pressure, Sarah,
but it has to be fantastic.
647
00:25:16,320 --> 00:25:17,360
Ah!
648
00:25:17,440 --> 00:25:20,920
So, I'm grateful that Sarah
has volunteered to take that one on
649
00:25:20,960 --> 00:25:23,320
'cause I am slightly anxious.
650
00:25:23,360 --> 00:25:24,640
Let's be honest.
651
00:25:28,880 --> 00:25:30,360
Look at me.
652
00:25:30,400 --> 00:25:31,720
I'm going to sketch you.
653
00:25:35,280 --> 00:25:37,000
With a gentle kind of a...
654
00:25:38,440 --> 00:25:39,760
Just hold that.
655
00:25:42,320 --> 00:25:43,520
Beautiful.
656
00:25:43,560 --> 00:25:44,880
(LAUGHS)
657
00:25:44,920 --> 00:25:46,920
Make me look like Paul Rudd, please.
658
00:25:48,360 --> 00:25:51,640
Alrighty, guys.
You have got three hours to go.
659
00:25:51,720 --> 00:25:54,880
Far out.
One quarter of the time left.
660
00:25:54,960 --> 00:25:56,760
No pressure.
Can we do it?
661
00:25:56,840 --> 00:25:57,960
Yes, we can.
You can.
662
00:25:58,000 --> 00:25:59,000
You really can.
663
00:26:00,040 --> 00:26:01,800
There we go. That's not too bad
actually.
664
00:26:02,960 --> 00:26:04,280
Oh, yeah.
665
00:26:04,320 --> 00:26:06,800
Oh, yes! Yes.
666
00:26:06,840 --> 00:26:08,240
Ryan and Gab, how's it going?
667
00:26:08,280 --> 00:26:09,280
Very well, actually.
668
00:26:09,320 --> 00:26:10,680
Yeah, looking great.
669
00:26:10,720 --> 00:26:11,840
Oh, thank you.
670
00:26:11,920 --> 00:26:14,760
The ducks are obviously
still the culprits...
671
00:26:14,840 --> 00:26:16,720
That's right.
..that's caused the swerve.
672
00:26:16,800 --> 00:26:18,680
They've actually caused
another accident, hopefully.
673
00:26:18,720 --> 00:26:20,160
Hopefully? What are you...
674
00:26:20,240 --> 00:26:21,480
(LAUGHS)
What a sicko.
675
00:26:21,560 --> 00:26:24,000
She's pretty sadistic.
(LAUGHS)
676
00:26:24,080 --> 00:26:28,040
So, we've also got a log truck
which has come to a sudden halt
677
00:26:28,080 --> 00:26:30,120
and the logs have slid forwards
678
00:26:30,200 --> 00:26:32,880
and then our rainbow truck's gone
up the logs into the house.
679
00:26:32,920 --> 00:26:33,960
Far out.
680
00:26:34,040 --> 00:26:36,320
Because it was important
to get the aerodynamics right.
681
00:26:36,360 --> 00:26:37,800
(LAUGHS)
682
00:26:37,840 --> 00:26:39,640
Um... And everything else good?
683
00:26:39,680 --> 00:26:40,840
Yeah.
684
00:26:40,920 --> 00:26:42,640
Everything's good?
I think so.
685
00:26:42,680 --> 00:26:44,760
Things have been going pretty well.
686
00:26:44,800 --> 00:26:46,320
This is a nice episode.
687
00:26:47,240 --> 00:26:50,040
The trouble with that
is we're a little low on drama.
688
00:26:50,080 --> 00:26:51,600
Generally?
689
00:26:51,640 --> 00:26:52,960
Like brick pit nice and tidy?
690
00:26:53,000 --> 00:26:54,560
Actually, it's unusually tidy
691
00:26:54,640 --> 00:26:56,760
without Owen and Scott
in the room. (LAUGHS)
692
00:26:56,840 --> 00:26:58,680
(LAUGHS)
It's unusually tidy? OK.
693
00:26:59,680 --> 00:27:03,320
Now, there is a trick you can pull
in TV and it's the storm-out.
694
00:27:03,360 --> 00:27:04,880
But you need a reason to storm out.
695
00:27:04,960 --> 00:27:06,800
On my side of the fence,
everything good?
696
00:27:06,880 --> 00:27:09,080
Like, time calls are going well?
Yeah, you're doing well. Yeah.
697
00:27:09,160 --> 00:27:11,440
I've enjoyed them.
They've been helpful.
698
00:27:11,480 --> 00:27:12,760
They've been helpful?
699
00:27:12,840 --> 00:27:14,480
The time calls have been
really super helpful.
700
00:27:15,800 --> 00:27:18,280
Out of ten, what would you give me
for my time calls today?
701
00:27:19,120 --> 00:27:20,640
I was going to go 6.5.
702
00:27:20,720 --> 00:27:23,000
That's my score for the time calls?
So, not perfect?
703
00:27:23,080 --> 00:27:24,840
Well, I don't want you to peak
too soon.
704
00:27:24,880 --> 00:27:26,560
I do not have to take this.
705
00:27:26,640 --> 00:27:29,440
I've had an absolute gutful.
I'm walking. I'm walking.
706
00:27:29,520 --> 00:27:33,440
Don't you dare film this
a little bit. Stop.
707
00:27:35,480 --> 00:27:36,960
Hard to get good talent, isn't it?
708
00:27:37,000 --> 00:27:38,120
Diva.
709
00:27:38,160 --> 00:27:39,360
The thing about storm-outs
710
00:27:39,440 --> 00:27:40,880
is once you get a taste
of that power...
711
00:27:40,960 --> 00:27:43,880
Who would you say
has the better beard
712
00:27:43,960 --> 00:27:44,920
out of me and Gus?
(LAUGHS)
713
00:27:44,960 --> 00:27:46,640
They can get a bit addictive.
714
00:27:46,680 --> 00:27:47,880
I gotta go with Gus.
715
00:27:47,960 --> 00:27:49,680
You're going with Gus?
Yeah, yeah.
716
00:27:49,720 --> 00:27:50,960
I mean...
717
00:27:51,040 --> 00:27:53,000
You really think he's got
a better beard than me?
718
00:27:53,040 --> 00:27:54,040
Yes, I do.
719
00:27:54,120 --> 00:27:56,560
I've had a gutful of this.
This is ridiculous. I'm out of here.
720
00:27:56,600 --> 00:27:59,680
(DRAMATIC MUSIC BUILDS)
721
00:27:59,760 --> 00:28:01,960
I'll definitely do a drip there.
Hi!
722
00:28:02,040 --> 00:28:04,000
Hi, Sarah, Fleur. How you going?
Really well, thank you.
723
00:28:04,080 --> 00:28:05,400
I don't have to stand here
and listen to this!
724
00:28:05,440 --> 00:28:07,080
(DRAMATIC MUSIC BUILDS)
725
00:28:07,160 --> 00:28:08,680
Oh! Jeepers!
Oh! Oooh.
726
00:28:08,760 --> 00:28:11,760
A man has to know when
he's had too many storm-outs.
727
00:28:11,840 --> 00:28:14,240
(LAUGHS) Sorry! Just looking for...
Whoopsie.
728
00:28:14,320 --> 00:28:16,280
Just trying to get a bit of drama
in the episode.
729
00:28:16,320 --> 00:28:18,320
Storming back in. Let's play on.
730
00:28:18,400 --> 00:28:20,120
Anyway, back to building.
Yeah, yes.
731
00:28:20,160 --> 00:28:23,200
(LAUGHTER)
732
00:28:24,520 --> 00:28:27,520
(UPLIFTING MUSIC BUILDS)
733
00:28:34,960 --> 00:28:36,600
Where's the spout?
It'll be here.
734
00:28:36,640 --> 00:28:38,240
Yep. Yep, good.
735
00:28:38,280 --> 00:28:40,160
This is gonna be our moment, Sarah.
736
00:28:40,200 --> 00:28:41,440
We're gonna smash it out today.
737
00:28:41,480 --> 00:28:42,960
Don't say 'smash'.
738
00:28:43,040 --> 00:28:44,640
No, we're not...
I don't like any smash words.
739
00:28:44,720 --> 00:28:46,760
No, we're not smashing it.
We're owning it.
740
00:28:46,800 --> 00:28:48,600
Finals Week, baby.
741
00:28:48,640 --> 00:28:51,120
(MOMENTOUS MUSIC BUILDS)
742
00:28:54,120 --> 00:28:55,240
Cool.
743
00:28:55,280 --> 00:28:56,280
Sorry!
744
00:28:56,320 --> 00:28:57,600
Stop stealing our house idea, mate.
745
00:28:57,680 --> 00:28:59,320
Just 'cause we've got the only one
left intact.
746
00:28:59,400 --> 00:29:01,680
(LAUGHS) I just can't remember
how I put the roof back on.
747
00:29:01,760 --> 00:29:04,200
You can touch it if you like.
Yep, cool.
748
00:29:04,240 --> 00:29:05,800
(MOMENTOUS MUSIC SWELLS)
749
00:29:05,880 --> 00:29:07,960
For today's build,
our idea is to have Mother Nature
750
00:29:08,040 --> 00:29:10,840
bringing new life and colour
into the black and white world,
751
00:29:10,920 --> 00:29:12,560
and Brickman's really put
the pressure on us
752
00:29:12,600 --> 00:29:13,960
to get Mother Nature right.
753
00:29:15,640 --> 00:29:17,760
But I feel like I'm getting
somewhere with Mother Nature's face.
754
00:29:17,800 --> 00:29:19,640
She's got a better expression.
755
00:29:21,880 --> 00:29:23,920
Oooh, yeah! I like that.
756
00:29:23,960 --> 00:29:25,960
Like, blowing, just like a...
757
00:29:26,040 --> 00:29:28,400
Really soft cheeks coming in,
lips pursing out.
758
00:29:28,480 --> 00:29:32,520
But Mother Nature is butt naked
at this point in time.
759
00:29:32,600 --> 00:29:36,400
โช Gotta make a dress
otherwise we're going home
760
00:29:36,480 --> 00:29:39,840
โช Gotta make a dress
or else we are going home... โช
761
00:29:40,880 --> 00:29:44,440
Mother Nature is gonna be wearing
a beautiful leafy green dress,
762
00:29:44,520 --> 00:29:47,920
but designing a dress in LEGO
is really hard.
763
00:29:48,000 --> 00:29:50,840
I'm thinking something like that,
and just drape those down like that.
764
00:29:51,880 --> 00:29:53,640
So, we're trying to get something
flowing really well,
765
00:29:53,720 --> 00:29:56,080
and a bit of a light bulb moments
goes on.
766
00:29:56,160 --> 00:29:58,440
We can even use these
and just clip stuff off those,
767
00:29:58,480 --> 00:29:59,960
'cause these are pretty flexible.
768
00:30:00,000 --> 00:30:01,600
Yeah, I like that.
769
00:30:01,680 --> 00:30:03,160
So, we're gonna do
something with the net
770
00:30:03,200 --> 00:30:04,560
to have it drape there like that.
771
00:30:05,640 --> 00:30:07,120
Yeah.
772
00:30:07,200 --> 00:30:08,960
And we can even have a bit more
stuff draping off of it.
773
00:30:09,000 --> 00:30:10,000
Yep.
774
00:30:10,080 --> 00:30:13,000
Using the netting, attaching
all the tiles on one by one,
775
00:30:13,040 --> 00:30:14,560
will be a bit of a skirt for her.
776
00:30:15,680 --> 00:30:17,360
And it actually bends really nicely.
777
00:30:18,920 --> 00:30:19,920
More leaves.
778
00:30:20,000 --> 00:30:23,040
And then having flowers and stuff
growing off her
779
00:30:23,120 --> 00:30:25,520
will really just help sell
the Mother Nature character.
780
00:30:26,960 --> 00:30:28,680
I like that... quite a fair bit,
actually.
781
00:30:28,720 --> 00:30:31,720
(MOMENTOUS MUSIC BUILDS)
782
00:30:32,880 --> 00:30:35,720
(UPLIFTING ELECTRONIC MUSIC)
783
00:30:35,760 --> 00:30:37,360
GUS: Yeah, we're doing quite well.
784
00:30:37,440 --> 00:30:39,800
I'm just putting the finishing
touches on the unicorns now.
785
00:30:39,880 --> 00:30:42,400
Dave's going with the scenic stuff
at the minute,
786
00:30:42,480 --> 00:30:44,560
and then we're really gonna start
putting things in position.
787
00:30:44,600 --> 00:30:45,760
One unicorn would have been great,
788
00:30:45,840 --> 00:30:48,880
but many unicorns - a marvel
of unicorns - is marvellous.
789
00:30:48,960 --> 00:30:51,320
DAVID: While Gus is working
on the unicorn,
790
00:30:51,360 --> 00:30:53,160
I'm adding green to the grass,
791
00:30:53,240 --> 00:30:55,040
I'm changing
the colours of the house.
792
00:30:55,120 --> 00:30:57,800
I'm making sure that
it's really, really colourful
793
00:30:57,840 --> 00:30:59,680
and really, really happy,
794
00:30:59,760 --> 00:31:01,440
whatever is happening
behind the unicorn.
795
00:31:01,480 --> 00:31:05,280
(UPLIFTING MUSIC CONTINUES)
796
00:31:05,360 --> 00:31:08,080
Hey, David and Gus,
can I borrow you guys for a tick?
797
00:31:08,120 --> 00:31:09,720
Please.
798
00:31:09,760 --> 00:31:11,360
Have you stood back and had a look?
799
00:31:11,400 --> 00:31:13,000
(TENSE INSTRUMENTAL MUSIC)
800
00:31:13,080 --> 00:31:15,440
It's almost like it's too busy.
Yeah.
801
00:31:15,480 --> 00:31:17,280
The unicorns themselves,
802
00:31:17,360 --> 00:31:19,800
and I think the posing and the way
you've got them all is great,
803
00:31:19,840 --> 00:31:21,360
but there's a lot of other colour
804
00:31:21,440 --> 00:31:23,440
which is distracting
and taking away from that.
805
00:31:23,480 --> 00:31:25,720
It's about why the colour.
806
00:31:25,760 --> 00:31:27,040
(DRAMATIC MUSIC SWELLS)
807
00:31:27,120 --> 00:31:29,720
And right now,
the colour isn't strategic.
808
00:31:29,800 --> 00:31:31,560
Yeah, yeah.
Good luck, guys.
809
00:31:31,640 --> 00:31:33,440
Yeah, thanks.
Thanks. Thanks, Brickman.
810
00:31:33,480 --> 00:31:35,160
You need to justify that the colour
811
00:31:35,240 --> 00:31:37,400
has been injected into the world,
alright?
812
00:31:37,440 --> 00:31:38,680
What is bringing the colours?
813
00:31:38,720 --> 00:31:39,760
(SIGHS)
814
00:31:39,800 --> 00:31:41,440
So, we need to figure out
815
00:31:41,520 --> 00:31:43,640
how to make the colour
a more intentional thing.
816
00:31:44,920 --> 00:31:47,920
(MOMENTOUS MUSIC BUILDS)
817
00:31:49,880 --> 00:31:52,640
FLEUR: Are you happy?
Yeah. It looks great.
818
00:31:52,720 --> 00:31:57,240
Watering can's up and it's like
a flipping miracle from heaven!
819
00:31:57,320 --> 00:31:59,320
It's, like, oh, my god, it's not
falling down, it's not falling.
820
00:31:59,360 --> 00:32:00,600
Could it fall down? No, it's not!
821
00:32:00,680 --> 00:32:04,240
Yes, yes, yes! Lord, yes! Yes!
Whoo-hoo!
822
00:32:04,280 --> 00:32:05,400
So happy!
823
00:32:05,440 --> 00:32:06,560
(ELECTRONIC BEEPING)
824
00:32:06,640 --> 00:32:09,360
Alrighty, guys,
you have got one hour.
825
00:32:09,440 --> 00:32:10,680
(SIREN WHOOPS)
Oooh!
826
00:32:10,720 --> 00:32:12,040
One hour to go.
827
00:32:12,120 --> 00:32:13,880
You always think it's a long way
away, and then it's not.
828
00:32:13,920 --> 00:32:14,920
Yep.
829
00:32:15,000 --> 00:32:18,920
One hour until we find out
who is going to Finals Week.
830
00:32:18,960 --> 00:32:20,960
They are looking great! Good luck.
831
00:32:21,040 --> 00:32:25,520
And of course, one team has only
an hour to go here on LEGO Masters.
832
00:32:25,560 --> 00:32:27,920
Don't let that be you.
833
00:32:27,960 --> 00:32:30,040
(DRAMATIC MUSIC BUILDS)
834
00:32:30,080 --> 00:32:32,640
Thank you. The light is back.
835
00:32:32,720 --> 00:32:35,360
Alrighty, Brickman,
funny now that we've got changed.
836
00:32:35,440 --> 00:32:37,960
You know, we were in greyscale
before, in black and white.
837
00:32:38,040 --> 00:32:40,160
Interesting how Fleur...
did you notice Fleur's reaction,
838
00:32:40,240 --> 00:32:41,800
how she thought
we both looked incredible?
839
00:32:41,880 --> 00:32:44,520
Um, I don't mean to burst
your bubble at all,
840
00:32:44,560 --> 00:32:46,040
but I think, uh...
841
00:32:46,080 --> 00:32:47,880
No, no, she certainly mentioned you,
842
00:32:47,960 --> 00:32:50,360
but I think the general vibe for her
was both equally as...
843
00:32:50,400 --> 00:32:51,600
I don't think so, champ.
844
00:32:51,640 --> 00:32:52,840
(DRAMATIC MUSIC SWELLS)
845
00:32:52,880 --> 00:32:54,400
I don't have to take this.
846
00:32:54,440 --> 00:32:57,440
(DRAMATIC MUSIC CONTINUES)
847
00:33:00,000 --> 00:33:01,280
(SIGHS)
848
00:33:02,480 --> 00:33:04,840
Yes! Got another one.
849
00:33:04,880 --> 00:33:07,320
(UPBEAT ELECTRONIC MUSIC)
850
00:33:07,400 --> 00:33:09,880
That's four storm-outs, baby!
Four storm-outs!
851
00:33:09,920 --> 00:33:11,880
Suck on that, 'MAFS'!
852
00:33:17,080 --> 00:33:19,720
(MOMENTOUS MUSIC BUILDS)
853
00:33:19,760 --> 00:33:21,920
Alright, guys, you got 30 minutes.
854
00:33:22,000 --> 00:33:27,120
30 minutes to go before we will see
who takes it out.
855
00:33:27,200 --> 00:33:30,560
A herd of unicorns,
an exploding rainbow truck,
856
00:33:30,640 --> 00:33:34,360
a magical watering can,
or Mother Nature herself?
857
00:33:34,400 --> 00:33:35,400
Good luck!
858
00:33:36,520 --> 00:33:38,160
OK.
859
00:33:38,240 --> 00:33:41,040
RYAN: About enough there for you,
or do you want more?
860
00:33:41,080 --> 00:33:43,200
(LAUGHS) Oh, Ryan, you're a genius.
861
00:33:43,240 --> 00:33:44,840
That looks awesome.
862
00:33:44,920 --> 00:33:46,960
We are literally spelling out
"rainbow paint"
863
00:33:47,000 --> 00:33:48,600
on the side of the tanker.
864
00:33:48,680 --> 00:33:50,520
This is not subtle.
(LAUGHS)
865
00:33:50,600 --> 00:33:52,160
There's nothing subtle
about this build.
866
00:33:52,240 --> 00:33:55,520
No, but this build is all about
the aesthetic and the creativity,
867
00:33:55,600 --> 00:33:58,600
and I think we have absolutely
delivered on that.
868
00:33:58,640 --> 00:34:00,280
Coming out!
869
00:34:00,360 --> 00:34:02,560
How many would you like?
How... where did you find them?
870
00:34:02,640 --> 00:34:06,640
There's a tray of just ducks
and bluebirds.
871
00:34:06,720 --> 00:34:08,480
I don't know,
do you think the more, the funnier?
872
00:34:08,560 --> 00:34:12,440
Dare I actually dream
to get to Finals week?
873
00:34:12,520 --> 00:34:14,640
Well, that looks lovely,
then, doesn't it?
874
00:34:15,840 --> 00:34:17,960
(UPBEAT ELECTRONIC MUSIC)
875
00:34:18,040 --> 00:34:19,560
You right?
Yep.
876
00:34:19,640 --> 00:34:21,840
Everything looks
the way it should look.
877
00:34:21,920 --> 00:34:25,040
We have a huge contrast,
with a lot of grey scale,
878
00:34:25,080 --> 00:34:27,560
with coloured flowers in the middle.
879
00:34:27,640 --> 00:34:30,120
If I did this panel
that came out from here...
880
00:34:30,160 --> 00:34:31,160
Yep.
881
00:34:31,240 --> 00:34:33,880
..then I can put flowers onto that.
Do that.
882
00:34:33,960 --> 00:34:35,720
So that it kind of gives...
Beautiful.
883
00:34:35,800 --> 00:34:37,920
We just need to make sure
it looks like the colour
884
00:34:38,000 --> 00:34:41,960
is very definitely pouring
from the watering can,
885
00:34:42,040 --> 00:34:44,440
because the entire point
of this build
886
00:34:44,480 --> 00:34:47,200
is why is there colour in the world?
887
00:34:47,280 --> 00:34:49,280
Love that.
Yep, beautiful.
888
00:34:50,640 --> 00:34:52,320
Alright, everyone, ten minutes.
889
00:34:52,400 --> 00:34:56,080
Ten tiny minutes,
but ten big minutes as well.
890
00:34:56,160 --> 00:34:58,240
It could all come down
to these final ten.
891
00:34:58,280 --> 00:34:59,840
(MOMENTOUS MUSIC BUILDS)
892
00:34:59,920 --> 00:35:01,480
Stand back, stand back.
Yep.
893
00:35:01,520 --> 00:35:03,200
Does that look like Mother Nature?
894
00:35:03,240 --> 00:35:04,320
Yeah, that's better.
895
00:35:04,360 --> 00:35:06,200
Mother Nature is finally together,
896
00:35:06,280 --> 00:35:09,880
we means we can finally focus
on the rest of the scene,
897
00:35:09,960 --> 00:35:12,880
because our base plate
has not a lot on it.
898
00:35:12,960 --> 00:35:14,040
Oh, there's so much space
to fill out.
899
00:35:14,120 --> 00:35:15,960
So quickly.
Too quickly.
900
00:35:16,000 --> 00:35:17,120
Too quickly. Way too quickly.
901
00:35:18,720 --> 00:35:21,440
But this is so important,
given how close the competition is,
902
00:35:21,520 --> 00:35:24,800
because the challenge is to bring in
colour through a story.
903
00:35:24,880 --> 00:35:26,960
And so we have to make it
really obvious
904
00:35:27,000 --> 00:35:29,000
that Mother Nature is, like...
905
00:35:29,080 --> 00:35:30,880
..just breathing life
back through a tree,
906
00:35:30,960 --> 00:35:32,800
and that's bringing colour
into the world.
907
00:35:32,840 --> 00:35:34,400
(MOMENTOUS MUSIC CONTINUES)
908
00:35:34,480 --> 00:35:36,880
Is she still good? OK.
She's still standing. That's fine.
909
00:35:36,960 --> 00:35:39,880
The problem with colour
being introduced through nature
910
00:35:39,960 --> 00:35:44,000
is that you've only got greens and
browns to work with for a lot of it.
911
00:35:44,080 --> 00:35:46,600
So, that's gonna be tough
to make it pop.
912
00:35:48,000 --> 00:35:50,520
I think, after this, I might take
a break from building unicorns.
913
00:35:50,600 --> 00:35:53,920
We're thinking to associate
each coloured unicorn
914
00:35:53,960 --> 00:35:55,360
with a streak of individual colour,
915
00:35:55,440 --> 00:35:57,200
so that red horse
is making things red,
916
00:35:57,280 --> 00:35:58,840
green, green, blue, blue,
blah, blah, blah.
917
00:35:58,880 --> 00:36:00,840
DAVID: We have a red convertible
918
00:36:00,920 --> 00:36:03,800
with a yellow stripe
coming from the yellow unicorn.
919
00:36:03,880 --> 00:36:05,880
This guy has just fallen.
That's awesome.
920
00:36:06,960 --> 00:36:12,040
And some dude screaming because
he's getting coloured as well.
921
00:36:12,120 --> 00:36:13,320
That's what's gonna give us
the story.
922
00:36:13,400 --> 00:36:15,520
That's what's gonna give us the,
you know, adding of the colour.
923
00:36:16,520 --> 00:36:18,240
We gotta move, man. We gotta move.
924
00:36:20,080 --> 00:36:23,160
BRICKMAN: Where do you sit
on the number of ducks?
925
00:36:23,240 --> 00:36:27,080
I say... I almost think
you can't have enough ducks.
926
00:36:27,120 --> 00:36:29,920
If you think about how far it's gone
927
00:36:30,000 --> 00:36:32,760
and they're still
all crossing the road.
928
00:36:32,800 --> 00:36:34,360
(DRAMATIC MUSIC BUILDS)
929
00:36:34,400 --> 00:36:36,000
I just think many ducks,
930
00:36:36,080 --> 00:36:38,520
that provides
a solid barrier of ducks
931
00:36:38,560 --> 00:36:40,440
for an accident to have occurred.
932
00:36:40,520 --> 00:36:42,280
I understand. I appreciate...
Well, DO you understand?
933
00:36:42,360 --> 00:36:44,160
Because I mean... well, we've gotta do
a minute time call,
934
00:36:44,240 --> 00:36:46,800
but if we're not finished this, I'll
take it right back up with you again.
935
00:36:46,840 --> 00:36:48,320
One minute!
936
00:36:48,360 --> 00:36:51,200
Final minute! Final minute to go!
937
00:36:51,280 --> 00:36:53,760
Yeah, because if it's lots
and lots of ducks,
938
00:36:53,840 --> 00:36:56,520
they can't have swerved, so that's
why they've slammed on the brakes.
939
00:36:56,560 --> 00:36:57,640
That's how the truck's gone up.
940
00:36:57,720 --> 00:37:00,080
But they can't swerve... they would
have run over the ducks...
941
00:37:00,160 --> 00:37:01,320
That's why they've swerved
the other way.
942
00:37:01,400 --> 00:37:03,400
But they haven't swerved the other
way. They've swerved into the ducks.
943
00:37:04,440 --> 00:37:07,040
I actually want one grey flower.
I want one grey flower.
944
00:37:07,080 --> 00:37:08,080
I'm gonna steal that one there.
945
00:37:08,120 --> 00:37:09,400
(DRIVING ELECTRONIC BEATS)
946
00:37:09,440 --> 00:37:10,720
Chimney's on.
947
00:37:10,760 --> 00:37:11,920
But they're walking that way...
948
00:37:12,000 --> 00:37:15,120
Yeah, so, they're swerving to
the tail - the tail of the ducks.
949
00:37:15,200 --> 00:37:16,640
20 seconds!
Oh, Jesus!
950
00:37:16,720 --> 00:37:18,680
Hey, we're at the end of the build.
I mean, there's nothing we can do.
951
00:37:18,760 --> 00:37:22,080
FLEUR: Well done, hon. Oooh!
Shaky, shaky, shaky.
952
00:37:22,120 --> 00:37:23,160
GUS: No, don't touch it.
953
00:37:23,240 --> 00:37:24,640
Ten seconds!
Don't touch it. Let it wobble.
954
00:37:24,720 --> 00:37:26,240
MICHAEL: Don't touch it.
Yep.
955
00:37:26,280 --> 00:37:29,160
Seven, six, five, four,
956
00:37:29,200 --> 00:37:32,160
three, two, one!
957
00:37:32,240 --> 00:37:33,520
Yay!
(LAUGHS)
958
00:37:33,600 --> 00:37:35,240
That is it!
BRICKMAN: Well done, everybody.
959
00:37:35,320 --> 00:37:38,600
That is 12 hours
of solid colour work.
960
00:37:38,640 --> 00:37:39,640
Amazing builds. Amazing.
961
00:37:39,680 --> 00:37:40,920
Well done.
962
00:37:41,000 --> 00:37:43,480
We started black and white
and we have come a long way.
963
00:37:43,560 --> 00:37:45,560
That looks incredible.
Great job, everybody.
964
00:37:45,640 --> 00:37:47,440
Well done, everyone.
DAVID: We did our best.
965
00:37:47,520 --> 00:37:49,200
I know.
Amazing!
966
00:37:52,120 --> 00:37:53,400
I feel sick.
967
00:37:56,760 --> 00:37:58,440
That looks awesome!
Thank you.
968
00:37:58,480 --> 00:38:00,280
(DRAMATIC MUSIC SWELLS)
969
00:38:01,840 --> 00:38:04,840
(UPLIFTING MUSIC BUILDS)
970
00:38:04,880 --> 00:38:06,520
(BIRDSONG)
971
00:38:11,360 --> 00:38:13,880
(UPLIFTING MUSIC CONTINUES)
972
00:38:13,920 --> 00:38:16,240
(MACHINERY WHIRRS)
973
00:38:16,280 --> 00:38:18,800
(UPLIFTING MUSIC CONTINUES)
974
00:38:18,840 --> 00:38:20,920
(PLANE DRONES)
975
00:38:20,960 --> 00:38:23,960
(NEIGHING)
976
00:38:24,000 --> 00:38:27,000
(UPLIFTING MUSIC CONTINUES)
977
00:38:30,480 --> 00:38:33,520
Alrighty, guys, four hours ago,
978
00:38:33,600 --> 00:38:38,160
you were given four identical
black and white houses
979
00:38:38,200 --> 00:38:40,600
with the objective to colour them.
980
00:38:40,680 --> 00:38:42,960
One of the things you notice
about the Brick Pit
981
00:38:43,040 --> 00:38:45,480
is there is a lot
of colourful LEGO in there,
982
00:38:45,520 --> 00:38:49,000
but Brickman's big instruction was,
983
00:38:49,080 --> 00:38:52,280
"What is bringing the colour
and how is it doing it?"
984
00:38:52,360 --> 00:38:54,640
I want to see what
Brickman's thoughts are.
985
00:38:55,680 --> 00:38:57,240
Sarah and Fleur,
let's have a look at you guys.
986
00:38:57,280 --> 00:39:00,280
(APPLAUSE)
987
00:39:00,360 --> 00:39:05,200
I'm so nervous, because we want
to be in Finals Week so badly.
988
00:39:05,240 --> 00:39:06,680
Absolutely.
989
00:39:06,760 --> 00:39:08,880
I'd donate a child
to be in Finals Week.
990
00:39:08,960 --> 00:39:11,960
When you first had the idea
in your head to now,
991
00:39:12,040 --> 00:39:15,120
do you feel like the idea
has come out as you hoped?
992
00:39:15,200 --> 00:39:17,840
We love this build.
Really happy with it, yep.
993
00:39:17,920 --> 00:39:19,560
It's definitely
what we were going for -
994
00:39:19,640 --> 00:39:21,320
sort of a pop of colour
amongst the grey.
995
00:39:21,360 --> 00:39:24,360
(MOMENTOUS MUSIC BUILDS)
996
00:39:24,400 --> 00:39:27,040
(BIRDSONG)
997
00:39:27,080 --> 00:39:29,760
Our house is a planter box
998
00:39:29,800 --> 00:39:32,600
with the watering can above it,
999
00:39:32,680 --> 00:39:35,440
pouring the water
that's colouring the flowers.
1000
00:39:35,480 --> 00:39:37,880
(MOMENTOUS MUSIC CONTINUES)
1001
00:39:37,960 --> 00:39:41,480
We have a huge contrast, with much
more greyscale than colour.
1002
00:39:41,520 --> 00:39:44,520
(MOMENTOUS MUSIC SWELLS)
1003
00:39:48,160 --> 00:39:50,160
Now, the whole point of today's build
1004
00:39:50,240 --> 00:39:53,800
was, how is colour being introduced
into the black and white world,
1005
00:39:53,880 --> 00:39:56,160
and then what's happening
once it's in there?
1006
00:39:56,200 --> 00:39:57,920
What's your take, Brickman?
1007
00:39:58,000 --> 00:40:02,640
First off, you spent almost
as much time in the black and white.
1008
00:40:02,720 --> 00:40:03,680
Mm-hm.
Yes.
1009
00:40:03,720 --> 00:40:05,880
That's a very big risk to take,
1010
00:40:05,960 --> 00:40:09,720
but you had to to emphasise
where the colour came out.
1011
00:40:11,040 --> 00:40:13,000
And I not only think
it was quite a risk...
1012
00:40:15,160 --> 00:40:17,000
..I actually think
it really paid off.
1013
00:40:17,040 --> 00:40:18,640
(GASPS)
1014
00:40:18,680 --> 00:40:21,240
This build draws you in.
1015
00:40:21,320 --> 00:40:25,320
It is striking.
It is incredibly imaginative.
1016
00:40:25,400 --> 00:40:27,920
It is your passion,
and you know what,
1017
00:40:28,000 --> 00:40:31,720
the brief of bringing colour
to this world, you absolutely did.
1018
00:40:31,760 --> 00:40:33,160
Thank you.
1019
00:40:33,200 --> 00:40:34,680
And once you get in there,
1020
00:40:34,760 --> 00:40:36,920
you see all sorts of
crazy different LEGO elements.
1021
00:40:37,000 --> 00:40:38,000
Yeah.
Yep.
1022
00:40:38,080 --> 00:40:40,640
Car bonnets, wheels, cogs,
gear levers, upside down dresses.
1023
00:40:40,720 --> 00:40:42,160
Legs.
SNOT bricks, legs.
1024
00:40:42,240 --> 00:40:44,520
You name it.
It's like they all belong.
1025
00:40:44,600 --> 00:40:48,000
It's a very fine balance
and it is really hard to get,
1026
00:40:48,080 --> 00:40:51,720
and so to see what you guys
have done in this build,
1027
00:40:51,760 --> 00:40:52,920
well done, ladies.
1028
00:40:52,960 --> 00:40:54,160
Well done.
1029
00:40:54,240 --> 00:40:55,520
Thank you!
Thank you very much!
1030
00:40:55,560 --> 00:40:56,560
(UPLIFTING MUSIC SWELLS)
1031
00:40:56,640 --> 00:40:59,760
You did really well, yeah.
Thank you so much.
1032
00:40:59,840 --> 00:41:03,960
I honestly have goose bumps
hearing Brickman's feedback.
1033
00:41:04,040 --> 00:41:08,200
It's so positive,
but makes the nerves ten fold.
1034
00:41:08,240 --> 00:41:09,800
Michael and Harrison.
1035
00:41:09,840 --> 00:41:11,880
(APPLAUSE)
1036
00:41:11,920 --> 00:41:15,520
(TINKLING INSTRUMENTAL MUSIC)
1037
00:41:15,600 --> 00:41:17,800
Fellas, we started
with our black and white world.
1038
00:41:17,840 --> 00:41:20,520
We now have Mother Nature herself -
1039
00:41:20,600 --> 00:41:24,040
trespassing, it has to be said,
in this front garden,
1040
00:41:24,080 --> 00:41:26,000
but bringing the world to life.
1041
00:41:26,040 --> 00:41:29,040
(STIRRING INSTRUMENTAL MUSIC)
1042
00:41:30,520 --> 00:41:32,440
MICHAEL: We've built Mother Nature
1043
00:41:32,520 --> 00:41:35,080
bringing new life
into the black and white world.
1044
00:41:37,640 --> 00:41:39,880
HARRISON: And everyone having
a good time behind her.
1045
00:41:39,920 --> 00:41:41,000
(CHILDREN LAUGH)
1046
00:41:41,080 --> 00:41:42,840
Mother Nature
really took over our build.
1047
00:41:42,880 --> 00:41:45,000
We put so much time into her
1048
00:41:45,080 --> 00:41:46,840
that we sort of
neglected everything else.
1049
00:41:47,920 --> 00:41:49,360
We think we're probably
in the gun today,
1050
00:41:49,440 --> 00:41:51,640
because this build
was a lot about the story,
1051
00:41:51,680 --> 00:41:54,000
and our story is a bit muddled.
1052
00:41:56,080 --> 00:41:57,800
How are you guys feeling?
1053
00:41:57,880 --> 00:42:00,360
She had a lot of iterations
in terms of how she looked,
1054
00:42:00,440 --> 00:42:03,280
and we're happy enough with
the final expression we've got,
1055
00:42:03,360 --> 00:42:06,800
and we think we've brought colour
in an interesting way.
1056
00:42:06,840 --> 00:42:08,840
OK. Brickman, what are your thoughts?
1057
00:42:08,880 --> 00:42:11,040
So, prior to LEGO Masters,
1058
00:42:11,120 --> 00:42:13,280
characters weren't really
your thing.
1059
00:42:14,320 --> 00:42:18,400
I'm really glad that over time,
you've started to introduce them
1060
00:42:18,480 --> 00:42:21,320
and build them into
your LEGO skill repertoire.
1061
00:42:21,400 --> 00:42:25,080
Mother Nature,
she is, by far and away,
1062
00:42:25,160 --> 00:42:28,080
the most technical of all of those
characters you've done.
1063
00:42:28,120 --> 00:42:30,600
First off is her skirt.
1064
00:42:30,680 --> 00:42:34,040
You've used a technique,
which is to take a cargo net,
1065
00:42:34,080 --> 00:42:36,360
but because it's made of string,
1066
00:42:36,400 --> 00:42:38,640
it allows it to flow and bend.
1067
00:42:38,720 --> 00:42:41,320
You've also got things like,
on her headband,
1068
00:42:41,400 --> 00:42:45,160
little golden rings to hold flowers
together on the top.
1069
00:42:45,240 --> 00:42:48,320
They're actually from 'Lord Of The
Rings - The Fellowship Of The Ring'.
1070
00:42:48,400 --> 00:42:52,560
So, you guys have pulled absolutely
every trick out of the bag
1071
00:42:52,600 --> 00:42:54,240
as far as nice part usage,
1072
00:42:54,280 --> 00:42:55,800
and it's fantastic to see.
1073
00:42:57,000 --> 00:43:00,400
Unfortunately,
at this point in the competition,
1074
00:43:00,480 --> 00:43:03,280
when we're down
to four brilliant teams,
1075
00:43:03,320 --> 00:43:06,560
the focus of my attention sharpens.
1076
00:43:16,560 --> 00:43:19,760
BRICKMAN: Unfortunately,
at this point in the competition,
1077
00:43:19,840 --> 00:43:22,280
when we're down
to four brilliant teams,
1078
00:43:22,320 --> 00:43:25,840
the focus of my attention sharpens.
1079
00:43:27,080 --> 00:43:31,080
I'm not 100% sold on the story
of bringing colour to the world.
1080
00:43:31,160 --> 00:43:33,080
The challenge is,
"Colour your world."
1081
00:43:33,160 --> 00:43:35,200
It's not,
"Bring life to your world."
1082
00:43:35,240 --> 00:43:37,560
We already have life in here.
1083
00:43:37,600 --> 00:43:39,600
We have trees already.
1084
00:43:39,680 --> 00:43:43,960
So, there are probably different
ways to introduce colour,
1085
00:43:44,000 --> 00:43:45,320
as opposed to life.
1086
00:43:45,360 --> 00:43:47,200
It's a very fine balance.
1087
00:43:47,240 --> 00:43:48,920
The unfortunately thing for you is,
1088
00:43:49,000 --> 00:43:51,720
because we already
have a version of life here,
1089
00:43:51,760 --> 00:43:53,240
it's a little bit lost.
1090
00:43:54,280 --> 00:43:57,040
But a great build, guys. Well done.
Beautiful, guys.
1091
00:43:57,080 --> 00:44:01,120
(APPLAUSE)
1092
00:44:01,160 --> 00:44:02,600
Could have been worse.
1093
00:44:02,680 --> 00:44:06,040
We sort of missed the brief
by about this much,
1094
00:44:06,120 --> 00:44:08,440
which, in a competition
when it's this close,
1095
00:44:08,480 --> 00:44:09,920
is enough to send us home.
1096
00:44:09,960 --> 00:44:12,000
Gabby and Ryan, let's have a look.
1097
00:44:12,040 --> 00:44:15,000
(APPLAUSE)
1098
00:44:15,080 --> 00:44:16,840
I really like it! I like it.
It's a cool-looking build.
1099
00:44:16,920 --> 00:44:19,480
We know that we do the best builds
when we're having fun,
1100
00:44:19,520 --> 00:44:20,800
and this was fun.
1101
00:44:20,840 --> 00:44:23,840
(MOMENTOUS MUSIC BUILDS)
1102
00:44:27,040 --> 00:44:28,920
A rainbow paint truck
1103
00:44:29,000 --> 00:44:31,560
avoids a row of ducks
that are crossing the road...
1104
00:44:31,600 --> 00:44:32,880
(TYRES SCREECH, QUACKING)
1105
00:44:32,920 --> 00:44:35,480
Launches into the roof.
1106
00:44:35,520 --> 00:44:36,680
(CRASH!)
1107
00:44:38,160 --> 00:44:39,960
Creating a fountain of paint.
1108
00:44:40,000 --> 00:44:42,400
(MOMENTOUS MUSIC CONTINUES)
1109
00:44:42,480 --> 00:44:45,160
And everything it drops on becomes
coloured, splashed with paint.
1110
00:44:45,200 --> 00:44:48,200
(MOMENTOUS MUSIC SWELLS)
1111
00:44:50,560 --> 00:44:52,960
Guys, rainbow paint.
1112
00:44:53,040 --> 00:44:55,160
Good god, it's a dangerous product,
isn't it?
1113
00:44:55,240 --> 00:44:57,920
'Cause if that goes into
the second storey of your nice home,
1114
00:44:58,000 --> 00:45:01,080
it's coming out with lots of pressure
through the roof.
1115
00:45:01,160 --> 00:45:03,440
How do you guys feel
at the end of these 12 hours?
1116
00:45:03,520 --> 00:45:06,280
I'm quite amused by it.
It's a really funny build.
1117
00:45:06,360 --> 00:45:09,640
And I love that it was born from
a simple statement from your son,
1118
00:45:09,680 --> 00:45:11,720
saying, "Where's the rainbow paint?"
1119
00:45:11,800 --> 00:45:13,320
There it is -
coming through the roof.
1120
00:45:13,400 --> 00:45:14,920
The bits where the colour
is in the world,
1121
00:45:15,000 --> 00:45:16,520
but also the bits
where the colour isn't,
1122
00:45:16,600 --> 00:45:18,600
I reckon, has been used
to great effect.
1123
00:45:18,640 --> 00:45:20,680
Brickman, what are your thoughts?
1124
00:45:22,160 --> 00:45:25,000
LEGO is inherently funny.
It's self-deprecating.
1125
00:45:25,040 --> 00:45:27,000
Minifigures love to have a joke.
1126
00:45:27,080 --> 00:45:30,440
They love... silly, crazy things
happen in LEGO City all the time,
1127
00:45:30,520 --> 00:45:33,000
and that's exactly
what is happening here.
1128
00:45:33,040 --> 00:45:35,080
This build is funny.
1129
00:45:35,120 --> 00:45:36,320
It's colourful.
1130
00:45:36,360 --> 00:45:38,080
It's doing what it needs to do,
1131
00:45:38,160 --> 00:45:41,000
and when you guys are having fun,
that comes out in the LEGO.
1132
00:45:41,040 --> 00:45:42,040
Yep.
1133
00:45:42,120 --> 00:45:44,520
But there's one thing, I think,
that sets it apart
1134
00:45:44,560 --> 00:45:46,720
from all of the other builds.
1135
00:45:46,800 --> 00:45:50,800
I think you were incredibly smart
with how you didn't build LEGO,
1136
00:45:50,880 --> 00:45:56,760
and by that, I mean by leaving the
sheer volume of monochrome behind.
1137
00:45:57,800 --> 00:46:00,200
This build, whilst it's called
Colour My World,
1138
00:46:00,280 --> 00:46:05,280
is all about contrasting colours
and what pops against it.
1139
00:46:05,360 --> 00:46:07,880
You've actually enhanced
the monochrome build
1140
00:46:07,920 --> 00:46:09,160
by adding other parts to it.
1141
00:46:09,240 --> 00:46:12,760
The little lawnmower guy, in
particular, I thought was fantastic.
1142
00:46:12,840 --> 00:46:14,600
The little bushes.
You know, you've added cars.
1143
00:46:14,680 --> 00:46:16,720
You've added things
in the monochrome world,
1144
00:46:16,760 --> 00:46:18,800
which have enhanced it further.
1145
00:46:18,880 --> 00:46:22,280
It's actually drawn us more
into the colour,
1146
00:46:22,360 --> 00:46:24,320
and what's happening
with the colour.
1147
00:46:24,360 --> 00:46:26,400
And lastly, it doesn't make sense,
1148
00:46:26,480 --> 00:46:28,760
but the fact that
the ducks are coloured...
1149
00:46:28,800 --> 00:46:30,240
(LAUGHTER)
1150
00:46:30,280 --> 00:46:32,360
..I absolutely love.
1151
00:46:32,440 --> 00:46:33,880
Well done, guys. Great work.
Thank you.
1152
00:46:33,920 --> 00:46:35,880
(LAUGHTER)
1153
00:46:35,920 --> 00:46:37,960
(UPLIFTING MUSIC CONTINUES)
1154
00:46:39,640 --> 00:46:42,200
Gus and David.
(APPLAUSE)
1155
00:46:43,440 --> 00:46:46,640
DAVID: I'm looking around the room
and I think we might be bottom two.
1156
00:46:46,720 --> 00:46:48,680
There's not a lot of contrast
in our build.
1157
00:46:48,720 --> 00:46:50,440
There's a lot of colour.
1158
00:46:50,520 --> 00:46:53,040
So, we haven't given it that chance
to pop against the black and white.
1159
00:46:53,120 --> 00:46:57,520
Fellas, the first unicorn stampede
we've had on LEGO Masters.
1160
00:46:57,560 --> 00:46:59,360
How does it feel?
1161
00:46:59,440 --> 00:47:01,800
We started with one unicorn,
and then to end up with five -
1162
00:47:01,880 --> 00:47:04,040
you know, to make it into
the stampede is quite satisfying.
1163
00:47:04,080 --> 00:47:05,280
It's a unicorn breeders dream.
1164
00:47:08,480 --> 00:47:11,480
(MOMENTOUS MUSIC BUILDS)
1165
00:47:13,320 --> 00:47:15,320
(NEIGHING)
1166
00:47:15,360 --> 00:47:16,600
It's an impressive build to us.
1167
00:47:17,720 --> 00:47:20,600
There's five unicorns,
with colour streaks and rainbows,
1168
00:47:20,640 --> 00:47:22,600
bursting through our scene,
1169
00:47:22,640 --> 00:47:24,640
painting the world in colour.
1170
00:47:27,200 --> 00:47:29,160
We just really, really hope
that we've done enough
1171
00:47:29,200 --> 00:47:30,400
to not be eliminated today.
1172
00:47:31,480 --> 00:47:34,520
Brickman, where's your head at
for this build?
1173
00:47:34,600 --> 00:47:38,600
First off, no doubt we have a reason
as to why colour is in the world,
1174
00:47:38,640 --> 00:47:40,280
which is the main component.
1175
00:47:40,320 --> 00:47:42,520
That's the key part to the story.
1176
00:47:43,560 --> 00:47:46,480
The unicorns are amazing.
They are absolutely amazing.
1177
00:47:46,520 --> 00:47:47,640
Thanks.
1178
00:47:47,680 --> 00:47:49,440
You did one of the best tricks
1179
00:47:49,520 --> 00:47:51,480
that you can possibly do
on LEGO Masters -
1180
00:47:51,560 --> 00:47:54,440
That's to take something
and replicate it.
1181
00:47:54,520 --> 00:47:56,520
You'd done all of the hard work
in designing one.
1182
00:47:56,600 --> 00:47:58,040
All you had to worry about
was changing the colours.
1183
00:47:58,080 --> 00:47:59,240
Yep.
1184
00:47:59,320 --> 00:48:00,840
It's a cheap trick,
but it's a brilliant trick!
1185
00:48:02,000 --> 00:48:06,840
However, we has, essentially,
an eight-hour build already
1186
00:48:06,920 --> 00:48:09,080
before you even picked up
a LEGO brick.
1187
00:48:09,160 --> 00:48:13,080
It was an opportunity
to use what you already had
1188
00:48:13,160 --> 00:48:15,920
to then really make a statement
of that colour.
1189
00:48:16,000 --> 00:48:19,000
If it had just been as simple
as the five unicorns,
1190
00:48:19,080 --> 00:48:21,360
each with their own
individual trail,
1191
00:48:21,400 --> 00:48:23,200
and the rest was black and white,
1192
00:48:23,280 --> 00:48:25,600
I think that would have been
much more impactful.
1193
00:48:25,640 --> 00:48:27,080
Yep.
1194
00:48:27,120 --> 00:48:28,600
Some of these unicorns are lost,
1195
00:48:28,680 --> 00:48:31,720
or the trail of what they've done
and how they've brought colour
1196
00:48:31,760 --> 00:48:33,000
has been lost.
1197
00:48:33,040 --> 00:48:35,040
(DRAMATIC MUSIC BUILDS)
1198
00:48:35,080 --> 00:48:37,080
They're still beautiful unicorns,
1199
00:48:37,160 --> 00:48:40,720
but I don't think this is quite up
to your usual high standards today.
1200
00:48:40,760 --> 00:48:43,200
(DRAMATIC MUSIC BUILDS)
1201
00:48:43,280 --> 00:48:45,560
If I was feeling uncomfortable
about the build before,
1202
00:48:45,640 --> 00:48:48,360
right now I'm feeling
less and less comfortable.
1203
00:48:48,400 --> 00:48:51,400
(APPLAUSE)
1204
00:48:51,480 --> 00:48:55,000
I don't know if it's gonna be enough
to keep us in the competition,
1205
00:48:55,040 --> 00:48:56,560
give us a spot for Finals Week.
1206
00:49:05,080 --> 00:49:08,080
Alrighty, guys,
four black and white houses.
1207
00:49:08,160 --> 00:49:11,120
Four very different,
very imaginative ways
1208
00:49:11,200 --> 00:49:13,720
that colour is coming
into those houses,
1209
00:49:13,800 --> 00:49:17,960
and four spectacular worlds
once colour has arrived,
1210
00:49:18,040 --> 00:49:21,480
however, only three teams
will be joining Scotty and Owen
1211
00:49:21,520 --> 00:49:23,680
in Finals Week.
1212
00:49:23,720 --> 00:49:27,240
Sadly, one team will leave us today.
1213
00:49:27,280 --> 00:49:29,600
Brickman, your overall thoughts?
1214
00:49:29,680 --> 00:49:34,600
So, when we started this challenge,
we had monochrome -
1215
00:49:34,640 --> 00:49:37,200
a very bland and boring world.
1216
00:49:37,240 --> 00:49:39,800
There is absolutely no question
1217
00:49:39,880 --> 00:49:44,760
we now have brought colour
to all of them in amazing ways.
1218
00:49:44,840 --> 00:49:48,680
So, the first team
I would like to call forward
1219
00:49:48,720 --> 00:49:52,000
to join Scott and Owen is...
1220
00:49:52,040 --> 00:49:55,040
(DRAMATIC MUSIC BUILDS)
1221
00:50:00,720 --> 00:50:01,720
..Ryan and Gabby!
1222
00:50:01,800 --> 00:50:05,120
(CHEERING AND APPLAUSE)
FLEUR: Well done!
1223
00:50:05,160 --> 00:50:06,160
Oh, my god!
1224
00:50:06,240 --> 00:50:08,000
Great job, guys.
(APPLAUSE)
1225
00:50:08,080 --> 00:50:10,440
We didn't even dare to dream
we would make it to Finals Week.
1226
00:50:10,480 --> 00:50:12,280
So, it's beyond a dream come true.
1227
00:50:12,320 --> 00:50:14,920
For a team that has been eliminated,
1228
00:50:15,000 --> 00:50:20,160
to be heading into Finals Week -
absolutely unprecedented.
1229
00:50:20,200 --> 00:50:21,920
And there's no question in my mind,
1230
00:50:22,000 --> 00:50:24,600
looking at what you've built,
you've hit your straps,
1231
00:50:24,680 --> 00:50:28,200
and it bodes incredibly well
for Finals Week.
1232
00:50:28,240 --> 00:50:30,400
I can't wait. Well done.
1233
00:50:30,440 --> 00:50:31,440
Thank you.
1234
00:50:31,520 --> 00:50:33,080
Yay! Go us!
It's a good feeling.
1235
00:50:33,120 --> 00:50:34,840
How cool is that?
1236
00:50:34,920 --> 00:50:41,800
The next team that I would like to
invite through to Finals Week is...
1237
00:50:41,840 --> 00:50:44,840
(DRAMATIC MUSIC BUILDS)
1238
00:50:46,560 --> 00:50:48,040
..Sarah and Fleur.
1239
00:50:48,080 --> 00:50:50,160
Ahh! Well done!
1240
00:50:50,200 --> 00:50:52,000
Yay!
1241
00:50:52,040 --> 00:50:54,240
(APPLAUSE)
1242
00:50:54,320 --> 00:50:57,200
For me,
imagining my four-year-old son
1243
00:50:57,280 --> 00:51:00,680
going, "My mum made it
to Finals Week."
1244
00:51:00,720 --> 00:51:02,720
Oh, yes!
1245
00:51:02,800 --> 00:51:04,760
What mum could ask
for more than that?
1246
00:51:04,840 --> 00:51:08,200
There's nothing better than having
the admiration of your children.
1247
00:51:08,240 --> 00:51:09,920
My kids are gonna be so proud of me,
1248
00:51:10,000 --> 00:51:12,560
because I think my kids never
thought that I'd be capable of this
1249
00:51:12,600 --> 00:51:14,440
and it's such a thing to go,
1250
00:51:14,520 --> 00:51:18,520
"If you set your mind to something,
you can do anything in the world."
1251
00:51:18,560 --> 00:51:19,600
And it's exciting.
1252
00:51:19,680 --> 00:51:22,200
Look - you're finally crying!
(LAUGHS)
1253
00:51:22,240 --> 00:51:24,240
(APPLAUSE)
1254
00:51:24,280 --> 00:51:25,840
I never cry!
1255
00:51:25,920 --> 00:51:27,560
It's just... anyway.
Yeah.
1256
00:51:27,600 --> 00:51:29,160
Yeah, it's really amazing.
1257
00:51:30,160 --> 00:51:33,440
So, that leaves us two teams.
1258
00:51:33,520 --> 00:51:37,880
Sadly, one of the teams
will be leaving us today.
1259
00:51:37,920 --> 00:51:40,920
(TENSE INSTRUMENTAL MUSIC)
1260
00:51:43,280 --> 00:51:45,440
The builds are amazing.
1261
00:51:45,520 --> 00:51:49,600
The quality of LEGO builds,
both of you, are astounding.
1262
00:51:49,640 --> 00:51:51,080
They really are.
1263
00:51:51,160 --> 00:51:54,840
Gus and David - aesthetically,
beautiful colours,
1264
00:51:54,920 --> 00:51:59,560
and what better than unicorns
to bring those amazing colours?
1265
00:51:59,600 --> 00:52:01,640
Michael and Harrison,
1266
00:52:01,680 --> 00:52:03,760
probably the most technical build
1267
00:52:03,840 --> 00:52:06,400
you've pulled off so far
on LEGO Masters.
1268
00:52:06,480 --> 00:52:09,680
Absolutely, you get a big tick
for your technical build today.
1269
00:52:09,760 --> 00:52:13,120
It really has forced me down
to the nitty-gritty,
1270
00:52:13,200 --> 00:52:18,040
and storytelling, today, is where
that nitty-gritty was determined.
1271
00:52:19,480 --> 00:52:26,040
Gus and David, your story was
crystal clear
1272
00:52:26,120 --> 00:52:28,520
as to why colours
were in your world...
1273
00:52:28,560 --> 00:52:30,080
(DRAMATIC MUSIC BUILDS)
1274
00:52:30,120 --> 00:52:31,720
..and that saved you today.
1275
00:52:33,240 --> 00:52:35,800
Unfortunately, Michael and Harrison,
1276
00:52:35,840 --> 00:52:38,480
your LEGO Masters journey has ended.
1277
00:52:38,520 --> 00:52:41,280
(STIRRING INSTRUMENTAL MUSIC)
1278
00:52:41,360 --> 00:52:42,680
Well, congratulations
to Gus and Dave.
1279
00:52:42,720 --> 00:52:46,000
(APPLAUSE)
1280
00:52:48,080 --> 00:52:51,920
Harrison and Michael,
as Brickman said,
1281
00:52:52,000 --> 00:52:55,040
at this stage in the competition,
there's obviously no bad builds.
1282
00:52:55,120 --> 00:52:58,920
There's just tiny, tiny areas
where a nit can be picked.
1283
00:53:00,520 --> 00:53:02,920
You guys have built some amazing
things. How are you feeling?
1284
00:53:03,000 --> 00:53:04,800
Oh, we feel pretty luck
to be here, really.
1285
00:53:04,840 --> 00:53:05,960
Yeah.
1286
00:53:06,040 --> 00:53:09,200
We've learnt a ton along the way,
met some amazing people,
1287
00:53:09,280 --> 00:53:13,800
and I guess to go out on that -
like, how can we be upset on that?
1288
00:53:13,840 --> 00:53:15,280
Coming into the competition,
1289
00:53:15,360 --> 00:53:16,920
we were both a little unsure
of our skills
1290
00:53:16,960 --> 00:53:18,480
and where we stand in relation to,
1291
00:53:18,560 --> 00:53:20,680
you know, the greatest LEGO builders
in Australia.
1292
00:53:20,760 --> 00:53:24,320
You've got some crazy LEGO elements
doing crazy things.
1293
00:53:24,360 --> 00:53:26,280
(BRICKS RATTLE)
1294
00:53:26,360 --> 00:53:28,480
He's got moobs.
(BOTH LAUGH)
1295
00:53:28,560 --> 00:53:33,360
What you did was take a massive
gamble, and I love that.
1296
00:53:33,400 --> 00:53:35,280
Way cool. Totally way cool.
1297
00:53:35,320 --> 00:53:37,000
I think we proved to ourselves
1298
00:53:37,080 --> 00:53:39,360
that we actually can build
some really cool stuff.
1299
00:53:39,400 --> 00:53:41,280
Well done, Michael and Harrison.
1300
00:53:41,320 --> 00:53:44,320
(CHEERING AND APPLAUSE)
1301
00:53:45,320 --> 00:53:46,440
We have been eliminated.
1302
00:53:46,520 --> 00:53:48,720
But I think we go out
on a high as well.
1303
00:53:48,760 --> 00:53:49,760
Yeah.
1304
00:53:49,840 --> 00:53:51,120
It's been awesome
having you guys on the show.
1305
00:53:51,200 --> 00:53:53,280
We will miss you.
We will clap you out.
1306
00:53:53,360 --> 00:53:54,800
Thank you, guys.
Thanks, guys. Thanks so much.
1307
00:53:54,840 --> 00:53:56,320
You guys are the best, OK?
1308
00:53:56,400 --> 00:53:57,880
(CHEERING AND APPLAUSE)
See you guys later.
1309
00:53:57,920 --> 00:53:59,240
SARAH: Well done, guys.
1310
00:53:59,280 --> 00:54:02,240
(APPLAUSE)
1311
00:54:02,320 --> 00:54:03,600
We were pretty happy
with what we did,
1312
00:54:03,680 --> 00:54:06,360
and the four teams that went through
are very deserving.
1313
00:54:06,400 --> 00:54:07,400
Yep.
1314
00:54:07,440 --> 00:54:10,080
(CONTESTANTS EXCLAIM)
1315
00:54:10,120 --> 00:54:11,400
Next time...
1316
00:54:11,480 --> 00:54:12,560
There's a reason
Brickman is Brickman.
1317
00:54:12,600 --> 00:54:13,600
Uh, yeah.
1318
00:54:13,640 --> 00:54:15,200
Good luck! Go, go, go!
1319
00:54:15,240 --> 00:54:16,640
(MOMENTOUS MUSIC BUILDS)
1320
00:54:16,680 --> 00:54:18,240
It's the penultimate episode!
1321
00:54:18,280 --> 00:54:19,680
..it's Finals Week...
1322
00:54:19,720 --> 00:54:21,040
(MOMENTOUS MUSIC SWELLS)
1323
00:54:21,080 --> 00:54:22,440
Yes!
1324
00:54:23,560 --> 00:54:25,280
We have to build something
that lives on a tree.
1325
00:54:25,320 --> 00:54:26,360
Whoa! (LAUGHS)
1326
00:54:26,440 --> 00:54:28,280
..and the challenge
to go out on a limb...
1327
00:54:28,360 --> 00:54:30,880
SCOTT: So, it's not enough
to just build a village of elves.
1328
00:54:30,960 --> 00:54:32,880
Owen's decided to make the challenge
even harder
1329
00:54:32,960 --> 00:54:34,720
by branching out
from the existing branch.
1330
00:54:36,080 --> 00:54:37,360
This is a terrible idea.
1331
00:54:37,400 --> 00:54:38,400
Are you nuts?
1332
00:54:38,480 --> 00:54:40,320
Is this the first time
you've put the head on?
1333
00:54:40,400 --> 00:54:41,600
Yep.
Ohh!
1334
00:54:41,680 --> 00:54:45,080
..is all that stands between
our final four and the finale.
1335
00:54:45,120 --> 00:54:46,960
There's a little bit more.
1336
00:54:47,000 --> 00:54:48,240
Ohh!
1337
00:54:48,320 --> 00:54:50,800
Unless, of course,
I drop another surprise.
1338
00:54:50,840 --> 00:54:52,080
Oh, no! (LAUGHS)
1339
00:54:52,120 --> 00:54:53,280
(CONTESTANTS EXCLAIM AND LAUGH)
103104
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