All language subtitles for Lego.Masters.AU.S03E12.WEBRip.9Now.en

HAMISH: Previously,
on Lego Masters...

(LAUGHTER AND APPLAUSE)

..we assembled the final five...

(ROAR)

(FLEUR LAUGHS)

..for the ultimate battle
for immunity.

(ROAR)

(LAUGHS)

HAMISH: Then...

(LASER SOUND)

..Scott and Owen
took us to a whole new realm...

BRICKMAN: Today,
you showed me something

that's been locked away inside you.
It's amazing.

You really demonstrated
so many different skills

and if you can do that every week,
we're all winners.

..claiming immunity...

Scott and Owen.

(APPLAUSE AND CHEERING)

..with Doctor Strange's
Sanctum Sanctorum.

We got to finals!

(APPLAUSE)

Yeah, we got to finals, man.

HAMISH: Tonight,
in the elimination...

(CONTESTANTS REACT)
Oh!

..your challenge is to introduce
colour to your world...

This is the best day of my life.

HAMISH: It's the final build
before finals week...

FLEUR: This is going to be
our moment, Sarah.

Finals week, baby.

..and in the most artistic
build yet.

GABBY: We want it to be magic
rainbow paint,

so everything it drops on
becomes coloured.

HAMISH: Everyone will be pushed
to their limits.

GABBY: Oh!

GUS: We're the only team that still
hasn't actually got an idea.

We really don't want to go home
at this stage.

(APPLAUSE AND CHEERING)

Oh, man.

(GASPS)

(LAUGHTER)

(APPLAUSE)

Thanks very much.

Oh, my god! Brickman in costume.

This is the best day of my life.

Welcome to Lego Masters episode one
and to the '50s.

(LAUGHTER)

Today, you'll be playing with some
nifty Danish wooden blocks.

They're called Lego.
Wow!

No, we're still in 2021.

Everything's OK.

Fleur, I mean, you just yelled,

"This is the best thing
that's ever happened to me."

I mean, that is huge.
(LAUGHTER)

I just - I wanted to see Brickman
dressed up forever...

Oh, OK.
(LAUGHTER)

..and it's like walking onto like
a 1930s film set or something.

You know, I'm so excited.

(LAUGHTER)

There is excitement in the room.

There might be a lot of colour
on our side of things.

We've gone greyscale

but there is excitement

because today is one of the builds
it all comes down to.

Today is an elimination build.
We will lose someone

but the teams that make it through
today will go into finals week,

next week and then they are within
a sniff of the finale

and possibly walking away
with the grand prize

of being Lego Masters Australia
and 100 grand.

Scotty and Owen, you're
already there.

You're already in finals week.
Whoo! Congrats.

(APPLAUSE)

You won the Marvel Avengers
challenge.

It was an incredible build.

Fellas, good luck.
We'll see you at the end.

Thank you very much.
Thank you.

Bye, guys.
See you, guys.

(APPLAUSE)

See you round. Good luck.

Well, I suppose there are
some thoughts

flying around your heads
as to what today's build is.

CONTESTANTS: Yes, yes.

OK.

Why don't you come this way?

(WONDROUS MUSIC)

(GASPS)

I can already feel Fleur going.

FLEUR: It's Pleasantville!

(LAUGHTER)
Wow!

Can I interest you
in a house and land package at all?

Take a little look
at your suburban dream.

SARAH: Hang on, they're all
the same.

HAMISH: The four houses
on this street, like Brickman and I,

they're monochrome.

They're greyscale,
they've lost their colour.

Your challenge today
is to introduce colour to your world

through a story.

Something is happening in your build
that is creating the colour.

So, we're going to end up
with four builds

that have a lot of greyscale on them

but a very clear reason
why part of the build

has started to become colourful.

Wow.

It's a very artistic build today.

So, over Lego Masters,
we have of course really teased out

a technical, storytelling
and aesthetic component

of your Lego skills.

Today, it's time to park
your technical skills

and to really focus on storytelling,

the 'why' there colour
in this world,

and of course once you've realised
that, your aesthetics.

It's about bringing beautiful colour
for a reason into these builds.

They're all the same, so it makes
comparing them even easier.

To bring colour to your monochrome
house and land packages,

you have got 12 hours.

FLEUR: Oh, wow.

I guess it's not so black and white.

(LAUGHTER)

In all seriousness,
this is to get to finals week.

Good luck. Time starts now.
Go for it.

Good general free-for-all.

Everyone happy with their selection?
(LAUGHTER)

I mean, there's no mechanism
to redo it

but I'm glad everyone seems
to be happy with their house.

This might be one for the iPad
'cause we can take a photo

of the existing...
Yeah, true.

It's all about the story, right?

It's all about the story
and the colour.

Let's just throw lots
of random ideas out there.

Yeah? Like aliens attacking?

(LAUGHS)
Like...

Unicorns attacking?

Unicorn aliens attacking?

What if the paint truck
has like it's hit it

and then gone and landed
in the side of the house,

so it's literally spilling out
of the house?

I like it.

We need something that's going
to make our build stand out

and looks really different.

Just the other day,
my son actually asked me,

"Mum, where do we keep
the rainbow paint?"

RYAN: And that is just inspired.

So, I'm just trying to think
of things

that would be the funniest thing
for a rainbow truck to hit.

Like, what if they hit ducks?

A row of ducks?
A row of ducks!

Of course.
(LAUGHS)

So, we've decided that we're going
to have a rainbow paint truck

that avoids a row of ducks
that are crossing the road,

so it's just smashed
into this house,

sort of launched itself
into the house

so therefore...

Sprayed the house...
Massive spray paint.

..and the neighbourhood with colour.

We want it to be magic rainbow
paint

so everything it drops on
becomes coloured,

not just splashed with paint.

The challenge is going to be
making it big, making the idea big,

so getting height
and getting sort of presence.

To be able to say that you've been
in finals week of Lego Masters.

That's pretty crazy, isn't it?
(LAUGHS)

Is going to be cool
if we can get it to work.

If we can look through the eyes
of a four-year-old,

maybe that's our win here.

Alrighty, Brickman, 12 hours,

everyone's starting
with the same, identical house,

which I kind of love.
But would you say

this is our most aesthetically
challenging build of all?

It certainly relies on aesthetics
the most.

It needs that great idea
at the core, doesn't it,

for the winning build.

It definitely does

and then it's being quite,
almost strategic

in how you use colour.

Not so much having the biggest
of the grandest

but more how you are using
the colour

as opposed to having
a lot of colour.

Oh, man.

This challenge is definitely
in our wheelhouse,

we're really excited about it.

I don't want to think of the house
as a house to begin with.

It needs to be something off-kilter.

What if we made this a planter box
with plants growing out of it

and a watering can?

Yeah, I like it.

So, we're going to turn our house
into a greyscale planter box

with a water ring can pouring water
or colour into it.

So, we have a huge contrast

with much more greyscale
than colour.

It's such an amazing idea.

Where it's pouring colour,

we're going to have beautiful
flowers all coloured

and the rest are going to be
all in greyscale.

This is the opportunity
to get through to finals week.

The final four,
the final, final four.

So, we're just going to back
ourselves today and take the risk.

Hi, guys.
Hi. How are you?

Hamish.
You're looking fine.

Thank you so much.

Do you feel like you've got over
seeing Brickman in his outfit

or do we need to talk
any more about that?

She's compartmentalising in it.

I'm married, so we don't need
to talk about it.

Gotcha. But I mean, there's no harm
in enjoying...

He looks so dapper.

You both do really do look
fantastic.

Sure. Thank you.
And it's kind of like...

But I mean, I feel like you're
just adding that in now

'cause all the initial hype
was about Brickman and you just...

I've told her to pull down
the poster

off the back of the bedroom door
of Brickman

but she doesn't do it.

You're going to make me blush.
(LAUGHS)

We do talk a lot
about aesthetics today.

I mean, usually it's just
the aesthetics of Lego

but if you are a huge fan
of the aesthetics of Brickman today

then...
In the black and white.

You just looked at me and went,

"I don't care what your technical
ability or storytelling is, mate."

"I'm all about aesthetics."

Good luck, guys.
Alright, thank you.

Thank you.

Oh, my god.
If I was in black and white,

you wouldn't see how red
I am at the moment.

Keeping it up there?

Nice. Yeah.

Is that big enough?
I think so.

Hello, chaps.
Hi.

How are we going?

Good. How are you going?
We're going.

We've got an unfinished, I hope,
big figure here.

Yeah, so essentially
what we're going to try and do

is have our representation
of Mother Nature

rolling through our dark scene.

For today's build, our idea
is to have Mother Nature

bringing new life and colour
into the black and white world,

creating the nice bright, happy,
you know, exciting world

she's passed through.

Do you have in your head yet
a vision of what she looks like?

A little bit.

What a celebrity does she look like?

Um...

I want to say Paul Rudd but...

(LAUGHS)
Jeez, alright. So...

He's a handsome man.

Yeah, so she's sort of got like
that delicate facial structure

of a Paul Rudd.
Yeah.

But also she is Mother Nature
as well.

A bit of Beyonce maybe.

Wow, OK.
Yeah, a bit of Queen B.

Two interesting people
to put together.

Good luck.
(LAUGHS)

No, I can't wait to see him
as Mother Nature.

Thanks very much.

I knew you'd say Paul Rudd.

He's just a beautiful man.

We love this idea.
Yeah, we both love being outdoors,

love going for a hike
and doing some camping.

I'm confident enough
to do the frame.

A lot of what we want

is going to come
from the facial expression

which I think's the hardest part.

We want it to look serene
and graceful.

Like the eyes have to be soft
and it's kind of like a warm smile.

We don't want Mother Nature

to just be like this kind of
blocky person.

We want that with the delicate
facial feature.

Just like a... "Hmm, that's nice."

Just giving a bit of a boop here.
A flower here.

She has to be flowing, we have
to have nature combined with her,

so it's going to be
a really technical character,

so hopefully, there will be no doubt

that it's Mother Nature
walking through.

Alright, guys,
you are one hour down.

One hour in.

Jeepers.
Or as we say in the old days,

60 time shillings have been spent
to Old Father Time.

(LAUGHTER)

Oh, man.

There's never a dull moment

in the Lego Masters universe,
is there?

GUS: We're the only team that still
hasn't actually got an idea.

Today's build is the ticket
to finals week,

so we have to get this right.

We can have like
a big (INDISTINCT) in here.

Or a plane arriving.

I was thinking a giant hand
and a paintbrush,

so it's like this is a playhouse
that they're actually painting.

We're thinking we're going to go
with a giant hand

just painting the house, literally
adding colour to the house.

We also want to add three paint tins
of primary colours

because you can make any colour
you want

from the three primary colours.

We always talk about having a simple
idea and execute it properly

and this is a good way to do it.

The story of our build
is going to be quite simple

but we think it plays
to our strengths.

It's a large sculptural piece
that we think we can pull off

and it's going to be big, bright
and eye-catching.

Gus and David, hello.
Brickman, how's it going?

I feel like I'm interrupting
a moment.

You're always welcome
at our table, Brickman.

Thank you very much. Appreciate it.

So, what's your idea?

We're thinking of having
a large-scale hand,

probably a little bit bigger
than a regular human hand,

painting the roof.

So, this is like a model?

Yeah, it's like it's a little
model, someone's model

that they've built.

There's a whole bunch
of paint jars around,

you know, some of it has spilled,
there's, you know, stuff everywhere.

I love the idea of the big hand
and the painting.

It just seems a bit obvious
from you guys.

That's a very obvious
'colour your world', isn't it?

Yeah. It is.
It is.

It's very,
"This is our first thought."

It's literal, it's, you know,
verbatim almost.

Yep.
Yep.

I'm sorry to put the pressure
on you this way.

But I actually have higher
expectations from you guys.

What's your idea?

So, we're thinking of having
a large-scale hand

painting the roof.

So, this is like a model?

Today's build, we have two inject
colour into black and white houses.

I love the idea of the big hand
and the painting.

It just seems a bit obvious
from you guys.

That's a very obvious
'colour your world', isn't it?

Yeah. It is.
It is.

It's a verbatim almost.
Yep.

I'm sorry to put the pressure
on you this way.

But I actually have higher
expectations from you guys.

I just feel like

maybe there's something
a bit more creative you can do

with your level of skill
that you've brought so far.

Open your mind to being
a little bit grander.

OK.
Yeah.

Good luck.
Thank you.

Thank you, Brickman. Thanks.

Right.

Food for thought, isn't it?
Yeah, it is.

This is the last chance
to get into finals week.

We have to be more imaginative.

So...
OK.

What else can we do?

Another thing that I was thinking,

like a big colourful meteorite
hitting the ground

and it causes an explosion
of colour.

Or a creature adding colour.

I don't want to say dragon
because it's too obvious

but it could be like a kind of
beautiful, colourful...

Unicorn? Unicorns are pretty
rainbowy and bright.

Like flying through and leaving
a trail of colour behind.

In my head, the creature
that I most associate with colour

is a unicorn.

So, we're going to go down
the road of building unicorns

running through our build,
bringing colour to our world.

There was a cartoon of a little...

'My Little Unicorn' is it called?

'My Little Pony'?

Is it 'My Little Pony'?
Yeah.

I'm really liking this idea, man.

Yeah.

Is that the face?

(LAUGHS)

It's getting there.

We've had a lot of success
with creatures,

so we really like this idea.

There's a lot of colour to be added.
The story's really clear,

so we both ready want to build
something incredible.

Yep.

Hopefully, this will be enough.

Because we with the don't want
to go home at this stage.

Yeah.

Or ever. Yeah.
Or any stage.

(UPBEAT '80S STYLE MUSIC)

GABBY: I just... I thought
that was my stool.

(LAUGHS)
RYAN: Sorry!

It's alright. You can have it now.
Lucky you're on my team.

(LAUGHS)

SARAH: We may need to take up
gardening after this.

I am so not a gardener.

I love flowers but more like having
them bought for me.

So, right now, I'm working
on Mother Nature.

I've just really got to work
on her eyes,

work on her mouth, work on that
expression that we want from her,

so it looks like she's got a bit
of grace to her.

It looks a bit like a moustache.

The lips?
Yeah.

I'm going to keep working on it.

Good to be back.

It's just a bit freer.
Yeah, more colour.

I mean, it was great.
I think it was a good effect.

Worthwhile.

My pants were a bit scratchy.
Were they?

It's nice to be back in jeans.

Alright, guys, eight hours!

You have got eight hours to go.

You are four hours down,
one third of the way through,

two thirds to go.

You guys all know about numbers.

They are looking good.

Keep it up.

This is for a spot in finals week.

Having been there before myself,

it is a week you want
to be involved in.

FLEUR: Hell, yes.

Don't forget the 100,000.

And 100,000. Yes.

Ultimately.

Oh, no. Ah, we've already done that.

We've already done it.
You've already done that?

Yeah, yeah. We've already done it.
We already did it.

We did it, we finished.
We changed.

No, it's good. OK.
You go back to the brick pit. Yeah.

People have got it.

(LAUGHTER)

It's sort of already played out.
OK, eight hours to go! Good stuff!

Every time!

Alrighty, Brickman.

This is all about colouring a world.

The world is provided greyscale,
black and white,

beautiful '50s home

and the now it's about bringing
colour to it.

As we have seen, there is so much
interpretation

about how the colour comes in

and about what happens
when it gets there.

The why. It's about the why

and we've got four incredibly
different whys

straight from various parts
of imagination. It's fantastic.

Fleur, that looks really amazing.

So, you're happy?
It really does.

Yeah, it looks great.
Oh, cool. OK.

HAMISH: Sarah and Fleur,
the watering can

spreading colour and light
through the world of the flowerpots.

I love the idea probably the most
out of the four ideas.

Turning it into a planter box,
I think's fantastic.

The trickiest part is of course

how are they introducing
the colour out of that?

How does it flow
throughout the rest of the model?

That's the difficulty.

GABBY: These tree bits
are so fiddly.

HAMISH: Gabby and Ryan,

what's your favourite thing
about the build?

I love the fun elements to it.
There's lots of little jokes.

It really captures the Lego elements

about not taking themselves
too seriously.

Nice.

What's possibly their missed
opportunity?

They've been incredibly literal

and they're trying
to simulate movement,

so I just think it needs
something else

to show that
captured-a-point-in-time moment.

HAMISH: David and Gus.

Our unicorn stampede?

Flip. Flippity flip.

It's taking shape,
it's looking phenomenal.

The big thing
that I can't picture yet

but that's OK
'cause I'm not building it

is this sort of - the frontier
of where they're running

and the effect
they're going for there.

I'd like to see the objects
that the unicorns have gone past,

whether it's a car or a tree
or whatever,

have been coloured because that's
not an easy thing to do.

These big dark patches.
I'm like, "What the hell is that?"

It's like, it's just your head
creating a shadow.

HAMISH: Harrison and Michael.
Where do you sit on Mother Nature?

Well, first off, I picture her
being very graceful.

Yeah, right.
Very -

She has a real presence
about her,

and so, it's all about the pose,
the look on her face...

Facial expression.
..and even things like, you know,

is her hair flowing?

But I mean, we're working
with Lego bricks.

It's all about right angles
and joints and square lines

and that's tricky.

HAMISH: And also, when you're doing
nature,

you've already bought
into a lot of green.

Green and brown.

Now, it's not the least poppiest
colour but is it the most poppiest?

It's not and that's very difficult
to make a statement with,

it's very difficult to go, "Pow!"

FLEUR: Do you need to be in here?

Yeah, 'cause I need to grab
the foliage.

OK.
If that's OK?

Yeah, let's share the foliage.

No. (LAUGHS)

You're so rude.

(LAUGHS)
Where's your manners?

Respect your elders.

For the scene today, we really want
to have Mother Nature

as our big centrepiece

and we wanted to make it look
like she's flowing gracefully

through the scene.

Blending nature and colour
together behind her.

So, Mike has been working
on Mother Nature's face,

I'm finishing up the body,

and then the scenery behind her
has to be coloured in

and bringing life, so I'm putting
down green, earthy colour.

Michael and Harrison, hello.

Brickman.
How are we doing?

We're going OK, I think.

Touch wood.
Touch wood. Yeah.

Well, there we go.
Very cool, very cool.

Currently, you're working
on our Mother Nature?

Yes.
How's she going?

Apart from being cross-eyed.

She's growing - I guess she's
cross eyed a bit. Yeah.

(LAUGHS) Can I have a look?

I'm not happy with the mouth
as well.

There's just something about it.

Yeah.

Faces are hard. They are super hard.

Given she's the centrepiece
of your whole build,

I think you probably need
to invest some time in that space.

Yes.
Good luck.

Thanks very much.

How's that coming along?

I've just got to work
on the face, I guess.

FLEUR: Ryan, yours
is looking amazing.

Oh, thank you.

Oh, you mean the build?

Yeah. Well, you too. Love you too.

RYAN: Today, I'm just having a ball
with this. Like, it's ridiculous.

This massive accident
caused by a row of ducks...

(DUCKS QUACK)
..crossing the road.

Hey, Gabby and Ryan.
Hi, Hamish.

Hi, Hamish.

Alright, we've got our paint truck.

Oh, my god. Is that...

The rest of the paint truck.

That is a heck of an accident.

Is that all from swerving
from ducks?

Yeah.

You know, that's a twitchy driver.

(LAUGHTER)

He's managed to put the cabin
of his truck

through the second story
as he swerved for a duck.

What are you doing, Gab?

This is going to be
a massive explosion of paint.

Like a geyser.

A geyser of paint.
Is that a geyser or a geyser?

I think it's a geyser.
A geyser. Geyser.

Geyser?
Like an oil well.

Yeah, exactly like an oil well.
Yeah, or like a geisha. A geyser.

A geyser.
A geyser, a geyser.

Like when you're digging
for rainbows in the desert,

you hit a rainbow well
and all the rainbow colours come up.

(LAUGHTER)
Right. I'm out. Well done.

GABBY: I think we've met the brief.

We've definitely added a splash
of colour to this world.

So, that element of the story
is down

but if we win today,
we're in finals week

and there's an opportunity
in this build to go bigger.

We want to show the movement
of paint,

so we've decided to add
a kind of paint geyser,

so the magic rainbow paint,

it's splurting as high
as we can possibly go.

We might want it to have hit
a low flying sort of biplane.

Go big or go home.

(LAUGHTER)

You want a tilt.
Yeah, of course I do.

I knew you wanted to that.
You know.

Of course I know.

Alrighty, guys. You are six down,
six to go.

This is the halfway mark.

Coming in!

So many flowers.

Yes, there are so many
more still to go.

Really happy about this challenge.

It's an artistic challenge
which is right up our alley

and I'm just working
on the greyscale side

of the flowerbed, so it's been
nice and creative

and I'm really enjoying it.

Happy day. (LAUGHS)

(LAUGHS)

It's an interesting challenge
to do flora and fauna in greyscale.

In Lego elements,
there are not greyscale leaves,

they are not greyscale flowers.

There's nothing.

So, the challenge here

is to take pieces
that are not designed for flowers

and turn them into flowers,
which is NPU, nice part usage.

Yeah.

I'm going to try and use these.

And it's something I love

and this is my chance to be able
to NPU all over the place!

I love that flower.

It's amazing.
Yeah, they're mini fig skirts.

They're brilliant.

Go, Team Mum! (LAUGHS)

Go, Team Mothership.

Sarah and Fleur, hello.

Hi, Brickman.
How are you?

I'm... It's not about me,
it's about you. How are you going?

Good.
Good, we think.

These flowers look amazing.
Thank you.

Lots of NPU happening there.

We had to because there's not a lot
of grey foliage.

We've got upside-down
mini figure skirts...

Yep, yep.
..we've got knights' armour...

Yep.
..teeth...

Yep.
..a mini figure's whisk.

We've got car bonnets,
steering wheels.

Yep, yep.

I reckon you've probably gone
in there and said,

"Give me every grey piece there is."

I pretty much did.

But it does leave us
with a bit of a problem.

You've got a lot of baseplate
but there's nothing happening here.

There is no colour.

Haven't even started
on the colour flowers.

'Cause for the effect, we need
much more grey than there is colour.

But the entire point of this build,
what we are judged on,

is why is there colour in the world?

Without it, we're going home.

I think there's a lot of work to do.
Yeah.

At this stage of the competition
with things being so tight,

I'm a little bit worried.
Time's just going to tick away.

It does leave us
with a bit of a problem.

You've got a lot of baseplate
but there's nothing happening here.

There is no colour.
Yep.

But hopefully, you can surpass that
and get motoring. Good luck.

Cool.
OK.

Thank you, Brickman.

OK.

Let's actually write down that plan

because I can get like totally
geeked out on what I'm doing

and spend too much time on it.

So, we are seven hours in.

There's a lot of grey.

There's probably almost no colour.

(LAUGHS)

So, we need to really get started
on the colour.

I'll just go as fast as I can

getting these brightly coloured
flowers.

Sounds good.

But we also need a watering can
because without that watering can,

there is no reason that the colour
is in the world.

Alright, so I'll get onto this
and hopefully make one.

Yep.

In my entire existence
on the planet...

OK.

..I've never actually built
a suspended watering can

that looks like it's floating
in the air.

No pressure, Sarah,
but it has to be fantastic.

Ah!

So, I'm grateful that Sarah
has volunteered to take that one on

'cause I am slightly anxious.

Let's be honest.

Look at me.

I'm going to sketch you.

With a gentle kind of a...

Just hold that.

Beautiful.

(LAUGHS)

Make me look like Paul Rudd, please.

Alrighty, guys.
You have got three hours to go.

Far out.
One quarter of the time left.

No pressure.
Can we do it?

Yes, we can.
You can.

You really can.

There we go. That's not too bad
actually.

Oh, yeah.

Oh, yes! Yes.

Ryan and Gab, how's it going?

Very well, actually.

Yeah, looking great.

Oh, thank you.

The ducks are obviously
still the culprits...

That's right.
..that's caused the swerve.

They've actually caused
another accident, hopefully.

Hopefully? What are you...

(LAUGHS)
What a sicko.

She's pretty sadistic.
(LAUGHS)

So, we've also got a log truck
which has come to a sudden halt

and the logs have slid forwards

and then our rainbow truck's gone
up the logs into the house.

Far out.

Because it was important
to get the aerodynamics right.

(LAUGHS)

Um... And everything else good?

Yeah.

Everything's good?
I think so.

Things have been going pretty well.

This is a nice episode.

The trouble with that
is we're a little low on drama.

Generally?

Like brick pit nice and tidy?

Actually, it's unusually tidy

without Owen and Scott
in the room. (LAUGHS)

(LAUGHS)
It's unusually tidy? OK.

Now, there is a trick you can pull
in TV and it's the storm-out.

But you need a reason to storm out.

On my side of the fence,
everything good?

Like, time calls are going well?
Yeah, you're doing well. Yeah.

I've enjoyed them.
They've been helpful.

They've been helpful?

The time calls have been
really super helpful.

Out of ten, what would you give me
for my time calls today?

I was going to go 6.5.

That's my score for the time calls?
So, not perfect?

Well, I don't want you to peak
too soon.

I do not have to take this.

I've had an absolute gutful.
I'm walking. I'm walking.

Don't you dare film this
a little bit. Stop.

Hard to get good talent, isn't it?

Diva.

The thing about storm-outs

is once you get a taste
of that power...

Who would you say
has the better beard

out of me and Gus?
(LAUGHS)

They can get a bit addictive.

I gotta go with Gus.

You're going with Gus?
Yeah, yeah.

I mean...

You really think he's got
a better beard than me?

Yes, I do.

I've had a gutful of this.
This is ridiculous. I'm out of here.

(DRAMATIC MUSIC BUILDS)

I'll definitely do a drip there.
Hi!

Hi, Sarah, Fleur. How you going?
Really well, thank you.

I don't have to stand here
and listen to this!

(DRAMATIC MUSIC BUILDS)

Oh! Jeepers!
Oh! Oooh.

A man has to know when
he's had too many storm-outs.

(LAUGHS) Sorry! Just looking for...
Whoopsie.

Just trying to get a bit of drama
in the episode.

Storming back in. Let's play on.

Anyway, back to building.
Yeah, yes.

(LAUGHTER)

(UPLIFTING MUSIC BUILDS)

Where's the spout?
It'll be here.

Yep. Yep, good.

This is gonna be our moment, Sarah.

We're gonna smash it out today.

Don't say 'smash'.

No, we're not...
I don't like any smash words.

No, we're not smashing it.
We're owning it.

Finals Week, baby.

(MOMENTOUS MUSIC BUILDS)

Cool.

Sorry!

Stop stealing our house idea, mate.

Just 'cause we've got the only one
left intact.

(LAUGHS) I just can't remember
how I put the roof back on.

You can touch it if you like.
Yep, cool.

(MOMENTOUS MUSIC SWELLS)

For today's build,
our idea is to have Mother Nature

bringing new life and colour
into the black and white world,

and Brickman's really put
the pressure on us

to get Mother Nature right.

But I feel like I'm getting
somewhere with Mother Nature's face.

She's got a better expression.

Oooh, yeah! I like that.

Like, blowing, just like a...

Really soft cheeks coming in,
lips pursing out.

But Mother Nature is butt naked
at this point in time.

♪ Gotta make a dress
otherwise we're going home

♪ Gotta make a dress
or else we are going home... ♪

Mother Nature is gonna be wearing
a beautiful leafy green dress,

but designing a dress in LEGO
is really hard.

I'm thinking something like that,
and just drape those down like that.

So, we're trying to get something
flowing really well,

and a bit of a light bulb moments
goes on.

We can even use these
and just clip stuff off those,

'cause these are pretty flexible.

Yeah, I like that.

So, we're gonna do
something with the net

to have it drape there like that.

Yeah.

And we can even have a bit more
stuff draping off of it.

Yep.

Using the netting, attaching
all the tiles on one by one,

will be a bit of a skirt for her.

And it actually bends really nicely.

More leaves.

And then having flowers and stuff
growing off her

will really just help sell
the Mother Nature character.

I like that... quite a fair bit,
actually.

(MOMENTOUS MUSIC BUILDS)

(UPLIFTING ELECTRONIC MUSIC)

GUS: Yeah, we're doing quite well.

I'm just putting the finishing
touches on the unicorns now.

Dave's going with the scenic stuff
at the minute,

and then we're really gonna start
putting things in position.

One unicorn would have been great,

but many unicorns - a marvel
of unicorns - is marvellous.

DAVID: While Gus is working
on the unicorn,

I'm adding green to the grass,

I'm changing
the colours of the house.

I'm making sure that
it's really, really colourful

and really, really happy,

whatever is happening
behind the unicorn.

(UPLIFTING MUSIC CONTINUES)

Hey, David and Gus,
can I borrow you guys for a tick?

Please.

Have you stood back and had a look?

(TENSE INSTRUMENTAL MUSIC)

It's almost like it's too busy.
Yeah.

The unicorns themselves,

and I think the posing and the way
you've got them all is great,

but there's a lot of other colour

which is distracting
and taking away from that.

It's about why the colour.

(DRAMATIC MUSIC SWELLS)

And right now,
the colour isn't strategic.

Yeah, yeah.
Good luck, guys.

Yeah, thanks.
Thanks. Thanks, Brickman.

You need to justify that the colour

has been injected into the world,
alright?

What is bringing the colours?

(SIGHS)

So, we need to figure out

how to make the colour
a more intentional thing.

(MOMENTOUS MUSIC BUILDS)

FLEUR: Are you happy?
Yeah. It looks great.

Watering can's up and it's like
a flipping miracle from heaven!

It's, like, oh, my god, it's not
falling down, it's not falling.

Could it fall down? No, it's not!

Yes, yes, yes! Lord, yes! Yes!
Whoo-hoo!

So happy!

(ELECTRONIC BEEPING)

Alrighty, guys,
you have got one hour.

(SIREN WHOOPS)
Oooh!

One hour to go.

You always think it's a long way
away, and then it's not.

Yep.

One hour until we find out
who is going to Finals Week.

They are looking great! Good luck.

And of course, one team has only
an hour to go here on LEGO Masters.

Don't let that be you.

(DRAMATIC MUSIC BUILDS)

Thank you. The light is back.

Alrighty, Brickman,
funny now that we've got changed.

You know, we were in greyscale
before, in black and white.

Interesting how Fleur...
did you notice Fleur's reaction,

how she thought
we both looked incredible?

Um, I don't mean to burst
your bubble at all,

but I think, uh...

No, no, she certainly mentioned you,

but I think the general vibe for her
was both equally as...

I don't think so, champ.

(DRAMATIC MUSIC SWELLS)

I don't have to take this.

(DRAMATIC MUSIC CONTINUES)

(SIGHS)

Yes! Got another one.

(UPBEAT ELECTRONIC MUSIC)

That's four storm-outs, baby!
Four storm-outs!

Suck on that, 'MAFS'!

(MOMENTOUS MUSIC BUILDS)

Alright, guys, you got 30 minutes.

30 minutes to go before we will see
who takes it out.

A herd of unicorns,
an exploding rainbow truck,

a magical watering can,
or Mother Nature herself?

Good luck!

OK.

RYAN: About enough there for you,
or do you want more?

(LAUGHS) Oh, Ryan, you're a genius.

That looks awesome.

We are literally spelling out
"rainbow paint"

on the side of the tanker.

This is not subtle.
(LAUGHS)

There's nothing subtle
about this build.

No, but this build is all about
the aesthetic and the creativity,

and I think we have absolutely
delivered on that.

Coming out!

How many would you like?
How... where did you find them?

There's a tray of just ducks
and bluebirds.

I don't know,
do you think the more, the funnier?

Dare I actually dream
to get to Finals week?

Well, that looks lovely,
then, doesn't it?

(UPBEAT ELECTRONIC MUSIC)

You right?
Yep.

Everything looks
the way it should look.

We have a huge contrast,
with a lot of grey scale,

with coloured flowers in the middle.

If I did this panel
that came out from here...

Yep.

..then I can put flowers onto that.
Do that.

So that it kind of gives...
Beautiful.

We just need to make sure
it looks like the colour

is very definitely pouring
from the watering can,

because the entire point
of this build

is why is there colour in the world?

Love that.
Yep, beautiful.

Alright, everyone, ten minutes.

Ten tiny minutes,
but ten big minutes as well.

It could all come down
to these final ten.

(MOMENTOUS MUSIC BUILDS)

Stand back, stand back.
Yep.

Does that look like Mother Nature?

Yeah, that's better.

Mother Nature is finally together,

we means we can finally focus
on the rest of the scene,

because our base plate
has not a lot on it.

Oh, there's so much space
to fill out.

So quickly.
Too quickly.

Too quickly. Way too quickly.

But this is so important,
given how close the competition is,

because the challenge is to bring in
colour through a story.

And so we have to make it
really obvious

that Mother Nature is, like...

..just breathing life
back through a tree,

and that's bringing colour
into the world.

(MOMENTOUS MUSIC CONTINUES)

Is she still good? OK.
She's still standing. That's fine.

The problem with colour
being introduced through nature

is that you've only got greens and
browns to work with for a lot of it.

So, that's gonna be tough
to make it pop.

I think, after this, I might take
a break from building unicorns.

We're thinking to associate
each coloured unicorn

with a streak of individual colour,

so that red horse
is making things red,

green, green, blue, blue,
blah, blah, blah.

DAVID: We have a red convertible

with a yellow stripe
coming from the yellow unicorn.

This guy has just fallen.
That's awesome.

And some dude screaming because
he's getting coloured as well.

That's what's gonna give us
the story.

That's what's gonna give us the,
you know, adding of the colour.

We gotta move, man. We gotta move.

BRICKMAN: Where do you sit
on the number of ducks?

I say... I almost think
you can't have enough ducks.

If you think about how far it's gone

and they're still
all crossing the road.

(DRAMATIC MUSIC BUILDS)

I just think many ducks,

that provides
a solid barrier of ducks

for an accident to have occurred.

I understand. I appreciate...
Well, DO you understand?

Because I mean... well, we've gotta do
a minute time call,

but if we're not finished this, I'll
take it right back up with you again.

One minute!

Final minute! Final minute to go!

Yeah, because if it's lots
and lots of ducks,

they can't have swerved, so that's
why they've slammed on the brakes.

That's how the truck's gone up.

But they can't swerve... they would
have run over the ducks...

That's why they've swerved
the other way.

But they haven't swerved the other
way. They've swerved into the ducks.

I actually want one grey flower.
I want one grey flower.

I'm gonna steal that one there.

(DRIVING ELECTRONIC BEATS)

Chimney's on.

But they're walking that way...

Yeah, so, they're swerving to
the tail - the tail of the ducks.

20 seconds!
Oh, Jesus!

Hey, we're at the end of the build.
I mean, there's nothing we can do.

FLEUR: Well done, hon. Oooh!
Shaky, shaky, shaky.

GUS: No, don't touch it.

Ten seconds!
Don't touch it. Let it wobble.

MICHAEL: Don't touch it.
Yep.

Seven, six, five, four,

three, two, one!

Yay!
(LAUGHS)

That is it!
BRICKMAN: Well done, everybody.

That is 12 hours
of solid colour work.

Amazing builds. Amazing.

Well done.

We started black and white
and we have come a long way.

That looks incredible.
Great job, everybody.

Well done, everyone.
DAVID: We did our best.

I know.
Amazing!

I feel sick.

That looks awesome!
Thank you.

(DRAMATIC MUSIC SWELLS)

(UPLIFTING MUSIC BUILDS)

(BIRDSONG)

(UPLIFTING MUSIC CONTINUES)

(MACHINERY WHIRRS)

(UPLIFTING MUSIC CONTINUES)

(PLANE DRONES)

(NEIGHING)

(UPLIFTING MUSIC CONTINUES)

Alrighty, guys, four hours ago,

you were given four identical
black and white houses

with the objective to colour them.

One of the things you notice
about the Brick Pit

is there is a lot
of colourful LEGO in there,

but Brickman's big instruction was,

"What is bringing the colour
and how is it doing it?"

I want to see what
Brickman's thoughts are.

Sarah and Fleur,
let's have a look at you guys.

(APPLAUSE)

I'm so nervous, because we want
to be in Finals Week so badly.

Absolutely.

I'd donate a child
to be in Finals Week.

When you first had the idea
in your head to now,

do you feel like the idea
has come out as you hoped?

We love this build.
Really happy with it, yep.

It's definitely
what we were going for -

sort of a pop of colour
amongst the grey.

(MOMENTOUS MUSIC BUILDS)

(BIRDSONG)

Our house is a planter box

with the watering can above it,

pouring the water
that's colouring the flowers.

(MOMENTOUS MUSIC CONTINUES)

We have a huge contrast, with much
more greyscale than colour.

(MOMENTOUS MUSIC SWELLS)

Now, the whole point of today's build

was, how is colour being introduced
into the black and white world,

and then what's happening
once it's in there?

What's your take, Brickman?

First off, you spent almost
as much time in the black and white.

Mm-hm.
Yes.

That's a very big risk to take,

but you had to to emphasise
where the colour came out.

And I not only think
it was quite a risk...

..I actually think
it really paid off.

(GASPS)

This build draws you in.

It is striking.
It is incredibly imaginative.

It is your passion,
and you know what,

the brief of bringing colour
to this world, you absolutely did.

Thank you.

And once you get in there,

you see all sorts of
crazy different LEGO elements.

Yeah.
Yep.

Car bonnets, wheels, cogs,
gear levers, upside down dresses.

Legs.
SNOT bricks, legs.

You name it.
It's like they all belong.

It's a very fine balance
and it is really hard to get,

and so to see what you guys
have done in this build,

well done, ladies.

Well done.

Thank you!
Thank you very much!

(UPLIFTING MUSIC SWELLS)

You did really well, yeah.
Thank you so much.

I honestly have goose bumps
hearing Brickman's feedback.

It's so positive,
but makes the nerves ten fold.

Michael and Harrison.

(APPLAUSE)

(TINKLING INSTRUMENTAL MUSIC)

Fellas, we started
with our black and white world.

We now have Mother Nature herself -

trespassing, it has to be said,
in this front garden,

but bringing the world to life.

(STIRRING INSTRUMENTAL MUSIC)

MICHAEL: We've built Mother Nature

bringing new life
into the black and white world.

HARRISON: And everyone having
a good time behind her.

(CHILDREN LAUGH)

Mother Nature
really took over our build.

We put so much time into her

that we sort of
neglected everything else.

We think we're probably
in the gun today,

because this build
was a lot about the story,

and our story is a bit muddled.

How are you guys feeling?

She had a lot of iterations
in terms of how she looked,

and we're happy enough with
the final expression we've got,

and we think we've brought colour
in an interesting way.

OK. Brickman, what are your thoughts?

So, prior to LEGO Masters,

characters weren't really
your thing.

I'm really glad that over time,
you've started to introduce them

and build them into
your LEGO skill repertoire.

Mother Nature,
she is, by far and away,

the most technical of all of those
characters you've done.

First off is her skirt.

You've used a technique,
which is to take a cargo net,

but because it's made of string,

it allows it to flow and bend.

You've also got things like,
on her headband,

little golden rings to hold flowers
together on the top.

They're actually from 'Lord Of The
Rings - The Fellowship Of The Ring'.

So, you guys have pulled absolutely
every trick out of the bag

as far as nice part usage,

and it's fantastic to see.

Unfortunately,
at this point in the competition,

when we're down
to four brilliant teams,

the focus of my attention sharpens.

BRICKMAN: Unfortunately,
at this point in the competition,

when we're down
to four brilliant teams,

the focus of my attention sharpens.

I'm not 100% sold on the story
of bringing colour to the world.

The challenge is,
"Colour your world."

It's not,
"Bring life to your world."

We already have life in here.

We have trees already.

So, there are probably different
ways to introduce colour,

as opposed to life.

It's a very fine balance.

The unfortunately thing for you is,

because we already
have a version of life here,

it's a little bit lost.

But a great build, guys. Well done.
Beautiful, guys.

(APPLAUSE)

Could have been worse.

We sort of missed the brief
by about this much,

which, in a competition
when it's this close,

is enough to send us home.

Gabby and Ryan, let's have a look.

(APPLAUSE)

I really like it! I like it.
It's a cool-looking build.

We know that we do the best builds
when we're having fun,

and this was fun.

(MOMENTOUS MUSIC BUILDS)

A rainbow paint truck

avoids a row of ducks
that are crossing the road...

(TYRES SCREECH, QUACKING)

Launches into the roof.

(CRASH!)

Creating a fountain of paint.

(MOMENTOUS MUSIC CONTINUES)

And everything it drops on becomes
coloured, splashed with paint.

(MOMENTOUS MUSIC SWELLS)

Guys, rainbow paint.

Good god, it's a dangerous product,
isn't it?

'Cause if that goes into
the second storey of your nice home,

it's coming out with lots of pressure
through the roof.

How do you guys feel
at the end of these 12 hours?

I'm quite amused by it.
It's a really funny build.

And I love that it was born from
a simple statement from your son,

saying, "Where's the rainbow paint?"

There it is -
coming through the roof.

The bits where the colour
is in the world,

but also the bits
where the colour isn't,

I reckon, has been used
to great effect.

Brickman, what are your thoughts?

LEGO is inherently funny.
It's self-deprecating.

Minifigures love to have a joke.

They love... silly, crazy things
happen in LEGO City all the time,

and that's exactly
what is happening here.

This build is funny.

It's colourful.

It's doing what it needs to do,

and when you guys are having fun,
that comes out in the LEGO.

Yep.

But there's one thing, I think,
that sets it apart

from all of the other builds.

I think you were incredibly smart
with how you didn't build LEGO,

and by that, I mean by leaving the
sheer volume of monochrome behind.

This build, whilst it's called
Colour My World,

is all about contrasting colours
and what pops against it.

You've actually enhanced
the monochrome build

by adding other parts to it.

The little lawnmower guy, in
particular, I thought was fantastic.

The little bushes.
You know, you've added cars.

You've added things
in the monochrome world,

which have enhanced it further.

It's actually drawn us more
into the colour,

and what's happening
with the colour.

And lastly, it doesn't make sense,

but the fact that
the ducks are coloured...

(LAUGHTER)

..I absolutely love.

Well done, guys. Great work.
Thank you.

(LAUGHTER)

(UPLIFTING MUSIC CONTINUES)

Gus and David.
(APPLAUSE)

DAVID: I'm looking around the room
and I think we might be bottom two.

There's not a lot of contrast
in our build.

There's a lot of colour.

So, we haven't given it that chance
to pop against the black and white.

Fellas, the first unicorn stampede
we've had on LEGO Masters.

How does it feel?

We started with one unicorn,
and then to end up with five -

you know, to make it into
the stampede is quite satisfying.

It's a unicorn breeders dream.

(MOMENTOUS MUSIC BUILDS)

(NEIGHING)

It's an impressive build to us.

There's five unicorns,
with colour streaks and rainbows,

bursting through our scene,

painting the world in colour.

We just really, really hope
that we've done enough

to not be eliminated today.

Brickman, where's your head at
for this build?

First off, no doubt we have a reason
as to why colour is in the world,

which is the main component.

That's the key part to the story.

The unicorns are amazing.
They are absolutely amazing.

Thanks.

You did one of the best tricks

that you can possibly do
on LEGO Masters -

That's to take something
and replicate it.

You'd done all of the hard work
in designing one.

All you had to worry about
was changing the colours.

Yep.

It's a cheap trick,
but it's a brilliant trick!

However, we has, essentially,
an eight-hour build already

before you even picked up
a LEGO brick.

It was an opportunity
to use what you already had

to then really make a statement
of that colour.

If it had just been as simple
as the five unicorns,

each with their own
individual trail,

and the rest was black and white,

I think that would have been
much more impactful.

Yep.

Some of these unicorns are lost,

or the trail of what they've done
and how they've brought colour

has been lost.

(DRAMATIC MUSIC BUILDS)

They're still beautiful unicorns,

but I don't think this is quite up
to your usual high standards today.

(DRAMATIC MUSIC BUILDS)

If I was feeling uncomfortable
about the build before,

right now I'm feeling
less and less comfortable.

(APPLAUSE)

I don't know if it's gonna be enough
to keep us in the competition,

give us a spot for Finals Week.

Alrighty, guys,
four black and white houses.

Four very different,
very imaginative ways

that colour is coming
into those houses,

and four spectacular worlds
once colour has arrived,

however, only three teams
will be joining Scotty and Owen

in Finals Week.

Sadly, one team will leave us today.

Brickman, your overall thoughts?

So, when we started this challenge,
we had monochrome -

a very bland and boring world.

There is absolutely no question

we now have brought colour
to all of them in amazing ways.

So, the first team
I would like to call forward

to join Scott and Owen is...

(DRAMATIC MUSIC BUILDS)

..Ryan and Gabby!

(CHEERING AND APPLAUSE)
FLEUR: Well done!

Oh, my god!

Great job, guys.
(APPLAUSE)

We didn't even dare to dream
we would make it to Finals Week.

So, it's beyond a dream come true.

For a team that has been eliminated,

to be heading into Finals Week -
absolutely unprecedented.

And there's no question in my mind,

looking at what you've built,
you've hit your straps,

and it bodes incredibly well
for Finals Week.

I can't wait. Well done.

Thank you.

Yay! Go us!
It's a good feeling.

How cool is that?

The next team that I would like to
invite through to Finals Week is...

(DRAMATIC MUSIC BUILDS)

..Sarah and Fleur.

Ahh! Well done!

Yay!

(APPLAUSE)

For me,
imagining my four-year-old son

going, "My mum made it
to Finals Week."

Oh, yes!

What mum could ask
for more than that?

There's nothing better than having
the admiration of your children.

My kids are gonna be so proud of me,

because I think my kids never
thought that I'd be capable of this

and it's such a thing to go,

"If you set your mind to something,
you can do anything in the world."

And it's exciting.

Look - you're finally crying!
(LAUGHS)

(APPLAUSE)

I never cry!

It's just... anyway.
Yeah.

Yeah, it's really amazing.

So, that leaves us two teams.

Sadly, one of the teams
will be leaving us today.

(TENSE INSTRUMENTAL MUSIC)

The builds are amazing.

The quality of LEGO builds,
both of you, are astounding.

They really are.

Gus and David - aesthetically,
beautiful colours,

and what better than unicorns
to bring those amazing colours?

Michael and Harrison,

probably the most technical build

you've pulled off so far
on LEGO Masters.

Absolutely, you get a big tick
for your technical build today.

It really has forced me down
to the nitty-gritty,

and storytelling, today, is where
that nitty-gritty was determined.

Gus and David, your story was
crystal clear

as to why colours
were in your world...

(DRAMATIC MUSIC BUILDS)

..and that saved you today.

Unfortunately, Michael and Harrison,

your LEGO Masters journey has ended.

(STIRRING INSTRUMENTAL MUSIC)

Well, congratulations
to Gus and Dave.

(APPLAUSE)

Harrison and Michael,
as Brickman said,

at this stage in the competition,
there's obviously no bad builds.

There's just tiny, tiny areas
where a nit can be picked.

You guys have built some amazing
things. How are you feeling?

Oh, we feel pretty luck
to be here, really.

Yeah.

We've learnt a ton along the way,
met some amazing people,

and I guess to go out on that -
like, how can we be upset on that?

Coming into the competition,

we were both a little unsure
of our skills

and where we stand in relation to,

you know, the greatest LEGO builders
in Australia.

You've got some crazy LEGO elements
doing crazy things.

(BRICKS RATTLE)

He's got moobs.
(BOTH LAUGH)

What you did was take a massive
gamble, and I love that.

Way cool. Totally way cool.

I think we proved to ourselves

that we actually can build
some really cool stuff.

Well done, Michael and Harrison.

(CHEERING AND APPLAUSE)

We have been eliminated.

But I think we go out
on a high as well.

Yeah.

It's been awesome
having you guys on the show.

We will miss you.
We will clap you out.

Thank you, guys.
Thanks, guys. Thanks so much.

You guys are the best, OK?

(CHEERING AND APPLAUSE)
See you guys later.

SARAH: Well done, guys.

(APPLAUSE)

We were pretty happy
with what we did,

and the four teams that went through
are very deserving.

Yep.

(CONTESTANTS EXCLAIM)

Next time...

There's a reason
Brickman is Brickman.

Uh, yeah.

Good luck! Go, go, go!

(MOMENTOUS MUSIC BUILDS)

It's the penultimate episode!

..it's Finals Week...

(MOMENTOUS MUSIC SWELLS)

Yes!

We have to build something
that lives on a tree.

Whoa! (LAUGHS)

..and the challenge
to go out on a limb...

SCOTT: So, it's not enough
to just build a village of elves.

Owen's decided to make the challenge
even harder

by branching out
from the existing branch.

This is a terrible idea.

Are you nuts?

Is this the first time
you've put the head on?

Yep.
Ohh!

..is all that stands between
our final four and the finale.

There's a little bit more.

Ohh!

Unless, of course,
I drop another surprise.

Oh, no! (LAUGHS)

(CONTESTANTS EXCLAIM AND LAUGH)