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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,120 --> 00:00:02,760 HAMISH: Previously, on Lego Masters... 2 00:00:02,800 --> 00:00:05,040 (LAUGHTER AND APPLAUSE) 3 00:00:05,080 --> 00:00:07,200 ..we assembled the final five... 4 00:00:07,240 --> 00:00:08,280 (ROAR) 5 00:00:08,320 --> 00:00:09,440 (FLEUR LAUGHS) 6 00:00:09,520 --> 00:00:11,880 ..for the ultimate battle for immunity. 7 00:00:11,920 --> 00:00:13,280 (ROAR) 8 00:00:13,320 --> 00:00:14,320 (LAUGHS) 9 00:00:15,480 --> 00:00:16,520 HAMISH: Then... 10 00:00:16,560 --> 00:00:17,840 (LASER SOUND) 11 00:00:17,920 --> 00:00:20,360 ..Scott and Owen took us to a whole new realm... 12 00:00:20,440 --> 00:00:22,480 BRICKMAN: Today, you showed me something 13 00:00:22,560 --> 00:00:25,040 that's been locked away inside you. It's amazing. 14 00:00:25,120 --> 00:00:28,880 You really demonstrated so many different skills 15 00:00:28,960 --> 00:00:32,480 and if you can do that every week, we're all winners. 16 00:00:32,520 --> 00:00:33,720 ..claiming immunity... 17 00:00:33,760 --> 00:00:34,880 Scott and Owen. 18 00:00:34,920 --> 00:00:36,200 (APPLAUSE AND CHEERING) 19 00:00:36,280 --> 00:00:38,280 ..with Doctor Strange's Sanctum Sanctorum. 20 00:00:38,320 --> 00:00:39,640 We got to finals! 21 00:00:39,680 --> 00:00:40,840 (APPLAUSE) 22 00:00:40,880 --> 00:00:42,280 Yeah, we got to finals, man. 23 00:00:43,360 --> 00:00:44,880 HAMISH: Tonight, in the elimination... 24 00:00:44,960 --> 00:00:46,320 (CONTESTANTS REACT) Oh! 25 00:00:48,640 --> 00:00:52,520 ..your challenge is to introduce colour to your world... 26 00:00:52,560 --> 00:00:54,640 This is the best day of my life. 27 00:00:54,720 --> 00:00:57,880 HAMISH: It's the final build before finals week... 28 00:00:57,960 --> 00:01:00,160 FLEUR: This is going to be our moment, Sarah. 29 00:01:00,200 --> 00:01:01,320 Finals week, baby. 30 00:01:01,400 --> 00:01:04,280 ..and in the most artistic build yet. 31 00:01:04,360 --> 00:01:05,880 GABBY: We want it to be magic rainbow paint, 32 00:01:05,960 --> 00:01:08,040 so everything it drops on becomes coloured. 33 00:01:08,120 --> 00:01:10,840 HAMISH: Everyone will be pushed to their limits. 34 00:01:10,880 --> 00:01:12,640 GABBY: Oh! 35 00:01:12,720 --> 00:01:15,320 GUS: We're the only team that still hasn't actually got an idea. 36 00:01:15,400 --> 00:01:17,480 We really don't want to go home at this stage. 37 00:01:25,040 --> 00:01:27,400 (APPLAUSE AND CHEERING) 38 00:01:31,160 --> 00:01:32,840 Oh, man. 39 00:01:32,880 --> 00:01:34,400 (GASPS) 40 00:01:34,440 --> 00:01:37,160 (LAUGHTER) 41 00:01:37,200 --> 00:01:39,040 (APPLAUSE) 42 00:01:39,080 --> 00:01:40,160 Thanks very much. 43 00:01:40,200 --> 00:01:42,560 Oh, my god! Brickman in costume. 44 00:01:42,600 --> 00:01:44,560 This is the best day of my life. 45 00:01:44,640 --> 00:01:48,040 Welcome to Lego Masters episode one and to the '50s. 46 00:01:48,080 --> 00:01:49,520 (LAUGHTER) 47 00:01:49,600 --> 00:01:52,400 Today, you'll be playing with some nifty Danish wooden blocks. 48 00:01:52,480 --> 00:01:53,640 They're called Lego. Wow! 49 00:01:53,680 --> 00:01:55,320 No, we're still in 2021. 50 00:01:55,360 --> 00:01:56,560 Everything's OK. 51 00:01:56,600 --> 00:01:58,960 Fleur, I mean, you just yelled, 52 00:01:59,040 --> 00:02:00,760 "This is the best thing that's ever happened to me." 53 00:02:00,840 --> 00:02:02,280 I mean, that is huge. (LAUGHTER) 54 00:02:02,360 --> 00:02:06,080 I just - I wanted to see Brickman dressed up forever... 55 00:02:06,160 --> 00:02:07,440 Oh, OK. (LAUGHTER) 56 00:02:07,520 --> 00:02:11,720 ..and it's like walking onto like a 1930s film set or something. 57 00:02:11,760 --> 00:02:13,160 You know, I'm so excited. 58 00:02:13,200 --> 00:02:15,440 (LAUGHTER) 59 00:02:15,480 --> 00:02:17,160 There is excitement in the room. 60 00:02:17,240 --> 00:02:20,040 There might be a lot of colour on our side of things. 61 00:02:20,080 --> 00:02:21,680 We've gone greyscale 62 00:02:21,720 --> 00:02:23,000 but there is excitement 63 00:02:23,080 --> 00:02:25,880 because today is one of the builds it all comes down to. 64 00:02:25,960 --> 00:02:29,880 Today is an elimination build. We will lose someone 65 00:02:29,960 --> 00:02:33,520 but the teams that make it through today will go into finals week, 66 00:02:33,600 --> 00:02:39,400 next week and then they are within a sniff of the finale 67 00:02:39,480 --> 00:02:42,000 and possibly walking away with the grand prize 68 00:02:42,080 --> 00:02:44,840 of being Lego Masters Australia and 100 grand. 69 00:02:44,920 --> 00:02:46,760 Scotty and Owen, you're already there. 70 00:02:46,840 --> 00:02:49,000 You're already in finals week. Whoo! Congrats. 71 00:02:49,040 --> 00:02:51,200 (APPLAUSE) 72 00:02:52,680 --> 00:02:54,360 You won the Marvel Avengers challenge. 73 00:02:54,400 --> 00:02:55,960 It was an incredible build. 74 00:02:56,040 --> 00:02:57,440 Fellas, good luck. We'll see you at the end. 75 00:02:57,520 --> 00:02:58,960 Thank you very much. Thank you. 76 00:02:59,040 --> 00:03:00,160 Bye, guys. See you, guys. 77 00:03:00,200 --> 00:03:01,400 (APPLAUSE) 78 00:03:01,440 --> 00:03:02,760 See you round. Good luck. 79 00:03:05,920 --> 00:03:08,480 Well, I suppose there are some thoughts 80 00:03:08,560 --> 00:03:10,880 flying around your heads as to what today's build is. 81 00:03:10,920 --> 00:03:12,080 CONTESTANTS: Yes, yes. 82 00:03:12,120 --> 00:03:13,360 OK. 83 00:03:13,400 --> 00:03:15,000 Why don't you come this way? 84 00:03:18,160 --> 00:03:21,080 (WONDROUS MUSIC) 85 00:03:22,200 --> 00:03:24,280 (GASPS) 86 00:03:25,240 --> 00:03:26,760 I can already feel Fleur going. 87 00:03:28,320 --> 00:03:29,760 FLEUR: It's Pleasantville! 88 00:03:29,840 --> 00:03:32,160 (LAUGHTER) Wow! 89 00:03:32,240 --> 00:03:34,800 Can I interest you in a house and land package at all? 90 00:03:34,880 --> 00:03:37,520 Take a little look at your suburban dream. 91 00:03:38,240 --> 00:03:40,160 SARAH: Hang on, they're all the same. 92 00:03:40,240 --> 00:03:44,160 HAMISH: The four houses on this street, like Brickman and I, 93 00:03:44,200 --> 00:03:45,480 they're monochrome. 94 00:03:45,560 --> 00:03:48,560 They're greyscale, they've lost their colour. 95 00:03:48,640 --> 00:03:52,800 Your challenge today is to introduce colour to your world 96 00:03:52,840 --> 00:03:54,880 through a story. 97 00:03:54,960 --> 00:03:59,840 Something is happening in your build that is creating the colour. 98 00:03:59,920 --> 00:04:02,080 So, we're going to end up with four builds 99 00:04:02,120 --> 00:04:03,840 that have a lot of greyscale on them 100 00:04:03,920 --> 00:04:07,640 but a very clear reason why part of the build 101 00:04:07,680 --> 00:04:09,680 has started to become colourful. 102 00:04:09,720 --> 00:04:11,160 Wow. 103 00:04:11,200 --> 00:04:13,560 It's a very artistic build today. 104 00:04:14,320 --> 00:04:17,320 So, over Lego Masters, we have of course really teased out 105 00:04:17,400 --> 00:04:20,720 a technical, storytelling and aesthetic component 106 00:04:20,760 --> 00:04:22,400 of your Lego skills. 107 00:04:22,480 --> 00:04:25,160 Today, it's time to park your technical skills 108 00:04:25,200 --> 00:04:27,640 and to really focus on storytelling, 109 00:04:27,720 --> 00:04:29,760 the 'why' there colour in this world, 110 00:04:29,840 --> 00:04:33,320 and of course once you've realised that, your aesthetics. 111 00:04:33,400 --> 00:04:38,280 It's about bringing beautiful colour for a reason into these builds. 112 00:04:38,360 --> 00:04:42,280 They're all the same, so it makes comparing them even easier. 113 00:04:43,960 --> 00:04:48,120 To bring colour to your monochrome house and land packages, 114 00:04:48,160 --> 00:04:51,320 you have got 12 hours. 115 00:04:51,360 --> 00:04:52,480 FLEUR: Oh, wow. 116 00:04:52,520 --> 00:04:54,640 I guess it's not so black and white. 117 00:04:54,680 --> 00:04:56,280 (LAUGHTER) 118 00:04:56,360 --> 00:04:59,040 In all seriousness, this is to get to finals week. 119 00:05:00,240 --> 00:05:02,520 Good luck. Time starts now. Go for it. 120 00:05:04,240 --> 00:05:06,480 Good general free-for-all. 121 00:05:06,560 --> 00:05:09,080 Everyone happy with their selection? (LAUGHTER) 122 00:05:09,160 --> 00:05:10,880 I mean, there's no mechanism to redo it 123 00:05:10,960 --> 00:05:13,760 but I'm glad everyone seems to be happy with their house. 124 00:05:13,840 --> 00:05:15,920 This might be one for the iPad 'cause we can take a photo 125 00:05:16,000 --> 00:05:17,720 of the existing... Yeah, true. 126 00:05:19,960 --> 00:05:21,560 It's all about the story, right? 127 00:05:21,640 --> 00:05:23,240 It's all about the story and the colour. 128 00:05:24,120 --> 00:05:26,480 Let's just throw lots of random ideas out there. 129 00:05:26,520 --> 00:05:28,800 Yeah? Like aliens attacking? 130 00:05:28,880 --> 00:05:30,800 (LAUGHS) Like... 131 00:05:30,840 --> 00:05:32,120 Unicorns attacking? 132 00:05:32,160 --> 00:05:34,080 Unicorn aliens attacking? 133 00:05:34,960 --> 00:05:37,760 What if the paint truck has like it's hit it 134 00:05:37,840 --> 00:05:41,040 and then gone and landed in the side of the house, 135 00:05:41,120 --> 00:05:43,200 so it's literally spilling out of the house? 136 00:05:44,040 --> 00:05:45,040 I like it. 137 00:05:45,120 --> 00:05:48,440 We need something that's going to make our build stand out 138 00:05:48,480 --> 00:05:49,560 and looks really different. 139 00:05:49,640 --> 00:05:51,240 Just the other day, my son actually asked me, 140 00:05:51,320 --> 00:05:53,720 "Mum, where do we keep the rainbow paint?" 141 00:05:53,760 --> 00:05:56,480 RYAN: And that is just inspired. 142 00:05:56,560 --> 00:05:58,080 So, I'm just trying to think of things 143 00:05:58,160 --> 00:06:00,240 that would be the funniest thing for a rainbow truck to hit. 144 00:06:00,280 --> 00:06:01,920 Like, what if they hit ducks? 145 00:06:02,000 --> 00:06:03,360 A row of ducks? A row of ducks! 146 00:06:03,440 --> 00:06:04,600 Of course. (LAUGHS) 147 00:06:05,320 --> 00:06:08,000 So, we've decided that we're going to have a rainbow paint truck 148 00:06:08,080 --> 00:06:11,160 that avoids a row of ducks that are crossing the road, 149 00:06:11,240 --> 00:06:14,360 so it's just smashed into this house, 150 00:06:14,440 --> 00:06:16,600 sort of launched itself into the house 151 00:06:16,640 --> 00:06:18,320 so therefore... 152 00:06:18,400 --> 00:06:19,960 Sprayed the house... Massive spray paint. 153 00:06:20,000 --> 00:06:21,320 ..and the neighbourhood with colour. 154 00:06:21,400 --> 00:06:23,160 We want it to be magic rainbow paint 155 00:06:23,240 --> 00:06:24,680 so everything it drops on becomes coloured, 156 00:06:24,720 --> 00:06:26,440 not just splashed with paint. 157 00:06:26,520 --> 00:06:29,680 The challenge is going to be making it big, making the idea big, 158 00:06:29,760 --> 00:06:33,040 so getting height and getting sort of presence. 159 00:06:33,120 --> 00:06:36,000 To be able to say that you've been in finals week of Lego Masters. 160 00:06:36,080 --> 00:06:39,120 That's pretty crazy, isn't it? (LAUGHS) 161 00:06:39,200 --> 00:06:41,400 Is going to be cool if we can get it to work. 162 00:06:41,480 --> 00:06:44,200 If we can look through the eyes of a four-year-old, 163 00:06:44,240 --> 00:06:45,560 maybe that's our win here. 164 00:06:54,080 --> 00:06:56,840 Alrighty, Brickman, 12 hours, 165 00:06:56,920 --> 00:06:59,120 everyone's starting with the same, identical house, 166 00:06:59,200 --> 00:07:00,720 which I kind of love. But would you say 167 00:07:00,800 --> 00:07:04,800 this is our most aesthetically challenging build of all? 168 00:07:04,880 --> 00:07:06,800 It certainly relies on aesthetics the most. 169 00:07:06,880 --> 00:07:09,240 It needs that great idea at the core, doesn't it, 170 00:07:09,280 --> 00:07:10,480 for the winning build. 171 00:07:10,520 --> 00:07:11,680 It definitely does 172 00:07:11,760 --> 00:07:14,000 and then it's being quite, almost strategic 173 00:07:14,040 --> 00:07:15,400 in how you use colour. 174 00:07:15,480 --> 00:07:17,400 Not so much having the biggest of the grandest 175 00:07:17,480 --> 00:07:19,520 but more how you are using the colour 176 00:07:19,600 --> 00:07:21,040 as opposed to having a lot of colour. 177 00:07:24,920 --> 00:07:26,280 Oh, man. 178 00:07:26,360 --> 00:07:28,760 This challenge is definitely in our wheelhouse, 179 00:07:28,800 --> 00:07:30,080 we're really excited about it. 180 00:07:30,160 --> 00:07:33,320 I don't want to think of the house as a house to begin with. 181 00:07:33,360 --> 00:07:35,040 It needs to be something off-kilter. 182 00:07:35,120 --> 00:07:38,440 What if we made this a planter box with plants growing out of it 183 00:07:38,480 --> 00:07:40,000 and a watering can? 184 00:07:40,040 --> 00:07:41,040 Yeah, I like it. 185 00:07:41,120 --> 00:07:45,560 So, we're going to turn our house into a greyscale planter box 186 00:07:45,640 --> 00:07:50,760 with a water ring can pouring water or colour into it. 187 00:07:50,800 --> 00:07:52,840 So, we have a huge contrast 188 00:07:52,920 --> 00:07:54,520 with much more greyscale than colour. 189 00:07:54,560 --> 00:07:55,600 It's such an amazing idea. 190 00:07:55,640 --> 00:07:57,920 Where it's pouring colour, 191 00:07:58,000 --> 00:08:00,320 we're going to have beautiful flowers all coloured 192 00:08:00,400 --> 00:08:02,600 and the rest are going to be all in greyscale. 193 00:08:03,800 --> 00:08:06,720 This is the opportunity to get through to finals week. 194 00:08:06,800 --> 00:08:09,960 The final four, the final, final four. 195 00:08:10,040 --> 00:08:13,640 So, we're just going to back ourselves today and take the risk. 196 00:08:13,720 --> 00:08:15,320 Hi, guys. Hi. How are you? 197 00:08:15,400 --> 00:08:16,400 Hamish. You're looking fine. 198 00:08:16,440 --> 00:08:17,600 Thank you so much. 199 00:08:17,680 --> 00:08:21,040 Do you feel like you've got over seeing Brickman in his outfit 200 00:08:21,120 --> 00:08:23,200 or do we need to talk any more about that? 201 00:08:23,240 --> 00:08:24,520 She's compartmentalising in it. 202 00:08:24,600 --> 00:08:26,760 I'm married, so we don't need to talk about it. 203 00:08:26,840 --> 00:08:29,240 Gotcha. But I mean, there's no harm in enjoying... 204 00:08:29,280 --> 00:08:31,000 He looks so dapper. 205 00:08:31,080 --> 00:08:33,480 You both do really do look fantastic. 206 00:08:33,560 --> 00:08:35,040 Sure. Thank you. And it's kind of like... 207 00:08:35,120 --> 00:08:37,240 But I mean, I feel like you're just adding that in now 208 00:08:37,320 --> 00:08:39,960 'cause all the initial hype was about Brickman and you just... 209 00:08:40,040 --> 00:08:41,400 I've told her to pull down the poster 210 00:08:41,480 --> 00:08:43,040 off the back of the bedroom door of Brickman 211 00:08:43,080 --> 00:08:44,200 but she doesn't do it. 212 00:08:44,280 --> 00:08:46,040 You're going to make me blush. (LAUGHS) 213 00:08:46,120 --> 00:08:47,680 We do talk a lot about aesthetics today. 214 00:08:47,760 --> 00:08:49,360 I mean, usually it's just the aesthetics of Lego 215 00:08:49,440 --> 00:08:52,480 but if you are a huge fan of the aesthetics of Brickman today 216 00:08:52,560 --> 00:08:54,320 then... In the black and white. 217 00:08:54,360 --> 00:08:55,440 You just looked at me and went, 218 00:08:55,520 --> 00:08:57,920 "I don't care what your technical ability or storytelling is, mate." 219 00:08:57,960 --> 00:08:59,080 "I'm all about aesthetics." 220 00:08:59,160 --> 00:09:00,480 Good luck, guys. Alright, thank you. 221 00:09:00,520 --> 00:09:01,800 Thank you. 222 00:09:01,880 --> 00:09:03,520 Oh, my god. If I was in black and white, 223 00:09:03,600 --> 00:09:05,920 you wouldn't see how red I am at the moment. 224 00:09:07,800 --> 00:09:09,240 Keeping it up there? 225 00:09:10,080 --> 00:09:11,520 Nice. Yeah. 226 00:09:11,600 --> 00:09:13,760 Is that big enough? I think so. 227 00:09:14,600 --> 00:09:16,080 Hello, chaps. Hi. 228 00:09:16,120 --> 00:09:17,120 How are we going? 229 00:09:17,200 --> 00:09:19,080 Good. How are you going? We're going. 230 00:09:19,160 --> 00:09:23,360 We've got an unfinished, I hope, big figure here. 231 00:09:23,440 --> 00:09:26,440 Yeah, so essentially what we're going to try and do 232 00:09:26,520 --> 00:09:28,880 is have our representation of Mother Nature 233 00:09:28,920 --> 00:09:30,800 rolling through our dark scene. 234 00:09:31,800 --> 00:09:33,880 For today's build, our idea is to have Mother Nature 235 00:09:33,960 --> 00:09:36,560 bringing new life and colour into the black and white world, 236 00:09:36,640 --> 00:09:39,400 creating the nice bright, happy, you know, exciting world 237 00:09:39,440 --> 00:09:40,880 she's passed through. 238 00:09:40,960 --> 00:09:44,160 Do you have in your head yet a vision of what she looks like? 239 00:09:44,200 --> 00:09:45,480 A little bit. 240 00:09:45,520 --> 00:09:47,120 What a celebrity does she look like? 241 00:09:47,160 --> 00:09:48,640 Um... 242 00:09:48,680 --> 00:09:49,880 I want to say Paul Rudd but... 243 00:09:49,960 --> 00:09:52,000 (LAUGHS) Jeez, alright. So... 244 00:09:52,040 --> 00:09:53,200 He's a handsome man. 245 00:09:53,280 --> 00:09:55,440 Yeah, so she's sort of got like that delicate facial structure 246 00:09:55,520 --> 00:09:56,840 of a Paul Rudd. Yeah. 247 00:09:56,920 --> 00:09:58,840 But also she is Mother Nature as well. 248 00:09:58,880 --> 00:10:00,480 A bit of Beyonce maybe. 249 00:10:00,560 --> 00:10:02,480 Wow, OK. Yeah, a bit of Queen B. 250 00:10:02,560 --> 00:10:05,280 Two interesting people to put together. 251 00:10:05,360 --> 00:10:07,240 Good luck. (LAUGHS) 252 00:10:07,320 --> 00:10:09,280 No, I can't wait to see him as Mother Nature. 253 00:10:09,320 --> 00:10:10,760 Thanks very much. 254 00:10:10,800 --> 00:10:12,200 I knew you'd say Paul Rudd. 255 00:10:12,240 --> 00:10:13,240 He's just a beautiful man. 256 00:10:13,320 --> 00:10:15,360 We love this idea. Yeah, we both love being outdoors, 257 00:10:15,440 --> 00:10:17,320 love going for a hike and doing some camping. 258 00:10:17,400 --> 00:10:19,000 I'm confident enough to do the frame. 259 00:10:19,040 --> 00:10:20,240 A lot of what we want 260 00:10:20,320 --> 00:10:22,000 is going to come from the facial expression 261 00:10:22,040 --> 00:10:23,360 which I think's the hardest part. 262 00:10:23,440 --> 00:10:25,080 We want it to look serene and graceful. 263 00:10:25,160 --> 00:10:27,840 Like the eyes have to be soft and it's kind of like a warm smile. 264 00:10:27,880 --> 00:10:29,240 We don't want Mother Nature 265 00:10:29,320 --> 00:10:30,840 to just be like this kind of blocky person. 266 00:10:30,920 --> 00:10:33,040 We want that with the delicate facial feature. 267 00:10:33,080 --> 00:10:34,800 Just like a... "Hmm, that's nice." 268 00:10:34,880 --> 00:10:36,600 Just giving a bit of a boop here. A flower here. 269 00:10:36,680 --> 00:10:39,640 She has to be flowing, we have to have nature combined with her, 270 00:10:39,720 --> 00:10:41,680 so it's going to be a really technical character, 271 00:10:41,720 --> 00:10:43,360 so hopefully, there will be no doubt 272 00:10:43,440 --> 00:10:44,880 that it's Mother Nature walking through. 273 00:10:46,680 --> 00:10:49,160 Alright, guys, you are one hour down. 274 00:10:49,800 --> 00:10:51,120 One hour in. 275 00:10:51,200 --> 00:10:52,960 Jeepers. Or as we say in the old days, 276 00:10:53,040 --> 00:10:58,000 60 time shillings have been spent to Old Father Time. 277 00:10:58,040 --> 00:10:59,720 (LAUGHTER) 278 00:11:01,600 --> 00:11:02,600 Oh, man. 279 00:11:02,640 --> 00:11:04,240 There's never a dull moment 280 00:11:04,320 --> 00:11:08,160 in the Lego Masters universe, is there? 281 00:11:13,280 --> 00:11:16,000 GUS: We're the only team that still hasn't actually got an idea. 282 00:11:17,640 --> 00:11:19,800 Today's build is the ticket to finals week, 283 00:11:19,840 --> 00:11:21,920 so we have to get this right. 284 00:11:22,000 --> 00:11:24,920 We can have like a big (INDISTINCT) in here. 285 00:11:25,720 --> 00:11:26,960 Or a plane arriving. 286 00:11:28,080 --> 00:11:31,720 I was thinking a giant hand and a paintbrush, 287 00:11:31,800 --> 00:11:35,320 so it's like this is a playhouse that they're actually painting. 288 00:11:36,320 --> 00:11:38,280 We're thinking we're going to go with a giant hand 289 00:11:38,360 --> 00:11:40,760 just painting the house, literally adding colour to the house. 290 00:11:40,840 --> 00:11:43,880 We also want to add three paint tins of primary colours 291 00:11:43,960 --> 00:11:45,440 because you can make any colour you want 292 00:11:45,480 --> 00:11:46,840 from the three primary colours. 293 00:11:46,920 --> 00:11:49,120 We always talk about having a simple idea and execute it properly 294 00:11:49,160 --> 00:11:51,760 and this is a good way to do it. 295 00:11:51,840 --> 00:11:53,480 The story of our build is going to be quite simple 296 00:11:53,560 --> 00:11:55,040 but we think it plays to our strengths. 297 00:11:55,120 --> 00:11:57,360 It's a large sculptural piece that we think we can pull off 298 00:11:57,440 --> 00:11:59,560 and it's going to be big, bright and eye-catching. 299 00:11:59,640 --> 00:12:01,840 Gus and David, hello. Brickman, how's it going? 300 00:12:01,920 --> 00:12:03,640 I feel like I'm interrupting a moment. 301 00:12:03,720 --> 00:12:06,080 You're always welcome at our table, Brickman. 302 00:12:06,120 --> 00:12:07,520 Thank you very much. Appreciate it. 303 00:12:07,560 --> 00:12:08,920 So, what's your idea? 304 00:12:09,000 --> 00:12:12,200 We're thinking of having a large-scale hand, 305 00:12:12,280 --> 00:12:14,560 probably a little bit bigger than a regular human hand, 306 00:12:14,600 --> 00:12:16,040 painting the roof. 307 00:12:16,080 --> 00:12:17,080 So, this is like a model? 308 00:12:17,160 --> 00:12:18,960 Yeah, it's like it's a little model, someone's model 309 00:12:19,000 --> 00:12:20,000 that they've built. 310 00:12:20,080 --> 00:12:21,720 There's a whole bunch of paint jars around, 311 00:12:21,800 --> 00:12:24,160 you know, some of it has spilled, there's, you know, stuff everywhere. 312 00:12:24,240 --> 00:12:27,240 I love the idea of the big hand and the painting. 313 00:12:27,320 --> 00:12:29,880 It just seems a bit obvious from you guys. 314 00:12:31,720 --> 00:12:33,480 That's a very obvious 'colour your world', isn't it? 315 00:12:33,560 --> 00:12:34,960 Yeah. It is. It is. 316 00:12:35,040 --> 00:12:36,640 It's very, "This is our first thought." 317 00:12:36,720 --> 00:12:38,480 It's literal, it's, you know, verbatim almost. 318 00:12:38,560 --> 00:12:39,800 Yep. Yep. 319 00:12:39,880 --> 00:12:41,480 I'm sorry to put the pressure on you this way. 320 00:12:41,560 --> 00:12:44,320 But I actually have higher expectations from you guys. 321 00:12:54,680 --> 00:12:55,920 What's your idea? 322 00:12:56,000 --> 00:13:00,080 So, we're thinking of having a large-scale hand 323 00:13:00,120 --> 00:13:01,800 painting the roof. 324 00:13:01,840 --> 00:13:03,200 So, this is like a model? 325 00:13:03,280 --> 00:13:08,320 Today's build, we have two inject colour into black and white houses. 326 00:13:08,400 --> 00:13:11,240 I love the idea of the big hand and the painting. 327 00:13:11,320 --> 00:13:13,960 It just seems a bit obvious from you guys. 328 00:13:15,040 --> 00:13:16,800 That's a very obvious 'colour your world', isn't it? 329 00:13:16,880 --> 00:13:17,920 Yeah. It is. It is. 330 00:13:18,000 --> 00:13:19,480 It's a verbatim almost. Yep. 331 00:13:19,560 --> 00:13:21,960 I'm sorry to put the pressure on you this way. 332 00:13:22,040 --> 00:13:25,120 But I actually have higher expectations from you guys. 333 00:13:26,760 --> 00:13:28,280 I just feel like 334 00:13:28,360 --> 00:13:31,360 maybe there's something a bit more creative you can do 335 00:13:31,440 --> 00:13:34,360 with your level of skill that you've brought so far. 336 00:13:34,440 --> 00:13:36,360 Open your mind to being a little bit grander. 337 00:13:36,440 --> 00:13:37,440 OK. Yeah. 338 00:13:37,520 --> 00:13:38,680 Good luck. Thank you. 339 00:13:38,720 --> 00:13:40,400 Thank you, Brickman. Thanks. 340 00:13:41,320 --> 00:13:42,720 Right. 341 00:13:42,800 --> 00:13:44,600 Food for thought, isn't it? Yeah, it is. 342 00:13:44,680 --> 00:13:47,120 This is the last chance to get into finals week. 343 00:13:48,000 --> 00:13:50,200 We have to be more imaginative. 344 00:13:50,280 --> 00:13:51,960 So... OK. 345 00:13:52,000 --> 00:13:53,240 What else can we do? 346 00:13:53,280 --> 00:13:54,680 Another thing that I was thinking, 347 00:13:54,760 --> 00:13:59,440 like a big colourful meteorite hitting the ground 348 00:13:59,520 --> 00:14:01,360 and it causes an explosion of colour. 349 00:14:04,840 --> 00:14:07,000 Or a creature adding colour. 350 00:14:07,080 --> 00:14:09,360 I don't want to say dragon because it's too obvious 351 00:14:09,440 --> 00:14:13,200 but it could be like a kind of beautiful, colourful... 352 00:14:13,280 --> 00:14:15,960 Unicorn? Unicorns are pretty rainbowy and bright. 353 00:14:16,040 --> 00:14:19,960 Like flying through and leaving a trail of colour behind. 354 00:14:20,040 --> 00:14:22,960 In my head, the creature that I most associate with colour 355 00:14:23,000 --> 00:14:24,040 is a unicorn. 356 00:14:24,120 --> 00:14:26,440 So, we're going to go down the road of building unicorns 357 00:14:26,520 --> 00:14:28,720 running through our build, bringing colour to our world. 358 00:14:28,760 --> 00:14:31,440 There was a cartoon of a little... 359 00:14:31,480 --> 00:14:33,480 'My Little Unicorn' is it called? 360 00:14:33,520 --> 00:14:34,840 'My Little Pony'? 361 00:14:34,920 --> 00:14:36,240 Is it 'My Little Pony'? Yeah. 362 00:14:36,280 --> 00:14:38,800 I'm really liking this idea, man. 363 00:14:39,640 --> 00:14:40,760 Yeah. 364 00:14:40,800 --> 00:14:41,920 Is that the face? 365 00:14:41,960 --> 00:14:43,280 (LAUGHS) 366 00:14:43,320 --> 00:14:44,360 It's getting there. 367 00:14:44,440 --> 00:14:45,800 We've had a lot of success with creatures, 368 00:14:45,840 --> 00:14:47,320 so we really like this idea. 369 00:14:47,400 --> 00:14:49,480 There's a lot of colour to be added. The story's really clear, 370 00:14:49,560 --> 00:14:51,600 so we both ready want to build something incredible. 371 00:14:51,640 --> 00:14:52,720 Yep. 372 00:14:52,760 --> 00:14:54,120 Hopefully, this will be enough. 373 00:14:54,200 --> 00:14:56,040 Because we with the don't want to go home at this stage. 374 00:14:56,080 --> 00:14:57,080 Yeah. 375 00:14:57,160 --> 00:14:58,680 Or ever. Yeah. Or any stage. 376 00:15:00,720 --> 00:15:03,720 (UPBEAT '80S STYLE MUSIC) 377 00:15:07,040 --> 00:15:09,360 GABBY: I just... I thought that was my stool. 378 00:15:09,440 --> 00:15:11,280 (LAUGHS) RYAN: Sorry! 379 00:15:11,360 --> 00:15:13,400 It's alright. You can have it now. Lucky you're on my team. 380 00:15:13,440 --> 00:15:14,600 (LAUGHS) 381 00:15:14,680 --> 00:15:16,400 SARAH: We may need to take up gardening after this. 382 00:15:16,440 --> 00:15:17,520 I am so not a gardener. 383 00:15:17,600 --> 00:15:21,440 I love flowers but more like having them bought for me. 384 00:15:23,120 --> 00:15:25,240 So, right now, I'm working on Mother Nature. 385 00:15:25,320 --> 00:15:27,280 I've just really got to work on her eyes, 386 00:15:27,360 --> 00:15:29,520 work on her mouth, work on that expression that we want from her, 387 00:15:29,600 --> 00:15:32,000 so it looks like she's got a bit of grace to her. 388 00:15:35,280 --> 00:15:36,600 It looks a bit like a moustache. 389 00:15:36,680 --> 00:15:37,760 The lips? Yeah. 390 00:15:39,720 --> 00:15:41,040 I'm going to keep working on it. 391 00:15:43,600 --> 00:15:45,520 Good to be back. 392 00:15:45,600 --> 00:15:47,680 It's just a bit freer. Yeah, more colour. 393 00:15:47,760 --> 00:15:49,840 I mean, it was great. I think it was a good effect. 394 00:15:49,880 --> 00:15:50,960 Worthwhile. 395 00:15:51,040 --> 00:15:52,520 My pants were a bit scratchy. Were they? 396 00:15:52,560 --> 00:15:53,960 It's nice to be back in jeans. 397 00:15:54,000 --> 00:15:56,360 Alright, guys, eight hours! 398 00:15:56,400 --> 00:15:58,120 You have got eight hours to go. 399 00:15:58,200 --> 00:16:00,600 You are four hours down, one third of the way through, 400 00:16:00,640 --> 00:16:01,880 two thirds to go. 401 00:16:01,920 --> 00:16:03,160 You guys all know about numbers. 402 00:16:04,320 --> 00:16:05,640 They are looking good. 403 00:16:05,680 --> 00:16:06,880 Keep it up. 404 00:16:06,920 --> 00:16:10,360 This is for a spot in finals week. 405 00:16:10,400 --> 00:16:12,000 Having been there before myself, 406 00:16:12,080 --> 00:16:13,680 it is a week you want to be involved in. 407 00:16:13,720 --> 00:16:14,720 FLEUR: Hell, yes. 408 00:16:14,760 --> 00:16:16,200 Don't forget the 100,000. 409 00:16:16,240 --> 00:16:17,400 And 100,000. Yes. 410 00:16:17,440 --> 00:16:18,640 Ultimately. 411 00:16:22,280 --> 00:16:24,560 Oh, no. Ah, we've already done that. 412 00:16:25,400 --> 00:16:27,040 We've already done it. You've already done that? 413 00:16:27,120 --> 00:16:28,840 Yeah, yeah. We've already done it. We already did it. 414 00:16:28,920 --> 00:16:30,560 We did it, we finished. We changed. 415 00:16:30,640 --> 00:16:32,800 No, it's good. OK. You go back to the brick pit. Yeah. 416 00:16:32,840 --> 00:16:33,920 People have got it. 417 00:16:33,960 --> 00:16:35,280 (LAUGHTER) 418 00:16:35,360 --> 00:16:38,320 It's sort of already played out. OK, eight hours to go! Good stuff! 419 00:16:38,360 --> 00:16:40,040 Every time! 420 00:16:40,080 --> 00:16:41,080 Alrighty, Brickman. 421 00:16:41,120 --> 00:16:42,880 This is all about colouring a world. 422 00:16:42,960 --> 00:16:45,880 The world is provided greyscale, black and white, 423 00:16:45,920 --> 00:16:47,760 beautiful '50s home 424 00:16:47,840 --> 00:16:49,320 and the now it's about bringing colour to it. 425 00:16:49,400 --> 00:16:52,880 As we have seen, there is so much interpretation 426 00:16:52,920 --> 00:16:54,120 about how the colour comes in 427 00:16:54,200 --> 00:16:56,520 and about what happens when it gets there. 428 00:16:56,560 --> 00:16:58,320 The why. It's about the why 429 00:16:58,400 --> 00:17:01,480 and we've got four incredibly different whys 430 00:17:01,560 --> 00:17:04,520 straight from various parts of imagination. It's fantastic. 431 00:17:04,560 --> 00:17:06,000 Fleur, that looks really amazing. 432 00:17:06,080 --> 00:17:08,080 So, you're happy? It really does. 433 00:17:08,160 --> 00:17:10,480 Yeah, it looks great. Oh, cool. OK. 434 00:17:10,560 --> 00:17:12,240 HAMISH: Sarah and Fleur, the watering can 435 00:17:12,320 --> 00:17:15,520 spreading colour and light through the world of the flowerpots. 436 00:17:15,600 --> 00:17:18,200 I love the idea probably the most out of the four ideas. 437 00:17:18,280 --> 00:17:21,040 Turning it into a planter box, I think's fantastic. 438 00:17:21,080 --> 00:17:22,760 The trickiest part is of course 439 00:17:22,840 --> 00:17:25,080 how are they introducing the colour out of that? 440 00:17:25,160 --> 00:17:27,440 How does it flow throughout the rest of the model? 441 00:17:27,480 --> 00:17:29,000 That's the difficulty. 442 00:17:29,080 --> 00:17:31,160 GABBY: These tree bits are so fiddly. 443 00:17:31,200 --> 00:17:32,600 HAMISH: Gabby and Ryan, 444 00:17:32,680 --> 00:17:34,560 what's your favourite thing about the build? 445 00:17:34,640 --> 00:17:36,760 I love the fun elements to it. There's lots of little jokes. 446 00:17:36,800 --> 00:17:39,160 It really captures the Lego elements 447 00:17:39,240 --> 00:17:41,240 about not taking themselves too seriously. 448 00:17:42,360 --> 00:17:44,080 Nice. 449 00:17:44,160 --> 00:17:45,720 What's possibly their missed opportunity? 450 00:17:45,760 --> 00:17:47,120 They've been incredibly literal 451 00:17:47,200 --> 00:17:49,400 and they're trying to simulate movement, 452 00:17:49,480 --> 00:17:51,120 so I just think it needs something else 453 00:17:51,200 --> 00:17:53,360 to show that captured-a-point-in-time moment. 454 00:17:54,200 --> 00:17:55,400 HAMISH: David and Gus. 455 00:17:55,440 --> 00:17:56,640 Our unicorn stampede? 456 00:17:57,520 --> 00:17:59,080 Flip. Flippity flip. 457 00:17:59,160 --> 00:18:01,120 It's taking shape, it's looking phenomenal. 458 00:18:01,200 --> 00:18:03,040 The big thing that I can't picture yet 459 00:18:03,120 --> 00:18:04,840 but that's OK 'cause I'm not building it 460 00:18:04,920 --> 00:18:07,360 is this sort of - the frontier of where they're running 461 00:18:07,440 --> 00:18:09,200 and the effect they're going for there. 462 00:18:09,280 --> 00:18:12,440 I'd like to see the objects that the unicorns have gone past, 463 00:18:12,520 --> 00:18:14,200 whether it's a car or a tree or whatever, 464 00:18:14,280 --> 00:18:17,160 have been coloured because that's not an easy thing to do. 465 00:18:18,760 --> 00:18:20,720 These big dark patches. I'm like, "What the hell is that?" 466 00:18:20,800 --> 00:18:23,440 It's like, it's just your head creating a shadow. 467 00:18:23,520 --> 00:18:26,440 HAMISH: Harrison and Michael. Where do you sit on Mother Nature? 468 00:18:26,520 --> 00:18:28,560 Well, first off, I picture her being very graceful. 469 00:18:28,640 --> 00:18:29,800 Yeah, right. Very - 470 00:18:29,880 --> 00:18:31,760 She has a real presence about her, 471 00:18:31,840 --> 00:18:33,920 and so, it's all about the pose, the look on her face... 472 00:18:34,000 --> 00:18:36,080 Facial expression. ..and even things like, you know, 473 00:18:36,120 --> 00:18:37,360 is her hair flowing? 474 00:18:37,440 --> 00:18:39,200 But I mean, we're working with Lego bricks. 475 00:18:39,280 --> 00:18:41,200 It's all about right angles and joints and square lines 476 00:18:41,240 --> 00:18:42,680 and that's tricky. 477 00:18:42,760 --> 00:18:45,000 HAMISH: And also, when you're doing nature, 478 00:18:45,080 --> 00:18:47,160 you've already bought into a lot of green. 479 00:18:47,200 --> 00:18:48,320 Green and brown. 480 00:18:48,400 --> 00:18:51,640 Now, it's not the least poppiest colour but is it the most poppiest? 481 00:18:51,720 --> 00:18:54,840 It's not and that's very difficult to make a statement with, 482 00:18:54,880 --> 00:18:57,400 it's very difficult to go, "Pow!" 483 00:18:57,440 --> 00:18:58,760 FLEUR: Do you need to be in here? 484 00:18:58,840 --> 00:19:00,120 Yeah, 'cause I need to grab the foliage. 485 00:19:00,200 --> 00:19:01,680 OK. If that's OK? 486 00:19:01,720 --> 00:19:03,440 Yeah, let's share the foliage. 487 00:19:03,480 --> 00:19:05,320 No. (LAUGHS) 488 00:19:05,360 --> 00:19:06,720 You're so rude. 489 00:19:06,800 --> 00:19:08,440 (LAUGHS) Where's your manners? 490 00:19:08,480 --> 00:19:10,240 Respect your elders. 491 00:19:10,320 --> 00:19:12,480 For the scene today, we really want to have Mother Nature 492 00:19:12,520 --> 00:19:13,720 as our big centrepiece 493 00:19:13,800 --> 00:19:16,040 and we wanted to make it look like she's flowing gracefully 494 00:19:16,080 --> 00:19:17,120 through the scene. 495 00:19:17,200 --> 00:19:19,440 Blending nature and colour together behind her. 496 00:19:19,520 --> 00:19:22,160 So, Mike has been working on Mother Nature's face, 497 00:19:22,200 --> 00:19:23,840 I'm finishing up the body, 498 00:19:23,920 --> 00:19:25,720 and then the scenery behind her has to be coloured in 499 00:19:25,800 --> 00:19:28,080 and bringing life, so I'm putting down green, earthy colour. 500 00:19:28,840 --> 00:19:30,240 Michael and Harrison, hello. 501 00:19:30,320 --> 00:19:31,800 Brickman. How are we doing? 502 00:19:31,840 --> 00:19:33,240 We're going OK, I think. 503 00:19:33,320 --> 00:19:35,080 Touch wood. Touch wood. Yeah. 504 00:19:35,160 --> 00:19:36,880 Well, there we go. Very cool, very cool. 505 00:19:36,960 --> 00:19:39,360 Currently, you're working on our Mother Nature? 506 00:19:39,440 --> 00:19:40,960 Yes. How's she going? 507 00:19:41,000 --> 00:19:42,360 Apart from being cross-eyed. 508 00:19:42,440 --> 00:19:44,240 She's growing - I guess she's cross eyed a bit. Yeah. 509 00:19:44,280 --> 00:19:46,160 (LAUGHS) Can I have a look? 510 00:19:50,480 --> 00:19:52,160 I'm not happy with the mouth as well. 511 00:19:52,200 --> 00:19:53,560 There's just something about it. 512 00:19:53,600 --> 00:19:54,800 Yeah. 513 00:19:56,080 --> 00:19:58,760 Faces are hard. They are super hard. 514 00:19:59,480 --> 00:20:01,960 Given she's the centrepiece of your whole build, 515 00:20:02,040 --> 00:20:04,840 I think you probably need to invest some time in that space. 516 00:20:04,920 --> 00:20:06,040 Yes. Good luck. 517 00:20:06,080 --> 00:20:07,400 Thanks very much. 518 00:20:07,440 --> 00:20:08,960 How's that coming along? 519 00:20:09,040 --> 00:20:10,800 I've just got to work on the face, I guess. 520 00:20:18,960 --> 00:20:20,680 FLEUR: Ryan, yours is looking amazing. 521 00:20:20,720 --> 00:20:22,200 Oh, thank you. 522 00:20:22,240 --> 00:20:23,560 Oh, you mean the build? 523 00:20:23,600 --> 00:20:26,240 Yeah. Well, you too. Love you too. 524 00:20:26,320 --> 00:20:29,760 RYAN: Today, I'm just having a ball with this. Like, it's ridiculous. 525 00:20:29,840 --> 00:20:32,080 This massive accident caused by a row of ducks... 526 00:20:32,160 --> 00:20:33,800 (DUCKS QUACK) ..crossing the road. 527 00:20:33,880 --> 00:20:35,880 Hey, Gabby and Ryan. Hi, Hamish. 528 00:20:35,920 --> 00:20:37,000 Hi, Hamish. 529 00:20:37,040 --> 00:20:38,720 Alright, we've got our paint truck. 530 00:20:38,760 --> 00:20:39,880 Oh, my god. Is that... 531 00:20:39,920 --> 00:20:41,680 The rest of the paint truck. 532 00:20:41,720 --> 00:20:42,960 That is a heck of an accident. 533 00:20:43,040 --> 00:20:44,840 Is that all from swerving from ducks? 534 00:20:44,880 --> 00:20:46,120 Yeah. 535 00:20:46,160 --> 00:20:48,080 You know, that's a twitchy driver. 536 00:20:48,120 --> 00:20:49,160 (LAUGHTER) 537 00:20:49,240 --> 00:20:51,240 He's managed to put the cabin of his truck 538 00:20:51,320 --> 00:20:54,400 through the second story as he swerved for a duck. 539 00:20:54,440 --> 00:20:55,760 What are you doing, Gab? 540 00:20:55,840 --> 00:21:00,720 This is going to be a massive explosion of paint. 541 00:21:00,760 --> 00:21:02,240 Like a geyser. 542 00:21:02,320 --> 00:21:03,920 A geyser of paint. Is that a geyser or a geyser? 543 00:21:04,000 --> 00:21:05,840 I think it's a geyser. A geyser. Geyser. 544 00:21:05,920 --> 00:21:07,160 Geyser? Like an oil well. 545 00:21:07,240 --> 00:21:09,440 Yeah, exactly like an oil well. Yeah, or like a geisha. A geyser. 546 00:21:09,520 --> 00:21:11,040 A geyser. A geyser, a geyser. 547 00:21:11,120 --> 00:21:13,040 Like when you're digging for rainbows in the desert, 548 00:21:13,120 --> 00:21:15,680 you hit a rainbow well and all the rainbow colours come up. 549 00:21:15,760 --> 00:21:17,880 (LAUGHTER) Right. I'm out. Well done. 550 00:21:18,760 --> 00:21:20,120 GABBY: I think we've met the brief. 551 00:21:20,200 --> 00:21:22,560 We've definitely added a splash of colour to this world. 552 00:21:22,640 --> 00:21:24,400 So, that element of the story is down 553 00:21:24,480 --> 00:21:26,600 but if we win today, we're in finals week 554 00:21:26,680 --> 00:21:29,320 and there's an opportunity in this build to go bigger. 555 00:21:29,400 --> 00:21:31,600 We want to show the movement of paint, 556 00:21:31,680 --> 00:21:35,000 so we've decided to add a kind of paint geyser, 557 00:21:35,040 --> 00:21:37,320 so the magic rainbow paint, 558 00:21:37,400 --> 00:21:39,520 it's splurting as high as we can possibly go. 559 00:21:39,600 --> 00:21:43,160 We might want it to have hit a low flying sort of biplane. 560 00:21:43,200 --> 00:21:44,640 Go big or go home. 561 00:21:44,680 --> 00:21:46,360 (LAUGHTER) 562 00:21:47,600 --> 00:21:48,960 You want a tilt. Yeah, of course I do. 563 00:21:49,040 --> 00:21:50,240 I knew you wanted to that. You know. 564 00:21:50,280 --> 00:21:51,280 Of course I know. 565 00:21:51,360 --> 00:21:55,880 Alrighty, guys. You are six down, six to go. 566 00:21:55,920 --> 00:21:57,640 This is the halfway mark. 567 00:21:58,640 --> 00:21:59,640 Coming in! 568 00:22:04,000 --> 00:22:05,440 So many flowers. 569 00:22:05,520 --> 00:22:08,120 Yes, there are so many more still to go. 570 00:22:08,160 --> 00:22:10,000 Really happy about this challenge. 571 00:22:10,080 --> 00:22:13,160 It's an artistic challenge which is right up our alley 572 00:22:13,240 --> 00:22:15,960 and I'm just working on the greyscale side 573 00:22:16,040 --> 00:22:18,840 of the flowerbed, so it's been nice and creative 574 00:22:18,880 --> 00:22:20,240 and I'm really enjoying it. 575 00:22:20,280 --> 00:22:21,800 Happy day. (LAUGHS) 576 00:22:21,840 --> 00:22:23,520 (LAUGHS) 577 00:22:23,600 --> 00:22:29,520 It's an interesting challenge to do flora and fauna in greyscale. 578 00:22:29,600 --> 00:22:33,600 In Lego elements, there are not greyscale leaves, 579 00:22:33,640 --> 00:22:35,240 they are not greyscale flowers. 580 00:22:35,280 --> 00:22:36,440 There's nothing. 581 00:22:36,480 --> 00:22:37,760 So, the challenge here 582 00:22:37,840 --> 00:22:40,760 is to take pieces that are not designed for flowers 583 00:22:40,840 --> 00:22:44,320 and turn them into flowers, which is NPU, nice part usage. 584 00:22:44,360 --> 00:22:45,560 Yeah. 585 00:22:45,600 --> 00:22:46,840 I'm going to try and use these. 586 00:22:48,040 --> 00:22:49,320 And it's something I love 587 00:22:49,400 --> 00:22:54,440 and this is my chance to be able to NPU all over the place! 588 00:22:54,480 --> 00:22:56,480 I love that flower. 589 00:22:56,560 --> 00:22:58,360 It's amazing. Yeah, they're mini fig skirts. 590 00:22:58,400 --> 00:22:59,400 They're brilliant. 591 00:22:59,440 --> 00:23:01,160 Go, Team Mum! (LAUGHS) 592 00:23:01,200 --> 00:23:02,520 Go, Team Mothership. 593 00:23:02,560 --> 00:23:03,960 Sarah and Fleur, hello. 594 00:23:04,040 --> 00:23:05,000 Hi, Brickman. How are you? 595 00:23:05,080 --> 00:23:07,680 I'm... It's not about me, it's about you. How are you going? 596 00:23:07,760 --> 00:23:09,160 Good. Good, we think. 597 00:23:09,240 --> 00:23:11,320 These flowers look amazing. Thank you. 598 00:23:11,360 --> 00:23:13,040 Lots of NPU happening there. 599 00:23:13,120 --> 00:23:15,920 We had to because there's not a lot of grey foliage. 600 00:23:16,000 --> 00:23:19,160 We've got upside-down mini figure skirts... 601 00:23:19,240 --> 00:23:21,480 Yep, yep. ..we've got knights' armour... 602 00:23:21,560 --> 00:23:22,680 Yep. ..teeth... 603 00:23:22,760 --> 00:23:24,760 Yep. ..a mini figure's whisk. 604 00:23:24,840 --> 00:23:27,040 We've got car bonnets, steering wheels. 605 00:23:27,080 --> 00:23:28,120 Yep, yep. 606 00:23:28,200 --> 00:23:29,800 I reckon you've probably gone in there and said, 607 00:23:29,840 --> 00:23:31,120 "Give me every grey piece there is." 608 00:23:31,160 --> 00:23:32,720 I pretty much did. 609 00:23:32,800 --> 00:23:34,960 But it does leave us with a bit of a problem. 610 00:23:36,200 --> 00:23:39,280 You've got a lot of baseplate but there's nothing happening here. 611 00:23:39,320 --> 00:23:41,080 There is no colour. 612 00:23:42,320 --> 00:23:45,680 Haven't even started on the colour flowers. 613 00:23:45,760 --> 00:23:50,040 'Cause for the effect, we need much more grey than there is colour. 614 00:23:51,000 --> 00:23:53,920 But the entire point of this build, what we are judged on, 615 00:23:53,960 --> 00:23:56,320 is why is there colour in the world? 616 00:23:57,160 --> 00:23:59,160 Without it, we're going home. 617 00:23:59,240 --> 00:24:01,680 I think there's a lot of work to do. Yeah. 618 00:24:01,760 --> 00:24:05,520 At this stage of the competition with things being so tight, 619 00:24:05,600 --> 00:24:08,400 I'm a little bit worried. Time's just going to tick away. 620 00:24:15,760 --> 00:24:17,640 It does leave us with a bit of a problem. 621 00:24:18,960 --> 00:24:22,240 You've got a lot of baseplate but there's nothing happening here. 622 00:24:22,320 --> 00:24:24,640 There is no colour. Yep. 623 00:24:24,720 --> 00:24:27,040 But hopefully, you can surpass that and get motoring. Good luck. 624 00:24:27,120 --> 00:24:28,080 Cool. OK. 625 00:24:28,120 --> 00:24:29,200 Thank you, Brickman. 626 00:24:29,240 --> 00:24:30,400 OK. 627 00:24:30,440 --> 00:24:32,400 Let's actually write down that plan 628 00:24:32,480 --> 00:24:35,880 because I can get like totally geeked out on what I'm doing 629 00:24:35,920 --> 00:24:37,600 and spend too much time on it. 630 00:24:37,640 --> 00:24:39,440 So, we are seven hours in. 631 00:24:39,480 --> 00:24:40,640 There's a lot of grey. 632 00:24:41,440 --> 00:24:43,240 There's probably almost no colour. 633 00:24:43,280 --> 00:24:44,440 (LAUGHS) 634 00:24:44,520 --> 00:24:47,880 So, we need to really get started on the colour. 635 00:24:47,920 --> 00:24:49,840 I'll just go as fast as I can 636 00:24:49,920 --> 00:24:51,800 getting these brightly coloured flowers. 637 00:24:51,840 --> 00:24:52,840 Sounds good. 638 00:24:52,920 --> 00:24:57,440 But we also need a watering can because without that watering can, 639 00:24:57,520 --> 00:25:00,800 there is no reason that the colour is in the world. 640 00:25:00,880 --> 00:25:03,920 Alright, so I'll get onto this and hopefully make one. 641 00:25:03,960 --> 00:25:05,200 Yep. 642 00:25:05,280 --> 00:25:07,320 In my entire existence on the planet... 643 00:25:07,360 --> 00:25:08,640 OK. 644 00:25:08,720 --> 00:25:11,680 ..I've never actually built a suspended watering can 645 00:25:11,760 --> 00:25:13,800 that looks like it's floating in the air. 646 00:25:13,880 --> 00:25:16,280 No pressure, Sarah, but it has to be fantastic. 647 00:25:16,320 --> 00:25:17,360 Ah! 648 00:25:17,440 --> 00:25:20,920 So, I'm grateful that Sarah has volunteered to take that one on 649 00:25:20,960 --> 00:25:23,320 'cause I am slightly anxious. 650 00:25:23,360 --> 00:25:24,640 Let's be honest. 651 00:25:28,880 --> 00:25:30,360 Look at me. 652 00:25:30,400 --> 00:25:31,720 I'm going to sketch you. 653 00:25:35,280 --> 00:25:37,000 With a gentle kind of a... 654 00:25:38,440 --> 00:25:39,760 Just hold that. 655 00:25:42,320 --> 00:25:43,520 Beautiful. 656 00:25:43,560 --> 00:25:44,880 (LAUGHS) 657 00:25:44,920 --> 00:25:46,920 Make me look like Paul Rudd, please. 658 00:25:48,360 --> 00:25:51,640 Alrighty, guys. You have got three hours to go. 659 00:25:51,720 --> 00:25:54,880 Far out. One quarter of the time left. 660 00:25:54,960 --> 00:25:56,760 No pressure. Can we do it? 661 00:25:56,840 --> 00:25:57,960 Yes, we can. You can. 662 00:25:58,000 --> 00:25:59,000 You really can. 663 00:26:00,040 --> 00:26:01,800 There we go. That's not too bad actually. 664 00:26:02,960 --> 00:26:04,280 Oh, yeah. 665 00:26:04,320 --> 00:26:06,800 Oh, yes! Yes. 666 00:26:06,840 --> 00:26:08,240 Ryan and Gab, how's it going? 667 00:26:08,280 --> 00:26:09,280 Very well, actually. 668 00:26:09,320 --> 00:26:10,680 Yeah, looking great. 669 00:26:10,720 --> 00:26:11,840 Oh, thank you. 670 00:26:11,920 --> 00:26:14,760 The ducks are obviously still the culprits... 671 00:26:14,840 --> 00:26:16,720 That's right. ..that's caused the swerve. 672 00:26:16,800 --> 00:26:18,680 They've actually caused another accident, hopefully. 673 00:26:18,720 --> 00:26:20,160 Hopefully? What are you... 674 00:26:20,240 --> 00:26:21,480 (LAUGHS) What a sicko. 675 00:26:21,560 --> 00:26:24,000 She's pretty sadistic. (LAUGHS) 676 00:26:24,080 --> 00:26:28,040 So, we've also got a log truck which has come to a sudden halt 677 00:26:28,080 --> 00:26:30,120 and the logs have slid forwards 678 00:26:30,200 --> 00:26:32,880 and then our rainbow truck's gone up the logs into the house. 679 00:26:32,920 --> 00:26:33,960 Far out. 680 00:26:34,040 --> 00:26:36,320 Because it was important to get the aerodynamics right. 681 00:26:36,360 --> 00:26:37,800 (LAUGHS) 682 00:26:37,840 --> 00:26:39,640 Um... And everything else good? 683 00:26:39,680 --> 00:26:40,840 Yeah. 684 00:26:40,920 --> 00:26:42,640 Everything's good? I think so. 685 00:26:42,680 --> 00:26:44,760 Things have been going pretty well. 686 00:26:44,800 --> 00:26:46,320 This is a nice episode. 687 00:26:47,240 --> 00:26:50,040 The trouble with that is we're a little low on drama. 688 00:26:50,080 --> 00:26:51,600 Generally? 689 00:26:51,640 --> 00:26:52,960 Like brick pit nice and tidy? 690 00:26:53,000 --> 00:26:54,560 Actually, it's unusually tidy 691 00:26:54,640 --> 00:26:56,760 without Owen and Scott in the room. (LAUGHS) 692 00:26:56,840 --> 00:26:58,680 (LAUGHS) It's unusually tidy? OK. 693 00:26:59,680 --> 00:27:03,320 Now, there is a trick you can pull in TV and it's the storm-out. 694 00:27:03,360 --> 00:27:04,880 But you need a reason to storm out. 695 00:27:04,960 --> 00:27:06,800 On my side of the fence, everything good? 696 00:27:06,880 --> 00:27:09,080 Like, time calls are going well? Yeah, you're doing well. Yeah. 697 00:27:09,160 --> 00:27:11,440 I've enjoyed them. They've been helpful. 698 00:27:11,480 --> 00:27:12,760 They've been helpful? 699 00:27:12,840 --> 00:27:14,480 The time calls have been really super helpful. 700 00:27:15,800 --> 00:27:18,280 Out of ten, what would you give me for my time calls today? 701 00:27:19,120 --> 00:27:20,640 I was going to go 6.5. 702 00:27:20,720 --> 00:27:23,000 That's my score for the time calls? So, not perfect? 703 00:27:23,080 --> 00:27:24,840 Well, I don't want you to peak too soon. 704 00:27:24,880 --> 00:27:26,560 I do not have to take this. 705 00:27:26,640 --> 00:27:29,440 I've had an absolute gutful. I'm walking. I'm walking. 706 00:27:29,520 --> 00:27:33,440 Don't you dare film this a little bit. Stop. 707 00:27:35,480 --> 00:27:36,960 Hard to get good talent, isn't it? 708 00:27:37,000 --> 00:27:38,120 Diva. 709 00:27:38,160 --> 00:27:39,360 The thing about storm-outs 710 00:27:39,440 --> 00:27:40,880 is once you get a taste of that power... 711 00:27:40,960 --> 00:27:43,880 Who would you say has the better beard 712 00:27:43,960 --> 00:27:44,920 out of me and Gus? (LAUGHS) 713 00:27:44,960 --> 00:27:46,640 They can get a bit addictive. 714 00:27:46,680 --> 00:27:47,880 I gotta go with Gus. 715 00:27:47,960 --> 00:27:49,680 You're going with Gus? Yeah, yeah. 716 00:27:49,720 --> 00:27:50,960 I mean... 717 00:27:51,040 --> 00:27:53,000 You really think he's got a better beard than me? 718 00:27:53,040 --> 00:27:54,040 Yes, I do. 719 00:27:54,120 --> 00:27:56,560 I've had a gutful of this. This is ridiculous. I'm out of here. 720 00:27:56,600 --> 00:27:59,680 (DRAMATIC MUSIC BUILDS) 721 00:27:59,760 --> 00:28:01,960 I'll definitely do a drip there. Hi! 722 00:28:02,040 --> 00:28:04,000 Hi, Sarah, Fleur. How you going? Really well, thank you. 723 00:28:04,080 --> 00:28:05,400 I don't have to stand here and listen to this! 724 00:28:05,440 --> 00:28:07,080 (DRAMATIC MUSIC BUILDS) 725 00:28:07,160 --> 00:28:08,680 Oh! Jeepers! Oh! Oooh. 726 00:28:08,760 --> 00:28:11,760 A man has to know when he's had too many storm-outs. 727 00:28:11,840 --> 00:28:14,240 (LAUGHS) Sorry! Just looking for... Whoopsie. 728 00:28:14,320 --> 00:28:16,280 Just trying to get a bit of drama in the episode. 729 00:28:16,320 --> 00:28:18,320 Storming back in. Let's play on. 730 00:28:18,400 --> 00:28:20,120 Anyway, back to building. Yeah, yes. 731 00:28:20,160 --> 00:28:23,200 (LAUGHTER) 732 00:28:24,520 --> 00:28:27,520 (UPLIFTING MUSIC BUILDS) 733 00:28:34,960 --> 00:28:36,600 Where's the spout? It'll be here. 734 00:28:36,640 --> 00:28:38,240 Yep. Yep, good. 735 00:28:38,280 --> 00:28:40,160 This is gonna be our moment, Sarah. 736 00:28:40,200 --> 00:28:41,440 We're gonna smash it out today. 737 00:28:41,480 --> 00:28:42,960 Don't say 'smash'. 738 00:28:43,040 --> 00:28:44,640 No, we're not... I don't like any smash words. 739 00:28:44,720 --> 00:28:46,760 No, we're not smashing it. We're owning it. 740 00:28:46,800 --> 00:28:48,600 Finals Week, baby. 741 00:28:48,640 --> 00:28:51,120 (MOMENTOUS MUSIC BUILDS) 742 00:28:54,120 --> 00:28:55,240 Cool. 743 00:28:55,280 --> 00:28:56,280 Sorry! 744 00:28:56,320 --> 00:28:57,600 Stop stealing our house idea, mate. 745 00:28:57,680 --> 00:28:59,320 Just 'cause we've got the only one left intact. 746 00:28:59,400 --> 00:29:01,680 (LAUGHS) I just can't remember how I put the roof back on. 747 00:29:01,760 --> 00:29:04,200 You can touch it if you like. Yep, cool. 748 00:29:04,240 --> 00:29:05,800 (MOMENTOUS MUSIC SWELLS) 749 00:29:05,880 --> 00:29:07,960 For today's build, our idea is to have Mother Nature 750 00:29:08,040 --> 00:29:10,840 bringing new life and colour into the black and white world, 751 00:29:10,920 --> 00:29:12,560 and Brickman's really put the pressure on us 752 00:29:12,600 --> 00:29:13,960 to get Mother Nature right. 753 00:29:15,640 --> 00:29:17,760 But I feel like I'm getting somewhere with Mother Nature's face. 754 00:29:17,800 --> 00:29:19,640 She's got a better expression. 755 00:29:21,880 --> 00:29:23,920 Oooh, yeah! I like that. 756 00:29:23,960 --> 00:29:25,960 Like, blowing, just like a... 757 00:29:26,040 --> 00:29:28,400 Really soft cheeks coming in, lips pursing out. 758 00:29:28,480 --> 00:29:32,520 But Mother Nature is butt naked at this point in time. 759 00:29:32,600 --> 00:29:36,400 โ™ช Gotta make a dress otherwise we're going home 760 00:29:36,480 --> 00:29:39,840 โ™ช Gotta make a dress or else we are going home... โ™ช 761 00:29:40,880 --> 00:29:44,440 Mother Nature is gonna be wearing a beautiful leafy green dress, 762 00:29:44,520 --> 00:29:47,920 but designing a dress in LEGO is really hard. 763 00:29:48,000 --> 00:29:50,840 I'm thinking something like that, and just drape those down like that. 764 00:29:51,880 --> 00:29:53,640 So, we're trying to get something flowing really well, 765 00:29:53,720 --> 00:29:56,080 and a bit of a light bulb moments goes on. 766 00:29:56,160 --> 00:29:58,440 We can even use these and just clip stuff off those, 767 00:29:58,480 --> 00:29:59,960 'cause these are pretty flexible. 768 00:30:00,000 --> 00:30:01,600 Yeah, I like that. 769 00:30:01,680 --> 00:30:03,160 So, we're gonna do something with the net 770 00:30:03,200 --> 00:30:04,560 to have it drape there like that. 771 00:30:05,640 --> 00:30:07,120 Yeah. 772 00:30:07,200 --> 00:30:08,960 And we can even have a bit more stuff draping off of it. 773 00:30:09,000 --> 00:30:10,000 Yep. 774 00:30:10,080 --> 00:30:13,000 Using the netting, attaching all the tiles on one by one, 775 00:30:13,040 --> 00:30:14,560 will be a bit of a skirt for her. 776 00:30:15,680 --> 00:30:17,360 And it actually bends really nicely. 777 00:30:18,920 --> 00:30:19,920 More leaves. 778 00:30:20,000 --> 00:30:23,040 And then having flowers and stuff growing off her 779 00:30:23,120 --> 00:30:25,520 will really just help sell the Mother Nature character. 780 00:30:26,960 --> 00:30:28,680 I like that... quite a fair bit, actually. 781 00:30:28,720 --> 00:30:31,720 (MOMENTOUS MUSIC BUILDS) 782 00:30:32,880 --> 00:30:35,720 (UPLIFTING ELECTRONIC MUSIC) 783 00:30:35,760 --> 00:30:37,360 GUS: Yeah, we're doing quite well. 784 00:30:37,440 --> 00:30:39,800 I'm just putting the finishing touches on the unicorns now. 785 00:30:39,880 --> 00:30:42,400 Dave's going with the scenic stuff at the minute, 786 00:30:42,480 --> 00:30:44,560 and then we're really gonna start putting things in position. 787 00:30:44,600 --> 00:30:45,760 One unicorn would have been great, 788 00:30:45,840 --> 00:30:48,880 but many unicorns - a marvel of unicorns - is marvellous. 789 00:30:48,960 --> 00:30:51,320 DAVID: While Gus is working on the unicorn, 790 00:30:51,360 --> 00:30:53,160 I'm adding green to the grass, 791 00:30:53,240 --> 00:30:55,040 I'm changing the colours of the house. 792 00:30:55,120 --> 00:30:57,800 I'm making sure that it's really, really colourful 793 00:30:57,840 --> 00:30:59,680 and really, really happy, 794 00:30:59,760 --> 00:31:01,440 whatever is happening behind the unicorn. 795 00:31:01,480 --> 00:31:05,280 (UPLIFTING MUSIC CONTINUES) 796 00:31:05,360 --> 00:31:08,080 Hey, David and Gus, can I borrow you guys for a tick? 797 00:31:08,120 --> 00:31:09,720 Please. 798 00:31:09,760 --> 00:31:11,360 Have you stood back and had a look? 799 00:31:11,400 --> 00:31:13,000 (TENSE INSTRUMENTAL MUSIC) 800 00:31:13,080 --> 00:31:15,440 It's almost like it's too busy. Yeah. 801 00:31:15,480 --> 00:31:17,280 The unicorns themselves, 802 00:31:17,360 --> 00:31:19,800 and I think the posing and the way you've got them all is great, 803 00:31:19,840 --> 00:31:21,360 but there's a lot of other colour 804 00:31:21,440 --> 00:31:23,440 which is distracting and taking away from that. 805 00:31:23,480 --> 00:31:25,720 It's about why the colour. 806 00:31:25,760 --> 00:31:27,040 (DRAMATIC MUSIC SWELLS) 807 00:31:27,120 --> 00:31:29,720 And right now, the colour isn't strategic. 808 00:31:29,800 --> 00:31:31,560 Yeah, yeah. Good luck, guys. 809 00:31:31,640 --> 00:31:33,440 Yeah, thanks. Thanks. Thanks, Brickman. 810 00:31:33,480 --> 00:31:35,160 You need to justify that the colour 811 00:31:35,240 --> 00:31:37,400 has been injected into the world, alright? 812 00:31:37,440 --> 00:31:38,680 What is bringing the colours? 813 00:31:38,720 --> 00:31:39,760 (SIGHS) 814 00:31:39,800 --> 00:31:41,440 So, we need to figure out 815 00:31:41,520 --> 00:31:43,640 how to make the colour a more intentional thing. 816 00:31:44,920 --> 00:31:47,920 (MOMENTOUS MUSIC BUILDS) 817 00:31:49,880 --> 00:31:52,640 FLEUR: Are you happy? Yeah. It looks great. 818 00:31:52,720 --> 00:31:57,240 Watering can's up and it's like a flipping miracle from heaven! 819 00:31:57,320 --> 00:31:59,320 It's, like, oh, my god, it's not falling down, it's not falling. 820 00:31:59,360 --> 00:32:00,600 Could it fall down? No, it's not! 821 00:32:00,680 --> 00:32:04,240 Yes, yes, yes! Lord, yes! Yes! Whoo-hoo! 822 00:32:04,280 --> 00:32:05,400 So happy! 823 00:32:05,440 --> 00:32:06,560 (ELECTRONIC BEEPING) 824 00:32:06,640 --> 00:32:09,360 Alrighty, guys, you have got one hour. 825 00:32:09,440 --> 00:32:10,680 (SIREN WHOOPS) Oooh! 826 00:32:10,720 --> 00:32:12,040 One hour to go. 827 00:32:12,120 --> 00:32:13,880 You always think it's a long way away, and then it's not. 828 00:32:13,920 --> 00:32:14,920 Yep. 829 00:32:15,000 --> 00:32:18,920 One hour until we find out who is going to Finals Week. 830 00:32:18,960 --> 00:32:20,960 They are looking great! Good luck. 831 00:32:21,040 --> 00:32:25,520 And of course, one team has only an hour to go here on LEGO Masters. 832 00:32:25,560 --> 00:32:27,920 Don't let that be you. 833 00:32:27,960 --> 00:32:30,040 (DRAMATIC MUSIC BUILDS) 834 00:32:30,080 --> 00:32:32,640 Thank you. The light is back. 835 00:32:32,720 --> 00:32:35,360 Alrighty, Brickman, funny now that we've got changed. 836 00:32:35,440 --> 00:32:37,960 You know, we were in greyscale before, in black and white. 837 00:32:38,040 --> 00:32:40,160 Interesting how Fleur... did you notice Fleur's reaction, 838 00:32:40,240 --> 00:32:41,800 how she thought we both looked incredible? 839 00:32:41,880 --> 00:32:44,520 Um, I don't mean to burst your bubble at all, 840 00:32:44,560 --> 00:32:46,040 but I think, uh... 841 00:32:46,080 --> 00:32:47,880 No, no, she certainly mentioned you, 842 00:32:47,960 --> 00:32:50,360 but I think the general vibe for her was both equally as... 843 00:32:50,400 --> 00:32:51,600 I don't think so, champ. 844 00:32:51,640 --> 00:32:52,840 (DRAMATIC MUSIC SWELLS) 845 00:32:52,880 --> 00:32:54,400 I don't have to take this. 846 00:32:54,440 --> 00:32:57,440 (DRAMATIC MUSIC CONTINUES) 847 00:33:00,000 --> 00:33:01,280 (SIGHS) 848 00:33:02,480 --> 00:33:04,840 Yes! Got another one. 849 00:33:04,880 --> 00:33:07,320 (UPBEAT ELECTRONIC MUSIC) 850 00:33:07,400 --> 00:33:09,880 That's four storm-outs, baby! Four storm-outs! 851 00:33:09,920 --> 00:33:11,880 Suck on that, 'MAFS'! 852 00:33:17,080 --> 00:33:19,720 (MOMENTOUS MUSIC BUILDS) 853 00:33:19,760 --> 00:33:21,920 Alright, guys, you got 30 minutes. 854 00:33:22,000 --> 00:33:27,120 30 minutes to go before we will see who takes it out. 855 00:33:27,200 --> 00:33:30,560 A herd of unicorns, an exploding rainbow truck, 856 00:33:30,640 --> 00:33:34,360 a magical watering can, or Mother Nature herself? 857 00:33:34,400 --> 00:33:35,400 Good luck! 858 00:33:36,520 --> 00:33:38,160 OK. 859 00:33:38,240 --> 00:33:41,040 RYAN: About enough there for you, or do you want more? 860 00:33:41,080 --> 00:33:43,200 (LAUGHS) Oh, Ryan, you're a genius. 861 00:33:43,240 --> 00:33:44,840 That looks awesome. 862 00:33:44,920 --> 00:33:46,960 We are literally spelling out "rainbow paint" 863 00:33:47,000 --> 00:33:48,600 on the side of the tanker. 864 00:33:48,680 --> 00:33:50,520 This is not subtle. (LAUGHS) 865 00:33:50,600 --> 00:33:52,160 There's nothing subtle about this build. 866 00:33:52,240 --> 00:33:55,520 No, but this build is all about the aesthetic and the creativity, 867 00:33:55,600 --> 00:33:58,600 and I think we have absolutely delivered on that. 868 00:33:58,640 --> 00:34:00,280 Coming out! 869 00:34:00,360 --> 00:34:02,560 How many would you like? How... where did you find them? 870 00:34:02,640 --> 00:34:06,640 There's a tray of just ducks and bluebirds. 871 00:34:06,720 --> 00:34:08,480 I don't know, do you think the more, the funnier? 872 00:34:08,560 --> 00:34:12,440 Dare I actually dream to get to Finals week? 873 00:34:12,520 --> 00:34:14,640 Well, that looks lovely, then, doesn't it? 874 00:34:15,840 --> 00:34:17,960 (UPBEAT ELECTRONIC MUSIC) 875 00:34:18,040 --> 00:34:19,560 You right? Yep. 876 00:34:19,640 --> 00:34:21,840 Everything looks the way it should look. 877 00:34:21,920 --> 00:34:25,040 We have a huge contrast, with a lot of grey scale, 878 00:34:25,080 --> 00:34:27,560 with coloured flowers in the middle. 879 00:34:27,640 --> 00:34:30,120 If I did this panel that came out from here... 880 00:34:30,160 --> 00:34:31,160 Yep. 881 00:34:31,240 --> 00:34:33,880 ..then I can put flowers onto that. Do that. 882 00:34:33,960 --> 00:34:35,720 So that it kind of gives... Beautiful. 883 00:34:35,800 --> 00:34:37,920 We just need to make sure it looks like the colour 884 00:34:38,000 --> 00:34:41,960 is very definitely pouring from the watering can, 885 00:34:42,040 --> 00:34:44,440 because the entire point of this build 886 00:34:44,480 --> 00:34:47,200 is why is there colour in the world? 887 00:34:47,280 --> 00:34:49,280 Love that. Yep, beautiful. 888 00:34:50,640 --> 00:34:52,320 Alright, everyone, ten minutes. 889 00:34:52,400 --> 00:34:56,080 Ten tiny minutes, but ten big minutes as well. 890 00:34:56,160 --> 00:34:58,240 It could all come down to these final ten. 891 00:34:58,280 --> 00:34:59,840 (MOMENTOUS MUSIC BUILDS) 892 00:34:59,920 --> 00:35:01,480 Stand back, stand back. Yep. 893 00:35:01,520 --> 00:35:03,200 Does that look like Mother Nature? 894 00:35:03,240 --> 00:35:04,320 Yeah, that's better. 895 00:35:04,360 --> 00:35:06,200 Mother Nature is finally together, 896 00:35:06,280 --> 00:35:09,880 we means we can finally focus on the rest of the scene, 897 00:35:09,960 --> 00:35:12,880 because our base plate has not a lot on it. 898 00:35:12,960 --> 00:35:14,040 Oh, there's so much space to fill out. 899 00:35:14,120 --> 00:35:15,960 So quickly. Too quickly. 900 00:35:16,000 --> 00:35:17,120 Too quickly. Way too quickly. 901 00:35:18,720 --> 00:35:21,440 But this is so important, given how close the competition is, 902 00:35:21,520 --> 00:35:24,800 because the challenge is to bring in colour through a story. 903 00:35:24,880 --> 00:35:26,960 And so we have to make it really obvious 904 00:35:27,000 --> 00:35:29,000 that Mother Nature is, like... 905 00:35:29,080 --> 00:35:30,880 ..just breathing life back through a tree, 906 00:35:30,960 --> 00:35:32,800 and that's bringing colour into the world. 907 00:35:32,840 --> 00:35:34,400 (MOMENTOUS MUSIC CONTINUES) 908 00:35:34,480 --> 00:35:36,880 Is she still good? OK. She's still standing. That's fine. 909 00:35:36,960 --> 00:35:39,880 The problem with colour being introduced through nature 910 00:35:39,960 --> 00:35:44,000 is that you've only got greens and browns to work with for a lot of it. 911 00:35:44,080 --> 00:35:46,600 So, that's gonna be tough to make it pop. 912 00:35:48,000 --> 00:35:50,520 I think, after this, I might take a break from building unicorns. 913 00:35:50,600 --> 00:35:53,920 We're thinking to associate each coloured unicorn 914 00:35:53,960 --> 00:35:55,360 with a streak of individual colour, 915 00:35:55,440 --> 00:35:57,200 so that red horse is making things red, 916 00:35:57,280 --> 00:35:58,840 green, green, blue, blue, blah, blah, blah. 917 00:35:58,880 --> 00:36:00,840 DAVID: We have a red convertible 918 00:36:00,920 --> 00:36:03,800 with a yellow stripe coming from the yellow unicorn. 919 00:36:03,880 --> 00:36:05,880 This guy has just fallen. That's awesome. 920 00:36:06,960 --> 00:36:12,040 And some dude screaming because he's getting coloured as well. 921 00:36:12,120 --> 00:36:13,320 That's what's gonna give us the story. 922 00:36:13,400 --> 00:36:15,520 That's what's gonna give us the, you know, adding of the colour. 923 00:36:16,520 --> 00:36:18,240 We gotta move, man. We gotta move. 924 00:36:20,080 --> 00:36:23,160 BRICKMAN: Where do you sit on the number of ducks? 925 00:36:23,240 --> 00:36:27,080 I say... I almost think you can't have enough ducks. 926 00:36:27,120 --> 00:36:29,920 If you think about how far it's gone 927 00:36:30,000 --> 00:36:32,760 and they're still all crossing the road. 928 00:36:32,800 --> 00:36:34,360 (DRAMATIC MUSIC BUILDS) 929 00:36:34,400 --> 00:36:36,000 I just think many ducks, 930 00:36:36,080 --> 00:36:38,520 that provides a solid barrier of ducks 931 00:36:38,560 --> 00:36:40,440 for an accident to have occurred. 932 00:36:40,520 --> 00:36:42,280 I understand. I appreciate... Well, DO you understand? 933 00:36:42,360 --> 00:36:44,160 Because I mean... well, we've gotta do a minute time call, 934 00:36:44,240 --> 00:36:46,800 but if we're not finished this, I'll take it right back up with you again. 935 00:36:46,840 --> 00:36:48,320 One minute! 936 00:36:48,360 --> 00:36:51,200 Final minute! Final minute to go! 937 00:36:51,280 --> 00:36:53,760 Yeah, because if it's lots and lots of ducks, 938 00:36:53,840 --> 00:36:56,520 they can't have swerved, so that's why they've slammed on the brakes. 939 00:36:56,560 --> 00:36:57,640 That's how the truck's gone up. 940 00:36:57,720 --> 00:37:00,080 But they can't swerve... they would have run over the ducks... 941 00:37:00,160 --> 00:37:01,320 That's why they've swerved the other way. 942 00:37:01,400 --> 00:37:03,400 But they haven't swerved the other way. They've swerved into the ducks. 943 00:37:04,440 --> 00:37:07,040 I actually want one grey flower. I want one grey flower. 944 00:37:07,080 --> 00:37:08,080 I'm gonna steal that one there. 945 00:37:08,120 --> 00:37:09,400 (DRIVING ELECTRONIC BEATS) 946 00:37:09,440 --> 00:37:10,720 Chimney's on. 947 00:37:10,760 --> 00:37:11,920 But they're walking that way... 948 00:37:12,000 --> 00:37:15,120 Yeah, so, they're swerving to the tail - the tail of the ducks. 949 00:37:15,200 --> 00:37:16,640 20 seconds! Oh, Jesus! 950 00:37:16,720 --> 00:37:18,680 Hey, we're at the end of the build. I mean, there's nothing we can do. 951 00:37:18,760 --> 00:37:22,080 FLEUR: Well done, hon. Oooh! Shaky, shaky, shaky. 952 00:37:22,120 --> 00:37:23,160 GUS: No, don't touch it. 953 00:37:23,240 --> 00:37:24,640 Ten seconds! Don't touch it. Let it wobble. 954 00:37:24,720 --> 00:37:26,240 MICHAEL: Don't touch it. Yep. 955 00:37:26,280 --> 00:37:29,160 Seven, six, five, four, 956 00:37:29,200 --> 00:37:32,160 three, two, one! 957 00:37:32,240 --> 00:37:33,520 Yay! (LAUGHS) 958 00:37:33,600 --> 00:37:35,240 That is it! BRICKMAN: Well done, everybody. 959 00:37:35,320 --> 00:37:38,600 That is 12 hours of solid colour work. 960 00:37:38,640 --> 00:37:39,640 Amazing builds. Amazing. 961 00:37:39,680 --> 00:37:40,920 Well done. 962 00:37:41,000 --> 00:37:43,480 We started black and white and we have come a long way. 963 00:37:43,560 --> 00:37:45,560 That looks incredible. Great job, everybody. 964 00:37:45,640 --> 00:37:47,440 Well done, everyone. DAVID: We did our best. 965 00:37:47,520 --> 00:37:49,200 I know. Amazing! 966 00:37:52,120 --> 00:37:53,400 I feel sick. 967 00:37:56,760 --> 00:37:58,440 That looks awesome! Thank you. 968 00:37:58,480 --> 00:38:00,280 (DRAMATIC MUSIC SWELLS) 969 00:38:01,840 --> 00:38:04,840 (UPLIFTING MUSIC BUILDS) 970 00:38:04,880 --> 00:38:06,520 (BIRDSONG) 971 00:38:11,360 --> 00:38:13,880 (UPLIFTING MUSIC CONTINUES) 972 00:38:13,920 --> 00:38:16,240 (MACHINERY WHIRRS) 973 00:38:16,280 --> 00:38:18,800 (UPLIFTING MUSIC CONTINUES) 974 00:38:18,840 --> 00:38:20,920 (PLANE DRONES) 975 00:38:20,960 --> 00:38:23,960 (NEIGHING) 976 00:38:24,000 --> 00:38:27,000 (UPLIFTING MUSIC CONTINUES) 977 00:38:30,480 --> 00:38:33,520 Alrighty, guys, four hours ago, 978 00:38:33,600 --> 00:38:38,160 you were given four identical black and white houses 979 00:38:38,200 --> 00:38:40,600 with the objective to colour them. 980 00:38:40,680 --> 00:38:42,960 One of the things you notice about the Brick Pit 981 00:38:43,040 --> 00:38:45,480 is there is a lot of colourful LEGO in there, 982 00:38:45,520 --> 00:38:49,000 but Brickman's big instruction was, 983 00:38:49,080 --> 00:38:52,280 "What is bringing the colour and how is it doing it?" 984 00:38:52,360 --> 00:38:54,640 I want to see what Brickman's thoughts are. 985 00:38:55,680 --> 00:38:57,240 Sarah and Fleur, let's have a look at you guys. 986 00:38:57,280 --> 00:39:00,280 (APPLAUSE) 987 00:39:00,360 --> 00:39:05,200 I'm so nervous, because we want to be in Finals Week so badly. 988 00:39:05,240 --> 00:39:06,680 Absolutely. 989 00:39:06,760 --> 00:39:08,880 I'd donate a child to be in Finals Week. 990 00:39:08,960 --> 00:39:11,960 When you first had the idea in your head to now, 991 00:39:12,040 --> 00:39:15,120 do you feel like the idea has come out as you hoped? 992 00:39:15,200 --> 00:39:17,840 We love this build. Really happy with it, yep. 993 00:39:17,920 --> 00:39:19,560 It's definitely what we were going for - 994 00:39:19,640 --> 00:39:21,320 sort of a pop of colour amongst the grey. 995 00:39:21,360 --> 00:39:24,360 (MOMENTOUS MUSIC BUILDS) 996 00:39:24,400 --> 00:39:27,040 (BIRDSONG) 997 00:39:27,080 --> 00:39:29,760 Our house is a planter box 998 00:39:29,800 --> 00:39:32,600 with the watering can above it, 999 00:39:32,680 --> 00:39:35,440 pouring the water that's colouring the flowers. 1000 00:39:35,480 --> 00:39:37,880 (MOMENTOUS MUSIC CONTINUES) 1001 00:39:37,960 --> 00:39:41,480 We have a huge contrast, with much more greyscale than colour. 1002 00:39:41,520 --> 00:39:44,520 (MOMENTOUS MUSIC SWELLS) 1003 00:39:48,160 --> 00:39:50,160 Now, the whole point of today's build 1004 00:39:50,240 --> 00:39:53,800 was, how is colour being introduced into the black and white world, 1005 00:39:53,880 --> 00:39:56,160 and then what's happening once it's in there? 1006 00:39:56,200 --> 00:39:57,920 What's your take, Brickman? 1007 00:39:58,000 --> 00:40:02,640 First off, you spent almost as much time in the black and white. 1008 00:40:02,720 --> 00:40:03,680 Mm-hm. Yes. 1009 00:40:03,720 --> 00:40:05,880 That's a very big risk to take, 1010 00:40:05,960 --> 00:40:09,720 but you had to to emphasise where the colour came out. 1011 00:40:11,040 --> 00:40:13,000 And I not only think it was quite a risk... 1012 00:40:15,160 --> 00:40:17,000 ..I actually think it really paid off. 1013 00:40:17,040 --> 00:40:18,640 (GASPS) 1014 00:40:18,680 --> 00:40:21,240 This build draws you in. 1015 00:40:21,320 --> 00:40:25,320 It is striking. It is incredibly imaginative. 1016 00:40:25,400 --> 00:40:27,920 It is your passion, and you know what, 1017 00:40:28,000 --> 00:40:31,720 the brief of bringing colour to this world, you absolutely did. 1018 00:40:31,760 --> 00:40:33,160 Thank you. 1019 00:40:33,200 --> 00:40:34,680 And once you get in there, 1020 00:40:34,760 --> 00:40:36,920 you see all sorts of crazy different LEGO elements. 1021 00:40:37,000 --> 00:40:38,000 Yeah. Yep. 1022 00:40:38,080 --> 00:40:40,640 Car bonnets, wheels, cogs, gear levers, upside down dresses. 1023 00:40:40,720 --> 00:40:42,160 Legs. SNOT bricks, legs. 1024 00:40:42,240 --> 00:40:44,520 You name it. It's like they all belong. 1025 00:40:44,600 --> 00:40:48,000 It's a very fine balance and it is really hard to get, 1026 00:40:48,080 --> 00:40:51,720 and so to see what you guys have done in this build, 1027 00:40:51,760 --> 00:40:52,920 well done, ladies. 1028 00:40:52,960 --> 00:40:54,160 Well done. 1029 00:40:54,240 --> 00:40:55,520 Thank you! Thank you very much! 1030 00:40:55,560 --> 00:40:56,560 (UPLIFTING MUSIC SWELLS) 1031 00:40:56,640 --> 00:40:59,760 You did really well, yeah. Thank you so much. 1032 00:40:59,840 --> 00:41:03,960 I honestly have goose bumps hearing Brickman's feedback. 1033 00:41:04,040 --> 00:41:08,200 It's so positive, but makes the nerves ten fold. 1034 00:41:08,240 --> 00:41:09,800 Michael and Harrison. 1035 00:41:09,840 --> 00:41:11,880 (APPLAUSE) 1036 00:41:11,920 --> 00:41:15,520 (TINKLING INSTRUMENTAL MUSIC) 1037 00:41:15,600 --> 00:41:17,800 Fellas, we started with our black and white world. 1038 00:41:17,840 --> 00:41:20,520 We now have Mother Nature herself - 1039 00:41:20,600 --> 00:41:24,040 trespassing, it has to be said, in this front garden, 1040 00:41:24,080 --> 00:41:26,000 but bringing the world to life. 1041 00:41:26,040 --> 00:41:29,040 (STIRRING INSTRUMENTAL MUSIC) 1042 00:41:30,520 --> 00:41:32,440 MICHAEL: We've built Mother Nature 1043 00:41:32,520 --> 00:41:35,080 bringing new life into the black and white world. 1044 00:41:37,640 --> 00:41:39,880 HARRISON: And everyone having a good time behind her. 1045 00:41:39,920 --> 00:41:41,000 (CHILDREN LAUGH) 1046 00:41:41,080 --> 00:41:42,840 Mother Nature really took over our build. 1047 00:41:42,880 --> 00:41:45,000 We put so much time into her 1048 00:41:45,080 --> 00:41:46,840 that we sort of neglected everything else. 1049 00:41:47,920 --> 00:41:49,360 We think we're probably in the gun today, 1050 00:41:49,440 --> 00:41:51,640 because this build was a lot about the story, 1051 00:41:51,680 --> 00:41:54,000 and our story is a bit muddled. 1052 00:41:56,080 --> 00:41:57,800 How are you guys feeling? 1053 00:41:57,880 --> 00:42:00,360 She had a lot of iterations in terms of how she looked, 1054 00:42:00,440 --> 00:42:03,280 and we're happy enough with the final expression we've got, 1055 00:42:03,360 --> 00:42:06,800 and we think we've brought colour in an interesting way. 1056 00:42:06,840 --> 00:42:08,840 OK. Brickman, what are your thoughts? 1057 00:42:08,880 --> 00:42:11,040 So, prior to LEGO Masters, 1058 00:42:11,120 --> 00:42:13,280 characters weren't really your thing. 1059 00:42:14,320 --> 00:42:18,400 I'm really glad that over time, you've started to introduce them 1060 00:42:18,480 --> 00:42:21,320 and build them into your LEGO skill repertoire. 1061 00:42:21,400 --> 00:42:25,080 Mother Nature, she is, by far and away, 1062 00:42:25,160 --> 00:42:28,080 the most technical of all of those characters you've done. 1063 00:42:28,120 --> 00:42:30,600 First off is her skirt. 1064 00:42:30,680 --> 00:42:34,040 You've used a technique, which is to take a cargo net, 1065 00:42:34,080 --> 00:42:36,360 but because it's made of string, 1066 00:42:36,400 --> 00:42:38,640 it allows it to flow and bend. 1067 00:42:38,720 --> 00:42:41,320 You've also got things like, on her headband, 1068 00:42:41,400 --> 00:42:45,160 little golden rings to hold flowers together on the top. 1069 00:42:45,240 --> 00:42:48,320 They're actually from 'Lord Of The Rings - The Fellowship Of The Ring'. 1070 00:42:48,400 --> 00:42:52,560 So, you guys have pulled absolutely every trick out of the bag 1071 00:42:52,600 --> 00:42:54,240 as far as nice part usage, 1072 00:42:54,280 --> 00:42:55,800 and it's fantastic to see. 1073 00:42:57,000 --> 00:43:00,400 Unfortunately, at this point in the competition, 1074 00:43:00,480 --> 00:43:03,280 when we're down to four brilliant teams, 1075 00:43:03,320 --> 00:43:06,560 the focus of my attention sharpens. 1076 00:43:16,560 --> 00:43:19,760 BRICKMAN: Unfortunately, at this point in the competition, 1077 00:43:19,840 --> 00:43:22,280 when we're down to four brilliant teams, 1078 00:43:22,320 --> 00:43:25,840 the focus of my attention sharpens. 1079 00:43:27,080 --> 00:43:31,080 I'm not 100% sold on the story of bringing colour to the world. 1080 00:43:31,160 --> 00:43:33,080 The challenge is, "Colour your world." 1081 00:43:33,160 --> 00:43:35,200 It's not, "Bring life to your world." 1082 00:43:35,240 --> 00:43:37,560 We already have life in here. 1083 00:43:37,600 --> 00:43:39,600 We have trees already. 1084 00:43:39,680 --> 00:43:43,960 So, there are probably different ways to introduce colour, 1085 00:43:44,000 --> 00:43:45,320 as opposed to life. 1086 00:43:45,360 --> 00:43:47,200 It's a very fine balance. 1087 00:43:47,240 --> 00:43:48,920 The unfortunately thing for you is, 1088 00:43:49,000 --> 00:43:51,720 because we already have a version of life here, 1089 00:43:51,760 --> 00:43:53,240 it's a little bit lost. 1090 00:43:54,280 --> 00:43:57,040 But a great build, guys. Well done. Beautiful, guys. 1091 00:43:57,080 --> 00:44:01,120 (APPLAUSE) 1092 00:44:01,160 --> 00:44:02,600 Could have been worse. 1093 00:44:02,680 --> 00:44:06,040 We sort of missed the brief by about this much, 1094 00:44:06,120 --> 00:44:08,440 which, in a competition when it's this close, 1095 00:44:08,480 --> 00:44:09,920 is enough to send us home. 1096 00:44:09,960 --> 00:44:12,000 Gabby and Ryan, let's have a look. 1097 00:44:12,040 --> 00:44:15,000 (APPLAUSE) 1098 00:44:15,080 --> 00:44:16,840 I really like it! I like it. It's a cool-looking build. 1099 00:44:16,920 --> 00:44:19,480 We know that we do the best builds when we're having fun, 1100 00:44:19,520 --> 00:44:20,800 and this was fun. 1101 00:44:20,840 --> 00:44:23,840 (MOMENTOUS MUSIC BUILDS) 1102 00:44:27,040 --> 00:44:28,920 A rainbow paint truck 1103 00:44:29,000 --> 00:44:31,560 avoids a row of ducks that are crossing the road... 1104 00:44:31,600 --> 00:44:32,880 (TYRES SCREECH, QUACKING) 1105 00:44:32,920 --> 00:44:35,480 Launches into the roof. 1106 00:44:35,520 --> 00:44:36,680 (CRASH!) 1107 00:44:38,160 --> 00:44:39,960 Creating a fountain of paint. 1108 00:44:40,000 --> 00:44:42,400 (MOMENTOUS MUSIC CONTINUES) 1109 00:44:42,480 --> 00:44:45,160 And everything it drops on becomes coloured, splashed with paint. 1110 00:44:45,200 --> 00:44:48,200 (MOMENTOUS MUSIC SWELLS) 1111 00:44:50,560 --> 00:44:52,960 Guys, rainbow paint. 1112 00:44:53,040 --> 00:44:55,160 Good god, it's a dangerous product, isn't it? 1113 00:44:55,240 --> 00:44:57,920 'Cause if that goes into the second storey of your nice home, 1114 00:44:58,000 --> 00:45:01,080 it's coming out with lots of pressure through the roof. 1115 00:45:01,160 --> 00:45:03,440 How do you guys feel at the end of these 12 hours? 1116 00:45:03,520 --> 00:45:06,280 I'm quite amused by it. It's a really funny build. 1117 00:45:06,360 --> 00:45:09,640 And I love that it was born from a simple statement from your son, 1118 00:45:09,680 --> 00:45:11,720 saying, "Where's the rainbow paint?" 1119 00:45:11,800 --> 00:45:13,320 There it is - coming through the roof. 1120 00:45:13,400 --> 00:45:14,920 The bits where the colour is in the world, 1121 00:45:15,000 --> 00:45:16,520 but also the bits where the colour isn't, 1122 00:45:16,600 --> 00:45:18,600 I reckon, has been used to great effect. 1123 00:45:18,640 --> 00:45:20,680 Brickman, what are your thoughts? 1124 00:45:22,160 --> 00:45:25,000 LEGO is inherently funny. It's self-deprecating. 1125 00:45:25,040 --> 00:45:27,000 Minifigures love to have a joke. 1126 00:45:27,080 --> 00:45:30,440 They love... silly, crazy things happen in LEGO City all the time, 1127 00:45:30,520 --> 00:45:33,000 and that's exactly what is happening here. 1128 00:45:33,040 --> 00:45:35,080 This build is funny. 1129 00:45:35,120 --> 00:45:36,320 It's colourful. 1130 00:45:36,360 --> 00:45:38,080 It's doing what it needs to do, 1131 00:45:38,160 --> 00:45:41,000 and when you guys are having fun, that comes out in the LEGO. 1132 00:45:41,040 --> 00:45:42,040 Yep. 1133 00:45:42,120 --> 00:45:44,520 But there's one thing, I think, that sets it apart 1134 00:45:44,560 --> 00:45:46,720 from all of the other builds. 1135 00:45:46,800 --> 00:45:50,800 I think you were incredibly smart with how you didn't build LEGO, 1136 00:45:50,880 --> 00:45:56,760 and by that, I mean by leaving the sheer volume of monochrome behind. 1137 00:45:57,800 --> 00:46:00,200 This build, whilst it's called Colour My World, 1138 00:46:00,280 --> 00:46:05,280 is all about contrasting colours and what pops against it. 1139 00:46:05,360 --> 00:46:07,880 You've actually enhanced the monochrome build 1140 00:46:07,920 --> 00:46:09,160 by adding other parts to it. 1141 00:46:09,240 --> 00:46:12,760 The little lawnmower guy, in particular, I thought was fantastic. 1142 00:46:12,840 --> 00:46:14,600 The little bushes. You know, you've added cars. 1143 00:46:14,680 --> 00:46:16,720 You've added things in the monochrome world, 1144 00:46:16,760 --> 00:46:18,800 which have enhanced it further. 1145 00:46:18,880 --> 00:46:22,280 It's actually drawn us more into the colour, 1146 00:46:22,360 --> 00:46:24,320 and what's happening with the colour. 1147 00:46:24,360 --> 00:46:26,400 And lastly, it doesn't make sense, 1148 00:46:26,480 --> 00:46:28,760 but the fact that the ducks are coloured... 1149 00:46:28,800 --> 00:46:30,240 (LAUGHTER) 1150 00:46:30,280 --> 00:46:32,360 ..I absolutely love. 1151 00:46:32,440 --> 00:46:33,880 Well done, guys. Great work. Thank you. 1152 00:46:33,920 --> 00:46:35,880 (LAUGHTER) 1153 00:46:35,920 --> 00:46:37,960 (UPLIFTING MUSIC CONTINUES) 1154 00:46:39,640 --> 00:46:42,200 Gus and David. (APPLAUSE) 1155 00:46:43,440 --> 00:46:46,640 DAVID: I'm looking around the room and I think we might be bottom two. 1156 00:46:46,720 --> 00:46:48,680 There's not a lot of contrast in our build. 1157 00:46:48,720 --> 00:46:50,440 There's a lot of colour. 1158 00:46:50,520 --> 00:46:53,040 So, we haven't given it that chance to pop against the black and white. 1159 00:46:53,120 --> 00:46:57,520 Fellas, the first unicorn stampede we've had on LEGO Masters. 1160 00:46:57,560 --> 00:46:59,360 How does it feel? 1161 00:46:59,440 --> 00:47:01,800 We started with one unicorn, and then to end up with five - 1162 00:47:01,880 --> 00:47:04,040 you know, to make it into the stampede is quite satisfying. 1163 00:47:04,080 --> 00:47:05,280 It's a unicorn breeders dream. 1164 00:47:08,480 --> 00:47:11,480 (MOMENTOUS MUSIC BUILDS) 1165 00:47:13,320 --> 00:47:15,320 (NEIGHING) 1166 00:47:15,360 --> 00:47:16,600 It's an impressive build to us. 1167 00:47:17,720 --> 00:47:20,600 There's five unicorns, with colour streaks and rainbows, 1168 00:47:20,640 --> 00:47:22,600 bursting through our scene, 1169 00:47:22,640 --> 00:47:24,640 painting the world in colour. 1170 00:47:27,200 --> 00:47:29,160 We just really, really hope that we've done enough 1171 00:47:29,200 --> 00:47:30,400 to not be eliminated today. 1172 00:47:31,480 --> 00:47:34,520 Brickman, where's your head at for this build? 1173 00:47:34,600 --> 00:47:38,600 First off, no doubt we have a reason as to why colour is in the world, 1174 00:47:38,640 --> 00:47:40,280 which is the main component. 1175 00:47:40,320 --> 00:47:42,520 That's the key part to the story. 1176 00:47:43,560 --> 00:47:46,480 The unicorns are amazing. They are absolutely amazing. 1177 00:47:46,520 --> 00:47:47,640 Thanks. 1178 00:47:47,680 --> 00:47:49,440 You did one of the best tricks 1179 00:47:49,520 --> 00:47:51,480 that you can possibly do on LEGO Masters - 1180 00:47:51,560 --> 00:47:54,440 That's to take something and replicate it. 1181 00:47:54,520 --> 00:47:56,520 You'd done all of the hard work in designing one. 1182 00:47:56,600 --> 00:47:58,040 All you had to worry about was changing the colours. 1183 00:47:58,080 --> 00:47:59,240 Yep. 1184 00:47:59,320 --> 00:48:00,840 It's a cheap trick, but it's a brilliant trick! 1185 00:48:02,000 --> 00:48:06,840 However, we has, essentially, an eight-hour build already 1186 00:48:06,920 --> 00:48:09,080 before you even picked up a LEGO brick. 1187 00:48:09,160 --> 00:48:13,080 It was an opportunity to use what you already had 1188 00:48:13,160 --> 00:48:15,920 to then really make a statement of that colour. 1189 00:48:16,000 --> 00:48:19,000 If it had just been as simple as the five unicorns, 1190 00:48:19,080 --> 00:48:21,360 each with their own individual trail, 1191 00:48:21,400 --> 00:48:23,200 and the rest was black and white, 1192 00:48:23,280 --> 00:48:25,600 I think that would have been much more impactful. 1193 00:48:25,640 --> 00:48:27,080 Yep. 1194 00:48:27,120 --> 00:48:28,600 Some of these unicorns are lost, 1195 00:48:28,680 --> 00:48:31,720 or the trail of what they've done and how they've brought colour 1196 00:48:31,760 --> 00:48:33,000 has been lost. 1197 00:48:33,040 --> 00:48:35,040 (DRAMATIC MUSIC BUILDS) 1198 00:48:35,080 --> 00:48:37,080 They're still beautiful unicorns, 1199 00:48:37,160 --> 00:48:40,720 but I don't think this is quite up to your usual high standards today. 1200 00:48:40,760 --> 00:48:43,200 (DRAMATIC MUSIC BUILDS) 1201 00:48:43,280 --> 00:48:45,560 If I was feeling uncomfortable about the build before, 1202 00:48:45,640 --> 00:48:48,360 right now I'm feeling less and less comfortable. 1203 00:48:48,400 --> 00:48:51,400 (APPLAUSE) 1204 00:48:51,480 --> 00:48:55,000 I don't know if it's gonna be enough to keep us in the competition, 1205 00:48:55,040 --> 00:48:56,560 give us a spot for Finals Week. 1206 00:49:05,080 --> 00:49:08,080 Alrighty, guys, four black and white houses. 1207 00:49:08,160 --> 00:49:11,120 Four very different, very imaginative ways 1208 00:49:11,200 --> 00:49:13,720 that colour is coming into those houses, 1209 00:49:13,800 --> 00:49:17,960 and four spectacular worlds once colour has arrived, 1210 00:49:18,040 --> 00:49:21,480 however, only three teams will be joining Scotty and Owen 1211 00:49:21,520 --> 00:49:23,680 in Finals Week. 1212 00:49:23,720 --> 00:49:27,240 Sadly, one team will leave us today. 1213 00:49:27,280 --> 00:49:29,600 Brickman, your overall thoughts? 1214 00:49:29,680 --> 00:49:34,600 So, when we started this challenge, we had monochrome - 1215 00:49:34,640 --> 00:49:37,200 a very bland and boring world. 1216 00:49:37,240 --> 00:49:39,800 There is absolutely no question 1217 00:49:39,880 --> 00:49:44,760 we now have brought colour to all of them in amazing ways. 1218 00:49:44,840 --> 00:49:48,680 So, the first team I would like to call forward 1219 00:49:48,720 --> 00:49:52,000 to join Scott and Owen is... 1220 00:49:52,040 --> 00:49:55,040 (DRAMATIC MUSIC BUILDS) 1221 00:50:00,720 --> 00:50:01,720 ..Ryan and Gabby! 1222 00:50:01,800 --> 00:50:05,120 (CHEERING AND APPLAUSE) FLEUR: Well done! 1223 00:50:05,160 --> 00:50:06,160 Oh, my god! 1224 00:50:06,240 --> 00:50:08,000 Great job, guys. (APPLAUSE) 1225 00:50:08,080 --> 00:50:10,440 We didn't even dare to dream we would make it to Finals Week. 1226 00:50:10,480 --> 00:50:12,280 So, it's beyond a dream come true. 1227 00:50:12,320 --> 00:50:14,920 For a team that has been eliminated, 1228 00:50:15,000 --> 00:50:20,160 to be heading into Finals Week - absolutely unprecedented. 1229 00:50:20,200 --> 00:50:21,920 And there's no question in my mind, 1230 00:50:22,000 --> 00:50:24,600 looking at what you've built, you've hit your straps, 1231 00:50:24,680 --> 00:50:28,200 and it bodes incredibly well for Finals Week. 1232 00:50:28,240 --> 00:50:30,400 I can't wait. Well done. 1233 00:50:30,440 --> 00:50:31,440 Thank you. 1234 00:50:31,520 --> 00:50:33,080 Yay! Go us! It's a good feeling. 1235 00:50:33,120 --> 00:50:34,840 How cool is that? 1236 00:50:34,920 --> 00:50:41,800 The next team that I would like to invite through to Finals Week is... 1237 00:50:41,840 --> 00:50:44,840 (DRAMATIC MUSIC BUILDS) 1238 00:50:46,560 --> 00:50:48,040 ..Sarah and Fleur. 1239 00:50:48,080 --> 00:50:50,160 Ahh! Well done! 1240 00:50:50,200 --> 00:50:52,000 Yay! 1241 00:50:52,040 --> 00:50:54,240 (APPLAUSE) 1242 00:50:54,320 --> 00:50:57,200 For me, imagining my four-year-old son 1243 00:50:57,280 --> 00:51:00,680 going, "My mum made it to Finals Week." 1244 00:51:00,720 --> 00:51:02,720 Oh, yes! 1245 00:51:02,800 --> 00:51:04,760 What mum could ask for more than that? 1246 00:51:04,840 --> 00:51:08,200 There's nothing better than having the admiration of your children. 1247 00:51:08,240 --> 00:51:09,920 My kids are gonna be so proud of me, 1248 00:51:10,000 --> 00:51:12,560 because I think my kids never thought that I'd be capable of this 1249 00:51:12,600 --> 00:51:14,440 and it's such a thing to go, 1250 00:51:14,520 --> 00:51:18,520 "If you set your mind to something, you can do anything in the world." 1251 00:51:18,560 --> 00:51:19,600 And it's exciting. 1252 00:51:19,680 --> 00:51:22,200 Look - you're finally crying! (LAUGHS) 1253 00:51:22,240 --> 00:51:24,240 (APPLAUSE) 1254 00:51:24,280 --> 00:51:25,840 I never cry! 1255 00:51:25,920 --> 00:51:27,560 It's just... anyway. Yeah. 1256 00:51:27,600 --> 00:51:29,160 Yeah, it's really amazing. 1257 00:51:30,160 --> 00:51:33,440 So, that leaves us two teams. 1258 00:51:33,520 --> 00:51:37,880 Sadly, one of the teams will be leaving us today. 1259 00:51:37,920 --> 00:51:40,920 (TENSE INSTRUMENTAL MUSIC) 1260 00:51:43,280 --> 00:51:45,440 The builds are amazing. 1261 00:51:45,520 --> 00:51:49,600 The quality of LEGO builds, both of you, are astounding. 1262 00:51:49,640 --> 00:51:51,080 They really are. 1263 00:51:51,160 --> 00:51:54,840 Gus and David - aesthetically, beautiful colours, 1264 00:51:54,920 --> 00:51:59,560 and what better than unicorns to bring those amazing colours? 1265 00:51:59,600 --> 00:52:01,640 Michael and Harrison, 1266 00:52:01,680 --> 00:52:03,760 probably the most technical build 1267 00:52:03,840 --> 00:52:06,400 you've pulled off so far on LEGO Masters. 1268 00:52:06,480 --> 00:52:09,680 Absolutely, you get a big tick for your technical build today. 1269 00:52:09,760 --> 00:52:13,120 It really has forced me down to the nitty-gritty, 1270 00:52:13,200 --> 00:52:18,040 and storytelling, today, is where that nitty-gritty was determined. 1271 00:52:19,480 --> 00:52:26,040 Gus and David, your story was crystal clear 1272 00:52:26,120 --> 00:52:28,520 as to why colours were in your world... 1273 00:52:28,560 --> 00:52:30,080 (DRAMATIC MUSIC BUILDS) 1274 00:52:30,120 --> 00:52:31,720 ..and that saved you today. 1275 00:52:33,240 --> 00:52:35,800 Unfortunately, Michael and Harrison, 1276 00:52:35,840 --> 00:52:38,480 your LEGO Masters journey has ended. 1277 00:52:38,520 --> 00:52:41,280 (STIRRING INSTRUMENTAL MUSIC) 1278 00:52:41,360 --> 00:52:42,680 Well, congratulations to Gus and Dave. 1279 00:52:42,720 --> 00:52:46,000 (APPLAUSE) 1280 00:52:48,080 --> 00:52:51,920 Harrison and Michael, as Brickman said, 1281 00:52:52,000 --> 00:52:55,040 at this stage in the competition, there's obviously no bad builds. 1282 00:52:55,120 --> 00:52:58,920 There's just tiny, tiny areas where a nit can be picked. 1283 00:53:00,520 --> 00:53:02,920 You guys have built some amazing things. How are you feeling? 1284 00:53:03,000 --> 00:53:04,800 Oh, we feel pretty luck to be here, really. 1285 00:53:04,840 --> 00:53:05,960 Yeah. 1286 00:53:06,040 --> 00:53:09,200 We've learnt a ton along the way, met some amazing people, 1287 00:53:09,280 --> 00:53:13,800 and I guess to go out on that - like, how can we be upset on that? 1288 00:53:13,840 --> 00:53:15,280 Coming into the competition, 1289 00:53:15,360 --> 00:53:16,920 we were both a little unsure of our skills 1290 00:53:16,960 --> 00:53:18,480 and where we stand in relation to, 1291 00:53:18,560 --> 00:53:20,680 you know, the greatest LEGO builders in Australia. 1292 00:53:20,760 --> 00:53:24,320 You've got some crazy LEGO elements doing crazy things. 1293 00:53:24,360 --> 00:53:26,280 (BRICKS RATTLE) 1294 00:53:26,360 --> 00:53:28,480 He's got moobs. (BOTH LAUGH) 1295 00:53:28,560 --> 00:53:33,360 What you did was take a massive gamble, and I love that. 1296 00:53:33,400 --> 00:53:35,280 Way cool. Totally way cool. 1297 00:53:35,320 --> 00:53:37,000 I think we proved to ourselves 1298 00:53:37,080 --> 00:53:39,360 that we actually can build some really cool stuff. 1299 00:53:39,400 --> 00:53:41,280 Well done, Michael and Harrison. 1300 00:53:41,320 --> 00:53:44,320 (CHEERING AND APPLAUSE) 1301 00:53:45,320 --> 00:53:46,440 We have been eliminated. 1302 00:53:46,520 --> 00:53:48,720 But I think we go out on a high as well. 1303 00:53:48,760 --> 00:53:49,760 Yeah. 1304 00:53:49,840 --> 00:53:51,120 It's been awesome having you guys on the show. 1305 00:53:51,200 --> 00:53:53,280 We will miss you. We will clap you out. 1306 00:53:53,360 --> 00:53:54,800 Thank you, guys. Thanks, guys. Thanks so much. 1307 00:53:54,840 --> 00:53:56,320 You guys are the best, OK? 1308 00:53:56,400 --> 00:53:57,880 (CHEERING AND APPLAUSE) See you guys later. 1309 00:53:57,920 --> 00:53:59,240 SARAH: Well done, guys. 1310 00:53:59,280 --> 00:54:02,240 (APPLAUSE) 1311 00:54:02,320 --> 00:54:03,600 We were pretty happy with what we did, 1312 00:54:03,680 --> 00:54:06,360 and the four teams that went through are very deserving. 1313 00:54:06,400 --> 00:54:07,400 Yep. 1314 00:54:07,440 --> 00:54:10,080 (CONTESTANTS EXCLAIM) 1315 00:54:10,120 --> 00:54:11,400 Next time... 1316 00:54:11,480 --> 00:54:12,560 There's a reason Brickman is Brickman. 1317 00:54:12,600 --> 00:54:13,600 Uh, yeah. 1318 00:54:13,640 --> 00:54:15,200 Good luck! Go, go, go! 1319 00:54:15,240 --> 00:54:16,640 (MOMENTOUS MUSIC BUILDS) 1320 00:54:16,680 --> 00:54:18,240 It's the penultimate episode! 1321 00:54:18,280 --> 00:54:19,680 ..it's Finals Week... 1322 00:54:19,720 --> 00:54:21,040 (MOMENTOUS MUSIC SWELLS) 1323 00:54:21,080 --> 00:54:22,440 Yes! 1324 00:54:23,560 --> 00:54:25,280 We have to build something that lives on a tree. 1325 00:54:25,320 --> 00:54:26,360 Whoa! (LAUGHS) 1326 00:54:26,440 --> 00:54:28,280 ..and the challenge to go out on a limb... 1327 00:54:28,360 --> 00:54:30,880 SCOTT: So, it's not enough to just build a village of elves. 1328 00:54:30,960 --> 00:54:32,880 Owen's decided to make the challenge even harder 1329 00:54:32,960 --> 00:54:34,720 by branching out from the existing branch. 1330 00:54:36,080 --> 00:54:37,360 This is a terrible idea. 1331 00:54:37,400 --> 00:54:38,400 Are you nuts? 1332 00:54:38,480 --> 00:54:40,320 Is this the first time you've put the head on? 1333 00:54:40,400 --> 00:54:41,600 Yep. Ohh! 1334 00:54:41,680 --> 00:54:45,080 ..is all that stands between our final four and the finale. 1335 00:54:45,120 --> 00:54:46,960 There's a little bit more. 1336 00:54:47,000 --> 00:54:48,240 Ohh! 1337 00:54:48,320 --> 00:54:50,800 Unless, of course, I drop another surprise. 1338 00:54:50,840 --> 00:54:52,080 Oh, no! (LAUGHS) 1339 00:54:52,120 --> 00:54:53,280 (CONTESTANTS EXCLAIM AND LAUGH) 103104

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