Original subtitles

HAMISH BLAKE: Previously...

How the hell did the Romans curve this? It wasn't built in a day.

We actually need Rome to be built in half a day.

(LAUGHS) Ahh!

This build is called the Hero's Quest.

..a challenge into uncharted territory...

Piece of cake! (LAUGHTER)

Piece of cake. No worries. (LAUGHTER)

(LAUGHTER)

Good luck. No, good luck. Thank you.

..took our teams on an epic adventure.

BRICKMAN: You've really gotta push yourselves...

(DRAMATIC MUSIC BUILDS)

..and look what happens when you do.

In the end, Michael and Harrison rose above the rest...

It's a heck of an adventure playground.

..taking out their first immunity win.

(CHEERING AND APPLAUSE)

G'day.

Tonight, in the elimination...

(DRAMATIC MUSIC BUILDS) Arggh!

Arggh! (STRAINS)

Today's elimination build is called Cut In Half.

Teams take half an object...

Let's do this!

We're gonna call it 'Kerching'!

..to a whole new level.

This is the best LEGO model

that we have seen on LEGO Masters this year.

But there is also gonna be a whole lot of drama...

Oh, god!

..tension... Ohh!

SARAH: The whole thing disconnects.

..and panic. Arggh!

We got the tunnel vision again.

..especially for one team.

I'll rip it down if you don't give me a good reason.

No, I'm not - I'm not ripping it down.

I don't want to see it go. And I don't want to go home.

I don't want to go home.

(GASPS)

(DRAMATIC MUSIC SWELLS)

(CONTESTANTS EXCLAIM AND WHOOP)

(LAUGHTER)

(CONTESTANTS EXCLAIM)

G'day, guys!

(LAUGHTER)

How's it going? FLEUR: Oh, my gosh!

Come on in. (LAUGHS)

We walk into the room. Hamish is in a box.

G'day.

(LAUGHTER)

Um, welcome to another episode of LEGO Masters.

(LAUGHTER AND APPLAUSE)

In all seriousness, welcome, but today is an elimination.

(TENSE INSTRUMENTAL MUSIC)

I think you can sense the seriousness in the room.

(LAUGHTER)

Sarah and Fleur, you guys clutching the Platinum Brick.

It could come into play today. How are you feeling?

No, it's not gonna come into play today.

We've got this, I think. We hope it... we hope it's not.

Sorry, it's just a little tricky to see.

Gabby and Ryan, how are you guys feeling?

Hi! Well, thank you. Probably better than you.

You do have the Brick of Doom. (THUNDER CLAPS, SCREAMING)

How badly would you like to lift the curse today?

Desperately. Oh, yep.

We're ready to be uncursed now.

If you win the build, the curse will be lifted.

Fingers are crossed.

Harrison and Michael, you guys are safe from today's elimination build.

You guys can go.

You can head on out the back door, if we can get the old door up.

You guys will be great, OK? Thanks, guys. Good luck.

See you, guys. See you at the end of the build.

Bye!

(MOMENTOUS MUSIC BUILDS)

OK, Brickman, would you like to do the honours?

Sure. I'll give it a go. Mmm.

(DRAMATIC MUSIC BUILDS)

(CONTESTANTS EXCLAIM AND LAUGH)

(DRAMATIC MUSIC BUILDS)

Arggh! Arggh!

Arggh! Arggh!

(STRAINS)

Hey, guys! Ta-da!

(CONTESTANTS EXCLAIM) Thank you.

(CHEERING AND APPLAUSE)

As you can see and as I can feel, I have been cut cleanly in half.

(LAUGHTER)

Coincidentally, today's build is called Cut In Half.

(CONTESTANTS EXCLAIM)

There are five items behind me also cut in half.

(MOMENTOUS MUSIC BUILDS)

Your challenge will be to build something

on the other half of these items.

The five items are a cash register,

a boom box,

a gramophone,

a chainsaw...

..and a telescope.

Whoa!

RYAN: I teach music.

So, I'm instantly drawn to the gramophone or the boom box.

Not so keen on the cash register.

Brickman is now wheeling in five boxes.

Each box has a minifigure in it

holding a number one to five.

If you pick number one, you get first pick.

Number five, you will go last.

We all know what the numbers in between are.

(LAUGHTER)

(DRAMATIC MUSIC BUILDS)

David and Gus.

Good luck, Dave. Pick wisely. Alright!

Scott and Owen.

(DRAMATIC MUSIC BUILDS)

That's a good choice, but is it the right choice?

Gabby and Ryan, good luck.

We don't have very good history with this kind of thing.

Jess and Anthony.

Sarah and Fleur.

David and Gus, let's see what you got.

(CONTESTANTS EXCLAIM) Two.

Scotty and Owen.

Four. Alright.

Gabby and Ry. Good luck.

Oh, man! (LAUGHTER)

Seriously? (LAUGHTER)

What are the odds?

One in five, yeah. Five, yeah, literally.

I feel like this is the Brick of Doom having a direct go at you now...

(THUNDER CLAPS, SCREAMING)

..giving you ample reason to get it off your back.

Uh, Sarah and Fleur, do you wanna see what you got?

(CONTESTANTS EXCLAIM) Number one!

(LAUGHS) Number one!

So, Jess and Anthony. Three.

Three. What are the chances?

(UPBEAT MUSIC)

Alrighty, Sarah and Fleur, you guys are number one.

What do you wanna dibs?

Chainsaw. Yep.

Is yours.

(TENSE INSTRUMENTAL MUSIC)

Alright, David and Gus?

We'll go with the boom box, please.

Consider it dibsed.

(TENSE INSTRUMENTAL MUSIC)

Anthony and Jess?

We'll go telescope, please. We'll go telescope.

Scotty and Owen, what would you like?

OWEN: There's two left.

We've either got the cash register and we've got the gramophone.

I'm vibing the gramophone.

SCOTT: Yeah, a bit of vintage vibe, man.

We'll go gramophone, man. It is yours.

Gabby and Ry, you guys have the cash register.

So, today's challenge is going to test your technical ability.

You've got a very limited surface area with which to work with.

You really need to make every single brick count

to form your clear idea that is the other half.

You have got ten hours.

Ten? We can work with that.

Good luck. Your time starts now. Go for it.

(DRIVING ELECTRONIC BEATS)

Not through my body! (LAUGHTER)

Hey! That's my body! (LAUGHTER)

It's still mine, even though it's air space.

You got it? Got it, got it.

Gabby and Ry, you can grab yours. You got it?

Your curse time starts... or rather... where are you?

Alright.

Brickman. Yeah, mate?

Don't walk off on me.

Sorry, mate. Got stuff to do. Catch you later!

Catch you later, buddy! You're my...

See you! All the best!

You're my carer!

OK, I was thinking... building this out a little bit.

Mm-hm.

Today we get a real-world object and build something out of it

so that there's a beautiful blend

between the LEGO and the real-life object.

First thing I thought of when we actually got this

is building a tree out of it.

I thought that would be so sort of,

OK, mechanical going back to the earth, nature, type thing.

Mm-hm.

We're doing a tree that's growing out of the chainsaw.

We're going to have people in a treehouse

and we're going to have lumberjacks at the bottom,

trying to cut it down.

I love this idea because it's so sort of natural.

It's, like, the chainsaw versus the tree type of thing

that the tree's taken over the chainsaw

and the tree's winning type of deal.

It's, like, good-bad, or that's how I think about it, anyway.

What we'll do is we'll build it so it looks bendy.

Yep. Into it.

Going to get started.

(MOMENTOUS MUSIC BUILDS)

I'm gonna do all the rooms within the house,

and Sarah's working on the tree, Technic framing that up,

which is a big new challenge for us.

(DRAMATIC MUSIC BUILDS)

Today, it's an elimination.

We still have the Platinum Brick,

and we want to keep holding on to that little baby.

It gives us this amazing power.

At the end, we can look at everyone else's builds,

and if we want to, we can play the immunity brick.

But we don't want to use it.

So, this week, we need to put a lot of technical into it.

We need to use a Technic frame.

We need to make this look as schmick as possible.

So, are you happy with that? Good with that?

So, I'm trying to work out,

not being, like, an expert with Technic frames,

how I'm actually going to get that so it goes out and up,

rather than flat.

And that's a massive challenge.

So, I just want to make sure that everything's right,

because I'd hate it to stand here

and then all of a sudden, it went... (BLOWS RASPBERRY)

(LAUGHS) Yeah.

(DRAMATIC MUSIC BUILDS)

You could have got a smaller box, I'll be honest.

It's a bit hard to wheel around.

Well, I am... I'm a heavy torso.

It's an elimination. Somebody will go home today.

My job, as the host, is to remind everybody

there are serious stakes at play.

(GROANS) Whee!

I'll get you in the right spot, mate.

Brickman?

I'll get you in the right spot and you'll be all good.

What are you doing? Oh, jeepers! What's going on here?

I just thought I'd bring Hame along for you, boys.

Brickman?

Oh, you brought his better half as well.

There you go. Brickman!

You have taken the wrong end! Oh.

That is the head and the torso's job, not the legs and the feet's job.

My bad, mate. Sorry.

That... I can't really see the clock.

How long have you got left on the cursed time?

Brickman, show me the iPad.

IPad? Yes. Turn it around.

RYAN: On the last minute. OK.

40 seconds. 40 seconds to go, guys.

Not a lot of use for those sneakers anymore, really, is there?

Yeah, where are those sneakers? Over here, mate.

(UPBEAT MUSIC SWELLS)

I don't know if you guys know or not,

but they're limited edition LEGO sneakers.

GABBY: Ryan noticed. I did notice.

There they are.

I mean, it's actually the best time to appreciate them,

because it's not often you get to see your shoes that close, yeah.

OK, you've got ten seconds of cursed time left.

Brickman, spin it to me a little bit.

(LAUGHS) Yeah, great.

Three, two, one, go!

I just wanna call it 'Kerching'!

So, we've drawn inspiration

from kind of the wealth socialite in pop culture.

She's a woman who's grotesquely wealthy,

flashing her cash around, bursting out of this cash register.

She's gonna be reasonably big.

We've got quite a large head.

She's gonna be up to about here, arms up in the air, hopefully,

and then sort of cash spurting around her.

She's an absolutely decadent, over-the-top kind of character

that represents money.

There's a lot of opportunity for fun here.

There's bright colours, excitement.

Today we want to come in, we want to pack a punch.

Who's on the $50 note.

We definitely did not come to LEGO Masters to coast through the middle.

It's been so long since I had cash.

(LAUGHS) Had one? Yeah, I know.

But we also want to win a challenge

so we can actually get rid of the Brick of Doom.

And we're gonna go hard from the start.

Just trying to get this mouth working.

That's more of a shocked look.

It needs sort of a bit more curve.

Yeah, smiling. Lips.

(MUSIC FADES)

What do you reckon?

So, we've got the boom box,

and we're really struggling to come up with an idea.

What else can we have?

Just now, we're realising that

our boom box is the only object that is cut 45 degrees.

It would be easiest to have those studs facing directly up.

What if we do it the other way around?

Like that?

We just have it crashing, melting. Mmm?

And we replicate, like, the explosion of the moment

the boom box is falling to the ground.

That's good. Yeah, it is good.

Once we tilted it upside down, it all made sense.

We want to capture the moment when the boom box is dropping,

and all of the instruments and music

is gonna be just coming out of the boom box as it explodes.

The hardest part, really, is gonna be getting the colours right.

We're gonna have a lot of colour in this,

because we want it to really pop out.

So, we've gone for some paler pastelly colours

so we can have big, bright colours for our instruments

so that they stand out.

It's ridiculous, the things that people are coming up with.

We gotta make sure that this looks epic.

Hey, Brickman? Yeah, mate?

Can you just do something big with your arms

when I say what I'm about to say?

Check.

Alright, you're one hour down! Nine hours to go!

(CONTESTANTS EXCLAIM) OK!

You're doing... not silly.

Don't over... just something... you know, 'cause I...

You said big.

Good luck, guys! Keep building!

Oh, it's too much, too much, too much.

Mate, get yourself back to the green room, buddy. Good luck.

(LAUGHTER)

Well, no... obviously, I mean, it was good, I just...

Come back. We'll have a little chat about it.

♪ I'm in the Brick Pit again. ♪

Hey, guys. How you been?

I've suddenly forgotten how to do ears.

I love doing ears. I can't think how to make them!

I do find myself in a bit of an interesting position here.

On the one hand, I don't regret giving Brickman the feedback.

I think his arms were too big and I think it was silly.

On the other hand, I've lost my... lost my wheeler.

If I could just get back to my legs, I could reconnect.

(GRUNTS)

(BRICKS CLATTER)

Oh, Gus, Gus, Gus, Gus? Gus!

Hame? Gussie?

Hey, mate.

Could you be an absolute bloody sweetheart and connect me back up?

(LAUGHTER)

Oh, I really appreciate that. Oh, you're an absolute darling.

Just... by the power of magic... yeah, that's good!

And now I'm back together.

In magic, we call the reveal the 'prestige',

and because it blows people's minds,

that's the bit where, as a magician, you sort of want to soak it up.

(MOMENTOUS MUSIC BUILDS)

MAN: Hey! Oh, guys, no...

You're back together again!

No, back to work! OK! Thanks, guys.

Did you actually want some applause? Sorry about that...

What's that? Yeah, it feels great to be back!

Sorry, sorry! Yeah, welcome back. Hands full, hands full.

Brickman, it's the elimination build, it's our Cut In Half build.

It's fascinating to see where people's brains go

when we give them something that is half a well-known object

and the other half can then be made out of LEGO.

We're doing a fabulous woman made from money.

Amazing!

It's a super creative challenge,

but it also presents a lot of difficulties,

because it's all about what you think about when you see the object, right?

Definitely.

Just keep bricking, bricking, bricking.

That's because of the relatability of those objects

and what the stereotype is that you come out of that.

For example, like, if you had a trumpet,

you would immediately think musical notes.

For you, will the winning team today

be the team that ties together the real object and the LEGO perfectly.

Absolutely.

That is the heart, soul, and essence of this challenge.

As long as there's a great creative reason why they're together,

then they're home.

(DRAMATIC MUSIC BUILDS)

How's that? OWEN: That's wicked.

This is, by far, my favourite build already.

Whoa! That's heavy.

I think this is the biggest build we have attempted

in the shortest amount of time.

Yeah.

Like, this is... yeah, we've kind of gone big for this one.

Alright, three hours down. I feel like we've got lots of bricks down.

We really gotta keep the time pressure up,

and keep building at it to make sure we don't end up cut short.

The vibe that I'm feeling from the gramophone

is that vintage kind of life is simpler.

It's that romantic sort of music as well

that you associate with that sort of thing.

So, I'm thinking love story as told through the tree of life,

and we want to use the four seasons,

and it is the love story of this couple

that meet in the spring, they get married in the summer,

kids in the house in the autumn,

they're old and rekindle their love in the winter.

(UPLIFTING ELECTRONIC MUSIC)

A zag down? That looks sick, man! Yes!

That's perfect. Zesty, yep.

Whoa!

Brickman. Yeah! Wow! A lot of bricks here.

Yeah. Oh, yeah.

Can I just do something really quickly?

100%.

I'm gonna... don't mind me.

I'm just gonna borrow your gramophone, if I may.

Mm-hm. Mmm.

Mm-hm.

(DRAMATIC MUSIC BUILDS)

Mmm, that's looking good!

That, on its own, is a wicked build.

Yeah.

I see where you're going...

See that over there? Yep.

(DRAMATIC MUSIC SWELLS)

That's the challenge.

Can I just do something really quickly?

100%.

I'm just gonna... don't mind me.

I'm just gonna borrow your gramophone, if I may.

Mm-hm. Mmm.

Mm-hm.

(DRAMATIC MUSIC BUILDS)

Mmm, that's looking good!

That, on its own, is a wicked build. Yep.

I see where you're going... See that over there?

Yeah. That's the challenge.

Yep, yep.

(DRAMATIC MUSIC SWELLS)

Try to tie that in.

You have not got a single thing connecting this to that,

not only from a physical LEGO perspective,

which is all of these studs...

Yeah.

..but I feel like there's no story connection either.

Yeah.

No question that it looks beautiful,

and will be amazing, and bright and colourful,

and it really does look like a piece of art,

but you know what, this is the challenge.

Yep. Yep! Gotcha.

Mmm. (LAUGHS) OK.

I can see where Brickman's coming from.

There is no real link between the gramophone

and the build, essentially.

(TENSE INSTRUMENTAL MUSIC)

OK, let's just take a breath.

So, what did we miss? How do we blend to the megaphone?

Maybe we cut the leaves.

What about a root that comes around?

Oh, I love that too! Yeah, yeah, yeah, yeah!

Oh, and it's turning the music box! Yeah, I'm in. I'm in.

Yeah? Yep, I love it.

OK, let's go build a tree arm. We just need a tree arm.

So, our love story hasn't changed. Our love story is still there.

We're just gonna try and encompass more of this build

with the love story.

The tree grows with the love of the music,

and the music grows with the love of the tree, if that makes sense.

Mmm.

Because the more the tree grows, the more it turns the handle,

the more love comes out.

(DRAMATIC MUSIC BUILDS)

It just needs to be attached better. I just don't know how.

Take a breath. OK.

(DRAMATIC MUSIC CONTINUES)

Gus, how are you going?

Good, thanks, Hamish. How you doing?

Yeah, good, man, and it looks like you are laying a lot of bricks.

I'm trying my best, yes.

Oh! What are you conjuring up here?

It's just a magic reference, 'cause of my...

Yeah, you're looking very together at the moment, so that's good.

Alright, great. Great to be back on two feet.

(CHUCKLES) The...

The Hame is out of the box! No, sorry. What are you making?

No, no, nothing more? No, we're done.

We're done?

I wouldn't want to stop the magic. No, no. (LAUGHS)

We completed that together.

Um, we got the boom box with a sort of rainbow...

Sorry. I don't do things by halves!

Alright, OK, and... yep?

Good. Gonna centre myself. Make myself whole again.

(LAUGHTER)

I love building inside structures that I can't see.

It's one of my special skills.

In today's build,

Brickman's looking for us to challenge ourselves

with the bricks and the object we have been given.

Oooh! We have a rocket.

We see the telescope and the first thing we think of is space.

We're gonna have an astronaut kind of strapped to a rocket.

And he's gonna be freaking out, going, "Arggh!"

Like, 'cause he's been strapped to this rocket against his will

and he's flying off to space.

Anthony. Jessica. Hamish, how you going?

How are you feeling, as master of the astronaut here?

Uh, pretty good.

So, I've just finished the face. So, pretty happy with that.

He's going for this, like, "Arggh," look, you know?

Because he's freaking out.

So, now I'm just building the helmet which is gonna go around him...

Gotcha!

..because an astronaut without a helmet, it's, like...

It's unsafe. Yeah, it's unsafe. That, definitely.

Alright, you know, now that it's taking shape,

is it gonna have, like, a nose cone and a...

Yeah, he's going upwards,

but I just moved it because I can build on it.

Yeah, totally.

So, it's gonna go like this.

So, we're gonna use the angle to our advantage.

And he's gonna be there.

So, he's gonna be in the middle here and the nose will be up this way,

and then the thrusters at the bottom with fire explosion.

Because we're not working with an angle that's flat.

We're working on an angle like this.

That instantly does something with LEGO which is very hard to do -

it gives it movement, it gives it, you know, presence.

(DRAMATIC MUSIC SWELLS)

But this is actually a very risky idea.

The thing is, I need to make a support so that he can sit.

I need to put support behind him,

because he's a heavy figure - he was meant to be.

If he just had to sit on the rocket, it'd be fine,

but him sitting on a rocket at this angle,

we need to make sure that he doesn't just fall back and explode.

The problem is I made his legs a certain way, so I'm...

That's OK. Can we undo them and...?

You keep working on your thing. You keep working on your thing.

OK.

(DRAMATIC MUSIC BUILDS)

These arms look sick!

Just have to let you know how impressed I am with these arms.

GABBY: Oh, thank you!

Kitty Cash is your heiress, or self-made millionaire,

bursting out of this cash register.

She is looking a little bit fabulous.

She's becoming more and more ridiculous, and we love it.

I love those eyelashes. Thank you.

No worries. (LAUGHS)

For humouring me. You're most welcome.

Like, I can feel there's a different air between us,

and in terms of how we're working on this.

So, we're both on the same page and we're both enjoying ourselves.

I was thinking of something like these for... (MIMICS BUZZING)

(DRIVING ELECTRONIC MUSIC)

Possibly.

We start deciding that, you know, Kitty Cash needs some shape.

Mmm, build out this way a bit.

(CHUCKLES)

Boob, boob. Lovely curves.

Being a female form,

there are certain elements that need to be built.

Wow! Too much?

(JAUNTY INSTRUMENTAL MUSIC)

I think, um... (LAUGHTER)

No, go away. (LAUGHTER)

It's gonna be indecent.

I mean, I'll put the... (LAUGHTER)

(LAUGHS)

I've learnt how to make spheres, alright?

Just some cleavage.

Her general shape.

Her shape, her... figure.

Her womanly... figure.

Her boobs.

(JAUNTY INSTRUMENTAL MUSIC)

Let's just say it's not an area that I'm comfortable discussing

when I know that my students will be watching this

and having a good giggle.

You're never gonna live this down.

"Mr Ryan made boobs!"

(LAUGHTER)

Do you think they're a little skew-whiff?

(LAUGHTER)

(DRAMATIC MUSIC BUILDS)

Guys, you are four hours down, six hours to go.

Everybody is well into their ideas here.

Brickman, who has got cause to be concerned?

I think Jess and Anthony.

This bit needs to become a stop brick.

Wait, wait, wait, whoa, whoa!

Tough enough being an astronaut as it is,

let along having to sit on the rocket.

I don't mean to cast a shadow

over the world's most dangerous profession, astronaut,

however, there's some real challenges

around posing that astronaut.

It's only got the tiniest connection point, that's why.

If you strengthen up those, it'll be better.

Scott and Owen.

Something to do with a tree and a gramophone,

but what that something is is not clear yet.

That's the problem.

At the minute, there's no relationship whatsoever

between the gramophone and the tree.

Sarah and Fleur, they've got the chainsaw.

They're struggling with that engineering challenge

of turning it into a tree and a treehouse.

When I am pushing on this, it's... it's moving a bit.

I love the concept that it's the opposite of what a chainsaw does.

The reason the girls are struggling

is because they've never really played around

in that world of Technic before.

(MOMENTOUS INSTRUMENTAL MUSIC)

We're doing really well.

The vision we're going for is that everything is really interconnected,

that the chainsaw and the tree sort of become one.

We just want to work out where that's gonna go.

SARAH: Fleur's doing the treehouse.

I can put a roof on it too, if we want to.

And I'm working on the Technic frame.

Just need to put it in place

and then you can play with building around it, yeah?

Sweet. Sweet, sweet.

I'm checking the build,

I'm checking the connection for the tree to the chainsaw...

..and the whole thing falls off.

(DRAMATIC MUSIC BUILDS)

I can't think of how I'm gonna reattach this tree.

(DRAMATIC MUSIC CONTINUES)

Fleur, the whole part's come off.

I'm just gonna brick build it. I don't know how to do this.

Just letting you know. OK, um...

We're on a time crush.

We have to actually get something up, and quick.

I'm gonna pull it apart. Sorry. OK.

I'm just gonna have to do that. Yep.

Are you comfortable you can get it done? OK.

At this point, half the time is gone,

and we're essentially gonna have to redo our whole build in five hours.

(SIGHS)

So, the good news is we're not in the last hour.

(LAUGHS)

The bad news is we're gonna catch up the last five hours

in the second half of the build.

(DRAMATIC MUSIC SWELLS)

Six block, six block, six block.

We have half a gramophone and half of the build.

This is a huge build, man. My goodness.

It is a huge build.

Brickman said we need a link to our gramophone.

I'm confident we've done that.

The tree is wrapping around the gramophone.

So, we're gonna get the studs onto here as well

to kind of fill out the top of our tree.

Hey, Brickman.

So, when we talk about connecting,

we're not talking about the physical studs.

We're talking about how does the model fit.

Yep, yep.

Why the gramophone has a tree next to it. What's that story?

Let's play a word association game.

Beatbox. Music.

Gramophone. Music.

(DRAMATIC MUSIC BUILDS)

Right.

Where's the music in it?

How do we get music in...

..without just scrapping the whole thing four hours in?

I'll rip it down if you don't give me a good reason.

No, I'm not ripping it down. I think it's fine.

It's sound through time - the story of the gramophone and the couple.

OK, and why is the tree there?

The clock's ticking.

We've only got a certain amount of time to get it together.

(SIGHS)

I'm so enamoured with this idea.

We gotta get this done. This is our biggest build.

I'm just like... it's like a horse with a carrot.

I just need to get it done.

Do you think you'll have a better solution in the next ten minutes?

(BLOWS RASPBERRY) Time will tell.

If you come up with another one in the next ten minutes,

let's go with that, otherwise,

we can't stand here for two hours and think.

OK, yep. OK, let's go!

(SIGHS)

(DRAMATIC ELECTRONIC BEATS)

I am a bit concerned

we're not following Brickman's advice to the 'T'.

I can see where Brickman's coming from

and the fact that we're missing that tie-in point

between the gramophone and the tree.

(DRAMATIC MUSIC SWELLS)

I can see it plain as day

that Brickman has said, "This is not what we want,"

and Owen's going, "Yes, it is."

(DRAMATIC MUSIC CONTINUES)

Oh, I just want to finish something.

We have to listen to Brickman.

We can't let it repeat itself like we did last time.

(DRAMATIC MUSIC BUILDS)

Man, my guy! What's up?

There's... we got the tunnel vision again.

Why?

'Cause we're set on the idea. OK.

We gotta come up with... we might have to think about scrapping it.

Well, I think that is, like, bad. And think of a whole new idea.

(LAUGHTER)

I can't. Whoo!

We've spent so much time. I love the hell out of it.

Me too, but if you love it, set it free.

(SIGHS)

I've put so much love and effort and energy into this bloomin' tree,

and I don't want to see it go.

I don't want to see it go. But I don't want to go home.

I don't want to go home.

OK, alright, do it.

(DRAMATIC MUSIC SWELLS)

(GASPS)

(CHUCKLES)

(DRAMATIC MUSIC BUILDS)

OK, alright, do it.

(DRAMATIC MUSIC SWELLS)

(GASPS) Whoa!

We've actually reset. Cool. We're done. We're gone!

We're back to square one!

OK, so... Whoo!

It is heartbreaking to see five hours on the ground.

(GROANS) Oh, damn! OK.

But the reality is

that we have to come up with a better link to the gramophone.

Riddle me this.

What are we gonna do?

It's gotta happen now if we're gonna finish this

and stay in the competition.

Whoo!

Ohh, gosh! OK.

It's not a love story.

It's a love song.

(TINKLING INSTRUMENTAL MUSIC)

Taylor Swift has spoken to us.

It's not a love story, it's a love song.

So, the idea is the gramophone

is playing the love ballad of this couple,

dancing through time.

The tree can have love birds in it.

The love birds can be singing the song,

and that's our link to our gramophone.

Wow! We got love birds!

Love birds in the tree... in the tree that we destroyed.

(LAUGHTER)

We need a tree!

We got half a tree!

I feel like an absolute idiot.

We can roll with this. OK.

See, it's not that busted.

OK, except for, like, all of this. OK, alright.

We're adding musical notes, we need two birds, love birds,

sitting in the tree.

I'm gonna have to rebuild this beautiful tree.

You got it!

Fifth gear.

I'm gonna build birds without a tray.

(DRAMATIC POP BEATS)

More simple, more better.

Let's do this. I'm not going home!

Just destroyed my five-hour tree. Yeah, right!

(DRAMATIC POP RHYTHMS)

Sorry, I'm just... You're right.

I'll work around you. My bad.

GABBY: Awesome!

Alright, I'll make a tiny handbag later.

(LAUGHTER)

(LAUGHS) It's cute, isn't it?

That is the most ridiculously cute thing ever!

(LAUGHTER)

(DRAMATIC MUSIC CONTINUES)

So, what I'm doing is building up the sides like this.

SARAH: Yep.

So, the bottom of the tree here, so it's gonna be more curved.

Gotcha. (EXHALES)

Oh, dear! We just gotta keep going, eh?

Yep. Go, go, go, go, go.

(FUNKY DRUM RHYTHMS)

GUS: We ended up with the boom box.

Got it on a 45-degree angle, which is a bit of a funny one,

but it's also quite unique.

We're now getting the little details we plan to do in,

really refining our instruments,

gonna refine the shape of all this stuff,

get some good detail in there.

So, we're going well.

I've built some guitars before at this scale.

Yeah, I mean, I love getting those little details right,

and getting those curved shapes out of LEGO can be quite tricky,

but it's a challenge that I really enjoy.

Hello, boys!

Hamish! Hey, man. Oh, whoa!

What other instruments are we gonna get?

Guitar.

We've got a guitar. Trumpet.

Bad trumpet. I'm trying to make a little drum.

That's not a bad trumpet.

Uh, it's... it's alright.

If you could improve the trumpet - what's wrong with it?

It just looks a bit clunky, you know?

It's not the right scale.

So, that's more of a work in progress trumpet?

Yeah, or maybe we'll put it at the back.

Alright, great! Well, keep it up. That's looking awesome.

Thank you very much. Thanks, Hame.

Oh, another tom-tom.

I didn't want to say it in front of Gus,

but it's not a good trumpet, is it?

I mean, compared to these other bits -

like, this is, like, a $10,000 violin.

A rare miss from Gus. (LAUGHS)

Eugh!

I mean... (LAUGHS)

(MIMICS MOURNFUL TRUMPET)

(LAUGHTER)

What I need to do... is connect this.

It's alright, man. It's OK.

You're going really red. You look like you're gonna pass out.

(TENSE INSTRUMENTAL MUSIC)

The telescope, the reason we've chosen it is because it's poseable.

(TENSE MUSIC CONTINUES)

We want our astronaut to be on this angle,

but you know, upwards.

(TENSE INSTRUMENTAL MUSIC)

But that's something, with LEGO, which is very hard to do.

(TENSE MUSIC CONTINUES)

(DRAMATIC MUSIC SWELLS)

Yes!

OK, don't worry, I'm gonna add more support,

but the fact that it's staying there, I am very happy!

I'm just gonna stand here. (LAUGHS)

I have his body sitting on a rocket. Key part - tick.

Alright, now what else needs to go on?

The head is the heaviest part of him by a long shot.

Getting that head on is my number one priority.

It's the most important stand-out piece of our build.

So, it really needs to work.

(DRAMATIC MUSIC SWELLS)

What can I do?

(EXHALES) Keep building. Deep breath.

Step away for a second if you need to.

We've got time.

Alright, obviously we're at a high-tension moment

with the head going on the astronaut.

From a TV perspective,

we kind of get the vibe that it might fall.

(DRAMATIC MUSIC BUILDS)

Sorry, I'm just making sure we've got enough cameras on this.

(LAUGHTER)

Don't want you guys to feel like there's any pressure,

or thought from the camera team

that his head might fall off.

Appreciate that. Totally fine.

OK, let's just let go, see if it holds.

(DRAMATIC MUSIC BUILDS)

I'm just trying to get it on and it's just not working.

(DRAMATIC MUSIC CONTINUES)

Let's take his head off for now, yeah?

OK. Yep. Can you get it off?

I have no idea.

(DRAMATIC MUSIC SWELLS)

I hope so.

(WHISPERS) I'll get you this footage.

How's his head now?

It's OK for a quick shot. Oh, he's helmetless!

(DRAMATIC MUSIC BUILDS)

A headless astronaut would send us home in an instant.

I've gotta find another way to do it.

Is he OK?

Yeah, I'll just take that off. Yeah.

Oh, OK! Good start.

Oh. No, it's great.

Let us know if you're gonna do it again.

Yeah. Yeah. (LAUGHS)

It's great.

No, it is great for Anthony. It's not great for the show.

You know, ideally, of course, a drop would be a terrific ad break,

but no, it's... we'll put that in the promo.

(DRAMATIC MUSIC BUILDS)

OWEN: Tweet, tweet, tweet, tweet.

(DRAMATIC MUSIC CONTINUES)

OK. Where can I put you for now?

Just sit in there for now.

Tweet, tweet. (BIRDSONG)

GABBY: There she is. RYAN: Kerching.

I'll hide those neck joints with a little choker, um...

(LAUGHS)

Wow! (CHUCKLES)

Her pose looks amazing.

The dress, likewise, looks fantastic.

Are we still going the bag with the Chihuahua style?

Yeah, yeah, I've got a Chihuahua head.

But there's one thing I wanted to talk to you about.

Oh, no. (LAUGHS)

What we'll do is, if we can stand back

and have a look at our model from a different angle.

Yep, yep.

That big spot - we need to find something to fill that spot.

Yep.

Do you wanna do your fast car? Maybe.

One of the other ideas I had

was to actually have the front of the sports car coming out of it,

sort of busting out.

Yeah!

I think you're on a winner here. Yep.

Keep going, guys. Thank you.

Thank you.

Then you have red lips, red handbag, red car?

Oooh! I like that.

Oh, please let this be the thing that finally breaks the curse.

(DRAMATIC MUSIC BUILDS)

Guys, you have got one puny hour. (ALARM BLARES)

One hour remains,

and then Brickman will be assessing five real half things,

five LEGO half things, and how well they come together.

(DRAMATIC MUSIC BUILDS)

(SOFTLY) It's really tight.

Brickman's thinking it's really tight!

He just whispered to me it's really tight.

(DRAMATIC MUSIC BUILDS)

SARAH: What you've done on this side looks amazing, by the way.

Ohh.

So, we did go away with the incredibly complex Technic frame,

and we are back to a very simple, hollow, in the middle.

This build has probably been the most emotional build so far.

We've put our heart and soul into it,

and it's gone completely wrong,

and now I'm brick building the entire tree

just to get height really, really quickly.

We've built it up to where it is.

We're just greebling it,

which is, basically, just doing the outside of the tree,

and as we greeble it, we're building it up,

doing branches, and we're gonna do leaves off those as well.

I am actually so aware

of everything else that's around the room right now,

and that ours, from a scale perspective,

just doesn't match up to them.

(EXHALES)

But just pressing on.

We want to add roots to the tree, greenery to the tree,

so it looks beautiful and organic.

Yep, getting the rooms on.

Just do whatever you can that will look like...

Rootage? Root... (LAUGHS)

No pun intended here, but you are out of the woods in terms of...

(LAUGHTER)

..and it's not good enough to be a mum joke, but it's...

It was close to a mum joke. Pretty good, though!

It was pretty good. But you're away.

(DRAMATIC MUSIC BUILDS)

GUS: This is the stuff I love doing, like, building replicas of things.

That's my jam. I love it.

I'm enjoying this, liking this.

(MOMENTOUS MUSIC BUILDS)

Ohhh! Are you OK, mate?

It finally happened. Are you OK?

Yeah, I'm good, I'm good. Finally happened.

30 minutes, guys!

(DRAMATIC MUSIC BUILDS)

30 minutes to possibly win it, and get rid of a curse,

but also 30 minutes to not be the team eliminated from this build.

(DRAMATIC MUSIC BUILDS)

Are you right?

Yeah, I'm just tired of things falling off every time I touch them.

(DRAMATIC MUSIC CONTINUES)

How are you progressing? Feeling good?

Hey. Are you good? Um, I... I need this...

Yeah? I'm going as fast as I can.

Look at me. Are you right?

Just keep going, just keep going.

Are you alright? Yeah. I'm not stopping.

I've felt pressure on this show before,

but this is, by far, the most pressure I've felt.

I need that head to stay on that body,

and it's just not working.

Come on.

The problem is the actual Technic Pin.

His head is staying, but before of its weight,

it just keeps pulling off this short pin

again, and again, and again.

Are you alright?

Talk to me. What's happening?

You got a lot to do. I'm good.

We're gonna have a lot more if it breaks, OK?

(DRAMATIC MUSIC BUILDS)

Right now, all I'm thinking

is we're gonna have a headless astronaut on the way to space.

(MURMURS)

It's not going on. Leave it for a second and come back.

It's not going... OK. Go to the Brick Pit for a second.

Go in there, take a deep breath, and come back, OK?

How can I get that on? How can I get that on?

Oh, god! Think, think!

How do I get that on?

(DRAMATIC MUSIC BUILDS)

(MURMURS)

Go to the Brick Pit for a second and come back.

Getting that head on is my number one priority.

Deep breath, deep breath.

(DRAMATIC MUSIC CONTINUES) I'll keep building.

The helmet's the most iconic piece of an astronaut.

Him not having a head at all, that's even worse.

Oh, it's just the head isn't going on, man!

The head is just not wanting to go on.

(DRAMATIC MUSIC CONTINUES)

OK, so, I can get my fingers in there to push...

Sorry. No, I think I've figured it out.

(DRAMATIC MUSIC BUILDS)

So, there's these special Technic pins

where the ball joints go further down than normal.

So, by putting this in, it adds more support underneath.

It's a longer form of, you know, structure.

'Cause the rod keeps flying out.

I think this will stop the rod from flying out.

(DRAMATIC MUSIC BUILDS)

Oh, god!

(DRAMATIC MUSIC SWELLS)

Ohh!

(TRIUMPHANT MUSIC SWELLS)

Oh, my god!

Head's on! Boo-yah!

That's really what counted, and we're so happy, we're so happy.

Oh, thank you! Thank you!

Yeah, we're in with a chance now.

Now we really just gotta knuckle down and nail some of these details.

(DRAMATIC MUSIC CONTINUES)

Oh, boy. What's this I see?

A new and improved...

Now, that's a trumpet. Yeah, trumpet.

Knowing that the other trumpet was a bit of a... (MIMICS SAD TRUMPET)

Yep. ..what would you say this one is?

Do, do, do! (LAUGHS)

Whoa! (LAUGHS)

That is high-octane trumpeting. Alright, good stuff!

Thank you.

(LAUGHTER)

This one is too flat, isn't it?

No, it's fine, man. That looks good. OK.

We were thinking about putting these musical notes in the clouds,

but actually, coming out of the speaker - way better.

It's added a lot more to your model. Looks cool.

It looks great, yeah. Yep. Good stuff, boys.

Well done, dude.

OK, come on!

Ten minutes...

Oh, crap. Where does that go, man?

..until Brickman will, unfortunately,

have to pick one team to be eliminated.

Good luck, guys!

(DRAMATIC MUSIC BUILDS)

OWEN: Stay with me, Scotty.

It's OK. It's just my heart.

I can just feel it protruding my chest a little bit.

This whole trying to tie it to the gramophone.

I want to get that spinning motion of the gramophone

somewhere into the build.

What is that battery box doing?

It's just, like, ooched in there, eh? It's not clean.

So, the older couple dancing at the end in a circle,

kind of conveys the musical and the song.

(DRAMATIC MUSIC BUILDS)

How cool is that?

(LAUGHS) That's why I was so happy with my snowman.

I'll pay it, man.

I think it's the coolest thing we've done.

You got five minutes to go, guys.

(DRAMATIC MUSIC CONTINUES)

RYAN: That looks sick!

We are running short on time.

But Brickman suggested

that she might need something else on the build.

So, red convertible. Doesn't get much more glitzy than that.

It's really cool! (LAUGHS)

SARAH: I'll go get the lumberjacks?

FLEUR: Yeah, go get, like, 20.

We want to storytell well.

Yep.

So, we're gonna start putting lumberjacks onto the tree.

Minifigures into the houses. Yeah.

Activists chained to the chainsaw.

It's been about just getting through.

Yeah, and getting finished. Just getting finished.

(DRAMATIC MUSIC BUILDS)

JESS: I don't know if we can do anything with the cone

or if it's too late.

Yep.

Alright, one minute!

How many more runs to the Brick Pit have you got, Anthony?

50! 50 is too many!

It's all about what you can make in the last minutes, isn't it?

Arggh! Just throw them on, man.

Ten seconds!

(DRAMATIC MUSIC CONTINUES)

Gotta get this ring off his fingertips.

Five seconds! Four, three, two, one!

BRICKMAN: Alright, hands off! That is it!

Guys, you are done! Well done, everyone!

(APPLAUSE)

You are done. Wow!

What a massive ten hours. Ohh!

My guy. Oh, what a saga!

You are a sweaty man!

(LAUGHS) So tired.

(LAUGHS) Huggle! So tired.

You're alright.

Guys, ten hours ago, you saw a human being cut in half.

(LAUGHTER)

The most incredible thing you will ever see, normally, in your life,

yet, somehow, you have gone and created five more incredible things -

five things even better than the man cut in half -

out of your LEGO builds.

I can't wait to get Brickman's thoughts

and have a closer look.

Gus and David?

(APPLAUSE)

Fellas, our boom box rainbow explosion.

I think it looks awesome.

(MOMENTOUS MUSIC BUILDS)

DAVID: We built the moment when the boom box is dropping

and the elements of the boom box are exploding.

All the instruments and music is coming out of the boombox

as it explodes.

(MOMENTOUS MUSIC CONTINUES)

When you, from afar, said, "We'll take the boom box,"

you didn't realise that the cut was on a 45-degree angle,

and for a good ten minutes, you were actually perplexed.

We were. Yeah.

But you thought about it, you planned out a few different ideas,

and you went with something.

It's something to be super proud of.

It's abstract, but in a meaningful way,

and all of these little instruments, and the fun things,

and the notes, and all that kind of stuff,

it's colourful, it tells a great story.

Good stuff, guys. Well done.

It's quite a relief.

It really felt like all the things that we really struggled with

and really worried about, he really likes.

And that's great - that's real confidence.

It's a real vindication for the time and effort that we put into it.

Yeah.

(MOMENTOUS MUSIC SWELLS)

Let's have a look at you guys, Owen and Scott.

(APPLAUSE)

I love our build.

I'm so stoked with what we delivered,

but the calibre of the builds in the room are unreal.

So, the nerves are right up there now.

Fellas, pretty relaxed ten hours?

Oh, yeah! Easiest ten hours of my life!

But having done it now, what bits are you most happy with?

I love the whole thing. Yeah, the whole thing, really.

Like, the size, how it goes down, how the tree kind of follows it,

the change in seasons.

I think it's an artistic style

we haven't really touched yet in this series.

So, I'm really, really stoked with how it came out.

Could you make our old couple... could we see the switch?

(MOMENTOUS MUSIC BUILDS)

We've created a love song.

The gramophone is playing the love ballad of this couple,

dancing through time.

(BIRDSONG)

The couple meet in the spring,

They get married in the summer.

Kids and a house in the autumn,

and they're ice-skating in the winter.

The tree is the source of the music of life.

(MOMENTOUS MUSIC SWELLS)

Brickman, you witnessed the journey.

(LAUGHS) I witnessed.

One of the things which I spoke to you about

was about how you would integrate

between the cut-in-half object and the LEGO.

This is what sent you into a tailspin.

Eventually, you did find that common theme - the birds.

(UPLIFTING MUSIC SWELLS)

Those notes coming out of the gramophone - awesome.

From a LEGO perspective, there's a lot of things to love.

The colours that you've used, the contrasting colours,

matching with the gramophone, that's great,

and I absolutely love that.

I love our spinning ice couple. I think that's beautiful.

It really is.

Why not put it where the centre of the turntable was?

You could have raised it up a little bit.

There's lots of little things.

You know what, they're not bad.

They're just missed opportunities.

You basically worked about seven hours,

is what you actually built.

Can you imagine what you would do

if you had've thrown ten hours at it?

Good stuff, guys. Well done.

I'm really happy with our build.

I'm confident that we've done enough

to stay in the competition.

Maybe there's a lesson here that we should listen to Brickman,

and not every idea is set in concrete...

This is a very similar lesson to the one we discussed last time.

It's like history repeats itself until we learn the lessons.

(DRAMATIC MUSIC BUILDS)

SARAH: We were able to redo our build in five hours,

but aesthetically, it's not really what I picture in my mind.

(DRAMATIC MUSIC BUILDS)

You OK? Mm-hm.

Sarah and Fleur.

(APPLAUSE)

Technically, disaster. Disaster.

(DRAMATIC MUSIC SWELLS)

But I'm thinking we're definitely bottom two,

and potentially we're the worst build in the room.

And we're really wondering

if we need to play the Platinum Brick today.

(TENSE INSTRUMENTAL MUSIC)

You OK? Mm-hm.

The build today is Cut In Half,

and we built a giant treehouse coming out of the chainsaw,

but technically, it was a disaster.

Disaster.

HAMISH: Sarah and Fleur.

(APPLAUSE)

Guys, you started with half a chainsaw.

Yes. Yes, we did.

You have ended up with a luscious treehouse world

being attacked by a bunch of minifigures.

With chainsaws. With chainsaws.

With chainsaws!

(MOMENTOUS MUSIC BUILDS)

We have built a beautiful treehouse coming out of the chainsaw,

with lumberjacks climbing up, trying to cut it down.

Some people actually looking, going, "Don't cut down my tree!"

(DRAMATIC MUSIC BUILDS)

(CHAINSAW ROARS)

So, let's talk about story.

How do you feel about the idea and the concept?

We're really, really happy with the idea and the concept that we have.

I think the idea and the concept is a winner.

Mmm.

It's not the natural thing, but it's the opposite of what a chainsaw is.

Yep.

So, I think your idea is spot on and perfect.

Now, tell me about how you think you went

from a technical perspective.

Oh, you can say that one. (LAUGHS)

(DRAMATIC MUSIC BUILDS)

To build out, with studs up that way,

and know that we had to change the direction of the studs...

Mmm, it was challenging.

..is something that we have never done before.

It's not our strength, and we're very aware of that.

It's really hard.

The unfortunate thing for you is there's another model in the room

with exactly the same technical problem...

Mm-hm. Yep.

And... And they were fantastic.

And they found the answer.

That's what makes it a little bit difficult

from a technical perspective.

Yep, OK.

(DRAMATIC MUSIC SWELLS)

Well done, ladies. Well done on getting there.

Great job. Thank you.

(APPLAUSE)

You right?

So, now, for us, we're very sure we're gonna be in the bottom two.

It's all about strategy.

Do we play the Platinum Brick now

and guarantee that we're through to the next round?

Or knowing that if we scrape through today,

we're gonna need that brick to get further.

So, it's a hard call today.

It's really hard.

Gabby and Ryan.

(APPLAUSE)

Guys, you have turned half a cash register into,

I guess, an exciting shrine of capitalism.

(LAUGHTER)

(MOMENTOUS MUSIC BUILDS)

(WOMAN LAUGHS)

GABBY: We've called her Kitty Cash.

She is bursting out of this cash register.

A dress of cash. (CASH REGISTER CHIMES)

RYAN: The flashy handbag.

The flashy car. Jewels everywhere.

Jewels everywhere.

It's fabulous.

(MOMENTOUS MUSIC SWELLS)

How do you guys feel about

what you've got springing forth from the cash register?

(LAUGHS) I'm... I'm pretty proud of it.

She was fun to make. We had tons of fun.

And this fun has come through your build, it really has.

She's unapologetic, and she's here for a good time.

Brickman, your LEGO thoughts on the build?

I've found in all of your builds so far,

you've both had great ideas,

and merged the two ideas together,

and at times, that's led to confusion,

self-doubt, and things haven't gone right.

And what's happened in this build

is you backed each other's abilities and you went for it.

And it's shone through in your LEGO model, it really has.

Thank you. You found it.

We did. Bottle it!

(UPLIFTING MUSIC)

This build's got technical ability coming out the wazoo.

It's got studs going in every direction.

It's a fun story.

It's colourful, it's bright.

It's got everything we absolutely need in a LEGO model,

and it's hilarious!

I love this build, I really do.

Thank you. Thank you.

This is great.

You know what, I do have some advice -

not for you, but for everyone else in the room.

They're coming.

(DRAMATIC MUSIC BUILDS)

They're coming,

and we've got the absolute living proof of that.

Well done. Great job, guys.

BOTH: Thank you.

She's announced herself. Everyone's announcing themselves!

(APPLAUSE)

This might be the day when we get rid of the Brick of Doom.

Oh, gosh, it'd be so good!

And a build that we're truly proud of as well.

So nice to hear that kind of feedback.

(LAUGHS)

Jess and Anthony.

(APPLAUSE)

JESS: Our build is kind of finished,

but it's not polished, it's not neat.

I feel like we've done the best we can.

Like, we pushed hard. We had extra challenges we didn't account for.

We just have to wait now and see if Brickman likes it

and if it's enough to get us over the line.

Guys, you've got half a telescope,

which has now become, easily, the most irresponsible and unsafe use

of government money for the space program of all time,

as old mate here gets knackered on his way to,

well, not even the moon - the end of the test range.

(DRAMATIC MUSIC BUILDS)

ANTHONY: So, we made a rocket ship out of the telescope.

And it's got a giant astronaut, you know, riding this rocket.

Kind of freaking out

because the rocket's taking off into outer space.

(MAN SCREAMS)

(DRAMATIC MUSIC BUILDS)

So, first off, let's talk about the idea -

the storytelling component.

I think there's a definite synergy between the two, for sure.

Space is definitely one that you wanted to go to.

So, that's a big tick from me. Totally.

First character build, Anthony? Yeah, my first character build.

How do you feel?

I was like, "What is one thing that needs to be right?"

And you think an astronaut, you think a helmet.

So, I'm really happy with how it's got a very spherical shape to it.

I think the cylindrical shape was quite difficult.

So, definitely a big technical challenge for me.

You know what, this build,

it's very contradictory from a technical perspective.

(DRAMATIC MUSIC BUILDS)

There are elements, like the helmet, which are beautifully done,

yet there are other parts to the technical build which aren't right.

(DRAMATIC MUSIC CONTINUES)

Our pointed rocket looks great - becomes nice and pointy.

It's missing the whole bottom part.

Likewise, there's bits missing off the tail.

That lettering, for example, is very plain and simple.

You really could have shown off your technical abilities

and done it in a different way.

Even the hip joints -

having these exposed ball and socket joints and things like that.

There's parts which are brilliant,

and there are parts which probably fail.

It doesn't have that polish,

which has probably put you in a bit of trouble today.

(DRAMATIC MUSIC CONTINUES)

(APPLAUSE)

At the end of the day, what I look at is four finished builds,

and uncomplete build,

and I just think... my heart sinks,

and I'm like, "I think this could be it."

(DRAMATIC MUSIC BUILDS)

Guys, ten hours. Everyone built hard and fast today.

Harrison and Michael, you are vaccinated against elimination,

you are immune,

but unfortunately, we are about to lose one more team

from LEGO Masters for this season.

(DRAMATIC MUSIC SWELLS)

Sarah and Fleur, you guys are holding

a very, very powerful little brick, the Platinum Brick.

(DRAMATIC MUSIC BUILDS)

If you want to play it to be safe from today's elimination,

now is the time.

(DRAMATIC MUSIC SWELLS)

SARAH: I want to actually play the Platinum Brick,

because I've lost my confidence on this build.

I've totally lost my confidence.

But we're gonna need that brick to get further.

So, it's a hard call today.

It's really hard.

Fleur, what's your decision?

So, we know that we're in the bottom two today.

(TENSE INSTRUMENTAL MUSIC)

So, we're gonna take a massive, massive risk...

Ohh! ..and not play it.

(DRAMATIC MUSIC SWELLS)

We're either going home,

or we're gonna be able to play the brick

to take us through to the final four.

(EXHALES)

(EXHALES)

Alright, Brickman, I'd love to get your thoughts on the top two teams

that are safe from elimination.

Two teams today really brought something special.

So, the first team that I would like to call forward is...

(DRAMATIC MUSIC SWELLS)

..David and Gus.

(APPLAUSE)

Wow!

What an amazing build.

It's colourful, it's creative.

It's got technical ability.

It's highly detailed, where it needs to be.

Well done.

(APPLAUSE)

So, the second team I would like to call forward...

(DRAMATIC MUSIC BUILDS)

..Ryan and Gabby.

(APPLAUSE)

(MOMENTOUS MUSIC BUILDS)

It's colourful, it's bright, and it's hilarious!

It's actually funny.

If you can keep building at this standard,

you've announced yourself.

(MOMENTOUS MUSIC SWELLS)

So, today we're talking about two amazing builds,

but unfortunately, I do have to pick one winner.

(DRAMATIC MUSIC BUILDS)

And today that is...

..David and Gus, well done.

(APPLAUSE)

(UPLIFTING MUSIC SWELLS)

The colours, the posing of your object,

it truly is your masterpiece.

Thank you.

This is the best model that we have seen on LEGO Masters this year.

(UPLIFTING MUSIC CONTINUES)

That means a lot. It really does.

It does. Yep.

Please don't peak too early. Please don't peak too early!

No, please do, please do.

(LAUGHTER)

Great job, guys. Well done. Well done.

(APPLAUSE)

I really feel like we've got the confidence now

and that our skills are being backed

to really take us all the way to winning LEGO Masters.

Yep.

Now, unfortunately, we have to say goodbye to some family members.

(DRAMATIC MUSIC BUILDS)

The first team I would like to call forward

for today's elimination is...

(DRAMATIC MUSIC BUILDS)

..Sarah and Fleur.

(DRAMATIC MUSIC CONTINUES)

Alright, well, you picked it.

Yep.

So, the other team I would like to call forward...

(DRAMATIC MUSIC CONTINUES)

..Jess and Anthony.

(DRAMATIC MUSIC CONTINUES)

So, today, Jess and Anthony,

you had the biggest technical challenge.

Your idea was great,

however, there are sides to your build -

aesthetics and technical ability -

which let you down a bit today.

(DRAMATIC MUSIC CONTINUES)

Ladies, aesthetically,

you managed to get some colour into your build...

..and you managed to wallpaper over some cracks, so to speak.

The cracks are still there,

but you found a way, aesthetically, to cover over them...

(DRAMATIC MUSIC BUILDS)

..and that's what saved you today.

Oh, thank god! Ohh! Ohh!

(DRAMATIC MUSIC CONTINUES)

Unfortunately, Anthony and Jess, you'll be leaving us today.

(STIRRING INSTRUMENTAL MUSIC)

(CRIES)

This has been the greatest experience of my life.

Jess has been so supportive.

To know we got this far, that makes me pretty happy.

I think I've been really lucky to build with Anthony.

It's been a great journey,

and just the standard of the people in this room is phenomenal.

(STIRRING INSTRUMENTAL MUSIC)

Jess, your enthusiasm, your passion,

the energy that you bring to your team,

it's amazing, it really is,

and likewise, Anthony,

I feel like this is the start of something incredible.

I think you've unlocked something in yourself

that you didn't know you had,

and as a young man, you'll go places.

Well done.

(APPLAUSE)

Clap them out, gang!

(APPLAUSE)

It was a dream come true to be on this show,

to make it this far against the competition we're up against.

I'm just so proud.

I'm so proud of what we've achieved.

Hopefully ignite that passion for other people at home

and also be inspired ourselves to just keep building.

Whoo!

(UPLIFTING MUSIC SWELLS)

(CHEERING AND APPLAUSE)

Sarah and Fleur, I mean, you pretty much called it.

It worked. It did.

This show is about risk taking. You took a great risk!

Yep.

It's an opportunity for us to do better and learn more,

and get our skills up so that we can kick it with everybody else.

So we can bring it. Yeah.

Gee, we had a lot happen today.

(LAUGHTER)

OK, not even including the magic.

I mean, we really had a lot happen today.

Unbelievable builds yet again.

Thank you to everyone -

obviously not you, Harrison and Michael, you freeloaders.

(LAUGHTER)

I can't wait to see what you build next,

but for now you can shake it out.

(APPLAUSE

What a gamble!

(CONTESTANTS EXCLAIM)

Everything's cool.

Next time...

You've gotta make a build that's perfectly weighted

to be hovering from these balloons.

..the builds that will see teams soar.

They're the only team going for something that moves.

(LAUGHS) I love it!

They could lose the Brick of Doom.

(THUNDER CLAPS, SCREAMING) Ohh! Shh!

(LAUGHTER) Ohh!

But one team will get that sinking feeling.

We trash this and we scale the whole thing down. We start again.

(WHISTLES)

Too heavy. What are you doing to me, picnic basket?!

Then, in the elimination...

No, they wouldn't, would they?

Oh, my god! I know who they're getting!

They would.

MAN: It's Kale!

..he's back.

Kale! Kale!

This elimination build is called Go Big Or Go Home.

(LAUGHTER) Here we go.

And we've got the country's best height consultant on hand

to give some truly invaluable advice.

I've got a design degree on the wall.

Design is not finished until there's nothing left to take away.

Sorry about that, guys. I'll leave you with that.

And the builds are gonna be big.

We've gotta go faster than we've ever laid bricks in our entire life.

You have got ten full minutes where anything can happen.

No, it's coming apart. SARAH: No, it's not.

Maybe even a little too big.

Ohh! FLEUR: No!

(GROANS)