Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:03,003 --> 00:00:07,941
DELETED AND ALTERNATIVE SCENES
2
00:00:11,845 --> 00:00:15,611
In the screenplay, this scene was supposed
to be at the beginning ofthe film...
3
00:00:15,783 --> 00:00:17,911
at the start of the school year.
4
00:00:18,352 --> 00:00:19,786
The point of it was to show...
5
00:00:20,154 --> 00:00:22,521
that there was construction being done...
6
00:00:22,623 --> 00:00:26,958
that they were behind,
and needed to reinforce the crew.
7
00:00:27,561 --> 00:00:31,088
It also allowed us to show Mécir's mother...
8
00:00:31,198 --> 00:00:33,929
as one of the school's cleaning women...
9
00:00:34,268 --> 00:00:38,501
who, having heard this information,
would talk to her son about it.
10
00:00:45,245 --> 00:00:47,873
-Director!
-Ah, there you are.
11
00:00:49,216 --> 00:00:51,412
The work has fallen behind considerably.
12
00:00:51,552 --> 00:00:53,646
It was too short a time.
13
00:00:53,854 --> 00:00:55,117
And then, it was August 15!
14
00:00:56,056 --> 00:00:58,423
My dear friend,
August 15 happens every year.
15
00:00:58,659 --> 00:00:59,819
The first day of school, too.
16
00:01:00,460 --> 00:01:03,861
Your crew is short on workers.
It will take months at this rate!
17
00:01:03,996 --> 00:01:07,829
Because for you, the priest can't welcome
his students in the new oratory.
18
00:01:08,399 --> 00:01:11,699
It will be done quickly. I assure you.
I will reinforce the crew...
19
00:01:11,902 --> 00:01:14,701
so that your students
are not bothered by the construction.
20
00:01:14,972 --> 00:01:15,939
That's nice!
21
00:01:17,307 --> 00:01:18,741
We are already...
22
00:01:19,409 --> 00:01:20,376
bothered.
23
00:01:25,348 --> 00:01:27,372
But in the end, in the film...
24
00:01:27,483 --> 00:01:32,478
this was the only scene where none
of the six young characters appeared...
25
00:01:33,322 --> 00:01:36,155
unlike all the other scenes.
26
00:01:36,392 --> 00:01:39,828
So lended up taking it out. Regretfully.
27
00:01:40,329 --> 00:01:41,819
Not so much because of it's content...
28
00:01:41,930 --> 00:01:45,298
but mostly because Dominique Besnehard
played the architect...
29
00:01:45,401 --> 00:01:49,167
and I really wanted Dominique in the film.
30
00:01:50,439 --> 00:01:54,103
First, because Dominique
really encouraged me to make it.
31
00:01:54,643 --> 00:01:57,578
He counseled me and supported me.
32
00:01:57,680 --> 00:02:00,479
But mostly he helped me to not bend...
33
00:02:01,050 --> 00:02:05,180
and to not lose my determination
in the difficult moments...
34
00:02:05,387 --> 00:02:08,448
especially when I was looking for financing.
35
00:02:09,858 --> 00:02:14,125
In fact, without the unwavering support...
36
00:02:14,329 --> 00:02:17,594
of France 2 Cinema and that of Dominique...
37
00:02:17,700 --> 00:02:22,399
I would have had a very hard time
making the film.
38
00:02:23,671 --> 00:02:27,368
In it's present form, anyway.
39
00:02:28,008 --> 00:02:30,340
-Did you bring your certificate?
-No, that's okay.
40
00:02:30,444 --> 00:02:34,074
-You already spoke to him, he agreed.
-You should have.
41
00:02:34,281 --> 00:02:35,544
Talk about a diploma!
42
00:02:35,682 --> 00:02:37,582
-Especially here.
-Come. There he is.
43
00:02:39,218 --> 00:02:42,745
That's not a sequence, but just a shot
to begin the scene...
44
00:02:42,855 --> 00:02:46,450
where Mécir's mother introduces him
to the crew boss.
45
00:02:47,393 --> 00:02:52,388
I really liked the idea that Mecir
is starting school, too, in his own way.
46
00:02:52,998 --> 00:02:57,697
and that his mother would talk about
his painting certificate...
47
00:02:57,837 --> 00:02:59,737
amidst all these university graduates.
48
00:03:00,706 --> 00:03:02,333
But it slowed down the action...
49
00:03:02,475 --> 00:03:05,934
and I preferred to start off directly
with his hiring...
50
00:03:06,645 --> 00:03:09,114
by the crew boss, the foreman.
51
00:03:11,984 --> 00:03:13,611
Thierry, come here, please?
52
00:03:14,186 --> 00:03:15,550
Can you start him painting?
53
00:03:17,122 --> 00:03:18,486
Go get changed in the back.
54
00:03:19,223 --> 00:03:20,190
ok3Y-
55
00:03:21,024 --> 00:03:25,325
That, too, was just the beginning
of a sequence, that ofthe breakfast...
56
00:03:25,496 --> 00:03:28,193
at Louis-Arnault's parents.
57
00:03:28,766 --> 00:03:32,703
I liked that Emeline was walking in the park,
petting the horses...
58
00:03:33,604 --> 00:03:35,800
and then watching her walk from behind.
59
00:03:35,939 --> 00:03:40,172
It's a little homage
to one ofmy favorite directors...
60
00:03:40,611 --> 00:03:42,511
Michelangelo Antonioni.
61
00:03:45,648 --> 00:03:48,913
But these shots gave too much
ofan opulent feeling...
62
00:03:49,218 --> 00:03:53,678
to define the parents’ situation,
to situate their house.
63
00:03:54,023 --> 00:03:58,790
Also, I preferred to start off directly
with Louis-AresenauIt's arrival.
64
00:03:59,462 --> 00:04:01,054
We got in late.
65
00:04:02,430 --> 00:04:04,694
Yes. We heard you.
66
00:04:04,833 --> 00:04:06,994
I hope we didn't make too much noise.
67
00:04:07,101 --> 00:04:09,694
No, don't worry, Emeline,
we weren't sleeping.
68
00:04:11,404 --> 00:04:14,373
This scene would have been
at about the middle ofthe film.
69
00:04:14,573 --> 00:04:18,476
While preparing his bag
to go to his water polo practice...
70
00:04:18,944 --> 00:04:23,711
Louis-Arnault notices he is missing
underwear and gets suspicious.
71
00:04:41,466 --> 00:04:44,128
We found it more important...
72
00:04:44,236 --> 00:04:47,900
that we don't know about Louis-Arnault
noticing his underwear's theft...
73
00:04:48,140 --> 00:04:50,632
and that he suspects Paul.
74
00:04:55,647 --> 00:05:00,016
That would have emphasized the idea
that he was playing with him deliberately...
75
00:05:00,118 --> 00:05:02,485
to see how far Paul would go.
76
00:05:05,691 --> 00:05:07,988
It's much more intense, when, at the end...
77
00:05:08,125 --> 00:05:12,528
he bitterly reveals it.
78
00:05:13,264 --> 00:05:16,757
You weren't happyjust stealing
my underwear, you had to sleep with that!
79
00:05:21,505 --> 00:05:26,466
Here is another scene which doesn't include
any of the six principal characters.
80
00:05:27,778 --> 00:05:30,440
It was one ofthe film's dream sequences...
81
00:05:30,548 --> 00:05:33,573
but with a more provocative side.
82
00:05:34,384 --> 00:05:38,651
As predicted, America closed well
yesterday, with an increase...
83
00:05:38,755 --> 00:05:41,952
in the markets of 3%
thanks to good economic statistics.
84
00:05:42,259 --> 00:05:46,423
We stayed on the upswing in Europe,
even without the indications...
85
00:06:00,310 --> 00:06:04,804
...0,34, London, +5%,
a little drop in Brussels, -0.8%...
86
00:06:04,948 --> 00:06:08,907
and in Zurich, -0. 6%.
So a little unstable in Europe....
87
00:06:09,085 --> 00:06:11,782
Nevertheless, we know how
to use our strengths, even...
88
00:06:18,929 --> 00:06:22,559
Fight workers
89
00:06:28,471 --> 00:06:30,997
Leave your machines
90
00:06:31,641 --> 00:06:34,542
Get out, proletariat
91
00:06:35,478 --> 00:06:38,539
March and march
92
00:06:38,715 --> 00:06:42,345
Get ready for the struggle
93
00:06:42,786 --> 00:06:46,689
Unfurl the flag
Charge the weapons
94
00:06:46,790 --> 00:06:50,351
In cadenced step
For the assault, charge
95
00:06:50,460 --> 00:06:53,794
We must conquer the world
96
00:06:53,897 --> 00:06:57,925
Proletariat, stand up
97
00:07:02,806 --> 00:07:06,834
But this scene couldn't find its place,
it was too out of touch...
98
00:07:06,943 --> 00:07:09,640
and was too different from
the rest ofthe film.
99
00:07:10,246 --> 00:07:15,207
In the end, so as not to completely abandon
this gap between dream and reality...
100
00:07:15,785 --> 00:07:18,152
I still used the final shot...
101
00:07:18,254 --> 00:07:22,748
of the workers symbolically walking
towards the Don Quixote statue...
102
00:07:23,059 --> 00:07:26,495
by putting it at the end
of the director's speech.
103
00:07:26,663 --> 00:07:30,360
But the director,
worried about your studies...
104
00:07:30,499 --> 00:07:33,935
I hope to become for you
a passer, who will allow you....
105
00:07:34,069 --> 00:07:37,801
It amused me to deride the director's
conquering speech....
106
00:07:38,140 --> 00:07:43,306
Ialso wanted to really show
the difference in class.
107
00:07:44,079 --> 00:07:47,743
Like a parable on leaders’ cynicism...
108
00:07:47,916 --> 00:07:51,682
on the finality of their speculations,
and this...
109
00:07:52,054 --> 00:07:55,079
within a concept that, it seems to me,
is forgotten today.
110
00:07:55,757 --> 00:07:58,590
Never forget our school motto....
111
00:07:59,127 --> 00:08:03,655
And, in a musical counterpoint.
another revolutionary song...
112
00:08:04,032 --> 00:08:05,727
El Pueblo Unido.
113
00:08:06,267 --> 00:08:09,931
But because, obviously,
I couldn't use the song...
114
00:08:10,071 --> 00:08:13,063
because the voices would have
drowned out the text...
115
00:08:13,207 --> 00:08:15,699
I then asked Alice Taglioni...
116
00:08:15,943 --> 00:08:19,379
to play it on the piano.
117
00:08:20,014 --> 00:08:22,038
As well as being a wonderful actress...
118
00:08:22,482 --> 00:08:24,576
Alice is also a very talented pianist.
119
00:08:25,719 --> 00:08:30,122
It's also this music
that I put over Mécir's dream.
120
00:08:42,235 --> 00:08:46,468
This is not cut scenes, but scenes
that are actually in the film.
121
00:08:46,706 --> 00:08:49,607
I just wanted to try a little experiment...
122
00:08:49,709 --> 00:08:53,373
by asking the lovely Alice Taglioni
to read two extracts...
123
00:08:53,647 --> 00:08:56,207
of my interview from the press release.
124
00:08:56,349 --> 00:08:58,977
To see what kind ofresonance
it would take on...
125
00:08:59,453 --> 00:09:04,584
hoping, ofcourse, to not alter
the original slant of the scenes.
126
00:09:07,527 --> 00:09:11,191
"When I was a film student,"
said Robert Salis...
127
00:09:11,898 --> 00:09:15,357
''I loved taking classes given by
the brilliant Sege Daney.
128
00:09:15,769 --> 00:09:18,932
"We were a small group who often
found ourselves with him...
129
00:09:19,072 --> 00:09:22,303
"around a coffee table
prolonging the pleasure of his classes.
130
00:09:22,742 --> 00:09:24,801
"One day, he brought up...
131
00:09:24,978 --> 00:09:29,108
"this subject in such ajust way
that it still resonates in all its logic.
132
00:09:29,216 --> 00:09:30,183
Louis-Arnault?
133
00:09:31,218 --> 00:09:35,553
"I can't convey the finesse andjudicial
development of his analysis...
134
00:09:35,789 --> 00:09:37,587
"but he estimated, in fact...
135
00:09:38,024 --> 00:09:40,652
"that if the majority ofsocieties had...
136
00:09:40,760 --> 00:09:43,320
"rejected and condemned homosexuality...
137
00:09:43,730 --> 00:09:47,394
"it is because they, themselves,
were, in fact, homosexual.
138
00:09:49,136 --> 00:09:51,969
"In the sense that all the social structures...
139
00:09:52,139 --> 00:09:57,134
"were conceived, established, legitimized
by men, in favor ofmen...
140
00:09:57,577 --> 00:10:00,569
"to preserve the privileges that
they had granted themselves...
141
00:10:00,680 --> 00:10:03,581
"in order to give themselves
a supremacy through which women...
142
00:10:03,683 --> 00:10:08,518
"were just trophies in their service
and relegated to the background.
143
00:10:12,023 --> 00:10:15,323
"It has only been a few decades
since women started fighting...
144
00:10:15,460 --> 00:10:19,863
"to reclaim, express, and obtain
their equality with men.
145
00:10:20,765 --> 00:10:25,066
"And it still revolts me
to see how women are treated...
146
00:10:25,170 --> 00:10:28,299
"in many countries
and put under the male yoke.
147
00:10:29,607 --> 00:10:33,066
"Socially, men have stolen
women '5 voices...
148
00:10:33,478 --> 00:10:35,138
"and have spoken for them...
149
00:10:35,245 --> 00:10:39,443
"by imposing social structure
based on an assumed misogyny.
150
00:10:40,617 --> 00:10:43,814
"And if homosexuals
have in fact been so forcefully rejected...
151
00:10:43,921 --> 00:10:45,513
"it is because they dared...
152
00:10:45,621 --> 00:10:49,819
"to behave like women by loving
and sleeping with other men...
153
00:10:50,126 --> 00:10:52,527
"thus transgressing the ancient taboo...
154
00:10:52,728 --> 00:10:55,459
"of a homosexual society
who dares not speak it's name...
155
00:10:55,631 --> 00:10:57,928
"in order to perpetuate itself and deceive.
156
00:11:00,535 --> 00:11:02,731
"It is not because PACS exists...
157
00:11:02,837 --> 00:11:05,738
"or that there are homosexual characters
in TV movies...
158
00:11:05,840 --> 00:11:07,968
"that homosexuality is now included.
159
00:11:08,410 --> 00:11:12,643
"It is tolerated or admitted in most cases,
but included, Idoubt it.
160
00:11:13,548 --> 00:11:16,141
"Just saying.’
‘This person is a homosexual’...
161
00:11:16,417 --> 00:11:20,217
"is not only announcing an information,
but it is also and mostly...
162
00:11:20,521 --> 00:11:24,754
"a way to pronounce an insidious
judgment on him.
163
00:11:25,459 --> 00:11:28,156
"You only have to look
at homophobic arguments or visions...
164
00:11:28,262 --> 00:11:30,492
"which exist in the collective unconscious.
165
00:11:31,065 --> 00:11:34,126
"Those inept questions which still carry
all that mockery.
166
00:11:34,401 --> 00:11:38,133
"'Who creates man? Who creates woman?
Which one is active or passive?’
167
00:11:38,572 --> 00:11:40,733
"You will notice that when a man...
168
00:11:40,840 --> 00:11:44,936
"wants to insult another in a strong way,
he feminizes his insults.’
169
00:11:45,311 --> 00:11:47,245
"fairy, fag, sissy.
170
00:11:47,480 --> 00:11:50,211
"As if for him calling a man a woman...
171
00:11:50,416 --> 00:11:52,510
"is the best way to put him down.
172
00:11:53,820 --> 00:11:57,188
"I find the moral regression
that is gaining territory...
173
00:11:57,290 --> 00:11:59,224
"very dangerous...
174
00:11:59,592 --> 00:12:00,684
"here and elsewhere.
175
00:12:02,462 --> 00:12:05,796
"How desire can travel from one being to
another, one body to another...
176
00:12:05,898 --> 00:12:08,265
''while ignoring the sexual boundaries
of youth...
177
00:12:08,368 --> 00:12:10,837
who tries to live with this romantic
crisscrosses. "
178
00:12:11,104 --> 00:12:13,368
-How are you? You coming?
-I'll wait there.
179
00:12:13,539 --> 00:12:14,699
Come on, we're used to it.
180
00:12:14,906 --> 00:12:15,930
-Sure?
-Yes.
181
00:12:16,241 --> 00:12:17,640
"Desire has no gender.
182
00:12:18,010 --> 00:12:21,139
"At least,
sexual, erotic and romantic preferences...
183
00:12:21,546 --> 00:12:25,073
"change when the pressure
of frustrations and inhibitions is lifted.
184
00:12:25,384 --> 00:12:28,843
"This puts into question the power ofan
upbringing which, from childhood,
185
00:12:29,154 --> 00:12:31,851
"regiments, directs, and controls desire...
186
00:12:32,190 --> 00:12:34,591
"and dictates laws on how to use it."
187
00:12:38,697 --> 00:12:40,221
"What men fear...
188
00:12:40,431 --> 00:12:42,957
"is not so much the act with another man...
189
00:12:43,267 --> 00:12:44,757
"to one day have this experience.
190
00:12:45,436 --> 00:12:48,405
"But rather the fear of being called
and labeled a homosexual.
191
00:12:48,538 --> 00:12:51,563
"Of being treated like a fag
or to think ofyourself like that.
192
00:12:52,508 --> 00:12:56,001
"The proof is the number of married men
with wives, homes, children...
193
00:12:56,345 --> 00:12:59,314
"who have a double life
or regular affairs or flings...
194
00:12:59,480 --> 00:13:01,608
"with other men or transsexuals...
195
00:13:02,083 --> 00:13:03,551
"as long as it stays a secret.
196
00:13:04,619 --> 00:13:08,146
"A constant dominance of the verb
that propels the law in question.
197
00:13:09,023 --> 00:13:11,184
"A law, in the biblical sense of the term...
198
00:13:11,591 --> 00:13:14,151
"that forces them to deny, suppress...
199
00:13:15,028 --> 00:13:18,328
"or feel guilt about their desires
if they're outside of the norm.
200
00:13:19,399 --> 00:13:21,026
"What is actually perverse...
201
00:13:22,836 --> 00:13:25,635
"is the power of the desire to fit the mold.
202
00:13:25,739 --> 00:13:28,208
"That insidious desire for conformity...
203
00:13:28,308 --> 00:13:30,743
"that destroys and deforms the personality.
204
00:13:31,144 --> 00:13:34,705
"The need to be completely normal
at any cost...
205
00:13:34,915 --> 00:13:36,474
"is the greatest perversion.
206
00:13:37,718 --> 00:13:41,484
"To paraphrase George Bataillex
Perversion is the norm.
207
00:13:43,557 --> 00:13:46,288
"Clearly, it's not about proselytizing...
208
00:13:46,927 --> 00:13:50,056
"or confusing desires and urges
by allowing them to overtake you.
209
00:13:50,597 --> 00:13:54,795
"Let's just say that in all
mutually consensual experiences...
210
00:13:55,135 --> 00:13:59,197
"whether the aim is to reach
self-fulfillment and sexual gratification...
211
00:14:00,140 --> 00:14:02,370
"or to simply satisfy curiosity...
212
00:14:02,509 --> 00:14:06,571
"other erotic territories deserve
to be explored without shame...
213
00:14:07,180 --> 00:14:09,979
"or guilt. This hardly ever happens.
214
00:14:11,151 --> 00:14:14,984
"A man who only goes for men,
depriving himself of women...
215
00:14:15,454 --> 00:14:19,186
''would be missing out as much as a man
who only goes for women...
216
00:14:19,492 --> 00:14:23,360
"and ignores the lure
ofmasculine pleasure on the pretext...
217
00:14:23,562 --> 00:14:25,086
"that society would disapprove.
218
00:14:26,230 --> 00:14:27,925
"But this is equally valid...
219
00:14:28,031 --> 00:14:30,830
"for women and their relationship
with men."
17893
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Faroese
Finnish
Galician
Georgian
German
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Indonesian
Irish
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof