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(dramatic music)
[Narrator] Previously on "Evil Touch."
The demon, what does it want?
It wants her.
[Paul] What's he saying?
I don't know.
It's Karen.
Professor Miller,
it's over.
Young lady, you said you saw something.
I had like a premonition, a vision.
Gather your things, and I will get you out of here.
Let's go, follow me.
No one is going anywhere.
(woman screaming)
(pensive music)
(pensive music continues)
(woman screams)
Okay, Karen, let's pick up
where the leader got stabbed.
Sanasar.
(dramatic music)
(Sanasar gasps)
Why would you do this?
Sanasar.
(people conversing in foreign language)
So what we didn't know at the time
was that our bus driver, Hamlet,
had gotten the local police
and was with them on the way back to the village.
You guys probably have a copy of the police report, right?
Just keep going please.
We want to hear your version of events.
(dramatic music) (birds cawing)
(Hamlet speaking in foreign language)
(suspenseful music continues)
(officer and Hamlet conversing in foreign language)
(officer and Hamlet continue conversing)
(suspenseful music)
(lookout speaking in foreign language)
So Hamlet was coming with the police,
and one of the guard's came to alert Zhozef.
(Tigran speaking in foreign language)
(Zhozef speaking in foreign language)
What can we do for you, my friend?
(Zhozef speaking in foreign language)
(tense music)
(Zhozef speaking in foreign language)
(Police and Zhozef converse in foreign language)
This Zhozef guy
is a homicidal maniac,
and he was getting ready to finish off Sanasar,
and the rest of us too.
But luckily, the police were right outside.
So, he went to talk to the cops.
What happened in the stable with Sanasar?
Oh no. What can we do?
Vicki, grab something so we can lean him back.
Grab a pillow.
Guys, we need a Tshirt, a shirt, something.
We need to stop this bleeding right now.
Sanasar, what can we do.
You need some water?
Can we call somebody, one of the guards?
I'm sorry this happened.
Where is Zhozef?
Where is the boy?
The boy, Rick.
The mark is...
What about it?
Mark. That the old mark is going wrong.
It's,
it's not a good sign.
Yeah, I wouldn't think so.
What, why?
You. You must now live.
You will survive, I know.
But history, I don't know.
But if the mark of the demon
continues to grow,
it's bad for him.
Bad for him and bad for everyone.
I don't understand. Wait, wait.
What did he mean, it would be bad for everyone?
Well, he didn't really elaborate.
You didn't ask?
No.
No?
No.
(Zhozef speaking in foreign language)
(police speaking in foreign language)
(Zhozef speaking in foreign language)
(police responds in foreign language)
(Zhozef speaking in foreign language)
(police speaking in foreign language)
(Zhozef speaking in foreign language)
(tense music)
(Hamlet speaking in foreign language)
(police speaking in foreign language)
(Hamlet speaking in foreign language)
(tense music continues)
(police speaking in foreign language)
(Hamlet speaking in foreign language)
(police speaking in foreign language)
So I'm assuming you never saw the police.
No.
We figured Zhozef must have found a way
to keep them from entering.
But we had to do everything we could to help Sanasar.
(thrilling music)
All right, we got to stop this bleeding.
Vicki, grab something so we can make
some kind of tourniquet.
Sanasar, what can we do?
Stay still. Stay still.
You've lost a lot of blood.
It's not the first time I've lost blood.
I'm not the first time blood spills for our mission.
That bastard, Zhozef, huh?
Yeah, Zhozef. Okay.
I have it. I have it.
Oh, I'm sorry. I'm sorry.
[Paul] Why did he do this?
I don't know.
He's lost his mind.
It's not...
It's not like he'll protect us.
(Sanasar breathes with difficulty)
(Zhozef speaking in foreign language)
(suspenseful music)
(Zhozef speaking in foreign language)
(guard speaking in foreign language)
(dramatic music)
(dramatic music)
(Zhozef speaking in foreign language)
(guard speaking in foreign language)
(Zhozef speaking in foreign language)
(guard speaking in foreign language)
(Zhozef speaking in foreign language)
(Demir speaking in foreign language)
(dramatic music)
(Zhozef speaking in foreign language)
(dramatic music continues)
(Zhozef speaking in foreign language)
(dramatic music continues)
(guard speaking in foreign language)
(Demir speaking in foreign language)
(Zhozef speaking in foreign language)
(guard speaking in foreign language)
And then we heard this commotion outside.
(Zhozef shouting in foreign language)
What's going on?
(men speaking in foreign language)
(Zhozef shouting in foreign language)
Cameron!
Oh my god.
(Demir speaking in foreign language)
(gentle piano music)
All right listen,
we've stopped the bleeding as much as possible,
but if we want him to make it,
we got to get him out of this village.
Okay, to a hospital?
He's lost a lot of blood,
but it's not too late.
He doesn't have to die.
[Sanasar] The book.
(Sanasar speaking in foreign language)
I'm okay.
I need to go to my study.
(Demir speaking in foreign language)
We will get him some medicine
and some new dressing for wound.
All right, how do you want to do this?
Whoa, all right. Let's do it.
Come on, buddy.
Rick. Rick!
Come on we got to go.
Let me help you.
Rick, come on, please.
Stand up, what are you doing?
(guard speaking in foreign language)
(Sanasar responds in foreign language)
(guard speaking in foreign language)
(Sanasar responds in foreign language)
(guard speaking in foreign language)
(Sanasar speaking in foreign language)
(guard speaking in foreign language)
(Sanasar speaking in foreign language)
(guard responds in foreign language)
(Sanasar speaking in foreign language)
(guard speaking in foreign language)
(Demir speaking in foreign language)
(Melek responds in foreign language)
(Demir speaking in foreign language)
(Melek speaking in foreign language)
(Demir speaking in foreign language)
(Melek speaking in foreign language)
(Demir speaking in foreign language)
She calls you the Hammer.
Come, Hammer.
We have work to do.
(dramatic music)
(dramatic music)
(Zhozef speaking in foreign language)
(Vardan speaking in foreign language)
(Zhozef speaking in foreign language)
(locks clank)
(Zhozef shouting in foreign language)
(Zhozef screams)
[Paul] Come on.
Come up by the step.
I got him, I got him.
Come on. Come on.
Come on.
Yeah, just put him there.
Oh, Rick. It's okay.
We're heading back soon.
[Paul] What's that?
This will stop the bleeding,
and help with the pain slightly.
(Demir speaking in foreign language)
(Sanasar speaking in foreign language)
The Book of Knowledge.
It contains records
accumulated by generations of protectors
for hundreds of years.
Knowledge?
Knowledge of the Char Voki?
Yes.
(tense music)
As long as our people have been answering the call,
we have been
aware,
we have been aware of
the ancient prophecy.
This village was built around the cave.
It is...
[Demir] A mine.
A mine?
I told you about vahalium.
This is where the special metal comes from.
The mines go deep underground.
They've been here as long as anyone can remember.
It was there.
There are several ways to get in.
[Demir] You may have found the entrance
when you were hiding from the pursuers.
Yeah, I, um,
I went through a door, (suspenseful music)
and then I was in a place that was completely dark.
And it felt, I mean it felt so eerie.
He said through you,
he was there when you have a reason.
(scary music)
[Paul] That's right.
I believe we have answers to what we need
in the mine.
Some answers would be good right now.
[Sanasar] The Char Voki wants her.
What?
She's the one.
The one?
Yes.
[Paul] Please explain.
The person prophesied by the knowing ones,
the ancient sages.
Kevin.
Before he...
He was signing something.
What'd he say?
He said it was Karen.
Rick said, "It wants her."
Oh god, Rick. Rick, are you all right?
No, he's not all right.
He doesn't look good, this boy.
[Vicki] It's okay.
What do you think is going to happen to him?
Like what Sanasar said earlier,
we don't know what happens to a person when
the host leaves the body.
We've never seen anyone survive the touch.
I think the child will leave behind him,
some people call...
A residue?
[Sanasar] Yes.
Something kind of like residue.
And?
Karen, you have gone beyond.
That mark on your neck,
it is suddenly cured?
[Karen] I don't know.
I honestly don't know.
[Vicki] It's okay.
It's okay.
(intense music)
We need to go down.
(dramatic music)
I saw the image in the book,
and I have a flashback to when I was a kid.
To when you were a kid?
Yeah. To when my father passed away.
He died unexpectedly,
and it profoundly effected me.
(solemn music)
After his funeral,
that night he came to me,
but not in a dream.
I actually saw him there in my bedroom,
and he said,
"Don't be afraid, I'll always be with you,
"and you're destined to do amazing things."
And then he touched the back of my neck,
and I felt something that I will never be able to describe.
And he said,
"You're special.
"You'll see what I mean,"
and then he was gone.
(dramatic music)
Okay.
I think maybe we'll all take a break now,
if that's all right.
(dramatic music)
(dramatic music)
So do we think they are making this stuff up,
or are they just out of their minds?
So, do we believe them or not?
No, sir.
It's mainly the first girl, Karen.
But the other two aren't contradicting her.
This may be out of our hands at this point anyway.
Right now, we have someone coming over
who has a lot more expertize in this kind of thing.
A shrink?
I'm afraid we're getting into areas
that we simply have little training or experience with.
I don't know what these kids are up to,
or what they think they saw.
We're running out of time,
so for now keep working with them,
and see what you can get.
Any questions?
No, sir. Good.
Okay, Karen,
let's talk about what happened after this flashback.
[Karen] Well, I was a little shaken up.
(suspenseful music)
Karen, you don't have to do this.
This is their problem.
No, I have to do this.
I'll go.
I'm fine.
[Sanasar] You need to go.
(Demir speaking in foreign language)
I'm okay.
You're not okay, and you're not good at lying.
She's right,
on both counts.
He'll know. You need to go.
I think Rick's going to have to sit this out, guys.
Rick, okay.
I'll stay with them.
[Vicki] Come on.
This, is it going to get worse?
I don't know, maybe,
but nobody can take care of him better than you.
We'll take him somewhere he can rest.
We'll take good care of him.
Get up.
She's going to help you.
Come on.
It's going to be okay, I promise.
Hang in there, man.
Fight this, okay?
Come on, Rick. Come on.
(tense music)
All right.
You guys ready to do this?
Yes.
Let's go.
[Paul] Come on.
(suspenseful music)
(dramatic music)
(dramatic music)
(thrilling music)
(guard speaking in foreign language)
What is happening to him?
I'm sorry, Vicki.
Rick, please talk to me. Please!
Oh my god, he's changing
right in front of us.
(Rick growls)
Rick!
No, no, no. Look at me.
What is he turning into? Rick?
(Demir speaking in foreign language)
It's okay.
It's going to be okay, I promise.
(Demir speaking in foreign language)
No, no! Where are they taking him?
Where are they taking him?
I lost it.
I guess in my heart, I just knew I'd never seen him again.
(suspenseful music)
Where is he going?
Rick!
So, then we went into the mine,
and I got that same sense of dread
that I had when I went in there earlier by myself.
Through that door.
So we went down,
all the way down to the lowest point of the mine.
Are you sure?
Yes. We must go,
even if it kills me.
Okay, come on.
Watch your step. Come on.
(tense music)
(Rick snarls)
[Vicki] Where the hell are they taking him.
[Demir] The only place safe for everyone
is the stockade.
[Vicki] Rick, Rick!
Rick, no!
Come on.
Come on, come on.
(suspenseful music)
(voices shouting in distance)
Here.
Here, this is it.
This builder, this is the beginning.
Our miners find it a few years ago.
It has yet to be chipped, cut, or dug out.
It's stronger than the sharpest of
the harvest tools we have.
What is it?
Perhaps we should ask her.
(suspenseful music)
(Karen gasping)
Karen? Karen?
(tense music)
Karen?
So what was it?
What spooked you?
I don't know.
(suspenseful music)
(Karen breathing heavily) Karen?
You don't look like you're ready for this.
It's your choice.
No, I am.
This is more important than me.
It's more important than all of us.
I'm just overwhelmed.
I get it, I understand.
I have to see this through,
whatever it is.
Okay, I'm with you.
[Karen] Okay.
Come on.
(dramatic music)
(dramatic music)
(Rick growls)
Rick, Rick.
Oh my god.
(lock clicks)
(Rick snarls)
(Zhozef speaking in foreign language)
(Char Voki screeches)
There's nothing we can do for him now.
Let's go. (Char Voki screeches)
What is going to happen to him?
To Rick?
I'm sorry, but honestly I don't think he'll make it
through the night.
Oh. What about Sanasar?
Come with me. (tense music)
We need to rest.
Both of us do.
(intense thrilling music)
I never want to see this place again.
How long is he going to be in there?
Hopefully forever.
(guard speaking in foreign language)
(music intensifies)
[Cameron] So what now?
I need to see Sanasar.
I don't know how long he has.
All right, well where are they,
and how do we find them?
(hinge creaks)
(Melek speaking in foreign language)
(protector speaking in foreign language)
(Melek speaking in foreign language)
Come.
You need to rest.
You can sleep here.
Are you not sad? About Sanasar?
Of course I'm sad.
I'm very sad.
You just seem so okay.
Sanasar is where he wants to be,
where he is meant to be.
This is his destiny.
And Karen?
This is her destiny?
And if I'm where I'm meant to be,
then what's going to happen to me?
Whatever happens will happen.
No one truly knows where their life path will lead.
It's no good to dwell on such things right now.
Thank you.
Now rest.
I'll bring you some water and fruit.
You'll feel all better in the morning.
Thank you.
(Vicki sighs)
(mysterious music)
(mysterious music continues)
(mysterious music continues)
(dramatic music)
(dramatic music)
(mysterious music)
(suspenseful music)
(suspenseful music continues)
(Karen breathes heavily)
Karen?
What just happened?
You were gone for a few seconds.
[Karen] What are you talking about?
I've been gone for ages.
No.
And you won't believe the things I've seen.
Sanasar, the Char Voki is not alone.
There are others.
And they're trying to unite.
(dramatic music)
[Narrator] Next time on "Evil Touch."
There are at least two other evil spirits,
sent to the far corners of the Earth
by the angels who created this portal
at the beginning of time.
The demon here is trying to use this portal
to reunite with the others.
She is the key.
Your mission now is stop the demon.
[Paul] We're down to do this,
but how will we know what to do?
[Sanasar] She will know what to do.
[Paul] Karen, what's wrong?
(Karen gasping)
Oh my god, something terrible is happening.
Jesus Christ.
It happened.
Guys, this is so messed up.
[Paul] Something tore these people to shreds.
(dramatic music)
(dramatic music continues)
(woman screams)
(dramatic music continues)
(mysterious music)
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