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Part the First
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The blue moon illuminated
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your wandering shadow.
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I could never tell you all I wanted to say.
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It was so very frustrating.
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I think about your faked smile,
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and forget all the hot tears we shed.
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What do these empty husks,
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those empty eyes of yours, reflect, my dear?
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The transient quarter moon
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hides in a rift in the clouds,
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as darkness seeps up from the ground.
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Tell me the truth, please.
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Are you so despondent
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that you still sit alone, sighing?
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Kumikou
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Incense Session
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Agar
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Genjikou
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Wood Pillar
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Victor
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Manaka
Manaban
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= Types of Incense
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Shinkyara
Sasora
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= Types of Incense
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Tamakazura
27
00:13:03,130 --> 00:13:06,640
Endless Summer
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00:13:16,900 --> 00:13:19,650
Writing Practice
29
00:13:24,110 --> 00:13:27,030
Illusion
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00:19:36,020 --> 00:19:37,980
Broom Tree
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00:21:08,030 --> 00:21:09,990
To be continued
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In our art, it is said that incense is heard, rather than smelt.
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Seeing, hearing, eating, drinking; there
are many pleasures in which men can engage.
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To hear a scent is certainly the most refined of them all.
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There are many styles surrounding the art of incense,
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but the Fue-no-Kouji School was
thought to have perished long ago.
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It surprised me to hear, then,
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that the beautiful Lady Ruri was the sole heir
to, and only practitioner of, this ancient style.
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I asked her if we might be married,
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for it is my wish to restore the
Fue-no-Kouji School to its former greatness.
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However, there were three other candidates, making a
total of four men, who were vying for Lady Ruri’s hand.
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Four suitors for a single lady.
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Lady Ruri was put in quite an uncomfortable position,
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and so, she decided to judge them based on a Kumikou Trial.
45
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In layman’s terms, she would decide which
suitor to marry based upon a battle of incense, of sorts.
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Nakarai-han, I understand you run a commercial fishery,
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but also know much of the art of incense.
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I hear that your previous wife passed away. Is that correct?
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It is indeed.
50
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And Muramachi-han, you’re a samurai from Azuma, I believe?
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You are competing as a matter of business?
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You are correct.
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I recognize my weakness in this particular art,
and that it is closely tied to my own discipline.
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I intend to marry Lady Ruri and devote myself to her craft.
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Oh, is that so?
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As for myself, I am the great Oosawa
Robou, a member of the imperial court.
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And the last of us…
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Hello.
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Oh my, I had heard that the fourth suitor was Jissonji-han.
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Who are you?
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I am just a simple medicine seller.
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Why have you come here, then, Medicine Seller?
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Because there may already be a Mononoke here.
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Because there may already be a Mononoke here.
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Oh my. That’s most interesting.
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A Mononoke, you say?
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I thought you were just a medicine seller.
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Or are you not?
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Excuse me, sirs.
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The contest is almost ready for you.
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Oh, is that so?
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That means Jissonji-han is late.
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Such tardiness must mean he does
not wish to marry Lady Ruri after all.
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Rar!
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This is the heir to the Fue-no-Kouji School…
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H—He’s not bowing!
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And why is he even here?
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This is where Lady Ruri will decide
which of her suitors she will marry!
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Well, no matter.
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Being a medicine seller, do you ever
sell ingredients for incense, such as musk?
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I do indeed.
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Well, you see, in this contest, we will
not be hearing an animal-based scent,
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but rather the fragrant wood of the agar.
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The goal is to discern the slight differences in each piece.
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Agar.
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Its wood is so deeply permeated with aromatic
resin that it will sink when submerged in water, correct?
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Well, four contestants were scheduled to compete…
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Madam, would you mind if this
man were to vie for your favor with us?
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Let it be so.
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Well, then…
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Tonight’s contest will be Genjikou.
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Genjikou.
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It’s to be Genjikou, is it?
94
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Why don’t we make it simpler? Like, say, Taketori-no-Kou?
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U—Um, excuse me.
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In Genjikou, you must hear five fragrances
in turn, then try to discern which are the same.
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You use five blocks to signify
which of the fragrances is the same.
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There are fifty-two combinations in total.
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F—Fifty-two?
100
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Each combination represents one of
fifty-two chapters of the Tale of Genji,
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with the exceptions of the first chapter, Paulownia
Pavilion, and the final chapter, Floating Bridge of Dreams.
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For example, if these two and these two are the same,
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it would represent Wood Pillar, as you can plainly see.
104
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And so, if the second and fourth
scents are the same, you arrange them thus.
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If five and three are also the same, thus.
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If one and two are the only two that are the same, thus.
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That’s all it is.
108
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Each of the combinations simply has
a different name and reason behind it.
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You don’t have to know which
corresponds to which in order to play.
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I—I suppose…
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Huh. I can tell you’re a country samurai.
112
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What did you say?
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Th—This was our hostess’s decision!
114
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Still, Genjikou is usually played five times,
with the most accurate contestant being the victor.
115
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This contest will last throughout the night.
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The contest will be a single round,
after which the victor will be decided.
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So, if there are two with the correct answer, there is no victor.
118
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So, it’s a one-shot deal.
119
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Is that all right with you?
120
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Let it be so.
121
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The first scent is ready.
122
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Here you are.
123
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My goodness!
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What a peaceful scent she chose to begin with.
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It makes me feel like I’ve met a new friend; joy filling my heart.
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Here you are.
127
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My goodness!
128
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Such a nostalgic scent she chose to begin with.
129
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It reminds me of a sunny day in my home, when
my father scolded me for not attending to my studies.
130
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Here you are.
131
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The second scent is ready.
132
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The third scent is ready.
133
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This is either Manaka or Manaban.
134
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H—How are they different?
135
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Aren’t they all the same?
136
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I’ve got no chance!
137
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The fourth scent is ready.
138
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My goodness!
139
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I know this smell!
140
00:11:16,610 --> 00:11:18,030
This is… This is…
141
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Horse dung?
142
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A Nue’s cry, eh?
143
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N—Nue?
144
00:11:34,130 --> 00:11:35,960
Oh, it’s just the birds.
145
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The fifth scent is ready.
146
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Decide how you will answer after this.
147
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One and three are the same,
148
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and I believe four and the last one were, as well.
149
00:11:57,730 --> 00:12:01,150
Shinkyara? No, Sasora?
150
00:12:05,030 --> 00:12:06,830
This one’s the same!
151
00:12:06,830 --> 00:12:13,170
They’re all mocking me! They think I’m a bumpkin! A yokel!
152
00:12:23,010 --> 00:12:28,260
This is just overly difficult,
especially when compared to Taketori-no-Kou.
153
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Taketori!
154
00:12:30,430 --> 00:12:36,730
There was a chapter in the Tale of Genji, as
well, wherein a lady was approached by four suitors.
155
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Tamakazura!
156
00:12:38,770 --> 00:12:44,820
Why did I not realize it before? Lady
Ruri is the same as Tamakazura herself!
157
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Tamakazura!
158
00:12:50,990 --> 00:12:52,910
It is most likely Tamakazura.
159
00:12:52,910 --> 00:12:57,040
However, this man here must already know that.
160
00:12:57,040 --> 00:12:59,540
I can’t win with the same answer.
161
00:12:59,540 --> 00:13:01,920
I’ll have to take a chance here.
162
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Endless Summer!
163
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What do they find enjoyable about this?
164
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Some of them are different, they say?
165
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Ridiculous! They’re all the same, damn it!
166
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Writing Practice!
167
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Illusion.
168
00:13:29,830 --> 00:13:34,200
I will record your answers. I ask that you retire.
169
00:13:35,500 --> 00:13:38,880
Jissonji-dono never came, did he?
170
00:13:40,170 --> 00:13:41,250
Never mind him!
171
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I—It’s awfully cold tonight, is it not?
172
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There is a lavatory at the end of this hall.
173
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O—O—Oh my. Very kind of you.
174
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If you’ll excuse me.
175
00:14:08,360 --> 00:14:10,490
I—I think I will excuse myself, as well.
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Yes, me as well.
177
00:14:21,000 --> 00:14:25,170
Where, I wonder, is the Toudaiji?
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Is something the matter?
179
00:14:38,640 --> 00:14:43,570
Oh, no. It’s nothing at all!
180
00:14:48,990 --> 00:14:51,200
It is hesitating.
181
00:14:51,200 --> 00:14:52,820
It is hesitating.
182
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Where is the Toudaiji?
183
00:15:00,250 --> 00:15:03,920
Perhaps in that furthest room, after all.
184
00:15:24,440 --> 00:15:27,110
Ack! What are you doing?
185
00:15:30,740 --> 00:15:34,490
Ack! Medicine Man, what is this?
186
00:15:34,490 --> 00:15:38,250
The Mononoke has begun to move.
187
00:15:38,700 --> 00:15:40,750
That again?
188
00:15:42,830 --> 00:15:45,130
He’s talking to his sword.
189
00:15:45,130 --> 00:15:49,550
You keep blabbering about Mononoke over
and over, but can you really use that sword to—
190
00:15:49,550 --> 00:15:50,970
Kill them. Yes.
191
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In order to do so, I need its Form, Truth and Regret, though.
192
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So, I came too late.
193
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M—My goodness!
194
00:16:26,920 --> 00:16:28,210
Jissonji-han!
195
00:16:28,210 --> 00:16:29,550
It’s Jissonji-han!
196
00:16:29,960 --> 00:16:32,880
Do you mean to tell us this was a Mononoke’s doing?
197
00:16:36,470 --> 00:16:38,310
What is it this time?
198
00:17:11,550 --> 00:17:14,050
Lady Ruri! Lady Ruri!
199
00:17:11,960 --> 00:17:14,050
My God! What happened to you?
200
00:17:14,050 --> 00:17:15,130
My goodness.
201
00:17:15,430 --> 00:17:17,300
Did Jissonji-han kill Lady Ruri,
202
00:17:17,300 --> 00:17:21,430
or did Lady Ruri kill Jissonji-han and then herself?
203
00:17:21,430 --> 00:17:23,270
Ah, I can’t believe this!
204
00:17:23,270 --> 00:17:25,690
Someone came in from outside, obviously!
205
00:17:27,270 --> 00:17:30,980
When was Jissonji-han killed?
206
00:17:30,980 --> 00:17:38,030
Could it be he arrived before the rest of us,
and has been lying there dead all this time?
207
00:17:38,030 --> 00:17:39,780
Who was in this mansion?
208
00:17:40,030 --> 00:17:42,540
Yourselves, Lady Ruri, the old woman…
209
00:17:42,540 --> 00:17:45,620
There’s another. I saw a strange little girl.
210
00:17:45,620 --> 00:17:48,750
Are you implying that a small girl killed two adults?
211
00:17:48,750 --> 00:17:50,290
The T—Toudaiji!
212
00:17:50,290 --> 00:17:52,250
Is the Toudaiji safe?
213
00:17:52,250 --> 00:17:53,170
Toudaiji!
214
00:17:53,170 --> 00:17:53,510
Toudaiji!
215
00:17:53,510 --> 00:17:54,590
Toudaiji! Toudaiji! Toudaiji! Toudaiji! Toudaiji!
Toudaiji! Toudaiji! Toudaiji! Toudaiji! Toudaiji!
216
00:17:54,590 --> 00:17:54,920
Toudaiji! Toudaiji! Toudaiji! Toudaiji! Toudaiji!
Toudaiji! Toudaiji! Toudaiji! Toudaiji! Toudaiji!
217
00:17:54,920 --> 00:17:56,220
Toudaiji! Toudaiji! Toudaiji! Toudaiji! Toudaiji!
Toudaiji! Toudaiji! Toudaiji! Toudaiji! Toudaiji!
218
00:17:56,220 --> 00:17:56,800
Toudaiji! Toudaiji! Toudaiji! Toudaiji! Toudaiji!
Toudaiji! Toudaiji! Toudaiji! Toudaiji! Toudaiji!
219
00:17:56,800 --> 00:17:57,630
Toudaiji! Toudaiji! Toudaiji! Toudaiji! Toudaiji!
Toudaiji! Toudaiji! Toudaiji! Toudaiji! Toudaiji!
220
00:17:57,630 --> 00:17:58,340
Toudaiji! Toudaiji! Toudaiji! Toudaiji! Toudaiji!
Toudaiji! Toudaiji! Toudaiji! Toudaiji! Toudaiji!
221
00:17:58,340 --> 00:17:58,970
Toudaiji! Toudaiji! Toudaiji! Toudaiji! Toudaiji!
Toudaiji! Toudaiji! Toudaiji! Toudaiji! Toudaiji!
222
00:17:58,970 --> 00:17:59,470
Toudaiji! Toudaiji! Toudaiji! Toudaiji! Toudaiji!
Toudaiji! Toudaiji! Toudaiji! Toudaiji! Toudaiji!
223
00:17:59,470 --> 00:18:00,390
Toudaiji! Toudaiji! Toudaiji! Toudaiji! Toudaiji!
Toudaiji! Toudaiji! Toudaiji! Toudaiji! Toudaiji!
224
00:18:00,390 --> 00:18:00,680
Toudaiji! Toudaiji! Toudaiji! Toudaiji! Toudaiji!
Toudaiji! Toudaiji! Toudaiji! Toudaiji! Toudaiji!
225
00:18:00,680 --> 00:18:01,510
Toudaiji! Toudaiji! Toudaiji!
226
00:18:01,510 --> 00:18:02,260
Toudaiji! Toudaiji! Toudaiji!
227
00:18:02,260 --> 00:18:03,390
Toudaiji! Toudaiji! Toudaiji!
228
00:17:54,920 --> 00:17:56,220
Wait!
229
00:18:13,570 --> 00:18:16,860
What’s this about the Toudaiji?
230
00:18:20,780 --> 00:18:23,660
It isn’t here, you know.
231
00:18:23,660 --> 00:18:26,660
It’s kept in a safe place.
232
00:18:29,330 --> 00:18:33,170
Is there something wrong?
233
00:18:33,170 --> 00:18:36,630
I can’t see terribly well, so I cannot tell.
234
00:18:37,550 --> 00:18:42,430
W—Well, that’s awful.
235
00:18:42,430 --> 00:18:44,600
Oh no! Jissonji-han’s—
236
00:18:48,770 --> 00:18:51,400
Is there something in here?
237
00:18:51,400 --> 00:18:52,730
You must not open it!
238
00:18:52,730 --> 00:18:54,360
You must not go in!
239
00:18:54,360 --> 00:18:59,320
There’s something terrible in
there! Something unfit for a lady’s eyes!
240
00:18:59,320 --> 00:19:02,700
Y—Yes! It’s incredibly raunchy!
241
00:19:02,700 --> 00:19:04,370
Is that so?
242
00:19:04,660 --> 00:19:06,330
Well, be careful, then.
243
00:19:10,040 --> 00:19:12,960
My heart almost gave way there.
244
00:19:12,960 --> 00:19:16,760
Oosawa-dono, what are we to do?
245
00:19:16,760 --> 00:19:25,680
One of us should have been able to gain the Toudaiji by
becoming Lady Ruri’s husband and inheriting her school.
246
00:19:25,680 --> 00:19:29,180
Come to think of it, we never saw the answer.
247
00:19:29,850 --> 00:19:31,770
This was the correct answer?
248
00:19:31,770 --> 00:19:33,060
My goodness.
249
00:19:33,060 --> 00:19:35,520
Broom Tree, eh?
250
00:19:35,520 --> 00:19:37,980
Broom Tree, eh?
251
00:19:37,980 --> 00:19:40,820
They were all different scents, then.
252
00:19:40,820 --> 00:19:43,700
There was no victor, after all.
253
00:19:44,530 --> 00:19:46,620
Medicine Man, is something the matter?
254
00:19:46,990 --> 00:19:52,330
I thought it was her,
255
00:19:52,620 --> 00:19:56,460
but I was obviously mistaken.
256
00:19:56,460 --> 00:19:58,130
Wh—What is he talking about?
257
00:19:58,130 --> 00:20:01,170
Oh, just talking to myself.
258
00:20:01,170 --> 00:20:06,640
At any rate, what is this Toudaiji?
259
00:20:06,640 --> 00:20:10,520
You can’t possibly mean the temple, can you?
260
00:20:11,940 --> 00:20:17,610
With the lady dead, the Toudaiji has no rightful heir.
261
00:20:17,610 --> 00:20:21,990
What do you say we decide who
gets it based on another Kumikou?
262
00:20:21,990 --> 00:20:24,110
Wh—What are you saying?
263
00:20:24,110 --> 00:20:26,950
Lady Ruri is dead!
264
00:20:26,950 --> 00:20:31,200
Only the four of us know, you see.
265
00:20:31,790 --> 00:20:35,830
Yes. We’ll decide which of us is the
heir, and have a little wedding celebration.
266
00:20:35,830 --> 00:20:41,670
We’ll say that she died after that.
267
00:20:41,670 --> 00:20:47,930
And the one who wins her hand will gain the Toudaiji.
268
00:20:49,640 --> 00:20:51,180
I see.
269
00:20:51,720 --> 00:20:53,600
I will prepare the scents.
270
00:20:53,600 --> 00:20:55,150
Very well, then.
271
00:20:55,150 --> 00:20:58,020
In return, tell me what the Toudaiji is!
272
00:20:58,020 --> 00:21:02,030
What is this Toudaiji, which is wanted
so much more than Lady Ruri herself?
273
00:21:02,030 --> 00:21:03,450
What is it?
274
00:21:04,320 --> 00:21:07,620
Let me ask you that.
275
00:21:11,750 --> 00:21:19,250
Without you, I just can’t smile.
276
00:21:20,380 --> 00:21:30,310
I walk this banal town,
277
00:21:30,310 --> 00:21:36,390
feeling such intense emotions.
278
00:21:36,940 --> 00:21:42,780
I know that if I could treasure them and live on,
279
00:21:42,860 --> 00:21:52,080
I would need nothing else.
280
00:21:52,740 --> 00:22:00,250
The summer flowers that bloomed in the sky
281
00:22:00,250 --> 00:22:06,550
Come falling down, dancing in the wind.
282
00:22:06,630 --> 00:22:09,890
I can barely recall the night sky
283
00:22:09,890 --> 00:22:13,180
where they all came tumbling down,
284
00:22:13,180 --> 00:22:24,030
so what I can still recall is all the more precious.
20868
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